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Speaker 1: Hey, Christy, Hey, Will, how are you. I'm really great.

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Speaker 1: Lisa Schaeffer's here, Lisa Schaefer, who was a voice director

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Speaker 1: and directed a little show called Kim Possible. That's right,

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Speaker 1: So we're gonna learn about the other side of the

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Speaker 1: industry today, So stick around. Lisa Schaefer is here with us.

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Speaker 1: Lisa Schaeffer, Oh my goodness, this feels like we're home.

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Speaker 1: It does a little bit, right, although the number of

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Speaker 1: button and I need to be able to yeah, But

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Speaker 1: we were thinking about the number of times that we

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Speaker 1: actually recorded together was miniscule. Sadly, it was like, how

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Speaker 1: many times was it? You must know, you know, every

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Speaker 1: five times? Yeah, at the most, because it was in

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Speaker 1: the way beginning, and then you ended up recording with

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Speaker 1: John Diggio and Nicole Sullivan. Yes, we would do that,

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Speaker 1: and then Nancy was separate them sometimes and is always separate.

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Speaker 1: I don't think we did one session. I remember that

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Speaker 1: it was you were not there, but Nancy was in

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Speaker 1: with up with Johnny and in the beginning being okay,

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Speaker 1: and then she was like, no, I don't like that. Will. Yeah.

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Speaker 1: She actually gave me a very nice compment. She said,

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Speaker 1: you're wow, you are really great in this show, and

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Speaker 1: I was like, of course, I might have made that

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Speaker 1: up in my own head. I think it happened, and

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Speaker 1: I'd like to remember it happened, but I should remember

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Speaker 1: it that way. We should probably also tell our wonderful

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Speaker 1: listening audience and watching a viewing audience. I should say

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Speaker 1: who Lisa is exactly. Lisa is one of the people

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Speaker 1: most responsible for recording us on Kimpossible, like essentially starting

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Speaker 1: from the very beginning, and by Chris did the pilot.

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Speaker 1: He did the pilot, and he did I think a

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Speaker 1: few of the early episodes, a very few in the beginning,

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Speaker 1: and then we would record Saturday mornings after your p

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Speaker 1: s A T class because she was in Yeah, and

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Speaker 1: then you went off to college and we recorded you

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Speaker 1: from New York and you were bell on Broadway and

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Speaker 1: we recorded you from or Will Never Left. He was

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Speaker 1: I'm always he was in Woodland Hills exactly. You know,

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Speaker 1: I was Burbank. I was in Burbank at the time.

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Speaker 1: I didn't realize, well, when we wait, when did we start? Three?

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Speaker 1: Two thousand two and three was like casting and pred

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Speaker 1: and I think two thousand three, two thousand four was

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Speaker 1: season Then, yes, I wasn't. Lisa also has a really

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Speaker 1: amazing memory. Remember something exactly. She called me Dan for

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Speaker 1: the first like six episodes. I called you dude, like

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Speaker 1: I call everybody. No, no, no, no. I went freelance

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Speaker 1: for like I left. I was a Disney employee when

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Speaker 1: we started, and I was a scheduler and a coordinator

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Speaker 1: and and really that was my day job. And then

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Speaker 1: they were letting me direct and direct and direct, and

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Speaker 1: finally Jamie Thomas, in the head of casting, was like, okay, fly,

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Speaker 1: what was the first show you ever directed? Well? I

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Speaker 1: directed at a smaller animation company called The Deek Entertainment

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Speaker 1: of my Childhood, So I did The Wacky World of

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Speaker 1: Tech Savery was one of the first ones I did.

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Speaker 1: I did some of the Inspector Gadget readers. They did

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Speaker 1: old school Inspector gadgett too, though deck they were like

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Speaker 1: around they created it. But that was before I got there.

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Speaker 1: And you know, that's where I met, Like they had

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Speaker 1: Tara and they had Cree Discovered from Toronto like when

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Speaker 1: they were kids. Penny on Incopord brought her back and

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Speaker 1: Race LaMarsh and all of them people. So when I

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Speaker 1: came over to Disney, I went back because it was

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Speaker 1: to earn my stripes as a Disney So I went

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Speaker 1: back and was a talent coordinator and a booker and

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Speaker 1: schedule and then some people came to you and said,

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Speaker 1: we've got a show. Yeah, my Mark and Bob came

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Speaker 1: and and we started working. I was casting their show.

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Speaker 1: I was casting it and coordinating it and then directing

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Speaker 1: it and doing all the auditions. And you know, did

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Speaker 1: you ever cast it? Could you cast us? Well? Me

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Speaker 1: and Mark and Bob, I mean, you know, Jamie and

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Speaker 1: Dave and who team, the whole team? I remember? Okay,

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Speaker 1: So I remember our animaltic that was used for the

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Speaker 1: audition process. Do you remember that? Really? It was? Yeah?

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Speaker 1: I think so it was like, well, do you maybe

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Speaker 1: she remembers better than me? No, no, but no, I

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Speaker 1: just remember that what had happened was they put they

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Speaker 1: had put me, or maybe I came into the studio

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Speaker 1: in like Disney voices and then I put myself on

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Speaker 1: tape and they had showed me KPS like you know,

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Speaker 1: her her picture, her description. Bob and Mark kind of

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Speaker 1: like helped coax me through it because I hadn't done

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Speaker 1: anything like that. Yeah, you came to Disney to our booth. Okay,

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Speaker 1: so you do remember, yeah? And then I just remember

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Speaker 1: though they used the pilot episode as a regular episode

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Speaker 1: later down the line. Right, yes, how did that all work? Well,

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Speaker 1: we did the pilot and then, but we had also

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Speaker 1: concurrently started the show. So by the time the pilot

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Speaker 1: came back, like we were reworking everything because like the

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Speaker 1: show evolves, and so I think when you do a pilot,

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Speaker 1: especially of an animated especially of an animated show, nine

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Speaker 1: months goes by before it comes back. Right, So everything

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Speaker 1: we had recorded twenty shows in that time, because we

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Speaker 1: had gone to series and they went out. They were

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Speaker 1: like boom boom, boom, boom boom, all the records happen,

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Speaker 1: and then you get this one back that's kind of

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Speaker 1: like off by itself. Well, and Disney was chopping it

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Speaker 1: up to use it to promo. So like this one

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Speaker 1: piece of dialogue I remember was not only from the

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Speaker 1: audition obviously, remember like trying to really get the job

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Speaker 1: with this whole little c net that me and Will's

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Speaker 1: character was doing. It was like, don't freak out, Kim,

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Speaker 1: And I was like, I'm not like that whole thing, Okay,

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Speaker 1: I do. I vaguely remember it was like the c

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Speaker 1: net that they kind of chopped up and then they

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Speaker 1: teased it to people. And I don't even know if

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Speaker 1: they had that song yet from Christina Milion. I don't

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Speaker 1: think that. I think do you were you a part

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Speaker 1: of any of the musical stuff. I was a part

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Speaker 1: with the musicals with you guys, but not for Christina.

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Speaker 1: And what List is talking about is the naked male rap.

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Speaker 1: Well not just nake, but say the word. And John

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Speaker 1: DiMaggio is draging. Yes, we did the Christmas songs and

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Speaker 1: stuff like that. I remember John calling me after one

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Speaker 1: Christmas song and going, I can't believe you hit the harmony.

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Speaker 1: He literally said to because I can't believe he hit

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Speaker 1: the harmony because he knows I can't sing, so he's like,

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Speaker 1: I can't believe he hit the harmony. He was like, hey, thanks,

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Speaker 1: He's like he couldn't. The naked that was rapping and

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Speaker 1: singing or a little different though. That was my second

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Speaker 1: rap song and apparently award winning trap I did not

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Speaker 1: know about. Bob and Mark are the creators of Kimpossible.

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Speaker 1: Bob Schooling and Mark Mark mccorle. They accepted an award

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Speaker 1: for the Naked mole rap. I guess they didn't even go.

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Speaker 1: They didn't. I think they found out about it after

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Speaker 1: it happened. I have a question for you with regards

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Speaker 1: the casting process, because one of the things that we

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Speaker 1: are talking about here on I hear voices. We're trying

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Speaker 1: to teach everybody kind of the entire process around making

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Speaker 1: an animated series or any sort of divorce or or

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Speaker 1: even if it's doing a commercial or doing a movie,

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Speaker 1: whatever it is, and so we are making sure we're

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Speaker 1: trying to hit everybody. So that's why we have Lisa on.

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Speaker 1: We're going to try to do as many directors as

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Speaker 1: we can as well, and Lisa's of course a director extraordinaire.

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Speaker 1: But song a bit, you've been sung a bit. You

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Speaker 1: got an Emmy behind you, so you're you're've been sung

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Speaker 1: a little bit. And we've had some Emmy's on this

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Speaker 1: show now. Um, and apparently you got nominated for one,

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Speaker 1: which I had did know until a minute ago. I

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Speaker 1: had no idea. Apparently I'm the only one on Kimpossible

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Speaker 1: that was not nominated for an Emmy, which I just

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Speaker 1: found that Nancy was nominated. That's what I'm saying. She won.

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Speaker 1: I think I thought she want I don't think. Okay, Well,

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Speaker 1: either way, she won for barts In which is a

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Speaker 1: smaller cartoon character some people might have heard of. Um.

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Speaker 1: But one of the things that's very different a lot

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Speaker 1: of the times in the animated world than it is

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Speaker 1: in the you know, on camera world, is in a

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Speaker 1: lot of these cases, the director also is in charge

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Speaker 1: of casting or is really helpful when it comes to

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Speaker 1: the casting process. Yes and no. Okay, now what do

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Speaker 1: you mean by certainly? Well, in the in the beginning

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Speaker 1: days like earlier, Uh, because I was wearing a lot

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Speaker 1: of hats, I was casting and directing, and there's shows

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Speaker 1: I cast from the beginning to the end. But it

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Speaker 1: depends on the studio. Like Nickelodeon has their own casting department,

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Speaker 1: Disney has their own casting department, Warner Brothers has their

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Speaker 1: own casting department, so they do. Did you get any say,

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Speaker 1: like especially as the show is getting bigger, Yeah, of course,

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Speaker 1: you know, Hey, I want to bring this person in. Yes, absolutely,

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Speaker 1: But it used to be we would do that all

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Speaker 1: day long, and now they have, you know, which is

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Speaker 1: great for directors because you have a whole group of

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Speaker 1: people who only cast, so they're they're you know, dedicated

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Speaker 1: to your show, and they're dedicated to bringing you the

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Speaker 1: people and you can talk to them. You know, it's

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Speaker 1: a very collaborative. Um sport right. I feel really silly

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Speaker 1: because a lot of times so I would report and

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Speaker 1: obviously I was disconnected. Lisa was always so supportive in

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Speaker 1: trying to keep me sort of connected to the rest

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Speaker 1: of the cast that even if I was in New York,

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Speaker 1: which I was for about a year. Um, she she

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Speaker 1: was like, guess who we got cast in this one?

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Speaker 1: Like we got the Taco Bell dog, like the voice

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Speaker 1: of the dog fast Yeah, no, no, no, you're thinking

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Speaker 1: of he was not, but that's not the Taco Bell.

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Speaker 1: That's right, Carlos. It was from and he was the

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Speaker 1: Taco he was. Okay, I'm not sure I ever knew that. No.

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Speaker 1: Ricardo Montalbon was senior senior senior, Yes, yes, and that

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Speaker 1: was phenomenal, like directing him like the icons, Debbie Reynolds,

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Speaker 1: we got to direct never had to meet any of

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Speaker 1: these people. That's the thing. Dakota Fanning played Baby Kim Possible. Yes,

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Speaker 1: remember that like that? It was It was incredible and

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Speaker 1: she was such a fan of you. I mean, that's why.

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Speaker 1: I wish you guys could have because they were all

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Speaker 1: such big fans of the show. When we aged everybody

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Speaker 1: and young everybody. There were some huge actors on Kim

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Speaker 1: Possible and that really big guy who like had to

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Speaker 1: duck in when he played them the Giant, the Giant

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Speaker 1: guy from Yes Oh, Kevin Michael Richardson's good friend Michael

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Speaker 1: Clarke Duncan, who was the phenomenal actor and apparently according

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Speaker 1: to and he played Rufous. He played Rufus the Yeahs

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Speaker 1: and he was so into it, you know, like he

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Speaker 1: was like, I can't believe I get to do this. So,

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Speaker 1: you know, while we were in our later seasons, it

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Speaker 1: was easier because people we it was a known commodity.

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Speaker 1: People loved it. Dakota could not. She was like freaking out,

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Speaker 1: she was so excited about it. Um So Ricardo Montbarlmo

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Speaker 1: senior senior senior was it Nestor? Was he senior senior

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Speaker 1: junior who gave one of the so out of character

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Speaker 1: performances for an actor you've ever seen it? Just meaning

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Speaker 1: like you see Nestor on things like he was just

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Speaker 1: on the Morning Show, and he's in everything. He was

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Speaker 1: in Batman and he's in bed and everything, and then

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Speaker 1: you heard his performance and it was just so good

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Speaker 1: and talk about he had never sung before. And we

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Speaker 1: made him sing every boy band song relentlessly because that's

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Speaker 1: what Senior Senior Junior only ever wanted to be a

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Speaker 1: pop star. That was his goal. And what was the

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Speaker 1: name of the band? We made up town. That's an

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Speaker 1: actual that was an actual band, and we made that

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Speaker 1: poor man so nervous and he would sing and we're like, well,

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Speaker 1: the good news is Senior Senior Junior is a terrible singer.

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Speaker 1: And and it was Adams nest Oh my god, he's dreaming.

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Speaker 1: We called Nestor Carbonar in our house. He's the one

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Speaker 1: who always looks like he has I make up on.

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Speaker 1: He's a really good looking dude. Adam Barry, Adam Berry,

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Speaker 1: Adam Barry. Oh, this guy, this guy, yeah, that guy. Yeah.

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Speaker 1: Oh that's perfect, very good actor. Yeah. And he just

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Speaker 1: had that father. Father was so great. I don't know

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Speaker 1: to want to I want to suntan. Oh. It was crazy.

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Speaker 1: So Adam Barry was the music and he Nestor would

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Speaker 1: have to sing over and and he but he got

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Speaker 1: through it and he was It was perfect. It was perfect.

