WEBVTT - Voice Director of Kim Possible Spills the Tea!

0:00:00.080 --> 0:00:02.559
<v Speaker 1>Hey, Christy, Hey, Will, how are you. I'm really great.

0:00:02.600 --> 0:00:06.000
<v Speaker 1>Lisa Schaeffer's here, Lisa Schaefer, who was a voice director

0:00:06.080 --> 0:00:08.640
<v Speaker 1>and directed a little show called Kim Possible. That's right,

0:00:08.680 --> 0:00:10.039
<v Speaker 1>So we're gonna learn about the other side of the

0:00:10.080 --> 0:00:22.239
<v Speaker 1>industry today, So stick around. Lisa Schaefer is here with us.

0:00:23.120 --> 0:00:26.360
<v Speaker 1>Lisa Schaeffer, Oh my goodness, this feels like we're home.

0:00:26.720 --> 0:00:29.240
<v Speaker 1>It does a little bit, right, although the number of

0:00:29.720 --> 0:00:33.519
<v Speaker 1>button and I need to be able to yeah, But

0:00:33.560 --> 0:00:36.519
<v Speaker 1>we were thinking about the number of times that we

0:00:36.640 --> 0:00:39.959
<v Speaker 1>actually recorded together was miniscule. Sadly, it was like, how

0:00:39.960 --> 0:00:41.880
<v Speaker 1>many times was it? You must know, you know, every

0:00:42.240 --> 0:00:44.760
<v Speaker 1>five times? Yeah, at the most, because it was in

0:00:44.840 --> 0:00:47.839
<v Speaker 1>the way beginning, and then you ended up recording with

0:00:48.040 --> 0:00:51.800
<v Speaker 1>John Diggio and Nicole Sullivan. Yes, we would do that,

0:00:52.040 --> 0:00:55.600
<v Speaker 1>and then Nancy was separate them sometimes and is always separate.

0:00:55.720 --> 0:00:58.760
<v Speaker 1>I don't think we did one session. I remember that

0:00:58.880 --> 0:01:01.560
<v Speaker 1>it was you were not there, but Nancy was in

0:01:01.640 --> 0:01:05.560
<v Speaker 1>with up with Johnny and in the beginning being okay,

0:01:05.800 --> 0:01:08.520
<v Speaker 1>and then she was like, no, I don't like that. Will. Yeah.

0:01:08.600 --> 0:01:10.959
<v Speaker 1>She actually gave me a very nice compment. She said,

0:01:10.959 --> 0:01:12.800
<v Speaker 1>you're wow, you are really great in this show, and

0:01:12.840 --> 0:01:16.320
<v Speaker 1>I was like, of course, I might have made that

0:01:16.400 --> 0:01:18.440
<v Speaker 1>up in my own head. I think it happened, and

0:01:18.440 --> 0:01:20.560
<v Speaker 1>I'd like to remember it happened, but I should remember

0:01:20.560 --> 0:01:22.680
<v Speaker 1>it that way. We should probably also tell our wonderful

0:01:22.720 --> 0:01:25.360
<v Speaker 1>listening audience and watching a viewing audience. I should say

0:01:25.400 --> 0:01:28.320
<v Speaker 1>who Lisa is exactly. Lisa is one of the people

0:01:28.400 --> 0:01:34.320
<v Speaker 1>most responsible for recording us on Kimpossible, like essentially starting

0:01:34.440 --> 0:01:39.240
<v Speaker 1>from the very beginning, and by Chris did the pilot.

0:01:39.520 --> 0:01:42.200
<v Speaker 1>He did the pilot, and he did I think a

0:01:42.240 --> 0:01:45.240
<v Speaker 1>few of the early episodes, a very few in the beginning,

0:01:45.280 --> 0:01:49.160
<v Speaker 1>and then we would record Saturday mornings after your p

0:01:49.320 --> 0:01:54.840
<v Speaker 1>s A T class because she was in Yeah, and

0:01:54.880 --> 0:01:56.960
<v Speaker 1>then you went off to college and we recorded you

0:01:56.960 --> 0:01:58.960
<v Speaker 1>from New York and you were bell on Broadway and

0:01:59.000 --> 0:02:02.400
<v Speaker 1>we recorded you from or Will Never Left. He was

0:02:02.760 --> 0:02:06.960
<v Speaker 1>I'm always he was in Woodland Hills exactly. You know,

0:02:07.080 --> 0:02:09.080
<v Speaker 1>I was Burbank. I was in Burbank at the time.

0:02:09.880 --> 0:02:14.280
<v Speaker 1>I didn't realize, well, when we wait, when did we start? Three?

0:02:15.360 --> 0:02:20.240
<v Speaker 1>Two thousand two and three was like casting and pred

0:02:20.840 --> 0:02:23.120
<v Speaker 1>and I think two thousand three, two thousand four was

0:02:23.200 --> 0:02:26.400
<v Speaker 1>season Then, yes, I wasn't. Lisa also has a really

0:02:26.440 --> 0:02:30.600
<v Speaker 1>amazing memory. Remember something exactly. She called me Dan for

0:02:30.600 --> 0:02:35.079
<v Speaker 1>the first like six episodes. I called you dude, like

0:02:35.120 --> 0:02:38.760
<v Speaker 1>I call everybody. No, no, no, no. I went freelance

0:02:38.800 --> 0:02:41.280
<v Speaker 1>for like I left. I was a Disney employee when

0:02:41.280 --> 0:02:46.359
<v Speaker 1>we started, and I was a scheduler and a coordinator

0:02:46.520 --> 0:02:49.519
<v Speaker 1>and and really that was my day job. And then

0:02:49.760 --> 0:02:52.080
<v Speaker 1>they were letting me direct and direct and direct, and

0:02:52.120 --> 0:02:57.120
<v Speaker 1>finally Jamie Thomas, in the head of casting, was like, okay, fly,

0:02:58.480 --> 0:03:00.360
<v Speaker 1>what was the first show you ever directed? Well? I

0:03:00.440 --> 0:03:04.800
<v Speaker 1>directed at a smaller animation company called The Deek Entertainment

0:03:05.639 --> 0:03:10.120
<v Speaker 1>of my Childhood, So I did The Wacky World of

0:03:10.120 --> 0:03:12.880
<v Speaker 1>Tech Savery was one of the first ones I did.

0:03:13.080 --> 0:03:16.720
<v Speaker 1>I did some of the Inspector Gadget readers. They did

0:03:16.720 --> 0:03:18.920
<v Speaker 1>old school Inspector gadgett too, though deck they were like

0:03:18.960 --> 0:03:22.280
<v Speaker 1>around they created it. But that was before I got there.

0:03:22.560 --> 0:03:25.160
<v Speaker 1>And you know, that's where I met, Like they had

0:03:25.240 --> 0:03:28.959
<v Speaker 1>Tara and they had Cree Discovered from Toronto like when

0:03:28.960 --> 0:03:35.560
<v Speaker 1>they were kids. Penny on Incopord brought her back and

0:03:35.880 --> 0:03:41.320
<v Speaker 1>Race LaMarsh and all of them people. So when I

0:03:41.360 --> 0:03:44.600
<v Speaker 1>came over to Disney, I went back because it was

0:03:45.040 --> 0:03:48.560
<v Speaker 1>to earn my stripes as a Disney So I went

0:03:48.600 --> 0:03:51.240
<v Speaker 1>back and was a talent coordinator and a booker and

0:03:52.200 --> 0:03:54.160
<v Speaker 1>schedule and then some people came to you and said,

0:03:54.720 --> 0:03:57.520
<v Speaker 1>we've got a show. Yeah, my Mark and Bob came

0:03:57.800 --> 0:04:01.080
<v Speaker 1>and and we started working. I was casting their show.

0:04:01.200 --> 0:04:05.680
<v Speaker 1>I was casting it and coordinating it and then directing

0:04:05.720 --> 0:04:08.560
<v Speaker 1>it and doing all the auditions. And you know, did

0:04:08.600 --> 0:04:12.040
<v Speaker 1>you ever cast it? Could you cast us? Well? Me

0:04:12.080 --> 0:04:14.480
<v Speaker 1>and Mark and Bob, I mean, you know, Jamie and

0:04:15.120 --> 0:04:18.919
<v Speaker 1>Dave and who team, the whole team? I remember? Okay,

0:04:18.960 --> 0:04:22.159
<v Speaker 1>So I remember our animaltic that was used for the

0:04:22.200 --> 0:04:26.440
<v Speaker 1>audition process. Do you remember that? Really? It was? Yeah?

0:04:26.760 --> 0:04:29.599
<v Speaker 1>I think so it was like, well, do you maybe

0:04:29.600 --> 0:04:31.440
<v Speaker 1>she remembers better than me? No, no, but no, I

0:04:31.520 --> 0:04:34.920
<v Speaker 1>just remember that what had happened was they put they

0:04:34.960 --> 0:04:37.880
<v Speaker 1>had put me, or maybe I came into the studio

0:04:38.680 --> 0:04:41.479
<v Speaker 1>in like Disney voices and then I put myself on

0:04:41.640 --> 0:04:45.000
<v Speaker 1>tape and they had showed me KPS like you know,

0:04:45.080 --> 0:04:49.400
<v Speaker 1>her her picture, her description. Bob and Mark kind of

0:04:49.440 --> 0:04:51.440
<v Speaker 1>like helped coax me through it because I hadn't done

0:04:51.480 --> 0:04:55.960
<v Speaker 1>anything like that. Yeah, you came to Disney to our booth. Okay,

0:04:55.960 --> 0:04:59.279
<v Speaker 1>so you do remember, yeah? And then I just remember

0:04:59.520 --> 0:05:05.039
<v Speaker 1>though they used the pilot episode as a regular episode

0:05:05.120 --> 0:05:08.400
<v Speaker 1>later down the line. Right, yes, how did that all work? Well,

0:05:08.520 --> 0:05:13.320
<v Speaker 1>we did the pilot and then, but we had also

0:05:13.560 --> 0:05:16.919
<v Speaker 1>concurrently started the show. So by the time the pilot

0:05:17.000 --> 0:05:21.080
<v Speaker 1>came back, like we were reworking everything because like the

0:05:21.440 --> 0:05:24.360
<v Speaker 1>show evolves, and so I think when you do a pilot,

0:05:25.040 --> 0:05:27.920
<v Speaker 1>especially of an animated especially of an animated show, nine

0:05:27.920 --> 0:05:32.239
<v Speaker 1>months goes by before it comes back. Right, So everything

0:05:32.560 --> 0:05:36.039
<v Speaker 1>we had recorded twenty shows in that time, because we

0:05:36.080 --> 0:05:37.880
<v Speaker 1>had gone to series and they went out. They were

0:05:37.880 --> 0:05:40.160
<v Speaker 1>like boom boom, boom, boom boom, all the records happen,

0:05:40.240 --> 0:05:42.200
<v Speaker 1>and then you get this one back that's kind of

0:05:42.240 --> 0:05:46.560
<v Speaker 1>like off by itself. Well, and Disney was chopping it

0:05:46.640 --> 0:05:48.760
<v Speaker 1>up to use it to promo. So like this one

0:05:48.800 --> 0:05:50.800
<v Speaker 1>piece of dialogue I remember was not only from the

0:05:50.839 --> 0:05:55.440
<v Speaker 1>audition obviously, remember like trying to really get the job

0:05:55.520 --> 0:05:57.440
<v Speaker 1>with this whole little c net that me and Will's

0:05:57.520 --> 0:05:59.640
<v Speaker 1>character was doing. It was like, don't freak out, Kim,

0:05:59.680 --> 0:06:02.800
<v Speaker 1>And I was like, I'm not like that whole thing, Okay,

0:06:03.839 --> 0:06:05.880
<v Speaker 1>I do. I vaguely remember it was like the c

0:06:06.040 --> 0:06:07.560
<v Speaker 1>net that they kind of chopped up and then they

0:06:07.640 --> 0:06:10.200
<v Speaker 1>teased it to people. And I don't even know if

0:06:10.200 --> 0:06:13.039
<v Speaker 1>they had that song yet from Christina Milion. I don't

0:06:13.040 --> 0:06:14.840
<v Speaker 1>think that. I think do you were you a part

0:06:14.839 --> 0:06:17.240
<v Speaker 1>of any of the musical stuff. I was a part

0:06:17.320 --> 0:06:22.320
<v Speaker 1>with the musicals with you guys, but not for Christina.

0:06:22.480 --> 0:06:24.920
<v Speaker 1>And what List is talking about is the naked male rap.

0:06:25.000 --> 0:06:28.440
<v Speaker 1>Well not just nake, but say the word. And John

0:06:28.520 --> 0:06:33.080
<v Speaker 1>DiMaggio is draging. Yes, we did the Christmas songs and

0:06:33.120 --> 0:06:35.360
<v Speaker 1>stuff like that. I remember John calling me after one

0:06:35.440 --> 0:06:37.760
<v Speaker 1>Christmas song and going, I can't believe you hit the harmony.

0:06:38.560 --> 0:06:40.080
<v Speaker 1>He literally said to because I can't believe he hit

0:06:40.080 --> 0:06:41.760
<v Speaker 1>the harmony because he knows I can't sing, so he's like,

0:06:41.800 --> 0:06:43.599
<v Speaker 1>I can't believe he hit the harmony. He was like, hey, thanks,

0:06:43.640 --> 0:06:46.640
<v Speaker 1>He's like he couldn't. The naked that was rapping and

0:06:46.680 --> 0:06:49.000
<v Speaker 1>singing or a little different though. That was my second

0:06:49.040 --> 0:06:53.359
<v Speaker 1>rap song and apparently award winning trap I did not

0:06:53.520 --> 0:06:58.240
<v Speaker 1>know about. Bob and Mark are the creators of Kimpossible.

0:06:58.640 --> 0:07:01.760
<v Speaker 1>Bob Schooling and Mark Mark mccorle. They accepted an award

0:07:01.839 --> 0:07:03.960
<v Speaker 1>for the Naked mole rap. I guess they didn't even go.

0:07:04.240 --> 0:07:07.440
<v Speaker 1>They didn't. I think they found out about it after

0:07:07.520 --> 0:07:10.400
<v Speaker 1>it happened. I have a question for you with regards

0:07:10.520 --> 0:07:13.360
<v Speaker 1>the casting process, because one of the things that we

0:07:13.360 --> 0:07:16.120
<v Speaker 1>are talking about here on I hear voices. We're trying

0:07:16.120 --> 0:07:20.720
<v Speaker 1>to teach everybody kind of the entire process around making

0:07:20.760 --> 0:07:22.960
<v Speaker 1>an animated series or any sort of divorce or or

0:07:23.040 --> 0:07:25.120
<v Speaker 1>even if it's doing a commercial or doing a movie,

0:07:25.120 --> 0:07:27.440
<v Speaker 1>whatever it is, and so we are making sure we're

0:07:27.440 --> 0:07:29.320
<v Speaker 1>trying to hit everybody. So that's why we have Lisa on.

0:07:29.400 --> 0:07:31.040
<v Speaker 1>We're going to try to do as many directors as

0:07:31.040 --> 0:07:33.320
<v Speaker 1>we can as well, and Lisa's of course a director extraordinaire.

0:07:33.760 --> 0:07:39.080
<v Speaker 1>But song a bit, you've been sung a bit. You

0:07:39.120 --> 0:07:42.040
<v Speaker 1>got an Emmy behind you, so you're you're've been sung

0:07:42.080 --> 0:07:43.760
<v Speaker 1>a little bit. And we've had some Emmy's on this

0:07:43.800 --> 0:07:46.040
<v Speaker 1>show now. Um, and apparently you got nominated for one,

0:07:46.040 --> 0:07:48.560
<v Speaker 1>which I had did know until a minute ago. I

0:07:48.600 --> 0:07:51.080
<v Speaker 1>had no idea. Apparently I'm the only one on Kimpossible

0:07:51.080 --> 0:07:52.760
<v Speaker 1>that was not nominated for an Emmy, which I just

0:07:52.760 --> 0:07:55.320
<v Speaker 1>found that Nancy was nominated. That's what I'm saying. She won.

0:07:55.520 --> 0:07:58.800
<v Speaker 1>I think I thought she want I don't think. Okay, Well,

0:07:58.840 --> 0:08:00.640
<v Speaker 1>either way, she won for barts In which is a

0:08:00.680 --> 0:08:04.239
<v Speaker 1>smaller cartoon character some people might have heard of. Um.

