WEBVTT - Marvel’s Eternals + The History of Jack Kirby

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<v Speaker 1>Warning, we're gonna be talking about Eternals today. This movie

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<v Speaker 1>just came out. Have you seen Eternals? If the answer

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<v Speaker 1>is no, stop right now, what are you doing? You

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<v Speaker 1>cannot listen to this because we're gonna spoil the entire movie,

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<v Speaker 1>the first credit scene and the second credit scene, and

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<v Speaker 1>lots of other shit I wanna do. Hello, my name

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<v Speaker 1>is Jason Concepcion. Welcome to episode eleven of X Ray Vision.

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<v Speaker 1>We're gonna count them all the way up and see

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<v Speaker 1>how far we get. This is the Crooked Podcast where

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<v Speaker 1>we dive deep into your favorite shows, movies, comics, and

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<v Speaker 1>pop culture in general. On today's Previously on we will

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<v Speaker 1>talk about the Marvel film each Journals, out now in

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<v Speaker 1>theaters near you. We'll dive into the film with the

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<v Speaker 1>help of co host Rosie Knight. I will explore the

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<v Speaker 1>worlds and work of the celebrated comics creator Jack Kirby.

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<v Speaker 1>And then we will talk to Abraham Riasman, great comics journalist,

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<v Speaker 1>and talk about Jack Kirby and a creator writes with

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<v Speaker 1>regards to the comics industry in general. But first, let's

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<v Speaker 1>recap Marvel's Eternals, which is a film.

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<v Speaker 2>We're Tournals we came here seven thousand years ago.

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<v Speaker 3>To protect humans from the Deviants.

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<v Speaker 1>Okay, So I saw the movie for a second time

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<v Speaker 1>last night, and I took notes on my phone as

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<v Speaker 1>best I could, trying to do so surreptitiously in a

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<v Speaker 1>way that would not get me kicked out of the

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<v Speaker 1>theater for, you know, being suspected of videotaping the movie.

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<v Speaker 1>So bear with me, and I hope that these are right.

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<v Speaker 1>And also, if you haven't seen the movie yet, obviously

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<v Speaker 1>probably wait on this because I'm gonna spoil a bunch

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<v Speaker 1>of stuff that happens. Okay, So we open with a

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<v Speaker 1>title card that tells us about the Eternals and tells

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<v Speaker 1>us about the Deviants, and tells us of how those

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<v Speaker 1>two creatures, two species, were created by the Celestials, the

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<v Speaker 1>giant space gods which you have learned about in movies

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<v Speaker 1>such as Guardians of the Galaxy and others. The Celestials

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<v Speaker 1>created the Deviants to hunt intelligent life, but something went wrong,

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<v Speaker 1>and so they needed to create the Eternals, who are

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<v Speaker 1>these immortal superheroes to basically kill off the Deviants. We

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<v Speaker 1>opened five thousand years ago in Mesopotamia, and there is

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<v Speaker 1>there are some villagers. They're fishing by the shore, and

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<v Speaker 1>then all of a sudden, deviant comes out of the

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<v Speaker 1>water and eats this kid's dad and he's like, son,

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<v Speaker 1>get the fuck out of here. And just as the

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<v Speaker 1>devian is about to eat the boy, the Eternal show

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<v Speaker 1>up and they just start whooping major ass. Present day,

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<v Speaker 1>we meet Circe played by Jemma Chan and Dane Whitman

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<v Speaker 1>played by Kit Harrington. Kit Harrington has to say the

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<v Speaker 1>name Circe lovingly multiple times in this movie, and it's

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<v Speaker 1>pretty funny, but maybe not consciously funny. Maybe they didn't

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<v Speaker 1>know that it was actually funny. Anyway. They're teachers, they're dating.

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<v Speaker 1>Circe teaches some kind of art class, and there's like

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<v Speaker 1>this major earthquake across the globe, across the globe, like

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<v Speaker 1>a five point something or to six I would estimate

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<v Speaker 1>from just like seeing it, And we see that Circe

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<v Speaker 1>has the power to change matter into other matters. She

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<v Speaker 1>turns like a large piece of art stone art into

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<v Speaker 1>just sand and saves a child's life. Later on, while

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<v Speaker 1>Circe and Dane Whitman are just kind of like walking

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<v Speaker 1>around enjoying the town, a deviant shows up and comes

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<v Speaker 1>out of the would I would guess is the River Thames,

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<v Speaker 1>but I'm not sure and attacks. We meet another eternal

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<v Speaker 1>named Sprite, who who is played by Leah mq. Sprite

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<v Speaker 1>can apparently create illusions and with the help of Icarus

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<v Speaker 1>played by Richard Madden. Yes, that's right. This movie has

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<v Speaker 1>both two heirs to the Stark throne and both of

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<v Speaker 1>them have to say circe numerous times. Icarus shows up

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<v Speaker 1>and he is very powerful, basically like an eternal superman,

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<v Speaker 1>and with his help they fight off the deviant. They

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<v Speaker 1>then decide, gosh, something is going on here. What with

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<v Speaker 1>the earthquake that shook the entire globe. That's a clue.

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<v Speaker 1>Plus the deviants. We thought we had taken care of that,

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<v Speaker 1>but guess what, they're back. We need to contact the

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<v Speaker 1>other eternals because apparently, after thousands of years of fighting deviants,

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<v Speaker 1>once that was accomplished, all these turnals had gone their

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<v Speaker 1>separate ways separate ways, so they go to find Ajak,

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<v Speaker 1>who is their leader played by us the wonderful Somahayak.

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<v Speaker 1>They arrive at Ajax like Dorothy farmhouse in the middle

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<v Speaker 1>of nowhere, and the unfortunately Ajack has been killed. They think, right,

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<v Speaker 1>it's gotta be because the Devians are back.

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<v Speaker 3>The Devians killed Ajak.

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<v Speaker 1>That's what everybody thinks, and everybody's very sad about it.

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<v Speaker 1>They go around and find other eternals. Where are the

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<v Speaker 1>rest of the eternals? We meet Kingo played by Kumille Nanjohnny,

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<v Speaker 1>the Eternal King Goo. He can shoot beams of energy

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<v Speaker 1>from his fingers and hands, and he is a Bollywood actor,

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<v Speaker 1>and he has been undercover as a Bollywood actor, playing

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<v Speaker 1>basically like four generations of a Bollywood actor, pretending to

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<v Speaker 1>be his own great grandfather, grandfather father. Let's go to

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<v Speaker 1>you know, somewhere in the outback and there they find

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<v Speaker 1>Theena and Gilgamesh played by Angelina Julie and Don Lee respectively.

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<v Speaker 1>They are in some kind of relationship that's a little

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<v Speaker 1>hard to discern, clearly a warm and loving one, a

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<v Speaker 1>romantic relationship, a very close platonic relationship, unclear, whatever the case.

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<v Speaker 1>Theena is experiencing some kind of like memory problems and

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<v Speaker 1>she will go in and out of funks.

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<v Speaker 3>And then we meet.

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<v Speaker 1>Druid played by Barry Kyogan.

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<v Speaker 3>He is like a professor X.

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<v Speaker 1>He can take over people's minds, implant implant thoughts, make

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<v Speaker 1>people do as he wishes. He's living in the rainforest

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<v Speaker 1>in you know what I would describe as the kind

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<v Speaker 1>of place that like Nazis probably went to go hide

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<v Speaker 1>after World War Two, and Druig is running this utopian

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<v Speaker 1>kind of like farm in the middle of the rainforest.

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<v Speaker 1>And it's a little troubling the way Druig is just

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<v Speaker 1>extremely comfortable with taking over people's minds. Later we find

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<v Speaker 1>Fastos played by Brian Tyree Henry, and he's wonderful and

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<v Speaker 1>his husband. They live with their child somewhere in the US,

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<v Speaker 1>I think outside of Chicago, and Fastos has the power

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<v Speaker 1>to create technology, but he doesn't want to do anything anymore.

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<v Speaker 1>He doesn't want to help anymore because he's got his

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<v Speaker 1>kid and he's got his husband and they're very much

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<v Speaker 1>in love and they don't want to do shit anymore.

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<v Speaker 1>Also spoiler, Fastos also was instrumental apparently in creating the

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<v Speaker 1>atomic bomb that was then detonated over Hiroshima and Nick Nagasaki.

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<v Speaker 3>And so he's just kind of like.

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<v Speaker 1>You know what, I don't want to do technology stuff anymore.

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<v Speaker 1>They go back to the Eternals, go back to their ship,

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<v Speaker 1>and there they find the speedster McCary played by Lauren Ridloff,

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<v Speaker 1>who is our first deaf superhero in the MCU. So

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<v Speaker 1>maccary's just been living on the ship all these years

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<v Speaker 1>and like stealing art and stuff because she can run

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<v Speaker 1>extremely fast.

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<v Speaker 3>She's just been chilling out, I should add.

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<v Speaker 1>In a scene that has haunted me ever since I

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<v Speaker 1>saw this movie earlier, in Bagdad, like around I want

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<v Speaker 1>to say, like five hundred BC, McCary again, who is deaf,

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<v Speaker 1>is communicating using sign language, and she makes the sign

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<v Speaker 1>for time, which is which she signs by tapping her

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<v Speaker 1>wrist like a wristwatch. Wristwatches would not be invented for

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<v Speaker 1>another two thousand years or something that has haunted me.

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<v Speaker 1>Around about the time that McCary makes the extremely anachronistic

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<v Speaker 1>sign for time, we get the very very first sex

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<v Speaker 1>scene on camera in an MCU movie. Of course, we

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<v Speaker 1>understand that Steve Rogers and Natalia Romanov fucked many, many

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<v Speaker 1>many times off off screen, at least in my head canon.

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<v Speaker 1>In Captain American Winter Soldier, the vibes are very clear

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<v Speaker 1>they fucked a lot. But in Baghdad around five hundred BC,

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<v Speaker 1>the first on camera sex scene happens in which Icarus

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<v Speaker 1>and Circe just pounded out on the sands in Mesopotamia

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<v Speaker 1>blows that back out. Circe played by Gemma Chan not

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<v Speaker 1>feeling at all. No orgasm has been had, so we're

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<v Speaker 1>still waiting for that pivotal moment in MCU history.

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<v Speaker 3>Just sex, very very tame.

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<v Speaker 1>Later, Circe learns that the celestials have been keeping a

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<v Speaker 1>secret from them over They've been over the years communicating

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<v Speaker 1>with a celestial who's been giving them their missions.

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<v Speaker 3>It hasn't happened for some time.

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<v Speaker 1>Ajac usually was the one who would take care of that,

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<v Speaker 1>but now Circe is able to do it, and she

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<v Speaker 1>learns that actually Earth, planet Earth, is like an egg

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<v Speaker 1>for a baby celestial, and that intelligent life feeds the

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<v Speaker 1>celestial in the egg and allows it to grow, and

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<v Speaker 1>then eventually the celestial hatches from the egg being planet Earth,

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<v Speaker 1>killing everything on the planet, and then the celestial goes

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<v Speaker 1>off and lives its life. Circe is like, we can't

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<v Speaker 1>let this happen because for various reasons, namely that it

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<v Speaker 1>would kill the billions of people that live on this planet,

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<v Speaker 1>and we should probably not do that. So they go

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<v Speaker 1>off and they try to figure out a way to

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<v Speaker 1>stop it, but they find out that Icarus actually wants

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<v Speaker 1>it to happen.

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<v Speaker 3>In fact, he was the.

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<v Speaker 1>One that killed the Ajac, and now they have to

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<v Speaker 1>fight him while also fighting the deviants who are evolving

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<v Speaker 1>into higher forms of deviants, while also stopping the celestial

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<v Speaker 1>from hatching out of the earth egg. They do manage

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<v Speaker 1>to stop this by joining together in something called a unimnd,

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<v Speaker 1>which Fastos figures out that they can do if they

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<v Speaker 1>all kind of like bond together with their energies, they

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<v Speaker 1>can create this uni mind that does something and then circe.

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<v Speaker 1>Because of earlier fight with the deviants over in Druig's village,

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<v Speaker 1>she had managed to turn a deviant like into a tree.

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<v Speaker 1>She's not sure how, but she thinks, maybe if I

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<v Speaker 1>do something similar with the celestial, I can stop the

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<v Speaker 1>celestial hatching by like touching it and turning it into something.

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<v Speaker 3>She does this, and she turns it into like.

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<v Speaker 1>A huge rock, like a big there's just like a

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<v Speaker 1>celestial popping part way out of the ocean. Now, readers

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<v Speaker 1>of Marvel comics will probably think of the Avengers headquarters

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<v Speaker 1>the most recent Avengers headquarters, which is the kind of

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<v Speaker 1>like corpse of a celestial that is half frozen. Icarus,

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<v Speaker 1>in what can only be described as the most on

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<v Speaker 1>the nose scene in movie history, flies into the sun

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<v Speaker 1>because he has failed to stop the his colleagues, his friends,

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<v Speaker 1>the Eternals, from stopping from stopping the celestial from hatching.

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<v Speaker 1>Disgusted with all of this, he goes and flies.

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<v Speaker 3>Into the sun.

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<v Speaker 1>His name is Icarus, and he goes into the sun.

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<v Speaker 1>Circe is able to make Sprite, who is in the

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<v Speaker 1>form of a child, into a regular person that will

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<v Speaker 1>now age and is no longer immortal like the rest

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<v Speaker 1>of the Eternals, and then we get our credit scenes.

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<v Speaker 1>Credit scene number one, Dane Whitman is hearing a voice.

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<v Speaker 1>He goes to a very very old looking case which

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<v Speaker 1>has very like old inscriptions on it, and he opens

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<v Speaker 1>it and he pulls out a sword which is the

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<v Speaker 1>Emony Blade, which was introduced earlier in the film when

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<v Speaker 1>we meet McCary on the Eternal Ship and being bamboom,

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<v Speaker 1>we realize this is Dane Whitman, the Black Knight from

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<v Speaker 1>Marvel Comics, a member of the Avengers and other teams,

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<v Speaker 1>just as he is gazing upon this sword. We hear

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<v Speaker 1>the voice of maherschel Ali, who plays Blade. We're back

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<v Speaker 1>on the eternal ship. There is a flash of light.

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<v Speaker 1>Some figures have teleported onto the ship. It is Pit

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<v Speaker 1>Patrol voiced by the very funny Patton Oswald and Eros

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<v Speaker 1>aka Starfox, the brother of Thanos from Titan played by

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<v Speaker 1>Harry Styles.

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<v Speaker 3>And that was a thing that happened.

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<v Speaker 1>By the way, this kind of, I guess confirms that

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<v Speaker 1>Thanos is an eternal. In the comics, Thanos is like

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<v Speaker 1>an eternal with like deviant mutations. Eros slash star Fox

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<v Speaker 1>also is an eternal, and I guess this kind of

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<v Speaker 1>proves that Thanos is a eternal Slash TV And that's

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<v Speaker 1>our movie, folks. Currently Rotten Tomatoes score forty nine percent

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<v Speaker 1>critics score and seeming to be trending down. The audience

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<v Speaker 1>score is just in as that the movie has just

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<v Speaker 1>opened eighty six percent initial audience score. This is the

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<v Speaker 1>at this point lowest rated Marvel movie on Rotten Tomatoes.

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<v Speaker 1>Let's get a overview of some representative reviews Mick Leasal

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<v Speaker 1>and the SF Chronicle. It takes a special kind of

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<v Speaker 1>movie anti magic to make an entire audience in different

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<v Speaker 1>to the potential destruction of Earth and every living thing

0:16:32.920 --> 0:16:36.600
<v Speaker 1>on it, Eternal manages it, Dana Stevens and Slat Eternals

0:16:36.760 --> 0:16:41.200
<v Speaker 1>is as sociologically inconclusive and as picturely beautiful as any

0:16:41.200 --> 0:16:44.200
<v Speaker 1>movie in the franchise. Was Seen after Seen, bathed in

0:16:44.240 --> 0:16:48.000
<v Speaker 1>the warm light of Jao's favorite time of day, the

0:16:48.040 --> 0:16:50.240
<v Speaker 1>pre dust Golden Hour. But it is also one of

0:16:50.240 --> 0:16:55.000
<v Speaker 1>the weakest Marvel movies I've seen meandering and Wan shots.

0:16:55.080 --> 0:16:59.840
<v Speaker 1>Using Wan in a review, I would add that Icarus

0:17:00.080 --> 0:17:04.560
<v Speaker 1>and Icarus and Circe's love scene also takes place in

0:17:04.600 --> 0:17:07.680
<v Speaker 1>that pre dust Golden Hour. Shirley Lee in the Atlantic

0:17:08.080 --> 0:17:11.760
<v Speaker 1>in shot after shot show Mind's a quiet and poignant

0:17:11.840 --> 0:17:15.480
<v Speaker 1>humanity from her characters.

0:17:16.600 --> 0:17:17.360
<v Speaker 3>I think this is.

0:17:19.000 --> 0:17:23.639
<v Speaker 1>A bottom tier Marvel movie, not a bad movie at

0:17:23.680 --> 0:17:26.960
<v Speaker 1>like graded, not on the scale of Marvel movies. It's

0:17:27.000 --> 0:17:31.720
<v Speaker 1>just like a normal boring movie with some cinematography. Is beautiful,

0:17:31.920 --> 0:17:35.439
<v Speaker 1>the fights are pretty good, and Kumail Nan Johnny is

0:17:36.840 --> 0:17:39.720
<v Speaker 1>hilarious and really the best part of the movie for me.

0:17:39.760 --> 0:17:40.240
<v Speaker 3>As Kingo.

0:17:41.920 --> 0:17:46.439
<v Speaker 1>The movie depends a lot on emotional space and emotional plot.

0:17:48.000 --> 0:17:51.840
<v Speaker 1>Some really interesting decisions made here to like finally have

0:17:52.680 --> 0:17:59.200
<v Speaker 1>true romance and you know, physical longing. We get love triangles,

0:17:59.280 --> 0:18:06.159
<v Speaker 1>we get jealous see. But unfortunately with that is a

0:18:06.320 --> 0:18:08.120
<v Speaker 1>really strangely.

0:18:07.680 --> 0:18:09.000
<v Speaker 3>Like cold depiction.

0:18:09.800 --> 0:18:11.760
<v Speaker 1>Jemmy shann and Richard Madden just kind of like have

0:18:11.880 --> 0:18:16.800
<v Speaker 1>no chemistry and they are former lovers. It's it's better

0:18:17.000 --> 0:18:20.560
<v Speaker 1>with with Kit Harrington's Dane Whitman, but he's like barely

0:18:20.600 --> 0:18:25.680
<v Speaker 1>in the movie Sprite and Icarus, kind of Sprite has

0:18:25.720 --> 0:18:27.760
<v Speaker 1>a crush on Icarus, I guess you could say.

0:18:29.560 --> 0:18:31.879
<v Speaker 3>And that is probably.

0:18:31.400 --> 0:18:35.720
<v Speaker 1>The most like true like emotion and longing that is

0:18:35.760 --> 0:18:38.199
<v Speaker 1>conveyed on the screen in a real way. Unfortunately, like

0:18:39.160 --> 0:18:42.720
<v Speaker 1>Sprite is like a child character, which is super weird

0:18:42.760 --> 0:18:45.040
<v Speaker 1>although like obviously thousands of years old, but in the

0:18:45.040 --> 0:18:49.359
<v Speaker 1>physical form of a child, and it could have just

0:18:49.480 --> 0:18:50.160
<v Speaker 1>used more plot.

