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Speaker 1: What's up.

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Speaker 2: It's way up with Angela Yee and we are definitely

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Speaker 2: way up today because you know, for me, I'm such

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Speaker 2: a fan of hip hop. This is how I grew

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Speaker 2: up in Brooklyn, and two out of the three members

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Speaker 2: of jj FAD are here and I definitely grew up

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Speaker 2: listening to you guys.

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Speaker 1: Thank you Supersonic and you know what I love.

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Speaker 2: Clover Hope just put out a book too where she

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Speaker 2: was just documenting women and hip hop, and you guys

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Speaker 2: were definitely in there.

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Speaker 1: Yes, you know. But the reason.

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Speaker 2: Why we even are here today, and let's get this

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Speaker 2: out the way first, yes, is we had Fab five

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Speaker 2: Freddy on the show Yes, and he was talking about

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Speaker 2: the jj FAD album and he said that ice Cube

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Speaker 2: wrote the whole album, right, and you know that a

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Speaker 2: lot of people were like, was surprised by that they

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Speaker 2: didn't know that fun fact. But then you guys reached

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Speaker 2: out because it was incorrect, right.

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Speaker 3: And we just want to start by saying, first of all,

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Speaker 3: we're not mad at Fab Fi Freddy. He was just

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Speaker 3: saying what he heard, you know, but it wasn't factual.

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Speaker 4: So there's no beef or anything like that.

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Speaker 3: But we just don't want that narrative out there, and

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Speaker 3: we didn't do the work, okay, you.

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Speaker 4: Know what I mean.

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Speaker 3: So no, Ice Cube did not write our album. And

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Speaker 3: although he is our ruthless brother and we love him

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Speaker 3: to death and we're very close to him.

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Speaker 5: And although he did take part of writing yes, some.

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Speaker 3: Stuff, yeah, mostly our okay record, it wasn't super sonic.

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Speaker 1: It was a song on the other side.

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Speaker 4: So yeah, So we just.

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Speaker 3: Wanted to straighten that out because we we did a

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Speaker 3: lot of work on that song, and you know, we

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Speaker 3: are very we take a lot of pride, okay, and

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Speaker 3: that so we don't want that narrative to be out

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Speaker 3: there that we didn't even do the work, that we

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Speaker 3: were just the mouthpieces, and that's not true. We actually

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Speaker 3: did the work and we did write this. We wrote

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Speaker 3: several songs on our album.

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Speaker 1: Right understood.

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Speaker 2: And you guys should make sure you get the credit

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Speaker 2: because I feel like jj FAD isn't getting enough credit,

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Speaker 2: and I know you guys feel the same way. But

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Speaker 2: let's take you back, okay, you know, to the beginning,

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Speaker 2: because you guys formed as a group as teenagers, right, yes,

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Speaker 2: all right?

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Speaker 1: How old fourteen baby baby.

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Speaker 2: Is a wild realized you were only fourteen and you

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Speaker 2: were only nineteen years old. All right, So let's talk

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Speaker 2: about how y'all came together, because at first it was

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Speaker 2: four of you, five five of you, okay, there was

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Speaker 2: five at first.

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Speaker 3: How it all happened is that I just want I

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Speaker 3: had heard, actually heard Salt and Pepper their album, and

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Speaker 3: I was like, I wish, really wish the West Coast

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Speaker 3: could be, you know, represented like that. So one of

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Speaker 3: my friends was like, well, did you do it? You

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Speaker 3: know you'd like to wrap You're an entertainer.

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Speaker 4: Go ahead and try to start a rapping. I was like,

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Speaker 4: all right.

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Speaker 3: So then I had an audition in my mom's den.

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Speaker 3: I love it, and and I had.

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Speaker 5: A group already.

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Speaker 6: Yeah. So my with the age difference, my group was

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Speaker 6: we were the cautious crew. You know, we had breakdance

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Speaker 6: and we did all all type of things talent shows

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Speaker 6: and everything.

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Speaker 2: And you were a beatboxer. Also, I was a beat

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Speaker 2: female beatboxer, okay, and that doesn't get enough credit as well. Right,

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Speaker 2: But she I held this audition and her cousin was.

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Speaker 3: Actually my best friend, okay, and she told me that

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Speaker 3: my little cousin can beat box. I'm like, yeah, that

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Speaker 3: hat of here there was no female that could beat

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Speaker 3: box and she's like, okay, well you just wait. She

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Speaker 3: came with her Cross's crew and when I say she

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Speaker 3: blew me away, she blew me away. So not only

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Speaker 3: did I take her, I took the whole crew.

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Speaker 2: That's so amazing. Yeah, so your mom is very supportive

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Speaker 2: of your career early on.

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Speaker 3: Oh my gosh, so supportive and just encouraging and you know,

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Speaker 3: always wanting to help us. She started our you know

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Speaker 3: when they used to have the fan club letters, she

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Speaker 3: started our fan clubs. So it was it was just amazing.

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Speaker 3: How you know how much support that she gave all of.

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Speaker 2: Us And at the age of fourteen, baby d How

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Speaker 2: supportive was your family?

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Speaker 6: Oh, my mother, Oh, my brother and my sister. Everybody

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Speaker 6: was very very supportive. But then it was like, no, you.

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Speaker 5: Can't leave you you're too little, you're too young.

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Speaker 6: And my mom she was afraid at first, No, like

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Speaker 6: I'm not gonna let you go out there, right, so

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Speaker 6: you're too young, but she had to get permissions and everything,

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Speaker 6: and Jerry and they were going to take care of

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Speaker 6: our promisers on tour.

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Speaker 4: Because we did a tour the first year.

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Speaker 2: Okay, that's good that they were aware of all of

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Speaker 2: those things that you would need and involved the way

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Speaker 2: that they were, but also supportive. Yes, it is a

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Speaker 2: crazy business. And then you guys also did end up

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Speaker 2: signing to Ruthless Records, right, and y'all were like the

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Speaker 2: very different Yes, Ruthless Records.

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Speaker 4: Yes, we dub ourselves the Ruthless Princesses. We did.

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Speaker 3: They were in the middle of starting the n WA album,

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Speaker 3: so they were already progressing. They were already starting, and

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Speaker 3: then Dre Jerry told Drey and Easy told Drey stop

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Speaker 3: just stop right now, because I got these girls and

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Speaker 3: we need to put them out first. And the reason

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Speaker 3: we need to put them out first is because they're

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Speaker 3: so hardcore. They were afraid that mainstream wouldn't embrace them

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Speaker 3: or the label, right, So they put us out first

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Speaker 3: as a way to be reputable, as a way to

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Speaker 3: be like, okay, their mainstream, Okay, they're gonna anything on

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Speaker 3: the door list. Yeah, anything on Ruthless is going to

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Speaker 3: be fine, you know. So we opened the doors for

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Speaker 3: them to break out it up. Yeah, and also also

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Speaker 3: funded their album with our.

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Speaker 2: Because your album went gold, it went and eventually platinum

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Speaker 2: and eventually platinum. Yeah, that's a huge deal that I

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Speaker 2: felt people need to talk about that even more than

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Speaker 2: they do. And so back to the dis records, because

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Speaker 2: I can't believe JJ fadd was doing dis records. I

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Speaker 2: heard some pepper had a little beef for y'all for

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Speaker 2: a second.

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Speaker 1: It was it was the time.

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Speaker 6: Yeah, when we came out, even we thought like dising

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Speaker 6: was the way, you know, but we only did our.

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Speaker 1: That too when so we thought that was out at the.

