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Speaker 1: Hello the Internet, and welcome to this special holiday episode

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Speaker 1: of Guys, the production of iHeart Radio. This is the

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Speaker 1: podcast where we take a deep dive into American shared consciousness,

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Speaker 1: and for the holidays, we like to take a deep

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Speaker 1: dive into America's shared Christmas spirit.

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Speaker 2: The Christmas Geist. Exactly exactly.

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Speaker 1: I'm joined as always by my co host, mister.

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Speaker 2: Miles graund Oh, all right, thanks for having me on, Jack.

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Speaker 1: I can't do it.

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Speaker 2: It's just domb part of I got to move.

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Speaker 1: My shoulders and watching is worse than hearing to get

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Speaker 1: into Jimmy Stewart.

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Speaker 3: You at home or missing something he's having Jimmy Stewart seizure.

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Speaker 2: Vocal stem right now, new vocal.

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Speaker 3: Stem Christmas seizure.

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Speaker 1: Oh boy, let me just be it. That's called the

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Speaker 1: Christmas Spirit. Chris, for this special series of two holiday episodes,

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Speaker 1: were calling Christmas blind spots. We've got a hilarious stand

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Speaker 1: up comedian, actor, musician, one of the very faces on

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Speaker 1: mounta Zeite Moore.

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Speaker 2: Oh yeah, you can listen to his podcast.

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Speaker 1: Colebrew got me like anywhere the poetry window was open

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Speaker 1: because it's Chris, motherfucking craft up. Che Che, what's up? Hello, happening, Chris.

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Speaker 3: Oh, just getting ready to talk about this movie, which

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Speaker 3: I forgot a lot of.

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Speaker 1: Hey, Chris, for the for the poetry window, could you

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Speaker 1: just like riff a poem about how it twas the

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Speaker 1: night before Christmas?

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Speaker 2: Before me?

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Speaker 3: Real quick, twas the night before Christmas and all through

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Speaker 3: the house?

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Speaker 1: Oh ship, this is good right away?

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Speaker 3: I can't think I got a ship?

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Speaker 2: What else? What else?

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Speaker 1: That poem was actually originally in a cipher that was

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Speaker 1: it came up with it off off the dome. They

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Speaker 1: went freestyle, a rap battle, a rat battle.

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Speaker 2: Yeah. Absolutely.

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Speaker 1: So for the first episode of this series, Chris, I'd

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Speaker 1: never seen Home Alone, so we came in. Chris watched

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Speaker 1: Home Alone, and then we got his initial impressions of

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Speaker 1: the film that were better than my impressions of the

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Speaker 1: film because I've seen it so many times. It was

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Speaker 1: like burned into the fucking back of my brain, you know.

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Speaker 3: You know, I thought I'd seen more of that movie

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Speaker 3: than I had. You know, over the years, there's so

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Speaker 3: many clips of it, but then it turns out I

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Speaker 3: really never saw most of that movie. I kind of

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Speaker 3: thought I must have seen it in pieces or something, but.

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Speaker 1: I had the exact same experience of this movie. I

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Speaker 1: was so that this time we're doing a movie that

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Speaker 1: is a blind spot for Miles and I. It's a

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Speaker 1: wonderful life of a holiday classic that every time I've

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Speaker 1: ever told somebody I hadn't seen it, they were like,

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Speaker 1: what the fuck is that starts shaking me about the

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Speaker 1: shoulders and neck?

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Speaker 2: What are your parents not white? Is what I heard.

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Speaker 2: I was like, yeah, exactly.

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Speaker 1: Yeah, I just i'd never had But I thought one

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Speaker 1: of the main reasons I hadn't seen it white another reason.

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Speaker 2: So I think it's just a black and white reason

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Speaker 2: I have. It's no, no, no, it's just black and white. Yeah, yeah,

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Speaker 2: I don't know.

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Speaker 1: When choosing between there there's plenty of holiday movies I

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Speaker 1: haven't seen, and uh yeah, I'd rather go with one

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Speaker 1: that's colorful and cheerfully.

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Speaker 2: I think it's to Chris's point about Home alone, it's

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Speaker 2: like I want something that's societal value when its like

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Speaker 2: I need to melt away. And I think also as

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Speaker 2: a kid, when this is always on, I considered black

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Speaker 2: and white movies homework. I b no, this is homework.

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Speaker 2: This is not enjoyable because like I have to pretend

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Speaker 2: it's in color. I can't do that, very child.

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Speaker 1: That's not something I'm proud of. It's not something no,

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Speaker 1: get on board with this ship, So like why am

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Speaker 1: I on trial here now? And then the other reason

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Speaker 1: is I thought I knew what the movie was about.

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Speaker 1: I was like, yeah, I get it.

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Speaker 2: What a wonderful life.

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Speaker 1: I assumed it open and with him on the bridge,

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Speaker 1: that's what I thought was going to be happy. Oh

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Speaker 1: and that shit takes a while, but I will say

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Speaker 1: I was like pleasantly surprised by some of the shit

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Speaker 1: in here, like the the uh accuracy of the snapshot

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Speaker 1: of like how capitalism works. In this movie I thought

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Speaker 1: was more realistic than any like mainstream pop culture classic

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Speaker 1: that I'm aware of, where it's just like, man, this

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Speaker 1: shit will drive you crazy on purpose, relentlessly, it will

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Speaker 1: grind you down. And the first hour of the movie

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Speaker 1: is much more of like watching somebody just be ground

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Speaker 1: down by the forces of capital. Then I was expecting, Yeah,

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Speaker 1: it's how long is the movie again? It's uh fifty

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Speaker 1: to ten, actually to ten, yeah, to ten. And it's

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Speaker 1: not until it w an hour and forty minutes in

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Speaker 1: that you start to be like, oh, the movie is

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Speaker 1: actually going.

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Speaker 2: In another direction. Oh this is the one. Yeah, the

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Speaker 2: whole time I was.

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Speaker 1: My first note was why is everyone so worried about

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Speaker 1: George Bailey. Sounds like he's a pretty fucked up dude.

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Speaker 1: Everyone's just praying for you as a bad sign. Like again,

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Speaker 1: I have no idea what this movie was about. I

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Speaker 1: just know Jimmy Stewart in the end, he's like holding

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Speaker 1: a little girl by a Christmas tree. Those are the

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Speaker 1: only snapshots I have of the movie. Is like the

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Speaker 1: end like sort of frame.

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Speaker 3: Yeah, I see it. I've seen it a bunch of times.

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Speaker 3: And I thought the angel gave him three wishes or something.

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Speaker 3: I had no id I totally turn out. I remember nothing.

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Speaker 3: I remember nothing about anything. I thought he was on

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Speaker 3: a bridge and the angel gave him three wishes and

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Speaker 3: he wished for to nice or something.

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Speaker 2: Yeah.

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Speaker 1: I thought it was all gonna be flashback, you know,

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Speaker 1: which I guess it kind of is. But instead of

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Speaker 1: like having it be like I'm George Bailey and I

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Speaker 1: bet you're wondering how I got here, about to jump

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Speaker 1: off a bridge and kill myself? Help, uh, you know,

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Speaker 1: and then flashback instead of showing that, it just shows

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Speaker 1: a bunch of people praying for George Bailey, and then

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Speaker 1: some stars talking to each other for like a weirdly

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Speaker 1: long period.

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Speaker 2: I'm Joseph the Human Father of Jesus because like I feel,

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Speaker 2: at one point someone says something about Jesus Mary and

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Speaker 2: Joseph help him or something.

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Speaker 1: It's just assuming a lot of biblical knowledge on a

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Speaker 1: modern viewer's part that I don't think is quite I mean,

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Speaker 1: you got you gotta be like give me Joseph's last

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Speaker 1: name here, like Joseph of Father Jesus or or you know,

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Speaker 1: like I would have thought like Saint Peter or somebody

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Speaker 1: like that, because my knowledge of like how Christian heaven

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Speaker 1: works is based on very very old memories and just

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Speaker 1: like New Yorker cartoons, where like it's always Saint Peter

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Speaker 1: at the Pearly Gates.

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Speaker 2: You know what I mean.

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Speaker 3: Who directed this movie?

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Speaker 2: Capra?

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Speaker 3: Right, So it's like I think it's it's pretty pretty

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Speaker 3: damn good. And I think Frank Capra, you know, he

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Speaker 3: must have had his reputation for some reason. You know,

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Speaker 3: everybody talks about Frank Capra, you know, or at least everybody.

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Speaker 3: Everybody everyone's talking about this Frank film. People talk about

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Speaker 3: Frank Capra, you know up there with like talking about

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Speaker 3: Capra the Greats. You know. So, like this movie is

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Speaker 3: pretty pretty good, you know in terms of like it's

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Speaker 3: pretty fun the way they structured it, like in the

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Speaker 3: way they also the like even the stars talking to

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Speaker 3: each other. I mean, it's some primitive special effects, I mean,

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Speaker 3: but it kind of works.

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Speaker 2: You know.

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Speaker 3: It's like because they're illuminum oil hanging off of a

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Speaker 3: fishing line.

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Speaker 1: Yea with make it light up a little bit. When

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Speaker 1: that's the one that's talking right now.

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Speaker 3: I'd rather say that than Vin Diesel. I don't know why.

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Speaker 3: You know, it's like somehow like seeing something like that

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Speaker 3: like makes me.

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Speaker 1: Maybe I'm a little bit fucked up. But I'd rather

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Speaker 1: see this than Vin Diesel.

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Speaker 3: But yeah, those are the two only two choices too. Yeah,

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Speaker 3: that's what it feels like. That's how I feel like

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Speaker 3: in capitalism, it's either like black and white or Vin Diesel.

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Speaker 3: I'll take black and white. And I used to think

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Speaker 3: black and white was like suck too, Like if I

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Speaker 3: saw black and white, I thought snoozefest right, you know,

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Speaker 3: you know, like because I went to fucking school and

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Speaker 3: like tried to be whatever I want to. Took a

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Speaker 3: film class and they showed you like Battleship Attempkin, which

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Speaker 3: is about some baby carriage going down the staircase, which

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Speaker 3: was like rocked everybody's world.

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Speaker 2: Like in nineteen twelve from the naked Gun opening scene.

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Speaker 3: Yeah like what yeah, oh yeah they that was supposed

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Speaker 3: to be like ill nerds who watched it.

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Speaker 1: I was three references because thats yeah, yeah, yeah, and

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Speaker 1: then I think it was Naked Gun thirty black.

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Speaker 3: And white with like yeah, like okay, like this is

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Speaker 3: back when an action sequence man was was was boring,

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Speaker 3: you know, like a baby carriage going downstairs like apparently

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Speaker 3: Russia went crazy, Like you gotta see this.

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Speaker 2: This is like a this thing is crazy.

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Speaker 1: That's another one where the baby carriage going down the

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Speaker 1: stairs is like five seconds in the middle of this

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Speaker 1: hour long film. But I was like, oh, the one

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Speaker 1: the baby carriage better be there at the beginning middle and.

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Speaker 3: The cabinet of doctor Caligari or yeah, Metropolis or whatever.

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Speaker 3: They're fine. But but I didn't realize for a long

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Speaker 3: time that there are some black and white movies that

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Speaker 3: are worth seeing. I really action packed directors that just

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Speaker 3: happened to be around when that was like what they

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Speaker 3: were doing.

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Speaker 1: But yeah, I'd say, I don't know, I'm a little

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Speaker 1: bit fucking weird. But I like this movie Citizen Kane, right,

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Speaker 1: that one does hold up like that. That is one

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Speaker 1: where you like watch it and you're like, this just

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Speaker 1: feels like it was shy yesterday.

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Speaker 3: Well, yeah, I was wrong about this.

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Speaker 2: I found out.

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Speaker 3: I mean I wrote a whole column about how you

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Speaker 3: don't want to you know, I won't go on a

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Speaker 3: date if it's a black and white movie or some

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Speaker 3: shit like that. And it turns out that like A

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Speaker 3: Face in the Crowd, that movie A Face in the

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Speaker 3: Crowd directed by Elia Kazan, that movie is like so

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Speaker 3: fucking awesome and modern and incredible, And that's the one

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Speaker 3: that like turned me like, holy crap, am I stupid?

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Speaker 3: Like this movie's unbelievable. Talks about Trump basically, you know,

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Speaker 3: or that phenomenon of an egomaniac taking over the country,

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Speaker 3: and it's just in black and white. But just go

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Speaker 3: see that movie if you like this movie, if you

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Speaker 3: think that's something, Yeah, you like these guys talking about values,

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Speaker 3: you wait till you see this movie about this.

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Speaker 2: Chris Andy Griffin, how often did you see this movie.

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Speaker 2: It's a wonderful, wonderful.

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Speaker 3: I thought I'd seen it like almost like every year

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Speaker 3: for a while.

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Speaker 2: I thought it was like, but were you tuning in,

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Speaker 2: Like I know it's a tradition on American broadcast.

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Speaker 3: I must not have seen it that many times, because

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Speaker 3: I really did think the beginning was like the Bridge,

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Speaker 3: same kind of thing with Jack, Like I thought it

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Speaker 3: was like the angel was involved from the beginning. I

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Speaker 3: thought the I thought it was like a modern Ebenezer

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Speaker 3: Scrooge type thing, like were they take him around the

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Speaker 3: whole movie? Was I thought was that I didn't realize

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Speaker 3: the movie was like an anti Capitol hour and a

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Speaker 3: half with just like some you know, some fun stuff

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Speaker 3: at the end for like the kids, Yeah, some value stuff,

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Speaker 3: but mostly it's a really yeah, it's a really understandable

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Speaker 3: critique of capitalism, which I did not remember, which, of

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Speaker 3: course I didn't. I saw it when as a kid,

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Speaker 3: mostly and you're not gonna remember that part. That part's

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Speaker 3: the worst part.

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Speaker 2: There's a lot of emotional nuance that I feel like

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Speaker 2: if I saw this as a kid, I'd be like,

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Speaker 2: this movie sucks, But as watching it now, I'm like, God,

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Speaker 2: damn like it was. The movie is so heavy to start.

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Speaker 2: I was almost like this is a lot. Yeah, but

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Speaker 2: I'm looking at it in the context of the forties

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Speaker 2: or whatever when it was made, and I'm like, okay,

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Speaker 2: this is probably like this is like laugh out loud fun.

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Speaker 2: They're like, oh, yeah, I think I saw the sound

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Speaker 2: yeah right, right right.

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Speaker 3: I think I saw the Sound of Music more times,

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Speaker 3: Like I think that was more like our family thing. Yeah,

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Speaker 3: Like then it's a wonderful life. I think we watched

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Speaker 3: Sound of Music over and over again.

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Speaker 1: Brandon editor is pointing out that there's a classic Tom

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Speaker 1: and Jerry episode that is based on this where the

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Speaker 1: cat is like once to kill himself and then like

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Speaker 1: gets saved by it and all sorts of wild shit.

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Speaker 1: I was and like, I think that is that's the

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Speaker 1: version of it that exists. Is like guy on Bridge

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Speaker 1: Angel visits, shows him his life without yeah, uh, shows

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Speaker 1: him the life without it, but it yeah, so it

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Speaker 1: doesn't happen until fairly late in the movie. Just a

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Speaker 1: little bit of background that I didn't know just looking

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Speaker 1: briefly into it is that this movie fucking tanked at

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Speaker 1: the box office when it came out. It like did

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Speaker 1: not do well, and then it was just like cheap

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Speaker 1: to put on TV, and they just put it on

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Speaker 1: TV every year and it just slowly by slowly, like

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Speaker 1: it was nominated for an Oscar. It wasn't like a

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Speaker 1: movie that like didn't exist.

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Speaker 2: Yeah it didn't. It just didn't didn't go see it.

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Speaker 1: And then just by putting it on TV, which is

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Speaker 1: like a new technology at the time, they were like, oh,

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Speaker 1: I guess we we like this now. It was sort

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Speaker 1: of like to America what Home Alone is to Romania.

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Speaker 1: As we covered in the last episode, Yes, were the

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Speaker 1: show at every Christmas Eve.

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Speaker 3: How I was probably trying to think of like my

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Speaker 3: next joke or something, So we talked about that last time.

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Speaker 1: Yeah, it was Ania and poland boat. Home Alone is

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Speaker 1: what we talked about last time. I'm like, mister President,

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Speaker 1: are you okay, sir?

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Speaker 3: No, No, I just met that part. I like the

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Speaker 3: way certain things are popular like in only some countries.

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Speaker 3: Like there's a song called Boys Do Fall in Love

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Speaker 3: by Robin Gibb and it didn't charge anywhere except it

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Speaker 3: like went to like number one in Italy or something

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Speaker 3: in like nineteen seventy six, and it's just like, yeah,

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Speaker 3: it's like Italy had some had some screw loose for

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Speaker 3: that song.

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Speaker 1: Yeah.

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Speaker 2: Should we do the little rock through like we did

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Speaker 2: with Home Alone?

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Speaker 1: Yeah, just like happening in the movie and our impressions

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Speaker 1: as it goes by. So you covered the opening, the

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Speaker 1: opening where it's like we see the Earth. We hadn't

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Speaker 1: been to space yet, so it kind of looks like shit,

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Speaker 1: the version of the Earth. They're like, I don't know,

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Speaker 1: it probably looks like a big ball of like Gumby,

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Speaker 1: Like Gumby was smashed into a ball. And we see

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Speaker 1: prayers coming out of the earth, and then the angels

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Speaker 1: are the stars and the bones are their money, and

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Speaker 1: they're they're talking to each other and they're like, we

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Speaker 1: we need to help this guy George, because he were

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Speaker 1: praying for him and the other guys like, well, what's

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Speaker 1: his deal? And he's like, well, journey with me, won't

300
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Speaker 1: you and takes him back to see some scenes from

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Speaker 1: his childhood at first where what's that?

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Speaker 2: So the flashback to the childhood. I was so jealous

303
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Speaker 2: and frightened at the same time because my one of

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Speaker 2: my first and I was like, damn, look how much

305
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Speaker 2: fun these kids are having on a shovel yes, the shovel.

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Speaker 1: The shovels led on a shovel.

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Speaker 2: And the set looked like they act there was maybe

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Speaker 2: that shit looked like ice, like that they had that

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Speaker 2: they were actually sliding on. I was so into the

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Speaker 2: production value of that Winter Sing was like, okay, was

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Speaker 2: this a sound stage? And then I was like, okay,

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Speaker 2: this is at RKO Studios is where they actually shot this. Yeah.

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Speaker 2: So yeah, his brother Harry falls in, he saves them,

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Speaker 2: and it causes like just hearing loss in his left ear.

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Speaker 1: He loses the ability to hear in his left ear,

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Speaker 1: which is going to become important later when World War

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Speaker 1: two happened exactly exactly because.

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Speaker 2: They like people who can hear war in stereo. Yeah.

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Speaker 2: So yeah, then, like, there's just another moment that I

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Speaker 2: liked to how like him and all his friends like

321
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Speaker 2: walking him to his after school job. I'm like, motherfucker

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Speaker 2: ten years old. Yeah, and they're like, all right, man,

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Speaker 2: get your ass in there. Time to go to work.

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Speaker 1: At a druggist.

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Speaker 2: Yeah.

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Speaker 1: Mister hours hammered both within the story and the actor

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Speaker 1: is hammered apparently while making this always actually so he

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Speaker 1: is accidentally poisoning people with the drugs that he's providing them,

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Speaker 1: and uh, Jimmy Stewart George Bailey as a child is like,

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Speaker 1: I think you're I didn't really follow how this all

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Speaker 1: came together, like a hard time. Yeah, he figured out

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Speaker 1: that it was because.