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Speaker 1: We did a lot of actual music songs and what

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Speaker 1: Disney likes to put music in, Well, markam Bob like

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Speaker 1: to market? Bob do some things that are pretty remarkable,

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Speaker 1: Like I remember the episode where it's Mark and Bob

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Speaker 1: in the boat and it's and it's and they did

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Speaker 1: in the boat. And then there was one character that

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Speaker 1: Ron talks about named Mary gary Anu because Gary Marianna

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Speaker 1: was our did our pr um. So it's like they

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Speaker 1: would throw in these little nods that only we would get.

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Speaker 1: You know, it's you know, nobody watching the show is

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Speaker 1: going to go, oh, that's Mark and Bob unless you

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Speaker 1: Mark and Bob. So that stuff was was really really cool. Now,

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Speaker 1: was there anybody that you really wanted to get on

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Speaker 1: the show that you tried and tried and tried and

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Speaker 1: it just didn't happen, Carrie Fisher, We tried and tried

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Speaker 1: and tried for which role it was? Was it a bunch?

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Speaker 1: Was it for I want to say it was a

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Speaker 1: it was a villain or I can't remember. Uh. And

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Speaker 1: everybody said they had their an in and everybody had

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Speaker 1: an inn and and no one could get to her.

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Speaker 1: And I want to say, I feel like we didn't

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Speaker 1: have uh, I feel like we had a lot of

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Speaker 1: male villains, especially the main ones. Amy. We had Melissa McCarthy. Yes,

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Speaker 1: that's right, that was me because I was a huge

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Speaker 1: Gilmore Girls fan, so I got before she exped I

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Speaker 1: made market and we got her, and we got a

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Speaker 1: bunch of people from what I mean. Also, one of

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Speaker 1: the best villains ever was she Go because she was

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Speaker 1: the one who was actually she was really the mastermind

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Speaker 1: of everything going on. And we had Carrie Kenny from

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Speaker 1: Reno nine on one and she played another villain in

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Speaker 1: a in season in a really early season. I never

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Speaker 1: got to meet any She's like one of my favorite

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Speaker 1: She's one of the unsungs, hysterical and the daughter of

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Speaker 1: a legendary voice over actor, Larry Kenny, the original Lionel

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Speaker 1: we brought onto teen Titans. Did you okay? Cool? Yeah,

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Speaker 1: he was the original Lione on thundercost He's so good,

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Speaker 1: so good, believe. But yeah, but I want to be

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Speaker 1: so happy about this. But the more I'm hearing these

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Speaker 1: amazing that I didn't get a chance to record what

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Speaker 1: I was gonna say, Did you record with Gary Cole

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Speaker 1: and Jean Smart? Did you actually get to Mom and

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Speaker 1: Dad Possible. I met Gary Cole a couple of times randomly,

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Speaker 1: and I remember at one point I walked up to

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Speaker 1: my saw him in a restaurant like years later, and

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Speaker 1: I walked up to him and I said, excuse me,

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Speaker 1: Mr Cole, my name's you know Will We we did

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Speaker 1: Kim Possible together. Oh, yes, you know I remember him Possible. Thanks.

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Speaker 1: I was like, okay, I'm gonna leave you now. Thanks. Thanks.

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Speaker 1: So mellows he did that to me too. Calm is

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Speaker 1: very nice. Yeah, like you never shot, very like just

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Speaker 1: sit there. He was not rude. He was just very professional.

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Speaker 1: And he came in, did this thing and left. No,

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Speaker 1: I don't know, Ronald, he has this kind of way

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Speaker 1: about it. I mean, yeah, we brought him into Penguins

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Speaker 1: and he would come in and Jean Smart he was

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Speaker 1: just my idol. I wasn't designing women super fans for me.

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Speaker 1: It was just like, oh man, people that the rest

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Speaker 1: of the world. I was starting to see Jeans ridiculous,

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Speaker 1: insane and so good, and that they ended up airing

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Speaker 1: together so you could see the full of of how

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Speaker 1: talented that woman is. And again she came in completely

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Speaker 1: unassuming you had no idea and she just go do

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Speaker 1: whatever you want, just tell me what it is, and

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Speaker 1: she'd go a hundred miles. Debbie Reynolds was the same

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Speaker 1: way when she was doing Nana Possible. She's like, honey,

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Speaker 1: do you want me to do the kung fu moves?

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Speaker 1: I've been practicing. I kind of do do And we

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Speaker 1: were just like beside ourselves. That was DeBie Reynolds, not

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Speaker 1: you're in too, Carrie Fisher. Well, I think it was

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Speaker 1: like we got it came. I know it was. We

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Speaker 1: thought that was solid gold, and it just never happened,

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Speaker 1: and I don't know where it fell apart. Now I

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Speaker 1: have to ask you, this might be there might be

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Speaker 1: no good answer behind this. So if there isn't just

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Speaker 1: making is there a reason we never recorded with Nancy Well,

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Speaker 1: I think a lot depends on schedules, so everybody's schedule dictated.

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Speaker 1: She's very tried, very nicely. Now she didn't want to time.

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Speaker 1: Disney wasn't doing big on some We only did it

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Speaker 1: because you asked specific Oh is you it? I mean,

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Speaker 1: I hope I'm not speaking out of but you made

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Speaker 1: a request at one of the season breaks. I mean

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Speaker 1: when the story was I wasn't gonna come back for

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Speaker 1: season two. Oh my gosh. We we thought it was

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Speaker 1: too It is too because we renegotiated our feet. Okay,

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Speaker 1: See it wasn't had nothing, had really nothing to do

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Speaker 1: with that for me, like, I can't actually want this,

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Speaker 1: This is such impossible. It had absolutely nothing whatsoever to

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Speaker 1: do with the money for me. Swear to god, I

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Speaker 1: really didn't care about the money at all. It was

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Speaker 1: that I did. I was recording by myself and I

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Speaker 1: was just coming off a Batman where we there'd be

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Speaker 1: twenty people in the room and there's all this energy,

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Speaker 1: and then I was walking into this room by myself,

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Speaker 1: and I just didn't like it. So I didn't make

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Speaker 1: a stink. I didn't say anything. All I said was

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Speaker 1: I think it would be better if you just got

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Speaker 1: someone else. I said, I just I don't think it's

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Speaker 1: for me. And then they called me and said, no,

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Speaker 1: we really want you back. I said, look, guys, it's

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Speaker 1: I'm not trying to I'm not. It's not well, we'll

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Speaker 1: talk about money. I'm like, I swear it's not about

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Speaker 1: the money at all, because you're very rich. But it

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Speaker 1: wasn't about that. I wanted to record with other actors.

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Speaker 1: That's amazing that I was at the time. That was

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Speaker 1: a very stylistic difference between Warner Brothers because I was

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Speaker 1: doing show directing, show and showdown over there and we

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Speaker 1: had fourteen people lined up, seven on one side, seven

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Speaker 1: on the other, and it's all raised in the middle

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Speaker 1: and me screaming bloody murder at everybody. It was phenomenal.

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Speaker 1: I was also doing you know, when we did Penguins,

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Speaker 1: we did ten people in the room loudhouse, when before

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Speaker 1: COVID we're doing twelve people in a room guards in

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Speaker 1: a straight lineup, guys all look like criminals. But literally

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Speaker 1: was a straight row secret Saturday something that I cast

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Speaker 1: beginning to end top to They let me do that.

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Speaker 1: That cast was secret was right after k Impossible. Yeah,

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Speaker 1: and it was actually a pretty great I was my goodness.

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Speaker 1: He played a dark soul I did. It was cool,

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Speaker 1: which was so different deep in his voice. Yeah, it

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Speaker 1: was even deeper than Batman. That's the deepest. Doyle was

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Speaker 1: the deepest character doing a character voice. I've never heard

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Speaker 1: of it. Ye, Doyle was just he was just down here,

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Speaker 1: like get out of your kid, and he was he

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Speaker 1: was an unhappy soul he was a mercenary. Yeah, and

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Speaker 1: so it was this complete departure, but it was so

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Speaker 1: it was so great, you know, to do that that turn,

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Speaker 1: because you know, I love working with actors, but also

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Speaker 1: like love switching it up like in that that show

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Speaker 1: Dietrich Babe played a character that never spoke like he

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Speaker 1: made he was an alien, and the way he did

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Speaker 1: it at all like that. No, he did it well,

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Speaker 1: did not sound like that, but it had so much

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Speaker 1: humanity and he never uttered a single actual word. He

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Speaker 1: could make a sound and we would almost be in

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Speaker 1: tears like it was. It was. He played this heart

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Speaker 1: like it was. And I directed him, I would fists.

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Speaker 1: I would direct him as if I was just like

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Speaker 1: a regularly. I wasn't telling him to make sounds. I'm like,

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Speaker 1: here's your emotion, here's what the scene is. And he

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Speaker 1: would like and then he'd like have his mind. They'd

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Speaker 1: leave his mic up because he just ad lib in

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Speaker 1: the middle of it all. And it was because it

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Speaker 1: weren't word didn't matter. It was genius. It really was

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Speaker 1: Corey Burton. That's the first time I'd worked with Corey Burton,

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Speaker 1: who is a legend. This is remember when you and

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Speaker 1: I were talking about originally doing this show. I told

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Speaker 1: you one of the reasons that I wanted to do

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Speaker 1: it was because, Yeah, this podcast is because of a

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Speaker 1: conversation I had with an actor named coryburn He was

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Speaker 1: at my house. He didn't doesn't like to come to

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Speaker 1: rap parties, but we had just finished ThunderCats and he came.

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Speaker 1: He came, and he was there late. Everybody had left

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Speaker 1: and it was just myself, Matt Mercer, and Corey Burton

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Speaker 1: left and I said, I was like, this is too

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Speaker 1: good an opportunity. And I said, Corey, I'm just curious,

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Speaker 1: where do you come up with your characters? And he said,

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Speaker 1: I have a shelf built in my mind and on

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Speaker 1: that shelf they're all the characters I need. And when

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Speaker 1: I need to, I reach into my mind. And I

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Speaker 1: remember I was telling you the story and I was like,

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Speaker 1: we need to talk to more voiceover actors to find

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Speaker 1: out where they're getting it because that story. And I

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Speaker 1: was like, it's nuts. Yeah, We've had such an amazing

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Speaker 1: time unlocking all of these journeys that people have taken

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Speaker 1: to find themselves an animation, whether it's through singing or

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Speaker 1: through like Kevin Conroy, so Kevin Conroy. We had a

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Speaker 1: great chat with him. I'm hoping that's not going to

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Speaker 1: spoil anything, but I don't think it will. So here's

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Speaker 1: the fature this after Kevin, there you go. You own

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Speaker 1: the channel. Um. So with Kevin though, and this will

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Speaker 1: kind of swing back to the directing thing. Kevin was

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Speaker 1: approaching things in a much more like realistic, grounded approach,

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Speaker 1: which is what made Batman so special. And what I

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Speaker 1: think what he said was it changed like the that

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Speaker 1: entire show, the whole, and I can see why you

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Speaker 1: repressed to say, look, guys, this isn't my journey in

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Speaker 1: this way because I'm inspired by Kevin and like, you know,

404
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Speaker 1: you're being mentored in that regard. So it's like this

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Speaker 1: is not the experience I would want. And so that

406
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Speaker 1: was really worth it. You know what I'm saying that

407
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Speaker 1: was it was well, I mean again, it was also

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Speaker 1: you know, like sitting this is such a selfish thing

409
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Speaker 1: to say, but actors are inherently selfish. Um, sitting here

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Speaker 1: with Lisa telling us all these amazing I want to

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Speaker 1: go back to kimpossible and I want to record with

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Speaker 1: all these people I did too. I want to do

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Speaker 1: a huge ensemble reboot, and but just she's like, don't

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Speaker 1: get excited, get excited, get excited, but it will all

415
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Speaker 1: be always based on people's schedules, sure, you know. And

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Speaker 1: so there were times we were, you know, scrambling to

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Speaker 1: show up when Ricardo Montabon felt up to it, like

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Speaker 1: we would make that happen point he was in and

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Speaker 1: he was in ill health and it was and killed

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Speaker 1: it and like he you were like, oh man, how

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Speaker 1: is he going to get And then he the microphone

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Speaker 1: would drop in front of his face and he would

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Speaker 1: light up. And we've known a bunch of people that

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Speaker 1: do like um Fred Willard. Fred Willard, I have known him,

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Speaker 1: worked with him for fifteen years and and I would

426
00:23:31,880 --> 00:23:33,680
Speaker 1: see him in the lobby and he'd just be kind

427
00:23:33,680 --> 00:23:36,480
Speaker 1: of quiet and and he gets in front of that

428
00:23:36,560 --> 00:23:40,640
Speaker 1: microphone and his whole being just lights up and it's

429
00:23:40,680 --> 00:23:43,280
Speaker 1: a joy. It's a joy. It's a performer. And he

430
00:23:43,520 --> 00:23:46,560
Speaker 1: but you see the inherent joy in his body, like

431
00:23:46,640 --> 00:23:49,720
Speaker 1: everything comes alive. And and I think that's what makes

432
00:23:49,720 --> 00:23:52,919
Speaker 1: what we do so special. It's not whether or not

433
00:23:52,960 --> 00:23:55,520
Speaker 1: a camera's on you, but it's when you get to perform.

