WEBVTT - Amanda Milius - Make Movies Great Again

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<v Speaker 1>You're listening to the Buck Sexton Show podcast, make sure

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<v Speaker 1>you subscribe to the podcast on the iHeartRadio app or

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<v Speaker 1>wherever you get your podcasts. Hey, everybody, welcome to the

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<v Speaker 1>Buck section Show. This episode, we have Amanda Milius with us.

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<v Speaker 1>She is a filmmaker. The Plot against the President one

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<v Speaker 1>of her films which got a lot of acclaim A

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<v Speaker 1>lot of you, I'm sure have seen it. She also

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<v Speaker 1>was an appointee at the State Department under the Trump administration,

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<v Speaker 1>so she has stared at the deep state. She knows

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<v Speaker 1>what it is like. Amanda, is there a swampier agency?

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<v Speaker 1>I know everyone the FBI is trying hard these days,

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<v Speaker 1>but I know from the CIA side of the house,

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<v Speaker 1>the State Department a nest of commis and.

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<v Speaker 2>Useless ones too. I mean, at least at CIA. I

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<v Speaker 2>mean I could eat my words on this, because I

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<v Speaker 2>fight with the concept of CIA all the time. But

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<v Speaker 2>State Department is just it's like a playground for people

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<v Speaker 2>that don't they don't need to be there. You could

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<v Speaker 2>cut that place by the twentieth and run it out

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<v Speaker 2>of a van in the parking lot, and you do

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<v Speaker 2>better than what they've got. I think it's like seventy

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<v Speaker 2>thousand people or something. I mean, it's absolutely insane, and like,

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<v Speaker 2>you know, the I actually went there because I was

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<v Speaker 2>so dumb to think we still did diplomacy, and then

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<v Speaker 2>I got there and I was like, oh no, it's

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<v Speaker 2>just programs for people that want to work in the government.

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<v Speaker 1>Yeah, what does the State Department really just for everybody

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<v Speaker 1>out there? I mean I could say, as as a

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<v Speaker 1>little context for a State Department CI side of the house,

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<v Speaker 1>I was there for but five five years in change,

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<v Speaker 1>and ten percent of that building does cool stuff. Ninety

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<v Speaker 1>percent of the CIA just sort of shows up analyst side,

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<v Speaker 1>operator side, you know, you name it, like case officer side.

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<v Speaker 1>Very few people do a vast majority of the work.

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<v Speaker 1>So you could go full Twitter on this thing under

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<v Speaker 1>Elon and cut it from you know, eight thousand employees

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<v Speaker 1>down to a fraction. What really goes on at State

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<v Speaker 1>in general same.

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<v Speaker 2>I mean, you could you could cut every single embassy

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<v Speaker 2>down and the entire main state down, because it's it's

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<v Speaker 2>the Yeah, it's the exact same thing. It's like ninety

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<v Speaker 2>percent dead weight of because once they create a program,

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<v Speaker 2>I'm sure you're really familiar with this, Once they create

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<v Speaker 2>a program, and if that program at least your guys's

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<v Speaker 2>programs were kind of like you know, at least they're

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<v Speaker 2>kind of I mean, I assume.

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<v Speaker 1>That some of them more interesting, legitimate interesting, but like.

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<v Speaker 2>Ours, you know, state department programs would be like you know,

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<v Speaker 2>women's bead making empowerment, like economy building in Botswana, and

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<v Speaker 2>like that would be a program filled with fifty people

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<v Speaker 2>and it will exist forever. You'll never kill it no

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<v Speaker 2>matter what, Like Botswana could become like the most like

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<v Speaker 2>perfectly well run country in the world that needs no

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<v Speaker 2>bad making classes or whatever, or how to sell artisanal

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<v Speaker 2>pots or I don't know what these people do, but

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<v Speaker 2>like it could be they don't ever change. And I mean,

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<v Speaker 2>especially when you looked at this stuff and read that

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<v Speaker 2>were actually important, like when you look at what was

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<v Speaker 2>going on in Afghanistan and we used to make the

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<v Speaker 2>joke or the good appointees and the good the good

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<v Speaker 2>guys would have this framed joke because it was real. Though,

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<v Speaker 2>of lesbian puppet shows for countering violent extremism, now that

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<v Speaker 2>to me is a state department program that's the perfect

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<v Speaker 2>like LGBT puppet shows to encourage countering violent extremism that

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<v Speaker 2>was perfect. That's State Department.

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<v Speaker 1>I do remember when they went from the g WATT,

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<v Speaker 1>which had a nice ring to it, the Global War

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<v Speaker 1>on Terror a little vague, fine, but kind of people.

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<v Speaker 1>Everyone knew what we're talking about. Two yeah, programs to

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<v Speaker 1>counter overseas extremism or something. It would be. It was so.

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<v Speaker 2>Violent extremism and anything could fall under it. That's why

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<v Speaker 2>I'm saying, like you could put if you just put

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<v Speaker 2>CVE at the end of your program idea, it would

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<v Speaker 2>get funded.

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<v Speaker 1>So here's the thing, because I sit here, we've seen

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<v Speaker 1>recently obviously that the indictment of Donald Trump by the DOJ,

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<v Speaker 1>the total sweetheart deal for a hunter. Sweetart deal doesn't

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<v Speaker 1>even cover it. I mean it is. It's a cover up, right.

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<v Speaker 1>There's there's low level charge and then there's actually low

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<v Speaker 1>level charge that ignores the real charges that are already

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<v Speaker 1>provable because those charges would also lead to you know,

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<v Speaker 1>the president of the United States. So it's it's full on,

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<v Speaker 1>full on cover up mode. But everyone keeps saying, you know,

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<v Speaker 1>we're gonna we're gonna drain the swamp, and then they

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<v Speaker 1>ask me, how do we do that. I'm gonna put

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<v Speaker 1>that to you because I'm actually curious how anyone who thinks,

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<v Speaker 1>because you know, you were there on the Trump administration,

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<v Speaker 1>how does the swamp get drained? Can it be drained?

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<v Speaker 1>I'm not convinced.

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<v Speaker 2>I'm we got to. Yeah, a couple of things. A

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<v Speaker 2>I learned a lot since I left, one of which

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<v Speaker 2>is that I prefer to call it the administrative state

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<v Speaker 2>because and we get you know, I know, it's fun

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<v Speaker 2>to call it the deep state and the swamp and

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<v Speaker 2>stuff like that, but it allows us to rely kind

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<v Speaker 2>of lazily on this idea of the they as though

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<v Speaker 2>this were something that was like run by a few

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<v Speaker 2>competent people, which I don't really think it is. I

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<v Speaker 2>think it's a ghost ship that runs itself. And that's

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<v Speaker 2>fifty years of administrative changes and administrative law that turned

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<v Speaker 2>what was a constitutional republic into a bureaucrat run ghost ship,

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<v Speaker 2>which is what our country is at this point. So

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<v Speaker 2>it's basically, you know, whoever knows where the levers of

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<v Speaker 2>the ghost ship are, like the Bidens and the Democrats.

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<v Speaker 2>You know, there's there's an order and the Democrats are

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<v Speaker 2>above us, but the bureaucrats are still above them. Like

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<v Speaker 2>that would be what would be deep state about it.

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<v Speaker 2>I mean, I think we saw that in the Afghanistan

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<v Speaker 2>pull out. That was the only time I ever SEU

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<v Speaker 2>because you know, I consider CNN or or most of

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<v Speaker 2>these stations to be the Comm's department of the Intel agencies.

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<v Speaker 2>So when you see you know, Anderson Cooper for a

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<v Speaker 2>whole week playing in color TV on everybody's TV screens,

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<v Speaker 2>the disaster that was the Afghanistan pull out, that is

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<v Speaker 2>not in the white that current White House's interest. So

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<v Speaker 2>that was the there's a there's a few times I've

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<v Speaker 2>noticed the admin State going away from even the Democrats

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<v Speaker 2>and kind of swatting them when they get out of line.

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<v Speaker 2>And so I think it's like a hierarchy more more

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<v Speaker 2>than anything, and we're at the bottom, like the Trump

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<v Speaker 2>administration was at the absolute bottom, because I mean, these

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<v Speaker 2>people wouldn't even uh. I've made this point before too,

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<v Speaker 2>which is that the real problem with like, for example,

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<v Speaker 2>the Russia Gate thing, which is my sort of wheelhouse,

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<v Speaker 2>is it wasn't just everyday Americans that we're hearing this.

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<v Speaker 2>All the bureaucrats of Washington, DC went home and watched

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<v Speaker 2>CNN and were like, oh, I don't have to listen

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<v Speaker 2>to these trump because they're probably getting their orders from

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<v Speaker 2>Putin or something. So you couldn't get anything done because

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<v Speaker 2>you were either like either they would just outright just

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<v Speaker 2>you know, oss manual you to not do. You know,

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<v Speaker 2>the stuff we used to deliver to the Soviet Union,

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<v Speaker 2>like how to not how to not do something in

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<v Speaker 2>an organization. I mean, they got that down and or

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<v Speaker 2>they or they just would be like no, they'd be

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<v Speaker 2>suspicious because they they'd honestly think that you were like

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<v Speaker 2>an agent of Putin. So to put it, how do

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<v Speaker 2>you how do you get rid of that? I mean,

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<v Speaker 2>you have to have full willingness to when we finally

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<v Speaker 2>came up at the last year with Schedule F, which

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<v Speaker 2>was a way to redesign government employees to avoid the

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<v Speaker 2>which should be absolutely illegal unionization of them if they

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<v Speaker 2>deal with policy at all, which is the Schedule F EO.

