WEBVTT - Crofton's Media Blackout: It's A Wonderful Life

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<v Speaker 1>Hello the Internet, and welcome to this special holiday episode

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<v Speaker 1>of Guys, the production of iHeart Radio. This is the

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<v Speaker 1>podcast where we take a deep dive into American shared consciousness,

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<v Speaker 1>and for the holidays, we like to take a deep

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<v Speaker 1>dive into America's shared Christmas spirit.

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<v Speaker 2>The Christmas Geist. Exactly exactly.

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<v Speaker 1>I'm joined as always by my co host, mister.

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<v Speaker 2>Miles graund Oh, all right, thanks for having me on, Jack.

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<v Speaker 1>I can't do it.

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<v Speaker 2>It's just domb part of I got to move.

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<v Speaker 1>My shoulders and watching is worse than hearing to get

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<v Speaker 1>into Jimmy Stewart.

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<v Speaker 3>You at home or missing something he's having Jimmy Stewart seizure.

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<v Speaker 2>Vocal stem right now, new vocal.

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<v Speaker 3>Stem Christmas seizure.

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<v Speaker 1>Oh boy, let me just be it. That's called the

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<v Speaker 1>Christmas Spirit. Chris, for this special series of two holiday episodes,

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<v Speaker 1>were calling Christmas blind spots. We've got a hilarious stand

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<v Speaker 1>up comedian, actor, musician, one of the very faces on

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<v Speaker 1>mounta Zeite Moore.

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<v Speaker 2>Oh yeah, you can listen to his podcast.

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<v Speaker 1>Colebrew got me like anywhere the poetry window was open

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<v Speaker 1>because it's Chris, motherfucking craft up. Che Che, what's up? Hello, happening, Chris.

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<v Speaker 3>Oh, just getting ready to talk about this movie, which

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<v Speaker 3>I forgot a lot of.

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<v Speaker 1>Hey, Chris, for the for the poetry window, could you

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<v Speaker 1>just like riff a poem about how it twas the

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<v Speaker 1>night before Christmas?

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<v Speaker 2>Before me?

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<v Speaker 3>Real quick, twas the night before Christmas and all through

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<v Speaker 3>the house?

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<v Speaker 1>Oh ship, this is good right away?

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<v Speaker 3>I can't think I got a ship?

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<v Speaker 2>What else? What else?

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<v Speaker 1>That poem was actually originally in a cipher that was

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<v Speaker 1>it came up with it off off the dome. They

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<v Speaker 1>went freestyle, a rap battle, a rat battle.

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<v Speaker 2>Yeah. Absolutely.

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<v Speaker 1>So for the first episode of this series, Chris, I'd

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<v Speaker 1>never seen Home Alone, so we came in. Chris watched

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<v Speaker 1>Home Alone, and then we got his initial impressions of

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<v Speaker 1>the film that were better than my impressions of the

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<v Speaker 1>film because I've seen it so many times. It was

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<v Speaker 1>like burned into the fucking back of my brain, you know.

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<v Speaker 3>You know, I thought I'd seen more of that movie

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<v Speaker 3>than I had. You know, over the years, there's so

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<v Speaker 3>many clips of it, but then it turns out I

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<v Speaker 3>really never saw most of that movie. I kind of

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<v Speaker 3>thought I must have seen it in pieces or something, but.

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<v Speaker 1>I had the exact same experience of this movie. I

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<v Speaker 1>was so that this time we're doing a movie that

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<v Speaker 1>is a blind spot for Miles and I. It's a

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<v Speaker 1>wonderful life of a holiday classic that every time I've

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<v Speaker 1>ever told somebody I hadn't seen it, they were like,

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<v Speaker 1>what the fuck is that starts shaking me about the

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<v Speaker 1>shoulders and neck?

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<v Speaker 2>What are your parents not white? Is what I heard.

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<v Speaker 2>I was like, yeah, exactly.

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<v Speaker 1>Yeah, I just i'd never had But I thought one

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<v Speaker 1>of the main reasons I hadn't seen it white another reason.

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<v Speaker 2>So I think it's just a black and white reason

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<v Speaker 2>I have. It's no, no, no, it's just black and white. Yeah, yeah,

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<v Speaker 2>I don't know.

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<v Speaker 1>When choosing between there there's plenty of holiday movies I

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<v Speaker 1>haven't seen, and uh yeah, I'd rather go with one

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<v Speaker 1>that's colorful and cheerfully.

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<v Speaker 2>I think it's to Chris's point about Home alone, it's

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<v Speaker 2>like I want something that's societal value when its like

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<v Speaker 2>I need to melt away. And I think also as

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<v Speaker 2>a kid, when this is always on, I considered black

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<v Speaker 2>and white movies homework. I b no, this is homework.

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<v Speaker 2>This is not enjoyable because like I have to pretend

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<v Speaker 2>it's in color. I can't do that, very child.

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<v Speaker 1>That's not something I'm proud of. It's not something no,

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<v Speaker 1>get on board with this ship, So like why am

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<v Speaker 1>I on trial here now? And then the other reason

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<v Speaker 1>is I thought I knew what the movie was about.

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<v Speaker 1>I was like, yeah, I get it.

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<v Speaker 2>What a wonderful life.

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<v Speaker 1>I assumed it open and with him on the bridge,

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<v Speaker 1>that's what I thought was going to be happy. Oh

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<v Speaker 1>and that shit takes a while, but I will say

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<v Speaker 1>I was like pleasantly surprised by some of the shit

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<v Speaker 1>in here, like the the uh accuracy of the snapshot

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<v Speaker 1>of like how capitalism works. In this movie I thought

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<v Speaker 1>was more realistic than any like mainstream pop culture classic

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<v Speaker 1>that I'm aware of, where it's just like, man, this

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<v Speaker 1>shit will drive you crazy on purpose, relentlessly, it will

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<v Speaker 1>grind you down. And the first hour of the movie

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<v Speaker 1>is much more of like watching somebody just be ground

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<v Speaker 1>down by the forces of capital. Then I was expecting, Yeah,

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<v Speaker 1>it's how long is the movie again? It's uh fifty

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<v Speaker 1>to ten, actually to ten, yeah, to ten. And it's

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<v Speaker 1>not until it w an hour and forty minutes in

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<v Speaker 1>that you start to be like, oh, the movie is

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<v Speaker 1>actually going.

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<v Speaker 2>In another direction. Oh this is the one. Yeah, the

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<v Speaker 2>whole time I was.

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<v Speaker 1>My first note was why is everyone so worried about

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<v Speaker 1>George Bailey. Sounds like he's a pretty fucked up dude.

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<v Speaker 1>Everyone's just praying for you as a bad sign. Like again,

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<v Speaker 1>I have no idea what this movie was about. I

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<v Speaker 1>just know Jimmy Stewart in the end, he's like holding

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<v Speaker 1>a little girl by a Christmas tree. Those are the

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<v Speaker 1>only snapshots I have of the movie. Is like the

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<v Speaker 1>end like sort of frame.

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<v Speaker 3>Yeah, I see it. I've seen it a bunch of times.

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<v Speaker 3>And I thought the angel gave him three wishes or something.

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<v Speaker 3>I had no id I totally turn out. I remember nothing.

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<v Speaker 3>I remember nothing about anything. I thought he was on

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<v Speaker 3>a bridge and the angel gave him three wishes and

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<v Speaker 3>he wished for to nice or something.

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<v Speaker 2>Yeah.

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<v Speaker 1>I thought it was all gonna be flashback, you know,

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<v Speaker 1>which I guess it kind of is. But instead of

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<v Speaker 1>like having it be like I'm George Bailey and I

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<v Speaker 1>bet you're wondering how I got here, about to jump

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<v Speaker 1>off a bridge and kill myself? Help, uh, you know,

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<v Speaker 1>and then flashback instead of showing that, it just shows

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<v Speaker 1>a bunch of people praying for George Bailey, and then

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<v Speaker 1>some stars talking to each other for like a weirdly

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<v Speaker 1>long period.

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<v Speaker 2>I'm Joseph the Human Father of Jesus because like I feel,

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<v Speaker 2>at one point someone says something about Jesus Mary and

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<v Speaker 2>Joseph help him or something.

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<v Speaker 1>It's just assuming a lot of biblical knowledge on a

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<v Speaker 1>modern viewer's part that I don't think is quite I mean,

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<v Speaker 1>you got you gotta be like give me Joseph's last

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<v Speaker 1>name here, like Joseph of Father Jesus or or you know,

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<v Speaker 1>like I would have thought like Saint Peter or somebody

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<v Speaker 1>like that, because my knowledge of like how Christian heaven

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<v Speaker 1>works is based on very very old memories and just

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<v Speaker 1>like New Yorker cartoons, where like it's always Saint Peter

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<v Speaker 1>at the Pearly Gates.

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<v Speaker 2>You know what I mean.

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<v Speaker 3>Who directed this movie?

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<v Speaker 2>Capra?

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<v Speaker 3>Right, So it's like I think it's it's pretty pretty

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<v Speaker 3>damn good. And I think Frank Capra, you know, he

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<v Speaker 3>must have had his reputation for some reason. You know,

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<v Speaker 3>everybody talks about Frank Capra, you know, or at least everybody.

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<v Speaker 3>Everybody everyone's talking about this Frank film. People talk about

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<v Speaker 3>Frank Capra, you know up there with like talking about

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<v Speaker 3>Capra the Greats. You know. So, like this movie is

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<v Speaker 3>pretty pretty good, you know in terms of like it's

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<v Speaker 3>pretty fun the way they structured it, like in the

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<v Speaker 3>way they also the like even the stars talking to

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<v Speaker 3>each other. I mean, it's some primitive special effects, I mean,

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<v Speaker 3>but it kind of works.

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<v Speaker 2>You know.

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<v Speaker 3>It's like because they're illuminum oil hanging off of a

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<v Speaker 3>fishing line.

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<v Speaker 1>Yea with make it light up a little bit. When

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<v Speaker 1>that's the one that's talking right now.

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<v Speaker 3>I'd rather say that than Vin Diesel. I don't know why.

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<v Speaker 3>You know, it's like somehow like seeing something like that

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<v Speaker 3>like makes me.

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<v Speaker 1>Maybe I'm a little bit fucked up. But I'd rather

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<v Speaker 1>see this than Vin Diesel.

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<v Speaker 3>But yeah, those are the two only two choices too. Yeah,

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<v Speaker 3>that's what it feels like. That's how I feel like

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<v Speaker 3>in capitalism, it's either like black and white or Vin Diesel.

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<v Speaker 3>I'll take black and white. And I used to think

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<v Speaker 3>black and white was like suck too, Like if I

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<v Speaker 3>saw black and white, I thought snoozefest right, you know,

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<v Speaker 3>you know, like because I went to fucking school and

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<v Speaker 3>like tried to be whatever I want to. Took a

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<v Speaker 3>film class and they showed you like Battleship Attempkin, which

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<v Speaker 3>is about some baby carriage going down the staircase, which

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<v Speaker 3>was like rocked everybody's world.

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<v Speaker 2>Like in nineteen twelve from the naked Gun opening scene.

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<v Speaker 3>Yeah like what yeah, oh yeah they that was supposed

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<v Speaker 3>to be like ill nerds who watched it.

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<v Speaker 1>I was three references because thats yeah, yeah, yeah, and

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<v Speaker 1>then I think it was Naked Gun thirty black.

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<v Speaker 3>And white with like yeah, like okay, like this is

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<v Speaker 3>back when an action sequence man was was was boring,

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<v Speaker 3>you know, like a baby carriage going downstairs like apparently

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<v Speaker 3>Russia went crazy, Like you gotta see this.

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<v Speaker 2>This is like a this thing is crazy.

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<v Speaker 1>That's another one where the baby carriage going down the

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<v Speaker 1>stairs is like five seconds in the middle of this

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<v Speaker 1>hour long film. But I was like, oh, the one

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<v Speaker 1>the baby carriage better be there at the beginning middle and.

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<v Speaker 3>The cabinet of doctor Caligari or yeah, Metropolis or whatever.

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<v Speaker 3>They're fine. But but I didn't realize for a long

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<v Speaker 3>time that there are some black and white movies that

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<v Speaker 3>are worth seeing. I really action packed directors that just

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<v Speaker 3>happened to be around when that was like what they

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<v Speaker 3>were doing.

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<v Speaker 1>But yeah, I'd say, I don't know, I'm a little

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<v Speaker 1>bit fucking weird. But I like this movie Citizen Kane, right,

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<v Speaker 1>that one does hold up like that. That is one

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<v Speaker 1>where you like watch it and you're like, this just

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<v Speaker 1>feels like it was shy yesterday.

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<v Speaker 3>Well, yeah, I was wrong about this.

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<v Speaker 2>I found out.

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<v Speaker 3>I mean I wrote a whole column about how you

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<v Speaker 3>don't want to you know, I won't go on a

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<v Speaker 3>date if it's a black and white movie or some

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<v Speaker 3>shit like that. And it turns out that like A

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<v Speaker 3>Face in the Crowd, that movie A Face in the

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<v Speaker 3>Crowd directed by Elia Kazan, that movie is like so

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<v Speaker 3>fucking awesome and modern and incredible, And that's the one

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<v Speaker 3>that like turned me like, holy crap, am I stupid?

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<v Speaker 3>Like this movie's unbelievable. Talks about Trump basically, you know,

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<v Speaker 3>or that phenomenon of an egomaniac taking over the country,

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<v Speaker 3>and it's just in black and white. But just go

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<v Speaker 3>see that movie if you like this movie, if you

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<v Speaker 3>think that's something, Yeah, you like these guys talking about values,

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<v Speaker 3>you wait till you see this movie about this.

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<v Speaker 2>Chris Andy Griffin, how often did you see this movie.

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<v Speaker 2>It's a wonderful, wonderful.

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<v Speaker 3>I thought I'd seen it like almost like every year

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<v Speaker 3>for a while.

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<v Speaker 2>I thought it was like, but were you tuning in,

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<v Speaker 2>Like I know it's a tradition on American broadcast.

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<v Speaker 3>I must not have seen it that many times, because

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<v Speaker 3>I really did think the beginning was like the Bridge,

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<v Speaker 3>same kind of thing with Jack, Like I thought it

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<v Speaker 3>was like the angel was involved from the beginning. I

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<v Speaker 3>thought the I thought it was like a modern Ebenezer

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<v Speaker 3>Scrooge type thing, like were they take him around the

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<v Speaker 3>whole movie? Was I thought was that I didn't realize

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<v Speaker 3>the movie was like an anti Capitol hour and a

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<v Speaker 3>half with just like some you know, some fun stuff

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<v Speaker 3>at the end for like the kids, Yeah, some value stuff,

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<v Speaker 3>but mostly it's a really yeah, it's a really understandable

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<v Speaker 3>critique of capitalism, which I did not remember, which, of

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<v Speaker 3>course I didn't. I saw it when as a kid,

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<v Speaker 3>mostly and you're not gonna remember that part. That part's

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<v Speaker 3>the worst part.

0:11:17.760 --> 0:11:19.520
<v Speaker 2>There's a lot of emotional nuance that I feel like

0:11:19.640 --> 0:11:21.040
<v Speaker 2>if I saw this as a kid, I'd be like,

0:11:21.120 --> 0:11:25.000
<v Speaker 2>this movie sucks, But as watching it now, I'm like, God,

0:11:25.400 --> 0:11:30.080
<v Speaker 2>damn like it was. The movie is so heavy to start.

0:11:30.280 --> 0:11:32.400
<v Speaker 2>I was almost like this is a lot. Yeah, but

0:11:32.720 --> 0:11:34.520
<v Speaker 2>I'm looking at it in the context of the forties

0:11:34.640 --> 0:11:36.040
<v Speaker 2>or whatever when it was made, and I'm like, okay,

0:11:36.080 --> 0:11:38.480
<v Speaker 2>this is probably like this is like laugh out loud fun.

0:11:38.760 --> 0:11:40.960
<v Speaker 2>They're like, oh, yeah, I think I saw the sound

0:11:42.000 --> 0:11:42.920
<v Speaker 2>yeah right, right right.

0:11:43.040 --> 0:11:45.000
<v Speaker 3>I think I saw the Sound of Music more times,

0:11:45.440 --> 0:11:48.200
<v Speaker 3>Like I think that was more like our family thing. Yeah,

0:11:48.600 --> 0:11:50.440
<v Speaker 3>Like then it's a wonderful life. I think we watched

0:11:50.480 --> 0:11:51.760
<v Speaker 3>Sound of Music over and over again.

0:11:51.920 --> 0:11:55.199
<v Speaker 1>Brandon editor is pointing out that there's a classic Tom

0:11:55.240 --> 0:11:58.640
<v Speaker 1>and Jerry episode that is based on this where the

0:11:58.800 --> 0:12:02.760
<v Speaker 1>cat is like once to kill himself and then like

0:12:02.840 --> 0:12:05.079
<v Speaker 1>gets saved by it and all sorts of wild shit.

0:12:05.160 --> 0:12:07.959
<v Speaker 1>I was and like, I think that is that's the

0:12:08.240 --> 0:12:12.000
<v Speaker 1>version of it that exists. Is like guy on Bridge

0:12:12.240 --> 0:12:17.800
<v Speaker 1>Angel visits, shows him his life without yeah, uh, shows

0:12:17.840 --> 0:12:19.599
<v Speaker 1>him the life without it, but it yeah, so it

0:12:19.640 --> 0:12:24.319
<v Speaker 1>doesn't happen until fairly late in the movie. Just a

0:12:24.360 --> 0:12:26.520
<v Speaker 1>little bit of background that I didn't know just looking

0:12:26.840 --> 0:12:30.440
<v Speaker 1>briefly into it is that this movie fucking tanked at

0:12:30.520 --> 0:12:32.640
<v Speaker 1>the box office when it came out. It like did

0:12:32.760 --> 0:12:37.480
<v Speaker 1>not do well, and then it was just like cheap

0:12:37.880 --> 0:12:40.240
<v Speaker 1>to put on TV, and they just put it on

0:12:40.360 --> 0:12:43.920
<v Speaker 1>TV every year and it just slowly by slowly, like

0:12:44.000 --> 0:12:45.920
<v Speaker 1>it was nominated for an Oscar. It wasn't like a

0:12:46.000 --> 0:12:47.280
<v Speaker 1>movie that like didn't exist.

0:12:47.480 --> 0:12:49.839
<v Speaker 2>Yeah it didn't. It just didn't didn't go see it.

0:12:50.720 --> 0:12:53.240
<v Speaker 1>And then just by putting it on TV, which is

0:12:53.320 --> 0:12:56.000
<v Speaker 1>like a new technology at the time, they were like, oh,

0:12:56.640 --> 0:13:00.560
<v Speaker 1>I guess we we like this now. It was sort

0:13:00.600 --> 0:13:04.360
<v Speaker 1>of like to America what Home Alone is to Romania.

0:13:04.520 --> 0:13:06.599
<v Speaker 1>As we covered in the last episode, Yes, were the

0:13:06.679 --> 0:13:07.800
<v Speaker 1>show at every Christmas Eve.

0:13:10.280 --> 0:13:12.480
<v Speaker 3>How I was probably trying to think of like my

0:13:12.600 --> 0:13:15.400
<v Speaker 3>next joke or something, So we talked about that last time.

0:13:15.760 --> 0:13:20.640
<v Speaker 1>Yeah, it was Ania and poland boat. Home Alone is

0:13:20.679 --> 0:13:24.040
<v Speaker 1>what we talked about last time. I'm like, mister President,

0:13:24.320 --> 0:13:25.160
<v Speaker 1>are you okay, sir?

0:13:25.800 --> 0:13:27.920
<v Speaker 3>No, No, I just met that part. I like the

0:13:27.960 --> 0:13:30.600
<v Speaker 3>way certain things are popular like in only some countries.

0:13:30.640 --> 0:13:33.240
<v Speaker 3>Like there's a song called Boys Do Fall in Love

0:13:33.640 --> 0:13:37.880
<v Speaker 3>by Robin Gibb and it didn't charge anywhere except it

0:13:38.000 --> 0:13:40.160
<v Speaker 3>like went to like number one in Italy or something

0:13:40.200 --> 0:13:42.920
<v Speaker 3>in like nineteen seventy six, and it's just like, yeah,

0:13:43.040 --> 0:13:45.920
<v Speaker 3>it's like Italy had some had some screw loose for

0:13:46.040 --> 0:13:46.440
<v Speaker 3>that song.

0:13:46.679 --> 0:13:46.880
<v Speaker 1>Yeah.