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Speaker 6: Time, right, So we just said, well, let's just throw

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Speaker 6: this out there, and that was the A side, So

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Speaker 6: we like, we're gonna this, We're gonna di So we

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Speaker 6: wanted to have fun and then still like trying to

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Speaker 6: get a little name for ourselves, right.

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Speaker 1: So that's there.

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Speaker 4: But that didn't work.

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Speaker 5: That didn't work, let me tell you.

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Speaker 6: And we love everybody that we did then that was

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Speaker 6: so childish of us, but everybody that was kind of yeah,

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Speaker 6: it was the thing at the time, they said, it

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Speaker 6: ain't no hard feelings against nobody. But one time we

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Speaker 6: was in the club with our PR person and he

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Speaker 6: flipped that record on the B side and Supersonic took off.

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Speaker 3: It was like, because the A was the this record, okay, yeah,

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Speaker 3: and then we flipped it over and the club went wild.

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Speaker 4: He was like, that's the record, you guys.

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Speaker 1: Me, that's something that I feel like, to this day

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Speaker 1: is still a hit.

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Speaker 2: Even if you would have put it out like now,

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Speaker 2: it just sounds very timeless.

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Speaker 3: Yeah, it is, and we're surprised at how Like there's

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Speaker 3: kids that weren't even born at the time this record

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Speaker 3: came out and they we love Supersonic and it didn't

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Speaker 3: hurt that it was on the trader to the Sonic

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Speaker 3: movie because I brought in a whole new generation of fans.

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Speaker 3: So we're just you know, we're so blessed that it's

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Speaker 3: still relevant and people still love it and like you said,

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Speaker 3: it's timeless, so that that's just such a blessing for us.

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Speaker 2: And financially, Like for instance, I used to work with

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Speaker 2: nod Rogers and he wrote We Are Family, So he

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Speaker 2: always talks about how that song is so big it

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Speaker 2: makes him a lot of money to this day every

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Speaker 2: single year. Does super Sonic still bring in like some

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Speaker 2: great checks every year?

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Speaker 3: Absolutely, and you know, still being able to go out

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Speaker 3: and perform and that helps us well.

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Speaker 4: But we're not gonna lie.

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Speaker 3: We all have regular jobs, right, So Supersonic doesn't make

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Speaker 3: us rich, you know what I'm saying, But it still

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Speaker 3: pays the bills.

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Speaker 4: And we love yeah.

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Speaker 3: Yeah, but yeah, but I know, you know a lot

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Speaker 3: of people think, oh, you made a record, you're rich,

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Speaker 3: you know, and it's it's just not like that. You know,

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Speaker 3: we want benefits, We want consistency, so we all hold

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Speaker 3: regular jobs.

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Speaker 6: Now.

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Speaker 2: I know you guys said you never broke up, but

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Speaker 2: you did take a break from the industry just because

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Speaker 2: of family reasons.

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Speaker 1: Handling things like that.

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Speaker 2: And I remember Sawn Pepper even talking about that, how

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Speaker 2: sometimes having a kid in this business some you know,

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Speaker 2: and I think even to this day with women like

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Speaker 2: I remember when Cardi b was pregnant and people were like, oh, no,

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Speaker 2: that's going to ruin things, but it didn't, you know.

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Speaker 2: And so back then, what was it like when you

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Speaker 2: guys are like, Okay, we're ready to do this. Did

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Speaker 2: you think you were still gonna be touring and working

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Speaker 2: or was it like, you know what, maybe we do

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Speaker 2: need to take a little break.

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Speaker 5: We took a break.

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Speaker 6: We definitely took a break because we had children that

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Speaker 6: we wanted to be there for. We didn't We didn't

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Speaker 6: want to miss the first walk, we didn't want to

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Speaker 6: miss the first game, we didn't want to miss the

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Speaker 6: first dance. You know, we wanted to be there for

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Speaker 6: every step of the way. So when we did just

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Speaker 6: get back together, we didn't never break up. We just

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Speaker 6: went home, you know, to be home with our families.

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Speaker 6: They were old enough to understand. And we've seen every first,

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Speaker 6: every first. We didn't miss not one first, and they're

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Speaker 6: all in the same age group.

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Speaker 3: Like her first born, her firstborn is my god daughter

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Speaker 3: and my firstborn is she's see.

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Speaker 1: I love the fact that it wasn't never no issues

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Speaker 1: because you.

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Speaker 2: Know, you hear about groups men and women all the

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Speaker 2: time and there's all this drama and person said this,

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Speaker 2: and now you're this and each other. Yes, you have

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Speaker 2: to come back together because you needed to.

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Speaker 3: Right right, all love love, and we're not gonna lie.

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Speaker 3: I mean, there's times where we fight or we argue,

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Speaker 3: but the bottom line is communication. And we're all Christians,

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Speaker 3: so we know how to talk to each other. We

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Speaker 3: know how to resolve problems.

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Speaker 4: We know how to say, hey, you know what I

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Speaker 4: was wrong and I'm sorry, Okay, you know we know

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Speaker 4: how to do that.

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Speaker 3: And I always say all time in every interview, what

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Speaker 3: God brought together? How dare us tear it apart for

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Speaker 3: our own selfish reasons or for our own egos. So

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Speaker 3: we always go back to communicating God put us together.

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Speaker 3: That's where we're gonna stay until death do us part.

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Speaker 2: Now, how was it for you guys being in the

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Speaker 2: miss because there was a lot of drama going on,

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Speaker 2: you know, being signed to a label like Ruthless and

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Speaker 2: even with Jerry Heller and with people talking about the

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Speaker 2: business side of things, and then the breakup and n

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Speaker 2: w A. I mean, y'all were in the midst of

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Speaker 2: all that, and we never get to hear your side

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Speaker 2: of how that affected your business? How did that affect

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Speaker 2: you guys as a group and your music.

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Speaker 5: At the time, it wasn't.

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Speaker 6: That's when we kind of stepped away and was with

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Speaker 6: our babies with time and now.

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Speaker 5: Because in between all that, we stayed mutual.

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Speaker 6: They were having it out, you know, and we were

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Speaker 6: in a backgirl like, oh my god, next, you know,

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Speaker 6: but we stayed mutual.

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Speaker 5: We loved both sides.

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Speaker 6: We love both sides, and they kept it like that.

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Speaker 6: That wasn't our business, you know. So that's why I'm

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Speaker 6: still all love with everybody.

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Speaker 3: Right.

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Speaker 5: We didn't take no sides.

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Speaker 4: Yeah, we had no issues with anybody.

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Speaker 3: And we did take a break at that time, so

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Speaker 3: we were pretty much out of the picture at that time.

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Speaker 3: But I will say, and people always like Jerry Hiller

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Speaker 3: he was a crook blah blah blah blah. But I

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Speaker 3: have to tell you, Jerry Hall Haler was very good

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Speaker 3: to us. Okay, he as far as we know. And

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Speaker 3: mind you, we're young, so we didn't know contractual stuff.

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Speaker 3: But he gave us our own publishing.

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Speaker 1: Wow.

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Speaker 3: Yeah, And and he made sure like he accounted for everything.

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Speaker 3: Like we didn't see we right, we didn't see any issues.

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Speaker 2: Did y'all have lawyers that were handling that or did

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Speaker 2: they were his lawyers?

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Speaker 1: That's see.

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Speaker 4: Yes, yes, yeah, we were young.

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Speaker 3: But I still say to this day like he treated

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Speaker 3: us just like his kids. We were very close to him,

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Speaker 3: Like he has a picture of us all on his wall.

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Speaker 3: It's we called him uncle Jerry, right, you know. So

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Speaker 3: we didn't see any of that now, whether it was

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Speaker 3: there or not. And there was a little chipping off

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Speaker 3: the side.

