1 00:00:00,200 --> 00:00:03,400 Speaker 1: Hello the Internet, and welcome to season fifty six, Episode 2 00:00:03,400 --> 00:00:06,440 Speaker 1: two of dir Daily eight Geist, the podcast where we 3 00:00:06,480 --> 00:00:09,600 Speaker 1: take a deep dive into america shared consciousness and unconscious 4 00:00:09,720 --> 00:00:12,880 Speaker 1: using the headlines, box office reports, TV ratings, what's trending 5 00:00:12,920 --> 00:00:17,319 Speaker 1: on Google and social media. It's Tuesday, Election Day, November six, 6 00:00:17,400 --> 00:00:19,440 Speaker 1: two thou eight teen. My name is Jack O'Brien. A KA. 7 00:00:20,200 --> 00:00:24,400 Speaker 1: I tried miles of gray, and I choke. Try to 8 00:00:24,480 --> 00:00:28,920 Speaker 1: Jack O'Brien and I stumble, so I try to hide it. 9 00:00:28,920 --> 00:00:33,120 Speaker 1: It's clear my world crumbles when Daily Z's not here. 10 00:00:33,400 --> 00:00:35,400 Speaker 1: A little fell apart, a little bit at the end 11 00:00:35,880 --> 00:00:39,360 Speaker 1: that was courtesy of Vader for press. How appropriate. Well, 12 00:00:39,400 --> 00:00:41,720 Speaker 1: he's already voted, guys. Do you guys need to get 13 00:00:41,720 --> 00:00:43,800 Speaker 1: out there and do it yourselves? And I'm thrilled to 14 00:00:43,840 --> 00:00:46,479 Speaker 1: be joined as always by my co host, Mr Miles 15 00:00:46,520 --> 00:00:49,560 Speaker 1: grass I walked to the valley of the Trump writer ricks. 16 00:00:49,640 --> 00:00:51,839 Speaker 1: I'll take a look at the month and realize we 17 00:00:51,960 --> 00:00:54,680 Speaker 1: gotta vote, because I've been miles of grave for so 18 00:00:54,760 --> 00:00:57,720 Speaker 1: long that even Jack O'Brien thinks my mind is gone. 19 00:00:57,920 --> 00:01:01,000 Speaker 1: But I never voted for a chump didn't deserve it. 20 00:01:01,840 --> 00:01:04,080 Speaker 1: I just added that but anyway, that is from Jay Copra. 21 00:01:04,600 --> 00:01:07,920 Speaker 1: Thank you for that Gangster's Paradise a K. And guys, yes, 22 00:01:08,120 --> 00:01:10,440 Speaker 1: to vote today if you have not already, if you're 23 00:01:10,440 --> 00:01:13,520 Speaker 1: listening right now, it's the morning, please remember to vote. 24 00:01:13,720 --> 00:01:17,960 Speaker 1: To vote is too Yeah, you sounded like a You're 25 00:01:18,000 --> 00:01:21,679 Speaker 1: going to be very profound to vote today. I've not 26 00:01:21,720 --> 00:01:24,800 Speaker 1: had any I can hear Nick. Nick's eyes rolling in 27 00:01:24,880 --> 00:01:28,199 Speaker 1: his sockets as we do these a K s. He's like, yeah, 28 00:01:28,240 --> 00:01:30,560 Speaker 1: you know how you guys used to try to find 29 00:01:30,600 --> 00:01:33,280 Speaker 1: songs that sounded like you they had your name in it. 30 00:01:33,360 --> 00:01:35,160 Speaker 1: But that's not gonna stop. That's not gonna stop us 31 00:01:35,200 --> 00:01:37,240 Speaker 1: at all. Well, we are thrilled to be joined by 32 00:01:37,959 --> 00:01:41,319 Speaker 1: the most famous person we've ever had in our third seats, 33 00:01:41,560 --> 00:01:47,080 Speaker 1: embarrassing for us, right exactly the stars some of my 34 00:01:47,120 --> 00:01:50,120 Speaker 1: favorite movies of all time. He has a new podcast 35 00:01:50,240 --> 00:01:54,520 Speaker 1: on this very network. Please join me and welcoming Kevin Pollock. 36 00:01:55,280 --> 00:01:58,720 Speaker 1: Thank you, please be seated. Thank you you You failed 37 00:01:58,760 --> 00:02:03,280 Speaker 1: to mention the recent collection of many Emmy awards. Yes, 38 00:02:03,400 --> 00:02:07,760 Speaker 1: oh that's right, that stream. I almost called it a 39 00:02:07,800 --> 00:02:10,600 Speaker 1: television show, which I assumes how most people watch it. 40 00:02:10,680 --> 00:02:13,840 Speaker 1: But on the TV, what's that show called The Marvelous 41 00:02:13,919 --> 00:02:20,760 Speaker 1: Mrs May's own that's right, and heard of it frequent. Yeah, 42 00:02:20,760 --> 00:02:23,440 Speaker 1: he's a writer on the show. Yeah yeah, Yeah, Well, Kevin, 43 00:02:23,919 --> 00:02:26,000 Speaker 1: we're going to get to know you a little bit better. 44 00:02:26,360 --> 00:02:29,399 Speaker 1: But first we're gonna take our listeners through what we're 45 00:02:29,440 --> 00:02:32,760 Speaker 1: talking about today. We're going to talk about Bohemian Rhapsody 46 00:02:32,840 --> 00:02:36,959 Speaker 1: just dominating at the box office yesterday, did you wonderful? Perfect? 47 00:02:37,400 --> 00:02:42,320 Speaker 1: We have somebody to tell us firsthand, what what the deal? 48 00:02:42,840 --> 00:02:45,520 Speaker 1: We're gonna talk about just mid term stuff and the 49 00:02:45,680 --> 00:02:48,520 Speaker 1: second block, and then we're gonna talk about death metal 50 00:02:48,600 --> 00:02:52,400 Speaker 1: music and we're going to talk about Tetris in the 51 00:02:52,400 --> 00:02:56,280 Speaker 1: third act. But first, Kevin, what is something from your 52 00:02:56,320 --> 00:02:58,920 Speaker 1: search history that is revealing about who you are? What 53 00:02:59,200 --> 00:03:03,040 Speaker 1: is in my church history that reveals? Okay? Sorry, I 54 00:03:03,320 --> 00:03:07,160 Speaker 1: always like backload the significance and it's not really fair. 55 00:03:07,200 --> 00:03:10,560 Speaker 1: I apologize. Where to vote early. I looked up that 56 00:03:10,680 --> 00:03:15,640 Speaker 1: over the weekend a couple of actresses because I'm castling 57 00:03:15,680 --> 00:03:18,440 Speaker 1: this movie I'm directing, so I had to look them up. 58 00:03:18,520 --> 00:03:21,200 Speaker 1: And you can't say who they are, certainly can't. I 59 00:03:21,240 --> 00:03:23,960 Speaker 1: don't want to jinx it. What the hell else is 60 00:03:24,000 --> 00:03:25,720 Speaker 1: in here. Are you allowed to talk about what the 61 00:03:25,720 --> 00:03:28,480 Speaker 1: movies about or anything like that? The film that I'm 62 00:03:28,520 --> 00:03:33,160 Speaker 1: allegedly directing, Uh, well, I can talk about it because 63 00:03:33,560 --> 00:03:37,119 Speaker 1: the big splashy thing was in the so called trades. 