Speaker 1: Previously on the Princess of South Beach Aber Where were we? Ah? Right?
Speaker 1: My twin money at del Garmin decided to usurp my life.
Speaker 1: Blah blah blah, ibuless you know the drill. And Maria
Speaker 1: read the letter from a guy who claims he's our
Speaker 1: real father. What Yeah. In the letter, it says that
Speaker 1: Luisa and Estevan were sterile and that Luisa's father, Don Sebero,
Speaker 1: told her that if she didn't give him a grandchild
Speaker 1: to continue his legacy, she would be left penniless. Desperate
Speaker 1: for a way to keep her inheritance, Luisa decided to
Speaker 1: tell a little lie. See I told my father that
Speaker 1: I was pregnant. What else was I supposed to do?
Speaker 1: Lose all the money? Louisa, maybe it's better if we
Speaker 1: leave all of this behind, start a new life, live
Speaker 1: like normal people without your father's fortune. You would still
Speaker 1: love me without the money, right, of course, but let's
Speaker 1: focus on finding a baby. I have your lunch here,
Speaker 1: see Anna, come in grass close the door a new
Speaker 1: way out. Um, But I was wondering if I could
Speaker 1: ask you for a favor. Can't you see we're in
Speaker 1: the middle of a private discussion get out. No, it's
Speaker 1: just that I need to ask for another day off.
Speaker 1: What for? The doctor needs to do another routine check
Speaker 1: up and he's going to perform an ultrasound on me,
Speaker 1: and we need to see on your baby. Of course,
Speaker 1: because you're pregnant with a baby. Did seven? Anna has
Speaker 1: a baby in her belly? Pregnant with a baby? What else?
Speaker 1: Because she's pretty pregnant with na of course you can
Speaker 1: take a day off, take the week. Really, yes, I
Speaker 1: really appreciate it when I leave you too. I don't
Speaker 1: understand why you said baby like thirty times, Lisa, don't
Speaker 1: tell me you're thinking of stealing that baby? What? Of
Speaker 1: course not. I'm not a monster. I we'd obviously pay
Speaker 1: her to borrow the baby. This is perfect. My father
Speaker 1: is forcing me to have a baby, and what just
Speaker 1: lands on our laps no more. We just need her
Speaker 1: to loan us the baby until my father dies and
Speaker 1: we get the inhered. Do you think Anna will be
Speaker 1: okay with that? I? Yes, even she's poor, and you
Speaker 1: know how poor people are. Actually, I don't know any
Speaker 1: poor people, but considering the amount of money we're going
Speaker 1: to offer her in return, ear, she'd be crazy not
Speaker 1: to do it. But how are you going to convince it?
Speaker 1: Don't say hello that the baby is yours? Are you
Speaker 1: just going to walk around with a pillow under your
Speaker 1: dress for nine months? That's exactly what I'm going to do.
Speaker 1: And so months went by, Louisa faking a pregnancy to
Speaker 1: play along with her father's wishes, and your mother Hannah
Speaker 1: was totally oblivious to their plan. Everything was going fine
Speaker 1: until the night your mother finally went into labor. They
Speaker 1: called it the Hurricane of the Sentry. Your mother was
Speaker 1: working when the first contractions started, and on the way
Speaker 1: to the hospital, Luisa was ready to make her offer.
Speaker 1: They called it the Hurricane of the sentry. Your mother
Speaker 1: was working when the first contractions started, and on the
Speaker 1: way to the hospital, Louisa was ready to make her offer.
Speaker 1: I moan, I can't wait any longer. I'm driving a
Speaker 1: smash as I can. You're okay, You're okay. Just breathe.
Speaker 1: You can have picked the worst time to go into labor, Jesus,
Speaker 1: I can't see anything in the storm. Anna follow my
Speaker 1: breathing inhale exhale, okay Inese, see see see exhale, Nita, Anna,
Speaker 1: I was thinking you and your husband are poor, right,
Speaker 1: I guess, and you're both saving up to buy a
Speaker 1: house now, I see, what do you ask, Louisa? Don't
Speaker 1: you think it'd be better to wait until another time?
Speaker 1: Shut up and drive? Annah? What if I told you
Speaker 1: I could give you fifty thousand dollars? I geah? What
Speaker 1: are you talking about? Sir? Luisa? Look, I want to
Speaker 1: make you an offer. Fifty thousand in cash, no questions asked.
Speaker 1: You and your husband could buy a nice small house,
Speaker 1: start a new life. The only thing I want is
Speaker 1: your baby. What have you lost your damn by? Okay? Okay,
Speaker 1: one hundred thousand, no football drive art brage, fine, fine,
Speaker 1: one fifty nine. Louisa at least explained to her that
Speaker 1: we just want to borrow the baby. Who's making this deal?
