WEBVTT - Mini Crush #47

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<v Speaker 1>Hey, everybody, welcome to movie crush. Chuck, are you okay?

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<v Speaker 1>I am okay. It sounded like a robot that was

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<v Speaker 1>like powering down. How great would that be? Wouldn't that

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<v Speaker 1>be fun just to be able to fully power down

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<v Speaker 1>to do sleep mode for a minute. Yeah, because it's not.

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<v Speaker 1>You know, sometimes I wake up in the middle of

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<v Speaker 1>the night if I'm stressed. I was up at five

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<v Speaker 1>thirty this morning. If you could just literally power down

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<v Speaker 1>right solid hour, just put on a timer so you

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<v Speaker 1>can know what to expect. Really, well, last night, Chuck,

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<v Speaker 1>did you I did? I went to bed at like

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<v Speaker 1>nine thirty. Yeah, man, woke up early, took my kid

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<v Speaker 1>to school. I'm here with you singing a song. It's

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<v Speaker 1>gonna be a good day. We haven't saying yet. Uh,

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<v Speaker 1>you know I was up early. What are you gonna

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<v Speaker 1>talk about this? But I'm gonna go ahead and mention it. Uh.

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<v Speaker 1>I found out a friend of mine from college died

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<v Speaker 1>last night. Died like a week ago. Yeah, And this

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<v Speaker 1>was one of those deals where like I hadn't talked

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<v Speaker 1>to him since then, but he was one of those

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<v Speaker 1>guys I was like, well, and his name was Chuck too,

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<v Speaker 1>which is why anyone in Athens calls me Chucky because

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<v Speaker 1>of this guy, because he was there first and at

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<v Speaker 1>this restaurant mix Kelly Grill. So I got hired and

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<v Speaker 1>there was a Chuck, so they all call me Chucky.

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<v Speaker 1>So any of my Athens old Athens friends still see

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<v Speaker 1>me and call me Chucky, which is funny. Didn't get

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<v Speaker 1>a choice in this matter. He didn't get a choice.

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<v Speaker 1>But anyway, the other Chuck passed away like a week ago,

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<v Speaker 1>and he was one of those guys where I was like, man,

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<v Speaker 1>I'm sure I will see Chuck again at some point,

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<v Speaker 1>and you probably would have just picked right back up,

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<v Speaker 1>picked right back up and had drinks and it would

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<v Speaker 1>have been amazing. So sorry to hear that. Yeah, I

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<v Speaker 1>think we're facilitating a reunion of that restaurant crew though

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<v Speaker 1>slash memorial, which would be great. But then it's it's

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<v Speaker 1>just that, like, man, why didn't we do it a year?

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<v Speaker 1>That's also true anyway, Rest in peace, Mr Chuck Johnson, great,

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<v Speaker 1>great man, my first like really close gay friend, like

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<v Speaker 1>when I was just sort of coming away from church

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<v Speaker 1>and meeting all sorts of great new people and exposing

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<v Speaker 1>myself to like college life for real, sounds like a

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<v Speaker 1>formative time. All right, everybody didn't mean to bum you

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<v Speaker 1>out off the bat. Let's drink some whiskey and get

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<v Speaker 1>to it. It's only nine, it's almost ten am. What's

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<v Speaker 1>up with these bagels? She finally starts getting everything bagels,

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<v Speaker 1>and she'll get six are those when everyone loves him?

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<v Speaker 1>And then she'll get an absurd assort eighteen like weird

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<v Speaker 1>spinach cream things. You're the only one, dude, because there's

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<v Speaker 1>nineteen of them in there. I wonder do you ate

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<v Speaker 1>that one? No? I don't even know what you're talking about. Um,

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<v Speaker 1>I have noticed that it's quite an elaborate assortment, and

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<v Speaker 1>I think that the ticket might just be to part

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<v Speaker 1>down to the essentials, so that would be plain, yeah,

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<v Speaker 1>everything everything, what whole wheat just because I don't know, No,

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<v Speaker 1>I like god even no, No, I like a poppy seed,

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<v Speaker 1>a poppy seed, garlic, garlic, bay garlic, poppy everything plain?

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<v Speaker 1>And then what else? Um? I mean, you know, maybe

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<v Speaker 1>a whole wheat for those them, what like whole wheat

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<v Speaker 1>or the raisin like those people Someone told me they

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<v Speaker 1>put smoked salmon cream cheese on a raisin cinnamon bagel,

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<v Speaker 1>and I was like, you, sir, are a monster, yes,

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<v Speaker 1>a madman. Indeed, what do we got today, Chuck? What's

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<v Speaker 1>on the docket? On the docket, Knoll? We have? I

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<v Speaker 1>wish I knew when this was coming out in real time,

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<v Speaker 1>because we're actually ahead of the game. We're way ahead.

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<v Speaker 1>We're gonna say so much dated ship. Yeah, but is

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<v Speaker 1>it before Christmas? Is it after Christmas? Exactly? It doesn't matter.

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<v Speaker 1>I don't even know who want to talk like, there's

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<v Speaker 1>no tomorrow. All right, So social studies. We're going to

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<v Speaker 1>start with social and uh, this is one that I've

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<v Speaker 1>kept going from previous weeks on the old Facebook page.

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<v Speaker 1>A memorable thing that happened to you in a movie

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<v Speaker 1>going experience and not like I criad so hard during

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<v Speaker 1>the notebook. I think I had a bummer story about

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<v Speaker 1>a weird abusive dude that was yes, you did, absolutely

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<v Speaker 1>and I had mind about the guy walking out of

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<v Speaker 1>Welcome to the Dollhouse, like shaming everyone's day. So, uh,

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<v Speaker 1>we'll start with an actually actually went through and pull

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<v Speaker 1>these out last night, everybody, I was not lazy for

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<v Speaker 1>a change, And so you won't hear me go which

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<v Speaker 1>one should I pick? So we're gonna start off right

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<v Speaker 1>away with Chloe. Uh wow, all of the names. It's

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<v Speaker 1>always with the names. No, I wish sevenny. I still

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<v Speaker 1>don't even know how to pronounce your last name either. Um.

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<v Speaker 1>Did I ever tell you about when I saw here

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<v Speaker 1>we go already? Who was the guy in Brown Bunny,

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<v Speaker 1>Vince gallow Gallo? I saw him on the street in

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<v Speaker 1>New York once? Well, did we talk about this then?

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<v Speaker 1>Maybe the day I saw him in three places in

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<v Speaker 1>l A. He thought I was following him. He really did,

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<v Speaker 1>Like you saw this look in his eye. At the

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<v Speaker 1>third place, I saw that look in his eye. He

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<v Speaker 1>was like, oh ship was this guy? Like? That's hilarious? Yeah,

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<v Speaker 1>And I bet you felt the same way. I was like,

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<v Speaker 1>why is this Vincent Gallas following following me? No? I

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<v Speaker 1>mean that'd be a creepy follow that would be so Chloe,

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<v Speaker 1>where's he been? He's probably working on his next masterpiece,

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<v Speaker 1>you know, in a dungeon with real fallacio in a film.

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<v Speaker 1>Gotta have it crucial. So this is not Chloe's uh

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<v Speaker 1>seven year think you don't know either. I always do

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<v Speaker 1>the hard gegny all right, but this is not this

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<v Speaker 1>is uh to see TuS No, this is what I'm

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<v Speaker 1>gonna say. Man, if only we had Casey Pegram Casey

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<v Speaker 1>on the case. I know, dude, I just had him

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<v Speaker 1>for the Shine, he told me, And we're going to

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<v Speaker 1>do a Kubrick three parter, and Casey might just be

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<v Speaker 1>my go to guy for like maybe ticking off like

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<v Speaker 1>kur Sawa, absolutely any of the Criterion type stuff cases. Yeah,

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<v Speaker 1>he can really talk intelligently about a movie, all right.

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<v Speaker 1>Chloe says this. When I went to see the movie

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<v Speaker 1>it the one from just last year, I was the

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<v Speaker 1>only one in the cinema during the day, and halfway

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<v Speaker 1>through the movie, a red balloon floated to the ceiling.

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<v Speaker 1>I couldn't see anyone else in there, and I was

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<v Speaker 1>genuinely freaked out for the rest of the movie. That's interesting.

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<v Speaker 1>I wonder if that was like a leftover red balloon

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<v Speaker 1>from some like premiere event. Many possibilities here. It could

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<v Speaker 1>have just simply been under a seat and warmed its

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<v Speaker 1>way out as it lost air until it was free

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<v Speaker 1>enough to float, or it could have you know, passed

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<v Speaker 1>over from the nether world. Sure, or it could have

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<v Speaker 1>been someone just fucking with her. That's like I hide

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<v Speaker 1>in the theater with red balloons during it and release them.

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<v Speaker 1>That's crazy too that you would have been the only one.

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<v Speaker 1>I guess during the day. You're more likely to have

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<v Speaker 1>an empty theater during day, like on a week day. Yeah,

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<v Speaker 1>that happened to me during Overlord. The only person there

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<v Speaker 1>was that any good. Well, here was the deal. I

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<v Speaker 1>saw it. It wasn't really on my radar like at all.

