WEBVTT - Alex Winter: The YouTube Effect, Magic Camp + Baby Shark!

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<v Speaker 1>Really Now, Really, really.

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<v Speaker 2>Now, really Hello, and welcome to this episode of Really

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<v Speaker 2>No Really. Todanyk, Jason Alexander, and Peter Tilden are joined

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<v Speaker 2>by actor, producer and director Alex Winter to discuss his

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<v Speaker 2>documentary The YouTube Effect and the Bill and Ted movies,

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<v Speaker 2>All Tech being porn adjacent, performing Magic, Keanu Reeves, and

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<v Speaker 2>Alex's years on Broadway. My only wish for this episode

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<v Speaker 2>is that we get to hear Jason and Alex sing

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<v Speaker 2>some show tunes together. And now here they are Jason,

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<v Speaker 2>Alexander and Peter Tilden with Alex.

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<v Speaker 3>Really Welcome to Really No, Really.

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<v Speaker 4>Just don't make Jason and I sing any show tunes.

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<v Speaker 3>Is that gonna be Is that gonna be harrible for you?

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<v Speaker 2>No?

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<v Speaker 4>It would actually be amazing. He's he's a substantially better

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<v Speaker 4>singer that I am. But nonetheless, I.

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<v Speaker 3>Haven't heard you what you know, Alex? Just Fredy Alex

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<v Speaker 3>Wonders joined us. We won't make you do songs with Jason,

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<v Speaker 3>thank you, But but I got to mention, you know

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<v Speaker 3>from Bill and Ted and you know him from the Circle.

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<v Speaker 3>By the way, you were just you were so freaking good.

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<v Speaker 3>I thank you.

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<v Speaker 4>I don't think I'm allowed to talk about it because

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<v Speaker 4>of the strike. Am I here?

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<v Speaker 3>I don't know. Don't promote you know you were. Don't promote,

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<v Speaker 3>just talk about it properally.

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<v Speaker 4>Yeah, okay, it's already coming gone, so I can't believe

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<v Speaker 4>it yet.

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<v Speaker 3>You were great. You were I wanted to do as

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<v Speaker 3>my lawyer because you were very stern with it, like, yeah,

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<v Speaker 3>all right, hit me with it, very very cool. Yeah.

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<v Speaker 3>But I didn't realize your child. I forgot your child.

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<v Speaker 3>You were on stage with JL Brenner, I was King,

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<v Speaker 3>and and Sandy Duncan. Yep, you were a Broadway child.

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<v Speaker 3>I was from from what age?

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<v Speaker 4>Uh? Well, as Jason knows because he was there. I

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<v Speaker 4>moved to New York City in nineteen seventy seven and

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<v Speaker 4>I joined a management company that Jason was at.

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<v Speaker 3>This kid.

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<v Speaker 4>Yeah and uh and you know, it was a very

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<v Speaker 4>active sort of environment. They were training us to sing

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<v Speaker 4>and to sort of get her act together. So I

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<v Speaker 4>was twelve thirteen and I'd done it child acting in

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<v Speaker 4>where I'd come from, which was Saint Louis and London,

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<v Speaker 4>but nothing on the level that I got parachuted into

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<v Speaker 4>because they suddenly needed a kid on Broadway to replace

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<v Speaker 4>a kid that was on before they took the national tour.

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<v Speaker 4>So there was this urgent training. It was like something

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<v Speaker 4>out of a bad martial arts movie, right, where like

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<v Speaker 4>we're gonna teach you kung fu in like two weeks.

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<v Speaker 4>You have to go in front of one of the

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<v Speaker 4>toughest musical directors on Broadway and sing an entire song,

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<v Speaker 4>and you were not a trained vocalist. So I was

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<v Speaker 4>a trained actor at that age, but not a trained vocalist.

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<v Speaker 4>So they like boot camped me into singing.

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<v Speaker 3>And I went, did you enjoy it? Do you remember

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<v Speaker 3>about I still train?

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<v Speaker 4>I love it? I love I love it so much you.

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<v Speaker 1>Love I always say to Jason, I will also tell

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<v Speaker 1>you because I mean, it's a very handsome man, this guy,

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<v Speaker 1>I will tell you as a fairly head of sexual man,

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<v Speaker 1>adorable child, I mean, with curly blonde hair and just

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<v Speaker 1>like one of those little cherub looking killed Marjor.

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<v Speaker 3>Gordoner right exactly. So I'm sorry for that reference. Looking

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<v Speaker 3>at it always fascinates me. Brought brought it that. It's

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<v Speaker 3>so judgmental, it's so difficult, and it's so repetitive, right

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<v Speaker 3>that if you don't like it, or if you're going

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<v Speaker 3>through a bad time, you still got to do to

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<v Speaker 3>matinee in a regularly. No.

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<v Speaker 4>I did eight shows a week. I did King and

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<v Speaker 4>I on Broadway for a bit, then on the road.

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<v Speaker 4>It was all about a year all told, including at

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<v Speaker 4>the Pantagious. Then I went back and pretty much immediately

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<v Speaker 4>went into Peter Pan with Sandy Duncan. Did that for

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<v Speaker 4>almost three years. So that was all of high school.

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<v Speaker 4>Eight shows a week. You know this animal, Michael john

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<v Speaker 4>I was John Johnny.

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<v Speaker 3>What was your life? It was? It was funny.

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<v Speaker 4>I was talking about someone about this earlier who went

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<v Speaker 4>to professional children's school, which is where all my friends went.

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<v Speaker 4>And my family was like, we're not putting you in

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<v Speaker 4>that place because you're just going to become like a maniac.

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<v Speaker 4>So I went to a public high school in New

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<v Speaker 4>Jersey and I took the bus in every day and

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<v Speaker 4>they let me out early on Wednesday. So I had

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<v Speaker 4>this weird, bifurcated life where I had all my normal friends,

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<v Speaker 4>all my normal kind of suburban life, and then I

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<v Speaker 4>had this crazy.

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<v Speaker 3>Point if you went to school, got out early, Yeah,

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<v Speaker 3>took public.

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<v Speaker 4>Transportation, took a bus into the port. Authority, did the show,

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<v Speaker 4>went and did the show, and then got back on

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<v Speaker 4>the bus and went home, and I did my homework

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<v Speaker 4>on the bus.

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<v Speaker 3>Here's what's crazy. What time did you get home?

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<v Speaker 4>Eleven thirty or so?

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<v Speaker 1>And you know, nowadays, oh my god, I even think

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<v Speaker 1>they would allow a child actor to do that anymore.

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<v Speaker 3>Like Matilda on Broadway. Yeah, there were four Matilda's and

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<v Speaker 3>they all went on every week. Yeah, a bus. How

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<v Speaker 3>were you coming home? I was?

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<v Speaker 4>I was, well, I was, you know, Times Square working

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<v Speaker 4>on forty sixth Street from nineteen seventy. I was in

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<v Speaker 4>the Times Square from seventy eight to eighty three.

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<v Speaker 3>I guess, so you were what about sixteen? I was?

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<v Speaker 4>I was, Yeah, I was thirteen to seventeen. Yeah, and

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<v Speaker 4>doing your homework doing you're hanging out at night and

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<v Speaker 4>going to shows with the other cast members and you know, but.

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<v Speaker 3>It was kids just spitting out, spitballs to each other,

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<v Speaker 3>and you're going out a really tough night last night

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<v Speaker 3>Women in the third Row?

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<v Speaker 4>Was I mean, if you have an adult experience at night?

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<v Speaker 4>Oh I did, yeah, very much. So, oh oh my god. Yeah,

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<v Speaker 4>I made a documentary about showbiz kids. Yeahbo it ain't pretty,

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<v Speaker 4>it was. I'm lucky. We're all lucky.

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<v Speaker 1>I am always you know, I've worked with enough kids

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<v Speaker 1>now as an adult, and I always wonder what the

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<v Speaker 1>experiences for them. Yeah, I think the kids that I've

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<v Speaker 1>worked with have have actually had decent experience lives and experiences.

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<v Speaker 3>But I know that that.

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<v Speaker 4>It can go a number of ways.

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<v Speaker 3>Alex, want to look at you. Most kids have a

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<v Speaker 3>hard time just doing a homework. We're taking public expectation. Yeah,

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<v Speaker 3>it's an adultified world. I mean in every conceivable way.

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<v Speaker 3>And the thing about it though, is to you know, yes,

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<v Speaker 3>it's hard work. But as Jason, as you know from having.

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<v Speaker 4>Done so much theater, I remember the very first day

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<v Speaker 4>I went to rehearse because you'll Berner basically ran king

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<v Speaker 4>and I didn't take a director's credit, but he directed

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<v Speaker 4>the whole show. He did the audition, did everything, and

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<v Speaker 4>because the show was already running on Broadway, he had

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<v Speaker 4>to rehearse me while the show. The only way to

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<v Speaker 4>get me adapted to the stage was to rehearse me

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<v Speaker 4>while the show was going on. So there'd be a

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<v Speaker 4>scrim and certain scenes would happen in front of a scrim,

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<v Speaker 4>So for those like ten minutes I had to work

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<v Speaker 4>on the set. And so there was on this giant

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<v Speaker 4>Broadway was the Gershwin right, the eras on this giant

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<v Speaker 4>Broadway stage by myself in the dark because of the

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<v Speaker 4>way a scrim works, as you know, they can't it's

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<v Speaker 4>like a two way mirror. They can't see through it,

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<v Speaker 4>but I can see them. So there's like fricking eighteen

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<v Speaker 4>hundred people and you'll Brinner with a spotlight on him

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<v Speaker 4>singing his song.

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<v Speaker 3>Yeah, And here I am thirteen years.

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<v Speaker 4>Old, like fresh off the bus from Saint Louis, and

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<v Speaker 4>I was like, I never want to do anything else,

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<v Speaker 4>like this is paradise, like I mean, so I was

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<v Speaker 4>so happy in that environment that it made all of

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<v Speaker 4>the stressors.

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<v Speaker 3>Well, the juice that you got as a thirteen year

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<v Speaker 3>old was the applause. Was the crowd was he does?

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<v Speaker 4>I mean, Berner wouldn't stop. Now they do it with

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<v Speaker 4>every show bit much. But Brinn wouldn't let people go

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<v Speaker 4>home till they gave him a standing ovation. So the

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<v Speaker 4>curtain call every night it was the standing ovation because

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<v Speaker 4>he literally wouldn't let them leave. Now, pretty much every

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<v Speaker 4>show you go to everyone gets on their feet, which

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<v Speaker 4>is kind of you know, but but so it was.

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<v Speaker 4>It was spectacular. I mean it was very much his

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<v Speaker 4>show in consence Towers, who was Anna, you know, it

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<v Speaker 4>was Lewis, I did my thing whatever, I wasn't starring fast.

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<v Speaker 3>We're in a fascinating start and that will will leap ahead.

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<v Speaker 3>We'll get back to Bill and Ted later and all

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<v Speaker 3>the other stuff. But the really, no, really was we're

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<v Speaker 3>all dealing with these algorithms. We're all dealing with the

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<v Speaker 3>three companies that are running social media, and you.

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<v Speaker 4>Point all of technology.

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<v Speaker 3>I would say, but all of technology, and you pointed

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<v Speaker 3>out two of them and showed that there's no silent

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<v Speaker 3>between them. That's right, it's it's it's the YouTube and Google. Yeah,

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<v Speaker 3>and you had access to the CEO, you would access

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<v Speaker 3>to the guys who start, the guy who started, which

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<v Speaker 3>was that made me laugh at people don't realize that

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<v Speaker 3>the big social media platforms are all porn adjacent. That's right,

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<v Speaker 3>they all started to explain if they haven't seen the document.