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Speaker 2: We have no idea idea and the baby d you

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Speaker 2: were so young. That is probably you could have gotten

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Speaker 2: out of any contract right at that age.

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Speaker 5: I think, right right when we look at it now,

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Speaker 5: I'm like, wait, where your mama's.

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Speaker 6: Signature still looking day? Because you know, it's just it's

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Speaker 6: just funny how I mean people even when they made

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Speaker 6: the Straight Out of Comfort movie, like we were snubbed

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Speaker 6: out of that and that that really hurt us because

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Speaker 6: we were there and like she said earlier, we opened

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Speaker 6: the doors for Ruthless, So how could you even do

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Speaker 6: Ruthless movie story whatever without even mentioning us.

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Speaker 2: But you know what, that leaves a great space for

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Speaker 2: I know you guys are working on your own movie, yeah,

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Speaker 2: and I think that leads a great space for you

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Speaker 2: to be able to tell your own story from the

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Speaker 2: way it's y'all saw it. And I know they always

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Speaker 2: say a lot of things were left out of that movie,

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Speaker 2: but I feel like that would have actually been a

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Speaker 2: benefit because business wise, even seeing how they put you

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Speaker 2: guys out first, you guys went gold and then eventually

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Speaker 2: platinum with your album and how.

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Speaker 1: It was used as a way to kind of soften

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Speaker 1: the way that's important.

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Speaker 2: Yeah, yeah, it's a story, and we also didn't see

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Speaker 2: enough of like women. You guys were also the first

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Speaker 2: female wraproup to be nominated for a Grammy. Yes, and again,

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Speaker 2: And I saw you guys talking about this too, and

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Speaker 2: I said, Jerry Heller also shouting you all out for

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Speaker 2: the contributions that you've made and not gotten the recognition for.

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Speaker 2: But you weren't even invited to the fiftieth anniversary of

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Speaker 2: hip Hop and being the first female rap group nominated

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Speaker 2: for a Grammy, I would think at least be in

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Speaker 2: the audience, at least some type of interview or something.

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Speaker 3: Right exactly, because if you're at the Grammys and they're

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Speaker 3: honoring rap and we're the rap was the very first

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Speaker 3: category in the eighties and you were the first one nominated,

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Speaker 3: why are you not there?

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Speaker 4: Like all of us should have been there. It was

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Speaker 4: who was us?

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Speaker 3: Salt and Pepper, Jag, Jeff Jeff and the Fresh Prince,

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Speaker 3: Public Enemy Kumo D.

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Speaker 5: And they boycotted there.

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Speaker 4: Yeah, we was hanging in there.

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Speaker 3: But the funny thing he is is I always remember

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Speaker 3: Chuck saying, y'all need to go because this is important.

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Speaker 3: We're going to make a statement because that's what we do,

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Speaker 3: that's who we are, you know, Public Enemy they're going

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Speaker 3: to make a statement. So he said, but you guys

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Speaker 3: need to go. He goes, this is the first you

321
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Speaker 3: guys are young. This is opportunity that may never come again.

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Speaker 4: And it didn't. Not not yet.

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Speaker 3: We want hey, but we're thankful that we did because

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Speaker 3: we got to bring our parents and they got to

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Speaker 3: see you know, they were so proud and they got

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Speaker 3: to see a shine and you know, we're our little

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Speaker 3: tuxedo skirts.

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Speaker 4: And just it was just really a night to remember.

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Speaker 4: We cherished that.

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Speaker 2: Yeah, No, and I saw even with Public Enemy, they

331
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Speaker 2: were just at the iHeart Festival and we were talking

332
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Speaker 2: about them getting inducted into the Rock and Roll Hall

333
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Speaker 2: of Fame. I think they were only the fourth hip

334
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Speaker 2: hop group ever to be inducted, and you guys were

335
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Speaker 2: actually there for that. Yes, so you have a still

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Speaker 2: good relationship with Chucky, Yes.

337
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Speaker 3: Very very good relationship. I call him like a mentor

338
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Speaker 3: because we went. Matter of fact, we had the very

339
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Speaker 3: we were on the very first national hip hop tour,

340
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Speaker 3: which was the Runs House Tour.

341
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Speaker 4: We were on that tour.

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Speaker 3: The only women, and they all were so protective and

343
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Speaker 3: they treated us like gold and like she's gonna have

344
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Speaker 3: to tell you the story about run DMC.

345
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Speaker 4: But anyway, I'll tell you finish, tell you about Chuck.

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Speaker 3: He would we would take long walks like after the show,

347
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Speaker 3: like wherever we are, and he would tell tell me

348
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Speaker 3: about the business. Make sure you do this, make sure

349
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Speaker 3: you do that, make sure you have this, make sure

350
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Speaker 3: you have that. Like he always mentored me and said,

351
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Speaker 3: these are the.

352
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Speaker 4: Things that you need to do to be successful.

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Speaker 3: And I'll never forget that because I cherished all that

354
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Speaker 3: knowledge that he had at that time, you know, so

355
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Speaker 3: that was really special to me and that's why I

356
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Speaker 3: just I love him now.

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Speaker 1: I want to hear your story.

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Speaker 5: Yeah, yeah, yeah. It was just like I had to

359
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Speaker 5: stay home.

360
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Speaker 6: See I had to stay in the room because I

361
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Speaker 6: was young, you know, I was fourteen.

362
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Speaker 5: And then you would take like DMC and say come

363
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Speaker 5: on in all babysit out babysit. So he was my

364
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Speaker 5: personal babysitter and he would sit.

365
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Speaker 6: And write wraps, you know, all night until they come

366
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Speaker 6: and get me. And we just had the greatest time.

367
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Speaker 6: Like Flavor, you know, Flavor was like, oh, you know,

368
00:14:55,240 --> 00:14:56,920
Speaker 6: he was wild and crazy. I got to run around

369
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Speaker 6: with him a little bit, you know, but then now

370
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Speaker 6: go going.

371
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Speaker 5: Back to the babysit so we wouldn't.

372
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Speaker 4: She couldn't go. He was like, I'll watch it like them.

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Speaker 5: So need took care of me, and I love them

374
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Speaker 5: for that.

375
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Speaker 2: That's good that people were actually looking out for you,

376
00:15:12,120 --> 00:15:13,800
Speaker 2: because we've heard a lot of horror stories of what

377
00:15:13,840 --> 00:15:15,760
Speaker 2: it can be like for women in this business.

378
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Speaker 1: Who was Kevin Powell just recently was.

379
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Speaker 2: Writing an article about how hip hop has changed so

380
00:15:21,920 --> 00:15:23,600
Speaker 2: much from when it used to be like making a

381
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Speaker 2: statement to what it is today. You know and listen,

382
00:15:27,120 --> 00:15:29,360
Speaker 2: there's always been a variety in hip hop. I think

383
00:15:29,440 --> 00:15:32,480
Speaker 2: it's always like fun songs. There are songs that make

384
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Speaker 2: political statements, and I think there's space for everything.

385
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Speaker 1: What do you guys think about music today?

386
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Speaker 3: I like the music well, I can't even say that.

387
00:15:41,240 --> 00:15:43,480
Speaker 3: Let me take that back. Some of the music I

388
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Speaker 3: like today. I'll tell you what I do admire about

389
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Speaker 3: women in hip hop today, though, is that they are

390
00:15:49,480 --> 00:15:52,520
Speaker 3: doing it on their own terms, right. They don't have

391
00:15:52,880 --> 00:15:56,800
Speaker 3: a male person behind them, They're doing it all themselves. Now,

392
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Speaker 3: you think back to our time, we had ruthless, we

393
00:15:59,520 --> 00:16:02,280
Speaker 3: had ended up way they were like our brothers, and then.