64 00:03:37,480 --> 00:03:41,640 Speaker 1: The trades, yeah, phobio. I'll let you explain that to 65 00:03:41,640 --> 00:03:46,320 Speaker 1: your listeners if you feel. And Hollywood Reporter, and they 66 00:03:46,400 --> 00:03:50,720 Speaker 1: use fun slang like bafo bio and ankle to New York, yes, 67 00:03:51,600 --> 00:03:55,200 Speaker 1: or Gotham. They call New York Gotham. Um, yeah, so 68 00:03:55,400 --> 00:03:58,040 Speaker 1: uh I wrote this sort of twisting turning who done. 69 00:03:58,040 --> 00:04:00,520 Speaker 1: It's a contemporary set, but it's an are sort of 70 00:04:00,560 --> 00:04:04,800 Speaker 1: classic and storytelling styles and um, you know in Fatalite 71 00:04:04,800 --> 00:04:08,760 Speaker 1: Detective that sort of thing, twist and turn surprises, period piece. No, 72 00:04:08,880 --> 00:04:13,120 Speaker 1: it's contemporary set, but uh, I'm very excited that it'll 73 00:04:13,160 --> 00:04:16,400 Speaker 1: have a sort of a driving indie rock sound. Bad 74 00:04:16,520 --> 00:04:18,760 Speaker 1: to spend spend the genre on. It's here a little bit, 75 00:04:19,640 --> 00:04:22,000 Speaker 1: and we're in the casting process now, allegedly shooting in 76 00:04:22,040 --> 00:04:24,520 Speaker 1: New Orleans in January. I only say allegedly because it's 77 00:04:24,560 --> 00:04:27,159 Speaker 1: been financed and fallowing apart a few times already, so 78 00:04:27,200 --> 00:04:29,040 Speaker 1: I'm not going to count on this. Yeah, son of 79 00:04:29,040 --> 00:04:31,600 Speaker 1: a bitch happening until I'm not the premiere. I used 80 00:04:31,600 --> 00:04:33,840 Speaker 1: to saying, till I'm on the set saying action. Nope, 81 00:04:34,120 --> 00:04:36,479 Speaker 1: it's got to be the premiere real till I see 82 00:04:36,480 --> 00:04:38,480 Speaker 1: it with an audience. Right, what is something you think 83 00:04:38,560 --> 00:04:45,200 Speaker 1: is overrated? Oh? Golly um? People's opinions? Yeah, fuck them? 84 00:04:45,320 --> 00:04:48,600 Speaker 1: But well, I just think, you know, there was a 85 00:04:48,600 --> 00:04:51,240 Speaker 1: time when there were a few people who had very 86 00:04:51,279 --> 00:04:55,000 Speaker 1: important opinions, and maybe arguably the we'st seeing to come 87 00:04:55,000 --> 00:04:58,640 Speaker 1: out of the entire internet is, uh, everyone is in 88 00:04:58,720 --> 00:05:03,839 Speaker 1: a very loud opinion and they seemingly matter right, matter 89 00:05:03,880 --> 00:05:07,600 Speaker 1: to them, and yeah, but their opinions stated as fact 90 00:05:07,880 --> 00:05:12,040 Speaker 1: has become a big problem. Yeah, yeah, yeah, no, for sure. 91 00:05:12,360 --> 00:05:16,600 Speaker 1: And it's also harder to gauge what sort of information 92 00:05:16,680 --> 00:05:20,240 Speaker 1: people are getting and what what is influencing people because 93 00:05:20,360 --> 00:05:22,880 Speaker 1: opinion is just on the same level as fact, as 94 00:05:22,920 --> 00:05:25,400 Speaker 1: they stated as such. So, you know, there was a 95 00:05:25,440 --> 00:05:28,440 Speaker 1: time when you would believe people who had the facts 96 00:05:28,680 --> 00:05:31,520 Speaker 1: right and there was a certain delivery which they shared 97 00:05:31,520 --> 00:05:34,560 Speaker 1: these facts, and that same exact delivery with confidence and 98 00:05:34,680 --> 00:05:38,880 Speaker 1: poise is being used with with opinion and it's fucking 99 00:05:38,920 --> 00:05:41,920 Speaker 1: everything up pretty bad. Man. Yeah, yeah, it is, so 100 00:05:41,960 --> 00:05:43,560 Speaker 1: that's over it. It used to be we only had 101 00:05:43,600 --> 00:05:46,840 Speaker 1: Andy Rooney, and that was Andy Rooney at the end. 102 00:05:46,920 --> 00:05:49,719 Speaker 1: You're too young, remember that, but it's true. But now 103 00:05:49,760 --> 00:05:52,760 Speaker 1: everyone is Andy Roony. Twitter has found a way where 104 00:05:52,800 --> 00:05:55,120 Speaker 1: even if you have a like a thousand people who 105 00:05:55,120 --> 00:05:57,920 Speaker 1: agree with you, that elevates your voice and sudden people 106 00:05:57,960 --> 00:06:00,320 Speaker 1: like and this person is the leader of some other 107 00:06:00,360 --> 00:06:02,719 Speaker 1: thing you like, I don't know, you have an overlap 108 00:06:02,720 --> 00:06:05,919 Speaker 1: of a thousand idiots or unfortunately their opinions are about 109 00:06:05,960 --> 00:06:11,440 Speaker 1: stuff besides, lines are too long. You hate it when 110 00:06:12,080 --> 00:06:16,840 Speaker 1: when migrant caravans come up with lepers and like lepers, 111 00:06:16,960 --> 00:06:19,400 Speaker 1: where did you get lepers? Andy Rooney? What the hell 112 00:06:19,440 --> 00:06:24,560 Speaker 1: are you talking about? What is something you think is underrated? Underrated? Yes, sir, 113 00:06:24,920 --> 00:06:32,240 Speaker 1: M five guys. French fries al right, great stuff. Yes, 114 00:06:32,880 --> 00:06:35,640 Speaker 1: style don't even need catchup. Yeah you really don't. They're 115 00:06:35,680 --> 00:06:39,080 Speaker 1: badass motherfucker's. It's one of those fries to where when 116 00:06:39,080 --> 00:06:41,040 Speaker 1: I first got it, I didn't realize it was just 117 00:06:41,120 --> 00:06:43,720 Speaker 1: coming in a bag. And that's my favorite type of 118 00:06:43,800 --> 00:06:46,960 Speaker 1: fried delivery, when they're just like just here, paper bag, 119 00:06:47,080 --> 00:06:50,600 Speaker 1: yeah really just paper. But yeah, because when you say bag, 120 00:06:50,640 --> 00:06:52,719 Speaker 1: it could be the little white paper bag that most 121 00:06:52,760 --> 00:06:55,000 Speaker 1: fries come in, So I wanted to back you up 122 00:06:55,080 --> 00:06:57,840 Speaker 1: with the clear visual or they or they'll put the 123 00:06:57,920 --> 00:07:00,080 Speaker 1: cup in the bag and then just over fill the 124 00:07:00,240 --> 00:07:05,440 Speaker 1: entire thing where mixed in with your change. It's arguably well, 125 00:07:05,520 --> 00:07:07,800 Speaker 1: First of all, it is absolutely the best fast food 126 00:07:07,839 --> 00:07:10,840 Speaker 1: French fry okay on the planet, and it's arguably one 127 00:07:10,880 --> 00:07:12,880 Speaker 1: of the best French fries you can get. Now, are 128 00:07:12,920 --> 00:07:15,240 Speaker 1: these the ones that are twice fried? They fry them twice, 129 00:07:15,520 --> 00:07:18,920 Speaker 1: so they're a little bit extra crisp. I actually don't. 130 00:07:19,000 --> 00:07:20,600 Speaker 1: I can't call them to mind, so I must not 131 00:07:20,680 --> 00:07:24,400 Speaker 1: have had them. They're not necessarily extra crisp, but they 132 00:07:24,440 --> 00:07:28,200 Speaker 1: are twice fried. Yeah, they're still uh, I'm gonna say 133 00:07:28,320 --> 00:07:33,040 Speaker 1: lucy goosey body shape. Yeah, I think crisp. I think stiff. 