1 00:00:00,440 --> 00:00:02,480 Speaker 1: Wake that ass up in the morning. 2 00:00:02,640 --> 00:00:05,320 Speaker 2: The Breakfast Club Morning. 3 00:00:05,360 --> 00:00:09,000 Speaker 3: Everybody's Steve, j Envy, Jesse, Larry Show, I mean the 4 00:00:09,039 --> 00:00:10,239 Speaker 3: guy we are the Breakfast Club. 5 00:00:10,240 --> 00:00:11,280 Speaker 2: We got a special guest in. 6 00:00:11,240 --> 00:00:14,840 Speaker 3: The buildings and out right now. Not now I'm busy, 7 00:00:15,000 --> 00:00:16,280 Speaker 3: Ladies and gentlemen joining Lucas. 8 00:00:17,800 --> 00:00:20,680 Speaker 1: How you feeling I'm good man, You good? 9 00:00:21,120 --> 00:00:21,640 Speaker 4: Yeah, I'm good. 10 00:00:21,640 --> 00:00:23,400 Speaker 1: How y'all feeling good? 11 00:00:23,440 --> 00:00:27,800 Speaker 2: Products going on in your life? The girls? 12 00:00:27,880 --> 00:00:28,960 Speaker 4: So that's so good. 13 00:00:31,440 --> 00:00:33,720 Speaker 2: Not now I'm busy, man, tell me about that album title. 14 00:00:34,680 --> 00:00:37,600 Speaker 5: So yeah, it's just not now I'm busy. It's really 15 00:00:37,760 --> 00:00:39,680 Speaker 5: you know, the space that you know, I've been in 16 00:00:39,680 --> 00:00:42,839 Speaker 5: my life for the last couple of years, you know, 17 00:00:43,000 --> 00:00:45,480 Speaker 5: just really not having you know, really not having time, 18 00:00:46,000 --> 00:00:49,080 Speaker 5: you know, for a lot of things that are even important. 19 00:00:48,680 --> 00:00:51,559 Speaker 4: You know what I mean. So just trying to balance everything. 20 00:00:53,159 --> 00:00:55,080 Speaker 5: And there's also a double message if you listen to 21 00:00:55,160 --> 00:00:59,320 Speaker 5: the album as well, about you know me, you know, 22 00:00:59,440 --> 00:01:02,240 Speaker 5: killing my own self to become the new, the new 23 00:01:02,560 --> 00:01:04,479 Speaker 5: you know version of myself that I am today. 24 00:01:04,959 --> 00:01:06,680 Speaker 6: Now let's talk that title though, when a lot of 25 00:01:06,680 --> 00:01:11,360 Speaker 6: people say staying busy is a response to unresolved trauma, 26 00:01:11,520 --> 00:01:13,720 Speaker 6: So are you really busy, Are you trying to avoid something? 27 00:01:14,000 --> 00:01:16,800 Speaker 5: I think that's I think I think that sounds pretty accurate, 28 00:01:16,920 --> 00:01:18,240 Speaker 5: to be honest with you, I think it's a little 29 00:01:18,280 --> 00:01:20,759 Speaker 5: bit of both as far as like really being busy 30 00:01:20,840 --> 00:01:25,360 Speaker 5: for sure, and then you know, a response to unresolved 31 00:01:25,400 --> 00:01:26,160 Speaker 5: trauma for sure. 32 00:01:27,000 --> 00:01:30,160 Speaker 3: Now your albums, your videos and the stuff that you 33 00:01:30,200 --> 00:01:33,200 Speaker 3: put out, you think about it before you put it out, right, 34 00:01:33,240 --> 00:01:35,880 Speaker 3: you're just not doing a record. It's like it's almost 35 00:01:35,959 --> 00:01:39,680 Speaker 3: like the music you're putting out is intentional to to help. 36 00:01:40,200 --> 00:01:42,400 Speaker 2: Where does that come from? Because you know, watching. 37 00:01:42,120 --> 00:01:45,640 Speaker 3: Your videos, it's like it's the movies. They're self movies, 38 00:01:45,680 --> 00:01:47,760 Speaker 3: but they always have a message like it's meaningful. 39 00:01:48,280 --> 00:01:51,480 Speaker 5: I think, honestly, I think it's beyond me. I think that, 40 00:01:52,000 --> 00:01:53,840 Speaker 5: you know, when I create these records, I think that 41 00:01:55,560 --> 00:01:57,880 Speaker 5: every when I'm writing it, I feel like I'm channeling 42 00:01:58,160 --> 00:02:01,640 Speaker 5: like something greater than me, a higher power or something 43 00:02:01,640 --> 00:02:04,240 Speaker 5: that's like helping me write these records for me to 44 00:02:04,280 --> 00:02:07,040 Speaker 5: be able to tap into, you know, to talk about 45 00:02:07,080 --> 00:02:08,760 Speaker 5: some of these things that I talk about, you know, 46 00:02:08,840 --> 00:02:12,280 Speaker 5: like with the record I just released Best for Me, 47 00:02:12,800 --> 00:02:16,359 Speaker 5: you know, general shout out to my brother Jelly Ro. 48 00:02:17,280 --> 00:02:22,040 Speaker 5: I've never been addicted to, you know, drugs, but somehow 49 00:02:22,080 --> 00:02:23,880 Speaker 5: I was able to write from a perspective of that 50 00:02:24,040 --> 00:02:26,120 Speaker 5: as if I was, you know what I'm saying, And 51 00:02:26,639 --> 00:02:29,040 Speaker 5: same thing with you know, I'm not racist, you know, 52 00:02:29,160 --> 00:02:31,079 Speaker 5: same thing with I'm sorry or any of the other 53 00:02:31,160 --> 00:02:34,440 Speaker 5: records that touch on suicide or you know, touching on 54 00:02:34,480 --> 00:02:37,560 Speaker 5: other things that I'm channeling something greater than me that's 55 00:02:37,600 --> 00:02:39,960 Speaker 5: helping me create these records. I don't know how what, 56 00:02:40,520 --> 00:02:42,919 Speaker 5: but I know that I'm getting some type of help 57 00:02:42,960 --> 00:02:45,800 Speaker 5: from the higher power that's helping me create these records 58 00:02:45,800 --> 00:02:48,919 Speaker 5: and to channel those actual emotions. 59 00:02:49,080 --> 00:02:51,720 Speaker 4: You know, on the concepts of some of those records. 60 00:02:51,880 --> 00:02:53,920 Speaker 7: And you're also helping other people too, like because if 61 00:02:53,919 --> 00:02:56,559 Speaker 7: you're able to speak to something that you've never even experienced, 62 00:02:56,600 --> 00:02:59,239 Speaker 7: and you feel like you're like you're kind of being 63 00:02:59,320 --> 00:03:01,440 Speaker 7: used as a you know, a messenger for things, like 64 00:03:01,560 --> 00:03:04,079 Speaker 7: you actually are hailing people as well. And it's been 65 00:03:04,120 --> 00:03:06,679 Speaker 7: like a four year gap since ADHD you know you 66 00:03:06,840 --> 00:03:11,119 Speaker 7: dropped that twenty twenty. Is that why it was such 67 00:03:11,160 --> 00:03:14,519 Speaker 7: a gap, because you were because this is not now 68 00:03:14,520 --> 00:03:18,560 Speaker 7: I'm busy, But what what did the gap come from? 69 00:03:18,600 --> 00:03:19,919 Speaker 8: You going through certain things? 70 00:03:20,160 --> 00:03:20,960 Speaker 2: What I think. 71 00:03:22,560 --> 00:03:25,320 Speaker 5: In between that, you know, really finding myself because this 72 00:03:25,360 --> 00:03:27,040 Speaker 5: is the first time that I've ever been able to 73 00:03:27,120 --> 00:03:30,800 Speaker 5: kind of relax and not be put in survival mode, 74 00:03:31,120 --> 00:03:34,320 Speaker 5: you know what I'm saying. So it's like, this is 75 00:03:34,320 --> 00:03:36,520 Speaker 5: the first time I've ever not you know, the first 76 00:03:36,520 --> 00:03:38,840 Speaker 5: time I haven't been in survival mode, you know, financially 77 00:03:39,040 --> 00:03:42,080 Speaker 5: me a financial you know, survival mode where I'm actually 78 00:03:43,040 --> 00:03:46,560 Speaker 5: you know, able to try to find myself, you know, 79 00:03:46,680 --> 00:03:49,040 Speaker 5: because up until then, I didn't really know who I 80 00:03:49,080 --> 00:03:51,760 Speaker 5: was as a person, because it's like I was always 81 00:03:51,760 --> 00:03:54,440 Speaker 5: sidetracked by survival mode, you know what I'm saying. And 82 00:03:54,480 --> 00:03:59,119 Speaker 5: it's like, once I had the financial stresses tookn off 83 00:03:59,160 --> 00:04:00,839 Speaker 5: me and I was able to take a step back 84 00:04:00,880 --> 00:04:03,920 Speaker 5: and get to kind of, you know, know myself. You know, 85 00:04:04,000 --> 00:04:05,960 Speaker 5: I started really going through stuff, you know what I'm saying, 86 00:04:06,000 --> 00:04:10,680 Speaker 5: and I started to learn more about me and you know, 87 00:04:10,800 --> 00:04:12,560 Speaker 5: just as a person, you know what I'm saying, and 88 00:04:13,600 --> 00:04:15,880 Speaker 5: a lot of those things kind of shape me into 89 00:04:15,920 --> 00:04:16,719 Speaker 5: who I am today. 90 00:04:16,800 --> 00:04:19,559 Speaker 2: Pause I was gonna was that a pause? 91 00:04:19,880 --> 00:04:21,479 Speaker 6: I didn't catch the pause that one, and I got 92 00:04:21,480 --> 00:04:22,960 Speaker 6: gay to go back and go back and. 93 00:04:27,120 --> 00:04:27,560 Speaker 2: Shape them. 94 00:04:30,080 --> 00:04:38,440 Speaker 3: But deeper, I was gonna ask, you know, listening to 95 00:04:38,480 --> 00:04:41,880 Speaker 3: your project and over the years and watching your videos, right, 96 00:04:42,600 --> 00:04:47,560 Speaker 3: mm hmmm, and lyrically you get busy, dead nice, right, 97 00:04:47,640 --> 00:04:50,279 Speaker 3: whether it's a song that's helping people, are you just 98 00:04:50,480 --> 00:04:53,360 Speaker 3: on some street ship. I started thinking of it day. 99 00:04:53,400 --> 00:04:56,000 Speaker 3: I'm like, why would we have those conversations, right, and 100 00:04:56,040 --> 00:04:58,640 Speaker 3: we talk about the j Coles, and we talk about 101 00:04:58,680 --> 00:05:02,120 Speaker 3: the Kendricks, and we talk about the Drakes. Why don't 102 00:05:02,160 --> 00:05:06,440 Speaker 3: they ever talk about joining Lucas in those same conversations Because. 