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<v Speaker 1>But I had a window and I was like, oh man,

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<v Speaker 1>I got a window and go see a movie. And

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<v Speaker 1>I looked up and that was the only thing playing

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<v Speaker 1>during that window that was remotely interesting. So I was like, sure,

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<v Speaker 1>I'll go see it. It It kind of like it wasn't

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<v Speaker 1>Gorefest kind of a little bit. No, I mean it

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<v Speaker 1>was sort of. It was a mash up, you know,

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<v Speaker 1>World War two slash sort of sci fi, not zombie,

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<v Speaker 1>but like you know, nazy experimenting on like super soldiers

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<v Speaker 1>there damn Nazzies and the experiments. I ganked that from

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<v Speaker 1>Ben Harrison. Love it from fires Nazzi. I love it. Well,

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<v Speaker 1>that's how like an old grizzled war vel, which is

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<v Speaker 1>he ganked that he didn't make that. I love it.

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<v Speaker 1>That's great. That is terrifying. That that would have freak

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<v Speaker 1>seen the the original that was on TV, which and

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<v Speaker 1>you know if you revisit it now does not hold up.

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<v Speaker 1>It is very cheesy. Tim Curry does a fine job

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<v Speaker 1>as the clown, but that's pretty bad. That movie scared

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<v Speaker 1>me shitless when I was a little kid, I had

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<v Speaker 1>mega nightmares, sleepless nights for a long time because of this.

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<v Speaker 1>So I can understand that that particular being killer clowns.

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<v Speaker 1>All Right, Michael Griffith says this, Uh, this is very

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<v Speaker 1>sweet story, Michael, and you got some some big hearts

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<v Speaker 1>from from some of the ladies on the site. I

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<v Speaker 1>was interested in a girl when she and I were

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<v Speaker 1>much much younger. Our parents really disliked it. You see,

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<v Speaker 1>we had grown up in an extremely fundamentalist Christian church

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<v Speaker 1>and if we got caught, it would have been bad.

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<v Speaker 1>I mean, like one or both of us shunned if

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<v Speaker 1>caught bad, like a like shun shunned. I don't know.

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<v Speaker 1>They were in high school, like this is what that

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<v Speaker 1>that these things can happen? Oh yeah, I'm sure you know. Uh. Well,

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<v Speaker 1>we found a way to see each other by seeing

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<v Speaker 1>a movie. Uh, And he basically said they met the

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<v Speaker 1>next county over and met separately, like, this is how

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<v Speaker 1>bad they had to go? He said, it was very

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<v Speaker 1>cloak and dagger. We saw super Bad and that was

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<v Speaker 1>when I realized I had fallen in love for the

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<v Speaker 1>very first time. We ended up getting married twelve years later.

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<v Speaker 1>That's awesome. How about that? That's really nice? And then

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<v Speaker 1>oh what nothing? Oh thank god? I was about to

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<v Speaker 1>get so dark? How could you do that? My head

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<v Speaker 1>frame slightly dark? Sorry, I understand. That's a story. That

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<v Speaker 1>is a really sweet story. And super Bad is a

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<v Speaker 1>good litmus test movie because it's pretty pretty raunchy, and

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<v Speaker 1>it's got some refs. You know, it's got some yeah,

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<v Speaker 1>you know. So you're like looking out of the corner.

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<v Speaker 1>I see if she's clutching her pearls or well, or

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<v Speaker 1>getting the refs or getting the refs. If there's that

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<v Speaker 1>look of recognition duking the stats, I gotta do it.

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<v Speaker 1>You gotta doke it. Baird Williams Swedman says, I was

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<v Speaker 1>in late grade school, early junior high at the movie

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<v Speaker 1>with my friends. We got our seats well before the

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<v Speaker 1>movie started, and I found a skittle on an arm

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<v Speaker 1>rest and ate it. My friend exclaimed, what if someone

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<v Speaker 1>got butt naked and farted on that. It was so

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<v Speaker 1>funny to me that my friend thought this was the

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<v Speaker 1>plau sible scenario. And I still laugh about it today.

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<v Speaker 1>I love that that is very specific. I love an

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<v Speaker 1>old joke like that that you still kind of laugh

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<v Speaker 1>at twenty something and you just remember, Okay, that's great,

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<v Speaker 1>got naked, butt naked and farted in the theater. It

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<v Speaker 1>sounds like something my daughter, presumably during the matinee on

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<v Speaker 1>a weekday no one was around. My daughter would totally

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<v Speaker 1>do that. She parts on me constantly, so is mine.

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<v Speaker 1>It's great at the point where I'm annoyed by it

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<v Speaker 1>because she's like ten, yeah, they think it's I'm like,

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<v Speaker 1>it's not cute anymore, kid, You're like, right, come on, Ruby,

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<v Speaker 1>says Tuti booty Um. I took her to see The Grinch,

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<v Speaker 1>by the way, movie number three for her, was it okay? Uh,

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<v Speaker 1>you know, probably lacked some of the magic. It should

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<v Speaker 1>have been like better to me, like, I'm right in

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<v Speaker 1>that wheelhouse of nostalgia and Dr SEUs love and Grinch love,

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<v Speaker 1>and it was just okay. I mean, it looked great.

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<v Speaker 1>But the problem with that story is it's the same

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<v Speaker 1>with like the Jim Carey thing. The book is so

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<v Speaker 1>short you have to flesh it out with some other

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<v Speaker 1>story that you're inventing about the gridge more like pad

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<v Speaker 1>it out. Yeah, so it's never quite right. It was

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<v Speaker 1>all right though for kids. It was great when he

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<v Speaker 1>said an episode of Ridiculous History, um plug me and

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<v Speaker 1>Ben Boland's Silly History show about Dr Seuss, and I

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<v Speaker 1>learned some cool stuff about man. He's on our he's

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<v Speaker 1>been on our list for like five years on stuff

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<v Speaker 1>you should know, and I just never have gotten around him. Right,

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<v Speaker 1>we just did well. The main story was the fact

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<v Speaker 1>that he wrote green eggs and ham on a bet

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<v Speaker 1>and then it only has fifty distinct words, fifty unique words,

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<v Speaker 1>And that was the bat was just like, can you

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<v Speaker 1>make something that kids will read and that is actually

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<v Speaker 1>engaged with interesting and only us fifty words and cat

0:11:44.240 --> 0:11:47.080
<v Speaker 1>and had only had like two fifty words. But yeah,

0:11:47.240 --> 0:11:49.880
<v Speaker 1>he's a very interesting guy. He also did some very problematic,

0:11:49.960 --> 0:11:53.439
<v Speaker 1>quite racist cartoons early in his career, and he worked

0:11:53.440 --> 0:11:55.640
<v Speaker 1>for an ad agency and did some real kind of

0:11:55.679 --> 0:12:01.520
<v Speaker 1>creepy ad campaign drawings. If he were making ads fifties,

0:12:01.800 --> 0:12:03.800
<v Speaker 1>oh yeah, like you were bound to do something and

0:12:03.840 --> 0:12:06.120
<v Speaker 1>one of them was from for mosquito repellents. A lot

0:12:06.120 --> 0:12:11.560
<v Speaker 1>of it involved being in foreign lands looking not not

0:12:11.679 --> 0:12:16.200
<v Speaker 1>good copy of that not a good look? Sam, I

0:12:16.240 --> 0:12:27.960
<v Speaker 1>am yeah, all right. Teresa Barker says this, Uh, this

0:12:28.000 --> 0:12:30.120
<v Speaker 1>is pretty funny. I was peeing before the show with

0:12:30.160 --> 0:12:34.320
<v Speaker 1>my daughter waiting outside the stall when we noticed that

0:12:34.400 --> 0:12:38.520
<v Speaker 1>there were urinals and a boy from her school walked

0:12:38.520 --> 0:12:40.560
<v Speaker 1>in just as we were running out. We still laugh

0:12:40.600 --> 0:12:44.400
<v Speaker 1>about that. Have you ever done that? Uh? I feel

0:12:44.440 --> 0:12:46.560
<v Speaker 1>like I have, but I don't remember specifically, but I know,

0:12:46.679 --> 0:12:48.800
<v Speaker 1>like for sure i've full on like walked into our

0:12:48.840 --> 0:12:51.920
<v Speaker 1>women's bathroom before and been like, oh shit. The thing

0:12:52.040 --> 0:12:54.320
<v Speaker 1>is nowadays, if it's like a bar or something like that,

0:12:54.360 --> 0:12:58.200
<v Speaker 1>it's pretty much understood that either one is is in play. Yeah,

0:12:58.200 --> 0:13:00.000
<v Speaker 1>and there and there are a lot many of them

0:13:00.000 --> 0:13:02.800
<v Speaker 1>these days are just marked back for sure. But now

0:13:02.840 --> 0:13:04.920
<v Speaker 1>I remember it when as in high school, that's when

0:13:04.920 --> 0:13:06.840
<v Speaker 1>it would be bad because when you just kind of

0:13:06.840 --> 0:13:09.840
<v Speaker 1>are like, you know, whistling along and not really paying

0:13:09.880 --> 0:13:11.559
<v Speaker 1>attention and then you just kind of barge into the

0:13:11.600 --> 0:13:17.080
<v Speaker 1>bathroom and then yeah, it would be problematic. Today, it

0:13:17.120 --> 0:13:18.880
<v Speaker 1>all depends on how you handle it today though, even

0:13:18.880 --> 0:13:20.640
<v Speaker 1>it's as like you can still get away with that

0:13:20.720 --> 0:13:22.720
<v Speaker 1>if you were genuinely like, oh my god, I'm so

0:13:22.760 --> 0:13:25.560
<v Speaker 1>sorry and ran out. But if you were like, oh

0:13:25.600 --> 0:13:29.000
<v Speaker 1>sorry ladies, but but how you doing? Okay? First, Chuck,

0:13:29.040 --> 0:13:31.320
<v Speaker 1>who would who would ever do that? Do you know

0:13:31.400 --> 0:13:33.520
<v Speaker 1>this person? Who are these people? Yeah? In the least

0:13:33.520 --> 0:13:35.760
<v Speaker 1>sexy place in the world is a bathroom at a bar.