0:18:50.680 --> 0:18:51.240
<v Speaker 3>It's fine.

0:18:51.720 --> 0:18:54.360
<v Speaker 1>Too many characters is part of the problem too, I think.

0:18:54.400 --> 0:18:57.399
<v Speaker 1>Really for me, the sad part of this movie is

0:18:57.480 --> 0:19:02.719
<v Speaker 1>you get the first real on screen representation of a

0:19:02.760 --> 0:19:07.359
<v Speaker 1>gay character in Fastos who's married with a wonderful child.

0:19:07.760 --> 0:19:14.760
<v Speaker 1>You get the first representation of a hearing disabled character,

0:19:14.920 --> 0:19:18.919
<v Speaker 1>of a deaf character in Macary, And really part of

0:19:18.960 --> 0:19:22.359
<v Speaker 1>the problem is you just have too many of these characters,

0:19:22.400 --> 0:19:27.160
<v Speaker 1>like really interesting moments like with Druig in the rainforest

0:19:27.840 --> 0:19:31.639
<v Speaker 1>and King Goo living his life as like a celebrity,

0:19:32.880 --> 0:19:35.960
<v Speaker 1>but in the end the movie can't focus on any

0:19:36.000 --> 0:19:40.320
<v Speaker 1>of them. And the reason why I think I would

0:19:40.520 --> 0:19:44.240
<v Speaker 1>probably put this below say thor The Dark World or

0:19:44.240 --> 0:19:48.360
<v Speaker 1>even Iron Man two is those movies like understood who

0:19:48.400 --> 0:19:52.680
<v Speaker 1>the hero of the movie was. It's unclear, like who

0:19:53.960 --> 0:19:57.920
<v Speaker 1>the central character of this movie is. Theoretically it is Circe,

0:19:58.720 --> 0:20:04.240
<v Speaker 1>but she's like super weirdly inactive throughout the film, doesn't

0:20:04.280 --> 0:20:08.680
<v Speaker 1>know how she turns the Deviant into a tree, never

0:20:08.760 --> 0:20:11.520
<v Speaker 1>really figures it out, at least in a way that

0:20:11.720 --> 0:20:15.399
<v Speaker 1>is conveyed to the audience, and then when she beats

0:20:15.400 --> 0:20:19.600
<v Speaker 1>the Celestial is similarly as like doesn't really know what

0:20:19.640 --> 0:20:22.720
<v Speaker 1>she did and spends the whole movie basically having like

0:20:22.800 --> 0:20:26.080
<v Speaker 1>imposter syndrome and not knowing why she was picked to

0:20:26.200 --> 0:20:31.640
<v Speaker 1>lead the team by Ajax. So disappointing in that regard.

0:20:32.160 --> 0:20:35.520
<v Speaker 1>Post credit scenes were fun. I could have used more

0:20:35.560 --> 0:20:38.360
<v Speaker 1>Dane Whitman, and I think we'll see it and I'm

0:20:38.400 --> 0:20:43.400
<v Speaker 1>interested to see where this goes. That said, the strength

0:20:43.440 --> 0:20:46.480
<v Speaker 1>of the MCU like as a structure, is that you

0:20:46.560 --> 0:20:50.520
<v Speaker 1>can brick Thor the first Thor movie not great really,

0:20:51.359 --> 0:20:55.520
<v Speaker 1>but and then Thor The Dark World, arguably up until now,

0:20:55.600 --> 0:20:58.080
<v Speaker 1>the worst movie in the entire MCU, and then all

0:20:58.119 --> 0:21:00.600
<v Speaker 1>of a sudden you get the third movie Thor Ragnarok,

0:21:00.680 --> 0:21:03.879
<v Speaker 1>which is for my money, a top three Marvel movie,

0:21:04.000 --> 0:21:07.760
<v Speaker 1>maybe the best, depending on what mood I'm in. So

0:21:09.320 --> 0:21:13.600
<v Speaker 1>is this like devastating? Is this the end of the

0:21:13.720 --> 0:21:17.280
<v Speaker 1>m c U. No, they'll bounce back from this, but

0:21:17.359 --> 0:21:35.959
<v Speaker 1>it's still disappointing. Onto the airlock, the Turtles assemble, bomb

0:21:36.320 --> 0:21:44.119
<v Speaker 1>bomb bom bom. On my left, who is that?

0:21:44.400 --> 0:21:48.320
<v Speaker 3>It's Rosy Night, the number one in Turtles.

0:21:47.880 --> 0:21:55.040
<v Speaker 4>Lover the.

0:22:00.280 --> 0:22:04.840
<v Speaker 1>Dun Dun Dun Dun Dun Rosie uh Eternals is out.

0:22:05.119 --> 0:22:05.520
<v Speaker 5>It's out.

0:22:05.680 --> 0:22:10.320
<v Speaker 1>We've seen it several times. It is getting panned. Let's

0:22:10.400 --> 0:22:15.600
<v Speaker 1>just be honest about it's hit thee ever worst reviewed

0:22:15.760 --> 0:22:20.639
<v Speaker 1>mc movie MCU movie ever, I would have truthfully, I

0:22:20.640 --> 0:22:23.840
<v Speaker 1>would have it near the bottom of my list of

0:22:24.320 --> 0:22:26.359
<v Speaker 1>MCU movies. If not at the bottom, I would need

0:22:26.359 --> 0:22:27.040
<v Speaker 1>to process it.

0:22:27.000 --> 0:22:27.720
<v Speaker 3>A little more.

0:22:28.920 --> 0:22:31.520
<v Speaker 1>Not a terrible movie by any means, because I would

0:22:31.600 --> 0:22:34.199
<v Speaker 1>argue MCU the mc has really not made any like

0:22:34.320 --> 0:22:35.800
<v Speaker 1>truly awful movies.

0:22:36.520 --> 0:22:39.280
<v Speaker 6>But you love this movie, yeah that so.

0:22:39.200 --> 0:22:45.480
<v Speaker 1>Bring bring me like Druig, like take with your powers.

0:22:45.920 --> 0:22:47.600
<v Speaker 5>Okay, so then make.

0:22:48.000 --> 0:22:51.960
<v Speaker 1>Me and everyone else love it. Tell us why this.

0:22:51.800 --> 0:22:55.320
<v Speaker 6>Is a movie that truly understands the weirdness of Jack Kirby.

0:22:55.359 --> 0:22:56.280
<v Speaker 3>This is it is.

0:22:56.400 --> 0:23:02.359
<v Speaker 6>Ruling strange, experimental, ambitious movie that mixes the humanity of

0:23:02.440 --> 0:23:06.520
<v Speaker 6>Jack Kirby with the absolute sci fi wildness that he's

0:23:06.560 --> 0:23:09.160
<v Speaker 6>known for. To me, it has a character in Fastos

0:23:09.200 --> 0:23:11.359
<v Speaker 6>who I think is like a love letter to Jack Kirby,

0:23:11.400 --> 0:23:14.240
<v Speaker 6>an inventor who's all about the machinery and the mechanics,

0:23:14.240 --> 0:23:17.320
<v Speaker 6>which is so much about what we love about Jack Kirby.

0:23:17.600 --> 0:23:20.080
<v Speaker 6>I love Chloe Jaw the writer is such an incredible

0:23:20.080 --> 0:23:22.960
<v Speaker 6>film and this brings Obviously, it is not Chloe Jao

0:23:23.000 --> 0:23:26.040
<v Speaker 6>getting to make her own incredible art house vision because

0:23:26.080 --> 0:23:29.600
<v Speaker 6>it's an MCU movie, but there is so much humanity.

0:23:29.680 --> 0:23:31.360
<v Speaker 6>I feel like one of the biggest things that work

0:23:31.440 --> 0:23:34.240
<v Speaker 6>for me about this movie is every there's ten Eternals

0:23:34.240 --> 0:23:37.760
<v Speaker 6>and eleven new characters if you count Dane, and every

0:23:37.800 --> 0:23:41.280
<v Speaker 6>single one has a nuanced, interesting relationship with the others

0:23:41.440 --> 0:23:43.199
<v Speaker 6>which I've never felt in The Avengers.

0:23:43.480 --> 0:23:45.000
<v Speaker 5>There's no like Cirsa again.

0:23:44.880 --> 0:23:46.320
<v Speaker 3>Yeah, there's no you know.

0:23:46.480 --> 0:23:49.600
<v Speaker 1>This is here is there are a lot of really

0:23:49.640 --> 0:23:55.280
<v Speaker 1>really interesting and good choices that and I would argue that,

0:23:55.640 --> 0:23:58.199
<v Speaker 1>you know, all together it didn't make okay heese so.

0:23:58.240 --> 0:23:59.000
<v Speaker 3>Whole that said.

0:23:59.160 --> 0:24:01.560
<v Speaker 1>Yeah, the kind of like a emotional spaces that this

0:24:01.600 --> 0:24:04.520
<v Speaker 1>movie went to, I think are super interesting. The fact

0:24:04.560 --> 0:24:08.000
<v Speaker 1>that we get love triangles, that we get romantic relationships,

0:24:08.040 --> 0:24:11.520
<v Speaker 1>we get breakups within a team is a thing that

0:24:11.560 --> 0:24:16.520
<v Speaker 1>we haven't really seen before. Yes, like Vision and Scarlet,

0:24:16.520 --> 0:24:17.520
<v Speaker 1>which that's.

0:24:17.359 --> 0:24:20.240
<v Speaker 6>The closest I think if you get, if you like

0:24:20.400 --> 0:24:25.040
<v Speaker 6>that aspect of wonder Vision, the grief, the forever romance

0:24:25.080 --> 0:24:27.800
<v Speaker 6>that kind of can go from zombies in what If

0:24:27.920 --> 0:24:30.159
<v Speaker 6>to kind of the past and the future in one

0:24:30.200 --> 0:24:32.720
<v Speaker 6>division that aspect of this. This is definitely the most

0:24:32.840 --> 0:24:35.639
<v Speaker 6>romantic MCU movie. And as someone who grew up as

0:24:35.640 --> 0:24:38.200
<v Speaker 6>in avowed romance hater but has as an adult realized

0:24:38.240 --> 0:24:40.040
<v Speaker 6>I actually love romance, that.

0:24:39.920 --> 0:24:40.600
<v Speaker 5>Was a big thing for me.

0:24:40.640 --> 0:24:42.199
<v Speaker 6>I wrote a piece that was like ranking all the

0:24:42.240 --> 0:24:45.480
<v Speaker 6>ships in Eternal because every Eternal ship is good, Like

0:24:45.520 --> 0:24:49.359
<v Speaker 6>there are some I'm a Dane Whitman, Circe OTP Like

0:24:49.480 --> 0:24:52.720
<v Speaker 6>I love that Avengers run where Black Knight and Circe

0:24:52.840 --> 0:24:55.160
<v Speaker 6>are together and they're in the Avengers, the Jacket Avengers

0:24:55.160 --> 0:24:56.240
<v Speaker 6>as we as we like to call.

0:24:56.119 --> 0:25:00.480
<v Speaker 1>Me, the Monica Ramboau Avengers. That was my introduction to

0:25:00.480 --> 0:25:03.840
<v Speaker 1>the event. That was my era of the event. Roger Stern, Roger.

0:25:03.680 --> 0:25:06.280
<v Speaker 5>Sterne, Monica rambo Is Sellous era.

0:25:06.760 --> 0:25:07.000
<v Speaker 1>Yeah.

0:25:07.200 --> 0:25:10.440
<v Speaker 6>Actually, just on a tangential MC, you think Nia DaCosta

0:25:10.480 --> 0:25:12.320
<v Speaker 6>has been talking a lot about how that is like

0:25:12.359 --> 0:25:14.760
<v Speaker 6>an era she's really been looking at for Marvels, So

0:25:14.800 --> 0:25:15.959
<v Speaker 6>I'm very excited about that.

0:25:16.160 --> 0:25:16.919
<v Speaker 1>But yeah, I think.

0:25:16.760 --> 0:25:18.560
<v Speaker 5>Eternals is worth it. I think it's weird.

0:25:19.080 --> 0:25:21.480
<v Speaker 6>The thing is, I don't the one thing, the one

0:25:21.520 --> 0:25:23.840
<v Speaker 6>criticism I don't agree with this. I don't agree that

0:25:23.880 --> 0:25:27.240
<v Speaker 6>it's a badly made film. I think that the pacing,

0:25:27.359 --> 0:25:29.760
<v Speaker 6>the way that it works, it works for me. I

0:25:29.840 --> 0:25:32.680
<v Speaker 6>objectively disagree with the idea that Chloe made a bad film,

0:25:32.920 --> 0:25:37.040
<v Speaker 6>But I do understand the critiques that people have about

0:25:37.040 --> 0:25:39.360
<v Speaker 6>it being kind of too weird for them, or too

0:25:39.400 --> 0:25:42.160
<v Speaker 6>dense or too esoteric, and in that way, I just think,

0:25:42.359 --> 0:25:44.439
<v Speaker 6>you know, there's movies for everyone in the MCU, and

0:25:44.480 --> 0:25:46.920
<v Speaker 6>this for me is definitely a my rotating top five.

0:25:47.000 --> 0:25:49.159
<v Speaker 6>I don't know where it is, but I think this

0:25:49.280 --> 0:25:51.960
<v Speaker 6>is for me. This is the kind of after twenty

0:25:52.000 --> 0:25:54.840
<v Speaker 6>six movies, I want to see someone doing something really

0:25:54.880 --> 0:25:58.399
<v Speaker 6>weird and shooting for something different, whether it's tone, also like,

0:25:58.720 --> 0:26:01.119
<v Speaker 6>there are things in here. This is the big thing

0:26:01.160 --> 0:26:02.639
<v Speaker 6>I think if I was trying to sell someone to

0:26:02.680 --> 0:26:04.240
<v Speaker 6>go and see it, because this is what maps to

0:26:04.320 --> 0:26:07.280
<v Speaker 6>tell me, you know, Jason, because you're going to see

0:26:07.280 --> 0:26:09.800
<v Speaker 6>this movie anyway, if you like the MCU and you

0:26:09.840 --> 0:26:11.399
<v Speaker 6>want to know what's going to happen next, and you

0:26:11.440 --> 0:26:13.640
<v Speaker 6>want to learn about all the cool weird stuff that's

0:26:13.640 --> 0:26:16.280
<v Speaker 6>probably going to impact us in Multiverse of Madness. How

0:26:16.400 --> 0:26:19.040
<v Speaker 6>mutants are going to be involved, Yes, how you know

0:26:19.200 --> 0:26:21.560
<v Speaker 6>Thanos might come back. This is the movie to see

0:26:21.560 --> 0:26:24.639
<v Speaker 6>because it sees so much cool, weird comic book stuff,

0:26:24.680 --> 0:26:27.720
<v Speaker 6>and it takes very heavily from the comics, maybe more

0:26:27.720 --> 0:26:29.520
<v Speaker 6>heavily than any other MCU movie.

0:26:29.640 --> 0:26:32.040
<v Speaker 5>Not that anyone has read the Eternal's comics.

0:26:31.640 --> 0:26:34.159
<v Speaker 1>So barely anyone will know. But if you do like it,

0:26:34.200 --> 0:26:36.520
<v Speaker 1>a lot of Volume one and Volume two Eternals.

0:26:36.600 --> 0:26:39.199
<v Speaker 6>Yeah, and also as well like if you you know

0:26:39.240 --> 0:26:41.480
<v Speaker 6>there was there's only been like four Well there's a

0:26:41.520 --> 0:26:43.440
<v Speaker 6>fifth volume of Eternals now, but there's only four volumes

0:26:43.440 --> 0:26:43.880
<v Speaker 6>of Eternals.

0:26:43.880 --> 0:26:45.600
<v Speaker 5>So something else that's cool about this is.

0:26:45.880 --> 0:26:48.600
<v Speaker 6>If you do like it, you can easily pick up

0:26:48.640 --> 0:26:52.040
<v Speaker 6>some eternals and be like, oh, this is where, this

0:26:52.119 --> 0:26:53.720
<v Speaker 6>is where this comes from, or this is where the

0:26:53.760 --> 0:26:56.760
<v Speaker 6>emerging celestial, the dreaming celestial, this is you know, all.

0:26:56.640 --> 0:26:57.480
<v Speaker 5>This kind of weird stuff.

0:26:57.720 --> 0:26:59.879
<v Speaker 6>Yeah, and the cast as well, I think is just

0:27:00.240 --> 0:27:03.000
<v Speaker 6>really good, Like they blew me up Barry Kona, who

0:27:03.080 --> 0:27:05.679
<v Speaker 6>I love anyway. Actually, this is something I wanted to

0:27:05.680 --> 0:27:07.480
<v Speaker 6>say to you because I was thinking about the biggest

0:27:07.480 --> 0:27:09.600
<v Speaker 6>takeaway I had from this movie, aside from loving it,

0:27:09.720 --> 0:27:12.760
<v Speaker 6>was they never should have recast Barry Kon in Why

0:27:12.800 --> 0:27:16.040
<v Speaker 6>the Last Man. He would have been so perfect because

0:27:16.200 --> 0:27:19.600
<v Speaker 6>Druig is like that perfect mix of like is he terrible?

0:27:19.760 --> 0:27:22.520
<v Speaker 5>Is he good? But I care about him? And then

0:27:22.560 --> 0:27:24.320
<v Speaker 5>you get to go on that journey, which is what

0:27:24.480 --> 0:27:25.200
<v Speaker 5>he should have been with you.

0:27:27.600 --> 0:27:31.479
<v Speaker 1>But you know, on the topic of interesting choices and

0:27:31.880 --> 0:27:34.959
<v Speaker 1>interesting kind of like spaces and energies to explore Druig.

0:27:35.880 --> 0:27:41.080
<v Speaker 1>You know, his power is essentially you know he can.

0:27:41.200 --> 0:27:44.240
<v Speaker 1>He's a mentalist. He can project his will into other people.

0:27:44.240 --> 0:27:46.960
<v Speaker 1>He can make them do what he wants, essentially like

0:27:46.960 --> 0:27:48.320
<v Speaker 1>a Charles Xavier gen grep.

0:27:49.520 --> 0:27:53.520
<v Speaker 3>And it is unclear.

0:27:54.520 --> 0:27:57.520
<v Speaker 1>First of all, he has a code which makes him

0:27:57.560 --> 0:28:02.120
<v Speaker 1>something of a great card. He carres deeply about about

0:28:02.280 --> 0:28:06.879
<v Speaker 1>violence and about suffering, and unfortunately his answers to those

0:28:07.000 --> 0:28:10.640
<v Speaker 1>problems is I will just control people's minds and make

0:28:10.720 --> 0:28:11.960
<v Speaker 1>them not do that.

0:28:11.960 --> 0:28:14.520
<v Speaker 5>Which is actually quite a Charles Xavier move. Actually, if

0:28:14.560 --> 0:28:18.560
<v Speaker 5>you think Charles treats it, but that those that's I

0:28:18.560 --> 0:28:20.520
<v Speaker 5>think something. But it's interesting.