Speaker 1: You or me? Annah? Look, you know how much my
Speaker 1: father wants a grandson, and if I don't show up
Speaker 1: with a baby before he dies, I'm going to be
Speaker 1: left with nothing. But you are pregnant. What do you
Speaker 1: need my baby? Before I bought the office, it's just
Speaker 1: a pillow. I had to fake it. I had no
Speaker 1: other choice, but you. You could solve all of my problems.
Speaker 1: I just need the baby until my father dies. It
Speaker 1: won't be more than a few months. And as soon
Speaker 1: as I have my hands on that inheritance, I'll give
Speaker 1: you back your baby. No no, I will never said
Speaker 1: my baby. No, it's more like rent your baby, not
Speaker 1: even for a million dollars. What kind of press that
Speaker 1: would ever think of doing such a thing. Look at
Speaker 1: the road. What what is that? It's the river. It's overflowing.
Speaker 1: We can't get across. Yeah, we need to go back.
Speaker 1: If I try to go through all old drown No no,
Speaker 1: no, no no, no, no no, no, no please, I can't wait
Speaker 1: any longer. And that's how you were born. My dear daughter,
Speaker 1: Gloria in the backseat of a Bentleier Nash. What a
Speaker 1: beautiful little girl. She's gorgeous. Her name is her baby's Claudia.
Speaker 1: I poor father. Let me hold her, Claudia Sea, Gloria,
Speaker 1: Please keep you my baby, Give me my baby. See Visa,
Speaker 1: there's so much blood. I think she's potting out. Anna,
Speaker 1: How do we up, guest, Clodia, I'll take care of me.
Speaker 1: How don wake up for me? Ussa man? What we
Speaker 1: just leave her here? What are you talking about, Risa?
Speaker 1: What are you saying? He spend on this woman is
Speaker 1: clearly dying. This baby needs a mother and a father,
Speaker 1: and he need a baby. I've dreamt about this my
Speaker 1: entire life, Luis Abords, We're not murdered on a wake
Speaker 1: up Estevan, Listen to me. Maybe this is a sign.
Speaker 1: Maybe this baby is destined to be ours. This was
Speaker 1: all meant to be. Help me get it out of
Speaker 1: the car. No stop, Luisafour. We can't do this. We
Speaker 1: can't do this. I didn't sign up for this. My
Speaker 1: father is right. You're useless, weak and useless. You're not
Speaker 1: a man. Don't ever say it to me in here,
Speaker 1: get out of the way. I'll do it right now.
Speaker 1: They left her there alone, leading to death, and they
Speaker 1: didn't know that she was pregnant with twins. Not only
Speaker 1: were they sentencing her to death, but your sister as well.
Speaker 1: Days later, they found your mother amongst the ruins hurricane
Speaker 1: left behind, but your sister. Your sister was never found,
Speaker 1: never found. Oh wait, that's me. Don't think I ever
Speaker 1: stopped searching for you both. The day after the hurricane,
Speaker 1: when your mother's body was yet to be found, I
Speaker 1: went to Lakasa Rosa to look for her. That decision
Speaker 1: proved to be my undoing. Holy crap, that was some dark,
Speaker 1: heavy sensitive Shenanigans being revealed right there. And if you
Speaker 1: don't think things can get worse, think again, Ermanita. If
Speaker 1: you're enjoying Princess of South Beach, please subscribe, rate, and
Speaker 1: review our show wherever you're listening. The Princess of South
Speaker 1: Beach is a production of Ihearts, Mikultura Podcast Network and Sonoro,
Speaker 1: Created and directed by Jasmine Romero. Written by Jasmine Romero
Speaker 1: and Joanna Houseman, with help from Daniels Arkis, Monisa Heinriz
Speaker 1: and Christian Hattar. Produced by Luis ro Castillo. Executive produced
Speaker 1: by conal Byrne and Giselle Bances for iHeart by Joanna Housman,
Speaker 1: and by Jasmine Romero and Joshua Weinstein for Sonaro. Performances
Speaker 1: in this episode by Rachel Zegler, Gina Torres, Raoulas Barza,
Speaker 1: Garo Capello, and David Bueno. Our production manager is Geinsachitis.
Speaker 1: Recording and engineering by Emiliano Quintanari, with sound designed by
Speaker 1: Edwin Irigoyen Cassandratinajiro, Andres Bayena, Diego Medina and Andres Coronaldo
Speaker 1: Assistant sound designed by Eric Senttheno, casting and coordination by
Speaker 1: Andres Chaitis, Folly by Samantha Gonzalez, phong our theme song
Speaker 1: and original music by Rodrigo Garcia Roles and Charlie Hernandez