0:13:36.200 --> 0:13:39.160
<v Speaker 1>Not good? Not a good look? All right, Lee Daily,

0:13:40.480 --> 0:13:44.400
<v Speaker 1>this is wonderful. I don't know if Lee is a

0:13:44.400 --> 0:13:46.600
<v Speaker 1>man or it is a woman, actually, because on Facebook

0:13:46.679 --> 0:13:51.800
<v Speaker 1>the profile pick was um of somebody else entirely. So Lee,

0:13:51.960 --> 0:13:56.080
<v Speaker 1>whoever you are, whatever gender you identify with, I like,

0:13:56.160 --> 0:13:59.800
<v Speaker 1>what what kind of game you're throwing down here? Lee?

0:14:00.080 --> 0:14:03.080
<v Speaker 1>To the theater that had table service, Noll drank a

0:14:03.160 --> 0:14:07.560
<v Speaker 1>picture of beer and passed out during Pineapple Express uh,

0:14:07.640 --> 0:14:09.880
<v Speaker 1>and only got woken up by the guy sitting next

0:14:09.920 --> 0:14:14.760
<v Speaker 1>to me, Uh, telling me I was snoring. That's so embarrassing.

0:14:15.559 --> 0:14:17.480
<v Speaker 1>That's a fear I have. Have I told you that

0:14:17.480 --> 0:14:20.320
<v Speaker 1>I kind of sometimes fall asleep during movies. Uh? Sure,

0:14:20.480 --> 0:14:25.120
<v Speaker 1>the theater? What's your fear? And I do it? Yeah?

0:14:25.320 --> 0:14:29.640
<v Speaker 1>So yeah, I think people might be prone to snore

0:14:29.640 --> 0:14:32.440
<v Speaker 1>when they're like in an uncomfortable position. I don't go

0:14:32.520 --> 0:14:36.520
<v Speaker 1>to like nine o'clock movies. I won't do it. That'll happen. Yeah,

0:14:36.560 --> 0:14:38.560
<v Speaker 1>I'm a matten a guy only at this point in

0:14:38.600 --> 0:14:40.640
<v Speaker 1>my life, just because that's when I have the time.

0:14:41.760 --> 0:14:43.280
<v Speaker 1>Every now and then i'll go to Emily and now

0:14:43.440 --> 0:14:45.160
<v Speaker 1>for some reason we'll go to like a date night

0:14:45.160 --> 0:14:48.160
<v Speaker 1>movie and it's weird to go to a night movie.

0:14:48.240 --> 0:14:52.320
<v Speaker 1>That's how seldom I go to night movies. I was

0:14:52.360 --> 0:14:54.760
<v Speaker 1>never a midnight moving either, really you. I mean, I've

0:14:54.800 --> 0:14:57.600
<v Speaker 1>done it before if it's really like something interesting that

0:14:57.640 --> 0:15:00.560
<v Speaker 1>I really want to see, but it's I never really

0:15:00.560 --> 0:15:02.760
<v Speaker 1>had the opportunity growing up, first of all. But you know,

0:15:03.120 --> 0:15:05.280
<v Speaker 1>in recent years when I've been traveling more, I've seen

0:15:05.320 --> 0:15:07.480
<v Speaker 1>a couple of cool midnight movies. But it's always a

0:15:07.520 --> 0:15:11.160
<v Speaker 1>slog for me, dude. I always am like, yeah, I

0:15:11.200 --> 0:15:13.680
<v Speaker 1>gotta drink coffee, or like, yeah, at midnight you probably

0:15:13.680 --> 0:15:17.760
<v Speaker 1>had a couple of drinks and exactly like way past Yeah,

0:15:17.840 --> 0:15:22.920
<v Speaker 1>not for me. Cuttle Cats Cuddlefish to the Second oil

0:15:23.000 --> 0:15:28.360
<v Speaker 1>Age Kingdom with whorl of Darkness. I don't dispute the eurostata,

0:15:28.600 --> 0:15:33.960
<v Speaker 1>but if he's down here we know not blood but darkness.

0:15:34.000 --> 0:15:40.040
<v Speaker 1>The Earth's black riches. No, I could taste it on

0:15:40.120 --> 0:15:44.920
<v Speaker 1>my lips. Today, I want to talk to you about

0:15:44.960 --> 0:15:57.520
<v Speaker 1>the science of transgenesis, tiens genesis dot show. Bridget this

0:15:57.560 --> 0:16:01.240
<v Speaker 1>is short and sweet, Bridget ben Alicia uh said this.

0:16:02.280 --> 0:16:08.560
<v Speaker 1>I saw our priest at Anaconda enough said, that's pretty cool.

0:16:08.600 --> 0:16:12.000
<v Speaker 1>I never saw my preacher. It's it's probably about the

0:16:12.000 --> 0:16:14.840
<v Speaker 1>same as senior priest. Priest is a little more elevated.

0:16:15.320 --> 0:16:17.240
<v Speaker 1>The priest does he go to do the movies in

0:16:17.280 --> 0:16:21.560
<v Speaker 1>the robes? Do they wear the robes a collar? They

0:16:21.320 --> 0:16:23.840
<v Speaker 1>wear the collar? Maybe I don't know the rules. I

0:16:23.840 --> 0:16:25.480
<v Speaker 1>think they wear the collar, but I've seen the collar

0:16:25.600 --> 0:16:29.600
<v Speaker 1>on like airplanes and stuff. Watching a movie on a plane.

0:16:29.640 --> 0:16:33.120
<v Speaker 1>There you go. Was it anaconda? Anaconda? That's pretty funny though,

0:16:33.120 --> 0:16:36.040
<v Speaker 1>of all the movies, you know, the priest is like, yeah,

0:16:36.120 --> 0:16:39.520
<v Speaker 1>I'm gonna spoil anaconda real quick. Um, the the c

0:16:39.640 --> 0:16:42.960
<v Speaker 1>g I snake vomits up what's his name? Was it

0:16:43.000 --> 0:16:45.520
<v Speaker 1>ice Cube or John John Voight? He bombits up John

0:16:45.600 --> 0:16:48.080
<v Speaker 1>voy and then he winks he's like half alive and

0:16:48.120 --> 0:16:51.400
<v Speaker 1>he's covered in like Anaconda Slime. Can you believe the

0:16:51.400 --> 0:16:55.760
<v Speaker 1>cast in that movie? John Ice Cube, Owen Wilson, Jennifer Lopez.

0:16:56.720 --> 0:16:59.760
<v Speaker 1>It's just like sta I forgot. Owen Wilson was like quality,

0:17:00.320 --> 0:17:03.960
<v Speaker 1>that's hilarious. Except for Jennifer Lopez, She's fine. Have you

0:17:03.960 --> 0:17:07.000
<v Speaker 1>seen Out of Sight? Oh? Well that was great. Sure,

0:17:07.720 --> 0:17:10.040
<v Speaker 1>so give someone the material, That's what I'm saying. Yeah,

0:17:10.119 --> 0:17:11.959
<v Speaker 1>you may be right. Have you seen the new trailer

0:17:11.960 --> 0:17:15.080
<v Speaker 1>for a new movie coming out? Oh? God, what's it called?

0:17:15.359 --> 0:17:20.320
<v Speaker 1>I don't know. It looks like the worst studio schlock

0:17:20.440 --> 0:17:25.240
<v Speaker 1>of all studio schlock about a woman who like accidentally

0:17:25.320 --> 0:17:28.359
<v Speaker 1>looks into, like tricks her way into like a CEO job.

0:17:28.920 --> 0:17:33.080
<v Speaker 1>It's not qualified, but of course hijinks will ensue the

0:17:34.480 --> 0:17:37.200
<v Speaker 1>over qualified. She's good at it. Okay, it's probably called

0:17:38.240 --> 0:17:44.719
<v Speaker 1>over qualified. Maybe it's called like the CEO no less original.

0:17:44.760 --> 0:17:47.560
<v Speaker 1>I'm ray to find out about this all right. Here

0:17:47.560 --> 0:17:50.760
<v Speaker 1>we go with Eleanor Gamolski. When I was ten, I

0:17:50.800 --> 0:17:52.639
<v Speaker 1>saw Finding Nemo in the theaters, and the moment the

0:17:52.640 --> 0:17:55.600
<v Speaker 1>movie started, already had to pee as a ten year old,

0:17:55.880 --> 0:17:58.600
<v Speaker 1>but I didn't want to miss a moment of that movie,

0:17:58.640 --> 0:18:00.679
<v Speaker 1>so I never got up to pee by the end.

0:18:00.720 --> 0:18:03.720
<v Speaker 1>It was almost unbearable, especially in a movie about water.