0:28:20.760 --> 0:28:24.120
<v Speaker 1>I wanted to just I found myself, you know, when

0:28:24.119 --> 0:28:26.199
<v Speaker 1>we first go to the jungle and meet him, and

0:28:27.119 --> 0:28:29.600
<v Speaker 1>I find I found myself just wanting to know more

0:28:29.600 --> 0:28:31.720
<v Speaker 1>about what he's been up to. That was a very

0:28:31.720 --> 0:28:34.280
<v Speaker 1>interesting thing. That was a very interesting moment of the film.

0:28:34.359 --> 0:28:37.120
<v Speaker 6>Yeah. I think that's another thing I can understand where

0:28:37.119 --> 0:28:39.600
<v Speaker 6>people might not have been digging it so much. Is

0:28:39.760 --> 0:28:42.560
<v Speaker 6>there's so many characters that there's probably a couple that

0:28:42.600 --> 0:28:44.920
<v Speaker 6>you really want to know more about. And this movie

0:28:44.960 --> 0:28:47.600
<v Speaker 6>is very much like I feel like it's peppering them

0:28:47.600 --> 0:28:49.240
<v Speaker 6>in and they will be in the like at the

0:28:49.320 --> 0:28:51.400
<v Speaker 6>end of the movie, it says you know Eternals will return.

0:28:51.720 --> 0:28:55.040
<v Speaker 6>That doesn't to me signal and Eternals too, that signals

0:28:55.040 --> 0:28:57.960
<v Speaker 6>that you will see these characters in the wider MCU

0:28:58.040 --> 0:29:01.040
<v Speaker 6>playing a part in whatever comes next, which is kind

0:29:01.040 --> 0:29:02.680
<v Speaker 6>of teased in the post credit scenes.

0:29:03.600 --> 0:29:06.480
<v Speaker 1>Let me so, I gave some of my larger critiques

0:29:06.520 --> 0:29:08.200
<v Speaker 1>in the previous segment.

0:29:07.920 --> 0:29:08.760
<v Speaker 3>But I'll give you.

0:29:10.280 --> 0:29:12.160
<v Speaker 1>One of my small.

0:29:12.200 --> 0:29:14.320
<v Speaker 3>Critiques that I think is.

0:29:16.040 --> 0:29:18.440
<v Speaker 1>I think it's a thing that Marvel has done well

0:29:18.480 --> 0:29:21.400
<v Speaker 1>in the past, and that is like quietly very important.

0:29:21.480 --> 0:29:24.320
<v Speaker 1>That is, especially when introducing new characters. And you saw

0:29:24.360 --> 0:29:28.920
<v Speaker 1>this in Marvel's The Avengers. Any team up movie where

0:29:28.960 --> 0:29:31.720
<v Speaker 1>all of a sudden you're seeing characters together in combinations

0:29:31.760 --> 0:29:35.520
<v Speaker 1>that maybe you haven't seen before. In the past, Marvel

0:29:35.560 --> 0:29:43.320
<v Speaker 1>has been really good at using fights two show how

0:29:43.360 --> 0:29:47.640
<v Speaker 1>powers worked and how powerful the characters are in relations

0:29:47.760 --> 0:29:53.560
<v Speaker 1>to each other. And I would argue that they didn't

0:29:53.560 --> 0:29:56.480
<v Speaker 1>do a great job of that this time. And because

0:29:56.520 --> 0:29:59.560
<v Speaker 1>of that, I have no idea how tough it was

0:29:59.800 --> 0:30:02.320
<v Speaker 1>or wasn't to beat Icarist at the end, Like how

0:30:02.360 --> 0:30:06.400
<v Speaker 1>tough really was he? He seemed like he is, you know,

0:30:06.440 --> 0:30:08.840
<v Speaker 1>in terms of strength it's like maybe on par with Gilgamesh,

0:30:08.880 --> 0:30:11.720
<v Speaker 1>maybe Gilgamesh could have taken him, could thena have taken

0:30:11.800 --> 0:30:17.920
<v Speaker 1>him like one on one, And that for me was

0:30:17.920 --> 0:30:23.280
<v Speaker 1>was a quiet detail that is often overlooked in earlier

0:30:23.280 --> 0:30:25.360
<v Speaker 1>Marvel films. That is kind of like part of the

0:30:25.400 --> 0:30:28.400
<v Speaker 1>secret sauce about like why it's so good all of

0:30:28.440 --> 0:30:33.000
<v Speaker 1>their fights are beyond just being like spectacle and cool

0:30:33.120 --> 0:30:39.520
<v Speaker 1>displays of choreography and fantastic destruction of entire building, But

0:30:39.560 --> 0:30:43.600
<v Speaker 1>it also conveys information about like how strong the Hulk is,

0:30:43.640 --> 0:30:46.720
<v Speaker 1>how strong the Hulk is in relation to Iron Man.

0:30:47.760 --> 0:30:51.080
<v Speaker 1>You know, that kind of information is is actually kind

0:30:51.120 --> 0:30:52.360
<v Speaker 1>of important, and I feel.

0:30:52.080 --> 0:30:53.960
<v Speaker 3>Like they didn't do it great this time.

0:30:54.000 --> 0:30:55.280
<v Speaker 5>I think that you adds a nitpick.

0:30:55.360 --> 0:30:57.280
<v Speaker 6>No, no, no, I think you actually tap into one

0:30:57.280 --> 0:30:59.920
<v Speaker 6>of the hardest things about adapting the Eternals, which is

0:31:00.360 --> 0:31:03.960
<v Speaker 6>in the original Eternal's comics by Jack Kirby, they all

0:31:04.000 --> 0:31:06.880
<v Speaker 6>have the same power set and it just changes whoever

0:31:06.920 --> 0:31:09.840
<v Speaker 6>you so somebody like everyone can shoot like laser beams

0:31:09.840 --> 0:31:12.320
<v Speaker 6>out of their eyes, everybody's super strong, everybody's super fast,

0:31:12.320 --> 0:31:15.040
<v Speaker 6>and it just depends on who's using the different skills

0:31:15.040 --> 0:31:15.680
<v Speaker 6>at a different time.

0:31:16.000 --> 0:31:16.680
<v Speaker 5>So I think that.

0:31:17.000 --> 0:31:22.520
<v Speaker 6>In that way, the movie is like at a place

0:31:22.600 --> 0:31:25.960
<v Speaker 6>that's harder than necessarily something like Captain America, where you

0:31:26.000 --> 0:31:27.880
<v Speaker 6>know really clearly what his power set is, because they

0:31:27.880 --> 0:31:30.480
<v Speaker 6>basically have to redefine that when you have ten characters,

0:31:30.520 --> 0:31:33.280
<v Speaker 6>like you say, that can become kind of hard. Like

0:31:33.360 --> 0:31:36.320
<v Speaker 6>the characters who stand out the most power wise is mccari,

0:31:36.520 --> 0:31:40.640
<v Speaker 6>speed stuff, overpowered, always good. Druid can control people's minds,

0:31:40.880 --> 0:31:45.040
<v Speaker 6>you know, Donley basically, I mean Gilgamesh basically one punch

0:31:45.080 --> 0:31:53.200
<v Speaker 6>man candy with both hairs exactly. And like, the thing

0:31:53.240 --> 0:31:55.239
<v Speaker 6>that I found really interesting, which I guess we can

0:31:55.280 --> 0:31:56.480
<v Speaker 6>get into later when we talk.

0:31:56.320 --> 0:31:58.040
<v Speaker 5>About theories, is give it.

0:31:58.080 --> 0:32:01.720
<v Speaker 6>They gave Circe this very specific set of transmuting matter,

0:32:02.000 --> 0:32:05.080
<v Speaker 6>which occasionally pops up in the comics. She loves to

0:32:05.120 --> 0:32:07.960
<v Speaker 6>turn people into pigs. That's like a regular thing. There's

0:32:08.000 --> 0:32:10.960
<v Speaker 6>like five times she did that throughout the comics. But

0:32:11.480 --> 0:32:14.600
<v Speaker 6>I feel like that is really and this I agree

0:32:14.640 --> 0:32:17.520
<v Speaker 6>with you here that this is if you can't sit

0:32:17.560 --> 0:32:19.320
<v Speaker 6>here and say this, this, this, and this is the

0:32:19.360 --> 0:32:22.680
<v Speaker 6>powers and here's how they work, then that is definitely

0:32:22.720 --> 0:32:26.520
<v Speaker 6>something that differs and is less established than say your

0:32:26.560 --> 0:32:28.960
<v Speaker 6>Avengers famous, you know the round shot where you get

0:32:29.000 --> 0:32:30.120
<v Speaker 6>to know what everyone can do.

0:32:30.560 --> 0:32:36.760
<v Speaker 3>But I I.

0:32:36.680 --> 0:32:41.200
<v Speaker 6>Do think I think that the Circy powers are I

0:32:41.280 --> 0:32:43.760
<v Speaker 6>think the reason those are the most specific is because

0:32:43.800 --> 0:32:46.800
<v Speaker 6>I think they are essentially replacing. They are going to

0:32:46.960 --> 0:32:50.320
<v Speaker 6>use her as their molecule man when they move into

0:32:50.400 --> 0:32:53.440
<v Speaker 6>Secret Wars, is my guess, because I think it's very

0:32:53.480 --> 0:32:55.760
<v Speaker 6>specific to make her powers. I know that when we

0:32:55.800 --> 0:32:57.720
<v Speaker 6>talked before, you were saying, you know, you felt like

0:32:58.200 --> 0:33:01.120
<v Speaker 6>that's a character who didn't have like motivations and was

0:33:01.200 --> 0:33:04.800
<v Speaker 6>kind of in this space of imposter syndrome for most movie.

0:33:04.880 --> 0:33:07.560
<v Speaker 1>Yeah, basically like why did you know? Why was I

0:33:07.640 --> 0:33:09.600
<v Speaker 1>chosen the lead? And I don't know if I can

0:33:09.680 --> 0:33:12.120
<v Speaker 1>do it? How did I turn this dev into intrigue?

0:33:12.280 --> 0:33:13.880
<v Speaker 1>I actually have no idea.

0:33:14.160 --> 0:33:14.560
<v Speaker 3>Et cetera.

0:33:14.680 --> 0:33:17.800
<v Speaker 6>Yeah, So I think that in that space, if I

0:33:17.840 --> 0:33:20.800
<v Speaker 6>was looking at this as a the MCU as a whole.

0:33:20.560 --> 0:33:22.719
<v Speaker 5>What's an easter egg? What's important going forwards?

0:33:22.720 --> 0:33:25.360
<v Speaker 6>I think the most important takeaway with Circe is her power,

0:33:25.640 --> 0:33:27.800
<v Speaker 6>which maybe is why to some people she feels like

0:33:27.840 --> 0:33:29.840
<v Speaker 6>a less defined character, because I think the powers are

0:33:29.840 --> 0:33:32.840
<v Speaker 6>the most important, and her amount of power that she

0:33:32.840 --> 0:33:36.200
<v Speaker 6>could turn this you know, emerging celestial into stone by

0:33:36.200 --> 0:33:38.280
<v Speaker 6>herself or whatever. That I think is that actually the

0:33:38.320 --> 0:33:40.040
<v Speaker 6>meant to be the biggest takeaway if we're talking about

0:33:40.040 --> 0:33:42.600
<v Speaker 6>what the MCU is doing going forward.

0:33:44.720 --> 0:33:47.160
<v Speaker 1>Let's talk a little bit about theories I think. So

0:33:48.360 --> 0:33:49.800
<v Speaker 1>there's gonna be a lot of attention on the post

0:33:49.840 --> 0:33:55.640
<v Speaker 1>credit scenes we get as you mentioned, the reveal of

0:33:55.800 --> 0:33:58.720
<v Speaker 1>Dane Whitman Black Knight from the comics, one of my favorites. Yeah,

0:33:58.760 --> 0:34:02.360
<v Speaker 1>the most really really fun character that gets you into

0:34:02.840 --> 0:34:07.560
<v Speaker 1>you know, a lot of Marvel's British character lore is

0:34:07.760 --> 0:34:09.600
<v Speaker 1>just simply the weirdest shit.

0:34:09.719 --> 0:34:12.760
<v Speaker 5>Yeah, Arthurian weird, Mulin weird.

0:34:13.760 --> 0:34:16.080
<v Speaker 6>And they had a little in the other post credit scene,

0:34:16.120 --> 0:34:19.440
<v Speaker 6>you know, at some point in the movie, some you know,

0:34:19.560 --> 0:34:22.600
<v Speaker 6>Theena mentions that Arthur always thought she was really attractive.

0:34:22.640 --> 0:34:26.040
<v Speaker 6>So they're definitely leaning into the bringing that Arthurian law.

0:34:26.080 --> 0:34:28.600
<v Speaker 6>Because in the comics the Ebony Blade was like created

0:34:28.640 --> 0:34:31.240
<v Speaker 6>by Merlin, and the Ebony Blade is what we see

0:34:32.120 --> 0:34:36.000
<v Speaker 6>Dane Whitman opening and kind of deciding whether or not

0:34:36.040 --> 0:34:38.279
<v Speaker 6>he's going to use it at the end.

0:34:38.280 --> 0:34:40.840
<v Speaker 1>I love, I just love that this sets the stage

0:34:40.960 --> 0:34:45.040
<v Speaker 1>for a possible like Captain Britaincore like all the super

0:34:45.040 --> 0:34:49.359
<v Speaker 1>weird shit. So that's that's a credit scene number one.

0:34:49.520 --> 0:34:52.759
<v Speaker 1>Credits scene number two, of course, is the reveal of

0:34:52.920 --> 0:34:59.239
<v Speaker 1>Harry Styles as Eros. And well, now before we get

0:34:59.239 --> 0:35:02.520
<v Speaker 1>into the the particular history of star Fox.

0:35:03.400 --> 0:35:04.319
<v Speaker 3>Interesting choice there.

0:35:04.440 --> 0:35:08.000
<v Speaker 1>So star Fox is the brother of Thanos, and this

0:35:08.719 --> 0:35:12.600
<v Speaker 1>seems like it confirms that Thanos is an eternal, right,

0:35:12.640 --> 0:35:17.800
<v Speaker 1>so in the comics.

0:35:15.400 --> 0:35:17.600
<v Speaker 5>An eternal and a deviant and.

0:35:17.560 --> 0:35:24.640
<v Speaker 1>A deviant, right like a mutated eternal and so it

0:35:24.800 --> 0:35:28.440
<v Speaker 1>and that was not clear that that was the case

0:35:28.480 --> 0:35:31.320
<v Speaker 1>in the MC. Now it seems like that is definitely

0:35:31.320 --> 0:35:31.640
<v Speaker 1>the case.

0:35:31.680 --> 0:35:33.960
<v Speaker 6>I'm guessing they're gonna say he's an eternal rather than

0:35:34.000 --> 0:35:37.120
<v Speaker 6>a deviant because they weren't allowed to help anything that

0:35:37.160 --> 0:35:39.160
<v Speaker 6>wasn't to do with deviance, and if Thanos was a deviant,

0:35:39.160 --> 0:35:42.320
<v Speaker 6>surely they could have helped with the Danas thing. But anyway, Yeah,

0:35:42.520 --> 0:35:46.160
<v Speaker 6>that is some I didn't see that coming at all.

0:35:46.560 --> 0:35:51.359
<v Speaker 6>Aros is Danas's brother Aeros slash star Fox. We will

0:35:51.400 --> 0:35:53.920
<v Speaker 6>probably hear him called Aeros in this because of Nintendo.

0:35:55.920 --> 0:35:59.319
<v Speaker 7>Yeah, I mean, wonderful y starfucks and a video game

0:35:59.440 --> 0:36:03.160
<v Speaker 7>series of My favorite thing about this is like Eros

0:36:03.200 --> 0:36:07.040
<v Speaker 7>and Thanos were both introducing the first issue the same issue,

0:36:07.160 --> 0:36:09.560
<v Speaker 7>which was Iman fifty five from nineteen seventy three.

0:36:09.840 --> 0:36:14.400
<v Speaker 6>Jim Stalin, Mike Friedrich, ma Quesposito, John Castanerza, and I

0:36:14.480 --> 0:36:16.759
<v Speaker 6>just love that because it has nothing to do with

0:36:16.840 --> 0:36:19.239
<v Speaker 6>anything cosmic. And that's just Jim Stalin. He just used

0:36:19.280 --> 0:36:20.839
<v Speaker 6>to be He'd be like, I'm doing Iron Man. Now

0:36:21.000 --> 0:36:24.479
<v Speaker 6>here's two cosmic brothers. So they appear in the same

0:36:24.520 --> 0:36:26.480
<v Speaker 6>first issue. So if you have that first issue, you're

0:36:26.520 --> 0:36:29.319
<v Speaker 6>a collector well done because that's a key issue. That's

0:36:29.360 --> 0:36:32.480
<v Speaker 6>a very very key issue. And yeah, Thanos's brother, he's

0:36:32.520 --> 0:36:35.280
<v Speaker 6>like very what's the polite way to say.

0:36:35.400 --> 0:36:37.160
<v Speaker 5>He begins he's a Latharia.

0:36:38.360 --> 0:36:43.359
<v Speaker 4>I mean ifore plightly, okay, so beg He begins as

0:36:43.360 --> 0:36:47.000
<v Speaker 4>Althario and ends as like a sexual assaulter, which is

0:36:47.560 --> 0:36:49.239
<v Speaker 4>the fact that they introduced him.

0:36:49.320 --> 0:36:51.359
<v Speaker 6>I still can't believe it when I when I heard

0:36:51.360 --> 0:36:52.960
<v Speaker 6>this rumor, I was like, this is made up.

0:36:53.040 --> 0:36:54.960
<v Speaker 5>I was like, who wants to get.

0:36:54.840 --> 0:37:00.759
<v Speaker 1>In to the world? So fuck spent a lot of years,

0:37:01.080 --> 0:37:04.120
<v Speaker 1>you know, flying around space having adventures. He's got like this.

0:37:04.840 --> 0:37:06.279
<v Speaker 1>They kind of did it with Harry Styles with this

0:37:06.440 --> 0:37:09.680
<v Speaker 1>kind of like foxy ear hair, and he's you know,

0:37:09.840 --> 0:37:12.600
<v Speaker 1>kind of like this dashing, charming guy. Now his powers,

0:37:12.680 --> 0:37:14.919
<v Speaker 1>you say, what are his powers? Like, okay, he can fly,

0:37:15.680 --> 0:37:19.480
<v Speaker 1>he can kind of right, he has some level of

0:37:19.520 --> 0:37:26.040
<v Speaker 1>super strengths. And crucially, he can essentially like target the

0:37:26.680 --> 0:37:32.520
<v Speaker 1>parts of the person's brain where arousal lives and he

0:37:32.600 --> 0:37:36.200
<v Speaker 1>can so he can basically make.

0:37:38.080 --> 0:37:40.279
<v Speaker 3>Is that is.

0:37:40.800 --> 0:37:45.719
<v Speaker 1>And so we should add that this is obviously a

0:37:45.840 --> 0:37:49.960
<v Speaker 1>very troubling power to use on people. And one and

0:37:50.040 --> 0:37:56.479
<v Speaker 1>two the che Hulk, Yeah, five or six actually put

0:37:56.560 --> 0:37:58.800
<v Speaker 1>him on trial sexual assault.