103 00:05:06,200 --> 00:05:08,400 Speaker 2: You get busy and lyrically you're a problem. 104 00:05:08,480 --> 00:05:10,479 Speaker 3: And I think everybody would say that, But when we 105 00:05:10,560 --> 00:05:14,960 Speaker 3: have those discussions and conversations, they don't necessarily mention, So 106 00:05:15,120 --> 00:05:15,440 Speaker 3: it's up. 107 00:05:15,520 --> 00:05:18,479 Speaker 5: But sort of interesting thing about that is there's two 108 00:05:18,480 --> 00:05:21,800 Speaker 5: parts of that question. Number One, I think that any 109 00:05:21,839 --> 00:05:24,679 Speaker 5: of those artists that you name got like ten years 110 00:05:24,680 --> 00:05:27,400 Speaker 5: on me. Drake was in the game ten years before 111 00:05:27,400 --> 00:05:29,159 Speaker 5: I came in the game. Kendrick was gotten a game 112 00:05:29,200 --> 00:05:31,440 Speaker 5: to like at least seven eight years before I got 113 00:05:31,440 --> 00:05:33,799 Speaker 5: in the game. J Cole's been in the game about 114 00:05:33,839 --> 00:05:35,880 Speaker 5: seven eight years, but he came in when Kendick came 115 00:05:35,920 --> 00:05:37,400 Speaker 5: in post And. 116 00:05:39,600 --> 00:05:41,120 Speaker 4: That's number one. Number two. 117 00:05:42,560 --> 00:05:45,240 Speaker 5: I am in those conversations when you're talking to people 118 00:05:45,320 --> 00:05:48,039 Speaker 5: like you know, Marshall, he's talking to Eminem. You know, 119 00:05:48,120 --> 00:05:50,520 Speaker 5: he always mentions me. You know, he puts me right 120 00:05:50,560 --> 00:05:52,800 Speaker 5: next to them. He always talks about you know what 121 00:05:52,839 --> 00:05:54,839 Speaker 5: I'm saying. Even in the records, you know what I'm saying. 122 00:05:54,839 --> 00:05:58,440 Speaker 5: It'll be like, you know his favorite artist is you know, 123 00:05:58,640 --> 00:06:00,680 Speaker 5: sometimes he even thought my name first. You know what 124 00:06:00,720 --> 00:06:03,440 Speaker 5: I'm saying, Joiner, Cole Kendrick, you know what I'm saying. 125 00:06:03,480 --> 00:06:07,000 Speaker 5: And he has you know he it definitely acknowledges that, 126 00:06:07,120 --> 00:06:10,359 Speaker 5: and and you know he's in my mind, you know, 127 00:06:10,720 --> 00:06:12,919 Speaker 5: he's considered you know, one of the greatest, if not 128 00:06:13,000 --> 00:06:16,600 Speaker 5: the greatest. So if I'm getting if that guy is 129 00:06:16,600 --> 00:06:20,359 Speaker 5: saying those things, and you know, then I guess that 130 00:06:20,480 --> 00:06:23,159 Speaker 5: means that stand for some right mean some. So I 131 00:06:23,160 --> 00:06:26,159 Speaker 5: don't really Apart from that, I don't really care. Like 132 00:06:26,279 --> 00:06:29,960 Speaker 5: if I mentioned with you know, those guys, I don't 133 00:06:29,960 --> 00:06:33,040 Speaker 5: think I have enough time in yet they have more 134 00:06:33,120 --> 00:06:35,320 Speaker 5: time than I do, you know what I'm saying. So 135 00:06:35,360 --> 00:06:37,080 Speaker 5: I haven't even had the time that they have to 136 00:06:37,839 --> 00:06:38,280 Speaker 5: That's all. 137 00:06:38,839 --> 00:06:41,080 Speaker 6: You know, you talked about, you know, killing yourself on 138 00:06:41,120 --> 00:06:42,880 Speaker 6: the album what is the significance of you killing the 139 00:06:42,920 --> 00:06:44,760 Speaker 6: old version of yourself at the end of the album. 140 00:06:44,960 --> 00:06:48,920 Speaker 5: Well, the significance of it is, you know, the old 141 00:06:49,600 --> 00:06:56,479 Speaker 5: I like to say that a lot of people, a 142 00:06:56,480 --> 00:07:01,400 Speaker 5: lot of people that have a revelation, you know, and 143 00:07:01,440 --> 00:07:03,000 Speaker 5: they tend to grow pause. 144 00:07:04,040 --> 00:07:05,159 Speaker 4: You know. I would say. 145 00:07:04,960 --> 00:07:09,680 Speaker 5: That they're enlightened, you know, by their experiences of life, 146 00:07:09,840 --> 00:07:13,800 Speaker 5: and that causes them to become a different person in 147 00:07:13,800 --> 00:07:18,240 Speaker 5: a positive way, right. And I would say that through 148 00:07:18,280 --> 00:07:21,080 Speaker 5: my experiences and the traumas and things that I've been through, 149 00:07:21,520 --> 00:07:26,880 Speaker 5: actually created the reverse effect and made it so that 150 00:07:27,520 --> 00:07:30,240 Speaker 5: I'm growing in more of a negative way, right, not 151 00:07:30,320 --> 00:07:33,200 Speaker 5: even by choices, Like because of the traumas and things 152 00:07:33,200 --> 00:07:36,520 Speaker 5: that I've been through, I'm no longer you know, susceptible 153 00:07:36,560 --> 00:07:37,560 Speaker 5: to being a nice guy. 154 00:07:38,040 --> 00:07:42,440 Speaker 1: You know, I'm no longer bubbly, I'm no longer you know. 155 00:07:42,920 --> 00:07:47,200 Speaker 5: As positive as I used to be, you know what 156 00:07:47,200 --> 00:07:50,200 Speaker 5: I'm saying. So it's like, you know, due to my traumas, 157 00:07:50,480 --> 00:07:54,600 Speaker 5: I've grown into you know, a different version of myself that. 158 00:07:56,640 --> 00:07:57,200 Speaker 4: I feel like. 159 00:07:57,160 --> 00:08:00,960 Speaker 5: Maybe a trauma response in which Charlemagne said, you feel me? 160 00:08:01,040 --> 00:08:06,120 Speaker 5: So I had to kill off, you know, in order 161 00:08:06,160 --> 00:08:11,080 Speaker 5: for me to to grow in my own ways. Pause, 162 00:08:11,360 --> 00:08:13,680 Speaker 5: I had to kill off that version of myself because 163 00:08:13,720 --> 00:08:16,840 Speaker 5: that version of myself got used, you know, that version 164 00:08:17,240 --> 00:08:18,880 Speaker 5: of myself people took advantage of. 165 00:08:19,040 --> 00:08:19,520 Speaker 4: You feel me. 166 00:08:19,600 --> 00:08:22,920 Speaker 5: So it's like, you know, the new person that I 167 00:08:22,960 --> 00:08:26,520 Speaker 5: am today is no longer susceptible to those things, you 168 00:08:26,560 --> 00:08:27,000 Speaker 5: know what I mean? 169 00:08:27,120 --> 00:08:31,160 Speaker 2: Did you have to write that figuratively so you didn't 170 00:08:31,160 --> 00:08:31,880 Speaker 2: do that literally? 171 00:08:32,760 --> 00:08:36,000 Speaker 6: Like did you have to write about feeling yourself off 172 00:08:36,040 --> 00:08:37,080 Speaker 6: so you didn't actually do it? 173 00:08:37,880 --> 00:08:38,040 Speaker 4: Oh? 174 00:08:38,120 --> 00:08:39,880 Speaker 5: No, I ain't never you feel me. I ain't never 175 00:08:39,920 --> 00:08:42,280 Speaker 5: really ever been suicidal, you know what I mean? I 176 00:08:42,400 --> 00:08:44,920 Speaker 5: never been suicidal. But I just knew when I started, 177 00:08:45,360 --> 00:08:47,640 Speaker 5: when I had took the time between albums, and you know, 178 00:08:47,679 --> 00:08:50,960 Speaker 5: I'm just going through real life shit as you heard 179 00:08:50,960 --> 00:08:54,280 Speaker 5: in records like Broski, you know, records like cut You Off, 180 00:08:54,520 --> 00:08:59,560 Speaker 5: you know with NBA. You know, as I'm going through 181 00:08:59,559 --> 00:09:01,400 Speaker 5: real life ship and I'm really starting to learn who 182 00:09:01,480 --> 00:09:02,680 Speaker 5: I am, you know what I mean? 183 00:09:02,800 --> 00:09:10,840 Speaker 4: And you know I knew that I had to. I 184 00:09:10,880 --> 00:09:14,200 Speaker 4: had to get rid of the old me. 185 00:09:15,679 --> 00:09:19,040 Speaker 8: Why didn't we get the experimental album? 186 00:09:19,520 --> 00:09:22,880 Speaker 5: So we didn't get the experimental album because it wasn't 187 00:09:22,960 --> 00:09:25,160 Speaker 5: something that I felt like I wanted to stand behind 188 00:09:25,240 --> 00:09:31,840 Speaker 5: pause Right, it was like. 189 00:09:29,760 --> 00:09:32,160 Speaker 2: Your pauses has been a little off. That one was. 190 00:09:34,200 --> 00:09:36,079 Speaker 8: Now as fas as just make you think, like, man, 191 00:09:36,120 --> 00:09:37,719 Speaker 8: what do you say? But you know. 192 00:09:37,880 --> 00:09:40,240 Speaker 1: That excuse me? 193 00:09:40,320 --> 00:09:45,839 Speaker 5: I think the Experimental album for me, I felt like 194 00:09:46,000 --> 00:09:48,760 Speaker 5: was a little bit too left field even for me. Right, 195 00:09:48,840 --> 00:09:54,160 Speaker 5: it was like I found myself, like, you know, going 196 00:09:54,240 --> 00:10:00,880 Speaker 5: back into like I started going back into creating records 197 00:10:00,880 --> 00:10:02,920 Speaker 5: that I felt like didn't really represent to where I 198 00:10:02,920 --> 00:10:06,480 Speaker 5: wanted to be and who I am now. You know, 199 00:10:06,520 --> 00:10:10,000 Speaker 5: I dropped the record Blackout with Future. You know what 200 00:10:10,000 --> 00:10:13,480 Speaker 5: I'm saying in that record, You know, I'm talking about 201 00:10:13,600 --> 00:10:15,280 Speaker 5: some shit that I used to talk about before I 202 00:10:15,320 --> 00:10:18,080 Speaker 5: got on, which is like, you know, if I didn't 203 00:10:18,080 --> 00:10:20,840 Speaker 5: make it, then I would be you know, selling