1 00:00:00,240 --> 00:00:05,160 Speaker 1: Can you start with telling me um where you're from, 2 00:00:05,200 --> 00:00:08,400 Speaker 1: like how you grew up? I'm only child. It's a 3 00:00:08,440 --> 00:00:13,480 Speaker 1: weirdo in Burke that sense. Uh, my mother knew me, 4 00:00:13,680 --> 00:00:16,520 Speaker 1: she loved me. When we come back, we hear more 5 00:00:17,000 --> 00:00:35,560 Speaker 1: from singer, songwriter and actor Luke James. Every Champion and 6 00:00:35,640 --> 00:00:39,199 Speaker 1: carry champions, to be a Champiana Champion, and carry Champion, 7 00:00:39,240 --> 00:00:43,159 Speaker 1: and carry Champiana Champion, and carry Champion and carry champions. 8 00:00:43,240 --> 00:00:46,800 Speaker 1: Radius and sports and entertainment connected weird in the world 9 00:00:46,840 --> 00:00:50,880 Speaker 1: of vulnerable considered, we come and remove avail from entertainment elite. 10 00:00:51,040 --> 00:00:53,000 Speaker 1: It's a difference between what it's real and with the 11 00:00:53,040 --> 00:00:56,400 Speaker 1: public season. So here's your favorite celebrities behind the scenes. 12 00:00:56,440 --> 00:00:59,720 Speaker 1: It's refreshing up than the whole story specific life alter 13 00:01:00,080 --> 00:01:02,680 Speaker 1: invest to check the person that you here. We gotta champion, 14 00:01:02,760 --> 00:01:06,440 Speaker 1: they carry champion. It's the greatest sportison and the taming 15 00:01:06,520 --> 00:01:09,520 Speaker 1: connected with Harry Champion and carry chappion is to be 16 00:01:09,600 --> 00:01:14,600 Speaker 1: a champion, a champion, they carry champion, Champion, they carry champion, 17 00:01:14,680 --> 00:01:20,399 Speaker 1: They carry champions and the taming connectdrmon So on today's 18 00:01:20,560 --> 00:01:25,200 Speaker 1: podcast Naked with Yours Truly, we have Luke James. He 19 00:01:25,319 --> 00:01:28,840 Speaker 1: is a singer, a songwriter, and actor. He's from Nolins, Nolins. 20 00:01:28,959 --> 00:01:32,960 Speaker 1: I'm not saying you're right, New Orleans, um, and he 21 00:01:33,080 --> 00:01:35,240 Speaker 1: is a true artist. You may have seen him if 22 00:01:35,240 --> 00:01:37,400 Speaker 1: you are not familiar with his music, which you should be, 23 00:01:37,440 --> 00:01:39,720 Speaker 1: but you may have seen him on the latest season 24 00:01:39,760 --> 00:01:45,160 Speaker 1: of The Shy Uh. He plays Glenn Terman in the 25 00:01:45,319 --> 00:01:49,520 Speaker 1: Genius episode Excuse Me, the Genius movie Aretha Franklin's husband, 26 00:01:49,520 --> 00:01:53,120 Speaker 1: one of her husband's going going going. Uh. He has 27 00:01:53,160 --> 00:01:56,080 Speaker 1: done a lot of acting, actually, and I think arguably 28 00:01:57,000 --> 00:01:58,600 Speaker 1: I would be remiss if I did not say that. 29 00:01:58,720 --> 00:02:04,320 Speaker 1: He has been nominated for three Grammys. Congratulations. So he 30 00:02:04,520 --> 00:02:07,480 Speaker 1: is an artist all around. He describes himself, as you 31 00:02:07,600 --> 00:02:10,000 Speaker 1: just heard a minute ago, as a quote unquote weirdo, 32 00:02:10,120 --> 00:02:13,600 Speaker 1: which I think is funny. But I do remember. Um. 33 00:02:13,760 --> 00:02:16,040 Speaker 1: What I didn't do as a journalist is asked him 34 00:02:16,120 --> 00:02:19,200 Speaker 1: why Elijah McClain was his abbey. Um. When I started 35 00:02:19,240 --> 00:02:22,280 Speaker 1: following Luke on Instagram, I noticed that, and it was 36 00:02:22,360 --> 00:02:25,880 Speaker 1: really interesting. And he said, and I'm paraphrasing, he reminds 37 00:02:25,960 --> 00:02:28,480 Speaker 1: me of myself. He reminds me of a little brother. 38 00:02:28,560 --> 00:02:30,400 Speaker 1: I wish I could have saved him he was like, 39 00:02:30,480 --> 00:02:34,560 Speaker 1: and I never want to forget him. And I didn't 40 00:02:34,600 --> 00:02:36,840 Speaker 1: really get it then until I did a little more 41 00:02:36,880 --> 00:02:43,399 Speaker 1: investigating into Elijah McClain's story, and there is this heartbreaking, 42 00:02:43,680 --> 00:02:47,680 Speaker 1: heartbreaking moment where they talk about his last words. Now, 43 00:02:47,760 --> 00:02:50,639 Speaker 1: Elijah was in his twenties, early twenties. He was a 44 00:02:50,680 --> 00:02:55,760 Speaker 1: massage therapist and described as extremely gentle. Maybe a little different, 45 00:02:56,000 --> 00:02:59,960 Speaker 1: right um, some would say, and I've heard different report 46 00:03:00,240 --> 00:03:03,000 Speaker 1: his parents haven't said this, but he might have been 47 00:03:03,160 --> 00:03:05,280 Speaker 1: a little more, you know, on the spectrum in the 48 00:03:05,320 --> 00:03:09,240 Speaker 1: sense of really talented, but a bit of an introvert um, 49 00:03:09,720 --> 00:03:14,320 Speaker 1: but exceedingly gentle. All of those adjectives to me describe 50 00:03:15,080 --> 00:03:18,000 Speaker 1: It's interesting it described Luke. I don't know him that well, 51 00:03:18,080 --> 00:03:20,000 Speaker 1: but just talking to him, that's what I was able 52 00:03:20,040 --> 00:03:24,880 Speaker 1: to get. And then I read more about Elijah's story 53 00:03:25,080 --> 00:03:28,440 Speaker 1: and how he was walking home and again he lived 54 00:03:28,480 --> 00:03:31,519 Speaker 1: in Colorado, so I'm assuming it was cold. It was 55 00:03:31,600 --> 00:03:36,280 Speaker 1: the evening August, and he was wearing a ski mask, 56 00:03:37,200 --> 00:03:42,000 Speaker 1: and of course I don't know. Officers felt like they 57 00:03:42,080 --> 00:03:44,480 Speaker 1: saw him and he looked different and they were concerned, 58 00:03:44,600 --> 00:03:46,920 Speaker 1: and they were looking for a man with a gun, 59 00:03:47,120 --> 00:03:50,840 Speaker 1: and he's going for your gun type situation. You know 60 00:03:50,920 --> 00:03:55,240 Speaker 1: those stories. I get exhausted of hearing those stories. But nevertheless, Um, 61 00:03:55,720 --> 00:04:01,840 Speaker 1: he died. He was subdued by police. They put the 62 00:04:01,920 --> 00:04:03,640 Speaker 1: choke hold on him, which I don't think that they 63 00:04:03,680 --> 00:04:07,960 Speaker 1: should ever have ever period with anyone anymore. Um. The 64 00:04:08,080 --> 00:04:10,880 Speaker 1: