1 00:00:01,960 --> 00:00:05,000 Speaker 1: R and B Money. 2 00:00:05,559 --> 00:00:06,120 Speaker 2: We are. 3 00:00:07,680 --> 00:00:15,800 Speaker 1: Thanks take maligized. We are the authorities on R and 4 00:00:15,880 --> 00:00:19,560 Speaker 1: B Ladies and gentlemen. My name is Tank. 5 00:00:20,840 --> 00:00:24,079 Speaker 3: This is the R and B Money Podcast, the authority 6 00:00:24,760 --> 00:00:29,319 Speaker 3: on all things R and B Miami Edition. 7 00:00:29,560 --> 00:00:32,000 Speaker 1: Where were my miam Me? 8 00:00:32,240 --> 00:00:35,680 Speaker 3: As when you come down to the three oh five, 9 00:00:36,120 --> 00:00:37,760 Speaker 3: you know what you gotta do, and you want to 10 00:00:37,800 --> 00:00:40,199 Speaker 3: talk that music? Yeah, you know what I'm saying. You 11 00:00:40,240 --> 00:00:43,240 Speaker 3: want to talk that musician. Ship it's a man. It's 12 00:00:43,240 --> 00:00:46,279 Speaker 3: a Man's a man. It's a name that comes up. 13 00:00:46,600 --> 00:00:46,800 Speaker 1: Yeah. 14 00:00:47,200 --> 00:00:52,720 Speaker 3: Ten out of ten times, sir, hit records are listen 15 00:00:52,760 --> 00:00:55,000 Speaker 3: to R and B Live before R and B Live 16 00:00:55,240 --> 00:00:57,040 Speaker 3: All the Lawn edit. 17 00:00:57,800 --> 00:01:00,760 Speaker 1: I was with you, man, you with me? Make some noise? 18 00:01:00,840 --> 00:01:06,920 Speaker 1: Ward brother, big be in the building. Man, come on, man, wow, 19 00:01:07,160 --> 00:01:12,160 Speaker 1: that was yeah you big day. 20 00:01:12,319 --> 00:01:14,759 Speaker 3: Like, man, I don't even be you know, I don't 21 00:01:15,080 --> 00:01:16,479 Speaker 3: be doing a whole lot of talk. 22 00:01:16,880 --> 00:01:21,399 Speaker 1: I just about that. Actually, I just do a whole 23 00:01:21,440 --> 00:01:23,920 Speaker 1: lot of work and I'm on it. 24 00:01:23,959 --> 00:01:26,360 Speaker 4: Man. Just to be sitting here with y'all. Man, it's like, 25 00:01:26,840 --> 00:01:30,200 Speaker 4: I really don't do this, Like this is like kind 26 00:01:30,200 --> 00:01:33,120 Speaker 4: of new for me. Just sit sitting down, you know, 27 00:01:33,400 --> 00:01:36,240 Speaker 4: interviewing and talking to the podcast, man, like, I love 28 00:01:36,280 --> 00:01:39,520 Speaker 4: what y'all doing, man, and thank you man. I'm just 29 00:01:39,560 --> 00:01:44,839 Speaker 4: trying to recoup from the intro. That was incredible. 30 00:01:44,880 --> 00:01:45,080 Speaker 1: Man. 31 00:01:45,160 --> 00:01:48,200 Speaker 4: But I just heah, I appreciate you all for having me. 32 00:01:48,360 --> 00:01:51,160 Speaker 3: Yeah, but listen, I think you know us knowing you 33 00:01:51,200 --> 00:01:55,400 Speaker 3: for as long as we have us knowing, us, knowing 34 00:01:55,440 --> 00:01:59,440 Speaker 3: the work, us knowing the spirit. You know what I'm 35 00:01:59,440 --> 00:02:02,720 Speaker 3: saying of a man like this is you. You're somebody 36 00:02:02,760 --> 00:02:05,880 Speaker 3: who people need to hear from. You know what I'm saying, 37 00:02:06,000 --> 00:02:09,040 Speaker 3: and understand that they've been hearing from you. 38 00:02:09,520 --> 00:02:12,400 Speaker 1: They just just know it. We're gonna make the connection. 39 00:02:12,800 --> 00:02:16,320 Speaker 1: Oh that's him. That's him. 40 00:02:17,320 --> 00:02:20,760 Speaker 3: I remember singing at your uh, your arm, you're live. 41 00:02:21,320 --> 00:02:21,880 Speaker 1: Who else? 42 00:02:22,120 --> 00:02:27,600 Speaker 3: Somebody was there? Kicky Wyatt? It was ki Ki Wyatt, yo, 43 00:02:28,040 --> 00:02:30,079 Speaker 3: like when I was there. Yeah, I think she might 44 00:02:30,120 --> 00:02:31,920 Speaker 3: have called me on stage or something, and you called 45 00:02:31,960 --> 00:02:35,519 Speaker 3: me on stage or something and we got we got 46 00:02:35,520 --> 00:02:37,799 Speaker 3: to get into it. But it's like every time I 47 00:02:37,880 --> 00:02:40,040 Speaker 3: see here's the crazy part and we and we you know, 48 00:02:40,080 --> 00:02:41,760 Speaker 3: we always go back to the beginning because we want 49 00:02:41,760 --> 00:02:42,600 Speaker 3: to know where it started. 50 00:02:43,800 --> 00:02:45,320 Speaker 1: But every time I see. 51 00:02:45,120 --> 00:02:49,720 Speaker 3: You, you've had major success in the music business, you've 52 00:02:49,760 --> 00:02:52,320 Speaker 3: had hit records after hit it, you have hit records. 53 00:02:52,600 --> 00:02:58,040 Speaker 3: You do not have to be a working traveling musician. 54 00:02:58,880 --> 00:03:02,240 Speaker 3: You do not have to B and I will. You 55 00:03:02,320 --> 00:03:05,880 Speaker 3: will be in the most Randoms at a wedding Ross 56 00:03:05,919 --> 00:03:08,520 Speaker 3: Randoms bus as the lead musician. 57 00:03:09,240 --> 00:03:21,680 Speaker 1: Like rocking like music you really love you really love 58 00:03:21,919 --> 00:03:22,480 Speaker 1: the music. 59 00:03:22,600 --> 00:03:24,600 Speaker 4: Yeah, this is listen, this is all I know. 60 00:03:24,760 --> 00:03:24,959 Speaker 1: Man. 61 00:03:25,040 --> 00:03:29,320 Speaker 4: You know I came out to church. You know, my 62 00:03:29,840 --> 00:03:34,920 Speaker 4: mother she raised two boys, me and my brother. My 63 00:03:34,920 --> 00:03:37,480 Speaker 4: brother's two years younger than younger than me. God bless 64 00:03:37,520 --> 00:03:39,800 Speaker 4: it there. Like he passed in ninety six. He was 65 00:03:39,800 --> 00:03:42,520 Speaker 4: on the Value Jet flight that went down in Evergladesh. 66 00:03:42,560 --> 00:03:42,920 Speaker 1: Wow. 67 00:03:43,520 --> 00:03:46,440 Speaker 4: And and that was my only brother. My brother was 68 00:03:46,480 --> 00:03:51,320 Speaker 4: a keyboard player. He was the musical director for Vanessa 69 00:03:52,200 --> 00:03:54,600 Speaker 4: No no, no, congratulations. 70 00:03:54,600 --> 00:03:57,880 Speaker 1: What's that girl? The lady Williams. 71 00:03:58,160 --> 00:04:00,960 Speaker 4: Yeah, my brother was her m d. He was the 72 00:04:01,280 --> 00:04:02,560 Speaker 4: day and then my brother used to travel with B. 73 00:04:02,560 --> 00:04:03,120 Speaker 1: B and C. C. 74 00:04:03,280 --> 00:04:07,880 Speaker 4: Winings and I was traveling with Shirley Caesar and I. 75 00:04:07,800 --> 00:04:11,480 Speaker 1: Was traveling with the Winings. You're traveling with Shirley seas. 76 00:04:12,160 --> 00:04:16,200 Speaker 4: Like like I was with Shirley for years when I 77 00:04:16,240 --> 00:04:19,080 Speaker 4: was young, like seventeen years coming out of high school, 78 00:04:19,120 --> 00:04:21,640 Speaker 4: I started traveling and I went out with her, you 79 00:04:21,680 --> 00:04:23,160 Speaker 4: know what I mean? Then when I with her, and 80 00:04:23,160 --> 00:04:26,680 Speaker 4: then I went out with with with the Winings, and 81 00:04:26,680 --> 00:04:30,280 Speaker 4: and that's that's like like I grew up that kind 82 00:04:30,320 --> 00:04:31,279 Speaker 4: of music, you know what I'm saying. 83 00:04:31,360 --> 00:04:36,000 Speaker 3: So like, but let's not let's not just gloss over 84 00:04:36,120 --> 00:04:42,280 Speaker 3: to Shirley, Caesar and the Winings, because that was the top, 85 00:04:42,440 --> 00:04:46,080 Speaker 3: real that was the top of the food chain at 86 00:04:46,080 --> 00:04:49,760 Speaker 3: that time, and you're not no regular musician going on 87 00:04:49,800 --> 00:04:50,599 Speaker 3: the road with them. 88 00:04:50,720 --> 00:04:51,880 Speaker 1: I grew I grew up under that. 89 00:04:51,920 --> 00:04:53,880 Speaker 4: I grew up You gotta be special, Yeah, I grew 90 00:04:53,960 --> 00:04:56,440 Speaker 4: up under. I grew up under that. The Shirley Season, 91 00:04:56,800 --> 00:04:59,440 Speaker 4: James Cleveland Clark System. 92 00:04:59,560 --> 00:05:00,640 Speaker 1: Yeah, I grew up on. 93 00:05:00,720 --> 00:05:02,839 Speaker 4: The under that type of Yeah you was a guy, yeah, 94 00:05:03,000 --> 00:05:03,159 Speaker 4: you know. 95 00:05:03,160 --> 00:05:03,520 Speaker 1: What I mean. 96 00:05:03,560 --> 00:05:06,719 Speaker 4: So that's so it's just always been in me like that. 97 00:05:06,839 --> 00:05:07,000 Speaker 1: Man. 98 00:05:07,040 --> 00:05:10,920 Speaker 4: So it's like like like even to even to this day, 99 00:05:11,040 --> 00:05:14,839 Speaker 4: like my me me doing live music against my that's 100 00:05:14,880 --> 00:05:17,000 Speaker 4: that's what I love to do. Like I love to 101 00:05:17,040 --> 00:05:21,159 Speaker 4: be on stage playing, you know, doing live performances. That's 102 00:05:21,200 --> 00:05:23,680 Speaker 4: my passion. That's so it's all it's just in me, man, 103 00:05:23,760 --> 00:05:26,200 Speaker 4: Like That's all I know. So how do you go 104 00:05:26,800 --> 00:05:34,080 Speaker 4: from Shirley Caesar and the Whinings to then becoming a 105 00:05:34,320 --> 00:05:35,280 Speaker 4: super producer? 106 00:05:35,360 --> 00:05:37,800 Speaker 1: How do you? How does how do you make that transition? 107 00:05:38,279 --> 00:05:38,800 Speaker 1: I'm gonna tell you. 108 00:05:38,839 --> 00:05:40,400 Speaker 4: I'm gonna tell you for me, this how it started 109 00:05:40,400 --> 00:05:44,240 Speaker 4: for me, Like my mother used to always. First of all, 110 00:05:44,279 --> 00:05:47,560 Speaker 4: my dad was a was a singer. My mother was 111 00:05:47,600 --> 00:05:50,839 Speaker 4: a piano player. So I used to grow up on 112 00:05:51,240 --> 00:05:58,120 Speaker 4: listening to real music, like like like my mom used 113 00:05:58,160 --> 00:06:01,200 Speaker 4: to play the the emotion all the time. She used 114 00:06:01,200 --> 00:06:04,680 Speaker 4: to play I forgot she used to play this song 115 00:06:04,839 --> 00:06:10,720 Speaker 4: the time is right, I forgot who the artist is. 116 00:06:11,000 --> 00:06:13,640 Speaker 4: But I grew up just on all that type of stuff. 117 00:06:13,839 --> 00:06:16,800 Speaker 4: I grew up on the Eagles, I grew up on Chicago, 118 00:06:16,880 --> 00:06:18,920 Speaker 4: the Group of Chicago, you know what I mean. So 119 00:06:19,400 --> 00:06:22,680 Speaker 4: I was I was always into music like that, you 120 00:06:22,680 --> 00:06:24,520 Speaker 4: know what I'm saying. Growing up and coming out of 121 00:06:24,520 --> 00:06:28,480 Speaker 4: Miami that was different because Miami music is bass music. 122 00:06:29,960 --> 00:06:31,640 Speaker 4: I came up in that, like you know what I'm saying. 123 00:06:31,680 --> 00:06:35,400 Speaker 4: So we wasn't known for R and B music. And 124 00:06:35,440 --> 00:06:38,640 Speaker 4: you know our R and B hero was Michael Sterling 125 00:06:39,200 --> 00:06:43,599 Speaker 4: and Miss b Betty Wright. That's our hero in music 126 00:06:43,680 --> 00:06:45,120 Speaker 4: in R and B, you know what I'm saying. So 127 00:06:45,160 --> 00:06:49,120 Speaker 4: it's like, you know, I came up like that, you know, 128 00:06:49,240 --> 00:06:55,000 Speaker 4: doing music, so you know, to make the transition, you know, 129 00:06:55,560 --> 00:06:59,480 Speaker 4: learning how to do rap music with That's when I 130 00:06:59,480 --> 00:07:03,640 Speaker 4: became I started working with Trick Daddy and and Trina 131 00:07:04,160 --> 00:07:06,279 Speaker 4: and and and my mindset. It's like, man, I don't 132 00:07:06,279 --> 00:07:07,640 Speaker 4: really understand this rap. 133 00:07:07,560 --> 00:07:09,960 Speaker 1: Ship when you first jumped in it. 134 00:07:10,200 --> 00:07:12,960 Speaker 4: Yeah, because I just knew music like Earth, Winn and 135 00:07:12,960 --> 00:07:15,720 Speaker 4: Fire was like like my Jimmy Jammer, Terriss Lewis. 136 00:07:15,760 --> 00:07:16,760 Speaker 1: Lewis was my idol. 137 00:07:17,720 --> 00:07:21,280 Speaker 4: I always like always want I say, man, I always 138 00:07:21,280 --> 00:07:22,960 Speaker 4: I want to beat them dudes. I want to produce 139 00:07:23,080 --> 00:07:26,280 Speaker 4: like them cats, like I something about like they sound. 140 00:07:26,320 --> 00:07:26,520 Speaker 1: It was. 141 00:07:26,560 --> 00:07:30,720 Speaker 4: It was Jimmy jam Terry Lewis and Maurice White, like 142 00:07:30,720 --> 00:07:33,960 Speaker 4: like the way they produced, the way the sound. I said, man, 143 00:07:33,960 --> 00:07:36,240 Speaker 4: I want my music to sound like that. I don't 144 00:07:36,240 --> 00:07:38,200 Speaker 4: know how, you know what I mean. So that's how 145 00:07:38,240 --> 00:07:40,040 Speaker 4: I came up, you know what I mean. And and 146 00:07:40,440 --> 00:07:44,160 Speaker 4: I just took that all land and tried to, you know, 147 00:07:45,560 --> 00:07:50,720 Speaker 4: navigate through this Miami scene of music. And that's that's 148 00:07:50,720 --> 00:07:52,840 Speaker 4: pretty much how I kind of got started. 149 00:07:52,840 --> 00:07:55,840 Speaker 2: So ultimately there were no R and B singers, no 150 00:07:55,880 --> 00:07:56,760 Speaker 2: out here at that point. 151 00:07:56,920 --> 00:08:01,080 Speaker 4: No, not in Miami. It was all dope dealers and rappers. 