394
00:16:02,200 --> 00:16:06,320
Speaker 5: You had.

395
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Speaker 4: What they called their crew, though I forget what the crew, okay,

396
00:16:09,920 --> 00:16:10,320
Speaker 4: the crew.

397
00:16:10,360 --> 00:16:15,520
Speaker 3: And then Queen Latifa she had her Clay unit, Flavory unit, yeah,

398
00:16:15,560 --> 00:16:18,640
Speaker 3: which eventually she became the head of flavor Unit. But

399
00:16:18,680 --> 00:16:21,520
Speaker 3: everybody had like males behind them and not saying that

400
00:16:21,520 --> 00:16:23,320
Speaker 3: they were pushing our buttons. But we did have to

401
00:16:23,360 --> 00:16:24,640
Speaker 3: go through them and say what about this song or

402
00:16:24,640 --> 00:16:26,000
Speaker 3: can you help us with this song? You know, you

403
00:16:26,040 --> 00:16:28,240
Speaker 3: know that we had to answer to them, not really

404
00:16:28,240 --> 00:16:30,000
Speaker 3: answer to them, but get their approval on how do

405
00:16:30,040 --> 00:16:30,400
Speaker 3: you like this?

406
00:16:30,480 --> 00:16:32,800
Speaker 4: How do you like that? But now women up today,

407
00:16:33,280 --> 00:16:34,920
Speaker 4: they're doing their own stuff. Yeah.

408
00:16:35,040 --> 00:16:37,280
Speaker 2: It used to be you needed that male code sign yeah,

409
00:16:37,400 --> 00:16:38,880
Speaker 2: in order to even be heard.

410
00:16:39,080 --> 00:16:41,560
Speaker 1: But now it's like, okay, I'm outside.

411
00:16:42,640 --> 00:16:45,640
Speaker 2: But that also is part of why streaming has been

412
00:16:45,680 --> 00:16:47,800
Speaker 2: really effective, for people to be able to put out

413
00:16:47,840 --> 00:16:50,080
Speaker 2: stuff like in their own time and not have to

414
00:16:50,080 --> 00:16:52,360
Speaker 2: have a huge machine behind them always right. You know,

415
00:16:52,440 --> 00:16:54,640
Speaker 2: you used to have to be signed to a major

416
00:16:54,720 --> 00:16:56,400
Speaker 2: label for people to even know who you were. Work

417
00:16:56,480 --> 00:16:59,800
Speaker 2: the record, go to the markets, visit de tours. Yeah,

418
00:17:00,040 --> 00:17:02,000
Speaker 2: this huge press around. Then the article doesn't come out

419
00:17:02,000 --> 00:17:05,919
Speaker 2: for three months exactly, so I.

420
00:17:05,920 --> 00:17:07,280
Speaker 5: Can go right on my own thing.

421
00:17:07,920 --> 00:17:10,760
Speaker 3: Right here, and we respect that. I mean, that wouldn't

422
00:17:10,760 --> 00:17:12,280
Speaker 3: be our style. Like some of the women of today

423
00:17:12,320 --> 00:17:14,680
Speaker 3: where they dress and how they're you know, they're very sexual.

424
00:17:15,359 --> 00:17:17,680
Speaker 3: That's just not who we are. But we give them

425
00:17:17,720 --> 00:17:19,440
Speaker 3: respectcause that's who they are and that's what they want.

426
00:17:19,480 --> 00:17:21,359
Speaker 3: That's if that's the image you want, you like it.

427
00:17:21,400 --> 00:17:21,920
Speaker 4: I love it.

428
00:17:22,040 --> 00:17:24,440
Speaker 2: But Jase, that was just so necessary back then because

429
00:17:24,440 --> 00:17:26,639
Speaker 2: I even remember for myself just watching the video how

430
00:17:26,720 --> 00:17:31,360
Speaker 2: much fun it was that fast okay, because nobody could

431
00:17:31,359 --> 00:17:34,480
Speaker 2: get that right right, I could do.

432
00:17:34,600 --> 00:17:38,359
Speaker 1: That's it. That's it.

433
00:17:38,680 --> 00:17:40,800
Speaker 4: That's the only part, Yes, exactly.

434
00:17:41,280 --> 00:17:44,760
Speaker 2: But Eminem actually paid homage to you guys as well.

435
00:17:44,960 --> 00:17:47,480
Speaker 1: Yeah, yeah, how did that feel to have?

436
00:17:47,600 --> 00:17:49,760
Speaker 2: Like, you know, because I'm sure that was unexpected at

437
00:17:49,800 --> 00:17:51,119
Speaker 2: the time, very unexpected.

438
00:17:51,160 --> 00:17:54,399
Speaker 6: Now we were so honored about about him, Fergie, you

439
00:17:54,520 --> 00:17:58,159
Speaker 6: got Red Mantle something, but it's quite a few people

440
00:17:58,240 --> 00:18:02,879
Speaker 6: that we could pay homage about, Supersonic and jj FAD.

441
00:18:03,000 --> 00:18:05,440
Speaker 1: So waitiate that, where does the jj FAD movie start.

442
00:18:06,200 --> 00:18:09,480
Speaker 3: We are in the writing processes right now, and I

443
00:18:09,480 --> 00:18:12,040
Speaker 3: think we're going to do a documentary first, okay.

444
00:18:11,920 --> 00:18:13,320
Speaker 4: And then go on from there.

445
00:18:13,760 --> 00:18:17,600
Speaker 3: So we're just in the infantry infancy infancy stages right now.

446
00:18:18,000 --> 00:18:19,800
Speaker 4: So but we'll get there. We'll let you know for sure.

447
00:18:20,440 --> 00:18:21,640
Speaker 4: We're hoping by next year.

448
00:18:21,680 --> 00:18:24,080
Speaker 2: But okay, but where does this story start for you guys?

449
00:18:24,119 --> 00:18:26,280
Speaker 2: Like if you see the opening scene, you see in

450
00:18:26,320 --> 00:18:27,399
Speaker 2: the opening scene.

451
00:18:27,160 --> 00:18:30,880
Speaker 4: The auditions in the den, Okay, I.

452
00:18:30,840 --> 00:18:33,679
Speaker 3: Think, yeah, I think people will be interested in you know,

453
00:18:33,720 --> 00:18:36,600
Speaker 3: seeing like that's the beginning beginning, right, How many people

454
00:18:36,680 --> 00:18:37,680
Speaker 3: audition was?

455
00:18:37,720 --> 00:18:38,800
Speaker 4: It was like forty?

456
00:18:39,880 --> 00:18:42,480
Speaker 5: Shoot you tell me, I mean I know my crew.

457
00:18:42,320 --> 00:18:47,680
Speaker 3: Gay, Yeah, after them we shut it down. There was

458
00:18:47,720 --> 00:18:50,080
Speaker 3: about forty Okay, yeah, there is about forty. And we

459
00:18:50,080 --> 00:18:52,360
Speaker 3: live in a very small town. It's called Rialto, California,

460
00:18:52,400 --> 00:18:55,320
Speaker 3: which is about sixty miles east of Los Angeles. And

461
00:18:55,400 --> 00:18:57,760
Speaker 3: speaking of Rialto, we love to represent them because BABYD

462
00:18:57,840 --> 00:18:59,239
Speaker 3: and I are both from Rialto and we just got

463
00:18:59,280 --> 00:19:02,639
Speaker 3: a street named Yes, that's it.