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<v Speaker 2>And again that's an executive order. It's not legislation, it's

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<v Speaker 2>not it's not something that couldn't be As with all

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<v Speaker 2>executive orders, they're written in sand like we have to

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<v Speaker 2>do more. It really comes down to having like an

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<v Speaker 2>Actualcongress that's willing to take the country back to the

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<v Speaker 2>way it was supposed to be run. But the first

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<v Speaker 2>step would be to do something like that, an executive

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<v Speaker 2>order that makes it possible to fire government employees because

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<v Speaker 2>as of right now, you can move them around, you

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<v Speaker 2>can reshuffle the deck, but it doesn't matter. They're still

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<v Speaker 2>there and they're still just wasting.

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<v Speaker 1>I was told I was told by an honest and

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<v Speaker 1>in the case of federal government that increasingly just means

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<v Speaker 1>funny when I think back to it, conservative, but an

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<v Speaker 1>honest manager within the federal bureaucracy. At one point he said,

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<v Speaker 1>he said, buck, if you showed up and refused to

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<v Speaker 1>do anything, but you didn't break any laws, and you

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<v Speaker 1>were here when you were supposed to be here, which

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<v Speaker 1>goes into up breaking laws because of time and attendance fraud. Right,

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<v Speaker 1>But He's like, if you sit in your chair when

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<v Speaker 1>you were supposed to be here, refuse to do any work,

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<v Speaker 1>it would take me almost two years to get you fired.

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<v Speaker 1>I've said, I saw something worse.

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<v Speaker 2>Than that, which is so now you've got the telework thing.

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<v Speaker 2>So when I first heard the word telework was when

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<v Speaker 2>I first got to State and I was like trying

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<v Speaker 2>to run my team, which was a content team and

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<v Speaker 2>you know, the world moves in twenty four hour increments, right,

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<v Speaker 2>it doesn't go from nine to five. So I was like, well,

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<v Speaker 2>where's the night team? And they were like, we don't

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<v Speaker 2>have a night team. And I was like, so you

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<v Speaker 2>just put out like messaging during America like East Coast

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<v Speaker 2>nine to five, Like that doesn't make that's not even

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<v Speaker 2>we're talking to the global audience. That doesn't make any sense.

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<v Speaker 2>Like I'm not that smart and that doesn't even make

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<v Speaker 2>any sense to me. And and then and then I

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<v Speaker 2>was like, all right, we'll find where's the where's the

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<v Speaker 2>graphics guy? And they were like, oh, he's teleworking today

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<v Speaker 2>And I was like tell what and they were like, teleworking.

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<v Speaker 2>We have a really great telework program in this bureau.

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<v Speaker 2>And I was like, do you know what my boss

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<v Speaker 2>would have done to me if I said one of

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<v Speaker 2>the independent production companies I used to work at that

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<v Speaker 2>I was going to telework that day. I would be

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<v Speaker 2>like telefive. I mean it's there. There's in the film industry.

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<v Speaker 2>Like I actually got a lot of gained a lot

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<v Speaker 2>of respect for it because I was like, they're hardcore,

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<v Speaker 2>Like there is no not showing up, there are no

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<v Speaker 2>sick days. There's no, there's no like, you're every minute

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<v Speaker 2>is a million dollars, so you're not you're not wasting

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<v Speaker 2>any time. But no, it's not only could they they

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<v Speaker 2>not get fired. I think someone could walk up and

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<v Speaker 2>punch their own boss in the face and it would

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<v Speaker 2>take five years to fire them. When I found out that.

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<v Speaker 2>When I came down, we merged the bureaus. At one

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<v Speaker 2>point I went down to the broadcast unit, which was

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<v Speaker 2>in a different area than my bureau, and I was like,

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<v Speaker 2>all right, cool, we got a broadcast unit. Let's let

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<v Speaker 2>me meet all the editors. I was like, I bet

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<v Speaker 2>I'll like these guys because they were older, and you know,

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<v Speaker 2>I used to work in traditional broadcast when I worked

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<v Speaker 2>for Network TV. And I was like, all right, let

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<v Speaker 2>me talk to these guys. And they were like, oh, well,

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<v Speaker 2>only two of them come in the office of like twelve,

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<v Speaker 2>and I was like, well, where are the other ones?

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<v Speaker 2>And they were like, they can't come into the building,

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<v Speaker 2>but they're still getting paid because they're in litigation with

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<v Speaker 2>the department because they all got caught watching porn on

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<v Speaker 2>government computers down here, and it's like in the basement,

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<v Speaker 2>so the whole and this this thing. This broadcast unit

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<v Speaker 2>handled the broadcast for like I think most American agencies satellite,

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<v Speaker 2>and there were two guys running in and we couldn't

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<v Speaker 2>hire any other you know, young contractors to come in

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<v Speaker 2>and just like fill the gaps until we finally fix

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<v Speaker 2>that because it's like again ghost ship. It's like you

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<v Speaker 2>try to move the machine and it takes like a

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<v Speaker 2>year to do anything, and it's so it's super frustrating.

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<v Speaker 2>So that's that's one of the things I've kind of

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<v Speaker 2>mouthed off on Twitter about. You know, like a lot

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<v Speaker 2>of people are like, we're just going to drain the

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<v Speaker 2>swamp because we're just going to do it, and it's like, yeah,

0:11:56.457 --> 0:11:59.857
<v Speaker 2>we get a lot of people that were really really willing.

0:12:00.057 --> 0:12:02.817
<v Speaker 2>It wasn't about It wasn't a question of will, It

0:12:02.857 --> 0:12:06.817
<v Speaker 2>wasn't a question of intelligence. You're up against fifty years

0:12:07.017 --> 0:12:12.297
<v Speaker 2>of pretty much unconc institutional law that's just been passed

0:12:12.377 --> 0:12:15.697
<v Speaker 2>under our nose, and we live in a bureaucracy run

0:12:15.777 --> 0:12:16.457
<v Speaker 2>country now.

0:12:16.817 --> 0:12:18.857
<v Speaker 1>Yeah, it is the fourth branch of government. I think

0:12:18.857 --> 0:12:21.457
<v Speaker 1>there's no question about that. I want to ask you

0:12:21.457 --> 0:12:24.457
<v Speaker 1>more about the Plot against the President, which was your documentary.

0:12:24.497 --> 0:12:29.777
<v Speaker 1>What brought you to it and how current events you

0:12:29.857 --> 0:12:32.537
<v Speaker 1>feel like perhaps are reflected of it in some of

0:12:32.577 --> 0:12:35.457
<v Speaker 1>the messaging and some of what you had in the documentary.

0:12:35.737 --> 0:12:38.657
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0:13:28.857 --> 0:13:31.337
<v Speaker 1>a man to the plot against the president. You made

0:13:31.337 --> 0:13:34.017
<v Speaker 1>the movie a while back, but the plot against the

0:13:34.057 --> 0:13:35.217
<v Speaker 1>president continues.

0:13:36.857 --> 0:13:39.977
<v Speaker 2>Yeah, no, it's uh. I mean, the main thing that's

0:13:40.017 --> 0:13:43.337
<v Speaker 2>frustrating is okay, so we Lee Smith wrote the book, right,

0:13:43.457 --> 0:13:46.297
<v Speaker 2>Lee Smith, the great, great journalist and author.

0:13:46.097 --> 0:13:48.177
<v Speaker 1>Interviewed him many times. Really really sharp guy.

0:13:48.257 --> 0:13:50.697
<v Speaker 2>Yeah, I mean, the guy is amazing. So he he

0:13:50.857 --> 0:13:53.577
<v Speaker 2>was the one that was actually, you know, got the

0:13:53.617 --> 0:13:56.817
<v Speaker 2>story down in such a way that it was following people,

0:13:57.057 --> 0:14:05.417
<v Speaker 2>not documents. I have publicly made my opinion known about

0:14:05.417 --> 0:14:09.177
<v Speaker 2>a lot of conservative content because I think a lot

0:14:09.217 --> 0:14:11.657
<v Speaker 2>of conservative and you know, I really want there to

0:14:11.657 --> 0:14:13.617
<v Speaker 2>be more culture war stuff.

0:14:13.977 --> 0:14:17.417
<v Speaker 1>Are you suggesting, Amanda that when conservators make a movie

0:14:17.497 --> 0:14:19.817
<v Speaker 1>it shouldn't look like a high school film project.

0:14:21.977 --> 0:14:23.577
<v Speaker 2>I'm kind of I'm kind of saying that.

0:14:23.737 --> 0:14:25.017
<v Speaker 1>Yeah.

0:14:24.577 --> 0:14:28.377
<v Speaker 2>So basically I have a problem with homework on video.

0:14:28.537 --> 0:14:31.937
<v Speaker 2>I don't consider that cinematic or film. And being somebody

0:14:31.937 --> 0:14:34.777
<v Speaker 2>who was raised in that world and worked in it

0:14:34.857 --> 0:14:36.417
<v Speaker 2>for as many years as I did, and then went

0:14:36.457 --> 0:14:39.057
<v Speaker 2>to the best film school in the world, I can

0:14:39.137 --> 0:14:41.177
<v Speaker 2>really see it when I see it, and I'm like,

0:14:41.417 --> 0:14:44.097
<v Speaker 2>it makes me want to bar so I tend to

0:14:44.097 --> 0:14:46.977
<v Speaker 2>call it out even though I want to applaud and

0:14:47.937 --> 0:14:51.577
<v Speaker 2>say we should have more voices, not less right Andrew Breitbart.