152 00:08:02,080 --> 00:08:05,080 Speaker 4: Like I grew up. I grew up around killers, dope 153 00:08:05,120 --> 00:08:07,520 Speaker 4: dealers and rappers. Like that's all I know. 154 00:08:07,800 --> 00:08:11,200 Speaker 2: So are you producing just like for the neighborhood rappers 155 00:08:11,200 --> 00:08:11,920 Speaker 2: at this point. 156 00:08:11,760 --> 00:08:15,600 Speaker 1: Or how do you get producing your first record? My 157 00:08:15,720 --> 00:08:16,800 Speaker 1: first message? 158 00:08:16,880 --> 00:08:20,080 Speaker 4: I mean my first I would say my first major 159 00:08:20,320 --> 00:08:21,720 Speaker 4: record was Trick Daddy. 160 00:08:21,800 --> 00:08:26,760 Speaker 3: Let's go, okay, what's your first place? What's your first 161 00:08:27,360 --> 00:08:29,560 Speaker 3: first placement? I know it was a brown bag like 162 00:08:29,560 --> 00:08:33,240 Speaker 3: a paper bag. Somebody brought you. Somebody brought you a place. 163 00:08:34,000 --> 00:08:38,280 Speaker 3: It is a place, somebody paid you money your podcast exactly. 164 00:08:38,400 --> 00:08:41,160 Speaker 4: I had a lot of brown bag you know what 165 00:08:41,160 --> 00:08:45,240 Speaker 4: I'm saying, street casts coming up, like you would like 166 00:08:45,400 --> 00:08:47,439 Speaker 4: if you you, if you, if you from you know, 167 00:08:47,840 --> 00:08:50,720 Speaker 4: like like the G Shorties they call it G Shorties 168 00:08:50,800 --> 00:08:54,480 Speaker 4: and they was like some some cases cats out of Miami, 169 00:08:55,080 --> 00:08:58,240 Speaker 4: and they was like, really my first bag bag, you 170 00:08:58,320 --> 00:09:02,320 Speaker 4: know what I'm saying, So and and and what's what's 171 00:09:02,320 --> 00:09:05,160 Speaker 4: that run about? The G Show is right? Like I 172 00:09:05,400 --> 00:09:08,120 Speaker 4: didn't know how to produce rap music at all. They 173 00:09:08,280 --> 00:09:12,160 Speaker 4: just love my music that I was. I was producing. 174 00:09:13,200 --> 00:09:15,920 Speaker 1: Music, man. They was. 175 00:09:16,000 --> 00:09:18,959 Speaker 4: They were from forty fourth Street and Seventh Avenue, and 176 00:09:18,960 --> 00:09:20,880 Speaker 4: they were like, d Man, we want you to do 177 00:09:20,920 --> 00:09:21,320 Speaker 4: our ship. 178 00:09:21,440 --> 00:09:21,600 Speaker 3: Man. 179 00:09:21,840 --> 00:09:24,439 Speaker 1: I say, oh, man, I don't know ship about rap music. Man. 180 00:09:24,880 --> 00:09:27,240 Speaker 4: Nah Man, you figured out then They was like, man, 181 00:09:27,280 --> 00:09:31,120 Speaker 4: listen to that swave house ship. So I started listening 182 00:09:31,200 --> 00:09:33,080 Speaker 4: to you know what I'm saying, that was musical to 183 00:09:36,080 --> 00:09:38,640 Speaker 4: and then they felt like my music was like that 184 00:09:38,760 --> 00:09:39,360 Speaker 4: type of ship. 185 00:09:39,679 --> 00:09:41,320 Speaker 1: So I was like, who the swave was was? 186 00:09:41,440 --> 00:09:45,320 Speaker 4: So I started listening to that, man, and and you know, 187 00:09:45,520 --> 00:09:47,320 Speaker 4: That's how I kind of try to put in my 188 00:09:47,720 --> 00:09:48,280 Speaker 4: music game. 189 00:09:48,320 --> 00:09:49,680 Speaker 1: What were you using to produce? 190 00:09:50,720 --> 00:09:53,760 Speaker 4: I was short live ship, like you know what I'm saying. 191 00:09:54,559 --> 00:09:59,679 Speaker 4: Back back then we was on with Daity Yeah yeah, yeah, ca. 192 00:10:00,160 --> 00:10:02,679 Speaker 4: It was the rolling rolling. 193 00:10:03,640 --> 00:10:08,600 Speaker 1: It was a deal rolling. It was rolling something. 194 00:10:09,840 --> 00:10:12,880 Speaker 4: I can't remember what. You didn't have no studio or nothing. Nah, 195 00:10:12,960 --> 00:10:16,040 Speaker 4: I was just going in different studios and you. 196 00:10:16,040 --> 00:10:18,280 Speaker 1: Were just laying down track for track live. 197 00:10:18,480 --> 00:10:20,800 Speaker 4: Yeah, I didn't. I didn't really have my own studio 198 00:10:21,160 --> 00:10:27,920 Speaker 4: until like like in the early nineties, and I built 199 00:10:28,080 --> 00:10:30,679 Speaker 4: my own little studio I didn't. I didn't have it. 200 00:10:30,840 --> 00:10:32,400 Speaker 4: I didn't have my own studio till the end, you 201 00:10:32,440 --> 00:10:35,480 Speaker 4: know what I mean. So it wasn't until it wasn't 202 00:10:35,520 --> 00:10:37,760 Speaker 4: until like and I was still like getting I was 203 00:10:37,760 --> 00:10:40,040 Speaker 4: still getting the brown paper bags. I wasn'tetting no placements 204 00:10:40,040 --> 00:10:42,360 Speaker 4: and that like that. I didn't know what that was, right, 205 00:10:42,440 --> 00:10:43,840 Speaker 4: I didn't know how to do it. I was making 206 00:10:43,880 --> 00:10:47,000 Speaker 4: so much money doing street records, and I ain't know how. 207 00:10:47,320 --> 00:10:50,360 Speaker 4: I ain't know what the other ship was until you know, 208 00:10:50,440 --> 00:10:52,720 Speaker 4: I ran in the trick and ted ted to ce 209 00:10:52,920 --> 00:10:57,199 Speaker 4: Off Slipper Slide and and started working with them. 210 00:10:57,600 --> 00:10:59,040 Speaker 1: That record was a smash. 211 00:11:00,200 --> 00:11:02,880 Speaker 2: Let's go as a smash, I used to this day. 212 00:11:02,920 --> 00:11:06,480 Speaker 2: You can't go into an arena and not here Let's go, 213 00:11:06,760 --> 00:11:07,200 Speaker 2: I used to. 214 00:11:07,400 --> 00:11:11,640 Speaker 4: I was just always playing guitars, my main musician, my 215 00:11:11,720 --> 00:11:14,959 Speaker 4: main instrument. So I would create all my music from 216 00:11:15,000 --> 00:11:17,520 Speaker 4: the guitar. So I used to always love that Ozzie 217 00:11:17,520 --> 00:11:20,439 Speaker 4: Osborne and and so I just stopped, you know what 218 00:11:20,520 --> 00:11:23,600 Speaker 4: I'm saying. So we're in the studio, me and Jim Johnson. 219 00:11:23,240 --> 00:11:26,559 Speaker 3: We were just we just stopped, you said, me and 220 00:11:26,640 --> 00:11:28,719 Speaker 3: Jim Johnson, how do you and Jim Johnson get in 221 00:11:28,760 --> 00:11:29,160 Speaker 3: the studio. 222 00:11:30,760 --> 00:11:34,760 Speaker 1: That's a legend. That's that's that's a legendary. I'm gonna 223 00:11:34,760 --> 00:11:35,360 Speaker 1: tell you the sturb. 224 00:11:35,520 --> 00:11:40,520 Speaker 4: Me and Jim, Right. So, Jim used to produce this 225 00:11:40,640 --> 00:11:44,120 Speaker 4: group at the time. There wasn't Pretty Ricky. It was 226 00:11:44,720 --> 00:11:48,400 Speaker 4: they was called something Pretty Ricky and the Mavericks, and 227 00:11:48,559 --> 00:11:52,920 Speaker 4: they were doing rap music. So Jim was producing their 228 00:11:53,040 --> 00:11:56,319 Speaker 4: rap music. This was before Pleasure. Pleasure wasn't in the 229 00:11:56,400 --> 00:11:59,760 Speaker 4: group's at this point. It's all They all rappers, and 230 00:11:59,800 --> 00:12:04,680 Speaker 4: so Jim was producing them or whatever. And so so 231 00:12:04,760 --> 00:12:06,760 Speaker 4: I was doing my little R and B thing or whatever. 232 00:12:06,840 --> 00:12:10,640 Speaker 4: So Blue, Baby Blue came to me and said, man, we 233 00:12:10,679 --> 00:12:12,559 Speaker 4: need some beats. Man, can you send us some beasts 234 00:12:12,600 --> 00:12:14,400 Speaker 4: or whatever? So I was like, all right, man, I mean, 235 00:12:14,480 --> 00:12:16,280 Speaker 4: y'all rappers, So I don't know where I could send you, 236 00:12:16,320 --> 00:12:19,280 Speaker 4: but I just seen you, uh some stuff or whatever. 237 00:12:19,840 --> 00:12:23,920 Speaker 1: So Baby Blue heard the grind, the grind. 238 00:12:23,640 --> 00:12:28,600 Speaker 4: On me music, you know what I'm saying, And and 239 00:12:28,440 --> 00:12:32,680 Speaker 4: and and when he heard that, he called, I guess 240 00:12:32,720 --> 00:12:36,199 Speaker 4: he called Pleasure or whatever. And Pleasure. When Pleasure heard it, 241 00:12:36,440 --> 00:12:39,600 Speaker 4: Pleasure just started sucking with the vibe of and putting 242 00:12:39,640 --> 00:12:40,600 Speaker 4: the hook on it and that. 243 00:12:40,520 --> 00:12:40,959 Speaker 1: Type of thing. 244 00:12:41,040 --> 00:12:43,760 Speaker 4: And he wasn't even in the group. He just came 245 00:12:43,840 --> 00:12:46,640 Speaker 4: up with a hook when he he blue was going 246 00:12:46,679 --> 00:12:49,199 Speaker 4: through different beasts and Pleasure told him play that one 247 00:12:49,280 --> 00:12:51,960 Speaker 4: right there, and and it was grind on Me and 248 00:12:51,960 --> 00:12:55,200 Speaker 4: and and that's really so that's how me and generally 249 00:12:55,200 --> 00:13:00,680 Speaker 4: started working together. Because when when grind on Me was 250 00:13:00,679 --> 00:13:03,280 Speaker 4: their single, Power ninety six kind of blew it up 251 00:13:03,280 --> 00:13:05,480 Speaker 4: on the radio or whatever. So when Craig Common came 252 00:13:05,559 --> 00:13:09,480 Speaker 4: down to see the group pretty ricky, he was like, well, 253 00:13:09,559 --> 00:13:12,800 Speaker 4: let me hear some more music. So the other music 254 00:13:12,920 --> 00:13:16,960 Speaker 4: was a lot of rap music because no one expected 255 00:13:17,400 --> 00:13:19,760 Speaker 4: them to be an R and B group and Pleasure 256 00:13:19,800 --> 00:13:23,160 Speaker 4: ple was gonna be the lead singer. It wasn't they didn't. 257 00:13:23,679 --> 00:13:25,160 Speaker 4: It wasn't set up that way. It was set up 258 00:13:25,160 --> 00:13:27,720 Speaker 4: for them to be a rap group. So when Craig 259 00:13:27,840 --> 00:13:30,720 Speaker 4: Common heard grind on Me, he was like, well, who 260 00:13:30,760 --> 00:13:33,600 Speaker 4: did this? Who did this record or whatever? And so 261 00:13:33,600 --> 00:13:36,280 Speaker 4: they was like, man, Big D, he produced that or whatever. 262 00:13:36,400 --> 00:13:38,839 Speaker 4: So man Craig was like, what I want to that's 263 00:13:38,840 --> 00:13:40,520 Speaker 4: what I want to meet. I want to meet Big D. 264 00:13:40,679 --> 00:13:44,559 Speaker 4: So they flew me to New York and me Craig. 265 00:13:44,640 --> 00:13:47,520 Speaker 4: Jim sat down and Craig was like, listen, man, this 266 00:13:47,520 --> 00:13:51,160 Speaker 4: is their sound right here, grinding me. I need y'all to. 267 00:13:51,720 --> 00:13:54,240 Speaker 4: He was talking to me and Jim to create this 268 00:13:54,800 --> 00:14:00,640 Speaker 4: for their project. And that's what we did. Reduction Team. 269 00:14:00,760 --> 00:14:04,440 Speaker 4: No wow, we're not even a product. Craig put me 270 00:14:04,480 --> 00:14:05,160 Speaker 4: and Jim together. 271 00:14:05,320 --> 00:14:07,839 Speaker 1: That's great. He put us together. 272 00:14:09,480 --> 00:14:14,040 Speaker 4: Science science, Yeah yeah, yeah, yeah yeah. I respect him 273 00:14:14,040 --> 00:14:16,480 Speaker 4: for it too much. Like he had that vision, he 274 00:14:16,559 --> 00:14:19,680 Speaker 4: was able to see it and put it together. And 275 00:14:19,680 --> 00:14:22,000 Speaker 4: and then he sent He said, I'm gonna send a writer. 276 00:14:22,040 --> 00:14:24,200 Speaker 4: I'm I'm gonna introduce y'all to this writer whatever. So 277 00:14:24,240 --> 00:14:29,560 Speaker 4: he sent Static Major and me, Jim and Static did 278 00:14:30,200 --> 00:14:33,080 Speaker 4: pretty ricky album in thirty days. 279 00:14:33,840 --> 00:14:34,400 Speaker 1: Thirty days. 280 00:14:34,400 --> 00:14:38,120 Speaker 4: We did the whole album, just back to back to back, 281 00:14:39,120 --> 00:14:42,119 Speaker 4: that whole Blue Star album, Ground on Me Your Body, 282 00:14:42,400 --> 00:14:45,040 Speaker 4: all of that, we did all that, and we just 283 00:14:45,720 --> 00:14:46,120 Speaker 4: we just. 284 00:14:46,120 --> 00:14:51,040 Speaker 3: DIDI Classics, BRO Classics. 285 00:14:50,520 --> 00:14:54,160 Speaker 4: And the and the sauce was. I would always come 286 00:14:54,240 --> 00:14:57,440 Speaker 4: up with the melodies and everything. Jim was the he 287 00:14:57,720 --> 00:15:01,080 Speaker 4: he had the the the the beat, he had the 288 00:15:01,600 --> 00:15:04,720 Speaker 4: eight o eight sound, so he had that bottom and 289 00:15:04,760 --> 00:15:06,800 Speaker 4: I would come up with the melodies. So I was like, 290 00:15:06,880 --> 00:15:09,200 Speaker 4: I had melodies for days because I just I had 291 00:15:09,240 --> 00:15:11,240 Speaker 4: all this music in my head and I always wanted 292 00:15:11,280 --> 00:15:13,240 Speaker 4: to bring it out some kind of way anyway. So 293 00:15:13,600 --> 00:15:15,400 Speaker 4: I would just come up with the melodies and whatever 294 00:15:15,440 --> 00:15:16,920 Speaker 4: and just how we created the songs. 295 00:15:17,480 --> 00:15:18,360 Speaker 1: That's crazy. 