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Speaker 2: He watched he watched him bag it up. He watched

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Speaker 2: him bag up the capsules and he saw the big

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Speaker 2: skull and crossbones John. He's like, wait, bro, what the fuck?

336
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Speaker 1: And so he tells the druggist, Hey, you just like

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Speaker 1: poison that kid, and the druggist just starts beating the

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Speaker 1: ship out of him, which apparently was not fake. The

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Speaker 1: druggist was actually drunk and slapped that kid so much

340
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Speaker 1: as ears started to bleed.

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Speaker 2: Yeah that really, are you serious? Wikipedia, Yeah, yeah, that kids.

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Speaker 2: He really was smacking the ship out of that kid.

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Speaker 1: Yeah, he was really smacking him. And then uh, the

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Speaker 1: it's like the nineteen forties version of like a happy

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Speaker 1: ending for a child actor. He then hugged him after

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Speaker 1: the scene, so it was like, cool, wait, so.

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Speaker 2: How did his ear start? What the fuck happened? His

348
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Speaker 2: ear was?

349
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Speaker 1: He was his ear was leading Yeah.

350
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Speaker 2: Yeah, yeah, I mean.

351
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Speaker 1: And then yeah to people on the set and who

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Speaker 1: knows if they were just throwing this actor under the

353
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Speaker 1: bus too.

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Speaker 3: Well, that actor was like playing that his son had

355
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Speaker 3: just passed away, right, that was the idea, Like his

356
00:17:34,760 --> 00:17:38,159
Speaker 3: son had passed away, and the idea was normally this

357
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Speaker 3: guy was a nice guy, this druggist, and he was

358
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Speaker 3: just having a bad day, was the idea. Right, He

359
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Speaker 3: just was like his son died, and so the what

360
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Speaker 3: are you gonna do if your son dies except for

361
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Speaker 3: slap the ship out of his dog?

362
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Speaker 2: Boy, yeah exactly, and then poison a lady who has

363
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Speaker 2: dip theory or whatever.

364
00:17:52,880 --> 00:17:55,160
Speaker 3: Yeah yeah, yeah, I mean everyone knows what happens when

365
00:17:55,240 --> 00:17:56,040
Speaker 3: druggists grieve.

366
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Speaker 2: Yeah yeah, yeah, Oh I'm poisoning him.

367
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Speaker 3: Put on a helmet. Don't take any of your pills.

368
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Speaker 2: The one thing that I thought was very old timing

369
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Speaker 2: and dog died was when I think it was Mary.

370
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Speaker 2: He was given some ice cream too, and he's like,

371
00:18:12,640 --> 00:18:14,399
Speaker 2: you don't do you want coconuts? And he's like, you

372
00:18:14,440 --> 00:18:15,840
Speaker 2: don't know where coconuts are from?

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Speaker 1: And my boy little George pulled out a full on

374
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Speaker 1: Nat Geo magazine from his pocket like it was a smartphone. Yeah,

375
00:18:22,880 --> 00:18:25,639
Speaker 1: and he's like, you had back then that's my childhood too,

376
00:18:26,080 --> 00:18:28,680
Speaker 1: pulling a magazine out and I'm like, there, you you

377
00:18:28,760 --> 00:18:29,560
Speaker 1: don't understand.

378
00:18:29,720 --> 00:18:30,439
Speaker 3: I'm not kidding.

379
00:18:30,840 --> 00:18:33,119
Speaker 2: No, I mean I definitely had I mean I was

380
00:18:33,160 --> 00:18:35,879
Speaker 2: carrying around Slam magazine, the Source double XL, Like, I

381
00:18:36,000 --> 00:18:38,119
Speaker 2: definitely had things like that in my back. But I

382
00:18:38,240 --> 00:18:42,119
Speaker 2: just love the idea of like how he's like, within

383
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Speaker 2: my pocket, I have this magazine with information about coconuts.

384
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Speaker 2: There's just so many of these sort of bygone era

385
00:18:48,359 --> 00:18:51,200
Speaker 2: things that I was these are really nice textures that

386
00:18:51,320 --> 00:18:54,520
Speaker 2: I'm like, we've lost touch with humanity completely.

387
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Speaker 1: And the coconut was like this exotic thing to them.

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Speaker 1: It was like want to try coconut.

389
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Speaker 2: Mary?

390
00:19:05,359 --> 00:19:07,840
Speaker 3: Because they were starting from square one. They fucking wiped

391
00:19:07,840 --> 00:19:09,679
Speaker 3: out the Native Americans who could have told them all

392
00:19:09,680 --> 00:19:12,440
Speaker 3: about coconuts, probably, except they were starting from the scratch,

393
00:19:12,560 --> 00:19:17,440
Speaker 3: Like what I discovered, yeah exactly, Yeah, have you heard

394
00:19:17,440 --> 00:19:18,000
Speaker 3: about porn?

395
00:19:19,280 --> 00:19:21,200
Speaker 1: Would be great if he tried to pass it off

396
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Speaker 1: as his own discovery.

397
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Speaker 3: I mean it really was like it was like, that's

398
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Speaker 3: why white people are so out of controls because they

399
00:19:27,920 --> 00:19:30,080
Speaker 3: think that, Yeah, like they started with this clean slate

400
00:19:30,119 --> 00:19:32,000
Speaker 3: that was artificially cleaned by them.

401
00:19:32,760 --> 00:19:36,080
Speaker 2: Yeah yeah, yeah, they're like, let's start the slate now, yeah,

402
00:19:36,520 --> 00:19:36,800
Speaker 2: right now.

403
00:19:36,920 --> 00:19:39,840
Speaker 3: Just like when they're already rich and you want to

404
00:19:39,960 --> 00:19:43,840
Speaker 3: You're like, now, now everybody should be able to fend

405
00:19:44,200 --> 00:19:44,920
Speaker 3: a marriage.

406
00:19:47,200 --> 00:19:52,439
Speaker 1: Now yeah yeah, yeah, true truly, like they wrote out

407
00:19:52,480 --> 00:19:55,480
Speaker 1: of history the fact that everybody had just died from

408
00:19:56,080 --> 00:19:58,880
Speaker 1: the plague. They were like, it's it's amazing, like America

409
00:19:59,000 --> 00:20:02,040
Speaker 1: has these had avenues in the middle of the forest

410
00:20:02,400 --> 00:20:06,040
Speaker 1: just naturally, Like uh no, you're walking through a post

411
00:20:06,080 --> 00:20:09,960
Speaker 1: apocalyptic city right now. It's amazing. Like we we pulled

412
00:20:10,040 --> 00:20:12,600
Speaker 1: up to Plymouth Rock and there were all these houses

413
00:20:12,720 --> 00:20:16,160
Speaker 1: with like dishware, They're just like there for us to use.

414
00:20:16,280 --> 00:20:19,119
Speaker 1: It was so cool of God to do that for us.

415
00:20:19,680 --> 00:20:24,080
Speaker 3: All this imagine like a black like because the people

416
00:20:24,160 --> 00:20:26,320
Speaker 3: in this movie that are black are well there's very

417
00:20:26,480 --> 00:20:28,400
Speaker 3: barely any at all, and there are all certain things

418
00:20:28,960 --> 00:20:31,160
Speaker 3: and they have to listen to these kids lecture about

419
00:20:31,240 --> 00:20:34,280
Speaker 3: coconuts from like their fucking home country.

420
00:20:34,720 --> 00:20:37,840
Speaker 2: Yeah, was like, are you listening, Like, yeah, I don't

421
00:20:37,840 --> 00:20:40,359
Speaker 2: know if there's anything worth listening to. I know she

422
00:20:40,480 --> 00:20:44,000
Speaker 2: was giving but then but then, but then Harry was

423
00:20:44,040 --> 00:20:46,399
Speaker 2: smacking Annie's ass. I'm like this is all the fucking

424
00:20:46,520 --> 00:20:49,760
Speaker 2: mess y'all. I was so mad that fucking Annie was

425
00:20:49,840 --> 00:20:52,960
Speaker 2: giving this motherfucker her money. At the end, I was like,

426
00:20:53,200 --> 00:20:55,200
Speaker 2: do not give George Bailey your money.

427
00:20:55,280 --> 00:20:56,080
Speaker 3: And that's true.

428
00:20:56,320 --> 00:20:58,800
Speaker 1: I thought that there was another there was another black

429
00:20:58,840 --> 00:21:00,919
Speaker 1: woman too who like when every even when she's like, oh,

430
00:21:01,040 --> 00:21:04,760
Speaker 1: this is Freez, I'm like, no, this girl not for

431
00:21:04,880 --> 00:21:07,080
Speaker 1: fucking man's plains.

432
00:21:07,119 --> 00:21:08,800
Speaker 3: That guy man's plains. Coconuts.

433
00:21:09,720 --> 00:21:12,080
Speaker 1: I remind you, remind me to tell you where licorice

434
00:21:12,160 --> 00:21:15,600
Speaker 1: comes from. Oh you're gonna believe this, but apparently there's

435
00:21:15,600 --> 00:21:18,880
Speaker 1: a tree called the rubber tree. Mary, there's sugar as

436
00:21:18,920 --> 00:21:21,840
Speaker 1: a cane. All right, let's take a quick break and yeah,

437
00:21:21,920 --> 00:21:33,240
Speaker 1: we'll be right back, and we're back.

438
00:21:33,359 --> 00:21:33,840
Speaker 2: We're back.

439
00:21:34,200 --> 00:21:37,960
Speaker 1: So uh cut cut forward to high school and this is.

440
00:21:38,400 --> 00:21:40,520
Speaker 2: The weirdest depiction of high school, A good.

441
00:21:41,359 --> 00:21:44,600
Speaker 1: Early example of some ship we would be doing to

442
00:21:44,840 --> 00:21:50,040
Speaker 1: this day, where they got someone who's forty playing eighteen.

443
00:21:50,520 --> 00:21:53,320
Speaker 2: I think he's supposed to be right, Harry's graduating high

444
00:21:53,400 --> 00:21:56,720
Speaker 2: school in that scene. Yea his little brother yeah yeah, yeah, oh.

445
00:21:56,680 --> 00:21:58,520
Speaker 1: His brother is I thought he was about to go

446
00:21:58,600 --> 00:21:59,159
Speaker 1: off to college.

447
00:21:59,400 --> 00:22:01,879
Speaker 2: Yeah yeah, But all so, if you Remember there's also

448
00:22:02,280 --> 00:22:06,199
Speaker 2: that that big party that starts off is Harry's going

449
00:22:06,280 --> 00:22:08,520
Speaker 2: to his high school gradus his younger brother. Oh okay,

450
00:22:08,760 --> 00:22:11,119
Speaker 2: so he's like twenty then, Yeah, yeah, he's just a

451
00:22:11,200 --> 00:22:13,400
Speaker 2: little bit older. Yeah he's he's.

452
00:22:14,760 --> 00:22:16,720
Speaker 1: You know, this is the first time we get James

453
00:22:16,760 --> 00:22:19,840
Speaker 1: Stewart playing the role who is thirty eight when this

454
00:22:19,960 --> 00:22:23,919
Speaker 1: movie's made, playing serious, yeah, playing twenty playing twenty.

455
00:22:24,280 --> 00:22:24,480
Speaker 2: Yeah.

456
00:22:24,760 --> 00:22:28,920
Speaker 1: I was like, is this because everybody back then looked

457
00:22:29,320 --> 00:22:32,240
Speaker 1: like shit or like drinking and spoken all the time,

458
00:22:32,880 --> 00:22:35,399
Speaker 1: Like is this just what like twenty year olds looked like?

459
00:22:35,560 --> 00:22:38,040
Speaker 1: But now he was thirty eight when when they made this,

460
00:22:38,440 --> 00:22:42,720
Speaker 1: this was after the war, and apparently like he and

461
00:22:42,840 --> 00:22:46,200
Speaker 1: Peter Fonda couldn't find work for some reason. So he

462
00:22:46,320 --> 00:22:48,520
Speaker 1: was like, yeah, heck ca, you'll do your movie.

463
00:22:49,040 --> 00:22:49,520
Speaker 2: Oh yeah.

464
00:22:49,840 --> 00:22:52,680
Speaker 1: This is also where he's he's talking about how he

465
00:22:52,760 --> 00:22:55,480
Speaker 1: has big dreams to get out of this Yeah one

466
00:22:55,720 --> 00:22:59,600
Speaker 1: one horse town. Yea, and at one point utters the line,

467
00:23:00,040 --> 00:23:00,640
Speaker 1: I feel.

468
00:23:00,400 --> 00:23:02,600
Speaker 2: Like, if I didn't get away, i'd bust.

469
00:23:04,960 --> 00:23:05,040
Speaker 3: Bro.

470
00:23:05,200 --> 00:23:06,719
Speaker 2: He can bust at home, you know what I mean?

471
00:23:06,960 --> 00:23:07,719
Speaker 2: That's right, he does.

472
00:23:08,320 --> 00:23:10,480
Speaker 1: He can. He can ultimately bust at home.

473
00:23:10,480 --> 00:23:12,760
Speaker 2: You can bust where I want anytime.

474
00:23:13,200 --> 00:23:15,359
Speaker 3: You could say that at any time back then, you know,

475
00:23:15,480 --> 00:23:17,320
Speaker 3: you could say you want to bust, You're about to

476
00:23:17,400 --> 00:23:19,280
Speaker 3: bust nobody, I'm about to bust.

477
00:23:19,440 --> 00:23:22,920
Speaker 1: Yeah, everybody's like I know, yeah, well, like because this

478
00:23:23,080 --> 00:23:25,160
Speaker 1: is like the theme with George is that he has

479
00:23:25,280 --> 00:23:28,439
Speaker 1: these dreams of seeing the world, but at every moment

480
00:23:28,760 --> 00:23:30,679
Speaker 1: he has to sort of seize that moment.

481
00:23:30,960 --> 00:23:34,159
Speaker 2: He takes the road to sort of choose stability, to

482
00:23:34,280 --> 00:23:37,119
Speaker 2: choose what's better for the group than the individual. So

483
00:23:37,240 --> 00:23:39,399
Speaker 2: the first one is his dad dies of a stroke.

484
00:23:39,920 --> 00:23:41,720
Speaker 1: Yeah, right, is he's about to go away?

485
00:23:42,000 --> 00:23:43,879
Speaker 2: Yeah, Like truly he's like, all right, I'm off to

486
00:23:44,200 --> 00:23:50,880
Speaker 2: what dad? And then you got this asshole mister Potter

487
00:23:50,960 --> 00:23:52,960
Speaker 2: in here and be like, I want to dissolve the

488
00:23:53,040 --> 00:23:56,040
Speaker 2: fucking company. Interesting fact, I didn't realize that guy is

489
00:23:56,160 --> 00:23:59,919
Speaker 2: like Drew Barrymore is like great grandfather Barrymore, the guy

490
00:24:00,000 --> 00:24:02,960
Speaker 2: who plays like mister Potter. Oh is that John Barrymore,

491
00:24:03,040 --> 00:24:04,280
Speaker 2: That Lionel Barry.

492
00:24:04,480 --> 00:24:05,040
Speaker 3: Lionel Barry.

493
00:24:05,080 --> 00:24:09,320
Speaker 2: You're going further back. We're going further back in Acting Dynasty.

494
00:24:09,880 --> 00:24:13,160
Speaker 1: So Mary goes away to college, his brother goes away

495
00:24:13,200 --> 00:24:15,320
Speaker 1: to college, he stays back.

496
00:24:15,920 --> 00:24:19,359
Speaker 3: Just run to run the building and love. So his

497
00:24:19,520 --> 00:24:22,520
Speaker 3: dad owns this runs this building and loan, which is like,

498
00:24:23,040 --> 00:24:24,640
Speaker 3: I don't even know, you know, I know so little

499
00:24:24,640 --> 00:24:27,639
Speaker 3: about economics that I even this was like hard just

500
00:24:27,760 --> 00:24:30,320
Speaker 3: even the basics of this movie trying to explain a

501
00:24:30,359 --> 00:24:33,359
Speaker 3: building and loan. But it's some kind of community owned bank.

502
00:24:33,680 --> 00:24:36,399
Speaker 3: So anyway, he stays in town because his dad dies,

503
00:24:36,760 --> 00:24:39,239
Speaker 3: and so he stays to run the building and loan,

504
00:24:39,320 --> 00:24:41,640
Speaker 3: even though he wanted to go look for coconuts.

505
00:24:41,520 --> 00:24:43,800
Speaker 2: Right, And also he gives all of his touch like

506
00:24:43,920 --> 00:24:46,840
Speaker 2: college money to his brother. He's sort of like, hey man,

507
00:24:47,400 --> 00:24:49,760
Speaker 2: I'm gonna have to sit back and like hold down

508
00:24:49,840 --> 00:24:52,480
Speaker 2: the family business. You go and get an education and

509
00:24:52,640 --> 00:24:53,560
Speaker 2: you go do your thing.

510
00:24:53,920 --> 00:24:56,280
Speaker 1: Yeah, he's out into the world and bust for the

511
00:24:56,320 --> 00:24:56,760
Speaker 1: both of us.

512
00:24:56,800 --> 00:24:58,840
Speaker 3: He's the opposite of every person alive now.

513
00:24:59,280 --> 00:25:01,880
Speaker 2: Yeah, yeah, he is a good man.

514
00:25:02,000 --> 00:25:05,480
Speaker 1: He is a good speaking of like the level of

515
00:25:06,440 --> 00:25:10,760
Speaker 1: biblical literacy of the people then compared to now, they're

516
00:25:10,880 --> 00:25:13,719
Speaker 1: like I was reading about the casting of James Stewart

517
00:25:13,760 --> 00:25:15,879
Speaker 1: and Frank Capra was like, you know, I was like

518
00:25:16,200 --> 00:25:18,120
Speaker 1: thinking about who would be the best person to play

519
00:25:18,160 --> 00:25:21,240
Speaker 1: a good sam. I was like, good Sam, and he

520
00:25:21,359 --> 00:25:24,919
Speaker 1: was using that for short for good because they were

521
00:25:24,960 --> 00:25:28,200
Speaker 1: talking so much about good Samaritans and other like biblical

522
00:25:28,359 --> 00:25:30,840
Speaker 1: figures that they have, like shorthand for it.

523
00:25:31,200 --> 00:25:33,720
Speaker 2: Yeah, like if you said recommendation, they'd be like, what

524
00:25:34,080 --> 00:25:38,359
Speaker 2: what the hell did you just say? Good Sam? What

525
00:25:38,520 --> 00:25:43,760
Speaker 2: that guy's bats? So yeah, he's says, Harry, you go

526
00:25:43,880 --> 00:25:46,800
Speaker 2: live a life, and the agreement being look, bro, you

527
00:25:46,920 --> 00:25:47,760
Speaker 2: go get educated.

528
00:25:47,800 --> 00:25:50,600
Speaker 1: When you come back, I have to get the fuck

529
00:25:50,640 --> 00:25:52,920
Speaker 1: out of here. Okay, like I have to get the

530
00:25:52,960 --> 00:25:55,399
Speaker 1: fuck you will run that. He's like, yeah, run the business.

531
00:25:55,480 --> 00:25:58,359
Speaker 1: Maybe you don't worry. And then Harry comes back to

532
00:25:58,560 --> 00:26:01,560
Speaker 1: married Yeah, with the job from his new father in law.

533
00:26:02,040 --> 00:26:04,880
Speaker 1: George now resigns himself to running the building and Loan

534
00:26:05,600 --> 00:26:08,440
Speaker 1: and George and Mary begin to rekindle their relationship.

535
00:26:09,119 --> 00:26:10,760
Speaker 2: Yeah in a in a scene.