paramedics came and gave him something to sedate him to 65 00:04:11,000 --> 00:04:16,000 Speaker 1: calm him down. Obviously nervous and scared. Uh, he passed 66 00:04:16,040 --> 00:04:19,360 Speaker 1: out and three days later he was declared brain dead. 67 00:04:20,279 --> 00:04:22,400 Speaker 1: So obviously there was a lot that happened, and I 68 00:04:22,520 --> 00:04:24,720 Speaker 1: was in twenty but the story didn't make its way 69 00:04:24,760 --> 00:04:29,200 Speaker 1: to us until when we were reeling from George Floyd 70 00:04:29,279 --> 00:04:33,919 Speaker 1: into mad Aubrey and Brianna Taylor. So there were body 71 00:04:34,080 --> 00:04:38,680 Speaker 1: cameras attached to the officers, but somehow they became unattached 72 00:04:39,240 --> 00:04:44,640 Speaker 1: during the incident. However, Uh, there was audio of his 73 00:04:44,800 --> 00:04:48,880 Speaker 1: last words and Elijah said, I can't breathe. I have 74 00:04:49,080 --> 00:04:52,560 Speaker 1: my idea right here. My name is Elijah McClain. That's 75 00:04:52,600 --> 00:04:56,359 Speaker 1: my house. I was just going home. I'm an introvert. 76 00:04:57,120 --> 00:05:01,000 Speaker 1: I'm just different, that's all. I'm so sorry. I have 77 00:05:01,160 --> 00:05:03,240 Speaker 1: no gun. I don't do that stuff. I don't do 78 00:05:03,360 --> 00:05:07,480 Speaker 1: any fighting. Why are you attacking me? I don't even 79 00:05:07,600 --> 00:05:10,119 Speaker 1: kill flies. I don't eat meat, but I don't judge people. 80 00:05:10,640 --> 00:05:12,760 Speaker 1: I don't judge people who do eat meat. Forgive me. 81 00:05:13,680 --> 00:05:18,840 Speaker 1: All I was trying to do is become better. No, Lie, 82 00:05:18,880 --> 00:05:21,839 Speaker 1: that broke my heart. Like legit just breaks your heart 83 00:05:22,520 --> 00:05:26,440 Speaker 1: because you can imagine the scared young kid in his 84 00:05:26,600 --> 00:05:29,440 Speaker 1: twenties being attacked by police officers who are afraid of 85 00:05:29,560 --> 00:05:33,200 Speaker 1: him more so than he is of them. Actually, they 86 00:05:33,240 --> 00:05:35,280 Speaker 1: are afraid of him, but he's more afraid of them, 87 00:05:35,320 --> 00:05:42,400 Speaker 1: and they have no idea, and he is asking and pleading, 88 00:05:43,080 --> 00:05:45,040 Speaker 1: and we've seen this and heard this over and over again, 89 00:05:45,080 --> 00:05:49,640 Speaker 1: please don't kill me. And so for Luke to say, 90 00:05:50,080 --> 00:05:54,080 Speaker 1: he reminds him of a little brother and I never 91 00:05:54,160 --> 00:05:57,560 Speaker 1: want to forget him. I read that to you because 92 00:05:57,640 --> 00:06:00,120 Speaker 1: as you listen to this podcast, you can hear that 93 00:06:01,160 --> 00:06:03,920 Speaker 1: and Luke, you can hear the soft side in him, 94 00:06:04,040 --> 00:06:07,400 Speaker 1: the kind side in him, where he don't want no problems, 95 00:06:07,440 --> 00:06:09,239 Speaker 1: You just want to you just want to make music. 96 00:06:10,440 --> 00:06:14,120 Speaker 1: Elijah love music as well. There was a lot of connections, um, 97 00:06:14,560 --> 00:06:18,040 Speaker 1: and so I thought that was important to point out 98 00:06:19,160 --> 00:06:23,480 Speaker 1: that he feels this kindred spirit with someone we lost 99 00:06:23,720 --> 00:06:30,800 Speaker 1: so tragically. Nevertheless, he is able to push through. He's 100 00:06:30,880 --> 00:06:35,000 Speaker 1: endured a lot. His story is interesting. But more importantly, 101 00:06:35,720 --> 00:06:39,000 Speaker 1: I don't know, Guys, I think and forgive me. I 102 00:06:39,120 --> 00:06:41,520 Speaker 1: think I might be honest something. I think like five 103 00:06:41,640 --> 00:06:43,640 Speaker 1: years from now, you guys are going to be like, 104 00:06:43,800 --> 00:06:47,680 Speaker 1: oh my god, Luke James is a superstar. I feel 105 00:06:47,680 --> 00:06:50,400 Speaker 1: like you might say that because I feel that. I 106 00:06:50,480 --> 00:06:53,719 Speaker 1: feel that Gemini energy and spirit because I too ima Gemini, 107 00:06:53,800 --> 00:06:56,320 Speaker 1: which we get into. But I feel that super saw 108 00:06:56,440 --> 00:07:00,760 Speaker 1: spirit on him. Sit back, relaxing and Joe Way. This 109 00:07:01,440 --> 00:07:09,080 Speaker 1: edition of Naked our guest singer, songwriter and actor Luke James. 110 00:07:11,600 --> 00:07:17,800 Speaker 1: I'm from New Orleans, Louisiana, downtown. Several are here. Um 111 00:07:18,760 --> 00:07:25,040 Speaker 1: single parent household, Um well mm hm, we live with 112 00:07:25,080 --> 00:07:32,000 Speaker 1: my grandfather. Show was completely single. Um, I'm only child. Um. 113 00:07:33,800 --> 00:07:39,120 Speaker 1: It's a weirdo intro burke in that sense. My mom 114 00:07:39,280 --> 00:07:44,960 Speaker 1: knew me, she loved me. Uh trouble soon, but I 115 00:07:45,040 --> 00:07:49,160 Speaker 1: found music and that that allowed me to channel whatever 116 00:07:49,200 --> 00:07:52,280 Speaker 1: it was going on inside of me, and that propelled 117 00:07:52,320 --> 00:07:56,360 Speaker 1: me into being a musician. Obviously, New Orleans is um 118 00:07:57,000 --> 00:07:59,520 Speaker 1: is the mecca of art. It's just anything you want to. 119 00:08:00,160 --> 00:08:03,400 Speaker 1: You can think of food or whatever you can dive into, 120 00:08:03,560 --> 00:08:06,840 Speaker 1: but tell music. That is what I jumped to and 121 00:08:06,960 --> 00:08:08,680 Speaker 1: played the saxophone. I thought I was gonna be a 122 00:08:08,760 --> 00:08:13,640 Speaker 1: jazz player. And I got to high school and nobody 123 00:08:13,720 --> 00:08:18,440 Speaker 1: really like cats who play the sax I started singing 124 00:08:19,120 --> 00:08:23,920 Speaker 1: and that kind of like worked better. Wait, I have 125 00:08:24,040 --> 00:08:26,720 Speaker 1: two questions about that. You said you were troublesome, and 126 00:08:26,760 --> 00:08:28,600 Speaker 1: then when you got to high school. These are two 127 00:08:28,680 --> 00:08:31,000 Speaker 1: things that I am really curious that stand out. Then 128 00:08:31,000 --> 00:08:33,079 Speaker 1: you get to high school and no one like no 129 00:08:33,200 --> 00:08:36,240 Speaker 1: one as in people girls, who who do you mean? 130 00:08:36,280 --> 00:08:39,240 Speaker 1: Know what? My cats? Who who played sax i? Guess? 