134 00:07:34,080 --> 00:07:39,240 Speaker 1: Definitely not that they don't snap man. Yeah, underrated under 135 00:07:39,600 --> 00:07:42,640 Speaker 1: good texture. I suppose I should have talked a lot 136 00:07:42,720 --> 00:07:46,880 Speaker 1: of reading. No, no, no is underrated. You nailed it. 137 00:07:47,560 --> 00:07:51,640 Speaker 1: Awareness of your surroundings also underrated. I find that to 138 00:07:51,760 --> 00:07:57,560 Speaker 1: be a real fucking problem. Almost every day, people walking around, Yeah, 139 00:07:57,680 --> 00:08:00,960 Speaker 1: just completely oblivious to their surrounding. Like, am I the 140 00:08:01,000 --> 00:08:03,560 Speaker 1: only one who's watching where they're going? Yeah, either in 141 00:08:03,640 --> 00:08:06,360 Speaker 1: my car or on foot. It's astonishing. I see a 142 00:08:06,400 --> 00:08:08,840 Speaker 1: lot of people reading and walking a lot more now, 143 00:08:09,440 --> 00:08:13,280 Speaker 1: not even on their phone, like full on books. Like guys, Yeah, 144 00:08:13,360 --> 00:08:18,240 Speaker 1: just listen to podcasts for God's an audio books the 145 00:08:18,440 --> 00:08:23,000 Speaker 1: very least. Yeah, well, you had multiple, underrated, but they 146 00:08:23,040 --> 00:08:25,840 Speaker 1: were all good. What is a myth? Finally? What is 147 00:08:25,880 --> 00:08:30,080 Speaker 1: something people think is true that you know to be false? Um? Well, 148 00:08:30,520 --> 00:08:32,599 Speaker 1: I get asked this every now and then, and it 149 00:08:32,720 --> 00:08:34,959 Speaker 1: won't seem to go away no matter how many times 150 00:08:35,240 --> 00:08:38,160 Speaker 1: on a wildly popular podcast, I straightened the record, so 151 00:08:38,240 --> 00:08:41,520 Speaker 1: I'll try once more. Um, those of us who were 152 00:08:42,360 --> 00:08:48,000 Speaker 1: in and called the usual suspects never received a script 153 00:08:48,400 --> 00:08:51,160 Speaker 1: where it wasn't clear to us who kaiser, so I 154 00:08:51,320 --> 00:08:54,560 Speaker 1: was by the end. That's a myth that people really 155 00:08:54,679 --> 00:08:57,240 Speaker 1: invested in and think it's true. There was a time 156 00:08:57,280 --> 00:09:00,400 Speaker 1: when you guys didn't know either write who CAUs while 157 00:09:00,440 --> 00:09:03,000 Speaker 1: you were shooting? Yeah, well we read the script knuckle ahead, 158 00:09:03,080 --> 00:09:07,120 Speaker 1: and the screenplay that went on the win the Academy 159 00:09:07,160 --> 00:09:10,079 Speaker 1: would did in fact include the ending, right, Yeah, so 160 00:09:10,280 --> 00:09:13,160 Speaker 1: we always knew and the amazing nous of the script 161 00:09:13,240 --> 00:09:15,280 Speaker 1: had something maybe to do with the fact that you 162 00:09:15,360 --> 00:09:18,000 Speaker 1: guys wanted to do the movie in the first place. Exactly. Yeah, 163 00:09:18,040 --> 00:09:20,040 Speaker 1: you kind of need to know what that ending is. Yes, 164 00:09:22,880 --> 00:09:26,000 Speaker 1: maybe what a movie. So those are just like fans 165 00:09:26,080 --> 00:09:29,120 Speaker 1: trying to like sort of project their fantasies and be like, 166 00:09:29,280 --> 00:09:32,959 Speaker 1: it's a legitimate urban legend that I've been I've been 167 00:09:33,000 --> 00:09:37,000 Speaker 1: asked by allegedly intelligent people like, what was it like 168 00:09:37,040 --> 00:09:40,320 Speaker 1: when you actually found out exactly, Well, I was reading 169 00:09:41,040 --> 00:09:46,320 Speaker 1: the premier or something. Yeah, we went to can Exactly. 170 00:09:46,880 --> 00:09:49,719 Speaker 1: There is some like if you do actual research, you 171 00:09:49,800 --> 00:09:52,720 Speaker 1: can find movies where that's true, where they like didn't 172 00:09:52,760 --> 00:09:56,040 Speaker 1: tell people on set, even like the sometimes they shoot 173 00:09:56,080 --> 00:09:59,920 Speaker 1: two endings right and then you definitely don't. The act 174 00:10:01,320 --> 00:10:05,720 Speaker 1: on set in the Darth Vader costume said, I didn't say, Luke, 175 00:10:05,800 --> 00:10:08,400 Speaker 1: I am your father. That was added obviously when James 176 00:10:08,440 --> 00:10:11,040 Speaker 1: Earl Jones added it, But that was like a thing 177 00:10:11,160 --> 00:10:13,760 Speaker 1: that they like kept super under wraps. I want to 178 00:10:13,800 --> 00:10:16,920 Speaker 1: say Powers. His last name is Powers, the physical actor 179 00:10:17,040 --> 00:10:20,400 Speaker 1: inside the Darth Vader. Yeah, can somebody look that up 180 00:10:20,600 --> 00:10:22,720 Speaker 1: out there and get back to it. Where would they 181 00:10:22,760 --> 00:10:27,640 Speaker 1: write to us peel Box, David Prowse, There we go, 182 00:10:27,840 --> 00:10:30,959 Speaker 1: David Prowse, Prowse powers. I had a lot of the 183 00:10:31,040 --> 00:10:34,800 Speaker 1: same letters and order. He was a bodybuilder, so let's 184 00:10:34,840 --> 00:10:38,000 Speaker 1: not forget that. Have you seen the cut of the 185 00:10:38,120 --> 00:10:40,920 Speaker 1: first Star Wars when it's just him delivering the lines 186 00:10:41,120 --> 00:10:45,319 Speaker 1: before they add James James Earl Jones. It's amazing because 187 00:10:45,360 --> 00:10:47,760 Speaker 1: he kind of like has a like sort of pretty 188 00:10:47,960 --> 00:10:52,360 Speaker 1: angry delivery, and and it just it just changes everything. 189 00:10:52,440 --> 00:10:55,959 Speaker 1: It's just so clear how much every single aspect of 190 00:10:56,120 --> 00:11:00,160 Speaker 1: that movie like contributed to it being great, because it's 191 00:11:00,200 --> 00:11:02,839 Speaker 1: just you know, and I mean it's obviously they didn't 192 00:11:02,880 --> 00:11:05,679 Speaker 1: think they were going to do that. It was just 193 00:11:06,120 --> 00:11:08,520 Speaker 1: you know, a placeholder, but it was just interesting to 194 00:11:08,640 --> 00:11:12,920 Speaker 1: see that's what the actors were responding to. PRIs intensity, right, 195 00:11:13,040 --> 00:11:17,080 Speaker 1: Priss Intensity. I would point you towards a wonderful YouTube 196 00:11:17,160 --> 00:11:20,600 Speaker 1: channel that a great comedian and comic actor, British guy 197 00:11:20,720 --> 00:11:24,199 Speaker 1: Peter Sara Finnowitz, does a thing called Sassy Trump where 198 00:11:24,240 --> 00:11:29,199 Speaker 1: he takes video Trump speaking and replaces the audio with 199 00:11:29,800 --> 00:11:32,200 Speaker 1: you know, there's drunk version and there's slowed down version, 200 00:11:32,240 --> 00:11:35,680 Speaker 1: but he does one where it's just slightly sassy, slightly 201 00:11:35,760 --> 00:11:38,920 Speaker 1: sassy Trump. Oh yeah, he did like illegal space aliens, right, 202 00:11:39,000 --> 00:11:42,959 Speaker 1: was like the one over the summer. D Yeah, it's 203 00:11:42,960 --> 00:11:46,880 Speaker 1: funny because both Darth Vader and Trump are both kind 204 00:11:46,960 --> 00:11:50,200 Speaker 1: of like messy bitches a little bit sometimes like they 205 00:11:50,240 --> 00:11:53,199 Speaker 1: are like very likely he's kind of constantly having a 206 00:11:53,440 --> 00:11:57,240 Speaker 1: tantrum sort of thing. That's right. It does make a 207 00:11:57,360 --> 00:12:00,920 Speaker 1: sort of sense both the original Darth It her actors 208 00:12:00,960 --> 00:12:05,840 Speaker 1: performance and Peter Sarafinwitz is YouTube channel. Guys, let's talk 209 00:12:05,880 --> 00:12:09,040 Speaker 1: about Bohemian Rhapsody. I feel like this is one of 210 00:12:09,080 --> 00:12:13,360 Speaker 1: those stories that was in the Zeke, just like in 211 00:12:13,440 --> 00:12:16,559 Speaker 1: the Firmament. I didn't see it this weekend, but I 212 00:12:16,679 --> 00:12:19,520 Speaker 1: took my two year old to Chipotle and we had 213 00:12:19,600 --> 00:12:22,120 Speaker 1: just been listening to the song Bohemian Rhapsody in the 214 00:12:22,200 --> 00:12:24,400 Speaker 1: car and he was singing MoMA Me and Mama Mia, 215 00:12:24,880 --> 00:12:27,000 Speaker 1: and the person Apole was like, oh, did you see 216 00:12:27,040 --> 00:12:28,599 Speaker 1: the movie, and like it was just like one of 217 00:12:28,679 --> 00:12:31,640 Speaker 1: those like organic conversations that just struck up. And she 218 00:12:31,760 --> 00:12:33,800 Speaker 1: was like a twenty two year old and she was like, oh, 219 00:12:33,920 --> 00:12:36,240 Speaker 1: Queen's my favorite band, Like I can't wait to see it, 220 00:12:36,360 --> 00:12:38,960 Speaker 1: and she was like so excited two year old would 221 00:12:39,080 --> 00:12:43,760 Speaker 1: have Queeners their face, well, since at all. I love 222 00:12:43,960 --> 00:12:47,199 Speaker 1: just great singing, like if you're like a rock opera 223 00:12:47,360 --> 00:12:49,280 Speaker 1: kind of you know. But I think that's what we're 224 00:12:49,280 --> 00:12:51,760 Speaker 1: finding out because it dominated at the box office. I 225 00:12:51,800 --> 00:12:54,520 Speaker 1: think we're finding out that their reach is and I 226 00:12:54,679 --> 00:12:57,600 Speaker 1: kind of found it like it's the band that most 227 00:12:57,720 --> 00:13:00,320 Speaker 1: connects with my two year old son, like they're song. 228 00:13:00,559 --> 00:13:04,319 Speaker 1: There was a second coming, don't forget, and it was 229 00:13:04,559 --> 00:13:07,240 Speaker 1: possibly even bigger than the first. That's when I first 230 00:13:07,240 --> 00:13:11,920 Speaker 1: found out exactly it was that Bohemian Rhapsody in Wayne's 231 00:13:11,960 --> 00:13:15,560 Speaker 1: World and then on my tape player for the next 232 00:13:15,720 --> 00:13:18,559 Speaker 1: five years, just constantly, and that was still not I 233 00:13:18,640 --> 00:13:21,439 Speaker 1: remember because when I demanded my mom take me to 234 00:13:21,640 --> 00:13:23,960 Speaker 1: Music Plus when that was still a place to buy 235 00:13:24,080 --> 00:13:27,160 Speaker 1: music in l A, to buy the tape of the 236 00:13:27,240 --> 00:13:29,600 Speaker 1: Waynes Rold soundtrack for that song, she was like, you're 237 00:13:29,640 --> 00:13:31,880 Speaker 1: listening to Queen And she was like I used to 238 00:13:31,920 --> 00:13:34,600 Speaker 1: tour with them. As her translator, I was like, well, yeah, 239 00:13:34,640 --> 00:13:40,400 Speaker 1: it's backmoun but just some classic great pop songs that 240 00:13:40,640 --> 00:13:43,559 Speaker 1: we're finding out are even more timeless than maybe was 241 00:13:44,040 --> 00:13:48,679 Speaker 1: widely agreed on. But this it seems like, based on 242 00:13:48,840 --> 00:13:50,719 Speaker 1: what people have told me and Kevin, I'm interested to 243 00:13:50,800 --> 00:13:54,080 Speaker 1: hear your take that it is sort of Queen's greatest hits. 244 00:13:54,160 --> 00:13:58,040 Speaker 1: The movie sort of thing. Well, they show how a 245 00:13:58,160 --> 00:14:02,520 Speaker 1: lot of their biggest, most successful songs came to be, 246 00:14:03,320 --> 00:14:06,359 Speaker 1: you know, how, how they were either written or rehearsed 247 00:14:06,880 --> 00:14:12,360 Speaker 1: or recorded or performed in various stages, which is one 248 00:14:12,440 --> 00:14:17,120 Speaker 1: of the better storytelling devices to tell the story of 249 00:14:17,240 --> 00:14:20,880 Speaker 1: a famous band is to actually show how the fund 250 00:14:20,960 --> 00:14:24,720 Speaker 1: did you get to this song or this moment and 251 00:14:24,800 --> 00:14:29,280 Speaker 1: even in the high note, you know that craziness. There's 252 00:14:29,320 --> 00:14:32,520 Speaker 1: a moment the film where they show the recording of 253 00:14:32,640 --> 00:14:35,720 Speaker 1: the song and in that that one singer who was 254 00:14:35,800 --> 00:14:40,120 Speaker 1: the drummer according to the movie, is in the booth 255 00:14:40,240 --> 00:14:43,560 Speaker 1: trying to hit that higher note. And uh, it was 256 00:14:43,680 --> 00:14:50,080 Speaker 1: just spectacular. How Freddie Mercury just kept saying higher, amazingly 257 00:14:50,160 --> 00:14:54,920 Speaker 1: high higher. Yeah, the movie was spectacular. I assumed that 258 00:14:55,040 --> 00:14:58,160 Speaker 1: those vocals were like affected or like tuned up or 259 00:14:58,400 --> 00:15:05,760 Speaker 1: sped up or something, possibly by chemicals, but I don't think. Yeah, 260 00:15:06,680 --> 00:15:09,600 Speaker 1: this movie has an interesting backstory because so at first 261 00:15:09,640 --> 00:15:14,480 Speaker 1: Sasha Baron Cohen was connected to play Freddie Mercury, he 262 00:15:14,560 --> 00:15:16,520 Speaker 1: actually looks more like him if you think, yeah, he 263 00:15:16,600 --> 00:15:19,960 Speaker 1: looks a lot like him. Yeah, totally. And he ended 264 00:15:20,040 --> 00:15:25,040 Speaker 1: up having some issues, some clashes with the surviving band members. 265 00:15:25,560 --> 00:15:28,760 Speaker 1: He really wanted to go like full you know, just 266 00:15:29,520 --> 00:15:32,520 Speaker 1: hard our version of the story where you know, you 267 00:15:32,680 --> 00:15:38,200 Speaker 1: see all of the debauchery that like there. He had 268 00:15:38,520 --> 00:15:41,920 Speaker 1: a scene in his vision for the movie where little 269 00:15:42,000 --> 00:15:44,800 Speaker 1: people were walking around with plates of cocaine on their head, 270 00:15:45,360 --> 00:15:48,520 Speaker 1: because that was apparently a party that Freddie Mercury once attended. 