536
00:26:10,880 --> 00:26:14,840
Speaker 1: So he's like, what a lot of his big moments

537
00:26:14,960 --> 00:26:18,960
Speaker 1: come from just like drunkenly wandering around the town. Yeah yeah, yeah,

538
00:26:19,000 --> 00:26:22,159
Speaker 1: Like he's like drunken wanders over to his future wife's

539
00:26:22,200 --> 00:26:26,440
Speaker 1: house and it's an interesting so like it's a time

540
00:26:26,760 --> 00:26:31,560
Speaker 1: of like weird morality around like kissing and sex. Like

541
00:26:31,720 --> 00:26:34,040
Speaker 1: the it's much looser when it comes to being able

542
00:26:34,080 --> 00:26:38,720
Speaker 1: to criticize capitalism, I guess. But the movie takes place

543
00:26:38,760 --> 00:26:42,160
Speaker 1: in an alternate universe where kissing like hasn't been invented yet,

544
00:26:42,359 --> 00:26:45,600
Speaker 1: so they like push their faces together, like do you do.

545
00:26:46,160 --> 00:26:48,719
Speaker 3: A face kissing? Yeah, but they're just like like at

546
00:26:48,720 --> 00:26:51,080
Speaker 3: first kiss, you kiss first, you kiss like someone's cheeks

547
00:26:51,119 --> 00:26:53,120
Speaker 3: like six times, and then you move over to the mouth.

548
00:26:53,240 --> 00:26:53,400
Speaker 2: Yeah.

549
00:26:53,480 --> 00:26:55,439
Speaker 1: Yeah, I think gets you arrested.

550
00:26:55,520 --> 00:26:55,840
Speaker 3: I don't know.

551
00:26:56,640 --> 00:27:01,440
Speaker 1: Yeah, it's like starting much grosser than just like kissing.

552
00:27:01,440 --> 00:27:03,080
Speaker 3: Up with someone, start kissing their head.

553
00:27:03,440 --> 00:27:08,160
Speaker 1: Yeah, Like so they are while they have this moment

554
00:27:08,200 --> 00:27:11,760
Speaker 1: where they're like fighting and then they're like getting together

555
00:27:12,119 --> 00:27:14,480
Speaker 1: and then like yeah, they just like do this like

556
00:27:14,680 --> 00:27:18,840
Speaker 1: animalistic like hug where he's like starts kissing like the

557
00:27:18,920 --> 00:27:21,199
Speaker 1: side of her eye and like her forehead and then

558
00:27:21,320 --> 00:27:22,520
Speaker 1: like moves down to her mouth.

559
00:27:23,200 --> 00:27:25,800
Speaker 2: And I wrote my note was what in the Jim

560
00:27:25,960 --> 00:27:32,760
Speaker 2: Crow was that kissing style? Because it was like but

561
00:27:32,920 --> 00:27:35,080
Speaker 2: also there was a moment when her mother is like,

562
00:27:35,400 --> 00:27:39,240
Speaker 2: what are you doing down there? Marriage's like having violent sex. Mother,

563
00:27:39,320 --> 00:27:43,280
Speaker 2: I think she said violent. Yeah.

564
00:27:43,680 --> 00:27:45,760
Speaker 1: I was like, oh, I must have got their attention.

565
00:27:45,880 --> 00:27:49,520
Speaker 1: I must have gotten Hayes's attention Haze code Yo.

566
00:27:50,040 --> 00:27:53,240
Speaker 3: But that scene, I will say, the scene where they're

567
00:27:53,280 --> 00:27:57,119
Speaker 3: on the phone together, you know, and the kissing like

568
00:27:57,240 --> 00:27:59,440
Speaker 3: they're on the same phone, one of those phones you

569
00:27:59,440 --> 00:28:01,800
Speaker 3: got a hold two parts. Oh yeah, one part goes

570
00:28:01,880 --> 00:28:03,360
Speaker 3: up against your ear and the other part you hold

571
00:28:03,400 --> 00:28:07,720
Speaker 3: and talking to That scene made me cry because I

572
00:28:07,760 --> 00:28:10,040
Speaker 3: thought it was It was so kind of like I

573
00:28:10,200 --> 00:28:12,239
Speaker 3: really thought it was effective, like the two of them

574
00:28:12,359 --> 00:28:14,600
Speaker 3: like being in love with each other, but they she

575
00:28:14,800 --> 00:28:15,879
Speaker 3: was like with somebody.

576
00:28:16,320 --> 00:28:17,600
Speaker 2: You know, it was on the phone.

577
00:28:17,760 --> 00:28:20,000
Speaker 3: I just maybe cry, You're not trying to steal my girl,

578
00:28:20,080 --> 00:28:22,920
Speaker 3: are you. It was just sort of like, I don't know.

579
00:28:23,200 --> 00:28:25,000
Speaker 3: I thought it was fun that they dwelled on that,

580
00:28:25,560 --> 00:28:27,480
Speaker 3: aside from like, yeah, like being like why are you

581
00:28:27,520 --> 00:28:28,880
Speaker 3: kissing in the back of her head or whatever?

582
00:28:28,960 --> 00:28:33,080
Speaker 1: Before before before it looks like they're making up kissing.

583
00:28:33,200 --> 00:28:35,000
Speaker 1: Like if I had to, if I had to guess,

584
00:28:35,119 --> 00:28:38,320
Speaker 1: like the first time someone kissed someone for like the

585
00:28:38,600 --> 00:28:42,320
Speaker 1: when it was invented, probably looked like that, you know,

586
00:28:42,640 --> 00:28:45,320
Speaker 1: like it was just like, I don't know what if

587
00:28:45,360 --> 00:28:48,920
Speaker 1: we did this, it was probably some form of eating, right,

588
00:28:49,400 --> 00:28:52,200
Speaker 1: like I'm eating your face? Yeah, and someone was like, Okay, yeah,

589
00:28:52,240 --> 00:28:55,720
Speaker 1: that leaves marks that scene. For me, I had a

590
00:28:55,760 --> 00:28:58,080
Speaker 1: different reaction. I felt like if I didn't get away

591
00:28:58,080 --> 00:28:59,400
Speaker 1: from that scene, I would I'd bust.

592
00:28:59,720 --> 00:29:00,400
Speaker 2: Oh man.

593
00:29:00,600 --> 00:29:05,480
Speaker 3: I seriously I was crying because I was like, I

594
00:29:05,520 --> 00:29:07,840
Speaker 3: don't know, probably because I'm having a nervous breakdown, but

595
00:29:08,040 --> 00:29:11,240
Speaker 3: but I just there's something about it was romantic to me,

596
00:29:11,520 --> 00:29:12,800
Speaker 3: just like the idea of that mark.

597
00:29:12,880 --> 00:29:15,760
Speaker 2: I thought it was there, you know what I mean.

598
00:29:16,960 --> 00:29:21,360
Speaker 2: George trying to get the other Wayne Wright or what

599
00:29:21,400 --> 00:29:23,240
Speaker 2: was the guy's name was? That guy's not named George, right,

600
00:29:23,320 --> 00:29:28,200
Speaker 2: whatever his the other guy? They're crazy, dude say.

601
00:29:28,320 --> 00:29:31,320
Speaker 1: I was like, Zam the rich yeah guy, the guy

602
00:29:31,560 --> 00:29:33,800
Speaker 1: I need all your money, George, I tell you right now,

603
00:29:33,920 --> 00:29:34,960
Speaker 1: this is the next big thing.

604
00:29:35,040 --> 00:29:37,880
Speaker 2: And he was like getting into plastics. I was like, hey, George,

605
00:29:37,920 --> 00:29:41,040
Speaker 2: you know that he's not fucking lying. You know you

606
00:29:41,120 --> 00:29:42,280
Speaker 2: better get in plastics.

607
00:29:42,440 --> 00:29:45,120
Speaker 3: The nice guy needs to borrow money is the message

608
00:29:45,160 --> 00:29:47,640
Speaker 3: of this movie, sadly, and I'm living it.

609
00:29:48,000 --> 00:29:50,960
Speaker 1: Wasn't there also a bean's this story where like somebody

610
00:29:51,120 --> 00:29:53,560
Speaker 1: was going to a bean factory or something. I feel

611
00:29:53,600 --> 00:29:55,520
Speaker 1: like it was just kind of funny. It was like

612
00:29:56,000 --> 00:30:00,640
Speaker 1: everything was just being discovered for the first time. I

613
00:30:00,720 --> 00:30:03,480
Speaker 1: thought there was like a bean thing, a bean subplot.

614
00:30:03,560 --> 00:30:06,160
Speaker 3: Maybe that was another opportunity he had to make money.

615
00:30:06,920 --> 00:30:08,280
Speaker 3: Maybe that's where it's get rich.

616
00:30:08,880 --> 00:30:09,200
Speaker 2: Was going.

617
00:30:09,880 --> 00:30:12,560
Speaker 1: So he was going to like work for his well

618
00:30:12,760 --> 00:30:13,800
Speaker 1: father in law's bean.

619
00:30:13,960 --> 00:30:16,360
Speaker 2: No, he was because he's really good at research. That's

620
00:30:16,400 --> 00:30:18,680
Speaker 2: what it was. He's doing research for her father's company.

621
00:30:18,720 --> 00:30:20,720
Speaker 2: It's not gonna touch now, but it has a good future.

622
00:30:20,880 --> 00:30:21,840
Speaker 3: That was what the beans.

623
00:30:22,560 --> 00:30:26,200
Speaker 1: I thought there were beans in the goddamn movie. They're crazy,

624
00:30:28,240 --> 00:30:28,840
Speaker 1: but he did.

625
00:30:28,960 --> 00:30:31,000
Speaker 3: I will say also, like the reason why that thirty

626
00:30:31,040 --> 00:30:33,160
Speaker 3: eight year old thing isn't it works because I think

627
00:30:33,240 --> 00:30:36,240
Speaker 3: the other actor is thirty eight too. They look aged appropriate.

628
00:30:36,560 --> 00:30:39,080
Speaker 2: She was like twenty five or something.

629
00:30:39,280 --> 00:30:42,440
Speaker 3: Okay, so they've all looked older than death. I looked

630
00:30:42,480 --> 00:30:43,720
Speaker 3: older than eighteen or whatever.

631
00:30:43,800 --> 00:30:46,320
Speaker 2: This is when you're also like years old. Damn. This

632
00:30:46,480 --> 00:30:49,640
Speaker 2: is what like lead and pollution and all these other

633
00:30:49,720 --> 00:30:52,520
Speaker 2: things and like child labor due to a person's face

634
00:30:52,640 --> 00:30:54,560
Speaker 2: at that age. We were like, fuck, bro, I thought

635
00:30:54,600 --> 00:30:55,320
Speaker 2: you were forty eight.

636
00:30:56,280 --> 00:30:58,240
Speaker 3: Somehow they were saner than us. They all knew the

637
00:30:58,400 --> 00:30:59,280
Speaker 3: Nazis were bad.

638
00:31:00,200 --> 00:31:03,480
Speaker 2: Yeah, like that, we need more.

639
00:31:03,640 --> 00:31:05,880
Speaker 3: We need to put lead back in gasoline so we can.

640
00:31:05,800 --> 00:31:10,960
Speaker 2: All So we got enough fucking violent streaking and stuff.

641
00:31:11,000 --> 00:31:11,840
Speaker 2: I should all start.

642
00:31:11,720 --> 00:31:13,800
Speaker 3: Smoking again immediately so we can be nice.

643
00:31:14,000 --> 00:31:15,720
Speaker 2: The one thing that was really funny was before he

644
00:31:15,800 --> 00:31:17,840
Speaker 2: goes drunkenly over to Mary's house. Is when he sees

645
00:31:17,920 --> 00:31:20,960
Speaker 2: Violet in the street and she's like, oh, hold on, Fellows,

646
00:31:20,960 --> 00:31:22,480
Speaker 2: I think I got a date, and that one guy's like,

647
00:31:22,520 --> 00:31:24,800
Speaker 2: we'll be waiting for your baby. I was like, I've

648
00:31:24,880 --> 00:31:27,200
Speaker 2: heard that as like a non sequitor a lot, and

649
00:31:27,280 --> 00:31:30,120
Speaker 2: I'm like, god, so much, Like I realize how influential

650
00:31:30,240 --> 00:31:32,320
Speaker 2: this film is because I have friends who say that.

651
00:31:32,400 --> 00:31:36,160
Speaker 2: I'm like, oh, this is they they're funny baby, yeah,

652
00:31:36,800 --> 00:31:39,640
Speaker 2: waiting for your baby. But then Violet, she's just trying

653
00:31:39,640 --> 00:31:42,080
Speaker 2: to hook up with George in that scene and he's like, oh, well,

654
00:31:42,120 --> 00:31:44,080
Speaker 2: I got an idea of Violet, why don't we go

655
00:31:44,240 --> 00:31:46,080
Speaker 2: up to the mountains to take our shoes off? And

656
00:31:46,160 --> 00:31:48,080
Speaker 2: well and she's like, bro, what the fuck? Yeah?

657
00:31:48,480 --> 00:31:50,880
Speaker 3: Yeah, that was just that was his fault. They made

658
00:31:50,920 --> 00:31:52,600
Speaker 3: that seem like she was the weird one. He was

659
00:31:52,640 --> 00:31:53,080
Speaker 3: the one who was.

660
00:31:54,560 --> 00:31:58,320
Speaker 1: The first part of all the times George fumbles the bag.

661
00:31:58,560 --> 00:32:03,479
Speaker 2: All right, George, you're scaring the hose. George, you were

662
00:32:03,560 --> 00:32:04,760
Speaker 2: scaring the hose.

663
00:32:05,160 --> 00:32:08,520
Speaker 1: Scaring these fumbling the score board.

664
00:32:08,680 --> 00:32:12,080
Speaker 3: You need a scoreboard behind Jack with the how anytime bumbles.

665
00:32:12,280 --> 00:32:14,200
Speaker 1: The guy from the movie Plastic could have gone in

666
00:32:14,280 --> 00:32:17,360
Speaker 1: plastics at a time he would have been fucking making bills.

667
00:32:17,720 --> 00:32:19,920
Speaker 2: Okay, you could have them. You could have owned the

668
00:32:20,000 --> 00:32:22,200
Speaker 2: first Lambo brodang, both.

669
00:32:22,040 --> 00:32:26,160
Speaker 1: Of those chicks. Ding yeah, Fumble says something weird about

670
00:32:26,200 --> 00:32:30,240
Speaker 1: running through the fucking grass. Be talking about touch grass.

671
00:32:31,080 --> 00:32:31,840
Speaker 1: Fuck out of here.

672
00:32:32,640 --> 00:32:34,840
Speaker 2: There was So then they get married, right, there's a

673
00:32:34,960 --> 00:32:38,240
Speaker 2: kind of a smash cut. They're getting married. They're about

674
00:32:38,320 --> 00:32:40,280
Speaker 2: to go on their hose. See the smash cut of

675
00:32:40,360 --> 00:32:40,760
Speaker 2: this movie.

676
00:32:40,800 --> 00:32:45,160
Speaker 1: You know what I'm saying, Jesus shows and kissing. Huh

677
00:32:45,480 --> 00:32:49,800
Speaker 1: m hmthing animalistic? Are you looking at someone on your phone?

678
00:32:49,840 --> 00:32:52,920
Speaker 1: You're just watching the kissing. My hands are right here,

679
00:32:53,120 --> 00:32:55,240
Speaker 1: My hands are I didn't ask about that. Why you

680
00:32:55,320 --> 00:32:56,120
Speaker 1: only put one at.

681
00:32:56,080 --> 00:32:56,960
Speaker 2: A time, like you.

682
00:32:58,640 --> 00:33:01,920
Speaker 1: It's not as good in black and one. I yeah,

683
00:33:02,080 --> 00:33:03,600
Speaker 1: well I don't know. I actually wouldn't know. I've never

684
00:33:03,640 --> 00:33:04,720
Speaker 1: seen sex in black and white.

685
00:33:05,680 --> 00:33:09,040
Speaker 3: All those porn sites wherever, like sometimes yeah, like they

686
00:33:09,080 --> 00:33:13,520
Speaker 3: could yeah, turn porn, you know, or something like that. Yeah,

687
00:33:13,520 --> 00:33:17,160
Speaker 3: I don't know why vintage would. I don't know with me,

688
00:33:17,320 --> 00:33:19,440
Speaker 3: I don't know why someone would google vintage porn. But

689
00:33:19,520 --> 00:33:23,600
Speaker 3: if they did, there's an acceptable area like you know,

690
00:33:23,680 --> 00:33:25,640
Speaker 3: like the seventies and eighties, and then there's like, you know,

691
00:33:25,680 --> 00:33:27,080
Speaker 3: you don't want to see nineteen twenties.

692
00:33:27,520 --> 00:33:31,120
Speaker 2: Yeah, yeah, yeah, I like dagera type pornography if possible.

693
00:33:31,400 --> 00:33:33,560
Speaker 3: Yeah, you can't see that. You can't see what's what's

694
00:33:33,680 --> 00:33:35,680
Speaker 3: what's happening? Really, there's too many shadows.

695
00:33:36,320 --> 00:33:40,040
Speaker 1: So again another moment shows up. George is about to

696
00:33:40,560 --> 00:33:43,200
Speaker 1: hebe we're gonna go everywhere. We're gonna go to Timbuctoo

697
00:33:43,400 --> 00:33:47,680
Speaker 1: in Paris, the oldest shade, and they've got all this

698
00:33:47,880 --> 00:33:48,800
Speaker 1: fucking cat.

699
00:33:48,960 --> 00:33:52,240
Speaker 2: Saying the way you do that, you're going, You're gone,

700
00:33:52,360 --> 00:33:57,200
Speaker 2: Like there's why looks he looks like an actually human.

701
00:33:57,800 --> 00:33:58,800
Speaker 3: He is inhabited.

702
00:33:59,080 --> 00:34:02,160
Speaker 2: You gotta throw ahead to get that, by my fucking

703
00:34:02,360 --> 00:34:06,640
Speaker 2: boah god boy. So they're about to go on their honeymoon.

704
00:34:06,680 --> 00:34:08,600
Speaker 2: They got all this cash, and then they look there's

705
00:34:08,640 --> 00:34:14,600
Speaker 2: a fucking bank run on a bank, on his bank. Yeah,

706
00:34:15,040 --> 00:34:18,480
Speaker 2: because again this is some shit with mister evil fucking

707
00:34:18,640 --> 00:34:22,320
Speaker 2: potter owning the bank, calling in a loan and being like,

708
00:34:22,680 --> 00:34:25,640
Speaker 2: you've got that money on you, bro, No detected, No

709
00:34:26,080 --> 00:34:27,160
Speaker 2: lies detected.

710
00:34:27,280 --> 00:34:29,560
Speaker 1: I mean, do they specifically say that he's waiting for

711
00:34:29,680 --> 00:34:31,400
Speaker 1: him to go out of town to do to do

712
00:34:31,560 --> 00:34:35,040
Speaker 1: some shit like, because that would that does seem like

713
00:34:35,440 --> 00:34:37,560
Speaker 1: what would actually happen is he'd be like, all right,

714
00:34:37,640 --> 00:34:39,600
Speaker 1: this motherfucker's out of our hair. Let's go. Yeah.

715
00:34:39,640 --> 00:34:42,360
Speaker 2: I don't know, I don't know, another moment shows up.

716
00:34:42,520 --> 00:34:44,480
Speaker 2: He could have gone and drank the oldest champagne and

717
00:34:44,560 --> 00:34:44,920
Speaker 2: just say, you know.

718
00:34:44,920 --> 00:34:46,560
Speaker 1: What, brother, maybe the building a loan just needs to

719
00:34:46,600 --> 00:34:47,960
Speaker 1: go down and I don't give a fuck about these

720
00:34:47,960 --> 00:34:48,520
Speaker 1: people houses.