131 00:08:39,280 --> 00:08:41,439 Speaker 1: When you you don't? You're a kid. You're trying to 132 00:08:41,520 --> 00:08:47,480 Speaker 1: find your space, and they were, let may be honest 133 00:08:47,559 --> 00:08:50,240 Speaker 1: as possible, you're trying to find your space. When I 134 00:08:50,280 --> 00:08:52,600 Speaker 1: got to high school, I went to all boys school 135 00:08:53,080 --> 00:08:57,360 Speaker 1: called Saint or Sant Augustine High UM. And when I 136 00:08:57,440 --> 00:09:00,360 Speaker 1: got there. Before I got there, I was I was 137 00:09:00,440 --> 00:09:03,120 Speaker 1: the best saxophone player, And when I got there, I 138 00:09:03,320 --> 00:09:09,079 Speaker 1: wasn't the best, so kind of kind of um kind 139 00:09:09,120 --> 00:09:11,520 Speaker 1: of wasn't known for it. It was other cats that 140 00:09:11,559 --> 00:09:13,920 Speaker 1: were way better and stuff and good at jazz and 141 00:09:14,040 --> 00:09:17,880 Speaker 1: whatnot and five and all that stuff, and UM, I 142 00:09:17,920 --> 00:09:20,240 Speaker 1: don't know, I just found my way over to singing. 143 00:09:20,480 --> 00:09:23,760 Speaker 1: I met some two cats who are my brothers now, um, 144 00:09:23,800 --> 00:09:26,719 Speaker 1: and we started a group and kind of left the 145 00:09:26,760 --> 00:09:31,200 Speaker 1: saxophone alone. And uh, we did all kinds of talent 146 00:09:31,280 --> 00:09:36,360 Speaker 1: shows and stuff, and doing that, we met some some 147 00:09:36,520 --> 00:09:39,520 Speaker 1: fine people. One of them happened to be Tyrese's manager. 148 00:09:40,480 --> 00:09:43,000 Speaker 1: And we graduated from high school. We moved to l A, 149 00:09:44,320 --> 00:09:49,680 Speaker 1: l A. And I've been singing background until I found 150 00:09:49,720 --> 00:09:53,520 Speaker 1: my footing and songwriting. And uh, I started songwriting and 151 00:09:53,600 --> 00:09:57,719 Speaker 1: finding my way as an artist. And that's how Luke 152 00:09:57,840 --> 00:10:01,079 Speaker 1: James came about. You described your often two words. You 153 00:10:01,200 --> 00:10:03,520 Speaker 1: said that you're a bit of an introvert and a 154 00:10:03,640 --> 00:10:06,199 Speaker 1: little little I don't know if it was weird or 155 00:10:06,240 --> 00:10:09,360 Speaker 1: odd the words you use. Why would you describe yourself 156 00:10:09,440 --> 00:10:16,720 Speaker 1: that way? Oh, I'm I guess, you know, I guess 157 00:10:16,760 --> 00:10:20,480 Speaker 1: the data that I have that I've collected over the years. Um, 158 00:10:21,800 --> 00:10:24,640 Speaker 1: I'm a little bit different than what people are used 159 00:10:24,640 --> 00:10:29,720 Speaker 1: to and also expect from me. Um. Also being Luke James, 160 00:10:30,000 --> 00:10:33,800 Speaker 1: people expect a certain thing, um, which I which I 161 00:10:34,120 --> 00:10:37,079 Speaker 1: do understand. I do give that when it comes to performing, 162 00:10:37,760 --> 00:10:42,679 Speaker 1: but off stage I'm quite different. Um and I'm I'm 163 00:10:42,800 --> 00:10:45,760 Speaker 1: very much a Gemini to to to the core. So 164 00:10:46,679 --> 00:10:49,640 Speaker 1: it depends on the way the wind blows. You know, 165 00:10:50,880 --> 00:10:57,319 Speaker 1: I laugh because I too imagemin So I understand. Okay, 166 00:10:57,400 --> 00:11:01,199 Speaker 1: So Luke, who's Luke James on stage? Talk to me 167 00:11:01,240 --> 00:11:05,319 Speaker 1: about him? Who's that person? Who is that performer? What 168 00:11:05,520 --> 00:11:11,319 Speaker 1: is his energy? Well, that still depends on how the 169 00:11:11,360 --> 00:11:16,480 Speaker 1: wind blows, because I can be very um um, I 170 00:11:16,520 --> 00:11:20,720 Speaker 1: guess introverted on stage, where it's if I'm in my feelings, uh, 171 00:11:20,800 --> 00:11:25,200 Speaker 1: then it becomes less of a performance more of um um, 172 00:11:25,520 --> 00:11:30,839 Speaker 1: a state of consciousness that I'm projecting and putting on 173 00:11:30,960 --> 00:11:35,720 Speaker 1: display um and then other and sometimes I'm just a performer. 174 00:11:36,200 --> 00:11:39,880 Speaker 1: Sometimes I just want to give people what I what 175 00:11:40,040 --> 00:11:44,480 Speaker 1: I feel they need, and very outgoing and you know, 176 00:11:45,000 --> 00:11:50,920 Speaker 1: explosive in that sense. Um depends on Again, it depends 177 00:11:50,920 --> 00:11:54,800 Speaker 1: on how the wind blows. It's hard to explain. It 178 00:11:55,200 --> 00:11:59,040 Speaker 1: is just it's interesting when you when you say that, 179 00:11:59,160 --> 00:12:01,640 Speaker 1: or when I talk to our I always think of 180 00:12:01,960 --> 00:12:04,719 Speaker 1: watching this one documentary, um and I'll say it was 181 00:12:04,720 --> 00:12:08,920 Speaker 1: about Michael Jackson before he died, and he was trying 182 00:12:09,000 --> 00:12:12,360 Speaker 1: to explain what he wanted. He wanted the director and 183 00:12:12,480 --> 00:12:14,959 Speaker 1: everyone on stage to do something, and they're like, well, Michael, 184 00:12:14,960 --> 00:12:16,480 Speaker 1: when do we move with you? When do we go? 185 00:12:16,679 --> 00:12:18,839 Speaker 1: He was like, You'll just feel it. Yeah, you know 186 00:12:18,840 --> 00:12:22,360 Speaker 1: what I'm saying, You'll just feel it. Um, And anyone 187 00:12:22,400 --> 00:12:24,800 Speaker 1: who does any type of performing can feel it, like 188 00:12:25,080 --> 00:12:27,200 Speaker 1: when it feels good and when it doesn't feel good 189 00:12:28,559 --> 00:12:34,280 Speaker 1: off stage? Who are you? How how are those two 190 00:12:34,400 --> 00:12:37,600 Speaker 1: personalities different? And I know it is very much based 191 00:12:37,640 --> 00:12:39,680 Speaker 1: on mood and how you feel, but how are those 192 00:12:39,800 --> 00:12:45,960 Speaker 1: personalities different? For example, on camera, I may while working 193 00:12:46,040 --> 00:12:49,599 Speaker 1: appear you know, one very reserved way, depending on my 194 00:12:49,679 --> 00:12:53,280 Speaker 1: mood and what I'm in, and the personality sometimes has 195 00:12:53,360 --> 00:12:55,160 Speaker 1: to cut. You