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<v Speaker 4>Basically, every every technical innovation scales because of pornography. That's

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<v Speaker 4>kind of a well known thing in technology. Yeah, I

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<v Speaker 4>know that's shocking, right, but including including PayPal, which the

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<v Speaker 4>only reason PayPal took off was because people were using

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<v Speaker 4>it for for porn transactions and fact, if you look

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<v Speaker 4>at in the social network. In the film, they talk

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<v Speaker 4>about how that started as basically you know exactly and

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<v Speaker 4>you know what that was about. And then YouTube started

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<v Speaker 4>with a service called Hot or Not where they were like, Okay,

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<v Speaker 4>finally we have the most robust technology to get video

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<v Speaker 4>online which no one had ever figured out before. We're

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<v Speaker 4>going to use it to cure cancer. We're gonna we're

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<v Speaker 4>going to allow like old people to see their their

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<v Speaker 4>their young family before they passed. No, we're not going

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<v Speaker 4>to do any of those things. We're going to create

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<v Speaker 4>Hot or Not so you could rank how hot or

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<v Speaker 4>not hot someone who's video based on their video.

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<v Speaker 3>And by the way, the money came from for humanity,

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<v Speaker 3>the money came from PayPal, which was porn related, and

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<v Speaker 3>the two guys who started the three guys Yeah sold

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<v Speaker 3>it within a year year and a half.

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<v Speaker 4>Yeah to Google four one point six billion in two

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<v Speaker 4>thousand and five, which is like trillions in today's money.

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<v Speaker 4>It was crazy, It was unprecedented.

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<v Speaker 3>So that was the intent of this was that innocent, innocent.

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<v Speaker 3>It was rating. It was to rate people and then

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<v Speaker 3>it grew.

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<v Speaker 4>It did, but to be fair to the founders, one

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<v Speaker 4>of whom Steve Chann is in the film, they they

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<v Speaker 4>saw its potential beyond Hot or Not immediately and began

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<v Speaker 4>to it wasn't hot or not when Google bought it

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<v Speaker 4>right by home. Yeah, by then they realized that, no,

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<v Speaker 4>this is actually a service that is going to change

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<v Speaker 4>the world in certain ways in terms of what I mean.

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<v Speaker 4>We all know this if we work in media, that

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<v Speaker 4>there's so much power to the visual image, right, and

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<v Speaker 4>a moving visual image. And in two thousand and five

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<v Speaker 4>is as recent as that is, was really hard to

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<v Speaker 4>move around online. It was almost impossible, and like people

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<v Speaker 4>have been doing it since the nineties, but it was hard.

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<v Speaker 4>And suddenly this thing comes along where there's just like

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<v Speaker 4>I can upload my cat, I can upload my daughter

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<v Speaker 4>taking her first steps. And it blew people's minds and

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<v Speaker 4>it scaled immediately, like within within the first year of

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<v Speaker 4>you two buying it, And everybody made fun of of Google.

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<v Speaker 3>I saw that what's his name from Mars sharknank mark.

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<v Speaker 3>Humans said it is one of the dumbest investments.

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<v Speaker 4>But everybody did. Susan caught so much flak for being

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<v Speaker 4>so so bullish about wanting to acquire this company, Susan,

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<v Speaker 4>they started googling. Yeah, very very bright lady from a

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<v Speaker 4>very bright family, full stop. But she really did have

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<v Speaker 4>the vision early on that a lot of other people lacked.

0:10:46.880 --> 0:10:50.480
<v Speaker 4>And it's hard to quantify how big this thing is,

0:10:50.559 --> 0:10:53.360
<v Speaker 4>which is why people don't talk about it very often.

0:10:53.559 --> 0:10:53.719
<v Speaker 3>Right.

0:10:53.840 --> 0:10:56.439
<v Speaker 4>They think about it as a social media platform, which

0:10:56.480 --> 0:11:00.560
<v Speaker 4>it really isn't. It's it's it's all of humans recorded

0:11:00.600 --> 0:11:03.000
<v Speaker 4>history in one place, which you can't find anywhere else.

0:11:03.240 --> 0:11:06.400
<v Speaker 4>It's it's obviously influencers, and it's DIY, and there's a

0:11:06.400 --> 0:11:09.560
<v Speaker 4>social media component, and it's all of those things. But

0:11:09.600 --> 0:11:11.720
<v Speaker 4>it's also all of our media, all of our music,

0:11:11.840 --> 0:11:13.760
<v Speaker 4>all of our entertainment, all of our news, and all

0:11:13.760 --> 0:11:17.080
<v Speaker 4>of our search for certain demographic That's all under why.

0:11:16.960 --> 0:11:18.679
<v Speaker 3>I was shocked, because it is used.

0:11:18.960 --> 0:11:20.679
<v Speaker 1>This is where I have never used it, but I

0:11:21.000 --> 0:11:23.760
<v Speaker 1>guess a lot of people do. I. I do use

0:11:23.800 --> 0:11:26.000
<v Speaker 1>social media to get some news sources, but I've never

0:11:26.080 --> 0:11:27.000
<v Speaker 1>thought to go to YouTube.

0:11:27.120 --> 0:11:29.280
<v Speaker 3>That's right. Is that really a big component of you?

0:11:29.720 --> 0:11:31.640
<v Speaker 4>My I've got three boys. My eldest is about to

0:11:31.640 --> 0:11:34.800
<v Speaker 4>turn twenty five. They're all like super balanced great kids.

0:11:34.800 --> 0:11:36.559
<v Speaker 4>None of them got rabbit Hold or red Pildar, any

0:11:36.559 --> 0:11:39.640
<v Speaker 4>of those things. But they live on YouTube and they

0:11:39.679 --> 0:11:41.640
<v Speaker 4>don't really use anything.

0:11:41.880 --> 0:11:44.520
<v Speaker 3>So did my son twenty seven. Yeah, and I when

0:11:44.559 --> 0:11:48.360
<v Speaker 3>we watched this together. That's what curates his news. That's

0:11:48.400 --> 0:11:49.480
<v Speaker 3>what that's I mean, it's.

0:11:49.600 --> 0:11:52.520
<v Speaker 4>Not only his music and everything and everything.

0:11:52.600 --> 0:11:55.080
<v Speaker 3>Yeah. When I say TV or streaming, he goes, what, Yeah,

0:11:55.240 --> 0:11:56.040
<v Speaker 3>it's all there.

0:11:56.200 --> 0:11:58.320
<v Speaker 4>Yeah, I mean, Jason, they're going to know you by

0:11:58.360 --> 0:12:01.560
<v Speaker 4>watching either all of your stuff or clips of your

0:12:01.559 --> 0:12:02.439
<v Speaker 4>stuff on YouTube.

0:12:02.480 --> 0:12:04.320
<v Speaker 3>And what is my residual payment for that?

0:12:04.360 --> 0:12:07.440
<v Speaker 4>I would say that somewhere between zero and zero.

0:12:07.800 --> 0:12:09.840
<v Speaker 3>That is that abides with what.

0:12:09.800 --> 0:12:14.120
<v Speaker 4>I yes, which is why we're striking right, because if

0:12:14.160 --> 0:12:17.480
<v Speaker 4>all the other companies could have that model, they would absolutely.

0:12:18.600 --> 0:12:20.760
<v Speaker 3>Use forever. Just use that and put it up forever.

0:12:20.800 --> 0:12:22.680
<v Speaker 3>And that's why I want to have you into. You

0:12:22.760 --> 0:12:26.160
<v Speaker 3>didn't demonize it, you didn't say it was evil and

0:12:26.200 --> 0:12:30.640
<v Speaker 3>the enemy. The negative is nobody really understands the algorithm,

0:12:30.920 --> 0:12:34.840
<v Speaker 3>but we do know, or it's implied that outrage is entertainment.

0:12:35.280 --> 0:12:38.240
<v Speaker 3>So instead of getting clicks, this is not clickbait. This

0:12:38.360 --> 0:12:41.400
<v Speaker 3>is get you in and keep you with. And that's

0:12:41.480 --> 0:12:43.600
<v Speaker 3>what I want to talk to you about the algorithm

0:12:43.840 --> 0:12:47.320
<v Speaker 3>that accelerates what you're watching. And I saw the interviews

0:12:47.360 --> 0:12:49.839
<v Speaker 3>with quite a few people on your on your documentary

0:12:50.160 --> 0:12:52.400
<v Speaker 3>to take some down rabbit holes that are quite dangerous,

0:12:52.520 --> 0:12:54.600
<v Speaker 3>and they go to on ramps as you point out,

0:12:54.600 --> 0:12:56.840
<v Speaker 3>which are innachio. So I think you pointed out self

0:12:56.840 --> 0:12:59.480
<v Speaker 3>help or whatever mental health which can end up taking

0:12:59.520 --> 0:13:03.960
<v Speaker 3>you to some really dangerous places. And Jason, it's interesting

0:13:04.040 --> 0:13:07.040
<v Speaker 3>because there's a naivity about how can can't you control

0:13:07.120 --> 0:13:09.760
<v Speaker 3>how that happens? Can't you resist having that happen?

0:13:10.360 --> 0:13:12.200
<v Speaker 4>Yeah, what's interesting and what we get into in the

0:13:12.200 --> 0:13:14.520
<v Speaker 4>film is is that we're now kind of even past

0:13:14.600 --> 0:13:20.760
<v Speaker 4>an algorithm slashed rabbit hole era. Where YouTube, unlike any

0:13:20.760 --> 0:13:22.760
<v Speaker 4>of these other platforms, is once you get pulled in,

0:13:22.800 --> 0:13:25.360
<v Speaker 4>you're not just watching a five second or thirty second

0:13:25.480 --> 0:13:28.520
<v Speaker 4>or two minute little video clip you're watching. You're connecting

0:13:28.520 --> 0:13:31.600
<v Speaker 4>with an individual who has a channel that probably has

0:13:31.640 --> 0:13:33.760
<v Speaker 4>a lot of money behind it and an enormous amount

0:13:33.760 --> 0:13:36.400
<v Speaker 4>of viewers that's talking to you for an hour. And

0:13:36.440 --> 0:13:38.839
<v Speaker 4>because of the way you tube works, it's like that

0:13:38.880 --> 0:13:41.440
<v Speaker 4>person is looking in their webcam. So there's the connection

0:13:41.559 --> 0:13:45.720
<v Speaker 4>between you and that influencer, that person on that channel

0:13:45.960 --> 0:13:49.720
<v Speaker 4>is extremely powerful, much more powerful than an anchor on

0:13:49.760 --> 0:13:52.520
<v Speaker 4>TV who's sort of vaguely talking to the fourth wall

0:13:53.480 --> 0:13:55.600
<v Speaker 4>myriad cameras, but you're sitting at home. You don't feel

0:13:55.640 --> 0:13:58.080
<v Speaker 4>like you have any kind of personal connection to that person.

0:13:58.280 --> 0:14:00.840
<v Speaker 4>I think that what YouTube didn't e and see coming

0:14:01.360 --> 0:14:03.120
<v Speaker 4>that I think still not talked about enough in the

0:14:03.160 --> 0:14:06.160
<v Speaker 4>news is that this is more of like a parasocial

0:14:06.200 --> 0:14:10.040
<v Speaker 4>issue than an algorithmic issue, Meaning these people feel they

0:14:10.080 --> 0:14:13.079
<v Speaker 4>have a deep bond, like a personal intimate bond with

0:14:13.120 --> 0:14:15.560
<v Speaker 4>the person on the other end of that webcam who

0:14:15.559 --> 0:14:19.000
<v Speaker 4>they really don't know at all, and so that has

0:14:19.040 --> 0:14:21.680
<v Speaker 4>been that has led to a lot of dangerous propaganda

0:14:22.240 --> 0:14:24.800
<v Speaker 4>and people being incited to violence and all kinds of stuff.