296 00:15:18,400 --> 00:15:20,480 Speaker 3: It's funny when he say Jim Johnson, because it was 297 00:15:20,560 --> 00:15:24,480 Speaker 3: like I would hear the name Jim Johnson and I'd 298 00:15:24,520 --> 00:15:27,280 Speaker 3: be like like this, like, whoever this is Jim Johnson is? 299 00:15:27,280 --> 00:15:29,040 Speaker 1: I knew. I knew Big D. I seen Big Day. 300 00:15:29,080 --> 00:15:31,200 Speaker 3: I was like, but I don't know who Jim Johnson 301 00:15:31,320 --> 00:15:33,680 Speaker 3: is it, But Jim Johnson probably you know what I'm saying. 302 00:15:34,200 --> 00:15:36,440 Speaker 3: Jim Johnson probably from them trenches, you know what I'm saying. 303 00:15:37,400 --> 00:15:40,840 Speaker 3: He wanted niggas like man, Jim John's like, hey man, 304 00:15:40,920 --> 00:15:48,640 Speaker 3: you you yeah yeah. But when I say he had it, 305 00:15:48,760 --> 00:15:51,360 Speaker 3: oh man, y'all two together. 306 00:15:51,920 --> 00:15:55,160 Speaker 4: He was like the king of the as down here. Yeah, 307 00:15:55,200 --> 00:15:58,000 Speaker 4: that's what his thing was, the ato as. And here 308 00:15:58,280 --> 00:16:03,560 Speaker 4: Miami that's that Miami bass he had had. And that's 309 00:16:03,560 --> 00:16:05,200 Speaker 4: how we put our thing together. 310 00:16:06,160 --> 00:16:09,680 Speaker 3: So tell me this, you guys. Now, you guys, I 311 00:16:09,720 --> 00:16:13,440 Speaker 3: mean major success now, y'all, y'all on them charts now, 312 00:16:13,560 --> 00:16:15,360 Speaker 3: so there's something different. I mean, well, let me go 313 00:16:15,360 --> 00:16:22,480 Speaker 3: back to trick Daddy was, Yeah, that's what's the next 314 00:16:22,600 --> 00:16:23,240 Speaker 3: move after that? 315 00:16:23,320 --> 00:16:24,920 Speaker 1: And do you get your own studio after that? 316 00:16:25,000 --> 00:16:27,480 Speaker 3: And then Ja Jay's famous question is now that the 317 00:16:27,560 --> 00:16:30,080 Speaker 3: checks are rolling in, but before he. 318 00:16:30,040 --> 00:16:33,880 Speaker 1: Even gets to that, what he hits you'all for? What 319 00:16:34,760 --> 00:16:35,160 Speaker 1: hits you all for? 320 00:16:35,200 --> 00:16:35,280 Speaker 3: On? 321 00:16:35,360 --> 00:16:35,680 Speaker 1: Let's go. 322 00:16:35,920 --> 00:16:40,600 Speaker 4: You know you're gonna be surprised, right, So everybody kept saying, 323 00:16:40,600 --> 00:16:43,040 Speaker 4: we was not gonna get this Samper clip, right, we 324 00:16:43,080 --> 00:16:44,640 Speaker 4: was not gonna get this Samper clip. 325 00:16:45,680 --> 00:16:45,800 Speaker 1: Yo. 326 00:16:47,080 --> 00:16:55,080 Speaker 4: Ozzie Osbourne son h is a trick Daddy fan. Go figure, 327 00:16:55,880 --> 00:17:00,600 Speaker 4: why not Burn's son is a trick Daddy fan. When 328 00:17:00,600 --> 00:17:03,360 Speaker 4: it got when they heard the record or whatever, Yo, 329 00:17:03,560 --> 00:17:06,760 Speaker 4: this was when I tell you this, when it came back. 330 00:17:06,840 --> 00:17:09,360 Speaker 4: Thus that man only took fifty percent. 331 00:17:10,080 --> 00:17:13,240 Speaker 1: Wow, wow, fifty. 332 00:17:13,040 --> 00:17:17,960 Speaker 2: Yeah because them samples give me ninety Yeah, I did 333 00:17:18,000 --> 00:17:18,639 Speaker 2: you a favorite, give me. 334 00:17:19,040 --> 00:17:22,080 Speaker 3: Give men need a you know, a little bag on 335 00:17:22,119 --> 00:17:23,760 Speaker 3: the side of did like. 336 00:17:23,680 --> 00:17:27,800 Speaker 4: This, no problem, no stress, no none of that man 337 00:17:27,920 --> 00:17:31,080 Speaker 4: only because he ain't I didn't know who, but but 338 00:17:31,160 --> 00:17:34,000 Speaker 4: it saw them was like, oh, like you got to 339 00:17:34,040 --> 00:17:36,760 Speaker 4: clear this dad, And and that. 340 00:17:37,320 --> 00:17:40,639 Speaker 1: Yeah, and Trick was on fire. Wow, Trick love of kids? 341 00:17:41,000 --> 00:17:43,000 Speaker 1: Do you think do you get a nice bag for 342 00:17:43,080 --> 00:17:44,520 Speaker 1: producing that? A good advance? 343 00:17:44,800 --> 00:17:48,159 Speaker 4: It was, you know, it was you know after that, 344 00:17:48,200 --> 00:17:55,280 Speaker 4: we met Big John. Yeah, yeah, yeah. 345 00:17:54,840 --> 00:18:00,359 Speaker 1: That's one of the Big Bus just saw you ago. 346 00:18:00,760 --> 00:18:05,920 Speaker 1: We talked about you show. You've changed so many lives. 347 00:18:07,000 --> 00:18:12,639 Speaker 4: Man, Yo, Big John is the godfather your Big John. Listen, nobody, 348 00:18:13,240 --> 00:18:15,040 Speaker 4: nobody got an eye for talent. 349 00:18:14,880 --> 00:18:15,520 Speaker 1: Like Big John. 350 00:18:16,040 --> 00:18:19,840 Speaker 4: Big John is that dude man like like Big John 351 00:18:19,920 --> 00:18:25,160 Speaker 4: taught me so much coming out coming from the bottom 352 00:18:25,720 --> 00:18:29,200 Speaker 4: here in Miami. We don't know nothing about this, this 353 00:18:29,400 --> 00:18:33,200 Speaker 4: music world, this music ship. We we just we're down 354 00:18:33,240 --> 00:18:35,960 Speaker 4: here getting it. Big John was the one that really 355 00:18:36,000 --> 00:18:39,399 Speaker 4: taught me a lot and how to maneuver. And because 356 00:18:39,840 --> 00:18:42,600 Speaker 4: when when I first thought I was young and real 357 00:18:43,359 --> 00:18:47,399 Speaker 4: strong minded and just I was real militant, Like I 358 00:18:47,480 --> 00:18:50,880 Speaker 4: just felt like everybody was against me. Everybody that ain't 359 00:18:51,000 --> 00:18:53,960 Speaker 4: me was against me. So I'm coming in with that 360 00:18:54,000 --> 00:18:56,440 Speaker 4: mentality coming out of Miami whatever, so I'm not really 361 00:18:56,480 --> 00:18:58,600 Speaker 4: knowing how to Big John was the one that kind 362 00:18:58,640 --> 00:19:01,840 Speaker 4: of taught me how yeah you know what I'm saying, 363 00:19:01,840 --> 00:19:06,600 Speaker 4: and tone my thing down and not be so what 364 00:19:06,640 --> 00:19:10,800 Speaker 4: they I guess they's say intimidating or whatever, because you people, 365 00:19:10,800 --> 00:19:12,600 Speaker 4: you can roll people the wrong way in this game. 366 00:19:13,320 --> 00:19:15,800 Speaker 3: But you come up around that too though, So you 367 00:19:15,800 --> 00:19:18,720 Speaker 3: you got to have a certain you when you're dealing 368 00:19:18,760 --> 00:19:21,320 Speaker 3: with it. You know, what's what's the boys you was 369 00:19:21,320 --> 00:19:23,320 Speaker 3: dealing with the young show. 370 00:19:26,560 --> 00:19:27,000 Speaker 1: You gotta have. 371 00:19:27,040 --> 00:19:30,800 Speaker 4: All I know is like like the street. All I 372 00:19:30,880 --> 00:19:35,120 Speaker 4: know is so so this music, this music game was different, 373 00:19:35,680 --> 00:19:37,480 Speaker 4: you know. I mean even though I love music and 374 00:19:37,520 --> 00:19:39,920 Speaker 4: I just know I can do it, but the game. 375 00:19:39,680 --> 00:19:41,680 Speaker 1: Of business side, business. 376 00:19:41,280 --> 00:19:44,320 Speaker 4: Side of it was a whole the world, a whole 377 00:19:44,359 --> 00:19:44,760 Speaker 4: other world. 378 00:19:44,760 --> 00:19:45,760 Speaker 1: And people don't understand that. 379 00:19:45,840 --> 00:19:49,959 Speaker 2: They think that you can, that you can apply some 380 00:19:50,000 --> 00:19:52,199 Speaker 2: of the same tactics and. 381 00:19:52,640 --> 00:19:55,119 Speaker 1: Yeah, they'll get you ab out of this ship. You 382 00:19:55,160 --> 00:19:55,640 Speaker 1: know what I'm saying. 383 00:19:55,680 --> 00:19:58,200 Speaker 2: It's not about all you know, don't be so real, 384 00:19:58,320 --> 00:19:59,840 Speaker 2: don't be that. But it's just like, no, no, no, 385 00:20:00,040 --> 00:20:02,400 Speaker 2: understand that this is a business. You have to move 386 00:20:02,440 --> 00:20:05,000 Speaker 2: in the business a different way than how you would 387 00:20:05,080 --> 00:20:05,920 Speaker 2: move in the street. 388 00:20:06,080 --> 00:20:07,080 Speaker 1: They're gonna move you out of. 389 00:20:07,000 --> 00:20:08,520 Speaker 2: This thing, you know what I'm saying, Like it's just 390 00:20:08,880 --> 00:20:10,679 Speaker 2: it's just not designed that way. 391 00:20:11,240 --> 00:20:14,800 Speaker 1: And you know, I'm glad you. I'm glad you said 392 00:20:14,800 --> 00:20:15,920 Speaker 1: that because. 393 00:20:15,640 --> 00:20:18,800 Speaker 2: A lot of the younger creatives that are coming up 394 00:20:18,960 --> 00:20:21,359 Speaker 2: and almost man, you keep doing all that. 395 00:20:22,080 --> 00:20:25,440 Speaker 1: Yeah, that door is gonna be closed. It's going to 396 00:20:25,520 --> 00:20:27,520 Speaker 1: be closed a lot of doors. 397 00:20:27,960 --> 00:20:31,359 Speaker 4: I just felt like that that that because I'm young 398 00:20:31,960 --> 00:20:34,840 Speaker 4: and and me coming out of minament, I missed a 399 00:20:34,840 --> 00:20:38,080 Speaker 4: lot of opportunities that I felt like that that was, 400 00:20:38,840 --> 00:20:41,119 Speaker 4: you know, always say what God has a miss for me, 401 00:20:41,600 --> 00:20:44,680 Speaker 4: But there's still some things like the opportunity I feel 402 00:20:44,680 --> 00:20:47,760 Speaker 4: like I missed because of my lack of knowledge and 403 00:20:47,880 --> 00:20:49,640 Speaker 4: lack of not knowing how. 404 00:20:49,480 --> 00:20:51,720 Speaker 1: To move in the game. I used to get. 405 00:20:52,040 --> 00:20:53,840 Speaker 4: I used to get an that tone people you say, well, 406 00:20:53,840 --> 00:20:56,760 Speaker 4: you know, they're gonna take a percentage of your public 407 00:20:57,040 --> 00:21:01,520 Speaker 4: take what you heard, take right, nobody taking a motherfucker 408 00:21:01,560 --> 00:21:05,440 Speaker 4: thing over here. I'm like on that, you know, and 409 00:21:05,440 --> 00:21:07,439 Speaker 4: I'm so I'm like, no, no, that's not how we 410 00:21:07,520 --> 00:21:11,040 Speaker 4: do it. So I'm not I'm growing. I'm not knowing you. 411 00:21:11,240 --> 00:21:12,680 Speaker 4: This is the way you do it. You got the 412 00:21:12,880 --> 00:21:18,200 Speaker 4: you got this, you know, you know. It wasn't time 413 00:21:18,480 --> 00:21:20,440 Speaker 4: I grew and grew into this thing or that di 414 00:21:20,600 --> 00:21:25,600 Speaker 4: I learned. Okay, so you know, like I like I 415 00:21:25,640 --> 00:21:27,200 Speaker 4: tell a lot of the young cast, like you said, 416 00:21:27,240 --> 00:21:29,800 Speaker 4: that's coming up, Yo, you have to move a certain way. 417 00:21:30,480 --> 00:21:34,160 Speaker 4: This music game is a fraternity if if if anybody 418 00:21:34,160 --> 00:21:37,080 Speaker 4: could do it, everybody will be doing it right, you 419 00:21:37,119 --> 00:21:39,160 Speaker 4: know what I'm saying. So it's like it's a little 420 00:21:39,160 --> 00:21:42,080 Speaker 4: fraternity man. So it's like the way you're moving this 421 00:21:42,160 --> 00:21:43,720 Speaker 4: game is how successful you can be. 422 00:21:44,600 --> 00:21:45,360 Speaker 1: That's how I was looking. 423 00:21:45,520 --> 00:21:47,720 Speaker 3: Shout out again the Big John. He's been again into 424 00:21:47,720 --> 00:21:50,000 Speaker 3: my publishing career. Wow ninety eight. 425 00:21:50,320 --> 00:21:53,399 Speaker 4: Yeah yeah see, but my I think I think my 426 00:21:53,480 --> 00:21:59,320 Speaker 4: publishing thing was before. Yeah, yeah, he was there. Big 427 00:21:59,400 --> 00:22:03,200 Speaker 4: John was there me day one. Wow, he was there 428 00:22:03,240 --> 00:22:04,920 Speaker 4: for me that he gave me and Jim my first 429 00:22:04,960 --> 00:22:05,560 Speaker 4: publishing deal. 430 00:22:06,880 --> 00:22:10,760 Speaker 1: Real, that's amazing. And we went on to become. 431 00:22:12,920 --> 00:22:16,359 Speaker 4: Two thousand, two thousand and six, we got being Mine 432 00:22:17,920 --> 00:22:21,520 Speaker 4: right yeah yeah. 433 00:22:20,800 --> 00:22:26,240 Speaker 3: Not a year, yeah, a year, crag a year. But 434 00:22:26,280 --> 00:22:30,800 Speaker 3: that's that's after. Yeah, that's that's that's after. The Jamie 435 00:22:30,840 --> 00:22:36,639 Speaker 3: Fox thought to go back to figure out what he 436 00:22:36,680 --> 00:22:37,200 Speaker 3: brought to though. 437 00:22:37,359 --> 00:22:40,959 Speaker 2: Yeah, so what what when you get your first legit 438 00:22:41,680 --> 00:22:44,439 Speaker 2: not brown paper, when you first get to you know, 439 00:22:44,520 --> 00:22:47,720 Speaker 2: the wire or that check what's the first thing you got. 440 00:22:49,920 --> 00:22:56,960 Speaker 1: To celebrate yourself. I bought a Bentley. Yeah should Yeah. 441 00:22:57,119 --> 00:23:02,080 Speaker 4: I think everybody bought a billing when they got their first. 442 00:23:02,080 --> 00:23:03,600 Speaker 1: My business manager talked me out of it. 443 00:23:04,640 --> 00:23:07,560 Speaker 4: I wish I asked somebody to like, that's what thing. 444 00:23:07,680 --> 00:23:10,080 Speaker 4: That's one thing I didn't have. I didn't have nobody 445 00:23:10,080 --> 00:23:12,639 Speaker 4: really teach me how to do the business thing I 446 00:23:12,720 --> 00:23:13,480 Speaker 4: just got bought. 