0:18:04.240 --> 0:18:06.720
<v Speaker 1>But I made it. And I remember thinking, at ten

0:18:06.800 --> 0:18:09.959
<v Speaker 1>years old, if I ever have to be really bad again,

0:18:10.680 --> 0:18:14.040
<v Speaker 1>I can remember sitting through finding Nemo without being and

0:18:14.080 --> 0:18:17.280
<v Speaker 1>that will give me strength. And I still to this

0:18:17.400 --> 0:18:19.879
<v Speaker 1>day think about that. When I have to hold my beat,

0:18:20.600 --> 0:18:23.879
<v Speaker 1>that's pretty great. You gotta psych yourself out. I love it. Uh.

0:18:23.920 --> 0:18:26.560
<v Speaker 1>Emily D says. When my family and I went to

0:18:26.600 --> 0:18:31.080
<v Speaker 1>see Signs I was, it was a crowded theater and

0:18:31.160 --> 0:18:34.440
<v Speaker 1>during one of the most serious and quiet scenes, some

0:18:34.560 --> 0:18:39.600
<v Speaker 1>drunk guy let out a huge fart. It was hilarious

0:18:39.760 --> 0:18:43.000
<v Speaker 1>farts in the comments today. I know I had a guy,

0:18:43.160 --> 0:18:46.960
<v Speaker 1>A p A I worked with and I'm not gonna

0:18:46.960 --> 0:18:49.080
<v Speaker 1>tell you who he is because he actually went on

0:18:49.280 --> 0:18:50.960
<v Speaker 1>this is You know PA's are always like, yeah, I

0:18:50.960 --> 0:18:53.920
<v Speaker 1>want to direct or whatever. This guy actually directed a

0:18:54.000 --> 0:18:58.240
<v Speaker 1>very high profile movie. Um it was a big flop

0:18:58.240 --> 0:19:00.320
<v Speaker 1>and it has He hasn't done much since, I don't think,

0:19:00.880 --> 0:19:05.280
<v Speaker 1>but he did it with two Hollywood acting legends in

0:19:05.320 --> 0:19:07.399
<v Speaker 1>the lead. I gotta guess what it is now. I'm

0:19:07.440 --> 0:19:09.320
<v Speaker 1>not gonna do it out loud, but A p A

0:19:09.520 --> 0:19:10.919
<v Speaker 1>and as a p A was here and he was

0:19:10.960 --> 0:19:13.520
<v Speaker 1>he was always like, yeah, I'm going to be a director,

0:19:13.520 --> 0:19:15.639
<v Speaker 1>and we're like, yeah, yeah, we all are. I was like,

0:19:15.640 --> 0:19:17.959
<v Speaker 1>I'm gonna be a podcaster, Like what the funk is that?

0:19:18.119 --> 0:19:19.880
<v Speaker 1>I didn't even exist yet. So yeah, this guy would

0:19:19.920 --> 0:19:22.240
<v Speaker 1>fart and it was the funniest thing to me. He

0:19:22.240 --> 0:19:26.399
<v Speaker 1>would fart out loud in among people, like we'd be

0:19:26.440 --> 0:19:28.680
<v Speaker 1>in the production office. I don't know if he would

0:19:28.680 --> 0:19:30.640
<v Speaker 1>do it in front of strangers, but these were people

0:19:30.680 --> 0:19:32.359
<v Speaker 1>he didn't know well, but he did it like was

0:19:32.400 --> 0:19:34.840
<v Speaker 1>it about comedic timing? Was it for for you? And

0:19:35.040 --> 0:19:37.480
<v Speaker 1>he would walk up and everyone sort of cutting up

0:19:37.560 --> 0:19:39.280
<v Speaker 1>or whatever, and he would lift his leg and just

0:19:39.400 --> 0:19:43.280
<v Speaker 1>ripping lift his legs. Yeah, and like a dog almost

0:19:43.320 --> 0:19:46.760
<v Speaker 1>across the board. We would laugh, like there might be

0:19:46.760 --> 0:19:49.600
<v Speaker 1>one person that's like, what are you doing, dude? But

0:19:49.680 --> 0:19:51.720
<v Speaker 1>I was always like, I can't believe the balls it

0:19:51.800 --> 0:19:54.720
<v Speaker 1>takes to just fart like that, like you're in front

0:19:54.760 --> 0:19:57.840
<v Speaker 1>of your like, you know, probably the same balls it

0:19:57.880 --> 0:20:01.960
<v Speaker 1>takes to direct a big budget maybe so flood. Oh god,

0:20:02.200 --> 0:20:03.879
<v Speaker 1>he's got to roll the dice you to look him up.

0:20:03.880 --> 0:20:07.080
<v Speaker 1>I wonder what he is doing Phil Yates said, I

0:20:07.200 --> 0:20:11.080
<v Speaker 1>dropped a tab of acid and went alone to a

0:20:11.119 --> 0:20:13.719
<v Speaker 1>midday showing of the Matrix on the day it opened.

0:20:14.960 --> 0:20:19.879
<v Speaker 1>No one else in the cinema. What that may be

0:20:19.960 --> 0:20:22.240
<v Speaker 1>the acid? The matrix was not empty on day one.

0:20:22.640 --> 0:20:24.400
<v Speaker 1>It was a day one, that's what he said. That's

0:20:24.440 --> 0:20:26.760
<v Speaker 1>the day it opened. Uh. And when I walked out

0:20:26.800 --> 0:20:30.280
<v Speaker 1>into the sunlight afterward, I could see the matrix myself.

0:20:31.560 --> 0:20:36.520
<v Speaker 1>How about that fill the thrill? Oh man, that's that's great.

0:20:36.600 --> 0:20:38.600
<v Speaker 1>That's a pretty good story, all right. And finally number ten,

0:20:39.119 --> 0:20:42.080
<v Speaker 1>Tim van Gin says a woman climbed on stage just

0:20:42.200 --> 0:20:45.440
<v Speaker 1>before the movie started and said this was her way

0:20:45.480 --> 0:20:49.480
<v Speaker 1>of confronting her fears to be in public places. Three

0:20:49.520 --> 0:20:53.280
<v Speaker 1>people slow clapped, and the rest of the audience was unresponsive. Okay,

0:20:53.480 --> 0:20:55.960
<v Speaker 1>that's funny on so many levels. I think it's very

0:20:55.960 --> 0:20:59.160
<v Speaker 1>brave and like kind of awesome it is, but it's

0:20:59.200 --> 0:21:03.840
<v Speaker 1>also kind of like, yay, we're part of your your thing.

0:21:04.000 --> 0:21:07.240
<v Speaker 1>Good for you, lady. I can definitely sense ambivalence among

0:21:07.280 --> 0:21:11.280
<v Speaker 1>most people. Yeah, I think you're just a better person

0:21:11.320 --> 0:21:14.080
<v Speaker 1>than most people. Check. Oh, I don't know about that. No, no,

0:21:14.160 --> 0:21:15.879
<v Speaker 1>I get it, But like, surely there are ways to

0:21:15.880 --> 0:21:18.800
<v Speaker 1>confront this, you know, in therapy with role playing, or

0:21:19.080 --> 0:21:21.760
<v Speaker 1>don't inconvenience. A whole crowdful of people wanted to watch.

0:21:23.080 --> 0:21:25.000
<v Speaker 1>You know. If I was there, I would have said,

0:21:25.080 --> 0:21:26.720
<v Speaker 1>I would have stood up and said, well, you know what,

0:21:26.920 --> 0:21:29.239
<v Speaker 1>I was a late bedwinter and maybe act see if

0:21:29.240 --> 0:21:30.920
<v Speaker 1>I could get something going like that. I almost just

0:21:30.960 --> 0:21:32.640
<v Speaker 1>spit my coffee out of my mouth just then. Check

0:21:32.720 --> 0:21:35.240
<v Speaker 1>that was really funny. I was a late bedwinter. Does

0:21:35.240 --> 0:21:37.240
<v Speaker 1>that mean you started late or you you kept going

0:21:37.280 --> 0:21:39.760
<v Speaker 1>from now? I kept going. I went to bed till

0:21:39.800 --> 0:21:42.560
<v Speaker 1>I was like, Okay, it would be funny if a

0:21:42.600 --> 0:21:44.439
<v Speaker 1>late bedwinter was someone that just started weding the bed

0:21:44.600 --> 0:21:46.520
<v Speaker 1>there in their thirties, you know, right, well, I'm sure

0:21:46.560 --> 0:21:51.120
<v Speaker 1>that happens for like political reasons. Well, um, I don't

0:21:51.119 --> 0:21:53.240
<v Speaker 1>remember how old it was, but I was like ten,

0:21:53.840 --> 0:21:56.359
<v Speaker 1>it was old. Yeah, my dad was, My granddad was

0:21:56.520 --> 0:22:00.080
<v Speaker 1>totally genetic. Interesting. Uh yeah, I've talked about on STUFFIA know,

0:22:00.240 --> 0:22:02.359
<v Speaker 1>quite a bit. I feel like I'm trying to destroy

0:22:02.440 --> 0:22:04.240
<v Speaker 1>the shame of that for nuts out there. You know, Yeah,

0:22:04.280 --> 0:22:05.680
<v Speaker 1>there is no shame. I mean, it's just the thing

0:22:05.680 --> 0:22:07.480
<v Speaker 1>that happens and then it kind of stops then it

0:22:07.560 --> 0:22:09.320
<v Speaker 1>just thoughts like a psychological I don't know what it is.