434
00:23:56,200 --> 00:23:59,200
Speaker 1: And everybody would love to do anythink ensembles are one

435
00:23:59,200 --> 00:24:01,760
Speaker 1: of the best things in the world to do. There

436
00:24:01,800 --> 00:24:05,639
Speaker 1: are some people who don't have this, Like who's a

437
00:24:05,640 --> 00:24:08,880
Speaker 1: guy who was in the Penguins cast. I won't name

438
00:24:08,960 --> 00:24:11,960
Speaker 1: him because he's a crack up, and but he was

439
00:24:12,080 --> 00:24:15,320
Speaker 1: very busy and we the Penguins cast to do one

440
00:24:15,440 --> 00:24:22,119
Speaker 1: eleven minute show took four hours. We were ridiculous. It

441
00:24:22,240 --> 00:24:27,840
Speaker 1: was I was a lunicorn. You brought me on. It

442
00:24:27,920 --> 00:24:31,040
Speaker 1: was amazing, But I staid out a song. I was like,

443
00:24:31,119 --> 00:24:34,000
Speaker 1: I can't even with these guys. People, And that's the thing,

444
00:24:34,080 --> 00:24:38,919
Speaker 1: is you there to become a lion tamer, because I

445
00:24:39,000 --> 00:24:40,840
Speaker 1: just end up yelling shut up at the top of

446
00:24:40,880 --> 00:24:44,320
Speaker 1: my life at some point. There is so in those

447
00:24:44,600 --> 00:24:51,399
Speaker 1: ensembles it gets tough to imagine a Jean Smart or

448
00:24:51,280 --> 00:24:55,879
Speaker 1: or sit around. And so one of the guys walked

449
00:24:55,880 --> 00:24:58,119
Speaker 1: in and we were going to take him by himself

450
00:24:58,119 --> 00:25:00,480
Speaker 1: when this thing had wrapped and he's like, oh, maybe,

451
00:25:00,480 --> 00:25:04,360
Speaker 1: I was like nope and walked out like they just

452
00:25:04,400 --> 00:25:06,840
Speaker 1: look like like it's a parrot store and they're all

453
00:25:06,920 --> 00:25:10,320
Speaker 1: on purchase and they were and they're magnificent. Let me

454
00:25:10,359 --> 00:25:13,200
Speaker 1: tell you those it was in that room. It was

455
00:25:13,359 --> 00:25:21,360
Speaker 1: it was magical. John Maggio, Danny Jacobs, Kevin Michael Richardson,

456
00:25:22,200 --> 00:25:26,119
Speaker 1: James Patrick Stewart, yes, because they call him Patrick, but

457
00:25:26,240 --> 00:25:30,080
Speaker 1: it's James Patrick Stewart, because you're somebody else Patrick Stewart, right,

458
00:25:30,119 --> 00:25:35,120
Speaker 1: Patrick Patrick Steward. And Dietrich was a rotating character in that,

459
00:25:35,280 --> 00:25:40,399
Speaker 1: and those sessions were they don't mean talk about the

460
00:25:40,440 --> 00:25:42,440
Speaker 1: funniest things in the world, but there comes a point

461
00:25:42,440 --> 00:25:46,119
Speaker 1: where you walk out and you're just you were like,

462
00:25:46,280 --> 00:25:49,280
Speaker 1: you had to go and take a nap or have

463
00:25:49,359 --> 00:25:51,359
Speaker 1: a glass of wine. But if you were an actor

464
00:25:51,400 --> 00:25:53,840
Speaker 1: who had five lines in that and Nicole and we

465
00:25:53,880 --> 00:25:56,480
Speaker 1: had to call in the middle of that, Nicole was

466
00:25:56,640 --> 00:26:01,440
Speaker 1: game until she wasn't kidd and then she's like, oh, yeah,

467
00:26:01,680 --> 00:26:03,560
Speaker 1: you know how you see those old stories of Robin

468
00:26:03,600 --> 00:26:05,159
Speaker 1: Williams or Robert you know, you'd see him on the

469
00:26:05,160 --> 00:26:07,320
Speaker 1: old comedy you know, comedy shows, or you see him

470
00:26:07,760 --> 00:26:10,439
Speaker 1: doing that kind of comic relief thing where he's just

471
00:26:10,520 --> 00:26:14,439
Speaker 1: taking over. It was four of four Robin Williams against

472
00:26:14,480 --> 00:26:20,080
Speaker 1: each other in a room, yes, you know, and it

473
00:26:20,200 --> 00:26:24,760
Speaker 1: just became this collaborative what I found interesting furious, So

474
00:26:24,800 --> 00:26:27,320
Speaker 1: what I found interesting about Lisa's directing style is that

475
00:26:27,359 --> 00:26:29,280
Speaker 1: she like allowed and I don't know if this is

476
00:26:29,320 --> 00:26:33,920
Speaker 1: industry standard, but you would allow for you know, improv

477
00:26:34,359 --> 00:26:37,639
Speaker 1: and breathing room and creativity. You know. We talked to

478
00:26:37,680 --> 00:26:39,399
Speaker 1: some like anime people and they're like, yeah, I just

479
00:26:39,480 --> 00:26:41,520
Speaker 1: kind of like match the lip flaps and like that's

480
00:26:41,560 --> 00:26:43,399
Speaker 1: part of it. But I'm trying to americanize it, and

481
00:26:43,400 --> 00:26:45,280
Speaker 1: that's like a struggle for them. But meanwhile, it's like

482
00:26:45,600 --> 00:26:47,760
Speaker 1: with these original characters from the get go, we've been

483
00:26:47,800 --> 00:26:52,200
Speaker 1: able to like infuse so much of ourselves. And for me,

484
00:26:52,400 --> 00:26:54,080
Speaker 1: at the time of getting hired, I was so young

485
00:26:54,240 --> 00:26:57,080
Speaker 1: that I felt like that was helpful to keep her

486
00:26:57,080 --> 00:27:00,119
Speaker 1: youthful and whatnot, and also somewhat challenging as I was

487
00:27:00,160 --> 00:27:03,520
Speaker 1: growing older going through other things. My voice was struggling

488
00:27:03,560 --> 00:27:05,800
Speaker 1: at some points, and it was like you were there

489
00:27:05,800 --> 00:27:09,440
Speaker 1: through all of that, so patient and and really like

490
00:27:10,000 --> 00:27:14,320
Speaker 1: you were really like this maternal hand at producing this,

491
00:27:14,520 --> 00:27:17,840
Speaker 1: you know. So anyway, with the Kevin Conroy aspect of

492
00:27:17,920 --> 00:27:21,280
Speaker 1: him sort of looking at sort of how he's taking

493
00:27:21,400 --> 00:27:24,800
Speaker 1: direction through that Batman and sort of the nuances of that,

494
00:27:25,359 --> 00:27:29,040
Speaker 1: I feel like Lisa sort of was mentioning that and

495
00:27:29,080 --> 00:27:31,520
Speaker 1: so in terms of us going back and talking about

496
00:27:31,640 --> 00:27:35,880
Speaker 1: Lisa's like like her beginning journey into like animation, and

497
00:27:36,000 --> 00:27:39,680
Speaker 1: how did you really learn to be the great director

498
00:27:39,720 --> 00:27:42,560
Speaker 1: that you are with all of these I so appreciate

499
00:27:42,640 --> 00:27:45,359
Speaker 1: that compliment. And I sort of came at it and

500
00:27:45,400 --> 00:27:48,440
Speaker 1: I had I had Jamie Thomason as a great role model.

501
00:27:48,440 --> 00:27:51,919
Speaker 1: Andrea Romano was my god. She was like a mentor,

502
00:27:52,240 --> 00:27:56,480
Speaker 1: a complete mentor. Marcia Goodman was my very early mentor.

503
00:27:56,520 --> 00:27:59,399
Speaker 1: When I found out this was a job, are you kidding?

504
00:27:59,480 --> 00:28:02,080
Speaker 1: I was loading. I started in advertising. I had a

505
00:28:02,080 --> 00:28:06,399
Speaker 1: million jobs. And to answer your question, what I feel

506
00:28:06,400 --> 00:28:11,480
Speaker 1: like with characters and character development is we bring on actors, right,

507
00:28:11,600 --> 00:28:15,200
Speaker 1: so we bring you guys in to create these characters,

508
00:28:15,280 --> 00:28:18,200
Speaker 1: whether it's Dietrich creating this character that doesn't speak, or

509
00:28:18,280 --> 00:28:21,120
Speaker 1: you creating coming from youth. You know, you had Mark

510
00:28:21,160 --> 00:28:24,399
Speaker 1: and Bob, who guess what weren't high school cheerleaders. And

511
00:28:24,480 --> 00:28:28,840
Speaker 1: as we look to to create this world together, and

512
00:28:28,960 --> 00:28:32,480
Speaker 1: so there is this amount of I would like to

513
00:28:32,600 --> 00:28:34,800
Speaker 1: you know, we're going to get a change that's on

514
00:28:34,880 --> 00:28:37,560
Speaker 1: the page that has written, But I want to hear

515
00:28:37,600 --> 00:28:40,000
Speaker 1: you guys first. I always just opened it up. Here's

516
00:28:40,000 --> 00:28:41,840
Speaker 1: the scene we're going to do. Whether we've got two

517
00:28:41,880 --> 00:28:43,760
Speaker 1: people into booth or one person in the booth or

518
00:28:43,800 --> 00:28:46,120
Speaker 1: twenty here's the scene we're gonna do. I don't give

519
00:28:46,120 --> 00:28:49,000
Speaker 1: any direction, just go and then we'll talk about it,

520
00:28:49,080 --> 00:28:51,440
Speaker 1: and then we'll go again, and then whatever you have thoughts,

521
00:28:51,640 --> 00:28:54,480
Speaker 1: let's go again. You know, we have that luxury. We're

522
00:28:54,520 --> 00:28:59,440
Speaker 1: not blocking. We're not you know, taking up people's lighting time.

523
00:28:59,480 --> 00:29:02,800
Speaker 1: You know, there's not And as you get further and

524
00:29:02,840 --> 00:29:05,400
Speaker 1: further into a series, you have a lot more shorthand

525
00:29:05,440 --> 00:29:07,959
Speaker 1: you have a lot more Our writers know what you

526
00:29:08,000 --> 00:29:10,760
Speaker 1: guys can do, which is why you got all the songs,

527
00:29:12,320 --> 00:29:14,800
Speaker 1: which is why you get you know, like when we

528
00:29:14,880 --> 00:29:18,680
Speaker 1: were talking about Secret Saturdays, we had Nicole doing scientific

529
00:29:18,760 --> 00:29:22,320
Speaker 1: dialogue all day long because she could, you know, it

530
00:29:22,480 --> 00:29:25,239
Speaker 1: just was something she she didn't know she could do that,

531
00:29:25,320 --> 00:29:27,920
Speaker 1: and we didn't know she could do that. But guess

532
00:29:27,960 --> 00:29:30,640
Speaker 1: what they wrote her, you know, pages of this stuff

533
00:29:30,680 --> 00:29:34,480
Speaker 1: and she wanted to you know, smack him, but remember

534
00:29:34,520 --> 00:29:36,200
Speaker 1: some of the words. It was like it was we'd

535
00:29:36,240 --> 00:29:37,760
Speaker 1: all be like she'd get to a word in the

536
00:29:37,800 --> 00:29:42,400
Speaker 1: whole cast, we like, oh, come on, yeah, like went

537
00:29:42,520 --> 00:29:46,320
Speaker 1: over on two pages, and you know, and and the kids.

538
00:29:46,360 --> 00:29:50,120
Speaker 1: Sam Learner, who was such a great such like a

539
00:29:50,160 --> 00:29:56,520
Speaker 1: full grown adult at this Yes eight, very quickly, because

540
00:29:56,560 --> 00:29:58,320
Speaker 1: we haven't talked about this yet, and I think people

541
00:29:58,360 --> 00:30:02,440
Speaker 1: need to know. Kim Possible, teen, Titans Go, Scooby Doo,

542
00:30:02,920 --> 00:30:07,200
Speaker 1: Guardians of the Galaxy, Boss Baby, Big Hero six, he

543
00:30:07,320 --> 00:30:15,200
Speaker 1: did Lego, d C Comics, It's Monsters, Loudhouse, Cassa Grand Days,

544
00:30:16,360 --> 00:30:19,000
Speaker 1: new untitled Nickelodeon show I can't talk about. I can't

545
00:30:19,000 --> 00:30:21,520
Speaker 1: talk about yet. It's actually secret life of I'm not

546
00:30:21,560 --> 00:30:23,320
Speaker 1: making it up. I have no idea what you did. Um,

547
00:30:23,520 --> 00:30:27,040
Speaker 1: but yeah, so, I mean quite the resume for saying

548
00:30:27,080 --> 00:30:31,240
Speaker 1: that you started in advertising. So not bad there. It's

549
00:30:31,320 --> 00:30:36,040
Speaker 1: the best job I have ever dreamed of having. I

550
00:30:36,880 --> 00:30:42,320
Speaker 1: love it the whole world, like the people, front to back,

551
00:30:42,400 --> 00:30:47,959
Speaker 1: top to bottom. You just it's the most inclusive, the

552
00:30:48,000 --> 00:30:55,680
Speaker 1: most talented. Dare I say industry, And it constantly is evolving,

553
00:30:55,960 --> 00:31:01,000
Speaker 1: but it remembers its roots. It includes everybody. You include

554
00:31:01,080 --> 00:31:05,000
Speaker 1: new people all the time, but you never forget the

555
00:31:05,120 --> 00:31:10,960
Speaker 1: legends that come before. And and it's exploding. There's animation everywhere,

556
00:31:11,000 --> 00:31:15,240
Speaker 1: so everybody can work. You know, it's not. And don't

557
00:31:15,240 --> 00:31:17,400
Speaker 1: get me wrong, it's competitive. I was gonna I was

558
00:31:17,400 --> 00:31:21,360
Speaker 1: gonna say it absolutely and and and I shouldn't. But

559
00:31:21,520 --> 00:31:27,080
Speaker 1: I feel like there's so much content right now. And

560
00:31:27,200 --> 00:31:30,240
Speaker 1: whether you specialize in anime or video games, you know,

561
00:31:30,320 --> 00:31:39,040
Speaker 1: like or books on tape, a lot of books at doing. Yes, um,

562
00:31:39,560 --> 00:31:42,120
Speaker 1: there's worlds within the world. It's within the world. And

563
00:31:42,160 --> 00:31:47,160
Speaker 1: I just am so grateful that I fell literally backwards

564
00:31:47,200 --> 00:31:50,840
Speaker 1: into it. I ended up. So I started advertising. I'm

565
00:31:50,840 --> 00:31:53,320
Speaker 1: gonna I'm gonna make your day in one quick second.

566
00:31:53,440 --> 00:31:56,040
Speaker 1: But so I had a lot of entry level jobs

567
00:31:56,560 --> 00:31:58,600
Speaker 1: and I had, you know, gone to you see Santa

568
00:31:58,680 --> 00:32:03,920
Speaker 1: Barbers Communications major but no real like I want to

569
00:32:03,960 --> 00:32:07,560
Speaker 1: do the real focus. They would say, no, no focus,

570
00:32:07,680 --> 00:32:10,800
Speaker 1: And I believe it, and I'm inherently I'm a very

571
00:32:10,800 --> 00:32:16,840
Speaker 1: shy person. I say, did you ever act? I didn't

572
00:32:16,880 --> 00:32:19,080
Speaker 1: even speak, Like when I was a kid, I would

573
00:32:19,120 --> 00:32:21,640
Speaker 1: answer the phone and not say hello, or I go

574
00:32:21,720 --> 00:32:23,920
Speaker 1: to my neighbor's house and my mom would have to

575
00:32:23,920 --> 00:32:25,640
Speaker 1: go home and call and tell him I was standing

576
00:32:25,640 --> 00:32:31,760
Speaker 1: on it because I wouldn't knock. I'm making up for it.