447 00:23:14,680 --> 00:23:16,800 Speaker 1: I was just went crazy. Listen, you had to see you. 448 00:23:17,000 --> 00:23:17,600 Speaker 5: You get the cool? 449 00:23:18,520 --> 00:23:21,720 Speaker 3: Did you get that? You got that big boy? I 450 00:23:21,760 --> 00:23:26,280 Speaker 3: got the big boy. Yeah, I got the big before. 451 00:23:26,520 --> 00:23:29,080 Speaker 1: That's what That's what you have to have. I wanted 452 00:23:29,080 --> 00:23:29,880 Speaker 1: that cool. Yeah. 453 00:23:29,920 --> 00:23:36,880 Speaker 3: Yeahestatic had a couple of them. Yeahestatic was moving around. 454 00:23:36,920 --> 00:23:40,000 Speaker 3: I was like, wow, that's what you're doing. 455 00:23:40,920 --> 00:23:43,840 Speaker 1: I had. I bought Rams and. 456 00:23:44,000 --> 00:23:47,040 Speaker 3: Quite body Biley the already had like I had the 457 00:23:47,119 --> 00:23:48,200 Speaker 3: Lexus g S. 458 00:23:49,640 --> 00:23:53,240 Speaker 1: But it's still a nice car. I bought. I put 459 00:23:53,400 --> 00:23:55,479 Speaker 1: rims on the conversations a little bit. 460 00:23:55,480 --> 00:23:55,920 Speaker 5: Whatever. 461 00:23:56,960 --> 00:24:00,520 Speaker 1: Check was a little bigger than mine. Deal what I 462 00:24:00,560 --> 00:24:05,679 Speaker 1: could you was stunned. 463 00:24:06,040 --> 00:24:20,960 Speaker 4: It was mentally crazy for me. H. I'dne been all 464 00:24:20,960 --> 00:24:24,520 Speaker 4: over the world travel. I've never been no place like Miami. 465 00:24:26,040 --> 00:24:28,000 Speaker 4: Nowhere like Miami, you know what I mean. 466 00:24:28,080 --> 00:24:31,359 Speaker 1: So it's like miamis to keep me a float. Yeah, 467 00:24:32,160 --> 00:24:33,879 Speaker 1: messing with Smitty Green Eyes. 468 00:24:34,560 --> 00:24:41,159 Speaker 3: Oh yeah, float yeah, come on, come on to me. 469 00:24:41,480 --> 00:24:46,160 Speaker 1: Need you. I bring you down next week. That's real. 470 00:24:46,920 --> 00:24:49,640 Speaker 1: That's let me tell you. That's that's my dog. Where 471 00:24:49,640 --> 00:24:50,720 Speaker 1: that's Minty dog? 472 00:24:50,920 --> 00:24:51,080 Speaker 5: Bro? 473 00:24:52,119 --> 00:24:53,800 Speaker 1: Trust me? What's he? What's he? Green? 474 00:24:53,920 --> 00:24:54,000 Speaker 6: Like? 475 00:24:54,240 --> 00:24:56,359 Speaker 1: It's all I got you next week? You can come 476 00:24:56,400 --> 00:25:01,560 Speaker 1: down here next week. That's Smitty playing everybody's business? Yeah yeah. 477 00:25:02,880 --> 00:25:05,159 Speaker 3: Is it a good time to get to Jamie Fox? Unpredictable? 478 00:25:05,760 --> 00:25:08,399 Speaker 3: Is it a good time to get to that girl? 479 00:25:08,440 --> 00:25:12,479 Speaker 3: Get comfortable about to do some things you've never done before? 480 00:25:12,560 --> 00:25:15,920 Speaker 3: Come on, Harold Lily Baby, not the usual big date tonight, 481 00:25:15,960 --> 00:25:19,160 Speaker 3: we getting unpredictable job. 482 00:25:27,600 --> 00:25:29,560 Speaker 1: I told this, I told Harold Lily this. 483 00:25:29,600 --> 00:25:32,040 Speaker 3: I don't even know if you saw the episode, but 484 00:25:32,200 --> 00:25:34,320 Speaker 3: I got to tell you this because since you're part 485 00:25:34,359 --> 00:25:35,400 Speaker 3: of that record. 486 00:25:35,320 --> 00:25:39,800 Speaker 1: Y'all saved my life. Hmm. Wow. 487 00:25:40,160 --> 00:25:43,840 Speaker 3: When I was down here helping him finish that album, 488 00:25:44,480 --> 00:25:50,359 Speaker 3: I had nothing. He was literally going into his safe 489 00:25:50,880 --> 00:25:54,600 Speaker 3: at the hotel and just giving me handfuls of money 490 00:25:54,880 --> 00:25:57,080 Speaker 3: so I could just make it through the week. 491 00:25:58,359 --> 00:25:59,640 Speaker 1: That's crazy. I had nothing. 492 00:26:01,040 --> 00:26:03,280 Speaker 4: That's crazy because I would saying this. I remember you 493 00:26:03,320 --> 00:26:06,760 Speaker 4: in the studio. I was sitting with Brionn said, man, 494 00:26:06,760 --> 00:26:08,200 Speaker 4: that Nigga's bad. 495 00:26:08,640 --> 00:26:12,080 Speaker 3: I'm just there trying to be of service because nothing bro. 496 00:26:12,800 --> 00:26:15,080 Speaker 3: And when that album came out, because of that, that 497 00:26:15,480 --> 00:26:19,119 Speaker 3: number one single and the seven hundred thousand records the 498 00:26:19,160 --> 00:26:22,120 Speaker 3: first week, first week, Hey hey them people call me 499 00:26:22,240 --> 00:26:23,639 Speaker 3: first week, Hey man, he. 500 00:26:23,720 --> 00:26:25,080 Speaker 1: Remember your number? You back? 501 00:26:26,160 --> 00:26:30,880 Speaker 3: What can we give you a Lamborghini? You could give 502 00:26:30,920 --> 00:26:34,560 Speaker 3: me a Lamborghini? They say no, no, but what about 503 00:26:34,600 --> 00:26:36,439 Speaker 3: the money. You will fear it out. I need a 504 00:26:36,520 --> 00:26:37,760 Speaker 3: Lamborghini and. 505 00:26:37,720 --> 00:26:39,879 Speaker 1: I wanted in yellow, and I wanted in yellow. 506 00:26:40,840 --> 00:26:46,560 Speaker 3: How you staying that yeller? Because they have to see me. Wow, 507 00:26:46,800 --> 00:26:50,640 Speaker 3: they have to see that I'm back. Y'all saved my life. 508 00:26:50,640 --> 00:26:55,560 Speaker 4: You know man, listen, man, that was nothing, but God, 509 00:26:56,280 --> 00:27:01,080 Speaker 4: let me tell you, like, first of all, that sample, 510 00:27:01,440 --> 00:27:04,440 Speaker 4: my mama used to play that all the time. 511 00:27:04,840 --> 00:27:10,880 Speaker 1: A wild child, what she is? Sweet as well? Let 512 00:27:10,920 --> 00:27:12,359 Speaker 1: it ray fall down? 513 00:27:12,920 --> 00:27:19,720 Speaker 4: Uh, it's the sample sweetend to flower growing around. So 514 00:27:20,080 --> 00:27:22,160 Speaker 4: I used to hear that in my head all the time. 515 00:27:25,960 --> 00:27:29,240 Speaker 4: I said, damn, man, that shits so hard and we 516 00:27:29,400 --> 00:27:31,639 Speaker 4: and it started with I took that part out of 517 00:27:31,680 --> 00:27:34,600 Speaker 4: the sample, and that's how we created a song just 518 00:27:34,600 --> 00:27:38,520 Speaker 4: from that bom bob. 519 00:27:39,119 --> 00:27:41,280 Speaker 1: And we created it. We created a record from that. 520 00:27:41,359 --> 00:27:41,880 Speaker 1: And then. 521 00:27:43,240 --> 00:27:49,760 Speaker 4: I called Brion. I wasn't even thinking about Jamie Fox. 522 00:27:50,359 --> 00:27:52,520 Speaker 4: I just called Brion because I used to let Bren 523 00:27:52,520 --> 00:27:55,760 Speaker 4: here all my beats. I said, Brian, Man, we just 524 00:27:55,760 --> 00:27:57,240 Speaker 4: did a we just did a dope beat. 525 00:27:57,280 --> 00:27:58,320 Speaker 1: Man. You gotta hear this. 526 00:27:59,320 --> 00:28:02,480 Speaker 4: I ain't thinking and I ain't thinking Jamie Fox, and 527 00:28:02,680 --> 00:28:05,120 Speaker 4: I just I'm like, I'm every beat I do, I'm 528 00:28:05,119 --> 00:28:06,399 Speaker 4: thinking the rap artist. 529 00:28:06,800 --> 00:28:09,480 Speaker 1: You know what. I'm got that ear? Yeah, got that 530 00:28:09,520 --> 00:28:10,600 Speaker 1: ear yeah. 531 00:28:10,640 --> 00:28:13,320 Speaker 4: So we meet up down here on South to be somewhere. 532 00:28:13,359 --> 00:28:15,880 Speaker 4: Sitting in the car, I played the record, I played 533 00:28:15,880 --> 00:28:20,520 Speaker 4: the beat. Brion just went at it. Oh, I hear 534 00:28:20,560 --> 00:28:23,159 Speaker 4: this for Jamie and he said, I'm gonna get this 535 00:28:23,240 --> 00:28:28,160 Speaker 4: nigga Harold Lily to write it. 536 00:28:29,119 --> 00:28:32,159 Speaker 1: I ain't know who was. I say, don't worry about that, 537 00:28:32,320 --> 00:28:34,080 Speaker 1: you just stick to the music. I got this. 538 00:28:34,480 --> 00:28:38,400 Speaker 4: That's like, man, I'm gonna get hair Leal to write 539 00:28:38,400 --> 00:28:40,920 Speaker 4: it and Jamie gonna sing it. 540 00:28:41,160 --> 00:28:42,520 Speaker 1: Yo, it's out of here. 541 00:28:44,480 --> 00:28:48,080 Speaker 4: I said, all right, in that order, in that order 542 00:28:48,840 --> 00:28:50,480 Speaker 4: he's He's like, man, it's out of here. 543 00:28:50,600 --> 00:28:52,280 Speaker 1: I ain't man, I don't know nothing. 544 00:28:52,320 --> 00:28:55,960 Speaker 4: I'm just like, man, let's do it, and the rest 545 00:28:56,080 --> 00:28:59,000 Speaker 4: is what it is, man, Jamie. Jamie went on that 546 00:28:59,000 --> 00:29:04,480 Speaker 4: that wrong with that Ray Charles thing timing was when 547 00:29:04,480 --> 00:29:07,480 Speaker 4: I tell you, I ain't never seen a setup like that, Like, 548 00:29:07,680 --> 00:29:11,440 Speaker 4: I ain't never had a setup like that pertaining any 549 00:29:11,480 --> 00:29:12,000 Speaker 4: record that. 550 00:29:11,960 --> 00:29:16,120 Speaker 1: I was a part of. A rollout, they call it rollout. 551 00:29:16,240 --> 00:29:19,480 Speaker 1: I have never seen a rollout like that. An oscar 552 00:29:19,600 --> 00:29:19,920 Speaker 1: to that. 553 00:29:20,480 --> 00:29:24,400 Speaker 3: Yeah, yes, it doesn't stopping that train. It doesn't happen. 554 00:29:24,840 --> 00:29:33,400 Speaker 3: It don't happen. I was like this, Oh Jesus, Jesus, 555 00:29:35,080 --> 00:29:41,920 Speaker 3: my god. In this band, you had like lies. 556 00:29:41,600 --> 00:29:45,600 Speaker 1: In an arena. Yeah, that record is out of the 557 00:29:45,680 --> 00:29:50,360 Speaker 1: kicks in man. No, that was. 558 00:29:51,000 --> 00:29:56,480 Speaker 4: I played every instrument on that record, the baseline, all that. 559 00:29:56,440 --> 00:30:03,720 Speaker 1: Cutes, Champagne, if you get some food up, pull it up. 560 00:30:05,080 --> 00:30:06,880 Speaker 1: Played every instrument on that record. Yeah. 561 00:30:06,960 --> 00:30:12,320 Speaker 4: I played most of the instruments on on all the records. Yeah, Guitar, bass, drums, keyboard, 562 00:30:13,520 --> 00:30:15,440 Speaker 4: training with the Kelly Rolling song Here we Go, I 563 00:30:15,440 --> 00:30:17,960 Speaker 4: played the p on I played the keyboards on here 564 00:30:18,000 --> 00:30:20,720 Speaker 4: we go, Real. 565 00:30:20,640 --> 00:30:22,160 Speaker 1: Church Boy, Real church Boy. 566 00:30:23,760 --> 00:30:30,400 Speaker 4: Actually that song was for sim D's Tender Love. So 567 00:30:30,480 --> 00:30:33,360 Speaker 4: my brother, he was a keyboard player, so I always 568 00:30:33,360 --> 00:30:34,840 Speaker 4: wanted to learn how to play that song on the key. 569 00:30:34,960 --> 00:30:36,560 Speaker 4: So my brother taught me how to play that that 570 00:30:36,640 --> 00:30:40,080 Speaker 4: particular record on key on the keyboards. So I always 571 00:30:40,120 --> 00:30:42,880 Speaker 4: knew how to play. So when when we did a beat, 572 00:30:42,920 --> 00:30:45,720 Speaker 4: I was playing in the studio one day, just playing 573 00:30:45,720 --> 00:30:47,280 Speaker 4: with it. So Jim said, man, let's do the beat 574 00:30:47,280 --> 00:30:51,280 Speaker 4: to that, and that was the train at Kelly Rolling. 575 00:30:51,320 --> 00:30:54,600 Speaker 4: Here we go record. Wow, we didn't even sample. We 576 00:30:54,680 --> 00:30:58,040 Speaker 4: just played everything from that. We didn't sample for some ds. 577 00:30:58,080 --> 00:31:00,560 Speaker 4: Every every song, I mean, every part of that record 578 00:31:00,680 --> 00:31:03,080 Speaker 4: was straight instrumental, straight I played. 579 00:31:03,880 --> 00:31:06,840 Speaker 2: So now you're now you got these massive records and 580 00:31:06,960 --> 00:31:08,040 Speaker 2: everybody's calling. 581 00:31:08,480 --> 00:31:13,560 Speaker 4: Yeah. Then jay Z calls, Oh, let me tell you 582 00:31:13,560 --> 00:31:19,280 Speaker 4: how this man, This this story is crazy, right, This, 583 00:31:19,280 --> 00:31:21,880 Speaker 4: this story is crazy because this is how my career 584 00:31:21,960 --> 00:31:24,440 Speaker 4: has gone. My career is going, not not so much 585 00:31:24,480 --> 00:31:29,000 Speaker 4: through relationships in the industry, but just God just making 586 00:31:29,040 --> 00:31:35,960 Speaker 4: things happen for me. You know, lo Wayne, When when 587 00:31:36,000 --> 00:31:38,840 Speaker 4: me and Jim, Jim went started doing his thing, I 588 00:31:38,840 --> 00:31:41,640 Speaker 4: started doing my thing. Was so Lo Wayne was the 589 00:31:41,640 --> 00:31:44,520 Speaker 4: person that he was the only person really of his 590 00:31:44,600 --> 00:31:48,720 Speaker 4: status that restopped me and say, D Man, I need you, 591 00:31:49,040 --> 00:31:52,400 Speaker 4: I need you to send me some beasts like damn man, 592 00:31:52,600 --> 00:31:55,800 Speaker 4: so Lo Wayne. So so I would just send low 593 00:31:55,800 --> 00:31:59,840 Speaker 4: Wayne be and send Lowayne beast and then he would 594 00:32:00,560 --> 00:32:02,880 Speaker 4: he would be working at the Hit at the Hit factory, 595 00:32:03,480 --> 00:32:06,240 Speaker 4: so I would go there and take him a beat 596 00:32:06,280 --> 00:32:09,160 Speaker 4: CD or whatever. So he'll be in a booth and 597 00:32:09,240 --> 00:32:11,520 Speaker 4: he'll stop his session as soon as I walk in. 598 00:32:11,760 --> 00:32:13,960 Speaker 4: He'll stop his session and tele engine that you'll put 599 00:32:13,960 --> 00:32:18,800 Speaker 4: big D beats on whenever he's doing. Like I mean, 600 00:32:19,000 --> 00:32:20,680 Speaker 4: this is this is why I love little Wayne to 601 00:32:20,760 --> 00:32:23,280 Speaker 4: this day. Like this man like he just I don't know, 602 00:32:23,560 --> 00:32:26,440 Speaker 4: I don't know. He just took an he took an 603 00:32:26,600 --> 00:32:29,240 Speaker 4: interest to me to like, man, I got you D 604 00:32:30,160 --> 00:32:32,760 Speaker 4: So he was just going through me. So Wayne would 605 00:32:32,800 --> 00:32:35,840 Speaker 4: just get on my beast like he'll just he'll just 606 00:32:36,080 --> 00:32:38,480 Speaker 4: me and Wayne got we finally got a double album 607 00:32:38,560 --> 00:32:41,520 Speaker 4: right now, I got my catalog. I got records that 608 00:32:41,600 --> 00:32:45,840 Speaker 4: Lawayne cut that's not even out. So this particular beat 609 00:32:46,360 --> 00:32:50,200 Speaker 4: was the Hello Brooklyn. I did this beat with fabulous 610 00:32:50,200 --> 00:32:54,200 Speaker 4: in mind. Hello Brooklyn. How you doing. I was thinking 611 00:32:54,240 --> 00:32:56,200 Speaker 4: the fabulous. I want to get this beat the fabulous. 