0:22:09.320 --> 0:22:11.200
<v Speaker 1>I'm sure someone could speak to that, but I think

0:22:11.200 --> 0:22:12.840
<v Speaker 1>I did till I was at least six or seven.

0:22:13.040 --> 0:22:16.680
<v Speaker 1>Oh well that's late. Yeah, yeah, look at us. We're

0:22:16.720 --> 0:22:20.720
<v Speaker 1>bed wedding Bros. Bed Wedders, bed Wedders Unite. Indeed, stream

0:22:20.800 --> 0:22:26.080
<v Speaker 1>this everybody, no old have you? Do you have Amazon Prime?

0:22:26.320 --> 0:22:29.000
<v Speaker 1>I do? Have you ever? Just sort of searched through there.

0:22:29.800 --> 0:22:31.919
<v Speaker 1>I don't even know if they're labeled classic movies, but

0:22:32.000 --> 0:22:35.080
<v Speaker 1>just there the catalog stuff. Yeah, they got a bunch

0:22:35.080 --> 0:22:38.639
<v Speaker 1>of good schlocky horror stuff. They got aunch off. They

0:22:38.640 --> 0:22:42.280
<v Speaker 1>really do, like they really quality classic films. So Emily

0:22:42.280 --> 0:22:46.720
<v Speaker 1>and I watched Clute Jane Fonda and Donald Sutherland. I've

0:22:46.760 --> 0:22:48.680
<v Speaker 1>not even heard of this in the nineteen seventy two

0:22:48.720 --> 0:22:53.359
<v Speaker 1>Ellen j Pacula film Clute kale Ut. Yeah, it is

0:22:53.440 --> 0:22:56.480
<v Speaker 1>a you never even heard of it? Well, Jane Fonda

0:22:56.520 --> 0:23:00.000
<v Speaker 1>want an Academy Award for it for Best Actress, And um,

0:23:00.000 --> 0:23:02.280
<v Speaker 1>I didn't know Jane Fond had an Academy Award. Yeah. Man,

0:23:02.840 --> 0:23:07.200
<v Speaker 1>this is the story of a a woman, a sex

0:23:07.200 --> 0:23:10.760
<v Speaker 1>worker in New York. Who is it New York? Yeah?

0:23:10.880 --> 0:23:15.399
<v Speaker 1>I think so a sex worker who uh is a

0:23:15.440 --> 0:23:17.480
<v Speaker 1>sort of a freelancer, you know she doesn't you know,

0:23:17.520 --> 0:23:22.920
<v Speaker 1>work with a uh a business manager as they say, so, Um,

0:23:23.760 --> 0:23:26.919
<v Speaker 1>a high profile um former John of hers goes missing,

0:23:27.400 --> 0:23:31.280
<v Speaker 1>like the CEO of a company, and they a detective

0:23:31.320 --> 0:23:33.639
<v Speaker 1>who is Donald Sutherland. He sort of takes us on,

0:23:34.359 --> 0:23:38.480
<v Speaker 1>uh is hired by the company. Uh believes that she

0:23:38.640 --> 0:23:41.439
<v Speaker 1>has the key because he was a former john to

0:23:41.640 --> 0:23:44.480
<v Speaker 1>how he might have disappeared. So that's all. I'll tell you.

0:23:44.520 --> 0:23:51.159
<v Speaker 1>A very good movie, very suspenseful, super seventies like suspense film. Yeah, this,

0:23:51.280 --> 0:23:53.919
<v Speaker 1>I was just thinking about this era. I'm looking at

0:23:53.920 --> 0:23:56.360
<v Speaker 1>the poster of this with Donald Sutherland. Have you seen

0:23:56.359 --> 0:23:59.720
<v Speaker 1>that movie? Don't look now? Oh yes I have. That's

0:23:59.760 --> 0:24:02.720
<v Speaker 1>a serious movie. That's a serious movie. That's but that's

0:24:02.720 --> 0:24:06.840
<v Speaker 1>around the same seventies my period and the same age

0:24:06.880 --> 0:24:09.199
<v Speaker 1>he's he's rocking it. But that one is just like

0:24:09.320 --> 0:24:13.040
<v Speaker 1>so upsetting and also beautiful and just amazing. Like, yeah,

0:24:13.040 --> 0:24:15.600
<v Speaker 1>it's like a mystery, it's a tragedy, it's sort of

0:24:15.600 --> 0:24:17.840
<v Speaker 1>a ghost story. It's like all of these things. Um,

0:24:17.920 --> 0:24:23.639
<v Speaker 1>this looks incredible, Chuck, really very good. And um his

0:24:23.720 --> 0:24:26.879
<v Speaker 1>name is Clute in the movie. I think John Clute maybe,

0:24:27.600 --> 0:24:30.320
<v Speaker 1>And I was a sort of immediate immediately annoyed afterward though,

0:24:30.320 --> 0:24:32.240
<v Speaker 1>because I've always heard Clute and always figured that was

0:24:32.320 --> 0:24:35.320
<v Speaker 1>Jane Fonda, and especially after seeing the film, it is

0:24:35.320 --> 0:24:39.760
<v Speaker 1>her story for sure. It is a woman's story about Uh.

0:24:39.800 --> 0:24:43.040
<v Speaker 1>They are all these great, long, long monologue, single shot,

0:24:43.119 --> 0:24:46.560
<v Speaker 1>single take monologues of her talking to her therapist about

0:24:47.640 --> 0:24:49.840
<v Speaker 1>her job and how she feels about it, and she

0:24:49.840 --> 0:24:52.159
<v Speaker 1>feels about herself, and then she feels about men and sex.

0:24:52.640 --> 0:24:56.119
<v Speaker 1>This just fucking awesome, man, Like, really some of the

0:24:56.200 --> 0:24:59.920
<v Speaker 1>best should've scene. And they named the movie Clute at

0:25:00.080 --> 0:25:03.359
<v Speaker 1>Donald Sutherland's character, which I mean, he was sort of

0:25:03.359 --> 0:25:05.800
<v Speaker 1>a misnomer, Like, yeah, it's just like it was her movie,

0:25:05.800 --> 0:25:07.960
<v Speaker 1>and I think maybe I couldn't help but think it

0:25:08.000 --> 0:25:11.200
<v Speaker 1>was because it was a time in the United States

0:25:11.200 --> 0:25:14.600
<v Speaker 1>where well, Donald Sutherland's in it, it's his film. Well,

0:25:14.640 --> 0:25:15.960
<v Speaker 1>for the record, I would have been like, what the

0:25:16.000 --> 0:25:18.600
<v Speaker 1>fund is a clute? Sure, I don't know, I see

0:25:18.640 --> 0:25:20.640
<v Speaker 1>that name. I didn't even think it was a person's name. Yeah,

0:25:20.680 --> 0:25:24.240
<v Speaker 1>what's a clue? Did they get cluded? First? I thought

0:25:24.280 --> 0:25:27.560
<v Speaker 1>you said clue included? So hard people love Clue. By

0:25:27.560 --> 0:25:29.800
<v Speaker 1>the way, that movie Clue, they didn't you have You

0:25:30.119 --> 0:25:32.680
<v Speaker 1>had a guest Casey Wilson and people. Yeah, got good

0:25:32.680 --> 0:25:34.840
<v Speaker 1>response from that. I did a big screening of it

0:25:34.920 --> 0:25:37.320
<v Speaker 1>recently and they sold out like two screenings of it

0:25:37.359 --> 0:25:40.199
<v Speaker 1>at the Plaza. The movie. I didn't realize it was

0:25:40.240 --> 0:25:43.320
<v Speaker 1>such a like a cult smash. There's a great article

0:25:43.359 --> 0:25:45.760
<v Speaker 1>I'll send you. Um, I can't remember. Maybe it was Slate,

0:25:46.280 --> 0:25:48.320
<v Speaker 1>but it's about like how Clue became a you know,

0:25:48.359 --> 0:25:50.520
<v Speaker 1>sort of a cult phenomenon over the years. Yeah, I

0:25:50.520 --> 0:25:52.959
<v Speaker 1>have not seen it. I'm gonna have to so much.

0:25:52.960 --> 0:25:56.399
<v Speaker 1>I'm gonna watch Clute and Clue. It is so much fun. Clue.

0:25:57.160 --> 0:25:58.440
<v Speaker 1>I wish I would have known to have been playing

0:25:58.480 --> 0:26:00.000
<v Speaker 1>in the theater. I would have totally gone to that.

0:26:00.640 --> 0:26:03.680
<v Speaker 1>Had a little Movie Crush meet up all right. Oh,

0:26:03.720 --> 0:26:07.000
<v Speaker 1>by the way, everyone Movie Crush live in San Francisco

0:26:07.119 --> 0:26:09.919
<v Speaker 1>for a sketch fest. Please come see me in conversation

0:26:10.000 --> 0:26:13.359
<v Speaker 1>with Busy Phillips about the Great Grade and the Noah

0:26:13.400 --> 0:26:18.959
<v Speaker 1>Bomback film Kicking and Screaming. And that will be January

0:26:19.960 --> 0:26:24.760
<v Speaker 1>nineteen at the Gateway Theater. It's a Mattenee Saturday afternoon. Please.