0:14:52.417 --> 0:14:54.297
<v Speaker 2>But there are a lot of good up and coming

0:14:54.697 --> 0:14:56.817
<v Speaker 2>conservative or right wing or whatever you want to call

0:14:56.857 --> 0:15:00.257
<v Speaker 2>it film directors that I am looking forward to working

0:15:00.257 --> 0:15:03.177
<v Speaker 2>with that are actually really really good. And you know

0:15:03.377 --> 0:15:05.737
<v Speaker 2>a lot of guys that worked with Tucker for example,

0:15:05.777 --> 0:15:10.297
<v Speaker 2>a lot of people just on their own. IM not

0:15:10.577 --> 0:15:14.977
<v Speaker 2>super fond of the homework assignment on video vibe. So

0:15:15.057 --> 0:15:18.537
<v Speaker 2>anyway to do why I was attracted to Lee Smith's

0:15:18.617 --> 0:15:21.657
<v Speaker 2>way of telling something so complex as Russia Gate, which

0:15:21.697 --> 0:15:26.377
<v Speaker 2>is extremely complicated, Like you got to make explaining to

0:15:26.417 --> 0:15:30.057
<v Speaker 2>a general audience what a FEISA warrant is interesting? Okay,

0:15:30.177 --> 0:15:32.777
<v Speaker 2>Like that's that goes to like you know, when they

0:15:32.857 --> 0:15:36.177
<v Speaker 2>had Margot Robi naked in the bathtub with the champagne

0:15:36.217 --> 0:15:40.457
<v Speaker 2>explaining the stock market in the big short, that's that's

0:15:40.737 --> 0:15:42.817
<v Speaker 2>that's a cinematic tool of like you have to get

0:15:42.817 --> 0:15:45.497
<v Speaker 2>through some really dry exposition, like how do you do

0:15:45.537 --> 0:15:47.297
<v Speaker 2>it well? With us? What we did is we had

0:15:47.297 --> 0:15:50.657
<v Speaker 2>the most charismatic people explain it, and on that one

0:15:50.697 --> 0:15:53.777
<v Speaker 2>in particular, we broke it down. Mike Cernovich did it.

0:15:54.817 --> 0:15:58.577
<v Speaker 2>We had deep throats lawyer from Watergate, and a lot

0:15:58.577 --> 0:16:01.657
<v Speaker 2>of the people who were affected by it, like you know,

0:16:01.737 --> 0:16:06.137
<v Speaker 2>Don Junior and people like that. So so basically we

0:16:06.137 --> 0:16:08.897
<v Speaker 2>we put this movie together based on Lee Smith's book.

0:16:08.937 --> 0:16:14.617
<v Speaker 2>Because Lee smith book is a noir spy thriller, which

0:16:14.657 --> 0:16:17.657
<v Speaker 2>is what Russia Gate is. It should be like our

0:16:17.817 --> 0:16:20.257
<v Speaker 2>version of All the President's Men, which was the you know,

0:16:20.377 --> 0:16:26.137
<v Speaker 2>classic nineteen seventies movie about Watergate, which sort of created

0:16:26.177 --> 0:16:31.697
<v Speaker 2>the lore of these like detective journalists, like the Washington

0:16:31.737 --> 0:16:34.377
<v Speaker 2>Post detective journalists. And so we're sort of we sort

0:16:34.417 --> 0:16:36.257
<v Speaker 2>of did the opposite of that, right, I mean, we're

0:16:36.297 --> 0:16:40.737
<v Speaker 2>dealing with undoing that work, but it's the same creepy vibe.

0:16:40.777 --> 0:16:43.777
<v Speaker 2>I mean, Washington, DC really is a noir city. The

0:16:43.897 --> 0:16:48.217
<v Speaker 2>streets are always wet, it's dark, bad things are happening,

0:16:48.457 --> 0:16:51.457
<v Speaker 2>you don't know who to trust, everyone's two faces. I mean,

0:16:51.457 --> 0:16:55.057
<v Speaker 2>if you study film noir like I did in college,

0:16:55.737 --> 0:16:58.977
<v Speaker 2>it's the perfect city for a noir movie. So that's

0:16:58.977 --> 0:17:02.177
<v Speaker 2>what I tried to do, is bring that aesthetic to

0:17:02.697 --> 0:17:06.497
<v Speaker 2>the concept of Russiagate, and it worked really well. We

0:17:06.497 --> 0:17:08.417
<v Speaker 2>were really lucky. I mean, we filmed it during the

0:17:08.457 --> 0:17:11.537
<v Speaker 2>beginning of the you know, COVID shut down and everything,

0:17:11.617 --> 0:17:14.257
<v Speaker 2>so conveniently, all the streets were empty and everything was

0:17:14.337 --> 0:17:16.617
<v Speaker 2>just like kind of at our disposal, and we had it.

0:17:16.657 --> 0:17:19.737
<v Speaker 2>We had a grand all time. But yeah, and we

0:17:19.777 --> 0:17:22.937
<v Speaker 2>got it out before the twenty twenty election. And the

0:17:22.937 --> 0:17:27.097
<v Speaker 2>frustrating thing now is is that I'm watching this Durham

0:17:27.137 --> 0:17:32.297
<v Speaker 2>stuff and the hearing yesterday. I was so entertained by

0:17:32.337 --> 0:17:36.057
<v Speaker 2>Matt Gates just tearing up Durham because we've been told

0:17:36.057 --> 0:17:39.457
<v Speaker 2>that Durham was going to spend four years finding new

0:17:39.497 --> 0:17:43.697
<v Speaker 2>information and there's not one single thing in his report

0:17:43.817 --> 0:17:47.337
<v Speaker 2>that isn't in our ninety minute movie where I'm like,

0:17:47.977 --> 0:17:50.137
<v Speaker 2>I could have saved you four years. And there's this

0:17:50.177 --> 0:17:53.457
<v Speaker 2>one part in the in the hearing where he's whining

0:17:53.497 --> 0:17:55.377
<v Speaker 2>about how he had to spend four years away from

0:17:55.417 --> 0:17:58.977
<v Speaker 2>his family to investigate all this stuff, and You're like, Okay,

0:17:59.017 --> 0:18:00.777
<v Speaker 2>well I could have saved you that you could have

0:18:00.817 --> 0:18:02.897
<v Speaker 2>sat down with your family and watch a plot against

0:18:02.897 --> 0:18:04.537
<v Speaker 2>the president and you wouldn't have had to do anything

0:18:04.537 --> 0:18:07.017
<v Speaker 2>because you didn't do any when he's talking about how

0:18:07.017 --> 0:18:11.617
<v Speaker 2>he couldn't find misfued. We could find him, right. But

0:18:11.817 --> 0:18:15.737
<v Speaker 2>I'm I'm me. I'm not hired by the Department of Justice.

0:18:15.817 --> 0:18:18.057
<v Speaker 2>I don't have the power of the state behind me.

0:18:18.217 --> 0:18:20.937
<v Speaker 2>I can't subpoena anybody. I can just call them and

0:18:21.017 --> 0:18:23.177
<v Speaker 2>ask them if they'll be interviewed in my movie, and

0:18:23.377 --> 0:18:25.177
<v Speaker 2>most of the bad guys are gonna say no, Like

0:18:25.537 --> 0:18:29.177
<v Speaker 2>unsurprisingly James Comey was not interested in being interviewed by me.

0:18:30.377 --> 0:18:35.297
<v Speaker 2>But you know, this man had the power of the

0:18:35.377 --> 0:18:38.817
<v Speaker 2>DOJ behind him, right, like he had an assignment, and

0:18:39.577 --> 0:18:42.537
<v Speaker 2>it's unbelievable that he got the same interviews I did.

0:18:42.577 --> 0:18:45.657
<v Speaker 2>I mean cash Pttel tells the story of the sixty

0:18:45.657 --> 0:18:48.657
<v Speaker 2>five people coming in, all of the heads of agencies

0:18:48.657 --> 0:18:51.337
<v Speaker 2>who would have known about the Russia collusion had there

0:18:51.377 --> 0:18:54.337
<v Speaker 2>been any how under oath, every single one of them,

0:18:54.417 --> 0:18:58.817
<v Speaker 2>when asked, have you found any evidence of the Trump

0:18:58.897 --> 0:19:01.817
<v Speaker 2>administration or campaign colluding with Russia? Every single one of

0:19:01.857 --> 0:19:05.777
<v Speaker 2>them said no, you know, behind closed doors under oath

0:19:05.857 --> 0:19:10.257
<v Speaker 2>until it was declassified by Rick Ernell. And the fact

0:19:10.337 --> 0:19:13.537
<v Speaker 2>is we've known that we so Lee put that book

0:19:13.577 --> 0:19:16.417
<v Speaker 2>out in twenty nineteen at least in manuscript form when

0:19:16.417 --> 0:19:19.537
<v Speaker 2>I optioned it. We put the movie out in twenty twenty, which,

0:19:19.537 --> 0:19:21.737
<v Speaker 2>by the way, that's an insane turnaround time that I'm

0:19:21.777 --> 0:19:23.937
<v Speaker 2>never doing again. I'm never making a movie in less

0:19:23.937 --> 0:19:27.057
<v Speaker 2>than a year again. So no one asked me. It's

0:19:27.097 --> 0:19:29.057
<v Speaker 2>just it's crazy. You're not supposed to do it that way.