the 204 00:10:21,120 --> 00:10:22,920 Speaker 5: you know, kilos and shit. You know, but these are 205 00:10:22,960 --> 00:10:25,280 Speaker 5: things that I was rapping about before I even got on. 206 00:10:25,360 --> 00:10:27,360 Speaker 5: You know what I'm saying, Like, if I didn't break 207 00:10:27,400 --> 00:10:29,840 Speaker 5: into the music industry, then I was gonna move from 208 00:10:29,880 --> 00:10:32,080 Speaker 5: selling eight balls to kilos, you know what I'm saying. Like, 209 00:10:32,840 --> 00:10:35,760 Speaker 5: and I'm in a place now where it's like, why 210 00:10:35,760 --> 00:10:37,079 Speaker 5: the fuck you even talking about that shit. 211 00:10:37,120 --> 00:10:37,920 Speaker 4: You already where you. 212 00:10:37,840 --> 00:10:39,360 Speaker 5: Need to be, you feel me, So it's like, why 213 00:10:39,400 --> 00:10:40,840 Speaker 5: are you going back to that shit? And it's like, 214 00:10:41,360 --> 00:10:43,840 Speaker 5: you know, and it's like, I think I did it 215 00:10:43,880 --> 00:10:44,960 Speaker 5: on some like culture shit. 216 00:10:45,120 --> 00:10:45,600 Speaker 4: You feel me. 217 00:10:45,720 --> 00:10:47,559 Speaker 5: And it's like, I'm not about to jump on a 218 00:10:47,600 --> 00:10:50,640 Speaker 5: record with future and flex get on my lyrical shit, 219 00:10:50,720 --> 00:10:52,400 Speaker 5: and you know what I mean, that shit kind of 220 00:10:52,400 --> 00:10:54,440 Speaker 5: why I to do so it's like, let me just 221 00:10:54,520 --> 00:10:57,640 Speaker 5: dumb my shit down. And it's like, you know, and 222 00:10:57,720 --> 00:11:00,760 Speaker 5: I decided to do that, but also knew that before 223 00:11:00,800 --> 00:11:02,360 Speaker 5: I released the record, or when I was doing the 224 00:11:02,440 --> 00:11:04,200 Speaker 5: video and I'm sitting there and I got all this 225 00:11:04,280 --> 00:11:07,360 Speaker 5: bread and YadA, YadA, YadA. You know, I'm just like, damn, 226 00:11:07,600 --> 00:11:10,400 Speaker 5: I feel like this don't feel like the type of 227 00:11:10,400 --> 00:11:12,040 Speaker 5: shit I want to be on right now. But I'm like, 228 00:11:12,080 --> 00:11:13,520 Speaker 5: fucking I'm gonna do it, you know what I'm saying 229 00:11:13,559 --> 00:11:15,680 Speaker 5: for the culture And I did it. And when I 230 00:11:15,679 --> 00:11:18,600 Speaker 5: put it out, it was the response that I got 231 00:11:18,600 --> 00:11:20,839 Speaker 5: from it was exactly how I was feeling, you know 232 00:11:20,880 --> 00:11:21,400 Speaker 5: what I'm saying. 233 00:11:21,960 --> 00:11:23,400 Speaker 2: But at the same like people telling you, like why 234 00:11:23,480 --> 00:11:23,800 Speaker 2: you on this? 235 00:11:23,920 --> 00:11:26,319 Speaker 5: Yeah, But at the same time, right, but a lot 236 00:11:26,360 --> 00:11:28,480 Speaker 5: of people don't know me though, you feel me, Like 237 00:11:28,559 --> 00:11:31,559 Speaker 5: they look at the storytelling shit and they just assume like, 238 00:11:31,640 --> 00:11:35,199 Speaker 5: oh this, you know, he not about that or he did. 239 00:11:35,320 --> 00:11:37,920 Speaker 5: Like niggas don't know like where I come from, you 240 00:11:37,920 --> 00:11:40,240 Speaker 5: know what I'm saying. They don't know joining before Joda 241 00:11:40,320 --> 00:11:43,120 Speaker 5: got on, you know what i mean. So a lot 242 00:11:43,120 --> 00:11:46,720 Speaker 5: of niggas don't know that type of shit. But these 243 00:11:46,720 --> 00:11:49,400 Speaker 5: are records that I've done, records like that before, you 244 00:11:49,440 --> 00:11:51,439 Speaker 5: know what I'm saying. And it's like I'm in a 245 00:11:51,440 --> 00:11:54,320 Speaker 5: different place on my life now. So it's like, you know, 246 00:11:54,360 --> 00:11:56,360 Speaker 5: when I had dropped it and I got that response, 247 00:11:56,400 --> 00:11:58,080 Speaker 5: you know what I'm saying, I'm just like, damn, like 248 00:11:58,160 --> 00:12:01,080 Speaker 5: I already know, like almost the whole album was shit 249 00:12:01,200 --> 00:12:03,160 Speaker 5: like that. I got all these features from all these 250 00:12:03,520 --> 00:12:06,000 Speaker 5: artists and shit that you know, I felt like was 251 00:12:06,040 --> 00:12:08,680 Speaker 5: like culture shit of like what's in now, But it 252 00:12:08,720 --> 00:12:11,959 Speaker 5: really wasn't really you know what I'm saying exactly the 253 00:12:12,040 --> 00:12:14,720 Speaker 5: nigga that I you know what I mean. So it 254 00:12:14,840 --> 00:12:16,600 Speaker 5: just didn't make sense. So it was like fuck that, 255 00:12:16,640 --> 00:12:18,800 Speaker 5: I'm scrapping this shit, you know what I mean. So 256 00:12:18,840 --> 00:12:21,040 Speaker 5: I made an executive decision to scrap that shit. 257 00:12:22,240 --> 00:12:24,760 Speaker 2: You talked about Broski earlier and cut you off. 258 00:12:24,960 --> 00:12:27,280 Speaker 6: And I always wondered, like when you had people do 259 00:12:27,360 --> 00:12:30,120 Speaker 6: you dirty and those type of situations had it made 260 00:12:30,160 --> 00:12:33,400 Speaker 6: a challenge in to form like deep connections with people, 261 00:12:33,640 --> 00:12:37,040 Speaker 6: being that everybody might have their own yeah, hitting agendas. 262 00:12:36,960 --> 00:12:38,000 Speaker 4: Yeah, one hundred percent. 263 00:12:39,080 --> 00:12:42,280 Speaker 5: It started made me realize, like why niggas like Marshall 264 00:12:42,280 --> 00:12:43,040 Speaker 5: move a certain way? 265 00:12:43,720 --> 00:12:45,520 Speaker 1: You feel me because like with that niggas like getting 266 00:12:45,520 --> 00:12:46,440 Speaker 1: on the phone with him, it's. 267 00:12:46,320 --> 00:12:49,200 Speaker 5: Like you you you could probably hop on the phone 268 00:12:49,240 --> 00:12:52,000 Speaker 5: with Barack quicker than you can hop on the phone 269 00:12:52,000 --> 00:12:54,880 Speaker 5: with Marshall. That nigga's calling you from a line with 270 00:12:55,040 --> 00:12:58,360 Speaker 5: his manager's assistant is calling you. 271 00:12:58,320 --> 00:12:59,600 Speaker 4: From a one hundred number. 272 00:12:59,679 --> 00:13:02,400 Speaker 5: And then it's just like elevated music and it's like, 273 00:13:02,760 --> 00:13:04,600 Speaker 5: please hold Marshals coming to the phone. 274 00:13:04,600 --> 00:13:07,600 Speaker 1: You can't have his number, nobody has his number. 275 00:13:07,720 --> 00:13:10,600 Speaker 5: He's not accessible. You can't talk to him. It's like 276 00:13:10,679 --> 00:13:12,760 Speaker 5: hopping on the phone with the President, right. And it's 277 00:13:12,800 --> 00:13:14,880 Speaker 5: like I always wondered, like why do this nigga move 278 00:13:15,000 --> 00:13:17,960 Speaker 5: like that. I had a conversation with him on the 279 00:13:17,960 --> 00:13:21,280 Speaker 5: shoot of A Lucky You and I'm just in his 280 00:13:21,320 --> 00:13:23,520 Speaker 5: trailer and I'm like, yeah, man, like anytime you want 281 00:13:23,520 --> 00:13:26,160 Speaker 5: to talk, anytime you want to build, and like, you 282 00:13:26,200 --> 00:13:28,920 Speaker 5: know whatever, you know, you can hit me, you know 283 00:13:28,920 --> 00:13:30,400 Speaker 5: what I'm saying. Like we could talk and we could 284 00:13:30,400 --> 00:13:32,160 Speaker 5: build on his music shit, you know what I'm saying. 285 00:13:33,960 --> 00:13:36,360 Speaker 4: He was like yeah, yeah, yeah, yeah. 286 00:13:36,400 --> 00:13:40,400 Speaker 5: And it's just like I could tell he was really 287 00:13:40,720 --> 00:13:43,560 Speaker 5: like real stand office, you know what I'm saying. And 288 00:13:43,600 --> 00:13:45,400 Speaker 5: I would ask Roy's like, yo, why is he like that. 289 00:13:46,000 --> 00:13:47,600 Speaker 5: He's like, man, that Nigga's just been through a lot 290 00:13:47,640 --> 00:13:50,559 Speaker 5: of shit. You don't really like, you know, he's very 291 00:13:50,559 --> 00:13:52,679 Speaker 5: close off from people, right, And I'm just like, damn, 292 00:13:53,679 --> 00:13:55,840 Speaker 5: and I never understood it, right. And it's just like 293 00:13:55,920 --> 00:13:59,040 Speaker 5: when I started, you know, experiencing this shit that I 294 00:14:00,240 --> 00:14:01,800 Speaker 5: was experiencing. 295 00:14:01,760 --> 00:14:03,360 Speaker 4: I got it instantly. 296 00:14:03,400 --> 00:14:05,079 Speaker 5: I'm like, this is why this motherfucking don't want to 297 00:14:05,360 --> 00:14:07,560 Speaker 5: He don't want new friends, like he don't want you 298 00:14:07,600 --> 00:14:07,960 Speaker 5: feel me. 299 00:14:07,960 --> 00:14:09,679 Speaker 4: And it's like I get it one hundred percent. 