0:26:25.680 --> 0:26:27.879
<v Speaker 1>I love Mattenee's. I'll be good. I won't even be

0:26:27.920 --> 0:26:37.000
<v Speaker 1>drunk at that point. It will be wonderful. Finally, we're

0:26:37.000 --> 0:26:39.280
<v Speaker 1>gonna finish an old today with Comic Card because we've

0:26:39.280 --> 0:26:42.679
<v Speaker 1>been given that short shrift lately. Drew Ethier says this,

0:26:43.240 --> 0:26:46.919
<v Speaker 1>if you could spend a night drinking with one director,

0:26:47.040 --> 0:26:49.160
<v Speaker 1>living or dead, who would it be and what would

0:26:49.160 --> 0:26:52.920
<v Speaker 1>you talk about? That's a that's specific. That's much more

0:26:52.960 --> 0:26:58.399
<v Speaker 1>than even dinner. Yeah, if you're out drinking drinking, like immediately,

0:26:58.480 --> 0:27:02.440
<v Speaker 1>my mind just goes to some sort of legendary drinkers. Yeah,

0:27:02.600 --> 0:27:06.440
<v Speaker 1>like like john Ford, Yeah, or even like Oliver Stone.

0:27:06.440 --> 0:27:08.320
<v Speaker 1>I'd love to get drunk with Aliver Oliver Stone would

0:27:08.320 --> 0:27:11.679
<v Speaker 1>be fun. Or with the ultimate fucking You'd probably be

0:27:11.840 --> 0:27:16.359
<v Speaker 1>smoking peyote with Oliver Stone exactly. Now, that'd be different, jeez.

0:27:17.040 --> 0:27:22.760
<v Speaker 1>Of all the directors though, that's tough. That's a tough

0:27:22.800 --> 0:27:25.680
<v Speaker 1>one because I can think of, like, I just wanted

0:27:25.680 --> 0:27:27.679
<v Speaker 1>to be someone that it would be fun to have

0:27:27.800 --> 0:27:30.160
<v Speaker 1>conversation with. I wouldn't you know, you wouldn't be someone

0:27:30.160 --> 0:27:32.159
<v Speaker 1>you would like fanboy out with or whatever, but it

0:27:32.160 --> 0:27:34.520
<v Speaker 1>would be someone not even talk about their work, just

0:27:34.600 --> 0:27:37.000
<v Speaker 1>someone who you could probably like five with and have

0:27:37.080 --> 0:27:40.960
<v Speaker 1>a good night out chatting with. Yeah, like Terry Gillim

0:27:41.040 --> 0:27:42.840
<v Speaker 1>or something that. See there you go. There would be

0:27:42.840 --> 0:27:45.360
<v Speaker 1>fun to go to pub in England with Terry gill Yeah, yeah, yeah,

0:27:45.400 --> 0:27:48.479
<v Speaker 1>he's amazing. Um, all that Monty Python stuff is up

0:27:48.480 --> 0:27:51.240
<v Speaker 1>on Netflix now, like all the movies, the whole Flying

0:27:51.280 --> 0:27:53.439
<v Speaker 1>Circus thing, and a lot of these little kind of

0:27:53.840 --> 0:27:57.600
<v Speaker 1>clip um compilations with different celebrities and comics kind of

0:27:57.600 --> 0:28:00.720
<v Speaker 1>talking about their favorite It's on Netflix all that stuff.

0:28:00.760 --> 0:28:04.240
<v Speaker 1>So there's like maybe there's like an early Python documentary

0:28:04.320 --> 0:28:06.880
<v Speaker 1>that's like about their days in university when they met,

0:28:06.880 --> 0:28:09.440
<v Speaker 1>and there's tons of little like the best of blah

0:28:09.480 --> 0:28:12.120
<v Speaker 1>blah blah. And there's something that really highlight all Terry

0:28:12.119 --> 0:28:15.159
<v Speaker 1>Gilliam's animation that he did for that show, and you

0:28:15.600 --> 0:28:17.879
<v Speaker 1>forget what a creative dude that guy has been for

0:28:18.080 --> 0:28:21.199
<v Speaker 1>like ever and how he's just still making It happened,

0:28:21.280 --> 0:28:25.440
<v Speaker 1>legend that don Quixote movies finally happened. They talked about

0:28:25.480 --> 0:28:27.240
<v Speaker 1>this already, I think so, but I think I read

0:28:27.280 --> 0:28:29.399
<v Speaker 1>I heard somewhere that it got shut down again. But

0:28:29.400 --> 0:28:30.920
<v Speaker 1>then I read somewhere that like, no, it's it is

0:28:30.920 --> 0:28:33.919
<v Speaker 1>gonna come out, Adam d. They're gonna have to make

0:28:33.920 --> 0:28:37.159
<v Speaker 1>a second documentary about yeah, about the making of La

0:28:37.200 --> 0:28:40.200
<v Speaker 1>Mancha exactly. Cheeze. I I stand with that pick, Chuck.

0:28:40.240 --> 0:28:42.680
<v Speaker 1>I think Terry Gilliam would be, oh yeah, I can't.

0:28:42.840 --> 0:28:45.800
<v Speaker 1>I think everyone wants to see that thing except anyone

0:28:45.840 --> 0:28:49.160
<v Speaker 1>who wants to pay for it. Yep, you know, yeah,

0:28:49.160 --> 0:28:51.720
<v Speaker 1>it is meant Uh. I think that's a solid pick

0:28:51.760 --> 0:28:54.600
<v Speaker 1>for a drink. Yeah. Yeah, maybe let's let's go with

0:28:54.680 --> 0:28:57.320
<v Speaker 1>him the three of us. Well, we'll go up be fun.

0:28:58.040 --> 0:29:00.680
<v Speaker 1>Like I love the Cohen brothers, but they're sort of

0:29:00.760 --> 0:29:05.160
<v Speaker 1>notoriously uh just sort of serious. Yeah, and just sort

0:29:05.160 --> 0:29:07.800
<v Speaker 1>of I mean my friend worked, my really good friend

0:29:07.800 --> 0:29:12.000
<v Speaker 1>worked on I think Hail Caesar, and I was like,

0:29:12.000 --> 0:29:14.040
<v Speaker 1>oh god, dream job, dream job. He was like they

0:29:14.040 --> 0:29:16.160
<v Speaker 1>were kind of a bummer man. It's like they just

0:29:16.160 --> 0:29:18.440
<v Speaker 1>sat by themselves at lunch and they didn't they didn't interact.

0:29:18.440 --> 0:29:21.000
<v Speaker 1>They were just very much like quietly spoke to one

0:29:21.000 --> 0:29:24.320
<v Speaker 1>another and you know, probably just working there. They're like

0:29:25.200 --> 0:29:27.760
<v Speaker 1>they're like, no, I know it probably have like twin language.

0:29:27.800 --> 0:29:30.400
<v Speaker 1>You know, they probably like I wouldn't want to go

0:29:30.440 --> 0:29:32.360
<v Speaker 1>out drinking with those Absolutely not, but you never know,

0:29:32.440 --> 0:29:38.400
<v Speaker 1>you never know. I'm sure Ethan he's dancing on the bar.

0:29:38.480 --> 0:29:40.880
<v Speaker 1>Frantis mcdormott seems like she knows how to have a

0:29:40.880 --> 0:29:43.120
<v Speaker 1>good time. Well, that's what I wonder, because she's great,

0:29:43.280 --> 0:29:45.720
<v Speaker 1>and she would be married to adult. I'm not saying

0:29:45.720 --> 0:29:50.960
<v Speaker 1>he's adult. Oh my god, so much for having them on. Uh.

0:29:51.080 --> 0:29:54.120
<v Speaker 1>Nick Jackson says this and all, what was the last

0:29:54.120 --> 0:29:56.080
<v Speaker 1>movie that made you sob? And I don't mean a

0:29:56.120 --> 0:30:00.880
<v Speaker 1>gentle cry, I mean blubbering, sloppy mess. I don't know

0:30:00.880 --> 0:30:03.800
<v Speaker 1>if I'm capable of a blubbering sloppy mess anymore. But

0:30:04.120 --> 0:30:07.040
<v Speaker 1>I cried when I watched Adaptation for the most recent time,

0:30:07.320 --> 0:30:10.000
<v Speaker 1>nice boy. I think the last time I cried like

0:30:10.040 --> 0:30:13.880
<v Speaker 1>that was during uh Lion. No, it was the Mr.

0:30:14.000 --> 0:30:16.680
<v Speaker 1>Rogers documentary watched on the plane, and I was actually

0:30:17.760 --> 0:30:20.440
<v Speaker 1>I was too, but I tried. I was trying so

0:30:20.480 --> 0:30:24.720
<v Speaker 1>hard not to be too like outwardly emotional in front

0:30:24.760 --> 0:30:27.320
<v Speaker 1>of everyone, so I contained a little bit. I watched

0:30:27.360 --> 0:30:30.600
<v Speaker 1>Lion at my house. Have you seen that now? But

0:30:30.680 --> 0:30:33.040
<v Speaker 1>the Little Boy isn't about a little boy? Oh my god? Yes.