464
00:19:03,080 --> 00:19:04,280
Speaker 1: Yeah, really exciting.

465
00:19:04,359 --> 00:19:05,760
Speaker 5: Yeah, that was such an honor.

466
00:19:05,920 --> 00:19:10,160
Speaker 4: Yes, yeah, it's just it's amazing.

467
00:19:10,400 --> 00:19:12,080
Speaker 2: Now, how hard was it back then for you guys

468
00:19:12,119 --> 00:19:15,040
Speaker 2: to date? Just because y'all were like the supergroup.

469
00:19:15,119 --> 00:19:16,480
Speaker 1: You had these men around.

470
00:19:16,160 --> 00:19:19,080
Speaker 2: You treating you like little sisters, very overly protective.

471
00:19:19,760 --> 00:19:20,840
Speaker 1: So how did that work?

472
00:19:20,920 --> 00:19:23,480
Speaker 2: Like were y'all in the midst of working being able

473
00:19:23,520 --> 00:19:25,120
Speaker 2: to like, well, you were only fourteen.

474
00:19:25,600 --> 00:19:28,480
Speaker 6: But nobody wasn't We wasn't even we was just having fun.

475
00:19:29,000 --> 00:19:31,240
Speaker 6: You wasn't even looking for a boyfriend. You were looking

476
00:19:31,240 --> 00:19:33,040
Speaker 6: for nobody. It was just like you're going from safe

477
00:19:33,080 --> 00:19:35,800
Speaker 6: to state to say you didn't have time tofriend.

478
00:19:36,040 --> 00:19:38,000
Speaker 3: But when people It's funny though, because when people came

479
00:19:38,040 --> 00:19:40,040
Speaker 3: to our doors though you would have n w a standing,

480
00:19:40,040 --> 00:19:40,760
Speaker 3: They're like, what do you want?

481
00:19:41,000 --> 00:19:45,159
Speaker 4: No, you're yeah, So they were protective in that way.

482
00:19:45,280 --> 00:19:47,359
Speaker 3: But like she said, we weren't really thinking about dating

483
00:19:47,400 --> 00:19:49,160
Speaker 3: at that time because we're so busy with the music,

484
00:19:49,240 --> 00:19:50,040
Speaker 3: so busy on tour.

485
00:19:50,119 --> 00:19:51,240
Speaker 4: Like that was like the last.

486
00:19:51,040 --> 00:19:55,000
Speaker 2: Thing any of your parents and where anybody's parents involved

487
00:19:55,040 --> 00:19:59,159
Speaker 2: in management at that time. Okay, that was never a conversation, no,

488
00:20:00,240 --> 00:20:00,600
Speaker 2: But they.

489
00:20:00,800 --> 00:20:03,159
Speaker 3: All met Jerry, okay, you know, and they wanted to

490
00:20:03,200 --> 00:20:04,879
Speaker 3: see if they could trust him and everything, and they

491
00:20:04,920 --> 00:20:06,679
Speaker 3: all fell in love with him, and you know, he

492
00:20:06,760 --> 00:20:08,880
Speaker 3: has the gift of gab. So they were like, okay,

493
00:20:08,920 --> 00:20:10,160
Speaker 3: you're in good hands now.

494
00:20:10,200 --> 00:20:13,400
Speaker 2: You guys also have still been on the road, so

495
00:20:13,760 --> 00:20:16,320
Speaker 2: talk to me about that, Like what's different today when

496
00:20:16,359 --> 00:20:18,360
Speaker 2: you do these toys than there was back then.

497
00:20:19,280 --> 00:20:22,120
Speaker 1: Some things that you have coming up also, Okay, I think.

498
00:20:22,160 --> 00:20:25,040
Speaker 3: For me the difference is is that when you when

499
00:20:25,080 --> 00:20:26,919
Speaker 3: we were young and we were going on tour, all

500
00:20:26,920 --> 00:20:29,200
Speaker 3: we thought about was went on stage performing having fun.

501
00:20:29,280 --> 00:20:31,320
Speaker 3: But now when you go to these different places, you

502
00:20:31,400 --> 00:20:33,399
Speaker 3: learn how to soak it in. You learn how to

503
00:20:33,440 --> 00:20:35,480
Speaker 3: be like, you know what, we came here before, but

504
00:20:35,560 --> 00:20:37,640
Speaker 3: we really never saw this or we really never saw that.

505
00:20:37,720 --> 00:20:39,800
Speaker 3: So we're trying to take in everything that we're seeing

506
00:20:39,880 --> 00:20:41,520
Speaker 3: right now so we can hold it, you know, close

507
00:20:41,560 --> 00:20:42,680
Speaker 3: to us and have that memory.

508
00:20:42,880 --> 00:20:43,200
Speaker 4: Before.

509
00:20:43,840 --> 00:20:45,640
Speaker 3: Yeah, we went to different states, but we really didn't

510
00:20:45,640 --> 00:20:47,320
Speaker 3: care about what was out there and what.

511
00:20:47,240 --> 00:20:48,000
Speaker 1: We needed to see.

512
00:20:48,040 --> 00:20:50,399
Speaker 3: And now we're going to tour bus, yes, and now

513
00:20:50,440 --> 00:20:52,600
Speaker 3: we just learned to embrace it, you know, where we are,

514
00:20:53,040 --> 00:20:54,800
Speaker 3: what we want to see, and just take the time

515
00:20:54,840 --> 00:20:55,440
Speaker 3: to enjoy it.

516
00:20:55,480 --> 00:20:57,720
Speaker 2: And now everybody just has their phones out. I noticed that,

517
00:20:57,760 --> 00:20:59,000
Speaker 2: like when you go to a show, a lot of

518
00:20:59,000 --> 00:21:01,879
Speaker 2: people aren't in the moment like they should be. Everybody

519
00:21:01,960 --> 00:21:05,840
Speaker 2: is like trying to film, right videographers, Yeah, it's like,

520
00:21:05,840 --> 00:21:07,639
Speaker 2: why don't you put your phones down and just like

521
00:21:07,720 --> 00:21:10,680
Speaker 2: pay attention and enjoy it. That's why sometimes it's nice

522
00:21:10,680 --> 00:21:13,320
Speaker 2: when they make you put your phone away. Yeah, yeah,

523
00:21:13,400 --> 00:21:16,000
Speaker 2: you know, to experience things like that. Now, when you

524
00:21:16,040 --> 00:21:18,440
Speaker 2: guys decided after taking a break that you want to

525
00:21:18,480 --> 00:21:22,159
Speaker 2: come back together, that was after Fergie sampled you guys,

526
00:21:22,280 --> 00:21:23,800
Speaker 2: and then you were like, you know what, it's time

527
00:21:23,880 --> 00:21:27,240
Speaker 2: to back together, and what was the process.

528
00:21:26,960 --> 00:21:28,760
Speaker 1: Like for that to get back together?

529
00:21:29,119 --> 00:21:32,080
Speaker 4: It's easy. Yeah, it was just a phone call. Yeah.

530
00:21:34,560 --> 00:21:34,840
Speaker 1: Easy.

531
00:21:34,840 --> 00:21:35,879
Speaker 3: And then they were like, well, what are you going

532
00:21:35,920 --> 00:21:38,199
Speaker 3: to do? Like like it's like riding a bike. Like

533
00:21:38,240 --> 00:21:39,800
Speaker 3: we didn't even really have to practice that much.

534
00:21:39,840 --> 00:21:40,000
Speaker 6: You know.