0:13:47.400 --> 0:13:50.000
<v Speaker 2>Should we do the little rock through like we did

0:13:50.080 --> 0:13:50.880
<v Speaker 2>with Home Alone?

0:13:51.200 --> 0:13:54.520
<v Speaker 1>Yeah, just like happening in the movie and our impressions

0:13:54.559 --> 0:13:57.760
<v Speaker 1>as it goes by. So you covered the opening, the

0:13:57.880 --> 0:14:01.120
<v Speaker 1>opening where it's like we see the Earth. We hadn't

0:14:01.200 --> 0:14:04.400
<v Speaker 1>been to space yet, so it kind of looks like shit,

0:14:05.280 --> 0:14:06.880
<v Speaker 1>the version of the Earth. They're like, I don't know,

0:14:06.920 --> 0:14:10.360
<v Speaker 1>it probably looks like a big ball of like Gumby,

0:14:10.600 --> 0:14:13.120
<v Speaker 1>Like Gumby was smashed into a ball. And we see

0:14:13.160 --> 0:14:18.079
<v Speaker 1>prayers coming out of the earth, and then the angels

0:14:18.240 --> 0:14:23.000
<v Speaker 1>are the stars and the bones are their money, and

0:14:23.680 --> 0:14:27.280
<v Speaker 1>they're they're talking to each other and they're like, we

0:14:27.680 --> 0:14:29.920
<v Speaker 1>we need to help this guy George, because he were

0:14:29.960 --> 0:14:33.120
<v Speaker 1>praying for him and the other guys like, well, what's

0:14:33.200 --> 0:14:36.480
<v Speaker 1>his deal? And he's like, well, journey with me, won't

0:14:36.560 --> 0:14:41.160
<v Speaker 1>you and takes him back to see some scenes from

0:14:41.200 --> 0:14:45.680
<v Speaker 1>his childhood at first where what's that?

0:14:45.960 --> 0:14:49.040
<v Speaker 2>So the flashback to the childhood. I was so jealous

0:14:49.360 --> 0:14:53.040
<v Speaker 2>and frightened at the same time because my one of

0:14:53.080 --> 0:14:54.800
<v Speaker 2>my first and I was like, damn, look how much

0:14:54.880 --> 0:14:58.600
<v Speaker 2>fun these kids are having on a shovel yes, the shovel.

0:14:58.960 --> 0:15:01.240
<v Speaker 1>The shovels led on a shovel.

0:15:01.400 --> 0:15:04.040
<v Speaker 2>And the set looked like they act there was maybe

0:15:04.200 --> 0:15:06.640
<v Speaker 2>that shit looked like ice, like that they had that

0:15:06.720 --> 0:15:09.200
<v Speaker 2>they were actually sliding on. I was so into the

0:15:09.320 --> 0:15:11.960
<v Speaker 2>production value of that Winter Sing was like, okay, was

0:15:12.040 --> 0:15:13.600
<v Speaker 2>this a sound stage? And then I was like, okay,

0:15:13.600 --> 0:15:16.280
<v Speaker 2>this is at RKO Studios is where they actually shot this. Yeah.

0:15:16.480 --> 0:15:20.360
<v Speaker 2>So yeah, his brother Harry falls in, he saves them,

0:15:20.680 --> 0:15:23.640
<v Speaker 2>and it causes like just hearing loss in his left ear.

0:15:23.840 --> 0:15:26.080
<v Speaker 1>He loses the ability to hear in his left ear,

0:15:26.120 --> 0:15:29.000
<v Speaker 1>which is going to become important later when World War

0:15:29.080 --> 0:15:31.760
<v Speaker 1>two happened exactly exactly because.

0:15:31.520 --> 0:15:34.960
<v Speaker 2>They like people who can hear war in stereo. Yeah.

0:15:35.840 --> 0:15:38.080
<v Speaker 2>So yeah, then, like, there's just another moment that I

0:15:38.200 --> 0:15:39.760
<v Speaker 2>liked to how like him and all his friends like

0:15:39.920 --> 0:15:42.920
<v Speaker 2>walking him to his after school job. I'm like, motherfucker

0:15:43.040 --> 0:15:45.320
<v Speaker 2>ten years old. Yeah, and they're like, all right, man,

0:15:45.400 --> 0:15:47.560
<v Speaker 2>get your ass in there. Time to go to work.

0:15:48.920 --> 0:15:49.640
<v Speaker 1>At a druggist.

0:15:50.200 --> 0:15:50.400
<v Speaker 2>Yeah.

0:15:50.880 --> 0:15:57.040
<v Speaker 1>Mister hours hammered both within the story and the actor

0:15:57.280 --> 0:16:03.600
<v Speaker 1>is hammered apparently while making this always actually so he

0:16:04.040 --> 0:16:09.480
<v Speaker 1>is accidentally poisoning people with the drugs that he's providing them,

0:16:10.120 --> 0:16:14.840
<v Speaker 1>and uh, Jimmy Stewart George Bailey as a child is like,

0:16:14.960 --> 0:16:16.800
<v Speaker 1>I think you're I didn't really follow how this all

0:16:16.880 --> 0:16:21.000
<v Speaker 1>came together, like a hard time. Yeah, he figured out

0:16:21.720 --> 0:16:23.720
<v Speaker 1>that it was because.

0:16:23.440 --> 0:16:25.880
<v Speaker 2>He watched he watched him bag it up. He watched

0:16:25.920 --> 0:16:27.640
<v Speaker 2>him bag up the capsules and he saw the big

0:16:27.720 --> 0:16:31.600
<v Speaker 2>skull and crossbones John. He's like, wait, bro, what the fuck?

0:16:33.280 --> 0:16:37.960
<v Speaker 1>And so he tells the druggist, Hey, you just like

0:16:38.120 --> 0:16:41.160
<v Speaker 1>poison that kid, and the druggist just starts beating the

0:16:41.200 --> 0:16:44.600
<v Speaker 1>ship out of him, which apparently was not fake. The

0:16:44.680 --> 0:16:47.440
<v Speaker 1>druggist was actually drunk and slapped that kid so much

0:16:47.440 --> 0:16:48.600
<v Speaker 1>as ears started to bleed.

0:16:49.880 --> 0:16:55.360
<v Speaker 2>Yeah that really, are you serious? Wikipedia, Yeah, yeah, that kids.

0:16:56.440 --> 0:16:58.640
<v Speaker 2>He really was smacking the ship out of that kid.

0:16:58.800 --> 0:17:01.560
<v Speaker 1>Yeah, he was really smacking him. And then uh, the

0:17:02.160 --> 0:17:05.040
<v Speaker 1>it's like the nineteen forties version of like a happy

0:17:05.160 --> 0:17:07.680
<v Speaker 1>ending for a child actor. He then hugged him after

0:17:07.800 --> 0:17:10.359
<v Speaker 1>the scene, so it was like, cool, wait, so.

0:17:10.520 --> 0:17:13.560
<v Speaker 2>How did his ear start? What the fuck happened? His

0:17:13.800 --> 0:17:14.280
<v Speaker 2>ear was?

0:17:14.800 --> 0:17:17.480
<v Speaker 1>He was his ear was leading Yeah.

0:17:19.960 --> 0:17:20.680
<v Speaker 2>Yeah, yeah, I mean.

0:17:22.640 --> 0:17:26.119
<v Speaker 1>And then yeah to people on the set and who

0:17:26.200 --> 0:17:28.159
<v Speaker 1>knows if they were just throwing this actor under the

0:17:28.200 --> 0:17:28.640
<v Speaker 1>bus too.

0:17:28.720 --> 0:17:31.360
<v Speaker 3>Well, that actor was like playing that his son had

0:17:31.440 --> 0:17:34.560
<v Speaker 3>just passed away, right, that was the idea, Like his

0:17:34.760 --> 0:17:38.159
<v Speaker 3>son had passed away, and the idea was normally this

0:17:38.320 --> 0:17:41.440
<v Speaker 3>guy was a nice guy, this druggist, and he was

0:17:41.520 --> 0:17:43.960
<v Speaker 3>just having a bad day, was the idea. Right, He

0:17:44.119 --> 0:17:45.879
<v Speaker 3>just was like his son died, and so the what

0:17:46.000 --> 0:17:48.240
<v Speaker 3>are you gonna do if your son dies except for

0:17:48.320 --> 0:17:49.360
<v Speaker 3>slap the ship out of his dog?

0:17:49.440 --> 0:17:51.959
<v Speaker 2>Boy, yeah exactly, and then poison a lady who has

0:17:52.000 --> 0:17:52.800
<v Speaker 2>dip theory or whatever.

0:17:52.880 --> 0:17:55.160
<v Speaker 3>Yeah yeah, yeah, I mean everyone knows what happens when

0:17:55.240 --> 0:17:56.040
<v Speaker 3>druggists grieve.

0:17:56.600 --> 0:17:59.359
<v Speaker 2>Yeah yeah, yeah, Oh I'm poisoning him.

0:18:00.040 --> 0:18:02.800
<v Speaker 3>Put on a helmet. Don't take any of your pills.

0:18:03.359 --> 0:18:06.399
<v Speaker 2>The one thing that I thought was very old timing

0:18:06.440 --> 0:18:10.760
<v Speaker 2>and dog died was when I think it was Mary.

0:18:10.880 --> 0:18:12.600
<v Speaker 2>He was given some ice cream too, and he's like,

0:18:12.640 --> 0:18:14.399
<v Speaker 2>you don't do you want coconuts? And he's like, you

0:18:14.440 --> 0:18:15.840
<v Speaker 2>don't know where coconuts are from?

0:18:16.359 --> 0:18:18.720
<v Speaker 1>And my boy little George pulled out a full on

0:18:18.920 --> 0:18:22.800
<v Speaker 1>Nat Geo magazine from his pocket like it was a smartphone. Yeah,

0:18:22.880 --> 0:18:25.639
<v Speaker 1>and he's like, you had back then that's my childhood too,

0:18:26.080 --> 0:18:28.680
<v Speaker 1>pulling a magazine out and I'm like, there, you you

0:18:28.760 --> 0:18:29.560
<v Speaker 1>don't understand.

0:18:29.720 --> 0:18:30.439
<v Speaker 3>I'm not kidding.

0:18:30.840 --> 0:18:33.119
<v Speaker 2>No, I mean I definitely had I mean I was

0:18:33.160 --> 0:18:35.879
<v Speaker 2>carrying around Slam magazine, the Source double XL, Like, I

0:18:36.000 --> 0:18:38.119
<v Speaker 2>definitely had things like that in my back. But I

0:18:38.240 --> 0:18:42.119
<v Speaker 2>just love the idea of like how he's like, within

0:18:42.200 --> 0:18:45.359
<v Speaker 2>my pocket, I have this magazine with information about coconuts.

0:18:45.400 --> 0:18:48.160
<v Speaker 2>There's just so many of these sort of bygone era

0:18:48.359 --> 0:18:51.200
<v Speaker 2>things that I was these are really nice textures that

0:18:51.320 --> 0:18:54.520
<v Speaker 2>I'm like, we've lost touch with humanity completely.

0:18:54.400 --> 0:18:58.720
<v Speaker 1>And the coconut was like this exotic thing to them.

0:18:59.119 --> 0:19:01.440
<v Speaker 1>It was like want to try coconut.

0:19:02.640 --> 0:19:02.960
<v Speaker 2>Mary?

0:19:05.359 --> 0:19:07.840
<v Speaker 3>Because they were starting from square one. They fucking wiped

0:19:07.840 --> 0:19:09.679
<v Speaker 3>out the Native Americans who could have told them all

0:19:09.680 --> 0:19:12.440
<v Speaker 3>about coconuts, probably, except they were starting from the scratch,

0:19:12.560 --> 0:19:17.440
<v Speaker 3>Like what I discovered, yeah exactly, Yeah, have you heard

0:19:17.440 --> 0:19:18.000
<v Speaker 3>about porn?

0:19:19.280 --> 0:19:21.200
<v Speaker 1>Would be great if he tried to pass it off

0:19:21.240 --> 0:19:22.200
<v Speaker 1>as his own discovery.

0:19:23.160 --> 0:19:25.640
<v Speaker 3>I mean it really was like it was like, that's

0:19:25.680 --> 0:19:27.879
<v Speaker 3>why white people are so out of controls because they

0:19:27.920 --> 0:19:30.080
<v Speaker 3>think that, Yeah, like they started with this clean slate

0:19:30.119 --> 0:19:32.000
<v Speaker 3>that was artificially cleaned by them.

0:19:32.760 --> 0:19:36.080
<v Speaker 2>Yeah yeah, yeah, they're like, let's start the slate now, yeah,

0:19:36.520 --> 0:19:36.800
<v Speaker 2>right now.

0:19:36.920 --> 0:19:39.840
<v Speaker 3>Just like when they're already rich and you want to

0:19:39.960 --> 0:19:43.840
<v Speaker 3>You're like, now, now everybody should be able to fend

0:19:44.200 --> 0:19:44.920
<v Speaker 3>a marriage.

0:19:47.200 --> 0:19:52.439
<v Speaker 1>Now yeah yeah, yeah, true truly, like they wrote out

0:19:52.480 --> 0:19:55.480
<v Speaker 1>of history the fact that everybody had just died from

0:19:56.080 --> 0:19:58.880
<v Speaker 1>the plague. They were like, it's it's amazing, like America

0:19:59.000 --> 0:20:02.040
<v Speaker 1>has these had avenues in the middle of the forest

0:20:02.400 --> 0:20:06.040
<v Speaker 1>just naturally, Like uh no, you're walking through a post

0:20:06.080 --> 0:20:09.960
<v Speaker 1>apocalyptic city right now. It's amazing. Like we we pulled

0:20:10.040 --> 0:20:12.600
<v Speaker 1>up to Plymouth Rock and there were all these houses

0:20:12.720 --> 0:20:16.160
<v Speaker 1>with like dishware, They're just like there for us to use.

0:20:16.280 --> 0:20:19.119
<v Speaker 1>It was so cool of God to do that for us.

0:20:19.680 --> 0:20:24.080
<v Speaker 3>All this imagine like a black like because the people

0:20:24.160 --> 0:20:26.320
<v Speaker 3>in this movie that are black are well there's very

0:20:26.480 --> 0:20:28.400
<v Speaker 3>barely any at all, and there are all certain things

0:20:28.960 --> 0:20:31.160
<v Speaker 3>and they have to listen to these kids lecture about

0:20:31.240 --> 0:20:34.280
<v Speaker 3>coconuts from like their fucking home country.

0:20:34.720 --> 0:20:37.840
<v Speaker 2>Yeah, was like, are you listening, Like, yeah, I don't

0:20:37.840 --> 0:20:40.359
<v Speaker 2>know if there's anything worth listening to. I know she

0:20:40.480 --> 0:20:44.000
<v Speaker 2>was giving but then but then, but then Harry was

0:20:44.040 --> 0:20:46.399
<v Speaker 2>smacking Annie's ass. I'm like this is all the fucking

0:20:46.520 --> 0:20:49.760
<v Speaker 2>mess y'all. I was so mad that fucking Annie was

0:20:49.840 --> 0:20:52.960
<v Speaker 2>giving this motherfucker her money. At the end, I was like,

0:20:53.200 --> 0:20:55.200
<v Speaker 2>do not give George Bailey your money.

0:20:55.280 --> 0:20:56.080
<v Speaker 3>And that's true.

0:20:56.320 --> 0:20:58.800
<v Speaker 1>I thought that there was another there was another black

0:20:58.840 --> 0:21:00.919
<v Speaker 1>woman too who like when every even when she's like, oh,

0:21:01.040 --> 0:21:04.760
<v Speaker 1>this is Freez, I'm like, no, this girl not for

0:21:04.880 --> 0:21:07.080
<v Speaker 1>fucking man's plains.

0:21:07.119 --> 0:21:08.800
<v Speaker 3>That guy man's plains. Coconuts.

0:21:09.720 --> 0:21:12.080
<v Speaker 1>I remind you, remind me to tell you where licorice

0:21:12.160 --> 0:21:15.600
<v Speaker 1>comes from. Oh you're gonna believe this, but apparently there's

0:21:15.600 --> 0:21:18.880
<v Speaker 1>a tree called the rubber tree. Mary, there's sugar as

0:21:18.920 --> 0:21:21.840
<v Speaker 1>a cane. All right, let's take a quick break and yeah,

0:21:21.920 --> 0:21:33.240
<v Speaker 1>we'll be right back, and we're back.

0:21:33.359 --> 0:21:33.840
<v Speaker 2>We're back.

0:21:34.200 --> 0:21:37.960
<v Speaker 1>So uh cut cut forward to high school and this is.

0:21:38.400 --> 0:21:40.520
<v Speaker 2>The weirdest depiction of high school, A good.

0:21:41.359 --> 0:21:44.600
<v Speaker 1>Early example of some ship we would be doing to

0:21:44.840 --> 0:21:50.040
<v Speaker 1>this day, where they got someone who's forty playing eighteen.

0:21:50.520 --> 0:21:53.320
<v Speaker 2>I think he's supposed to be right, Harry's graduating high

0:21:53.400 --> 0:21:56.720
<v Speaker 2>school in that scene. Yea his little brother yeah yeah, yeah, oh.

0:21:56.680 --> 0:21:58.520
<v Speaker 1>His brother is I thought he was about to go

0:21:58.600 --> 0:21:59.159
<v Speaker 1>off to college.

0:21:59.400 --> 0:22:01.879
<v Speaker 2>Yeah yeah, But all so, if you Remember there's also

0:22:02.280 --> 0:22:06.199
<v Speaker 2>that that big party that starts off is Harry's going

0:22:06.280 --> 0:22:08.520
<v Speaker 2>to his high school gradus his younger brother. Oh okay,

0:22:08.760 --> 0:22:11.119
<v Speaker 2>so he's like twenty then, Yeah, yeah, he's just a

0:22:11.200 --> 0:22:13.400
<v Speaker 2>little bit older. Yeah he's he's.

0:22:14.760 --> 0:22:16.720
<v Speaker 1>You know, this is the first time we get James

0:22:16.760 --> 0:22:19.840
<v Speaker 1>Stewart playing the role who is thirty eight when this

0:22:19.960 --> 0:22:23.919
<v Speaker 1>movie's made, playing serious, yeah, playing twenty playing twenty.

0:22:24.280 --> 0:22:24.480
<v Speaker 2>Yeah.

0:22:24.760 --> 0:22:28.920
<v Speaker 1>I was like, is this because everybody back then looked

0:22:29.320 --> 0:22:32.240
<v Speaker 1>like shit or like drinking and spoken all the time,

0:22:32.880 --> 0:22:35.399
<v Speaker 1>Like is this just what like twenty year olds looked like?

0:22:35.560 --> 0:22:38.040
<v Speaker 1>But now he was thirty eight when when they made this,

0:22:38.440 --> 0:22:42.720
<v Speaker 1>this was after the war, and apparently like he and

0:22:42.840 --> 0:22:46.200
<v Speaker 1>Peter Fonda couldn't find work for some reason. So he

0:22:46.320 --> 0:22:48.520
<v Speaker 1>was like, yeah, heck ca, you'll do your movie.

0:22:49.040 --> 0:22:49.520
<v Speaker 2>Oh yeah.

0:22:49.840 --> 0:22:52.680
<v Speaker 1>This is also where he's he's talking about how he

0:22:52.760 --> 0:22:55.480
<v Speaker 1>has big dreams to get out of this Yeah one

0:22:55.720 --> 0:22:59.600
<v Speaker 1>one horse town. Yea, and at one point utters the line,

0:23:00.040 --> 0:23:00.640
<v Speaker 1>I feel.

0:23:00.400 --> 0:23:02.600
<v Speaker 2>Like, if I didn't get away, i'd bust.

0:23:04.960 --> 0:23:05.040
<v Speaker 3>Bro.

0:23:05.200 --> 0:23:06.719
<v Speaker 2>He can bust at home, you know what I mean?

0:23:06.960 --> 0:23:07.719
<v Speaker 2>That's right, he does.

0:23:08.320 --> 0:23:10.480
<v Speaker 1>He can. He can ultimately bust at home.

0:23:10.480 --> 0:23:12.760
<v Speaker 2>You can bust where I want anytime.

0:23:13.200 --> 0:23:15.359
<v Speaker 3>You could say that at any time back then, you know,

0:23:15.480 --> 0:23:17.320
<v Speaker 3>you could say you want to bust, You're about to

0:23:17.400 --> 0:23:19.280
<v Speaker 3>bust nobody, I'm about to bust.