0:08:04.280 --> 0:08:06.480
<v Speaker 1>But one of the things that's very different a lot

0:08:06.480 --> 0:08:08.680
<v Speaker 1>of the times in the animated world than it is

0:08:08.800 --> 0:08:11.640
<v Speaker 1>in the you know, on camera world, is in a

0:08:11.680 --> 0:08:14.760
<v Speaker 1>lot of these cases, the director also is in charge

0:08:14.800 --> 0:08:18.000
<v Speaker 1>of casting or is really helpful when it comes to

0:08:18.040 --> 0:08:20.960
<v Speaker 1>the casting process. Yes and no. Okay, now what do

0:08:20.960 --> 0:08:25.120
<v Speaker 1>you mean by certainly? Well, in the in the beginning

0:08:25.200 --> 0:08:29.600
<v Speaker 1>days like earlier, Uh, because I was wearing a lot

0:08:29.640 --> 0:08:32.800
<v Speaker 1>of hats, I was casting and directing, and there's shows

0:08:32.880 --> 0:08:35.320
<v Speaker 1>I cast from the beginning to the end. But it

0:08:35.360 --> 0:08:38.439
<v Speaker 1>depends on the studio. Like Nickelodeon has their own casting department,

0:08:38.480 --> 0:08:41.520
<v Speaker 1>Disney has their own casting department, Warner Brothers has their

0:08:41.559 --> 0:08:45.800
<v Speaker 1>own casting department, so they do. Did you get any say,

0:08:45.960 --> 0:08:49.319
<v Speaker 1>like especially as the show is getting bigger, Yeah, of course,

0:08:49.400 --> 0:08:52.200
<v Speaker 1>you know, Hey, I want to bring this person in. Yes, absolutely,

0:08:52.320 --> 0:08:54.920
<v Speaker 1>But it used to be we would do that all

0:08:55.000 --> 0:08:59.240
<v Speaker 1>day long, and now they have, you know, which is

0:08:59.280 --> 0:09:02.640
<v Speaker 1>great for directors because you have a whole group of

0:09:02.679 --> 0:09:07.119
<v Speaker 1>people who only cast, so they're they're you know, dedicated

0:09:07.160 --> 0:09:09.360
<v Speaker 1>to your show, and they're dedicated to bringing you the

0:09:09.360 --> 0:09:11.640
<v Speaker 1>people and you can talk to them. You know, it's

0:09:11.640 --> 0:09:18.120
<v Speaker 1>a very collaborative. Um sport right. I feel really silly

0:09:18.160 --> 0:09:21.200
<v Speaker 1>because a lot of times so I would report and

0:09:21.200 --> 0:09:24.440
<v Speaker 1>obviously I was disconnected. Lisa was always so supportive in

0:09:24.520 --> 0:09:27.600
<v Speaker 1>trying to keep me sort of connected to the rest

0:09:27.600 --> 0:09:29.760
<v Speaker 1>of the cast that even if I was in New York,

0:09:29.840 --> 0:09:32.920
<v Speaker 1>which I was for about a year. Um, she she

0:09:33.040 --> 0:09:35.200
<v Speaker 1>was like, guess who we got cast in this one?

0:09:35.320 --> 0:09:38.319
<v Speaker 1>Like we got the Taco Bell dog, like the voice

0:09:38.320 --> 0:09:46.600
<v Speaker 1>of the dog fast Yeah, no, no, no, you're thinking

0:09:46.640 --> 0:09:48.679
<v Speaker 1>of he was not, but that's not the Taco Bell.

0:09:48.880 --> 0:09:53.559
<v Speaker 1>That's right, Carlos. It was from and he was the

0:09:53.600 --> 0:09:56.400
<v Speaker 1>Taco he was. Okay, I'm not sure I ever knew that. No.

0:09:56.559 --> 0:10:00.360
<v Speaker 1>Ricardo Montalbon was senior senior senior, Yes, yes, and that

0:10:00.440 --> 0:10:04.960
<v Speaker 1>was phenomenal, like directing him like the icons, Debbie Reynolds,

0:10:05.000 --> 0:10:07.199
<v Speaker 1>we got to direct never had to meet any of

0:10:07.320 --> 0:10:13.000
<v Speaker 1>these people. That's the thing. Dakota Fanning played Baby Kim Possible. Yes,

0:10:13.320 --> 0:10:17.680
<v Speaker 1>remember that like that? It was It was incredible and

0:10:17.760 --> 0:10:20.240
<v Speaker 1>she was such a fan of you. I mean, that's why.

0:10:20.360 --> 0:10:23.640
<v Speaker 1>I wish you guys could have because they were all

0:10:23.760 --> 0:10:27.360
<v Speaker 1>such big fans of the show. When we aged everybody

0:10:27.400 --> 0:10:31.400
<v Speaker 1>and young everybody. There were some huge actors on Kim

0:10:31.440 --> 0:10:34.080
<v Speaker 1>Possible and that really big guy who like had to

0:10:34.559 --> 0:10:38.800
<v Speaker 1>duck in when he played them the Giant, the Giant

0:10:38.840 --> 0:10:43.439
<v Speaker 1>guy from Yes Oh, Kevin Michael Richardson's good friend Michael

0:10:43.440 --> 0:10:46.800
<v Speaker 1>Clarke Duncan, who was the phenomenal actor and apparently according

0:10:46.840 --> 0:10:53.320
<v Speaker 1>to and he played Rufous. He played Rufus the Yeahs

0:10:53.400 --> 0:10:55.800
<v Speaker 1>and he was so into it, you know, like he

0:10:55.920 --> 0:10:58.120
<v Speaker 1>was like, I can't believe I get to do this. So,

0:10:58.360 --> 0:11:00.600
<v Speaker 1>you know, while we were in our later seasons, it

0:11:00.800 --> 0:11:05.080
<v Speaker 1>was easier because people we it was a known commodity.

0:11:05.200 --> 0:11:08.520
<v Speaker 1>People loved it. Dakota could not. She was like freaking out,

0:11:08.520 --> 0:11:12.360
<v Speaker 1>she was so excited about it. Um So Ricardo Montbarlmo

0:11:12.400 --> 0:11:16.079
<v Speaker 1>senior senior senior was it Nestor? Was he senior senior

0:11:16.160 --> 0:11:19.280
<v Speaker 1>junior who gave one of the so out of character

0:11:19.360 --> 0:11:22.800
<v Speaker 1>performances for an actor you've ever seen it? Just meaning

0:11:22.840 --> 0:11:24.360
<v Speaker 1>like you see Nestor on things like he was just

0:11:24.400 --> 0:11:26.719
<v Speaker 1>on the Morning Show, and he's in everything. He was

0:11:26.720 --> 0:11:29.040
<v Speaker 1>in Batman and he's in bed and everything, and then

0:11:29.080 --> 0:11:32.280
<v Speaker 1>you heard his performance and it was just so good

0:11:32.400 --> 0:11:34.960
<v Speaker 1>and talk about he had never sung before. And we

0:11:35.200 --> 0:11:39.360
<v Speaker 1>made him sing every boy band song relentlessly because that's

0:11:39.400 --> 0:11:42.120
<v Speaker 1>what Senior Senior Junior only ever wanted to be a

0:11:42.160 --> 0:11:44.599
<v Speaker 1>pop star. That was his goal. And what was the

0:11:44.640 --> 0:11:48.200
<v Speaker 1>name of the band? We made up town. That's an

0:11:48.240 --> 0:11:58.600
<v Speaker 1>actual that was an actual band, and we made that

0:11:58.679 --> 0:12:03.880
<v Speaker 1>poor man so nervous and he would sing and we're like, well,

0:12:03.920 --> 0:12:07.240
<v Speaker 1>the good news is Senior Senior Junior is a terrible singer.

0:12:07.920 --> 0:12:11.000
<v Speaker 1>And and it was Adams nest Oh my god, he's dreaming.

0:12:11.120 --> 0:12:12.840
<v Speaker 1>We called Nestor Carbonar in our house. He's the one

0:12:12.880 --> 0:12:14.320
<v Speaker 1>who always looks like he has I make up on.

0:12:14.400 --> 0:12:18.400
<v Speaker 1>He's a really good looking dude. Adam Barry, Adam Berry,

0:12:18.720 --> 0:12:23.600
<v Speaker 1>Adam Barry. Oh, this guy, this guy, yeah, that guy. Yeah.

0:12:23.640 --> 0:12:27.840
<v Speaker 1>Oh that's perfect, very good actor. Yeah. And he just

0:12:27.920 --> 0:12:31.840
<v Speaker 1>had that father. Father was so great. I don't know

0:12:31.920 --> 0:12:38.840
<v Speaker 1>to want to I want to suntan. Oh. It was crazy.

0:12:38.960 --> 0:12:43.000
<v Speaker 1>So Adam Barry was the music and he Nestor would

0:12:43.000 --> 0:12:46.400
<v Speaker 1>have to sing over and and he but he got

0:12:46.400 --> 0:12:49.000
<v Speaker 1>through it and he was It was perfect. It was perfect.

0:12:49.320 --> 0:12:53.880
<v Speaker 1>We did a lot of actual music songs and what

0:12:53.920 --> 0:12:57.040
<v Speaker 1>Disney likes to put music in, Well, markam Bob like

0:12:57.240 --> 0:13:00.800
<v Speaker 1>to market? Bob do some things that are pretty remarkable,

0:13:00.960 --> 0:13:05.160
<v Speaker 1>Like I remember the episode where it's Mark and Bob

0:13:05.200 --> 0:13:10.920
<v Speaker 1>in the boat and it's and it's and they did

0:13:13.080 --> 0:13:15.400
<v Speaker 1>in the boat. And then there was one character that

0:13:15.520 --> 0:13:19.640
<v Speaker 1>Ron talks about named Mary gary Anu because Gary Marianna

0:13:19.760 --> 0:13:23.040
<v Speaker 1>was our did our pr um. So it's like they

0:13:23.080 --> 0:13:25.840
<v Speaker 1>would throw in these little nods that only we would get.

0:13:26.080 --> 0:13:27.920
<v Speaker 1>You know, it's you know, nobody watching the show is

0:13:27.920 --> 0:13:29.520
<v Speaker 1>going to go, oh, that's Mark and Bob unless you

0:13:29.679 --> 0:13:33.000
<v Speaker 1>Mark and Bob. So that stuff was was really really cool. Now,

0:13:33.160 --> 0:13:36.800
<v Speaker 1>was there anybody that you really wanted to get on

0:13:36.840 --> 0:13:39.120
<v Speaker 1>the show that you tried and tried and tried and

0:13:39.160 --> 0:13:42.280
<v Speaker 1>it just didn't happen, Carrie Fisher, We tried and tried

0:13:42.559 --> 0:13:45.720
<v Speaker 1>and tried for which role it was? Was it a bunch?

0:13:46.480 --> 0:13:49.199
<v Speaker 1>Was it for I want to say it was a

0:13:49.920 --> 0:13:53.680
<v Speaker 1>it was a villain or I can't remember. Uh. And

0:13:53.840 --> 0:13:57.600
<v Speaker 1>everybody said they had their an in and everybody had

0:13:57.640 --> 0:14:00.400
<v Speaker 1>an inn and and no one could get to her.

0:14:00.480 --> 0:14:02.439
<v Speaker 1>And I want to say, I feel like we didn't

0:14:02.520 --> 0:14:05.520
<v Speaker 1>have uh, I feel like we had a lot of

0:14:05.559 --> 0:14:10.640
<v Speaker 1>male villains, especially the main ones. Amy. We had Melissa McCarthy. Yes,

0:14:11.320 --> 0:14:15.200
<v Speaker 1>that's right, that was me because I was a huge

0:14:15.200 --> 0:14:20.000
<v Speaker 1>Gilmore Girls fan, so I got before she exped I

0:14:20.080 --> 0:14:23.040
<v Speaker 1>made market and we got her, and we got a

0:14:23.040 --> 0:14:25.120
<v Speaker 1>bunch of people from what I mean. Also, one of

0:14:25.120 --> 0:14:27.040
<v Speaker 1>the best villains ever was she Go because she was

0:14:27.080 --> 0:14:30.080
<v Speaker 1>the one who was actually she was really the mastermind

0:14:30.080 --> 0:14:33.160
<v Speaker 1>of everything going on. And we had Carrie Kenny from

0:14:33.160 --> 0:14:37.160
<v Speaker 1>Reno nine on one and she played another villain in

0:14:37.160 --> 0:14:39.720
<v Speaker 1>a in season in a really early season. I never

0:14:39.720 --> 0:14:41.680
<v Speaker 1>got to meet any She's like one of my favorite

0:14:41.680 --> 0:14:47.920
<v Speaker 1>She's one of the unsungs, hysterical and the daughter of

0:14:48.120 --> 0:14:52.640
<v Speaker 1>a legendary voice over actor, Larry Kenny, the original Lionel

0:14:53.120 --> 0:14:55.880
<v Speaker 1>we brought onto teen Titans. Did you okay? Cool? Yeah,

0:14:55.880 --> 0:14:58.320
<v Speaker 1>he was the original Lione on thundercost He's so good,

0:14:58.640 --> 0:15:01.320
<v Speaker 1>so good, believe. But yeah, but I want to be

0:15:01.360 --> 0:15:03.000
<v Speaker 1>so happy about this. But the more I'm hearing these

0:15:03.000 --> 0:15:05.200
<v Speaker 1>amazing that I didn't get a chance to record what

0:15:05.280 --> 0:15:07.200
<v Speaker 1>I was gonna say, Did you record with Gary Cole

0:15:07.240 --> 0:15:09.280
<v Speaker 1>and Jean Smart? Did you actually get to Mom and

0:15:09.360 --> 0:15:12.960
<v Speaker 1>Dad Possible. I met Gary Cole a couple of times randomly,

0:15:13.040 --> 0:15:14.480
<v Speaker 1>and I remember at one point I walked up to

0:15:14.600 --> 0:15:17.280
<v Speaker 1>my saw him in a restaurant like years later, and

0:15:17.280 --> 0:15:18.840
<v Speaker 1>I walked up to him and I said, excuse me,

0:15:18.960 --> 0:15:21.400
<v Speaker 1>Mr Cole, my name's you know Will We we did

0:15:21.560 --> 0:15:25.880
<v Speaker 1>Kim Possible together. Oh, yes, you know I remember him Possible. Thanks.

0:15:26.520 --> 0:15:29.480
<v Speaker 1>I was like, okay, I'm gonna leave you now. Thanks. Thanks.

0:15:29.480 --> 0:15:33.840
<v Speaker 1>So mellows he did that to me too. Calm is

0:15:34.160 --> 0:15:38.520
<v Speaker 1>very nice. Yeah, like you never shot, very like just

0:15:38.560 --> 0:15:41.280
<v Speaker 1>sit there. He was not rude. He was just very professional.

0:15:41.360 --> 0:15:44.320
<v Speaker 1>And he came in, did this thing and left. No,

0:15:44.440 --> 0:15:46.880
<v Speaker 1>I don't know, Ronald, he has this kind of way

0:15:46.920 --> 0:15:52.280
<v Speaker 1>about it. I mean, yeah, we brought him into Penguins

0:15:52.360 --> 0:15:54.680
<v Speaker 1>and he would come in and Jean Smart he was

0:15:54.800 --> 0:16:01.080
<v Speaker 1>just my idol. I wasn't designing women super fans for me.

0:16:01.240 --> 0:16:04.840
<v Speaker 1>It was just like, oh man, people that the rest

0:16:04.880 --> 0:16:10.400
<v Speaker 1>of the world. I was starting to see Jeans ridiculous,

0:16:11.200 --> 0:16:16.160
<v Speaker 1>insane and so good, and that they ended up airing

0:16:16.240 --> 0:16:19.200
<v Speaker 1>together so you could see the full of of how

0:16:19.280 --> 0:16:22.600
<v Speaker 1>talented that woman is. And again she came in completely

0:16:22.640 --> 0:16:26.440
<v Speaker 1>unassuming you had no idea and she just go do

0:16:26.520 --> 0:16:29.080
<v Speaker 1>whatever you want, just tell me what it is, and

0:16:29.120 --> 0:16:31.880
<v Speaker 1>she'd go a hundred miles. Debbie Reynolds was the same

0:16:31.920 --> 0:16:34.320
<v Speaker 1>way when she was doing Nana Possible. She's like, honey,

0:16:34.520 --> 0:16:35.920
<v Speaker 1>do you want me to do the kung fu moves?

0:16:35.960 --> 0:16:40.320
<v Speaker 1>I've been practicing. I kind of do do And we

0:16:40.320 --> 0:16:46.160
<v Speaker 1>were just like beside ourselves. That was DeBie Reynolds, not

0:16:46.160 --> 0:16:48.520
<v Speaker 1>you're in too, Carrie Fisher. Well, I think it was

0:16:49.080 --> 0:16:53.440
<v Speaker 1>like we got it came. I know it was. We

0:16:53.480 --> 0:16:56.200
<v Speaker 1>thought that was solid gold, and it just never happened,

0:16:57.240 --> 0:16:59.960
<v Speaker 1>and I don't know where it fell apart. Now I

0:17:00.080 --> 0:17:01.720
<v Speaker 1>have to ask you, this might be there might be

0:17:01.760 --> 0:17:03.440
<v Speaker 1>no good answer behind this. So if there isn't just

0:17:03.480 --> 0:17:08.240
<v Speaker 1>making is there a reason we never recorded with Nancy Well,

0:17:08.280 --> 0:17:14.200
<v Speaker 1>I think a lot depends on schedules, so everybody's schedule dictated.