612 00:32:56,400 --> 00:32:59,560 Speaker 4: And that's another thing like when you're producing Miami, especially 613 00:32:59,640 --> 00:33:03,640 Speaker 4: y'all your producers, not just in Miami. But it's our 614 00:33:03,680 --> 00:33:07,360 Speaker 4: problem be how do we get the music to the artist, 615 00:33:08,400 --> 00:33:11,520 Speaker 4: And so all we have is a dream. When we're 616 00:33:11,560 --> 00:33:15,520 Speaker 4: doing a beat, we're saying, damn, I hit is for fabulous. 617 00:33:15,880 --> 00:33:18,400 Speaker 4: I ain't never I don't know nobody who know fabulous. 618 00:33:18,520 --> 00:33:20,920 Speaker 4: I ain't never been to New York. I don't know nothing. 619 00:33:20,960 --> 00:33:23,960 Speaker 4: I never been to Brooklyn. I just love to beat. 620 00:33:24,160 --> 00:33:27,280 Speaker 4: I just stopped messing with the beat in this Hello Brooklyn, 621 00:33:27,440 --> 00:33:31,120 Speaker 4: so Lowayne got on it, and lo Wayne just he 622 00:33:31,240 --> 00:33:34,240 Speaker 4: was just rapping to it, Hello Brooklyn, and and and 623 00:33:34,240 --> 00:33:37,160 Speaker 4: and and and it became one of the songs in 624 00:33:37,200 --> 00:33:40,200 Speaker 4: his catalog. So I ain't never thinking nothing of it. 625 00:33:40,240 --> 00:33:42,320 Speaker 4: I just know low Wayne cut a lot of my beats, 626 00:33:42,320 --> 00:33:43,880 Speaker 4: a lot of I don't know if it's ever gonna 627 00:33:43,880 --> 00:33:45,560 Speaker 4: come out or whatever. Man, I got a call one 628 00:33:45,600 --> 00:33:52,920 Speaker 4: day from Big John John and some kind of way 629 00:33:53,880 --> 00:33:57,200 Speaker 4: jay Z heard Hello Brooklyn when he was with Wayne 630 00:33:57,200 --> 00:33:59,440 Speaker 4: one day in the studio and Wayne playing it for 631 00:33:59,480 --> 00:34:01,200 Speaker 4: him whatever, and some kind of way. 632 00:34:01,320 --> 00:34:03,640 Speaker 1: Jay Z say I need. 633 00:34:03,360 --> 00:34:08,520 Speaker 4: That, and Wayne gave it to him. He gave he 634 00:34:08,600 --> 00:34:12,240 Speaker 4: gave it to him for the It was this movie 635 00:34:12,560 --> 00:34:18,799 Speaker 4: that the Gainster movie, American Gangster, American Gangster. Yeah, jay 636 00:34:18,880 --> 00:34:21,360 Speaker 4: Z was doing the American Gangsters and he wanted it 637 00:34:21,400 --> 00:34:25,440 Speaker 4: for that movie. Man, I never met jay Z none 638 00:34:25,440 --> 00:34:28,640 Speaker 4: of that to this day. Oh I met him after, 639 00:34:29,560 --> 00:34:32,160 Speaker 4: but before the ND I didn't. I didn't meet him 640 00:34:32,239 --> 00:34:35,080 Speaker 4: or anything. It's just I just got a call from 641 00:34:35,160 --> 00:34:36,720 Speaker 4: John said, jay Z want the record. 642 00:34:36,719 --> 00:34:38,200 Speaker 1: He wanted that beat, he wanted. 643 00:34:37,880 --> 00:34:42,200 Speaker 4: It and and Wayne, and this happened to be the 644 00:34:42,239 --> 00:34:45,879 Speaker 4: first record that Wayne and jay Z ever did together. 645 00:34:46,160 --> 00:34:50,040 Speaker 4: This was the first one they ever did together. Hello Brooklyn. 646 00:34:51,320 --> 00:34:53,080 Speaker 4: And that's how that's how it happened for me. 647 00:34:54,040 --> 00:34:56,280 Speaker 1: Just the Lord, just just god man. 648 00:34:56,520 --> 00:34:59,080 Speaker 3: But also the goodness of like you know again, speak 649 00:34:59,080 --> 00:35:01,680 Speaker 3: of that relationship you Wayne and Wayne and. 650 00:35:01,600 --> 00:35:03,520 Speaker 1: Been like oh yeah, for my for my guy. 651 00:35:03,560 --> 00:35:05,640 Speaker 3: Because you know how people can be when they got 652 00:35:05,680 --> 00:35:07,480 Speaker 3: records and and they got they don't. 653 00:35:08,640 --> 00:35:09,719 Speaker 1: Yeah, he didn't even have to play it. 654 00:35:09,760 --> 00:35:11,759 Speaker 4: That's why I love way to people asking, man, who's 655 00:35:11,760 --> 00:35:14,719 Speaker 4: one of your faans, I say, Wayne my favorite to 656 00:35:14,719 --> 00:35:17,880 Speaker 4: this day because because he believed in me. That that 657 00:35:18,040 --> 00:35:20,719 Speaker 4: was a low part. I think that that. I think 658 00:35:21,000 --> 00:35:23,640 Speaker 4: then this when my brother passed and I think that 659 00:35:24,080 --> 00:35:27,360 Speaker 4: it was in ninety six, So around that time I 660 00:35:27,400 --> 00:35:30,279 Speaker 4: lost my brother, I didn't want to do music no more. 661 00:35:31,040 --> 00:35:34,120 Speaker 4: I was really going through it. It was a low 662 00:35:34,200 --> 00:35:38,880 Speaker 4: time for me. So like Wayne was just one of 663 00:35:38,880 --> 00:35:43,040 Speaker 4: the people that that that I just there was just 664 00:35:43,120 --> 00:35:46,839 Speaker 4: death for me, like him, not just Wayne, but cash Money, Family. 665 00:35:47,000 --> 00:35:48,680 Speaker 1: Baby, Slim. 666 00:35:49,080 --> 00:35:52,120 Speaker 4: They really did when they moved to Miami, they they 667 00:35:52,160 --> 00:35:55,000 Speaker 4: really looked out for Big D. They looked out for 668 00:35:55,040 --> 00:35:58,000 Speaker 4: Big D, so they do. They knew my background, they 669 00:35:58,040 --> 00:35:59,960 Speaker 4: knew my story, they knew about my brother and everything. 670 00:36:00,440 --> 00:36:02,799 Speaker 4: So they just really reached out to me and really 671 00:36:02,840 --> 00:36:05,719 Speaker 4: looked out for me. So I never got nothing bad 672 00:36:05,760 --> 00:36:06,720 Speaker 4: to say about the boys. 673 00:36:07,440 --> 00:36:12,040 Speaker 3: Never man out the cash Money Yeah yeah, yeah, Baby 674 00:36:12,120 --> 00:36:12,920 Speaker 3: is one of those guys. 675 00:36:13,120 --> 00:36:16,359 Speaker 4: Yeah yeah, definitely Man Baby and Slim Man, Slim and 676 00:36:16,360 --> 00:36:20,160 Speaker 4: Slim the one like like he he don't say much, 677 00:36:20,719 --> 00:36:23,760 Speaker 4: but that's that boy, the one. 678 00:36:25,400 --> 00:36:26,960 Speaker 1: We talked about. 679 00:36:27,160 --> 00:36:29,759 Speaker 3: We talked about that that guy don't say a whole 680 00:36:29,760 --> 00:36:32,879 Speaker 3: lot people, but I promise you. 681 00:36:33,880 --> 00:36:38,759 Speaker 4: Let me tell you Slim that that's the one, right there, yeah, man, So. 682 00:36:39,880 --> 00:36:45,399 Speaker 2: Then you end up we fast forward, yeah, and then 683 00:36:45,440 --> 00:36:48,759 Speaker 2: you end up pretty much your your songs are the 684 00:36:48,840 --> 00:36:50,720 Speaker 2: songs that broke the City Girls. 685 00:36:51,480 --> 00:36:53,480 Speaker 1: Wow hmm, come on. 686 00:36:53,560 --> 00:36:55,160 Speaker 2: I mean, like I had never heard about the City 687 00:36:55,200 --> 00:36:58,680 Speaker 2: Girls too. Some girl was talking about I Take Your 688 00:36:58,760 --> 00:37:02,480 Speaker 2: Man and what a bad yet yeah man, And I'm like, 689 00:37:02,560 --> 00:37:08,760 Speaker 2: oh ship big produced yeahs. 690 00:37:07,360 --> 00:37:12,800 Speaker 3: Like different type of yeah yeah, different type of longevity, 691 00:37:12,920 --> 00:37:19,200 Speaker 3: different types of transformations in terms of production and musical style, 692 00:37:19,480 --> 00:37:22,280 Speaker 3: Like that's not that's not normal. 693 00:37:22,000 --> 00:37:25,480 Speaker 2: And that's your roots, that's the Miami sound. 694 00:37:26,040 --> 00:37:30,600 Speaker 4: City Girls. Like when I saw those girls, nobody might. 695 00:37:30,480 --> 00:37:32,080 Speaker 1: Be believed in them. 696 00:37:32,160 --> 00:37:35,400 Speaker 4: Nobody it might be believing nobody other than me and 697 00:37:35,480 --> 00:37:36,200 Speaker 4: Ball Greasy. 698 00:37:37,080 --> 00:37:38,680 Speaker 1: Ball Greasy and Miron was. 699 00:37:38,680 --> 00:37:41,480 Speaker 4: The one that turned me onto and and they opened 700 00:37:41,560 --> 00:37:44,480 Speaker 4: up for Ball Greasy at the Showing Temple. They sent 701 00:37:44,560 --> 00:37:47,400 Speaker 4: me a video of it, and all I thought about 702 00:37:47,520 --> 00:37:53,440 Speaker 4: was Traina and Jackie O. You know, those are Miami 703 00:37:53,560 --> 00:37:57,319 Speaker 4: female legends. And at this time, no, there was no 704 00:37:57,440 --> 00:38:01,520 Speaker 4: girl groups in the game, and they especially wasn't talking 705 00:38:01,560 --> 00:38:05,560 Speaker 4: about the stuff that the City Girls was on, like 706 00:38:05,560 --> 00:38:07,719 Speaker 4: like like the girls was in the game. They was 707 00:38:07,800 --> 00:38:09,920 Speaker 4: real nice with it, but they weren't known that. They 708 00:38:09,960 --> 00:38:13,440 Speaker 4: weren't known that. So when I got in the studio 709 00:38:13,560 --> 00:38:16,600 Speaker 4: with them, man, I and you know, they taught me. 710 00:38:16,960 --> 00:38:20,960 Speaker 1: The city girls taught me how to work with the 711 00:38:21,120 --> 00:38:22,040 Speaker 1: new generation. 712 00:38:23,920 --> 00:38:26,719 Speaker 4: They taught me how to work with them because I 713 00:38:26,800 --> 00:38:29,440 Speaker 4: was such, you know, coming from the school of producing 714 00:38:29,480 --> 00:38:33,640 Speaker 4: and and how your hands on and you pretty much 715 00:38:33,719 --> 00:38:34,759 Speaker 4: want the record done like this. 716 00:38:35,960 --> 00:38:36,600 Speaker 1: You know what I'm saying. 717 00:38:36,600 --> 00:38:38,880 Speaker 4: And you know what I'm saying, like everything has to 718 00:38:38,920 --> 00:38:44,120 Speaker 4: be you know, auto tune tightness all that. Dumb girls 719 00:38:44,200 --> 00:38:48,160 Speaker 4: taught me how the new school wanted. They not structured 720 00:38:48,239 --> 00:38:54,160 Speaker 4: like that. Just let it be, man, listen, just sit 721 00:38:54,280 --> 00:38:55,799 Speaker 4: back and let them go in the booth and do 722 00:38:55,840 --> 00:38:59,040 Speaker 4: what they do. Well, what the timing is not fun? 723 00:38:59,160 --> 00:39:01,360 Speaker 4: They don't they don't move their vocals. 724 00:39:01,719 --> 00:39:05,319 Speaker 3: They don't want it on beat. 725 00:39:06,120 --> 00:39:08,600 Speaker 1: Yeah, they did. That's how they want it like. And 726 00:39:08,960 --> 00:39:10,680 Speaker 1: that was that was new for me. 727 00:39:10,800 --> 00:39:14,560 Speaker 4: I'm like, man, that's that's off like nah nah d 728 00:39:14,760 --> 00:39:15,560 Speaker 4: that's how we want it. 729 00:39:15,600 --> 00:39:19,200 Speaker 1: We want it like that. Okay, all right, y'all want 730 00:39:19,200 --> 00:39:19,560 Speaker 1: it like that. 731 00:39:20,200 --> 00:39:24,080 Speaker 4: And they taught me really how and and we just 732 00:39:24,120 --> 00:39:28,440 Speaker 4: went in there. So I take your man came from idea. 733 00:39:28,520 --> 00:39:31,839 Speaker 4: I have said, man, why don't y'all y'all don't even 734 00:39:31,840 --> 00:39:32,880 Speaker 4: thinking about Salt and Pepper. 735 00:39:33,040 --> 00:39:34,640 Speaker 1: They didn't even know who saltn Pepper was. 736 00:39:36,080 --> 00:39:40,319 Speaker 4: They didn't know the group Salt and Pepper. Some id 737 00:39:40,560 --> 00:39:42,520 Speaker 4: just said, you know what, man, I'm ana flip that 738 00:39:42,719 --> 00:39:45,840 Speaker 4: Salt and Pepper and put these Miami girls on some 739 00:39:46,040 --> 00:39:50,640 Speaker 4: New York ship and still give them that low end 740 00:39:50,680 --> 00:39:53,759 Speaker 4: of eight o eight and they talking they ship over 741 00:39:53,800 --> 00:39:57,919 Speaker 4: this And that's how it came about. And I'm working 742 00:39:57,960 --> 00:40:00,000 Speaker 4: with I'm working on their solo project. 743 00:40:00,239 --> 00:40:01,920 Speaker 1: Now, how was there? 