0:14:25.360 --> 0:14:28.160
<v Speaker 4>Sure you can get into party politics, but this is

0:14:28.160 --> 0:14:32.640
<v Speaker 4>a human nature issue because a everyone responds to outrage,

0:14:32.680 --> 0:14:34.880
<v Speaker 4>no matter what the outrage is. But it's also being

0:14:34.920 --> 0:14:38.960
<v Speaker 4>monetized by this company, by any of these companies, because

0:14:39.000 --> 0:14:42.000
<v Speaker 4>they are ad based. So the more they keep you

0:14:42.040 --> 0:14:44.520
<v Speaker 4>on platform, the longer they've got you on these channels.

0:14:44.560 --> 0:14:47.560
<v Speaker 4>Watching whatever show is like pulling in and they've got

0:14:47.600 --> 0:14:49.840
<v Speaker 4>ads attached to it. Then the more money they make,

0:14:49.880 --> 0:14:52.000
<v Speaker 4>and that's where you end up with a problem. So

0:14:52.120 --> 0:14:54.560
<v Speaker 4>I've been arguing for a while, which other people have too,

0:14:55.120 --> 0:14:56.760
<v Speaker 4>that this is no different than what like pull ups

0:14:56.760 --> 0:14:59.840
<v Speaker 4>are and Aharst did right for their newspapers back in

0:14:59.840 --> 0:15:02.480
<v Speaker 4>the late eighteen hundreds. This is like grab people with

0:15:02.520 --> 0:15:05.480
<v Speaker 4>the most salacious stuff you can and then monetize it.

0:15:06.080 --> 0:15:08.960
<v Speaker 4>But when you're dealing with four point six billion views

0:15:09.000 --> 0:15:12.160
<v Speaker 4>a day, which is what YouTube gets, which is way

0:15:12.240 --> 0:15:16.520
<v Speaker 4>beyond anything else on the planet, including every media conglomerate,

0:15:16.640 --> 0:15:20.320
<v Speaker 4>every TV channel, and every social media platform, and you're

0:15:20.360 --> 0:15:24.280
<v Speaker 4>monetizing that kind of traffic, that's where dangers.

0:15:24.320 --> 0:15:24.520
<v Speaker 3>Look.

0:15:33.120 --> 0:15:37.160
<v Speaker 1>I'm fascinated by the ad component and the ad revenue

0:15:37.160 --> 0:15:41.040
<v Speaker 1>component because again I'm apparently using YouTube in a very

0:15:41.080 --> 0:15:42.240
<v Speaker 1>pedestrian way.

0:15:42.640 --> 0:15:46.640
<v Speaker 3>But I have never paid attention to an ad on YouTube.

0:15:46.920 --> 0:15:48.320
<v Speaker 1>I can't, you know, if they give me the five

0:15:48.400 --> 0:15:50.560
<v Speaker 1>second thing, I'm counting it down as stats as I

0:15:50.560 --> 0:15:52.360
<v Speaker 1>can go. There are some you can't get rid of,

0:15:52.720 --> 0:15:56.160
<v Speaker 1>but I have never swayed to a product or a

0:15:56.160 --> 0:15:59.760
<v Speaker 1>thing as sold to me by YouTube. I can't believe

0:16:00.360 --> 0:16:03.360
<v Speaker 1>that people are spending money to advertise on it. I

0:16:03.520 --> 0:16:04.280
<v Speaker 1>is it effective?

0:16:04.960 --> 0:16:07.920
<v Speaker 4>It's it is massive when you look at the numbers.

0:16:08.160 --> 0:16:09.800
<v Speaker 4>And look, when you make a doc, you don't go

0:16:09.880 --> 0:16:13.400
<v Speaker 4>in knowing everything. You go in knowing generally what something

0:16:13.480 --> 0:16:16.520
<v Speaker 4>is about. Maybe was you know, a specific understanding of

0:16:16.520 --> 0:16:19.680
<v Speaker 4>the landscape. But every week on this thing is I

0:16:19.720 --> 0:16:23.760
<v Speaker 4>was working, the numbers just kept blowing my mind. I

0:16:23.800 --> 0:16:27.000
<v Speaker 4>mean the ad revenue. And to be fair, look during COVID,

0:16:27.000 --> 0:16:30.320
<v Speaker 4>everyone was stuck on YouTube. They made they made, you know,

0:16:30.360 --> 0:16:31.360
<v Speaker 4>more than most countries.

0:16:31.400 --> 0:16:32.840
<v Speaker 3>Do you know the number? Do you know the numbers?

0:16:33.080 --> 0:16:34.640
<v Speaker 4>I mean it's in our movie. I think it's three

0:16:34.680 --> 0:16:37.800
<v Speaker 4>hundred and twenty six billions. Hundreds of yea, hundreds of billions. Yeah, well,

0:16:37.920 --> 0:16:40.920
<v Speaker 4>I mean Google is worth in the trillions. But yes,

0:16:41.040 --> 0:16:43.480
<v Speaker 4>you're dealing with billions as far as YouTube is concerned.

0:16:43.640 --> 0:16:46.240
<v Speaker 4>And I think it's you know, hundreds of millions per

0:16:46.760 --> 0:16:50.800
<v Speaker 4>anim but you're dealing with an enormous amount of eyeballs

0:16:50.800 --> 0:16:54.240
<v Speaker 4>on content. So if you're an advertiser, it absolutely matters

0:16:54.280 --> 0:16:58.280
<v Speaker 4>to you. Like if someone is seeing forget TV advertising,

0:16:58.320 --> 0:17:00.800
<v Speaker 4>forget the Super Bowl, it's like the Super all day

0:17:00.880 --> 0:17:03.600
<v Speaker 4>every day is how they look at it, So yes,

0:17:03.640 --> 0:17:05.640
<v Speaker 4>they And the thing other thing to remember is that.

0:17:06.960 --> 0:17:09.000
<v Speaker 4>You know, I encounter this a lot of times, people saying, well,

0:17:09.000 --> 0:17:10.400
<v Speaker 4>I don't do anything on YouTube other than like figure

0:17:10.400 --> 0:17:12.520
<v Speaker 4>out how to put a triple a battery into my remote,

0:17:12.720 --> 0:17:15.200
<v Speaker 4>or you know, want to learn a song or something.

0:17:15.640 --> 0:17:18.480
<v Speaker 4>But everyone is doing that all day and those and

0:17:18.480 --> 0:17:21.000
<v Speaker 4>they're doing it all over the world. It's not relegated

0:17:21.040 --> 0:17:24.280
<v Speaker 4>to our country or just North America. So the entire

0:17:24.359 --> 0:17:27.439
<v Speaker 4>planet is glued that. I mean, the number one most

0:17:27.520 --> 0:17:29.200
<v Speaker 4>viewed website in the world is Google. The number two

0:17:29.240 --> 0:17:32.679
<v Speaker 4>most viewed website in the planet is YouTube. There are

0:17:32.680 --> 0:17:35.320
<v Speaker 4>more people watching YouTube than anything else on the planet.

0:17:35.400 --> 0:17:38.280
<v Speaker 4>Google's mostly text, right, so there's more eyeballs on this

0:17:38.359 --> 0:17:41.000
<v Speaker 4>thing than anything else. So for advertisers, matter chased.

0:17:40.800 --> 0:17:43.120
<v Speaker 3>In a sense to people listening. One of the moments

0:17:43.119 --> 0:17:45.200
<v Speaker 3>that blew me away. And we were trying to find

0:17:45.240 --> 0:17:47.199
<v Speaker 3>this kid, but you got the kid. And you know,

0:17:47.240 --> 0:17:50.800
<v Speaker 3>I'm talking about the Ryan Ryan talk about talk about

0:17:50.880 --> 0:17:53.000
<v Speaker 3>Ryan's little business on YouTube.

0:17:53.760 --> 0:17:57.000
<v Speaker 4>Well, yeah, that family's side hustle is they had a

0:17:57.080 --> 0:17:59.680
<v Speaker 4>kid who started on YouTube at three. He's now nine.

0:18:00.760 --> 0:18:03.719
<v Speaker 4>I mean, amazing kid and to be fair, really amazing parents.

0:18:03.720 --> 0:18:08.000
<v Speaker 4>He's super lucky because his parents are really smart. They

0:18:08.080 --> 0:18:10.600
<v Speaker 4>must be making between one hundred and fifty two hundred

0:18:10.600 --> 0:18:16.400
<v Speaker 4>million dollars a year doing going on and saying, hey,

0:18:16.880 --> 0:18:19.680
<v Speaker 4>this started when he was three, right like, hey, I'm

0:18:19.680 --> 0:18:21.560
<v Speaker 4>going to look at this new toy. I got come

0:18:21.560 --> 0:18:24.399
<v Speaker 4>look at it with me. And so then people started

0:18:24.440 --> 0:18:28.560
<v Speaker 4>watching him playing with toys. Toy manufacturers kind of perked

0:18:28.600 --> 0:18:30.080
<v Speaker 4>up and went, oh, let's get him to play with

0:18:30.119 --> 0:18:32.480
<v Speaker 4>our toys. So okay, well that's going to cost you.

0:18:32.520 --> 0:18:34.720
<v Speaker 4>And then advertisers perked up and said, oh, this is

0:18:34.760 --> 0:18:37.280
<v Speaker 4>a great place for us to advertise because he's getting

0:18:37.520 --> 0:18:41.080
<v Speaker 4>hundreds of millions of views on these videos. And next thing,

0:18:41.119 --> 0:18:44.160
<v Speaker 4>you know, it's an industry. I mean, it's a formidable industry.

0:18:44.280 --> 0:18:45.040
<v Speaker 3>Kid is a rock star.

0:18:45.160 --> 0:18:46.560
<v Speaker 4>Yeah, it's huge, I mean it's I mean, these are

0:18:46.640 --> 0:18:47.320
<v Speaker 4>huge numbers.

0:18:47.359 --> 0:18:50.919
<v Speaker 3>But also you pointed out interestingly that it was an

0:18:50.960 --> 0:18:54.240
<v Speaker 3>easy loophole for other people to start monetizing on children's

0:18:54.240 --> 0:18:57.760
<v Speaker 3>programming on YouTube and they're putting horrible stuff up. Yeah,

0:18:57.760 --> 0:18:58.720
<v Speaker 3>there was a pure stuff.

0:18:58.800 --> 0:19:01.040
<v Speaker 4>Yeah, there was a period, and to be fair to YouTube,

0:19:01.040 --> 0:19:03.920
<v Speaker 4>they shut it down on YouTube kids. But there was

0:19:03.960 --> 0:19:07.959
<v Speaker 4>a period when people were gaming the algorithm and putting

0:19:08.000 --> 0:19:15.040
<v Speaker 4>incredibly horrific, volatile, violent content into the kids programming, and

0:19:15.240 --> 0:19:16.840
<v Speaker 4>we talk about it in the movie. I think the

0:19:16.840 --> 0:19:20.240
<v Speaker 4>issue right now that is significant there with the kids,

0:19:20.400 --> 0:19:23.080
<v Speaker 4>and we talk about this generally, is that, you know,

0:19:23.080 --> 0:19:25.240
<v Speaker 4>we were talking about us being on you know, in

0:19:25.240 --> 0:19:27.480
<v Speaker 4>the business young Yeah, at least we had like the

0:19:27.520 --> 0:19:30.080
<v Speaker 4>Cougan Act, and we had you know, there were and

0:19:30.119 --> 0:19:31.919
<v Speaker 4>now I think you have quite a few safeguards. I

0:19:31.960 --> 0:19:33.639
<v Speaker 4>do a lot of stuff directing the kids too, and

0:19:33.640 --> 0:19:36.240
<v Speaker 4>there's like not just a tutor, but there's like a

0:19:36.359 --> 0:19:39.200
<v Speaker 4>making sure you're, yeah, taking care of the kids properly.