0:23:19.440 --> 0:23:22.920
<v Speaker 1>Yeah, everybody's like I know, yeah, well, like because this

0:23:23.080 --> 0:23:25.160
<v Speaker 1>is like the theme with George is that he has

0:23:25.280 --> 0:23:28.439
<v Speaker 1>these dreams of seeing the world, but at every moment

0:23:28.760 --> 0:23:30.679
<v Speaker 1>he has to sort of seize that moment.

0:23:30.960 --> 0:23:34.159
<v Speaker 2>He takes the road to sort of choose stability, to

0:23:34.280 --> 0:23:37.119
<v Speaker 2>choose what's better for the group than the individual. So

0:23:37.240 --> 0:23:39.399
<v Speaker 2>the first one is his dad dies of a stroke.

0:23:39.920 --> 0:23:41.720
<v Speaker 1>Yeah, right, is he's about to go away?

0:23:42.000 --> 0:23:43.879
<v Speaker 2>Yeah, Like truly he's like, all right, I'm off to

0:23:44.200 --> 0:23:50.880
<v Speaker 2>what dad? And then you got this asshole mister Potter

0:23:50.960 --> 0:23:52.960
<v Speaker 2>in here and be like, I want to dissolve the

0:23:53.040 --> 0:23:56.040
<v Speaker 2>fucking company. Interesting fact, I didn't realize that guy is

0:23:56.160 --> 0:23:59.919
<v Speaker 2>like Drew Barrymore is like great grandfather Barrymore, the guy

0:24:00.000 --> 0:24:02.960
<v Speaker 2>who plays like mister Potter. Oh is that John Barrymore,

0:24:03.040 --> 0:24:04.280
<v Speaker 2>That Lionel Barry.

0:24:04.480 --> 0:24:05.040
<v Speaker 3>Lionel Barry.

0:24:05.080 --> 0:24:09.320
<v Speaker 2>You're going further back. We're going further back in Acting Dynasty.

0:24:09.880 --> 0:24:13.160
<v Speaker 1>So Mary goes away to college, his brother goes away

0:24:13.200 --> 0:24:15.320
<v Speaker 1>to college, he stays back.

0:24:15.920 --> 0:24:19.359
<v Speaker 3>Just run to run the building and love. So his

0:24:19.520 --> 0:24:22.520
<v Speaker 3>dad owns this runs this building and loan, which is like,

0:24:23.040 --> 0:24:24.640
<v Speaker 3>I don't even know, you know, I know so little

0:24:24.640 --> 0:24:27.639
<v Speaker 3>about economics that I even this was like hard just

0:24:27.760 --> 0:24:30.320
<v Speaker 3>even the basics of this movie trying to explain a

0:24:30.359 --> 0:24:33.359
<v Speaker 3>building and loan. But it's some kind of community owned bank.

0:24:33.680 --> 0:24:36.399
<v Speaker 3>So anyway, he stays in town because his dad dies,

0:24:36.760 --> 0:24:39.239
<v Speaker 3>and so he stays to run the building and loan,

0:24:39.320 --> 0:24:41.640
<v Speaker 3>even though he wanted to go look for coconuts.

0:24:41.520 --> 0:24:43.800
<v Speaker 2>Right, And also he gives all of his touch like

0:24:43.920 --> 0:24:46.840
<v Speaker 2>college money to his brother. He's sort of like, hey man,

0:24:47.400 --> 0:24:49.760
<v Speaker 2>I'm gonna have to sit back and like hold down

0:24:49.840 --> 0:24:52.480
<v Speaker 2>the family business. You go and get an education and

0:24:52.640 --> 0:24:53.560
<v Speaker 2>you go do your thing.

0:24:53.920 --> 0:24:56.280
<v Speaker 1>Yeah, he's out into the world and bust for the

0:24:56.320 --> 0:24:56.760
<v Speaker 1>both of us.

0:24:56.800 --> 0:24:58.840
<v Speaker 3>He's the opposite of every person alive now.

0:24:59.280 --> 0:25:01.880
<v Speaker 2>Yeah, yeah, he is a good man.

0:25:02.000 --> 0:25:05.480
<v Speaker 1>He is a good speaking of like the level of

0:25:06.440 --> 0:25:10.760
<v Speaker 1>biblical literacy of the people then compared to now, they're

0:25:10.880 --> 0:25:13.719
<v Speaker 1>like I was reading about the casting of James Stewart

0:25:13.760 --> 0:25:15.879
<v Speaker 1>and Frank Capra was like, you know, I was like

0:25:16.200 --> 0:25:18.120
<v Speaker 1>thinking about who would be the best person to play

0:25:18.160 --> 0:25:21.240
<v Speaker 1>a good sam. I was like, good Sam, and he

0:25:21.359 --> 0:25:24.919
<v Speaker 1>was using that for short for good because they were

0:25:24.960 --> 0:25:28.200
<v Speaker 1>talking so much about good Samaritans and other like biblical

0:25:28.359 --> 0:25:30.840
<v Speaker 1>figures that they have, like shorthand for it.

0:25:31.200 --> 0:25:33.720
<v Speaker 2>Yeah, like if you said recommendation, they'd be like, what

0:25:34.080 --> 0:25:38.359
<v Speaker 2>what the hell did you just say? Good Sam? What

0:25:38.520 --> 0:25:43.760
<v Speaker 2>that guy's bats? So yeah, he's says, Harry, you go

0:25:43.880 --> 0:25:46.800
<v Speaker 2>live a life, and the agreement being look, bro, you

0:25:46.920 --> 0:25:47.760
<v Speaker 2>go get educated.

0:25:47.800 --> 0:25:50.600
<v Speaker 1>When you come back, I have to get the fuck

0:25:50.640 --> 0:25:52.920
<v Speaker 1>out of here. Okay, like I have to get the

0:25:52.960 --> 0:25:55.399
<v Speaker 1>fuck you will run that. He's like, yeah, run the business.

0:25:55.480 --> 0:25:58.359
<v Speaker 1>Maybe you don't worry. And then Harry comes back to

0:25:58.560 --> 0:26:01.560
<v Speaker 1>married Yeah, with the job from his new father in law.

0:26:02.040 --> 0:26:04.880
<v Speaker 1>George now resigns himself to running the building and Loan

0:26:05.600 --> 0:26:08.440
<v Speaker 1>and George and Mary begin to rekindle their relationship.

0:26:09.119 --> 0:26:10.760
<v Speaker 2>Yeah in a in a scene.

0:26:10.880 --> 0:26:14.840
<v Speaker 1>So he's like, what a lot of his big moments

0:26:14.960 --> 0:26:18.960
<v Speaker 1>come from just like drunkenly wandering around the town. Yeah yeah, yeah,

0:26:19.000 --> 0:26:22.159
<v Speaker 1>Like he's like drunken wanders over to his future wife's

0:26:22.200 --> 0:26:26.440
<v Speaker 1>house and it's an interesting so like it's a time

0:26:26.760 --> 0:26:31.560
<v Speaker 1>of like weird morality around like kissing and sex. Like

0:26:31.720 --> 0:26:34.040
<v Speaker 1>the it's much looser when it comes to being able

0:26:34.080 --> 0:26:38.720
<v Speaker 1>to criticize capitalism, I guess. But the movie takes place

0:26:38.760 --> 0:26:42.160
<v Speaker 1>in an alternate universe where kissing like hasn't been invented yet,

0:26:42.359 --> 0:26:45.600
<v Speaker 1>so they like push their faces together, like do you do.

0:26:46.160 --> 0:26:48.719
<v Speaker 3>A face kissing? Yeah, but they're just like like at

0:26:48.720 --> 0:26:51.080
<v Speaker 3>first kiss, you kiss first, you kiss like someone's cheeks

0:26:51.119 --> 0:26:53.120
<v Speaker 3>like six times, and then you move over to the mouth.

0:26:53.240 --> 0:26:53.400
<v Speaker 2>Yeah.

0:26:53.480 --> 0:26:55.439
<v Speaker 1>Yeah, I think gets you arrested.

0:26:55.520 --> 0:26:55.840
<v Speaker 3>I don't know.

0:26:56.640 --> 0:27:01.440
<v Speaker 1>Yeah, it's like starting much grosser than just like kissing.

0:27:01.440 --> 0:27:03.080
<v Speaker 3>Up with someone, start kissing their head.

0:27:03.440 --> 0:27:08.160
<v Speaker 1>Yeah, Like so they are while they have this moment

0:27:08.200 --> 0:27:11.760
<v Speaker 1>where they're like fighting and then they're like getting together

0:27:12.119 --> 0:27:14.480
<v Speaker 1>and then like yeah, they just like do this like

0:27:14.680 --> 0:27:18.840
<v Speaker 1>animalistic like hug where he's like starts kissing like the

0:27:18.920 --> 0:27:21.199
<v Speaker 1>side of her eye and like her forehead and then

0:27:21.320 --> 0:27:22.520
<v Speaker 1>like moves down to her mouth.

0:27:23.200 --> 0:27:25.800
<v Speaker 2>And I wrote my note was what in the Jim

0:27:25.960 --> 0:27:32.760
<v Speaker 2>Crow was that kissing style? Because it was like but

0:27:32.920 --> 0:27:35.080
<v Speaker 2>also there was a moment when her mother is like,

0:27:35.400 --> 0:27:39.240
<v Speaker 2>what are you doing down there? Marriage's like having violent sex. Mother,

0:27:39.320 --> 0:27:43.280
<v Speaker 2>I think she said violent. Yeah.

0:27:43.680 --> 0:27:45.760
<v Speaker 1>I was like, oh, I must have got their attention.

0:27:45.880 --> 0:27:49.520
<v Speaker 1>I must have gotten Hayes's attention Haze code Yo.

0:27:50.040 --> 0:27:53.240
<v Speaker 3>But that scene, I will say, the scene where they're

0:27:53.280 --> 0:27:57.119
<v Speaker 3>on the phone together, you know, and the kissing like

0:27:57.240 --> 0:27:59.440
<v Speaker 3>they're on the same phone, one of those phones you

0:27:59.440 --> 0:28:01.800
<v Speaker 3>got a hold two parts. Oh yeah, one part goes

0:28:01.880 --> 0:28:03.360
<v Speaker 3>up against your ear and the other part you hold

0:28:03.400 --> 0:28:07.720
<v Speaker 3>and talking to That scene made me cry because I

0:28:07.760 --> 0:28:10.040
<v Speaker 3>thought it was It was so kind of like I

0:28:10.200 --> 0:28:12.239
<v Speaker 3>really thought it was effective, like the two of them

0:28:12.359 --> 0:28:14.600
<v Speaker 3>like being in love with each other, but they she

0:28:14.800 --> 0:28:15.879
<v Speaker 3>was like with somebody.

0:28:16.320 --> 0:28:17.600
<v Speaker 2>You know, it was on the phone.

0:28:17.760 --> 0:28:20.000
<v Speaker 3>I just maybe cry, You're not trying to steal my girl,

0:28:20.080 --> 0:28:22.920
<v Speaker 3>are you. It was just sort of like, I don't know.

0:28:23.200 --> 0:28:25.000
<v Speaker 3>I thought it was fun that they dwelled on that,

0:28:25.560 --> 0:28:27.480
<v Speaker 3>aside from like, yeah, like being like why are you

0:28:27.520 --> 0:28:28.880
<v Speaker 3>kissing in the back of her head or whatever?

0:28:28.960 --> 0:28:33.080
<v Speaker 1>Before before before it looks like they're making up kissing.

0:28:33.200 --> 0:28:35.000
<v Speaker 1>Like if I had to, if I had to guess,

0:28:35.119 --> 0:28:38.320
<v Speaker 1>like the first time someone kissed someone for like the

0:28:38.600 --> 0:28:42.320
<v Speaker 1>when it was invented, probably looked like that, you know,

0:28:42.640 --> 0:28:45.320
<v Speaker 1>like it was just like, I don't know what if

0:28:45.360 --> 0:28:48.920
<v Speaker 1>we did this, it was probably some form of eating, right,

0:28:49.400 --> 0:28:52.200
<v Speaker 1>like I'm eating your face? Yeah, and someone was like, Okay, yeah,

0:28:52.240 --> 0:28:55.720
<v Speaker 1>that leaves marks that scene. For me, I had a

0:28:55.760 --> 0:28:58.080
<v Speaker 1>different reaction. I felt like if I didn't get away

0:28:58.080 --> 0:28:59.400
<v Speaker 1>from that scene, I would I'd bust.

0:28:59.720 --> 0:29:00.400
<v Speaker 2>Oh man.

0:29:00.600 --> 0:29:05.480
<v Speaker 3>I seriously I was crying because I was like, I

0:29:05.520 --> 0:29:07.840
<v Speaker 3>don't know, probably because I'm having a nervous breakdown, but

0:29:08.040 --> 0:29:11.240
<v Speaker 3>but I just there's something about it was romantic to me,

0:29:11.520 --> 0:29:12.800
<v Speaker 3>just like the idea of that mark.

0:29:12.880 --> 0:29:15.760
<v Speaker 2>I thought it was there, you know what I mean.

0:29:16.960 --> 0:29:21.360
<v Speaker 2>George trying to get the other Wayne Wright or what

0:29:21.400 --> 0:29:23.240
<v Speaker 2>was the guy's name was? That guy's not named George, right,

0:29:23.320 --> 0:29:28.200
<v Speaker 2>whatever his the other guy? They're crazy, dude say.

0:29:28.320 --> 0:29:31.320
<v Speaker 1>I was like, Zam the rich yeah guy, the guy

0:29:31.560 --> 0:29:33.800
<v Speaker 1>I need all your money, George, I tell you right now,

0:29:33.920 --> 0:29:34.960
<v Speaker 1>this is the next big thing.

0:29:35.040 --> 0:29:37.880
<v Speaker 2>And he was like getting into plastics. I was like, hey, George,

0:29:37.920 --> 0:29:41.040
<v Speaker 2>you know that he's not fucking lying. You know you

0:29:41.120 --> 0:29:42.280
<v Speaker 2>better get in plastics.

0:29:42.440 --> 0:29:45.120
<v Speaker 3>The nice guy needs to borrow money is the message

0:29:45.160 --> 0:29:47.640
<v Speaker 3>of this movie, sadly, and I'm living it.

0:29:48.000 --> 0:29:50.960
<v Speaker 1>Wasn't there also a bean's this story where like somebody

0:29:51.120 --> 0:29:53.560
<v Speaker 1>was going to a bean factory or something. I feel

0:29:53.600 --> 0:29:55.520
<v Speaker 1>like it was just kind of funny. It was like

0:29:56.000 --> 0:30:00.640
<v Speaker 1>everything was just being discovered for the first time. I

0:30:00.720 --> 0:30:03.480
<v Speaker 1>thought there was like a bean thing, a bean subplot.

0:30:03.560 --> 0:30:06.160
<v Speaker 3>Maybe that was another opportunity he had to make money.

0:30:06.920 --> 0:30:08.280
<v Speaker 3>Maybe that's where it's get rich.

0:30:08.880 --> 0:30:09.200
<v Speaker 2>Was going.

0:30:09.880 --> 0:30:12.560
<v Speaker 1>So he was going to like work for his well

0:30:12.760 --> 0:30:13.800
<v Speaker 1>father in law's bean.

0:30:13.960 --> 0:30:16.360
<v Speaker 2>No, he was because he's really good at research. That's

0:30:16.400 --> 0:30:18.680
<v Speaker 2>what it was. He's doing research for her father's company.

0:30:18.720 --> 0:30:20.720
<v Speaker 2>It's not gonna touch now, but it has a good future.

0:30:20.880 --> 0:30:21.840
<v Speaker 3>That was what the beans.

0:30:22.560 --> 0:30:26.200
<v Speaker 1>I thought there were beans in the goddamn movie. They're crazy,

0:30:28.240 --> 0:30:28.840
<v Speaker 1>but he did.

0:30:28.960 --> 0:30:31.000
<v Speaker 3>I will say also, like the reason why that thirty

0:30:31.040 --> 0:30:33.160
<v Speaker 3>eight year old thing isn't it works because I think

0:30:33.240 --> 0:30:36.240
<v Speaker 3>the other actor is thirty eight too. They look aged appropriate.

0:30:36.560 --> 0:30:39.080
<v Speaker 2>She was like twenty five or something.

0:30:39.280 --> 0:30:42.440
<v Speaker 3>Okay, so they've all looked older than death. I looked

0:30:42.480 --> 0:30:43.720
<v Speaker 3>older than eighteen or whatever.

0:30:43.800 --> 0:30:46.320
<v Speaker 2>This is when you're also like years old. Damn. This

0:30:46.480 --> 0:30:49.640
<v Speaker 2>is what like lead and pollution and all these other

0:30:49.720 --> 0:30:52.520
<v Speaker 2>things and like child labor due to a person's face

0:30:52.640 --> 0:30:54.560
<v Speaker 2>at that age. We were like, fuck, bro, I thought

0:30:54.600 --> 0:30:55.320
<v Speaker 2>you were forty eight.

0:30:56.280 --> 0:30:58.240
<v Speaker 3>Somehow they were saner than us. They all knew the

0:30:58.400 --> 0:30:59.280
<v Speaker 3>Nazis were bad.

0:31:00.200 --> 0:31:03.480
<v Speaker 2>Yeah, like that, we need more.

0:31:03.640 --> 0:31:05.880
<v Speaker 3>We need to put lead back in gasoline so we can.

0:31:05.800 --> 0:31:10.960
<v Speaker 2>All So we got enough fucking violent streaking and stuff.

0:31:11.000 --> 0:31:11.840
<v Speaker 2>I should all start.

0:31:11.720 --> 0:31:13.800
<v Speaker 3>Smoking again immediately so we can be nice.

0:31:14.000 --> 0:31:15.720
<v Speaker 2>The one thing that was really funny was before he

0:31:15.800 --> 0:31:17.840
<v Speaker 2>goes drunkenly over to Mary's house. Is when he sees

0:31:17.920 --> 0:31:20.960
<v Speaker 2>Violet in the street and she's like, oh, hold on, Fellows,

0:31:20.960 --> 0:31:22.480
<v Speaker 2>I think I got a date, and that one guy's like,

0:31:22.520 --> 0:31:24.800
<v Speaker 2>we'll be waiting for your baby. I was like, I've

0:31:24.880 --> 0:31:27.200
<v Speaker 2>heard that as like a non sequitor a lot, and

0:31:27.280 --> 0:31:30.120
<v Speaker 2>I'm like, god, so much, Like I realize how influential

0:31:30.240 --> 0:31:32.320
<v Speaker 2>this film is because I have friends who say that.

0:31:32.400 --> 0:31:36.160
<v Speaker 2>I'm like, oh, this is they they're funny baby, yeah,

0:31:36.800 --> 0:31:39.640
<v Speaker 2>waiting for your baby. But then Violet, she's just trying

0:31:39.640 --> 0:31:42.080
<v Speaker 2>to hook up with George in that scene and he's like, oh, well,

0:31:42.120 --> 0:31:44.080
<v Speaker 2>I got an idea of Violet, why don't we go

0:31:44.240 --> 0:31:46.080
<v Speaker 2>up to the mountains to take our shoes off? And

0:31:46.160 --> 0:31:48.080
<v Speaker 2>well and she's like, bro, what the fuck? Yeah?

0:31:48.480 --> 0:31:50.880
<v Speaker 3>Yeah, that was just that was his fault. They made

0:31:50.920 --> 0:31:52.600
<v Speaker 3>that seem like she was the weird one. He was

0:31:52.640 --> 0:31:53.080
<v Speaker 3>the one who was.

0:31:54.560 --> 0:31:58.320
<v Speaker 1>The first part of all the times George fumbles the bag.

0:31:58.560 --> 0:32:03.479
<v Speaker 2>All right, George, you're scaring the hose. George, you were

0:32:03.560 --> 0:32:04.760
<v Speaker 2>scaring the hose.

0:32:05.160 --> 0:32:08.520
<v Speaker 1>Scaring these fumbling the score board.

0:32:08.680 --> 0:32:12.080
<v Speaker 3>You need a scoreboard behind Jack with the how anytime bumbles.

0:32:12.280 --> 0:32:14.200
<v Speaker 1>The guy from the movie Plastic could have gone in

0:32:14.280 --> 0:32:17.360
<v Speaker 1>plastics at a time he would have been fucking making bills.