535
00:21:40,080 --> 00:21:41,840
Speaker 3: We did some a little bit of old show, we

536
00:21:41,880 --> 00:21:43,480
Speaker 3: add a little bit of new things, and it was

537
00:21:43,520 --> 00:21:46,480
Speaker 3: just it was so easy. It's like we never left

538
00:21:46,680 --> 00:21:49,600
Speaker 3: right And that was like ten twelve years right after.

539
00:21:49,680 --> 00:21:52,120
Speaker 3: So we we just hopped right back on that horse

540
00:21:52,119 --> 00:21:52,880
Speaker 3: and just kept going.

541
00:21:52,920 --> 00:21:54,919
Speaker 5: We just kind of make sure that do you have

542
00:21:54,960 --> 00:21:55,600
Speaker 5: to work today?

543
00:21:55,960 --> 00:21:56,160
Speaker 1: Yes?

544
00:21:57,440 --> 00:21:59,919
Speaker 5: Could you request off? We can do it.

545
00:22:00,119 --> 00:22:02,600
Speaker 2: Every guys do have day jobs, like you said, so

546
00:22:02,640 --> 00:22:03,720
Speaker 2: you work both in healthcare.

547
00:22:03,960 --> 00:22:06,000
Speaker 1: I'm a school nurse okay.

548
00:22:05,560 --> 00:22:08,000
Speaker 5: I'm a supervisor for a casino hotel okay.

549
00:22:08,080 --> 00:22:09,840
Speaker 4: And sasy C is a respiratory therapist.

550
00:22:10,160 --> 00:22:12,680
Speaker 2: First of all, how exciting to have you as a

551
00:22:12,720 --> 00:22:16,199
Speaker 2: school nurse. I never, like, do the kids know I

552
00:22:16,240 --> 00:22:16,800
Speaker 2: keep I.

553
00:22:16,800 --> 00:22:21,359
Speaker 3: Have like two different personas, so at work, wanna nurse, wanna,

554
00:22:22,880 --> 00:22:26,359
Speaker 3: And it does come out eventually I need to go

555
00:22:26,400 --> 00:22:29,720
Speaker 3: to the you try to keep it on the download,

556
00:22:29,720 --> 00:22:32,320
Speaker 3: but eventually, like every job I've been at, eventually they're.

557
00:22:32,160 --> 00:22:34,000
Speaker 4: Like, oh, we heard that you.

558
00:22:34,040 --> 00:22:36,640
Speaker 3: So it eventually gets out, but they know that I'm

559
00:22:36,680 --> 00:22:39,160
Speaker 3: there to do that job. I'm also a cheer coach

560
00:22:39,200 --> 00:22:41,439
Speaker 3: there too, so okay, I do the cheer and so

561
00:22:41,520 --> 00:22:41,840
Speaker 3: they know.

562
00:22:42,240 --> 00:22:44,080
Speaker 1: But it's still cool to be able to like brag

563
00:22:44,119 --> 00:22:45,920
Speaker 1: on that my chair coach.

564
00:22:46,080 --> 00:22:48,920
Speaker 2: Yeah, and baby de what about you at your job?

565
00:22:48,960 --> 00:22:50,080
Speaker 1: Do people know like this is?

566
00:22:50,760 --> 00:22:52,520
Speaker 5: I mean they know they I mean they tell everybody

567
00:22:52,640 --> 00:22:53,120
Speaker 5: come in the door.

568
00:22:53,160 --> 00:22:55,440
Speaker 1: I bet everything here.

569
00:22:57,560 --> 00:22:59,840
Speaker 2: So before that, ten or twelve years before Ferggie put

570
00:22:59,840 --> 00:23:02,720
Speaker 2: out her song, did you guys have conversations about let's

571
00:23:02,760 --> 00:23:05,320
Speaker 2: do some more like let's or that was really what

572
00:23:05,440 --> 00:23:07,480
Speaker 2: solidified it? Like were there are times when you guys

573
00:23:07,480 --> 00:23:09,720
Speaker 2: were communicating but it wasn't right timing.

574
00:23:10,400 --> 00:23:12,639
Speaker 3: I don't think we actually thought about it because we

575
00:23:12,640 --> 00:23:15,720
Speaker 3: were so busy raising our kids and all my kids

576
00:23:15,720 --> 00:23:18,760
Speaker 3: are in sports, and then her kids were always involved

577
00:23:18,760 --> 00:23:21,040
Speaker 3: in things, so it's like we were just focused on that.

578
00:23:21,760 --> 00:23:23,639
Speaker 3: And then I don't even think we thought about it

579
00:23:23,720 --> 00:23:27,560
Speaker 3: until someone actually approached us as, hey, you know, we

580
00:23:27,640 --> 00:23:29,679
Speaker 3: heard this for you song. We love super Sonic. Are

581
00:23:29,720 --> 00:23:30,960
Speaker 3: you guys you know, do you want to come to

582
00:23:31,000 --> 00:23:32,919
Speaker 3: a show? And then that's when the phone call started,

583
00:23:32,960 --> 00:23:35,120
Speaker 3: and that's when we started communicating about it, and that's

584
00:23:35,119 --> 00:23:37,080
Speaker 3: when we made that ultimate decision to get back out

585
00:23:37,080 --> 00:23:39,960
Speaker 3: there because by this time our kids are older, you know,

586
00:23:40,040 --> 00:23:41,640
Speaker 3: and they're pretty much self sufficient.

587
00:23:41,840 --> 00:23:41,959
Speaker 6: Right.

588
00:23:42,200 --> 00:23:45,080
Speaker 2: So was it hard to have a song that's your

589
00:23:45,119 --> 00:23:48,560
Speaker 2: first single come out and be so huge, because sometimes

590
00:23:48,560 --> 00:23:50,320
Speaker 2: that's like a gift and a curse. Some people like

591
00:23:50,359 --> 00:23:52,480
Speaker 2: a build up, like Okay, I put out this song,

592
00:23:52,520 --> 00:23:55,439
Speaker 2: then the next song, but that song is like a

593
00:23:55,560 --> 00:23:56,200
Speaker 2: monster hit.

594
00:23:56,560 --> 00:23:59,840
Speaker 4: It's really hard. It's really hard because you can get.

595
00:23:59,680 --> 00:24:00,919
Speaker 1: Spoiled to and.

596
00:24:03,400 --> 00:24:05,119
Speaker 3: This is the thing though, and this is the this

597
00:24:05,200 --> 00:24:07,720
Speaker 3: is the thing that is the craziest to us. It's

598
00:24:07,760 --> 00:24:10,520
Speaker 3: like everybody, not everybody, but some people will say, oh,

599
00:24:10,560 --> 00:24:13,800
Speaker 3: you guys are a one hit wonder and I'm like, okay, yeah,

600
00:24:13,880 --> 00:24:16,760
Speaker 3: we had one monster hit, but that doesn't make us

601
00:24:16,760 --> 00:24:20,119
Speaker 3: a one hit wonder because our true fans are like,

602
00:24:19,840 --> 00:24:23,200
Speaker 3: I like this song like that, I love I love

603
00:24:23,320 --> 00:24:25,680
Speaker 3: the B side. I love the hip hop because we

604
00:24:25,760 --> 00:24:28,600
Speaker 3: had we called a hop hip hip hip side on

605
00:24:28,600 --> 00:24:32,960
Speaker 3: a hop side, so the hop side like they love,

606
00:24:33,280 --> 00:24:35,160
Speaker 3: you know, and everybody's like, I like the B side.