577
00:32:32,160 --> 00:32:36,360
Speaker 1: But but so so so, I had a bunch of

578
00:32:36,400 --> 00:32:38,680
Speaker 1: jobs They all went sort of nowhere, like maybe I'll

579
00:32:38,680 --> 00:32:40,680
Speaker 1: be a copywriter, maybe I'll but I was working in

580
00:32:40,720 --> 00:32:43,800
Speaker 1: the accounting department, and maybe I'll do this, but I'm working.

581
00:32:43,920 --> 00:32:46,840
Speaker 1: So I ended up working for this guy who wrote

582
00:32:46,840 --> 00:32:50,160
Speaker 1: and produced radio commercials out of his house, and he

583
00:32:50,240 --> 00:32:55,520
Speaker 1: was kind of bananas and um and this is a

584
00:32:55,560 --> 00:33:00,120
Speaker 1: family friendly show, and it was it was. It was

585
00:33:00,160 --> 00:33:02,440
Speaker 1: a lot. It was a lot. But you had to

586
00:33:02,480 --> 00:33:05,400
Speaker 1: answer the phone in a very certain way or he

587
00:33:05,480 --> 00:33:07,680
Speaker 1: get very angry. Oh please tell me how you answered

588
00:33:07,680 --> 00:33:13,360
Speaker 1: the phone. Sorlely, Big and better, sorle Sorlely, Big and better. Ye.

589
00:33:13,680 --> 00:33:17,280
Speaker 1: His name was John Sorley, okay, and it's big and better, yes,

590
00:33:17,320 --> 00:33:19,000
Speaker 1: But there were no but that was the name of

591
00:33:19,040 --> 00:33:20,560
Speaker 1: this coming. I'm not sure that Mike got that. Could

592
00:33:20,560 --> 00:33:23,520
Speaker 1: you do it one more time? I actually needed to

593
00:33:23,560 --> 00:33:31,800
Speaker 1: do three taps. So so my friends would call all

594
00:33:31,880 --> 00:33:33,360
Speaker 1: day long because they knew I would get in trouble

595
00:33:33,360 --> 00:33:35,440
Speaker 1: if I didn't answer the phone like that, and they

596
00:33:35,440 --> 00:33:38,840
Speaker 1: were relentless, and so I would answer the phone, start

597
00:33:38,920 --> 00:33:41,400
Speaker 1: the Big and Better, and I'd be in tears because

598
00:33:41,400 --> 00:33:44,920
Speaker 1: this guy was maniacal, and there was so much terrible

599
00:33:45,000 --> 00:33:48,400
Speaker 1: nous about the two of you in this well and

600
00:33:48,600 --> 00:33:54,840
Speaker 1: some this is a family friendly show. It was dramatic,

601
00:33:54,920 --> 00:33:57,480
Speaker 1: I'll say, I'll say it that way. So I kept

602
00:33:57,480 --> 00:33:59,440
Speaker 1: sending out my resume because I knew I couldn't do

603
00:33:59,480 --> 00:34:02,480
Speaker 1: this long term. So I sent my resume to Deak

604
00:34:02,600 --> 00:34:04,720
Speaker 1: for some merchandise job. I'm like, I don't care. I

605
00:34:04,760 --> 00:34:07,880
Speaker 1: just got and so they brought me in and the

606
00:34:08,000 --> 00:34:10,120
Speaker 1: and they're like, well, we probably be better in production.

607
00:34:10,320 --> 00:34:14,279
Speaker 1: We'll put you in production. And Marcia's Marcia Goodman, the

608
00:34:14,320 --> 00:34:16,640
Speaker 1: head of casting, saw my resume and it is like, well,

609
00:34:16,840 --> 00:34:19,680
Speaker 1: be my secretary. So I started out as her secretary

610
00:34:19,920 --> 00:34:22,359
Speaker 1: and left there a director, like she really took me

611
00:34:23,719 --> 00:34:28,240
Speaker 1: over how many years? Seven? Nothing like a good mentor honestly,

612
00:34:28,360 --> 00:34:31,520
Speaker 1: yeah really And and so you asked, like hours ago

613
00:34:31,800 --> 00:34:34,480
Speaker 1: where I got my So I learned. But you you

614
00:34:34,680 --> 00:34:36,919
Speaker 1: as a director and as a as an actor, you guys,

615
00:34:37,000 --> 00:34:39,480
Speaker 1: you develop your own styles, right, So you have to

616
00:34:39,520 --> 00:34:42,320
Speaker 1: find what you're comfortable with. What she would do wasn't

617
00:34:42,360 --> 00:34:44,719
Speaker 1: necessarily I was never going to pull that off. She

618
00:34:44,880 --> 00:34:47,799
Speaker 1: was a very confident. You know. Well, it also it

619
00:34:47,840 --> 00:34:53,360
Speaker 1: seems like you were really kind of traumatized by that person. Directing.

620
00:34:53,440 --> 00:34:56,800
Speaker 1: You poorly at having to do the same thing over

621
00:34:56,880 --> 00:34:59,319
Speaker 1: and over and over again in a certain, very particular way.

622
00:34:59,320 --> 00:35:01,839
Speaker 1: I mean, that was that was not good. So it

623
00:35:01,920 --> 00:35:04,000
Speaker 1: was not Maybe subconsciously you were like, I'm going to

624
00:35:04,120 --> 00:35:06,880
Speaker 1: fix this problem. Maybe maybe that's a really good point.

625
00:35:06,960 --> 00:35:09,399
Speaker 1: That's that's a really good point. So when I learned

626
00:35:09,440 --> 00:35:12,319
Speaker 1: that voice directing was a job, first of all the

627
00:35:12,320 --> 00:35:16,480
Speaker 1: heavens opened. And I'm because it's you get to work

628
00:35:16,520 --> 00:35:20,040
Speaker 1: with writers who I love and if I would get

629
00:35:20,080 --> 00:35:22,120
Speaker 1: out of my own way would do. And you get

630
00:35:22,160 --> 00:35:24,759
Speaker 1: to work with actors and who are funny, who I love,

631
00:35:24,800 --> 00:35:28,839
Speaker 1: and everybody is so like things like us, you know,

632
00:35:28,960 --> 00:35:35,719
Speaker 1: like you're quick thinking, and uh, it literally suited me.

633
00:35:35,800 --> 00:35:38,160
Speaker 1: And it was like that moment you go, oh, that's

634
00:35:38,160 --> 00:35:41,719
Speaker 1: this is exactly ever I found it. I found it.

635
00:35:41,960 --> 00:35:44,840
Speaker 1: I found it, and it wasn't easy, and it was

636
00:35:45,080 --> 00:35:47,520
Speaker 1: I was older than most people who came into it,

637
00:35:47,600 --> 00:35:49,799
Speaker 1: and but you know, I love it. I loved it.

638
00:35:49,880 --> 00:35:52,399
Speaker 1: And I were you into animation, like did you grow

639
00:35:52,480 --> 00:35:57,000
Speaker 1: up animation? Loving animation? But while we were at deep

640
00:35:57,480 --> 00:36:02,440
Speaker 1: animaniacs came out and that changed pinking in the brain

641
00:36:02,560 --> 00:36:07,520
Speaker 1: and animal I know, and and Jess and Rob and

642
00:36:08,200 --> 00:36:11,759
Speaker 1: Jeff Bennett and Maurice dressed and they would come in

643
00:36:11,840 --> 00:36:14,719
Speaker 1: an audition at Deek and my friend Stephanie and I

644
00:36:14,760 --> 00:36:17,799
Speaker 1: would fan girl out like we had plush toys. We

645
00:36:17,800 --> 00:36:20,960
Speaker 1: were in our twenties, you know, having them signed stuff

646
00:36:21,000 --> 00:36:23,720
Speaker 1: and we're so I would say, you know, I watched

647
00:36:23,760 --> 00:36:27,240
Speaker 1: all the I loved cartoons when I was a kid. Yeah,

648
00:36:28,000 --> 00:36:31,360
Speaker 1: because you were shy, so you enjoyed watching was it

649
00:36:31,440 --> 00:36:34,920
Speaker 1: the Bugs Bunny? The context? I love the Bugs Bunny.

650
00:36:35,160 --> 00:36:38,640
Speaker 1: I love Hanna Barbera stuff too. I love the Hannah

651
00:36:38,640 --> 00:36:43,319
Speaker 1: Barbera stuff. Um, I watched it all. I really did,

652
00:36:43,760 --> 00:36:46,120
Speaker 1: you know, just sort of take it in. And then

653
00:36:46,120 --> 00:36:48,719
Speaker 1: when you got to meet all those people, like like

654
00:36:48,760 --> 00:36:51,279
Speaker 1: working with Frank Boker directing the Scooby Doo, like the

655
00:36:51,320 --> 00:36:54,719
Speaker 1: first Scooby Doo movie I directed, like are you kidding me?

656
00:36:54,800 --> 00:36:56,840
Speaker 1: Who am I who? You know? Like I used to

657
00:36:56,880 --> 00:37:00,120
Speaker 1: watch and it was Frank and watching Frank you know

658
00:37:00,200 --> 00:37:05,839
Speaker 1: that's a legend, legend, you know, And getting to work

659
00:37:05,840 --> 00:37:07,800
Speaker 1: with him and I had worked with him years before,

660
00:37:07,920 --> 00:37:09,799
Speaker 1: but getting to work with a mask tight like there

661
00:37:09,840 --> 00:37:14,040
Speaker 1: was something like this moment of oh, I'm doing what

662
00:37:14,360 --> 00:37:17,040
Speaker 1: you know, little six year old Lisa would be blown away.

663
00:37:17,120 --> 00:37:18,520
Speaker 1: I've had a couple of you have a couple of

664
00:37:18,520 --> 00:37:20,160
Speaker 1: those moments in this in this side of the Asta.

665
00:37:20,280 --> 00:37:24,040
Speaker 1: Remember the first Transformers record that I did with Peter Colin,

666
00:37:24,840 --> 00:37:29,160
Speaker 1: where as Optimists, he turned you went Bumblebee and we

667
00:37:29,239 --> 00:37:31,440
Speaker 1: all sat there. There was myself, Cary Peyton, there was

668
00:37:31,719 --> 00:37:35,120
Speaker 1: there was five forty something year old staying there staring

669
00:37:35,160 --> 00:37:37,080
Speaker 1: at him, and it took me a while to go, oh,

670
00:37:37,160 --> 00:37:38,960
Speaker 1: he's talking to me, like I have to answer now.

671
00:37:39,480 --> 00:37:41,200
Speaker 1: And so you have that moment, and you got that

672
00:37:41,239 --> 00:37:43,640
Speaker 1: with with people like Frank too, where you're like, well,

673
00:37:43,680 --> 00:37:45,520
Speaker 1: I can't believe this is happening. You're talking to me

674
00:37:45,560 --> 00:37:47,359
Speaker 1: and I have to answer, and we're in the same

675
00:37:47,440 --> 00:37:49,440
Speaker 1: room and it's like we're colleagues and it's just the

676
00:37:49,440 --> 00:37:52,200
Speaker 1: cool Kim Conroy I was like that, Mark Hamill, Mark,

677
00:37:52,719 --> 00:37:55,400
Speaker 1: Mark Hamill, You've got to be kidding me, Like you

678
00:37:55,480 --> 00:38:01,279
Speaker 1: don't talk about it. Loves talking, I know, but everybody

679
00:38:01,360 --> 00:38:03,279
Speaker 1: said don't do it. And then you're sitting there and

680
00:38:03,400 --> 00:38:06,440
Speaker 1: all you can think about you're just like, how am

681
00:38:06,440 --> 00:38:09,560
Speaker 1: I not to see to me? I Luke but Batman

682
00:38:09,600 --> 00:38:11,400
Speaker 1: the animated series being what it was. I was just

683
00:38:11,440 --> 00:38:13,160
Speaker 1: like watching him do the Joker was just like you've

684
00:38:13,160 --> 00:38:15,439
Speaker 1: got kidding. It was to me like watching Peter Cullen

685
00:38:15,480 --> 00:38:17,680
Speaker 1: do Optimust Prime or Frank Welker do Megatron. I mean

686
00:38:18,520 --> 00:38:22,319
Speaker 1: there in that moment, it's good. We just need to

687
00:38:22,320 --> 00:38:26,880
Speaker 1: pause very quickly for our new sponsor. This segment has

688
00:38:26,920 --> 00:38:29,239
Speaker 1: been brought to you by Sorley Big and Better stop it,

689
00:38:29,440 --> 00:38:33,080
Speaker 1: and big and better than the Smart, Big and Better

690
00:38:33,160 --> 00:38:35,319
Speaker 1: for joining us. I have a couple of smart, big

691
00:38:35,320 --> 00:38:40,319
Speaker 1: and better. I don't even think that. I hope it's no.

692
00:38:40,480 --> 00:38:42,760
Speaker 1: You know, at turned he transferred it over, he changed

693
00:38:42,800 --> 00:38:46,600
Speaker 1: his professor, it became tesla Um. So yeah, he's a

694
00:38:46,640 --> 00:38:50,520
Speaker 1: multi billionaire now, good choice though to walk out. And

695
00:38:51,800 --> 00:38:53,880
Speaker 1: so I have a question, and it's something that you

696
00:38:53,920 --> 00:38:56,280
Speaker 1: and I have talked about before. There are a rumor

697
00:38:56,360 --> 00:39:00,719
Speaker 1: upon rumor upon rumor going around about certain people that

698
00:39:00,840 --> 00:39:04,719
Speaker 1: were almost cast as Kim and Ron. I love that.