0:17:14.560 --> 0:17:19.280
<v Speaker 1>She's very tried, very nicely. Now she didn't want to time.

0:17:19.400 --> 0:17:21.960
<v Speaker 1>Disney wasn't doing big on some We only did it

0:17:22.040 --> 0:17:26.359
<v Speaker 1>because you asked specific Oh is you it? I mean,

0:17:27.119 --> 0:17:29.520
<v Speaker 1>I hope I'm not speaking out of but you made

0:17:30.440 --> 0:17:33.359
<v Speaker 1>a request at one of the season breaks. I mean

0:17:33.480 --> 0:17:35.040
<v Speaker 1>when the story was I wasn't gonna come back for

0:17:35.080 --> 0:17:37.520
<v Speaker 1>season two. Oh my gosh. We we thought it was

0:17:37.560 --> 0:17:40.560
<v Speaker 1>too It is too because we renegotiated our feet. Okay,

0:17:40.720 --> 0:17:42.800
<v Speaker 1>See it wasn't had nothing, had really nothing to do

0:17:42.840 --> 0:17:44.920
<v Speaker 1>with that for me, like, I can't actually want this,

0:17:44.920 --> 0:17:50.560
<v Speaker 1>This is such impossible. It had absolutely nothing whatsoever to

0:17:50.600 --> 0:17:52.280
<v Speaker 1>do with the money for me. Swear to god, I

0:17:52.320 --> 0:17:54.199
<v Speaker 1>really didn't care about the money at all. It was

0:17:54.240 --> 0:17:57.479
<v Speaker 1>that I did. I was recording by myself and I

0:17:57.520 --> 0:17:59.639
<v Speaker 1>was just coming off a Batman where we there'd be

0:17:59.640 --> 0:18:01.800
<v Speaker 1>twenty people in the room and there's all this energy,

0:18:01.960 --> 0:18:03.640
<v Speaker 1>and then I was walking into this room by myself,

0:18:03.680 --> 0:18:05.239
<v Speaker 1>and I just didn't like it. So I didn't make

0:18:05.240 --> 0:18:06.800
<v Speaker 1>a stink. I didn't say anything. All I said was

0:18:06.960 --> 0:18:08.320
<v Speaker 1>I think it would be better if you just got

0:18:08.359 --> 0:18:10.080
<v Speaker 1>someone else. I said, I just I don't think it's

0:18:10.080 --> 0:18:12.639
<v Speaker 1>for me. And then they called me and said, no,

0:18:12.720 --> 0:18:14.320
<v Speaker 1>we really want you back. I said, look, guys, it's

0:18:14.359 --> 0:18:16.040
<v Speaker 1>I'm not trying to I'm not. It's not well, we'll

0:18:16.080 --> 0:18:17.880
<v Speaker 1>talk about money. I'm like, I swear it's not about

0:18:17.920 --> 0:18:23.520
<v Speaker 1>the money at all, because you're very rich. But it

0:18:23.560 --> 0:18:26.280
<v Speaker 1>wasn't about that. I wanted to record with other actors.

0:18:26.520 --> 0:18:31.520
<v Speaker 1>That's amazing that I was at the time. That was

0:18:31.560 --> 0:18:34.679
<v Speaker 1>a very stylistic difference between Warner Brothers because I was

0:18:34.720 --> 0:18:38.119
<v Speaker 1>doing show directing, show and showdown over there and we

0:18:38.200 --> 0:18:41.800
<v Speaker 1>had fourteen people lined up, seven on one side, seven

0:18:41.840 --> 0:18:43.680
<v Speaker 1>on the other, and it's all raised in the middle

0:18:43.760 --> 0:18:47.600
<v Speaker 1>and me screaming bloody murder at everybody. It was phenomenal.

0:18:48.280 --> 0:18:50.680
<v Speaker 1>I was also doing you know, when we did Penguins,

0:18:50.720 --> 0:18:53.600
<v Speaker 1>we did ten people in the room loudhouse, when before

0:18:53.680 --> 0:18:59.520
<v Speaker 1>COVID we're doing twelve people in a room guards in

0:18:59.560 --> 0:19:03.560
<v Speaker 1>a straight lineup, guys all look like criminals. But literally

0:19:03.600 --> 0:19:08.679
<v Speaker 1>was a straight row secret Saturday something that I cast

0:19:08.920 --> 0:19:12.000
<v Speaker 1>beginning to end top to They let me do that.

0:19:12.000 --> 0:19:19.400
<v Speaker 1>That cast was secret was right after k Impossible. Yeah,

0:19:19.560 --> 0:19:23.560
<v Speaker 1>and it was actually a pretty great I was my goodness.

0:19:23.960 --> 0:19:26.600
<v Speaker 1>He played a dark soul I did. It was cool,

0:19:26.640 --> 0:19:30.840
<v Speaker 1>which was so different deep in his voice. Yeah, it

0:19:30.880 --> 0:19:33.200
<v Speaker 1>was even deeper than Batman. That's the deepest. Doyle was

0:19:33.240 --> 0:19:35.480
<v Speaker 1>the deepest character doing a character voice. I've never heard

0:19:35.480 --> 0:19:38.080
<v Speaker 1>of it. Ye, Doyle was just he was just down here,

0:19:38.119 --> 0:19:39.960
<v Speaker 1>like get out of your kid, and he was he

0:19:40.040 --> 0:19:42.879
<v Speaker 1>was an unhappy soul he was a mercenary. Yeah, and

0:19:42.920 --> 0:19:45.360
<v Speaker 1>so it was this complete departure, but it was so

0:19:45.600 --> 0:19:48.359
<v Speaker 1>it was so great, you know, to do that that turn,

0:19:48.680 --> 0:19:53.159
<v Speaker 1>because you know, I love working with actors, but also

0:19:53.560 --> 0:19:57.080
<v Speaker 1>like love switching it up like in that that show

0:19:57.280 --> 0:20:01.360
<v Speaker 1>Dietrich Babe played a character that never spoke like he

0:20:01.560 --> 0:20:06.200
<v Speaker 1>made he was an alien, and the way he did

0:20:06.240 --> 0:20:08.560
<v Speaker 1>it at all like that. No, he did it well,

0:20:08.760 --> 0:20:11.920
<v Speaker 1>did not sound like that, but it had so much

0:20:12.080 --> 0:20:17.520
<v Speaker 1>humanity and he never uttered a single actual word. He

0:20:17.560 --> 0:20:20.520
<v Speaker 1>could make a sound and we would almost be in

0:20:20.560 --> 0:20:24.040
<v Speaker 1>tears like it was. It was. He played this heart

0:20:24.160 --> 0:20:28.360
<v Speaker 1>like it was. And I directed him, I would fists.

0:20:29.000 --> 0:20:32.119
<v Speaker 1>I would direct him as if I was just like

0:20:32.160 --> 0:20:34.560
<v Speaker 1>a regularly. I wasn't telling him to make sounds. I'm like,

0:20:34.800 --> 0:20:37.800
<v Speaker 1>here's your emotion, here's what the scene is. And he

0:20:37.920 --> 0:20:43.120
<v Speaker 1>would like and then he'd like have his mind. They'd

0:20:43.160 --> 0:20:45.439
<v Speaker 1>leave his mic up because he just ad lib in

0:20:45.480 --> 0:20:48.000
<v Speaker 1>the middle of it all. And it was because it

0:20:48.080 --> 0:20:50.919
<v Speaker 1>weren't word didn't matter. It was genius. It really was

0:20:51.480 --> 0:20:54.200
<v Speaker 1>Corey Burton. That's the first time I'd worked with Corey Burton,

0:20:54.359 --> 0:20:56.359
<v Speaker 1>who is a legend. This is remember when you and

0:20:56.359 --> 0:20:58.760
<v Speaker 1>I were talking about originally doing this show. I told

0:20:58.760 --> 0:21:00.359
<v Speaker 1>you one of the reasons that I wanted to do

0:21:00.400 --> 0:21:04.359
<v Speaker 1>it was because, Yeah, this podcast is because of a

0:21:04.400 --> 0:21:06.840
<v Speaker 1>conversation I had with an actor named coryburn He was

0:21:06.880 --> 0:21:09.600
<v Speaker 1>at my house. He didn't doesn't like to come to

0:21:09.680 --> 0:21:12.320
<v Speaker 1>rap parties, but we had just finished ThunderCats and he came.

0:21:12.400 --> 0:21:15.280
<v Speaker 1>He came, and he was there late. Everybody had left

0:21:15.320 --> 0:21:17.720
<v Speaker 1>and it was just myself, Matt Mercer, and Corey Burton

0:21:17.800 --> 0:21:19.800
<v Speaker 1>left and I said, I was like, this is too

0:21:19.840 --> 0:21:22.879
<v Speaker 1>good an opportunity. And I said, Corey, I'm just curious,

0:21:23.000 --> 0:21:25.200
<v Speaker 1>where do you come up with your characters? And he said,

0:21:25.640 --> 0:21:28.800
<v Speaker 1>I have a shelf built in my mind and on

0:21:28.840 --> 0:21:31.640
<v Speaker 1>that shelf they're all the characters I need. And when

0:21:31.640 --> 0:21:33.119
<v Speaker 1>I need to, I reach into my mind. And I

0:21:33.560 --> 0:21:35.159
<v Speaker 1>remember I was telling you the story and I was like,

0:21:35.520 --> 0:21:37.800
<v Speaker 1>we need to talk to more voiceover actors to find

0:21:37.840 --> 0:21:40.439
<v Speaker 1>out where they're getting it because that story. And I

0:21:40.480 --> 0:21:44.240
<v Speaker 1>was like, it's nuts. Yeah, We've had such an amazing

0:21:44.280 --> 0:21:47.240
<v Speaker 1>time unlocking all of these journeys that people have taken

0:21:47.280 --> 0:21:50.240
<v Speaker 1>to find themselves an animation, whether it's through singing or

0:21:50.400 --> 0:21:54.199
<v Speaker 1>through like Kevin Conroy, so Kevin Conroy. We had a

0:21:54.200 --> 0:21:57.040
<v Speaker 1>great chat with him. I'm hoping that's not going to

0:21:57.080 --> 0:21:59.359
<v Speaker 1>spoil anything, but I don't think it will. So here's

0:21:59.359 --> 0:22:02.480
<v Speaker 1>the fature this after Kevin, there you go. You own

0:22:02.520 --> 0:22:05.680
<v Speaker 1>the channel. Um. So with Kevin though, and this will

0:22:05.800 --> 0:22:08.000
<v Speaker 1>kind of swing back to the directing thing. Kevin was

0:22:08.040 --> 0:22:11.639
<v Speaker 1>approaching things in a much more like realistic, grounded approach,

0:22:11.680 --> 0:22:14.000
<v Speaker 1>which is what made Batman so special. And what I

0:22:14.040 --> 0:22:16.959
<v Speaker 1>think what he said was it changed like the that

0:22:17.200 --> 0:22:19.199
<v Speaker 1>entire show, the whole, and I can see why you

0:22:19.800 --> 0:22:23.000
<v Speaker 1>repressed to say, look, guys, this isn't my journey in

0:22:23.040 --> 0:22:26.000
<v Speaker 1>this way because I'm inspired by Kevin and like, you know,

0:22:26.040 --> 0:22:28.640
<v Speaker 1>you're being mentored in that regard. So it's like this

0:22:28.680 --> 0:22:30.560
<v Speaker 1>is not the experience I would want. And so that

0:22:30.640 --> 0:22:32.119
<v Speaker 1>was really worth it. You know what I'm saying that

0:22:32.160 --> 0:22:33.920
<v Speaker 1>was it was well, I mean again, it was also

0:22:34.359 --> 0:22:38.239
<v Speaker 1>you know, like sitting this is such a selfish thing

0:22:38.240 --> 0:22:40.920
<v Speaker 1>to say, but actors are inherently selfish. Um, sitting here

0:22:40.960 --> 0:22:42.920
<v Speaker 1>with Lisa telling us all these amazing I want to

0:22:42.960 --> 0:22:44.720
<v Speaker 1>go back to kimpossible and I want to record with

0:22:44.760 --> 0:22:49.040
<v Speaker 1>all these people I did too. I want to do

0:22:49.080 --> 0:22:53.640
<v Speaker 1>a huge ensemble reboot, and but just she's like, don't

0:22:53.640 --> 0:22:57.440
<v Speaker 1>get excited, get excited, get excited, but it will all

0:22:57.560 --> 0:23:01.000
<v Speaker 1>be always based on people's schedules, sure, you know. And

0:23:01.080 --> 0:23:04.720
<v Speaker 1>so there were times we were, you know, scrambling to

0:23:04.760 --> 0:23:07.639
<v Speaker 1>show up when Ricardo Montabon felt up to it, like

0:23:07.720 --> 0:23:10.760
<v Speaker 1>we would make that happen point he was in and

0:23:10.760 --> 0:23:14.159
<v Speaker 1>he was in ill health and it was and killed

0:23:14.200 --> 0:23:16.960
<v Speaker 1>it and like he you were like, oh man, how

0:23:17.000 --> 0:23:18.880
<v Speaker 1>is he going to get And then he the microphone

0:23:18.920 --> 0:23:20.840
<v Speaker 1>would drop in front of his face and he would

0:23:20.880 --> 0:23:23.680
<v Speaker 1>light up. And we've known a bunch of people that

0:23:23.760 --> 0:23:28.400
<v Speaker 1>do like um Fred Willard. Fred Willard, I have known him,

0:23:28.760 --> 0:23:31.880
<v Speaker 1>worked with him for fifteen years and and I would

0:23:31.880 --> 0:23:33.680
<v Speaker 1>see him in the lobby and he'd just be kind

0:23:33.680 --> 0:23:36.480
<v Speaker 1>of quiet and and he gets in front of that

0:23:36.560 --> 0:23:40.640
<v Speaker 1>microphone and his whole being just lights up and it's

0:23:40.680 --> 0:23:43.280
<v Speaker 1>a joy. It's a joy. It's a performer. And he

0:23:43.520 --> 0:23:46.560
<v Speaker 1>but you see the inherent joy in his body, like

0:23:46.640 --> 0:23:49.720
<v Speaker 1>everything comes alive. And and I think that's what makes

0:23:49.720 --> 0:23:52.919
<v Speaker 1>what we do so special. It's not whether or not

0:23:52.960 --> 0:23:55.520
<v Speaker 1>a camera's on you, but it's when you get to perform.