have to find it. It doesn't always 196 00:12:55,240 --> 00:12:59,280 Speaker 1: just drip itself out. You know. If you you know me, 197 00:12:59,800 --> 00:13:01,480 Speaker 1: you out at my house hanging out, You're like, Oh, 198 00:13:01,520 --> 00:13:05,880 Speaker 1: she's silly, Oh she's goofy like this, She's no. Those 199 00:13:05,920 --> 00:13:12,959 Speaker 1: are the two different gymnis in me. Yeah. Um, I 200 00:13:13,000 --> 00:13:17,160 Speaker 1: can be zero to a hundred um zero energy. Um. 201 00:13:19,559 --> 00:13:22,960 Speaker 1: You know, Um, I can only go I really truly, 202 00:13:23,000 --> 00:13:25,199 Speaker 1: I can only go off of how other people perceive me. 203 00:13:25,360 --> 00:13:27,920 Speaker 1: Because in some time some ways. You know, I think 204 00:13:28,000 --> 00:13:32,480 Speaker 1: I'm I think I'm you know, pretty even I think, 205 00:13:33,480 --> 00:13:37,280 Speaker 1: but I guess I'm not. I know I'm not. UM, 206 00:13:39,600 --> 00:13:42,440 Speaker 1: But I can be goofy. I can be very childish. 207 00:13:42,559 --> 00:13:45,720 Speaker 1: I mean that I don't know. I'm in a field 208 00:13:45,760 --> 00:13:47,679 Speaker 1: where you have to be childlike to in order to 209 00:13:47,800 --> 00:13:53,360 Speaker 1: keep pursuing it. Um, especially UM, I guess in our field, 210 00:13:53,480 --> 00:13:57,280 Speaker 1: just pursuing something, making something out of nothing. UM. You 211 00:13:57,400 --> 00:14:02,120 Speaker 1: have to keep that that childlike ideology that you know, 212 00:14:02,559 --> 00:14:06,440 Speaker 1: you imagine things even though you know some people will say, oh, 213 00:14:06,480 --> 00:14:11,640 Speaker 1: it's too late or something like that. I don't know, goofy. Yes. 214 00:14:12,920 --> 00:14:17,960 Speaker 1: And sometimes that standoff is I can be I can 215 00:14:18,120 --> 00:14:21,720 Speaker 1: walk into a room and and and decide to grab 216 00:14:21,800 --> 00:14:25,360 Speaker 1: a room, or I can move to the corner and 217 00:14:25,440 --> 00:14:28,960 Speaker 1: you never know I was there. You know that's real. 218 00:14:30,960 --> 00:14:33,480 Speaker 1: It's time to pay the bills, because that's how I 219 00:14:33,520 --> 00:14:35,720 Speaker 1: get paid, and that's how this podcast can stay on 220 00:14:35,840 --> 00:14:37,800 Speaker 1: the air. So help us STA out, stay with us. 221 00:14:37,960 --> 00:14:41,760 Speaker 1: We'll be right back in just a few moments. Every 222 00:14:41,840 --> 00:14:44,480 Speaker 1: champion and carry champion is to be a champion of 223 00:14:44,560 --> 00:14:48,240 Speaker 1: champion and carry champion and carry chapion champion and carry 224 00:14:48,360 --> 00:14:51,360 Speaker 1: Chappion and carry Chappion and sports and then the team 225 00:14:51,440 --> 00:15:02,840 Speaker 1: making make it work. Every chap they carry Champion, Champion, 226 00:15:02,960 --> 00:15:11,880 Speaker 1: they carry champion and they carry chap. Hey, y'all, welcome back. 227 00:15:12,320 --> 00:15:13,800 Speaker 1: We had to pay the bills. Thank you for hanging 228 00:15:13,840 --> 00:15:16,520 Speaker 1: out with us. Here's what's interesting. If you follow Luke 229 00:15:16,600 --> 00:15:19,600 Speaker 1: James on the soulcials are oftentimes if you've seen him perform. 230 00:15:20,160 --> 00:15:22,960 Speaker 1: He also goes by Wolf James And I said, what 231 00:15:23,040 --> 00:15:24,760 Speaker 1: does that really mean? And he was like, it's a 232 00:15:24,840 --> 00:15:28,560 Speaker 1: spirit away an ideology. You know, they've been calling him 233 00:15:28,600 --> 00:15:32,080 Speaker 1: that for a while since he was a kid. Perhaps 234 00:15:32,160 --> 00:15:35,040 Speaker 1: it's a New Orleans tribal thing. I just adapted to 235 00:15:35,120 --> 00:15:37,640 Speaker 1: the calling as I grew up, but I understood early 236 00:15:38,320 --> 00:15:42,240 Speaker 1: that it is my way. That's interesting, isn't it. I 237 00:15:42,360 --> 00:15:45,320 Speaker 1: love that. I love when you're real cerebral, like that's 238 00:15:45,320 --> 00:15:47,400 Speaker 1: why he's an artist. I look, he had a crush 239 00:15:47,440 --> 00:15:49,720 Speaker 1: on him on this episode. But don't tell nobody s 240 00:15:50,600 --> 00:15:55,160 Speaker 1: it's a secret. Here's more with Luke James. When did 241 00:15:55,280 --> 00:16:01,240 Speaker 1: you know you had it? And and it is something 242 00:16:01,320 --> 00:16:04,400 Speaker 1: that feels special and different and set apart. When did 243 00:16:04,480 --> 00:16:13,720 Speaker 1: you know you have that? Um? High school? Um, when 244 00:16:13,760 --> 00:16:17,680 Speaker 1: I just I couldn't. I couldn't focus on anything but 245 00:16:18,840 --> 00:16:23,760 Speaker 1: the sounds in my head. I at first I thought 246 00:16:23,800 --> 00:16:27,080 Speaker 1: someone was wrong with me. What do you what do you? 247 00:16:27,440 --> 00:16:29,680 Speaker 1: What do you mean by that? Explain that you couldn't 248 00:16:29,720 --> 00:16:33,040 Speaker 1: focus but anything? You have these sounds in your head? 249 00:16:33,040 --> 00:16:35,160 Speaker 1: Are they musical sounds or their beats that you were 250 00:16:35,240 --> 00:16:37,800 Speaker 1: thinking of and you were creating It was something you 251 00:16:37,880 --> 00:16:42,440 Speaker 1: heard earlier in the day. Yeah, it's a of things, 252 00:16:42,480 --> 00:16:50,800 Speaker 1: I'd say. Imagining myself performing amongst millions, Imagine myself performing 253 00:16:50,840 --> 00:16:53,920 Speaker 1: on a street corner, Imagining myself performing to the girl 254 00:16:54,000 --> 00:16:59,560 Speaker 1: I liked. Um, imagining you know at the time, I 255 00:16:59,600 --> 00:17:01,840 Speaker 1: guess think and weddings and stuff, singing at a wedding 256 00:17:01,960 --> 00:17:05,359 Speaker 1: and making people cry, or church or something, you know, 257 00:17:05,440 --> 00:17:08,360 Speaker 1: giving people the holy ghosts and stuff like that. Um. 258 00:17:08,600 --> 00:17:11,440 Speaker 1: And also you know, creating writing songs. You know, something 259 00:17:11,840 --> 00:17:14,320 Speaker 1: comes to your teacher says something or someone said something, 260 00:17:14,400 --> 00:17:17,840 Speaker 1: and ah, that makes for a great title or whatever. Um, 261 00:17:18,880 --> 00:17:22,720 Speaker 1: I choose to write that down to think about that 262 00:17:22,920 --> 00:17:27,040 Speaker 1: rather than think of you know, listen or pay attention 263 00:17:27,160 --> 00:17:30,680 Speaker 1: to what is being said that could possibly be on 264 00:17:30,800 --> 00:17:35,320 Speaker 1: the finals next week. I would just I was willing 265 00:17:36,359 --> 00:17:38,920 Speaker 1: innately to throw all of that away because I just 266 00:17:39,520 --> 00:17:46,080 Speaker 1: knew that this is really what I want to do. Music, music, entertainment, 267 00:17:46,480 --> 00:17:51,000 Speaker 1: creating something out of nothing, Uh, is truly what I 268 00:17:51,880 --> 00:17:56,920 Speaker 1: wanted to do. UM. And I never from just you know, 269 00:17:57,080 --> 00:17:59,960 Speaker 1: I was, I was a sponge. I am a sponge. 