0:19:39.280 --> 0:19:44.800
<v Speaker 4>And none of those safeguards exist in YouTube. So you

0:19:44.880 --> 0:19:47.879
<v Speaker 4>have all of these kid influencers and it's really and

0:19:47.880 --> 0:19:49.880
<v Speaker 4>they're just like, hey, just upload the content and they're

0:19:49.880 --> 0:19:52.119
<v Speaker 4>doing deals with them. So it's a little duplessitous because

0:19:52.200 --> 0:19:55.240
<v Speaker 4>YouTube is involved to a degree, right, but there's no

0:19:55.520 --> 0:19:58.880
<v Speaker 4>real there's no standards and practices, there's no safeguards, there's

0:19:58.920 --> 0:20:02.399
<v Speaker 4>no laws, there's no regulation. It's just the while West.

0:20:02.560 --> 0:20:06.560
<v Speaker 4>So you've got to hope everybody's parents is great, which,

0:20:07.080 --> 0:20:09.360
<v Speaker 4>as you and I both know, it is not. What's

0:20:09.359 --> 0:20:12.159
<v Speaker 4>going to happen with every kid who's making five to

0:20:12.200 --> 0:20:13.679
<v Speaker 4>one hundred and fifty million dollars.

0:20:13.840 --> 0:20:14.520
<v Speaker 3>What would be the.

0:20:16.800 --> 0:20:20.120
<v Speaker 1>What would be the incentive to put inappropriate material into

0:20:20.160 --> 0:20:21.040
<v Speaker 1>the kids channel?

0:20:21.240 --> 0:20:24.240
<v Speaker 3>If you is it just for the thrill of being

0:20:24.240 --> 0:20:24.879
<v Speaker 3>able to do it?

0:20:24.920 --> 0:20:27.480
<v Speaker 4>That's exactly right, That's exactly right. There's I mean, the

0:20:27.520 --> 0:20:32.040
<v Speaker 4>way the internet functions, especially what YouTube is interesting in

0:20:32.080 --> 0:20:35.119
<v Speaker 4>that it's it's has so many eyes on it, and

0:20:35.200 --> 0:20:37.359
<v Speaker 4>yet it has a social media component to the degree

0:20:37.359 --> 0:20:39.800
<v Speaker 4>that if you go into the comments section, that's where

0:20:39.800 --> 0:20:43.639
<v Speaker 4>everybody hangs out. So if you think about the Internet,

0:20:43.640 --> 0:20:45.080
<v Speaker 4>you think about what's going on in Twitter and sort

0:20:45.080 --> 0:20:46.480
<v Speaker 4>of other areas. And there's been a lot of stuff

0:20:46.480 --> 0:20:49.360
<v Speaker 4>written about this sort of the kind of troll world.

0:20:49.800 --> 0:20:53.040
<v Speaker 4>And this can get political because people control for political reasons, right,

0:20:53.600 --> 0:20:57.440
<v Speaker 4>but a lot of that is really just is just anarchistic.

0:20:57.520 --> 0:21:00.720
<v Speaker 4>It's just it's just blow it up, right because we can.

0:21:00.920 --> 0:21:03.919
<v Speaker 4>It's like the it's the terrorist version of just like

0:21:04.200 --> 0:21:06.680
<v Speaker 4>calling your local ball in alle and asking if they've

0:21:06.680 --> 0:21:09.240
<v Speaker 4>got ten pound. Well, right, but now you're doing that

0:21:09.280 --> 0:21:12.919
<v Speaker 4>with an audience of four and a half billion, says,

0:21:13.520 --> 0:21:15.399
<v Speaker 4>you know, on every phone line in your house. So

0:21:16.040 --> 0:21:19.159
<v Speaker 4>there was a multitude of reasons why to do that.

0:21:19.280 --> 0:21:21.720
<v Speaker 4>But also there's a lot of pranking that has legis,

0:21:21.760 --> 0:21:24.440
<v Speaker 4>suicides and things like that that so it can get

0:21:24.560 --> 0:21:28.600
<v Speaker 4>pretty serious. You're dealing with children's mental health and things

0:21:28.640 --> 0:21:28.960
<v Speaker 4>like that.

0:21:29.080 --> 0:21:31.440
<v Speaker 3>My takeaway from you, and tell me if I get

0:21:31.440 --> 0:21:33.240
<v Speaker 3>this right, was, and I think I got it right,

0:21:33.840 --> 0:21:36.000
<v Speaker 3>was you said this generation is not going to fix it.

0:21:36.040 --> 0:21:38.359
<v Speaker 3>The ones here now because you got basically Congress, you

0:21:38.400 --> 0:21:40.560
<v Speaker 3>got eighty two year old guys with the clock blinking

0:21:40.640 --> 0:21:43.320
<v Speaker 3>red on their BCR. Still they're not the ones going

0:21:43.359 --> 0:21:45.000
<v Speaker 3>to solve it. The next generation is going to solve it.

0:21:45.040 --> 0:21:47.520
<v Speaker 3>But you said ten fifteen years away. But on the

0:21:47.560 --> 0:21:51.080
<v Speaker 3>twenty fifth of August in Europe they just passed legislation

0:21:51.200 --> 0:21:53.880
<v Speaker 3>or the starting to pass legislation to try and control

0:21:54.400 --> 0:21:57.320
<v Speaker 3>this and social media and these platforms. So what do

0:21:57.359 --> 0:21:58.120
<v Speaker 3>you think about that?

0:21:58.880 --> 0:22:01.280
<v Speaker 4>Look, I don't want to drag us into a kind

0:22:01.320 --> 0:22:05.200
<v Speaker 4>of a thorny complicated area. I've been during the strike.

0:22:05.280 --> 0:22:08.440
<v Speaker 4>I've been very involved with pulling people together with AI

0:22:08.560 --> 0:22:11.000
<v Speaker 4>experts and other people to try to help them understand

0:22:11.000 --> 0:22:14.720
<v Speaker 4>this area because it's extremely complicated. I would only say

0:22:15.640 --> 0:22:17.879
<v Speaker 4>that I'm not a huge fan of a lot of

0:22:17.920 --> 0:22:21.720
<v Speaker 4>the AI and Internet regulation that's going on in Europe

0:22:21.760 --> 0:22:23.720
<v Speaker 4>at the moment. I think they're getting a lot wrong.

0:22:24.480 --> 0:22:26.560
<v Speaker 4>I think, especially in the kids space. There's been a

0:22:26.600 --> 0:22:28.680
<v Speaker 4>lot written about it. There's a lot of kids legislation

0:22:28.760 --> 0:22:30.880
<v Speaker 4>that's being pushed right now here in the US that's

0:22:30.920 --> 0:22:34.440
<v Speaker 4>being sort of copied from the legislation in the EU,

0:22:34.800 --> 0:22:38.080
<v Speaker 4>which I think is not great legislation. I'm not by

0:22:38.119 --> 0:22:40.240
<v Speaker 4>any means alone that you literally google these things and

0:22:40.240 --> 0:22:43.320
<v Speaker 4>you'll see a lot of criticism. And the reason for

0:22:43.400 --> 0:22:48.760
<v Speaker 4>that is that there's an understandable fear of these new

0:22:48.800 --> 0:22:51.760
<v Speaker 4>technologies that have got everybody's kids on them all the time,

0:22:52.359 --> 0:22:55.920
<v Speaker 4>that isn't matched with an understanding of those technologies by

0:22:56.160 --> 0:22:59.560
<v Speaker 4>many people, especially of our generation and older. So they're

0:22:59.600 --> 0:23:01.000
<v Speaker 4>just like, well, we've got to do something, and they

0:23:01.080 --> 0:23:03.760
<v Speaker 4>grab the biggest mallet they can find and they start

0:23:03.760 --> 0:23:06.920
<v Speaker 4>whacking at it really hard. And we saw that happen

0:23:06.960 --> 0:23:09.600
<v Speaker 4>with Napster, and like the mess that happened after that

0:23:09.600 --> 0:23:12.480
<v Speaker 4>that in many ways led to the streaming crisis that's

0:23:12.520 --> 0:23:16.480
<v Speaker 4>now got us on strike. I think that new generations

0:23:16.520 --> 0:23:19.240
<v Speaker 4>that are coming up that understand these technologies better but

0:23:19.320 --> 0:23:22.760
<v Speaker 4>also understand the risks if you, for example, and I

0:23:22.800 --> 0:23:25.919
<v Speaker 4>won't bore everybody with draw like what's going on with

0:23:25.920 --> 0:23:28.520
<v Speaker 4>this legislation, but part of what's wrong with it is

0:23:28.520 --> 0:23:32.440
<v Speaker 4>is they're fighting really hard for ID verification. That can

0:23:32.480 --> 0:23:36.600
<v Speaker 4>be really bad, especially for kids. You don't want to

0:23:36.800 --> 0:23:41.160
<v Speaker 4>have your ID being fed into the Internet where all

0:23:41.240 --> 0:23:44.679
<v Speaker 4>kinds of bad actors can get access to it, and

0:23:44.720 --> 0:23:47.240
<v Speaker 4>that has led to a lot of really terrible things

0:23:47.240 --> 0:23:52.679
<v Speaker 4>happening to most either children or LGBTQ other marginalized groups

0:23:53.000 --> 0:23:55.800
<v Speaker 4>who use the Internet in a more anonymous way and

0:23:55.920 --> 0:23:58.880
<v Speaker 4>need to remain anonymous. It's very very important. They're also

0:23:58.960 --> 0:24:02.440
<v Speaker 4>looking to break encryption, especially in the EU, very bad

0:24:02.440 --> 0:24:04.960
<v Speaker 4>idea that will unprotect a lot of people who need

0:24:05.000 --> 0:24:08.439
<v Speaker 4>to stay protected. So I'm sort of more in favor

0:24:08.560 --> 0:24:12.560
<v Speaker 4>of more nuanced ways forward that will take longer to

0:24:12.640 --> 0:24:15.600
<v Speaker 4>get to, but we'll keep people keep they won't won't

0:24:15.640 --> 0:24:18.120
<v Speaker 4>break the Internet, and it will keep more people protected.

0:24:18.920 --> 0:24:21.840
<v Speaker 1>I have always believed and advocated for the idea that

0:24:21.880 --> 0:24:24.360
<v Speaker 1>one of the reasons that the Internet can be such

0:24:24.400 --> 0:24:32.120
<v Speaker 1>a cesspool is because of anonymity. Just Twitter, Yes, I'm

0:24:32.280 --> 0:24:35.200
<v Speaker 1>I'm verified. It took a lot to get verified. Yeah,

0:24:36.520 --> 0:24:38.320
<v Speaker 1>as long as it's coming from my account and I

0:24:38.359 --> 0:24:41.160
<v Speaker 1>haven't been hacked. If it's on there, I said it,

0:24:41.680 --> 0:24:46.000
<v Speaker 1>I'm accountable for it. I have a feeling there'd be

0:24:46.040 --> 0:24:48.880
<v Speaker 1>a lot less trolling, a lot less miss and disinformation

0:24:49.480 --> 0:24:51.960
<v Speaker 1>if it wasn't anonymous, if you had to stand behind

0:24:51.960 --> 0:24:54.800
<v Speaker 1>the things you put out into the market sce that

0:24:55.320 --> 0:24:58.560
<v Speaker 1>accountability would be a very big factor in cleaning some

0:24:58.640 --> 0:25:01.280
<v Speaker 1>of this mess up. Now You're you're proposing is that

0:25:01.280 --> 0:25:05.439
<v Speaker 1>there are vulnerable people who rely on anonymity, But do

0:25:05.520 --> 0:25:08.640
<v Speaker 1>you really feel that the scale tips to that side rather.