699
00:39:04,840 --> 00:39:09,520
Speaker 1: So I've heard start with Ron. I've heard Neil Patrick Harris. Okay,

700
00:39:09,719 --> 00:39:13,759
Speaker 1: I've heard John Cena, and I heard there's like one

701
00:39:13,840 --> 00:39:16,000
Speaker 1: or two more big people that have come out in

702
00:39:16,040 --> 00:39:18,400
Speaker 1: their social media post and said I auditioned for ron

703
00:39:18,480 --> 00:39:21,920
Speaker 1: Stoppable Kim. I really only knew about Alison Hannigan and

704
00:39:21,960 --> 00:39:25,000
Speaker 1: then they kind of they kind of honored that with

705
00:39:25,040 --> 00:39:28,920
Speaker 1: her becoming the mom and the live action. But yeah,

706
00:39:29,400 --> 00:39:32,200
Speaker 1: can you can you can you tell us? Were there

707
00:39:32,239 --> 00:39:36,400
Speaker 1: any of these people that that actually auditioned for record.

708
00:39:36,600 --> 00:39:39,520
Speaker 1: I'm actually really curious who else that audition for the

709
00:39:39,520 --> 00:39:43,040
Speaker 1: part we're assuming who was our competition? You know that

710
00:39:43,160 --> 00:39:46,440
Speaker 1: that list? I don't remember that list. I don't remember

711
00:39:46,520 --> 00:39:51,920
Speaker 1: John Cena recording an audition. They did a record, I

712
00:39:51,960 --> 00:40:01,360
Speaker 1: will say this, and you guys were replaced? Really and why, oh,

713
00:40:01,520 --> 00:40:07,799
Speaker 1: I don't know that you're gonna happen. I'm not sure.

714
00:40:08,320 --> 00:40:11,400
Speaker 1: What does it matter. They're not going to reboot it anyway.

715
00:40:11,640 --> 00:40:14,480
Speaker 1: Don't say that we're gonna We're gonna put a flag

716
00:40:14,520 --> 00:40:16,359
Speaker 1: on that. We're gonna see if if there's a chance

717
00:40:16,480 --> 00:40:18,359
Speaker 1: we might not be able to say that. But but

718
00:40:19,920 --> 00:40:22,359
Speaker 1: they recorded an episode was there with the two of them?

719
00:40:23,200 --> 00:40:26,000
Speaker 1: I didn't direct. Chris Bailey directed it. Chris Chris by

720
00:40:26,040 --> 00:40:30,000
Speaker 1: the way, great guy, love Chris Love. Chris was a sweetie.

721
00:40:30,280 --> 00:40:33,399
Speaker 1: Directors get too busy once they get in the heat

722
00:40:33,400 --> 00:40:35,440
Speaker 1: of animation, so he was doing like Alvin and the

723
00:40:35,520 --> 00:40:38,880
Speaker 1: Chipmunks like all these like mega franchise like movies. I

724
00:40:38,920 --> 00:40:41,520
Speaker 1: don't know why he left, but I'm super happy that

725
00:40:41,760 --> 00:40:44,799
Speaker 1: he got too busy doing the series he directed. He

726
00:40:44,840 --> 00:40:47,520
Speaker 1: was the animation director on the series. Like that's what

727
00:40:47,680 --> 00:40:49,759
Speaker 1: he was doing, right, He was more in the animation,

728
00:40:51,440 --> 00:40:54,400
Speaker 1: so he was directing. I think I remember him like

729
00:40:54,440 --> 00:40:57,920
Speaker 1: sketching me, yeah, cell or like something, and then he

730
00:40:57,960 --> 00:40:59,759
Speaker 1: had Bob and Mark signet, and then I think that's

731
00:40:59,800 --> 00:41:01,359
Speaker 1: what I have at my house. I have a cell.

732
00:41:01,480 --> 00:41:02,920
Speaker 1: So I guess the other question I would ask is

733
00:41:03,000 --> 00:41:07,560
Speaker 1: when are we doing more episodes from your lips? I

734
00:41:07,600 --> 00:41:11,000
Speaker 1: would love, love love that wells Lisa, Bob and Mark

735
00:41:11,080 --> 00:41:14,000
Speaker 1: have Lisa, Bob and Mark have always been extremely supportive

736
00:41:14,719 --> 00:41:17,480
Speaker 1: of you know they have of us just continuing, you

737
00:41:17,480 --> 00:41:19,319
Speaker 1: know what I mean. It's nothing crazy. It's not like

738
00:41:19,360 --> 00:41:22,359
Speaker 1: some crazy reimagining. It's just continuing here. But we've talked

739
00:41:22,360 --> 00:41:25,480
Speaker 1: about this before. To forget forgetting even recording more episodes

740
00:41:25,480 --> 00:41:27,520
Speaker 1: of the show, we've talked about on this show, we'd

741
00:41:27,520 --> 00:41:29,360
Speaker 1: like to do something that's never been done before because

742
00:41:29,400 --> 00:41:31,920
Speaker 1: the entire cast has never once been in the same

743
00:41:32,000 --> 00:41:34,000
Speaker 1: room together. That is true and so that's what it

744
00:41:34,120 --> 00:41:38,520
Speaker 1: is saying that the anniversary year on I hear voices,

745
00:41:38,560 --> 00:41:40,799
Speaker 1: we're gonna make happen. We're going to have the entire cast,

746
00:41:40,920 --> 00:41:43,239
Speaker 1: You're going to be coming, going to schedule it for

747
00:41:43,320 --> 00:41:47,720
Speaker 1: us exactly. We are going to have the entire Passive

748
00:41:47,760 --> 00:41:50,640
Speaker 1: Kimpossible together and Christie is going to be in New

749
00:41:50,719 --> 00:41:54,279
Speaker 1: York skyping exactly. No way, I'm here, You're not gonna

750
00:41:54,320 --> 00:41:56,239
Speaker 1: get You're not gonna shaken me this. So that is

751
00:41:56,480 --> 00:41:58,759
Speaker 1: we're looking forward to that. Now. We do have a

752
00:41:58,840 --> 00:42:00,719
Speaker 1: segment on the show which we are to switch up

753
00:42:00,840 --> 00:42:03,919
Speaker 1: because you're here. So we're gonna be doing something fun

754
00:42:03,920 --> 00:42:06,000
Speaker 1: on the show in future episodes where we're gonna have

755
00:42:06,040 --> 00:42:09,279
Speaker 1: a screen here and kids and whoever from around the

756
00:42:09,320 --> 00:42:12,560
Speaker 1: country the world are going to be able to skype in,

757
00:42:12,760 --> 00:42:15,680
Speaker 1: come in, zoom in, whatever whatever we're doing at the time,

758
00:42:16,120 --> 00:42:18,840
Speaker 1: and talk to their favorite voice over actors and show

759
00:42:19,040 --> 00:42:22,720
Speaker 1: artwork that they've drawn, and their favorite voice over actors

760
00:42:22,719 --> 00:42:25,960
Speaker 1: are going to put a voice to the character that

761
00:42:26,040 --> 00:42:29,360
Speaker 1: they've created. Um, so we've started on every episode. We

762
00:42:29,400 --> 00:42:32,359
Speaker 1: can't do it live yet. So Christie, who's the woman

763
00:42:32,400 --> 00:42:38,120
Speaker 1: sitting here? Yeah, that's Christie that's Lisa. She sent out

764
00:42:38,239 --> 00:42:41,080
Speaker 1: to her her fan base and they sent in pictures.

765
00:42:41,120 --> 00:42:42,640
Speaker 1: Now we've been showing them to the actors, and the

766
00:42:42,680 --> 00:42:44,800
Speaker 1: actors have been doing voices. Now, since you don't do voices,

767
00:42:45,360 --> 00:42:46,920
Speaker 1: I was wondering if we could switch it up and

768
00:42:47,440 --> 00:42:49,759
Speaker 1: Christie and I could do the voices and you could

769
00:42:49,800 --> 00:42:53,480
Speaker 1: direct us. I love Lisa directing me, so I also

770
00:42:53,719 --> 00:42:58,719
Speaker 1: instantly feel like I'm in an audition room. Christie, Lisa,

771
00:42:58,880 --> 00:43:01,480
Speaker 1: We're gonna start with Chris. By the way, you can

772
00:43:01,640 --> 00:43:04,840
Speaker 1: be recast, I know. So wait a minute, hold on

773
00:43:04,920 --> 00:43:07,400
Speaker 1: a second. Can I be recast as impossible? No? I

774
00:43:07,480 --> 00:43:09,600
Speaker 1: mean as whatever character we're doing now. I'm sorry I

775
00:43:09,760 --> 00:43:12,800
Speaker 1: projected that. I projected that of course they can recast this,

776
00:43:12,880 --> 00:43:15,720
Speaker 1: and I'm sure they will. Here you go go ahead.

777
00:43:16,080 --> 00:43:19,960
Speaker 1: Wait all right, so what do we I get to see? Otherwise?

778
00:43:20,040 --> 00:43:22,520
Speaker 1: How do you? Oh? Wait, she should pick? Right? Well,

779
00:43:22,560 --> 00:43:24,279
Speaker 1: I guess, yeah, I guess that'd be the better way. Yeah,

780
00:43:24,640 --> 00:43:27,200
Speaker 1: you pick. That's fine. That was random. That was random.

781
00:43:28,120 --> 00:43:32,200
Speaker 1: Let me see, my goodness on the top the age

782
00:43:32,320 --> 00:43:37,080
Speaker 1: and the name does it does it say nine years old? Yes?

783
00:43:38,400 --> 00:43:40,520
Speaker 1: So Kate is the character. And if we could show

784
00:43:40,560 --> 00:43:42,920
Speaker 1: it to could you also show it to the camera there?

785
00:43:43,040 --> 00:43:50,200
Speaker 1: Can you see that? Christie? You got the car? Okay?

786
00:43:50,280 --> 00:43:53,120
Speaker 1: So her powers are love. She has a lover way

787
00:43:53,200 --> 00:43:58,160
Speaker 1: that turns herself into a kitty. Oh my gosh. So

788
00:43:58,480 --> 00:44:04,280
Speaker 1: she uh starts out as Kate and turns into Caddy. Okay, brilliant,

789
00:44:05,280 --> 00:44:10,520
Speaker 1: and then she just know that's a good transformation. What

790
00:44:10,680 --> 00:44:13,960
Speaker 1: agency she would you say? Well, I would say, let's

791
00:44:14,000 --> 00:44:18,839
Speaker 1: say ten. I love it. So she's ten. Okay, she's

792
00:44:18,880 --> 00:44:22,800
Speaker 1: tena you know she's a superhero. So it doesn't Okay,

793
00:44:27,120 --> 00:44:29,759
Speaker 1: our guest don't have any lines. I don't have need

794
00:44:29,840 --> 00:44:32,279
Speaker 1: lines to say that. It is true. You need lines.

795
00:44:32,640 --> 00:44:35,000
Speaker 1: You have to improve it. You give me an you're

796
00:44:35,000 --> 00:44:38,440
Speaker 1: a writer. We're doing this right here. Okay. So she's

797
00:44:38,480 --> 00:44:40,440
Speaker 1: a little ten year old girl. That's about. Maybe it's

798
00:44:40,640 --> 00:44:43,600
Speaker 1: the scene where she's about to turn. How about she's

799
00:44:43,640 --> 00:44:46,080
Speaker 1: watching her friends and they're having an argument, so she

800
00:44:46,160 --> 00:44:49,440
Speaker 1: has to use her love right, got it? Now she Caddy?

801
00:44:49,640 --> 00:44:51,919
Speaker 1: You're impressed with yourself? I could just tell that. Look

802
00:44:52,040 --> 00:44:54,080
Speaker 1: right there. So she is Kate and then she turns

803
00:44:54,120 --> 00:44:56,880
Speaker 1: into Caddy. Yeah so maybe so do you think now, Lisa,

804
00:44:57,000 --> 00:45:00,719
Speaker 1: do you think she has two different like voices no, no,

805
00:45:00,920 --> 00:45:03,919
Speaker 1: same voice, same voice. Yeah, Okay, I think she could

806
00:45:03,960 --> 00:45:07,280
Speaker 1: just be a little more aggressive when she's Cattie okay,

807
00:45:07,719 --> 00:45:10,719
Speaker 1: like more growling and maybe not maybe more cat in

808
00:45:10,840 --> 00:45:15,080
Speaker 1: it not to steal from Huey Lewis and the news,

809
00:45:15,640 --> 00:45:18,440
Speaker 1: but maybe she says something like her catch catch phrases

810
00:45:18,520 --> 00:45:21,080
Speaker 1: like and now I need the power of love, like

811
00:45:21,239 --> 00:45:24,919
Speaker 1: something like oh right, because it's I need the power

812
00:45:25,000 --> 00:45:29,400
Speaker 1: I need Yeah, I need my love ray. Okay, Okay,

813
00:45:29,440 --> 00:45:33,719
Speaker 1: So hi everyone, my name is Kate. Um. I really

814
00:45:33,800 --> 00:45:36,320
Speaker 1: love my family and I really love my friends, but

815
00:45:36,640 --> 00:45:39,000
Speaker 1: when they get into fights, it makes me really want

816
00:45:39,040 --> 00:45:41,839
Speaker 1: to just help them out. And so I have this thing.

817
00:45:42,000 --> 00:45:44,480
Speaker 1: It's called a love ray, and so basically what I

818
00:45:44,560 --> 00:45:48,399
Speaker 1: do is I will I will use it after um

819
00:45:48,880 --> 00:45:51,520
Speaker 1: I shoot it out. It has these very like happy,

820
00:45:51,600 --> 00:45:55,160
Speaker 1: warm little hearts that shoot out and they touch them

821
00:45:55,280 --> 00:45:57,279
Speaker 1: and they feel happy and they want to hug each

822
00:45:57,280 --> 00:46:00,880
Speaker 1: other again. Um. But the other thing that kind of

823
00:46:00,920 --> 00:46:03,640
Speaker 1: happens is that I need to use the letter box

824
00:46:04,960 --> 00:46:07,880
Speaker 1: because I'm a cat, so I have to go poop

825
00:46:08,239 --> 00:46:12,200
Speaker 1: in the letter box. But maybe instead of I like

826
00:46:12,440 --> 00:46:17,399
Speaker 1: that o, um, so I don't go pe pep peple.