0:19:29.137 --> 0:19:32.497
<v Speaker 2>But we did, and it went really well. You know,

0:19:32.537 --> 0:19:35.937
<v Speaker 2>it's like still like, it's the number one documentary on

0:19:35.977 --> 0:19:42.857
<v Speaker 2>Amazon per reviews, still doing. Really it's just it's it's

0:19:43.137 --> 0:19:47.897
<v Speaker 2>broken through to people because it's not conservative. It's not

0:19:47.937 --> 0:19:51.577
<v Speaker 2>just conservative red meat, right. It actually explains the story

0:19:51.617 --> 0:19:54.417
<v Speaker 2>that you get engaged with. That's how you change hearts

0:19:54.417 --> 0:19:57.377
<v Speaker 2>and minds. You don't just tell them facts. Don't care

0:19:57.417 --> 0:20:00.057
<v Speaker 2>about your feelings. Here's the facts, and we're conservatives, so

0:20:00.097 --> 0:20:02.817
<v Speaker 2>we're correct because here's the facts. Like I don't know

0:20:02.897 --> 0:20:06.337
<v Speaker 2>if anyone studied propaganda, but that doesn't that doesn't work.

0:20:06.417 --> 0:20:08.777
<v Speaker 2>You have to change people's hearts, like it's not it's

0:20:08.817 --> 0:20:11.337
<v Speaker 2>I don't know if I'm more attuned to that because

0:20:11.337 --> 0:20:14.257
<v Speaker 2>I started in the arts or I'm a chick or something.

0:20:14.297 --> 0:20:16.417
<v Speaker 2>I don't know, but I don't ever start out with

0:20:17.337 --> 0:20:19.657
<v Speaker 2>here's the PAISA warrant, and here's what was wrong with it.

0:20:19.657 --> 0:20:22.457
<v Speaker 2>It's like, no, here's the man whose life was destroyed

0:20:22.737 --> 0:20:25.977
<v Speaker 2>and his family and his kids and this and that,

0:20:26.097 --> 0:20:28.817
<v Speaker 2>and this is why this matters. If this can happen

0:20:28.897 --> 0:20:30.737
<v Speaker 2>to him, it can happen to you.

0:20:31.057 --> 0:20:35.257
<v Speaker 1>I'll never forget the first time I met Carter Page,

0:20:35.337 --> 0:20:37.337
<v Speaker 1>you know, the target of one of the FISA warrants.

0:20:37.697 --> 0:20:39.857
<v Speaker 1>And he's for anyone who hasn't met you know, well

0:20:39.857 --> 0:20:44.057
<v Speaker 1>not met, but remember he's you know, when he sat down,

0:20:44.097 --> 0:20:46.817
<v Speaker 1>he's like, hey, it's like, you know, I hung out

0:20:46.857 --> 0:20:48.497
<v Speaker 1>with your dad for a day at the Harvard Club

0:20:48.537 --> 0:20:50.737
<v Speaker 1>once and I was like, wait, I'm interviewing him on set.

0:20:50.737 --> 0:20:53.057
<v Speaker 1>It was like a social setting, like right before the

0:20:53.097 --> 0:20:55.737
<v Speaker 1>cameras turn on, and I was like what. And then

0:20:55.777 --> 0:20:57.777
<v Speaker 1>I'm like I'm like wait hold on. He's like, oh yeah,

0:20:57.777 --> 0:20:59.577
<v Speaker 1>your dad's so fun, like you know, he's just really

0:20:59.697 --> 0:21:00.737
<v Speaker 1>like matter of fact that kind.

0:21:00.657 --> 0:21:03.217
<v Speaker 2>Of nonsout, like.

0:21:03.817 --> 0:21:07.057
<v Speaker 1>Oh guy, But I remember I called my dad that.

0:21:07.177 --> 0:21:11.297
<v Speaker 1>I'm like, Dad, did you He's like, I think I

0:21:11.297 --> 0:21:13.337
<v Speaker 1>did hang out with the Carter I know. It's like

0:21:13.377 --> 0:21:16.217
<v Speaker 1>this whole thing. I'm like, Dad, that's the guy like

0:21:16.337 --> 0:21:19.817
<v Speaker 1>you were talking to the Russia Gate guy at the

0:21:19.897 --> 0:21:22.377
<v Speaker 1>Harvard Club, like this is before all that stuff happened.

0:21:22.377 --> 0:21:23.937
<v Speaker 1>But I was like, you guys are you know, they're

0:21:23.977 --> 0:21:26.697
<v Speaker 1>at some event about US China policy, you know, one

0:21:26.697 --> 0:21:29.377
<v Speaker 1>of these things where guys show up whatever. And my

0:21:29.497 --> 0:21:31.097
<v Speaker 1>dad was there, you know, because he likes to learn

0:21:31.097 --> 0:21:33.337
<v Speaker 1>about the world. And anyway, it was just kind of

0:21:33.337 --> 0:21:34.817
<v Speaker 1>funny because I was like, Wow, the world's a very

0:21:34.857 --> 0:21:36.577
<v Speaker 1>small place. I want to ask if you're gonna make

0:21:36.577 --> 0:21:39.017
<v Speaker 1>another movie like this or what the next project is.

0:21:39.097 --> 0:21:42.017
<v Speaker 1>But first I got to talk to people at Gold, Amanda,

0:21:42.417 --> 0:21:46.817
<v Speaker 1>because precious metals very important out there. All right. If

0:21:46.817 --> 0:21:49.417
<v Speaker 1>you're worried about the disruptions I could hit the global economy,

0:21:49.417 --> 0:21:51.737
<v Speaker 1>how do you diversify I own I've got some right

0:21:51.777 --> 0:21:54.257
<v Speaker 1>here with me. Exactly. She's got some gold, She's got

0:21:54.257 --> 0:21:57.737
<v Speaker 1>some bling on her hard gold. I'm talking about the real,

0:21:57.817 --> 0:22:01.537
<v Speaker 1>actual physical gold. Because it's a great way to hedge

0:22:01.617 --> 0:22:04.937
<v Speaker 1>against inflation and also to protect value even if the

0:22:04.977 --> 0:22:07.897
<v Speaker 1>dollar gets into really rough shape. Gold and silver can

0:22:07.937 --> 0:22:10.577
<v Speaker 1>be a protection for your portfolio. So why not have

0:22:10.617 --> 0:22:13.377
<v Speaker 1>gold and silver on hand? Try the Oxford Gold Group.

0:22:13.417 --> 0:22:15.817
<v Speaker 1>That's who I trust, That's who I go to call

0:22:15.897 --> 0:22:17.497
<v Speaker 1>is free, and the people on the receiving end of

0:22:17.497 --> 0:22:20.577
<v Speaker 1>the call are knowledgeable and trustworthy. Eight three three four

0:22:20.697 --> 0:22:24.337
<v Speaker 1>three zero buck. That's a three three four three zero

0:22:24.857 --> 0:22:28.497
<v Speaker 1>b uc k A three three four three zero buck.

0:22:28.817 --> 0:22:31.137
<v Speaker 1>Call the Oxford Gold Group. Get some gold, Get some silver.

0:22:31.377 --> 0:22:33.857
<v Speaker 1>Take action today so that you're ready, because I think

0:22:33.857 --> 0:22:35.737
<v Speaker 1>the economy is actually gonna get really ugly for the

0:22:36.017 --> 0:22:40.297
<v Speaker 1>latter part of this year. All right, Ms Millius, Why

0:22:40.337 --> 0:22:44.377
<v Speaker 1>can't we just make really cool movies about stories that

0:22:44.457 --> 0:22:47.497
<v Speaker 1>people care about on the right anymore? Like why is

0:22:47.537 --> 0:22:49.457
<v Speaker 1>it like I sit here like I can just tell you.

0:22:49.537 --> 0:22:51.497
<v Speaker 1>I know that I'm a civilian, so you can tell

0:22:51.537 --> 0:22:54.817
<v Speaker 1>me I'm silly, But I'm just like, why, you know, fine,

0:22:54.897 --> 0:22:57.857
<v Speaker 1>I don't know these things, But like Ridley Scott making

0:22:58.097 --> 0:23:00.777
<v Speaker 1>a movie about the Great Siege of Malta or something like,

0:23:00.777 --> 0:23:04.097
<v Speaker 1>there's so many awesome concepts out there, and instead like

0:23:04.177 --> 0:23:08.817
<v Speaker 1>Disney is giving us fire and water because fire is

0:23:08.857 --> 0:23:11.297
<v Speaker 1>being racist against water or you know that just happened, right,

0:23:11.337 --> 0:23:14.457
<v Speaker 1>Like that's elemental, that's what just happened. Why can't we

0:23:14.457 --> 0:23:15.737
<v Speaker 1>get good stuff made anymore?