300 00:14:09,880 --> 00:14:12,200 Speaker 2: And he was the biggest star in the world at 301 00:14:12,240 --> 00:14:14,960 Speaker 2: one point. So imagine he's still live. 302 00:14:15,679 --> 00:14:18,000 Speaker 5: Yeah, niggas gotta drop a fucking album and he's still 303 00:14:18,880 --> 00:14:22,320 Speaker 5: he can't just be outside. He's not the nigga that 304 00:14:22,320 --> 00:14:24,280 Speaker 5: could just be outside like that. You can't just walk 305 00:14:24,320 --> 00:14:26,480 Speaker 5: the streets of fucking New York like you got you 306 00:14:26,680 --> 00:14:28,200 Speaker 5: know what I'm saying, Like it's the whole thing. He's 307 00:14:28,200 --> 00:14:30,880 Speaker 5: a he's a big deal, like to this day, you 308 00:14:30,920 --> 00:14:34,000 Speaker 5: know what I mean. And it's like he moves like 309 00:14:34,080 --> 00:14:35,720 Speaker 5: that for a reason. You know what I'm saying, He's 310 00:14:35,720 --> 00:14:37,920 Speaker 5: not You could probably j Z be texting niggas and shit, 311 00:14:37,960 --> 00:14:39,640 Speaker 5: you know what I'm saying, Like some niggas don't know 312 00:14:39,680 --> 00:14:42,000 Speaker 5: how to handle trauma and all that shit, you know 313 00:14:42,040 --> 00:14:45,160 Speaker 5: what I'm saying. But I'm starting to get into the 314 00:14:45,200 --> 00:14:47,360 Speaker 5: space now where it's like I'm starting to understand why 315 00:14:47,360 --> 00:14:49,880 Speaker 5: these indus street niggas move. When I came into the game, 316 00:14:49,920 --> 00:14:52,400 Speaker 5: like Yo, these niggas is weird, first thing I'd say, 317 00:14:52,440 --> 00:14:53,920 Speaker 5: like why the fuck these niggas A is so weird? 318 00:14:54,880 --> 00:14:56,920 Speaker 1: But now I see why niggas is weird. 319 00:14:57,000 --> 00:14:59,440 Speaker 2: You gotta have boundaries, boundaries. 320 00:14:59,520 --> 00:15:03,120 Speaker 3: I was aske with your with your videos right art 321 00:15:03,160 --> 00:15:05,600 Speaker 3: a lot of art. How long does it take to 322 00:15:05,640 --> 00:15:06,440 Speaker 3: prepare those videos? 323 00:15:06,520 --> 00:15:06,600 Speaker 4: Right? 324 00:15:06,600 --> 00:15:08,960 Speaker 3: Because I'm watching your videos and even the one with 325 00:15:09,040 --> 00:15:13,760 Speaker 3: Jelly Roll or Roll Timmy and the fact that it's 326 00:15:14,400 --> 00:15:16,400 Speaker 3: high budget. I mean, in one after you got a 327 00:15:16,400 --> 00:15:18,920 Speaker 3: tank in one video, but not only that, you got 328 00:15:19,000 --> 00:15:22,400 Speaker 3: the actors in the video knowing the lyrics before the 329 00:15:22,440 --> 00:15:24,880 Speaker 3: song came out. So that takes time, and it takes preparation. 330 00:15:25,000 --> 00:15:27,360 Speaker 3: It's it's almost like it's like a real movie. So 331 00:15:27,800 --> 00:15:30,360 Speaker 3: what is the preparation for a joint of Lucas video? 332 00:15:31,680 --> 00:15:37,840 Speaker 5: So I'm creating a visuals before I'm creating the song. 333 00:15:38,480 --> 00:15:41,800 Speaker 5: Really right, So I'm I already had the videos and 334 00:15:41,800 --> 00:15:47,960 Speaker 5: the visuals in my head right before I that was 335 00:15:48,000 --> 00:15:48,680 Speaker 5: a pause. 336 00:15:49,840 --> 00:15:52,320 Speaker 2: So I'm like videos in your head. I'm like, no, 337 00:15:52,640 --> 00:15:53,640 Speaker 2: it was a heavy breath. 338 00:16:00,680 --> 00:16:07,880 Speaker 5: So I'm creating the visuals like mentally already, the script 339 00:16:07,920 --> 00:16:10,240 Speaker 5: is already written. Now I just gotta write the song. 340 00:16:10,280 --> 00:16:12,880 Speaker 5: I already see it. I see the house, I see 341 00:16:12,920 --> 00:16:15,880 Speaker 5: the guy. I know this is about da da da ya, 342 00:16:16,120 --> 00:16:17,840 Speaker 5: And I'm like, I just got to create the record. 343 00:16:17,880 --> 00:16:18,720 Speaker 4: I gotta find the beat. 344 00:16:18,800 --> 00:16:20,800 Speaker 5: Now that I've found the beat, and then I'm writing, 345 00:16:20,880 --> 00:16:24,440 Speaker 5: and I'm meticulously trying to find the character in my 346 00:16:24,480 --> 00:16:26,360 Speaker 5: head of who's gonna play this role. And once I 347 00:16:26,440 --> 00:16:29,360 Speaker 5: lock in on that character, from the moment the song 348 00:16:29,520 --> 00:16:35,440 Speaker 5: is done, I'm now contacting a rapper, and the reason 349 00:16:35,440 --> 00:16:37,200 Speaker 5: why I'm choosing a rapper is because I know a 350 00:16:37,280 --> 00:16:40,560 Speaker 5: rapper is gonna memorize it really quick. I know that 351 00:16:40,840 --> 00:16:44,200 Speaker 5: it's not gonna look weird when their lip syncing it right. 352 00:16:45,120 --> 00:16:48,880 Speaker 5: So I'm choosing rappers specifically, or if you have any 353 00:16:48,920 --> 00:16:50,680 Speaker 5: type of you can be a singer, an R and 354 00:16:50,760 --> 00:16:53,240 Speaker 5: B singer, but if you know how to memorize some shit, 355 00:16:53,360 --> 00:16:55,360 Speaker 5: you know it makes sense. But I'm not going to 356 00:16:55,480 --> 00:16:58,400 Speaker 5: choose somebody that doesn't do music, you know what I mean. 357 00:17:00,240 --> 00:17:02,320 Speaker 5: So I send it out. I tell that person they 358 00:17:02,400 --> 00:17:04,600 Speaker 5: have a certain amount of time to learn it. You know, 359 00:17:04,760 --> 00:17:06,719 Speaker 5: nine times out of ten they're excited to do it, 360 00:17:06,760 --> 00:17:07,879 Speaker 5: so they learning it quick. 361 00:17:09,640 --> 00:17:11,119 Speaker 4: Roteini was excited to do it. 362 00:17:11,560 --> 00:17:14,640 Speaker 5: What's interesting about Broski is I never seen to this day, 363 00:17:14,640 --> 00:17:16,159 Speaker 5: I never seen one episode. 364 00:17:15,760 --> 00:17:19,479 Speaker 1: Of Power Really Wow to this day, never seen it. 365 00:17:19,640 --> 00:17:21,680 Speaker 5: And I stayed away from watching it on purpose because 366 00:17:21,720 --> 00:17:24,600 Speaker 5: I don't want to be influenced by a lot of 367 00:17:24,600 --> 00:17:27,080 Speaker 5: these shows. And then you start bleeding in through my 368 00:17:27,320 --> 00:17:28,880 Speaker 5: videos and it now niggas is like. 369 00:17:28,800 --> 00:17:31,040 Speaker 4: Oh this shit look like that? You feel me? 370 00:17:31,200 --> 00:17:34,159 Speaker 5: Because I'm a creative, I try not to watch certain 371 00:17:34,160 --> 00:17:38,360 Speaker 5: things because I don't want to be influenced by it, right. 372 00:17:39,240 --> 00:17:43,960 Speaker 5: And I actually seen Roteine me in this movie called 373 00:17:43,960 --> 00:17:46,679 Speaker 5: For the Love of Money. It's an independent film with 374 00:17:46,760 --> 00:17:49,000 Speaker 5: him and Kerry Hilson. It's the first time I ever 375 00:17:49,040 --> 00:17:53,560 Speaker 5: seen Roteiny act and I was like, yo, I was like, 376 00:17:53,640 --> 00:17:54,640 Speaker 5: I like his character. 377 00:17:55,119 --> 00:17:56,840 Speaker 4: I love his character, you know what I'm saying. 378 00:17:56,880 --> 00:17:58,960 Speaker 5: And at the same time, I was writing bros Ky 379 00:17:59,040 --> 00:18:01,879 Speaker 5: and it was just like I started to have his 380 00:18:01,880 --> 00:18:10,960 Speaker 5: his faith in my mind paused very I can't say 381 00:18:11,040 --> 00:18:13,160 Speaker 5: that I can't get him. 382 00:18:13,200 --> 00:18:14,000 Speaker 4: That's what I'm saying. 383 00:18:14,040 --> 00:18:21,520 Speaker 1: Niggas can't get day. So motherfucking. 384 00:18:23,160 --> 00:18:24,800 Speaker 5: I knew that I wanted him to play the role, 385 00:18:26,200 --> 00:18:30,000 Speaker 5: and I sent him the record, and you know, he 386 00:18:30,080 --> 00:18:32,840 Speaker 5: memorized it. We shot a video in like two weeks. 387 00:18:33,760 --> 00:18:38,639 Speaker 5: I edited direct everything myself, and then I was holding 388 00:18:38,680 --> 00:18:41,200 Speaker 5: onto that for a little bit because it was a 389 00:18:41,240 --> 00:18:42,879 Speaker 5: part of the album and I was still creating the 390 00:18:42,920 --> 00:18:45,000 Speaker 5: album in real time, and I wanted to drop it, 391 00:18:45,200 --> 00:18:46,560 Speaker 5: you know, while I was dropping. 392 00:18:48,160 --> 00:18:49,280 Speaker 4: Some of the other records. 393 00:18:49,359 --> 00:18:51,359 Speaker 3: You know, that one was so hard because I think 394 00:18:51,400 --> 00:18:54,120 Speaker 3: everybody has been through that, like a friend that you've 395 00:18:54,160 --> 00:18:56,800 Speaker 3: helped and you felt like the friend looked at you differently. 396 00:18:56,880 --> 00:18:57,800 Speaker 1: So it's it. 397 00:18:57,720 --> 00:18:59,360 Speaker 3: It hit because it was like, damn. 398 00:18:59,080 --> 00:19:01,760 Speaker 6: You might be the only person in history who can 399 00:19:01,760 --> 00:19:04,240 Speaker 6: put out a song in a video that overshadows a 400 00:19:04,280 --> 00:19:04,960 Speaker 6: whole project. 401 00:19:05,119 --> 00:19:06,600 Speaker 1: Yes, I appreciate it. 402 00:19:06,720 --> 00:19:10,000 Speaker 6: Like the strangest thing, like Roski will come out and 403 00:19:10,000 --> 00:19:12,200 Speaker 6: it's like that's what people want from joining you know, 404 00:19:12,359 --> 00:19:14,320 Speaker 6: best best for me will come out and they're like, oh, 405 00:19:14,400 --> 00:19:15,720 Speaker 6: that's what I want. But you know, you got a 406 00:19:15,720 --> 00:19:18,159 Speaker 6: whole album coming up, you know what I'm saying. You 407 00:19:18,280 --> 00:19:19,600 Speaker 6: do you ever think yourself I might have to do 408 00:19:19,640 --> 00:19:20,960 Speaker 6: a whole album of visuals? 