827
00:46:17,880 --> 00:46:23,400
Speaker 1: Lisa said, I don't do that. I go and seen

828
00:46:23,960 --> 00:46:26,799
Speaker 1: and see and see. Thank you, Lisa. I don't think

829
00:46:26,840 --> 00:46:30,440
Speaker 1: I can top that. No, definitely, that was that effectively

830
00:46:30,520 --> 00:46:32,800
Speaker 1: a ten year old girl. Well I think it was

831
00:46:32,880 --> 00:46:36,080
Speaker 1: that ten year old girl. Good news is your half cat,

832
00:46:36,280 --> 00:46:38,720
Speaker 1: so it could be any so kind of yeah, okay,

833
00:46:38,880 --> 00:46:40,839
Speaker 1: but you could be harsh on me. You can tell

834
00:46:40,880 --> 00:46:44,560
Speaker 1: me was that a ten year old thing? Anything you want,

835
00:46:45,239 --> 00:46:48,400
Speaker 1: that's true. It depends on the animation. On the animation,

836
00:46:48,520 --> 00:46:51,920
Speaker 1: depends on the style. Some people want actual kids, like

837
00:46:52,000 --> 00:46:56,520
Speaker 1: I've done to preschool shows where it's real kids, and

838
00:46:56,680 --> 00:46:59,560
Speaker 1: that is what's that like? Doing preschool shows? It's like

839
00:46:59,680 --> 00:47:02,440
Speaker 1: a circus. Okay, the kids are great. The quality of

840
00:47:02,480 --> 00:47:04,880
Speaker 1: the voice of the kids is great. My goodness, they are.

841
00:47:05,200 --> 00:47:07,200
Speaker 1: It's like the old Peanuts stuff. It is like the

842
00:47:07,280 --> 00:47:11,640
Speaker 1: old Peanuts stuff, but the tragedy of it, and there

843
00:47:11,760 --> 00:47:15,680
Speaker 1: is this serious tragedy to it. Little boys age out

844
00:47:15,760 --> 00:47:18,920
Speaker 1: like that. And so that's why so many women miles

845
00:47:19,000 --> 00:47:22,239
Speaker 1: from tomorrowland and then the next five miles and I'm like,

846
00:47:22,320 --> 00:47:26,839
Speaker 1: oh no, but that's why so many women do boy

847
00:47:27,000 --> 00:47:29,640
Speaker 1: voices because the voices don't change. So it's it's a

848
00:47:29,800 --> 00:47:33,440
Speaker 1: it's a real stylistic choice, you know. So for Loudhouse,

849
00:47:33,520 --> 00:47:36,640
Speaker 1: for instance, we have a real Clyde and Lincoln are

850
00:47:36,680 --> 00:47:41,640
Speaker 1: actual kids. All the ten sisters are adults doing doing

851
00:47:42,360 --> 00:47:45,360
Speaker 1: different ages, different ages. But it's also very caricatured and

852
00:47:45,440 --> 00:47:50,160
Speaker 1: not like specifically to sound like children because you put

853
00:47:50,200 --> 00:47:53,680
Speaker 1: them next to real children, they don't. But it's it's

854
00:47:53,719 --> 00:47:57,240
Speaker 1: a stylistic choice and it really works. Unfortunately, Lincoln and Clyde,

855
00:47:57,760 --> 00:48:00,719
Speaker 1: we're on Clyde number four and Can number five, and

856
00:48:01,239 --> 00:48:04,400
Speaker 1: we didn't. We did that with our characters to twelve.

857
00:48:05,080 --> 00:48:08,480
Speaker 1: Until it's like, so I'm really young, maybe they're not.

858
00:48:08,680 --> 00:48:15,560
Speaker 1: Let me ask you this, what's that conversation? Like I

859
00:48:15,640 --> 00:48:18,719
Speaker 1: know Lisa is probably trying to help the situation. We

860
00:48:18,880 --> 00:48:23,719
Speaker 1: do to I try not to just kids. I'm like,

861
00:48:24,200 --> 00:48:29,040
Speaker 1: you're too old, but but it is. It's a delicate conversation. Luckily,

862
00:48:29,200 --> 00:48:32,280
Speaker 1: now that they're casting directors, they do that. But also

863
00:48:34,040 --> 00:48:36,719
Speaker 1: the kids now, like the Lincolns now know that there

864
00:48:36,760 --> 00:48:40,600
Speaker 1: are four Lincolns before them, like it's no, maybe it's

865
00:48:40,600 --> 00:48:45,640
Speaker 1: not because we don't like you. You out it's your voice.

866
00:48:45,880 --> 00:48:48,080
Speaker 1: So you're going to college next year and some of them,

867
00:48:48,400 --> 00:48:50,680
Speaker 1: Like it depends on Like we've had kids at last

868
00:48:52,040 --> 00:48:53,960
Speaker 1: one of our clients last three and a half seasons

869
00:48:54,040 --> 00:48:56,000
Speaker 1: and we just had to let them go and it's

870
00:48:56,080 --> 00:49:00,319
Speaker 1: like like it's hard. It's there. That's better though then

871
00:49:00,400 --> 00:49:02,840
Speaker 1: some babies sitting there, you know, going I was Lincoln

872
00:49:02,920 --> 00:49:06,880
Speaker 1: number two. Yeah, like that something that was the highlight

873
00:49:06,920 --> 00:49:09,919
Speaker 1: of my again, and what we do in Loudhouse, because

874
00:49:09,960 --> 00:49:13,160
Speaker 1: there's such a great group of producers and writers and

875
00:49:13,239 --> 00:49:17,399
Speaker 1: directors is they write these characters. Now Grant Lincoln one

876
00:49:18,200 --> 00:49:20,960
Speaker 1: works at one of the fast food restaurants. Oh I

877
00:49:21,080 --> 00:49:24,080
Speaker 1: love that, and so and he's Grant and he's eighteen

878
00:49:24,760 --> 00:49:28,360
Speaker 1: and so he's back. And we had Khalil Clyde number

879
00:49:28,640 --> 00:49:34,960
Speaker 1: one come back as m and so it's it's it's

880
00:49:35,280 --> 00:49:38,400
Speaker 1: it's nothing personally, you know, like we're not trying. So

881
00:49:38,560 --> 00:49:41,440
Speaker 1: for Miles from Tremorrowland, we went through three miles Boss Baby.

882
00:49:41,600 --> 00:49:44,680
Speaker 1: In the beginning, they made a stylistic choice to keep

883
00:49:44,840 --> 00:49:49,080
Speaker 1: our our Tim and even though Tim started growing up,

884
00:49:49,880 --> 00:49:52,439
Speaker 1: we just started hitching it, you know, and we took

885
00:49:52,480 --> 00:49:55,440
Speaker 1: it as far as we could go. And did you

886
00:49:55,520 --> 00:49:58,560
Speaker 1: use real babies? Yes, that's what I thought, real actual

887
00:49:58,640 --> 00:50:01,839
Speaker 1: infants most of the being to talk to her. Yeah,

888
00:50:01,960 --> 00:50:04,360
Speaker 1: well you have to well and how to switch pages

889
00:50:04,400 --> 00:50:06,759
Speaker 1: without making noise. Man, you look at an eighteen month

890
00:50:06,800 --> 00:50:11,160
Speaker 1: old and go, you've aged out, kid, You're done show business? Yeah,

891
00:50:11,160 --> 00:50:14,800
Speaker 1: you're washed up. Ain't your friends take your rattle and

892
00:50:14,920 --> 00:50:19,239
Speaker 1: walking out for you? Now? Geez, you're ready for wait?

893
00:50:19,360 --> 00:50:22,480
Speaker 1: Let me never want. I almost wanted to see. Honestly,

894
00:50:22,680 --> 00:50:25,920
Speaker 1: I want You've seen every show I've ever worked. I

895
00:50:26,160 --> 00:50:30,600
Speaker 1: was thinking about that the other day, Like, it's pretty close.

896
00:50:30,800 --> 00:50:33,040
Speaker 1: I'm lucky that I picked something that I could really

897
00:50:33,080 --> 00:50:37,560
Speaker 1: go for it. But like I think, I think maybe

898
00:50:37,640 --> 00:50:41,680
Speaker 1: she should cast you like her actual casting. She would

899
00:50:41,719 --> 00:50:43,480
Speaker 1: have she would have picked this one for me. I

900
00:50:43,680 --> 00:50:46,520
Speaker 1: bet guarantee it. You realize you're literally doing the opposite

901
00:50:46,520 --> 00:50:56,680
Speaker 1: of what is random. Whatever you want? Man should pretty princesses.

902
00:50:57,600 --> 00:51:01,000
Speaker 1: You know this is the modern times. Anybody can be

903
00:51:01,040 --> 00:51:04,239
Speaker 1: at another cat, A lot of cats, A lot of cats.

904
00:51:04,680 --> 00:51:08,640
Speaker 1: I got another cat. I tell you I like cats.

905
00:51:09,120 --> 00:51:12,000
Speaker 1: We had two other cats to listen. Angry cat. Let's

906
00:51:12,000 --> 00:51:18,399
Speaker 1: do this guy. He's angry. Easy information, that's okay. Why

907
00:51:18,560 --> 00:51:22,160
Speaker 1: are you why are you starting? Oh no? Why are

908
00:51:22,200 --> 00:51:24,600
Speaker 1: you starving me? Cat? That seems to me he's not

909
00:51:24,760 --> 00:51:27,080
Speaker 1: starving because he's got food right here, all right, So

910
00:51:27,239 --> 00:51:30,600
Speaker 1: that's um, that's a very disgruntled cat. He's very angry.

911
00:51:31,280 --> 00:51:34,200
Speaker 1: Does he have an accent? Yeah, he's British. So I

912
00:51:34,239 --> 00:51:38,160
Speaker 1: see him like this? Why why why don't you feed me? No?

913
00:51:38,440 --> 00:51:42,279
Speaker 1: He got second rate food? I think he's better now.

914
00:51:42,320 --> 00:51:45,719
Speaker 1: I feel like we're just running improv Yeah, I think

915
00:51:45,760 --> 00:51:49,000
Speaker 1: he's like this. You know, he's just look at him.

916
00:51:49,080 --> 00:51:52,759
Speaker 1: I don't mind. He's got a list of grievances. He does.

917
00:51:52,920 --> 00:51:57,120
Speaker 1: I've got a bigger and more. You want bigger and

918
00:51:59,560 --> 00:52:03,480
Speaker 1: so I've got some grievances, you folks. It's not right

919
00:52:03,600 --> 00:52:07,680
Speaker 1: for me to just constantly be given no food. Yeah,

920
00:52:08,360 --> 00:52:10,319
Speaker 1: so the food you gave me is what my mom

921
00:52:10,400 --> 00:52:14,160
Speaker 1: would call sub port, not sub part. You like it,

922
00:52:14,280 --> 00:52:20,560
Speaker 1: no subpar that exactly, so exactly. Got play the puns

923
00:52:20,600 --> 00:52:22,080
Speaker 1: the whole time. So this is how it would be.

924
00:52:22,400 --> 00:52:24,879
Speaker 1: That's how I feel. I've got big eyes because there's

925
00:52:24,920 --> 00:52:27,920
Speaker 1: times I'm cute, but don't come near makes a scratch

926
00:52:27,960 --> 00:52:31,960
Speaker 1: your freaking basil. That's what I look. That's happy when

927
00:52:32,000 --> 00:52:35,239
Speaker 1: I'm happy, which is never never, So don't come near me.

928
00:52:35,920 --> 00:52:38,560
Speaker 1: My little box is mine. Kate came in the other

929
00:52:38,680 --> 00:52:41,239
Speaker 1: day tried to drop a deuce in my little box.

930
00:52:41,320 --> 00:52:47,879
Speaker 1: Not that's that right, I'm gonna shoot keep you found

931
00:52:47,920 --> 00:52:50,480
Speaker 1: it in a cracker jack box. It's not really a

932
00:52:50,560 --> 00:52:54,640
Speaker 1: love ray. You're just making noise. Okay, So of course

933
00:52:54,640 --> 00:52:59,759
Speaker 1: you're not. You don't transform a girl. Cat deal fits No.

934
00:53:00,120 --> 00:53:02,040
Speaker 1: There there's a show there, you go there, there's a

935
00:53:02,080 --> 00:53:04,719
Speaker 1: show that would be my Angry Cat. And you would

936
00:53:04,719 --> 00:53:07,000
Speaker 1: then go, thank you, Phil, And then you would have

937
00:53:07,040 --> 00:53:08,440
Speaker 1: me leave the room because you didn't even learn my

938
00:53:08,520 --> 00:53:10,320
Speaker 1: name as I was getting in there. That's what that

939
00:53:10,360 --> 00:53:11,920
Speaker 1: would happen with me. It takes me a long time

940
00:53:12,000 --> 00:53:16,120
Speaker 1: to learn people. Okay, So I have one very quick

941
00:53:16,200 --> 00:53:21,239
Speaker 1: question then for you, for all intensive purposes. You've now

942
00:53:21,480 --> 00:53:23,680
Speaker 1: got ten or twelve actors, and let's say you're doing

943
00:53:23,680 --> 00:53:26,680
Speaker 1: an ensemble. You you're a very shy person. You're in

944
00:53:26,760 --> 00:53:28,960
Speaker 1: your first record. You've now got ten or twelve actors

945
00:53:29,080 --> 00:53:33,359
Speaker 1: staring at you, waiting for direction. Were you terrified? Were

946
00:53:33,520 --> 00:53:35,800
Speaker 1: you just I'm going to fake it till I make it?