0:37:58.920 --> 0:38:01.160
<v Speaker 6>But the funniest thing is, like, so in that series

0:38:01.200 --> 0:38:03.560
<v Speaker 6>that was one of those good reconsiderations where everyone was like,

0:38:03.560 --> 0:38:06.640
<v Speaker 6>wait a minute, this is like creepy, like why a

0:38:06.800 --> 0:38:08.360
<v Speaker 6>manipulating and seducing people?

0:38:08.600 --> 0:38:11.480
<v Speaker 5>So they put him on trial and then Jennifer Sheehock.

0:38:11.360 --> 0:38:14.480
<v Speaker 6>Is actually defending him, but then she realizes he's being

0:38:14.600 --> 0:38:17.839
<v Speaker 6>using the powers on her to make her like and

0:38:17.880 --> 0:38:19.200
<v Speaker 6>she's like, what the heck?

0:38:19.239 --> 0:38:20.520
<v Speaker 5>And then I think at the end he wasn't.

0:38:20.520 --> 0:38:23.040
<v Speaker 6>But yeah, basically this guy has so badly behaved that

0:38:23.080 --> 0:38:26.880
<v Speaker 6>they literally put him on trial for sexual assault.

0:38:27.280 --> 0:38:31.520
<v Speaker 1>So oh yeah, baby, do I have your consent exactly.

0:38:31.680 --> 0:38:33.960
<v Speaker 6>I'm assuming we're not gonna see that element here. I

0:38:33.960 --> 0:38:35.160
<v Speaker 6>think they've introduced.

0:38:35.640 --> 0:38:36.440
<v Speaker 5>I think they've.

0:38:36.200 --> 0:38:41.359
<v Speaker 6>Introduced like a hot young actor who people find attractive,

0:38:41.520 --> 0:38:44.319
<v Speaker 6>who has like a certain amount of kind of like

0:38:45.680 --> 0:38:48.400
<v Speaker 6>gender present gender fluidity in the way they present themselves

0:38:48.400 --> 0:38:50.080
<v Speaker 6>as a pop star, in the way that they kind

0:38:50.120 --> 0:38:52.160
<v Speaker 6>of behave, And I think that they'll just you know,

0:38:52.239 --> 0:38:54.919
<v Speaker 6>he started, he got introduced by basically saying how hot

0:38:55.680 --> 0:38:58.879
<v Speaker 6>Angelina Joli's Tina was so, which is true, she looks

0:38:58.880 --> 0:39:01.759
<v Speaker 6>incredible in that movie. But like, I think that that

0:39:01.920 --> 0:39:03.840
<v Speaker 6>it's gonna he's going to be more of like a

0:39:03.880 --> 0:39:07.560
<v Speaker 6>safely flirtatious guy who probably has a lot of connections

0:39:08.280 --> 0:39:12.360
<v Speaker 6>with important women throughout the universe who he's had consensual

0:39:12.480 --> 0:39:13.680
<v Speaker 6>relationships with.

0:39:14.080 --> 0:39:15.600
<v Speaker 5>Oh yeah, And you know, the one thing.

0:39:15.719 --> 0:39:18.319
<v Speaker 6>That we forgot from the first post credits scene is

0:39:18.360 --> 0:39:20.560
<v Speaker 6>that so at the end, Dame Whitman's going to pick

0:39:20.600 --> 0:39:24.520
<v Speaker 6>up this spooky sword that basically like possesses you, And

0:39:24.800 --> 0:39:27.440
<v Speaker 6>the idea of the sword is it's cursed, so the

0:39:27.440 --> 0:39:29.399
<v Speaker 6>only people who can wield it properly are people who

0:39:29.440 --> 0:39:32.040
<v Speaker 6>lose themselves to the sword and they become like murderous berserkers.

0:39:32.320 --> 0:39:33.719
<v Speaker 5>So he's looking at the spooky.

0:39:33.440 --> 0:39:37.239
<v Speaker 6>Sword and then Blade a voice comes and he says, like,

0:39:37.239 --> 0:39:39.600
<v Speaker 6>are you sure you're ready for that, mister Whitman? And

0:39:39.640 --> 0:39:41.719
<v Speaker 6>we thought maybe it was Blade, and then Chloe Jao

0:39:41.840 --> 0:39:44.880
<v Speaker 6>in an interview with Fandom confirmed it was than you, Chloe,

0:39:44.920 --> 0:39:48.879
<v Speaker 6>Thank you Chloe. It was Mahershler Ali as Blade, which

0:39:48.920 --> 0:39:51.040
<v Speaker 6>is super cool. And I love that they introduced him

0:39:51.040 --> 0:39:54.080
<v Speaker 6>in London because in the comics, Blade is a character

0:39:54.080 --> 0:39:54.960
<v Speaker 6>who comes from London.

0:39:55.000 --> 0:39:55.960
<v Speaker 5>He was born in Soho.

0:39:56.000 --> 0:39:57.600
<v Speaker 6>He was raised in a brothel and then he was

0:39:57.600 --> 0:40:00.680
<v Speaker 6>trained to fight vampires by a cool trumpets a called

0:40:00.760 --> 0:40:01.719
<v Speaker 6>Jamal Afari.

0:40:01.880 --> 0:40:05.040
<v Speaker 1>I will say, we forget this is doesn't really get

0:40:05.080 --> 0:40:06.800
<v Speaker 1>mentioned enough.

0:40:07.120 --> 0:40:10.280
<v Speaker 3>Blade is like one hundred and twenty.

0:40:10.000 --> 0:40:12.640
<v Speaker 1>Thirty or something like that, Like he was hanging around

0:40:13.239 --> 0:40:14.040
<v Speaker 1>we have logan.

0:40:14.400 --> 0:40:15.800
<v Speaker 5>He's like the jazz.

0:40:15.920 --> 0:40:18.160
<v Speaker 6>He was born in like nineteen hundred or something, and

0:40:18.239 --> 0:40:20.439
<v Speaker 6>like in early.

0:40:20.200 --> 0:40:24.879
<v Speaker 1>Twentieth century London, British guy turned into a vampire, which

0:40:24.920 --> 0:40:25.600
<v Speaker 1>is super cool.

0:40:25.880 --> 0:40:27.920
<v Speaker 3>I so.

0:40:29.360 --> 0:40:31.640
<v Speaker 1>I think that you're right in the kind of in

0:40:31.800 --> 0:40:36.680
<v Speaker 1>the hypothesis you laid out about how Blade connects will

0:40:36.719 --> 0:40:38.680
<v Speaker 1>be the kind of like connecting.

0:40:38.280 --> 0:40:40.160
<v Speaker 3>Darkneck fury, dark adventage person.

0:40:40.880 --> 0:40:45.080
<v Speaker 1>The thing that I initially thought of when I was like,

0:40:45.160 --> 0:40:49.840
<v Speaker 1>is that Blade? And then if that's Blade, it felt

0:40:49.880 --> 0:40:53.120
<v Speaker 1>like a reference to the Heroes Reborn storyline, which is

0:40:53.960 --> 0:40:57.880
<v Speaker 1>which is you know, very recent storyline, which is about

0:40:58.360 --> 0:41:02.120
<v Speaker 1>a world in which reality has been altered, so the

0:41:02.120 --> 0:41:05.640
<v Speaker 1>Avengers never formed, it never took place, they don't exist,

0:41:06.120 --> 0:41:09.120
<v Speaker 1>and in their place is the Squadron Supreme.

0:41:11.480 --> 0:41:15.120
<v Speaker 3>But crucially, as always.

0:41:14.920 --> 0:41:17.279
<v Speaker 1>Happens with stories like this, as with House of m

0:41:17.280 --> 0:41:18.879
<v Speaker 1>there's always one person.

0:41:18.560 --> 0:41:21.440
<v Speaker 3>Who remembers what the real world is supposed to.

0:41:21.400 --> 0:41:24.680
<v Speaker 1>Be like, and in this reality it is Blade then

0:41:24.800 --> 0:41:29.839
<v Speaker 1>goes around contacting like getting Steve Rogers out of the

0:41:29.880 --> 0:41:32.040
<v Speaker 1>ice and being like, hey, do you remember what the

0:41:32.040 --> 0:41:34.399
<v Speaker 1>world was like before? And assembling a team to try

0:41:34.400 --> 0:41:36.919
<v Speaker 1>and put the world back the way it was. Well,

0:41:36.960 --> 0:41:40.480
<v Speaker 1>that's initially what I thought, And with the multiverse stuff,

0:41:40.480 --> 0:41:43.839
<v Speaker 1>maybe there's I think, maybe there's something like that.

0:41:44.000 --> 0:41:47.000
<v Speaker 5>I am a true believer law in.

0:41:48.800 --> 0:41:55.080
<v Speaker 6>That in the absolute corporate synergy that Marvel loves to do,

0:41:55.239 --> 0:41:58.080
<v Speaker 6>and I read a lot of the comics and one

0:41:58.120 --> 0:41:59.360
<v Speaker 6>of the things that I truly believe in.

0:41:59.400 --> 0:42:01.160
<v Speaker 5>This has helped me a lot of theories that I've

0:42:01.160 --> 0:42:02.760
<v Speaker 5>got right, a lot of theories I've got wrong.

0:42:03.000 --> 0:42:05.600
<v Speaker 6>But like, they love to see stuff, so it makes

0:42:05.640 --> 0:42:07.799
<v Speaker 6>sense to me, even if this is not necessarily going

0:42:07.880 --> 0:42:11.400
<v Speaker 6>to be a exact Heroes Reborn story, because we know

0:42:11.400 --> 0:42:12.919
<v Speaker 6>they like to pick and choose from what they take,

0:42:13.360 --> 0:42:15.799
<v Speaker 6>it is unlikely that it's a coincidence that they had

0:42:15.800 --> 0:42:19.200
<v Speaker 6>a story that saw Blade going around and helping heroes

0:42:19.200 --> 0:42:21.120
<v Speaker 6>come together in the time that they really needed him,

0:42:21.120 --> 0:42:23.400
<v Speaker 6>when there was some kind of multiversal threat. That to

0:42:23.440 --> 0:42:25.640
<v Speaker 6>me is you're setting up an idea so that people

0:42:25.680 --> 0:42:27.759
<v Speaker 6>can watch that movie and go, oh, is this like

0:42:27.840 --> 0:42:31.200
<v Speaker 6>Heroes Reborn? Not the nineties Heroes Reborn, by the way, guys,

0:42:31.239 --> 0:42:34.480
<v Speaker 6>just not the sexy Captain America boob Heroes Reborn?

0:42:34.880 --> 0:42:35.480
<v Speaker 5>Now, this is the.

0:42:35.560 --> 0:42:40.080
<v Speaker 1>New re the Dark Avengers. I think that I think

0:42:40.120 --> 0:42:42.240
<v Speaker 1>that you're onto something. I think that we're gonna see

0:42:43.440 --> 0:42:47.600
<v Speaker 1>in a post Avengers world's post Tony Stark, you know,

0:42:47.840 --> 0:42:51.880
<v Speaker 1>where heroes may or may not have the actual backing

0:42:51.880 --> 0:42:55.040
<v Speaker 1>of the US government as the Avengers kind of did

0:42:55.080 --> 0:42:57.319
<v Speaker 1>in this Tony Stark era. I think we're gonna see

0:42:57.320 --> 0:43:00.160
<v Speaker 1>two teams. We're gonna see the Blade team, which is

0:43:00.160 --> 0:43:05.480
<v Speaker 1>either Dark Avengers or Midnight can bend this era New Avengers,

0:43:05.640 --> 0:43:09.440
<v Speaker 1>you know, like a new heroes that take up the

0:43:09.480 --> 0:43:13.480
<v Speaker 1>mantle but don't necessarily have the resources that like Tony Starging,

0:43:13.560 --> 0:43:15.759
<v Speaker 1>you know, living like closer to the ground. And then

0:43:15.760 --> 0:43:20.840
<v Speaker 1>we're going to see the Contessa's team, which is the

0:43:20.960 --> 0:43:25.839
<v Speaker 1>US Agent USA Alena, and they're gonna be like the

0:43:25.880 --> 0:43:31.520
<v Speaker 1>Thunderbolts kind of gray slash bad guy Avengers that are

0:43:31.520 --> 0:43:36.000
<v Speaker 1>more closely hued to the US government, which is probably

0:43:36.120 --> 0:43:39.160
<v Speaker 1>going to be more overtly the bad guys as we

0:43:39.239 --> 0:43:39.760
<v Speaker 1>go forward.

0:43:39.800 --> 0:43:41.120
<v Speaker 5>Yeah, yeah, I think you're totally right.

0:43:41.160 --> 0:43:42.799
<v Speaker 6>And I think that they'll do the same thing that

0:43:42.880 --> 0:43:46.239
<v Speaker 6>Thunderbolts Comics did originally, where they basically just introduce analogs

0:43:46.280 --> 0:43:48.399
<v Speaker 6>for each characters. So there will be the government saying,

0:43:48.440 --> 0:43:51.280
<v Speaker 6>here's our Captain America, which we also how people reacted

0:43:51.320 --> 0:43:55.120
<v Speaker 6>to with in Falcon Instldiers, Here's our Black Widow, Here's

0:43:55.520 --> 0:43:57.759
<v Speaker 6>our you know, whoever else they're going to introduce in

0:43:58.239 --> 0:44:00.799
<v Speaker 6>maybe an apt Man or something, and and then the

0:44:00.880 --> 0:44:04.480
<v Speaker 6>reality will be that the Dark Avengers, the New Avengers,

0:44:04.520 --> 0:44:07.879
<v Speaker 6>the Midnight Sunds, whoever this there's gonna be another team

0:44:07.880 --> 0:44:10.960
<v Speaker 6>of kind of Blade and Wang are probably putting them together,

0:44:11.000 --> 0:44:12.360
<v Speaker 6>you know, this team.

0:44:12.400 --> 0:44:14.000
<v Speaker 5>We might even see multiple teams.

0:44:14.040 --> 0:44:15.759
<v Speaker 6>I do think that is kind of where we're headed

0:44:15.800 --> 0:44:17.840
<v Speaker 6>with the Multiverse, that you're gonna need these kind of

0:44:17.840 --> 0:44:22.439
<v Speaker 6>different heroes for different universes and different spaces. So yeah,

0:44:22.480 --> 0:44:25.000
<v Speaker 6>I think that that's we're definitely going to get to see.

0:44:25.200 --> 0:44:29.600
<v Speaker 6>And obviously we have like young Avengers forming already.

0:44:30.440 --> 0:44:33.600
<v Speaker 1>I legitimately can because and then we're almost there.

0:44:33.600 --> 0:44:35.719
<v Speaker 5>We're so close. We're so close.

0:44:35.800 --> 0:44:36.040
<v Speaker 2>I know.

0:44:36.200 --> 0:44:38.360
<v Speaker 6>The one thing I love. I actually they did a

0:44:38.400 --> 0:44:40.719
<v Speaker 6>Babysitters Club reboot on Netflix.

0:44:40.719 --> 0:44:41.360
<v Speaker 5>It was amazing.

0:44:41.440 --> 0:44:45.319
<v Speaker 6>The girl who played Dawn social Gomez. She ended up

0:44:45.320 --> 0:44:49.320
<v Speaker 6>being cast as America Chavez. She's amazing. But that did

0:44:49.719 --> 0:44:52.240
<v Speaker 6>tip me to the idea that I think they're gonna

0:44:52.239 --> 0:44:54.200
<v Speaker 6>at least have some of them be a lot younger,

0:44:54.239 --> 0:44:57.200
<v Speaker 6>because to me, America is like always twenty twenty one.

0:44:57.440 --> 0:44:59.880
<v Speaker 6>But you know, we have Kate Bishop, who is like

0:45:00.120 --> 0:45:02.040
<v Speaker 6>more adult age, so I think you can have We're

0:45:02.040 --> 0:45:04.560
<v Speaker 6>gonna have Patriot on that team. I think you can.

0:45:04.680 --> 0:45:06.799
<v Speaker 6>We hopefully gonna get see some of that romance, some

0:45:06.880 --> 0:45:09.520
<v Speaker 6>of that fun. Uh, And I just I can't wait

0:45:09.560 --> 0:45:09.799
<v Speaker 6>for them.

0:45:09.800 --> 0:45:10.560
<v Speaker 2>And obviously you.

0:45:10.480 --> 0:45:14.840
<v Speaker 6>Know, uh Wonder's kids. They can kind of be aged

0:45:14.920 --> 0:45:16.000
<v Speaker 6>up throughout the.

0:45:16.600 --> 0:45:18.920
<v Speaker 1>Right because you know, they come back from whatever dimension

0:45:18.960 --> 0:45:21.200
<v Speaker 1>they do. They have a demon dimension, you know what,

0:45:21.239 --> 0:45:24.200
<v Speaker 1>other part of Mephisto that you know, realm they were

0:45:24.200 --> 0:45:27.480
<v Speaker 1>in and they come back older up next to the omnibus.

0:45:44.880 --> 0:45:47.920
<v Speaker 1>Welcome to another chapter in the Oonymous where lore, analysis

0:45:48.040 --> 0:45:52.280
<v Speaker 1>an understanding come together. Today, let's talk about the career

0:45:52.320 --> 0:45:55.520
<v Speaker 1>of Jack Kirby, who created much of the mythology on

0:45:55.560 --> 0:45:59.680
<v Speaker 1>display on the screen in Eternals. The Eternals made their

0:45:59.760 --> 0:46:03.600
<v Speaker 1>common debut in Eternals number one, cover Day of July

0:46:03.800 --> 0:46:05.200
<v Speaker 1>nineteen seventy six.

0:46:05.719 --> 0:46:06.719
<v Speaker 3>Small aside here.

0:46:07.000 --> 0:46:10.759
<v Speaker 1>A later retcon places McCary of the Eternals in the

0:46:10.800 --> 0:46:13.360
<v Speaker 1>story Mercury in the twentieth Century, which is written and

0:46:13.440 --> 0:46:17.319
<v Speaker 1>drawn by Jack Kirby, which appears in nineteen forty's Red

0:46:17.440 --> 0:46:22.279
<v Speaker 1>Raven number one. So technically speaking, that retcon, if you

0:46:22.520 --> 0:46:25.560
<v Speaker 1>choose to read it in a certain way, that retcon

0:46:25.719 --> 0:46:27.880
<v Speaker 1>makes it so the first appearance of the Eternals is

0:46:27.880 --> 0:46:31.160
<v Speaker 1>actually nineteen forty, but let's leave that aside for now.