271 00:15:49,000 --> 00:15:51,840 Speaker 1: Um but he said the uh he said this on 272 00:15:52,040 --> 00:15:54,440 Speaker 1: I think the Howard Stern Show that the moment he 273 00:15:54,520 --> 00:15:59,000 Speaker 1: realized he couldn't move forward was a member of the band. 274 00:15:59,720 --> 00:16:02,120 Speaker 1: This is a quote a member of the band. I 275 00:16:02,160 --> 00:16:04,560 Speaker 1: won't say who said, you know, this is such a 276 00:16:04,640 --> 00:16:07,280 Speaker 1: great movie because it's got such an amazing thing that 277 00:16:07,440 --> 00:16:09,920 Speaker 1: happens in the middle. And I go, what happens in 278 00:16:09,960 --> 00:16:11,520 Speaker 1: the middle of the movie, and he goes, you know, 279 00:16:11,680 --> 00:16:14,840 Speaker 1: Freddie dies, and I go, what happens in the second 280 00:16:14,880 --> 00:16:17,360 Speaker 1: half of the movie, and he goes, we see how 281 00:16:17,440 --> 00:16:21,200 Speaker 1: the band carries on from strength to strength. And I said, listen, 282 00:16:21,320 --> 00:16:23,280 Speaker 1: not one person is going to see a movie where 283 00:16:23,320 --> 00:16:25,480 Speaker 1: the lead character dies from aids and then you see 284 00:16:25,560 --> 00:16:28,800 Speaker 1: how the band carries on. Uh, and that isn't what 285 00:16:28,960 --> 00:16:30,960 Speaker 1: happens in the movie. Is that correct? That's not at 286 00:16:30,960 --> 00:16:34,360 Speaker 1: all what happened. That's not all so somebody So that's 287 00:16:34,400 --> 00:16:37,040 Speaker 1: what Sasha Baron Cohen was saying when he was going 288 00:16:37,080 --> 00:16:39,840 Speaker 1: back and forth with the band. The band member, one 289 00:16:39,880 --> 00:16:42,000 Speaker 1: of the band members was like, then it's about us 290 00:16:42,080 --> 00:16:45,680 Speaker 1: for the second half, and we move on from Freddie 291 00:16:45,720 --> 00:16:48,440 Speaker 1: and our attempt to find a singer who can replace 292 00:16:48,560 --> 00:16:50,760 Speaker 1: him and failing to do that. He was like, I 293 00:16:50,800 --> 00:16:53,440 Speaker 1: don't think that's gonna work so well. But somebody got 294 00:16:53,480 --> 00:16:55,760 Speaker 1: to the band, and that's not at all how the 295 00:16:55,840 --> 00:16:58,880 Speaker 1: movie is structured. One of the criticisms that's coming out 296 00:16:58,920 --> 00:17:02,720 Speaker 1: because this, despite being, you know, a big commercial success, 297 00:17:03,160 --> 00:17:07,440 Speaker 1: critics are kind of mixed on it, and the treatment 298 00:17:07,720 --> 00:17:12,399 Speaker 1: of Mercury's sexuality has been kind of panned a little bit, 299 00:17:12,640 --> 00:17:16,400 Speaker 1: for like, his first homosexual encounter comes when they're manager, 300 00:17:16,600 --> 00:17:19,640 Speaker 1: who is sort of the movie's villain, suddenly kisses him 301 00:17:20,080 --> 00:17:23,600 Speaker 1: and then the manager drags him quote unquote into a 302 00:17:23,680 --> 00:17:26,720 Speaker 1: world of drugs and gay sex parties. And that's kind 303 00:17:26,760 --> 00:17:30,160 Speaker 1: of part of Mercury's demise. Do you see that kind 304 00:17:30,200 --> 00:17:36,080 Speaker 1: of criticism, Um, I would say that's a pedestrian review. 305 00:17:36,400 --> 00:17:41,439 Speaker 1: A pedestrian review in the sense that the story ultimately 306 00:17:41,640 --> 00:17:45,560 Speaker 1: reveals when the love of his life, a woman he 307 00:17:45,760 --> 00:17:48,520 Speaker 1: was married to, I gave her a ring. I don't 308 00:17:48,520 --> 00:17:51,680 Speaker 1: think they showed an actual wedding common law wife. Yeah, 309 00:17:52,320 --> 00:17:54,159 Speaker 1: it was always referred to you had the love of 310 00:17:54,200 --> 00:17:56,879 Speaker 1: my life all the way through the film story. And 311 00:17:56,960 --> 00:18:00,520 Speaker 1: then at one point when he says to her in 312 00:18:00,600 --> 00:18:03,560 Speaker 1: a private moment, I think I might be bisexual, she says, 313 00:18:03,640 --> 00:18:07,119 Speaker 1: without hesitation, Freddie, you're gay. So is this? So that 314 00:18:07,800 --> 00:18:11,320 Speaker 1: helps us to understand that she always knew what was 315 00:18:11,600 --> 00:18:13,960 Speaker 1: fairly clear from the first time you meet him. In 316 00:18:14,000 --> 00:18:17,520 Speaker 1: the film, he's played I wouldn't say completely effeminine, but 317 00:18:18,200 --> 00:18:22,960 Speaker 1: but with a flair. And that flair is not just 318 00:18:23,200 --> 00:18:29,960 Speaker 1: dramatic or even melodramatic. It's camp the way that a 319 00:18:30,040 --> 00:18:35,320 Speaker 1: gay person who's out and open behaves in public. Right. 320 00:18:35,560 --> 00:18:38,480 Speaker 1: So Freddie in the film anyways, is portrayed as someone 321 00:18:38,520 --> 00:18:42,240 Speaker 1: who's sort of lived his life that way from the beginning. Interesting, 322 00:18:42,359 --> 00:18:44,760 Speaker 1: and then it's kind of clear to everyone that he's gay. 323 00:18:45,280 --> 00:18:47,439 Speaker 1: And then when but when he when it is shown 324 00:18:47,480 --> 00:18:50,240 Speaker 1: in the story of the film of having that kiss, 325 00:18:50,840 --> 00:18:53,280 Speaker 1: I think there was a moment before that actually where 326 00:18:53,359 --> 00:18:56,560 Speaker 1: he gets eyed up by a man and they exchange 327 00:18:56,760 --> 00:18:59,760 Speaker 1: expressions and Freddie doesn't act on it. Got it okay? 328 00:18:59,840 --> 00:19:03,680 Speaker 1: So I would I would say that's a very myopic 329 00:19:04,160 --> 00:19:08,159 Speaker 1: review of maybe for someone who's looking for something to 330 00:19:08,480 --> 00:19:12,720 Speaker 1: not like you have to remember, well you don't have 331 00:19:12,840 --> 00:19:17,200 Speaker 1: to remember, please consider that. Um Again my issue with 332 00:19:17,359 --> 00:19:20,680 Speaker 1: everyone having an opinion on the internet. It also is, 333 00:19:20,800 --> 00:19:23,320 Speaker 1: you know, film review used to be people who wrote 334 00:19:23,440 --> 00:19:28,960 Speaker 1: essays and they were learned individuals on the matter of storytelling. 335 00:19:29,760 --> 00:19:32,600 Speaker 1: So now that everyone has a blog or a or 336 00:19:32,640 --> 00:19:36,760 Speaker 1: an opinion on film, you're going to get fairly pedestrian 337 00:19:36,840 --> 00:19:40,480 Speaker 1: points of view or very personalized points of view. I 338 00:19:40,560 --> 00:19:42,879 Speaker 1: find like, like, I don't want to jump into that 339 00:19:43,000 --> 00:19:48,800 Speaker 1: person's life, but if a if a gay person saw 340 00:19:48,840 --> 00:19:53,040 Speaker 1: the film and felt like his homosexuality wasn't represented strong enough, 341 00:19:53,600 --> 00:19:56,119 Speaker 1: then they would take it as a personal affront because 342 00:19:56,200 --> 00:19:58,720 Speaker 1: they would say, have an invested interest, if you know 343 00:19:58,760 --> 00:20:03,040 Speaker 1: what I'm so, while I want to appreciate and empathize 344 00:20:03,080 --> 00:20:06,760 Speaker 1: with what that person experienced when they saw it, you know, 345 00:20:06,880 --> 00:20:10,280 Speaker 1: I think the film represents a larger picture. Yeah, I mean, 346 00:20:10,440 --> 00:20:14,240 Speaker 1: And the good thing about sites like Metacritic is that 347 00:20:14,560 --> 00:20:17,560 Speaker 1: it's sort of a democratization where you can see like 348 00:20:17,920 --> 00:20:21,119 Speaker 1: a whole spectrum of voices and choose the cure that 349 00:20:21,240 --> 00:20:24,240 Speaker 1: maybe you identify with. And I did hear that reviews 350 00:20:24,240 --> 00:20:28,560 Speaker 1: were mixed, totally mixed, And you know, it's it is 351 00:20:28,600 --> 