0:23:18.097 --> 0:23:21.697
<v Speaker 2>I talked about this since I think before I went

0:23:21.737 --> 0:23:25.137
<v Speaker 2>to film school because I saw it. Look Hollywood first

0:23:25.137 --> 0:23:26.897
<v Speaker 2>of all, a couple of reasons. Hollywood was the first

0:23:26.897 --> 0:23:30.057
<v Speaker 2>industry that China purchased. It was their toe in the

0:23:30.097 --> 0:23:32.817
<v Speaker 2>water of the American market. Granted, they were messing around

0:23:32.817 --> 0:23:35.337
<v Speaker 2>with a bunch of land stuff for a long time,

0:23:35.337 --> 0:23:38.057
<v Speaker 2>but people, you know, when I was at State Department again,

0:23:38.617 --> 0:23:42.617
<v Speaker 2>I remember getting briefed on China's involvement in Hollywood, and

0:23:42.617 --> 0:23:46.057
<v Speaker 2>I was like, uh, yeah, bro, I know. I remember,

0:23:46.177 --> 0:23:48.177
<v Speaker 2>like my dad made Red Dawn and then they did

0:23:48.217 --> 0:23:50.617
<v Speaker 2>the remake. They had to change it to North Korea

0:23:50.697 --> 0:23:54.217
<v Speaker 2>as to not offend the Chinese markets. So okay. One

0:23:54.257 --> 0:23:55.617
<v Speaker 2>of the reasons is China.

0:23:55.417 --> 0:23:57.657
<v Speaker 1>Owns Wait, can you tell the audience real quick who

0:23:57.697 --> 0:23:59.377
<v Speaker 1>your dad is, just so they know because they may not.

0:24:00.137 --> 0:24:04.017
<v Speaker 2>Yeah, right, my dad is John Millius. Great film writer

0:24:04.217 --> 0:24:07.457
<v Speaker 2>and director. I mean really the greatest writer of our generation.

0:24:07.617 --> 0:24:12.537
<v Speaker 2>I feels weird saying that, but I leave it. He's awesome.

0:24:13.217 --> 0:24:18.137
<v Speaker 2>He did. He wrote Apocalypse Now, wrote and directed Conan

0:24:18.177 --> 0:24:21.817
<v Speaker 2>the Barbarian, Red Dawn, wind in the Lion, the TV

0:24:21.897 --> 0:24:24.657
<v Speaker 2>series Rome, which is really interesting.

0:24:25.177 --> 0:24:27.097
<v Speaker 1>I love that series.

0:24:27.617 --> 0:24:29.817
<v Speaker 2>Yeah, I watched it once every two or three years.

0:24:29.857 --> 0:24:30.657
<v Speaker 2>Because I just have to.

0:24:30.857 --> 0:24:33.977
<v Speaker 1>I think, I'm sorry, I'm actually now fan boying a

0:24:33.977 --> 0:24:38.177
<v Speaker 1>little bit. I think that is the most underrated scripted

0:24:38.297 --> 0:24:40.817
<v Speaker 1>series that I have ever seen. Not that people didn't

0:24:40.817 --> 0:24:42.657
<v Speaker 1>realize this, but like it just didn't get it was

0:24:42.657 --> 0:24:44.897
<v Speaker 1>too expensive, so they didn't make the third season whatever,

0:24:44.977 --> 0:24:46.177
<v Speaker 1>but like that's a phenomenon.

0:24:46.297 --> 0:24:52.457
<v Speaker 2>They changed HBO had a female CEO come in. That

0:24:52.617 --> 0:24:54.977
<v Speaker 2>this is people. Some people are like, oh, they canceled

0:24:55.177 --> 0:24:58.097
<v Speaker 2>the last because Rome could have gone on for ten seasons, right,

0:24:58.137 --> 0:25:02.737
<v Speaker 2>because my dad could write Roman history for every single Caesar, right,

0:25:02.817 --> 0:25:05.737
<v Speaker 2>every single leader all the way to the decline of

0:25:05.817 --> 0:25:09.577
<v Speaker 2>Rome and beyond. Probably my dad's a massive history buff

0:25:09.577 --> 0:25:12.177
<v Speaker 2>and he'll throw and all kinds of wacky stuff from

0:25:12.177 --> 0:25:15.017
<v Speaker 2>his own personal point of view that is really fun.

0:25:15.057 --> 0:25:19.297
<v Speaker 2>But they they canceled it because he really didn't get

0:25:19.297 --> 0:25:22.337
<v Speaker 2>along with them. You know. That show was probably the

0:25:22.377 --> 0:25:26.737
<v Speaker 2>second hour long drama that did really well because I

0:25:26.737 --> 0:25:28.817
<v Speaker 2>think it was around the time of the Sopranos, which

0:25:28.817 --> 0:25:31.697
<v Speaker 2>this is when I mean those pre mad Men, so

0:25:32.057 --> 0:25:35.497
<v Speaker 2>it had it was. It was really before people got

0:25:35.537 --> 0:25:39.057
<v Speaker 2>to this point where they were like the quality storytelling, acting,

0:25:39.577 --> 0:25:42.577
<v Speaker 2>and production is in this hour long drama on either

0:25:42.737 --> 0:25:46.217
<v Speaker 2>HBO Showtime, you know, certainly not Netflix at that point

0:25:46.297 --> 0:25:49.017
<v Speaker 2>or anything like that. Netflix didn't kick that off until

0:25:49.057 --> 0:25:53.217
<v Speaker 2>House of Cards. But all of that stuff was new.

0:25:53.417 --> 0:25:57.057
<v Speaker 2>That was a new format. High high quality, hour long

0:25:57.257 --> 0:26:02.177
<v Speaker 2>programming was not a thing until the Sopranos. So it's

0:26:02.257 --> 0:26:05.417
<v Speaker 2>it just it was really ahead of its time. And

0:26:06.097 --> 0:26:09.737
<v Speaker 2>between that and Conan there certainly wouldn't have been a

0:26:09.737 --> 0:26:12.537
<v Speaker 2>Game of Thrones, but there were many There were quite

0:26:12.537 --> 0:26:15.417
<v Speaker 2>a few years between those shows, but yeah, they had

0:26:15.497 --> 0:26:21.617
<v Speaker 2>they changed CEOs. My dad was politically. I mean, people

0:26:21.617 --> 0:26:24.097
<v Speaker 2>say I'm to the right of him. I think he's

0:26:24.137 --> 0:26:26.257
<v Speaker 2>to the right of me. It's hard to tell. We

0:26:26.417 --> 0:26:28.697
<v Speaker 2>just sort of trade off, but we're both pretty right wing,

0:26:29.697 --> 0:26:32.217
<v Speaker 2>and you know, things were starting to change. Like in

0:26:32.257 --> 0:26:35.937
<v Speaker 2>the seventies, nobody cared. Like all his best friends were

0:26:35.937 --> 0:26:38.097
<v Speaker 2>all the film school of brats, right, like Steven Spielberg,

0:26:38.097 --> 0:26:43.257
<v Speaker 2>George Lucas, Francis Koppola, all these guys, like, they didn't

0:26:43.377 --> 0:26:45.897
<v Speaker 2>they they didn't think about politics. In fact, nobody really

0:26:45.937 --> 0:26:48.297
<v Speaker 2>thought about politics, at least from what I could remember,

0:26:48.377 --> 0:26:51.297
<v Speaker 2>until like twenty fifteen or sixteen did it become a

0:26:52.217 --> 0:26:54.697
<v Speaker 2>defining part of who you were. It was just like

0:26:55.177 --> 0:26:57.777
<v Speaker 2>unless you worked in politics or in the government, it

0:26:57.817 --> 0:27:02.057
<v Speaker 2>wasn't nobody cared really. But anyway, so you know, you're

0:27:02.057 --> 0:27:04.497
<v Speaker 2>coming up onto the era where people start to care.

0:27:04.617 --> 0:27:08.457
<v Speaker 2>Hollywood cared before most. So there's another reason why it sucks.

0:27:08.817 --> 0:27:11.777
<v Speaker 2>They don't just care about making money. If they did

0:27:11.857 --> 0:27:14.057
<v Speaker 2>just care about making money, they would have made a

0:27:14.097 --> 0:27:16.897
<v Speaker 2>gazillion versions of American Sniper, because that was one of

0:27:16.937 --> 0:27:20.017
<v Speaker 2>the most profitable movies that was appealing to the entire country.

0:27:22.017 --> 0:27:25.777
<v Speaker 2>Top Gun, even from last last year, I think, was

0:27:26.177 --> 0:27:31.017
<v Speaker 2>fairly unpolitical and did very very well. I don't they're

0:27:31.017 --> 0:27:34.977
<v Speaker 2>not making action movies like that. They're making female James Bond,

0:27:35.177 --> 0:27:37.897
<v Speaker 2>which is the stupidest thing I've ever heard in my life.

0:27:37.937 --> 0:27:40.577
<v Speaker 2>I think I talked about that on Breitbart for like

0:27:40.617 --> 0:27:43.617
<v Speaker 2>an hour. I just like exploded with rage about like

0:27:43.977 --> 0:27:44.337
<v Speaker 2>the death.

0:27:44.457 --> 0:27:47.937
<v Speaker 1>Well, you know, they they kind of ruined Indiana Jones

0:27:48.017 --> 0:27:51.057
<v Speaker 1>just by making a really bad version or you know,

0:27:51.177 --> 0:27:54.817
<v Speaker 1>addition to it, and now they've got a female lead

0:27:54.857 --> 0:27:58.097
<v Speaker 1>and apparently it's like they've exhumed the body of Indiana

0:27:58.177 --> 0:28:01.257
<v Speaker 1>Jones after they killed Indiana Jones and are now lighting

0:28:01.337 --> 0:28:03.697
<v Speaker 1>it on fire. And some kind of like ritual post

0:28:03.737 --> 0:28:07.817
<v Speaker 1>mortem sacrifice, like the Well kid, that's the British shit's.