0:32:17.720 --> 0:32:19.920
<v Speaker 2>Okay, you could have them. You could have owned the

0:32:20.000 --> 0:32:22.200
<v Speaker 2>first Lambo brodang, both.

0:32:22.040 --> 0:32:26.160
<v Speaker 1>Of those chicks. Ding yeah, Fumble says something weird about

0:32:26.200 --> 0:32:30.240
<v Speaker 1>running through the fucking grass. Be talking about touch grass.

0:32:31.080 --> 0:32:31.840
<v Speaker 1>Fuck out of here.

0:32:32.640 --> 0:32:34.840
<v Speaker 2>There was So then they get married, right, there's a

0:32:34.960 --> 0:32:38.240
<v Speaker 2>kind of a smash cut. They're getting married. They're about

0:32:38.320 --> 0:32:40.280
<v Speaker 2>to go on their hose. See the smash cut of

0:32:40.360 --> 0:32:40.760
<v Speaker 2>this movie.

0:32:40.800 --> 0:32:45.160
<v Speaker 1>You know what I'm saying, Jesus shows and kissing. Huh

0:32:45.480 --> 0:32:49.800
<v Speaker 1>m hmthing animalistic? Are you looking at someone on your phone?

0:32:49.840 --> 0:32:52.920
<v Speaker 1>You're just watching the kissing. My hands are right here,

0:32:53.120 --> 0:32:55.240
<v Speaker 1>My hands are I didn't ask about that. Why you

0:32:55.320 --> 0:32:56.120
<v Speaker 1>only put one at.

0:32:56.080 --> 0:32:56.960
<v Speaker 2>A time, like you.

0:32:58.640 --> 0:33:01.920
<v Speaker 1>It's not as good in black and one. I yeah,

0:33:02.080 --> 0:33:03.600
<v Speaker 1>well I don't know. I actually wouldn't know. I've never

0:33:03.640 --> 0:33:04.720
<v Speaker 1>seen sex in black and white.

0:33:05.680 --> 0:33:09.040
<v Speaker 3>All those porn sites wherever, like sometimes yeah, like they

0:33:09.080 --> 0:33:13.520
<v Speaker 3>could yeah, turn porn, you know, or something like that. Yeah,

0:33:13.520 --> 0:33:17.160
<v Speaker 3>I don't know why vintage would. I don't know with me,

0:33:17.320 --> 0:33:19.440
<v Speaker 3>I don't know why someone would google vintage porn. But

0:33:19.520 --> 0:33:23.600
<v Speaker 3>if they did, there's an acceptable area like you know,

0:33:23.680 --> 0:33:25.640
<v Speaker 3>like the seventies and eighties, and then there's like, you know,

0:33:25.680 --> 0:33:27.080
<v Speaker 3>you don't want to see nineteen twenties.

0:33:27.520 --> 0:33:31.120
<v Speaker 2>Yeah, yeah, yeah, I like dagera type pornography if possible.

0:33:31.400 --> 0:33:33.560
<v Speaker 3>Yeah, you can't see that. You can't see what's what's

0:33:33.680 --> 0:33:35.680
<v Speaker 3>what's happening? Really, there's too many shadows.

0:33:36.320 --> 0:33:40.040
<v Speaker 1>So again another moment shows up. George is about to

0:33:40.560 --> 0:33:43.200
<v Speaker 1>hebe we're gonna go everywhere. We're gonna go to Timbuctoo

0:33:43.400 --> 0:33:47.680
<v Speaker 1>in Paris, the oldest shade, and they've got all this

0:33:47.880 --> 0:33:48.800
<v Speaker 1>fucking cat.

0:33:48.960 --> 0:33:52.240
<v Speaker 2>Saying the way you do that, you're going, You're gone,

0:33:52.360 --> 0:33:57.200
<v Speaker 2>Like there's why looks he looks like an actually human.

0:33:57.800 --> 0:33:58.800
<v Speaker 3>He is inhabited.

0:33:59.080 --> 0:34:02.160
<v Speaker 2>You gotta throw ahead to get that, by my fucking

0:34:02.360 --> 0:34:06.640
<v Speaker 2>boah god boy. So they're about to go on their honeymoon.

0:34:06.680 --> 0:34:08.600
<v Speaker 2>They got all this cash, and then they look there's

0:34:08.640 --> 0:34:14.600
<v Speaker 2>a fucking bank run on a bank, on his bank. Yeah,

0:34:15.040 --> 0:34:18.480
<v Speaker 2>because again this is some shit with mister evil fucking

0:34:18.640 --> 0:34:22.320
<v Speaker 2>potter owning the bank, calling in a loan and being like,

0:34:22.680 --> 0:34:25.640
<v Speaker 2>you've got that money on you, bro, No detected, No

0:34:26.080 --> 0:34:27.160
<v Speaker 2>lies detected.

0:34:27.280 --> 0:34:29.560
<v Speaker 1>I mean, do they specifically say that he's waiting for

0:34:29.680 --> 0:34:31.400
<v Speaker 1>him to go out of town to do to do

0:34:31.560 --> 0:34:35.040
<v Speaker 1>some shit like, because that would that does seem like

0:34:35.440 --> 0:34:37.560
<v Speaker 1>what would actually happen is he'd be like, all right,

0:34:37.640 --> 0:34:39.600
<v Speaker 1>this motherfucker's out of our hair. Let's go. Yeah.

0:34:39.640 --> 0:34:42.360
<v Speaker 2>I don't know, I don't know, another moment shows up.

0:34:42.520 --> 0:34:44.480
<v Speaker 2>He could have gone and drank the oldest champagne and

0:34:44.560 --> 0:34:44.920
<v Speaker 2>just say, you know.

0:34:44.920 --> 0:34:46.560
<v Speaker 1>What, brother, maybe the building a loan just needs to

0:34:46.600 --> 0:34:47.960
<v Speaker 1>go down and I don't give a fuck about these

0:34:47.960 --> 0:34:48.520
<v Speaker 1>people houses.

0:34:48.960 --> 0:34:52.000
<v Speaker 2>But he did. It came back doldash.

0:34:52.360 --> 0:34:55.000
<v Speaker 1>So they have their honeymoon and an old like burnt

0:34:55.080 --> 0:34:57.600
<v Speaker 1>out the spooky haunted house.

0:34:57.960 --> 0:35:00.719
<v Speaker 2>What are the what are the tendency then?

0:35:00.760 --> 0:35:02.560
<v Speaker 1>Because it just felt like they're like, yeah, you know what,

0:35:02.640 --> 0:35:05.080
<v Speaker 1>I'm having this old abandoned house, honey, put up the

0:35:05.120 --> 0:35:05.920
<v Speaker 1>fucking wallpaper.

0:35:06.560 --> 0:35:08.759
<v Speaker 2>It was kind of like the next bit of that

0:35:08.840 --> 0:35:09.319
<v Speaker 2>whole season.

0:35:09.360 --> 0:35:11.040
<v Speaker 3>I was thinking they bought it, but I guess they never.

0:35:11.120 --> 0:35:12.160
<v Speaker 2>Really, I'm sure they did.

0:35:12.200 --> 0:35:14.759
<v Speaker 3>They did never established where they bought it, but.

0:35:14.760 --> 0:35:18.080
<v Speaker 2>I guess it was yeah. Yeah, when the cops that

0:35:18.120 --> 0:35:21.480
<v Speaker 2>you have your honeymoon in there, I gotta say that technology.

0:35:21.640 --> 0:35:25.800
<v Speaker 2>They deployed the record player rotisserie. Did you catch that?

0:35:26.600 --> 0:35:29.520
<v Speaker 2>Like the turntable, like the needle was hooked up to

0:35:29.600 --> 0:35:33.640
<v Speaker 2>another cable that was rotating fucking two chickens on a rotisserie.

0:35:33.680 --> 0:35:36.360
<v Speaker 2>I was like, this is this was peak technology.

0:35:36.520 --> 0:35:38.759
<v Speaker 3>Yeah, they couldn't get in. They couldn't go on their honeymoon.

0:35:39.160 --> 0:35:41.120
<v Speaker 3>So the towns people who are they were all friends

0:35:41.160 --> 0:35:43.520
<v Speaker 3>with because it was a small town, you know, really

0:35:43.640 --> 0:35:46.920
<v Speaker 3>small town, and they knew everybody. So everybody knew he

0:35:46.960 --> 0:35:48.880
<v Speaker 3>couldn't go on his honeymoon. So they all got together

0:35:49.000 --> 0:35:52.759
<v Speaker 3>and and like turned their house into a hotel like

0:35:52.880 --> 0:35:55.840
<v Speaker 3>with the with the local people pretending to be the

0:35:55.920 --> 0:35:59.160
<v Speaker 3>bell boys and the concierge, and and then like you know,

0:35:59.239 --> 0:36:01.320
<v Speaker 3>it was like all and that made me cry again.

0:36:02.040 --> 0:36:05.200
<v Speaker 2>It was very nice because you yeah, I was also

0:36:05.320 --> 0:36:07.239
<v Speaker 2>I was. There was a moment at the end. I

0:36:07.360 --> 0:36:08.279
<v Speaker 2>was actually the most moved.

0:36:08.360 --> 0:36:08.520
<v Speaker 4>Yeah.

0:36:08.560 --> 0:36:13.520
<v Speaker 2>Then whole time, Yeah, I mean, yeah, it's beating out

0:36:13.560 --> 0:36:16.759
<v Speaker 2>of us till our ears bled until that last turn

0:36:16.800 --> 0:36:18.840
<v Speaker 2>and then they gave us a hug, and we're like, oh, okay.

0:36:20.160 --> 0:36:20.319
<v Speaker 4>Yeah.

0:36:20.480 --> 0:36:23.360
<v Speaker 3>The movies about like this guy named Potter who's like

0:36:23.440 --> 0:36:26.960
<v Speaker 3>a modern billionaire, except smaller. Back then there were just

0:36:27.040 --> 0:36:29.520
<v Speaker 3>billionaires that ran towns as opposed to the whole Earth's.

0:36:29.920 --> 0:36:33.120
<v Speaker 1>Yeah, he was doing the original work so that our

0:36:33.239 --> 0:36:37.120
<v Speaker 1>billionaires could be billionaires. You know. Yes, he was consolidate.

0:36:37.480 --> 0:36:42.200
<v Speaker 3>He was doing evil bootstrapping, but he ran the town

0:36:42.320 --> 0:36:44.320
<v Speaker 3>in the sense that he had so much money hoarded

0:36:44.400 --> 0:36:49.719
<v Speaker 3>that he could just interrupt any plans, like he could

0:36:49.760 --> 0:36:51.800
<v Speaker 3>offer like when the when there was a run on

0:36:51.840 --> 0:36:54.040
<v Speaker 3>the run on the bank, he just offered cash to

0:36:54.120 --> 0:36:57.480
<v Speaker 3>the people who needed their money. He offered fifty cents

0:36:57.520 --> 0:36:59.239
<v Speaker 3>on the dollar, and they almost took it. But he

0:36:59.280 --> 0:37:01.000
<v Speaker 3>had to make it each George had to make a

0:37:01.040 --> 0:37:03.080
<v Speaker 3>speech to all his neighbors and say, listen, if we

0:37:04.120 --> 0:37:07.279
<v Speaker 3>if we go get our quick money from this billionaire

0:37:07.719 --> 0:37:11.560
<v Speaker 3>or this millionaire in this case, this evil guy, we're

0:37:11.600 --> 0:37:13.880
<v Speaker 3>gonna ruin our chances for the whole future. This is

0:37:13.920 --> 0:37:15.960
<v Speaker 3>a moment we have to like side with each other

0:37:16.040 --> 0:37:18.440
<v Speaker 3>and we have to like rely on each other because

0:37:18.480 --> 0:37:21.520
<v Speaker 3>because if you take this easy money, there's no turning back.

0:37:21.920 --> 0:37:25.400
<v Speaker 1>And uh, that's I just think that was that was

0:37:25.480 --> 0:37:26.920
<v Speaker 1>one of the scenes. I knew about the run on

0:37:26.960 --> 0:37:29.200
<v Speaker 1>the bank, and I thought it was like run on

0:37:29.280 --> 0:37:31.120
<v Speaker 1>the bank straight to the bridge.

0:37:31.960 --> 0:37:34.840
<v Speaker 2>Then we get like you really just kind of poked

0:37:34.880 --> 0:37:37.879
<v Speaker 2>your head in from this movie. Yeah exactly, all right, cool, cool,

0:37:37.880 --> 0:37:40.279
<v Speaker 2>and who's this guy? But so then then you kind

0:37:40.320 --> 0:37:42.480
<v Speaker 2>of get George starts to kind of win because the

0:37:42.600 --> 0:37:45.080
<v Speaker 2>next sort of shift you see is that he started

0:37:45.120 --> 0:37:47.640
<v Speaker 2>Bailey Park. It's like a whole housing development. And then

0:37:47.680 --> 0:37:51.279
<v Speaker 2>like fucking evil mister Potter's like money goons like, hey man,

0:37:51.320 --> 0:37:53.360
<v Speaker 2>you should look into this Bailey Park place. You know,

0:37:53.560 --> 0:37:56.600
<v Speaker 2>like there you're doing better than your fucking slums. So

0:37:57.120 --> 0:38:01.800
<v Speaker 2>Potter hatches a scheme to basically I clows the building.

0:38:01.920 --> 0:38:03.839
<v Speaker 2>He's like, hey, let me just give you this job

0:38:03.960 --> 0:38:06.480
<v Speaker 2>offers I can shut down your building and loan operation

0:38:06.640 --> 0:38:08.239
<v Speaker 2>and force people for my slum.

0:38:09.239 --> 0:38:14.240
<v Speaker 1>That slow movie like it's just like very much about

0:38:14.480 --> 0:38:17.919
<v Speaker 1>finance for a big stretch of this movie. It's really

0:38:18.080 --> 0:38:21.920
<v Speaker 1>just like yeah, and so it's like watching someone play monopoly,

0:38:22.040 --> 0:38:24.000
<v Speaker 1>where it was like all right, then he bought this

0:38:24.239 --> 0:38:26.000
<v Speaker 1>and then this guy tried to buy him out, all right,

0:38:26.000 --> 0:38:27.680
<v Speaker 1>all right, Well, you have to understand is this is

0:38:27.760 --> 0:38:31.320
<v Speaker 1>a leveraged buyout and he's actually gonna give him bad rates.

0:38:31.840 --> 0:38:32.040
<v Speaker 2>Yeah.

0:38:32.400 --> 0:38:34.239
<v Speaker 1>This was around the time when I was writing in

0:38:34.280 --> 0:38:37.320
<v Speaker 1>my notes, I can't believe how long it's taken to

0:38:37.440 --> 0:38:39.239
<v Speaker 1>get to the attempted suicide.

0:38:39.640 --> 0:38:39.839
<v Speaker 3>Yeah.

0:38:40.160 --> 0:38:44.319
<v Speaker 2>Uh so then you get Christmas Eve and there's gonna

0:38:44.320 --> 0:38:47.759
<v Speaker 2>be a heroes welcome for his brother, who was like,

0:38:48.000 --> 0:38:50.960
<v Speaker 2>now a Navy Ace like fucking star. He was like,

0:38:51.080 --> 0:38:54.760
<v Speaker 2>as if being a football star wasn't enough, this fucking

0:38:54.880 --> 0:38:59.120
<v Speaker 2>guy prevented a Kamakazi attack and the Navy Ace and

0:38:59.200 --> 0:39:02.359
<v Speaker 2>he got the fucking Medal of Honor and you're like, oh,

0:39:03.360 --> 0:39:04.800
<v Speaker 2>one thing. I was like, that must have been You

0:39:04.880 --> 0:39:06.680
<v Speaker 2>must have been so popping if you were like a

0:39:06.800 --> 0:39:11.160
<v Speaker 2>football like a college football star, then like i'mbat ace. Right.

0:39:11.239 --> 0:39:13.000
<v Speaker 2>They were like, bro, this is this guy can do

0:39:13.080 --> 0:39:15.640
<v Speaker 2>a fucking all. He killed He was like Charles Lindberg.

0:39:16.760 --> 0:39:18.760
<v Speaker 3>Oh yeah, was he a big He was the biggest

0:39:18.760 --> 0:39:22.120
<v Speaker 3>celebrity in the world. That guy. He had secret families

0:39:22.160 --> 0:39:24.279
<v Speaker 3>all over the world. He was the eugenics guy who

0:39:24.360 --> 0:39:26.360
<v Speaker 3>he went crazy like Elon Musk and tried to have

0:39:26.400 --> 0:39:28.040
<v Speaker 3>as many children as he could. Because he was like,

0:39:28.160 --> 0:39:30.239
<v Speaker 3>I am of the superior race because I flew an

0:39:30.280 --> 0:39:31.480
<v Speaker 3>airplane across the ocean.

0:39:31.840 --> 0:39:32.600
<v Speaker 2>Oh I love it.

0:39:33.280 --> 0:39:35.680
<v Speaker 3>Charles Lindberg was like, that was how he got famous

0:39:35.760 --> 0:39:37.920
<v Speaker 3>back then, was like pioneer crap.

0:39:38.080 --> 0:39:43.239
<v Speaker 1>Jimmy Stewart was a decorated naval aviator military he flew

0:39:43.320 --> 0:39:47.440
<v Speaker 1>missions and oh.

0:39:45.920 --> 0:39:51.840
<v Speaker 2>Great, the crowds man, the do you know who's wow, Jimmy,

0:39:52.160 --> 0:39:55.640
<v Speaker 2>thanks for thanks for the restraint there. Then we get

0:39:55.680 --> 0:39:57.600
<v Speaker 2>to like, this is where it starts getting wobbly because

0:39:57.760 --> 0:40:00.879
<v Speaker 2>uncle Billy who didn't realize, like I, I noticed late

0:40:00.920 --> 0:40:02.280
<v Speaker 2>in the film that he had a pet raven.

0:40:02.800 --> 0:40:05.800
<v Speaker 1>Like I was like, yeah, oh that he's got birds loose.

0:40:05.920 --> 0:40:07.040
<v Speaker 1>He's got loose birds.

0:40:07.120 --> 0:40:08.640
<v Speaker 2>Oh yeah, yeah yeah.

0:40:08.800 --> 0:40:12.520
<v Speaker 1>That was that inspired to my old age. Just have

0:40:12.560 --> 0:40:14.920
<v Speaker 1>a raven, Raven's following me around.

0:40:15.520 --> 0:40:18.120
<v Speaker 2>I was reading about that raven. That raven was like

0:40:18.239 --> 0:40:21.200
<v Speaker 2>in according to the handler, like over a thousand things

0:40:22.000 --> 0:40:24.720
<v Speaker 2>because the raven was so like useful and could do anything.

0:40:24.960 --> 0:40:27.120
<v Speaker 2>And he described that raven as being able to do

0:40:27.200 --> 0:40:29.520
<v Speaker 2>anything an eight year old child could do and knew

0:40:29.520 --> 0:40:32.520
<v Speaker 2>about like five hundred words to say. So, look, they

0:40:32.520 --> 0:40:35.160
<v Speaker 2>didn't give that raven a speaking part what they could have.

0:40:35.640 --> 0:40:38.600
<v Speaker 2>So then this uncle Billy scene, he's trying to go

0:40:38.680 --> 0:40:41.400
<v Speaker 2>to the Potter's bank to drop off an eight thousand

0:40:41.440 --> 0:40:44.040
<v Speaker 2>dollars bag of the building and loan's money.

0:40:44.239 --> 0:40:47.040
<v Speaker 1>And there's a moment where he's like, hey, look, mister

0:40:47.160 --> 0:40:52.239
<v Speaker 1>Potter Fumble number seventeen. He tries to just smear in

0:40:52.360 --> 0:40:55.359
<v Speaker 1>mister Potter's face that Bailey Park is doing so well,

0:40:55.800 --> 0:40:59.280
<v Speaker 1>but in the process drops the fucking eight thousand dollars

0:40:59.400 --> 0:41:03.040
<v Speaker 1>bag with the fucking newspaper. He wraps it in the

0:41:03.120 --> 0:41:06.600
<v Speaker 1>newspaper and then it's like, here's your fucking you think

0:41:06.640 --> 0:41:09.480
<v Speaker 1>that Bailey's aren't cool, well check this out and like

0:41:09.560 --> 0:41:09.920
<v Speaker 1>gives it.

0:41:09.960 --> 0:41:13.000
<v Speaker 2>To him and then can't remember that he did that. Yeah, yep.

0:41:13.200 --> 0:41:16.520
<v Speaker 2>So then he's the doddy old man who's friends with Ravens.