721
00:34:48,960 --> 00:34:52,000
Speaker 2: But he did. It came back doldash.

722
00:34:52,360 --> 00:34:55,000
Speaker 1: So they have their honeymoon and an old like burnt

723
00:34:55,080 --> 00:34:57,600
Speaker 1: out the spooky haunted house.

724
00:34:57,960 --> 00:35:00,719
Speaker 2: What are the what are the tendency then?

725
00:35:00,760 --> 00:35:02,560
Speaker 1: Because it just felt like they're like, yeah, you know what,

726
00:35:02,640 --> 00:35:05,080
Speaker 1: I'm having this old abandoned house, honey, put up the

727
00:35:05,120 --> 00:35:05,920
Speaker 1: fucking wallpaper.

728
00:35:06,560 --> 00:35:08,759
Speaker 2: It was kind of like the next bit of that

729
00:35:08,840 --> 00:35:09,319
Speaker 2: whole season.

730
00:35:09,360 --> 00:35:11,040
Speaker 3: I was thinking they bought it, but I guess they never.

731
00:35:11,120 --> 00:35:12,160
Speaker 2: Really, I'm sure they did.

732
00:35:12,200 --> 00:35:14,759
Speaker 3: They did never established where they bought it, but.

733
00:35:14,760 --> 00:35:18,080
Speaker 2: I guess it was yeah. Yeah, when the cops that

734
00:35:18,120 --> 00:35:21,480
Speaker 2: you have your honeymoon in there, I gotta say that technology.

735
00:35:21,640 --> 00:35:25,800
Speaker 2: They deployed the record player rotisserie. Did you catch that?

736
00:35:26,600 --> 00:35:29,520
Speaker 2: Like the turntable, like the needle was hooked up to

737
00:35:29,600 --> 00:35:33,640
Speaker 2: another cable that was rotating fucking two chickens on a rotisserie.

738
00:35:33,680 --> 00:35:36,360
Speaker 2: I was like, this is this was peak technology.

739
00:35:36,520 --> 00:35:38,759
Speaker 3: Yeah, they couldn't get in. They couldn't go on their honeymoon.

740
00:35:39,160 --> 00:35:41,120
Speaker 3: So the towns people who are they were all friends

741
00:35:41,160 --> 00:35:43,520
Speaker 3: with because it was a small town, you know, really

742
00:35:43,640 --> 00:35:46,920
Speaker 3: small town, and they knew everybody. So everybody knew he

743
00:35:46,960 --> 00:35:48,880
Speaker 3: couldn't go on his honeymoon. So they all got together

744
00:35:49,000 --> 00:35:52,759
Speaker 3: and and like turned their house into a hotel like

745
00:35:52,880 --> 00:35:55,840
Speaker 3: with the with the local people pretending to be the

746
00:35:55,920 --> 00:35:59,160
Speaker 3: bell boys and the concierge, and and then like you know,

747
00:35:59,239 --> 00:36:01,320
Speaker 3: it was like all and that made me cry again.

748
00:36:02,040 --> 00:36:05,200
Speaker 2: It was very nice because you yeah, I was also

749
00:36:05,320 --> 00:36:07,239
Speaker 2: I was. There was a moment at the end. I

750
00:36:07,360 --> 00:36:08,279
Speaker 2: was actually the most moved.

751
00:36:08,360 --> 00:36:08,520
Speaker 4: Yeah.

752
00:36:08,560 --> 00:36:13,520
Speaker 2: Then whole time, Yeah, I mean, yeah, it's beating out

753
00:36:13,560 --> 00:36:16,759
Speaker 2: of us till our ears bled until that last turn

754
00:36:16,800 --> 00:36:18,840
Speaker 2: and then they gave us a hug, and we're like, oh, okay.

755
00:36:20,160 --> 00:36:20,319
Speaker 4: Yeah.

756
00:36:20,480 --> 00:36:23,360
Speaker 3: The movies about like this guy named Potter who's like

757
00:36:23,440 --> 00:36:26,960
Speaker 3: a modern billionaire, except smaller. Back then there were just

758
00:36:27,040 --> 00:36:29,520
Speaker 3: billionaires that ran towns as opposed to the whole Earth's.

759
00:36:29,920 --> 00:36:33,120
Speaker 1: Yeah, he was doing the original work so that our

760
00:36:33,239 --> 00:36:37,120
Speaker 1: billionaires could be billionaires. You know. Yes, he was consolidate.

761
00:36:37,480 --> 00:36:42,200
Speaker 3: He was doing evil bootstrapping, but he ran the town

762
00:36:42,320 --> 00:36:44,320
Speaker 3: in the sense that he had so much money hoarded

763
00:36:44,400 --> 00:36:49,719
Speaker 3: that he could just interrupt any plans, like he could

764
00:36:49,760 --> 00:36:51,800
Speaker 3: offer like when the when there was a run on

765
00:36:51,840 --> 00:36:54,040
Speaker 3: the run on the bank, he just offered cash to

766
00:36:54,120 --> 00:36:57,480
Speaker 3: the people who needed their money. He offered fifty cents

767
00:36:57,520 --> 00:36:59,239
Speaker 3: on the dollar, and they almost took it. But he

768
00:36:59,280 --> 00:37:01,000
Speaker 3: had to make it each George had to make a

769
00:37:01,040 --> 00:37:03,080
Speaker 3: speech to all his neighbors and say, listen, if we

770
00:37:04,120 --> 00:37:07,279
Speaker 3: if we go get our quick money from this billionaire

771
00:37:07,719 --> 00:37:11,560
Speaker 3: or this millionaire in this case, this evil guy, we're

772
00:37:11,600 --> 00:37:13,880
Speaker 3: gonna ruin our chances for the whole future. This is

773
00:37:13,920 --> 00:37:15,960
Speaker 3: a moment we have to like side with each other

774
00:37:16,040 --> 00:37:18,440
Speaker 3: and we have to like rely on each other because

775
00:37:18,480 --> 00:37:21,520
Speaker 3: because if you take this easy money, there's no turning back.

776
00:37:21,920 --> 00:37:25,400
Speaker 1: And uh, that's I just think that was that was

777
00:37:25,480 --> 00:37:26,920
Speaker 1: one of the scenes. I knew about the run on

778
00:37:26,960 --> 00:37:29,200
Speaker 1: the bank, and I thought it was like run on

779
00:37:29,280 --> 00:37:31,120
Speaker 1: the bank straight to the bridge.

780
00:37:31,960 --> 00:37:34,840
Speaker 2: Then we get like you really just kind of poked

781
00:37:34,880 --> 00:37:37,879
Speaker 2: your head in from this movie. Yeah exactly, all right, cool, cool,

782
00:37:37,880 --> 00:37:40,279
Speaker 2: and who's this guy? But so then then you kind

783
00:37:40,320 --> 00:37:42,480
Speaker 2: of get George starts to kind of win because the

784
00:37:42,600 --> 00:37:45,080
Speaker 2: next sort of shift you see is that he started

785
00:37:45,120 --> 00:37:47,640
Speaker 2: Bailey Park. It's like a whole housing development. And then

786
00:37:47,680 --> 00:37:51,279
Speaker 2: like fucking evil mister Potter's like money goons like, hey man,

787
00:37:51,320 --> 00:37:53,360
Speaker 2: you should look into this Bailey Park place. You know,

788
00:37:53,560 --> 00:37:56,600
Speaker 2: like there you're doing better than your fucking slums. So

789
00:37:57,120 --> 00:38:01,800
Speaker 2: Potter hatches a scheme to basically I clows the building.

790
00:38:01,920 --> 00:38:03,839
Speaker 2: He's like, hey, let me just give you this job

791
00:38:03,960 --> 00:38:06,480
Speaker 2: offers I can shut down your building and loan operation

792
00:38:06,640 --> 00:38:08,239
Speaker 2: and force people for my slum.

793
00:38:09,239 --> 00:38:14,240
Speaker 1: That slow movie like it's just like very much about

794
00:38:14,480 --> 00:38:17,919
Speaker 1: finance for a big stretch of this movie. It's really

795
00:38:18,080 --> 00:38:21,920
Speaker 1: just like yeah, and so it's like watching someone play monopoly,

796
00:38:22,040 --> 00:38:24,000
Speaker 1: where it was like all right, then he bought this

797
00:38:24,239 --> 00:38:26,000
Speaker 1: and then this guy tried to buy him out, all right,

798
00:38:26,000 --> 00:38:27,680
Speaker 1: all right, Well, you have to understand is this is

799
00:38:27,760 --> 00:38:31,320
Speaker 1: a leveraged buyout and he's actually gonna give him bad rates.

800
00:38:31,840 --> 00:38:32,040
Speaker 2: Yeah.

801
00:38:32,400 --> 00:38:34,239
Speaker 1: This was around the time when I was writing in

802
00:38:34,280 --> 00:38:37,320
Speaker 1: my notes, I can't believe how long it's taken to

803
00:38:37,440 --> 00:38:39,239
Speaker 1: get to the attempted suicide.

804
00:38:39,640 --> 00:38:39,839
Speaker 3: Yeah.

805
00:38:40,160 --> 00:38:44,319
Speaker 2: Uh so then you get Christmas Eve and there's gonna

806
00:38:44,320 --> 00:38:47,759
Speaker 2: be a heroes welcome for his brother, who was like,

807
00:38:48,000 --> 00:38:50,960
Speaker 2: now a Navy Ace like fucking star. He was like,

808
00:38:51,080 --> 00:38:54,760
Speaker 2: as if being a football star wasn't enough, this fucking

809
00:38:54,880 --> 00:38:59,120
Speaker 2: guy prevented a Kamakazi attack and the Navy Ace and

810
00:38:59,200 --> 00:39:02,359
Speaker 2: he got the fucking Medal of Honor and you're like, oh,

811
00:39:03,360 --> 00:39:04,800
Speaker 2: one thing. I was like, that must have been You

812
00:39:04,880 --> 00:39:06,680
Speaker 2: must have been so popping if you were like a

813
00:39:06,800 --> 00:39:11,160
Speaker 2: football like a college football star, then like i'mbat ace. Right.

814
00:39:11,239 --> 00:39:13,000
Speaker 2: They were like, bro, this is this guy can do

815
00:39:13,080 --> 00:39:15,640
Speaker 2: a fucking all. He killed He was like Charles Lindberg.

816
00:39:16,760 --> 00:39:18,760
Speaker 3: Oh yeah, was he a big He was the biggest

817
00:39:18,760 --> 00:39:22,120
Speaker 3: celebrity in the world. That guy. He had secret families

818
00:39:22,160 --> 00:39:24,279
Speaker 3: all over the world. He was the eugenics guy who

819
00:39:24,360 --> 00:39:26,360
Speaker 3: he went crazy like Elon Musk and tried to have

820
00:39:26,400 --> 00:39:28,040
Speaker 3: as many children as he could. Because he was like,

821
00:39:28,160 --> 00:39:30,239
Speaker 3: I am of the superior race because I flew an

822
00:39:30,280 --> 00:39:31,480
Speaker 3: airplane across the ocean.

823
00:39:31,840 --> 00:39:32,600
Speaker 2: Oh I love it.

824
00:39:33,280 --> 00:39:35,680
Speaker 3: Charles Lindberg was like, that was how he got famous

825
00:39:35,760 --> 00:39:37,920
Speaker 3: back then, was like pioneer crap.

826
00:39:38,080 --> 00:39:43,239
Speaker 1: Jimmy Stewart was a decorated naval aviator military he flew

827
00:39:43,320 --> 00:39:47,440
Speaker 1: missions and oh.

828
00:39:45,920 --> 00:39:51,840
Speaker 2: Great, the crowds man, the do you know who's wow, Jimmy,

829
00:39:52,160 --> 00:39:55,640
Speaker 2: thanks for thanks for the restraint there. Then we get

830
00:39:55,680 --> 00:39:57,600
Speaker 2: to like, this is where it starts getting wobbly because

831
00:39:57,760 --> 00:40:00,879
Speaker 2: uncle Billy who didn't realize, like I, I noticed late

832
00:40:00,920 --> 00:40:02,280
Speaker 2: in the film that he had a pet raven.

833
00:40:02,800 --> 00:40:05,800
Speaker 1: Like I was like, yeah, oh that he's got birds loose.

834
00:40:05,920 --> 00:40:07,040
Speaker 1: He's got loose birds.

835
00:40:07,120 --> 00:40:08,640
Speaker 2: Oh yeah, yeah yeah.

836
00:40:08,800 --> 00:40:12,520
Speaker 1: That was that inspired to my old age. Just have

837
00:40:12,560 --> 00:40:14,920
Speaker 1: a raven, Raven's following me around.

838
00:40:15,520 --> 00:40:18,120
Speaker 2: I was reading about that raven. That raven was like

839
00:40:18,239 --> 00:40:21,200
Speaker 2: in according to the handler, like over a thousand things

840
00:40:22,000 --> 00:40:24,720
Speaker 2: because the raven was so like useful and could do anything.

841
00:40:24,960 --> 00:40:27,120
Speaker 2: And he described that raven as being able to do

842
00:40:27,200 --> 00:40:29,520
Speaker 2: anything an eight year old child could do and knew

843
00:40:29,520 --> 00:40:32,520
Speaker 2: about like five hundred words to say. So, look, they

844
00:40:32,520 --> 00:40:35,160
Speaker 2: didn't give that raven a speaking part what they could have.

845
00:40:35,640 --> 00:40:38,600
Speaker 2: So then this uncle Billy scene, he's trying to go

846
00:40:38,680 --> 00:40:41,400
Speaker 2: to the Potter's bank to drop off an eight thousand

847
00:40:41,440 --> 00:40:44,040
Speaker 2: dollars bag of the building and loan's money.

848
00:40:44,239 --> 00:40:47,040
Speaker 1: And there's a moment where he's like, hey, look, mister

849
00:40:47,160 --> 00:40:52,239
Speaker 1: Potter Fumble number seventeen. He tries to just smear in

850
00:40:52,360 --> 00:40:55,359
Speaker 1: mister Potter's face that Bailey Park is doing so well,

851
00:40:55,800 --> 00:40:59,280
Speaker 1: but in the process drops the fucking eight thousand dollars

852
00:40:59,400 --> 00:41:03,040
Speaker 1: bag with the fucking newspaper. He wraps it in the

853
00:41:03,120 --> 00:41:06,600
Speaker 1: newspaper and then it's like, here's your fucking you think

854
00:41:06,640 --> 00:41:09,480
Speaker 1: that Bailey's aren't cool, well check this out and like

855
00:41:09,560 --> 00:41:09,920
Speaker 1: gives it.

856
00:41:09,960 --> 00:41:13,000
Speaker 2: To him and then can't remember that he did that. Yeah, yep.

857
00:41:13,200 --> 00:41:16,520
Speaker 2: So then he's the doddy old man who's friends with Ravens.

858
00:41:16,920 --> 00:41:19,920
Speaker 2: Yeah yeah, exactly. Uh So, then obviously mister PBDT keeps

859
00:41:19,920 --> 00:41:22,680
Speaker 2: some money. Evil piece of shit Billy can't find the money.

860
00:41:23,360 --> 00:41:26,480
Speaker 2: The fucking bank forensics expert is there to be like,

861
00:41:26,680 --> 00:41:30,200
Speaker 2: where's your fucking money, And that's when your money. This

862
00:41:30,400 --> 00:41:33,680
Speaker 2: is when it gets fucking wobbly. Now for George Bailey.

863
00:41:33,719 --> 00:41:36,520
Speaker 2: They try and find the money. They can't find the money.

864
00:41:36,800 --> 00:41:40,200
Speaker 2: And you know that's when I think mister Potter is like, oh,

865
00:41:40,239 --> 00:41:41,880
Speaker 2: you're being loose with my money. You know, I'm actually

866
00:41:41,920 --> 00:41:44,279
Speaker 2: a board member. I'm gonna call the fucking cops on

867
00:41:44,440 --> 00:41:46,920
Speaker 2: you and we get to see how you know that

868
00:41:47,480 --> 00:41:50,759
Speaker 2: Just just that the way he's putting pressure on old

869
00:41:50,840 --> 00:41:52,360
Speaker 2: George by being like this is kind of like a

870
00:41:52,440 --> 00:41:54,720
Speaker 2: hostile takeover. But I'm also gonna use my board position

871
00:41:54,880 --> 00:41:56,520
Speaker 2: to pisure legal jeopardy.

872
00:41:56,440 --> 00:41:58,520
Speaker 1: And just like the gas and it comes along with

873
00:41:58,600 --> 00:42:02,239
Speaker 1: capitalism where you're just like they make you feel crazy, but.

874
00:42:03,880 --> 00:42:07,239
Speaker 2: Yeah, would you spend it? Spend some women? He got

875
00:42:07,280 --> 00:42:11,520
Speaker 2: a secret family, George playing the market? Oh honest, I wasn't.

876
00:42:12,600 --> 00:42:15,600
Speaker 1: Yeah, George is just too earnest Steven like think about that.

877
00:42:16,080 --> 00:42:17,799
Speaker 1: He's like, oh, I know you think that I did,

878
00:42:17,880 --> 00:42:18,480
Speaker 1: but I didn't.

879
00:42:20,239 --> 00:42:24,080
Speaker 3: He was showing the headline about George's brother getting the

880
00:42:24,120 --> 00:42:30,120
Speaker 3: congressional Metah. Not only is the building a loan kicking ass,

881
00:42:30,640 --> 00:42:34,080
Speaker 3: but the Bailey boys are at it again. Yeah, Bailey,

882
00:42:34,600 --> 00:42:43,920
Speaker 3: George Jailey, then Bailey Boys, Bailey what's his name, Harry Harry.

883
00:42:42,040 --> 00:42:47,880
Speaker 2: Bailey FONTI uh so then okay, He's like completely destitute.

884
00:42:47,920 --> 00:42:50,440
Speaker 2: He's like, fuck, We've completely fucked this up. What am

885
00:42:50,480 --> 00:42:53,160
Speaker 2: I going to do? George is like he's getting drunk

886
00:42:53,200 --> 00:42:55,560
Speaker 2: at the bar. He's trying to figure out what he

887
00:42:55,640 --> 00:42:58,240
Speaker 2: can do. He realizes he's got a life insurance policy

888
00:42:58,360 --> 00:43:00,840
Speaker 2: that maybe he can offer his collateral and Potter he

889
00:43:00,960 --> 00:43:03,960
Speaker 2: has in his pocket. I think, yeah, yeah, yeah, yeah,

890
00:43:03,960 --> 00:43:07,680
Speaker 2: I care. That's so desperate. He's like, what do I have, Yester? Potter?

891
00:43:07,880 --> 00:43:09,560
Speaker 4: You can take this? And he's like, well, how much

892
00:43:09,640 --> 00:43:12,480
Speaker 4: have you in rested already? He's like five hundred dollars

893
00:43:12,960 --> 00:43:15,400
Speaker 4: a fifteenth housard right right, right, right right, and he

894
00:43:15,480 --> 00:43:18,280
Speaker 4: basically says, you're worth more dad than you are alive, Potter.

895
00:43:19,160 --> 00:43:23,320
Speaker 4: And this is where the spiral really really begins. On

896
00:43:23,400 --> 00:43:24,799
Speaker 4: this dark Christmas for him.

897
00:43:25,040 --> 00:43:26,680
Speaker 1: He goes home and he's like real mean to his

898
00:43:26,840 --> 00:43:30,160
Speaker 1: kids and then he like balls out his kid's teacher

899
00:43:30,760 --> 00:43:31,000
Speaker 1: on the.