0:23:56.200 --> 0:23:59.200
<v Speaker 1>And everybody would love to do anythink ensembles are one

0:23:59.200 --> 0:24:01.760
<v Speaker 1>of the best things in the world to do. There

0:24:01.800 --> 0:24:05.639
<v Speaker 1>are some people who don't have this, Like who's a

0:24:05.640 --> 0:24:08.880
<v Speaker 1>guy who was in the Penguins cast. I won't name

0:24:08.960 --> 0:24:11.960
<v Speaker 1>him because he's a crack up, and but he was

0:24:12.080 --> 0:24:15.320
<v Speaker 1>very busy and we the Penguins cast to do one

0:24:15.440 --> 0:24:22.119
<v Speaker 1>eleven minute show took four hours. We were ridiculous. It

0:24:22.240 --> 0:24:27.840
<v Speaker 1>was I was a lunicorn. You brought me on. It

0:24:27.920 --> 0:24:31.040
<v Speaker 1>was amazing, But I staid out a song. I was like,

0:24:31.119 --> 0:24:34.000
<v Speaker 1>I can't even with these guys. People, And that's the thing,

0:24:34.080 --> 0:24:38.919
<v Speaker 1>is you there to become a lion tamer, because I

0:24:39.000 --> 0:24:40.840
<v Speaker 1>just end up yelling shut up at the top of

0:24:40.880 --> 0:24:44.320
<v Speaker 1>my life at some point. There is so in those

0:24:44.600 --> 0:24:51.399
<v Speaker 1>ensembles it gets tough to imagine a Jean Smart or

0:24:51.280 --> 0:24:55.879
<v Speaker 1>or sit around. And so one of the guys walked

0:24:55.880 --> 0:24:58.119
<v Speaker 1>in and we were going to take him by himself

0:24:58.119 --> 0:25:00.480
<v Speaker 1>when this thing had wrapped and he's like, oh, maybe,

0:25:00.480 --> 0:25:04.360
<v Speaker 1>I was like nope and walked out like they just

0:25:04.400 --> 0:25:06.840
<v Speaker 1>look like like it's a parrot store and they're all

0:25:06.920 --> 0:25:10.320
<v Speaker 1>on purchase and they were and they're magnificent. Let me

0:25:10.359 --> 0:25:13.200
<v Speaker 1>tell you those it was in that room. It was

0:25:13.359 --> 0:25:21.360
<v Speaker 1>it was magical. John Maggio, Danny Jacobs, Kevin Michael Richardson,

0:25:22.200 --> 0:25:26.119
<v Speaker 1>James Patrick Stewart, yes, because they call him Patrick, but

0:25:26.240 --> 0:25:30.080
<v Speaker 1>it's James Patrick Stewart, because you're somebody else Patrick Stewart, right,

0:25:30.119 --> 0:25:35.120
<v Speaker 1>Patrick Patrick Steward. And Dietrich was a rotating character in that,

0:25:35.280 --> 0:25:40.399
<v Speaker 1>and those sessions were they don't mean talk about the

0:25:40.440 --> 0:25:42.440
<v Speaker 1>funniest things in the world, but there comes a point

0:25:42.440 --> 0:25:46.119
<v Speaker 1>where you walk out and you're just you were like,

0:25:46.280 --> 0:25:49.280
<v Speaker 1>you had to go and take a nap or have

0:25:49.359 --> 0:25:51.359
<v Speaker 1>a glass of wine. But if you were an actor

0:25:51.400 --> 0:25:53.840
<v Speaker 1>who had five lines in that and Nicole and we

0:25:53.880 --> 0:25:56.480
<v Speaker 1>had to call in the middle of that, Nicole was

0:25:56.640 --> 0:26:01.440
<v Speaker 1>game until she wasn't kidd and then she's like, oh, yeah,

0:26:01.680 --> 0:26:03.560
<v Speaker 1>you know how you see those old stories of Robin

0:26:03.600 --> 0:26:05.159
<v Speaker 1>Williams or Robert you know, you'd see him on the

0:26:05.160 --> 0:26:07.320
<v Speaker 1>old comedy you know, comedy shows, or you see him

0:26:07.760 --> 0:26:10.439
<v Speaker 1>doing that kind of comic relief thing where he's just

0:26:10.520 --> 0:26:14.439
<v Speaker 1>taking over. It was four of four Robin Williams against

0:26:14.480 --> 0:26:20.080
<v Speaker 1>each other in a room, yes, you know, and it

0:26:20.200 --> 0:26:24.760
<v Speaker 1>just became this collaborative what I found interesting furious, So

0:26:24.800 --> 0:26:27.320
<v Speaker 1>what I found interesting about Lisa's directing style is that

0:26:27.359 --> 0:26:29.280
<v Speaker 1>she like allowed and I don't know if this is

0:26:29.320 --> 0:26:33.920
<v Speaker 1>industry standard, but you would allow for you know, improv

0:26:34.359 --> 0:26:37.639
<v Speaker 1>and breathing room and creativity. You know. We talked to

0:26:37.680 --> 0:26:39.399
<v Speaker 1>some like anime people and they're like, yeah, I just

0:26:39.480 --> 0:26:41.520
<v Speaker 1>kind of like match the lip flaps and like that's

0:26:41.560 --> 0:26:43.399
<v Speaker 1>part of it. But I'm trying to americanize it, and

0:26:43.400 --> 0:26:45.280
<v Speaker 1>that's like a struggle for them. But meanwhile, it's like

0:26:45.600 --> 0:26:47.760
<v Speaker 1>with these original characters from the get go, we've been

0:26:47.800 --> 0:26:52.200
<v Speaker 1>able to like infuse so much of ourselves. And for me,

0:26:52.400 --> 0:26:54.080
<v Speaker 1>at the time of getting hired, I was so young

0:26:54.240 --> 0:26:57.080
<v Speaker 1>that I felt like that was helpful to keep her

0:26:57.080 --> 0:27:00.119
<v Speaker 1>youthful and whatnot, and also somewhat challenging as I was

0:27:00.160 --> 0:27:03.520
<v Speaker 1>growing older going through other things. My voice was struggling

0:27:03.560 --> 0:27:05.800
<v Speaker 1>at some points, and it was like you were there

0:27:05.800 --> 0:27:09.440
<v Speaker 1>through all of that, so patient and and really like

0:27:10.000 --> 0:27:14.320
<v Speaker 1>you were really like this maternal hand at producing this,

0:27:14.520 --> 0:27:17.840
<v Speaker 1>you know. So anyway, with the Kevin Conroy aspect of

0:27:17.920 --> 0:27:21.280
<v Speaker 1>him sort of looking at sort of how he's taking

0:27:21.400 --> 0:27:24.800
<v Speaker 1>direction through that Batman and sort of the nuances of that,

0:27:25.359 --> 0:27:29.040
<v Speaker 1>I feel like Lisa sort of was mentioning that and

0:27:29.080 --> 0:27:31.520
<v Speaker 1>so in terms of us going back and talking about

0:27:31.640 --> 0:27:35.880
<v Speaker 1>Lisa's like like her beginning journey into like animation, and

0:27:36.000 --> 0:27:39.680
<v Speaker 1>how did you really learn to be the great director

0:27:39.720 --> 0:27:42.560
<v Speaker 1>that you are with all of these I so appreciate

0:27:42.640 --> 0:27:45.359
<v Speaker 1>that compliment. And I sort of came at it and

0:27:45.400 --> 0:27:48.440
<v Speaker 1>I had I had Jamie Thomason as a great role model.

0:27:48.440 --> 0:27:51.919
<v Speaker 1>Andrea Romano was my god. She was like a mentor,

0:27:52.240 --> 0:27:56.480
<v Speaker 1>a complete mentor. Marcia Goodman was my very early mentor.

0:27:56.520 --> 0:27:59.399
<v Speaker 1>When I found out this was a job, are you kidding?

0:27:59.480 --> 0:28:02.080
<v Speaker 1>I was loading. I started in advertising. I had a

0:28:02.080 --> 0:28:06.399
<v Speaker 1>million jobs. And to answer your question, what I feel

0:28:06.400 --> 0:28:11.480
<v Speaker 1>like with characters and character development is we bring on actors, right,

0:28:11.600 --> 0:28:15.200
<v Speaker 1>so we bring you guys in to create these characters,

0:28:15.280 --> 0:28:18.200
<v Speaker 1>whether it's Dietrich creating this character that doesn't speak, or

0:28:18.280 --> 0:28:21.120
<v Speaker 1>you creating coming from youth. You know, you had Mark

0:28:21.160 --> 0:28:24.399
<v Speaker 1>and Bob, who guess what weren't high school cheerleaders. And

0:28:24.480 --> 0:28:28.840
<v Speaker 1>as we look to to create this world together, and

0:28:28.960 --> 0:28:32.480
<v Speaker 1>so there is this amount of I would like to

0:28:32.600 --> 0:28:34.800
<v Speaker 1>you know, we're going to get a change that's on

0:28:34.880 --> 0:28:37.560
<v Speaker 1>the page that has written, But I want to hear

0:28:37.600 --> 0:28:40.000
<v Speaker 1>you guys first. I always just opened it up. Here's

0:28:40.000 --> 0:28:41.840
<v Speaker 1>the scene we're going to do. Whether we've got two

0:28:41.880 --> 0:28:43.760
<v Speaker 1>people into booth or one person in the booth or

0:28:43.800 --> 0:28:46.120
<v Speaker 1>twenty here's the scene we're gonna do. I don't give

0:28:46.120 --> 0:28:49.000
<v Speaker 1>any direction, just go and then we'll talk about it,

0:28:49.080 --> 0:28:51.440
<v Speaker 1>and then we'll go again, and then whatever you have thoughts,

0:28:51.640 --> 0:28:54.480
<v Speaker 1>let's go again. You know, we have that luxury. We're

0:28:54.520 --> 0:28:59.440
<v Speaker 1>not blocking. We're not you know, taking up people's lighting time.

0:28:59.480 --> 0:29:02.800
<v Speaker 1>You know, there's not And as you get further and

0:29:02.840 --> 0:29:05.400
<v Speaker 1>further into a series, you have a lot more shorthand

0:29:05.440 --> 0:29:07.959
<v Speaker 1>you have a lot more Our writers know what you

0:29:08.000 --> 0:29:10.760
<v Speaker 1>guys can do, which is why you got all the songs,

0:29:12.320 --> 0:29:14.800
<v Speaker 1>which is why you get you know, like when we

0:29:14.880 --> 0:29:18.680
<v Speaker 1>were talking about Secret Saturdays, we had Nicole doing scientific

0:29:18.760 --> 0:29:22.320
<v Speaker 1>dialogue all day long because she could, you know, it

0:29:22.480 --> 0:29:25.239
<v Speaker 1>just was something she she didn't know she could do that,

0:29:25.320 --> 0:29:27.920
<v Speaker 1>and we didn't know she could do that. But guess

0:29:27.960 --> 0:29:30.640
<v Speaker 1>what they wrote her, you know, pages of this stuff

0:29:30.680 --> 0:29:34.480
<v Speaker 1>and she wanted to you know, smack him, but remember

0:29:34.520 --> 0:29:36.200
<v Speaker 1>some of the words. It was like it was we'd

0:29:36.240 --> 0:29:37.760
<v Speaker 1>all be like she'd get to a word in the

0:29:37.800 --> 0:29:42.400
<v Speaker 1>whole cast, we like, oh, come on, yeah, like went

0:29:42.520 --> 0:29:46.320
<v Speaker 1>over on two pages, and you know, and and the kids.

0:29:46.360 --> 0:29:50.120
<v Speaker 1>Sam Learner, who was such a great such like a

0:29:50.160 --> 0:29:56.520
<v Speaker 1>full grown adult at this Yes eight, very quickly, because

0:29:56.560 --> 0:29:58.320
<v Speaker 1>we haven't talked about this yet, and I think people

0:29:58.360 --> 0:30:02.440
<v Speaker 1>need to know. Kim Possible, teen, Titans Go, Scooby Doo,

0:30:02.920 --> 0:30:07.200
<v Speaker 1>Guardians of the Galaxy, Boss Baby, Big Hero six, he

0:30:07.320 --> 0:30:15.200
<v Speaker 1>did Lego, d C Comics, It's Monsters, Loudhouse, Cassa Grand Days,

0:30:16.360 --> 0:30:19.000
<v Speaker 1>new untitled Nickelodeon show I can't talk about. I can't

0:30:19.000 --> 0:30:21.520
<v Speaker 1>talk about yet. It's actually secret life of I'm not

0:30:21.560 --> 0:30:23.320
<v Speaker 1>making it up. I have no idea what you did. Um,

0:30:23.520 --> 0:30:27.040
<v Speaker 1>but yeah, so, I mean quite the resume for saying

0:30:27.080 --> 0:30:31.240
<v Speaker 1>that you started in advertising. So not bad there. It's

0:30:31.320 --> 0:30:36.040
<v Speaker 1>the best job I have ever dreamed of having. I

0:30:36.880 --> 0:30:42.320
<v Speaker 1>love it the whole world, like the people, front to back,

0:30:42.400 --> 0:30:47.959
<v Speaker 1>top to bottom. You just it's the most inclusive, the

0:30:48.000 --> 0:30:55.680
<v Speaker 1>most talented. Dare I say industry, And it constantly is evolving,

0:30:55.960 --> 0:31:01.000
<v Speaker 1>but it remembers its roots. It includes everybody. You include

0:31:01.080 --> 0:31:05.000
<v Speaker 1>new people all the time, but you never forget the

0:31:05.120 --> 0:31:10.960
<v Speaker 1>legends that come before. And and it's exploding. There's animation everywhere,

0:31:11.000 --> 0:31:15.240
<v Speaker 1>so everybody can work. You know, it's not. And don't

0:31:15.240 --> 0:31:17.400
<v Speaker 1>get me wrong, it's competitive. I was gonna I was

0:31:17.400 --> 0:31:21.360
<v Speaker 1>gonna say it absolutely and and and I shouldn't. But

0:31:21.520 --> 0:31:27.080
<v Speaker 1>I feel like there's so much content right now. And

0:31:27.200 --> 0:31:30.240
<v Speaker 1>whether you specialize in anime or video games, you know,

0:31:30.320 --> 0:31:39.040
<v Speaker 1>like or books on tape, a lot of books at doing. Yes, um,

0:31:39.560 --> 0:31:42.120
<v Speaker 1>there's worlds within the world. It's within the world. And

0:31:42.160 --> 0:31:47.160
<v Speaker 1>I just am so grateful that I fell literally backwards

0:31:47.200 --> 0:31:50.840
<v Speaker 1>into it. I ended up. So I started advertising. I'm

0:31:50.840 --> 0:31:53.320
<v Speaker 1>gonna I'm gonna make your day in one quick second.

0:31:53.440 --> 0:31:56.040
<v Speaker 1>But so I had a lot of entry level jobs

0:31:56.560 --> 0:31:58.600
<v Speaker 1>and I had, you know, gone to you see Santa

0:31:58.680 --> 0:32:03.920
<v Speaker 1>Barbers Communications major but no real like I want to

0:32:03.960 --> 0:32:07.560
<v Speaker 1>do the real focus. They would say, no, no focus,

0:32:07.680 --> 0:32:10.800
<v Speaker 1>And I believe it, and I'm inherently I'm a very

0:32:10.800 --> 0:32:16.840
<v Speaker 1>shy person. I say, did you ever act? I didn't

0:32:16.880 --> 0:32:19.080
<v Speaker 1>even speak, Like when I was a kid, I would

0:32:19.120 --> 0:32:21.640
<v Speaker 1>answer the phone and not say hello, or I go

0:32:21.720 --> 0:32:23.920
<v Speaker 1>to my neighbor's house and my mom would have to

0:32:23.920 --> 0:32:25.640
<v Speaker 1>go home and call and tell him I was standing

0:32:25.640 --> 0:32:31.760
<v Speaker 1>on it because I wouldn't knock. I'm making up for it.

0:32:32.160 --> 0:32:36.360
<v Speaker 1>But but so so so, I had a bunch of

0:32:36.400 --> 0:32:38.680
<v Speaker 1>jobs They all went sort of nowhere, like maybe I'll

0:32:38.680 --> 0:32:40.680
<v Speaker 1>be a copywriter, maybe I'll but I was working in

0:32:40.720 --> 0:32:43.800
<v Speaker 1>the accounting department, and maybe I'll do this, but I'm working.

0:32:43.920 --> 0:32:46.840
<v Speaker 1>So I ended up working for this guy who wrote

0:32:46.840 --> 0:32:50.160
<v Speaker 1>and produced radio commercials out of his house, and he

0:32:50.240 --> 0:32:55.520
<v Speaker 1>was kind of bananas and um and this is a

0:32:55.560 --> 0:33:00.120
<v Speaker 1>family friendly show, and it was it was. It was

0:33:00.160 --> 0:33:02.440
<v Speaker 1>a lot. It was a lot. But you had to

0:33:02.480 --> 0:33:05.400
<v Speaker 1>answer the phone in a very certain way or he

0:33:05.480 --> 0:33:07.680
<v Speaker 1>get very angry. Oh please tell me how you answered

0:33:07.680 --> 0:33:13.360
<v Speaker 1>the phone. Sorlely, Big and better, sorle Sorlely, Big and better. Ye.

0:33:13.680 --> 0:33:17.280
<v Speaker 1>His name was John Sorley, okay, and it's big and better, yes,

0:33:17.320 --> 0:33:19.000
<v Speaker 1>But there were no but that was the name of

0:33:19.040 --> 0:33:20.560
<v Speaker 1>this coming. I'm not sure that Mike got that. Could

0:33:20.560 --> 0:33:23.520
<v Speaker 1>you do it one more time? I actually needed to

0:33:23.560 --> 0:33:31.800
<v Speaker 1>do three taps. So so my friends would call all

0:33:31.880 --> 0:33:33.360
<v Speaker 1>day long because they knew I would get in trouble

0:33:33.360 --> 0:33:35.440
<v Speaker 1>if I didn't answer the phone like that, and they

0:33:35.440 --> 0:33:38.840
<v Speaker 1>were relentless, and so I would answer the phone, start

0:33:38.920 --> 0:33:41.400
<v Speaker 1>the Big and Better, and I'd be in tears because

0:33:41.400 --> 0:33:44.920
<v Speaker 1>this guy was maniacal, and there was so much terrible

0:33:45.000 --> 0:33:48.400
<v Speaker 1>nous about the two of you in this well and

0:33:48.600 --> 0:33:54.840
<v Speaker 1>some this is a family friendly show. It was dramatic,

0:33:54.920 --> 0:33:57.480
<v Speaker 1>I'll say, I'll say it that way. So I kept

0:33:57.480 --> 0:33:59.440
<v Speaker 1>sending out my resume because I knew I couldn't do

0:33:59.480 --> 0:34:02.480
<v Speaker 1>this long term. So I sent my resume to Deak

0:34:02.600 --> 0:34:04.720
<v Speaker 1>for some merchandise job. I'm like, I don't care. I

0:34:04.760 --> 0:34:07.880
<v Speaker 1>just got and so they brought me in and the

0:34:08.000 --> 0:34:10.120
<v Speaker 1>and they're like, well, we probably be better in production.