0:41:16.920 --> 0:41:19.920
<v Speaker 2>Yeah yeah, exactly. Uh So, then obviously mister PBDT keeps

0:41:19.920 --> 0:41:22.680
<v Speaker 2>some money. Evil piece of shit Billy can't find the money.

0:41:23.360 --> 0:41:26.480
<v Speaker 2>The fucking bank forensics expert is there to be like,

0:41:26.680 --> 0:41:30.200
<v Speaker 2>where's your fucking money, And that's when your money. This

0:41:30.400 --> 0:41:33.680
<v Speaker 2>is when it gets fucking wobbly. Now for George Bailey.

0:41:33.719 --> 0:41:36.520
<v Speaker 2>They try and find the money. They can't find the money.

0:41:36.800 --> 0:41:40.200
<v Speaker 2>And you know that's when I think mister Potter is like, oh,

0:41:40.239 --> 0:41:41.880
<v Speaker 2>you're being loose with my money. You know, I'm actually

0:41:41.920 --> 0:41:44.279
<v Speaker 2>a board member. I'm gonna call the fucking cops on

0:41:44.440 --> 0:41:46.920
<v Speaker 2>you and we get to see how you know that

0:41:47.480 --> 0:41:50.759
<v Speaker 2>Just just that the way he's putting pressure on old

0:41:50.840 --> 0:41:52.360
<v Speaker 2>George by being like this is kind of like a

0:41:52.440 --> 0:41:54.720
<v Speaker 2>hostile takeover. But I'm also gonna use my board position

0:41:54.880 --> 0:41:56.520
<v Speaker 2>to pisure legal jeopardy.

0:41:56.440 --> 0:41:58.520
<v Speaker 1>And just like the gas and it comes along with

0:41:58.600 --> 0:42:02.239
<v Speaker 1>capitalism where you're just like they make you feel crazy, but.

0:42:03.880 --> 0:42:07.239
<v Speaker 2>Yeah, would you spend it? Spend some women? He got

0:42:07.280 --> 0:42:11.520
<v Speaker 2>a secret family, George playing the market? Oh honest, I wasn't.

0:42:12.600 --> 0:42:15.600
<v Speaker 1>Yeah, George is just too earnest Steven like think about that.

0:42:16.080 --> 0:42:17.799
<v Speaker 1>He's like, oh, I know you think that I did,

0:42:17.880 --> 0:42:18.480
<v Speaker 1>but I didn't.

0:42:20.239 --> 0:42:24.080
<v Speaker 3>He was showing the headline about George's brother getting the

0:42:24.120 --> 0:42:30.120
<v Speaker 3>congressional Metah. Not only is the building a loan kicking ass,

0:42:30.640 --> 0:42:34.080
<v Speaker 3>but the Bailey boys are at it again. Yeah, Bailey,

0:42:34.600 --> 0:42:43.920
<v Speaker 3>George Jailey, then Bailey Boys, Bailey what's his name, Harry Harry.

0:42:42.040 --> 0:42:47.880
<v Speaker 2>Bailey FONTI uh so then okay, He's like completely destitute.

0:42:47.920 --> 0:42:50.440
<v Speaker 2>He's like, fuck, We've completely fucked this up. What am

0:42:50.480 --> 0:42:53.160
<v Speaker 2>I going to do? George is like he's getting drunk

0:42:53.200 --> 0:42:55.560
<v Speaker 2>at the bar. He's trying to figure out what he

0:42:55.640 --> 0:42:58.240
<v Speaker 2>can do. He realizes he's got a life insurance policy

0:42:58.360 --> 0:43:00.840
<v Speaker 2>that maybe he can offer his collateral and Potter he

0:43:00.960 --> 0:43:03.960
<v Speaker 2>has in his pocket. I think, yeah, yeah, yeah, yeah,

0:43:03.960 --> 0:43:07.680
<v Speaker 2>I care. That's so desperate. He's like, what do I have, Yester? Potter?

0:43:07.880 --> 0:43:09.560
<v Speaker 4>You can take this? And he's like, well, how much

0:43:09.640 --> 0:43:12.480
<v Speaker 4>have you in rested already? He's like five hundred dollars

0:43:12.960 --> 0:43:15.400
<v Speaker 4>a fifteenth housard right right, right, right right, and he

0:43:15.480 --> 0:43:18.280
<v Speaker 4>basically says, you're worth more dad than you are alive, Potter.

0:43:19.160 --> 0:43:23.320
<v Speaker 4>And this is where the spiral really really begins. On

0:43:23.400 --> 0:43:24.799
<v Speaker 4>this dark Christmas for him.

0:43:25.040 --> 0:43:26.680
<v Speaker 1>He goes home and he's like real mean to his

0:43:26.840 --> 0:43:30.160
<v Speaker 1>kids and then he like balls out his kid's teacher

0:43:30.760 --> 0:43:31.000
<v Speaker 1>on the.

0:43:31.040 --> 0:43:33.480
<v Speaker 2>Phone, like, oh think you use the term that her

0:43:33.560 --> 0:43:36.160
<v Speaker 2>husband did? Yeah, my wife's ever been balled out like

0:43:36.280 --> 0:43:39.480
<v Speaker 2>that in her life. U the that seemed kind of

0:43:39.520 --> 0:43:42.200
<v Speaker 2>fucked me up because I was like, damn, bro, like

0:43:42.360 --> 0:43:44.479
<v Speaker 2>that was that's kind of that was that was real,

0:43:44.719 --> 0:43:48.120
<v Speaker 2>regardless of like what a specific situation is like parents

0:43:48.239 --> 0:43:52.600
<v Speaker 2>under financial stress, completely unable to be present because of

0:43:52.719 --> 0:43:57.160
<v Speaker 2>like the fucking crushing weight of having to toil and survive. Yeah,

0:43:57.239 --> 0:44:00.560
<v Speaker 2>just be like, oh and you kids don't know anything's

0:44:00.600 --> 0:44:03.040
<v Speaker 2>going on. I don't know. I don't know shit about

0:44:03.080 --> 0:44:06.520
<v Speaker 2>money bro lambball uh and yeah, so then.

0:44:06.440 --> 0:44:09.440
<v Speaker 3>He know that scene was like that scene was like

0:44:10.719 --> 0:44:12.120
<v Speaker 3>I said to the person I was watching with, and

0:44:12.200 --> 0:44:14.120
<v Speaker 3>I said, that was like my house like every day.

0:44:15.480 --> 0:44:16.560
<v Speaker 1>God, it really was.

0:44:16.760 --> 0:44:17.279
<v Speaker 2>It really was.

0:44:17.440 --> 0:44:21.320
<v Speaker 3>It was like my father had kids and had no idea.

0:44:22.960 --> 0:44:26.120
<v Speaker 3>He just had this idea my father, father and mother.

0:44:26.600 --> 0:44:28.400
<v Speaker 3>But my mother had some idea of what she was

0:44:28.440 --> 0:44:30.600
<v Speaker 3>getting into. My dad had none. And so once he

0:44:30.719 --> 0:44:34.120
<v Speaker 3>was in that situation, he just acted like George Bailey

0:44:34.160 --> 0:44:36.920
<v Speaker 3>on his worst day. Every day he just came home

0:44:36.920 --> 0:44:39.360
<v Speaker 3>from work and was just like this is a disaster

0:44:39.640 --> 0:44:41.279
<v Speaker 3>and I have no money and you guys are all

0:44:41.400 --> 0:44:44.839
<v Speaker 3>like annoying and and why did this happen and all

0:44:44.880 --> 0:44:46.920
<v Speaker 3>that sort of stuff, except he didn't like seriously like

0:44:47.000 --> 0:44:48.760
<v Speaker 3>every day. So it was like I was like, Wow,

0:44:49.000 --> 0:44:52.080
<v Speaker 3>that made me actually feel like like kind of like

0:44:52.719 --> 0:44:56.920
<v Speaker 3>some stuff. Oh, that scene really made me feel like

0:44:57.040 --> 0:44:59.760
<v Speaker 3>I had not seen that, like play.

0:45:00.239 --> 0:45:02.839
<v Speaker 2>Yeah, that's what I mean. If I watch it as

0:45:02.840 --> 0:45:05.760
<v Speaker 2>a kid, I'd be like whatever. Whatever. Now, being older,

0:45:05.920 --> 0:45:08.000
<v Speaker 2>being a parent, all this other stuff, I'm like, oh,

0:45:08.960 --> 0:45:10.320
<v Speaker 2>so much of it. I was like, this ship is

0:45:10.400 --> 0:45:14.560
<v Speaker 2>so fucking heavy. Like, this guy's life sucks. Okay, He's

0:45:15.200 --> 0:45:17.480
<v Speaker 2>like every time he's trying, you think he's gonna do

0:45:17.560 --> 0:45:19.600
<v Speaker 2>the thing he wants, he ends up fucking like putting

0:45:19.640 --> 0:45:22.320
<v Speaker 2>it off, kicking it in the future. More resentment builds

0:45:22.400 --> 0:45:24.400
<v Speaker 2>up to the point that he just like resents his

0:45:24.520 --> 0:45:27.640
<v Speaker 2>own family and then ends up going to a bridge

0:45:27.800 --> 0:45:32.000
<v Speaker 2>about to jump, but then Clarents dives into the river

0:45:32.840 --> 0:45:34.000
<v Speaker 2>and George rescues him.

0:45:34.040 --> 0:45:37.000
<v Speaker 1>Who rescued He's like, this is his this is his

0:45:37.680 --> 0:45:40.600
<v Speaker 1>one superpower. He jumps into water and saves people. So

0:45:40.680 --> 0:45:41.880
<v Speaker 1>I'm gonna take advantage of that.

0:45:42.239 --> 0:45:45.000
<v Speaker 2>Do you know what? Did you see him dive into

0:45:45.040 --> 0:45:50.319
<v Speaker 2>the water? I was like, that was nice. He's kind

0:45:50.360 --> 0:45:52.520
<v Speaker 2>of nice with it, for sure. Do you do you

0:45:52.719 --> 0:45:55.600
<v Speaker 2>do your own stunts? Jimmy, That had to have been Jimmy, right.

0:45:55.880 --> 0:45:58.040
<v Speaker 2>They didn't stunt people to die. Oh well, I can

0:45:58.200 --> 0:46:00.960
<v Speaker 2>dive with the best of them, and he probably did.

0:46:01.239 --> 0:46:03.279
<v Speaker 1>That was probably not the best idea. I would go

0:46:03.400 --> 0:46:05.000
<v Speaker 1>feet first if I'm jumping off a bridge.

0:46:05.120 --> 0:46:07.560
<v Speaker 2>If it's on a soundstage too, it's like, Jimmy, you're

0:46:07.600 --> 0:46:10.040
<v Speaker 2>six four, this tank is only five feet deep.

0:46:10.400 --> 0:46:12.120
<v Speaker 3>Back when there was a middle class, like you know,

0:46:12.200 --> 0:46:13.960
<v Speaker 3>it was like there was a lot of time to

0:46:14.280 --> 0:46:17.000
<v Speaker 3>talk about like which like teach kids, like which salad

0:46:17.080 --> 0:46:18.719
<v Speaker 3>work was for the sald you know which work was

0:46:18.760 --> 0:46:21.800
<v Speaker 3>for the salad? How to dive dive properly. It was

0:46:21.840 --> 0:46:23.160
<v Speaker 3>like a big thing, like you don't want to be

0:46:23.360 --> 0:46:28.000
<v Speaker 3>caught diving improperly. I would have done tried to dive

0:46:28.080 --> 0:46:30.840
<v Speaker 3>in head first, but like over rotated and landed on

0:46:30.920 --> 0:46:32.480
<v Speaker 3>my back and just been paralyzed.

0:46:32.560 --> 0:46:33.520
<v Speaker 1>Yeah, Angel has to.

0:46:33.640 --> 0:46:36.719
<v Speaker 2>Like it's like fuck, or you just kill Clarence because

0:46:36.719 --> 0:46:39.319
<v Speaker 2>you land on him, Like reason not.

0:46:39.360 --> 0:46:41.760
<v Speaker 3>To date somebody Like I was going to marry George,

0:46:41.880 --> 0:46:46.520
<v Speaker 3>but I noticed that his diving is his diving, and

0:46:46.600 --> 0:46:48.440
<v Speaker 3>that makes me think that he's not going to be

0:46:48.520 --> 0:46:49.240
<v Speaker 3>a good provider.

0:46:49.560 --> 0:46:53.000
<v Speaker 1>There are the glimpses of a better world, like the

0:46:54.440 --> 0:46:58.359
<v Speaker 1>gym is on top of a pool, like that, there's

0:46:58.400 --> 0:47:00.960
<v Speaker 1>a there's a part like the meat cute with George

0:47:01.000 --> 0:47:03.960
<v Speaker 1>and Mary is like the night of a big dance,

0:47:04.400 --> 0:47:07.040
<v Speaker 1>and like, these guys prank them by opening up the

0:47:07.120 --> 0:47:11.160
<v Speaker 1>gymnasium floor which has like a beautiful pool underneath it.

0:47:11.400 --> 0:47:14.120
<v Speaker 1>That's Beverly Hills High. Yeah, which is in Beverly Hills High.

0:47:14.160 --> 0:47:16.239
<v Speaker 1>But they're just like, yeah, I mean sure this this

0:47:16.400 --> 0:47:18.520
<v Speaker 1>makes sense of the normal high school thing.

0:47:18.960 --> 0:47:19.600
<v Speaker 3>Yeah too.

0:47:19.719 --> 0:47:21.160
<v Speaker 2>I was like, what the fuck is that? It's like

0:47:21.239 --> 0:47:24.320
<v Speaker 2>this is smart, dude, yeah, very fuck.

0:47:24.440 --> 0:47:26.080
<v Speaker 3>Is this relatable? Is this relatable?

0:47:27.760 --> 0:47:29.560
<v Speaker 2>Shit? Do I want to fall in a pool doing

0:47:29.600 --> 0:47:30.759
<v Speaker 2>the fucking Charleston?

0:47:31.239 --> 0:47:31.439
<v Speaker 1>Yeah?

0:47:31.760 --> 0:47:34.120
<v Speaker 3>I thought about how many tuxedos that just like they

0:47:34.200 --> 0:47:36.160
<v Speaker 3>must have had on standby. But then I realized that

0:47:36.239 --> 0:47:38.600
<v Speaker 3>like everyone back there then wore tuxedo all.

0:47:38.560 --> 0:47:41.279
<v Speaker 1>You were a tuxedo. It was not casual Fridays. It

0:47:41.320 --> 0:47:45.680
<v Speaker 1>was a tuxedo Friday. They wear a suit Monday through Thursday. Fridays.

0:47:46.239 --> 0:47:49.600
<v Speaker 1>You wear you're dining outfit, your piece of ship.

0:47:50.040 --> 0:47:53.480
<v Speaker 2>So yeah, that's when Clarence saves our. You know, Clarence

0:47:53.520 --> 0:47:57.399
<v Speaker 2>goes in the water, he gets out, and you he's

0:47:57.640 --> 0:48:00.680
<v Speaker 2>Clarence slowly starts to reveal that he is is an angel,

0:48:00.800 --> 0:48:03.200
<v Speaker 2>but like everyone's like, shut the fuck up, your weird

0:48:03.280 --> 0:48:05.120
<v Speaker 2>piece of shit with your weird underwear.

0:48:05.280 --> 0:48:08.279
<v Speaker 3>Yeah, you're drunk as it looks like a cartoon drunk.

0:48:08.280 --> 0:48:09.319
<v Speaker 1>It looks like a cartoon drunk.

0:48:09.320 --> 0:48:10.040
<v Speaker 2>It looks like W. C.

0:48:10.200 --> 0:48:16.239
<v Speaker 1>Fields all right, rummy for current reference, but that like

0:48:16.560 --> 0:48:19.160
<v Speaker 1>weird his underwear that he roes like, oh my wife

0:48:19.239 --> 0:48:19.719
<v Speaker 1>got me this.

0:48:19.840 --> 0:48:23.319
<v Speaker 2>I'm like in the fucking eighteen seventies, what the fuck

0:48:23.440 --> 0:48:25.560
<v Speaker 2>is that? But again, that's just me looking at it

0:48:25.680 --> 0:48:28.920
<v Speaker 2>from twenty twenty five and not understanding anything. And that's

0:48:28.920 --> 0:48:32.080
<v Speaker 2>when sort of like the whole thing of like George saying, look, bro,

0:48:32.320 --> 0:48:35.120
<v Speaker 2>i I'm probably just I wish I wish I wasn't

0:48:35.160 --> 0:48:36.000
<v Speaker 2>around anymore.

0:48:37.560 --> 0:48:40.440
<v Speaker 1>Carl Havoc, Yeah, I'd just rather not be around.

0:48:40.719 --> 0:48:43.400
<v Speaker 3>My favorite thing is that in the favorite part of

0:48:43.440 --> 0:48:46.640
<v Speaker 3>the whole movie or favorite actor in the movie is

0:48:46.719 --> 0:48:49.680
<v Speaker 3>the guy who's trying to spit tobacco but he keeps

0:48:49.760 --> 0:48:52.600
<v Speaker 3>like doing a double take because the angel keeps doing

0:48:53.000 --> 0:48:55.560
<v Speaker 3>supernatural shit. Like the guy who's in charge of like

0:48:55.880 --> 0:48:57.160
<v Speaker 3>taking money at the bridge.

0:48:57.400 --> 0:48:58.560
<v Speaker 2>Oh oh yeah that guy.

0:48:58.680 --> 0:49:00.160
<v Speaker 3>Yeah, that guy's the fuck for me.

0:49:00.719 --> 0:49:03.600
<v Speaker 1>He deserves an the killing ward that guy ruled.

0:49:04.440 --> 0:49:08.320
<v Speaker 3>If anyone wants to watch it again, a breakout comedic performance.

0:49:08.360 --> 0:49:11.600
<v Speaker 3>In my opinion, he just because because Clarence is revealing

0:49:11.640 --> 0:49:14.200
<v Speaker 3>he's an angel to George, and George is like, I

0:49:14.239 --> 0:49:16.640
<v Speaker 3>don't believe you, and he's like George had been punched

0:49:16.680 --> 0:49:19.120
<v Speaker 3>in the mouth when he was drunk and so like

0:49:19.239 --> 0:49:20.759
<v Speaker 3>he had blood coming out of his lip. And then

0:49:20.760 --> 0:49:22.440
<v Speaker 3>the angel's like, check to see if the blood is

0:49:22.480 --> 0:49:24.640
<v Speaker 3>still on your lip. You've never been born. You've got

0:49:24.680 --> 0:49:26.919
<v Speaker 3>your wish, you were never born, and so he checks

0:49:26.960 --> 0:49:28.560
<v Speaker 3>his lip for the blood and there's no blood. And

0:49:28.600 --> 0:49:31.720
<v Speaker 3>then the bridge guy keeps trying to the bridge tender,

0:49:31.840 --> 0:49:33.880
<v Speaker 3>which first of all, is another missed opportunity for me,

0:49:34.040 --> 0:49:36.000
<v Speaker 3>born too late. I would love to be a guy

0:49:37.400 --> 0:49:38.000
<v Speaker 3>bridge you.

0:49:38.040 --> 0:49:40.160
<v Speaker 1>Know, no what's coming by at night, just making sure

0:49:40.280 --> 0:49:42.719
<v Speaker 1>that nothing goes down on the bridge.

0:49:42.560 --> 0:49:45.520
<v Speaker 3>Sitting in there and chewing tobacco and that's what are

0:49:45.520 --> 0:49:45.799
<v Speaker 3>we going.

0:49:45.800 --> 0:49:47.799
<v Speaker 1>To leave this bridge unattended all night?

0:49:47.960 --> 0:49:50.759
<v Speaker 3>But yeah, that guy's like that guy's performance where he

0:49:50.840 --> 0:49:52.960
<v Speaker 3>keeps being about to split the tobacco, but then he

0:49:53.040 --> 0:49:56.120
<v Speaker 3>double takes when something else crazy happens, and the eventually

0:49:56.360 --> 0:49:57.759
<v Speaker 3>runs credited.

0:50:00.040 --> 0:50:02.360
<v Speaker 2>I'm Sad is his name, And he was like a

0:50:02.480 --> 0:50:05.719
<v Speaker 2>vaudevillian guy. So makes sense, no joke.

0:50:05.800 --> 0:50:08.520
<v Speaker 3>I was like that guy, Holy shit, what a great job.