900
00:43:31,040 --> 00:43:33,480
Speaker 2: Phone, like, oh think you use the term that her

901
00:43:33,560 --> 00:43:36,160
Speaker 2: husband did? Yeah, my wife's ever been balled out like

902
00:43:36,280 --> 00:43:39,480
Speaker 2: that in her life. U the that seemed kind of

903
00:43:39,520 --> 00:43:42,200
Speaker 2: fucked me up because I was like, damn, bro, like

904
00:43:42,360 --> 00:43:44,479
Speaker 2: that was that's kind of that was that was real,

905
00:43:44,719 --> 00:43:48,120
Speaker 2: regardless of like what a specific situation is like parents

906
00:43:48,239 --> 00:43:52,600
Speaker 2: under financial stress, completely unable to be present because of

907
00:43:52,719 --> 00:43:57,160
Speaker 2: like the fucking crushing weight of having to toil and survive. Yeah,

908
00:43:57,239 --> 00:44:00,560
Speaker 2: just be like, oh and you kids don't know anything's

909
00:44:00,600 --> 00:44:03,040
Speaker 2: going on. I don't know. I don't know shit about

910
00:44:03,080 --> 00:44:06,520
Speaker 2: money bro lambball uh and yeah, so then.

911
00:44:06,440 --> 00:44:09,440
Speaker 3: He know that scene was like that scene was like

912
00:44:10,719 --> 00:44:12,120
Speaker 3: I said to the person I was watching with, and

913
00:44:12,200 --> 00:44:14,120
Speaker 3: I said, that was like my house like every day.

914
00:44:15,480 --> 00:44:16,560
Speaker 1: God, it really was.

915
00:44:16,760 --> 00:44:17,279
Speaker 2: It really was.

916
00:44:17,440 --> 00:44:21,320
Speaker 3: It was like my father had kids and had no idea.

917
00:44:22,960 --> 00:44:26,120
Speaker 3: He just had this idea my father, father and mother.

918
00:44:26,600 --> 00:44:28,400
Speaker 3: But my mother had some idea of what she was

919
00:44:28,440 --> 00:44:30,600
Speaker 3: getting into. My dad had none. And so once he

920
00:44:30,719 --> 00:44:34,120
Speaker 3: was in that situation, he just acted like George Bailey

921
00:44:34,160 --> 00:44:36,920
Speaker 3: on his worst day. Every day he just came home

922
00:44:36,920 --> 00:44:39,360
Speaker 3: from work and was just like this is a disaster

923
00:44:39,640 --> 00:44:41,279
Speaker 3: and I have no money and you guys are all

924
00:44:41,400 --> 00:44:44,839
Speaker 3: like annoying and and why did this happen and all

925
00:44:44,880 --> 00:44:46,920
Speaker 3: that sort of stuff, except he didn't like seriously like

926
00:44:47,000 --> 00:44:48,760
Speaker 3: every day. So it was like I was like, Wow,

927
00:44:49,000 --> 00:44:52,080
Speaker 3: that made me actually feel like like kind of like

928
00:44:52,719 --> 00:44:56,920
Speaker 3: some stuff. Oh, that scene really made me feel like

929
00:44:57,040 --> 00:44:59,760
Speaker 3: I had not seen that, like play.

930
00:45:00,239 --> 00:45:02,839
Speaker 2: Yeah, that's what I mean. If I watch it as

931
00:45:02,840 --> 00:45:05,760
Speaker 2: a kid, I'd be like whatever. Whatever. Now, being older,

932
00:45:05,920 --> 00:45:08,000
Speaker 2: being a parent, all this other stuff, I'm like, oh,

933
00:45:08,960 --> 00:45:10,320
Speaker 2: so much of it. I was like, this ship is

934
00:45:10,400 --> 00:45:14,560
Speaker 2: so fucking heavy. Like, this guy's life sucks. Okay, He's

935
00:45:15,200 --> 00:45:17,480
Speaker 2: like every time he's trying, you think he's gonna do

936
00:45:17,560 --> 00:45:19,600
Speaker 2: the thing he wants, he ends up fucking like putting

937
00:45:19,640 --> 00:45:22,320
Speaker 2: it off, kicking it in the future. More resentment builds

938
00:45:22,400 --> 00:45:24,400
Speaker 2: up to the point that he just like resents his

939
00:45:24,520 --> 00:45:27,640
Speaker 2: own family and then ends up going to a bridge

940
00:45:27,800 --> 00:45:32,000
Speaker 2: about to jump, but then Clarents dives into the river

941
00:45:32,840 --> 00:45:34,000
Speaker 2: and George rescues him.

942
00:45:34,040 --> 00:45:37,000
Speaker 1: Who rescued He's like, this is his this is his

943
00:45:37,680 --> 00:45:40,600
Speaker 1: one superpower. He jumps into water and saves people. So

944
00:45:40,680 --> 00:45:41,880
Speaker 1: I'm gonna take advantage of that.

945
00:45:42,239 --> 00:45:45,000
Speaker 2: Do you know what? Did you see him dive into

946
00:45:45,040 --> 00:45:50,319
Speaker 2: the water? I was like, that was nice. He's kind

947
00:45:50,360 --> 00:45:52,520
Speaker 2: of nice with it, for sure. Do you do you

948
00:45:52,719 --> 00:45:55,600
Speaker 2: do your own stunts? Jimmy, That had to have been Jimmy, right.

949
00:45:55,880 --> 00:45:58,040
Speaker 2: They didn't stunt people to die. Oh well, I can

950
00:45:58,200 --> 00:46:00,960
Speaker 2: dive with the best of them, and he probably did.

951
00:46:01,239 --> 00:46:03,279
Speaker 1: That was probably not the best idea. I would go

952
00:46:03,400 --> 00:46:05,000
Speaker 1: feet first if I'm jumping off a bridge.

953
00:46:05,120 --> 00:46:07,560
Speaker 2: If it's on a soundstage too, it's like, Jimmy, you're

954
00:46:07,600 --> 00:46:10,040
Speaker 2: six four, this tank is only five feet deep.

955
00:46:10,400 --> 00:46:12,120
Speaker 3: Back when there was a middle class, like you know,

956
00:46:12,200 --> 00:46:13,960
Speaker 3: it was like there was a lot of time to

957
00:46:14,280 --> 00:46:17,000
Speaker 3: talk about like which like teach kids, like which salad

958
00:46:17,080 --> 00:46:18,719
Speaker 3: work was for the sald you know which work was

959
00:46:18,760 --> 00:46:21,800
Speaker 3: for the salad? How to dive dive properly. It was

960
00:46:21,840 --> 00:46:23,160
Speaker 3: like a big thing, like you don't want to be

961
00:46:23,360 --> 00:46:28,000
Speaker 3: caught diving improperly. I would have done tried to dive

962
00:46:28,080 --> 00:46:30,840
Speaker 3: in head first, but like over rotated and landed on

963
00:46:30,920 --> 00:46:32,480
Speaker 3: my back and just been paralyzed.

964
00:46:32,560 --> 00:46:33,520
Speaker 1: Yeah, Angel has to.

965
00:46:33,640 --> 00:46:36,719
Speaker 2: Like it's like fuck, or you just kill Clarence because

966
00:46:36,719 --> 00:46:39,319
Speaker 2: you land on him, Like reason not.

967
00:46:39,360 --> 00:46:41,760
Speaker 3: To date somebody Like I was going to marry George,

968
00:46:41,880 --> 00:46:46,520
Speaker 3: but I noticed that his diving is his diving, and

969
00:46:46,600 --> 00:46:48,440
Speaker 3: that makes me think that he's not going to be

970
00:46:48,520 --> 00:46:49,240
Speaker 3: a good provider.

971
00:46:49,560 --> 00:46:53,000
Speaker 1: There are the glimpses of a better world, like the

972
00:46:54,440 --> 00:46:58,359
Speaker 1: gym is on top of a pool, like that, there's

973
00:46:58,400 --> 00:47:00,960
Speaker 1: a there's a part like the meat cute with George

974
00:47:01,000 --> 00:47:03,960
Speaker 1: and Mary is like the night of a big dance,

975
00:47:04,400 --> 00:47:07,040
Speaker 1: and like, these guys prank them by opening up the

976
00:47:07,120 --> 00:47:11,160
Speaker 1: gymnasium floor which has like a beautiful pool underneath it.

977
00:47:11,400 --> 00:47:14,120
Speaker 1: That's Beverly Hills High. Yeah, which is in Beverly Hills High.

978
00:47:14,160 --> 00:47:16,239
Speaker 1: But they're just like, yeah, I mean sure this this

979
00:47:16,400 --> 00:47:18,520
Speaker 1: makes sense of the normal high school thing.

980
00:47:18,960 --> 00:47:19,600
Speaker 3: Yeah too.

981
00:47:19,719 --> 00:47:21,160
Speaker 2: I was like, what the fuck is that? It's like

982
00:47:21,239 --> 00:47:24,320
Speaker 2: this is smart, dude, yeah, very fuck.

983
00:47:24,440 --> 00:47:26,080
Speaker 3: Is this relatable? Is this relatable?

984
00:47:27,760 --> 00:47:29,560
Speaker 2: Shit? Do I want to fall in a pool doing

985
00:47:29,600 --> 00:47:30,759
Speaker 2: the fucking Charleston?

986
00:47:31,239 --> 00:47:31,439
Speaker 1: Yeah?

987
00:47:31,760 --> 00:47:34,120
Speaker 3: I thought about how many tuxedos that just like they

988
00:47:34,200 --> 00:47:36,160
Speaker 3: must have had on standby. But then I realized that

989
00:47:36,239 --> 00:47:38,600
Speaker 3: like everyone back there then wore tuxedo all.

990
00:47:38,560 --> 00:47:41,279
Speaker 1: You were a tuxedo. It was not casual Fridays. It

991
00:47:41,320 --> 00:47:45,680
Speaker 1: was a tuxedo Friday. They wear a suit Monday through Thursday. Fridays.

992
00:47:46,239 --> 00:47:49,600
Speaker 1: You wear you're dining outfit, your piece of ship.

993
00:47:50,040 --> 00:47:53,480
Speaker 2: So yeah, that's when Clarence saves our. You know, Clarence

994
00:47:53,520 --> 00:47:57,399
Speaker 2: goes in the water, he gets out, and you he's

995
00:47:57,640 --> 00:48:00,680
Speaker 2: Clarence slowly starts to reveal that he is is an angel,

996
00:48:00,800 --> 00:48:03,200
Speaker 2: but like everyone's like, shut the fuck up, your weird

997
00:48:03,280 --> 00:48:05,120
Speaker 2: piece of shit with your weird underwear.

998
00:48:05,280 --> 00:48:08,279
Speaker 3: Yeah, you're drunk as it looks like a cartoon drunk.

999
00:48:08,280 --> 00:48:09,319
Speaker 1: It looks like a cartoon drunk.

1000
00:48:09,320 --> 00:48:10,040
Speaker 2: It looks like W. C.

1001
00:48:10,200 --> 00:48:16,239
Speaker 1: Fields all right, rummy for current reference, but that like

1002
00:48:16,560 --> 00:48:19,160
Speaker 1: weird his underwear that he roes like, oh my wife

1003
00:48:19,239 --> 00:48:19,719
Speaker 1: got me this.

1004
00:48:19,840 --> 00:48:23,319
Speaker 2: I'm like in the fucking eighteen seventies, what the fuck

1005
00:48:23,440 --> 00:48:25,560
Speaker 2: is that? But again, that's just me looking at it

1006
00:48:25,680 --> 00:48:28,920
Speaker 2: from twenty twenty five and not understanding anything. And that's

1007
00:48:28,920 --> 00:48:32,080
Speaker 2: when sort of like the whole thing of like George saying, look, bro,

1008
00:48:32,320 --> 00:48:35,120
Speaker 2: i I'm probably just I wish I wish I wasn't

1009
00:48:35,160 --> 00:48:36,000
Speaker 2: around anymore.

1010
00:48:37,560 --> 00:48:40,440
Speaker 1: Carl Havoc, Yeah, I'd just rather not be around.

1011
00:48:40,719 --> 00:48:43,400
Speaker 3: My favorite thing is that in the favorite part of

1012
00:48:43,440 --> 00:48:46,640
Speaker 3: the whole movie or favorite actor in the movie is

1013
00:48:46,719 --> 00:48:49,680
Speaker 3: the guy who's trying to spit tobacco but he keeps

1014
00:48:49,760 --> 00:48:52,600
Speaker 3: like doing a double take because the angel keeps doing

1015
00:48:53,000 --> 00:48:55,560
Speaker 3: supernatural shit. Like the guy who's in charge of like

1016
00:48:55,880 --> 00:48:57,160
Speaker 3: taking money at the bridge.

1017
00:48:57,400 --> 00:48:58,560
Speaker 2: Oh oh yeah that guy.

1018
00:48:58,680 --> 00:49:00,160
Speaker 3: Yeah, that guy's the fuck for me.

1019
00:49:00,719 --> 00:49:03,600
Speaker 1: He deserves an the killing ward that guy ruled.

1020
00:49:04,440 --> 00:49:08,320
Speaker 3: If anyone wants to watch it again, a breakout comedic performance.

1021
00:49:08,360 --> 00:49:11,600
Speaker 3: In my opinion, he just because because Clarence is revealing

1022
00:49:11,640 --> 00:49:14,200
Speaker 3: he's an angel to George, and George is like, I

1023
00:49:14,239 --> 00:49:16,640
Speaker 3: don't believe you, and he's like George had been punched

1024
00:49:16,680 --> 00:49:19,120
Speaker 3: in the mouth when he was drunk and so like

1025
00:49:19,239 --> 00:49:20,759
Speaker 3: he had blood coming out of his lip. And then

1026
00:49:20,760 --> 00:49:22,440
Speaker 3: the angel's like, check to see if the blood is

1027
00:49:22,480 --> 00:49:24,640
Speaker 3: still on your lip. You've never been born. You've got

1028
00:49:24,680 --> 00:49:26,919
Speaker 3: your wish, you were never born, and so he checks

1029
00:49:26,960 --> 00:49:28,560
Speaker 3: his lip for the blood and there's no blood. And

1030
00:49:28,600 --> 00:49:31,720
Speaker 3: then the bridge guy keeps trying to the bridge tender,

1031
00:49:31,840 --> 00:49:33,880
Speaker 3: which first of all, is another missed opportunity for me,

1032
00:49:34,040 --> 00:49:36,000
Speaker 3: born too late. I would love to be a guy

1033
00:49:37,400 --> 00:49:38,000
Speaker 3: bridge you.

1034
00:49:38,040 --> 00:49:40,160
Speaker 1: Know, no what's coming by at night, just making sure

1035
00:49:40,280 --> 00:49:42,719
Speaker 1: that nothing goes down on the bridge.

1036
00:49:42,560 --> 00:49:45,520
Speaker 3: Sitting in there and chewing tobacco and that's what are

1037
00:49:45,520 --> 00:49:45,799
Speaker 3: we going.

1038
00:49:45,800 --> 00:49:47,799
Speaker 1: To leave this bridge unattended all night?

1039
00:49:47,960 --> 00:49:50,759
Speaker 3: But yeah, that guy's like that guy's performance where he

1040
00:49:50,840 --> 00:49:52,960
Speaker 3: keeps being about to split the tobacco, but then he

1041
00:49:53,040 --> 00:49:56,120
Speaker 3: double takes when something else crazy happens, and the eventually

1042
00:49:56,360 --> 00:49:57,759
Speaker 3: runs credited.

1043
00:50:00,040 --> 00:50:02,360
Speaker 2: I'm Sad is his name, And he was like a

1044
00:50:02,480 --> 00:50:05,719
Speaker 2: vaudevillian guy. So makes sense, no joke.

1045
00:50:05,800 --> 00:50:08,520
Speaker 3: I was like that guy, Holy shit, what a great job.

1046
00:50:09,200 --> 00:50:11,919
Speaker 2: Also, he really he really cast. He really earns that check.

1047
00:50:11,960 --> 00:50:14,319
Speaker 2: When Clarence is like Irons as two, He's like, what's

1048
00:50:14,360 --> 00:50:18,560
Speaker 2: as too? Man, he's like Angel second class. That's yeah,

1049
00:50:18,600 --> 00:50:22,239
Speaker 2: there's like it couldn't have just made that up.

1050
00:50:23,520 --> 00:50:26,920
Speaker 1: Yes, I there were a couple more moments of like

1051
00:50:27,280 --> 00:50:31,000
Speaker 1: morality that probably wouldn't make it in a modern movie.

1052
00:50:32,000 --> 00:50:34,760
Speaker 1: One was I'm not a pray like when Jimmy Stewart

1053
00:50:34,800 --> 00:50:37,480
Speaker 1: before he goes to the bridge to kill himself, says

1054
00:50:37,560 --> 00:50:40,239
Speaker 1: like I'm not a praying man, but like I don't know,

1055
00:50:40,480 --> 00:50:43,759
Speaker 1: like help me out here, which like I feel like

1056
00:50:43,880 --> 00:50:46,440
Speaker 1: there's no way that a modern movie would have the

1057
00:50:46,520 --> 00:50:49,439
Speaker 1: person be like in a movie that's like this much

1058
00:50:49,520 --> 00:50:51,879
Speaker 1: based on like him being like I'm not a praying man.

1059
00:50:52,200 --> 00:50:55,840
Speaker 1: But then also when he's like checking his pockets to

1060
00:50:55,920 --> 00:50:59,879
Speaker 1: be like where's my age, he says no four F car,

1061
00:51:00,239 --> 00:51:02,040
Speaker 1: which is the card that said you weren't fit for

1062
00:51:02,160 --> 00:51:05,359
Speaker 1: military service, which maybe, like I think the only way

1063
00:51:05,400 --> 00:51:07,800
Speaker 1: they got away with this is because Jimmy Stewart was

1064
00:51:07,880 --> 00:51:10,360
Speaker 1: an actual war hero. But like the fact that he

1065
00:51:10,520 --> 00:51:13,799
Speaker 1: has to stay home because of like his ear from

1066
00:51:13,840 --> 00:51:17,160
Speaker 1: the war. I'm just like, are they trying to make me,

1067
00:51:17,360 --> 00:51:21,359
Speaker 1: as an American hate this guy, you know, doesn't believe

1068
00:51:21,400 --> 00:51:24,759
Speaker 1: in God, doesn't fight the Nazis because of his ear.

1069
00:51:25,000 --> 00:51:29,000
Speaker 1: But I do feel like those details feel like an

1070
00:51:29,080 --> 00:51:33,360
Speaker 1: interesting window into like a pre Cold War world before

1071
00:51:33,400 --> 00:51:38,600
Speaker 1: the US went completely insane, where you could just be interesting,

1072
00:51:39,120 --> 00:51:44,520
Speaker 1: slightly godless and not has like been a war heroism.

1073
00:51:44,680 --> 00:51:48,040
Speaker 2: Yeah, you know what year was this, forty six? I

1074
00:51:48,120 --> 00:51:49,160
Speaker 2: think forty six?