744 00:40:02,400 --> 00:40:07,520 Speaker 2: How was the streets when city girls hit out here 745 00:40:08,040 --> 00:40:08,760 Speaker 2: and you hear. 746 00:40:08,640 --> 00:40:09,439 Speaker 1: It like you just see. 747 00:40:09,480 --> 00:40:10,960 Speaker 2: I mean, obviously you in the studio with them, like 748 00:40:11,000 --> 00:40:14,400 Speaker 2: you said, it's a new thing, But what was the 749 00:40:14,520 --> 00:40:18,240 Speaker 2: vibe when they when they really start taking off in Miami. 750 00:40:19,960 --> 00:40:22,040 Speaker 4: That's when you saw females taking over. 751 00:40:22,600 --> 00:40:23,000 Speaker 1: Mm hmm. 752 00:40:23,640 --> 00:40:27,879 Speaker 4: That's what that's that's that's when it started. You could 753 00:40:27,960 --> 00:40:33,960 Speaker 4: see that the females coming. Guys, the men rappers, y'all 754 00:40:34,000 --> 00:40:35,719 Speaker 4: going to take a back seat for a minute because 755 00:40:36,280 --> 00:40:37,279 Speaker 4: they're on some new ship. 756 00:40:37,480 --> 00:40:42,640 Speaker 2: Everything you hearing down college across the bridge, every ass 757 00:40:42,840 --> 00:40:44,440 Speaker 2: a city girls, all city girls. 758 00:40:44,440 --> 00:40:46,719 Speaker 1: Because now everybody wants to be a city girl. Everybody. 759 00:40:46,800 --> 00:40:51,239 Speaker 2: Yeah, yeah, everybody listen, even even the C suite women, 760 00:40:51,239 --> 00:40:56,600 Speaker 2: the women that out here CEOs quietly, they somewhere listening 761 00:40:56,600 --> 00:40:59,120 Speaker 2: to city girls, city girls about acting up. 762 00:40:59,280 --> 00:41:02,319 Speaker 1: We didn't take your Yeah, I see it. 763 00:41:03,160 --> 00:41:06,000 Speaker 4: So it's like I'm sitting back looking at it and 764 00:41:06,080 --> 00:41:08,600 Speaker 4: sitting in the clubs just looking at Hi'm like, damn, 765 00:41:09,280 --> 00:41:11,080 Speaker 4: it's crazy. 766 00:41:11,640 --> 00:41:11,879 Speaker 1: Yeah. 767 00:41:12,719 --> 00:41:15,600 Speaker 2: Now, your career has been amazing, bro, Yeah, what you've 768 00:41:15,640 --> 00:41:19,799 Speaker 2: done in this game. You can't just put your hand 769 00:41:19,840 --> 00:41:22,760 Speaker 2: on it either and say, oh, he does that, because 770 00:41:22,760 --> 00:41:25,400 Speaker 2: there's so many different type of records that you've done. 771 00:41:25,440 --> 00:41:26,680 Speaker 2: I mean, you've even done a record for me. 772 00:41:27,480 --> 00:41:29,080 Speaker 1: Yeah, come on talking about it. 773 00:41:29,239 --> 00:41:32,640 Speaker 2: Come on with this pimpo Yeah yeah, you know with 774 00:41:32,719 --> 00:41:38,600 Speaker 2: me and Snoop Dogg, you know Static Magic, they put 775 00:41:38,640 --> 00:41:41,600 Speaker 2: me out to Miami man, and you know got in 776 00:41:41,719 --> 00:41:45,359 Speaker 2: with with with Jim Johnson, dre Yes. 777 00:41:45,560 --> 00:41:48,759 Speaker 1: Man, it was I had a time. I had a time, man, 778 00:41:49,239 --> 00:41:50,799 Speaker 1: I had a time out here. We spent a whole 779 00:41:50,800 --> 00:41:57,160 Speaker 1: bunch of money on that budget. Though we spent You 780 00:41:57,239 --> 00:41:58,320 Speaker 1: had it, you had. 781 00:41:59,760 --> 00:42:07,720 Speaker 4: You record, you sid. 782 00:42:07,640 --> 00:42:10,719 Speaker 2: Larry like you gotta you gotta get in, you gotta 783 00:42:10,760 --> 00:42:13,680 Speaker 2: get in with Jim Johnson and Big T. Come on, man, 784 00:42:13,719 --> 00:42:16,279 Speaker 2: I said, listen, I love what they've done. Put me 785 00:42:16,440 --> 00:42:17,720 Speaker 2: in with them for the show. 786 00:42:18,320 --> 00:42:18,480 Speaker 1: Now. 787 00:42:18,480 --> 00:42:21,440 Speaker 2: We had a great time, man, And I always appreciated 788 00:42:21,480 --> 00:42:21,880 Speaker 2: that moment. 789 00:42:21,880 --> 00:42:23,239 Speaker 1: Man, y'all was always super cool. 790 00:42:23,520 --> 00:42:28,000 Speaker 2: Definitely, and you know, we got a chance to really 791 00:42:28,040 --> 00:42:31,160 Speaker 2: connect and then me being able to see you know, 792 00:42:31,160 --> 00:42:35,960 Speaker 2: because I didn't, I didn't fully understand what you were 793 00:42:36,000 --> 00:42:41,040 Speaker 2: involved in, just from the from the musician side and 794 00:42:41,160 --> 00:42:44,000 Speaker 2: being able to appreciate that. Like Tank was saying earlier, Man, 795 00:42:44,080 --> 00:42:49,320 Speaker 2: like you you're the original R and B Live of Miami. 796 00:42:50,440 --> 00:42:51,600 Speaker 2: It's a real thing. 797 00:42:51,800 --> 00:42:52,600 Speaker 1: Yeah, yeah, yah. 798 00:42:52,640 --> 00:42:55,359 Speaker 4: I do it every Wednesday night still to this day. 799 00:42:55,680 --> 00:42:58,640 Speaker 4: Every Wednesday night, I got a show. It's called Session 800 00:42:59,480 --> 00:43:03,920 Speaker 4: Okay with My Lives. My Own Lives band and the 801 00:43:04,040 --> 00:43:07,719 Speaker 4: performance artists has just come through and telling people where 802 00:43:08,680 --> 00:43:12,360 Speaker 4: Studio one e three, Miami, wednesdaynight. Matter of fact, tonight 803 00:43:12,520 --> 00:43:15,600 Speaker 4: we in that tonight dope I got a lot of 804 00:43:15,880 --> 00:43:18,720 Speaker 4: the spot is called it's because the spot is called studio. 805 00:43:19,719 --> 00:43:23,720 Speaker 4: It's owned by Floor Rider Flo Floor Riding Freezy Spot. 806 00:43:25,360 --> 00:43:27,279 Speaker 1: Yeah, it's a dope spot. Man. 807 00:43:27,360 --> 00:43:30,600 Speaker 4: So Wednesday night we do nothing but R and B music, 808 00:43:30,880 --> 00:43:37,000 Speaker 4: DJ Nasty We do r B list if y'all ain dow, y'all. 809 00:43:36,880 --> 00:43:39,840 Speaker 1: Gotta come through. When do you start? What time you start? 810 00:43:40,239 --> 00:43:40,279 Speaker 3: Like? 811 00:43:42,600 --> 00:43:44,680 Speaker 2: Well, no, no, what what what you to? 812 00:43:45,880 --> 00:43:52,400 Speaker 1: Whatever? You'll just come by, you know. You know what 813 00:43:52,440 --> 00:43:55,040 Speaker 1: I'm saying. Listen, I got Listen, I got the coldest 814 00:43:55,120 --> 00:43:57,360 Speaker 1: music with that young girl saying I'm out here in Miami. 815 00:43:58,800 --> 00:44:02,680 Speaker 4: Listen, I got the dopest musicians. Like maybe we did 816 00:44:02,680 --> 00:44:08,120 Speaker 4: a wedding. Many Yeah, me and Tank we did a wedding. 817 00:44:08,440 --> 00:44:12,160 Speaker 4: Listen this wedd It was incredible. The Tank was on 818 00:44:12,280 --> 00:44:14,279 Speaker 4: the stage with us on with the band man when 819 00:44:14,320 --> 00:44:17,799 Speaker 4: I tell you, something happened and just made us made 820 00:44:17,840 --> 00:44:21,840 Speaker 4: up a song. Something happened with the with the usher 821 00:44:22,000 --> 00:44:25,120 Speaker 4: one of the other or no, somebody was somebody was park. 822 00:44:25,000 --> 00:44:31,000 Speaker 1: Wrong telling about the car. Take the whole song. He 823 00:44:31,120 --> 00:44:34,120 Speaker 1: did a whole song by this person that was parking. 824 00:44:34,440 --> 00:44:37,080 Speaker 1: He was, Yo, this that's crazy. Sound like him. 825 00:44:39,040 --> 00:44:41,080 Speaker 3: Because I didn't know what was going I walked in. 826 00:44:41,840 --> 00:44:43,239 Speaker 3: I walked in and I'm like, yeah, just make sure 827 00:44:43,280 --> 00:44:44,279 Speaker 3: you got to keep board from me. You know what 828 00:44:44,280 --> 00:44:45,680 Speaker 3: I'm saying. So I do my thing. I don't know 829 00:44:45,680 --> 00:44:47,560 Speaker 3: what you know with what the musicality gonna be? Like 830 00:44:47,560 --> 00:44:49,680 Speaker 3: I walked in and it's him. I was like, ah, 831 00:44:53,239 --> 00:44:54,560 Speaker 3: I was like, I'm singing the whole night. 832 00:44:54,640 --> 00:44:56,760 Speaker 1: Let's go, Let's go. And then he had some singers 833 00:44:56,760 --> 00:45:00,400 Speaker 1: with him that was off the chain, kill what he 834 00:45:00,680 --> 00:45:02,600 Speaker 1: was always wanted to do, like what so on? When 835 00:45:02,640 --> 00:45:04,960 Speaker 1: we came up, man, we did the whole show. Bro. 836 00:45:05,000 --> 00:45:08,440 Speaker 1: I saw him, I said, let's cook, let's cook. 837 00:45:08,719 --> 00:45:12,200 Speaker 4: Yeah man, you know yo yo that that ship was incredible, 838 00:45:13,120 --> 00:45:16,480 Speaker 4: So like, no, we do that. That's my thing, man, 839 00:45:16,520 --> 00:45:18,279 Speaker 4: doing a lot of music. But no, here's the funny part. 840 00:45:18,480 --> 00:45:18,640 Speaker 1: Yeah. 841 00:45:18,840 --> 00:45:21,640 Speaker 3: I was like, I'm looking around, I'm like, why does 842 00:45:21,680 --> 00:45:23,200 Speaker 3: this look like a music video? 843 00:45:23,600 --> 00:45:25,680 Speaker 1: And it was like Big D loves to have smoke. 844 00:45:25,840 --> 00:45:32,120 Speaker 7: When Big D he's sitting right there and it's just 845 00:45:32,320 --> 00:45:39,280 Speaker 7: smoke all around me, the smoking somebody's wedding. 846 00:45:40,239 --> 00:45:43,000 Speaker 1: I said, where's the smoke coming from? Well, you know, 847 00:45:43,040 --> 00:45:45,279 Speaker 1: Big D loves to have smoke when he's so what 848 00:45:45,400 --> 00:45:49,080 Speaker 1: is he just like to appear like? What is I 849 00:45:49,200 --> 00:45:54,400 Speaker 1: just like the the aura? Yeah? Yeah, yes man, yeah yeah. 850 00:45:54,360 --> 00:45:56,879 Speaker 4: I just feel like you you appreciate the music better 851 00:45:56,920 --> 00:45:59,120 Speaker 4: when when they're smoke. 852 00:45:59,400 --> 00:46:02,080 Speaker 1: Yeah, you know what I mean It's just something about 853 00:46:02,120 --> 00:46:05,120 Speaker 1: the atmosphere of it. Yeah. I was trying to Bro. 854 00:46:05,920 --> 00:46:11,480 Speaker 3: We're at a wedding, somebody's wedding, man, and there's smoke. 855 00:46:11,560 --> 00:46:14,200 Speaker 1: I'm like niggas going to the buffet. Bro, you got 856 00:46:16,840 --> 00:46:19,239 Speaker 1: somebody asked me to come perform that. You gotta have 857 00:46:19,280 --> 00:46:19,960 Speaker 1: a smoke machine. 858 00:46:20,360 --> 00:46:23,279 Speaker 3: You have to Yeah, yeah, yeah, yeah, you gotta a rider, yes, 859 00:46:25,040 --> 00:46:32,160 Speaker 3: he said, I said, I said, but is. 860 00:46:32,080 --> 00:46:37,040 Speaker 1: This smoke on fire? Man? I looked over in the 861 00:46:37,080 --> 00:46:46,759 Speaker 1: smoke like Rick James, James bitch the bag guitarp. Now 862 00:46:48,080 --> 00:46:51,879 Speaker 1: he is in the smoke. Yeah, I gotta have my smoke. Man. 863 00:46:52,320 --> 00:46:56,200 Speaker 3: This is a music video right now. This is setting 864 00:46:56,560 --> 00:46:58,760 Speaker 3: setting the tone in the atmosphere. 865 00:46:59,080 --> 00:46:59,600 Speaker 1: I love it. 866 00:46:59,680 --> 00:47:02,919 Speaker 3: Bro, get no argument out of me. So listen, here's 867 00:47:03,000 --> 00:47:06,359 Speaker 3: here's my here's my thing. Pull up my little keyboard. Here, 868 00:47:06,360 --> 00:47:10,880 Speaker 3: here's my thing. Brother. You know, Jay just spoke about, 869 00:47:11,640 --> 00:47:15,359 Speaker 3: you know, having a record with you, you know, come get 870 00:47:15,360 --> 00:47:17,480 Speaker 3: to this pimping. You know what I'm saying. And I 871 00:47:17,480 --> 00:47:19,600 Speaker 3: feel like I feel like half of the Army Money 872 00:47:19,600 --> 00:47:23,760 Speaker 3: podcast has a record with you and the other half doesn't. 873 00:47:24,000 --> 00:47:26,520 Speaker 3: So I'm gonna just, you know, just throw this out there. 874 00:47:26,560 --> 00:47:28,080 Speaker 3: You know what I'm saying, there needs to be some balance. 875 00:47:30,080 --> 00:47:31,960 Speaker 3: You know, we level you know, level this thing out 876 00:47:32,080 --> 00:47:35,240 Speaker 3: that even if it's if it's a J and Tank record, 877 00:47:35,239 --> 00:47:37,279 Speaker 3: you know what I'm saying, it's gotta be you know, 878 00:47:37,920 --> 00:47:38,919 Speaker 3: we gotta close this gap. 879 00:47:38,960 --> 00:47:44,279 Speaker 4: Brother, Yes, and listen, consider that done. 880 00:47:56,200 --> 00:48:03,399 Speaker 1: Get into pig D's LAMB can't recorded just in case. 881 00:48:07,480 --> 00:48:15,080 Speaker 6: Yeah, big Da, You've been all over the world and 882 00:48:15,200 --> 00:48:17,720 Speaker 6: now you for some of the biggest artists in the world. 883 00:48:25,680 --> 00:48:28,200 Speaker 1: My brother. You you make music and you create an 884 00:48:28,200 --> 00:48:36,719 Speaker 1: atmosphere that's so smoky. But now if people want to know, yes, 885 00:48:37,320 --> 00:48:38,560 Speaker 1: yes you're. 886 00:48:42,440 --> 00:48:57,200 Speaker 8: MH top five, your top five, Top five, your top 887 00:48:57,360 --> 00:49:00,640 Speaker 8: five rping. 888 00:49:02,760 --> 00:49:04,960 Speaker 1: R and B song show. 889 00:49:06,680 --> 00:49:12,040 Speaker 9: We got a new He's Dollar show Wednesday night school. 