00:20:32,400 Speaker 1: a film that elicits a great deal of excitement and emotion, 352 00:20:32,960 --> 00:20:35,240 Speaker 1: and um, you get caught up in the swirl of 353 00:20:35,320 --> 00:20:39,480 Speaker 1: what the band went through from total unknowns Cretti was 354 00:20:39,520 --> 00:20:42,639 Speaker 1: working baggage at the airport unloading off of a plane, 355 00:20:43,240 --> 00:20:47,320 Speaker 1: rise up through uh, you know, the formation of the band. 356 00:20:47,400 --> 00:20:51,600 Speaker 1: You really get caught up in their whirlwind lives and ultimately, 357 00:20:52,480 --> 00:20:56,040 Speaker 1: you know, the demise of happiness that comes with over 358 00:20:56,119 --> 00:21:00,720 Speaker 1: the top success. Totally yeah. Yeah. One other just a 359 00:21:00,960 --> 00:21:03,639 Speaker 1: thing that people pointed out about it that we probably 360 00:21:03,680 --> 00:21:05,800 Speaker 1: don't have too much time to get into, but they 361 00:21:05,840 --> 00:21:08,879 Speaker 1: were saying that his wife, his common law wife, Mary, 362 00:21:09,640 --> 00:21:14,640 Speaker 1: is somebody who he remained with like through his death 363 00:21:14,760 --> 00:21:17,000 Speaker 1: and who like nursed him, and he left most of 364 00:21:17,160 --> 00:21:21,360 Speaker 1: his things, most of his belongings and wealth to her, 365 00:21:21,920 --> 00:21:25,200 Speaker 1: and they were saying that he was more he identified 366 00:21:25,240 --> 00:21:29,240 Speaker 1: as bisexual, And so the whole like gay versus bisexual 367 00:21:29,400 --> 00:21:32,440 Speaker 1: thing is that that is something that I feel like 368 00:21:33,000 --> 00:21:36,880 Speaker 1: is in in the future or in other cultures will 369 00:21:36,960 --> 00:21:38,960 Speaker 1: look back at the idea that you're either gay or 370 00:21:39,000 --> 00:21:43,640 Speaker 1: straight as somewhat missing the mark in terms of how 371 00:21:44,040 --> 00:21:48,800 Speaker 1: people's sexuality actually operate. It seems like a very individual choice. Yeah, totally. 372 00:21:48,800 --> 00:21:50,399 Speaker 1: The rest of us need to put a title on 373 00:21:50,480 --> 00:21:53,359 Speaker 1: it so we feel better about our Exactly what box 374 00:21:53,440 --> 00:21:56,040 Speaker 1: are you in? Right? I don't like this fluidity of 375 00:21:56,080 --> 00:22:00,359 Speaker 1: a spectrum, which if it's a train, look are you 376 00:22:01,000 --> 00:22:04,560 Speaker 1: that's right? Uh, we are going to take a quick break. 377 00:22:04,600 --> 00:22:17,320 Speaker 1: We'll be right back and we're back. And as we 378 00:22:17,440 --> 00:22:19,920 Speaker 1: mentioned it as election day, get out there and vote. 379 00:22:20,000 --> 00:22:23,840 Speaker 1: Please vote, Please vote, please vote, whatever your viewpoint is, 380 00:22:24,000 --> 00:22:28,240 Speaker 1: just let's take back the country from these maniacs. Whatever 381 00:22:28,400 --> 00:22:32,600 Speaker 1: your viewpoint, or if you're one of the maniacs, there's 382 00:22:32,600 --> 00:22:35,600 Speaker 1: your chance to solidify your footing. Yeah, but you can 383 00:22:35,640 --> 00:22:40,199 Speaker 1: say at home, that's right, Yeah, you're one of the maniacs. 384 00:22:40,359 --> 00:22:42,359 Speaker 1: Make sure you're passed in front of a reflecting device 385 00:22:42,480 --> 00:22:48,920 Speaker 1: before you vote. So Trump has been closing out his 386 00:22:49,280 --> 00:22:56,240 Speaker 1: sort of roving pep rally for Donald Trump Trump tour 387 00:22:56,720 --> 00:23:01,760 Speaker 1: with some you know, usually the party in power will 388 00:23:02,840 --> 00:23:05,440 Speaker 1: point to, you know, the things that are working well 389 00:23:05,640 --> 00:23:08,560 Speaker 1: about their position. It'll be you know, look how good 390 00:23:08,680 --> 00:23:12,399 Speaker 1: things are going because we are we have all the power, 391 00:23:12,760 --> 00:23:16,160 Speaker 1: we have all the pets continue, let's continue having the power. 392 00:23:16,240 --> 00:23:20,199 Speaker 1: But that's not how Trump generally rolls, so he has 393 00:23:20,240 --> 00:23:24,720 Speaker 1: continued to sort of, you know, fight against people. Well, yeah, 394 00:23:24,960 --> 00:23:27,920 Speaker 1: I mean, I think the thing is though everyone was saying, 395 00:23:28,240 --> 00:23:30,320 Speaker 1: you know, the one thing that Republicans have a really 396 00:23:30,359 --> 00:23:33,720 Speaker 1: good economy, even though it's inherited from the past administration, 397 00:23:33,800 --> 00:23:38,840 Speaker 1: but the economy, and normally, you know, he's out there 398 00:23:38,880 --> 00:23:41,719 Speaker 1: saying I created the strongest economy or whatever, and they 399 00:23:41,840 --> 00:23:43,800 Speaker 1: like that because it's a thing people can kind of 400 00:23:43,920 --> 00:23:47,120 Speaker 1: latch onto. But Trump, again, he's in Steen mode where 401 00:23:47,160 --> 00:23:49,879 Speaker 1: he just is trying to get the base fired up, 402 00:23:50,080 --> 00:23:54,440 Speaker 1: which means xenophobia and racism. So it's been constant migrant 403 00:23:54,640 --> 00:23:59,080 Speaker 1: caravan talk at like really bizarre TV ads that are 404 00:23:59,560 --> 00:24:03,440 Speaker 1: so aggressively racist, like even Fox News had to say, 405 00:24:04,040 --> 00:24:07,200 Speaker 1: We've actually reconsidered airing this because it's too racist for 406 00:24:07,280 --> 00:24:10,240 Speaker 1: even Fox News, which should be telling you something. And 407 00:24:10,720 --> 00:24:12,480 Speaker 1: you know, the thing is that works for your base 408 00:24:12,600 --> 00:24:14,160 Speaker 1: because you know they're there, and if you're just trying 409 00:24:14,160 --> 00:24:16,200 Speaker 1: to turn them out, that's a good strategy. But this 410 00:24:16,359 --> 00:24:18,320 Speaker 1: is an election where a lot of people who may 411 00:24:18,359 --> 00:24:20,960 Speaker 1: have voted for Trump in or having second thoughts, or 412 00:24:21,040 --> 00:24:24,119 Speaker 1: other people who may be encouraged to vote might not 413 00:24:24,280 --> 00:24:27,760 Speaker 1: be convinced. And a lot of Republican congressmen or people 414 00:24:27,800 --> 00:24:29,680 Speaker 1: who are running for office right now don't like that 415 00:24:29,840 --> 00:24:33,160 Speaker 1: messaging because when you just hit the racism button over 416 00:24:33,240 --> 00:24:35,800 Speaker 1: and over when they go out to campaign, then people 417 00:24:36,119 --> 00:24:37,680 Speaker 1: come up to them and say, well, what do you think? 