0:50:09.200 --> 0:50:11.919
<v Speaker 2>Also, he really he really cast. He really earns that check.

0:50:11.960 --> 0:50:14.319
<v Speaker 2>When Clarence is like Irons as two, He's like, what's

0:50:14.360 --> 0:50:18.560
<v Speaker 2>as too? Man, he's like Angel second class. That's yeah,

0:50:18.600 --> 0:50:22.239
<v Speaker 2>there's like it couldn't have just made that up.

0:50:23.520 --> 0:50:26.920
<v Speaker 1>Yes, I there were a couple more moments of like

0:50:27.280 --> 0:50:31.000
<v Speaker 1>morality that probably wouldn't make it in a modern movie.

0:50:32.000 --> 0:50:34.760
<v Speaker 1>One was I'm not a pray like when Jimmy Stewart

0:50:34.800 --> 0:50:37.480
<v Speaker 1>before he goes to the bridge to kill himself, says

0:50:37.560 --> 0:50:40.239
<v Speaker 1>like I'm not a praying man, but like I don't know,

0:50:40.480 --> 0:50:43.759
<v Speaker 1>like help me out here, which like I feel like

0:50:43.880 --> 0:50:46.440
<v Speaker 1>there's no way that a modern movie would have the

0:50:46.520 --> 0:50:49.439
<v Speaker 1>person be like in a movie that's like this much

0:50:49.520 --> 0:50:51.879
<v Speaker 1>based on like him being like I'm not a praying man.

0:50:52.200 --> 0:50:55.840
<v Speaker 1>But then also when he's like checking his pockets to

0:50:55.920 --> 0:50:59.879
<v Speaker 1>be like where's my age, he says no four F car,

0:51:00.239 --> 0:51:02.040
<v Speaker 1>which is the card that said you weren't fit for

0:51:02.160 --> 0:51:05.359
<v Speaker 1>military service, which maybe, like I think the only way

0:51:05.400 --> 0:51:07.800
<v Speaker 1>they got away with this is because Jimmy Stewart was

0:51:07.880 --> 0:51:10.360
<v Speaker 1>an actual war hero. But like the fact that he

0:51:10.520 --> 0:51:13.799
<v Speaker 1>has to stay home because of like his ear from

0:51:13.840 --> 0:51:17.160
<v Speaker 1>the war. I'm just like, are they trying to make me,

0:51:17.360 --> 0:51:21.359
<v Speaker 1>as an American hate this guy, you know, doesn't believe

0:51:21.400 --> 0:51:24.759
<v Speaker 1>in God, doesn't fight the Nazis because of his ear.

0:51:25.000 --> 0:51:29.000
<v Speaker 1>But I do feel like those details feel like an

0:51:29.080 --> 0:51:33.360
<v Speaker 1>interesting window into like a pre Cold War world before

0:51:33.400 --> 0:51:38.600
<v Speaker 1>the US went completely insane, where you could just be interesting,

0:51:39.120 --> 0:51:44.520
<v Speaker 1>slightly godless and not has like been a war heroism.

0:51:44.680 --> 0:51:48.040
<v Speaker 2>Yeah, you know what year was this, forty six? I

0:51:48.120 --> 0:51:49.160
<v Speaker 2>think forty six?

0:51:49.320 --> 0:51:51.920
<v Speaker 3>Yeah, okay, so yeah, it was before the Cold War

0:51:52.040 --> 0:51:56.560
<v Speaker 3>kicked in full cold The Cold War really created a

0:51:56.640 --> 0:52:02.680
<v Speaker 3>great opportunity for introducing caricatures of how to be Yeah,

0:52:02.800 --> 0:52:04.839
<v Speaker 3>Like it was a great moment, and I don't think

0:52:04.880 --> 0:52:07.359
<v Speaker 3>people realized that. That's that's an interesting point. I didn't

0:52:07.400 --> 0:52:09.400
<v Speaker 3>think about that, But you're right, there were these moments

0:52:09.719 --> 0:52:14.839
<v Speaker 3>between wars, like after World War One, when people were like, well,

0:52:14.840 --> 0:52:17.399
<v Speaker 3>we're not going to do that anymore. We're gonna we're

0:52:17.440 --> 0:52:20.320
<v Speaker 3>gonna have to We're gonna be nice because we know

0:52:20.520 --> 0:52:23.080
<v Speaker 3>what the opposite of that is. We know what being

0:52:23.120 --> 0:52:25.080
<v Speaker 3>mean leads to. It leads to what we just went through,

0:52:25.160 --> 0:52:27.360
<v Speaker 3>and we're not doing that again. No, way, you know,

0:52:28.000 --> 0:52:31.680
<v Speaker 3>But then these same bad actors like create these calamities

0:52:31.800 --> 0:52:33.800
<v Speaker 3>like fucking what's his name? Does in this movie? This

0:52:34.080 --> 0:52:36.560
<v Speaker 3>rich guy, like he basically keeps trying to cause trouble.

0:52:36.640 --> 0:52:38.799
<v Speaker 3>He doesn't want there to be stability. He wants people

0:52:38.840 --> 0:52:42.680
<v Speaker 3>to be unstable so they can create emergencies and then drain.

0:52:42.719 --> 0:52:44.040
<v Speaker 2>Like a run on the bank. It's a run on

0:52:44.080 --> 0:52:44.319
<v Speaker 2>the bank.

0:52:44.320 --> 0:52:46.000
<v Speaker 3>I'll give you fifty cents on the dollar for everything

0:52:46.040 --> 0:52:48.839
<v Speaker 3>you own. And they're like, ohkay, opportunity and we're going

0:52:48.880 --> 0:52:51.480
<v Speaker 3>through that right now. We're going through that right fucking now.

0:52:51.600 --> 0:52:55.439
<v Speaker 3>I mean, we're being sold this fake fucking emergency that's

0:52:55.480 --> 0:52:58.359
<v Speaker 3>convincing everybody to be mean. And yeah, that's a very

0:52:58.440 --> 0:53:00.359
<v Speaker 3>good point. I didn't think about that, but you're right.

0:53:00.440 --> 0:53:02.239
<v Speaker 3>There's a moment there where people are like, listen, I

0:53:02.239 --> 0:53:03.759
<v Speaker 3>don't care if you believe in God or not. We

0:53:03.840 --> 0:53:06.120
<v Speaker 3>all thought this war together. We fucking did it. We're

0:53:06.200 --> 0:53:07.480
<v Speaker 3>now going to be good to each other.

0:53:07.960 --> 0:53:08.160
<v Speaker 2>Yeah.

0:53:08.480 --> 0:53:11.560
<v Speaker 1>It's in many ways like watching Home Alone and then this,

0:53:12.320 --> 0:53:14.840
<v Speaker 1>like we were talking about like how is the family

0:53:14.920 --> 0:53:18.920
<v Speaker 1>from Home Alone so rich? It's like the dad from

0:53:18.960 --> 0:53:21.520
<v Speaker 1>Home Alone might as well be like mister Potter's grandson,

0:53:21.880 --> 0:53:24.640
<v Speaker 1>you know, right, Like it's just but it's just like

0:53:24.760 --> 0:53:27.160
<v Speaker 1>this is where we'd rather live now. We'd rather live

0:53:27.280 --> 0:53:31.880
<v Speaker 1>with the really rich people who've like succeeded and are

0:53:32.000 --> 0:53:35.239
<v Speaker 1>isolated from the realities of day to day life, and

0:53:35.400 --> 0:53:38.000
<v Speaker 1>we'd rather like sit with them and laugh at the

0:53:38.080 --> 0:53:40.600
<v Speaker 1>working class people as opposed to like having a movie

0:53:40.680 --> 0:53:44.200
<v Speaker 1>where the guy believes this absurd dream that he can

0:53:44.320 --> 0:53:47.399
<v Speaker 1>like help his town and the people who work there

0:53:47.640 --> 0:53:49.239
<v Speaker 1>like live a normal life, right.

0:53:49.600 --> 0:53:52.560
<v Speaker 3>Yes, And that was a dream that was like when

0:53:52.680 --> 0:53:56.279
<v Speaker 3>these were smaller scale problems at least somewhat believable, like

0:53:56.360 --> 0:53:59.240
<v Speaker 3>when it was like a local millionaire against like somebody

0:53:59.280 --> 0:54:01.920
<v Speaker 3>who was trying to do something good. But now I'm

0:54:01.960 --> 0:54:04.400
<v Speaker 3>such a jam because we're dealing with like forces that

0:54:04.520 --> 0:54:08.840
<v Speaker 3>are not surmountable by some just good natured person. It

0:54:08.920 --> 0:54:12.040
<v Speaker 3>has to be like a billion good natured people having

0:54:12.120 --> 0:54:13.360
<v Speaker 3>some weight awakening.

0:54:13.880 --> 0:54:16.239
<v Speaker 1>Yeah right, yeah, all right, let's take a quick break

0:54:16.360 --> 0:54:29.160
<v Speaker 1>and yeah, we'll be right back, and we're back, We're back.

0:54:29.400 --> 0:54:32.360
<v Speaker 1>I did have that question of like because of like

0:54:32.480 --> 0:54:34.960
<v Speaker 1>how small scale it is that an eight thousand dollars

0:54:35.160 --> 0:54:38.840
<v Speaker 1>getting lost like sinks the bank essentially was like, what

0:54:39.080 --> 0:54:44.160
<v Speaker 1>what is that in today's money comparison? It's one hundred

0:54:44.160 --> 0:54:48.000
<v Speaker 1>and forty thousand dollars, which seems low to sink a bank.

0:54:48.080 --> 0:54:50.360
<v Speaker 1>But it's also like, oh, but also we don't have

0:54:50.560 --> 0:54:53.040
<v Speaker 1>banks like that anymore, Like I have no frame of

0:54:53.160 --> 0:54:56.320
<v Speaker 1>reference for like a what a local bank would be

0:54:56.480 --> 0:54:57.000
<v Speaker 1>sunk by?

0:54:57.320 --> 0:55:01.040
<v Speaker 2>Yeah? Right, because Potter won, right right.

0:55:01.040 --> 0:55:03.160
<v Speaker 1>It's like, you're not going to pull your money together

0:55:03.239 --> 0:55:05.640
<v Speaker 1>to fucking help each other? What are you fucking dumb?

0:55:06.040 --> 0:55:09.600
<v Speaker 1>Welcome to city bank. I also do think our inflation

0:55:09.640 --> 0:55:12.120
<v Speaker 1>because they were like in one hundred forty dollars and

0:55:12.160 --> 0:55:14.400
<v Speaker 1>twenty twenty four, it's probably like two hundred.

0:55:14.120 --> 0:55:17.800
<v Speaker 2>And five years. I call that seven million. Now for

0:55:17.920 --> 0:55:18.440
<v Speaker 2>sure it's a.

0:55:18.480 --> 0:55:21.600
<v Speaker 1>Bed a bed year of people who aren't billionaires.

0:55:22.600 --> 0:55:25.600
<v Speaker 2>So then he's we're now in this alternate time where.

0:55:25.520 --> 0:55:29.400
<v Speaker 1>The alternate timeline where he's never existed.

0:55:29.920 --> 0:55:32.640
<v Speaker 2>And I think one of the first stops he takes

0:55:33.080 --> 0:55:36.120
<v Speaker 2>is what he's just kind of, uh, where do they go?

0:55:36.640 --> 0:55:39.239
<v Speaker 2>I think they go. I don't know, I don't have

0:55:39.320 --> 0:55:39.960
<v Speaker 2>it in order.

0:55:40.120 --> 0:55:42.960
<v Speaker 1>I think he goes to the bar at some point

0:55:43.120 --> 0:55:46.160
<v Speaker 1>that used to be Martini's and now it's Nicks and

0:55:46.239 --> 0:55:48.480
<v Speaker 1>Now the guy behind the bar is oh y yep,

0:55:48.719 --> 0:55:50.480
<v Speaker 1>is like, hey, I don't know you buster her, Why

0:55:50.480 --> 0:55:51.760
<v Speaker 1>are you talking to me? All familiar?

0:55:52.040 --> 0:55:55.360
<v Speaker 2>See yeah, yeah, it's like no one knows him. That

0:55:55.520 --> 0:55:59.080
<v Speaker 2>Martini is like fucking gone. He's like an afterthought.

0:55:59.360 --> 0:56:01.560
<v Speaker 3>And the evil his name is the first thing he

0:56:01.640 --> 0:56:03.799
<v Speaker 3>hears is the name of the town is Pottersville.

0:56:03.840 --> 0:56:05.560
<v Speaker 2>Now, yeah, it's called Pottersville.

0:56:05.600 --> 0:56:08.160
<v Speaker 3>Yeah, so he knows it's like being called Trumpville. So

0:56:09.040 --> 0:56:11.360
<v Speaker 3>so everybody in trump Bill is in a in a

0:56:11.560 --> 0:56:14.640
<v Speaker 3>corresponding mood. They're all in a horrible mood, and they're

0:56:14.640 --> 0:56:16.120
<v Speaker 3>all mean as snakes.

0:56:16.840 --> 0:56:20.040
<v Speaker 2>Yeah. I do like though, just how cruel they were.

0:56:20.120 --> 0:56:22.080
<v Speaker 2>Like when old man Gower came in, he's like, get

0:56:22.120 --> 0:56:22.600
<v Speaker 2>out of here.

0:56:22.560 --> 0:56:24.480
<v Speaker 1>You're drunk and hits him with the seltzer and I

0:56:24.600 --> 0:56:30.719
<v Speaker 1>was like, he lost his son to the flu twenty

0:56:30.840 --> 0:56:32.000
<v Speaker 1>years ago and he was playing this.

0:56:32.160 --> 0:56:34.799
<v Speaker 3>Help this man, this ice it's ice agent shit.

0:56:35.200 --> 0:56:37.919
<v Speaker 2>Yeah yeah yeah. And then also to the point about

0:56:37.920 --> 0:56:42.080
<v Speaker 2>the tuxedo. I loved how divy Nick's bar was, like

0:56:42.280 --> 0:56:44.960
<v Speaker 2>the door man was the one guy in a tuxedo

0:56:45.040 --> 0:56:47.359
<v Speaker 2>when he's like show on the door, yeah, and he's

0:56:47.400 --> 0:56:49.239
<v Speaker 2>like of course and a guy in a tuxedos like

0:56:49.400 --> 0:56:51.040
<v Speaker 2>grabbing him by the collar. I'm like, oh, well he

0:56:51.080 --> 0:56:53.600
<v Speaker 2>got a tuxedo on. So you know, they keep it formal.

0:56:53.680 --> 0:56:54.400
<v Speaker 2>They keep it formal.

0:56:54.640 --> 0:56:58.240
<v Speaker 1>I will say, the time travel rules they're pretty loose

0:56:58.320 --> 0:57:03.319
<v Speaker 1>in terms of like his brother drown without him there

0:57:03.400 --> 0:57:05.600
<v Speaker 1>to save him. But he was at that same sledding

0:57:05.680 --> 0:57:10.320
<v Speaker 1>hill on that same day even though he didn't exist. Yeah, Like,

0:57:10.440 --> 0:57:12.319
<v Speaker 1>I feel like if I had found that out, I'd

0:57:12.360 --> 0:57:16.880
<v Speaker 1>be like, man, maybe I don't matter. So he ended

0:57:16.960 --> 0:57:19.240
<v Speaker 1>up doing all the same shit, and it's just like

0:57:19.400 --> 0:57:21.000
<v Speaker 1>I was just there to save.

0:57:20.800 --> 0:57:22.160
<v Speaker 2>His ass kind of. Yeah.

0:57:22.360 --> 0:57:24.160
<v Speaker 1>Yeah, that's one way to look at it. That's one

0:57:24.160 --> 0:57:26.320
<v Speaker 1>way to look at it. But this is the nineteen

0:57:26.400 --> 0:57:29.200
<v Speaker 1>forties Jack, So let's just let's not you have enough,

0:57:29.280 --> 0:57:32.320
<v Speaker 1>you have too much contact with time travel. And then

0:57:32.560 --> 0:57:35.320
<v Speaker 1>he goes to his house and he sits in a

0:57:35.360 --> 0:57:43.520
<v Speaker 1>cuckchair and watches his wife wife fuck her successful husband

0:57:43.640 --> 0:57:46.120
<v Speaker 1>from the plastics factory. Uh.

0:57:46.360 --> 0:57:49.440
<v Speaker 3>No, cuckchair is a cup chair, just any chair that

0:57:49.520 --> 0:57:50.160
<v Speaker 3>faces a bed.

0:57:50.520 --> 0:57:53.240
<v Speaker 2>Yeah, yeah, so you can watch, so the partners watch.

0:57:53.720 --> 0:57:55.600
<v Speaker 3>It's not especially design chair or anything.

0:57:56.120 --> 0:57:58.880
<v Speaker 2>No, I mean, he doesn't need to be Okay, Yeah.

0:57:59.240 --> 0:58:00.680
<v Speaker 1>I don't know if you see the chair and burn

0:58:00.760 --> 0:58:03.480
<v Speaker 1>after reading, but that can that can make it a

0:58:03.520 --> 0:58:04.120
<v Speaker 1>little more fun.

0:58:04.160 --> 0:58:05.960
<v Speaker 3>Finitely, I haven't seen that either.

0:58:05.960 --> 0:58:09.919
<v Speaker 2>But yeah, so mister Gower, he's he went to jail

0:58:09.960 --> 0:58:14.200
<v Speaker 2>for manslaughter. His mom doesn't know him. The city of

0:58:14.320 --> 0:58:17.439
<v Speaker 2>Pottersville now looks like a Christian person's version of Hell

0:58:17.600 --> 0:58:20.919
<v Speaker 2>because it's just like it's all dancing and music. Yeah,

0:58:21.240 --> 0:58:25.600
<v Speaker 2>a lot of girls, girls, girls sense yeah, oh buffalo gals,

0:58:25.640 --> 0:58:26.360
<v Speaker 2>won't you come out?

0:58:26.440 --> 0:58:26.720
<v Speaker 1>And I.

0:58:28.920 --> 0:58:31.320
<v Speaker 2>Was I've heard that melody. I had to google it

0:58:31.400 --> 0:58:32.760
<v Speaker 2>and just be like, what the fuck is?

0:58:33.280 --> 0:58:35.800
<v Speaker 1>And so it's it's like a it's a runner from

0:58:36.240 --> 0:58:38.320
<v Speaker 1>the it's what I think. It's what they're dancing to

0:58:38.400 --> 0:58:40.120
<v Speaker 1>when they go in the pool, and then it's what

0:58:40.240 --> 0:58:44.000
<v Speaker 1>they're singing as he's walking her home. That scene is

0:58:44.040 --> 0:58:48.440
<v Speaker 1>also probably worth mentioning that she loses the uh robe

0:58:48.520 --> 0:58:50.720
<v Speaker 1>that she's in because she had gone to the pool,

0:58:50.920 --> 0:58:53.600
<v Speaker 1>and so she's naked hiding in a bush and he's like, wow,

0:58:56.040 --> 0:58:59.080
<v Speaker 1>before I could tell tickets here, hold on, maybe I'm

0:58:59.120 --> 0:59:03.720
<v Speaker 1>a piece of ship, come on out. And but but yeah,

0:59:03.760 --> 0:59:06.000
<v Speaker 1>so she she's singing it. They're singing it together, and

0:59:06.120 --> 0:59:09.000
<v Speaker 1>then when he goes to see her, she's like got

0:59:09.040 --> 0:59:12.200
<v Speaker 1>it playing on the She's like kind of holding it

0:59:13.160 --> 0:59:15.280
<v Speaker 1>for him, and so she's got it playing on the record,

0:59:15.400 --> 0:59:17.240
<v Speaker 1>and then when she gets mad at him, she breaks it.

0:59:17.400 --> 0:59:21.240
<v Speaker 1>So it's like their song in a way that's like deep.