0:28:07.817 --> 0:28:10.657
<v Speaker 2>That's what they're doing to all of our favorite That's

0:28:10.697 --> 0:28:12.737
<v Speaker 2>what they're doing to our whole culture. I said that

0:28:12.777 --> 0:28:14.577
<v Speaker 2>about the James Bond thing, where I was like, they

0:28:14.617 --> 0:28:18.297
<v Speaker 2>had to take the ultimate masculine. The whole point of

0:28:18.417 --> 0:28:23.097
<v Speaker 2>James Bond is he is the male fantasy of a

0:28:23.177 --> 0:28:27.537
<v Speaker 2>guy with cool gadgets, guns, a license to kill, always

0:28:27.577 --> 0:28:31.377
<v Speaker 2>in a cool foreign country, doing sexy stuff, always waking

0:28:31.457 --> 0:28:34.337
<v Speaker 2>up next to a new chick, like whatever. Whatever. The

0:28:34.337 --> 0:28:40.257
<v Speaker 2>male fantasy of this sort of dapper character was part

0:28:40.337 --> 0:28:42.977
<v Speaker 2>of part of the whole culture, and they had to

0:28:43.097 --> 0:28:46.617
<v Speaker 2>make him a total cook in the last before they

0:28:46.617 --> 0:28:49.497
<v Speaker 2>finally kill him. They had to they had to ruin

0:28:49.617 --> 0:28:53.617
<v Speaker 2>who he was as a character, because you're not allowed

0:28:53.657 --> 0:28:56.737
<v Speaker 2>to think like that anymore. You're not allowed to That's

0:28:56.817 --> 0:29:00.657
<v Speaker 2>no longer an acceptable fantasy. And that's what they're doing yet.

0:29:00.657 --> 0:29:04.977
<v Speaker 2>I mean Indiana Jones, like again, like the Adventurer, the

0:29:05.457 --> 0:29:09.297
<v Speaker 2>the discoverer, like this thing boys would dream about of being, like,

0:29:10.177 --> 0:29:12.297
<v Speaker 2>you know, I'm going to be an archaeologist and find

0:29:12.377 --> 0:29:14.937
<v Speaker 2>weird cool stuff and swing from ropes and dah da

0:29:15.017 --> 0:29:18.697
<v Speaker 2>da dah, Like all of these male fantasies have to

0:29:18.737 --> 0:29:21.697
<v Speaker 2>be murdered before they put them to bed, before they

0:29:21.897 --> 0:29:24.577
<v Speaker 2>change these characters over, and it's it is an assault

0:29:24.617 --> 0:29:26.817
<v Speaker 2>on our country. I think this is this is kind

0:29:26.817 --> 0:29:28.577
<v Speaker 2>of where I started to go. I did a speech

0:29:28.617 --> 0:29:33.017
<v Speaker 2>about this at nat CON, comparing something like the current

0:29:33.137 --> 0:29:36.137
<v Speaker 2>James Bond to the Searchers or something. You know, great

0:29:36.417 --> 0:29:40.657
<v Speaker 2>movie that really meaningful. In my family, my dad's favorite movie.

0:29:41.017 --> 0:29:44.177
<v Speaker 2>He named my brother Ethan. I didn't get any cool names,

0:29:44.177 --> 0:29:46.977
<v Speaker 2>but but his sons did. They were older than me,

0:29:47.217 --> 0:29:51.137
<v Speaker 2>so they got all the cool names. But they you know,

0:29:51.337 --> 0:29:54.777
<v Speaker 2>it's you compare the movies that were made at that time,

0:29:55.617 --> 0:29:57.257
<v Speaker 2>and these a lot of those movies, you know, in

0:29:57.297 --> 0:30:01.657
<v Speaker 2>the thirties, forties, fifties, you know, even in the sixties

0:30:01.977 --> 0:30:05.497
<v Speaker 2>were made by immigrants, a lot of Jewish immigrants, a

0:30:05.537 --> 0:30:09.937
<v Speaker 2>lot of German immigrants, a lot of just a lot

0:30:09.937 --> 0:30:12.537
<v Speaker 2>of of people who were just so pro America because

0:30:12.537 --> 0:30:14.417
<v Speaker 2>they were getting the hell out of where they were,

0:30:14.617 --> 0:30:17.137
<v Speaker 2>and so they made some of the most patriotic movies

0:30:17.137 --> 0:30:22.057
<v Speaker 2>of all time. Italian Oh, well, you've got the Sergio

0:30:22.137 --> 0:30:26.817
<v Speaker 2>Leoni Ones, which was just an homage to the American

0:30:26.857 --> 0:30:32.017
<v Speaker 2>West as a concept. I mean, Sergiolioni is awesome. Like

0:30:32.177 --> 0:30:35.497
<v Speaker 2>just I copied so much of that for my student

0:30:35.657 --> 0:30:40.137
<v Speaker 2>my thesis film, my first one. But anyway, so yeah,

0:30:39.937 --> 0:30:42.497
<v Speaker 2>the film and the reason this matters, it's not just

0:30:43.137 --> 0:30:47.297
<v Speaker 2>culture war stuff. It's because my argument is that this

0:30:47.337 --> 0:30:50.937
<v Speaker 2>is the most important export America had. Right the Cold War,

0:30:50.977 --> 0:30:53.937
<v Speaker 2>we could argue was won by blue jeans, rock and

0:30:54.017 --> 0:30:55.217
<v Speaker 2>roll in American.

0:30:54.817 --> 0:30:58.097
<v Speaker 1>Films, not by ICBMs.

0:30:58.177 --> 0:31:03.177
<v Speaker 2>Yeah right, Like so so now when we're only exporting

0:31:03.297 --> 0:31:06.337
<v Speaker 2>things that tell the world that were a racist, terrible place,

0:31:06.537 --> 0:31:09.537
<v Speaker 2>that sexist, and all of these other awful things. I mean,

0:31:09.817 --> 0:31:11.577
<v Speaker 2>the only benefit to it I can think of is

0:31:11.617 --> 0:31:14.377
<v Speaker 2>maybe it'll stop people from constantly trying to immigrate here

0:31:14.417 --> 0:31:16.217
<v Speaker 2>and like across the border. But it doesn't seem to

0:31:16.217 --> 0:31:20.977
<v Speaker 2>be working. But that's not China's not telling mythology to

0:31:21.137 --> 0:31:25.737
<v Speaker 2>its itself. That's terrible about itself. We're the only ones

0:31:25.777 --> 0:31:26.217
<v Speaker 2>doing that.

0:31:26.377 --> 0:31:32.417
<v Speaker 1>Like, China is actually delusional about its recent history as

0:31:32.417 --> 0:31:35.017
<v Speaker 1>a country and does not allow anyone to talk about

0:31:35.177 --> 0:31:37.937
<v Speaker 1>When I tell people that forty to sixty million people

0:31:38.057 --> 0:31:41.297
<v Speaker 1>died in the middle of the twentieth century, in China

0:31:41.657 --> 0:31:45.817
<v Speaker 1>in a man induced famine. They're just like, no way,

0:31:45.857 --> 0:31:48.617
<v Speaker 1>your numbers are right, and I'm like check them. How

0:31:48.657 --> 0:31:51.217
<v Speaker 1>do they not know that? Yeah?

0:31:51.697 --> 0:31:54.217
<v Speaker 2>Great, I mean that you know they know the way

0:31:54.257 --> 0:31:58.257
<v Speaker 2>I learned that was so my dad's last script that

0:31:58.337 --> 0:32:01.457
<v Speaker 2>he wrote was Genghis Khan, and Genghis Khan has mentioned

0:32:01.457 --> 0:32:04.337
<v Speaker 2>in almost every one of my dad's movies, and so

0:32:04.417 --> 0:32:06.417
<v Speaker 2>of course he's obsessed with Ganghis Khan and he thinks

0:32:06.417 --> 0:32:11.937
<v Speaker 2>he is Ganghis Khan and he wrote this amazing, amazing,

0:32:12.137 --> 0:32:16.377
<v Speaker 2>just epic script can't get made for a variety of reasons,

0:32:17.377 --> 0:32:20.777
<v Speaker 2>like most of my dad's unmade scripts. But I do

0:32:20.817 --> 0:32:22.617
<v Speaker 2>remember when I was a kid, the first time I

0:32:22.657 --> 0:32:25.857
<v Speaker 2>saw this is he walked out of a room full

0:32:25.897 --> 0:32:30.057
<v Speaker 2>of Chinese dudes because one producer had somehow secured funding

0:32:30.097 --> 0:32:32.257
<v Speaker 2>through China. This is the beginning of all this. This

0:32:32.417 --> 0:32:34.817
<v Speaker 2>is like many years ago. I was like a kid,

0:32:35.417 --> 0:32:37.577
<v Speaker 2>and my dad was like, I wouldn't take notes from

0:32:37.737 --> 0:32:42.057
<v Speaker 2>American executives about my scripts, Like screw these guys. I'm late,

0:32:42.097 --> 0:32:45.177
<v Speaker 2>we're leaving, and we just left. And they were trying

0:32:45.217 --> 0:32:48.857
<v Speaker 2>to correct the Ganghi's con story to match their version

0:32:49.057 --> 0:32:53.897
<v Speaker 2>of that history, and that was the beginning of my

0:32:54.217 --> 0:32:58.737
<v Speaker 2>exposure to China. Just absolutely purchasing Hollywood, and like I said,

0:32:58.977 --> 0:33:02.457
<v Speaker 2>I go on about it because no culture or nation

0:33:02.617 --> 0:33:06.857
<v Speaker 2>can survive if the mythology they're telling itself about itself

0:33:07.057 --> 0:33:09.577
<v Speaker 2>is that is as bad as what Hollywood is saying

0:33:09.577 --> 0:33:13.097
<v Speaker 2>to us. It's it's it's bad for women, it's bad

0:33:13.137 --> 0:33:17.657
<v Speaker 2>for men, it's bad for all racial categories, it's bad

0:33:17.737 --> 0:33:22.457
<v Speaker 2>for everything. So it's yeah, it's it's a I That's

0:33:22.457 --> 0:33:24.257
<v Speaker 2>why I'm like, Okay, fine, I'm not going to pick

0:33:24.257 --> 0:33:27.137
<v Speaker 2>on the conservatives making movies too much, like make more movies.