0:25:08.480 --> 0:25:09.440
<v Speaker 3>Than the one I'm describing.

0:25:09.560 --> 0:25:13.960
<v Speaker 4>I think that the issue is more technological, meaning it's

0:25:14.040 --> 0:25:15.919
<v Speaker 4>not as easy to get to the place that you

0:25:16.080 --> 0:25:18.840
<v Speaker 4>just described as one would hope. That's all I'm saying.

0:25:18.880 --> 0:25:23.439
<v Speaker 4>It's different for celebrities to verify because there's only one

0:25:23.480 --> 0:25:26.879
<v Speaker 4>of you, right, and there's only one of most of

0:25:26.880 --> 0:25:28.720
<v Speaker 4>the people who That was the problem with what Musk

0:25:28.760 --> 0:25:31.399
<v Speaker 4>did when Twitter was purchased by him, was he suddenly

0:25:31.400 --> 0:25:34.560
<v Speaker 4>allowed everyone to verify by throwing some money at it,

0:25:34.840 --> 0:25:37.399
<v Speaker 4>and suddenly you had copycat accounts. And that's sort of

0:25:37.440 --> 0:25:39.159
<v Speaker 4>my point. It kind of proved the point that is

0:25:39.560 --> 0:25:43.960
<v Speaker 4>very difficult to moderate content it's very difficult to properly

0:25:44.040 --> 0:25:48.399
<v Speaker 4>verify people. Really good even not so good hackers or

0:25:48.760 --> 0:25:51.919
<v Speaker 4>will get around that and create fake counts, accounts that

0:25:51.960 --> 0:25:55.560
<v Speaker 4>look verified in two seconds, so you will the Internet

0:25:55.600 --> 0:25:58.919
<v Speaker 4>will always be a wash in some degree of Like,

0:25:59.000 --> 0:26:02.560
<v Speaker 4>the nastiest people that we're most worried about are not

0:26:02.600 --> 0:26:06.240
<v Speaker 4>going to get thwarted by verification requirements, right, They're gonna

0:26:06.280 --> 0:26:08.200
<v Speaker 4>end run them, and they're gonna have a little AI

0:26:08.200 --> 0:26:10.080
<v Speaker 4>photo that looks like a real human being with a name,

0:26:10.119 --> 0:26:12.639
<v Speaker 4>that probably has a driver's license, and they'll be whoever,

0:26:12.640 --> 0:26:15.639
<v Speaker 4>there'll be some guy in Macedonia and a hacker farm.

0:26:15.920 --> 0:26:18.840
<v Speaker 4>So it's much harder to get there. That's the point. Now,

0:26:18.840 --> 0:26:20.240
<v Speaker 4>it's not to say we won't. It's not say we

0:26:20.240 --> 0:26:22.560
<v Speaker 4>shouldn't be fighting for it, not say that there isn't

0:26:22.720 --> 0:26:25.800
<v Speaker 4>all kinds of good stuff in the AI bill and

0:26:25.880 --> 0:26:28.280
<v Speaker 4>some of the other stuff at the AEU. It just

0:26:28.359 --> 0:26:30.600
<v Speaker 4>means we've got to be a little a little bit

0:26:30.640 --> 0:26:31.719
<v Speaker 4>more nuanced with it.

0:26:32.080 --> 0:26:32.720
<v Speaker 3>So I try.

0:26:34.160 --> 0:26:36.199
<v Speaker 4>Not to say, oh, we can't ever do it, we

0:26:36.200 --> 0:26:38.800
<v Speaker 4>shouldn't do anything like, oh God, I don't feel that

0:26:38.840 --> 0:26:41.960
<v Speaker 4>way at all. I feel like I'm super pro regulation

0:26:42.160 --> 0:26:44.360
<v Speaker 4>and there's a lot of people who don't like that.

0:26:44.480 --> 0:26:47.280
<v Speaker 4>They want no regulation, no breaks, But I think we

0:26:47.359 --> 0:26:50.159
<v Speaker 4>have to. We have to have regulations, standards and practices.

0:26:50.400 --> 0:26:51.600
<v Speaker 4>We have to have guardrails.

0:26:52.000 --> 0:26:53.720
<v Speaker 3>You have to. But we got to, like you said,

0:26:53.720 --> 0:26:56.640
<v Speaker 3>we got to thread the needle really carefully. We do. Yeah.

0:26:57.119 --> 0:26:58.719
<v Speaker 1>So the other thing I wanted to ask you, it's

0:26:59.080 --> 0:27:02.280
<v Speaker 1>a little bit off the top, but I'm fascinated because

0:27:02.320 --> 0:27:05.919
<v Speaker 1>I know you for so long. It seemingly you are

0:27:05.960 --> 0:27:07.560
<v Speaker 1>on a very different path. When I mention you, you

0:27:07.600 --> 0:27:10.320
<v Speaker 1>were a kid who seemed to have a singular passion.

0:27:10.640 --> 0:27:17.600
<v Speaker 1>That passion had become demonstrably rewarding and positive. Your career

0:27:17.720 --> 0:27:20.320
<v Speaker 1>as a as an actor and even as a director

0:27:20.760 --> 0:27:24.960
<v Speaker 1>was clicking and working beautifully. And then you pulled back,

0:27:25.200 --> 0:27:28.560
<v Speaker 1>You went away, and when you came back, you came

0:27:28.600 --> 0:27:30.840
<v Speaker 1>back much more in the guise of a director and

0:27:30.920 --> 0:27:35.400
<v Speaker 1>producer and particularly kind of in this area, this arena.

0:27:35.520 --> 0:27:38.000
<v Speaker 1>So I'm fascinated if you care to talk about it

0:27:38.000 --> 0:27:41.119
<v Speaker 1>at all, because I'm fascinated by people that create different

0:27:41.160 --> 0:27:45.080
<v Speaker 1>second acts and third acts for themselves. What was it

0:27:45.160 --> 0:27:47.560
<v Speaker 1>that said I gotta, I gotta pull away from this

0:27:47.640 --> 0:27:50.760
<v Speaker 1>for a while, and what how did you find this

0:27:50.880 --> 0:27:53.160
<v Speaker 1>other light to be guided by it?

0:27:53.200 --> 0:27:54.000
<v Speaker 3>I'm going that way.

0:27:54.040 --> 0:27:56.159
<v Speaker 4>They're oddly connected. And it took me a minute to

0:27:56.160 --> 0:27:59.439
<v Speaker 4>figure that out. Because life is life. It's happening to you, right,

0:27:59.480 --> 0:28:02.040
<v Speaker 4>So it's not like, you know, unlike George Lucas claiming

0:28:02.040 --> 0:28:05.280
<v Speaker 4>he constructed all of Star Wars in advance, which nobody believed.

0:28:06.200 --> 0:28:08.520
<v Speaker 4>You know, it just happens. Then you figure out retrospectively

0:28:08.720 --> 0:28:11.080
<v Speaker 4>why what happened happened. When I was doing the show

0:28:11.119 --> 0:28:13.560
<v Speaker 4>Biz Kids doc for HBO, what struck me because I

0:28:13.640 --> 0:28:16.480
<v Speaker 4>was My whole process with that was to get someone

0:28:16.520 --> 0:28:19.320
<v Speaker 4>from a hundred year old like the first Silent movie

0:28:19.640 --> 0:28:21.560
<v Speaker 4>child star, all the way up to like the big

0:28:21.560 --> 0:28:24.280
<v Speaker 4>Instagram kid of today, and then everyone in between age

0:28:24.320 --> 0:28:28.120
<v Speaker 4>wise into one conversation and see what the similarities were.

0:28:28.800 --> 0:28:31.119
<v Speaker 4>And what blew my mind and a lot of the

0:28:31.160 --> 0:28:33.320
<v Speaker 4>other subjects that I spoke to, was that everyone had

0:28:33.320 --> 0:28:35.280
<v Speaker 4>the exact same story. It didn't matter whether it was

0:28:35.320 --> 0:28:38.240
<v Speaker 4>baby Peggy who was one hundred and two or you know,

0:28:38.600 --> 0:28:40.400
<v Speaker 4>a kid who was like on a Disney show with

0:28:40.440 --> 0:28:44.480
<v Speaker 4>twenty million Instagram followers. Everyone had the same trajectory. It

0:28:44.560 --> 0:28:47.360
<v Speaker 4>was really bizarre. I guess if you're a behavioral psychologist,

0:28:47.400 --> 0:28:49.040
<v Speaker 4>maybe it wouldn't be to you. You'd be like, oh,

0:28:49.040 --> 0:28:51.040
<v Speaker 4>that's because blah blah blah happens to your brain.

0:28:51.160 --> 0:28:51.360
<v Speaker 3>Right.

0:28:51.800 --> 0:28:55.160
<v Speaker 4>But all of us had started really young, had had

0:28:55.440 --> 0:28:58.080
<v Speaker 4>a certain amount of success, meaning we were doing it

0:28:58.280 --> 0:29:01.000
<v Speaker 4>all the time, and pulled out of normal school, pulled

0:29:01.000 --> 0:29:03.760
<v Speaker 4>out of normal life. Every one of us had bailed

0:29:03.800 --> 0:29:07.080
<v Speaker 4>on the industry in our twenties and had taken a

0:29:07.080 --> 0:29:09.400
<v Speaker 4>break and had come back later.

0:29:10.000 --> 0:29:11.920
<v Speaker 3>And every single I sat.

0:29:11.760 --> 0:29:13.520
<v Speaker 4>With, every pro was like, oh, you did that, and

0:29:13.560 --> 0:29:15.360
<v Speaker 4>you did that, and baby peggotted like and everyone she

0:29:15.520 --> 0:29:17.880
<v Speaker 4>like went away, I can't do this, and more came

0:29:17.960 --> 0:29:20.240
<v Speaker 4>back had like And then a lot of people came

0:29:20.280 --> 0:29:22.560
<v Speaker 4>back and just started doing it again, right like Henry

0:29:22.560 --> 0:29:25.080
<v Speaker 4>Thomas is a good example, or Mara wilsoner you know,

0:29:25.080 --> 0:29:27.320
<v Speaker 4>people a bunch of people who can think of and

0:29:27.320 --> 0:29:29.440
<v Speaker 4>and I was listening to them, going, well, that's what

0:29:29.480 --> 0:29:31.560
<v Speaker 4>I did, And I thought, why did I do that?

0:29:32.080 --> 0:29:34.240
<v Speaker 4>I mean, I knew at the time, around the time

0:29:34.280 --> 0:29:37.160
<v Speaker 4>Bill and Ted two was done, I'd been acting every

0:29:37.240 --> 0:29:40.360
<v Speaker 4>day since I was nine years old, and I was exhausted,

0:29:40.600 --> 0:29:43.720
<v Speaker 4>like just emotionally, and I'd gone to film school, and

0:29:43.760 --> 0:29:46.400
<v Speaker 4>I had other interests, but I was so on the treadmill.