270 00:18:00,119 --> 00:18:02,440 Speaker 1: So I just like research and I love listening to 271 00:18:03,840 --> 00:18:07,960 Speaker 1: people's interviews and talking about their life and all that 272 00:18:08,119 --> 00:18:11,640 Speaker 1: and just trying to find myself within them. UM. Being 273 00:18:11,680 --> 00:18:18,160 Speaker 1: an only child, you do that. UM. The school never 274 00:18:18,320 --> 00:18:20,760 Speaker 1: seemed like a thing they would talk about, like the 275 00:18:21,119 --> 00:18:23,000 Speaker 1: lessons and all that kind of stuff, like, oh, it 276 00:18:23,080 --> 00:18:24,920 Speaker 1: was on the board and this then the third you know, 277 00:18:25,040 --> 00:18:30,800 Speaker 1: unless it was like literature history maybe UM or music 278 00:18:30,880 --> 00:18:35,040 Speaker 1: class you know. UM. And I didn't have an outlet. Also, 279 00:18:35,359 --> 00:18:37,560 Speaker 1: and during high school, I didn't have an outlet. My mother, 280 00:18:38,280 --> 00:18:41,960 Speaker 1: God bless her, she didn't. She didn't she couldn't see. 281 00:18:42,040 --> 00:18:44,359 Speaker 1: You know. In New Orleans we have a school forming 282 00:18:44,440 --> 00:18:47,359 Speaker 1: arts school called NOCA and it's that you would go to. 283 00:18:48,520 --> 00:18:50,880 Speaker 1: You go to your school and then in the middle 284 00:18:50,880 --> 00:18:53,960 Speaker 1: of the day you would a bus or some sort 285 00:18:53,960 --> 00:18:56,040 Speaker 1: of pick you up and take you to NOCCA and 286 00:18:56,119 --> 00:18:58,120 Speaker 1: then you would spend the rest of that day doing 287 00:18:58,440 --> 00:19:03,600 Speaker 1: the arts of whatever it is is, you know, dance, storytelling, theater, whatever, 288 00:19:03,960 --> 00:19:05,720 Speaker 1: you would be doing that, and these are things that 289 00:19:05,840 --> 00:19:09,399 Speaker 1: you love and you're good at. Um My mother couldn't 290 00:19:09,440 --> 00:19:12,639 Speaker 1: see how I would pass, Like you know how, how 291 00:19:12,800 --> 00:19:16,600 Speaker 1: how is he going to pass? You know how he's 292 00:19:16,640 --> 00:19:18,680 Speaker 1: gonna get past? You know how he's gonna pass? And 293 00:19:18,720 --> 00:19:22,680 Speaker 1: he gets he does this. Granted I wasn't that good academically, 294 00:19:22,800 --> 00:19:27,359 Speaker 1: so I can understand her position on like how is 295 00:19:27,400 --> 00:19:31,879 Speaker 1: he he needs to focus? But in actuality, I needed 296 00:19:32,119 --> 00:19:35,399 Speaker 1: the outlet in order to focus on on what I 297 00:19:35,640 --> 00:19:39,040 Speaker 1: what I am supposed to be doing, because this is 298 00:19:39,480 --> 00:19:42,520 Speaker 1: the arts, is what I have to do. But I can't. 299 00:19:42,720 --> 00:19:45,560 Speaker 1: I can't look. I can't, I can't get past the 300 00:19:45,680 --> 00:19:48,320 Speaker 1: things that to me, I have to do for the 301 00:19:48,359 --> 00:19:50,119 Speaker 1: things I'm supposed to be doing. I'm supposed to be 302 00:19:50,560 --> 00:19:53,440 Speaker 1: writing now notes and and passing tests and all that 303 00:19:53,520 --> 00:19:57,119 Speaker 1: kind of stuff. I couldn't get into it. So you knew, 304 00:19:57,400 --> 00:19:59,840 Speaker 1: like at school, you know not it's horrible to say 305 00:19:59,880 --> 00:20:02,080 Speaker 1: and even horrible to say this, but sometimes people know 306 00:20:02,200 --> 00:20:04,200 Speaker 1: the calling and so school gets in the way. So 307 00:20:04,320 --> 00:20:07,480 Speaker 1: I could see you feeling that like, this is stopping 308 00:20:08,000 --> 00:20:10,560 Speaker 1: the energy of what I'm supposed to be doing and creating. 309 00:20:13,000 --> 00:20:16,480 Speaker 1: Do you now when you think about that? Well, so 310 00:20:16,680 --> 00:20:18,600 Speaker 1: it's you know, whenever I hear these stories, I get 311 00:20:18,680 --> 00:20:21,480 Speaker 1: so inspired because I think it's so beautiful when you 312 00:20:21,600 --> 00:20:23,960 Speaker 1: know what you're calling is and then you can do it, 313 00:20:24,400 --> 00:20:28,960 Speaker 1: you know, and you can live it, um unapologetically. Who 314 00:20:29,320 --> 00:20:32,720 Speaker 1: who inspires you? And and then the follow up question 315 00:20:32,760 --> 00:20:35,480 Speaker 1: would be what inspires you? It could be all the 316 00:20:35,560 --> 00:20:39,680 Speaker 1: same if you will, well, um, first almost my mother, 317 00:20:41,160 --> 00:20:43,720 Speaker 1: it was, I mean I was would I'd be looking 318 00:20:43,800 --> 00:20:53,000 Speaker 1: to to learn how to love, learn about God, patients, um, strength, 319 00:20:53,119 --> 00:20:57,200 Speaker 1: being strong, doing doing things, doing what you what what, 320 00:20:59,320 --> 00:21:00,720 Speaker 1: doing what you have to do to get to what 321 00:21:00,800 --> 00:21:03,680 Speaker 1: you want to do what. I don't know what that is, 322 00:21:04,800 --> 00:21:08,200 Speaker 1: you know? Um, Yeah, I watched my mom you know, 323 00:21:09,160 --> 00:21:11,680 Speaker 1: be a lot of things and my mother at the 324 00:21:11,720 --> 00:21:17,080 Speaker 1: same time, so yum that she's my first I would 325 00:21:17,080 --> 00:21:19,480 Speaker 1: go to and from her is a lot of things 326 00:21:19,560 --> 00:21:23,000 Speaker 1: that she just kind of little gym she gave