1075
00:51:49,320 --> 00:51:51,920
Speaker 3: Yeah, okay, so yeah, it was before the Cold War

1076
00:51:52,040 --> 00:51:56,560
Speaker 3: kicked in full cold The Cold War really created a

1077
00:51:56,640 --> 00:52:02,680
Speaker 3: great opportunity for introducing caricatures of how to be Yeah,

1078
00:52:02,800 --> 00:52:04,839
Speaker 3: Like it was a great moment, and I don't think

1079
00:52:04,880 --> 00:52:07,359
Speaker 3: people realized that. That's that's an interesting point. I didn't

1080
00:52:07,400 --> 00:52:09,400
Speaker 3: think about that, But you're right, there were these moments

1081
00:52:09,719 --> 00:52:14,839
Speaker 3: between wars, like after World War One, when people were like, well,

1082
00:52:14,840 --> 00:52:17,399
Speaker 3: we're not going to do that anymore. We're gonna we're

1083
00:52:17,440 --> 00:52:20,320
Speaker 3: gonna have to We're gonna be nice because we know

1084
00:52:20,520 --> 00:52:23,080
Speaker 3: what the opposite of that is. We know what being

1085
00:52:23,120 --> 00:52:25,080
Speaker 3: mean leads to. It leads to what we just went through,

1086
00:52:25,160 --> 00:52:27,360
Speaker 3: and we're not doing that again. No, way, you know,

1087
00:52:28,000 --> 00:52:31,680
Speaker 3: But then these same bad actors like create these calamities

1088
00:52:31,800 --> 00:52:33,800
Speaker 3: like fucking what's his name? Does in this movie? This

1089
00:52:34,080 --> 00:52:36,560
Speaker 3: rich guy, like he basically keeps trying to cause trouble.

1090
00:52:36,640 --> 00:52:38,799
Speaker 3: He doesn't want there to be stability. He wants people

1091
00:52:38,840 --> 00:52:42,680
Speaker 3: to be unstable so they can create emergencies and then drain.

1092
00:52:42,719 --> 00:52:44,040
Speaker 2: Like a run on the bank. It's a run on

1093
00:52:44,080 --> 00:52:44,319
Speaker 2: the bank.

1094
00:52:44,320 --> 00:52:46,000
Speaker 3: I'll give you fifty cents on the dollar for everything

1095
00:52:46,040 --> 00:52:48,839
Speaker 3: you own. And they're like, ohkay, opportunity and we're going

1096
00:52:48,880 --> 00:52:51,480
Speaker 3: through that right now. We're going through that right fucking now.

1097
00:52:51,600 --> 00:52:55,439
Speaker 3: I mean, we're being sold this fake fucking emergency that's

1098
00:52:55,480 --> 00:52:58,359
Speaker 3: convincing everybody to be mean. And yeah, that's a very

1099
00:52:58,440 --> 00:53:00,359
Speaker 3: good point. I didn't think about that, but you're right.

1100
00:53:00,440 --> 00:53:02,239
Speaker 3: There's a moment there where people are like, listen, I

1101
00:53:02,239 --> 00:53:03,759
Speaker 3: don't care if you believe in God or not. We

1102
00:53:03,840 --> 00:53:06,120
Speaker 3: all thought this war together. We fucking did it. We're

1103
00:53:06,200 --> 00:53:07,480
Speaker 3: now going to be good to each other.

1104
00:53:07,960 --> 00:53:08,160
Speaker 2: Yeah.

1105
00:53:08,480 --> 00:53:11,560
Speaker 1: It's in many ways like watching Home Alone and then this,

1106
00:53:12,320 --> 00:53:14,840
Speaker 1: like we were talking about like how is the family

1107
00:53:14,920 --> 00:53:18,920
Speaker 1: from Home Alone so rich? It's like the dad from

1108
00:53:18,960 --> 00:53:21,520
Speaker 1: Home Alone might as well be like mister Potter's grandson,

1109
00:53:21,880 --> 00:53:24,640
Speaker 1: you know, right, Like it's just but it's just like

1110
00:53:24,760 --> 00:53:27,160
Speaker 1: this is where we'd rather live now. We'd rather live

1111
00:53:27,280 --> 00:53:31,880
Speaker 1: with the really rich people who've like succeeded and are

1112
00:53:32,000 --> 00:53:35,239
Speaker 1: isolated from the realities of day to day life, and

1113
00:53:35,400 --> 00:53:38,000
Speaker 1: we'd rather like sit with them and laugh at the

1114
00:53:38,080 --> 00:53:40,600
Speaker 1: working class people as opposed to like having a movie

1115
00:53:40,680 --> 00:53:44,200
Speaker 1: where the guy believes this absurd dream that he can

1116
00:53:44,320 --> 00:53:47,399
Speaker 1: like help his town and the people who work there

1117
00:53:47,640 --> 00:53:49,239
Speaker 1: like live a normal life, right.

1118
00:53:49,600 --> 00:53:52,560
Speaker 3: Yes, And that was a dream that was like when

1119
00:53:52,680 --> 00:53:56,279
Speaker 3: these were smaller scale problems at least somewhat believable, like

1120
00:53:56,360 --> 00:53:59,240
Speaker 3: when it was like a local millionaire against like somebody

1121
00:53:59,280 --> 00:54:01,920
Speaker 3: who was trying to do something good. But now I'm

1122
00:54:01,960 --> 00:54:04,400
Speaker 3: such a jam because we're dealing with like forces that

1123
00:54:04,520 --> 00:54:08,840
Speaker 3: are not surmountable by some just good natured person. It

1124
00:54:08,920 --> 00:54:12,040
Speaker 3: has to be like a billion good natured people having

1125
00:54:12,120 --> 00:54:13,360
Speaker 3: some weight awakening.

1126
00:54:13,880 --> 00:54:16,239
Speaker 1: Yeah right, yeah, all right, let's take a quick break

1127
00:54:16,360 --> 00:54:29,160
Speaker 1: and yeah, we'll be right back, and we're back, We're back.

1128
00:54:29,400 --> 00:54:32,360
Speaker 1: I did have that question of like because of like

1129
00:54:32,480 --> 00:54:34,960
Speaker 1: how small scale it is that an eight thousand dollars

1130
00:54:35,160 --> 00:54:38,840
Speaker 1: getting lost like sinks the bank essentially was like, what

1131
00:54:39,080 --> 00:54:44,160
Speaker 1: what is that in today's money comparison? It's one hundred

1132
00:54:44,160 --> 00:54:48,000
Speaker 1: and forty thousand dollars, which seems low to sink a bank.

1133
00:54:48,080 --> 00:54:50,360
Speaker 1: But it's also like, oh, but also we don't have

1134
00:54:50,560 --> 00:54:53,040
Speaker 1: banks like that anymore, Like I have no frame of

1135
00:54:53,160 --> 00:54:56,320
Speaker 1: reference for like a what a local bank would be

1136
00:54:56,480 --> 00:54:57,000
Speaker 1: sunk by?

1137
00:54:57,320 --> 00:55:01,040
Speaker 2: Yeah? Right, because Potter won, right right.

1138
00:55:01,040 --> 00:55:03,160
Speaker 1: It's like, you're not going to pull your money together

1139
00:55:03,239 --> 00:55:05,640
Speaker 1: to fucking help each other? What are you fucking dumb?

1140
00:55:06,040 --> 00:55:09,600
Speaker 1: Welcome to city bank. I also do think our inflation

1141
00:55:09,640 --> 00:55:12,120
Speaker 1: because they were like in one hundred forty dollars and

1142
00:55:12,160 --> 00:55:14,400
Speaker 1: twenty twenty four, it's probably like two hundred.

1143
00:55:14,120 --> 00:55:17,800
Speaker 2: And five years. I call that seven million. Now for

1144
00:55:17,920 --> 00:55:18,440
Speaker 2: sure it's a.

1145
00:55:18,480 --> 00:55:21,600
Speaker 1: Bed a bed year of people who aren't billionaires.

1146
00:55:22,600 --> 00:55:25,600
Speaker 2: So then he's we're now in this alternate time where.

1147
00:55:25,520 --> 00:55:29,400
Speaker 1: The alternate timeline where he's never existed.

1148
00:55:29,920 --> 00:55:32,640
Speaker 2: And I think one of the first stops he takes

1149
00:55:33,080 --> 00:55:36,120
Speaker 2: is what he's just kind of, uh, where do they go?

1150
00:55:36,640 --> 00:55:39,239
Speaker 2: I think they go. I don't know, I don't have

1151
00:55:39,320 --> 00:55:39,960
Speaker 2: it in order.

1152
00:55:40,120 --> 00:55:42,960
Speaker 1: I think he goes to the bar at some point

1153
00:55:43,120 --> 00:55:46,160
Speaker 1: that used to be Martini's and now it's Nicks and

1154
00:55:46,239 --> 00:55:48,480
Speaker 1: Now the guy behind the bar is oh y yep,

1155
00:55:48,719 --> 00:55:50,480
Speaker 1: is like, hey, I don't know you buster her, Why

1156
00:55:50,480 --> 00:55:51,760
Speaker 1: are you talking to me? All familiar?

1157
00:55:52,040 --> 00:55:55,360
Speaker 2: See yeah, yeah, it's like no one knows him. That

1158
00:55:55,520 --> 00:55:59,080
Speaker 2: Martini is like fucking gone. He's like an afterthought.

1159
00:55:59,360 --> 00:56:01,560
Speaker 3: And the evil his name is the first thing he

1160
00:56:01,640 --> 00:56:03,799
Speaker 3: hears is the name of the town is Pottersville.

1161
00:56:03,840 --> 00:56:05,560
Speaker 2: Now, yeah, it's called Pottersville.

1162
00:56:05,600 --> 00:56:08,160
Speaker 3: Yeah, so he knows it's like being called Trumpville. So

1163
00:56:09,040 --> 00:56:11,360
Speaker 3: so everybody in trump Bill is in a in a

1164
00:56:11,560 --> 00:56:14,640
Speaker 3: corresponding mood. They're all in a horrible mood, and they're

1165
00:56:14,640 --> 00:56:16,120
Speaker 3: all mean as snakes.

1166
00:56:16,840 --> 00:56:20,040
Speaker 2: Yeah. I do like though, just how cruel they were.

1167
00:56:20,120 --> 00:56:22,080
Speaker 2: Like when old man Gower came in, he's like, get

1168
00:56:22,120 --> 00:56:22,600
Speaker 2: out of here.

1169
00:56:22,560 --> 00:56:24,480
Speaker 1: You're drunk and hits him with the seltzer and I

1170
00:56:24,600 --> 00:56:30,719
Speaker 1: was like, he lost his son to the flu twenty

1171
00:56:30,840 --> 00:56:32,000
Speaker 1: years ago and he was playing this.

1172
00:56:32,160 --> 00:56:34,799
Speaker 3: Help this man, this ice it's ice agent shit.

1173
00:56:35,200 --> 00:56:37,919
Speaker 2: Yeah yeah yeah. And then also to the point about

1174
00:56:37,920 --> 00:56:42,080
Speaker 2: the tuxedo. I loved how divy Nick's bar was, like

1175
00:56:42,280 --> 00:56:44,960
Speaker 2: the door man was the one guy in a tuxedo

1176
00:56:45,040 --> 00:56:47,359
Speaker 2: when he's like show on the door, yeah, and he's

1177
00:56:47,400 --> 00:56:49,239
Speaker 2: like of course and a guy in a tuxedos like

1178
00:56:49,400 --> 00:56:51,040
Speaker 2: grabbing him by the collar. I'm like, oh, well he

1179
00:56:51,080 --> 00:56:53,600
Speaker 2: got a tuxedo on. So you know, they keep it formal.

1180
00:56:53,680 --> 00:56:54,400
Speaker 2: They keep it formal.

1181
00:56:54,640 --> 00:56:58,240
Speaker 1: I will say, the time travel rules they're pretty loose

1182
00:56:58,320 --> 00:57:03,319
Speaker 1: in terms of like his brother drown without him there

1183
00:57:03,400 --> 00:57:05,600
Speaker 1: to save him. But he was at that same sledding

1184
00:57:05,680 --> 00:57:10,320
Speaker 1: hill on that same day even though he didn't exist. Yeah, Like,

1185
00:57:10,440 --> 00:57:12,319
Speaker 1: I feel like if I had found that out, I'd

1186
00:57:12,360 --> 00:57:16,880
Speaker 1: be like, man, maybe I don't matter. So he ended

1187
00:57:16,960 --> 00:57:19,240
Speaker 1: up doing all the same shit, and it's just like

1188
00:57:19,400 --> 00:57:21,000
Speaker 1: I was just there to save.

1189
00:57:20,800 --> 00:57:22,160
Speaker 2: His ass kind of. Yeah.

1190
00:57:22,360 --> 00:57:24,160
Speaker 1: Yeah, that's one way to look at it. That's one

1191
00:57:24,160 --> 00:57:26,320
Speaker 1: way to look at it. But this is the nineteen

1192
00:57:26,400 --> 00:57:29,200
Speaker 1: forties Jack, So let's just let's not you have enough,

1193
00:57:29,280 --> 00:57:32,320
Speaker 1: you have too much contact with time travel. And then

1194
00:57:32,560 --> 00:57:35,320
Speaker 1: he goes to his house and he sits in a

1195
00:57:35,360 --> 00:57:43,520
Speaker 1: cuckchair and watches his wife wife fuck her successful husband

1196
00:57:43,640 --> 00:57:46,120
Speaker 1: from the plastics factory. Uh.

1197
00:57:46,360 --> 00:57:49,440
Speaker 3: No, cuckchair is a cup chair, just any chair that

1198
00:57:49,520 --> 00:57:50,160
Speaker 3: faces a bed.

1199
00:57:50,520 --> 00:57:53,240
Speaker 2: Yeah, yeah, so you can watch, so the partners watch.

1200
00:57:53,720 --> 00:57:55,600
Speaker 3: It's not especially design chair or anything.

1201
00:57:56,120 --> 00:57:58,880
Speaker 2: No, I mean, he doesn't need to be Okay, Yeah.

1202
00:57:59,240 --> 00:58:00,680
Speaker 1: I don't know if you see the chair and burn

1203
00:58:00,760 --> 00:58:03,480
Speaker 1: after reading, but that can that can make it a

1204
00:58:03,520 --> 00:58:04,120
Speaker 1: little more fun.

1205
00:58:04,160 --> 00:58:05,960
Speaker 3: Finitely, I haven't seen that either.

1206
00:58:05,960 --> 00:58:09,919
Speaker 2: But yeah, so mister Gower, he's he went to jail

1207
00:58:09,960 --> 00:58:14,200
Speaker 2: for manslaughter. His mom doesn't know him. The city of

1208
00:58:14,320 --> 00:58:17,439
Speaker 2: Pottersville now looks like a Christian person's version of Hell

1209
00:58:17,600 --> 00:58:20,919
Speaker 2: because it's just like it's all dancing and music. Yeah,

1210
00:58:21,240 --> 00:58:25,600
Speaker 2: a lot of girls, girls, girls sense yeah, oh buffalo gals,

1211
00:58:25,640 --> 00:58:26,360
Speaker 2: won't you come out?

1212
00:58:26,440 --> 00:58:26,720
Speaker 1: And I.

1213
00:58:28,920 --> 00:58:31,320
Speaker 2: Was I've heard that melody. I had to google it

1214
00:58:31,400 --> 00:58:32,760
Speaker 2: and just be like, what the fuck is?

1215
00:58:33,280 --> 00:58:35,800
Speaker 1: And so it's it's like a it's a runner from

1216
00:58:36,240 --> 00:58:38,320
Speaker 1: the it's what I think. It's what they're dancing to

1217
00:58:38,400 --> 00:58:40,120
Speaker 1: when they go in the pool, and then it's what

1218
00:58:40,240 --> 00:58:44,000
Speaker 1: they're singing as he's walking her home. That scene is

1219
00:58:44,040 --> 00:58:48,440
Speaker 1: also probably worth mentioning that she loses the uh robe

1220
00:58:48,520 --> 00:58:50,720
Speaker 1: that she's in because she had gone to the pool,

1221
00:58:50,920 --> 00:58:53,600
Speaker 1: and so she's naked hiding in a bush and he's like, wow,

1222
00:58:56,040 --> 00:58:59,080
Speaker 1: before I could tell tickets here, hold on, maybe I'm

1223
00:58:59,120 --> 00:59:03,720
Speaker 1: a piece of ship, come on out. And but but yeah,

1224
00:59:03,760 --> 00:59:06,000
Speaker 1: so she she's singing it. They're singing it together, and

1225
00:59:06,120 --> 00:59:09,000
Speaker 1: then when he goes to see her, she's like got

1226
00:59:09,040 --> 00:59:12,200
Speaker 1: it playing on the She's like kind of holding it

1227
00:59:13,160 --> 00:59:15,280
Speaker 1: for him, and so she's got it playing on the record,

1228
00:59:15,400 --> 00:59:17,240
Speaker 1: and then when she gets mad at him, she breaks it.

1229
00:59:17,400 --> 00:59:21,240
Speaker 1: So it's like their song in a way that's like deep.

1230
00:59:21,800 --> 00:59:27,720
Speaker 2: Buffalo Gals was sung by minstrels, and it was talking

1231
00:59:27,760 --> 00:59:32,320
Speaker 2: about the dancers because Buffalo was the western terminus of

1232
00:59:32,440 --> 00:59:35,280
Speaker 2: the Eerie Canal, so all the port men had their

1233
00:59:35,400 --> 00:59:38,000
Speaker 2: cash by the time they got to Buffalo, so they're

1234
00:59:38,000 --> 00:59:41,200
Speaker 2: all like, Buffalo girl, let'd you come out tonight. It's basically,

1235
00:59:41,480 --> 00:59:44,200
Speaker 2: and then apparently in these minstrel shows they would it

1236
00:59:44,320 --> 00:59:46,400
Speaker 2: was like local comedy. So if they're in New York,

1237
00:59:46,440 --> 00:59:47,720
Speaker 2: then they'd be like New York. She'd be like New

1238
00:59:47,800 --> 00:59:50,160
Speaker 2: York girls, why don't you come or like Mississip girls,

1239
00:59:50,160 --> 00:59:52,520
Speaker 2: why don't you come out tonight? And it just became

1240
00:59:53,000 --> 00:59:54,200
Speaker 2: that kind of a thing, and I was like, of

1241
00:59:54,360 --> 00:59:58,680
Speaker 2: course it's minstrels. See, yes, yes, yes, yes, of course

1242
00:59:58,720 --> 00:59:59,880
Speaker 2: I knew that was the deal here.

1243
01:00:00,480 --> 01:00:03,600
Speaker 3: Yeah, Buffalo Gals is like I'll tell you one thing.

1244
01:00:04,880 --> 01:00:07,240
Speaker 3: You know some of some of the things that were

1245
01:00:07,800 --> 01:00:10,440
Speaker 3: good back then, you know, some of those things were

1246
01:00:10,520 --> 01:00:14,800
Speaker 3: like maybe you could the local businessman can still fight

1247
01:00:15,040 --> 01:00:21,240
Speaker 3: the junior oligarch. There's one thing that has improved, and

1248
01:00:21,360 --> 01:00:28,040
Speaker 3: that is fucking music, because man, oh man, imagine trying

1249
01:00:28,080 --> 01:00:31,000
Speaker 3: to have sex to that song, which obviously it would

1250
01:00:31,000 --> 01:00:35,640
Speaker 3: be implied that they would crank up the victrola.

1251
01:00:35,600 --> 01:00:37,680
Speaker 2: Yeah right, right right, and they would listen to that

1252
01:00:38,120 --> 01:00:38,880
Speaker 2: while they fucked.

1253
01:00:39,280 --> 01:00:41,720
Speaker 1: I'm getting hot, I mean, for God's sake.

1254
01:00:41,960 --> 01:00:43,479
Speaker 2: Yeah, I mean, we've seen the way they kiss.

1255
01:00:43,680 --> 01:00:46,600
Speaker 1: So if they're putting on buffalo gals and bumping uglies,

1256
01:00:46,640 --> 01:00:49,200
Speaker 1: I don't know what the fuck that looks like, but.

1257
01:00:49,800 --> 01:00:52,280
Speaker 3: But we yeah, like think about I mean, just how

1258
01:00:52,360 --> 01:00:55,880
Speaker 3: much better off we are sexually speaking?