890 00:49:12,760 --> 00:49:30,640 Speaker 9: We're going to know your top five. When he asks, right, smoke, you're. 891 00:49:32,440 --> 00:49:35,200 Speaker 4: Tip four. 892 00:49:37,080 --> 00:49:56,640 Speaker 5: H thank, I would agree, top big deal, your top five. 893 00:49:57,920 --> 00:50:01,520 Speaker 4: R and B singer. Alright, listen, come go to go 894 00:50:01,640 --> 00:50:06,759 Speaker 4: to the text. My top five is surely season. Yeah, 895 00:50:07,640 --> 00:50:11,480 Speaker 4: Donny has the way I see where you see what 896 00:50:11,560 --> 00:50:13,400 Speaker 4: he's Yeah, you kind of see where he's going with this. 897 00:50:14,280 --> 00:50:18,680 Speaker 4: You're not you know, I'm a Stevie Won the type 898 00:50:18,719 --> 00:50:26,560 Speaker 4: of guy I just love Stevie, I love Marvin Wynings. 899 00:50:27,000 --> 00:50:27,960 Speaker 1: What what you mean? 900 00:50:29,440 --> 00:50:29,640 Speaker 5: Yeah? 901 00:50:30,000 --> 00:50:34,520 Speaker 4: For me, like most of my top singer gospel scene 902 00:50:35,320 --> 00:50:38,880 Speaker 4: should because you know what I'm saying, and and and 903 00:50:40,320 --> 00:50:44,279 Speaker 4: and who else singing one more? You got one more? 904 00:50:44,480 --> 00:50:51,400 Speaker 4: One more more, I'm gonna go. I'm gonna go jazz 905 00:50:51,480 --> 00:50:55,520 Speaker 4: Main Jazell. I'm gonna go jazz Man. 906 00:50:57,600 --> 00:51:02,640 Speaker 1: Just for me, just for that. Just you know what 907 00:51:02,680 --> 00:51:04,520 Speaker 1: I'm saying. She's a killer. 908 00:51:05,320 --> 00:51:07,239 Speaker 4: And I didn't know I had to do top five 909 00:51:07,360 --> 00:51:11,359 Speaker 4: RB singers, so I'm just really off the dome. 910 00:51:12,560 --> 00:51:13,200 Speaker 1: You know what I'm saying? 911 00:51:13,600 --> 00:51:17,120 Speaker 4: Like that, I wouldn't that I wouldn't mind saying. When 912 00:51:17,160 --> 00:51:19,680 Speaker 4: I think about singers, I think about who I wouldn't 913 00:51:19,719 --> 00:51:22,120 Speaker 4: mind listening to you thank you want them to. 914 00:51:22,200 --> 00:51:24,840 Speaker 1: I wouldn't mind just listening to for two three. 915 00:51:24,760 --> 00:51:28,840 Speaker 4: Hours at a concert sing Yes, some singers like I 916 00:51:28,880 --> 00:51:30,040 Speaker 4: can hear a couple of songs of this. 917 00:51:31,160 --> 00:51:34,439 Speaker 3: So when I think about Jay that south lest top 918 00:51:34,520 --> 00:51:39,600 Speaker 3: five R and B songs, Okay, I will close down. 919 00:51:40,480 --> 00:51:43,279 Speaker 4: I got the Yeah, I'm gonna tell you right now. 920 00:51:44,000 --> 00:51:52,880 Speaker 4: Purple Ring, Yeah, Purple Ring. I want to be close. Switch. 921 00:51:57,239 --> 00:51:59,279 Speaker 1: You know I love Switch. I don't know. 922 00:51:59,480 --> 00:52:10,160 Speaker 4: Anything about fire and desire. Yes, Ricke, Rick. 923 00:52:10,120 --> 00:52:14,640 Speaker 1: Shangee Marie the most underrated singer of all times. All 924 00:52:15,040 --> 00:52:17,239 Speaker 1: you think Rick is underrated. 925 00:52:16,920 --> 00:52:20,399 Speaker 2: More underrated than James Brown because James Brown underrated to people, 926 00:52:20,440 --> 00:52:22,200 Speaker 2: don't bring in James Brown's but I mean, here's the. 927 00:52:22,200 --> 00:52:25,480 Speaker 3: Thing though, James Brown has a title in front of 928 00:52:25,560 --> 00:52:29,920 Speaker 3: his name, the Godfather, right, so they're there in itself 929 00:52:30,080 --> 00:52:33,120 Speaker 3: is flowers out of this world, right, There is no 930 00:52:33,560 --> 00:52:34,759 Speaker 3: title in front of Rick. 931 00:52:34,880 --> 00:52:38,440 Speaker 1: James's name is James. 932 00:52:38,440 --> 00:52:41,560 Speaker 4: I can remember, I can remember exactly where I was 933 00:52:42,040 --> 00:52:47,640 Speaker 4: was singing boys the Man into the role, Yeah, Chicago. 934 00:52:48,640 --> 00:52:53,600 Speaker 1: Okay, if you leave me now you take away. The 935 00:52:53,840 --> 00:53:01,040 Speaker 1: biggest part of me I was school. I was on 936 00:53:01,120 --> 00:53:04,560 Speaker 1: a school bus. Man, I was on school. That's my 937 00:53:04,680 --> 00:53:05,720 Speaker 1: top five song. 938 00:53:07,960 --> 00:53:08,000 Speaker 3: Me. 939 00:53:09,080 --> 00:53:11,920 Speaker 1: He shout out to the bus driver for playing playing 940 00:53:12,080 --> 00:53:15,640 Speaker 1: right for the kids. Yeah yeah, yeah yeah. Going to 941 00:53:15,680 --> 00:53:18,920 Speaker 1: middle school. He's playing that. He's playing on the on 942 00:53:19,040 --> 00:53:21,000 Speaker 1: the bus, like what you kids want to hear. 943 00:53:21,120 --> 00:53:25,399 Speaker 3: It's crazy because it's like those songs, those tunes right there, 944 00:53:25,640 --> 00:53:30,040 Speaker 3: like they they do something to you as a kid 945 00:53:30,120 --> 00:53:32,840 Speaker 3: that you don't know. You don't know what's going to realize, 946 00:53:32,880 --> 00:53:34,799 Speaker 3: what is what's in you. Let's get to let's get 947 00:53:34,800 --> 00:53:37,040 Speaker 3: to your vultron brother. We're gonna build your super R 948 00:53:37,080 --> 00:53:39,800 Speaker 3: and B artists. Because we build your super R and 949 00:53:39,920 --> 00:53:41,400 Speaker 3: B artists. We want to know who you're going to 950 00:53:41,440 --> 00:53:44,400 Speaker 3: get the vocal from, Who you're gonna get the performance 951 00:53:44,440 --> 00:53:47,839 Speaker 3: style from, who you're gonna get the styling from, who 952 00:53:47,920 --> 00:53:50,360 Speaker 3: you're gonna get the passion of the artists from, and 953 00:53:50,560 --> 00:53:55,040 Speaker 3: who's going to produce for this artist. Who you're gonna 954 00:53:55,040 --> 00:54:00,719 Speaker 3: beat the vocal from. For your vultrans out there. That's 955 00:54:00,760 --> 00:54:05,240 Speaker 3: how you're gonna do. That's how you're acting, right whatever. Okay, okay, 956 00:54:07,800 --> 00:54:14,840 Speaker 3: play with it. Soul stirring vocal, soul stirring performance style. 957 00:54:16,960 --> 00:54:20,480 Speaker 3: You know, performance You can't gotta go m J got 958 00:54:20,960 --> 00:54:25,520 Speaker 3: Donnie on the vocal, m J on the feet, got 959 00:54:25,680 --> 00:54:29,480 Speaker 3: it all right, They can't play with j Man styling 960 00:54:30,760 --> 00:54:34,680 Speaker 3: Stalind for me for me is Jodasy. 961 00:54:36,920 --> 00:54:40,680 Speaker 1: For all of us. Styland for me is Jodas. Go 962 00:54:40,800 --> 00:54:42,480 Speaker 1: back to the episode we had k c on here 963 00:54:42,560 --> 00:54:44,120 Speaker 1: we dressed up as Jodas. Yeah, we had. 964 00:54:44,840 --> 00:54:47,280 Speaker 4: I didn't even see that. We thought we was members. 965 00:54:47,800 --> 00:54:51,080 Speaker 4: I see wow, wow. I didn't play with it right 966 00:54:51,560 --> 00:54:52,399 Speaker 4: like when they came. 967 00:54:52,680 --> 00:54:56,120 Speaker 3: When they came with that style, I couldn't afford the leather, 968 00:54:56,239 --> 00:54:58,239 Speaker 3: but I definitely wore all black. 969 00:54:58,280 --> 00:55:01,879 Speaker 1: You can't now. I can now find me some leather 970 00:55:01,960 --> 00:55:03,480 Speaker 1: overalls when you get a second. 971 00:55:04,040 --> 00:55:04,239 Speaker 3: Huh. 972 00:55:04,960 --> 00:55:09,520 Speaker 4: They changed everything, changed everything that people don't know that 973 00:55:09,680 --> 00:55:12,120 Speaker 4: like like the boys yo to see, they changed. 974 00:55:12,880 --> 00:55:18,640 Speaker 1: They changed a lot, changed meat, the passion. 975 00:55:18,320 --> 00:55:21,560 Speaker 4: Of the artists, the passion. I haven't been around no 976 00:55:21,719 --> 00:55:27,520 Speaker 4: one in his music game with the passion like Shirley Season, 977 00:55:29,320 --> 00:55:34,680 Speaker 4: not with the passion that lady listen. I used to think. 978 00:55:35,800 --> 00:55:38,319 Speaker 4: I used to think Shirley was on drugs. I used 979 00:55:38,320 --> 00:55:40,880 Speaker 4: to think she was on coke. I used to be 980 00:55:41,000 --> 00:55:44,200 Speaker 4: in church, watch your perform and I used to tell 981 00:55:44,280 --> 00:55:46,680 Speaker 4: I used to tell my brothers say, ain't no way 982 00:55:46,719 --> 00:55:48,920 Speaker 4: that lady performing like they ain't on something. 983 00:55:50,360 --> 00:55:50,799 Speaker 1: No way. 984 00:55:52,480 --> 00:55:56,440 Speaker 4: Until I start working with her and being around her 985 00:55:56,600 --> 00:56:00,200 Speaker 4: and I got to know her and her passion. It's 986 00:56:00,239 --> 00:56:03,200 Speaker 4: so incredible, man, It's just what she was. That's just 987 00:56:03,320 --> 00:56:08,680 Speaker 4: who she is, like like and and like. And I've 988 00:56:08,719 --> 00:56:11,239 Speaker 4: been around a lot of people, man, like a lot 989 00:56:11,320 --> 00:56:14,160 Speaker 4: of artists I've been around, and I ain't been around 990 00:56:14,239 --> 00:56:16,759 Speaker 4: nobody as passionate as that lady man when it comes 991 00:56:16,760 --> 00:56:19,680 Speaker 4: to the Lord and loving God and loving what she do, 992 00:56:20,480 --> 00:56:22,520 Speaker 4: like her passion for what she does. 993 00:56:23,160 --> 00:56:32,080 Speaker 1: Wow, I learned so much being around Shirley past the season. Wow. 994 00:56:33,480 --> 00:56:41,160 Speaker 1: Who's producing for this artist? Terry Lewis. Yeah, I'm only 995 00:56:41,160 --> 00:56:46,400 Speaker 1: a human, I'm young. Yeah, I'm just in the cut learning. 996 00:56:47,080 --> 00:56:52,560 Speaker 3: You talk about a body of work top top to bottom. 997 00:56:52,680 --> 00:56:54,880 Speaker 1: The sound Jam and Lewis, Man, Jam and Lewis. 998 00:56:56,280 --> 00:56:58,600 Speaker 4: Of course he got something else here. 999 00:56:58,920 --> 00:57:00,560 Speaker 2: Come on taking back to each other, tacond back to 1000 00:57:00,560 --> 00:57:02,680 Speaker 2: your he was on the road, you know what I 1001 00:57:02,760 --> 00:57:04,200 Speaker 2: mean in the church bus. 1002 00:57:17,680 --> 00:57:24,120 Speaker 1: Grass, I ain't saying no Nixon. I ain't saying no nigh. 1003 00:57:24,680 --> 00:57:27,280 Speaker 1: I ain't saying no names. I ain't saying no name. 1004 00:57:27,400 --> 00:57:36,440 Speaker 1: We please with what you did? Don't say sheep. I 1005 00:57:36,440 --> 00:57:37,840 Speaker 1: ain't saying no names. 1006 00:57:39,520 --> 00:57:53,160 Speaker 2: Hey, yeah, yo, So it's that time. It's that times. 1007 00:57:53,760 --> 00:57:57,200 Speaker 2: We're at the segment segments. Card, I ain't saying no names. 1008 00:57:58,400 --> 00:58:01,280 Speaker 1: Will you tell us a story? Me coming over here? 1009 00:58:01,680 --> 00:58:05,720 Speaker 4: This was the main thing I struggled with why I 1010 00:58:05,880 --> 00:58:11,800 Speaker 4: was coming over here, because the majority of my stories 1011 00:58:11,920 --> 00:58:15,520 Speaker 4: is crazy crazy. We definitely ain't saying o names. Okay, Well, 1012 00:58:15,680 --> 00:58:16,520 Speaker 4: let me introduce you first. 1013 00:58:16,560 --> 00:58:18,320 Speaker 1: Let me is this for you? You know what I mean, 1014 00:58:18,320 --> 00:58:20,320 Speaker 1: because you know, we gotta make it. You know, we can't. 1015 00:58:20,360 --> 00:58:22,520 Speaker 1: We can't short you. You know what I'm saying. You 1016 00:58:22,720 --> 00:58:24,400 Speaker 1: got all right, you know what I mean? 1017 00:58:24,520 --> 00:58:26,920 Speaker 2: So this is this is I ain't saying no names? 1018 00:58:28,040 --> 00:58:30,560 Speaker 2: Will you tell us a story? Funny and fucked up? 1019 00:58:31,080 --> 00:58:36,200 Speaker 2: Are funny and fucked up? In the Journey Times, Big 1020 00:58:36,320 --> 00:58:40,200 Speaker 2: d The only rule to the game. You can't say 1021 00:58:40,280 --> 00:58:40,720 Speaker 2: no names? 1022 00:58:40,840 --> 00:58:41,080 Speaker 1: Got you? 1023 00:58:41,240 --> 00:58:44,280 Speaker 4: The only rule to the game. I was scheduled to 1024 00:58:44,320 --> 00:58:47,800 Speaker 4: work with this artist, right, it's a major artist that 1025 00:58:47,920 --> 00:58:49,920 Speaker 4: they call me. Do you want you to get in 1026 00:58:50,040 --> 00:58:53,360 Speaker 4: with this artist? Okay, it's not the only thing. This 1027 00:58:53,600 --> 00:59:01,280 Speaker 4: artist she's she's a little crazy, like you know, she 1028 00:59:02,080 --> 00:59:05,800 Speaker 4: she she'de got into it with a few people, you know, 1029 00:59:06,200 --> 00:59:11,840 Speaker 4: stabbed some people and you know, put just crazy, you 1030 00:59:11,920 --> 00:59:14,840 Speaker 4: know what I mean, Like, you know, if we ain't 1031 00:59:14,840 --> 00:59:20,000 Speaker 4: saying no name, but you know, but she dope though 1032 00:59:20,120 --> 00:59:22,320 Speaker 4: these so I know, like, you know, if you get 1033 00:59:22,360 --> 00:59:25,440 Speaker 4: in with her whatever. So I did my own research 1034 00:59:25,480 --> 00:59:30,040 Speaker 4: about her. It's like, man, stab this person, stab that person. 