418 00:24:37,800 --> 00:24:39,560 Speaker 1: Is this your position too? And that puts them in 419 00:24:39,640 --> 00:24:42,680 Speaker 1: a very very awkward place because they don't want to 420 00:24:42,720 --> 00:24:45,760 Speaker 1: speak against the president, but they also might not actually 421 00:24:45,800 --> 00:24:47,800 Speaker 1: be that racist, so they don't want to. You know, 422 00:24:47,880 --> 00:24:49,240 Speaker 1: it's it just puts them in a bad place. So 423 00:24:49,359 --> 00:24:52,359 Speaker 1: Paul Ryan, I guess on Sunday called to beg the 424 00:24:52,480 --> 00:24:56,639 Speaker 1: president to just focus on the economy because that is 425 00:24:56,760 --> 00:25:00,520 Speaker 1: just less divisive. You already have a slew of incidents 426 00:25:00,560 --> 00:25:03,760 Speaker 1: that have occurred, whether it's the says our say ok 427 00:25:03,880 --> 00:25:08,480 Speaker 1: bomber or the shooting in Pittsburgh. There are numerous things 428 00:25:08,600 --> 00:25:10,639 Speaker 1: like this rhetoric is just not good. It's it's it 429 00:25:10,760 --> 00:25:12,440 Speaker 1: reminds me of all these other things. And he was 430 00:25:12,560 --> 00:25:15,800 Speaker 1: begged and Trump just said no because I really like 431 00:25:15,920 --> 00:25:17,840 Speaker 1: he's like, this works with the base. And I'm sorry 432 00:25:17,920 --> 00:25:20,680 Speaker 1: he said that, but this works with the base. All 433 00:25:20,760 --> 00:25:23,760 Speaker 1: he knows how to do is pander. Yeah. Yeah, it's 434 00:25:24,280 --> 00:25:27,399 Speaker 1: to use the sports metaphor for our sports fans. There's 435 00:25:27,440 --> 00:25:30,800 Speaker 1: like the multitool athlete who can do, who's versatile and 436 00:25:30,960 --> 00:25:34,080 Speaker 1: can be put in lots of different positions, and he's 437 00:25:34,520 --> 00:25:38,200 Speaker 1: just very he's not he's like got one. He's a 438 00:25:38,240 --> 00:25:41,240 Speaker 1: home run hit, power hitter, power hitter who strikes out 439 00:25:41,280 --> 00:25:46,119 Speaker 1: a lot, and he just seems very valuable in the 440 00:25:46,280 --> 00:25:49,240 Speaker 1: right circumstances, which it seems now that two thousand six 441 00:25:49,320 --> 00:25:52,960 Speaker 1: team was. I think this is going to be a 442 00:25:53,320 --> 00:25:59,520 Speaker 1: referendum on whether his sort of anger and divisive campaigning 443 00:25:59,680 --> 00:26:04,120 Speaker 1: work across different situations. It seems like it it shouldn't 444 00:26:04,280 --> 00:26:08,640 Speaker 1: by traditional political logic, it should not be uh something 445 00:26:08,720 --> 00:26:13,040 Speaker 1: that translates. But he's also a one of a kind 446 00:26:13,600 --> 00:26:17,120 Speaker 1: hate monger who is very good at that thing. So well, 447 00:26:17,240 --> 00:26:20,440 Speaker 1: we'll see how it translates. Yeah, I mean, it's a 448 00:26:20,520 --> 00:26:23,000 Speaker 1: lot of like GOOP operatives in this political article. They 449 00:26:23,040 --> 00:26:24,640 Speaker 1: were just sort of resigned to the fact that they're 450 00:26:24,640 --> 00:26:27,560 Speaker 1: just saying, well, he hijacked the election, and all the 451 00:26:27,640 --> 00:26:30,600 Speaker 1: work we've done to try and shape messaging to avoid this, 452 00:26:30,880 --> 00:26:32,840 Speaker 1: it's like, we can't, we can't do anything. His voice 453 00:26:32,920 --> 00:26:36,879 Speaker 1: rounds everything out, so fingers crossed. But I mean, I 454 00:26:36,920 --> 00:26:40,160 Speaker 1: mean he subtly had even hinted even Trump didn't wasn't 455 00:26:40,240 --> 00:26:42,960 Speaker 1: fully confident that they the Republicans, could keep the House. 456 00:26:43,240 --> 00:26:44,719 Speaker 1: And he's like, who knows, we might lose that there 457 00:26:44,720 --> 00:26:46,200 Speaker 1: are a lot of houses, There are a lot of 458 00:26:46,280 --> 00:26:48,399 Speaker 1: there are a lot of seats the housing crisis, So 459 00:26:49,160 --> 00:26:51,560 Speaker 1: that's right. But yeah, it's yeah, this it's it's just 460 00:26:51,960 --> 00:26:54,520 Speaker 1: that's you know, the closing argument for the GOP is 461 00:26:54,640 --> 00:26:59,760 Speaker 1: a racism. So I guess vote accordingly all Yeah. Um, 462 00:27:00,040 --> 00:27:04,400 Speaker 1: Brian Kemp, who this has kind of become the marquee 463 00:27:04,480 --> 00:27:10,040 Speaker 1: matchup between Brian Kemp and Stacy Abrams in Georgia. So 464 00:27:10,119 --> 00:27:13,920 Speaker 1: Stacey Abrams has been pulling really well lately and Brian 465 00:27:14,040 --> 00:27:16,920 Speaker 1: Kemp has been pulling out all the stops of voter 466 00:27:17,040 --> 00:27:20,600 Speaker 1: suppression uh, he is the Secretary of State, so he's 467 00:27:20,600 --> 00:27:22,440 Speaker 1: in charge of a lot of the laws that make 468 00:27:22,520 --> 00:27:25,520 Speaker 1: it possible for him to suppress the vote. And he 469 00:27:25,800 --> 00:27:29,240 Speaker 1: has come out and accused the Georgia Democrats of hacking 470 00:27:29,680 --> 00:27:34,040 Speaker 1: the Republican Party. Can you explain what I actually happened, Well, 471 00:27:34,119 --> 00:27:36,560 Speaker 1: it's just weird. They're Okay, you can get into all 472 00:27:36,560 --> 00:27:38,760 Speaker 1: the moving parts, but you can boil it down to 473 00:27:38,840 --> 00:27:42,240 Speaker 1: a very simple narrative. A volunteer on the Democratic side 474 00:27:42,280 --> 00:27:44,760 Speaker 1: received an email from someone who had just done a 475 00:27:44,840 --> 00:27:48,040 Speaker 1: simple analysis of the information systems for the Georgia voting 476 00:27:48,080 --> 00:27:51,320 Speaker 1: system and found vulnerabilities and sent it to this volunteer 477 00:27:51,359 --> 00:27:53,600 Speaker 1: and said, uh, you know, some of the most basic 478 00:27:53,720 --> 00:27:57,080 Speaker 1: computer knowledge could probably begin stealing data from here, and 479 00:27:57,160 --> 00:27:59,040 Speaker 1: this is how it could be done. Just just so 480 00:27:59,200 --> 00:28:02,439 Speaker 1: you know. That person took it to their superior who 481 00:28:02,560 --> 00:28:05,400 Speaker 1: then took it to cybersecurity experts that they had employed, 482 00:28:05,480 --> 00:28:07,480 Speaker 1: just to be like, can you assess this threat of 483 00:28:07,600 --> 00:28:11,119 Speaker 1: like how vulnerable the Georgia voting system is from hacking? 484 00:28:11,680 --> 00:28:15,040 Speaker 1: And there they said, oh, yeah, it's actually very vulnerable. 