0:46:31.680 --> 0:46:34.319
<v Speaker 1>Eternals number one tells the story of the origin of

0:46:34.320 --> 0:46:38.160
<v Speaker 1>the Eternals, a race of alien warrior gods, and their

0:46:38.239 --> 0:46:42.120
<v Speaker 1>endless struggle against their twisted cousins, the Deviants. The issue

0:46:42.120 --> 0:46:44.040
<v Speaker 1>was written and penciled by the creator of the Eternals,

0:46:44.120 --> 0:46:47.240
<v Speaker 1>Jack Kirby, and it marked his return to Marvel Comics

0:46:47.280 --> 0:46:50.759
<v Speaker 1>after a half decade run at the company's chief competitor,

0:46:50.880 --> 0:46:54.799
<v Speaker 1>DC Comics. Marvel's nickname for itself is the House of Ideas,

0:46:55.160 --> 0:46:59.719
<v Speaker 1>and Jack Kirby has provided more of that grand mansions

0:46:59.760 --> 0:47:05.879
<v Speaker 1>for then probably anyone besides stan Lee himself, certainly when

0:47:05.880 --> 0:47:10.280
<v Speaker 1>it comes to Marvel's look and feel, the art style,

0:47:11.040 --> 0:47:17.960
<v Speaker 1>the costuming, everything about the aesthetic appearance of many of

0:47:18.000 --> 0:47:22.200
<v Speaker 1>the characters that have now become iconic. There's Kirby, Steve Ditko,

0:47:22.320 --> 0:47:25.520
<v Speaker 1>co creative Spider Man and Doctor Strange, and Joe Simon

0:47:25.560 --> 0:47:27.680
<v Speaker 1>who co created Captain America with Jack.

0:47:27.480 --> 0:47:28.040
<v Speaker 3>And that's it.

0:47:28.480 --> 0:47:34.040
<v Speaker 1>And of those three, Jack Kirby absolutely stands alone. Beginning

0:47:34.040 --> 0:47:39.280
<v Speaker 1>in nineteen sixty one, when the Marvel Comics era started

0:47:40.320 --> 0:47:44.080
<v Speaker 1>in proper fashion, up to about nineteen sixty four five,

0:47:44.800 --> 0:47:48.960
<v Speaker 1>Kirby in a burst of creativity that is essentially unmatched

0:47:49.080 --> 0:47:54.879
<v Speaker 1>in American popular culture. Created or co created the Fantastic Four, Galactus,

0:47:55.320 --> 0:47:58.800
<v Speaker 1>the original X Men. That's Cyclops, gene Iceman, Angel Beast

0:47:59.000 --> 0:48:02.280
<v Speaker 1>plus Professor X Menneto and the rest of the Brotherhood.

0:48:01.800 --> 0:48:06.400
<v Speaker 3>Of Evil Mutants Thor Loki as Guard.

0:48:06.480 --> 0:48:10.919
<v Speaker 1>All the characters within Asgard, the Rainbow Bridge, Hulk, Doctor Doom,

0:48:10.960 --> 0:48:15.080
<v Speaker 1>Black Panther, were Katta, and many, many, many, many many more.

0:48:15.719 --> 0:48:18.200
<v Speaker 1>On top of that, Kirby helped create the visual language

0:48:18.200 --> 0:48:22.160
<v Speaker 1>of superhero comics, with effects like the Kirby Crackle, which

0:48:22.160 --> 0:48:25.960
<v Speaker 1>are masses of dark circles contrasted with lighter shaded spaces

0:48:26.920 --> 0:48:31.120
<v Speaker 1>used to convey surges of energy. But by the end

0:48:31.160 --> 0:48:34.120
<v Speaker 1>of the sixties, the long creative partnership with Stanley Head

0:48:34.280 --> 0:48:38.279
<v Speaker 1>frayed beyond repair, and the issue was credit. It's an

0:48:38.320 --> 0:48:43.080
<v Speaker 1>issue that in any collaborative endeavor, be it a school

0:48:43.160 --> 0:48:50.560
<v Speaker 1>project or a song or a movie or improv team

0:48:50.840 --> 0:48:56.440
<v Speaker 1>or a comic book creative team, is it's emotionally fraught,

0:48:56.560 --> 0:49:00.560
<v Speaker 1>and of course it is financially crucial. It's a Gordian

0:49:00.640 --> 0:49:04.680
<v Speaker 1>knot that is almost impossible to unwind with any kind

0:49:04.760 --> 0:49:08.879
<v Speaker 1>of accuracy because of the subjective nature of individual recollections.

0:49:09.520 --> 0:49:13.200
<v Speaker 1>It's simply impossible to with any kind of accuracy unwind

0:49:13.239 --> 0:49:17.239
<v Speaker 1>who is responsible for what, even in projects with defined

0:49:17.360 --> 0:49:22.840
<v Speaker 1>roles like the like the content created by Marvel Comics,

0:49:22.840 --> 0:49:26.239
<v Speaker 1>in which Stanley was the writer, editor and Jack was

0:49:26.560 --> 0:49:32.120
<v Speaker 1>the artist, and creative work is inherently frustrating anyway, ideas

0:49:33.000 --> 0:49:39.440
<v Speaker 1>come from intimate, personal, psychological, and emotional spaces. Rejecting ideas

0:49:40.040 --> 0:49:43.440
<v Speaker 1>is a necessary part of ideating, but that doesn't make

0:49:43.480 --> 0:49:48.120
<v Speaker 1>the rejection hurt any less for the person whose idea.

0:49:48.880 --> 0:49:50.120
<v Speaker 3>Was pitched and then rejected.

0:49:50.280 --> 0:49:53.840
<v Speaker 1>To make things even stickier, the famous Marvel method, the

0:49:53.880 --> 0:49:58.320
<v Speaker 1>loose improvisational system by which Marvel generated story over the first.

0:49:58.160 --> 0:50:00.480
<v Speaker 3>Several decades of its.

0:50:00.040 --> 0:50:06.080
<v Speaker 1>Existence, gave artists wide latitude to unleash their imaginations, and

0:50:06.120 --> 0:50:10.120
<v Speaker 1>this ironically made the apportioning of credit a kind of

0:50:10.400 --> 0:50:15.160
<v Speaker 1>rashamonic exercise in the nature of truth. The method worked

0:50:15.200 --> 0:50:17.440
<v Speaker 1>like this, the writer and the artist, in this case

0:50:17.560 --> 0:50:20.399
<v Speaker 1>Stanley and Jack Kirby, we get together and hammer out

0:50:20.800 --> 0:50:24.080
<v Speaker 1>a plot, loose plot, which was usually based on an

0:50:24.080 --> 0:50:28.640
<v Speaker 1>initial notion of stands, but not necessarily. Jack would then

0:50:28.719 --> 0:50:32.560
<v Speaker 1>go off and draw the book based not on a

0:50:32.640 --> 0:50:35.960
<v Speaker 1>script or even an outline, but on his own innate

0:50:36.080 --> 0:50:40.520
<v Speaker 1>sense of pacing and story. The panels then would go

0:50:40.560 --> 0:50:43.000
<v Speaker 1>back to Stan, who would fill in the dialogue balloons

0:50:43.080 --> 0:50:46.800
<v Speaker 1>and the narration boxes is needed. This method worked extremely

0:50:46.840 --> 0:50:51.400
<v Speaker 1>well during Marvel's early years. It allowed the maximum of

0:50:51.560 --> 0:50:53.759
<v Speaker 1>creative freedom for the writer and artist and allowed each

0:50:53.800 --> 0:50:57.120
<v Speaker 1>party to work quickly and efficiently. And that's really what

0:50:57.160 --> 0:51:03.080
<v Speaker 1>it was about, you know, this system such that it was.

0:51:01.840 --> 0:51:03.319
<v Speaker 3>Was really one of necessity.

0:51:03.719 --> 0:51:08.600
<v Speaker 1>How do we Marvel Comics pump out enough product at

0:51:08.600 --> 0:51:12.719
<v Speaker 1>scale with the limited creative resources that we have. And

0:51:12.760 --> 0:51:16.120
<v Speaker 1>it's a great system right up until the point that

0:51:16.200 --> 0:51:19.759
<v Speaker 1>creators begin to want to benefit from the success that

0:51:19.800 --> 0:51:24.800
<v Speaker 1>they helped achieve by taking credit for what was created.

0:51:25.320 --> 0:51:29.080
<v Speaker 1>As the sixties slouch toward the seventies, Stand increasingly became

0:51:29.160 --> 0:51:32.880
<v Speaker 1>the Carnival Barker like face of the company. As the

0:51:33.000 --> 0:51:35.239
<v Speaker 1>editor and writer of the stories, he naturally was the

0:51:35.280 --> 0:51:40.520
<v Speaker 1>point person for interviews, and in those interviews, when naturally

0:51:40.640 --> 0:51:46.360
<v Speaker 1>he was asked about Marvel's magic formula, Lee invariably started

0:51:46.360 --> 0:51:51.880
<v Speaker 1>with heaping helpings of it was mostly me. Stan the Manly,

0:51:52.560 --> 0:51:55.280
<v Speaker 1>a nineteen sixty six piece in the New York Herold Tribune,

0:51:55.400 --> 0:51:58.319
<v Speaker 1>is often seen as the Fork in the Road of

0:51:58.360 --> 0:52:02.320
<v Speaker 1>the relationship between Stan and Jack. Writer Nat Friedland opens

0:52:02.360 --> 0:52:06.000
<v Speaker 1>with a scene Lea giving artist Saul Brodsky directions. It

0:52:06.040 --> 0:52:09.239
<v Speaker 1>then compares Stan to the actor Rex Harrison, who, by

0:52:09.239 --> 0:52:12.040
<v Speaker 1>the way, was once nicknamed Sexy Rexi by the Hollywood

0:52:12.040 --> 0:52:16.120
<v Speaker 1>press because he was so handsome, mentions that director Fredriko

0:52:16.160 --> 0:52:19.720
<v Speaker 1>Felini is a fan. He's my buddy now, Stan says

0:52:19.719 --> 0:52:22.760
<v Speaker 1>in the piece, and notes that Stan's appearance at Bardie

0:52:22.800 --> 0:52:27.359
<v Speaker 1>University drew a larger audience at President Eisenhower, also known

0:52:27.400 --> 0:52:31.360
<v Speaker 1>as the guy who beat Adolf Hitler in real life.

0:52:31.440 --> 0:52:32.440
<v Speaker 3>And it goes on like that.

0:52:32.400 --> 0:52:36.960
<v Speaker 1>For about a dozen paragraphs before ever mentioning another artist

0:52:37.040 --> 0:52:40.160
<v Speaker 1>at length. I don't plot spider An anymore, Lee is

0:52:40.239 --> 0:52:43.239
<v Speaker 1>quoted saying in the piece, Steve Ditko, the artist, has

0:52:43.280 --> 0:52:45.280
<v Speaker 1>been doing the stories. I guess I'll leave him alone

0:52:45.320 --> 0:52:47.800
<v Speaker 1>until sales start to slip since Spidey got so popular.

0:52:48.160 --> 0:52:50.680
<v Speaker 1>Ditko thinks he's the genius of the world. And this

0:52:50.719 --> 0:52:55.480
<v Speaker 1>is the kind of passive, aggressive shots that Stanley would

0:52:55.880 --> 0:52:58.560
<v Speaker 1>often take it interviews now. To be fair to him,

0:52:58.560 --> 0:53:01.880
<v Speaker 1>he was often also very generous and saying, oh, Jack

0:53:01.920 --> 0:53:04.320
<v Speaker 1>and Steve are so creative, and they're amazing artists.

0:53:05.680 --> 0:53:08.400
<v Speaker 3>But these kind of digs certainly didn't go unnoticed.

0:53:08.920 --> 0:53:11.880
<v Speaker 1>The article then goes on to describe Jack King Kirby

0:53:11.920 --> 0:53:14.360
<v Speaker 1>as quote a man who created many of the visions

0:53:14.360 --> 0:53:15.359
<v Speaker 1>of your childhood in mind.

0:53:15.440 --> 0:53:16.319
<v Speaker 3>Okay, good, so far.

0:53:16.960 --> 0:53:19.239
<v Speaker 1>He is sucking on a huge green cigar, and if

0:53:19.280 --> 0:53:21.399
<v Speaker 1>you stood next him on the subway, you would peg

0:53:21.480 --> 0:53:25.680
<v Speaker 1>him for the assistant foreman in a girdle factory. Quite

0:53:25.719 --> 0:53:30.919
<v Speaker 1>a contrast from from the comparison of Stanley to one

0:53:30.960 --> 0:53:33.360
<v Speaker 1>of the most handsome actors of the age.

0:53:33.400 --> 0:53:35.319
<v Speaker 3>Anyway. Mark Evigner, a.

0:53:35.560 --> 0:53:40.080
<v Speaker 1>Former assistant of Kirby's, recalls, quote Jack's wife Roz read

0:53:40.120 --> 0:53:42.640
<v Speaker 1>the article early this Sunday morning. It came out, woke

0:53:42.719 --> 0:53:44.920
<v Speaker 1>Jack up to read it. Jack phones stand at home

0:53:44.960 --> 0:53:47.280
<v Speaker 1>to wake him up and complain. Both men later recalled

0:53:47.280 --> 0:53:50.040
<v Speaker 1>that the collaboration was never the same after that day.

0:53:50.200 --> 0:53:55.400
<v Speaker 1>End quote, along with these kind of petty or not

0:53:55.480 --> 0:53:59.839
<v Speaker 1>so petty. If you're Jack Kirby injustices, Jack surely must

0:53:59.880 --> 0:54:04.560
<v Speaker 1>have noticed how the industry treated his contemporaries when they

0:54:04.600 --> 0:54:07.560
<v Speaker 1>tried to get paid. In nineteen sixty six, DC Comics

0:54:07.560 --> 0:54:11.279
<v Speaker 1>froze out Superman co creator Jerry Siegel after learning the

0:54:11.400 --> 0:54:15.919
<v Speaker 1>artists plan to contest for the Kryptonians copyrights. Quote. DC

0:54:16.040 --> 0:54:19.560
<v Speaker 1>writing veterans such as Gardner, Fox, John Broom, Bill Finger,

0:54:19.560 --> 0:54:22.960
<v Speaker 1>co creator Batman, Arnold Drake, and Otto Binder had seen

0:54:22.960 --> 0:54:26.520
<v Speaker 1>their assignments dry up in what some believed was retaliation

0:54:26.680 --> 0:54:30.080
<v Speaker 1>for their lobbying for things like better pay and health insurance,

0:54:30.120 --> 0:54:33.000
<v Speaker 1>writes Jason Sachson. The nineteen seventy seventy nine volume of

0:54:33.040 --> 0:54:38.320
<v Speaker 1>American Comic Book Chronicles, Fingers example certainly must have raised

0:54:38.600 --> 0:54:43.880
<v Speaker 1>Kirby's alarm. Quote Finger had co created Batman with Bob Kane,

0:54:44.200 --> 0:54:48.640
<v Speaker 1>but he was always Kane's employee, reads American Comic Book Chronicles.

0:54:49.080 --> 0:54:52.640
<v Speaker 1>While Caine made millions from Batman, Finger scrape by financially,

0:54:53.360 --> 0:54:56.279
<v Speaker 1>Kirby naturally wanted to escape that fate. He wanted a

0:54:56.360 --> 0:54:59.600
<v Speaker 1>profit from the success that he helped build. Quite naturally,

0:54:59.680 --> 0:55:03.960
<v Speaker 1>quite fairly. Quote Jack's plots and designs were on TV shows,

0:55:04.000 --> 0:55:06.920
<v Speaker 1>his art was on toys, and he wasn't seeing a

0:55:07.000 --> 0:55:09.319
<v Speaker 1>nickel from any of it, writes Mark Evianner in his

0:55:09.360 --> 0:55:12.759
<v Speaker 1>biography of his former boss, Kirby, King of Comics in

0:55:12.840 --> 0:55:18.120
<v Speaker 1>nineteen seventy, after negotiations over a new contract with Marvel stalled,

0:55:18.440 --> 0:55:22.040
<v Speaker 1>and after two years of secretly preparing to do so,

0:55:23.320 --> 0:55:26.520
<v Speaker 1>Kirby made the fateful call informing Saneley that he was leaving.

0:55:26.840 --> 0:55:30.160
<v Speaker 1>Kirby's next stop was Marvel's main competitor, DC Comics. DC

0:55:30.400 --> 0:55:35.319
<v Speaker 1>trumpeted Kirby's arrival from the mountain top the word from

0:55:35.480 --> 0:55:39.240
<v Speaker 1>high is the great One is coming blaired DC's house ads.

0:55:39.719 --> 0:55:43.239
<v Speaker 1>A longtime fan of science fiction, Kirby followed his creative

0:55:43.280 --> 0:55:47.239
<v Speaker 1>moves to the farthest fringes of outer space. Quote you

0:55:47.239 --> 0:55:50.759
<v Speaker 1>would occasionally reach back and pick a science fiction paperback

0:55:50.800 --> 0:55:52.920
<v Speaker 1>up and riff through it to get an idea, Evianner

0:55:53.040 --> 0:55:55.600
<v Speaker 1>says in the two thousand and seven documentary Jack Kirby's

0:55:55.600 --> 0:56:00.160
<v Speaker 1>Storyteller that would generate an entire new concept somehow and quote.

0:56:00.520 --> 0:56:03.800
<v Speaker 1>Kirby's vision, which found its full expression by nineteen seventy one,

0:56:04.120 --> 0:56:08.000
<v Speaker 1>was collectively known as Kirby's Fourth World at DC Comics.

0:56:08.120 --> 0:56:12.480
<v Speaker 1>His most impactful creation for DC is truly the archvillain

0:56:12.600 --> 0:56:17.120
<v Speaker 1>New God dark Side. Dark Side, hailing from the planet Apocalypse,

0:56:17.160 --> 0:56:19.640
<v Speaker 1>is one of the most powerful beings in existence, and

0:56:19.680 --> 0:56:23.200
<v Speaker 1>he's driven by a fanatical obsession with the anti life equation,

0:56:23.680 --> 0:56:26.600
<v Speaker 1>with which dark Side hopes to enslave the entire universe.

0:56:27.120 --> 0:56:31.080
<v Speaker 1>Since twenty eleven's linewide reboot, The New fifty two, DC

0:56:31.239 --> 0:56:36.440
<v Speaker 1>has positioned dark Side as its universe's primary antagonist, and

0:56:36.520 --> 0:56:39.799
<v Speaker 1>the character recently made its DC cinematic universe debut in

0:56:39.920 --> 0:56:43.719
<v Speaker 1>Zack Snyder's Justice League aka The Snyder Cut. He is

0:56:44.239 --> 0:56:49.399
<v Speaker 1>DC's answer to the MCU's Thanos, which is an ironic twist,

0:56:49.440 --> 0:56:53.960
<v Speaker 1>as comics fans surely are yelling at me right now,

0:56:55.080 --> 0:56:59.239
<v Speaker 1>considering that Thanos was conspicuously modeled after some MTE say

0:56:59.239 --> 0:57:04.200
<v Speaker 1>shamelessly from dark Side. IGN has dark Side sixth on

0:57:04.280 --> 0:57:07.080
<v Speaker 1>its Top one hundred Comic book Villains countdown.

0:57:07.560 --> 0:57:08.960
<v Speaker 3>Jack Kirby Done it again.