947
00:53:36,280 --> 00:53:38,760
Speaker 1: Were you quiet in the mic? Or did you jump in? Nope,

948
00:53:38,840 --> 00:53:42,640
Speaker 1: I jumped in. There you go and It was the

949
00:53:42,920 --> 00:53:47,200
Speaker 1: best thing I ever did for myself because I found

950
00:53:47,239 --> 00:53:49,759
Speaker 1: my voice. I heard my voice, and I found my

951
00:53:49,880 --> 00:53:54,080
Speaker 1: voice and I got into it late, um, but it

952
00:53:54,360 --> 00:53:59,160
Speaker 1: was exactly what I needed. And I mean, there are

953
00:53:59,239 --> 00:54:04,360
Speaker 1: days I'm still terrified their days where it doesn't go great,

954
00:54:04,520 --> 00:54:08,120
Speaker 1: and there are days where you know you're left. You

955
00:54:08,200 --> 00:54:12,400
Speaker 1: know it's not it's it's it's a phenomenal career. And

956
00:54:12,520 --> 00:54:15,440
Speaker 1: I am super lucky. There are days where it sucks

957
00:54:16,719 --> 00:54:22,239
Speaker 1: everything but like everything, but on balance, I am such

958
00:54:22,280 --> 00:54:27,680
Speaker 1: a lucky human being. And I remember on Penguins we

959
00:54:27,760 --> 00:54:31,600
Speaker 1: did a Christmas special and Carl Reiner played Santa Claus

960
00:54:31,719 --> 00:54:39,320
Speaker 1: come on well and and your dad Elliot Goulde. I

961
00:54:39,840 --> 00:54:43,200
Speaker 1: freaked out, did you you didn't know? I didn't get

962
00:54:43,200 --> 00:54:45,240
Speaker 1: to recorded any of these people. Hearing all these incredible

963
00:54:45,320 --> 00:54:50,839
Speaker 1: people any getting me gold. I was like looking at

964
00:54:51,080 --> 00:54:52,640
Speaker 1: I don't know why I was looking at school, because

965
00:54:52,680 --> 00:54:55,759
Speaker 1: what was he going to do? You know, get over

966
00:54:55,840 --> 00:54:58,840
Speaker 1: with Lisa, And I was just and I did it

967
00:54:58,960 --> 00:55:02,239
Speaker 1: and he was so over. He's like, thank you so much,

968
00:55:02,280 --> 00:55:05,719
Speaker 1: and he was so receptive and so into it, and

969
00:55:06,120 --> 00:55:08,879
Speaker 1: just every time after that was a joy. And then

970
00:55:09,800 --> 00:55:12,279
Speaker 1: years later we when we were doing Penguins and Carl

971
00:55:12,360 --> 00:55:16,080
Speaker 1: Reiner came in and I'm like, are you kidding me?

972
00:55:16,880 --> 00:55:20,600
Speaker 1: Are you You know, in my brain I'm directing Carl

973
00:55:20,640 --> 00:55:25,680
Speaker 1: Reiner and I'm outside my body. And and I don't

974
00:55:25,719 --> 00:55:28,080
Speaker 1: think we we didn't do that as an ensemble, although

975
00:55:28,120 --> 00:55:33,839
Speaker 1: I think that the actors were around. You get that's

976
00:55:33,840 --> 00:55:36,600
Speaker 1: the thing, and you get to work. What's what's sad

977
00:55:36,800 --> 00:55:40,120
Speaker 1: now is what what's great now is animation was the

978
00:55:40,160 --> 00:55:43,279
Speaker 1: first thing to come back. And we were recording right away,

979
00:55:43,280 --> 00:55:45,480
Speaker 1: and we figured it out and we re recorded what

980
00:55:45,600 --> 00:55:47,959
Speaker 1: we had to and it's been this huge learning curve

981
00:55:48,040 --> 00:55:53,439
Speaker 1: through COVID and it's incredible. And now it doesn't matter

982
00:55:53,480 --> 00:55:56,200
Speaker 1: where you are. We can record you anywhere. You could

983
00:55:56,200 --> 00:55:57,680
Speaker 1: be in your closet, but you can be in your

984
00:55:57,719 --> 00:56:01,680
Speaker 1: closet in Sydney, Australia, in you know, Budapest. It doesn't

985
00:56:02,560 --> 00:56:05,120
Speaker 1: doesn't because I remember when I was recording in New York,

986
00:56:05,160 --> 00:56:06,880
Speaker 1: it was a hole to do. Oh it was a

987
00:56:07,040 --> 00:56:10,160
Speaker 1: sink and patch and this it took hours and like

988
00:56:10,280 --> 00:56:11,960
Speaker 1: it had to have a certain kind of engineer at

989
00:56:11,960 --> 00:56:16,239
Speaker 1: a certain studio are and and and only be in

990
00:56:16,400 --> 00:56:20,760
Speaker 1: the last five years would this have been possible nowadays,

991
00:56:20,800 --> 00:56:23,520
Speaker 1: you wouldn't have had to leave your dorm room would

992
00:56:23,520 --> 00:56:25,600
Speaker 1: have been maybe she would have had to find a

993
00:56:25,680 --> 00:56:31,280
Speaker 1: real quiet dorm. Yeah, I mean you can be the equipment.

994
00:56:31,320 --> 00:56:36,600
Speaker 1: You get the equipment now for broadcast auditions, technically you

995
00:56:36,719 --> 00:56:40,040
Speaker 1: can do them on your voice memo. Jason Martin used

996
00:56:40,040 --> 00:56:42,160
Speaker 1: to do it in his car, covered in a towel.

997
00:56:42,760 --> 00:56:44,360
Speaker 1: Well he booked. I mean, this is even back in

998
00:56:44,400 --> 00:56:46,719
Speaker 1: the day. He booked spirited away from his closet. That

999
00:56:46,800 --> 00:56:48,920
Speaker 1: was even back in the day. So cool. So we

1000
00:56:49,560 --> 00:56:53,239
Speaker 1: still get to work with tremendous phenomenal people, but we're

1001
00:56:53,320 --> 00:56:55,080
Speaker 1: never in the same room now, And I don't know

1002
00:56:55,160 --> 00:56:58,719
Speaker 1: when that goes back because sad rules are dictating what

1003
00:56:58,840 --> 00:57:01,240
Speaker 1: we do in a recording booth yea, and the booth

1004
00:57:01,280 --> 00:57:03,719
Speaker 1: has to sit for half an hour if people go in.

1005
00:57:04,000 --> 00:57:05,759
Speaker 1: I always record in the booth. Still, I always go

1006
00:57:05,840 --> 00:57:07,799
Speaker 1: in and recording the You have your own booth at

1007
00:57:07,800 --> 00:57:09,759
Speaker 1: your house, no, but I go I I don't use it.

1008
00:57:09,880 --> 00:57:12,360
Speaker 1: I use it for auditions, But I still physically go

1009
00:57:12,480 --> 00:57:15,520
Speaker 1: into the studio and they couldn't be safer. But now

1010
00:57:15,680 --> 00:57:18,600
Speaker 1: you couldn't record with somebody because your union wouldn't know.

1011
00:57:18,840 --> 00:57:20,840
Speaker 1: You don't do it. I don't want to hear it.

1012
00:57:21,520 --> 00:57:23,440
Speaker 1: You've also coined the phrase, so you can start using this.

1013
00:57:23,960 --> 00:57:26,240
Speaker 1: Coined the phrase b CT which is before COVID time.

1014
00:57:26,360 --> 00:57:30,160
Speaker 1: Yeah yeah, so in the before times we would, you know.

1015
00:57:30,800 --> 00:57:35,040
Speaker 1: But but we still get to record amazing people. And

1016
00:57:35,160 --> 00:57:37,400
Speaker 1: now they're more apt to do it because we can

1017
00:57:37,480 --> 00:57:40,320
Speaker 1: send out. They do have to do a little Some

1018
00:57:40,440 --> 00:57:44,960
Speaker 1: people get a little irritated doing some of the engineering. Um,

1019
00:57:45,120 --> 00:57:48,000
Speaker 1: because that's I still don't really know how to do it. Yeah. No,

1020
00:57:48,280 --> 00:57:50,680
Speaker 1: And I went to Trevor's house for the first part

1021
00:57:50,720 --> 00:57:53,800
Speaker 1: of COVID. I literally went to Trevor's house. He would

1022
00:57:53,840 --> 00:57:55,960
Speaker 1: wear a mask. I would wear a mask, and then

1023
00:57:56,000 --> 00:57:57,840
Speaker 1: I would walk past him. I'd go into his booth.

1024
00:57:57,880 --> 00:58:00,320
Speaker 1: He'd have it COVID protocols, like dude, I'll cord you.

1025
00:58:00,400 --> 00:58:02,160
Speaker 1: And it was the greatest thing in the world. Is

1026
00:58:02,920 --> 00:58:05,680
Speaker 1: Trevor Is Trevor one of our engineers? No, Trevor devl

1027
00:58:05,880 --> 00:58:08,440
Speaker 1: is an phenomenal actor who listens. He's now in Texas.

1028
00:58:09,280 --> 00:58:11,800
Speaker 1: He moved to Texas. Oh yeah, Trevor's lived in Texas

1029
00:58:11,840 --> 00:58:20,040
Speaker 1: from the way Lissa went to to Texas. Oh yeah,

1030
00:58:20,680 --> 00:58:22,880
Speaker 1: so what do you think the future of animation is then?

1031
00:58:23,280 --> 00:58:27,600
Speaker 1: Besides this integrated the new way of recording, regardless of

1032
00:58:27,680 --> 00:58:30,200
Speaker 1: the I think it's going to be hybrid from now on.

1033
00:58:30,440 --> 00:58:33,240
Speaker 1: I think it's going to be. It's not going to

1034
00:58:33,280 --> 00:58:35,200
Speaker 1: go back a percent, not for a long time. I

1035
00:58:35,280 --> 00:58:37,600
Speaker 1: don't think. I think. I think there's a lot of

1036
00:58:37,640 --> 00:58:40,240
Speaker 1: people that aren't going to be comfortable. There are a

1037
00:58:40,280 --> 00:58:44,040
Speaker 1: lot of people that love doing it from home that don't.

1038
00:58:44,440 --> 00:58:46,400
Speaker 1: You know you like to do you like directing from

1039
00:58:46,440 --> 00:58:50,000
Speaker 1: home parts of it? I love sure parts of it.

1040
00:58:50,080 --> 00:58:52,560
Speaker 1: You don't parts of it or you know parts of it.

1041
00:58:52,600 --> 00:58:54,880
Speaker 1: I don't get to meet somebody in person like I've

1042
00:58:54,920 --> 00:58:57,880
Speaker 1: been working with Miley forever, but I see you on

1043
00:58:57,960 --> 00:59:01,680
Speaker 1: this little tiny my planic time. I don't turn on

1044
00:59:01,800 --> 00:59:04,200
Speaker 1: my camera anymore like I did in the beginning. I'm like,

1045
00:59:04,280 --> 00:59:06,560
Speaker 1: I can't. I do stare at myself. This is awful.

1046
00:59:06,720 --> 00:59:09,160
Speaker 1: I hate this. And I turned off my camera and

1047
00:59:09,560 --> 00:59:12,000
Speaker 1: I'll go on for when I work with kids or

1048
00:59:12,240 --> 00:59:15,680
Speaker 1: somebody that doesn't know me. Um, I forgot yesterday and

1049
00:59:15,680 --> 00:59:17,720
Speaker 1: I have a picture of my horse who was dressed

1050
00:59:17,760 --> 00:59:20,640
Speaker 1: up as a pimp for Halloween. Okay, sorry, I was

1051
00:59:20,680 --> 00:59:23,520
Speaker 1: trying to be as pacy as possible. But he's a

1052
00:59:23,560 --> 00:59:28,280
Speaker 1: horse and so but that's my picture and this yeah,

1053
00:59:28,600 --> 00:59:31,800
Speaker 1: and so we're recording this woman from London and she's like,

1054
00:59:32,200 --> 00:59:34,400
Speaker 1: I'm sorry. I know I've worked with you before, but

1055
00:59:34,480 --> 00:59:38,479
Speaker 1: all I see is a horse. Your name, isn't it fine?

1056
00:59:39,320 --> 00:59:41,640
Speaker 1: Well I could put up my dog, but her ears

1057
00:59:41,680 --> 00:59:45,400
Speaker 1: are died different colors. Your your dog. A quick shout

1058
00:59:45,440 --> 00:59:51,320
Speaker 1: out to but thank you so much for we It

1059
00:59:51,440 --> 00:59:53,480
Speaker 1: really is an honor. We love you so much. No,

1060
00:59:53,760 --> 00:59:56,040
Speaker 1: I love you guys. I mean this is my first

1061
00:59:56,080 --> 01:00:01,240
Speaker 1: Showpile was my heart will always be always in fever.

1062
01:00:02,520 --> 01:00:06,320
Speaker 1: Well you can hope, right, I mean everything's getting rebooted, right,

1063
01:00:06,680 --> 01:00:08,480
Speaker 1: Well they did it impossible, but they did the live

1064
01:00:08,520 --> 01:00:11,280
Speaker 1: action version. But I mean, like Proud Family just came

1065
01:00:12,080 --> 01:00:15,560
Speaker 1: in its original form with its original characters and casts.

1066
01:00:17,000 --> 01:00:20,200
Speaker 1: I think it could happen. I would never happened. Yeah,

1067
01:00:20,240 --> 01:00:22,680
Speaker 1: I would like to happen. We I would. But we first,

1068
01:00:22,760 --> 01:00:24,480
Speaker 1: we just want to get the cast together because I

1069
01:00:24,560 --> 01:00:26,640
Speaker 1: want to meet some people, be in the same room

1070
01:00:26,720 --> 01:00:30,840
Speaker 1: for one considered a failure if you don't get absolutely

1071
01:00:30,880 --> 01:00:36,600
Speaker 1: every I want everyone's Lisa's. We got Lisa now she can.

1072
01:00:38,480 --> 01:00:41,320
Speaker 1: That'll be a trick. I always say that's my My

1073
01:00:41,360 --> 01:00:42,840
Speaker 1: wife always rolls her eyes when I say this, But

1074
01:00:42,960 --> 01:00:46,880
Speaker 1: I say, actors never die, they're just unavailable. Marked out,

1075
01:00:47,560 --> 01:00:50,840
Speaker 1: he's booked. That's from my friend George Walks movie Swimming

1076
01:00:50,840 --> 01:00:53,640
Speaker 1: with Sharks. Shout out to George, shout who would you read?