0:29:46.720 --> 0:29:48.600
<v Speaker 4>I had the agents, I had the manager, I had

0:29:48.600 --> 0:29:51.120
<v Speaker 4>the public I had all this stuff. I was twenty four,

0:29:51.560 --> 0:29:54.280
<v Speaker 4>maybe maybe twenty five, like my eldest son, I was

0:29:54.320 --> 0:29:56.200
<v Speaker 4>about to turn in twenty five. I'm like, my god,

0:29:56.240 --> 0:29:57.720
<v Speaker 4>he's a baby. I was like at the end of

0:29:57.760 --> 0:30:01.880
<v Speaker 4>a career already, you know. And uh, And I think

0:30:01.920 --> 0:30:05.560
<v Speaker 4>I was just I just needed regular life, right, I

0:30:05.640 --> 0:30:09.360
<v Speaker 4>just like developmentally, I left LA. I got rid, I

0:30:09.440 --> 0:30:11.680
<v Speaker 4>mean politely, I got rid of my acting agents, like

0:30:11.680 --> 0:30:14.479
<v Speaker 4>I'm not doing this, I'm not going on auditions. And

0:30:14.520 --> 0:30:16.280
<v Speaker 4>I moved to New York and I started a production

0:30:16.320 --> 0:30:18.360
<v Speaker 4>company in the UK because I have a British passport.

0:30:18.920 --> 0:30:21.400
<v Speaker 4>He was just a regular guy. Eventually started a family,

0:30:21.640 --> 0:30:25.360
<v Speaker 4>and I just lived like a normal human being with none.

0:30:25.200 --> 0:30:27.720
<v Speaker 3>Of that pressure or less just from burnout. Yeah, I

0:30:27.720 --> 0:30:28.760
<v Speaker 3>think I was just fried.

0:30:28.840 --> 0:30:31.160
<v Speaker 4>I think that it was the early nineties and I

0:30:31.160 --> 0:30:34.400
<v Speaker 4>had acting friends around me who were really like some died,

0:30:34.560 --> 0:30:36.240
<v Speaker 4>like you know, it was that early. It was a

0:30:36.280 --> 0:30:38.760
<v Speaker 4>tough era, early nineties for a lot like eighties like

0:30:38.800 --> 0:30:40.560
<v Speaker 4>flamed a lot of people out, as we all know,

0:30:41.080 --> 0:30:43.680
<v Speaker 4>so I didn't. I saw that happening around me, and

0:30:43.720 --> 0:30:46.760
<v Speaker 4>I just thought, I don't feel like if I stick around,

0:30:46.760 --> 0:30:49.880
<v Speaker 4>I'm going to be in the best place. So it

0:30:49.920 --> 0:30:53.400
<v Speaker 4>was kind of a sort of a survival instinct. And

0:30:53.480 --> 0:30:55.920
<v Speaker 4>then what's interesting is that around in the back end

0:30:55.920 --> 0:30:57.720
<v Speaker 4>of the eighties, when I had all this attention on me,

0:30:57.880 --> 0:31:00.360
<v Speaker 4>Like from my perspective, I wasn't someone giant star anything,

0:31:00.400 --> 0:31:02.480
<v Speaker 4>but I was not an anonymous person.

0:31:02.520 --> 0:31:02.720
<v Speaker 3>Sure.

0:31:03.120 --> 0:31:06.320
<v Speaker 4>I found the Internet pre Web, the Internet, which was

0:31:06.360 --> 0:31:09.080
<v Speaker 4>in those days quite crude, like the BBS Usenet era,

0:31:09.440 --> 0:31:12.000
<v Speaker 4>where you would have an anonymous user name. You would

0:31:12.000 --> 0:31:14.400
<v Speaker 4>find these groups of like minded people. Will Wheaton talks

0:31:14.400 --> 0:31:17.080
<v Speaker 4>about this very eloquently, cause he's even more tech savvy

0:31:17.120 --> 0:31:18.720
<v Speaker 4>than I am, and he did the same thing. He

0:31:18.800 --> 0:31:20.120
<v Speaker 4>like got the hell out of the business and kind

0:31:20.120 --> 0:31:22.760
<v Speaker 4>of dove into tech. And I just felt very comfortable

0:31:22.800 --> 0:31:25.160
<v Speaker 4>there and I could communicate. I've made friends, would communicate

0:31:25.280 --> 0:31:27.560
<v Speaker 4>eventually you knew who each other was. You know, there

0:31:27.640 --> 0:31:31.160
<v Speaker 4>was trust, and you would de anonymize or whatever. And

0:31:31.160 --> 0:31:33.520
<v Speaker 4>that was my interest in the birth of online communities

0:31:33.520 --> 0:31:36.280
<v Speaker 4>because I had so much I got so much out

0:31:36.320 --> 0:31:39.719
<v Speaker 4>of those communities, and there was even some form of

0:31:39.760 --> 0:31:42.240
<v Speaker 4>online you know, for those of us who had any

0:31:42.320 --> 0:31:44.200
<v Speaker 4>issues like with abuse or stuff like back in the

0:31:44.240 --> 0:31:47.160
<v Speaker 4>child like there was a lot of anonymous online abuse

0:31:47.440 --> 0:31:51.120
<v Speaker 4>communities almost like not group therapy, but you could just

0:31:51.160 --> 0:31:53.400
<v Speaker 4>go and talk about anything. Was very free, very open.

0:31:53.960 --> 0:31:57.280
<v Speaker 4>So it was an extremely liberating environment. And then I

0:31:57.400 --> 0:31:59.080
<v Speaker 4>just kind of stayed with that as I re entered

0:31:59.080 --> 0:32:01.520
<v Speaker 4>the and I sort of had my time away, and

0:32:01.560 --> 0:32:03.800
<v Speaker 4>as I was saying to you earlier, I started training again,

0:32:04.200 --> 0:32:07.120
<v Speaker 4>started working with really good acting trainers, good vocal trainers,

0:32:07.280 --> 0:32:09.640
<v Speaker 4>and kind of may started to make my way back

0:32:09.680 --> 0:32:13.160
<v Speaker 4>into to the business again. But it was it was

0:32:13.200 --> 0:32:13.600
<v Speaker 4>a while.

0:32:13.920 --> 0:32:15.600
<v Speaker 3>How many years How many years were you were away?

0:32:15.920 --> 0:32:17.400
<v Speaker 4>I mean I kind of I kept working. I made

0:32:17.400 --> 0:32:19.600
<v Speaker 4>another movie in like the late nineties. I was writing

0:32:19.600 --> 0:32:22.120
<v Speaker 4>and directing, and I was still you know.

0:32:22.320 --> 0:32:23.840
<v Speaker 3>You had a deal. You gotta tell when you did

0:32:23.880 --> 0:32:25.120
<v Speaker 3>Freaks exactly.

0:32:25.120 --> 0:32:27.240
<v Speaker 4>It was after Freaked that I left, though, So that

0:32:27.320 --> 0:32:30.360
<v Speaker 4>was my last I didn't act between really between Freaked

0:32:30.360 --> 0:32:33.640
<v Speaker 4>and Bill and Ted three almost at all professional. And

0:32:33.680 --> 0:32:36.080
<v Speaker 4>I didn't audition. I wasn't part of any circuit. When

0:32:36.080 --> 0:32:39.320
<v Speaker 4>they came to you for Billed three, well they didn't

0:32:39.400 --> 0:32:41.440
<v Speaker 4>Oh yeah, it didn't work that way. Okay, So no,

0:32:42.760 --> 0:32:45.800
<v Speaker 4>we these are all like my closest friends. We started

0:32:45.800 --> 0:32:47.880
<v Speaker 4>working together in our twenties. Counta is like one of

0:32:47.920 --> 0:32:51.040
<v Speaker 4>my closest friends. The two writers, Chris and Ed So

0:32:51.120 --> 0:32:53.600
<v Speaker 4>we were hanging out all the time anyway, and a

0:32:53.680 --> 0:32:55.920
<v Speaker 4>dozen years before we made the movie, we decided to

0:32:55.960 --> 0:32:59.720
<v Speaker 4>make a third and started the very slow, laborious process

0:32:59.760 --> 0:33:01.960
<v Speaker 4>of getting a script and trying to find financing, and

0:33:02.520 --> 0:33:05.160
<v Speaker 4>so it was self generated, the four.

0:33:05.040 --> 0:33:08.520
<v Speaker 3>Of us and you you said best friends. He the

0:33:08.560 --> 0:33:11.080
<v Speaker 3>nicest gund every story in a town that wants to

0:33:11.120 --> 0:33:14.360
<v Speaker 3>tear everybody down. Anytime I see his picture, I know

0:33:14.400 --> 0:33:16.240
<v Speaker 3>that underneath it is going to be that he donated

0:33:16.280 --> 0:33:17.440
<v Speaker 3>bone marrow to a child.

0:33:17.840 --> 0:33:21.040
<v Speaker 4>Can you can you imagine how scary it is to

0:33:21.120 --> 0:33:25.640
<v Speaker 4>be that person though? Where the the the media has

0:33:25.680 --> 0:33:28.800
<v Speaker 4>decided you're the guy that you are literally walk on

0:33:28.920 --> 0:33:32.640
<v Speaker 4>water and you're just a guy, because who isn't just

0:33:32.720 --> 0:33:33.240
<v Speaker 4>a person?

0:33:34.040 --> 0:33:35.320
<v Speaker 3>You one day you flip a guy?

0:33:35.400 --> 0:33:36.120
<v Speaker 4>Yeah exactly.

0:33:36.120 --> 0:33:45.000
<v Speaker 5>It's like in the world of iPhones, like farm He doesn't, thankfully,

0:33:45.040 --> 0:33:46.920
<v Speaker 5>but like I love him to death. I've known him

0:33:46.920 --> 0:33:48.720
<v Speaker 5>a really long time, but I'm just like that is

0:33:49.520 --> 0:33:51.040
<v Speaker 5>like one day, I.

0:33:51.040 --> 0:33:58.680
<v Speaker 3>Know, I know, oh my god, the face in the

0:33:58.720 --> 0:34:01.520
<v Speaker 3>crowd or something. Oh wow, one of my favorite, one

0:34:01.520 --> 0:34:05.200
<v Speaker 3>of the favorite movies ever made. Well, the movie was wonderful,

0:34:05.360 --> 0:34:09.400
<v Speaker 3>thank you, I mean really wonderful, and that it wasn't judgment.

0:34:09.600 --> 0:34:11.920
<v Speaker 3>It was really smart. And again I love when so

0:34:11.920 --> 0:34:14.040
<v Speaker 3>many narrates his story and lets you go for the

0:34:14.120 --> 0:34:16.359
<v Speaker 3>ride and then goes all right, I gave you all

0:34:16.640 --> 0:34:28.840
<v Speaker 3>all I got. Yeah, you figure with anything that we

0:34:28.920 --> 0:34:31.359
<v Speaker 3>didn't get that after the fact you took away from

0:34:31.360 --> 0:34:33.279
<v Speaker 3>this where you went even what not that I've gotten

0:34:33.320 --> 0:34:35.400
<v Speaker 3>away from this. I did the movie. I sat and

0:34:35.400 --> 0:34:36.560
<v Speaker 3>watched the movie.