me. 327 00:21:23,280 --> 00:21:26,320 Speaker 1: My mother. My mother had an extensive collection of records, 328 00:21:26,560 --> 00:21:33,040 Speaker 1: uh prior to Katrina, and we you know, I would 329 00:21:33,200 --> 00:21:36,320 Speaker 1: listen to all of those records Donny Hathaway, Mark and Gage. 330 00:21:36,359 --> 00:21:39,520 Speaker 1: She has stories about going to a concert and the 331 00:21:39,800 --> 00:21:42,399 Speaker 1: stage felt like it was seventeen feet tall and she 332 00:21:42,520 --> 00:21:44,960 Speaker 1: was standing on the chair and security. She was with 333 00:21:45,280 --> 00:21:47,399 Speaker 1: a guy who took her there, and security say you 334 00:21:47,440 --> 00:21:50,040 Speaker 1: gotta get off the off the chair, ma'am. And she's like, no, 335 00:21:50,119 --> 00:21:52,240 Speaker 1: I'm not And she told the guy, you know, the 336 00:21:52,320 --> 00:21:54,840 Speaker 1: guy the security guy told her boyfriend at the time, 337 00:21:54,960 --> 00:21:56,600 Speaker 1: was like, Yo, you gotta get down. We're remover. She 338 00:21:56,680 --> 00:21:58,719 Speaker 1: was like, I will throw up on you for my Marvin. 339 00:21:59,040 --> 00:22:02,520 Speaker 1: You know. She's like that, you know, you know, things 340 00:22:02,640 --> 00:22:05,560 Speaker 1: like that really inspired me in a sense, like I 341 00:22:05,680 --> 00:22:10,720 Speaker 1: want that guy Handy to um, well, what's so captivated? 342 00:22:10,760 --> 00:22:12,440 Speaker 1: What would make a person do that? And so of 343 00:22:12,520 --> 00:22:15,600 Speaker 1: course I dive deep into the music to the artistry 344 00:22:15,680 --> 00:22:20,359 Speaker 1: of Marvin and Prince Luther and George S. Bencent and 345 00:22:20,480 --> 00:22:24,680 Speaker 1: so on so forth, and um, you know, my inspirations 346 00:22:25,160 --> 00:22:28,680 Speaker 1: come from her. It's her upbringing that I I um, 347 00:22:29,240 --> 00:22:33,040 Speaker 1: I kind of like took hold to as as mine. Also, 348 00:22:33,119 --> 00:22:35,240 Speaker 1: my mother was really strict, so I couldn't really listen 349 00:22:35,280 --> 00:22:38,320 Speaker 1: to a lot of music that was coming out at 350 00:22:38,359 --> 00:22:40,440 Speaker 1: the time. What do you mean she wouldn't let you. 351 00:22:40,800 --> 00:22:42,560 Speaker 1: She'd let you listen to Marvin Gaye, but you couldn't 352 00:22:42,560 --> 00:22:44,760 Speaker 1: listen to the music that was that you grew up with. 353 00:22:45,520 --> 00:22:48,800 Speaker 1: I couldn't listen to I couldn't bring in the house 354 00:22:49,160 --> 00:22:54,119 Speaker 1: like I you know, things started being being explicit explicit, 355 00:22:54,720 --> 00:23:00,320 Speaker 1: so and raising a boy by yourself in New or Ons, 356 00:23:00,640 --> 00:23:02,640 Speaker 1: you're just trying to do your best, and you want 357 00:23:02,640 --> 00:23:07,000 Speaker 1: to fill him with um the positive and uplifting things. 358 00:23:07,720 --> 00:23:10,760 Speaker 1: And of course parents would think that their music is 359 00:23:10,880 --> 00:23:15,120 Speaker 1: way better and positive and not as sensual and sexual 360 00:23:15,240 --> 00:23:20,120 Speaker 1: and explicit music, but exactly the same. I'm like, Marvel 361 00:23:20,200 --> 00:23:24,960 Speaker 1: had a whole song about healing, sexual healing. So I 362 00:23:25,040 --> 00:23:29,760 Speaker 1: don't know, you know that, you know that that's parents 363 00:23:29,840 --> 00:23:32,600 Speaker 1: what they do, you know. So I understood that, and 364 00:23:32,760 --> 00:23:35,960 Speaker 1: so she Yeah, I had to find my my utopia 365 00:23:36,119 --> 00:23:40,160 Speaker 1: within the parameter she would allow until I was able 366 00:23:40,200 --> 00:23:42,240 Speaker 1: to go by my cousin's house. And that's what I'm 367 00:23:42,240 --> 00:23:46,760 Speaker 1: introduced to all types of music, you know, growing up, 368 00:23:46,800 --> 00:23:50,440 Speaker 1: it's just like no limit and hot boys and hash 369 00:23:50,520 --> 00:23:52,560 Speaker 1: money and all that stuff. All that stuff. I couldn't 370 00:23:52,560 --> 00:23:55,480 Speaker 1: bring that in the house though, because it because there's 371 00:23:55,480 --> 00:23:57,440 Speaker 1: a demeanor that comes with that. When you listen to it, 372 00:23:57,520 --> 00:24:00,480 Speaker 1: you start to some ways become that and parents look 373 00:24:00,520 --> 00:24:02,200 Speaker 1: at them like, no, no, no, you're not do that. 374 00:24:03,119 --> 00:24:06,439 Speaker 1: So yeah, that was that was kind of somewhat restrictions. 375 00:24:06,520 --> 00:24:09,200 Speaker 1: But now I talked to my mother about that and 376 00:24:09,280 --> 00:24:12,879 Speaker 1: she didn't remember none of that everything. What are you 377 00:24:12,960 --> 00:24:16,479 Speaker 1: talking about? You know, parents have a real selective mnesia. 378 00:24:16,480 --> 00:24:18,440 Speaker 1: You bring up stuff that that that never happened. You're like, 379 00:24:18,560 --> 00:24:22,800 Speaker 1: got you? Um, I gotta. I have to be respectful 380 00:24:22,840 --> 00:24:24,520 Speaker 1: of time. And I have one more question of Debbie. 381 00:24:24,520 --> 00:24:26,440 Speaker 1: I just want to know it's twelve. Can I ask 382 00:24:26,520 --> 00:24:31,200 Speaker 1: this question? Or do? Yes? You can? Okay, well you're good, okay, good? Um, 383 00:24:31,800 --> 00:24:34,520 Speaker 1: the two things right, This is probably a heavy one 384 00:24:34,560 --> 00:24:38,320 Speaker 1: to ask. You said something, And of course the journalists 385 00:24:38,320 --> 00:24:43,520 Speaker 1: and me must know about Katrina. For you, m I 386 00:24:43,640 --> 00:24:47,119 Speaker 1: thought that was life changing for so many people. And 387 00:24:47,400 --> 00:24:51,760 Speaker 1: rarely do I get to talk to artists or success 388 00:24:51,880 --> 00:24:55,320 Speaker 1: stories that lived in and remember what it was like. Um, 389 00:24:55,400 --> 00:24:57,880 Speaker 1: a few athletes I know did and they talked about 390 00:24:57,880 --> 00:25:01,680 Speaker 1: how sad it was. But walk me through that that 391 00:25:01,840 --> 00:25:05,639 Speaker 1: season of life for you and your family. Well, I 392 00:25:05,760 --> 00:25:09,159 