607
00:24:35,160 --> 00:24:36,960
Speaker 3: I like this song way better than super Soide. So

608
00:24:36,960 --> 00:24:41,959
Speaker 3: our true fans really know that we're not a one

609
00:24:42,000 --> 00:24:46,239
Speaker 3: hit wonder because they love the entire album, so that

610
00:24:46,280 --> 00:24:48,000
Speaker 3: I mean that kind of bothers. But I get it

611
00:24:48,040 --> 00:24:50,200
Speaker 3: because it was so big and some people do only

612
00:24:50,240 --> 00:24:53,359
Speaker 3: know that song, but your true fans and your true followers, they.

613
00:24:53,280 --> 00:24:56,520
Speaker 4: Know that that album was bomb. I mean it was

614
00:24:56,520 --> 00:24:57,960
Speaker 4: a dre production. You know, you got to.

615
00:25:00,040 --> 00:25:01,440
Speaker 2: You guys are still cool with him to this day.

616
00:25:01,440 --> 00:25:04,560
Speaker 2: I said, yea, he facetimes you guys. Yeah, somewhere we're

617
00:25:04,720 --> 00:25:07,800
Speaker 2: doing an interview. Uh huh yeah, I mean imagine, so

618
00:25:07,880 --> 00:25:10,920
Speaker 2: you are working on some new music, yes, okay, So

619
00:25:10,920 --> 00:25:13,920
Speaker 2: what's the sound like now for jj FAD.

620
00:25:14,000 --> 00:25:16,480
Speaker 4: And that's where we're torn, because.

621
00:25:17,880 --> 00:25:21,119
Speaker 3: If you really think about it, Angela, how many people

622
00:25:21,160 --> 00:25:24,640
Speaker 3: from the eighties have come back and tried to come

623
00:25:24,680 --> 00:25:27,120
Speaker 3: back and make a song and it was successful, right.

624
00:25:27,600 --> 00:25:29,360
Speaker 4: Not very many, don't.

625
00:25:29,520 --> 00:25:31,320
Speaker 3: I don't think there's I don't think there's any, to

626
00:25:31,320 --> 00:25:33,760
Speaker 3: be honest with you, I don't think there's any. So

627
00:25:35,240 --> 00:25:38,640
Speaker 3: we're being really careful about how we come back because

628
00:25:38,640 --> 00:25:41,120
Speaker 3: you don't want to alienate those fans that love Supersonic, right,

629
00:25:41,160 --> 00:25:43,159
Speaker 3: But you also want to make sure that you're up

630
00:25:43,160 --> 00:25:44,480
Speaker 3: to date with what people are hearing.

631
00:25:44,640 --> 00:25:44,760
Speaker 4: Right.

632
00:25:44,800 --> 00:25:47,439
Speaker 2: I also feel like it's a very nostalgic time. People

633
00:25:47,520 --> 00:25:50,520
Speaker 2: love going back and sampling songs and some of the

634
00:25:50,560 --> 00:25:53,960
Speaker 2: fields of certain things kind of reminds you of that era,

635
00:25:54,480 --> 00:25:56,119
Speaker 2: because some people would say that's like one of the

636
00:25:56,119 --> 00:26:00,080
Speaker 2: best eras of music is feel good, you know, So

637
00:26:00,960 --> 00:26:02,840
Speaker 2: it's like being to to who you are, but also

638
00:26:03,520 --> 00:26:05,960
Speaker 2: knowing how to I guess, I don't know.

639
00:26:06,000 --> 00:26:07,440
Speaker 1: It's a it is a weird thing.

640
00:26:07,640 --> 00:26:11,320
Speaker 2: Yeah, yeah, I'm trying to think who has had from

641
00:26:11,359 --> 00:26:14,920
Speaker 2: the eighties come back and done something right that's been

642
00:26:15,640 --> 00:26:20,080
Speaker 2: we have, But it's.

643
00:26:20,000 --> 00:26:23,320
Speaker 5: Just a little fast paced, still dance type of you know.

644
00:26:23,400 --> 00:26:24,600
Speaker 5: And then we don't want to be just.

645
00:26:24,520 --> 00:26:26,479
Speaker 6: To A B, C, D, E F G. Right, so

646
00:26:26,520 --> 00:26:29,359
Speaker 6: you still gotta we just we dib it in dabbling.

647
00:26:29,560 --> 00:26:32,159
Speaker 6: We got the title for the songs, doing a little writing.

648
00:26:32,240 --> 00:26:36,040
Speaker 6: We actually did a song with and Lisa Lisa.

649
00:26:36,440 --> 00:26:36,680
Speaker 4: Yeah.

650
00:26:37,080 --> 00:26:38,600
Speaker 1: First of all, you know, I said, let me send

651
00:26:38,640 --> 00:26:39,200
Speaker 1: Lisa Lisa.

652
00:26:39,400 --> 00:26:43,560
Speaker 3: Yes, yes, that was that was It was fun to

653
00:26:43,600 --> 00:26:45,280
Speaker 3: do that and get back in the studio and really,

654
00:26:45,320 --> 00:26:46,320
Speaker 3: you know, put something out there.

655
00:26:46,359 --> 00:26:47,200
Speaker 4: So that was a lot of fun.

656
00:26:47,280 --> 00:26:56,159
Speaker 2: Maybe I should do another a new disc record who

657
00:26:56,200 --> 00:26:59,400
Speaker 2: sensitive today? I think the last person who really did

658
00:26:59,400 --> 00:27:01,720
Speaker 2: that was fifty that it really kind of worked for

659
00:27:01,880 --> 00:27:04,040
Speaker 2: and then after that when he did how to Rob

660
00:27:04,800 --> 00:27:06,800
Speaker 2: or whatever, and then after that it's kind of.

661
00:27:06,760 --> 00:27:09,400
Speaker 5: Like you can't be just somebody else. Shoot you.

662
00:27:09,480 --> 00:27:13,639
Speaker 2: Yeah, well listen. I want to thank you guys so

663
00:27:13,720 --> 00:27:16,040
Speaker 2: much for coming through. This honestly was such a pleasure

664
00:27:16,040 --> 00:27:18,240
Speaker 2: for me. I know this all started with you wanting

665
00:27:18,280 --> 00:27:20,639
Speaker 2: to make sure that you set the record straight. Is

666
00:27:20,640 --> 00:27:22,000
Speaker 2: there anything else you feel like you need to set

667
00:27:22,000 --> 00:27:23,359
Speaker 2: the record straight on while we're here?

668
00:27:24,200 --> 00:27:26,560
Speaker 5: Only that we just want our flowers while we're here.

669
00:27:26,840 --> 00:27:28,280
Speaker 6: You know, we don't want to wait till something bad

670
00:27:28,320 --> 00:27:30,239
Speaker 6: happened and they could have shot one of us. We

671
00:27:30,280 --> 00:27:33,159
Speaker 6: feel like we deserve to be on the platform with

672
00:27:33,200 --> 00:27:35,119
Speaker 6: all the hip hop, you know, with all the pop

673
00:27:35,200 --> 00:27:38,160
Speaker 6: hip hop. We crossed over early and at one point

674
00:27:38,200 --> 00:27:40,840
Speaker 6: now they're mad that they were mad, like they crossed

675
00:27:40,880 --> 00:27:42,800
Speaker 6: over and cross over now everybody want to cross over,

676
00:27:43,000 --> 00:27:45,520
Speaker 6: you know. It's it's just we just want the respect

677
00:27:45,520 --> 00:27:48,600
Speaker 6: and the love that you know, we we deserve, right,

678
00:27:48,720 --> 00:27:49,160
Speaker 6: that's all.