1035 00:59:30,800 --> 00:59:32,040 Speaker 1: You know, she kind of out. 1036 00:59:31,880 --> 00:59:38,640 Speaker 4: There, you know, all cool, all right? So the day 1037 00:59:38,680 --> 00:59:44,720 Speaker 4: of the session. I'm always being born and raised in Miami, 1038 00:59:44,920 --> 00:59:49,320 Speaker 4: you learn to carry a gun quick. Yeah, that's just nature, 1039 00:59:50,160 --> 00:59:52,920 Speaker 4: Like if you're living in this city. So I'm known, 1040 00:59:53,120 --> 00:59:56,000 Speaker 4: people tell you about. I'm a gun collector. I love 1041 00:59:56,080 --> 00:59:58,880 Speaker 4: collecting guns, going to the gun shows and everything. So 1042 00:59:59,680 --> 01:00:01,920 Speaker 4: I I say, you know, we're not gonna what I'm 1043 01:00:01,920 --> 01:00:05,040 Speaker 4: gonna do is this particular session, I'm gonna have my 1044 01:00:05,200 --> 01:00:13,040 Speaker 4: gun on the board the console, So understanding right out 1045 01:00:13,080 --> 01:00:17,920 Speaker 4: the gate, Right right out the gate, we're gonna have 1046 01:00:18,080 --> 01:00:21,120 Speaker 4: a We're gonna have an understanding soon as say walk in. 1047 01:00:22,040 --> 01:00:24,400 Speaker 4: You know what I'm saying, like, this is how I'm 1048 01:00:24,440 --> 01:00:27,600 Speaker 4: such and such. Yeah, I'm big d you know. Right 1049 01:00:27,640 --> 01:00:30,000 Speaker 4: out the gate, let's establish some things, you know what 1050 01:00:30,040 --> 01:00:34,080 Speaker 4: I mean. We're here to do songs and and so 1051 01:00:34,200 --> 01:00:37,400 Speaker 4: when they saw the whatever, so like that's pretty much 1052 01:00:37,480 --> 01:00:42,280 Speaker 4: how relationship started. Like they were like, man, you're crazy, 1053 01:00:42,320 --> 01:00:45,280 Speaker 4: I can't believe you, you know, And we really became 1054 01:00:45,440 --> 01:00:46,800 Speaker 4: friends after. 1055 01:00:46,960 --> 01:00:49,000 Speaker 1: But that's how we met each other. 1056 01:00:49,200 --> 01:00:53,120 Speaker 4: That's how session started, and that's how we became friends 1057 01:00:54,240 --> 01:00:55,680 Speaker 4: from that right there. 1058 01:00:55,800 --> 01:00:56,080 Speaker 1: That's it. 1059 01:00:56,640 --> 01:01:01,000 Speaker 4: She understood that I will in the water play with 1060 01:01:01,520 --> 01:01:05,480 Speaker 4: and I understood who she was and now since we 1061 01:01:05,600 --> 01:01:09,760 Speaker 4: got past that, not let's write some ship and do 1062 01:01:09,920 --> 01:01:10,480 Speaker 4: some records. 1063 01:01:13,680 --> 01:01:17,439 Speaker 1: Records, music business. It's a music business. You're not gonna 1064 01:01:17,440 --> 01:01:17,800 Speaker 1: stab me. 1065 01:01:17,960 --> 01:01:18,200 Speaker 3: You know. 1066 01:01:20,800 --> 01:01:24,800 Speaker 1: That's not happening. Listen. I can go wherever you want 1067 01:01:24,840 --> 01:01:27,840 Speaker 1: to go. But now what you want to do? You 1068 01:01:27,920 --> 01:01:32,360 Speaker 1: want to start here, you want and that's how you 1069 01:01:32,440 --> 01:01:35,160 Speaker 1: know what, And that's how O sessions started. And you know, 1070 01:01:35,320 --> 01:01:36,000 Speaker 1: we've been friends. 1071 01:01:36,520 --> 01:01:38,680 Speaker 4: Like we laugh about it, but I haven't seen it 1072 01:01:38,680 --> 01:01:40,280 Speaker 4: in a while, but whenever we do see each other, 1073 01:01:40,360 --> 01:01:42,800 Speaker 4: we always know that is great. 1074 01:01:43,560 --> 01:01:44,240 Speaker 1: And that's. 1075 01:01:45,880 --> 01:01:48,600 Speaker 4: And that was the only story. Like I got plenty stories, 1076 01:01:48,680 --> 01:01:50,480 Speaker 4: but that was the only one that I felt like 1077 01:01:51,560 --> 01:01:55,000 Speaker 4: it wasn't too crazy because my other stories is really 1078 01:01:55,360 --> 01:01:55,680 Speaker 4: I had. 1079 01:01:55,600 --> 01:01:56,560 Speaker 1: A great resolve too. 1080 01:01:56,960 --> 01:01:59,960 Speaker 3: You guys got some stuff done, your friends lessons of 1081 01:02:00,080 --> 01:02:01,200 Speaker 3: redemptive qualities in. 1082 01:02:01,240 --> 01:02:03,160 Speaker 1: This you can tell us the other stories, like. 1083 01:02:03,360 --> 01:02:08,880 Speaker 3: Ye brother, you I mean you you're a gym brother. 1084 01:02:09,040 --> 01:02:11,480 Speaker 1: You know what I'm saying. Y'all for having me. 1085 01:02:11,560 --> 01:02:15,280 Speaker 4: Man, I've never I've never did this, like a podcast 1086 01:02:15,400 --> 01:02:17,960 Speaker 4: thing like this, Like I've always been the person that 1087 01:02:18,240 --> 01:02:21,080 Speaker 4: I never did want to do interviews and talk like 1088 01:02:21,280 --> 01:02:24,760 Speaker 4: because I'm not it's man, for y'all to call me like, 1089 01:02:24,960 --> 01:02:31,800 Speaker 4: I really appreciate. I appreciate, appreciate that, man, because you 1090 01:02:31,880 --> 01:02:36,080 Speaker 4: don't know who people acknowledge your talent and work like that. 1091 01:02:36,160 --> 01:02:39,040 Speaker 4: And I appreciate y'all giving me my flowers like this, man, 1092 01:02:39,080 --> 01:02:41,880 Speaker 4: because this is an honor to me. Like I saw 1093 01:02:42,000 --> 01:02:45,960 Speaker 4: y'all lined up the people y'all interviewed, and I've always said, man, 1094 01:02:45,960 --> 01:02:50,040 Speaker 4: I shouldn't even be on that, man, But I just 1095 01:02:50,200 --> 01:02:53,560 Speaker 4: I like, man, I really appreciate what y'all doing, man, 1096 01:02:53,640 --> 01:02:55,320 Speaker 4: and and I'm honored to be here. 1097 01:02:55,400 --> 01:02:55,480 Speaker 8: Man. 1098 01:02:55,520 --> 01:02:57,560 Speaker 1: I appreciate y'all for having me here. Man, thank you, 1099 01:02:57,680 --> 01:02:59,880 Speaker 1: thank you, I said, listen, man, we appreciate you. 1100 01:03:00,080 --> 01:03:02,800 Speaker 3: We got workship do but I promise you this, if 1101 01:03:03,120 --> 01:03:06,360 Speaker 3: we got an hour and some change, we're gonna pull 1102 01:03:06,440 --> 01:03:08,439 Speaker 3: up tonight and see see what you're doing. 1103 01:03:08,560 --> 01:03:08,800 Speaker 6: You know what. 1104 01:03:10,080 --> 01:03:13,560 Speaker 10: They got good food there too. They got good food there, yo, listen, 1105 01:03:13,640 --> 01:03:18,560 Speaker 10: they got the best food. It's like, hold on, y'all, 1106 01:03:18,760 --> 01:03:21,800 Speaker 10: y'all don't know about finger lickings. Of course, this is 1107 01:03:22,280 --> 01:03:25,920 Speaker 10: class class freezing. 1108 01:03:26,120 --> 01:03:28,800 Speaker 1: That's the class. That's his brother floor, right, they all 1109 01:03:28,960 --> 01:03:34,040 Speaker 1: it's all the family thing. The food is incredible. You 1110 01:03:34,400 --> 01:03:36,160 Speaker 1: just come out for like an hour. They got that 1111 01:03:36,240 --> 01:03:40,200 Speaker 1: real sweet drink that they have at the liquors. Oh yeah, yeah, yeah, yeah. 1112 01:03:40,240 --> 01:03:44,400 Speaker 1: They call that the misty, the misty, what is it? 1113 01:03:44,480 --> 01:03:46,360 Speaker 1: What is it? Lobster bikes? They got it the liquors. 1114 01:03:47,600 --> 01:03:49,440 Speaker 1: You know you're right across the street. I know what's 1115 01:03:49,480 --> 01:03:53,200 Speaker 1: going on. Come on, come on. You know I've been 1116 01:03:53,240 --> 01:03:55,640 Speaker 1: moving around down here too big. You know what I'm saying. 1117 01:03:56,160 --> 01:04:01,280 Speaker 1: You know, you know I know the landlord, but I 1118 01:04:02,840 --> 01:04:04,920 Speaker 1: know the Landlord. But I got a unit in here. 1119 01:04:05,000 --> 01:04:05,320 Speaker 3: Man, I. 1120 01:04:09,240 --> 01:04:12,960 Speaker 1: Keep forgetting tasting me. Like listen, man, y'all gotta come 1121 01:04:13,040 --> 01:04:16,439 Speaker 1: pull up on me to done. I won't, I won't. 1122 01:04:16,560 --> 01:04:18,120 Speaker 1: I will trust me. I want to announce it. I 1123 01:04:18,160 --> 01:04:19,040 Speaker 1: want no good. 1124 01:04:20,560 --> 01:04:22,480 Speaker 4: Come fellowship with our brother, come fellowship. 1125 01:04:22,680 --> 01:04:26,360 Speaker 1: Let's stage. Listen. The band is incredible. Yeah, I believe it. 1126 01:04:27,120 --> 01:04:30,280 Speaker 4: And y'all gonna love the y'all gonna love the scenery. 1127 01:04:30,760 --> 01:04:34,440 Speaker 1: Man, it's nice, some nice scenery. What the Lord is doing. 1128 01:04:34,480 --> 01:04:37,320 Speaker 1: I know what he's doing. Yeah, I know what he's doing. 1129 01:04:38,520 --> 01:04:38,720 Speaker 4: Yeah. 1130 01:04:39,440 --> 01:04:44,800 Speaker 3: The Lord delivers this those feet ever so softmen. Yeah, 1131 01:04:45,240 --> 01:04:47,720 Speaker 3: he provides because I know it's something in the water 1132 01:04:47,840 --> 01:04:48,200 Speaker 3: down here. 1133 01:04:48,720 --> 01:04:52,640 Speaker 1: You're gonna love the festival. Yeah, it is natural. Give 1134 01:04:52,680 --> 01:04:55,919 Speaker 1: it to him out the wound. Yes, yes, hey man, 1135 01:04:57,800 --> 01:04:58,680 Speaker 1: please come by. 1136 01:04:59,240 --> 01:05:01,920 Speaker 3: We're gonna be here for prayer. Also there if you 1137 01:05:02,000 --> 01:05:05,520 Speaker 3: need prayer tonight is a man, it will be a 1138 01:05:05,600 --> 01:05:06,200 Speaker 3: prayer line. 1139 01:05:06,440 --> 01:05:06,960 Speaker 1: Man. Listen. 1140 01:05:07,080 --> 01:05:08,680 Speaker 3: If if y'all need me to sit in a car 1141 01:05:08,840 --> 01:05:13,840 Speaker 3: or something, let me know. I said, we appreciate you, brother, 1142 01:05:14,880 --> 01:05:18,440 Speaker 3: we are we this is this is much needed. We 1143 01:05:18,960 --> 01:05:20,520 Speaker 3: you know, and I know you don't do this and 1144 01:05:20,600 --> 01:05:23,200 Speaker 3: so you pulling up. We appreciate you taking your time, 1145 01:05:23,520 --> 01:05:25,479 Speaker 3: but also we just want to let you know, brother, 1146 01:05:25,880 --> 01:05:26,680 Speaker 3: you deserve this. 1147 01:05:27,000 --> 01:05:28,880 Speaker 1: Thank you, man, You deserve this. People. 1148 01:05:29,360 --> 01:05:32,520 Speaker 3: People need to hear your conversation and understand who you are. 1149 01:05:32,840 --> 01:05:35,200 Speaker 3: Put a face to the hits into the moments, and 1150 01:05:35,360 --> 01:05:38,680 Speaker 3: understand when they see you. The respect is you know 1151 01:05:38,720 --> 01:05:40,880 Speaker 3: what I'm saying. We finish work though, man, Yeah, I 1152 01:05:41,000 --> 01:05:43,720 Speaker 3: know we already. Yeah, yeah, I don't listen. I don't 1153 01:05:43,720 --> 01:05:45,080 Speaker 3: doubt you, brother, We're getting ready to work. 1154 01:05:45,160 --> 01:05:47,720 Speaker 1: I don't doubt you. Listen. I'm more excited about that 1155 01:05:47,840 --> 01:05:50,200 Speaker 1: than we never work. 1156 01:05:50,240 --> 01:05:53,120 Speaker 4: We never really and I want, like, I can't wait 1157 01:05:53,160 --> 01:05:55,240 Speaker 4: to get on the phone with Lamb and say, listen, man, listen, 1158 01:05:55,280 --> 01:05:57,480 Speaker 4: we Finn go in with Tank. We really we getting ready, 1159 01:05:58,080 --> 01:05:59,880 Speaker 4: were getting ready to create some magic. 1160 01:06:00,480 --> 01:06:10,320 Speaker 3: Make me change my flight man, make me stay extra 1161 01:06:10,480 --> 01:06:13,320 Speaker 3: time you call the way named Big D. I can't 1162 01:06:13,880 --> 01:06:15,880 Speaker 3: big with Big D say you gotta stay. He got 1163 01:06:15,920 --> 01:06:17,760 Speaker 3: a gun on the console like you gotta stay. 1164 01:06:17,840 --> 01:06:18,480 Speaker 1: You can't. 1165 01:06:20,320 --> 01:06:20,360 Speaker 3: Know? 1166 01:06:22,680 --> 01:06:26,760 Speaker 1: Yeah, thank you brother. My name is and this is 1167 01:06:26,800 --> 01:06:29,200 Speaker 1: the R V Money podcast, the authority on all things 1168 01:06:29,400 --> 01:06:29,720 Speaker 1: R and B. 1169 01:06:30,480 --> 01:06:34,600 Speaker 3: This has been a brother much deserving of every flower, 1170 01:06:34,640 --> 01:06:38,160 Speaker 3: imaginable man, a good brother, awesome brother man, uh an 1171 01:06:38,160 --> 01:06:40,200 Speaker 3: amazing talent with a gift man, Big D. 1172 01:06:40,840 --> 01:06:45,960 Speaker 1: What's up? Thank you? R and B Money. 1173 01:06:47,120 --> 01:06:48,880 Speaker 2: R and B Money is a production of the Black 1174 01:06:48,960 --> 01:06:53,560 Speaker 2: Effect podcast Network. For more podcasts from iHeart Radio, visit 1175 01:06:53,640 --> 01:06:57,440 Speaker 2: the iHeartRadio app, Apple Podcasts, or wherever you listen to 1176 01:06:57,520 --> 01:07:00,640 Speaker 2: your favorite shows. Don't forget to subscrib viribe to and 1177 01:07:00,880 --> 01:07:03,560 Speaker 2: Radar show, and you can connect with us on social 1178 01:07:03,680 --> 01:07:07,240 Speaker 2: media at Jay Valentine and at the Real Tank. For 1179 01:07:07,400 --> 01:07:12,520 Speaker 2: the extended episode, subscribe to YouTube dot com, forward slash, 1180 01:07:12,840 --> 01:07:13,520 Speaker 2: R and B Money