1077
01:00:53,680 --> 01:00:58,640
Speaker 1: Who would we replace Ricardo Montale with them? There you go? Wow,

1078
01:00:58,720 --> 01:01:00,960
Speaker 1: that was quick. Did he well? Talked to him to

1079
01:01:01,560 --> 01:01:05,560
Speaker 1: put some boots like he that's that's okay. So final

1080
01:01:05,680 --> 01:01:08,200
Speaker 1: question before you go, And you don't have to give

1081
01:01:08,360 --> 01:01:10,840
Speaker 1: us a name. Okay, okay, you don't have to give

1082
01:01:10,920 --> 01:01:13,520
Speaker 1: us a name, all right, But if somebody said to you,

1083
01:01:14,560 --> 01:01:17,840
Speaker 1: who's the best voiceover actor you've ever worked with? Does

1084
01:01:17,880 --> 01:01:20,720
Speaker 1: somebody instantly pop in your head? Okay, you don't have

1085
01:01:20,760 --> 01:01:22,920
Speaker 1: to tell us. You you can if you want, I

1086
01:01:23,000 --> 01:01:34,600
Speaker 1: think you yeah, okay, wanted, I'm not telling Okay, that's

1087
01:01:34,640 --> 01:01:37,200
Speaker 1: exactly I was not gonna. I'm not gonna put you

1088
01:01:37,280 --> 01:01:41,080
Speaker 1: on the hook. But instantly somebody comes in your head

1089
01:01:41,120 --> 01:01:43,920
Speaker 1: a huge smile on her face too. Yeah, Well, and

1090
01:01:44,160 --> 01:01:45,520
Speaker 1: you know what, you can ask me that and I

1091
01:01:45,600 --> 01:01:49,120
Speaker 1: could I could give you twenty people. Oh, I'm sure,

1092
01:01:49,400 --> 01:01:53,080
Speaker 1: but but that's people you could give people. But that's

1093
01:01:53,640 --> 01:01:57,960
Speaker 1: what makes our talent upon talent upon talent upon talent

1094
01:01:58,080 --> 01:02:01,480
Speaker 1: upon talent, and talent on me Tomorrow that will add

1095
01:02:01,520 --> 01:02:04,640
Speaker 1: to that list. I keep a book of people I

1096
01:02:04,760 --> 01:02:07,840
Speaker 1: work with because I used to keep it at you know,

1097
01:02:07,920 --> 01:02:10,080
Speaker 1: when I was a coordinator, I would have all they have.

1098
01:02:10,280 --> 01:02:13,320
Speaker 1: They have databases on the Disney and Warner Brothers things,

1099
01:02:13,360 --> 01:02:15,640
Speaker 1: so you just have access, you know, like who was

1100
01:02:15,720 --> 01:02:17,920
Speaker 1: that person I work with? I write things down now

1101
01:02:17,960 --> 01:02:21,520
Speaker 1: because I'm meet a million people and I'm older than

1102
01:02:22,440 --> 01:02:25,800
Speaker 1: I was, older than I was, and so I write

1103
01:02:25,840 --> 01:02:29,200
Speaker 1: them down so I'll remember, like when I cast and

1104
01:02:29,480 --> 01:02:33,280
Speaker 1: all this, this person is great. You know, there are

1105
01:02:33,320 --> 01:02:35,320
Speaker 1: people that are in my head because I've been doing

1106
01:02:35,360 --> 01:02:38,160
Speaker 1: this for twenty who will be the first twenty people

1107
01:02:38,200 --> 01:02:40,480
Speaker 1: I ever said, because they've I've worked with them for

1108
01:02:40,880 --> 01:02:45,000
Speaker 1: But these I also keep this other thing because there's

1109
01:02:45,320 --> 01:02:48,320
Speaker 1: tomorrow you never know. So then let me follow this

1110
01:02:48,480 --> 01:02:51,320
Speaker 1: up with a sort of like a closing thought. We

1111
01:02:51,480 --> 01:02:53,960
Speaker 1: always have people that come to us at comic cons

1112
01:02:54,000 --> 01:02:56,440
Speaker 1: and like, how do I break into VO world? And

1113
01:02:56,680 --> 01:02:59,520
Speaker 1: he's he has some really great resources that he's sort

1114
01:02:59,560 --> 01:03:02,080
Speaker 1: of thrown out there. But I mean, what do you

1115
01:03:02,240 --> 01:03:08,000
Speaker 1: think what's going to give them? The brother Yeah, and

1116
01:03:08,880 --> 01:03:13,960
Speaker 1: the actually breaking I always say to people because the

1117
01:03:15,000 --> 01:03:17,720
Speaker 1: I've had people come to me, friends and my dad.

1118
01:03:18,600 --> 01:03:20,760
Speaker 1: And this is an absolute true story. When I was

1119
01:03:20,800 --> 01:03:23,520
Speaker 1: a deek, I had just started and this guy is

1120
01:03:23,560 --> 01:03:27,080
Speaker 1: an attorney and and a big famous attorney. He's like,

1121
01:03:27,400 --> 01:03:29,320
Speaker 1: I just can I take you to lunch? I just

1122
01:03:29,440 --> 01:03:31,000
Speaker 1: really want to get into voice over. I'm like, are

1123
01:03:31,040 --> 01:03:34,320
Speaker 1: you kidding me? Are you kidding me? Like I've known

1124
01:03:34,360 --> 01:03:36,600
Speaker 1: in my whole life, And I keep your date like,

1125
01:03:37,040 --> 01:03:41,040
Speaker 1: you're not an actor, Like, here's the thing, you you're

1126
01:03:41,040 --> 01:03:46,400
Speaker 1: an actor. Actor. You need to be an actor first, foremost, always.

1127
01:03:47,000 --> 01:03:51,120
Speaker 1: Every Mike technique can be taught everything else, but actors

1128
01:03:51,240 --> 01:03:54,840
Speaker 1: developed characters, developed voices that we don't want you ever

1129
01:03:54,960 --> 01:03:58,000
Speaker 1: doing anything that damages your voice. We don't ever want

1130
01:03:58,040 --> 01:04:02,880
Speaker 1: you doing something that you're not comfortable doing. Actors created

1131
01:04:03,120 --> 01:04:06,320
Speaker 1: from themselves and and it, yeah, we strip away. It

1132
01:04:06,360 --> 01:04:08,800
Speaker 1: doesn't matter what you look like, it doesn't matter you

1133
01:04:08,920 --> 01:04:11,240
Speaker 1: know what you're doing with your hands. Most likely I

1134
01:04:11,280 --> 01:04:13,840
Speaker 1: will tell you to stop moving around. You know, when

1135
01:04:13,920 --> 01:04:15,840
Speaker 1: you get a lot of on camera people who think

1136
01:04:15,920 --> 01:04:21,560
Speaker 1: they have to gesture and move in that used to Nicole.

1137
01:04:21,560 --> 01:04:23,520
Speaker 1: It's all has been crazy. When we would put her

1138
01:04:23,880 --> 01:04:26,040
Speaker 1: like on camera, people feel like they have to like

1139
01:04:26,200 --> 01:04:28,760
Speaker 1: make eye contact with you. You're in the scene, so

1140
01:04:28,880 --> 01:04:31,000
Speaker 1: they turn away and they're a they're off Mike, but

1141
01:04:31,120 --> 01:04:35,240
Speaker 1: be nobody's off books and I don't know what reading.

1142
01:04:36,600 --> 01:04:39,520
Speaker 1: I'm usually off book. Yeah, I'm usually having because you're

1143
01:04:39,520 --> 01:04:44,960
Speaker 1: improvising everything because everything is falling on the But so

1144
01:04:45,360 --> 01:04:49,160
Speaker 1: I always say, you know, they're like I can do

1145
01:04:49,200 --> 01:04:51,000
Speaker 1: funny voice them. I great, but you have to be

1146
01:04:51,080 --> 01:04:54,120
Speaker 1: an actor. That's we keep hearing that same thing over

1147
01:04:54,200 --> 01:04:58,360
Speaker 1: and over again. Yeah, I mean, very lucky that we

1148
01:04:58,480 --> 01:05:02,400
Speaker 1: get to dispense that advice. But d has distilled it

1149
01:05:02,480 --> 01:05:07,240
Speaker 1: in such a it's such a kind hearted, genuine breakdown.

1150
01:05:09,320 --> 01:05:13,480
Speaker 1: It's throw and Steve Bloom and Everett Oliver and all

1151
01:05:13,520 --> 01:05:15,760
Speaker 1: these people who teach. I have taught a couple of

1152
01:05:15,840 --> 01:05:18,560
Speaker 1: Mike Everett. I'm not really a teacher because I'm not

1153
01:05:18,640 --> 01:05:20,920
Speaker 1: I don't come from acting. I can't teach you how

1154
01:05:21,000 --> 01:05:24,640
Speaker 1: to act. Right. Christie came as a sixteen year old

1155
01:05:24,640 --> 01:05:28,400
Speaker 1: phenomenal actress. I could work with her, and we could

1156
01:05:28,680 --> 01:05:30,959
Speaker 1: work together, but I couldn't teach her to act because

1157
01:05:30,960 --> 01:05:34,560
Speaker 1: I'm not an acting teacher. I'm my My way into

1158
01:05:34,680 --> 01:05:37,400
Speaker 1: KP was authentic, and that's kind of you. You helped

1159
01:05:37,480 --> 01:05:40,720
Speaker 1: me along. But we we grew together, you know. Yeah,

1160
01:05:41,400 --> 01:05:44,160
Speaker 1: but we would come together and we would and look,

1161
01:05:44,280 --> 01:05:52,080
Speaker 1: she carried the show. She had the bulk of the day. Yeah, Christie,

1162
01:05:52,160 --> 01:05:55,640
Speaker 1: you had all the dialogue, and you were by yourself

1163
01:05:55,960 --> 01:05:58,080
Speaker 1: as a sixteen year old all the time. I'm going

1164
01:05:58,160 --> 01:06:01,320
Speaker 1: to cry. You should, I mean, so you should cry

1165
01:06:01,440 --> 01:06:07,280
Speaker 1: right now, crying on cue that's so sweetly, doesn't matter.

1166
01:06:07,520 --> 01:06:11,160
Speaker 1: I didn't do anything dynamic with my voice. But again,

1167
01:06:11,440 --> 01:06:14,960
Speaker 1: because you acted, you didn't need to. You didn't need

1168
01:06:15,080 --> 01:06:18,920
Speaker 1: to change your voice until very much later. Sure, yes,

1169
01:06:19,080 --> 01:06:21,200
Speaker 1: as and then you had I can still do the voice,

1170
01:06:21,320 --> 01:06:23,280
Speaker 1: by the way, Yes, of course you can figured it

1171
01:06:23,320 --> 01:06:26,919
Speaker 1: out the technique now too. And you know you could

1172
01:06:26,920 --> 01:06:30,400
Speaker 1: also go at seven o'clock at night and show up

1173
01:06:30,440 --> 01:06:35,840
Speaker 1: on Broadway for crying out loud. You ented, but you

1174
01:06:36,200 --> 01:06:39,720
Speaker 1: learned how to use it right as you grew up. Yes,

1175
01:06:39,840 --> 01:06:42,080
Speaker 1: and I had the support in the mentorship. I think

1176
01:06:42,120 --> 01:06:44,040
Speaker 1: what's really interesting is that, yes, it's if you're a

1177
01:06:44,120 --> 01:06:46,480
Speaker 1: voice over actor, you can't just do the voice over.

1178
01:06:47,000 --> 01:06:49,320
Speaker 1: You have to be the actor part. Know you're an actor.

1179
01:06:49,640 --> 01:06:51,680
Speaker 1: And again because that same thing we've all we've all

1180
01:06:51,720 --> 01:06:54,520
Speaker 1: met people I do funny voices, that's great, but you

1181
01:06:54,640 --> 01:06:56,760
Speaker 1: got to be an actor or the people that say, oh,

1182
01:06:56,800 --> 01:06:58,760
Speaker 1: you're not a real actor, you're a voice actor, like

1183
01:06:58,840 --> 01:07:01,840
Speaker 1: that drives me and say, yeah, yeah, I want to

1184
01:07:01,880 --> 01:07:04,680
Speaker 1: Punch's just somebody who doesn't know. Well, that's exactly right,

1185
01:07:04,760 --> 01:07:08,480
Speaker 1: Like this is something you're interested in, then let me

1186
01:07:08,680 --> 01:07:14,600
Speaker 1: say go to acting, you know, or learn your craft,

1187
01:07:14,920 --> 01:07:20,280
Speaker 1: because it absolutely is one great advice from a great director. You, Lisa,

1188
01:07:20,400 --> 01:07:22,440
Speaker 1: thank you so much for coming on joining us. This

1189
01:07:22,600 --> 01:07:24,720
Speaker 1: is really cool. You are the first director we're having

1190
01:07:24,720 --> 01:07:27,680
Speaker 1: on I Hear Voices, which is an absolutely apt when

1191
01:07:27,720 --> 01:07:30,680
Speaker 1: it comes to Kim Possible and why we're here and

1192
01:07:30,720 --> 01:07:32,360
Speaker 1: all the other stuff than people where they were meeting,

1193
01:07:32,440 --> 01:07:34,640
Speaker 1: and so thank you so much for joining. Thank you.

1194
01:07:41,160 --> 01:07:43,480
Speaker 1: I Hear Voices assoisted by Wilfred L and Christie Garls

1195
01:07:43,520 --> 01:07:46,280
Speaker 1: and Romano, produced by Elizabeth Joy Windham and executive produced

1196
01:07:46,320 --> 01:07:49,160
Speaker 1: by Brendan Rooney and Wilfred L. Our sound engineer and

1197
01:07:49,280 --> 01:07:51,600
Speaker 1: editor is Elizabe Joy Windham and our video editor is

1198
01:07:51,640 --> 01:07:55,480
Speaker 1: at Guardo Gamba and that was my announcer voice. Some

1199
01:07:55,640 --> 01:07:58,240
Speaker 1: side effects of listening to I Hear Voices are sore

1200
01:07:58,360 --> 01:08:01,280
Speaker 1: abs from larity falling down the cocoa melon rabbit hole,

1201
01:08:01,480 --> 01:08:04,560
Speaker 1: sneezing due to mass nostalgia, and hugs follow I Hear

1202
01:08:04,640 --> 01:08:06,920
Speaker 1: Voices where every listen to podcasts you don't miss any

1203
01:08:07,000 --> 01:08:09,400
Speaker 1: of the amazing voices. Be sure to follow us on

1204
01:08:09,480 --> 01:08:12,720
Speaker 1: Instagram and TikTok at I Hear Voices podcast to see

1205
01:08:12,720 --> 01:08:15,000
Speaker 1: the video stream, subscribe to my YouTube channel. You can

1206
01:08:15,040 --> 01:08:18,240
Speaker 1: also check us out on my Space. O'meagal Vine, Lime Wire,

1207
01:08:18,320 --> 01:08:20,920
Speaker 1: a M and Napster. Okay, well, let's teach you about

1208
01:08:20,920 --> 01:08:21,760
Speaker 1: the Internet. What