409 00:19:21,160 --> 00:19:21,360 Speaker 8: Yeah? 410 00:19:21,440 --> 00:19:26,879 Speaker 5: Yeah, I I was gonna make turn bro Ski into 411 00:19:26,920 --> 00:19:30,000 Speaker 5: like a series, you know what I mean with rotey 412 00:19:30,119 --> 00:19:33,679 Speaker 5: and like really create a story out of it and 413 00:19:33,720 --> 00:19:37,600 Speaker 5: like go crazy with it. So I was entertaining that. 414 00:19:37,600 --> 00:19:38,119 Speaker 1: For a little bit. 415 00:19:38,119 --> 00:19:40,280 Speaker 5: But yeah, I thought about it, about doing the whole 416 00:19:40,280 --> 00:19:45,679 Speaker 5: album serious thing or whatever, But I just I just 417 00:19:45,720 --> 00:19:46,639 Speaker 5: haven't done it yet. 418 00:19:47,880 --> 00:19:48,120 Speaker 4: Yeah. 419 00:19:48,200 --> 00:19:52,080 Speaker 8: Well when you do, I mean I add sometimes yeah. 420 00:19:52,160 --> 00:19:54,639 Speaker 1: I got you, and I just I really just been 421 00:19:54,680 --> 00:19:56,760 Speaker 1: wanting to like with that an industry. 422 00:19:56,800 --> 00:20:02,480 Speaker 2: I got you are like elevated music. 423 00:20:06,040 --> 00:20:08,480 Speaker 5: I think that these music, I think these these these 424 00:20:08,560 --> 00:20:13,639 Speaker 5: music videos are very inspired by movies, not from specific movies, 425 00:20:13,720 --> 00:20:16,680 Speaker 5: I mean just the feel of it. Pauls right, it's 426 00:20:16,760 --> 00:20:20,080 Speaker 5: like it's very cinematic, and it's like I'm creating my 427 00:20:20,160 --> 00:20:24,480 Speaker 5: own movie within the visual, within the music. And I 428 00:20:24,520 --> 00:20:33,760 Speaker 5: think that's subconsciously me trying to I really, I really 429 00:20:33,880 --> 00:20:38,280 Speaker 5: uh wanted to get into movies, being in being doing movies, 430 00:20:38,320 --> 00:20:40,439 Speaker 5: you know what I mean, acting in movies. So that 431 00:20:40,560 --> 00:20:43,680 Speaker 5: was really subconscious, subconsciously me trying to bring that into 432 00:20:43,760 --> 00:20:46,840 Speaker 5: fruition so these actors can see this. So you know, 433 00:20:46,880 --> 00:20:49,520 Speaker 5: these directors can see these movies or these videos and 434 00:20:49,520 --> 00:20:51,280 Speaker 5: be like, yo, I gotta get him in a movie. 435 00:20:51,440 --> 00:20:52,560 Speaker 4: I got to make a movie with. 436 00:20:52,560 --> 00:20:56,440 Speaker 5: Him, and YadA, YadA YadA, right, And that was what 437 00:20:56,560 --> 00:20:58,400 Speaker 5: I was trying to do. When it work, right, because 438 00:20:58,400 --> 00:21:01,320 Speaker 5: then I was able to get Mark in the joint, 439 00:21:01,359 --> 00:21:03,040 Speaker 5: and I was able to get these other actors and 440 00:21:03,160 --> 00:21:06,119 Speaker 5: Roe teem Me and YadA, YadA YadA, and then I 441 00:21:06,200 --> 00:21:09,720 Speaker 5: ended up actually right then, I ended up actually getting 442 00:21:09,760 --> 00:21:10,880 Speaker 5: in movies with them. 443 00:21:11,000 --> 00:21:11,160 Speaker 4: Right. 444 00:21:11,200 --> 00:21:13,320 Speaker 5: But they called me to be Mark Wahlberg put me 445 00:21:13,320 --> 00:21:15,480 Speaker 5: in a movie my first movie ever. Shout out to 446 00:21:15,520 --> 00:21:19,280 Speaker 5: my brother Mark Wilber and then Will Smith had me 447 00:21:19,320 --> 00:21:21,440 Speaker 5: and Bad Boys for you know what I'm saying, which 448 00:21:21,480 --> 00:21:22,240 Speaker 5: is fired that's. 449 00:21:22,080 --> 00:21:22,720 Speaker 4: About to drop. 450 00:21:23,200 --> 00:21:24,040 Speaker 2: That's an exclusive. 451 00:21:25,680 --> 00:21:29,360 Speaker 5: Yeah, I supposed to reveal that. I think I think 452 00:21:29,359 --> 00:21:31,399 Speaker 5: I revealed it, I posted it or whatever. You just 453 00:21:31,440 --> 00:21:32,240 Speaker 5: wasn't paying attention. 454 00:21:32,359 --> 00:21:33,040 Speaker 2: You got a big role. 455 00:21:34,280 --> 00:21:36,440 Speaker 5: Nobody in that movie has a big role except Martin 456 00:21:36,440 --> 00:21:38,800 Speaker 5: it will, you know what I mean? Because of the 457 00:21:39,119 --> 00:21:41,159 Speaker 5: because of the direction they went in with the movie. 458 00:21:41,720 --> 00:21:44,440 Speaker 5: Everybody that comes in the movie is it's a section 459 00:21:44,560 --> 00:21:46,359 Speaker 5: and then they're out and then it's just like onto 460 00:21:46,359 --> 00:21:48,280 Speaker 5: the next person that comes in the movie. 461 00:21:48,680 --> 00:21:49,800 Speaker 2: I don't know if I want to see you act 462 00:21:49,840 --> 00:21:51,080 Speaker 2: as much as I want to see you create. 463 00:21:51,480 --> 00:21:52,959 Speaker 1: Yeah, all right, you know what I mean. 464 00:21:54,359 --> 00:21:55,960 Speaker 2: So I'm sure you got something in the works, like 465 00:21:56,200 --> 00:21:57,560 Speaker 2: your own personal. 466 00:21:57,240 --> 00:21:59,640 Speaker 1: I think that when you say create talking about music 467 00:21:59,760 --> 00:22:02,159 Speaker 1: or movie, TV show on. 468 00:22:02,320 --> 00:22:06,119 Speaker 4: Audio, TV show like how like uh. 469 00:22:07,200 --> 00:22:12,080 Speaker 6: Like fifty Child's Game? You know, Atlanta, What's Dave Dicky? 470 00:22:12,760 --> 00:22:13,640 Speaker 6: Little Dicky does Dave? 471 00:22:14,400 --> 00:22:17,199 Speaker 1: Yeah, I've just seen ben Stable ships fire too. 472 00:22:17,640 --> 00:22:17,919 Speaker 4: I like. 473 00:22:18,080 --> 00:22:20,920 Speaker 5: I like that, but they got going on. But even that, right, 474 00:22:21,000 --> 00:22:23,280 Speaker 5: even the opportunity like that to do things like that, 475 00:22:23,359 --> 00:22:25,280 Speaker 5: I feel like I'm setting myself up for that when 476 00:22:25,280 --> 00:22:28,879 Speaker 5: I kind of create my own visuals, you know what 477 00:22:28,920 --> 00:22:29,200 Speaker 5: I mean. 478 00:22:30,240 --> 00:22:32,360 Speaker 2: What's your thoughts on Bobby's murder? 479 00:22:32,560 --> 00:22:34,240 Speaker 6: You know, speaking of people giving you propers, he said that 480 00:22:34,280 --> 00:22:36,600 Speaker 6: you were the master P of this generation and he 481 00:22:36,720 --> 00:22:39,600 Speaker 6: questioned why more people don't talk about you making a quarter. 482 00:22:39,400 --> 00:22:42,920 Speaker 2: Million dollars a month independently? M what do you think 483 00:22:42,960 --> 00:22:43,280 Speaker 2: about that? 484 00:22:45,160 --> 00:22:48,240 Speaker 5: I thought that was I thought that was fire. Like 485 00:22:48,600 --> 00:22:50,720 Speaker 5: you know, first of all, call me the master P 486 00:22:50,840 --> 00:22:53,919 Speaker 5: of the generation? Is it's fire? Because master P was 487 00:22:54,160 --> 00:22:57,320 Speaker 5: that's pe you know what I'm saying, Like, that's like 488 00:22:58,119 --> 00:23:00,560 Speaker 5: that dude is like the he's like the first one 489 00:23:00,600 --> 00:23:02,480 Speaker 5: of the first cats to really do this for real, 490 00:23:02,640 --> 00:23:05,720 Speaker 5: like you know what I mean, independently and like really 491 00:23:05,720 --> 00:23:07,359 Speaker 5: do it. So like him calling me that, it was 492 00:23:07,440 --> 00:23:09,880 Speaker 5: just like wow, you know, I didn't know he never 493 00:23:10,040 --> 00:23:12,439 Speaker 5: he never displayed that to me before. So him going on, 494 00:23:12,880 --> 00:23:15,119 Speaker 5: you know, saying that was like, wow, I didn't know 495 00:23:15,160 --> 00:23:19,120 Speaker 5: he felt that way, you know, But I think that 496 00:23:19,119 --> 00:23:22,639 Speaker 5: that's dope that he aspires to, you know, become independent 497 00:23:22,800 --> 00:23:26,560 Speaker 5: and you know, make his money. And you know, the 498 00:23:26,600 --> 00:23:29,359 Speaker 5: music industry has changed a lot, So you know, I 499 00:23:29,640 --> 00:23:31,440 Speaker 5: think that I thought it. 500 00:23:31,359 --> 00:23:35,399 Speaker 3: Was dope DMX is on the album How did you 501 00:23:35,440 --> 00:23:36,399 Speaker 3: get diverse. 502 00:23:37,520 --> 00:23:37,639 Speaker 4: X? 503 00:23:37,840 --> 00:23:38,360 Speaker 2: Break that down? 504 00:23:38,400 --> 00:23:39,320 Speaker 3: You an exit the studio? 505 00:23:39,520 --> 00:23:40,600 Speaker 1: How was that so? 506 00:23:40,600 --> 00:23:41,119 Speaker 4: So? 507 00:23:41,240 --> 00:23:42,800 Speaker 2: I didn't go for it to symbols on it too. 508 00:23:45,000 --> 00:23:48,280 Speaker 5: I spent some time with X, went to we played 509 00:23:48,280 --> 00:23:50,399 Speaker 5: pool a few times. I got to pick his brain. 510 00:23:50,560 --> 00:23:51,719 Speaker 5: He gave me a lot of advice. 511 00:23:52,640 --> 00:23:52,800 Speaker 4: Uh. 512 00:23:54,359 --> 00:23:57,760 Speaker 5: I had real nigga conversations with Axious about like his life, 513 00:23:57,800 --> 00:24:00,040 Speaker 5: his upbringing, and I was able to ask him a 514 00:24:00,040 --> 00:24:02,320 Speaker 5: lot of personal questions just so I can understand him 515 00:24:02,320 --> 00:24:04,560 Speaker 5: because I kind of had a feeling at. 516 00:24:04,400 --> 00:24:06,240 Speaker 1: Some point that he was going to go before the time, 517 00:24:06,400 --> 00:24:06,720 Speaker 1: you know. 518 00:24:06,880 --> 00:24:08,040 Speaker 4: Yeah, a million percent. 