1259
01:00:56,320 --> 01:00:59,200
Speaker 2: Yeah, well, I think once they let black people perform

1260
01:00:59,320 --> 01:01:03,680
Speaker 2: as themselves, that helped a lot. I would say, yeah, yeah, yeah,

1261
01:01:03,680 --> 01:01:04,440
Speaker 2: that would help a lot.

1262
01:01:04,680 --> 01:01:08,080
Speaker 3: Like and really for a long time, like we are in,

1263
01:01:08,520 --> 01:01:11,440
Speaker 3: we are lucky to be around for some fucking rock

1264
01:01:11,480 --> 01:01:14,120
Speaker 3: and roll and some fucking funk, because for a long

1265
01:01:14,160 --> 01:01:16,640
Speaker 3: time people had to fuck. Just She'll be coming around.

1266
01:01:16,400 --> 01:01:21,240
Speaker 2: The mountain, Old Gray Mayor.

1267
01:01:21,320 --> 01:01:24,760
Speaker 3: She and they were pumped because I mean, it's still

1268
01:01:24,840 --> 01:01:26,000
Speaker 3: sex and it's still gonna be.

1269
01:01:26,000 --> 01:01:29,040
Speaker 1: Good, but you had your kids play the piano downstairs.

1270
01:01:29,480 --> 01:01:33,920
Speaker 1: My pianola, Mom and I are upstairs for a little bit.

1271
01:01:34,640 --> 01:01:36,480
Speaker 3: Like, if you're listening to a song like that and

1272
01:01:36,560 --> 01:01:39,120
Speaker 3: fucking you're probably okay with sawdust being on the floor.

1273
01:01:39,360 --> 01:01:41,640
Speaker 3: But if you're listening to like pony by Genuine, then

1274
01:01:41,680 --> 01:01:42,880
Speaker 3: you say, let's clean up in here.

1275
01:01:43,200 --> 01:01:45,680
Speaker 2: Yeah, yeah, yeah, yeah, it can't be a total nightmare

1276
01:01:45,720 --> 01:01:45,960
Speaker 2: in here.

1277
01:01:46,080 --> 01:01:52,400
Speaker 3: If I'm got genuine, rag over the light and throw

1278
01:01:52,480 --> 01:01:53,680
Speaker 3: on buffalo gals.

1279
01:01:53,960 --> 01:01:56,360
Speaker 1: If it starts smoking, they'll get the rag off the

1280
01:01:56,520 --> 01:01:58,000
Speaker 1: lamp because it'll sort of fire.

1281
01:01:58,320 --> 01:01:59,880
Speaker 3: Are there any better rhythms than that?

1282
01:02:00,040 --> 01:02:00,160
Speaker 1: Yes?

1283
01:02:00,960 --> 01:02:03,440
Speaker 2: No, this is the only one we found so far.

1284
01:02:06,120 --> 01:02:10,840
Speaker 2: Loop Yet what you're not an engine? What were you

1285
01:02:10,880 --> 01:02:11,480
Speaker 2: doing that for?

1286
01:02:14,560 --> 01:02:18,080
Speaker 1: Uh? So, then we find out other things. The building

1287
01:02:18,160 --> 01:02:21,680
Speaker 1: and loan has failed, Uncle Billy. As a result of

1288
01:02:21,720 --> 01:02:25,280
Speaker 1: the building and loan failing was institutionalized. Bailey Park is

1289
01:02:25,360 --> 01:02:28,520
Speaker 1: not a neighborhood anymore. It's a cemetery. And then he

1290
01:02:28,560 --> 01:02:32,600
Speaker 1: also discovers again like you said, brother gone, the other

1291
01:02:32,760 --> 01:02:39,200
Speaker 1: died was that same? Yeah exactly, and the druggist poisoned

1292
01:02:39,280 --> 01:02:43,240
Speaker 1: that kid. Yeah, so again he really might as well

1293
01:02:43,280 --> 01:02:46,120
Speaker 1: not have existed. Everything went exactly the same, except for

1294
01:02:46,280 --> 01:02:49,200
Speaker 1: like the two good deeds that he did. But like otherwise,

1295
01:02:49,320 --> 01:02:51,760
Speaker 1: nobody fucking noticed he wasn't there at all.

1296
01:02:52,480 --> 01:02:53,680
Speaker 3: I didn't think about it that way.

1297
01:02:54,200 --> 01:02:56,600
Speaker 2: He was just yeah, right, I mean.

1298
01:02:56,640 --> 01:02:59,080
Speaker 1: They hadn't discovered chaos there yet, so they didn't know

1299
01:02:59,600 --> 01:03:03,240
Speaker 1: that that wasn't realistic. I was wondering maybe the angel

1300
01:03:03,240 --> 01:03:05,560
Speaker 1: could like snap and take him around with the magic

1301
01:03:05,600 --> 01:03:08,600
Speaker 1: of film editing instead of having to wander around everywhere.

1302
01:03:08,720 --> 01:03:11,520
Speaker 1: But it's effective, he gets. They pack it with all

1303
01:03:11,600 --> 01:03:14,960
Speaker 1: sorts of details he does. He does ask where his

1304
01:03:15,080 --> 01:03:18,919
Speaker 1: wife is, and they're like, well, why that old spinstress.

1305
01:03:19,320 --> 01:03:22,360
Speaker 1: She's out at the library closed closing it down. And

1306
01:03:22,480 --> 01:03:25,520
Speaker 1: we get the first that I'm aware of, probably not

1307
01:03:25,600 --> 01:03:28,760
Speaker 1: the first. One example of hot babe and glasses is

1308
01:03:28,840 --> 01:03:31,520
Speaker 1: no longer pretty and it's just like an I'll go,

1309
01:03:32,400 --> 01:03:36,840
Speaker 1: Everyone's just like she never married, she's a loser. Her

1310
01:03:36,920 --> 01:03:39,440
Speaker 1: cornea is a odd shape, so why she's nearsighted?

1311
01:03:39,960 --> 01:03:43,520
Speaker 2: Okay, corny is what the is this? But I do

1312
01:03:43,920 --> 01:03:47,040
Speaker 2: that scene when he sees like very spray search come.

1313
01:03:48,040 --> 01:03:50,040
Speaker 1: He's not getting it, by the way, he's not really

1314
01:03:50,120 --> 01:03:50,640
Speaker 1: not getting it.

1315
01:03:50,920 --> 01:03:52,920
Speaker 2: And she is freaked the fuck out.

1316
01:03:53,000 --> 01:03:58,520
Speaker 1: She's like, runs to the fucking bar, and again I

1317
01:03:58,680 --> 01:04:00,640
Speaker 1: like that he's crashing out in this bars, like that's

1318
01:04:00,720 --> 01:04:04,000
Speaker 1: my why, and all these like dudes surround him. One

1319
01:04:04,160 --> 01:04:06,760
Speaker 1: guy in the crowd, just an odd line in the crowd,

1320
01:04:06,840 --> 01:04:08,880
Speaker 1: and like they're trying to restrain George Bailey from going

1321
01:04:08,920 --> 01:04:09,480
Speaker 1: at Mary who.

1322
01:04:09,560 --> 01:04:10,520
Speaker 2: She's like, I don't know this man.

1323
01:04:10,720 --> 01:04:13,040
Speaker 1: One guy's like, it's a crazy guy. Hit him in

1324
01:04:13,080 --> 01:04:16,920
Speaker 1: the head with a bottle. That's what we do here.

1325
01:04:17,360 --> 01:04:21,000
Speaker 2: Yeah, it's like we still aren't past our conflict resolution

1326
01:04:21,160 --> 01:04:23,640
Speaker 2: methods with people having some kind of caras like fucking

1327
01:04:23,720 --> 01:04:27,080
Speaker 2: attack them. This guy's lost it. And then I love

1328
01:04:27,160 --> 01:04:30,000
Speaker 2: that the cop pulls up and just starts blasting from

1329
01:04:30,080 --> 01:04:33,480
Speaker 2: the hip, blasting shot again. Again.

1330
01:04:33,960 --> 01:04:38,440
Speaker 1: It has everything bad about America, predatory capitalism, police who

1331
01:04:38,520 --> 01:04:42,400
Speaker 1: shoot wildly onto a crowded street, except in this case

1332
01:04:42,400 --> 01:04:44,240
Speaker 1: the police officer is like his old friend.

1333
01:04:44,600 --> 01:04:48,160
Speaker 2: Yeah, yeah, yeah, yeah, yeah. It was really really something.

1334
01:04:48,480 --> 01:04:51,640
Speaker 3: And being associated with being alone, right right.

1335
01:04:51,840 --> 01:04:54,720
Speaker 2: A librarian, yeah, exactly, the worst thing.

1336
01:04:55,040 --> 01:04:56,120
Speaker 1: Why she's the worst thing.

1337
01:04:56,240 --> 01:04:59,120
Speaker 2: She could be institutionalized a librarian.

1338
01:04:59,280 --> 01:05:00,200
Speaker 3: Oh my god.

1339
01:05:00,520 --> 01:05:02,520
Speaker 2: But that was like kind of Georgia's thing too, Like,

1340
01:05:02,640 --> 01:05:04,960
Speaker 2: wasn't he headed to the library one of those scenes.

1341
01:05:04,720 --> 01:05:07,640
Speaker 1: Like we're yeah, that's what he's the library, Like all right,

1342
01:05:07,880 --> 01:05:12,680
Speaker 1: fucking loser, dork library, all right, bag fumble number ninety,

1343
01:05:12,880 --> 01:05:15,600
Speaker 1: fucking I fucking hate this guy.

1344
01:05:15,560 --> 01:05:18,000
Speaker 2: Fucking George dude, fucking loser.

1345
01:05:18,160 --> 01:05:20,280
Speaker 1: Round. It does give me hope that this is like

1346
01:05:20,400 --> 01:05:24,920
Speaker 1: an American classic because it is so anti capitalist. It's

1347
01:05:25,000 --> 01:05:28,440
Speaker 1: just like the that sentiment is there in people's hearts.

1348
01:05:28,520 --> 01:05:31,480
Speaker 1: They know what's happening, they know that there are potters

1349
01:05:31,520 --> 01:05:35,360
Speaker 1: out there and they're fucking people up. But yeah, it's

1350
01:05:36,400 --> 01:05:39,520
Speaker 1: it's just wild. It's really laying dormant and has been

1351
01:05:39,800 --> 01:05:41,880
Speaker 1: for eighty years now.

1352
01:05:42,040 --> 01:05:44,720
Speaker 3: Yeah, that reminds me of something I thought of when

1353
01:05:44,760 --> 01:05:47,440
Speaker 3: I was watching this, which was when I grew up.

1354
01:05:47,480 --> 01:05:50,640
Speaker 3: I was in this play in first grade called Stanley,

1355
01:05:51,000 --> 01:05:54,720
Speaker 3: and I played a caveman that was like shunned by

1356
01:05:54,760 --> 01:05:59,440
Speaker 3: the other cavemen because he liked like to decorate and

1357
01:06:00,560 --> 01:06:02,959
Speaker 3: he wanted to sleep on a pillow instead of using

1358
01:06:03,040 --> 01:06:07,800
Speaker 3: a rock, and he danced with a mouse like in

1359
01:06:07,920 --> 01:06:10,240
Speaker 3: the play, I danced with a mouse, you know, and

1360
01:06:10,360 --> 01:06:13,320
Speaker 3: like the other cavemen were like you know thought that

1361
01:06:13,480 --> 01:06:16,240
Speaker 3: was stupid. Mice are something we squashed, Like what are

1362
01:06:16,240 --> 01:06:18,160
Speaker 3: you talking about? What are you dancing around with the money?

1363
01:06:18,200 --> 01:06:19,560
Speaker 3: And I'm like the mouse is nice, you know what

1364
01:06:19,560 --> 01:06:21,520
Speaker 3: I mean? And so like the message of the play

1365
01:06:21,640 --> 01:06:24,320
Speaker 3: was obvious. Then the message of the book, which is

1366
01:06:24,360 --> 01:06:27,840
Speaker 3: a book called by sid Hoff called Stanley, and it's

1367
01:06:27,880 --> 01:06:32,160
Speaker 3: about being nice and the main thing and being nice. Also,

1368
01:06:32,360 --> 01:06:34,280
Speaker 3: all the cavemen come around at the end because it

1369
01:06:34,320 --> 01:06:36,160
Speaker 3: turns out like he builds a house and they're all

1370
01:06:36,280 --> 01:06:37,440
Speaker 3: used to living in a cave and they go in

1371
01:06:37,480 --> 01:06:40,120
Speaker 3: the house and they're like this rules. Turns out Stanley's

1372
01:06:40,120 --> 01:06:41,680
Speaker 3: a smart one and we're a bunch of idiots.

1373
01:06:42,240 --> 01:06:44,479
Speaker 2: And so that is what you learn.

1374
01:06:44,640 --> 01:06:49,440
Speaker 3: Right then seven years later, if you were good at

1375
01:06:49,480 --> 01:06:53,200
Speaker 3: playing lacrosse in my town, you were above the law.

1376
01:06:57,480 --> 01:06:58,320
Speaker 3: Like how did that?

1377
01:06:59,080 --> 01:07:00,400
Speaker 2: What is the first part for?

1378
01:07:01,360 --> 01:07:05,760
Speaker 3: If we throw it all out the window? And that's

1379
01:07:05,840 --> 01:07:09,200
Speaker 3: what's happening to me every day in America now, I

1380
01:07:09,280 --> 01:07:13,120
Speaker 3: feel so sad because I just feel like, what is

1381
01:07:13,200 --> 01:07:16,440
Speaker 3: all this talk about being all this stuff we were

1382
01:07:16,520 --> 01:07:16,920
Speaker 3: raised on?

1383
01:07:17,080 --> 01:07:17,840
Speaker 2: What was it all for?

1384
01:07:18,360 --> 01:07:22,439
Speaker 3: And how could we all be so easily just from

1385
01:07:22,520 --> 01:07:26,360
Speaker 3: eight years of this idiot you know, be have that

1386
01:07:26,480 --> 01:07:27,560
Speaker 3: all shaken out of us?

1387
01:07:27,920 --> 01:07:28,040
Speaker 2: Right?

1388
01:07:28,160 --> 01:07:29,920
Speaker 3: I mean, I know it's more complicated than that, but

1389
01:07:30,040 --> 01:07:33,320
Speaker 3: the basics of you know, Ice is wrong. What they're

1390
01:07:33,400 --> 01:07:36,200
Speaker 3: doing is wrong. What what Trump is doing is wrong.

1391
01:07:36,360 --> 01:07:39,360
Speaker 3: Trump's way of speaking is wrong. Trump saying that he's

1392
01:07:39,400 --> 01:07:42,080
Speaker 3: going to take people out of things, out of campaign

1393
01:07:42,160 --> 01:07:46,160
Speaker 3: rallies on stretchers is wrong. How did we manage to

1394
01:07:46,200 --> 01:07:50,040
Speaker 3: shrug off a million years of not really but you know,

1395
01:07:50,120 --> 01:07:55,880
Speaker 3: fifty sixty years of like like what we supposedly celebrated,

1396
01:07:55,920 --> 01:07:57,880
Speaker 3: which was the morality of the United States, which is

1397
01:07:57,920 --> 01:08:00,560
Speaker 3: of course always questionable. But there is at least the

1398
01:08:00,680 --> 01:08:03,000
Speaker 3: idea that if you see someone on the street, you

1399
01:08:03,160 --> 01:08:05,080
Speaker 3: help them out. You don't you don't say that they're

1400
01:08:05,080 --> 01:08:08,640
Speaker 3: a security risk or you know, call the cops because

1401
01:08:08,680 --> 01:08:11,600
Speaker 3: you want them taking away to guantanamo. You you go

1402
01:08:11,720 --> 01:08:14,240
Speaker 3: and see if they need help. Like, how did that change?

1403
01:08:14,320 --> 01:08:17,320
Speaker 2: You know, what's the rhetoric that's changed? Right? To describe

1404
01:08:17,439 --> 01:08:19,519
Speaker 2: those people Now it's not like someone down and out,

1405
01:08:19,600 --> 01:08:22,479
Speaker 2: it's like a potential threat or these other things. You

1406
01:08:22,600 --> 01:08:23,200
Speaker 2: completely see.

1407
01:08:24,600 --> 01:08:26,559
Speaker 3: All you need to get is the media on board

1408
01:08:26,600 --> 01:08:29,680
Speaker 3: with that, and then it just takes away all that

1409
01:08:29,840 --> 01:08:31,800
Speaker 3: stuff we learned, but I mean, I also know that

1410
01:08:32,760 --> 01:08:35,240
Speaker 3: like it. It was very like, I don't know what

1411
01:08:35,360 --> 01:08:36,680
Speaker 3: the point of it all is. I guess just to

1412
01:08:36,720 --> 01:08:39,280
Speaker 3: make people feel better once they start doing the bad stuff.

1413
01:08:39,320 --> 01:08:41,120
Speaker 3: They said, well, a long time ago, I talked about

1414
01:08:41,160 --> 01:08:41,880
Speaker 3: what was right to do.

1415
01:08:42,479 --> 01:08:44,840
Speaker 2: Yeah right, welcome to Pottersville, motherfucker.

1416
01:08:45,160 --> 01:08:46,000
Speaker 3: Yeah yeah right.

1417
01:08:46,800 --> 01:08:49,639
Speaker 2: Interesting. So at that point we've reached the part where

1418
01:08:49,680 --> 01:08:51,679
Speaker 2: George bed is like, I actually want to live. God,

1419
01:08:52,720 --> 01:08:55,400
Speaker 2: I can't stand there's anymore. You got to bring me back.

1420
01:08:55,520 --> 01:08:56,439
Speaker 4: I'm my family.

1421
01:08:57,000 --> 01:08:59,920
Speaker 2: And here comes Burt in the cop pri and he's like, George,

1422
01:09:00,040 --> 01:09:03,040
Speaker 2: you're looking all over for you. And he's like, birs,

1423
01:09:03,479 --> 01:09:05,479
Speaker 2: you recognize me. He's like, of course I do. Anyway,

1424
01:09:05,600 --> 01:09:08,760
Speaker 2: So he's back, he exists, his mouth is bleeding, he

1425
01:09:08,800 --> 01:09:11,200
Speaker 2: can't hear out his left ear. His fucking drunk driving

1426
01:09:11,240 --> 01:09:13,639
Speaker 2: accident is still there. And it's okay because your friend

1427
01:09:13,720 --> 01:09:16,400
Speaker 2: is the cop. And let's not forget George is technically

1428
01:09:16,479 --> 01:09:19,360
Speaker 2: a banker, so it's not like he's also sitting pretty.

1429
01:09:19,560 --> 01:09:21,640
Speaker 1: It's like just because he's a community. But he's like,

1430
01:09:21,920 --> 01:09:24,080
Speaker 1: hey mom, I'm sitting on all this capital. Let's be real, Okay,

1431
01:09:24,880 --> 01:09:28,120
Speaker 1: they're waiting back at his house with the media because

1432
01:09:28,120 --> 01:09:31,439
Speaker 1: it is two bankers by definition also if you kind

1433
01:09:31,479 --> 01:09:33,920
Speaker 1: of think about that. But again, the values are still

1434
01:09:34,280 --> 01:09:36,920
Speaker 1: I think the point is still there. And then he

1435
01:09:37,040 --> 01:09:37,559
Speaker 1: gets home.

1436
01:09:38,040 --> 01:09:40,559
Speaker 2: He's like, he's so happy that he doesn't even give

1437
01:09:40,600 --> 01:09:42,840
Speaker 2: a shit that the cops are going to fucking arrest him,

1438
01:09:42,880 --> 01:09:44,800
Speaker 2: that he doesn't have the money to fucking keep the

1439
01:09:44,840 --> 01:09:47,760
Speaker 2: home and loan solve it. He's just so thankful that

1440
01:09:48,200 --> 01:09:50,120
Speaker 2: you know, he's here and he gets to enjoy this.