0:34:36.600 --> 0:34:38.520
<v Speaker 4>Pull my Kids off YouTube. I mean, I you know,

0:34:38.600 --> 0:34:42.480
<v Speaker 4>I think that that I think that COVID showed us

0:34:42.600 --> 0:34:45.040
<v Speaker 4>there was a lot of kind of animals towards the

0:34:45.080 --> 0:34:47.279
<v Speaker 4>growth of online communities, which again I know, there's a

0:34:47.320 --> 0:34:49.359
<v Speaker 4>lot of bad things that go on. And to Jason's point,

0:34:49.360 --> 0:34:52.160
<v Speaker 4>I've been trolled. It's horrible, right, I've been swarmed. I

0:34:52.160 --> 0:34:54.320
<v Speaker 4>got Twitter sworn by like a bunch of neo Nazis

0:34:54.360 --> 0:34:58.600
<v Speaker 4>on Twitter once. It was pretty bleak. But uh so

0:34:58.680 --> 0:35:01.080
<v Speaker 4>I'm well aware of the pitfalls. But you know, I

0:35:01.600 --> 0:35:05.800
<v Speaker 4>generally have found that that most kids are okay, and

0:35:05.880 --> 0:35:08.800
<v Speaker 4>that there there's a lot of studies now they're showing

0:35:08.800 --> 0:35:12.840
<v Speaker 4>that it's a pretty neutral response. Actually, their participation on

0:35:12.880 --> 0:35:17.120
<v Speaker 4>social media not necessarily a given negative response. So I

0:35:17.160 --> 0:35:20.359
<v Speaker 4>think that that there's a lot of benefit to being

0:35:20.400 --> 0:35:24.120
<v Speaker 4>able to connect with your fellow human. This parasocial thing

0:35:24.160 --> 0:35:27.319
<v Speaker 4>I was talking about that isn't a negative, right, So,

0:35:27.360 --> 0:35:29.600
<v Speaker 4>and that's all just going to get more advanced, and

0:35:29.880 --> 0:35:32.600
<v Speaker 4>you know, and the ability for someone in a micro

0:35:32.760 --> 0:35:36.280
<v Speaker 4>nation somewhere to know what's going on and be connected

0:35:36.320 --> 0:35:39.359
<v Speaker 4>to the world. I mean, I think it's an enormous good.

0:35:39.440 --> 0:35:41.480
<v Speaker 3>So, by the way, to that point, you said, what

0:35:41.560 --> 0:35:44.080
<v Speaker 3>was on my landing, go to YouTube? Right, and what

0:35:44.200 --> 0:35:46.960
<v Speaker 3>comes up on yours? It's the porn didn't come up

0:35:47.000 --> 0:35:50.200
<v Speaker 3>big time, But so what's on yours? What's on your Okay?

0:35:50.200 --> 0:35:52.000
<v Speaker 1>So if you go to my YouTube home page, because

0:35:52.040 --> 0:35:54.600
<v Speaker 1>I was I was going, you know, when I was

0:35:54.640 --> 0:35:56.520
<v Speaker 1>hearing about all going down rabbit holes.

0:35:56.320 --> 0:35:59.640
<v Speaker 3>And going nobody's giving me this step. Yeah, here's what

0:35:59.760 --> 0:36:00.200
<v Speaker 3>comes up.

0:36:00.239 --> 0:36:03.120
<v Speaker 1>If I go to my homepage, fail army, because I

0:36:03.239 --> 0:36:04.359
<v Speaker 1>like watching people screw up.

0:36:05.040 --> 0:36:05.279
<v Speaker 3>I do.

0:36:05.520 --> 0:36:07.600
<v Speaker 1>I'm a curamesis so I have a lot of how

0:36:07.640 --> 0:36:08.440
<v Speaker 1>to make potteries.

0:36:08.920 --> 0:36:10.120
<v Speaker 3>I have Judge Judy.

0:36:09.920 --> 0:36:13.359
<v Speaker 1>Clips, I have Broadway based content, I have all kinds

0:36:13.360 --> 0:36:17.680
<v Speaker 1>of bloopers, America's Got Talent, highlights behind the scenes of

0:36:17.719 --> 0:36:21.880
<v Speaker 1>movie making, UFO and Supernatural investigations, stand up Comedians and

0:36:22.080 --> 0:36:23.200
<v Speaker 1>are Stupid?

0:36:23.239 --> 0:36:27.200
<v Speaker 3>Podcast it comes up on my mind? Has mine has

0:36:27.320 --> 0:36:32.560
<v Speaker 3>David Gilmour doing his Barn Music's plant Let's see here

0:36:32.680 --> 0:36:35.759
<v Speaker 3>NFL Sunday Ticket. I don't know why. Joe Rogan talks

0:36:35.760 --> 0:36:37.680
<v Speaker 3>to Hawk Cogan, who was about as firing from the

0:36:37.760 --> 0:36:41.799
<v Speaker 3>w w F. Martin Short says that Tony O'Brien conin

0:36:41.840 --> 0:36:45.520
<v Speaker 3>Bryn looks like Freeze Dride Prince Harry wam Fredkin talks

0:36:45.560 --> 0:36:48.120
<v Speaker 3>about why he doesn't know how he really feels about Alpuccino,

0:36:49.120 --> 0:36:49.920
<v Speaker 3>which is a good one.

0:36:49.920 --> 0:36:51.120
<v Speaker 4>I actually want to.

0:36:51.800 --> 0:36:54.880
<v Speaker 3>So I was surprised to see the Variety online and

0:36:54.880 --> 0:36:56.480
<v Speaker 3>I got to tell you, but there was nothing there

0:36:56.520 --> 0:36:57.960
<v Speaker 3>that I went there's nothing.

0:36:58.160 --> 0:36:59.799
<v Speaker 4>You don't get rabbit holes. I mean that's you don't

0:36:59.800 --> 0:37:01.880
<v Speaker 4>really get rabbit holed anymore. To be fair to YouTube,

0:37:01.880 --> 0:37:05.320
<v Speaker 4>they fixed the recommended algorithm several years ago. It's really

0:37:05.360 --> 0:37:06.799
<v Speaker 4>difficult to go on there.

0:37:07.080 --> 0:37:09.279
<v Speaker 1>I was really I scrolled for a while and I went, yeah,

0:37:09.280 --> 0:37:12.480
<v Speaker 1>there is nothing here that looks overtly political to me

0:37:12.640 --> 0:37:13.120
<v Speaker 1>or agenda.

0:37:13.239 --> 0:37:15.640
<v Speaker 4>Yeah, I don't. I don't get that that kind of content.

0:37:15.880 --> 0:37:17.680
<v Speaker 3>I never do, but have to be.

0:37:18.000 --> 0:37:21.160
<v Speaker 4>You have to be looking for that kind of stuff.

0:37:21.160 --> 0:37:23.560
<v Speaker 3>I think you have to open you to open the

0:37:23.600 --> 0:37:25.839
<v Speaker 3>box you do. Yeah, I do have how to cover

0:37:25.880 --> 0:37:28.719
<v Speaker 3>a hickey, and I don't understand. I don't understand that one. Yeah.

0:37:29.440 --> 0:37:33.799
<v Speaker 4>Like you like dad rock and Broadway musical, Yeah, I

0:37:33.840 --> 0:37:34.080
<v Speaker 4>love that.

0:37:34.120 --> 0:37:35.600
<v Speaker 3>You love all the musical stuf.

0:37:35.680 --> 0:37:36.200
<v Speaker 4>It's amazing.

0:37:36.800 --> 0:37:39.399
<v Speaker 3>Like you said, I can watch any performance of any

0:37:39.520 --> 0:37:42.759
<v Speaker 3>artist that ever recorded. Yeah, and my kid can learn

0:37:42.840 --> 0:37:45.520
<v Speaker 3>every solo ye that any guitarist ever played.

0:37:45.520 --> 0:37:47.759
<v Speaker 4>It's just and every terrible TV commercial I was in

0:37:47.800 --> 0:37:49.879
<v Speaker 4>when I was nine years old, And I mean it's all.

0:37:49.920 --> 0:37:51.520
<v Speaker 4>I mean, the stuff we did on Broadway is there

0:37:51.560 --> 0:37:53.000
<v Speaker 4>that no one recorded any What.

0:37:53.440 --> 0:37:54.960
<v Speaker 3>Changed the world for me and I.

0:37:55.080 --> 0:37:57.160
<v Speaker 1>Had it existed when I was a kid, I don't

0:37:57.160 --> 0:37:58.920
<v Speaker 1>think we'd been talking right now because I would have

0:37:58.920 --> 0:38:01.160
<v Speaker 1>a very different career and doubt you would never have

0:38:01.200 --> 0:38:04.200
<v Speaker 1>heard of it. But I wanted to be a magician,

0:38:05.040 --> 0:38:06.839
<v Speaker 1>and as a kid, The only way you could learn

0:38:06.880 --> 0:38:08.680
<v Speaker 1>a trick was the other A guy shows you how

0:38:08.680 --> 0:38:10.600
<v Speaker 1>to do it. But mostly it was out of books

0:38:10.640 --> 0:38:13.120
<v Speaker 1>and when it was sleight of hand stuff, even the

0:38:13.160 --> 0:38:14.680
<v Speaker 1>best written book, you're going, I don't know what the

0:38:14.719 --> 0:38:18.160
<v Speaker 1>hell he's talking about. There are more tutorials on how

0:38:18.200 --> 0:38:19.440
<v Speaker 1>to do complex To.

0:38:19.560 --> 0:38:22.440
<v Speaker 3>That point, I still can't do a freaking trick that

0:38:22.480 --> 0:38:25.839
<v Speaker 3>has the thread, that invisible thread to make the card

0:38:26.560 --> 0:38:28.560
<v Speaker 3>rise and stuff, well, I can't even pull the thread

0:38:28.560 --> 0:38:31.919
<v Speaker 3>apart to get thank you for that? Did you do magic?

0:38:31.920 --> 0:38:32.279
<v Speaker 3>Two weeks?

0:38:32.360 --> 0:38:34.640
<v Speaker 4>Did to hang out?

0:38:37.080 --> 0:38:38.759
<v Speaker 3>I went to I went to magic camp.

0:38:38.840 --> 0:38:41.840
<v Speaker 1>Oh did you That's actually where I realized this is

0:38:42.360 --> 0:38:44.160
<v Speaker 1>exactly because I saw what kids were.

0:38:44.000 --> 0:38:46.719
<v Speaker 3>Doing that was imagine. I went, yeah, else, by the

0:38:46.719 --> 0:38:48.959
<v Speaker 3>way the curve, everybody became famous he went to magic.

0:38:49.040 --> 0:38:51.399
<v Speaker 1>I couldn't tell you. I wasn't there long enough. If

0:38:51.640 --> 0:38:53.839
<v Speaker 1>you did the whole thing, it was two weeks. I

0:38:53.920 --> 0:38:56.240
<v Speaker 1>was there for four days, and I went, oh, I suck.

0:38:56.360 --> 0:38:59.880
<v Speaker 3>Yes, yeah magic. Did you have a puppet? Two? Did

0:38:59.920 --> 0:39:00.759
<v Speaker 3>you do Ventrilo? Question?

0:39:00.840 --> 0:39:00.880
<v Speaker 5>No?

0:39:00.960 --> 0:39:03.200
<v Speaker 4>I was really into magic, the close up magic card

0:39:03.239 --> 0:39:05.719
<v Speaker 4>and coin stuff, and I lived out of the out

0:39:05.719 --> 0:39:07.080
<v Speaker 4>of the magic shop on.

0:39:10.640 --> 0:39:12.919
<v Speaker 3>Let's go. Thank you for coming in. And by the way,

0:39:13.200 --> 0:39:15.200
<v Speaker 3>I'm not just saying it really good documentary so much.

0:39:15.440 --> 0:39:17.719
<v Speaker 3>It's smart. We're on there all the time. If we

0:39:17.760 --> 0:39:20.360
<v Speaker 3>want to see the YouTube effect, where is it currently? Everywhere?

0:39:20.400 --> 0:39:25.080
<v Speaker 4>Now it's you know, it's Amazon Apple YouTube.

0:39:26.040 --> 0:39:29.680
<v Speaker 3>Which is kind of can you do you mind? Are you?

0:39:29.840 --> 0:39:31.120
<v Speaker 3>Are you working on something currently?