519 00:24:08,119 --> 00:24:10,400 Speaker 5: So I made it a point to ask him as 520 00:24:10,440 --> 00:24:13,200 Speaker 5: many questions as as I wanted to ask him. 521 00:24:13,560 --> 00:24:16,399 Speaker 4: And yeah, he's a HOMEI bro. 522 00:24:16,680 --> 00:24:19,159 Speaker 5: He'll hit me up at like that dude wild hit 523 00:24:19,160 --> 00:24:20,600 Speaker 5: me up at like text me at like one in 524 00:24:20,640 --> 00:24:23,399 Speaker 5: the morning, like yo, let's go out type ship. 525 00:24:23,440 --> 00:24:24,080 Speaker 4: You know what I'm saying. 526 00:24:24,119 --> 00:24:26,040 Speaker 5: I'm like, all right, let's roll and we go hit 527 00:24:26,080 --> 00:24:28,679 Speaker 5: the you know, the Billard or something. We would just 528 00:24:28,680 --> 00:24:32,040 Speaker 5: go play pool type ship. But he was a very 529 00:24:32,040 --> 00:24:34,240 Speaker 5: interesting guy and he was a real one, you know. 530 00:24:34,240 --> 00:24:35,200 Speaker 2: I don't think he was from him. 531 00:24:36,200 --> 00:24:38,119 Speaker 8: I don't think X was from him. 532 00:24:38,400 --> 00:24:41,720 Speaker 6: I think from another dimension. Yes, yeah, he's never met 533 00:24:41,760 --> 00:24:45,359 Speaker 6: somebody like DMX. Nothing about him was like a human. 534 00:24:45,440 --> 00:24:47,639 Speaker 1: He's different, like nothing, He's different. 535 00:24:47,720 --> 00:24:50,440 Speaker 5: And then and I think, and one thing I loved 536 00:24:50,440 --> 00:24:53,439 Speaker 5: about X was that you know he was he was 537 00:24:55,280 --> 00:24:57,960 Speaker 5: he was had a very tough exteria, right, he was 538 00:24:58,080 --> 00:25:01,600 Speaker 5: very You never questioned his sexuality. He was a very 539 00:25:01,600 --> 00:25:04,880 Speaker 5: tough exteria, but on the inside, like he would pray 540 00:25:04,960 --> 00:25:06,760 Speaker 5: for you, you know what I'm saying. Like Hill, he 541 00:25:06,880 --> 00:25:09,720 Speaker 5: was very He was a very emotional guy to get 542 00:25:09,760 --> 00:25:11,040 Speaker 5: He's been through a lot of ship, you know what 543 00:25:11,080 --> 00:25:15,880 Speaker 5: I mean. And I when I had a conversation with him, 544 00:25:16,040 --> 00:25:18,119 Speaker 5: you know, one day, you know he had he was 545 00:25:18,200 --> 00:25:22,760 Speaker 5: pretty much I was explaining to him how how me 546 00:25:22,880 --> 00:25:25,480 Speaker 5: being signed to a label at this time, I was 547 00:25:25,600 --> 00:25:27,720 Speaker 5: just like felt defeated because I wasn't getting what I 548 00:25:27,760 --> 00:25:30,359 Speaker 5: needed to out of the situation. And we had a 549 00:25:30,359 --> 00:25:32,520 Speaker 5: real conversation in which he gave me some advice. And 550 00:25:32,640 --> 00:25:37,960 Speaker 5: right after we had that conversation, I wrote, I'm not racist. Wow, 551 00:25:38,160 --> 00:25:40,320 Speaker 5: changed my entire life. Right after we had that one 552 00:25:40,359 --> 00:25:45,680 Speaker 5: conversation and he said, start from the jarm board, come 553 00:25:45,760 --> 00:25:49,800 Speaker 5: up with some come up with something groundbreaking, force the 554 00:25:49,840 --> 00:25:51,480 Speaker 5: hand of the label, make them believe. 555 00:25:53,080 --> 00:25:56,200 Speaker 2: Wow, y'all been at a relationship or something. 556 00:25:56,280 --> 00:25:58,920 Speaker 1: Yeah, when did he do the years ago? 557 00:25:59,320 --> 00:25:59,639 Speaker 4: Wow? 558 00:26:00,040 --> 00:26:01,200 Speaker 3: You have more than one ex verse? 559 00:26:01,600 --> 00:26:05,640 Speaker 4: I got another? Like, yeah, I got another ex verse too. Yeah. 560 00:26:05,720 --> 00:26:07,679 Speaker 6: You know you talked about collabing with Future and you 561 00:26:07,680 --> 00:26:09,520 Speaker 6: got a young Boy on this album. But then you said, 562 00:26:09,560 --> 00:26:11,800 Speaker 6: you feel like sometimes you gotta dumb your lyrics down 563 00:26:11,800 --> 00:26:13,800 Speaker 6: when you get on records with Future, So like when 564 00:26:13,800 --> 00:26:16,960 Speaker 6: you collab with somebody like a young boy, like like why, 565 00:26:17,320 --> 00:26:19,640 Speaker 6: like why if you got to turn your volume down? 566 00:26:19,960 --> 00:26:22,880 Speaker 5: It's not that, it's just I think sometimes I think 567 00:26:22,880 --> 00:26:25,480 Speaker 5: that I'm such a fan of a lot of different 568 00:26:25,480 --> 00:26:26,160 Speaker 5: types of music. 569 00:26:26,240 --> 00:26:26,880 Speaker 1: I love. 570 00:26:27,400 --> 00:26:31,040 Speaker 5: Like, there's Future records that I love, you know what 571 00:26:31,080 --> 00:26:33,119 Speaker 5: I mean? He got some he got some bops, like 572 00:26:33,600 --> 00:26:37,200 Speaker 5: young Boy, Like, he got some bops. Maybe not all 573 00:26:37,200 --> 00:26:39,640 Speaker 5: of them. Don't you don't love all the Future's music. 574 00:26:39,680 --> 00:26:41,640 Speaker 5: We don't love all the Jointings music. We don't love 575 00:26:41,720 --> 00:26:45,040 Speaker 5: all of anybody's fucking music. Right, But the point is 576 00:26:45,040 --> 00:26:48,800 Speaker 5: is I'm a fan of you know, a lot of 577 00:26:48,840 --> 00:26:51,200 Speaker 5: people wouldn't be surprised to know that. I listen to 578 00:26:51,280 --> 00:26:53,639 Speaker 5: a lot of different types of shit, and it's like 579 00:26:53,800 --> 00:26:56,679 Speaker 5: if I jump on the record with certain people, you know, 580 00:26:56,800 --> 00:26:58,680 Speaker 5: I'm not trying to go off like that. I want 581 00:26:58,680 --> 00:27:00,679 Speaker 5: to go into their world sometimes and I want to 582 00:27:00,720 --> 00:27:02,760 Speaker 5: like have fun with it and you know what I mean, 583 00:27:02,880 --> 00:27:04,359 Speaker 5: like play with it a little bit. 584 00:27:04,400 --> 00:27:05,119 Speaker 2: Pause pause. 585 00:27:11,760 --> 00:27:13,640 Speaker 5: That one was a pause? 586 00:27:13,920 --> 00:27:14,040 Speaker 4: Uh? 587 00:27:14,640 --> 00:27:15,000 Speaker 8: Someone? 588 00:27:15,119 --> 00:27:20,399 Speaker 7: When when rappers get like big, like you know, well, 589 00:27:21,000 --> 00:27:23,040 Speaker 7: so yeah you paused from me, All right, fine, but 590 00:27:23,119 --> 00:27:25,320 Speaker 7: when you know, when they make it to a certain 591 00:27:25,400 --> 00:27:27,280 Speaker 7: level of success, a lot of them have to move 592 00:27:27,280 --> 00:27:28,480 Speaker 7: out of their city. 593 00:27:29,320 --> 00:27:31,440 Speaker 8: How involved are you with your city? 594 00:27:31,720 --> 00:27:33,600 Speaker 1: Or are you When you say. 595 00:27:35,320 --> 00:27:37,240 Speaker 4: How involved are I what you mean by like. 596 00:27:37,240 --> 00:27:40,080 Speaker 8: Do you still live there? Like how often do you 597 00:27:40,119 --> 00:27:40,520 Speaker 8: go back? 598 00:27:41,800 --> 00:27:44,280 Speaker 5: I got like family there, you know what I'm saying, 599 00:27:44,320 --> 00:27:50,840 Speaker 5: So so i'd be around sometimes, but I'm very like cautious, 600 00:27:50,880 --> 00:27:52,760 Speaker 5: you know what I'm saying, Like I don't just be 601 00:27:52,800 --> 00:27:53,800 Speaker 5: outside like that. 602 00:27:54,040 --> 00:27:54,640 Speaker 4: You know what I mean. 603 00:27:56,760 --> 00:28:00,720 Speaker 6: But yeah, well, because of like I just situations you've 604 00:28:00,720 --> 00:28:03,040 Speaker 6: seen happen, like you know in rap, or just because 605 00:28:03,040 --> 00:28:04,880 Speaker 6: it's something that personally happened to you. 606 00:28:04,960 --> 00:28:08,000 Speaker 5: Nah, ain't nothing really personally happened to me. Ain't nothing, 607 00:28:08,720 --> 00:28:10,440 Speaker 5: ain't nothing ever happened to me. The you know what 608 00:28:10,480 --> 00:28:12,560 Speaker 5: I'm saying. But you just gotta be ready, you feel me. 609 00:28:12,720 --> 00:28:15,560 Speaker 5: So if I am outside, I'm out outside without a strap. 610 00:28:16,240 --> 00:28:17,920 Speaker 4: You know what I'm saying. If I'm outside, I'm out 611 00:28:17,920 --> 00:28:18,520 Speaker 4: outside like. 612 00:28:18,520 --> 00:28:21,080 Speaker 5: Ready for whatever, because you just never know, you know 613 00:28:21,119 --> 00:28:22,720 Speaker 5: what I mean, when you're in a position now, I'm 614 00:28:22,760 --> 00:28:23,560 Speaker 5: in pause. 615 00:28:26,880 --> 00:28:28,200 Speaker 8: Positions. You know I got you. 616 00:28:31,280 --> 00:28:33,080 Speaker 2: That was crazy, that a crazy one. 617 00:28:33,520 --> 00:28:36,520 Speaker 3: I was with your family. You know, you have two kids, 618 00:28:36,520 --> 00:28:38,560 Speaker 3: and of course you have your sister here today. How 619 00:28:38,600 --> 00:28:40,520 Speaker 3: are you with your family and breaking down the business 620 00:28:40,600 --> 00:28:41,640 Speaker 3: and teaching them? 621 00:28:41,840 --> 00:28:44,040 Speaker 4: I don't I keep that separate. 