0:57:09.400 --> 0:57:14.600
<v Speaker 1>Kirby's psychedelic Explosion was in perfect harmony with the pop

0:57:14.680 --> 0:57:19.040
<v Speaker 1>culture zeitgeist of the late sixties early seventies. In nineteen

0:57:19.080 --> 0:57:22.120
<v Speaker 1>sixty eight, Eric von Danikin's book Chariot of the Gods,

0:57:22.480 --> 0:57:26.360
<v Speaker 1>which posited that human technological development was influenced by visitors

0:57:26.360 --> 0:57:30.120
<v Speaker 1>from alien worlds, was a surprise bestseller. In spring of

0:57:30.160 --> 0:57:32.920
<v Speaker 1>that same year, Sanley Kubrick's adaptation of Arthur C. Clarke's

0:57:32.960 --> 0:57:36.320
<v Speaker 1>two thousand and one, A Space Odyssey melted brains in

0:57:36.400 --> 0:57:40.240
<v Speaker 1>movie theaters throughout the world. One of my friend's moms

0:57:41.200 --> 0:57:45.760
<v Speaker 1>used to talk about how she tripped acid watching two

0:57:45.760 --> 0:57:48.000
<v Speaker 1>thousand and one A Space Odyssey and that she was

0:57:48.040 --> 0:57:49.840
<v Speaker 1>never the same, which is not a thing that she

0:57:49.840 --> 0:57:52.600
<v Speaker 1>should have been telling us anyway. In nineteen sixty nine,

0:57:52.680 --> 0:57:55.440
<v Speaker 1>Kurt Vonagets break through time travel anti war novelist slaughter

0:57:55.480 --> 0:57:59.320
<v Speaker 1>House five was published, as was Frank Herbert's sequel to Dune,

0:57:59.480 --> 0:58:04.480
<v Speaker 1>Dune Massage. Kirby's work at DC expanded on the visual

0:58:04.560 --> 0:58:09.600
<v Speaker 1>language of science fiction. It is incredible, it is powerful,

0:58:09.760 --> 0:58:14.480
<v Speaker 1>it is intricate, and it was met with a thunderous shrug.

0:58:15.360 --> 0:58:21.320
<v Speaker 1>Kirby's Fourth World had only slim connections to DC's ongoing continuity,

0:58:21.360 --> 0:58:24.480
<v Speaker 1>which was a point of criticism from fans at the time.

0:58:25.200 --> 0:58:32.200
<v Speaker 1>It met middling sales and very respectfully negative reviews, and

0:58:32.280 --> 0:58:35.600
<v Speaker 1>it was canceled after three years. Fast forward to nineteen

0:58:35.640 --> 0:58:39.040
<v Speaker 1>seventy five. At New York's Hotel Commodore, Stanley announces to

0:58:39.080 --> 0:58:43.160
<v Speaker 1>a rapturous Marvel con crowd during the Fantastic four panel

0:58:43.960 --> 0:58:47.360
<v Speaker 1>that Kirby was returning home. Back at Marvel, Jack had

0:58:47.440 --> 0:58:51.880
<v Speaker 1>complete creative freedom. He wrote his own stories, he edited them,

0:58:51.880 --> 0:58:54.160
<v Speaker 1>and of course he did his own pencil work. He

0:58:54.240 --> 0:58:57.200
<v Speaker 1>also had the leeway to select who inked his artwork,

0:58:57.480 --> 0:59:01.880
<v Speaker 1>who lettered it. Kirby can speak aqueously, steered clear of

0:59:01.920 --> 0:59:05.880
<v Speaker 1>the books and the characters that he collaborated on with Lee.

0:59:06.000 --> 0:59:08.960
<v Speaker 1>He took over Captain America, the character he co created

0:59:08.960 --> 0:59:13.160
<v Speaker 1>with Joe Simon. He did a ten issue adaptation to

0:59:13.160 --> 0:59:16.240
<v Speaker 1>two thousand and one Space Odyssey, He did Black Panther,

0:59:16.320 --> 0:59:19.600
<v Speaker 1>and he launched The Eternals. The Eternals ran for nineteen

0:59:19.640 --> 0:59:22.160
<v Speaker 1>issues from nineteen seventy six to nineteen seventy eight. In

0:59:22.200 --> 0:59:26.600
<v Speaker 1>the series kind of sums up this period of Kirby's career,

0:59:26.640 --> 0:59:29.440
<v Speaker 1>this kind of second act, this middle act. It is

0:59:29.760 --> 0:59:36.760
<v Speaker 1>bursting with unbelievable artwork and sci fi imagery. It contains

0:59:36.880 --> 0:59:40.320
<v Speaker 1>visionary panels that conveyed heady concepts much better than the

0:59:40.320 --> 0:59:46.400
<v Speaker 1>pedestrian story and forest of Wooden dialogue. Does Kirby seemingly eager,

0:59:46.480 --> 0:59:50.680
<v Speaker 1>not such as to throw off any kind of link

0:59:50.760 --> 0:59:53.080
<v Speaker 1>to Lee, but to prove in fact that he was

0:59:53.240 --> 0:59:54.840
<v Speaker 1>better than stan Lee.

0:59:56.000 --> 1:00:00.640
<v Speaker 3>Just lays in the words like fu and bricks.

1:00:01.040 --> 1:00:06.400
<v Speaker 1>Icarus posing as Ike Harris in Eternals number one and

1:00:06.480 --> 1:00:12.400
<v Speaker 1>apparently a human tourist who somehow just ends up tagging

1:00:12.440 --> 1:00:16.840
<v Speaker 1>along with an archaeologist and his daughter who are exploring

1:00:17.400 --> 1:00:20.040
<v Speaker 1>the Nascal lines in Peru. You know, just kind of

1:00:20.080 --> 1:00:21.880
<v Speaker 1>like by chance, is like, hey, I'm going to tagle

1:00:21.920 --> 1:00:25.160
<v Speaker 1>on with you, and the archaeologist is like, yeah, sure,

1:00:25.200 --> 1:00:26.160
<v Speaker 1>that's not weird at all.

1:00:26.160 --> 1:00:26.360
<v Speaker 3>Come.

1:00:28.400 --> 1:00:32.800
<v Speaker 1>Ike seemingly by accident, leads the archaeologist and his daughter

1:00:32.880 --> 1:00:36.120
<v Speaker 1>to a chamber filled with a bunch of alien shit

1:00:36.560 --> 1:00:40.840
<v Speaker 1>and staring at a display screen showing some area of

1:00:40.880 --> 1:00:43.400
<v Speaker 1>outer space, Ike exclaims, quote.

1:00:43.240 --> 1:00:44.080
<v Speaker 3>There they roam.

1:00:44.480 --> 1:00:47.920
<v Speaker 1>There they live in this great reflector, which the gods

1:00:48.000 --> 1:00:51.400
<v Speaker 1>left when they last departed. The devoted Inca people kept

1:00:51.400 --> 1:00:54.440
<v Speaker 1>watch for their next arrival, but the gods never returned,

1:00:54.680 --> 1:00:58.480
<v Speaker 1>and the Inca's vanished from history. Keep going, Ike, says

1:00:58.520 --> 1:00:59.360
<v Speaker 1>the archaeologist.

1:00:59.440 --> 1:01:01.480
<v Speaker 3>Tell us more, but first tell.

1:01:01.360 --> 1:01:02.320
<v Speaker 1>Us who you really are.

1:01:03.320 --> 1:01:04.480
<v Speaker 3>You're not really one.

1:01:04.320 --> 1:01:07.640
<v Speaker 1>Of us, are you, says the archaeologist's daughter, and the

1:01:07.720 --> 1:01:11.000
<v Speaker 1>narration box reads Ike Harris seems to project the silent

1:01:11.080 --> 1:01:14.320
<v Speaker 1>power of the god chamber itself. Both Margo and her

1:01:14.360 --> 1:01:17.880
<v Speaker 1>father realize that he's somehow part of the awesome truths

1:01:17.960 --> 1:01:22.200
<v Speaker 1>unfolding here, smeare is nothing, says the archaeologist. We've got

1:01:22.240 --> 1:01:26.440
<v Speaker 1>to know begin with your name. It's not Ike Harris,

1:01:26.720 --> 1:01:30.360
<v Speaker 1>is it not? Exactly? This is the kind of writing

1:01:30.480 --> 1:01:33.479
<v Speaker 1>that is everywhere in the Eternals, and it's not good.

1:01:33.680 --> 1:01:38.000
<v Speaker 1>And that's even judging on the scale of comic writing

1:01:38.200 --> 1:01:44.080
<v Speaker 1>at the time. It's very stilted, awkward and not great.

1:01:44.280 --> 1:01:48.120
<v Speaker 1>The cover of Eternals number two, which introduces the Celestials,

1:01:48.200 --> 1:01:52.480
<v Speaker 1>reads quote more fantastic than Chariots of the Gods. Now,

1:01:52.480 --> 1:01:56.040
<v Speaker 1>we don't know whether Kirby actually read Danakin's very, very

1:01:56.040 --> 1:01:59.640
<v Speaker 1>weird book or whether he watched the nineteen seventy pseudo

1:01:59.680 --> 1:02:04.160
<v Speaker 1>doctor Mentory film adaptation of Chariot of the Gods, but

1:02:04.240 --> 1:02:07.080
<v Speaker 1>it's clear the book had a profound impact on the Eternals.

1:02:07.280 --> 1:02:09.560
<v Speaker 1>As one would expect, Jack's art in Eternals is a

1:02:09.640 --> 1:02:13.760
<v Speaker 1>tour de force. All of the kind of trademark Kirby's

1:02:13.760 --> 1:02:17.720
<v Speaker 1>stuff is there. The dark light contrasts the power bomb

1:02:17.840 --> 1:02:21.760
<v Speaker 1>splash pages, the characters and the vehicles that seem to

1:02:21.800 --> 1:02:25.920
<v Speaker 1>burst out of the page. The story those, as we

1:02:26.040 --> 1:02:30.200
<v Speaker 1>mentioned above, is just basically a massive exposition dump and

1:02:30.320 --> 1:02:33.560
<v Speaker 1>so high concept that you basically need an oxygen tank

1:02:33.680 --> 1:02:35.480
<v Speaker 1>to kind of like make any sense out of it.

1:02:36.000 --> 1:02:39.040
<v Speaker 1>And the characters display none of the kind of grounded

1:02:39.040 --> 1:02:41.600
<v Speaker 1>feet of clay traits that are invariably part of the

1:02:41.640 --> 1:02:43.960
<v Speaker 1>best Marvel stories. This is this is the thing that

1:02:44.080 --> 1:02:50.720
<v Speaker 1>made Marvel such a revolutionary pop culture force in comics

1:02:50.760 --> 1:02:51.240
<v Speaker 1>at the time.

1:02:51.320 --> 1:02:53.360
<v Speaker 3>You know, DC. It's it's an old critique, but it's

1:02:53.360 --> 1:02:54.240
<v Speaker 3>one that holds true.

1:02:55.400 --> 1:02:59.919
<v Speaker 1>DC's characters are all gods you know, and aliens, where

1:03:00.000 --> 1:03:02.120
<v Speaker 1>where as Marvel's characters.

1:03:02.360 --> 1:03:04.880
<v Speaker 3>Are you know, human beings with human problems.

1:03:04.920 --> 1:03:07.080
<v Speaker 1>Even the gods like Thor has to turn into a

1:03:07.160 --> 1:03:09.600
<v Speaker 1>human being and he ends up having human problems and

1:03:09.680 --> 1:03:12.520
<v Speaker 1>dating issues and things of the like. And that's all

1:03:12.600 --> 1:03:14.480
<v Speaker 1>the best Marvel stories are like that. None of that

1:03:14.720 --> 1:03:18.280
<v Speaker 1>is here in the internals, and the critical response was

1:03:18.480 --> 1:03:23.760
<v Speaker 1>poor and the sales were poor. Within Marvel. Shockingly, Kirby's

1:03:23.800 --> 1:03:28.680
<v Speaker 1>peers even mocked him. You know, here they are following

1:03:28.680 --> 1:03:31.080
<v Speaker 1>in the path that he laid out, and this kind

1:03:31.120 --> 1:03:34.400
<v Speaker 1>of like new generation of comics creator was you know,

1:03:34.480 --> 1:03:36.240
<v Speaker 1>snickering that Kirby lost it.

1:03:36.400 --> 1:03:38.160
<v Speaker 3>He was out of step with what was going on.

1:03:39.440 --> 1:03:42.720
<v Speaker 1>Quote. The editorial staff up at Marvel had no respect

1:03:43.040 --> 1:03:46.680
<v Speaker 1>for what Kirby was doing, Jim Starlin says in an

1:03:46.680 --> 1:03:50.360
<v Speaker 1>interview in Comic Book Artists Collection, all these editors had

1:03:50.400 --> 1:03:52.680
<v Speaker 1>things on the walls making fun of Jack's books. They'd

1:03:52.720 --> 1:03:55.280
<v Speaker 1>cut out things saying stupidest comic of the year as

1:03:55.280 --> 1:03:58.520
<v Speaker 1>brutal stuff. Additionally, Kirby's work on Captain America and Black

1:03:58.560 --> 1:04:02.280
<v Speaker 1>Panther ignored the canon that had been established by the

1:04:02.280 --> 1:04:07.400
<v Speaker 1>creators that preceded Kirby, which was a thing that annoyed

1:04:07.440 --> 1:04:10.400
<v Speaker 1>comics fans and is still a critique that you'll read

1:04:10.400 --> 1:04:13.160
<v Speaker 1>from comics fans today if they feel that once a

1:04:13.200 --> 1:04:16.920
<v Speaker 1>new creative team takes over a book, there are invariably

1:04:16.960 --> 1:04:19.920
<v Speaker 1>fans that go, this isn't what the character was previously,

1:04:19.960 --> 1:04:21.880
<v Speaker 1>this is not what we established as a character. It's

1:04:21.920 --> 1:04:24.760
<v Speaker 1>always a critique, and it was a particularly trenchant one

1:04:25.120 --> 1:04:28.400
<v Speaker 1>for Kirby. By nineteen seventy seven, Archie Goodwin, Marvel's then

1:04:28.600 --> 1:04:32.600
<v Speaker 1>editor intrief, tried to convince Kirby that he needed a

1:04:32.640 --> 1:04:35.160
<v Speaker 1>dialogue punch up writer, you know, someone to help him

1:04:35.160 --> 1:04:39.080
<v Speaker 1>make this stuff sing a little more, and Kirby said no.

1:04:40.000 --> 1:04:44.040
<v Speaker 1>Captain America two fourteen cover data October seventy seven is

1:04:45.360 --> 1:04:49.440
<v Speaker 1>usually mentioned as the last Captain America that Kirby did

1:04:50.280 --> 1:04:53.520
<v Speaker 1>a few months later in January, the Eternals was canceled,

1:04:54.000 --> 1:04:57.080
<v Speaker 1>and in nineteen seventy eight, fed up once again with

1:04:57.200 --> 1:05:01.560
<v Speaker 1>life at Marvel Comics, Kirby decamped for the fatter paychecks

1:05:01.640 --> 1:05:05.840
<v Speaker 1>and lighter workload in animation, accepting a position at Hannah Barbera.

1:05:06.080 --> 1:05:08.520
<v Speaker 1>Though the nineteen seventies were a tough decade for Jack

1:05:08.600 --> 1:05:11.400
<v Speaker 1>Kin Kirby, he ended the era with one of the

1:05:11.400 --> 1:05:14.960
<v Speaker 1>more interesting footnotes in comics history. Forty two years ago

1:05:15.000 --> 1:05:18.960
<v Speaker 1>this month, Iridian revolutionaries stormed the United States Embassy in Tehran,

1:05:19.360 --> 1:05:23.280
<v Speaker 1>seizing diplomats and various US citizens who were inside the buildings.

1:05:24.160 --> 1:05:25.520
<v Speaker 3>Unbeknownst to the.

1:05:25.920 --> 1:05:29.760
<v Speaker 1>Burseoning revolutionary movement and other group of Americans were hiding

1:05:29.800 --> 1:05:35.200
<v Speaker 1>nearby in the Canadian Embassy. May have seen the film Argo,

1:05:35.280 --> 1:05:39.960
<v Speaker 1>which dramaticizes these events. A CIA team, using the cover

1:05:40.080 --> 1:05:42.640
<v Speaker 1>of a film crew working on a movie adaptation of

1:05:42.680 --> 1:05:46.080
<v Speaker 1>the Hugo Award winning science fiction novel Lord of Light

1:05:47.080 --> 1:05:51.400
<v Speaker 1>managed to enter Iran and exfiltrate the Americans from the

1:05:51.440 --> 1:05:58.480
<v Speaker 1>Canadian embassy using the cover of scouting locations for said film.

1:05:59.520 --> 1:06:03.120
<v Speaker 1>The artist contracted by film producer Barry Geller to create

1:06:03.160 --> 1:06:06.520
<v Speaker 1>the costumes and designs for A Lord of Light one.

1:06:06.600 --> 1:06:23.640
<v Speaker 1>Jack Kirby up next, The Hive Mind. Welcome to the

1:06:23.680 --> 1:06:26.040
<v Speaker 1>Hive Mind, where we dive deeper into a specific topic

1:06:26.120 --> 1:06:28.520
<v Speaker 1>with the help of a guest panelist. Today, x ray

1:06:28.600 --> 1:06:31.120
<v Speaker 1>Vision is pleased to welcome journalist and author Abraham Reaesman,

1:06:31.360 --> 1:06:34.360
<v Speaker 1>whose book True Believer, The Rise and Fall of Stan

1:06:34.480 --> 1:06:38.800
<v Speaker 1>Lee chronicles the life of the iconic Stan Lee, the

1:06:38.840 --> 1:06:42.320
<v Speaker 1>spokesman essentially for Marvel Comics for many years. Released in

1:06:42.320 --> 1:06:45.160
<v Speaker 1>February twenty twenty one, this book is available wherever you

1:06:45.240 --> 1:06:45.880
<v Speaker 1>get books.

1:06:45.920 --> 1:06:47.240
<v Speaker 3>Abraham, Welcome to the show.

1:06:47.400 --> 1:06:49.000
<v Speaker 2>It's great to be here, Thank you so much.

1:06:51.360 --> 1:06:57.240
<v Speaker 1>So. The eternals were created by Jack Kirby. The comic

1:06:57.480 --> 1:07:01.560
<v Speaker 1>was drawn, written edited by Jack Kirby. Jack Kirby was

1:07:01.600 --> 1:07:05.520
<v Speaker 1>able to pick the letter, the colorists, the inkor on

1:07:05.560 --> 1:07:08.280
<v Speaker 1>the on this and this was you know, part of

1:07:08.320 --> 1:07:12.800
<v Speaker 1>the deal that he forged after coming back from from

1:07:13.040 --> 1:07:17.600
<v Speaker 1>leaving Marvel for DC Comics. The Marvel's main competitor. What

1:07:17.640 --> 1:07:20.720
<v Speaker 1>were the issues that that that Jack was dealing with

1:07:20.920 --> 1:07:21.840
<v Speaker 1>at the time.

1:07:23.000 --> 1:07:25.560
<v Speaker 2>The career issues or his weird political.

1:07:25.120 --> 1:07:29.120
<v Speaker 8>Beliefs, both of which played into what was going on

1:07:29.200 --> 1:07:29.920
<v Speaker 8>with the eternals.

1:07:30.080 --> 1:07:33.080
<v Speaker 1>Let's talk about let's talk about his his career issues

1:07:33.120 --> 1:07:35.200
<v Speaker 1>as a creator in comics.

1:07:35.240 --> 1:07:36.040
<v Speaker 3>You know, it's.

1:07:36.080 --> 1:07:36.880
<v Speaker 2>Happy to do that.