679
00:27:49,280 --> 00:27:52,600
Speaker 3: And our place is stamped in hip hop history, So

680
00:27:52,760 --> 00:27:55,119
Speaker 3: give us that respect. If you have hip hop's fifty it,

681
00:27:55,240 --> 00:27:58,400
Speaker 3: then include us because what more history do you have

682
00:27:58,480 --> 00:28:01,119
Speaker 3: than having been nominated for the first Grammy, you know,

683
00:28:01,200 --> 00:28:04,520
Speaker 3: being on the first national tour, Like what more history

684
00:28:04,800 --> 00:28:06,600
Speaker 3: is there than that, you know, as far as hip

685
00:28:06,600 --> 00:28:09,480
Speaker 3: hop goes. So yeah, we just want that respect. We

686
00:28:09,560 --> 00:28:13,399
Speaker 3: just want to be included, you know, in the fiftieth anniversary.

687
00:28:12,800 --> 00:28:14,920
Speaker 4: And all the time, just even in the conversations.

688
00:28:15,359 --> 00:28:17,560
Speaker 2: It is not to just be the fiftieth anniversary, and

689
00:28:17,600 --> 00:28:20,120
Speaker 2: it doesn't have to just be about women hip hop.

690
00:28:20,160 --> 00:28:21,679
Speaker 1: It could be hip hop in general.

691
00:28:21,880 --> 00:28:28,200
Speaker 2: Correct, correct, because listen being our records and you know,

692
00:28:28,280 --> 00:28:30,479
Speaker 2: but and shout out to Clover Hope to who included

693
00:28:30,520 --> 00:28:33,480
Speaker 2: you guys. I honestly love her book. Her book is

694
00:28:33,520 --> 00:28:35,480
Speaker 2: called The Women Who Made hip Hop? And there were

695
00:28:35,520 --> 00:28:37,919
Speaker 2: so many women, some I didn't know about, but a

696
00:28:37,920 --> 00:28:39,480
Speaker 2: lot that I was like, oh my god, I forgot

697
00:28:39,520 --> 00:28:42,920
Speaker 2: about you know, yes, all these different artists and you

698
00:28:42,920 --> 00:28:45,000
Speaker 2: guys are definitely in there. But this is an honor

699
00:28:45,040 --> 00:28:47,400
Speaker 2: for me to have you all up here, just because

700
00:28:47,480 --> 00:28:49,480
Speaker 2: I grew up as a hip hop kid in Brooklyn

701
00:28:49,480 --> 00:28:50,920
Speaker 2: and so, like I said, I never thought I'd be

702
00:28:50,920 --> 00:28:52,960
Speaker 2: in a position to be sitting in a room with

703
00:28:52,960 --> 00:28:53,280
Speaker 2: you guys.

704
00:28:53,320 --> 00:28:56,120
Speaker 1: So thank you so much, thank you, thank you.

705
00:28:56,240 --> 00:28:58,280
Speaker 4: We had a good time. Thanks and thank you for

706
00:28:58,360 --> 00:29:00,760
Speaker 4: letting us have our voice and tip that record straight.

707
00:29:00,880 --> 00:29:02,080
Speaker 4: Because we wrote our songs.

708
00:29:03,240 --> 00:29:06,120
Speaker 1: It was misinformation. I know. It wasn't no hard feeling.

709
00:29:05,960 --> 00:29:07,800
Speaker 4: No none at all, because you know some people.

710
00:29:07,560 --> 00:29:09,840
Speaker 2: Will attack you be like yeah, you dummied that, but yeah,

711
00:29:10,480 --> 00:29:12,280
Speaker 2: like no, this is not you. We got to set

712
00:29:12,320 --> 00:29:14,719
Speaker 2: the record share and I immediately was like yes please.

713
00:29:15,040 --> 00:29:16,680
Speaker 3: And another thing that cracks me up is like we

714
00:29:16,720 --> 00:29:19,640
Speaker 3: had someone said why isn't Ice keep talking?

715
00:29:19,640 --> 00:29:20,840
Speaker 4: How come he's not saying anything?

716
00:29:20,840 --> 00:29:23,280
Speaker 1: And I'm like, this is not true, Like why does

717
00:29:23,320 --> 00:29:25,160
Speaker 1: he need to say anything? We're telling you. You know,

718
00:29:25,640 --> 00:29:28,520
Speaker 1: he's not his thing, it's not his deal. Let me

719
00:29:28,560 --> 00:29:29,040
Speaker 1: ask you this.

720
00:29:29,120 --> 00:29:31,560
Speaker 2: When he wrote when he helped write some disc records

721
00:29:31,560 --> 00:29:32,080
Speaker 2: and help with that.

722
00:29:32,200 --> 00:29:33,680
Speaker 1: Was there anything that you were like, this is too much.

723
00:29:33,720 --> 00:29:34,520
Speaker 1: I'm not saying that.

724
00:29:34,640 --> 00:29:38,160
Speaker 4: Oh no, we loved it. We were such young. Little

725
00:29:38,160 --> 00:29:39,280
Speaker 4: girl was.

726
00:29:39,320 --> 00:29:43,120
Speaker 2: Going to say that because the records that they wrote

727
00:29:43,200 --> 00:29:43,800
Speaker 2: was so harsh.

728
00:29:43,920 --> 00:29:46,960
Speaker 3: Yeah, it was like yours was fun. It was still

729
00:29:47,120 --> 00:29:48,040
Speaker 3: we had some brutal ones.

730
00:29:48,200 --> 00:29:48,520
Speaker 1: Yeah, I was.

731
00:29:49,600 --> 00:29:53,920
Speaker 4: Yes, it was still brutal. Yeah, but it wasn't like crazy.

732
00:29:54,040 --> 00:29:58,280
Speaker 2: Yeah, it wasn't like no coming back. Did you ever

733
00:29:58,320 --> 00:30:00,000
Speaker 2: have to like, I know you are cool with rock Sanne,

734
00:30:00,560 --> 00:30:02,920
Speaker 2: but was there ever any like explanation like like girl,

735
00:30:02,920 --> 00:30:03,680
Speaker 2: you know it wasn't no.

736
00:30:04,360 --> 00:30:09,240
Speaker 3: Yeah, yeah, we've had those conversations because yeah, and we

737
00:30:09,320 --> 00:30:11,840
Speaker 3: also we went too serious and we had we were

738
00:30:11,840 --> 00:30:14,080
Speaker 3: there with us and Yo Yo and a bunch of

739
00:30:14,120 --> 00:30:15,760
Speaker 3: women and we were talking about it.

740
00:30:15,800 --> 00:30:17,280
Speaker 4: I said, come on, let's take a picture.

741
00:30:17,280 --> 00:30:18,840
Speaker 3: And we took a picture like boxing gloves, like we

742
00:30:18,840 --> 00:30:20,560
Speaker 3: were boxing each other, like we were still beefing.

743
00:30:20,960 --> 00:30:22,440
Speaker 4: But no, we we.

744
00:30:22,360 --> 00:30:26,440
Speaker 3: Know that that was all for pub you know, to

745
00:30:26,480 --> 00:30:27,120
Speaker 3: get out there.

746
00:30:27,160 --> 00:30:28,720
Speaker 4: That was a way for us to get in the door.

747
00:30:28,800 --> 00:30:33,560
Speaker 3: So we thought, you know, yeah absolutely so, yeah, have

748
00:30:33,560 --> 00:30:34,840
Speaker 3: no hard feelings with anybody.

749
00:30:34,920 --> 00:30:37,160
Speaker 2: Well, I'm looking forward to the documentary. I'm looking forward

750
00:30:37,240 --> 00:30:41,160
Speaker 2: to the movie, so keep me updated. We will for sure,

751
00:30:41,360 --> 00:30:43,400
Speaker 2: all right, jj faday