0:33:27.177 --> 0:33:29.377
<v Speaker 2>It's good. Yes, it's all conservatives. We need to be

0:33:29.417 --> 0:33:30.257
<v Speaker 2>making movies, but.

0:33:30.217 --> 0:33:33.177
<v Speaker 1>Like I also think there need to be more more.

0:33:33.657 --> 0:33:36.697
<v Speaker 1>You know, we've we've lost some even it's not even

0:33:36.697 --> 0:33:40.577
<v Speaker 1>necessarily overtly political, although there's some of this and stories

0:33:40.697 --> 0:33:44.377
<v Speaker 1>in good vies, just good stories that aren't woke crap

0:33:44.457 --> 0:33:46.977
<v Speaker 1>meant to brainwash people into hating themselves in the country

0:33:46.977 --> 0:33:48.857
<v Speaker 1>that they live in. I mean, I even put you know,

0:33:48.897 --> 0:33:52.177
<v Speaker 1>whether it's Tom Clancy, Michael Crichton, like some of these authors,

0:33:52.817 --> 0:33:55.697
<v Speaker 1>I mean, Crichton turned very hard against for example, climate

0:33:55.777 --> 0:33:58.617
<v Speaker 1>change really, because you know, he's a Harvard trained MD,

0:33:58.697 --> 0:34:00.617
<v Speaker 1>and he's just like, this is idiocy, Like all these

0:34:00.657 --> 0:34:03.337
<v Speaker 1>people walking around saying this, he's like, and he's like,

0:34:03.457 --> 0:34:05.297
<v Speaker 1>I'm a smart guy, I'm super rich. I don't care.

0:34:05.457 --> 0:34:08.897
<v Speaker 1>The climate change stuff is crap. And they went bonkers

0:34:08.897 --> 0:34:11.097
<v Speaker 1>on him, of course. But I you're you're really in

0:34:11.137 --> 0:34:13.097
<v Speaker 1>the NBA, right am? I right about this?

0:34:13.217 --> 0:34:15.457
<v Speaker 2>I'm into the very into basketball.

0:34:15.537 --> 0:34:18.337
<v Speaker 1>Yeah, right in the NBA. Yeah, Like, we're gonna tell.

0:34:18.177 --> 0:34:20.657
<v Speaker 2>Me not college basketball were really good. You're gonna let

0:34:20.657 --> 0:34:22.377
<v Speaker 2>me talk about basketball.

0:34:22.177 --> 0:34:23.737
<v Speaker 1>Just how we're gonna close the show out. So I'm

0:34:23.737 --> 0:34:26.377
<v Speaker 1>gonna ask you tough questions. I used to be in

0:34:26.417 --> 0:34:29.217
<v Speaker 1>to the basketball until I realized I was never gonna

0:34:29.257 --> 0:34:31.377
<v Speaker 1>be more than scraping the bottom of six feet like

0:34:31.417 --> 0:34:34.137
<v Speaker 1>five eleven and three quarters. But we will tell you.

0:34:33.937 --> 0:34:36.297
<v Speaker 2>You missed out. You could have stuck through it because

0:34:36.337 --> 0:34:38.737
<v Speaker 2>this is the era of the You could have been

0:34:38.777 --> 0:34:41.097
<v Speaker 2>the Steph Curry of your college. How do you know?

0:34:41.177 --> 0:34:42.937
<v Speaker 2>I mean, you could have been suddenly the best three

0:34:42.977 --> 0:34:45.177
<v Speaker 2>point shooter of Like I don't I don't know where

0:34:45.177 --> 0:34:46.497
<v Speaker 2>do cia guys go to college?

0:34:46.577 --> 0:34:49.337
<v Speaker 1>I'm gonna tell you, uh, I mean you know, like

0:34:49.497 --> 0:34:51.737
<v Speaker 1>more CIA directors went to amhers where I went than

0:34:51.777 --> 0:34:53.657
<v Speaker 1>any other school, which is kind of a funny fact

0:34:53.697 --> 0:34:56.057
<v Speaker 1>about Amherst. Yeah, so there you go. We've got we

0:34:56.177 --> 0:34:58.457
<v Speaker 1>got three of them. We'll get to basketball in a second.

0:34:58.497 --> 0:35:00.817
<v Speaker 1>But this is not as fun a topic, but it's

0:35:00.857 --> 0:35:04.137
<v Speaker 1>important topic. Life insurance. My friends. People are relying on

0:35:04.177 --> 0:35:05.817
<v Speaker 1>you to be there for there's no way to not

0:35:05.857 --> 0:35:08.257
<v Speaker 1>do that. As a hard tournament. People are allowing you

0:35:08.337 --> 0:35:09.897
<v Speaker 1>to be there for them. Look, I got married this year,

0:35:09.977 --> 0:35:11.697
<v Speaker 1>is telling a man before and so I have to

0:35:11.697 --> 0:35:12.817
<v Speaker 1>do all these things. And I like, you know, if

0:35:12.897 --> 0:35:16.257
<v Speaker 1>to put the documents in the will together, and you

0:35:16.297 --> 0:35:18.017
<v Speaker 1>know you need to have life insurance too. This is

0:35:18.097 --> 0:35:19.977
<v Speaker 1>just a reality. It's an adult thing you gotta do.

0:35:20.337 --> 0:35:21.817
<v Speaker 1>And you want to get a great policy for a

0:35:21.857 --> 0:35:24.657
<v Speaker 1>great price. That's where policy Genius comes in. You can

0:35:24.697 --> 0:35:27.137
<v Speaker 1>find life insurance policies that started just twenty five dollars

0:35:27.177 --> 0:35:29.937
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<v Speaker 1>That's policygenius dot com. Go check it out today, all right?

0:35:49.617 --> 0:35:51.497
<v Speaker 1>Our final topic on this pot am end of the

0:35:52.137 --> 0:35:53.257
<v Speaker 1>and does that work if you.

0:35:53.217 --> 0:35:55.857
<v Speaker 2>Want to take a policy out on your spouse without

0:35:55.897 --> 0:36:00.577
<v Speaker 2>them knowing, just asking for a friend and sorry, keep grying.

0:36:01.177 --> 0:36:09.417
<v Speaker 1>Which I'm sure I don't know. So the NBA I

0:36:09.577 --> 0:36:11.897
<v Speaker 1>grew up, I don't know. I don't know how old

0:36:11.937 --> 0:36:13.737
<v Speaker 1>you are. I'm gonna guess you're twenty five, because I'm

0:36:13.777 --> 0:36:16.057
<v Speaker 1>told now that all all young ladies are you know,

0:36:16.217 --> 0:36:17.777
<v Speaker 1>if you're on TV with them to say they're twenty

0:36:17.777 --> 0:36:22.177
<v Speaker 1>five because they can't get mad at you. But yeah, right, exactly,

0:36:22.537 --> 0:36:24.097
<v Speaker 1>So I don't know how old you are. You maybe,

0:36:24.217 --> 0:36:29.657
<v Speaker 1>though slightly in the same generation. What's up? It's classified classified,

0:36:29.737 --> 0:36:32.337
<v Speaker 1>right you? Maybe? Though not too far away from my direction.

0:36:32.977 --> 0:36:34.977
<v Speaker 1>I'm gonna say I think you're a fellow millennial. How

0:36:35.017 --> 0:36:36.937
<v Speaker 1>about that, you're fellow millennial. I'll put that out there.

0:36:36.977 --> 0:36:42.097
<v Speaker 1>That sounds probably correct. So yeah, right, yeah, that covers it. Yeah,

0:36:42.097 --> 0:36:45.097
<v Speaker 1>that covers it, right, because I grew up watching the

0:36:45.137 --> 0:36:47.697
<v Speaker 1>New York Knicks when they were this like fun and

0:36:47.977 --> 0:36:50.297
<v Speaker 1>honestly been watching on TV. I would go. I had

0:36:50.337 --> 0:36:52.937
<v Speaker 1>an uncle who had season tickets a few years. So

0:36:52.937 --> 0:36:54.297
<v Speaker 1>I didn't go all the time because I'm out of

0:36:54.297 --> 0:36:56.017
<v Speaker 1>some but I would go till some of the games.

0:36:56.977 --> 0:36:59.577
<v Speaker 1>I went to, I don't know, probably twenty or thirty

0:36:59.617 --> 0:37:02.377
<v Speaker 1>Knicks games growing up, which is not a ton, but

0:37:02.417 --> 0:37:03.697
<v Speaker 1>for me that was a lot because I have them

0:37:03.737 --> 0:37:06.057
<v Speaker 1>into like a basketball game, and god, I don't know

0:37:06.097 --> 0:37:09.537
<v Speaker 1>now twenty years so I don't go anymore. I can't

0:37:09.577 --> 0:37:12.217
<v Speaker 1>stand the NBA because of its politics.