1:07:36.960 --> 1:07:40.680
<v Speaker 8>So the thumbmail version of a very complicated, fractal story

1:07:41.000 --> 1:07:45.520
<v Speaker 8>is in the superhero comic book industry, there has never

1:07:45.760 --> 1:07:50.440
<v Speaker 8>been a culture of creator ownership, or of creator unionization

1:07:50.560 --> 1:07:54.280
<v Speaker 8>and collective bargaining. Creators as in the writers and artists

1:07:54.480 --> 1:07:56.480
<v Speaker 8>and you know inker as all. That's kind of a

1:07:56.560 --> 1:08:00.280
<v Speaker 8>dying industry because of digitization and colorists. All of these

1:08:00.280 --> 1:08:03.000
<v Speaker 8>people they work as independent contractors. They're not staffers. They

1:08:03.000 --> 1:08:05.240
<v Speaker 8>don't get insurance, they don't have any job security. They're

1:08:05.280 --> 1:08:08.760
<v Speaker 8>paid to pittance. And this has been true throughout pretty

1:08:08.840 --> 1:08:11.640
<v Speaker 8>much the entire history of comics. It was built on

1:08:12.240 --> 1:08:15.920
<v Speaker 8>a very bad foundation. So flash forward to the sixties.

1:08:16.360 --> 1:08:21.479
<v Speaker 8>You have Jack Kirby, this writer artist, operating at Marvel,

1:08:21.600 --> 1:08:25.479
<v Speaker 8>and he's already famous in the comics industry. The nascent

1:08:25.760 --> 1:08:29.120
<v Speaker 8>still somewhat like teenage comics industry. I guess was invented

1:08:29.160 --> 1:08:31.519
<v Speaker 8>in the thirties, he'd already had a great deal of success.

1:08:31.560 --> 1:08:33.160
<v Speaker 8>He was a writer, like I say, a writer and

1:08:33.160 --> 1:08:35.599
<v Speaker 8>an artist, which is crucial because Stan was just a writer.

1:08:36.000 --> 1:08:37.760
<v Speaker 8>Stan did not not a draw I mean, you could

1:08:37.800 --> 1:08:41.800
<v Speaker 8>draw a little doodle a little bit. But Jack therefore

1:08:42.360 --> 1:08:46.000
<v Speaker 8>was sort of the by really, by any reasonable estimation,

1:08:46.080 --> 1:08:47.479
<v Speaker 8>this shouldn't be a controversial point.

1:08:47.680 --> 1:08:50.599
<v Speaker 2>Jack was the main creative engine of early Marvel.

1:08:50.880 --> 1:08:54.559
<v Speaker 8>I just I want to emphasize that, Like, these were

1:08:54.800 --> 1:08:57.960
<v Speaker 8>weird guys with weird ideas, and none got weirder than Jack,

1:08:58.120 --> 1:09:01.720
<v Speaker 8>and that really produced some great work. But also it

1:09:01.800 --> 1:09:05.040
<v Speaker 8>produced the Eternals, which is not a good comic. It's beautiful,

1:09:05.400 --> 1:09:08.000
<v Speaker 8>but like as a comic, it's.

1:09:07.520 --> 1:09:09.479
<v Speaker 2>Not an interesting story. I don't know, I think.

1:09:09.520 --> 1:09:12.920
<v Speaker 1>So let's be fair to Jack. It's pretty impenetrable and

1:09:13.439 --> 1:09:19.120
<v Speaker 1>with stilted, super weird dialogue. You know, for whatever the

1:09:19.200 --> 1:09:25.200
<v Speaker 1>relationship between Jack and Stan was, it's clear that what

1:09:25.320 --> 1:09:31.280
<v Speaker 1>Stan added to it was a certain kind of textual dialogues,

1:09:31.760 --> 1:09:34.160
<v Speaker 1>script writing polish that Jack.

1:09:34.200 --> 1:09:35.640
<v Speaker 3>Just didn't have.

1:09:36.280 --> 1:09:40.080
<v Speaker 1>Let's talk about the issue of credit and the issue

1:09:40.080 --> 1:09:47.400
<v Speaker 1>of the creators creators trying to benefit from the success

1:09:48.479 --> 1:09:52.200
<v Speaker 1>creations within comics. Now, this is a this is a

1:09:52.360 --> 1:09:56.479
<v Speaker 1>fraught space in any kind of creative space, whether you're

1:09:56.479 --> 1:10:00.519
<v Speaker 1>writing whatever, but in comics it's particularly as a fringe

1:10:00.960 --> 1:10:04.800
<v Speaker 1>industry for most of its life, in which the big

1:10:04.880 --> 1:10:09.120
<v Speaker 1>money only came in very recently, at a time when

1:10:09.200 --> 1:10:15.360
<v Speaker 1>creators basically had no leverage. It's a space where union

1:10:15.400 --> 1:10:19.800
<v Speaker 1>is we're only just now seeing the unionization, uh kind

1:10:19.840 --> 1:10:22.560
<v Speaker 1>of momentum that is sweeping a lot of other industries

1:10:22.640 --> 1:10:29.640
<v Speaker 1>happening comics with the recent unionization. It was it was

1:10:29.720 --> 1:10:31.879
<v Speaker 1>it was last week, which is in a way ironic

1:10:31.920 --> 1:10:36.200
<v Speaker 1>because the image itself was you know, created by disaffected

1:10:36.240 --> 1:10:39.080
<v Speaker 1>creators who were looking to more adequately.

1:10:38.640 --> 1:10:39.439
<v Speaker 3>Better from the things.

1:10:39.840 --> 1:10:43.600
<v Speaker 1>And so tell me, tell me a little bit about

1:10:43.800 --> 1:10:47.080
<v Speaker 1>these kind of like frustrated efforts over the years for

1:10:47.320 --> 1:10:52.599
<v Speaker 1>creators within this industry trying to somehow, you know, make

1:10:52.680 --> 1:10:54.280
<v Speaker 1>money off the things that they had created.

1:10:54.360 --> 1:10:57.000
<v Speaker 8>Yeah, it's it's an eternal struggle. You go back in

1:10:57.000 --> 1:10:59.840
<v Speaker 8>the history of comics. Jeremy Douber is just putting out

1:10:59.840 --> 1:11:03.200
<v Speaker 8>a book called American Comics, a History, which most of

1:11:03.200 --> 1:11:06.599
<v Speaker 8>its stuff I already know, but it's an excellent like

1:11:07.080 --> 1:11:09.720
<v Speaker 8>introductory text for people who don't know the history of

1:11:09.720 --> 1:11:12.200
<v Speaker 8>American comics. And you should know the history of comics

1:11:12.240 --> 1:11:15.760
<v Speaker 8>because it ended up being very consequential and you get

1:11:15.800 --> 1:11:19.720
<v Speaker 8>all these little granular stories about people being again from

1:11:19.760 --> 1:11:22.200
<v Speaker 8>the very beginning, from dawn of comics and dawn of

1:11:22.200 --> 1:11:23.080
<v Speaker 8>superhero comics.

1:11:23.080 --> 1:11:25.440
<v Speaker 2>With Superman, you have creators getting exploited.

1:11:25.600 --> 1:11:27.960
<v Speaker 1>Well, I think you've hit on something that's important, which

1:11:28.040 --> 1:11:34.000
<v Speaker 1>is whether it's songwriting, you know, like the film industry,

1:11:34.040 --> 1:11:41.120
<v Speaker 1>popular music, is writing for magazines, whatever, any creative space.

1:11:42.400 --> 1:11:45.839
<v Speaker 1>There is a lot of exploitation of creators that was happening,

1:11:45.880 --> 1:11:48.400
<v Speaker 1>and in that sense, comics was really no different.

1:11:49.360 --> 1:11:50.040
<v Speaker 2>It was no different.

1:11:50.120 --> 1:11:53.080
<v Speaker 1>But it's just that there's billions of dollars in.

1:11:53.120 --> 1:11:56.080
<v Speaker 8>Yes, yes, and also but it's not just that it's

1:11:56.160 --> 1:11:58.320
<v Speaker 8>no different, it's worse in some ways.

1:11:58.360 --> 1:12:02.280
<v Speaker 2>The number one reason being work for hire.

1:12:02.400 --> 1:12:02.559
<v Speaker 6>Like.

1:12:04.080 --> 1:12:06.680
<v Speaker 2>It's insane they work for hire. And lack of unionization.

1:12:06.760 --> 1:12:07.679
<v Speaker 2>Those are the two things.

1:12:08.439 --> 1:12:10.920
<v Speaker 8>You know, you talk about screenwriting, and lord knows, screenwriters

1:12:10.920 --> 1:12:13.400
<v Speaker 8>are very much an abused class in a lot of ways.

1:12:13.439 --> 1:12:17.280
<v Speaker 2>I am not please, I'm not diminishing that at least.

1:12:17.120 --> 1:12:20.680
<v Speaker 8>There's a WGA comics, comics doesn't have you have no

1:12:20.840 --> 1:12:22.799
<v Speaker 8>shot at getting unionized in comics.

1:12:22.840 --> 1:12:23.559
<v Speaker 2>Now there is this.

1:12:24.000 --> 1:12:26.200
<v Speaker 8>Previously you had no shot in getting unionized in comics.

1:12:26.280 --> 1:12:28.720
<v Speaker 8>Now we have just in the past few days, this

1:12:28.840 --> 1:12:32.000
<v Speaker 8>initial effort on the behalf of staffers, which means not creators.

1:12:32.080 --> 1:12:34.800
<v Speaker 2>These are people who work at on staff at you.

1:12:35.160 --> 1:12:38.680
<v Speaker 1>Not the pencilers, not the right Yes, that would be right.

1:12:38.880 --> 1:12:42.360
<v Speaker 8>Hopefully you know, that might be something that we see

1:12:42.360 --> 1:12:45.280
<v Speaker 8>in the future, but right now it's but it's a

1:12:45.400 --> 1:12:48.559
<v Speaker 8>very important start because the comics industry is basically no

1:12:48.640 --> 1:12:52.200
<v Speaker 8>experience with any kind of union, whether it's for you know,

1:12:52.320 --> 1:12:53.680
<v Speaker 8>editorial staffers or the.

1:12:53.600 --> 1:12:54.719
<v Speaker 2>People creating the stuff.

1:12:55.240 --> 1:12:57.000
<v Speaker 8>And I don't know where it's gonna go, but I'm

1:12:57.000 --> 1:13:00.439
<v Speaker 8>watching it with great interest because, yeah, there have been

1:13:00.479 --> 1:13:04.040
<v Speaker 8>these attempts in the past, I mean, most notably Neil Adams,

1:13:04.040 --> 1:13:09.280
<v Speaker 8>this legendary right a ACBA. Yes he started ABA, which

1:13:09.320 --> 1:13:13.080
<v Speaker 8>was the well he he didn't dig. Giardano and Stan

1:13:13.160 --> 1:13:15.400
<v Speaker 8>Lee created the Academy of Comic Book Arts and Sciences

1:13:15.400 --> 1:13:19.840
<v Speaker 8>in nineteen sixty nine, and Stan's original idea, it was

1:13:19.880 --> 1:13:21.720
<v Speaker 8>a classic stand take on it was.

1:13:21.760 --> 1:13:23.760
<v Speaker 2>This is a hard to have an awards show. We

1:13:23.800 --> 1:13:24.760
<v Speaker 2>want to have an awards show.

1:13:24.800 --> 1:13:25.320
<v Speaker 3>That was it.

1:13:25.439 --> 1:13:27.080
<v Speaker 8>He wanted to have a society so they could have

1:13:27.120 --> 1:13:31.479
<v Speaker 8>the Oscars for comics every year. And he wanted to

1:13:31.520 --> 1:13:35.839
<v Speaker 8>be the president of the organization, which is crazy because

1:13:36.240 --> 1:13:39.040
<v Speaker 8>as it was getting formulated, like it became clear that

1:13:39.120 --> 1:13:41.520
<v Speaker 8>like if the bosses are the head of the organization,

1:13:42.080 --> 1:13:44.800
<v Speaker 8>then like, well the point was. Neil Adams decided he

1:13:44.880 --> 1:13:47.519
<v Speaker 8>wanted to run as well, and Stan was like, we

1:13:47.520 --> 1:13:50.800
<v Speaker 8>should run together, and Neil said, but you're not like

1:13:50.840 --> 1:13:53.280
<v Speaker 8>a workwriter, you know, like the point here is supposed

1:13:53.320 --> 1:13:56.760
<v Speaker 8>to be her management. What I would like this to

1:13:56.800 --> 1:13:59.200
<v Speaker 8>be is an actual like coalition of people, which was

1:13:59.240 --> 1:14:01.559
<v Speaker 8>how it was getting pitched. It's just that Stan in

1:14:01.600 --> 1:14:03.920
<v Speaker 8>his head knew all he wanted was was the org

1:14:04.000 --> 1:14:07.559
<v Speaker 8>show ceremony. So at one of the first meetings, not

1:14:07.640 --> 1:14:09.320
<v Speaker 8>an ords show, but one of the first meetings of

1:14:09.360 --> 1:14:13.719
<v Speaker 8>the ACBA, according to Stan, Neil gets up and starts

1:14:13.880 --> 1:14:16.120
<v Speaker 8>or and stands telling of it. Neil gets up and

1:14:16.120 --> 1:14:18.600
<v Speaker 8>starts talking about how creators are being abused and we

1:14:18.600 --> 1:14:23.800
<v Speaker 8>should form a union. And Stan was furious and was like,

1:14:23.880 --> 1:14:25.920
<v Speaker 8>that's not what this is for, Like, that's not why

1:14:25.920 --> 1:14:28.040
<v Speaker 8>we're doing this, and sure enough, there are a bunch

1:14:28.080 --> 1:14:30.320
<v Speaker 8>of other instances. I mean, just a few years later,

1:14:30.360 --> 1:14:33.400
<v Speaker 8>you have when work for hires starts to be formalized

1:14:33.479 --> 1:14:37.759
<v Speaker 8>in national law with this Copyright Act of nineteen seventy

1:14:37.800 --> 1:14:40.360
<v Speaker 8>six that comes into fact in nineteen seventy eight, You

1:14:40.439 --> 1:14:43.400
<v Speaker 8>all of a sudden have all these companies scrambling to

1:14:43.800 --> 1:14:46.920
<v Speaker 8>come up with paperwork where people are retroactively signing away

1:14:46.920 --> 1:14:50.320
<v Speaker 8>all of their rights and then you know, signing away

1:14:50.520 --> 1:14:54.479
<v Speaker 8>any future rights. And Neil Adams writes, this takes the

1:14:54.479 --> 1:14:57.760
<v Speaker 8>contract that you were supposed to sign, paints on it.

1:14:57.920 --> 1:14:59.320
<v Speaker 2>I can't rear the exact phrase. It was just a

1:14:59.320 --> 1:14:59.719
<v Speaker 2>few words.

1:14:59.720 --> 1:15:01.679
<v Speaker 8>It was like, do not sign this, You'll be signing

1:15:01.720 --> 1:15:05.479
<v Speaker 8>your life away, meeting address, you know time.

1:15:05.880 --> 1:15:07.639
<v Speaker 2>And it was all at Adams's studio.

1:15:07.680 --> 1:15:09.559
<v Speaker 8>All these comics creators meet at the studio and they're

1:15:09.600 --> 1:15:11.599
<v Speaker 8>like fired up, and it's a lot of like.

1:15:11.560 --> 1:15:13.200
<v Speaker 2>We're gonna go all the way on this one. We're

1:15:13.240 --> 1:15:15.200
<v Speaker 2>taking these screw you know, these screw jobs down.

1:15:16.400 --> 1:15:18.840
<v Speaker 8>And then all that had to happen was, well, Stan

1:15:18.960 --> 1:15:20.920
<v Speaker 8>did nothing for one thing. He just stood off on

1:15:20.960 --> 1:15:24.519
<v Speaker 8>the sidelines. And then Jim Shooter the e C informed

1:15:24.560 --> 1:15:26.639
<v Speaker 8>everyone that if you were to.

1:15:27.640 --> 1:15:32.240
<v Speaker 1>A Titanic, Titanic figure who is also extremely divisive, was

1:15:32.320 --> 1:15:35.320
<v Speaker 1>once burned an effigy by his own workers.

1:15:35.760 --> 1:15:36.000
<v Speaker 2>Yeah.

1:15:37.040 --> 1:15:40.160
<v Speaker 1>No, I loved character who is also very important in

1:15:40.200 --> 1:15:41.680
<v Speaker 1>the evolution of the comic, the.

1:15:41.640 --> 1:15:45.439
<v Speaker 8>Comic and a lot of other things. But I don't

1:15:45.439 --> 1:15:46.920
<v Speaker 8>remember where I was going with all of this. But

1:15:47.120 --> 1:15:48.920
<v Speaker 8>it's I feel like I can go down any tangent

1:15:48.960 --> 1:15:50.280
<v Speaker 8>when I talk about all this, But.

1:15:50.240 --> 1:15:51.200
<v Speaker 3>Well, I we should.

1:15:51.240 --> 1:15:53.639
<v Speaker 1>I should say that the thing that was really interesting

1:15:53.640 --> 1:15:57.400
<v Speaker 1>to me about the ACBA and why why it failed

1:15:57.479 --> 1:16:01.200
<v Speaker 1>clearly as a unionization effort, is that there was no

1:16:01.400 --> 1:16:05.920
<v Speaker 1>even amongst you know, like a militant guy like Adams,

1:16:05.920 --> 1:16:06.759
<v Speaker 1>who was who.

1:16:06.560 --> 1:16:08.920
<v Speaker 3>Really wanted to push for this these kind of protections.

1:16:09.320 --> 1:16:13.160
<v Speaker 1>There was not a broad agreement on who would be

1:16:13.200 --> 1:16:15.840
<v Speaker 1>covered by this, who would be allowed do we let

1:16:15.840 --> 1:16:19.519
<v Speaker 1>the colorist in? Who was in on this? And there

1:16:19.600 --> 1:16:22.920
<v Speaker 1>was there was no agreement on that. And where I

1:16:22.960 --> 1:16:26.280
<v Speaker 1>hope we go with, you know, with this current movement

1:16:26.320 --> 1:16:31.720
<v Speaker 1>now is if we start drawing lines, it feels like

1:16:31.760 --> 1:16:32.920
<v Speaker 1>we lose, right.

1:16:36.040 --> 1:16:38.120
<v Speaker 2>I mean, I don't know, I'm not a union expert.

1:16:38.720 --> 1:16:40.519
<v Speaker 1>Same here, but it feels like, you know, the way

1:16:40.520 --> 1:16:42.240
<v Speaker 1>it failed in the past was they tried to draw

1:16:42.240 --> 1:16:44.000
<v Speaker 1>a line and said, Okay, these people are not creators

1:16:44.040 --> 1:16:44.400
<v Speaker 1>and these.

1:16:44.320 --> 1:16:47.519
<v Speaker 8>People are each other, and then all of a sudden,

1:16:47.560 --> 1:16:48.080
<v Speaker 8>it's nothing.

1:16:48.320 --> 1:16:50.040
<v Speaker 2>Yeah, I mean, my hope is that it would be

1:16:50.040 --> 1:16:50.599
<v Speaker 2>a broad ten.