622 00:28:45,840 --> 00:28:49,640 Speaker 2: That's crazy, man, I keep the music. I don't. 623 00:28:49,960 --> 00:28:50,440 Speaker 4: I don't know. 624 00:28:50,560 --> 00:28:52,600 Speaker 1: It's just that when I'm with family and family time 625 00:28:53,040 --> 00:28:54,000 Speaker 1: as family time, I. 626 00:28:54,000 --> 00:28:54,520 Speaker 4: Don't want to. 627 00:28:55,000 --> 00:28:57,560 Speaker 5: I don't even like mixing business with family. And you know, 628 00:28:57,640 --> 00:29:01,520 Speaker 5: explaining business. It's like, you know when you say that. 629 00:29:02,280 --> 00:29:04,120 Speaker 1: Who asked that you? 630 00:29:03,320 --> 00:29:07,120 Speaker 5: You you rite the business? When you explain when you 631 00:29:07,160 --> 00:29:09,719 Speaker 5: said like breaking down the business, what you mean by that? 632 00:29:12,200 --> 00:29:14,000 Speaker 3: A little bit of everything? So especially with your kids, 633 00:29:14,080 --> 00:29:15,720 Speaker 3: letting him know where it comes from. How hard it 634 00:29:15,800 --> 00:29:17,520 Speaker 3: is because the route that you're taking is a route 635 00:29:17,520 --> 00:29:20,800 Speaker 3: that most people could never figure out doing independent on 636 00:29:20,840 --> 00:29:21,840 Speaker 3: your own. You're investing in. 637 00:29:21,760 --> 00:29:24,440 Speaker 5: Your My son is about eight years old, so his 638 00:29:24,680 --> 00:29:30,960 Speaker 5: he karate you know, video games. Like he's not in 639 00:29:31,040 --> 00:29:34,440 Speaker 5: a place where he can even understand or comprehend that right, 640 00:29:34,480 --> 00:29:37,600 Speaker 5: And it's like, you know, I don't I try to 641 00:29:37,680 --> 00:29:39,120 Speaker 5: let him be a kid, you know what I mean, 642 00:29:39,160 --> 00:29:41,840 Speaker 5: and keep him away from I don't want him to 643 00:29:42,280 --> 00:29:47,800 Speaker 5: grow pause before his time, you know. So they're not 644 00:29:48,640 --> 00:29:50,440 Speaker 5: almost two year old, you know what I'm saying. But 645 00:29:50,480 --> 00:29:52,480 Speaker 5: when I'm with my family, his family time, it's like 646 00:29:52,520 --> 00:29:54,960 Speaker 5: I learned how to separate the two, you know stuff 647 00:29:54,960 --> 00:29:57,320 Speaker 5: I'm working on working and when I'm with my family, 648 00:29:57,360 --> 00:29:59,760 Speaker 5: I'm with my family, I'm not working and having my 649 00:29:59,800 --> 00:30:02,880 Speaker 5: face family and doing her that I got my little 650 00:30:02,880 --> 00:30:05,640 Speaker 5: sister here, you know what I mean, Because like it's 651 00:30:05,680 --> 00:30:07,120 Speaker 5: like my homie, you know what I'm saying. I want 652 00:30:07,120 --> 00:30:09,720 Speaker 5: her to come, you know, to experience all this because 653 00:30:09,760 --> 00:30:12,200 Speaker 5: she works. She's a you know, she's an RN, you 654 00:30:12,240 --> 00:30:14,120 Speaker 5: know what I'm saying. So she worked hard in her fields. 655 00:30:14,160 --> 00:30:15,880 Speaker 5: She don't really get the time to like really be 656 00:30:15,960 --> 00:30:18,760 Speaker 5: around any of this shit. So it's like I'm proud 657 00:30:18,800 --> 00:30:20,320 Speaker 5: of her. So it's like when she got to you know, 658 00:30:20,320 --> 00:30:21,760 Speaker 5: you want to come out to the breakfast club, you 659 00:30:21,800 --> 00:30:23,200 Speaker 5: want to come out here and do this, do that? 660 00:30:23,520 --> 00:30:26,240 Speaker 5: She's like, hell yeah, I could take a little time 661 00:30:26,280 --> 00:30:27,960 Speaker 5: real quick and come do this, you know what I'm saying. 662 00:30:28,000 --> 00:30:31,280 Speaker 5: So apart from that, my mama, she'll roll with me, 663 00:30:31,400 --> 00:30:33,160 Speaker 5: you know what I mean. She loves going to concerts, 664 00:30:33,200 --> 00:30:35,720 Speaker 5: she loves doing shit like this. She loves you know, 665 00:30:35,800 --> 00:30:37,520 Speaker 5: where you go in New York. I'm going to New York. 666 00:30:37,560 --> 00:30:39,080 Speaker 5: I'm going here. I'm going there, and I want to 667 00:30:39,120 --> 00:30:41,320 Speaker 5: take her so she can really experience the shit too. 668 00:30:41,720 --> 00:30:44,520 Speaker 5: She went she was on a Bad Boys movie set. 669 00:30:44,880 --> 00:30:47,000 Speaker 5: I want her to really, you know what I'm saying, 670 00:30:47,080 --> 00:30:49,600 Speaker 5: like experience this shit with me, you know what I mean. 671 00:30:50,360 --> 00:30:52,960 Speaker 5: But when it comes to creating and it comes to 672 00:30:53,080 --> 00:30:55,680 Speaker 5: like that, I try to keep that shit like separate 673 00:30:56,560 --> 00:30:58,120 Speaker 5: when I'm with because I don't want to be like 674 00:30:58,760 --> 00:31:01,640 Speaker 5: recording and making music and then with my kids. And 675 00:31:01,640 --> 00:31:03,440 Speaker 5: then I got it like I don't want to feel 676 00:31:03,440 --> 00:31:05,640 Speaker 5: like they're not getting the time that they need for me. 677 00:31:05,720 --> 00:31:08,240 Speaker 5: So it's like I just separate time, you know what 678 00:31:08,280 --> 00:31:09,120 Speaker 5: I'm saying, what. 679 00:31:09,040 --> 00:31:10,480 Speaker 6: If I'm a cousin who wants to work in the 680 00:31:10,480 --> 00:31:12,720 Speaker 6: frozen yoga spot? Can I ask you about that? 681 00:31:13,320 --> 00:31:13,560 Speaker 4: Yeah? 682 00:31:13,640 --> 00:31:16,920 Speaker 5: I got my niece that she worked there, like ship, 683 00:31:16,960 --> 00:31:21,520 Speaker 5: you know what I mean. Now that's like on the outskirts. 684 00:31:22,040 --> 00:31:24,360 Speaker 2: Yeah, yeah, yeah, something you want to franchise? 685 00:31:26,040 --> 00:31:26,880 Speaker 4: I feel like I could. 686 00:31:27,160 --> 00:31:29,600 Speaker 1: Yeah, need that. 687 00:31:29,880 --> 00:31:30,760 Speaker 4: I feel like I could. 688 00:31:31,040 --> 00:31:32,280 Speaker 2: What made you want to do frozen yogurt? 689 00:31:32,560 --> 00:31:36,400 Speaker 5: Because I was I was always in the morning. I 690 00:31:36,400 --> 00:31:39,040 Speaker 5: stopped eating breakfast, I started drinking like protein shapes and 691 00:31:39,080 --> 00:31:40,800 Speaker 5: like ship like that. So I was always spending my 692 00:31:40,840 --> 00:31:43,640 Speaker 5: time at like this one spot. And I was like, 693 00:31:43,680 --> 00:31:45,760 Speaker 5: you know what, I'm about to just do my own ship, 694 00:31:46,920 --> 00:31:48,720 Speaker 5: my first break and mortar, you know what I'm saying, 695 00:31:48,760 --> 00:31:52,480 Speaker 5: Like my first business outside of the Tully, you know, 696 00:31:52,560 --> 00:31:54,040 Speaker 5: the music ship outside of that. 697 00:31:54,880 --> 00:31:57,560 Speaker 6: So I want to ask you about a line from 698 00:31:57,760 --> 00:31:59,840 Speaker 6: that Jelly Roll said, and best for me said, how 699 00:31:59,880 --> 00:32:01,680 Speaker 6: can you love someone and learn to let them go? 700 00:32:02,680 --> 00:32:04,440 Speaker 2: You think that's achievable from your experience? 701 00:32:05,200 --> 00:32:08,760 Speaker 5: That's my middle name. Mm hmm, that's my middle name. 702 00:32:09,680 --> 00:32:11,960 Speaker 5: That's one of the biggest that's one of the that's 703 00:32:12,000 --> 00:32:15,600 Speaker 5: one of the things about myself that I recognize, as 704 00:32:16,240 --> 00:32:18,600 Speaker 5: you know, a part of myself that I hate but 705 00:32:18,640 --> 00:32:20,280 Speaker 5: I love at the same time that I'm able to 706 00:32:20,320 --> 00:32:23,400 Speaker 5: do shut that switch off, you know. 707 00:32:23,760 --> 00:32:27,880 Speaker 8: Are you ever unable to do that? And that's why 708 00:32:27,960 --> 00:32:28,920 Speaker 8: you what. 709 00:32:28,800 --> 00:32:33,520 Speaker 5: It's like that I became desensitized to pain, you know, 710 00:32:34,560 --> 00:32:38,680 Speaker 5: desensitized to hurt, you know. So it's like, in order 711 00:32:38,720 --> 00:32:43,120 Speaker 5: to not really feel it paused, you know, I I 712 00:32:43,320 --> 00:32:48,160 Speaker 5: learned how to create my my my own light switch 713 00:32:48,320 --> 00:32:51,000 Speaker 5: to where I could just shut the light off and 714 00:32:51,080 --> 00:32:53,640 Speaker 5: nobody's safe from that light switch, you know what I mean. 715 00:32:53,720 --> 00:32:56,720 Speaker 5: And it's just a it's a pretty fucked up thing 716 00:32:56,760 --> 00:32:58,880 Speaker 5: to have, you know what I'm saying, because. 717 00:33:01,120 --> 00:33:01,720 Speaker 2: It's it's. 718 00:33:04,720 --> 00:33:09,720 Speaker 5: It's real difficult sometimes to you know, build real relationships 719 00:33:09,760 --> 00:33:11,320 Speaker 5: when you can do that, you know what I'm saying, 720 00:33:11,360 --> 00:33:12,959 Speaker 5: When you could just shut off a switch and then 721 00:33:13,120 --> 00:33:17,280 Speaker 5: just be like, you know, and nobody's safe from that. 722 00:33:17,360 --> 00:33:22,840 Speaker 5: I've had to do it to family, friends, girls, you know, 723 00:33:22,960 --> 00:33:26,560 Speaker 5: and it's like, if you if you experienced it at 724 00:33:26,600 --> 00:33:28,600 Speaker 5: the level that I've experienced it with some of the 725 00:33:28,640 --> 00:33:30,880 Speaker 5: closest people to you, nobody say. 726 00:33:32,000 --> 00:33:32,680 Speaker 4: Nobody say. 727 00:33:34,160 --> 00:33:38,520 Speaker 6: I think some people think unconditional love requires the acceptance 728 00:33:38,520 --> 00:33:40,680 Speaker 6: of harmful behavior, and I agree with you. 729 00:33:40,720 --> 00:33:41,840 Speaker 2: I don't agree with that though. 