0:30:33.360 --> 0:30:35.600
<v Speaker 1>In adoption and like all these things at home. For me,

0:30:35.640 --> 0:30:39.360
<v Speaker 1>it was just like, hello, chuck, we'd like to reduce

0:30:39.400 --> 0:30:43.720
<v Speaker 1>you to slimy mess on the floor. Here's I can't

0:30:43.760 --> 0:30:46.240
<v Speaker 1>picture this, chuck. Oh my god. No, I'm a I'm

0:30:46.280 --> 0:30:48.760
<v Speaker 1>a legendary cry I'm one of the best. I'm part

0:30:48.760 --> 0:30:51.360
<v Speaker 1>of I kind of get like a little you know,

0:30:51.960 --> 0:30:55.400
<v Speaker 1>tens up a little bit, but I sort of like it.

0:30:55.680 --> 0:30:58.280
<v Speaker 1>I think it's I find I mean, when it's a

0:30:58.280 --> 0:31:00.480
<v Speaker 1>movie and it's something moving, it's awesome, and I really

0:31:00.720 --> 0:31:07.800
<v Speaker 1>it makes me feel human absolutely. Um Timothy Patrick McKinney.

0:31:07.960 --> 0:31:13.800
<v Speaker 1>Timothy Patrick McKinney, what in your opinion have or why sorry,

0:31:13.800 --> 0:31:16.680
<v Speaker 1>why in your opinion have movies become such an important

0:31:16.680 --> 0:31:20.080
<v Speaker 1>part of our culture is, particularly in America, over many

0:31:20.120 --> 0:31:26.280
<v Speaker 1>other types of art forms. That's a very good question, Timothy. Um, Well,

0:31:26.320 --> 0:31:29.520
<v Speaker 1>I think a bunch of things. I think the catharsis

0:31:29.560 --> 0:31:32.760
<v Speaker 1>of it losing yourself for a couple of hours. Maybe

0:31:32.760 --> 0:31:34.720
<v Speaker 1>in America people are busy and they check out a

0:31:34.760 --> 0:31:40.520
<v Speaker 1>little bit more uh enthusiastically. Well, what was the I'm sorry,

0:31:40.520 --> 0:31:45.160
<v Speaker 1>what was the movies in America? Especially? Why did they

0:31:45.200 --> 0:31:47.280
<v Speaker 1>become like the sort of dominant art form over like

0:31:47.320 --> 0:31:49.680
<v Speaker 1>other types of art. I think because it's like you said,

0:31:49.720 --> 0:31:52.160
<v Speaker 1>like it's um it's sort of compressed, right, you can

0:31:52.200 --> 0:31:55.760
<v Speaker 1>get your money's worth in two hours and then you've

0:31:55.800 --> 0:31:58.440
<v Speaker 1>had this like experience or whatever you can. We're like

0:31:58.480 --> 0:32:00.560
<v Speaker 1>all pressed for time. It's like we want to be

0:32:00.600 --> 0:32:04.360
<v Speaker 1>able to get our Catharsis in to without too much commitment,

0:32:04.400 --> 0:32:06.680
<v Speaker 1>you know, two hours or time commitment. I also think

0:32:06.720 --> 0:32:10.080
<v Speaker 1>in terms of prestige, it's just because they're so damn expensive,

0:32:10.120 --> 0:32:12.880
<v Speaker 1>and it's just like a you know, money matters. This

0:32:12.920 --> 0:32:15.440
<v Speaker 1>is a thing. This is like, this is the highest

0:32:15.480 --> 0:32:17.560
<v Speaker 1>form of art because of the fact that it costs

0:32:17.560 --> 0:32:20.640
<v Speaker 1>so fucking much to make. Therefore, promoted thus and marketing

0:32:21.200 --> 0:32:23.840
<v Speaker 1>therefore it must be the best. You know. Yeah, I

0:32:23.840 --> 0:32:26.479
<v Speaker 1>mean I'm cynically market marketing and promotion of a lot

0:32:26.520 --> 0:32:28.239
<v Speaker 1>to do with it. I mean, you don't see art

0:32:28.320 --> 0:32:32.240
<v Speaker 1>museums pouring in, you know, fifteen million dollars on a

0:32:32.560 --> 0:32:36.040
<v Speaker 1>on a new exhibit in marketing, you know, totally. And

0:32:36.200 --> 0:32:39.000
<v Speaker 1>they'll have some banners around New York here and there,

0:32:39.040 --> 0:32:42.640
<v Speaker 1>but not like movie marketing. They're gonna take over the

0:32:42.640 --> 0:32:44.800
<v Speaker 1>side of the building. Oh they might in New York

0:32:44.960 --> 0:32:50.200
<v Speaker 1>that's true. There are other reasons too, though, Oh absolutely,

0:32:50.200 --> 0:32:53.040
<v Speaker 1>Like that's selling that question super short. I think, well,

0:32:53.080 --> 0:32:56.200
<v Speaker 1>I mean, I just think it's it's it's the crystallization

0:32:56.240 --> 0:32:58.440
<v Speaker 1>of a lot of different art forms, which is cool.

0:32:58.520 --> 0:33:02.080
<v Speaker 1>You know. It's like it's visual, it's it's audio, it's music,

0:33:02.240 --> 0:33:05.480
<v Speaker 1>it's it's sound, it's action, it's it's you know, drama.

0:33:05.600 --> 0:33:07.880
<v Speaker 1>It's like all of you know, it's art. It's literally

0:33:08.000 --> 0:33:10.600
<v Speaker 1>people build things and display, you know, make sets, and

0:33:10.640 --> 0:33:13.720
<v Speaker 1>it's like all of this combination of like every pissable

0:33:14.000 --> 0:33:18.320
<v Speaker 1>art and one pretty easily consumable thing. Oh, that is

0:33:18.440 --> 0:33:20.640
<v Speaker 1>very well said. I didn't think about that. It's got music,

0:33:20.680 --> 0:33:26.000
<v Speaker 1>it's got a painting. Everything interesting. I love that. Plus,

0:33:26.040 --> 0:33:28.640
<v Speaker 1>I would not I would argue that it's he does

0:33:28.680 --> 0:33:31.520
<v Speaker 1>say particularly in American culture, but I think in Europe

0:33:31.560 --> 0:33:35.680
<v Speaker 1>and oh it is everywhere of course in Asia, like

0:33:35.720 --> 0:33:37.520
<v Speaker 1>a lot of these When I first started hearing about,

0:33:37.560 --> 0:33:39.760
<v Speaker 1>like the Chan Wook Park films and like Old Boy

0:33:39.840 --> 0:33:41.920
<v Speaker 1>and stuff like that, like that, dude's like a god

0:33:41.960 --> 0:33:45.680
<v Speaker 1>over there, Like those movies made so much money before

0:33:45.800 --> 0:33:47.320
<v Speaker 1>in the history of it even heard of them, of

0:33:47.360 --> 0:33:50.280
<v Speaker 1>course the history. Yeah, but Casey, you talked to you

0:33:50.280 --> 0:33:53.520
<v Speaker 1>about the shining Um goes to France every year and

0:33:53.560 --> 0:33:55.360
<v Speaker 1>see if we talked about that sees all the can

0:33:55.480 --> 0:33:58.640
<v Speaker 1>films or whatever, and it's just like a way of

0:33:58.680 --> 0:34:00.560
<v Speaker 1>life over there, you know. And I would argue that

0:34:00.560 --> 0:34:03.280
<v Speaker 1>it's we have the blockbuster side of it over here,

0:34:03.280 --> 0:34:06.360
<v Speaker 1>but then just more the the high art side of

0:34:06.400 --> 0:34:08.719
<v Speaker 1>it was still you know, it's a little over here

0:34:08.760 --> 0:34:10.400
<v Speaker 1>where there, it's a little more like that's that's what

0:34:10.520 --> 0:34:14.799
<v Speaker 1>it is, you know. Yeah. Uh Number four Trish Lauterhoss

0:34:15.160 --> 0:34:18.840
<v Speaker 1>Gilbrith say, is this what what is it about Atlanta?

0:34:19.320 --> 0:34:23.600
<v Speaker 1>This helped turn it into a mini Hollywood. Well, first

0:34:23.600 --> 0:34:28.640
<v Speaker 1>and foremost, the tax credit is the tax credit, and

0:34:28.719 --> 0:34:31.480
<v Speaker 1>don't you think cynically that is the sole reason why

0:34:31.920 --> 0:34:34.520
<v Speaker 1>production started coming to Atlanta. They did a good job

0:34:34.560 --> 0:34:36.800
<v Speaker 1>with it because it's like a lot of money back

0:34:36.920 --> 0:34:39.759
<v Speaker 1>if you shoot here that they can save. But I

0:34:39.800 --> 0:34:42.319
<v Speaker 1>will say this, if Atlanta didn't have a whole lot

0:34:42.320 --> 0:34:44.680
<v Speaker 1>of other things going for it, it would not have

0:34:44.800 --> 0:34:49.480
<v Speaker 1>lasted well. It has a very varied landscape too. It's

0:34:49.520 --> 0:34:52.799
<v Speaker 1>that's that's shot in the woods. You can shoot in

0:34:52.960 --> 0:34:55.279
<v Speaker 1>a city looking place for New York. You can play

0:34:55.480 --> 0:34:59.920
<v Speaker 1>a lot of different places played for Middle America, suburbs, mountains,

0:35:00.120 --> 0:35:03.600
<v Speaker 1>go outside of town, the ocean, whatever, got everything. Of

0:35:03.640 --> 0:35:06.279
<v Speaker 1>course that's Atlanta versus you know, Georgia, but they based

0:35:06.280 --> 0:35:07.840
<v Speaker 1>out of Atlanta. They based out of Atlanta, but the

0:35:07.880 --> 0:35:09.680
<v Speaker 1>Atlanta is so central you can get to like a

0:35:09.680 --> 0:35:12.240
<v Speaker 1>lot of these like you know, like Crawfordville for example,

0:35:12.360 --> 0:35:15.279
<v Speaker 1>or like some of these little towns like you know,

0:35:15.600 --> 0:35:18.959
<v Speaker 1>hundred years ago. Yeah, absolutely, so there's that the text

0:35:18.960 --> 0:35:20.640
<v Speaker 1>credits why they come. But then you can shoot a

0:35:20.640 --> 0:35:23.400
<v Speaker 1>lot of different places. The I think the stable of

0:35:23.480 --> 0:35:27.160
<v Speaker 1>cruise in Atlanta before, like a lot of people have

0:35:27.320 --> 0:35:29.719
<v Speaker 1>moved here from l A to work, and a lot

0:35:29.760 --> 0:35:32.759
<v Speaker 1>of people just come here to work and then go

0:35:32.840 --> 0:35:35.760
<v Speaker 1>back to l A. But that's core crew of Atlanta.