1:16:50.680 --> 1:16:52.439
<v Speaker 8>I mean, I was part of the unionization drive at

1:16:52.439 --> 1:16:54.439
<v Speaker 8>New York Magazine when I was still on staff there.

1:16:54.760 --> 1:16:55.360
<v Speaker 2>I didn't lead it.

1:16:55.400 --> 1:16:57.000
<v Speaker 8>I'm not going to take more credit than I deserve,

1:16:57.120 --> 1:17:00.120
<v Speaker 8>but I did the secret networking to go talk to

1:17:00.160 --> 1:17:02.719
<v Speaker 8>people and get them on board and get them in touch.

1:17:02.560 --> 1:17:03.120
<v Speaker 2>With the reps.

1:17:03.560 --> 1:17:07.280
<v Speaker 8>Went to a bunch of meetings, and you know, it's

1:17:07.320 --> 1:17:09.439
<v Speaker 8>a real problem trying to figure out who gets covered

1:17:09.479 --> 1:17:12.400
<v Speaker 8>in the bargaining unit. And the companies that you're trying

1:17:12.400 --> 1:17:15.280
<v Speaker 8>to unionize will do everything they can to try to

1:17:15.280 --> 1:17:18.080
<v Speaker 8>confuse people about who can count for the bargaining unit,

1:17:18.400 --> 1:17:20.800
<v Speaker 8>just to keep some people from thinking, oh, well, you know,

1:17:20.880 --> 1:17:23.400
<v Speaker 8>keep them thinking this doesn't apply to me. But yeah,

1:17:23.439 --> 1:17:25.879
<v Speaker 8>with comics it's really hard for a lot of reasons,

1:17:26.200 --> 1:17:28.640
<v Speaker 8>As is true of any industry that is built on

1:17:28.680 --> 1:17:32.200
<v Speaker 8>freelance labor that is not conducted in a centralized place.

1:17:32.600 --> 1:17:37.160
<v Speaker 8>It's extremely difficult to get these people comments creators to

1:17:37.160 --> 1:17:41.479
<v Speaker 8>stop fighting with each other for these few slots, and

1:17:42.160 --> 1:17:44.360
<v Speaker 8>I don't I don't have a good solution to that.

1:17:44.439 --> 1:17:46.719
<v Speaker 8>I'm just glad to see that somebody's even bothering to try,

1:17:48.000 --> 1:17:51.439
<v Speaker 8>and I would be following it very closely. I'm I'm,

1:17:51.640 --> 1:17:53.479
<v Speaker 8>I'm working on trying to get some reporting done on it,

1:17:53.479 --> 1:17:56.240
<v Speaker 8>but I'm like swamped with my Vince McMahon book. You

1:17:56.280 --> 1:17:59.960
<v Speaker 8>want to talk about labor rights problems, wrestling makes commic

1:18:00.280 --> 1:18:02.960
<v Speaker 8>look like a socialist utopia.

1:18:03.600 --> 1:18:06.280
<v Speaker 1>Abe, thank you so much for joining us. I you

1:18:06.280 --> 1:18:08.519
<v Speaker 1>know I've read your stuff for years, big fan. Where

1:18:08.520 --> 1:18:12.599
<v Speaker 1>can we Where can we get more of of where

1:18:12.720 --> 1:18:14.000
<v Speaker 1>you're writing, whatever you're working on.

1:18:14.040 --> 1:18:17.479
<v Speaker 8>Next, go to Abraham Reisman dot com. Your one stop

1:18:17.520 --> 1:18:20.280
<v Speaker 8>shop for all things Abraham Reesman. It's I before E.

1:18:20.680 --> 1:18:22.640
<v Speaker 8>But if you misspell it with EI, I have that

1:18:22.720 --> 1:18:25.559
<v Speaker 8>domain registered too, and it'll redirect you. If you want

1:18:25.560 --> 1:18:27.200
<v Speaker 8>to follow me on Twitter, That's where I spend most

1:18:27.240 --> 1:18:28.360
<v Speaker 8>of my day, and that.

1:18:28.560 --> 1:18:30.320
<v Speaker 2>Is at Abraham Joseph.

1:18:30.479 --> 1:18:31.439
<v Speaker 3>Abe, thank you so much.

1:18:31.560 --> 1:18:31.920
<v Speaker 2>Thank you.

1:18:32.320 --> 1:18:33.360
<v Speaker 3>Up Next, Endgame.

1:18:42.720 --> 1:18:48.040
<v Speaker 1>We're in the endgame now, baby, it is inevitable, and

1:18:48.120 --> 1:18:50.800
<v Speaker 1>today we're playing another round of assembly required, in which

1:18:50.880 --> 1:18:54.320
<v Speaker 1>Rosie and I will be randomly assigned a mission uh

1:18:54.360 --> 1:18:57.559
<v Speaker 1>and then we have to assemble our character, our team

1:18:57.680 --> 1:19:00.600
<v Speaker 1>to accomplish that mission. Today we are going to be

1:19:00.640 --> 1:19:04.400
<v Speaker 1>picking characters from the eternals, and our producers have prepared

1:19:04.640 --> 1:19:05.439
<v Speaker 1>the mission for us.

1:19:05.800 --> 1:19:07.600
<v Speaker 3>What is the mission, Christopher?

1:19:07.760 --> 1:19:10.559
<v Speaker 2>The mission this week is pick your favorite eternal for

1:19:10.600 --> 1:19:12.760
<v Speaker 2>the best possible Hinge match A.

1:19:12.760 --> 1:19:15.160
<v Speaker 3>Match on Hinge. A match on Hinge.

1:19:15.479 --> 1:19:19.519
<v Speaker 1>Hinge the dating platform that uses your Facebook network to

1:19:19.560 --> 1:19:24.360
<v Speaker 1>match you with people who they hope can can foster

1:19:24.600 --> 1:19:29.080
<v Speaker 1>a love match. This has been a free promotion for Hinge.

1:19:29.200 --> 1:19:31.080
<v Speaker 1>You're not a sponsor of this podcast.

1:19:31.280 --> 1:19:33.320
<v Speaker 5>I don't have Facebook, which is why I don't know.

1:19:33.240 --> 1:19:35.360
<v Speaker 1>What hin I don't have. I don't have it either.

1:19:35.960 --> 1:19:39.559
<v Speaker 1>Well I know who I would, I know people. I

1:19:39.600 --> 1:19:42.320
<v Speaker 1>know people who have had some success on Hinge.

1:19:42.600 --> 1:19:45.040
<v Speaker 3>And so we're going to use it now. Rosie, would

1:19:45.080 --> 1:19:46.000
<v Speaker 3>you like to go first?

1:19:46.080 --> 1:19:51.120
<v Speaker 1>Who would like is your is the ideal eternal to

1:19:51.640 --> 1:19:54.080
<v Speaker 1>Hinge match with is Gilgamesh?

1:19:54.400 --> 1:19:58.679
<v Speaker 6>Not only Isnley Donley is handsome, strong, iconic, one hundred

1:19:58.720 --> 1:20:02.880
<v Speaker 6>plus movie Korean star icon, but Gilgamesh he cooks pies,

1:20:03.120 --> 1:20:06.880
<v Speaker 6>He has a cute, delightful has a cute, delightful little

1:20:06.920 --> 1:20:08.960
<v Speaker 6>apron that he wears. I want to see the fanat

1:20:09.040 --> 1:20:11.240
<v Speaker 6>of that so much, with like the blushing cheeks and

1:20:11.280 --> 1:20:14.080
<v Speaker 6>the apron and the pie. He makes delicious food. He

1:20:14.120 --> 1:20:16.240
<v Speaker 6>makes his own meat. He makes it out of his spit.

1:20:16.360 --> 1:20:20.320
<v Speaker 6>But sure, maybe you an. I think Gilgamesh is the one.

1:20:20.600 --> 1:20:21.720
<v Speaker 6>I love him.

1:20:22.640 --> 1:20:27.080
<v Speaker 1>Rip Gilgamesh, man, I gotta say so.

1:20:28.920 --> 1:20:29.960
<v Speaker 3>That's a great pick.

1:20:30.680 --> 1:20:39.479
<v Speaker 1>And obviously the eternals are not equally quality. Hinge matches

1:20:39.680 --> 1:20:45.719
<v Speaker 1>for various reasons. Gilgamesh is great. You know, Kingo is good, funny,

1:20:47.880 --> 1:20:50.559
<v Speaker 1>Drewig scary, Like, I don't know that I would want

1:20:50.600 --> 1:20:54.439
<v Speaker 1>to go on a date with him. If you're Marcary McCary,

1:20:54.479 --> 1:20:57.080
<v Speaker 1>great sprite obvious problems there.

1:20:57.320 --> 1:20:58.519
<v Speaker 5>She's a child, don't.

1:20:58.640 --> 1:21:01.799
<v Speaker 1>She's a child. She's a yes, I know, and anybody

1:21:01.800 --> 1:21:03.679
<v Speaker 1>out there is like, yeah, but she's actually like seven

1:21:03.680 --> 1:21:05.960
<v Speaker 1>thousand you just stop it, stop it right now.

1:21:06.240 --> 1:21:08.680
<v Speaker 5>I don't her in my shipping lineup because she is

1:21:08.720 --> 1:21:09.080
<v Speaker 5>a child.

1:21:09.160 --> 1:21:14.120
<v Speaker 1>Sina is working through some mental health issues and I

1:21:14.120 --> 1:21:16.240
<v Speaker 1>want to make and so I think it could be rocky.

1:21:17.240 --> 1:21:17.640
<v Speaker 6>I like it.

1:21:17.680 --> 1:21:20.120
<v Speaker 5>You're going for consent there, You're like, I want to make.

1:21:19.960 --> 1:21:22.160
<v Speaker 1>Sure that we're all on the up and up. Circe

1:21:22.600 --> 1:21:26.720
<v Speaker 1>would be fine. Ajac deceased and was keeping a lot

1:21:26.760 --> 1:21:28.840
<v Speaker 1>of secrets from everybody, So I don't know if we

1:21:28.880 --> 1:21:34.280
<v Speaker 1>want to go there. I am going to say, gosh, Now,

1:21:34.479 --> 1:21:37.320
<v Speaker 1>let me ask you this. If I pick Fastos, does

1:21:37.360 --> 1:21:39.000
<v Speaker 1>that mean I've broken up a marriage?

1:21:39.520 --> 1:21:39.800
<v Speaker 5>No?

1:21:39.800 --> 1:21:42.080
<v Speaker 6>No, this is this is a hypothetical because I would

1:21:42.080 --> 1:21:43.920
<v Speaker 6>not break up yoga mash and tena, So this is

1:21:43.920 --> 1:21:45.840
<v Speaker 6>a hypothetical if the Atitos were single.

1:21:45.880 --> 1:21:47.320
<v Speaker 5>I think Fastos is a good choice.

1:21:47.400 --> 1:21:50.640
<v Speaker 1>Okay, I'm gonna pick Fastos because number one monogamy, Like,

1:21:50.960 --> 1:21:54.559
<v Speaker 1>if you're on Hinge, you're looking You're not looking for

1:21:54.720 --> 1:21:58.080
<v Speaker 1>something quick, You're looking for something lasting. Fasts I think

1:21:58.200 --> 1:22:01.639
<v Speaker 1>showed us through his through his actions in this movie

1:22:01.880 --> 1:22:04.599
<v Speaker 1>that he's looking for something real. He's got a beautiful

1:22:04.600 --> 1:22:07.160
<v Speaker 1>family and and a beautiful relationship with his husband.

1:22:07.479 --> 1:22:11.120
<v Speaker 3>He did build the the atom bomb.

1:22:11.439 --> 1:22:15.600
<v Speaker 1>I'm like, did he or did he just seemed I

1:22:15.720 --> 1:22:19.080
<v Speaker 1>seemed pretty broken. I feel like he just I feel

1:22:19.080 --> 1:22:20.200
<v Speaker 1>like he just like this.

1:22:20.320 --> 1:22:23.080
<v Speaker 6>He helped humans with technology and knew that humans was dumb.

1:22:23.160 --> 1:22:24.400
<v Speaker 5>So if he didn't help them.

1:22:24.520 --> 1:22:26.280
<v Speaker 6>It would have been they wouldn't.

1:22:25.920 --> 1:22:26.679
<v Speaker 5>Have been able to create.

1:22:27.960 --> 1:22:29.599
<v Speaker 3>I would argue it this way one.

1:22:29.880 --> 1:22:33.120
<v Speaker 9>He seemed very broken up about it, upset. He was

1:22:33.320 --> 1:22:39.120
<v Speaker 9>actually like at ground zero, like he was there. He

1:22:39.240 --> 1:22:41.000
<v Speaker 9>was in the ruins of Erosia.

1:22:41.240 --> 1:22:43.160
<v Speaker 6>Okay, so you on hinds, you want to match with

1:22:43.200 --> 1:22:45.679
<v Speaker 6>the guy who split the arm, that's your open arms.

1:22:47.640 --> 1:22:52.320
<v Speaker 1>He feels bad about it again a long time ago.

1:22:52.880 --> 1:22:54.080
<v Speaker 3>He does different.

1:22:54.439 --> 1:22:58.040
<v Speaker 6>He's a high a healthy relationship in the MCU that

1:22:58.080 --> 1:22:58.960
<v Speaker 6>we've seen so far.

1:22:59.120 --> 1:23:02.040
<v Speaker 5>So you know what say, even with the full crime,

1:23:02.640 --> 1:23:03.599
<v Speaker 5>So yeah.

1:23:03.720 --> 1:23:10.559
<v Speaker 10>Mass murderer arguably, but but you know, like again, Tony

1:23:10.560 --> 1:23:14.960
<v Speaker 10>Stark traffic weapons for years, gave nature, was friends, was

1:23:15.280 --> 1:23:19.880
<v Speaker 10>very close friends with Ulysses Claw for reasons that are

1:23:19.880 --> 1:23:21.639
<v Speaker 10>probably best not explored.

1:23:22.240 --> 1:23:24.360
<v Speaker 3>And child who is a wonderful guy.

1:23:24.720 --> 1:23:26.840
<v Speaker 5>Love fast, fast, Well done, Tim.

1:23:26.960 --> 1:23:28.720
<v Speaker 1>That's it for the endgame. Let us know who you

1:23:28.800 --> 1:23:32.679
<v Speaker 1>think won this week's game. Hit us at hashtag XRVN game.

1:23:34.479 --> 1:23:38.200
<v Speaker 1>Well listen Rosie as the number one Eternal's lover in

1:23:38.320 --> 1:23:42.799
<v Speaker 1>the world. It was delightful to bathe in the warmth

1:23:42.840 --> 1:23:44.639
<v Speaker 1>of your love for this movie.

1:23:45.400 --> 1:23:45.599
<v Speaker 6>Wow.

1:23:45.720 --> 1:23:50.280
<v Speaker 1>Thank you for letting us into your perspective on the movie.

1:23:50.360 --> 1:23:52.960
<v Speaker 1>Whether people agree with it or not, it was useful

1:23:53.240 --> 1:23:54.360
<v Speaker 1>and it was always a pleasure.

1:23:54.800 --> 1:23:56.480
<v Speaker 3>Where can we find you next?

1:23:56.720 --> 1:23:57.519
<v Speaker 5>Thank you for having me.

1:23:57.600 --> 1:24:00.200
<v Speaker 6>If you want to read more about my eternal I

1:24:00.280 --> 1:24:04.240
<v Speaker 6>reviewed Journal's fanatists. I've written many, many Internals theories. A

1:24:04.240 --> 1:24:06.960
<v Speaker 6>lot of what we touched on here, hit upnourdice dot com.

1:24:07.040 --> 1:24:07.640
<v Speaker 5>Yeah, that's it.

1:24:07.680 --> 1:24:09.240
<v Speaker 6>If you want to read a spooky comic, I know

1:24:09.280 --> 1:24:11.519
<v Speaker 6>it's kind of where over Spooky season Now. I wrote

1:24:11.520 --> 1:24:13.720
<v Speaker 6>a graphic novel called The Hornted High Tops with this

1:24:13.800 --> 1:24:15.280
<v Speaker 6>amazing artist called Frambueno.

1:24:16.080 --> 1:24:18.760
<v Speaker 5>That's out now. So they're just a ton of cool stuff.

1:24:18.760 --> 1:24:20.800
<v Speaker 6>But yeah, if you if you like this conversation you

1:24:20.840 --> 1:24:23.080
<v Speaker 6>want to know more about these theories, definitely check out

1:24:23.120 --> 1:24:25.479
<v Speaker 6>Notice because that's where all my pieces are maybe and

1:24:25.520 --> 1:24:27.200
<v Speaker 6>there's like ten of them already and the movie just

1:24:27.240 --> 1:24:27.799
<v Speaker 6>came out.

1:24:27.960 --> 1:24:33.200
<v Speaker 1>Bump bump, bump, bump, bump bump. Dun Dun Dun, Dun,

1:24:33.640 --> 1:24:34.120
<v Speaker 1>Dun Dun.

1:24:34.560 --> 1:24:35.120
<v Speaker 3>Rosie Knight.

1:24:37.160 --> 1:24:40.200
<v Speaker 1>Big thanks to Rosie Knight and Abriesman for joining us

1:24:40.280 --> 1:24:42.800
<v Speaker 1>on another episode of X ray Vision. Please join us

1:24:42.840 --> 1:24:45.839
<v Speaker 1>again every Wednesday for your weekly dose of the deepest dives.

1:24:46.320 --> 1:24:47.880
<v Speaker 1>If you want to learn more about the stuff that

1:24:47.920 --> 1:24:50.880
<v Speaker 1>we talk about in each episode. To find out the

1:24:50.920 --> 1:24:54.280
<v Speaker 1>particular comics that we talked about, references, et cetera, check

1:24:54.320 --> 1:24:56.920
<v Speaker 1>out the show notes on our website. You can find

1:24:56.920 --> 1:24:59.479
<v Speaker 1>a full list of last week's comics corner picks on

1:24:59.520 --> 1:25:03.360
<v Speaker 1>the x ray page of Crooked Media's website. And don't forget,

1:25:03.720 --> 1:25:07.400
<v Speaker 1>Please please don't make me use my Druig powers on you.

1:25:08.040 --> 1:25:10.360
<v Speaker 1>Five stars only. If it's not five stars, if it's

1:25:10.360 --> 1:25:13.880
<v Speaker 1>no stars, five star reviews only, Thank you very much.

1:25:14.360 --> 1:25:16.760
<v Speaker 1>X ray Vision is a Crooked Media production. The show

1:25:16.800 --> 1:25:19.200
<v Speaker 1>is produced by Chris Lord and Saul Rubin. The show

1:25:19.280 --> 1:25:23.400
<v Speaker 1>is executive produced by myself and Sandy Gerard. Caroline Ruston

1:25:23.439 --> 1:25:26.439
<v Speaker 1>and Carlton Gillespie are our consulting producers that are editing

1:25:26.479 --> 1:25:29.600
<v Speaker 1>and sound design is by Facili's Photopoulos. Thank you to

1:25:29.600 --> 1:25:31.000
<v Speaker 1>Brian Vasquez for our theme.

1:25:31.640 --> 1:25:32.559
<v Speaker 3>See you next time.