0:34:10.320 --> 0:34:14.279
<v Speaker 1>We'll put you in production. And Marcia's Marcia Goodman, the

0:34:14.320 --> 0:34:16.640
<v Speaker 1>head of casting, saw my resume and it is like, well,

0:34:16.840 --> 0:34:19.680
<v Speaker 1>be my secretary. So I started out as her secretary

0:34:19.920 --> 0:34:22.359
<v Speaker 1>and left there a director, like she really took me

0:34:23.719 --> 0:34:28.240
<v Speaker 1>over how many years? Seven? Nothing like a good mentor honestly,

0:34:28.360 --> 0:34:31.520
<v Speaker 1>yeah really And and so you asked, like hours ago

0:34:31.800 --> 0:34:34.480
<v Speaker 1>where I got my So I learned. But you you

0:34:34.680 --> 0:34:36.919
<v Speaker 1>as a director and as a as an actor, you guys,

0:34:37.000 --> 0:34:39.480
<v Speaker 1>you develop your own styles, right, So you have to

0:34:39.520 --> 0:34:42.320
<v Speaker 1>find what you're comfortable with. What she would do wasn't

0:34:42.360 --> 0:34:44.719
<v Speaker 1>necessarily I was never going to pull that off. She

0:34:44.880 --> 0:34:47.799
<v Speaker 1>was a very confident. You know. Well, it also it

0:34:47.840 --> 0:34:53.360
<v Speaker 1>seems like you were really kind of traumatized by that person. Directing.

0:34:53.440 --> 0:34:56.800
<v Speaker 1>You poorly at having to do the same thing over

0:34:56.880 --> 0:34:59.319
<v Speaker 1>and over and over again in a certain, very particular way.

0:34:59.320 --> 0:35:01.839
<v Speaker 1>I mean, that was that was not good. So it

0:35:01.920 --> 0:35:04.000
<v Speaker 1>was not Maybe subconsciously you were like, I'm going to

0:35:04.120 --> 0:35:06.880
<v Speaker 1>fix this problem. Maybe maybe that's a really good point.

0:35:06.960 --> 0:35:09.399
<v Speaker 1>That's that's a really good point. So when I learned

0:35:09.440 --> 0:35:12.319
<v Speaker 1>that voice directing was a job, first of all the

0:35:12.320 --> 0:35:16.480
<v Speaker 1>heavens opened. And I'm because it's you get to work

0:35:16.520 --> 0:35:20.040
<v Speaker 1>with writers who I love and if I would get

0:35:20.080 --> 0:35:22.120
<v Speaker 1>out of my own way would do. And you get

0:35:22.160 --> 0:35:24.759
<v Speaker 1>to work with actors and who are funny, who I love,

0:35:24.800 --> 0:35:28.839
<v Speaker 1>and everybody is so like things like us, you know,

0:35:28.960 --> 0:35:35.719
<v Speaker 1>like you're quick thinking, and uh, it literally suited me.

0:35:35.800 --> 0:35:38.160
<v Speaker 1>And it was like that moment you go, oh, that's

0:35:38.160 --> 0:35:41.719
<v Speaker 1>this is exactly ever I found it. I found it.

0:35:41.960 --> 0:35:44.840
<v Speaker 1>I found it, and it wasn't easy, and it was

0:35:45.080 --> 0:35:47.520
<v Speaker 1>I was older than most people who came into it,

0:35:47.600 --> 0:35:49.799
<v Speaker 1>and but you know, I love it. I loved it.

0:35:49.880 --> 0:35:52.399
<v Speaker 1>And I were you into animation, like did you grow

0:35:52.480 --> 0:35:57.000
<v Speaker 1>up animation? Loving animation? But while we were at deep

0:35:57.480 --> 0:36:02.440
<v Speaker 1>animaniacs came out and that changed pinking in the brain

0:36:02.560 --> 0:36:07.520
<v Speaker 1>and animal I know, and and Jess and Rob and

0:36:08.200 --> 0:36:11.759
<v Speaker 1>Jeff Bennett and Maurice dressed and they would come in

0:36:11.840 --> 0:36:14.719
<v Speaker 1>an audition at Deek and my friend Stephanie and I

0:36:14.760 --> 0:36:17.799
<v Speaker 1>would fan girl out like we had plush toys. We

0:36:17.800 --> 0:36:20.960
<v Speaker 1>were in our twenties, you know, having them signed stuff

0:36:21.000 --> 0:36:23.720
<v Speaker 1>and we're so I would say, you know, I watched

0:36:23.760 --> 0:36:27.240
<v Speaker 1>all the I loved cartoons when I was a kid. Yeah,

0:36:28.000 --> 0:36:31.360
<v Speaker 1>because you were shy, so you enjoyed watching was it

0:36:31.440 --> 0:36:34.920
<v Speaker 1>the Bugs Bunny? The context? I love the Bugs Bunny.

0:36:35.160 --> 0:36:38.640
<v Speaker 1>I love Hanna Barbera stuff too. I love the Hannah

0:36:38.640 --> 0:36:43.319
<v Speaker 1>Barbera stuff. Um, I watched it all. I really did,

0:36:43.760 --> 0:36:46.120
<v Speaker 1>you know, just sort of take it in. And then

0:36:46.120 --> 0:36:48.719
<v Speaker 1>when you got to meet all those people, like like

0:36:48.760 --> 0:36:51.279
<v Speaker 1>working with Frank Boker directing the Scooby Doo, like the

0:36:51.320 --> 0:36:54.719
<v Speaker 1>first Scooby Doo movie I directed, like are you kidding me?

0:36:54.800 --> 0:36:56.840
<v Speaker 1>Who am I who? You know? Like I used to

0:36:56.880 --> 0:37:00.120
<v Speaker 1>watch and it was Frank and watching Frank you know

0:37:00.200 --> 0:37:05.839
<v Speaker 1>that's a legend, legend, you know, And getting to work

0:37:05.840 --> 0:37:07.800
<v Speaker 1>with him and I had worked with him years before,

0:37:07.920 --> 0:37:09.799
<v Speaker 1>but getting to work with a mask tight like there

0:37:09.840 --> 0:37:14.040
<v Speaker 1>was something like this moment of oh, I'm doing what

0:37:14.360 --> 0:37:17.040
<v Speaker 1>you know, little six year old Lisa would be blown away.

0:37:17.120 --> 0:37:18.520
<v Speaker 1>I've had a couple of you have a couple of

0:37:18.520 --> 0:37:20.160
<v Speaker 1>those moments in this in this side of the Asta.

0:37:20.280 --> 0:37:24.040
<v Speaker 1>Remember the first Transformers record that I did with Peter Colin,

0:37:24.840 --> 0:37:29.160
<v Speaker 1>where as Optimists, he turned you went Bumblebee and we

0:37:29.239 --> 0:37:31.440
<v Speaker 1>all sat there. There was myself, Cary Peyton, there was

0:37:31.719 --> 0:37:35.120
<v Speaker 1>there was five forty something year old staying there staring

0:37:35.160 --> 0:37:37.080
<v Speaker 1>at him, and it took me a while to go, oh,

0:37:37.160 --> 0:37:38.960
<v Speaker 1>he's talking to me, like I have to answer now.

0:37:39.480 --> 0:37:41.200
<v Speaker 1>And so you have that moment, and you got that

0:37:41.239 --> 0:37:43.640
<v Speaker 1>with with people like Frank too, where you're like, well,

0:37:43.680 --> 0:37:45.520
<v Speaker 1>I can't believe this is happening. You're talking to me

0:37:45.560 --> 0:37:47.359
<v Speaker 1>and I have to answer, and we're in the same

0:37:47.440 --> 0:37:49.440
<v Speaker 1>room and it's like we're colleagues and it's just the

0:37:49.440 --> 0:37:52.200
<v Speaker 1>cool Kim Conroy I was like that, Mark Hamill, Mark,

0:37:52.719 --> 0:37:55.400
<v Speaker 1>Mark Hamill, You've got to be kidding me, Like you

0:37:55.480 --> 0:38:01.279
<v Speaker 1>don't talk about it. Loves talking, I know, but everybody

0:38:01.360 --> 0:38:03.279
<v Speaker 1>said don't do it. And then you're sitting there and

0:38:03.400 --> 0:38:06.440
<v Speaker 1>all you can think about you're just like, how am

0:38:06.440 --> 0:38:09.560
<v Speaker 1>I not to see to me? I Luke but Batman

0:38:09.600 --> 0:38:11.400
<v Speaker 1>the animated series being what it was. I was just

0:38:11.440 --> 0:38:13.160
<v Speaker 1>like watching him do the Joker was just like you've

0:38:13.160 --> 0:38:15.439
<v Speaker 1>got kidding. It was to me like watching Peter Cullen

0:38:15.480 --> 0:38:17.680
<v Speaker 1>do Optimust Prime or Frank Welker do Megatron. I mean

0:38:18.520 --> 0:38:22.319
<v Speaker 1>there in that moment, it's good. We just need to

0:38:22.320 --> 0:38:26.880
<v Speaker 1>pause very quickly for our new sponsor. This segment has

0:38:26.920 --> 0:38:29.239
<v Speaker 1>been brought to you by Sorley Big and Better stop it,

0:38:29.440 --> 0:38:33.080
<v Speaker 1>and big and better than the Smart, Big and Better

0:38:33.160 --> 0:38:35.319
<v Speaker 1>for joining us. I have a couple of smart, big

0:38:35.320 --> 0:38:40.319
<v Speaker 1>and better. I don't even think that. I hope it's no.

0:38:40.480 --> 0:38:42.760
<v Speaker 1>You know, at turned he transferred it over, he changed

0:38:42.800 --> 0:38:46.600
<v Speaker 1>his professor, it became tesla Um. So yeah, he's a

0:38:46.640 --> 0:38:50.520
<v Speaker 1>multi billionaire now, good choice though to walk out. And

0:38:51.800 --> 0:38:53.880
<v Speaker 1>so I have a question, and it's something that you

0:38:53.920 --> 0:38:56.280
<v Speaker 1>and I have talked about before. There are a rumor

0:38:56.360 --> 0:39:00.719
<v Speaker 1>upon rumor upon rumor going around about certain people that

0:39:00.840 --> 0:39:04.719
<v Speaker 1>were almost cast as Kim and Ron. I love that.

0:39:04.840 --> 0:39:09.520
<v Speaker 1>So I've heard start with Ron. I've heard Neil Patrick Harris. Okay,

0:39:09.719 --> 0:39:13.759
<v Speaker 1>I've heard John Cena, and I heard there's like one

0:39:13.840 --> 0:39:16.000
<v Speaker 1>or two more big people that have come out in

0:39:16.040 --> 0:39:18.400
<v Speaker 1>their social media post and said I auditioned for ron

0:39:18.480 --> 0:39:21.920
<v Speaker 1>Stoppable Kim. I really only knew about Alison Hannigan and

0:39:21.960 --> 0:39:25.000
<v Speaker 1>then they kind of they kind of honored that with

0:39:25.040 --> 0:39:28.920
<v Speaker 1>her becoming the mom and the live action. But yeah,

0:39:29.400 --> 0:39:32.200
<v Speaker 1>can you can you can you tell us? Were there

0:39:32.239 --> 0:39:36.400
<v Speaker 1>any of these people that that actually auditioned for record.

0:39:36.600 --> 0:39:39.520
<v Speaker 1>I'm actually really curious who else that audition for the

0:39:39.520 --> 0:39:43.040
<v Speaker 1>part we're assuming who was our competition? You know that

0:39:43.160 --> 0:39:46.440
<v Speaker 1>that list? I don't remember that list. I don't remember

0:39:46.520 --> 0:39:51.920
<v Speaker 1>John Cena recording an audition. They did a record, I

0:39:51.960 --> 0:40:01.360
<v Speaker 1>will say this, and you guys were replaced? Really and why, oh,

0:40:01.520 --> 0:40:07.799
<v Speaker 1>I don't know that you're gonna happen. I'm not sure.

0:40:08.320 --> 0:40:11.400
<v Speaker 1>What does it matter. They're not going to reboot it anyway.

0:40:11.640 --> 0:40:14.480
<v Speaker 1>Don't say that we're gonna We're gonna put a flag

0:40:14.520 --> 0:40:16.359
<v Speaker 1>on that. We're gonna see if if there's a chance

0:40:16.480 --> 0:40:18.359
<v Speaker 1>we might not be able to say that. But but

0:40:19.920 --> 0:40:22.359
<v Speaker 1>they recorded an episode was there with the two of them?

0:40:23.200 --> 0:40:26.000
<v Speaker 1>I didn't direct. Chris Bailey directed it. Chris Chris by

0:40:26.040 --> 0:40:30.000
<v Speaker 1>the way, great guy, love Chris Love. Chris was a sweetie.

0:40:30.280 --> 0:40:33.399
<v Speaker 1>Directors get too busy once they get in the heat

0:40:33.400 --> 0:40:35.440
<v Speaker 1>of animation, so he was doing like Alvin and the

0:40:35.520 --> 0:40:38.880
<v Speaker 1>Chipmunks like all these like mega franchise like movies. I

0:40:38.920 --> 0:40:41.520
<v Speaker 1>don't know why he left, but I'm super happy that

0:40:41.760 --> 0:40:44.799
<v Speaker 1>he got too busy doing the series he directed. He

0:40:44.840 --> 0:40:47.520
<v Speaker 1>was the animation director on the series. Like that's what

0:40:47.680 --> 0:40:49.759
<v Speaker 1>he was doing, right, He was more in the animation,

0:40:51.440 --> 0:40:54.400
<v Speaker 1>so he was directing. I think I remember him like

0:40:54.440 --> 0:40:57.920
<v Speaker 1>sketching me, yeah, cell or like something, and then he

0:40:57.960 --> 0:40:59.759
<v Speaker 1>had Bob and Mark signet, and then I think that's

0:40:59.800 --> 0:41:01.359
<v Speaker 1>what I have at my house. I have a cell.

0:41:01.480 --> 0:41:02.920
<v Speaker 1>So I guess the other question I would ask is

0:41:03.000 --> 0:41:07.560
<v Speaker 1>when are we doing more episodes from your lips? I

0:41:07.600 --> 0:41:11.000
<v Speaker 1>would love, love love that wells Lisa, Bob and Mark

0:41:11.080 --> 0:41:14.000
<v Speaker 1>have Lisa, Bob and Mark have always been extremely supportive

0:41:14.719 --> 0:41:17.480
<v Speaker 1>of you know they have of us just continuing, you

0:41:17.480 --> 0:41:19.319
<v Speaker 1>know what I mean. It's nothing crazy. It's not like

0:41:19.360 --> 0:41:22.359
<v Speaker 1>some crazy reimagining. It's just continuing here. But we've talked

0:41:22.360 --> 0:41:25.480
<v Speaker 1>about this before. To forget forgetting even recording more episodes

0:41:25.480 --> 0:41:27.520
<v Speaker 1>of the show, we've talked about on this show, we'd

0:41:27.520 --> 0:41:29.360
<v Speaker 1>like to do something that's never been done before because

0:41:29.400 --> 0:41:31.920
<v Speaker 1>the entire cast has never once been in the same

0:41:32.000 --> 0:41:34.000
<v Speaker 1>room together. That is true and so that's what it

0:41:34.120 --> 0:41:38.520
<v Speaker 1>is saying that the anniversary year on I hear voices,

0:41:38.560 --> 0:41:40.799
<v Speaker 1>we're gonna make happen. We're going to have the entire cast,

0:41:40.920 --> 0:41:43.239
<v Speaker 1>You're going to be coming, going to schedule it for

0:41:43.320 --> 0:41:47.720
<v Speaker 1>us exactly. We are going to have the entire Passive

0:41:47.760 --> 0:41:50.640
<v Speaker 1>Kimpossible together and Christie is going to be in New

0:41:50.719 --> 0:41:54.279
<v Speaker 1>York skyping exactly. No way, I'm here, You're not gonna

0:41:54.320 --> 0:41:56.239
<v Speaker 1>get You're not gonna shaken me this. So that is

0:41:56.480 --> 0:41:58.759
<v Speaker 1>we're looking forward to that. Now. We do have a

0:41:58.840 --> 0:42:00.719
<v Speaker 1>segment on the show which we are to switch up

0:42:00.840 --> 0:42:03.919
<v Speaker 1>because you're here. So we're gonna be doing something fun

0:42:03.920 --> 0:42:06.000
<v Speaker 1>on the show in future episodes where we're gonna have

0:42:06.040 --> 0:42:09.279
<v Speaker 1>a screen here and kids and whoever from around the

0:42:09.320 --> 0:42:12.560
<v Speaker 1>country the world are going to be able to skype in,

0:42:12.760 --> 0:42:15.680
<v Speaker 1>come in, zoom in, whatever whatever we're doing at the time,

0:42:16.120 --> 0:42:18.840
<v Speaker 1>and talk to their favorite voice over actors and show

0:42:19.040 --> 0:42:22.720
<v Speaker 1>artwork that they've drawn, and their favorite voice over actors

0:42:22.719 --> 0:42:25.960
<v Speaker 1>are going to put a voice to the character that

0:42:26.040 --> 0:42:29.360
<v Speaker 1>they've created. Um, so we've started on every episode. We

0:42:29.400 --> 0:42:32.359
<v Speaker 1>can't do it live yet. So Christie, who's the woman

0:42:32.400 --> 0:42:38.120
<v Speaker 1>sitting here? Yeah, that's Christie that's Lisa. She sent out

0:42:38.239 --> 0:42:41.080
<v Speaker 1>to her her fan base and they sent in pictures.