0:35:35.840 --> 0:35:38.320
<v Speaker 1>Crew that I used to work with before the movie

0:35:38.320 --> 0:35:41.759
<v Speaker 1>business got super huge, was always very strong and like

0:35:41.840 --> 0:35:44.759
<v Speaker 1>that good foundation, like you're not gonna go anywhere where

0:35:44.760 --> 0:35:47.160
<v Speaker 1>the crew suck. And Atlanta always had a rep for

0:35:47.200 --> 0:35:50.000
<v Speaker 1>working a little slower because we're in the South, but um,

0:35:50.040 --> 0:35:53.200
<v Speaker 1>the crews are always really good. And now the infrastructures there,

0:35:53.239 --> 0:35:57.000
<v Speaker 1>they've built studios and lighting houses and wardrobe shops and

0:35:57.040 --> 0:35:59.440
<v Speaker 1>prop shops and all the ship that you used to

0:35:59.480 --> 0:36:01.400
<v Speaker 1>have to kind of truck in from l A. You

0:36:01.440 --> 0:36:03.200
<v Speaker 1>don't have to do that anymore. It's very true. It's

0:36:03.239 --> 0:36:05.759
<v Speaker 1>all there now. Yeah it is. And I was gonna say,

0:36:05.800 --> 0:36:08.799
<v Speaker 1>you know, cost of living is pretty decent costively, it is.

0:36:08.840 --> 0:36:10.799
<v Speaker 1>But it's like, you know, that's sort of the double

0:36:10.880 --> 0:36:12.960
<v Speaker 1>edged sort of this. Now that all this stuff's coming in,

0:36:13.160 --> 0:36:16.000
<v Speaker 1>all this money's coming in, are starting to get priced

0:36:16.000 --> 0:36:17.799
<v Speaker 1>out of their neighborhoods and stuff, and there's a lot

0:36:17.800 --> 0:36:21.560
<v Speaker 1>of pretty rampant gentification happening when the people that used

0:36:21.600 --> 0:36:23.520
<v Speaker 1>to just truck in from l A now to's they

0:36:23.560 --> 0:36:25.080
<v Speaker 1>want to buy a house and they want to live

0:36:25.480 --> 0:36:27.759
<v Speaker 1>you know. Yeah. Yeah, Emily and I when we were

0:36:27.760 --> 0:36:29.560
<v Speaker 1>looking you know where, we had to rent a house

0:36:29.640 --> 0:36:34.680
<v Speaker 1>right now because we're working on our home. Uh there

0:36:34.719 --> 0:36:39.640
<v Speaker 1>are uh ads for like house rentals that are clearly

0:36:39.680 --> 0:36:42.440
<v Speaker 1>geared towards production people. And you can tell for two

0:36:42.480 --> 0:36:45.080
<v Speaker 1>reasons because one they flat out say, like your production

0:36:45.239 --> 0:36:48.120
<v Speaker 1>because a great house. And then it's like literally double

0:36:48.440 --> 0:36:51.600
<v Speaker 1>what house rental should be. I mean, they're jacking it

0:36:51.719 --> 0:36:54.920
<v Speaker 1>so high, it's like you would not believe it. Like

0:36:55.000 --> 0:36:57.319
<v Speaker 1>five and six thousand dollars a month to rent a house.

0:36:57.600 --> 0:37:04.600
<v Speaker 1>It's crazy, crazy. We did not get one of those houses, clearly. Uh.

0:37:04.640 --> 0:37:09.160
<v Speaker 1>And finally Vanessa Cashman says, what are your thoughts on

0:37:09.200 --> 0:37:12.319
<v Speaker 1>the last shot of the Graduate when they run off

0:37:12.320 --> 0:37:14.600
<v Speaker 1>and get on the bus their faces? Do you think

0:37:14.640 --> 0:37:19.239
<v Speaker 1>they made a mistake? What was intended by the director? Well?

0:37:19.280 --> 0:37:23.880
<v Speaker 1>That's a world famous, legendary shot is the end of

0:37:23.920 --> 0:37:27.080
<v Speaker 1>the Graduate. When Elaine and Ben climb on that bus

0:37:27.120 --> 0:37:30.000
<v Speaker 1>go to the back. He has just uh spoiler if

0:37:30.000 --> 0:37:32.719
<v Speaker 1>you haven't seen The Graduate, turn it off. He has

0:37:32.760 --> 0:37:36.279
<v Speaker 1>just sort of rescued her slash hijacked her from her

0:37:36.280 --> 0:37:38.920
<v Speaker 1>own wedding and they run off together and she's in

0:37:38.920 --> 0:37:42.120
<v Speaker 1>her wedding dress. And then they just sit there and

0:37:42.160 --> 0:37:44.399
<v Speaker 1>like are kind of laughing at first you've seen it, right,

0:37:44.800 --> 0:37:47.600
<v Speaker 1>And then that laughter turns into sort of just like

0:37:47.840 --> 0:37:49.600
<v Speaker 1>it's like, what do we do now? Yeah? And they're

0:37:49.600 --> 0:37:51.960
<v Speaker 1>both sort of just looking off in the distance like

0:37:53.560 --> 0:37:57.000
<v Speaker 1>it's also like I don't know you, yeah, Like we

0:37:57.080 --> 0:38:00.319
<v Speaker 1>got caught up in this grand romantic gesture. We don't

0:38:00.360 --> 0:38:02.839
<v Speaker 1>know each other at all. What do we do now?

0:38:03.120 --> 0:38:05.359
<v Speaker 1>But it happened so fast, like the look that they

0:38:05.360 --> 0:38:07.920
<v Speaker 1>give them the bus I always felt was like the

0:38:07.960 --> 0:38:10.960
<v Speaker 1>look that you have a week later, and they had

0:38:10.960 --> 0:38:13.480
<v Speaker 1>it immediately. But isn't that also what elevates that beyond

0:38:13.680 --> 0:38:17.360
<v Speaker 1>just like the super Sacharin happy ending kind of situation

0:38:17.480 --> 0:38:21.640
<v Speaker 1>that's like totally unrealistic. It grounds it in like very

0:38:21.719 --> 0:38:23.920
<v Speaker 1>much you know, experience or whatever, because I can, I

0:38:23.920 --> 0:38:26.120
<v Speaker 1>can relate to that. Yeah, grounds in reality gives it

0:38:26.160 --> 0:38:27.960
<v Speaker 1>a little bit of an edge. Yeah, it's easy to

0:38:27.960 --> 0:38:32.120
<v Speaker 1>get swept up in grand romantic gestures, the idea of

0:38:32.120 --> 0:38:34.800
<v Speaker 1>of love and stuff as opposed to like the function

0:38:34.840 --> 0:38:37.239
<v Speaker 1>of like being in a relationship with somebody. You know.

0:38:37.560 --> 0:38:40.320
<v Speaker 1>It's interesting because you in movies you always see the

0:38:40.400 --> 0:38:43.200
<v Speaker 1>the you know, running beside the train and then they

0:38:43.360 --> 0:38:45.520
<v Speaker 1>jump off and hug and you always see the big moment,

0:38:46.040 --> 0:38:48.600
<v Speaker 1>and I always wonder, like what happens five minutes later,

0:38:49.920 --> 0:38:54.719
<v Speaker 1>And in this case, they showed that absolutely very interesting. Now,

0:38:54.719 --> 0:38:57.280
<v Speaker 1>that's that's a good question and a good shot, good one, Vanessa,

0:38:57.600 --> 0:39:00.279
<v Speaker 1>all right, No, that's it. That was a good chuck.

0:39:00.320 --> 0:39:03.960
<v Speaker 1>That's how long was that? And counting? I thought like

0:39:04.000 --> 0:39:07.120
<v Speaker 1>we were gibber jabbin. I don't know, it's possible, all right, well,

0:39:07.120 --> 0:39:10.239
<v Speaker 1>thanks for listening to Ramsey sorted Out. Yeah, we'll see

0:39:10.239 --> 0:39:11.120
<v Speaker 1>you next week. Yes,