0:39:31.400 --> 0:39:33.960
<v Speaker 4>Well, I'm the Strike is you know, I'm very busy

0:39:34.000 --> 0:39:36.560
<v Speaker 4>with strike stuff, with raising money for crew and we're

0:39:36.560 --> 0:39:39.640
<v Speaker 4>doing all kinds of stuff coalitions and things in your

0:39:39.680 --> 0:39:42.120
<v Speaker 4>head to go, Yes, I'm I'm developing a couple of

0:39:42.120 --> 0:39:45.319
<v Speaker 4>other big documentary and a feature. And I did some

0:39:45.400 --> 0:39:46.919
<v Speaker 4>acting that I'm not allowed to talk about this coming

0:39:46.920 --> 0:39:49.560
<v Speaker 4>out next So I'm doing a lot more. I'm sort

0:39:49.600 --> 0:39:52.680
<v Speaker 4>of pushing back towards acting again, and I'm looking to

0:39:52.680 --> 0:39:55.399
<v Speaker 4>do theater again, which I to hear.

0:39:55.320 --> 0:39:59.640
<v Speaker 1>Both of that, because aside from everything else, you're really

0:39:59.719 --> 0:40:02.919
<v Speaker 1>love Yeah, thank you the actor, and you always were.

0:40:03.080 --> 0:40:04.919
<v Speaker 3>I mean you you there was a reason your career

0:40:04.960 --> 0:40:05.319
<v Speaker 3>took off.

0:40:05.640 --> 0:40:06.040
<v Speaker 4>Thank you.

0:40:06.040 --> 0:40:07.960
<v Speaker 3>Can you sing anything for us? Just I wanted to ask?

0:40:08.560 --> 0:40:11.920
<v Speaker 3>My trainer would be so mad. I've known you for

0:40:11.920 --> 0:40:13.600
<v Speaker 3>a while, I've watched your stuff, but I can't. I

0:40:13.600 --> 0:40:16.000
<v Speaker 3>can't imagine. It's like Jason when we do live shows.

0:40:16.320 --> 0:40:18.640
<v Speaker 3>When I Jason comes down and sings, the audience is

0:40:19.000 --> 0:40:21.200
<v Speaker 3>shocked that he can do what he shouldn't be. He's

0:40:21.239 --> 0:40:27.680
<v Speaker 3>like a broad because most don't know that. Peter is shocked. Okay, Peter.

0:40:28.000 --> 0:40:30.520
<v Speaker 1>The audience came going, we're gonna go see Jason Alexander.

0:40:31.440 --> 0:40:33.200
<v Speaker 3>I think when they come to see a show where

0:40:33.200 --> 0:40:35.799
<v Speaker 3>there's not music, it was guitar ars.

0:40:35.880 --> 0:40:38.480
<v Speaker 4>I played bass for years, but I don't anymore. Yeah, yeah,

0:40:38.520 --> 0:40:39.360
<v Speaker 4>I am trying.

0:40:39.120 --> 0:40:42.279
<v Speaker 3>To teach myself. We're facing me. Let's go to google

0:40:42.360 --> 0:40:46.000
<v Speaker 3>him for for or what did we do? Long segment?

0:40:46.239 --> 0:40:48.680
<v Speaker 3>What do we do? Right? Yes, David, Well you guys

0:40:48.680 --> 0:40:50.239
<v Speaker 3>did it. I did a heck of a job. You

0:40:50.239 --> 0:40:52.239
<v Speaker 3>did a heck of a job. So happened? Finish your thought?

0:40:53.760 --> 0:40:55.919
<v Speaker 6>I got I got two potential things for I wanted

0:40:55.920 --> 0:40:58.680
<v Speaker 6>to see what you're more interested in. Are you more

0:40:58.800 --> 0:41:05.120
<v Speaker 6>interested in the top fifty videos that YouTube recommends, not

0:41:05.200 --> 0:41:08.160
<v Speaker 6>necessarily the biggest videos, but the ones that are most

0:41:08.239 --> 0:41:12.440
<v Speaker 6>often recommended, Or are you interested in the all time

0:41:12.920 --> 0:41:13.920
<v Speaker 6>watched videos?

0:41:15.880 --> 0:41:16.040
<v Speaker 2>Oh?

0:41:16.080 --> 0:41:19.080
<v Speaker 4>I would vote for the ladder just because I think

0:41:19.200 --> 0:41:22.799
<v Speaker 4>the former's less is kind of algorithmic. The ladder kind

0:41:22.800 --> 0:41:25.040
<v Speaker 4>of tells you what people are genuinely.

0:41:25.920 --> 0:41:28.719
<v Speaker 3>The lad the all time that.

0:41:28.920 --> 0:41:30.879
<v Speaker 6>Let's see, I'm not going to give you too many

0:41:30.880 --> 0:41:32.680
<v Speaker 6>of it. I'll give you a Pope Mari here, a

0:41:33.040 --> 0:41:35.399
<v Speaker 6>lot of music videos, a lot of the let's say,

0:41:35.400 --> 0:41:38.120
<v Speaker 6>we've got the Pokemon theme music. I guess people are

0:41:38.239 --> 0:41:39.160
<v Speaker 6>music lovers.

0:41:39.400 --> 0:41:42.319
<v Speaker 3>We also have a lot of these here. Well, I'll

0:41:42.400 --> 0:41:42.960
<v Speaker 3>jump right.

0:41:42.840 --> 0:41:44.960
<v Speaker 6>To the number one, because I think it's adicative of

0:41:44.960 --> 0:41:46.920
<v Speaker 6>of of people's mentality.

0:41:46.960 --> 0:41:52.080
<v Speaker 4>It's it's it's the baby Shark dance. That's right, yeah,

0:41:52.080 --> 0:41:54.640
<v Speaker 4>Baby shark number one for a long time.

0:41:55.600 --> 0:41:56.839
<v Speaker 3>Baby Shark dance.

0:41:57.120 --> 0:41:58.920
<v Speaker 6>Now, guess how many guess how many views?

0:42:00.960 --> 0:42:04.480
<v Speaker 3>Five hundred million. You're not even in the ballpark, man.

0:42:04.520 --> 0:42:06.760
<v Speaker 4>No, it's in the billions. It would be in the villions.

0:42:07.000 --> 0:42:13.120
<v Speaker 6>Go ahead, thirteen billion views, baby baby sharp.

0:42:14.360 --> 0:42:14.560
<v Speaker 1>Time.

0:42:14.719 --> 0:42:18.319
<v Speaker 3>So like a fortune fortune? Okay, oh my god? Who

0:42:18.480 --> 0:42:20.239
<v Speaker 3>put up the baby shark man?

0:42:20.520 --> 0:42:22.440
<v Speaker 4>Somebody you know who's very happy?

0:42:22.480 --> 0:42:25.560
<v Speaker 3>Now? Was it a parent? Was it a company?

0:42:25.719 --> 0:42:27.400
<v Speaker 4>I would have been a company, surely it would have been.

0:42:27.400 --> 0:42:33.399
<v Speaker 3>Whoever, why are we wasting our time? As a guess

0:42:33.400 --> 0:42:36.600
<v Speaker 3>we have when when they leave you go like this

0:42:36.760 --> 0:42:38.040
<v Speaker 3>is like this is toxic.

0:42:38.160 --> 0:42:40.080
<v Speaker 1>Like the guy I didn't want to emulate was the

0:42:40.160 --> 0:42:40.720
<v Speaker 1>nude comic.

0:42:40.840 --> 0:42:47.239
<v Speaker 3>Other than that, everybody else got it better than what's

0:42:47.239 --> 0:42:48.200
<v Speaker 3>the number two video?

0:42:48.960 --> 0:42:53.040
<v Speaker 6>It's called Dspatio, a Latin theme raph. It sort of

0:42:53.080 --> 0:42:55.680
<v Speaker 6>a lot of fusion of different elements. It's a music video.

0:42:55.760 --> 0:42:58.120
<v Speaker 4>Yeah, it shows you how global their their audience is.

0:42:58.440 --> 0:43:01.640
<v Speaker 4>This is not just American people watching. There's not just

0:43:01.640 --> 0:43:03.560
<v Speaker 4>people watching Western You.

0:43:03.560 --> 0:43:05.200
<v Speaker 3>Got a couple more? I just throw a couple more

0:43:05.200 --> 0:43:05.680
<v Speaker 3>at you.

0:43:05.560 --> 0:43:09.480
<v Speaker 6>The big hits, the wheels on the bus by cocoa melon.

0:43:09.680 --> 0:43:10.480
<v Speaker 3>Yes, you know.

0:43:12.480 --> 0:43:15.840
<v Speaker 6>Contributed to that one melon is is hot for people

0:43:15.920 --> 0:43:19.200
<v Speaker 6>that that five point four to two billion for them.

0:43:19.600 --> 0:43:22.280
<v Speaker 6>Sure you also have you know, folks like Maroon five,

0:43:22.719 --> 0:43:25.880
<v Speaker 6>Katie Perry and.

0:43:26.719 --> 0:43:29.680
<v Speaker 3>A lot of Hey d Just for giggles.

0:43:30.000 --> 0:43:32.760
<v Speaker 1>How many subscribers is there Really No Really podcast?

0:43:33.360 --> 0:43:46.160
<v Speaker 3>Not enough? Not enough? YouTube? Can smile help us with

0:43:46.200 --> 0:43:53.560
<v Speaker 3>that algorithm? Didn't I drive say now? Really?

0:43:55.960 --> 0:43:56.280
<v Speaker 2>Really?

0:43:58.320 --> 0:43:58.520
<v Speaker 1>Now?

0:43:58.600 --> 0:43:58.960
<v Speaker 3>Really?

0:43:59.080 --> 0:44:01.760
<v Speaker 2>Well? Do you have another episode of really?

0:44:01.800 --> 0:44:01.840
<v Speaker 3>No?

0:44:02.000 --> 0:44:02.320
<v Speaker 2>Really?

0:44:02.440 --> 0:44:03.360
<v Speaker 3>Comes to a close?

0:44:03.840 --> 0:44:06.719
<v Speaker 2>Oh and in case you were wondering, the oldest cat

0:44:06.840 --> 0:44:10.319
<v Speaker 2>video on YouTube features two cats boxing, and it was

0:44:10.360 --> 0:44:14.560
<v Speaker 2>filmed by Thomas Edison in eighteen ninety four Nope Really

0:44:15.280 --> 0:44:17.880
<v Speaker 2>A hearty Really No Really. Thank you goes out to

0:44:17.920 --> 0:44:21.959
<v Speaker 2>Alex Winter for joining us. His Instagram is at Alex Winter,

0:44:22.200 --> 0:44:26.320
<v Speaker 2>his Facebook at Alex winter page, and at the YouTube effect.

0:44:25.960 --> 0:44:27.840
<v Speaker 3>Six eight two three on YouTube.

0:44:28.080 --> 0:44:30.960
<v Speaker 2>You can find us online at reallynoreally dot com. We're

0:44:31.000 --> 0:44:34.880
<v Speaker 2>also on Instagram, YouTube, TikTok, and threads at really No

0:44:35.040 --> 0:44:39.080
<v Speaker 2>Really podcast. Please check out our full episodes on YouTube.

0:44:39.160 --> 0:44:42.000
<v Speaker 2>Hit that subscribe button and tick that bell so you're

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<v Speaker 2>updated when we release new videos. If you have a

0:44:45.480 --> 0:44:48.319
<v Speaker 2>really no Really, let us know and if we use it,

0:44:48.400 --> 0:44:53.080
<v Speaker 2>we may give you something amazing and thank you for listening, subscribing,

0:44:53.160 --> 0:44:56.239
<v Speaker 2>and sharing the show. We release new episodes Really No

0:44:56.360 --> 0:44:59.200
<v Speaker 2>Really every Tuesday, so make sure to follow us on

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<v Speaker 2>the iHeartRadio, Apple Apple Podcasts, or wherever you get your podcasts.

0:45:04.960 --> 0:45:08.280
<v Speaker 2>Really No Really is a production of iHeartRadio and Blase

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<v Speaker 2>Entertainment