730 00:33:42,240 --> 00:33:42,840 Speaker 4: I feel like. 731 00:33:44,400 --> 00:33:47,960 Speaker 5: A lot of people think that just because you love 732 00:33:48,000 --> 00:33:49,960 Speaker 5: them means that you got to keep them around, but 733 00:33:50,080 --> 00:33:52,000 Speaker 5: you got to deal with bullshit that you don't want 734 00:33:52,000 --> 00:33:56,040 Speaker 5: to deal with. I feel like my mental health and 735 00:33:56,120 --> 00:34:00,120 Speaker 5: my peace of mind is the most important thing to 736 00:34:00,160 --> 00:34:03,880 Speaker 5: me above anything else, right, Like my sanity is the 737 00:34:03,880 --> 00:34:06,560 Speaker 5: most important thing to me. So if you keep, if 738 00:34:06,560 --> 00:34:11,200 Speaker 5: you bring in, if we clashing, there's an incompatibility there, right, 739 00:34:11,320 --> 00:34:13,600 Speaker 5: And it's like that has to be addressed or else 740 00:34:13,640 --> 00:34:15,040 Speaker 5: we're just gonna be incompatible. 741 00:34:15,120 --> 00:34:15,239 Speaker 4: Right. 742 00:34:15,280 --> 00:34:18,000 Speaker 5: And it's like a lot of people think incompatibility just 743 00:34:18,080 --> 00:34:22,320 Speaker 5: is within relationships, but it's really within friendships, it's within workspaces, 744 00:34:22,400 --> 00:34:24,120 Speaker 5: just within a lot of different things. Right, It's like, 745 00:34:24,160 --> 00:34:27,160 Speaker 5: how compatible are you to me? And you know, and 746 00:34:27,200 --> 00:34:29,239 Speaker 5: it's like once I realize and once I see that 747 00:34:29,239 --> 00:34:31,520 Speaker 5: we're not compatible, that's when I got to go ahead 748 00:34:31,560 --> 00:34:33,920 Speaker 5: and flip that light switch off. And then you take 749 00:34:33,960 --> 00:34:36,120 Speaker 5: that like I never cared about you at all, But 750 00:34:36,200 --> 00:34:38,239 Speaker 5: that's not the truth. The truth is I still love you. 751 00:34:38,760 --> 00:34:41,960 Speaker 5: We're just not compatible. You gotta go your way and 752 00:34:42,080 --> 00:34:44,279 Speaker 5: I gotta go my way, you know what I'm saying, 753 00:34:44,400 --> 00:34:48,040 Speaker 5: And it's a tough thing for me to even do 754 00:34:48,200 --> 00:34:51,800 Speaker 5: because it's like, damn, like I gotta I have to 755 00:34:51,840 --> 00:34:54,279 Speaker 5: do that again, you know what I'm saying. So it's 756 00:34:54,280 --> 00:34:57,000 Speaker 5: hard to have, like, it's hard, it's hard to have 757 00:34:57,080 --> 00:34:59,880 Speaker 5: real genuine relationships when that happens, you know what I me. 758 00:35:00,000 --> 00:35:09,480 Speaker 5: I'm saying. So, but then you're still protecting you thought. 759 00:35:06,160 --> 00:35:07,040 Speaker 2: A couple more questions. 760 00:35:07,280 --> 00:35:08,520 Speaker 6: There was a there was a go for me of 761 00:35:08,560 --> 00:35:10,640 Speaker 6: a woman who was killed and you donated ten grand, 762 00:35:10,760 --> 00:35:11,840 Speaker 6: but then she ended up being. 763 00:35:11,680 --> 00:35:14,080 Speaker 2: In your music video. Did you know that she was 764 00:35:14,120 --> 00:35:15,200 Speaker 2: in your video before you donated? 765 00:35:15,920 --> 00:35:17,080 Speaker 1: Yeah, I knew her. 766 00:35:17,480 --> 00:35:19,800 Speaker 5: I know her personally. Oh okay, okay, yeah, I know 767 00:35:19,880 --> 00:35:23,320 Speaker 5: it personally. And it was just a sad situation, you know, 768 00:35:23,520 --> 00:35:25,520 Speaker 5: very sad, very sad situation. 769 00:35:25,200 --> 00:35:28,040 Speaker 4: For the city. You know. 770 00:35:28,080 --> 00:35:30,359 Speaker 5: It's another reminder that you know, you be here one 771 00:35:30,400 --> 00:35:33,040 Speaker 5: day and tomorrow you'll be gone, you know. And it's 772 00:35:33,080 --> 00:35:35,200 Speaker 5: like what happened to that young woman and her daughter 773 00:35:35,360 --> 00:35:38,560 Speaker 5: was was horrific, you know. And it's like I felt 774 00:35:38,560 --> 00:35:42,200 Speaker 5: guilty because she was in the video and she in 775 00:35:42,239 --> 00:35:46,520 Speaker 5: the video, she was rapping in the car that she 776 00:35:46,680 --> 00:35:48,759 Speaker 5: died in the car, you know. 777 00:35:48,920 --> 00:35:53,520 Speaker 4: So it's like it was just haunting and you go back 778 00:35:53,520 --> 00:35:54,000 Speaker 4: and watch it. 779 00:35:54,040 --> 00:35:56,280 Speaker 5: I'm still thinking about taking the video down just because 780 00:35:56,320 --> 00:35:58,200 Speaker 5: I just just you know what I mean, Like it's 781 00:35:58,239 --> 00:35:58,799 Speaker 5: just it's just so. 782 00:36:00,360 --> 00:36:04,640 Speaker 6: You know, it was one of them spooky coincidence. I mean, 783 00:36:04,719 --> 00:36:06,480 Speaker 6: like you can't hold yourself accountable. 784 00:36:06,560 --> 00:36:09,000 Speaker 5: Nah, I'm not holding myself accountable. It's really just like 785 00:36:09,040 --> 00:36:11,359 Speaker 5: it's just I don't know, it's a freaky thing. 786 00:36:11,640 --> 00:36:14,880 Speaker 8: But still to see in it actually. 787 00:36:14,560 --> 00:36:19,640 Speaker 4: Yeah, yeah, it's just a it's one of those things. Disgusting, man. 788 00:36:19,840 --> 00:36:21,839 Speaker 5: And it's like, you know, her daughter had passed away 789 00:36:21,880 --> 00:36:24,920 Speaker 5: to both of them in the car. Wow, somebody had 790 00:36:25,000 --> 00:36:27,680 Speaker 5: ran up and spray the car up with her daughter. 791 00:36:27,719 --> 00:36:30,080 Speaker 5: And her daughter was supposed to be on the first 792 00:36:30,160 --> 00:36:33,439 Speaker 5: verse on in that song, but I chose another little 793 00:36:33,480 --> 00:36:35,319 Speaker 5: girl instead, you know what I'm saying. But I didn't 794 00:36:35,320 --> 00:36:39,640 Speaker 5: know her daughter as well, and it was in her 795 00:36:39,800 --> 00:36:41,880 Speaker 5: the mom and a daughter was really good people, you 796 00:36:41,960 --> 00:36:45,080 Speaker 5: know what I'm saying. So that really was tragic. 797 00:36:45,160 --> 00:36:45,839 Speaker 4: And she was. 798 00:36:48,480 --> 00:36:53,960 Speaker 5: In the military, you know, so yeah, she served the country, 799 00:36:54,080 --> 00:36:58,360 Speaker 5: you know what I'm saying. So resting piece to absolutely 800 00:36:58,440 --> 00:36:59,440 Speaker 5: resting Pieza shorty. 801 00:37:00,080 --> 00:37:01,920 Speaker 6: Last question, are you working on a joint album with 802 00:37:01,920 --> 00:37:04,040 Speaker 6: Will Smith? Because that was that was a rumor too. 803 00:37:07,400 --> 00:37:09,400 Speaker 4: I want to say some one called a joint album. 804 00:37:09,719 --> 00:37:12,360 Speaker 2: You help him do his album though, Yeah. 805 00:37:12,080 --> 00:37:12,560 Speaker 4: Yeah, I was. 806 00:37:12,680 --> 00:37:18,360 Speaker 5: I'm you know, you're working on some music together. You know, 807 00:37:18,400 --> 00:37:23,040 Speaker 5: I got Wheel in his bag, so you know, I 808 00:37:23,040 --> 00:37:24,799 Speaker 5: can't wait for the music to actually drop. 809 00:37:25,880 --> 00:37:28,200 Speaker 2: What's the first offering some of the Bad Boys fourth contrack? 810 00:37:29,239 --> 00:37:31,759 Speaker 5: We're actually about to go create something for the Bad 811 00:37:31,800 --> 00:37:34,960 Speaker 5: Boys for contract when I when I go on to 812 00:37:35,080 --> 00:37:39,440 Speaker 5: his crib in a couple of days, okay, yeah. 813 00:37:39,719 --> 00:37:42,600 Speaker 2: Joining you working my brother, brother, you are working. 814 00:37:42,520 --> 00:37:45,360 Speaker 3: New album is out right now? Not now, I'm busy 815 00:37:45,800 --> 00:37:47,120 Speaker 3: and we appreciate you for joining us. 816 00:37:47,120 --> 00:37:49,240 Speaker 4: Brother going on this tour, you know what I'm saying. 817 00:37:50,239 --> 00:37:52,279 Speaker 5: I'm going on a tour from and May, from May 818 00:37:52,320 --> 00:37:59,160 Speaker 5: to June, Drew, what's the dates? May eleventh, the June fifteenth, 819 00:37:59,320 --> 00:38:03,120 Speaker 5: not now, busy the door featuring my man uh Millie. 820 00:38:03,920 --> 00:38:05,560 Speaker 5: You know he's from the city. To shout out to 821 00:38:05,640 --> 00:38:09,640 Speaker 5: my bro mill and Daks. Daks out there doing the 822 00:38:09,719 --> 00:38:11,680 Speaker 5: things I put him on the on the joint too, 823 00:38:12,280 --> 00:38:16,960 Speaker 5: so that is cool. So he's going on there. Anything 824 00:38:16,960 --> 00:38:20,400 Speaker 5: else you want to say, Album out Friday, album mouth Friday, 825 00:38:22,960 --> 00:38:25,640 Speaker 5: anything else you want to say. 826 00:38:25,800 --> 00:38:31,719 Speaker 1: That's it, thank you Lucas. Yeah, Joy and Lucas. 827 00:38:31,920 --> 00:38:32,879 Speaker 2: It's the Breakfast Club. 828 00:38:32,920 --> 00:38:35,760 Speaker 1: Good morning wake that ans up in the morning. 829 00:38:35,880 --> 00:38:36,920 Speaker 2: The Breakfast Club.