1441
01:09:51,000 --> 01:09:53,120
Speaker 2: He gets home, and then we come to find out

1442
01:09:53,560 --> 01:09:56,120
Speaker 2: that his uncle has been going around telling people we're

1443
01:09:56,160 --> 01:09:59,479
Speaker 2: in trouble, and everybody in town came through with the

1444
01:09:59,560 --> 01:10:03,080
Speaker 2: cash that he needed for thing to work out, and he.

1445
01:10:03,240 --> 01:10:04,880
Speaker 1: Had done that when there was a run on the bank.

1446
01:10:04,960 --> 01:10:07,599
Speaker 1: He had given them the money from his wedding.

1447
01:10:08,080 --> 01:10:10,920
Speaker 2: And that's when I got really touched by that part

1448
01:10:11,160 --> 01:10:13,680
Speaker 2: was because he I think he began to realize too.

1449
01:10:13,800 --> 01:10:17,519
Speaker 2: He's like, damn, like, I my life, I've actually been

1450
01:10:17,600 --> 01:10:20,120
Speaker 2: doing so much good. I just there hasn't been a

1451
01:10:20,240 --> 01:10:22,600
Speaker 2: moment where that was like reflected back to me and

1452
01:10:22,720 --> 01:10:25,040
Speaker 2: with such clarity that I could understand what that was.

1453
01:10:25,600 --> 01:10:27,799
Speaker 2: And I felt like I was similar. I felt similarly

1454
01:10:27,840 --> 01:10:29,280
Speaker 2: when I lost my house in the fire and like

1455
01:10:29,400 --> 01:10:31,320
Speaker 2: all these people were helping me out. I was so

1456
01:10:31,840 --> 01:10:34,680
Speaker 2: I was at it. It helped me understand I'm like, shit, bro,

1457
01:10:34,840 --> 01:10:38,120
Speaker 2: like people give a fuck and people have a reason

1458
01:10:38,200 --> 01:10:41,360
Speaker 2: to because I'm trying to be a good person, as

1459
01:10:41,400 --> 01:10:43,240
Speaker 2: it were. And I just thought it was a very

1460
01:10:43,760 --> 01:10:45,200
Speaker 2: I was like, I was really touched by that. I

1461
01:10:45,240 --> 01:10:46,439
Speaker 2: was like, damn, they can't do it. But I was

1462
01:10:46,479 --> 01:10:48,360
Speaker 2: also like, and you do not give him a fucking

1463
01:10:48,479 --> 01:10:52,840
Speaker 2: cent of your money. You don't owe him shit. Oh man.

1464
01:10:53,120 --> 01:10:56,080
Speaker 3: I had a nice experience with that scene too because

1465
01:10:56,840 --> 01:11:01,280
Speaker 3: or just like his general joy because I under financial

1466
01:11:01,880 --> 01:11:05,519
Speaker 3: pressure right now, you know, as I think anybody or

1467
01:11:05,920 --> 01:11:08,840
Speaker 3: most people, not anybody, but a lot of people are.

1468
01:11:09,360 --> 01:11:11,800
Speaker 3: It really is an effective way of like his joy

1469
01:11:11,880 --> 01:11:16,160
Speaker 3: at just simply being like alive again even with a

1470
01:11:16,240 --> 01:11:20,640
Speaker 3: huge amount of debt. Was like, I don't know, it

1471
01:11:20,920 --> 01:11:23,320
Speaker 3: felt heartening to me. I mean it felt heartening to me.

1472
01:11:23,880 --> 01:11:26,280
Speaker 3: It really does. And those are the parts of that

1473
01:11:26,400 --> 01:11:28,800
Speaker 3: movie where I feel like it's a really great movie

1474
01:11:28,880 --> 01:11:32,040
Speaker 3: because it really manages to get these things across in

1475
01:11:32,120 --> 01:11:34,920
Speaker 3: a way that's pretty entertaining and light really. I mean,

1476
01:11:34,960 --> 01:11:37,840
Speaker 3: you still mostly are laughing or maybe not laughing, but

1477
01:11:37,920 --> 01:11:39,920
Speaker 3: you're certainly engaged in the story and you don't think

1478
01:11:39,960 --> 01:11:42,240
Speaker 3: of it as a morality play. But then there's moments

1479
01:11:42,320 --> 01:11:45,320
Speaker 3: like that where it's like, wow, I am, like what

1480
01:11:45,479 --> 01:11:47,599
Speaker 3: if I do what if I am in credit card

1481
01:11:47,680 --> 01:11:50,639
Speaker 3: debt or whatever, like it doesn't make any fucking difference,

1482
01:11:50,720 --> 01:11:53,200
Speaker 3: And when I let it get too big in my

1483
01:11:53,360 --> 01:11:57,120
Speaker 3: head and you know, it's so that's pretty serious stuff

1484
01:11:57,600 --> 01:11:58,960
Speaker 3: for a black and white movie, you know.

1485
01:11:59,240 --> 01:12:06,240
Speaker 2: Yeah, yeah, So one thing I was looking into is

1486
01:12:06,320 --> 01:12:10,680
Speaker 2: that the FBI did have their eye on under j

1487
01:12:10,880 --> 01:12:11,400
Speaker 2: Edgar Hoover.

1488
01:12:11,760 --> 01:12:15,040
Speaker 1: Yes, I mean I have to assume like the fact

1489
01:12:15,080 --> 01:12:18,080
Speaker 1: that it was it's been an American classic, like you know,

1490
01:12:18,240 --> 01:12:21,200
Speaker 1: since you know a few years after it came out,

1491
01:12:21,240 --> 01:12:23,840
Speaker 1: once it started like rerunning, I think so like it

1492
01:12:24,040 --> 01:12:26,599
Speaker 1: was it was on TV during the Red Scare.

1493
01:12:26,920 --> 01:12:29,120
Speaker 2: Yeah, so this is what happened at quote This is

1494
01:12:29,120 --> 01:12:32,080
Speaker 2: from Smithsonian Mac. An unnamed FBI agent who watched the

1495
01:12:32,120 --> 01:12:34,400
Speaker 2: film as part of a larger FBI program aimed at

1496
01:12:34,439 --> 01:12:39,360
Speaker 2: detecting and neutralizing common influences in Hollywood. Hoover said it

1497
01:12:39,479 --> 01:12:42,920
Speaker 2: was quote very entertaining However, writes scholar Johnny Noakes, that

1498
01:12:43,080 --> 01:12:46,040
Speaker 2: the agent quote also identified that they considered a malignant

1499
01:12:46,120 --> 01:12:48,880
Speaker 2: undercurrent in the film. As a result of this report,

1500
01:12:48,920 --> 01:12:51,920
Speaker 2: the film underwent further industry probes that uncovered that quote.

1501
01:12:51,960 --> 01:12:54,639
Speaker 2: Those responsible for making Its a Wonderful Life had employed

1502
01:12:54,680 --> 01:12:57,720
Speaker 2: two common tricks used by communists to inject propaganda into

1503
01:12:57,760 --> 01:13:00,799
Speaker 2: the film. These two common quote devices is, as applied

1504
01:13:00,840 --> 01:13:02,799
Speaker 2: by the Los Angeles branch of the Bureau, we're smearing

1505
01:13:02,920 --> 01:13:06,800
Speaker 2: quote values or institutions judged to be particularly the American

1506
01:13:07,160 --> 01:13:10,600
Speaker 2: in this case, mister Potter is portrayed by scroogey misanthrope

1507
01:13:10,640 --> 01:13:14,400
Speaker 2: and glorifying quote values or institutions judge to be particularly

1508
01:13:14,479 --> 01:13:17,880
Speaker 2: anti American or pro Communists in this case, depression and

1509
01:13:18,040 --> 01:13:22,400
Speaker 2: existential crisis, an issue that the FBI report characterized as

1510
01:13:22,400 --> 01:13:25,000
Speaker 2: a quote subtle attempt to magnify the problems of the

1511
01:13:25,080 --> 01:13:27,960
Speaker 2: so called common man in society. Huh.

1512
01:13:28,439 --> 01:13:30,880
Speaker 1: And the FBI and the people with all the money

1513
01:13:30,960 --> 01:13:34,560
Speaker 1: proceeded to win that battle, to use those suspicions to

1514
01:13:34,640 --> 01:13:36,960
Speaker 1: make it so that now you look back and you're like, man,

1515
01:13:37,040 --> 01:13:40,720
Speaker 1: it's weird, how like decent the values are, and how

1516
01:13:41,120 --> 01:13:45,599
Speaker 1: instinctively anti capital. The people are in this mood, you know. Now,

1517
01:13:45,680 --> 01:13:49,400
Speaker 1: We're just like, huh, this seems seems weird that they

1518
01:13:49,439 --> 01:13:51,519
Speaker 1: got away with that. How can you make a movie

1519
01:13:52,120 --> 01:13:56,800
Speaker 1: so iconoclastic and you know, anti establishment as it's a

1520
01:13:56,880 --> 01:13:58,800
Speaker 1: wonderful life right now, right.

1521
01:13:59,000 --> 01:14:01,360
Speaker 3: I really recommend a Face in the Crowd by Elia

1522
01:14:01,439 --> 01:14:04,640
Speaker 3: Kazand to anybody in terms of like another movie that

1523
01:14:05,520 --> 01:14:07,400
Speaker 3: I wrote off because it was black and white and

1524
01:14:08,479 --> 01:14:11,880
Speaker 3: has a really heavy message that's applicable to now and

1525
01:14:11,960 --> 01:14:14,920
Speaker 3: also makes you feel better because you realize this shit is.

1526
01:14:15,520 --> 01:14:18,880
Speaker 3: It's like one hundred times worse now. But it's never

1527
01:14:19,000 --> 01:14:22,240
Speaker 3: been good in this country, and it's always been a

1528
01:14:22,320 --> 01:14:26,439
Speaker 3: battle between the people who run the FBI and the

1529
01:14:26,520 --> 01:14:30,960
Speaker 3: New York Times just constantly sewing doubt whenever anyone says

1530
01:14:31,640 --> 01:14:33,680
Speaker 3: let's be nice and they say, well, we can't do

1531
01:14:33,800 --> 01:14:36,680
Speaker 3: that because that would ruin the whole project, you know,

1532
01:14:36,960 --> 01:14:40,160
Speaker 3: is that this is some grand project rather than a

1533
01:14:40,320 --> 01:14:42,200
Speaker 3: labor extraction pyramid scheme.

1534
01:14:42,439 --> 01:14:45,679
Speaker 2: There's an interesting thing though, that a copyright lapse enabled

1535
01:14:45,800 --> 01:14:48,280
Speaker 2: royalty free repeats of the film, which is why it

1536
01:14:48,439 --> 01:14:49,360
Speaker 2: was played so much.

1537
01:14:49,439 --> 01:14:52,720
Speaker 1: Yeah, it was just an accidents out of.

1538
01:14:52,720 --> 01:14:56,479
Speaker 3: This fucking jag Hoover dropped the ball on that, Yeah,

1539
01:14:56,840 --> 01:14:58,880
Speaker 3: you should have jacked up those rights costs.

1540
01:14:58,680 --> 01:15:00,639
Speaker 2: Because other people were just pointing out to some people

1541
01:15:00,680 --> 01:15:03,960
Speaker 2: were saying, it's actually too capitalists with different visions of capitalism.

1542
01:15:05,360 --> 01:15:07,920
Speaker 2: So it wasn't because apparently Hoover's whole thing was it

1543
01:15:08,000 --> 01:15:10,000
Speaker 2: had it was a black or white thing, like is

1544
01:15:10,040 --> 01:15:12,599
Speaker 2: it subversive or is it not? And I think there

1545
01:15:12,680 --> 01:15:15,720
Speaker 2: was enough nuance that he didn't send it to the

1546
01:15:15,960 --> 01:15:21,439
Speaker 2: Unamerican Activities Commission, basically, but this was the like sort

1547
01:15:21,479 --> 01:15:24,080
Speaker 2: of beginnings of the Hollywood witch hunts, and.

1548
01:15:25,040 --> 01:15:27,320
Speaker 1: Was it ordered everybody who made it followed for the

1549
01:15:27,360 --> 01:15:30,040
Speaker 1: rest of their lives and probably gas lit and to

1550
01:15:30,320 --> 01:15:31,480
Speaker 1: things they're crazy.

1551
01:15:31,439 --> 01:15:34,439
Speaker 3: And Elia Kazan actually did. I think Ilia Kazan did

1552
01:15:34,560 --> 01:15:38,400
Speaker 3: end up naming names, which ruined his reputation in front

1553
01:15:38,400 --> 01:15:44,439
Speaker 3: of the committee, the Joe McCarthy Hollywood hearings, he reported

1554
01:15:44,560 --> 01:15:47,240
Speaker 3: on people because he was a communist. But it's just

1555
01:15:47,280 --> 01:15:49,280
Speaker 3: so funny the communist turns out to be the good guy,

1556
01:15:49,360 --> 01:15:50,720
Speaker 3: you know, I mean, not the communists like in the

1557
01:15:50,760 --> 01:15:52,439
Speaker 3: cartoon way that they try and scare us, but the

1558
01:15:52,520 --> 01:15:54,760
Speaker 3: idea that of just like one person can have all

1559
01:15:54,800 --> 01:15:56,880
Speaker 3: the resources, just simple.

1560
01:15:56,800 --> 01:15:59,919
Speaker 1: Just the idea of being slightly suspicious of the institution

1561
01:16:00,200 --> 01:16:04,439
Speaker 1: of capital. Chris crofton, thank you so much for showing

1562
01:16:04,600 --> 01:16:09,240
Speaker 1: us this Christmas classic, because I truly, had this not

1563
01:16:09,400 --> 01:16:11,040
Speaker 1: been for an assignment, I don't know that I would

1564
01:16:11,040 --> 01:16:13,880
Speaker 1: have gotten through it. But then I was rewarded. I

1565
01:16:14,080 --> 01:16:16,960
Speaker 1: really they stuck the landing. I was tearing up when

1566
01:16:17,600 --> 01:16:19,880
Speaker 1: his when he was like, you know, back with his

1567
01:16:20,040 --> 01:16:22,800
Speaker 1: kids and his family and his wife, and I did

1568
01:16:22,880 --> 01:16:24,680
Speaker 1: have the question like once he a little quick to

1569
01:16:24,760 --> 01:16:27,760
Speaker 1: be like I might as well just kill myself after

1570
01:16:27,920 --> 01:16:30,040
Speaker 1: he's like done his whole his whole thing, and like

1571
01:16:30,160 --> 01:16:33,720
Speaker 1: had this amazing community around him, Like shouldn't you have

1572
01:16:33,800 --> 01:16:35,440
Speaker 1: just talked to a couple more people.

1573
01:16:35,479 --> 01:16:37,040
Speaker 2: And be like, hey, man, could you get me out

1574
01:16:37,080 --> 01:16:40,519
Speaker 2: of this? Damn dude. Men would rather be haunted by

1575
01:16:40,560 --> 01:16:43,599
Speaker 2: an angel on Christmas Eve than say that they need help.

1576
01:16:44,439 --> 01:16:47,519
Speaker 2: So that's that's that was very American. He's like, well,

1577
01:16:47,560 --> 01:16:49,200
Speaker 2: I'm not going to share this without anyone.

1578
01:16:49,479 --> 01:16:54,080
Speaker 1: Yeah, but overall, you know, a plus ending, well done.

1579
01:16:54,120 --> 01:16:54,560
Speaker 2: I get it.

1580
01:16:54,720 --> 01:16:57,559
Speaker 1: I get why people love this movie. I enjoyed it too,

1581
01:16:58,240 --> 01:16:59,320
Speaker 1: And you.

1582
01:16:59,360 --> 01:17:01,280
Speaker 2: Know, same about if I can watch it again.

1583
01:17:01,640 --> 01:17:03,720
Speaker 3: I feel the same about Home Alone. I mean I

1584
01:17:03,760 --> 01:17:07,800
Speaker 3: thought for a long time I thought it was you know, uh,

1585
01:17:08,200 --> 01:17:09,800
Speaker 3: I didn't really get it, like I thought it was

1586
01:17:09,920 --> 01:17:12,120
Speaker 3: just like I was like just consumed with how much

1587
01:17:12,240 --> 01:17:15,559
Speaker 3: stuff this kid had. But then then by the end

1588
01:17:15,600 --> 01:17:17,680
Speaker 3: I was like, oh, I get it. Like it's sort

1589
01:17:17,720 --> 01:17:19,960
Speaker 3: of it's just a thing you can go watch and

1590
01:17:20,080 --> 01:17:22,840
Speaker 3: feel like a sense of place when you watch it,

1591
01:17:22,920 --> 01:17:25,799
Speaker 3: and that's that's that's the best art really is somewhere

1592
01:17:25,840 --> 01:17:28,280
Speaker 3: where you can go visit, you know, and feel like better.

1593
01:17:28,760 --> 01:17:32,360
Speaker 1: Yeah, they do nail like just the you know where

1594
01:17:32,400 --> 01:17:34,800
Speaker 1: every room in that house is, and like the geography,

1595
01:17:34,920 --> 01:17:37,160
Speaker 1: and you kind of do in this town too a

1596
01:17:37,240 --> 01:17:39,000
Speaker 1: little bit like you kind of know where everything is.

1597
01:17:39,120 --> 01:17:42,960
Speaker 2: And I feel like it was Arcaves r KO Studios

1598
01:17:43,439 --> 01:17:46,680
Speaker 2: in Sino, California and Laka YadA, Flint Bridge. I think

1599
01:17:46,720 --> 01:17:47,880
Speaker 2: really the main shoot here.

1600
01:17:47,920 --> 01:17:52,000
Speaker 1: You go, Well, thank you for joining us, Chris, thank

1601
01:17:52,040 --> 01:17:54,960
Speaker 1: you guys for joining us. Merry Christmas to all, unto

1602
01:17:55,040 --> 01:17:56,040
Speaker 1: all good night, or you.

1603
01:17:56,080 --> 01:17:57,960
Speaker 3: Got to keep an eye on Miles. That's about to

1604
01:17:58,000 --> 01:18:01,200
Speaker 3: say he's gonna say he's this is gonna spill over

1605
01:18:01,280 --> 01:18:03,280
Speaker 3: all regular Daily Zeite guy.

1606
01:18:03,560 --> 01:18:09,479
Speaker 2: Funked up off the Jimmy Stowar and everyone. I'm brung

1607
01:18:09,560 --> 01:18:12,120
Speaker 2: off that Jimmy. All right, I can face an l

1608
01:18:12,320 --> 01:18:13,440
Speaker 2: right now outside.

1609
01:18:14,320 --> 01:18:15,439
Speaker 3: Yeah, this isn't gonna stop.

1610
01:18:15,680 --> 01:18:17,679
Speaker 2: No no, it's not no, no no, I'm bye bye,

1611
01:18:17,720 --> 01:18:22,040
Speaker 2: bye bye. The Daily Zeite guys his executive produced by

1612
01:18:22,120 --> 01:18:22,920
Speaker 2: Catherine Law.

1613
01:18:23,000 --> 01:18:27,080
Speaker 1: Co produced by Bae Wag, co produced by Victor Wright.

1614
01:18:27,280 --> 01:18:31,120
Speaker 3: Co written by jam McNabb, and edited and engineered by

1615
01:18:31,200 --> 01:18:32,000
Speaker 3: Brian Jeffries.

1616
01:18:34,560 --> 01:18:34,840
Speaker 1: Jimmy