Speaker 1: had just flew the coupe. I just got to l 393 00:25:09,240 --> 00:25:13,119 Speaker 1: a um, hustling and bustling. I was singing background, Me 394 00:25:13,119 --> 00:25:16,480 Speaker 1: and my brothers were singing background for tires, and UM, 395 00:25:17,160 --> 00:25:19,080 Speaker 1: you know things are looking good in that sense, right, 396 00:25:19,200 --> 00:25:26,280 Speaker 1: we're pursuing our dreams. Um thin Katrina happens. UM not 397 00:25:26,480 --> 00:25:28,920 Speaker 1: there for it. So my mother had to deal with 398 00:25:29,000 --> 00:25:34,520 Speaker 1: it on our own. UM. So that was tremendous. That 399 00:25:34,720 --> 00:25:39,240 Speaker 1: was terrible. Um. And then just the whole you know, 400 00:25:39,359 --> 00:25:41,480 Speaker 1: trying to find out what you know, a lot of 401 00:25:41,520 --> 00:25:44,680 Speaker 1: people didn't have insurance and you know, the things that 402 00:25:44,760 --> 00:25:47,840 Speaker 1: you're supposed to have. Because it's New Orleans, we get 403 00:25:48,119 --> 00:25:52,000 Speaker 1: hurricanes all the time. They always say it's the big one. 404 00:25:52,600 --> 00:25:55,560 Speaker 1: And you know we're trying. You know, money is not 405 00:25:56,000 --> 00:25:59,080 Speaker 1: you know, doesn't growing trees. So people are just trying 406 00:25:59,119 --> 00:26:00,960 Speaker 1: to do what they can do, pay things that they 407 00:26:01,040 --> 00:26:03,000 Speaker 1: need to pay for. And so here it comes this, 408 00:26:04,040 --> 00:26:06,320 Speaker 1: here comes in levies. The levies broke and that just 409 00:26:06,480 --> 00:26:11,840 Speaker 1: ruined everything. Um. It was quite different because I watched 410 00:26:11,920 --> 00:26:15,920 Speaker 1: my mother be a retired safety engineer after twenty nine 411 00:26:16,040 --> 00:26:20,879 Speaker 1: years at Lacky Martin NASA two having to work again 412 00:26:21,440 --> 00:26:26,480 Speaker 1: to figure it all out. And me just now me 413 00:26:27,119 --> 00:26:30,320 Speaker 1: starting to you know, I'm on in the steps of 414 00:26:30,440 --> 00:26:33,480 Speaker 1: trying to find myself as a man, as a my 415 00:26:33,600 --> 00:26:36,720 Speaker 1: own career, who I am and stuff, and trying to 416 00:26:36,760 --> 00:26:39,560 Speaker 1: figure out how do I help? UM. It was it 417 00:26:39,680 --> 00:26:42,959 Speaker 1: was hard lived in My mother lived in a trailer. Well, 418 00:26:42,960 --> 00:26:44,800 Speaker 1: I guess we lived in a trailer for two years 419 00:26:44,840 --> 00:26:49,920 Speaker 1: and that was horrible. Um. What everything happens for a reason, 420 00:26:50,040 --> 00:26:53,920 Speaker 1: I guess. I don't know. It's not something I quite 421 00:26:53,960 --> 00:26:57,400 Speaker 1: think about. I think about often because it was really hard. 422 00:26:58,040 --> 00:27:02,280 Speaker 1: It is really hard to think about the life altering 423 00:27:02,400 --> 00:27:08,880 Speaker 1: things that took place. UM, memories, things that we once had, 424 00:27:09,080 --> 00:27:17,600 Speaker 1: stuff I wance had things, pictures, books no longer mhm. I. Well, 425 00:27:18,600 --> 00:27:20,639 Speaker 1: when you said your mother lost her records or she 426 00:27:20,760 --> 00:27:23,680 Speaker 1: had these records before Katrina, that's the first thing I 427 00:27:23,760 --> 00:27:26,520 Speaker 1: thought about. You know, oh my god, it was like 428 00:27:26,800 --> 00:27:31,119 Speaker 1: everything it was you realize what really matters. During a 429 00:27:31,280 --> 00:27:35,000 Speaker 1: time like that. You think of things as simple possessions. 430 00:27:35,080 --> 00:27:38,080 Speaker 1: But when they tell stories, um, like you tell stories 431 00:27:38,280 --> 00:27:41,560 Speaker 1: with your music, you you appreciate it and you value it, 432 00:27:42,359 --> 00:27:44,480 Speaker 1: and you can see the artist in you. And as 433 00:27:44,520 --> 00:27:47,760 Speaker 1: you discuss it, what it what it meant, what it means. UM. 434 00:27:48,119 --> 00:27:51,600 Speaker 1: As an artist, you also you act I think that's 435 00:27:51,640 --> 00:27:54,200 Speaker 1: a natural transition for a lot of singers. I don't 436 00:27:54,200 --> 00:27:56,840 Speaker 1: know why I believe that that probably isn't. But but 437 00:27:57,040 --> 00:28:02,359 Speaker 1: you do it so effortlessly. UM, you Grammy nominated. You 438 00:28:02,440 --> 00:28:06,560 Speaker 1: have all of these talents. Um. What what is the 439 00:28:06,760 --> 00:28:09,159 Speaker 1: and I don't necessarily even think there's an endgame? What 440 00:28:09,359 --> 00:28:12,920 Speaker 1: would be your next chapter or your next season? What 441 00:28:13,000 --> 00:28:17,160 Speaker 1: would you like for yourself in your in your career. Well, 442 00:28:18,640 --> 00:28:21,560 Speaker 1: I'm I'm I'm I'm on my way to Broadway, which 443 00:28:21,600 --> 00:28:27,159 Speaker 1: I'm petrified. I'm scared. Shit. Congratulations, thank you so much, UM. 444 00:28:28,080 --> 00:28:30,760 Speaker 1: But it is something I manifest I had manifested in 445 00:28:30,920 --> 00:28:34,840 Speaker 1: and it came UM, and I didn't I was in 446 00:28:35,440 --> 00:28:38,520 Speaker 1: and this is something really grand and awesome. I didn't 447 00:28:38,520 --> 00:28:41,520 Speaker 1: expect this to be my first thing, but I'm grateful 448 00:28:41,560 --> 00:28:45,480 Speaker 1: for it. And you know, I want to be I 449 00:28:45,520 --> 00:28:48,880 Speaker 1: guess from each project to the next, most people, I guess. 450 00:28:49,440 --> 00:28:52,000 Speaker 1: I want to challenge myself. I want to do things 451 00:28:52,080 --> 00:28:56,440 Speaker 1: that scare me that I truly don't think I'm prepared for, UM, 452 00:28:57,720 --> 00:29:01,000 Speaker 1: but I know I can do it. And because for me, 453 00:29:01,360 --> 00:29:06,920 Speaker 1: not doing it, not running through the fire, UM is 454 00:29:06,960 --> 00:29:10,400 Speaker 1: depression on that side. So for me, I run from that. 455 00:29:10,600 --> 00:29:12,600 Speaker 1: I have to run from that. I have to pursue. 