0:59:21.800 --> 0:59:27.720
<v Speaker 2>Buffalo Gals was sung by minstrels, and it was talking

0:59:27.760 --> 0:59:32.320
<v Speaker 2>about the dancers because Buffalo was the western terminus of

0:59:32.440 --> 0:59:35.280
<v Speaker 2>the Eerie Canal, so all the port men had their

0:59:35.400 --> 0:59:38.000
<v Speaker 2>cash by the time they got to Buffalo, so they're

0:59:38.000 --> 0:59:41.200
<v Speaker 2>all like, Buffalo girl, let'd you come out tonight. It's basically,

0:59:41.480 --> 0:59:44.200
<v Speaker 2>and then apparently in these minstrel shows they would it

0:59:44.320 --> 0:59:46.400
<v Speaker 2>was like local comedy. So if they're in New York,

0:59:46.440 --> 0:59:47.720
<v Speaker 2>then they'd be like New York. She'd be like New

0:59:47.800 --> 0:59:50.160
<v Speaker 2>York girls, why don't you come or like Mississip girls,

0:59:50.160 --> 0:59:52.520
<v Speaker 2>why don't you come out tonight? And it just became

0:59:53.000 --> 0:59:54.200
<v Speaker 2>that kind of a thing, and I was like, of

0:59:54.360 --> 0:59:58.680
<v Speaker 2>course it's minstrels. See, yes, yes, yes, yes, of course

0:59:58.720 --> 0:59:59.880
<v Speaker 2>I knew that was the deal here.

1:00:00.480 --> 1:00:03.600
<v Speaker 3>Yeah, Buffalo Gals is like I'll tell you one thing.

1:00:04.880 --> 1:00:07.240
<v Speaker 3>You know some of some of the things that were

1:00:07.800 --> 1:00:10.440
<v Speaker 3>good back then, you know, some of those things were

1:00:10.520 --> 1:00:14.800
<v Speaker 3>like maybe you could the local businessman can still fight

1:00:15.040 --> 1:00:21.240
<v Speaker 3>the junior oligarch. There's one thing that has improved, and

1:00:21.360 --> 1:00:28.040
<v Speaker 3>that is fucking music, because man, oh man, imagine trying

1:00:28.080 --> 1:00:31.000
<v Speaker 3>to have sex to that song, which obviously it would

1:00:31.000 --> 1:00:35.640
<v Speaker 3>be implied that they would crank up the victrola.

1:00:35.600 --> 1:00:37.680
<v Speaker 2>Yeah right, right right, and they would listen to that

1:00:38.120 --> 1:00:38.880
<v Speaker 2>while they fucked.

1:00:39.280 --> 1:00:41.720
<v Speaker 1>I'm getting hot, I mean, for God's sake.

1:00:41.960 --> 1:00:43.479
<v Speaker 2>Yeah, I mean, we've seen the way they kiss.

1:00:43.680 --> 1:00:46.600
<v Speaker 1>So if they're putting on buffalo gals and bumping uglies,

1:00:46.640 --> 1:00:49.200
<v Speaker 1>I don't know what the fuck that looks like, but.

1:00:49.800 --> 1:00:52.280
<v Speaker 3>But we yeah, like think about I mean, just how

1:00:52.360 --> 1:00:55.880
<v Speaker 3>much better off we are sexually speaking?

1:00:56.320 --> 1:00:59.200
<v Speaker 2>Yeah, well, I think once they let black people perform

1:00:59.320 --> 1:01:03.680
<v Speaker 2>as themselves, that helped a lot. I would say, yeah, yeah, yeah,

1:01:03.680 --> 1:01:04.440
<v Speaker 2>that would help a lot.

1:01:04.680 --> 1:01:08.080
<v Speaker 3>Like and really for a long time, like we are in,

1:01:08.520 --> 1:01:11.440
<v Speaker 3>we are lucky to be around for some fucking rock

1:01:11.480 --> 1:01:14.120
<v Speaker 3>and roll and some fucking funk, because for a long

1:01:14.160 --> 1:01:16.640
<v Speaker 3>time people had to fuck. Just She'll be coming around.

1:01:16.400 --> 1:01:21.240
<v Speaker 2>The mountain, Old Gray Mayor.

1:01:21.320 --> 1:01:24.760
<v Speaker 3>She and they were pumped because I mean, it's still

1:01:24.840 --> 1:01:26.000
<v Speaker 3>sex and it's still gonna be.

1:01:26.000 --> 1:01:29.040
<v Speaker 1>Good, but you had your kids play the piano downstairs.

1:01:29.480 --> 1:01:33.920
<v Speaker 1>My pianola, Mom and I are upstairs for a little bit.

1:01:34.640 --> 1:01:36.480
<v Speaker 3>Like, if you're listening to a song like that and

1:01:36.560 --> 1:01:39.120
<v Speaker 3>fucking you're probably okay with sawdust being on the floor.

1:01:39.360 --> 1:01:41.640
<v Speaker 3>But if you're listening to like pony by Genuine, then

1:01:41.680 --> 1:01:42.880
<v Speaker 3>you say, let's clean up in here.

1:01:43.200 --> 1:01:45.680
<v Speaker 2>Yeah, yeah, yeah, yeah, it can't be a total nightmare

1:01:45.720 --> 1:01:45.960
<v Speaker 2>in here.

1:01:46.080 --> 1:01:52.400
<v Speaker 3>If I'm got genuine, rag over the light and throw

1:01:52.480 --> 1:01:53.680
<v Speaker 3>on buffalo gals.

1:01:53.960 --> 1:01:56.360
<v Speaker 1>If it starts smoking, they'll get the rag off the

1:01:56.520 --> 1:01:58.000
<v Speaker 1>lamp because it'll sort of fire.

1:01:58.320 --> 1:01:59.880
<v Speaker 3>Are there any better rhythms than that?

1:02:00.040 --> 1:02:00.160
<v Speaker 1>Yes?

1:02:00.960 --> 1:02:03.440
<v Speaker 2>No, this is the only one we found so far.

1:02:06.120 --> 1:02:10.840
<v Speaker 2>Loop Yet what you're not an engine? What were you

1:02:10.880 --> 1:02:11.480
<v Speaker 2>doing that for?

1:02:14.560 --> 1:02:18.080
<v Speaker 1>Uh? So, then we find out other things. The building

1:02:18.160 --> 1:02:21.680
<v Speaker 1>and loan has failed, Uncle Billy. As a result of

1:02:21.720 --> 1:02:25.280
<v Speaker 1>the building and loan failing was institutionalized. Bailey Park is

1:02:25.360 --> 1:02:28.520
<v Speaker 1>not a neighborhood anymore. It's a cemetery. And then he

1:02:28.560 --> 1:02:32.600
<v Speaker 1>also discovers again like you said, brother gone, the other

1:02:32.760 --> 1:02:39.200
<v Speaker 1>died was that same? Yeah exactly, and the druggist poisoned

1:02:39.280 --> 1:02:43.240
<v Speaker 1>that kid. Yeah, so again he really might as well

1:02:43.280 --> 1:02:46.120
<v Speaker 1>not have existed. Everything went exactly the same, except for

1:02:46.280 --> 1:02:49.200
<v Speaker 1>like the two good deeds that he did. But like otherwise,

1:02:49.320 --> 1:02:51.760
<v Speaker 1>nobody fucking noticed he wasn't there at all.

1:02:52.480 --> 1:02:53.680
<v Speaker 3>I didn't think about it that way.

1:02:54.200 --> 1:02:56.600
<v Speaker 2>He was just yeah, right, I mean.

1:02:56.640 --> 1:02:59.080
<v Speaker 1>They hadn't discovered chaos there yet, so they didn't know

1:02:59.600 --> 1:03:03.240
<v Speaker 1>that that wasn't realistic. I was wondering maybe the angel

1:03:03.240 --> 1:03:05.560
<v Speaker 1>could like snap and take him around with the magic

1:03:05.600 --> 1:03:08.600
<v Speaker 1>of film editing instead of having to wander around everywhere.

1:03:08.720 --> 1:03:11.520
<v Speaker 1>But it's effective, he gets. They pack it with all

1:03:11.600 --> 1:03:14.960
<v Speaker 1>sorts of details he does. He does ask where his

1:03:15.080 --> 1:03:18.919
<v Speaker 1>wife is, and they're like, well, why that old spinstress.

1:03:19.320 --> 1:03:22.360
<v Speaker 1>She's out at the library closed closing it down. And

1:03:22.480 --> 1:03:25.520
<v Speaker 1>we get the first that I'm aware of, probably not

1:03:25.600 --> 1:03:28.760
<v Speaker 1>the first. One example of hot babe and glasses is

1:03:28.840 --> 1:03:31.520
<v Speaker 1>no longer pretty and it's just like an I'll go,

1:03:32.400 --> 1:03:36.840
<v Speaker 1>Everyone's just like she never married, she's a loser. Her

1:03:36.920 --> 1:03:39.440
<v Speaker 1>cornea is a odd shape, so why she's nearsighted?

1:03:39.960 --> 1:03:43.520
<v Speaker 2>Okay, corny is what the is this? But I do

1:03:43.920 --> 1:03:47.040
<v Speaker 2>that scene when he sees like very spray search come.

1:03:48.040 --> 1:03:50.040
<v Speaker 1>He's not getting it, by the way, he's not really

1:03:50.120 --> 1:03:50.640
<v Speaker 1>not getting it.

1:03:50.920 --> 1:03:52.920
<v Speaker 2>And she is freaked the fuck out.

1:03:53.000 --> 1:03:58.520
<v Speaker 1>She's like, runs to the fucking bar, and again I

1:03:58.680 --> 1:04:00.640
<v Speaker 1>like that he's crashing out in this bars, like that's

1:04:00.720 --> 1:04:04.000
<v Speaker 1>my why, and all these like dudes surround him. One

1:04:04.160 --> 1:04:06.760
<v Speaker 1>guy in the crowd, just an odd line in the crowd,

1:04:06.840 --> 1:04:08.880
<v Speaker 1>and like they're trying to restrain George Bailey from going

1:04:08.920 --> 1:04:09.480
<v Speaker 1>at Mary who.

1:04:09.560 --> 1:04:10.520
<v Speaker 2>She's like, I don't know this man.

1:04:10.720 --> 1:04:13.040
<v Speaker 1>One guy's like, it's a crazy guy. Hit him in

1:04:13.080 --> 1:04:16.920
<v Speaker 1>the head with a bottle. That's what we do here.

1:04:17.360 --> 1:04:21.000
<v Speaker 2>Yeah, it's like we still aren't past our conflict resolution

1:04:21.160 --> 1:04:23.640
<v Speaker 2>methods with people having some kind of caras like fucking

1:04:23.720 --> 1:04:27.080
<v Speaker 2>attack them. This guy's lost it. And then I love

1:04:27.160 --> 1:04:30.000
<v Speaker 2>that the cop pulls up and just starts blasting from

1:04:30.080 --> 1:04:33.480
<v Speaker 2>the hip, blasting shot again. Again.

1:04:33.960 --> 1:04:38.440
<v Speaker 1>It has everything bad about America, predatory capitalism, police who

1:04:38.520 --> 1:04:42.400
<v Speaker 1>shoot wildly onto a crowded street, except in this case

1:04:42.400 --> 1:04:44.240
<v Speaker 1>the police officer is like his old friend.

1:04:44.600 --> 1:04:48.160
<v Speaker 2>Yeah, yeah, yeah, yeah, yeah. It was really really something.

1:04:48.480 --> 1:04:51.640
<v Speaker 3>And being associated with being alone, right right.

1:04:51.840 --> 1:04:54.720
<v Speaker 2>A librarian, yeah, exactly, the worst thing.

1:04:55.040 --> 1:04:56.120
<v Speaker 1>Why she's the worst thing.

1:04:56.240 --> 1:04:59.120
<v Speaker 2>She could be institutionalized a librarian.

1:04:59.280 --> 1:05:00.200
<v Speaker 3>Oh my god.

1:05:00.520 --> 1:05:02.520
<v Speaker 2>But that was like kind of Georgia's thing too, Like,

1:05:02.640 --> 1:05:04.960
<v Speaker 2>wasn't he headed to the library one of those scenes.

1:05:04.720 --> 1:05:07.640
<v Speaker 1>Like we're yeah, that's what he's the library, Like all right,

1:05:07.880 --> 1:05:12.680
<v Speaker 1>fucking loser, dork library, all right, bag fumble number ninety,

1:05:12.880 --> 1:05:15.600
<v Speaker 1>fucking I fucking hate this guy.

1:05:15.560 --> 1:05:18.000
<v Speaker 2>Fucking George dude, fucking loser.

1:05:18.160 --> 1:05:20.280
<v Speaker 1>Round. It does give me hope that this is like

1:05:20.400 --> 1:05:24.920
<v Speaker 1>an American classic because it is so anti capitalist. It's

1:05:25.000 --> 1:05:28.440
<v Speaker 1>just like the that sentiment is there in people's hearts.

1:05:28.520 --> 1:05:31.480
<v Speaker 1>They know what's happening, they know that there are potters

1:05:31.520 --> 1:05:35.360
<v Speaker 1>out there and they're fucking people up. But yeah, it's

1:05:36.400 --> 1:05:39.520
<v Speaker 1>it's just wild. It's really laying dormant and has been

1:05:39.800 --> 1:05:41.880
<v Speaker 1>for eighty years now.

1:05:42.040 --> 1:05:44.720
<v Speaker 3>Yeah, that reminds me of something I thought of when

1:05:44.760 --> 1:05:47.440
<v Speaker 3>I was watching this, which was when I grew up.

1:05:47.480 --> 1:05:50.640
<v Speaker 3>I was in this play in first grade called Stanley,

1:05:51.000 --> 1:05:54.720
<v Speaker 3>and I played a caveman that was like shunned by

1:05:54.760 --> 1:05:59.440
<v Speaker 3>the other cavemen because he liked like to decorate and

1:06:00.560 --> 1:06:02.959
<v Speaker 3>he wanted to sleep on a pillow instead of using

1:06:03.040 --> 1:06:07.800
<v Speaker 3>a rock, and he danced with a mouse like in

1:06:07.920 --> 1:06:10.240
<v Speaker 3>the play, I danced with a mouse, you know, and

1:06:10.360 --> 1:06:13.320
<v Speaker 3>like the other cavemen were like you know thought that

1:06:13.480 --> 1:06:16.240
<v Speaker 3>was stupid. Mice are something we squashed, Like what are

1:06:16.240 --> 1:06:18.160
<v Speaker 3>you talking about? What are you dancing around with the money?

1:06:18.200 --> 1:06:19.560
<v Speaker 3>And I'm like the mouse is nice, you know what

1:06:19.560 --> 1:06:21.520
<v Speaker 3>I mean? And so like the message of the play

1:06:21.640 --> 1:06:24.320
<v Speaker 3>was obvious. Then the message of the book, which is

1:06:24.360 --> 1:06:27.840
<v Speaker 3>a book called by sid Hoff called Stanley, and it's

1:06:27.880 --> 1:06:32.160
<v Speaker 3>about being nice and the main thing and being nice. Also,

1:06:32.360 --> 1:06:34.280
<v Speaker 3>all the cavemen come around at the end because it

1:06:34.320 --> 1:06:36.160
<v Speaker 3>turns out like he builds a house and they're all

1:06:36.280 --> 1:06:37.440
<v Speaker 3>used to living in a cave and they go in

1:06:37.480 --> 1:06:40.120
<v Speaker 3>the house and they're like this rules. Turns out Stanley's

1:06:40.120 --> 1:06:41.680
<v Speaker 3>a smart one and we're a bunch of idiots.

1:06:42.240 --> 1:06:44.479
<v Speaker 2>And so that is what you learn.

1:06:44.640 --> 1:06:49.440
<v Speaker 3>Right then seven years later, if you were good at

1:06:49.480 --> 1:06:53.200
<v Speaker 3>playing lacrosse in my town, you were above the law.

1:06:57.480 --> 1:06:58.320
<v Speaker 3>Like how did that?

1:06:59.080 --> 1:07:00.400
<v Speaker 2>What is the first part for?

1:07:01.360 --> 1:07:05.760
<v Speaker 3>If we throw it all out the window? And that's

1:07:05.840 --> 1:07:09.200
<v Speaker 3>what's happening to me every day in America now, I

1:07:09.280 --> 1:07:13.120
<v Speaker 3>feel so sad because I just feel like, what is

1:07:13.200 --> 1:07:16.440
<v Speaker 3>all this talk about being all this stuff we were

1:07:16.520 --> 1:07:16.920
<v Speaker 3>raised on?

1:07:17.080 --> 1:07:17.840
<v Speaker 2>What was it all for?

1:07:18.360 --> 1:07:22.439
<v Speaker 3>And how could we all be so easily just from

1:07:22.520 --> 1:07:26.360
<v Speaker 3>eight years of this idiot you know, be have that

1:07:26.480 --> 1:07:27.560
<v Speaker 3>all shaken out of us?

1:07:27.920 --> 1:07:28.040
<v Speaker 2>Right?

1:07:28.160 --> 1:07:29.920
<v Speaker 3>I mean, I know it's more complicated than that, but

1:07:30.040 --> 1:07:33.320
<v Speaker 3>the basics of you know, Ice is wrong. What they're

1:07:33.400 --> 1:07:36.200
<v Speaker 3>doing is wrong. What what Trump is doing is wrong.

1:07:36.360 --> 1:07:39.360
<v Speaker 3>Trump's way of speaking is wrong. Trump saying that he's

1:07:39.400 --> 1:07:42.080
<v Speaker 3>going to take people out of things, out of campaign

1:07:42.160 --> 1:07:46.160
<v Speaker 3>rallies on stretchers is wrong. How did we manage to

1:07:46.200 --> 1:07:50.040
<v Speaker 3>shrug off a million years of not really but you know,

1:07:50.120 --> 1:07:55.880
<v Speaker 3>fifty sixty years of like like what we supposedly celebrated,

1:07:55.920 --> 1:07:57.880
<v Speaker 3>which was the morality of the United States, which is

1:07:57.920 --> 1:08:00.560
<v Speaker 3>of course always questionable. But there is at least the

1:08:00.680 --> 1:08:03.000
<v Speaker 3>idea that if you see someone on the street, you

1:08:03.160 --> 1:08:05.080
<v Speaker 3>help them out. You don't you don't say that they're

1:08:05.080 --> 1:08:08.640
<v Speaker 3>a security risk or you know, call the cops because

1:08:08.680 --> 1:08:11.600
<v Speaker 3>you want them taking away to guantanamo. You you go

1:08:11.720 --> 1:08:14.240
<v Speaker 3>and see if they need help. Like, how did that change?

1:08:14.320 --> 1:08:17.320
<v Speaker 2>You know, what's the rhetoric that's changed? Right? To describe

1:08:17.439 --> 1:08:19.519
<v Speaker 2>those people Now it's not like someone down and out,

1:08:19.600 --> 1:08:22.479
<v Speaker 2>it's like a potential threat or these other things. You

1:08:22.600 --> 1:08:23.200
<v Speaker 2>completely see.

1:08:24.600 --> 1:08:26.559
<v Speaker 3>All you need to get is the media on board

1:08:26.600 --> 1:08:29.680
<v Speaker 3>with that, and then it just takes away all that

1:08:29.840 --> 1:08:31.800
<v Speaker 3>stuff we learned, but I mean, I also know that

1:08:32.760 --> 1:08:35.240
<v Speaker 3>like it. It was very like, I don't know what

1:08:35.360 --> 1:08:36.680
<v Speaker 3>the point of it all is. I guess just to

1:08:36.720 --> 1:08:39.280
<v Speaker 3>make people feel better once they start doing the bad stuff.

1:08:39.320 --> 1:08:41.120
<v Speaker 3>They said, well, a long time ago, I talked about

1:08:41.160 --> 1:08:41.880
<v Speaker 3>what was right to do.

1:08:42.479 --> 1:08:44.840
<v Speaker 2>Yeah right, welcome to Pottersville, motherfucker.

1:08:45.160 --> 1:08:46.000
<v Speaker 3>Yeah yeah right.

1:08:46.800 --> 1:08:49.639
<v Speaker 2>Interesting. So at that point we've reached the part where

1:08:49.680 --> 1:08:51.679
<v Speaker 2>George bed is like, I actually want to live. God,

1:08:52.720 --> 1:08:55.400
<v Speaker 2>I can't stand there's anymore. You got to bring me back.

1:08:55.520 --> 1:08:56.439
<v Speaker 4>I'm my family.

1:08:57.000 --> 1:08:59.920
<v Speaker 2>And here comes Burt in the cop pri and he's like, George,

1:09:00.040 --> 1:09:03.040
<v Speaker 2>you're looking all over for you. And he's like, birs,

1:09:03.479 --> 1:09:05.479
<v Speaker 2>you recognize me. He's like, of course I do. Anyway,

1:09:05.600 --> 1:09:08.760
<v Speaker 2>So he's back, he exists, his mouth is bleeding, he

1:09:08.800 --> 1:09:11.200
<v Speaker 2>can't hear out his left ear. His fucking drunk driving

1:09:11.240 --> 1:09:13.639
<v Speaker 2>accident is still there. And it's okay because your friend

1:09:13.720 --> 1:09:16.400
<v Speaker 2>is the cop. And let's not forget George is technically

1:09:16.479 --> 1:09:19.360
<v Speaker 2>a banker, so it's not like he's also sitting pretty.