0:37:13.057 --> 0:37:14.937
<v Speaker 2>Okay, let me let me fix you.

0:37:15.737 --> 0:37:17.417
<v Speaker 1>You gotta help me with this because I used to watch.

0:37:17.457 --> 0:37:20.457
<v Speaker 1>I mean, I go back to Charles Oakley and Ewing

0:37:20.537 --> 0:37:23.097
<v Speaker 1>and Anthony Mason and the bomb squad and the whole thing,

0:37:23.137 --> 0:37:24.017
<v Speaker 1>like I was all about it.

0:37:24.257 --> 0:37:29.337
<v Speaker 2>Michael Michael Jordan's saying Republicans buy sneakers too is the key, right, Okay,

0:37:29.417 --> 0:37:32.377
<v Speaker 2>So here we go the year in the bubble. We

0:37:32.417 --> 0:37:35.057
<v Speaker 2>don't count that because it is And I say that

0:37:35.097 --> 0:37:38.497
<v Speaker 2>as a diehard Lakers fan. Okay, I'm willing to give

0:37:38.577 --> 0:37:41.577
<v Speaker 2>up that flag, right, I could give a crap about

0:37:41.617 --> 0:37:44.537
<v Speaker 2>the bubble year, it doesn't count. I don't accept Lebron

0:37:44.617 --> 0:37:48.497
<v Speaker 2>as a Laker. I it's very conflicting for me because

0:37:48.497 --> 0:37:49.937
<v Speaker 2>I still want the Lakers to win. I just want

0:37:50.017 --> 0:37:51.657
<v Speaker 2>him to be on the bench and out of my sight.

0:37:52.217 --> 0:37:54.937
<v Speaker 2>But I you know, I grew up in Los Angeles,

0:37:54.937 --> 0:37:58.057
<v Speaker 2>so I am about basketball is my sport, Like that's

0:37:58.097 --> 0:38:00.577
<v Speaker 2>just how it is. We have like ten basketball teams

0:38:00.577 --> 0:38:05.937
<v Speaker 2>in California. So and I grew up watching Kobe, and

0:38:06.017 --> 0:38:08.737
<v Speaker 2>I'm I'm I don't know if anyone who's been on

0:38:08.777 --> 0:38:12.097
<v Speaker 2>my Twitter knows I'm oked with Kobe Bryant. Like Kobe Bryant,

0:38:12.097 --> 0:38:15.897
<v Speaker 2>I've read every book that he's involved and related to

0:38:16.057 --> 0:38:20.537
<v Speaker 2>the Mamba mentality surmises what my dad used to teach

0:38:20.617 --> 0:38:23.657
<v Speaker 2>me as a young girl. How to be you know,

0:38:24.537 --> 0:38:27.257
<v Speaker 2>brave enough to be hated by people, and how to

0:38:27.617 --> 0:38:32.697
<v Speaker 2>direct that energy into something that's productive and unbeatable, and

0:38:32.737 --> 0:38:35.457
<v Speaker 2>how to be the best and this whole thing about discipline.

0:38:35.657 --> 0:38:37.577
<v Speaker 2>Like the other day I was doing we were doing

0:38:38.097 --> 0:38:42.777
<v Speaker 2>a film review on this other podcast, The Backwall, which

0:38:42.817 --> 0:38:46.457
<v Speaker 2>is the cinema sports cast that I do with my friends.

0:38:46.737 --> 0:38:49.337
<v Speaker 2>We're doing he Got Game, you know, Spike Lee's movie

0:38:49.337 --> 0:38:53.777
<v Speaker 2>from nineteen ninety eight. Amazing period of time, amazing message

0:38:53.777 --> 0:38:55.457
<v Speaker 2>in that movie. By the way, I encourage you to

0:38:55.537 --> 0:38:59.857
<v Speaker 2>revisit that movie. The message about parenting in that video

0:38:59.977 --> 0:39:04.577
<v Speaker 2>is absolutely gone from American culture. It's incredible. Anyway we

0:39:04.897 --> 0:39:07.417
<v Speaker 2>ignore the year of the Bubble, even if the Lakers

0:39:07.417 --> 0:39:11.857
<v Speaker 2>won a championship this year. I returned to the NBA

0:39:12.177 --> 0:39:16.097
<v Speaker 2>because I am so sick of the political infighting that

0:39:16.217 --> 0:39:19.257
<v Speaker 2>was going on on Twitter that I was like, I

0:39:19.457 --> 0:39:22.577
<v Speaker 2>just want to watch something purer. Sports I always loved

0:39:22.617 --> 0:39:26.097
<v Speaker 2>because it was pure. As long as they continue counting

0:39:26.257 --> 0:39:28.777
<v Speaker 2>points and there is a winner any loser, and they

0:39:28.817 --> 0:39:32.617
<v Speaker 2>don't give trophies to everybody. As far as I'm concerned,

0:39:32.737 --> 0:39:35.937
<v Speaker 2>it's still pure. They don't have the BLM stuff written

0:39:35.937 --> 0:39:38.777
<v Speaker 2>on the court anymore. Now you gotta worry about baseball.

0:39:39.097 --> 0:39:43.577
<v Speaker 2>Basketball has cleaned itself up completely. There is no politics

0:39:43.577 --> 0:39:46.817
<v Speaker 2>in it anymore. That was like one year where yeah,

0:39:46.857 --> 0:39:48.817
<v Speaker 2>I didn't I didn't watch well. When I was in government,

0:39:48.817 --> 0:39:51.137
<v Speaker 2>I didn't have time to watch anything. So I missed

0:39:52.257 --> 0:39:56.377
<v Speaker 2>four years with the movie five years of Basketball. So

0:39:56.457 --> 0:39:59.257
<v Speaker 2>I literally at one point asked the guys that I

0:39:59.297 --> 0:40:02.897
<v Speaker 2>do the sports cast the sports Ball cast with I

0:40:02.937 --> 0:40:06.377
<v Speaker 2>was like, whatever happened to Anthony Davis? He's on the Lakers, dude.

0:40:06.457 --> 0:40:09.377
<v Speaker 2>I was like, oh, awesome, all right, we got Anthony Davis. Cool.

0:40:10.577 --> 0:40:12.217
<v Speaker 2>So like, I'm not, like, you know, trying to be

0:40:12.297 --> 0:40:14.657
<v Speaker 2>some absolute expert, but by the end of the season,

0:40:14.817 --> 0:40:17.817
<v Speaker 2>like I can, I can out bit basketball talk anybody,

0:40:18.777 --> 0:40:21.537
<v Speaker 2>because I mean, it's just my it's my blood. I mean,

0:40:21.577 --> 0:40:24.977
<v Speaker 2>it's it's I just live for it. And as long

0:40:25.017 --> 0:40:27.897
<v Speaker 2>as it's like the comforting sounds of a of a

0:40:27.977 --> 0:40:31.297
<v Speaker 2>game on in the background, would you rather hear that

0:40:31.777 --> 0:40:33.937
<v Speaker 2>or the news? Like, I don't want to hear the

0:40:33.977 --> 0:40:36.217
<v Speaker 2>news anymore. I know all those people that sounds. It

0:40:36.217 --> 0:40:38.017
<v Speaker 2>sounds like being in a room full of people I

0:40:38.057 --> 0:40:39.817
<v Speaker 2>know arguing with each other. I just want to hear

0:40:39.857 --> 0:40:43.897
<v Speaker 2>the squeaky shoes and the low, steady voices of the

0:40:43.977 --> 0:40:48.137
<v Speaker 2>announcers with the occasional excitement about a three and and

0:40:48.217 --> 0:40:52.057
<v Speaker 2>I'm good. Like that's that. Basketball is just beautiful to me.

0:40:52.137 --> 0:40:55.017
<v Speaker 2>It's my It's like my favorite art form. I can,

0:40:55.017 --> 0:40:56.217
<v Speaker 2>I can, I can watch it.

0:40:58.377 --> 0:41:00.097
<v Speaker 1>One we're compelling pitches for it I've heard in a

0:41:00.097 --> 0:41:00.577
<v Speaker 1>long time.

0:41:00.857 --> 0:41:04.177
<v Speaker 2>So I mean, and look you men have strip clubs

0:41:04.177 --> 0:41:07.897
<v Speaker 2>to go to. I gotta watch professional sports like I

0:41:07.897 --> 0:41:09.657
<v Speaker 2>don't know how to explain that any better.

0:41:10.937 --> 0:41:15.697
<v Speaker 1>I'll take it. Amanda Milius, everybody check out her on Twitter,

0:41:16.297 --> 0:41:19.057
<v Speaker 1>uh you know. And and Amanda, we gotta get you

0:41:19.097 --> 0:41:20.777
<v Speaker 1>come back some time. You gotta get you on the

0:41:20.817 --> 0:41:22.777
<v Speaker 1>on the radio show with Clay by the way, we

0:41:22.817 --> 0:41:24.217
<v Speaker 1>would have a lot of fun with three of us

0:41:24.257 --> 0:41:26.737
<v Speaker 1>talking about things you will. That would be really good stuff.

0:41:26.777 --> 0:41:28.777
<v Speaker 1>So we'll set that up. Thank you so much, and

0:41:28.897 --> 0:41:29.937
<v Speaker 1>everybody will talk to you soon.

0:41:30.897 --> 0:41:32.337
<v Speaker 2>Thank you. Thanks for having me on