456 00:29:13,040 --> 00:29:15,040 Speaker 1: I have to jump off the ledge and I know 457 00:29:15,160 --> 00:29:17,680 Speaker 1: I'll survive. But if I don't and I watch everyone 458 00:29:17,800 --> 00:29:22,440 Speaker 1: jump off the ledge and do that thing and do it, well, 459 00:29:22,720 --> 00:29:25,880 Speaker 1: I'm gonna just hate that. I just didn't do that. 460 00:29:26,000 --> 00:29:27,960 Speaker 1: I had one incident in my life as a child, 461 00:29:28,440 --> 00:29:30,840 Speaker 1: and I did that. I said no, and I let 462 00:29:31,000 --> 00:29:34,360 Speaker 1: fear take over me and it ate at me forever 463 00:29:34,520 --> 00:29:36,200 Speaker 1: and ever and still to this day it's at me. 464 00:29:36,680 --> 00:29:40,800 Speaker 1: So I will never be that kid again. So I'm 465 00:29:40,840 --> 00:29:44,680 Speaker 1: looking to just expand my territory. Film and TV is 466 00:29:44,720 --> 00:29:47,120 Speaker 1: really awesome and I'm growing and it's helping me grow 467 00:29:47,200 --> 00:29:50,360 Speaker 1: as an artist. UM, because I am an introvert and 468 00:29:50,360 --> 00:29:53,040 Speaker 1: I'm a homebody. I don't experience a lot of life, 469 00:29:53,680 --> 00:29:58,719 Speaker 1: so it enables me to do so, to put myself 470 00:29:58,760 --> 00:30:01,480 Speaker 1: in other shoes and have of these different experiences that 471 00:30:02,400 --> 00:30:06,200 Speaker 1: one fees the other. Luke, you have inspired me. You 472 00:30:06,320 --> 00:30:08,680 Speaker 1: just said one thing, and you said I have to 473 00:30:08,760 --> 00:30:11,360 Speaker 1: run towards the fire, because not if you're not doing that, 474 00:30:11,440 --> 00:30:16,360 Speaker 1: it's depression a paraphrase. I love that, um, and I'm 475 00:30:16,400 --> 00:30:18,640 Speaker 1: sure our viewers will too. I wish you nothing but 476 00:30:18,680 --> 00:30:20,520 Speaker 1: the best of luck. Thank you for being patient with 477 00:30:20,640 --> 00:30:24,760 Speaker 1: us today, and I appreciate it. I've been longing for you. 478 00:30:25,720 --> 00:30:28,440 Speaker 1: Thank you. I'm a fan, as you will know. Um Hey, 479 00:30:28,640 --> 00:30:30,840 Speaker 1: so listen, I wish you nothing but the best. I 480 00:30:30,880 --> 00:30:33,040 Speaker 1: really do. But you don't need that because you have it. 481 00:30:33,160 --> 00:30:36,960 Speaker 1: It's in your heart and send your spirit. How powerful 482 00:30:37,080 --> 00:30:41,040 Speaker 1: was that he has to run towards the fire? And 483 00:30:41,120 --> 00:30:43,920 Speaker 1: that may not be powerful paraphrasing to you, but for me, 484 00:30:44,400 --> 00:30:47,000 Speaker 1: that hits me if I don't do something that makes 485 00:30:47,040 --> 00:30:51,120 Speaker 1: me uncomfortable, or if I don't challenge myself, what am 486 00:30:51,120 --> 00:30:53,480 Speaker 1: I doing? Why am I here? How we live in, 487 00:30:53,640 --> 00:30:57,160 Speaker 1: what we live in, what we're doing? Uh? He is 488 00:30:57,160 --> 00:31:01,680 Speaker 1: an incredible actor. True, Still worry Flipping through the channels 489 00:31:01,720 --> 00:31:04,760 Speaker 1: the other day and I see an episode of The 490 00:31:04,800 --> 00:31:10,160 Speaker 1: Shy On and I stopped because I didn't I didn't 491 00:31:10,160 --> 00:31:12,320 Speaker 1: know right away that that was Luke James, but I 492 00:31:12,400 --> 00:31:14,320 Speaker 1: stopped because there was just something and I was like, 493 00:31:14,840 --> 00:31:17,160 Speaker 1: this actor is grabbing my attention. Not what I said 494 00:31:17,200 --> 00:31:20,640 Speaker 1: in that moment, but that scene made me stop and 495 00:31:20,760 --> 00:31:27,080 Speaker 1: it was him, and I'm all like, wow, powerful. Ever 496 00:31:27,240 --> 00:31:29,320 Speaker 1: meet somebody who has that power to make you just 497 00:31:29,360 --> 00:31:33,240 Speaker 1: stop and pay attention. That is Lup James, and that 498 00:31:33,400 --> 00:31:35,440 Speaker 1: is the reason why I believe. And I said, I'm 499 00:31:35,440 --> 00:31:38,200 Speaker 1: not just saying this. We'll go back to this podcast, 500 00:31:38,320 --> 00:31:40,880 Speaker 1: run a tape, and we'll see how powerful he is. 501 00:31:41,920 --> 00:31:43,600 Speaker 1: I do want to bring this full circle and thank 502 00:31:43,720 --> 00:31:48,560 Speaker 1: him for being so thoughtful, but more importantly reminding us, 503 00:31:50,000 --> 00:31:53,880 Speaker 1: reminding me who Elijah McClean was. I'll share with you 504 00:31:54,040 --> 00:31:57,440 Speaker 1: the last thing that he said to police officers before 505 00:31:57,480 --> 00:32:02,840 Speaker 1: he lost consciousness. Okay, all I was trying to do 506 00:32:03,040 --> 00:32:06,520 Speaker 1: was become better. I will do it. I will do anything, 507 00:32:06,680 --> 00:32:10,160 Speaker 1: sacrifice my identity, I'll do it. You're phenomenal, You're beautiful, 508 00:32:10,200 --> 00:32:13,080 Speaker 1: and I love you. Try to forgive me. I'm a 509 00:32:13,200 --> 00:32:16,720 Speaker 1: mood Jim, and I I'm sorry. I'm so sorry that 510 00:32:16,880 --> 00:32:21,920 Speaker 1: really hurt. You are very strong. Teamwork makes the dreamwork. 511 00:32:22,800 --> 00:32:25,240 Speaker 1: I'm sorry. I wasn't trying to do that. I just 512 00:32:25,520 --> 00:32:38,600 Speaker 1: can't breathe correctly, that was assholes, right, justlike true assholes. Sorry, 513 00:32:38,720 --> 00:32:43,239 Speaker 1: that's my thought of the police officers. Anyway, I can 514 00:32:43,320 --> 00:32:48,480 Speaker 1: see why that person, that kid, the idea of who 515 00:32:48,560 --> 00:32:51,560 Speaker 1: he was and what he went through. Registers for Luke 516 00:32:51,680 --> 00:32:57,480 Speaker 1: James take a moment, enjoy some art, appreciate the love 517 00:32:57,560 --> 00:33:01,440 Speaker 1: and the air. I feel very artsy FARTSI um, I 518 00:33:01,480 --> 00:33:03,600 Speaker 1: feel like I want to hug trouble My, my producer, 519 00:33:03,720 --> 00:33:06,360 Speaker 1: who always reminds me of the name of this podcast, 520 00:33:06,440 --> 00:33:09,520 Speaker 1: which is really sad. I've had a few sor I 521 00:33:09,600 --> 00:33:12,840 Speaker 1: love you for that, Trible. You are phenomenal. I'll give 522 00:33:12,880 --> 00:33:15,640 Speaker 1: you a hug when I'm done. Thank you for listening. 523 00:33:15,760 --> 00:33:17,600 Speaker 1: We'll be back next week. M