1:09:19.560 --> 1:09:21.640
<v Speaker 1>It's like just because he's a community. But he's like,

1:09:21.920 --> 1:09:24.080
<v Speaker 1>hey mom, I'm sitting on all this capital. Let's be real, Okay,

1:09:24.880 --> 1:09:28.120
<v Speaker 1>they're waiting back at his house with the media because

1:09:28.120 --> 1:09:31.439
<v Speaker 1>it is two bankers by definition also if you kind

1:09:31.479 --> 1:09:33.920
<v Speaker 1>of think about that. But again, the values are still

1:09:34.280 --> 1:09:36.920
<v Speaker 1>I think the point is still there. And then he

1:09:37.040 --> 1:09:37.559
<v Speaker 1>gets home.

1:09:38.040 --> 1:09:40.559
<v Speaker 2>He's like, he's so happy that he doesn't even give

1:09:40.600 --> 1:09:42.840
<v Speaker 2>a shit that the cops are going to fucking arrest him,

1:09:42.880 --> 1:09:44.800
<v Speaker 2>that he doesn't have the money to fucking keep the

1:09:44.840 --> 1:09:47.760
<v Speaker 2>home and loan solve it. He's just so thankful that

1:09:48.200 --> 1:09:50.120
<v Speaker 2>you know, he's here and he gets to enjoy this.

1:09:51.000 --> 1:09:53.120
<v Speaker 2>He gets home, and then we come to find out

1:09:53.560 --> 1:09:56.120
<v Speaker 2>that his uncle has been going around telling people we're

1:09:56.160 --> 1:09:59.479
<v Speaker 2>in trouble, and everybody in town came through with the

1:09:59.560 --> 1:10:03.080
<v Speaker 2>cash that he needed for thing to work out, and he.

1:10:03.240 --> 1:10:04.880
<v Speaker 1>Had done that when there was a run on the bank.

1:10:04.960 --> 1:10:07.599
<v Speaker 1>He had given them the money from his wedding.

1:10:08.080 --> 1:10:10.920
<v Speaker 2>And that's when I got really touched by that part

1:10:11.160 --> 1:10:13.680
<v Speaker 2>was because he I think he began to realize too.

1:10:13.800 --> 1:10:17.519
<v Speaker 2>He's like, damn, like, I my life, I've actually been

1:10:17.600 --> 1:10:20.120
<v Speaker 2>doing so much good. I just there hasn't been a

1:10:20.240 --> 1:10:22.600
<v Speaker 2>moment where that was like reflected back to me and

1:10:22.720 --> 1:10:25.040
<v Speaker 2>with such clarity that I could understand what that was.

1:10:25.600 --> 1:10:27.799
<v Speaker 2>And I felt like I was similar. I felt similarly

1:10:27.840 --> 1:10:29.280
<v Speaker 2>when I lost my house in the fire and like

1:10:29.400 --> 1:10:31.320
<v Speaker 2>all these people were helping me out. I was so

1:10:31.840 --> 1:10:34.680
<v Speaker 2>I was at it. It helped me understand I'm like, shit, bro,

1:10:34.840 --> 1:10:38.120
<v Speaker 2>like people give a fuck and people have a reason

1:10:38.200 --> 1:10:41.360
<v Speaker 2>to because I'm trying to be a good person, as

1:10:41.400 --> 1:10:43.240
<v Speaker 2>it were. And I just thought it was a very

1:10:43.760 --> 1:10:45.200
<v Speaker 2>I was like, I was really touched by that. I

1:10:45.240 --> 1:10:46.439
<v Speaker 2>was like, damn, they can't do it. But I was

1:10:46.479 --> 1:10:48.360
<v Speaker 2>also like, and you do not give him a fucking

1:10:48.479 --> 1:10:52.840
<v Speaker 2>cent of your money. You don't owe him shit. Oh man.

1:10:53.120 --> 1:10:56.080
<v Speaker 3>I had a nice experience with that scene too because

1:10:56.840 --> 1:11:01.280
<v Speaker 3>or just like his general joy because I under financial

1:11:01.880 --> 1:11:05.519
<v Speaker 3>pressure right now, you know, as I think anybody or

1:11:05.920 --> 1:11:08.840
<v Speaker 3>most people, not anybody, but a lot of people are.

1:11:09.360 --> 1:11:11.800
<v Speaker 3>It really is an effective way of like his joy

1:11:11.880 --> 1:11:16.160
<v Speaker 3>at just simply being like alive again even with a

1:11:16.240 --> 1:11:20.640
<v Speaker 3>huge amount of debt. Was like, I don't know, it

1:11:20.920 --> 1:11:23.320
<v Speaker 3>felt heartening to me. I mean it felt heartening to me.

1:11:23.880 --> 1:11:26.280
<v Speaker 3>It really does. And those are the parts of that

1:11:26.400 --> 1:11:28.800
<v Speaker 3>movie where I feel like it's a really great movie

1:11:28.880 --> 1:11:32.040
<v Speaker 3>because it really manages to get these things across in

1:11:32.120 --> 1:11:34.920
<v Speaker 3>a way that's pretty entertaining and light really. I mean,

1:11:34.960 --> 1:11:37.840
<v Speaker 3>you still mostly are laughing or maybe not laughing, but

1:11:37.920 --> 1:11:39.920
<v Speaker 3>you're certainly engaged in the story and you don't think

1:11:39.960 --> 1:11:42.240
<v Speaker 3>of it as a morality play. But then there's moments

1:11:42.320 --> 1:11:45.320
<v Speaker 3>like that where it's like, wow, I am, like what

1:11:45.479 --> 1:11:47.599
<v Speaker 3>if I do what if I am in credit card

1:11:47.680 --> 1:11:50.639
<v Speaker 3>debt or whatever, like it doesn't make any fucking difference,

1:11:50.720 --> 1:11:53.200
<v Speaker 3>And when I let it get too big in my

1:11:53.360 --> 1:11:57.120
<v Speaker 3>head and you know, it's so that's pretty serious stuff

1:11:57.600 --> 1:11:58.960
<v Speaker 3>for a black and white movie, you know.

1:11:59.240 --> 1:12:06.240
<v Speaker 2>Yeah, yeah, So one thing I was looking into is

1:12:06.320 --> 1:12:10.680
<v Speaker 2>that the FBI did have their eye on under j

1:12:10.880 --> 1:12:11.400
<v Speaker 2>Edgar Hoover.

1:12:11.760 --> 1:12:15.040
<v Speaker 1>Yes, I mean I have to assume like the fact

1:12:15.080 --> 1:12:18.080
<v Speaker 1>that it was it's been an American classic, like you know,

1:12:18.240 --> 1:12:21.200
<v Speaker 1>since you know a few years after it came out,

1:12:21.240 --> 1:12:23.840
<v Speaker 1>once it started like rerunning, I think so like it

1:12:24.040 --> 1:12:26.599
<v Speaker 1>was it was on TV during the Red Scare.

1:12:26.920 --> 1:12:29.120
<v Speaker 2>Yeah, so this is what happened at quote This is

1:12:29.120 --> 1:12:32.080
<v Speaker 2>from Smithsonian Mac. An unnamed FBI agent who watched the

1:12:32.120 --> 1:12:34.400
<v Speaker 2>film as part of a larger FBI program aimed at

1:12:34.439 --> 1:12:39.360
<v Speaker 2>detecting and neutralizing common influences in Hollywood. Hoover said it

1:12:39.479 --> 1:12:42.920
<v Speaker 2>was quote very entertaining However, writes scholar Johnny Noakes, that

1:12:43.080 --> 1:12:46.040
<v Speaker 2>the agent quote also identified that they considered a malignant

1:12:46.120 --> 1:12:48.880
<v Speaker 2>undercurrent in the film. As a result of this report,

1:12:48.920 --> 1:12:51.920
<v Speaker 2>the film underwent further industry probes that uncovered that quote.

1:12:51.960 --> 1:12:54.639
<v Speaker 2>Those responsible for making Its a Wonderful Life had employed

1:12:54.680 --> 1:12:57.720
<v Speaker 2>two common tricks used by communists to inject propaganda into

1:12:57.760 --> 1:13:00.799
<v Speaker 2>the film. These two common quote devices is, as applied

1:13:00.840 --> 1:13:02.799
<v Speaker 2>by the Los Angeles branch of the Bureau, we're smearing

1:13:02.920 --> 1:13:06.800
<v Speaker 2>quote values or institutions judged to be particularly the American

1:13:07.160 --> 1:13:10.600
<v Speaker 2>in this case, mister Potter is portrayed by scroogey misanthrope

1:13:10.640 --> 1:13:14.400
<v Speaker 2>and glorifying quote values or institutions judge to be particularly

1:13:14.479 --> 1:13:17.880
<v Speaker 2>anti American or pro Communists in this case, depression and

1:13:18.040 --> 1:13:22.400
<v Speaker 2>existential crisis, an issue that the FBI report characterized as

1:13:22.400 --> 1:13:25.000
<v Speaker 2>a quote subtle attempt to magnify the problems of the

1:13:25.080 --> 1:13:27.960
<v Speaker 2>so called common man in society. Huh.

1:13:28.439 --> 1:13:30.880
<v Speaker 1>And the FBI and the people with all the money

1:13:30.960 --> 1:13:34.560
<v Speaker 1>proceeded to win that battle, to use those suspicions to

1:13:34.640 --> 1:13:36.960
<v Speaker 1>make it so that now you look back and you're like, man,

1:13:37.040 --> 1:13:40.720
<v Speaker 1>it's weird, how like decent the values are, and how

1:13:41.120 --> 1:13:45.599
<v Speaker 1>instinctively anti capital. The people are in this mood, you know. Now,

1:13:45.680 --> 1:13:49.400
<v Speaker 1>We're just like, huh, this seems seems weird that they

1:13:49.439 --> 1:13:51.519
<v Speaker 1>got away with that. How can you make a movie

1:13:52.120 --> 1:13:56.800
<v Speaker 1>so iconoclastic and you know, anti establishment as it's a

1:13:56.880 --> 1:13:58.800
<v Speaker 1>wonderful life right now, right.

1:13:59.000 --> 1:14:01.360
<v Speaker 3>I really recommend a Face in the Crowd by Elia

1:14:01.439 --> 1:14:04.640
<v Speaker 3>Kazand to anybody in terms of like another movie that

1:14:05.520 --> 1:14:07.400
<v Speaker 3>I wrote off because it was black and white and

1:14:08.479 --> 1:14:11.880
<v Speaker 3>has a really heavy message that's applicable to now and

1:14:11.960 --> 1:14:14.920
<v Speaker 3>also makes you feel better because you realize this shit is.

1:14:15.520 --> 1:14:18.880
<v Speaker 3>It's like one hundred times worse now. But it's never

1:14:19.000 --> 1:14:22.240
<v Speaker 3>been good in this country, and it's always been a

1:14:22.320 --> 1:14:26.439
<v Speaker 3>battle between the people who run the FBI and the

1:14:26.520 --> 1:14:30.960
<v Speaker 3>New York Times just constantly sewing doubt whenever anyone says

1:14:31.640 --> 1:14:33.680
<v Speaker 3>let's be nice and they say, well, we can't do

1:14:33.800 --> 1:14:36.680
<v Speaker 3>that because that would ruin the whole project, you know,

1:14:36.960 --> 1:14:40.160
<v Speaker 3>is that this is some grand project rather than a

1:14:40.320 --> 1:14:42.200
<v Speaker 3>labor extraction pyramid scheme.

1:14:42.439 --> 1:14:45.679
<v Speaker 2>There's an interesting thing though, that a copyright lapse enabled

1:14:45.800 --> 1:14:48.280
<v Speaker 2>royalty free repeats of the film, which is why it

1:14:48.439 --> 1:14:49.360
<v Speaker 2>was played so much.

1:14:49.439 --> 1:14:52.720
<v Speaker 1>Yeah, it was just an accidents out of.

1:14:52.720 --> 1:14:56.479
<v Speaker 3>This fucking jag Hoover dropped the ball on that, Yeah,

1:14:56.840 --> 1:14:58.880
<v Speaker 3>you should have jacked up those rights costs.

1:14:58.680 --> 1:15:00.639
<v Speaker 2>Because other people were just pointing out to some people

1:15:00.680 --> 1:15:03.960
<v Speaker 2>were saying, it's actually too capitalists with different visions of capitalism.

1:15:05.360 --> 1:15:07.920
<v Speaker 2>So it wasn't because apparently Hoover's whole thing was it

1:15:08.000 --> 1:15:10.000
<v Speaker 2>had it was a black or white thing, like is

1:15:10.040 --> 1:15:12.599
<v Speaker 2>it subversive or is it not? And I think there

1:15:12.680 --> 1:15:15.720
<v Speaker 2>was enough nuance that he didn't send it to the

1:15:15.960 --> 1:15:21.439
<v Speaker 2>Unamerican Activities Commission, basically, but this was the like sort

1:15:21.479 --> 1:15:24.080
<v Speaker 2>of beginnings of the Hollywood witch hunts, and.

1:15:25.040 --> 1:15:27.320
<v Speaker 1>Was it ordered everybody who made it followed for the

1:15:27.360 --> 1:15:30.040
<v Speaker 1>rest of their lives and probably gas lit and to

1:15:30.320 --> 1:15:31.480
<v Speaker 1>things they're crazy.

1:15:31.439 --> 1:15:34.439
<v Speaker 3>And Elia Kazan actually did. I think Ilia Kazan did

1:15:34.560 --> 1:15:38.400
<v Speaker 3>end up naming names, which ruined his reputation in front

1:15:38.400 --> 1:15:44.439
<v Speaker 3>of the committee, the Joe McCarthy Hollywood hearings, he reported

1:15:44.560 --> 1:15:47.240
<v Speaker 3>on people because he was a communist. But it's just

1:15:47.280 --> 1:15:49.280
<v Speaker 3>so funny the communist turns out to be the good guy,

1:15:49.360 --> 1:15:50.720
<v Speaker 3>you know, I mean, not the communists like in the

1:15:50.760 --> 1:15:52.439
<v Speaker 3>cartoon way that they try and scare us, but the

1:15:52.520 --> 1:15:54.760
<v Speaker 3>idea that of just like one person can have all

1:15:54.800 --> 1:15:56.880
<v Speaker 3>the resources, just simple.

1:15:56.800 --> 1:15:59.919
<v Speaker 1>Just the idea of being slightly suspicious of the institution

1:16:00.200 --> 1:16:04.439
<v Speaker 1>of capital. Chris crofton, thank you so much for showing

1:16:04.600 --> 1:16:09.240
<v Speaker 1>us this Christmas classic, because I truly, had this not

1:16:09.400 --> 1:16:11.040
<v Speaker 1>been for an assignment, I don't know that I would

1:16:11.040 --> 1:16:13.880
<v Speaker 1>have gotten through it. But then I was rewarded. I

1:16:14.080 --> 1:16:16.960
<v Speaker 1>really they stuck the landing. I was tearing up when

1:16:17.600 --> 1:16:19.880
<v Speaker 1>his when he was like, you know, back with his

1:16:20.040 --> 1:16:22.800
<v Speaker 1>kids and his family and his wife, and I did

1:16:22.880 --> 1:16:24.680
<v Speaker 1>have the question like once he a little quick to

1:16:24.760 --> 1:16:27.760
<v Speaker 1>be like I might as well just kill myself after

1:16:27.920 --> 1:16:30.040
<v Speaker 1>he's like done his whole his whole thing, and like

1:16:30.160 --> 1:16:33.720
<v Speaker 1>had this amazing community around him, Like shouldn't you have

1:16:33.800 --> 1:16:35.440
<v Speaker 1>just talked to a couple more people.

1:16:35.479 --> 1:16:37.040
<v Speaker 2>And be like, hey, man, could you get me out

1:16:37.080 --> 1:16:40.519
<v Speaker 2>of this? Damn dude. Men would rather be haunted by

1:16:40.560 --> 1:16:43.599
<v Speaker 2>an angel on Christmas Eve than say that they need help.

1:16:44.439 --> 1:16:47.519
<v Speaker 2>So that's that's that was very American. He's like, well,

1:16:47.560 --> 1:16:49.200
<v Speaker 2>I'm not going to share this without anyone.

1:16:49.479 --> 1:16:54.080
<v Speaker 1>Yeah, but overall, you know, a plus ending, well done.

1:16:54.120 --> 1:16:54.560
<v Speaker 2>I get it.

1:16:54.720 --> 1:16:57.559
<v Speaker 1>I get why people love this movie. I enjoyed it too,

1:16:58.240 --> 1:16:59.320
<v Speaker 1>And you.

1:16:59.360 --> 1:17:01.280
<v Speaker 2>Know, same about if I can watch it again.

1:17:01.640 --> 1:17:03.720
<v Speaker 3>I feel the same about Home Alone. I mean I

1:17:03.760 --> 1:17:07.800
<v Speaker 3>thought for a long time I thought it was you know, uh,

1:17:08.200 --> 1:17:09.800
<v Speaker 3>I didn't really get it, like I thought it was

1:17:09.920 --> 1:17:12.120
<v Speaker 3>just like I was like just consumed with how much

1:17:12.240 --> 1:17:15.559
<v Speaker 3>stuff this kid had. But then then by the end

1:17:15.600 --> 1:17:17.680
<v Speaker 3>I was like, oh, I get it. Like it's sort

1:17:17.720 --> 1:17:19.960
<v Speaker 3>of it's just a thing you can go watch and

1:17:20.080 --> 1:17:22.840
<v Speaker 3>feel like a sense of place when you watch it,

1:17:22.920 --> 1:17:25.799
<v Speaker 3>and that's that's that's the best art really is somewhere

1:17:25.840 --> 1:17:28.280
<v Speaker 3>where you can go visit, you know, and feel like better.

1:17:28.760 --> 1:17:32.360
<v Speaker 1>Yeah, they do nail like just the you know where

1:17:32.400 --> 1:17:34.800
<v Speaker 1>every room in that house is, and like the geography,

1:17:34.920 --> 1:17:37.160
<v Speaker 1>and you kind of do in this town too a

1:17:37.240 --> 1:17:39.000
<v Speaker 1>little bit like you kind of know where everything is.

1:17:39.120 --> 1:17:42.960
<v Speaker 2>And I feel like it was Arcaves r KO Studios

1:17:43.439 --> 1:17:46.680
<v Speaker 2>in Sino, California and Laka YadA, Flint Bridge. I think

1:17:46.720 --> 1:17:47.880
<v Speaker 2>really the main shoot here.

1:17:47.920 --> 1:17:52.000
<v Speaker 1>You go, Well, thank you for joining us, Chris, thank

1:17:52.040 --> 1:17:54.960
<v Speaker 1>you guys for joining us. Merry Christmas to all, unto

1:17:55.040 --> 1:17:56.040
<v Speaker 1>all good night, or you.

1:17:56.080 --> 1:17:57.960
<v Speaker 3>Got to keep an eye on Miles. That's about to

1:17:58.000 --> 1:18:01.200
<v Speaker 3>say he's gonna say he's this is gonna spill over

1:18:01.280 --> 1:18:03.280
<v Speaker 3>all regular Daily Zeite guy.

1:18:03.560 --> 1:18:09.479
<v Speaker 2>Funked up off the Jimmy Stowar and everyone. I'm brung

1:18:09.560 --> 1:18:12.120
<v Speaker 2>off that Jimmy. All right, I can face an l

1:18:12.320 --> 1:18:13.440
<v Speaker 2>right now outside.

1:18:14.320 --> 1:18:15.439
<v Speaker 3>Yeah, this isn't gonna stop.

1:18:15.680 --> 1:18:17.679
<v Speaker 2>No no, it's not no, no no, I'm bye bye,

1:18:17.720 --> 1:18:22.040
<v Speaker 2>bye bye. The Daily Zeite guys his executive produced by

1:18:22.120 --> 1:18:22.920
<v Speaker 2>Catherine Law.

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<v Speaker 1>Co produced by Bae Wag, co produced by Victor Wright.

1:18:27.280 --> 1:18:31.120
<v Speaker 3>Co written by jam McNabb, and edited and engineered by

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<v Speaker 3>Brian Jeffries.

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<v Speaker 1>Jimmy