0:42:41.120 --> 0:42:42.640
<v Speaker 1>Now we've been showing them to the actors, and the

0:42:42.680 --> 0:42:44.800
<v Speaker 1>actors have been doing voices. Now, since you don't do voices,

0:42:45.360 --> 0:42:46.920
<v Speaker 1>I was wondering if we could switch it up and

0:42:47.440 --> 0:42:49.759
<v Speaker 1>Christie and I could do the voices and you could

0:42:49.800 --> 0:42:53.480
<v Speaker 1>direct us. I love Lisa directing me, so I also

0:42:53.719 --> 0:42:58.719
<v Speaker 1>instantly feel like I'm in an audition room. Christie, Lisa,

0:42:58.880 --> 0:43:01.480
<v Speaker 1>We're gonna start with Chris. By the way, you can

0:43:01.640 --> 0:43:04.840
<v Speaker 1>be recast, I know. So wait a minute, hold on

0:43:04.920 --> 0:43:07.400
<v Speaker 1>a second. Can I be recast as impossible? No? I

0:43:07.480 --> 0:43:09.600
<v Speaker 1>mean as whatever character we're doing now. I'm sorry I

0:43:09.760 --> 0:43:12.800
<v Speaker 1>projected that. I projected that of course they can recast this,

0:43:12.880 --> 0:43:15.720
<v Speaker 1>and I'm sure they will. Here you go go ahead.

0:43:16.080 --> 0:43:19.960
<v Speaker 1>Wait all right, so what do we I get to see? Otherwise?

0:43:20.040 --> 0:43:22.520
<v Speaker 1>How do you? Oh? Wait, she should pick? Right? Well,

0:43:22.560 --> 0:43:24.279
<v Speaker 1>I guess, yeah, I guess that'd be the better way. Yeah,

0:43:24.640 --> 0:43:27.200
<v Speaker 1>you pick. That's fine. That was random. That was random.

0:43:28.120 --> 0:43:32.200
<v Speaker 1>Let me see, my goodness on the top the age

0:43:32.320 --> 0:43:37.080
<v Speaker 1>and the name does it does it say nine years old? Yes?

0:43:38.400 --> 0:43:40.520
<v Speaker 1>So Kate is the character. And if we could show

0:43:40.560 --> 0:43:42.920
<v Speaker 1>it to could you also show it to the camera there?

0:43:43.040 --> 0:43:50.200
<v Speaker 1>Can you see that? Christie? You got the car? Okay?

0:43:50.280 --> 0:43:53.120
<v Speaker 1>So her powers are love. She has a lover way

0:43:53.200 --> 0:43:58.160
<v Speaker 1>that turns herself into a kitty. Oh my gosh. So

0:43:58.480 --> 0:44:04.280
<v Speaker 1>she uh starts out as Kate and turns into Caddy. Okay, brilliant,

0:44:05.280 --> 0:44:10.520
<v Speaker 1>and then she just know that's a good transformation. What

0:44:10.680 --> 0:44:13.960
<v Speaker 1>agency she would you say? Well, I would say, let's

0:44:14.000 --> 0:44:18.839
<v Speaker 1>say ten. I love it. So she's ten. Okay, she's

0:44:18.880 --> 0:44:22.800
<v Speaker 1>tena you know she's a superhero. So it doesn't Okay,

0:44:27.120 --> 0:44:29.759
<v Speaker 1>our guest don't have any lines. I don't have need

0:44:29.840 --> 0:44:32.279
<v Speaker 1>lines to say that. It is true. You need lines.

0:44:32.640 --> 0:44:35.000
<v Speaker 1>You have to improve it. You give me an you're

0:44:35.000 --> 0:44:38.440
<v Speaker 1>a writer. We're doing this right here. Okay. So she's

0:44:38.480 --> 0:44:40.440
<v Speaker 1>a little ten year old girl. That's about. Maybe it's

0:44:40.640 --> 0:44:43.600
<v Speaker 1>the scene where she's about to turn. How about she's

0:44:43.640 --> 0:44:46.080
<v Speaker 1>watching her friends and they're having an argument, so she

0:44:46.160 --> 0:44:49.440
<v Speaker 1>has to use her love right, got it? Now she Caddy?

0:44:49.640 --> 0:44:51.919
<v Speaker 1>You're impressed with yourself? I could just tell that. Look

0:44:52.040 --> 0:44:54.080
<v Speaker 1>right there. So she is Kate and then she turns

0:44:54.120 --> 0:44:56.880
<v Speaker 1>into Caddy. Yeah so maybe so do you think now, Lisa,

0:44:57.000 --> 0:45:00.719
<v Speaker 1>do you think she has two different like voices no, no,

0:45:00.920 --> 0:45:03.919
<v Speaker 1>same voice, same voice. Yeah, Okay, I think she could

0:45:03.960 --> 0:45:07.280
<v Speaker 1>just be a little more aggressive when she's Cattie okay,

0:45:07.719 --> 0:45:10.719
<v Speaker 1>like more growling and maybe not maybe more cat in

0:45:10.840 --> 0:45:15.080
<v Speaker 1>it not to steal from Huey Lewis and the news,

0:45:15.640 --> 0:45:18.440
<v Speaker 1>but maybe she says something like her catch catch phrases

0:45:18.520 --> 0:45:21.080
<v Speaker 1>like and now I need the power of love, like

0:45:21.239 --> 0:45:24.919
<v Speaker 1>something like oh right, because it's I need the power

0:45:25.000 --> 0:45:29.400
<v Speaker 1>I need Yeah, I need my love ray. Okay, Okay,

0:45:29.440 --> 0:45:33.719
<v Speaker 1>So hi everyone, my name is Kate. Um. I really

0:45:33.800 --> 0:45:36.320
<v Speaker 1>love my family and I really love my friends, but

0:45:36.640 --> 0:45:39.000
<v Speaker 1>when they get into fights, it makes me really want

0:45:39.040 --> 0:45:41.839
<v Speaker 1>to just help them out. And so I have this thing.

0:45:42.000 --> 0:45:44.480
<v Speaker 1>It's called a love ray, and so basically what I

0:45:44.560 --> 0:45:48.399
<v Speaker 1>do is I will I will use it after um

0:45:48.880 --> 0:45:51.520
<v Speaker 1>I shoot it out. It has these very like happy,

0:45:51.600 --> 0:45:55.160
<v Speaker 1>warm little hearts that shoot out and they touch them

0:45:55.280 --> 0:45:57.279
<v Speaker 1>and they feel happy and they want to hug each

0:45:57.280 --> 0:46:00.880
<v Speaker 1>other again. Um. But the other thing that kind of

0:46:00.920 --> 0:46:03.640
<v Speaker 1>happens is that I need to use the letter box

0:46:04.960 --> 0:46:07.880
<v Speaker 1>because I'm a cat, so I have to go poop

0:46:08.239 --> 0:46:12.200
<v Speaker 1>in the letter box. But maybe instead of I like

0:46:12.440 --> 0:46:17.399
<v Speaker 1>that o, um, so I don't go pe pep peple.

0:46:17.880 --> 0:46:23.400
<v Speaker 1>Lisa said, I don't do that. I go and seen

0:46:23.960 --> 0:46:26.799
<v Speaker 1>and see and see. Thank you, Lisa. I don't think

0:46:26.840 --> 0:46:30.440
<v Speaker 1>I can top that. No, definitely, that was that effectively

0:46:30.520 --> 0:46:32.800
<v Speaker 1>a ten year old girl. Well I think it was

0:46:32.880 --> 0:46:36.080
<v Speaker 1>that ten year old girl. Good news is your half cat,

0:46:36.280 --> 0:46:38.720
<v Speaker 1>so it could be any so kind of yeah, okay,

0:46:38.880 --> 0:46:40.839
<v Speaker 1>but you could be harsh on me. You can tell

0:46:40.880 --> 0:46:44.560
<v Speaker 1>me was that a ten year old thing? Anything you want,

0:46:45.239 --> 0:46:48.400
<v Speaker 1>that's true. It depends on the animation. On the animation,

0:46:48.520 --> 0:46:51.920
<v Speaker 1>depends on the style. Some people want actual kids, like

0:46:52.000 --> 0:46:56.520
<v Speaker 1>I've done to preschool shows where it's real kids, and

0:46:56.680 --> 0:46:59.560
<v Speaker 1>that is what's that like? Doing preschool shows? It's like

0:46:59.680 --> 0:47:02.440
<v Speaker 1>a circus. Okay, the kids are great. The quality of

0:47:02.480 --> 0:47:04.880
<v Speaker 1>the voice of the kids is great. My goodness, they are.

0:47:05.200 --> 0:47:07.200
<v Speaker 1>It's like the old Peanuts stuff. It is like the

0:47:07.280 --> 0:47:11.640
<v Speaker 1>old Peanuts stuff, but the tragedy of it, and there

0:47:11.760 --> 0:47:15.680
<v Speaker 1>is this serious tragedy to it. Little boys age out

0:47:15.760 --> 0:47:18.920
<v Speaker 1>like that. And so that's why so many women miles

0:47:19.000 --> 0:47:22.239
<v Speaker 1>from tomorrowland and then the next five miles and I'm like,

0:47:22.320 --> 0:47:26.839
<v Speaker 1>oh no, but that's why so many women do boy

0:47:27.000 --> 0:47:29.640
<v Speaker 1>voices because the voices don't change. So it's it's a

0:47:29.800 --> 0:47:33.440
<v Speaker 1>it's a real stylistic choice, you know. So for Loudhouse,

0:47:33.520 --> 0:47:36.640
<v Speaker 1>for instance, we have a real Clyde and Lincoln are

0:47:36.680 --> 0:47:41.640
<v Speaker 1>actual kids. All the ten sisters are adults doing doing

0:47:42.360 --> 0:47:45.360
<v Speaker 1>different ages, different ages. But it's also very caricatured and

0:47:45.440 --> 0:47:50.160
<v Speaker 1>not like specifically to sound like children because you put

0:47:50.200 --> 0:47:53.680
<v Speaker 1>them next to real children, they don't. But it's it's

0:47:53.719 --> 0:47:57.240
<v Speaker 1>a stylistic choice and it really works. Unfortunately, Lincoln and Clyde,

0:47:57.760 --> 0:48:00.719
<v Speaker 1>we're on Clyde number four and Can number five, and

0:48:01.239 --> 0:48:04.400
<v Speaker 1>we didn't. We did that with our characters to twelve.

0:48:05.080 --> 0:48:08.480
<v Speaker 1>Until it's like, so I'm really young, maybe they're not.

0:48:08.680 --> 0:48:15.560
<v Speaker 1>Let me ask you this, what's that conversation? Like I

0:48:15.640 --> 0:48:18.719
<v Speaker 1>know Lisa is probably trying to help the situation. We

0:48:18.880 --> 0:48:23.719
<v Speaker 1>do to I try not to just kids. I'm like,

0:48:24.200 --> 0:48:29.040
<v Speaker 1>you're too old, but but it is. It's a delicate conversation. Luckily,

0:48:29.200 --> 0:48:32.280
<v Speaker 1>now that they're casting directors, they do that. But also

0:48:34.040 --> 0:48:36.719
<v Speaker 1>the kids now, like the Lincolns now know that there

0:48:36.760 --> 0:48:40.600
<v Speaker 1>are four Lincolns before them, like it's no, maybe it's

0:48:40.600 --> 0:48:45.640
<v Speaker 1>not because we don't like you. You out it's your voice.

0:48:45.880 --> 0:48:48.080
<v Speaker 1>So you're going to college next year and some of them,

0:48:48.400 --> 0:48:50.680
<v Speaker 1>Like it depends on Like we've had kids at last

0:48:52.040 --> 0:48:53.960
<v Speaker 1>one of our clients last three and a half seasons

0:48:54.040 --> 0:48:56.000
<v Speaker 1>and we just had to let them go and it's

0:48:56.080 --> 0:49:00.319
<v Speaker 1>like like it's hard. It's there. That's better though then

0:49:00.400 --> 0:49:02.840
<v Speaker 1>some babies sitting there, you know, going I was Lincoln

0:49:02.920 --> 0:49:06.880
<v Speaker 1>number two. Yeah, like that something that was the highlight

0:49:06.920 --> 0:49:09.919
<v Speaker 1>of my again, and what we do in Loudhouse, because

0:49:09.960 --> 0:49:13.160
<v Speaker 1>there's such a great group of producers and writers and

0:49:13.239 --> 0:49:17.399
<v Speaker 1>directors is they write these characters. Now Grant Lincoln one

0:49:18.200 --> 0:49:20.960
<v Speaker 1>works at one of the fast food restaurants. Oh I

0:49:21.080 --> 0:49:24.080
<v Speaker 1>love that, and so and he's Grant and he's eighteen

0:49:24.760 --> 0:49:28.360
<v Speaker 1>and so he's back. And we had Khalil Clyde number

0:49:28.640 --> 0:49:34.960
<v Speaker 1>one come back as m and so it's it's it's

0:49:35.280 --> 0:49:38.400
<v Speaker 1>it's nothing personally, you know, like we're not trying. So

0:49:38.560 --> 0:49:41.440
<v Speaker 1>for Miles from Tremorrowland, we went through three miles Boss Baby.

0:49:41.600 --> 0:49:44.680
<v Speaker 1>In the beginning, they made a stylistic choice to keep

0:49:44.840 --> 0:49:49.080
<v Speaker 1>our our Tim and even though Tim started growing up,

0:49:49.880 --> 0:49:52.439
<v Speaker 1>we just started hitching it, you know, and we took

0:49:52.480 --> 0:49:55.440
<v Speaker 1>it as far as we could go. And did you

0:49:55.520 --> 0:49:58.560
<v Speaker 1>use real babies? Yes, that's what I thought, real actual

0:49:58.640 --> 0:50:01.839
<v Speaker 1>infants most of the being to talk to her. Yeah,

0:50:01.960 --> 0:50:04.360
<v Speaker 1>well you have to well and how to switch pages

0:50:04.400 --> 0:50:06.759
<v Speaker 1>without making noise. Man, you look at an eighteen month

0:50:06.800 --> 0:50:11.160
<v Speaker 1>old and go, you've aged out, kid, You're done show business? Yeah,

0:50:11.160 --> 0:50:14.800
<v Speaker 1>you're washed up. Ain't your friends take your rattle and

0:50:14.920 --> 0:50:19.239
<v Speaker 1>walking out for you? Now? Geez, you're ready for wait?

0:50:19.360 --> 0:50:22.480
<v Speaker 1>Let me never want. I almost wanted to see. Honestly,

0:50:22.680 --> 0:50:25.920
<v Speaker 1>I want You've seen every show I've ever worked. I

0:50:26.160 --> 0:50:30.600
<v Speaker 1>was thinking about that the other day, Like, it's pretty close.

0:50:30.800 --> 0:50:33.040
<v Speaker 1>I'm lucky that I picked something that I could really

0:50:33.080 --> 0:50:37.560
<v Speaker 1>go for it. But like I think, I think maybe

0:50:37.640 --> 0:50:41.680
<v Speaker 1>she should cast you like her actual casting. She would

0:50:41.719 --> 0:50:43.480
<v Speaker 1>have she would have picked this one for me. I

0:50:43.680 --> 0:50:46.520
<v Speaker 1>bet guarantee it. You realize you're literally doing the opposite

0:50:46.520 --> 0:50:56.680
<v Speaker 1>of what is random. Whatever you want? Man should pretty princesses.

0:50:57.600 --> 0:51:01.000
<v Speaker 1>You know this is the modern times. Anybody can be

0:51:01.040 --> 0:51:04.239
<v Speaker 1>at another cat, A lot of cats, A lot of cats.

0:51:04.680 --> 0:51:08.640
<v Speaker 1>I got another cat. I tell you I like cats.

0:51:09.120 --> 0:51:12.000
<v Speaker 1>We had two other cats to listen. Angry cat. Let's

0:51:12.000 --> 0:51:18.399
<v Speaker 1>do this guy. He's angry. Easy information, that's okay. Why

0:51:18.560 --> 0:51:22.160
<v Speaker 1>are you why are you starting? Oh no? Why are

0:51:22.200 --> 0:51:24.600
<v Speaker 1>you starving me? Cat? That seems to me he's not

0:51:24.760 --> 0:51:27.080
<v Speaker 1>starving because he's got food right here, all right, So

0:51:27.239 --> 0:51:30.600
<v Speaker 1>that's um, that's a very disgruntled cat. He's very angry.

0:51:31.280 --> 0:51:34.200
<v Speaker 1>Does he have an accent? Yeah, he's British. So I

0:51:34.239 --> 0:51:38.160
<v Speaker 1>see him like this? Why why why don't you feed me? No?

0:51:38.440 --> 0:51:42.279
<v Speaker 1>He got second rate food? I think he's better now.

0:51:42.320 --> 0:51:45.719
<v Speaker 1>I feel like we're just running improv Yeah, I think

0:51:45.760 --> 0:51:49.000
<v Speaker 1>he's like this. You know, he's just look at him.

0:51:49.080 --> 0:51:52.759
<v Speaker 1>I don't mind. He's got a list of grievances. He does.

0:51:52.920 --> 0:51:57.120
<v Speaker 1>I've got a bigger and more. You want bigger and

0:51:59.560 --> 0:52:03.480
<v Speaker 1>so I've got some grievances, you folks. It's not right

0:52:03.600 --> 0:52:07.680
<v Speaker 1>for me to just constantly be given no food. Yeah,

0:52:08.360 --> 0:52:10.319
<v Speaker 1>so the food you gave me is what my mom

0:52:10.400 --> 0:52:14.160
<v Speaker 1>would call sub port, not sub part. You like it,

0:52:14.280 --> 0:52:20.560
<v Speaker 1>no subpar that exactly, so exactly. Got play the puns

0:52:20.600 --> 0:52:22.080
<v Speaker 1>the whole time. So this is how it would be.

0:52:22.400 --> 0:52:24.879
<v Speaker 1>That's how I feel. I've got big eyes because there's

0:52:24.920 --> 0:52:27.920
<v Speaker 1>times I'm cute, but don't come near makes a scratch

0:52:27.960 --> 0:52:31.960
<v Speaker 1>your freaking basil. That's what I look. That's happy when

0:52:32.000 --> 0:52:35.239
<v Speaker 1>I'm happy, which is never never, So don't come near me.

0:52:35.920 --> 0:52:38.560
<v Speaker 1>My little box is mine. Kate came in the other

0:52:38.680 --> 0:52:41.239
<v Speaker 1>day tried to drop a deuce in my little box.

0:52:41.320 --> 0:52:47.879
<v Speaker 1>Not that's that right, I'm gonna shoot keep you found

0:52:47.920 --> 0:52:50.480
<v Speaker 1>it in a cracker jack box. It's not really a

0:52:50.560 --> 0:52:54.640
<v Speaker 1>love ray. You're just making noise. Okay, So of course

0:52:54.640 --> 0:52:59.759
<v Speaker 1>you're not. You don't transform a girl. Cat deal fits No.

0:53:00.120 --> 0:53:02.040
<v Speaker 1>There there's a show there, you go there, there's a

0:53:02.080 --> 0:53:04.719
<v Speaker 1>show that would be my Angry Cat. And you would

0:53:04.719 --> 0:53:07.000
<v Speaker 1>then go, thank you, Phil, And then you would have

0:53:07.040 --> 0:53:08.440
<v Speaker 1>me leave the room because you didn't even learn my

0:53:08.520 --> 0:53:10.320
<v Speaker 1>name as I was getting in there. That's what that

0:53:10.360 --> 0:53:11.920
<v Speaker 1>would happen with me. It takes me a long time

0:53:12.000 --> 0:53:16.120
<v Speaker 1>to learn people. Okay, So I have one very quick

0:53:16.200 --> 0:53:21.239
<v Speaker 1>question then for you, for all intensive purposes. You've now

0:53:21.480 --> 0:53:23.680
<v Speaker 1>got ten or twelve actors, and let's say you're doing

0:53:23.680 --> 0:53:26.680
<v Speaker 1>an ensemble. You you're a very shy person. You're in

0:53:26.760 --> 0:53:28.960
<v Speaker 1>your first record. You've now got ten or twelve actors

0:53:29.080 --> 0:53:33.359
<v Speaker 1>staring at you, waiting for direction. Were you terrified? Were

0:53:33.520 --> 0:53:35.800
<v Speaker 1>you just I'm going to fake it till I make it?

0:53:36.280 --> 0:53:38.760
<v Speaker 1>Were you quiet in the mic? Or did you jump in? Nope,

0:53:38.840 --> 0:53:42.640
<v Speaker 1>I jumped in. There you go and It was the

0:53:42.920 --> 0:53:47.200
<v Speaker 1>best thing I ever did for myself because I found

0:53:47.239 --> 0:53:49.759
<v Speaker 1>my voice. I heard my voice, and I found my

0:53:49.880 --> 0:53:54.080
<v Speaker 1>voice and I got into it late, um, but it

0:53:54.360 --> 0:53:59.160
<v Speaker 1>was exactly what I needed. And I mean, there are

0:53:59.239 --> 0:54:04.360
<v Speaker 1>days I'm still terrified their days where it doesn't go great,

0:54:04.520 --> 0:54:08.120
<v Speaker 1>and there are days where you know you're left. You

0:54:08.200 --> 0:54:12.400
<v Speaker 1>know it's not it's it's it's a phenomenal career. And

0:54:12.520 --> 0:54:15.440
<v Speaker 1>I am super lucky. There are days where it sucks

0:54:16.719 --> 0:54:22.239
<v Speaker 1>everything but like everything, but on balance, I am such

0:54:22.280 --> 0:54:27.680
<v Speaker 1>a lucky human being. And I remember on Penguins we

0:54:27.760 --> 0:54:31.600
<v Speaker 1>did a Christmas special and Carl Reiner played Santa Claus

0:54:31.719 --> 0:54:39.320
<v Speaker 1>come on well and and your dad Elliot Goulde. I

0:54:39.840 --> 0:54:43.200
<v Speaker 1>freaked out, did you you didn't know? I didn't get

0:54:43.200 --> 0:54:45.240
<v Speaker 1>to recorded any of these people. Hearing all these incredible

0:54:45.320 --> 0:54:50.839
<v Speaker 1>people any getting me gold. I was like looking at

0:54:51.080 --> 0:54:52.640
<v Speaker 1>I don't know why I was looking at school, because

0:54:52.680 --> 0:54:55.759
<v Speaker 1>what was he going to do? You know, get over

0:54:55.840 --> 0:54:58.840
<v Speaker 1>with Lisa, And I was just and I did it

0:54:58.960 --> 0:55:02.239
<v Speaker 1>and he was so over. He's like, thank you so much,

0:55:02.280 --> 0:55:05.719
<v Speaker 1>and he was so receptive and so into it, and

0:55:06.120 --> 0:55:08.879
<v Speaker 1>just every time after that was a joy. And then

0:55:09.800 --> 0:55:12.279
<v Speaker 1>years later we when we were doing Penguins and Carl

0:55:12.360 --> 0:55:16.080
<v Speaker 1>Reiner came in and I'm like, are you kidding me?

0:55:16.880 --> 0:55:20.600
<v Speaker 1>Are you You know, in my brain I'm directing Carl

0:55:20.640 --> 0:55:25.680
<v Speaker 1>Reiner and I'm outside my body. And and I don't

0:55:25.719 --> 0:55:28.080
<v Speaker 1>think we we didn't do that as an ensemble, although

0:55:28.120 --> 0:55:33.839
<v Speaker 1>I think that the actors were around. You get that's

0:55:33.840 --> 0:55:36.600
<v Speaker 1>the thing, and you get to work. What's what's sad

0:55:36.800 --> 0:55:40.120
<v Speaker 1>now is what what's great now is animation was the

0:55:40.160 --> 0:55:43.279
<v Speaker 1>first thing to come back. And we were recording right away,

0:55:43.280 --> 0:55:45.480
<v Speaker 1>and we figured it out and we re recorded what

0:55:45.600 --> 0:55:47.959
<v Speaker 1>we had to and it's been this huge learning curve

0:55:48.040 --> 0:55:53.439
<v Speaker 1>through COVID and it's incredible. And now it doesn't matter

0:55:53.480 --> 0:55:56.200
<v Speaker 1>where you are. We can record you anywhere. You could

0:55:56.200 --> 0:55:57.680
<v Speaker 1>be in your closet, but you can be in your

0:55:57.719 --> 0:56:01.680
<v Speaker 1>closet in Sydney, Australia, in you know, Budapest. It doesn't

0:56:02.560 --> 0:56:05.120
<v Speaker 1>doesn't because I remember when I was recording in New York,

0:56:05.160 --> 0:56:06.880
<v Speaker 1>it was a hole to do. Oh it was a

0:56:07.040 --> 0:56:10.160
<v Speaker 1>sink and patch and this it took hours and like

0:56:10.280 --> 0:56:11.960
<v Speaker 1>it had to have a certain kind of engineer at

0:56:11.960 --> 0:56:16.239
<v Speaker 1>a certain studio are and and and only be in

0:56:16.400 --> 0:56:20.760
<v Speaker 1>the last five years would this have been possible nowadays,

0:56:20.800 --> 0:56:23.520
<v Speaker 1>you wouldn't have had to leave your dorm room would

0:56:23.520 --> 0:56:25.600
<v Speaker 1>have been maybe she would have had to find a

0:56:25.680 --> 0:56:31.280
<v Speaker 1>real quiet dorm. Yeah, I mean you can be the equipment.

0:56:31.320 --> 0:56:36.600
<v Speaker 1>You get the equipment now for broadcast auditions, technically you

0:56:36.719 --> 0:56:40.040
<v Speaker 1>can do them on your voice memo. Jason Martin used

0:56:40.040 --> 0:56:42.160
<v Speaker 1>to do it in his car, covered in a towel.

0:56:42.760 --> 0:56:44.360
<v Speaker 1>Well he booked. I mean, this is even back in

0:56:44.400 --> 0:56:46.719
<v Speaker 1>the day. He booked spirited away from his closet. That

0:56:46.800 --> 0:56:48.920
<v Speaker 1>was even back in the day. So cool. So we

0:56:49.560 --> 0:56:53.239
<v Speaker 1>still get to work with tremendous phenomenal people, but we're

0:56:53.320 --> 0:56:55.080
<v Speaker 1>never in the same room now, And I don't know

0:56:55.160 --> 0:56:58.719
<v Speaker 1>when that goes back because sad rules are dictating what

0:56:58.840 --> 0:57:01.240
<v Speaker 1>we do in a recording booth yea, and the booth

0:57:01.280 --> 0:57:03.719
<v Speaker 1>has to sit for half an hour if people go in.

0:57:04.000 --> 0:57:05.759
<v Speaker 1>I always record in the booth. Still, I always go

0:57:05.840 --> 0:57:07.799
<v Speaker 1>in and recording the You have your own booth at

0:57:07.800 --> 0:57:09.759
<v Speaker 1>your house, no, but I go I I don't use it.

0:57:09.880 --> 0:57:12.360
<v Speaker 1>I use it for auditions, But I still physically go

0:57:12.480 --> 0:57:15.520
<v Speaker 1>into the studio and they couldn't be safer. But now

0:57:15.680 --> 0:57:18.600
<v Speaker 1>you couldn't record with somebody because your union wouldn't know.

0:57:18.840 --> 0:57:20.840
<v Speaker 1>You don't do it. I don't want to hear it.

0:57:21.520 --> 0:57:23.440
<v Speaker 1>You've also coined the phrase, so you can start using this.

0:57:23.960 --> 0:57:26.240
<v Speaker 1>Coined the phrase b CT which is before COVID time.

0:57:26.360 --> 0:57:30.160
<v Speaker 1>Yeah yeah, so in the before times we would, you know.

0:57:30.800 --> 0:57:35.040
<v Speaker 1>But but we still get to record amazing people. And

0:57:35.160 --> 0:57:37.400
<v Speaker 1>now they're more apt to do it because we can

0:57:37.480 --> 0:57:40.320
<v Speaker 1>send out. They do have to do a little Some

0:57:40.440 --> 0:57:44.960
<v Speaker 1>people get a little irritated doing some of the engineering. Um,

0:57:45.120 --> 0:57:48.000
<v Speaker 1>because that's I still don't really know how to do it. Yeah. No,

0:57:48.280 --> 0:57:50.680
<v Speaker 1>And I went to Trevor's house for the first part

0:57:50.720 --> 0:57:53.800
<v Speaker 1>of COVID. I literally went to Trevor's house. He would

0:57:53.840 --> 0:57:55.960
<v Speaker 1>wear a mask. I would wear a mask, and then

0:57:56.000 --> 0:57:57.840
<v Speaker 1>I would walk past him. I'd go into his booth.

0:57:57.880 --> 0:58:00.320
<v Speaker 1>He'd have it COVID protocols, like dude, I'll cord you.

0:58:00.400 --> 0:58:02.160
<v Speaker 1>And it was the greatest thing in the world. Is

0:58:02.920 --> 0:58:05.680
<v Speaker 1>Trevor Is Trevor one of our engineers? No, Trevor devl

0:58:05.880 --> 0:58:08.440
<v Speaker 1>is an phenomenal actor who listens. He's now in Texas.

0:58:09.280 --> 0:58:11.800
<v Speaker 1>He moved to Texas. Oh yeah, Trevor's lived in Texas

0:58:11.840 --> 0:58:20.040
<v Speaker 1>from the way Lissa went to to Texas. Oh yeah,

0:58:20.680 --> 0:58:22.880
<v Speaker 1>so what do you think the future of animation is then?

0:58:23.280 --> 0:58:27.600
<v Speaker 1>Besides this integrated the new way of recording, regardless of

0:58:27.680 --> 0:58:30.200
<v Speaker 1>the I think it's going to be hybrid from now on.

0:58:30.440 --> 0:58:33.240
<v Speaker 1>I think it's going to be. It's not going to

0:58:33.280 --> 0:58:35.200
<v Speaker 1>go back a percent, not for a long time. I

0:58:35.280 --> 0:58:37.600
<v Speaker 1>don't think. I think. I think there's a lot of

0:58:37.640 --> 0:58:40.240
<v Speaker 1>people that aren't going to be comfortable. There are a

0:58:40.280 --> 0:58:44.040
<v Speaker 1>lot of people that love doing it from home that don't.

0:58:44.440 --> 0:58:46.400
<v Speaker 1>You know you like to do you like directing from

0:58:46.440 --> 0:58:50.000
<v Speaker 1>home parts of it? I love sure parts of it.

0:58:50.080 --> 0:58:52.560
<v Speaker 1>You don't parts of it or you know parts of it.

0:58:52.600 --> 0:58:54.880
<v Speaker 1>I don't get to meet somebody in person like I've

0:58:54.920 --> 0:58:57.880
<v Speaker 1>been working with Miley forever, but I see you on

0:58:57.960 --> 0:59:01.680
<v Speaker 1>this little tiny my planic time. I don't turn on

0:59:01.800 --> 0:59:04.200
<v Speaker 1>my camera anymore like I did in the beginning. I'm like,

0:59:04.280 --> 0:59:06.560
<v Speaker 1>I can't. I do stare at myself. This is awful.

0:59:06.720 --> 0:59:09.160
<v Speaker 1>I hate this. And I turned off my camera and

0:59:09.560 --> 0:59:12.000
<v Speaker 1>I'll go on for when I work with kids or

0:59:12.240 --> 0:59:15.680
<v Speaker 1>somebody that doesn't know me. Um, I forgot yesterday and

0:59:15.680 --> 0:59:17.720
<v Speaker 1>I have a picture of my horse who was dressed

0:59:17.760 --> 0:59:20.640
<v Speaker 1>up as a pimp for Halloween. Okay, sorry, I was

0:59:20.680 --> 0:59:23.520
<v Speaker 1>trying to be as pacy as possible. But he's a

0:59:23.560 --> 0:59:28.280
<v Speaker 1>horse and so but that's my picture and this yeah,

0:59:28.600 --> 0:59:31.800
<v Speaker 1>and so we're recording this woman from London and she's like,

0:59:32.200 --> 0:59:34.400
<v Speaker 1>I'm sorry. I know I've worked with you before, but

0:59:34.480 --> 0:59:38.479
<v Speaker 1>all I see is a horse. Your name, isn't it fine?

0:59:39.320 --> 0:59:41.640
<v Speaker 1>Well I could put up my dog, but her ears

0:59:41.680 --> 0:59:45.400
<v Speaker 1>are died different colors. Your your dog. A quick shout

0:59:45.440 --> 0:59:51.320
<v Speaker 1>out to but thank you so much for we It

0:59:51.440 --> 0:59:53.480
<v Speaker 1>really is an honor. We love you so much. No,

0:59:53.760 --> 0:59:56.040
<v Speaker 1>I love you guys. I mean this is my first

0:59:56.080 --> 1:00:01.240
<v Speaker 1>Showpile was my heart will always be always in fever.

1:00:02.520 --> 1:00:06.320
<v Speaker 1>Well you can hope, right, I mean everything's getting rebooted, right,

1:00:06.680 --> 1:00:08.480
<v Speaker 1>Well they did it impossible, but they did the live

1:00:08.520 --> 1:00:11.280
<v Speaker 1>action version. But I mean, like Proud Family just came

1:00:12.080 --> 1:00:15.560
<v Speaker 1>in its original form with its original characters and casts.

1:00:17.000 --> 1:00:20.200
<v Speaker 1>I think it could happen. I would never happened. Yeah,

1:00:20.240 --> 1:00:22.680
<v Speaker 1>I would like to happen. We I would. But we first,

1:00:22.760 --> 1:00:24.480
<v Speaker 1>we just want to get the cast together because I

1:00:24.560 --> 1:00:26.640
<v Speaker 1>want to meet some people, be in the same room

1:00:26.720 --> 1:00:30.840
<v Speaker 1>for one considered a failure if you don't get absolutely

1:00:30.880 --> 1:00:36.600
<v Speaker 1>every I want everyone's Lisa's. We got Lisa now she can.

1:00:38.480 --> 1:00:41.320
<v Speaker 1>That'll be a trick. I always say that's my My

1:00:41.360 --> 1:00:42.840
<v Speaker 1>wife always rolls her eyes when I say this, But

1:00:42.960 --> 1:00:46.880
<v Speaker 1>I say, actors never die, they're just unavailable. Marked out,

1:00:47.560 --> 1:00:50.840
<v Speaker 1>he's booked. That's from my friend George Walks movie Swimming

1:00:50.840 --> 1:00:53.640
<v Speaker 1>with Sharks. Shout out to George, shout who would you read?

1:00:53.680 --> 1:00:58.640
<v Speaker 1>Who would we replace Ricardo Montale with them? There you go? Wow,

1:00:58.720 --> 1:01:00.960
<v Speaker 1>that was quick. Did he well? Talked to him to

1:01:01.560 --> 1:01:05.560
<v Speaker 1>put some boots like he that's that's okay. So final

1:01:05.680 --> 1:01:08.200
<v Speaker 1>question before you go, And you don't have to give

1:01:08.360 --> 1:01:10.840
<v Speaker 1>us a name. Okay, okay, you don't have to give

1:01:10.920 --> 1:01:13.520
<v Speaker 1>us a name, all right, But if somebody said to you,

1:01:14.560 --> 1:01:17.840
<v Speaker 1>who's the best voiceover actor you've ever worked with? Does

1:01:17.880 --> 1:01:20.720
<v Speaker 1>somebody instantly pop in your head? Okay, you don't have

1:01:20.760 --> 1:01:22.920
<v Speaker 1>to tell us. You you can if you want, I

1:01:23.000 --> 1:01:34.600
<v Speaker 1>think you yeah, okay, wanted, I'm not telling Okay, that's

1:01:34.640 --> 1:01:37.200
<v Speaker 1>exactly I was not gonna. I'm not gonna put you

1:01:37.280 --> 1:01:41.080
<v Speaker 1>on the hook. But instantly somebody comes in your head

1:01:41.120 --> 1:01:43.920
<v Speaker 1>a huge smile on her face too. Yeah, Well, and

1:01:44.160 --> 1:01:45.520
<v Speaker 1>you know what, you can ask me that and I

1:01:45.600 --> 1:01:49.120
<v Speaker 1>could I could give you twenty people. Oh, I'm sure,

1:01:49.400 --> 1:01:53.080
<v Speaker 1>but but that's people you could give people. But that's

1:01:53.640 --> 1:01:57.960
<v Speaker 1>what makes our talent upon talent upon talent upon talent

1:01:58.080 --> 1:02:01.480
<v Speaker 1>upon talent, and talent on me Tomorrow that will add

1:02:01.520 --> 1:02:04.640
<v Speaker 1>to that list. I keep a book of people I

1:02:04.760 --> 1:02:07.840
<v Speaker 1>work with because I used to keep it at you know,

1:02:07.920 --> 1:02:10.080
<v Speaker 1>when I was a coordinator, I would have all they have.

1:02:10.280 --> 1:02:13.320
<v Speaker 1>They have databases on the Disney and Warner Brothers things,

1:02:13.360 --> 1:02:15.640
<v Speaker 1>so you just have access, you know, like who was

1:02:15.720 --> 1:02:17.920
<v Speaker 1>that person I work with? I write things down now

1:02:17.960 --> 1:02:21.520
<v Speaker 1>because I'm meet a million people and I'm older than

1:02:22.440 --> 1:02:25.800
<v Speaker 1>I was, older than I was, and so I write

1:02:25.840 --> 1:02:29.200
<v Speaker 1>them down so I'll remember, like when I cast and

1:02:29.480 --> 1:02:33.280
<v Speaker 1>all this, this person is great. You know, there are

1:02:33.320 --> 1:02:35.320
<v Speaker 1>people that are in my head because I've been doing

1:02:35.360 --> 1:02:38.160
<v Speaker 1>this for twenty who will be the first twenty people

1:02:38.200 --> 1:02:40.480
<v Speaker 1>I ever said, because they've I've worked with them for

1:02:40.880 --> 1:02:45.000
<v Speaker 1>But these I also keep this other thing because there's

1:02:45.320 --> 1:02:48.320
<v Speaker 1>tomorrow you never know. So then let me follow this

1:02:48.480 --> 1:02:51.320
<v Speaker 1>up with a sort of like a closing thought. We

1:02:51.480 --> 1:02:53.960
<v Speaker 1>always have people that come to us at comic cons

1:02:54.000 --> 1:02:56.440
<v Speaker 1>and like, how do I break into VO world? And

1:02:56.680 --> 1:02:59.520
<v Speaker 1>he's he has some really great resources that he's sort

1:02:59.560 --> 1:03:02.080
<v Speaker 1>of thrown out there. But I mean, what do you

1:03:02.240 --> 1:03:08.000
<v Speaker 1>think what's going to give them? The brother Yeah, and

1:03:08.880 --> 1:03:13.960
<v Speaker 1>the actually breaking I always say to people because the

1:03:15.000 --> 1:03:17.720
<v Speaker 1>I've had people come to me, friends and my dad.

1:03:18.600 --> 1:03:20.760
<v Speaker 1>And this is an absolute true story. When I was

1:03:20.800 --> 1:03:23.520
<v Speaker 1>a deek, I had just started and this guy is

1:03:23.560 --> 1:03:27.080
<v Speaker 1>an attorney and and a big famous attorney. He's like,

1:03:27.400 --> 1:03:29.320
<v Speaker 1>I just can I take you to lunch? I just

1:03:29.440 --> 1:03:31.000
<v Speaker 1>really want to get into voice over. I'm like, are

1:03:31.040 --> 1:03:34.320
<v Speaker 1>you kidding me? Are you kidding me? Like I've known

1:03:34.360 --> 1:03:36.600
<v Speaker 1>in my whole life, And I keep your date like,

1:03:37.040 --> 1:03:41.040
<v Speaker 1>you're not an actor, Like, here's the thing, you you're

1:03:41.040 --> 1:03:46.400
<v Speaker 1>an actor. Actor. You need to be an actor first, foremost, always.

1:03:47.000 --> 1:03:51.120
<v Speaker 1>Every Mike technique can be taught everything else, but actors

1:03:51.240 --> 1:03:54.840
<v Speaker 1>developed characters, developed voices that we don't want you ever

1:03:54.960 --> 1:03:58.000
<v Speaker 1>doing anything that damages your voice. We don't ever want

1:03:58.040 --> 1:04:02.880
<v Speaker 1>you doing something that you're not comfortable doing. Actors created

1:04:03.120 --> 1:04:06.320
<v Speaker 1>from themselves and and it, yeah, we strip away. It

1:04:06.360 --> 1:04:08.800
<v Speaker 1>doesn't matter what you look like, it doesn't matter you

1:04:08.920 --> 1:04:11.240
<v Speaker 1>know what you're doing with your hands. Most likely I

1:04:11.280 --> 1:04:13.840
<v Speaker 1>will tell you to stop moving around. You know, when

1:04:13.920 --> 1:04:15.840
<v Speaker 1>you get a lot of on camera people who think

1:04:15.920 --> 1:04:21.560
<v Speaker 1>they have to gesture and move in that used to Nicole.

1:04:21.560 --> 1:04:23.520
<v Speaker 1>It's all has been crazy. When we would put her

1:04:23.880 --> 1:04:26.040
<v Speaker 1>like on camera, people feel like they have to like

1:04:26.200 --> 1:04:28.760
<v Speaker 1>make eye contact with you. You're in the scene, so

1:04:28.880 --> 1:04:31.000
<v Speaker 1>they turn away and they're a they're off Mike, but

1:04:31.120 --> 1:04:35.240
<v Speaker 1>be nobody's off books and I don't know what reading.

1:04:36.600 --> 1:04:39.520
<v Speaker 1>I'm usually off book. Yeah, I'm usually having because you're

1:04:39.520 --> 1:04:44.960
<v Speaker 1>improvising everything because everything is falling on the But so

1:04:45.360 --> 1:04:49.160
<v Speaker 1>I always say, you know, they're like I can do

1:04:49.200 --> 1:04:51.000
<v Speaker 1>funny voice them. I great, but you have to be

1:04:51.080 --> 1:04:54.120
<v Speaker 1>an actor. That's we keep hearing that same thing over

1:04:54.200 --> 1:04:58.360
<v Speaker 1>and over again. Yeah, I mean, very lucky that we

1:04:58.480 --> 1:05:02.400
<v Speaker 1>get to dispense that advice. But d has distilled it

1:05:02.480 --> 1:05:07.240
<v Speaker 1>in such a it's such a kind hearted, genuine breakdown.

1:05:09.320 --> 1:05:13.480
<v Speaker 1>It's throw and Steve Bloom and Everett Oliver and all

1:05:13.520 --> 1:05:15.760
<v Speaker 1>these people who teach. I have taught a couple of

1:05:15.840 --> 1:05:18.560
<v Speaker 1>Mike Everett. I'm not really a teacher because I'm not

1:05:18.640 --> 1:05:20.920
<v Speaker 1>I don't come from acting. I can't teach you how

1:05:21.000 --> 1:05:24.640
<v Speaker 1>to act. Right. Christie came as a sixteen year old

1:05:24.640 --> 1:05:28.400
<v Speaker 1>phenomenal actress. I could work with her, and we could

1:05:28.680 --> 1:05:30.959
<v Speaker 1>work together, but I couldn't teach her to act because

1:05:30.960 --> 1:05:34.560
<v Speaker 1>I'm not an acting teacher. I'm my My way into

1:05:34.680 --> 1:05:37.400
<v Speaker 1>KP was authentic, and that's kind of you. You helped

1:05:37.480 --> 1:05:40.720
<v Speaker 1>me along. But we we grew together, you know. Yeah,

1:05:41.400 --> 1:05:44.160
<v Speaker 1>but we would come together and we would and look,

1:05:44.280 --> 1:05:52.080
<v Speaker 1>she carried the show. She had the bulk of the day. Yeah, Christie,

1:05:52.160 --> 1:05:55.640
<v Speaker 1>you had all the dialogue, and you were by yourself

1:05:55.960 --> 1:05:58.080
<v Speaker 1>as a sixteen year old all the time. I'm going

1:05:58.160 --> 1:06:01.320
<v Speaker 1>to cry. You should, I mean, so you should cry

1:06:01.440 --> 1:06:07.280
<v Speaker 1>right now, crying on cue that's so sweetly, doesn't matter.

1:06:07.520 --> 1:06:11.160
<v Speaker 1>I didn't do anything dynamic with my voice. But again,

1:06:11.440 --> 1:06:14.960
<v Speaker 1>because you acted, you didn't need to. You didn't need

1:06:15.080 --> 1:06:18.920
<v Speaker 1>to change your voice until very much later. Sure, yes,

1:06:19.080 --> 1:06:21.200
<v Speaker 1>as and then you had I can still do the voice,

1:06:21.320 --> 1:06:23.280
<v Speaker 1>by the way, Yes, of course you can figured it

1:06:23.320 --> 1:06:26.919
<v Speaker 1>out the technique now too. And you know you could

1:06:26.920 --> 1:06:30.400
<v Speaker 1>also go at seven o'clock at night and show up

1:06:30.440 --> 1:06:35.840
<v Speaker 1>on Broadway for crying out loud. You ented, but you

1:06:36.200 --> 1:06:39.720
<v Speaker 1>learned how to use it right as you grew up. Yes,

1:06:39.840 --> 1:06:42.080
<v Speaker 1>and I had the support in the mentorship. I think

1:06:42.120 --> 1:06:44.040
<v Speaker 1>what's really interesting is that, yes, it's if you're a

1:06:44.120 --> 1:06:46.480
<v Speaker 1>voice over actor, you can't just do the voice over.

1:06:47.000 --> 1:06:49.320
<v Speaker 1>You have to be the actor part. Know you're an actor.

1:06:49.640 --> 1:06:51.680
<v Speaker 1>And again because that same thing we've all we've all

1:06:51.720 --> 1:06:54.520
<v Speaker 1>met people I do funny voices, that's great, but you

1:06:54.640 --> 1:06:56.760
<v Speaker 1>got to be an actor or the people that say, oh,

1:06:56.800 --> 1:06:58.760
<v Speaker 1>you're not a real actor, you're a voice actor, like

1:06:58.840 --> 1:07:01.840
<v Speaker 1>that drives me and say, yeah, yeah, I want to

1:07:01.880 --> 1:07:04.680
<v Speaker 1>Punch's just somebody who doesn't know. Well, that's exactly right,

1:07:04.760 --> 1:07:08.480
<v Speaker 1>Like this is something you're interested in, then let me

1:07:08.680 --> 1:07:14.600
<v Speaker 1>say go to acting, you know, or learn your craft,

1:07:14.920 --> 1:07:20.280
<v Speaker 1>because it absolutely is one great advice from a great director. You, Lisa,

1:07:20.400 --> 1:07:22.440
<v Speaker 1>thank you so much for coming on joining us. This

1:07:22.600 --> 1:07:24.720
<v Speaker 1>is really cool. You are the first director we're having

1:07:24.720 --> 1:07:27.680
<v Speaker 1>on I Hear Voices, which is an absolutely apt when

1:07:27.720 --> 1:07:30.680
<v Speaker 1>it comes to Kim Possible and why we're here and

1:07:30.720 --> 1:07:32.360
<v Speaker 1>all the other stuff than people where they were meeting,

1:07:32.440 --> 1:07:34.640
<v Speaker 1>and so thank you so much for joining. Thank you.

1:07:41.160 --> 1:07:43.480
<v Speaker 1>I Hear Voices assoisted by Wilfred L and Christie Garls

1:07:43.520 --> 1:07:46.280
<v Speaker 1>and Romano, produced by Elizabeth Joy Windham and executive produced

1:07:46.320 --> 1:07:49.160
<v Speaker 1>by Brendan Rooney and Wilfred L. Our sound engineer and

1:07:49.280 --> 1:07:51.600
<v Speaker 1>editor is Elizabe Joy Windham and our video editor is

1:07:51.640 --> 1:07:55.480
<v Speaker 1>at Guardo Gamba and that was my announcer voice. Some

1:07:55.640 --> 1:07:58.240
<v Speaker 1>side effects of listening to I Hear Voices are sore

1:07:58.360 --> 1:08:01.280
<v Speaker 1>abs from larity falling down the cocoa melon rabbit hole,

1:08:01.480 --> 1:08:04.560
<v Speaker 1>sneezing due to mass nostalgia, and hugs follow I Hear

1:08:04.640 --> 1:08:06.920
<v Speaker 1>Voices where every listen to podcasts you don't miss any

1:08:07.000 --> 1:08:09.400
<v Speaker 1>of the amazing voices. Be sure to follow us on

1:08:09.480 --> 1:08:12.720
<v Speaker 1>Instagram and TikTok at I Hear Voices podcast to see

1:08:12.720 --> 1:08:15.000
<v Speaker 1>the video stream, subscribe to my YouTube channel. You can

1:08:15.040 --> 1:08:18.240
<v Speaker 1>also check us out on my Space. O'meagal Vine, Lime Wire,

1:08:18.320 --> 1:08:20.920
<v Speaker 1>a M and Napster. Okay, well, let's teach you about

1:08:20.920 --> 1:08:21.760
<v Speaker 1>the Internet. What