485 00:28:15,359 --> 00:28:18,440 Speaker 1: So then that those cybersecurity people reached out to Brian Kemp, 486 00:28:18,520 --> 00:28:21,640 Speaker 1: who as Secretary of State that would be pretty relevant 487 00:28:21,720 --> 00:28:24,080 Speaker 1: to him since he has to watch over elections in 488 00:28:24,119 --> 00:28:27,879 Speaker 1: the State of Georgia. And he then basically took that 489 00:28:28,080 --> 00:28:31,520 Speaker 1: information to then say that the Democrats had information on 490 00:28:31,640 --> 00:28:35,080 Speaker 1: how to hack the systems and they may have been 491 00:28:35,160 --> 00:28:37,560 Speaker 1: trying to hack the system because they had noticed some 492 00:28:37,720 --> 00:28:40,520 Speaker 1: attempt to breach the system. So he used this very 493 00:28:40,640 --> 00:28:43,360 Speaker 1: weird logic of the fact that they pointed out to 494 00:28:43,680 --> 00:28:46,560 Speaker 1: him how vulnerable system was, that there are probably a 495 00:28:46,600 --> 00:28:49,680 Speaker 1: suspect in possible hack, because that's what thieves do. They 496 00:28:49,760 --> 00:28:52,640 Speaker 1: go to the police and say, just so you know, 497 00:28:53,120 --> 00:28:56,360 Speaker 1: here's our tools that we use to break into that house, 498 00:28:56,600 --> 00:29:02,120 Speaker 1: right exactly what any good ahead of the big heist, 499 00:29:02,240 --> 00:29:09,640 Speaker 1: by the way, ahead of exactly how lnerability. Yeah, just 500 00:29:09,720 --> 00:29:12,160 Speaker 1: so you know there's a vulnerability at the safe we're 501 00:29:12,200 --> 00:29:13,920 Speaker 1: trying to break into. We thought we'd share with you 502 00:29:14,000 --> 00:29:16,280 Speaker 1: all the information we gathered about the safe just in 503 00:29:16,320 --> 00:29:18,120 Speaker 1: case something I wouldn't want this to be. And this 504 00:29:18,280 --> 00:29:19,800 Speaker 1: is the thing is that this isn't They aren't the 505 00:29:19,880 --> 00:29:22,360 Speaker 1: first or the only group to warn Brian Kemp or 506 00:29:22,400 --> 00:29:25,120 Speaker 1: the State of Georgia that there are so many ways 507 00:29:25,280 --> 00:29:28,440 Speaker 1: that the voter information or voter files could be tampered 508 00:29:28,520 --> 00:29:30,720 Speaker 1: with or accessed, and a lot of people with their 509 00:29:30,760 --> 00:29:32,520 Speaker 1: hair on if I've been screaming at him and this 510 00:29:32,640 --> 00:29:34,760 Speaker 1: whole time too. His response to those people initially has 511 00:29:34,800 --> 00:29:38,280 Speaker 1: always been, Oh, that's impossible. The system is safe, it's impenetrable. 512 00:29:38,320 --> 00:29:40,640 Speaker 1: We don't have to worry about these things. Yet in 513 00:29:40,800 --> 00:29:43,320 Speaker 1: this instance, he's saying, Oh, the people who even brought 514 00:29:43,360 --> 00:29:46,120 Speaker 1: this up are probably suspect number one. The really, the 515 00:29:46,200 --> 00:29:48,440 Speaker 1: wild thing about this entire story is the fact that 516 00:29:48,560 --> 00:29:51,960 Speaker 1: his team went out and then parades this as a victory, 517 00:29:52,280 --> 00:29:54,880 Speaker 1: like they stopped like the second nine eleven from happening. 518 00:29:55,200 --> 00:29:58,840 Speaker 1: So his spokesperson for his campaign said in a statement 519 00:29:59,000 --> 00:30:02,600 Speaker 1: that they threw an effort to expose vulnerabilities in this 520 00:30:02,920 --> 00:30:07,480 Speaker 1: voter system. That was an act of desperation by Democrats. Quote. 521 00:30:07,600 --> 00:30:09,960 Speaker 1: This was a fourth quarter Hail Mary pass that was 522 00:30:10,040 --> 00:30:13,120 Speaker 1: intercepted in the end zone. Thanks to the systems and 523 00:30:13,200 --> 00:30:16,360 Speaker 1: protocols established by the Secretary of State Brian Kemp, no 524 00:30:16,520 --> 00:30:20,120 Speaker 1: personal information was breezed. These power hungry radicals should be 525 00:30:20,240 --> 00:30:28,000 Speaker 1: held accountable for their criminal behavior. That is some banana republic. Really, 526 00:30:28,160 --> 00:30:31,400 Speaker 1: this is it's I mean it's a that just shows 527 00:30:31,440 --> 00:30:33,440 Speaker 1: you how I mean if we're getting that desperate, because 528 00:30:33,440 --> 00:30:35,280 Speaker 1: I mean if when you look at the amount of 529 00:30:35,680 --> 00:30:38,560 Speaker 1: registrations or like mail in ballots that they've been trying 530 00:30:38,600 --> 00:30:40,520 Speaker 1: to put on ice to try and keep from going 531 00:30:40,600 --> 00:30:43,440 Speaker 1: Stacy Abrams, where it's likely that those votes would go 532 00:30:43,440 --> 00:30:47,560 Speaker 1: to Stacy Abrams. I mean, if he wins, you would 533 00:30:47,600 --> 00:30:49,920 Speaker 1: think that there would be massive cries for some kind 534 00:30:49,960 --> 00:30:52,720 Speaker 1: of investigation because they've pulled out all the stops, and 535 00:30:52,840 --> 00:30:55,959 Speaker 1: not just in Georgia, like all over the country, like Kansas, 536 00:30:56,000 --> 00:30:58,440 Speaker 1: North Dakota. There's been all kinds of really horrific stories. 537 00:30:58,680 --> 00:31:02,040 Speaker 1: It's too easy, um that it should be the takeaway 538 00:31:02,160 --> 00:31:05,520 Speaker 1: from the two thousand sixteen election that we need to 539 00:31:05,560 --> 00:31:08,760 Speaker 1: go back to the most archaic forms of voting. It 540 00:31:08,880 --> 00:31:10,920 Speaker 1: all needs to be physical. It all needs to take 541 00:31:10,960 --> 00:31:14,120 Speaker 1: a couple of days to count. No computers can be used. 542 00:31:14,360 --> 00:31:16,960 Speaker 1: I mean, it really does need to grind to a 543 00:31:17,080 --> 00:31:21,000 Speaker 1: halt in terms of technology to make it not vulnerable 544 00:31:21,360 --> 00:31:25,680 Speaker 1: other than human air, which you can I think police 545 00:31:25,760 --> 00:31:31,520 Speaker 1: even better by having a multitude of counting physical bodies. Right, 546 00:31:31,800 --> 00:31:35,440 Speaker 1: this person counts and then that person recounts those and 547 00:31:35,560 --> 00:31:37,880 Speaker 1: so on yeah, I mean computers. Yet it's just so 548 00:31:38,000 --> 00:31:40,560 Speaker 1: easy to either misdirect voters. But I will never be 549 00:31:40,640 --> 00:31:44,720 Speaker 1: the same. Right, the Russian Guard Service has started using 550 00:31:44,760 --> 00:31:47,520 Speaker 1: typewriters again just to go to what you're saying. Right, 551 00:31:47,600 --> 00:31:51,000 Speaker 1: They're just like, yeah, funk all that everything is vulnerable, 552 00:31:51,080 --> 00:31:53,960 Speaker 1: you dummies. Well even it's funny. And what was it 553 00:31:54,080 --> 00:31:57,120 Speaker 1: when their elections happened in Russia recently and there was 554 00:31:57,160 --> 00:31:59,480 Speaker 1: like that footage of one of the counting sites and 555 00:31:59,560 --> 00:32:04,000 Speaker 1: they were just like throwing votes. I think those are 556 00:32:04,000 --> 00:32:07,000 Speaker 1: for Putin probably just like yeah, it's all good. Yeah, 557 00:32:07,240 --> 00:32:11,320 Speaker 1: I mean I do wonder how I think it would 558 00:32:11,360 --> 00:32:14,880 Speaker 1: be extremely difficult for if the Democrats, you know, have 559 00:32:15,080 --> 00:32:18,000 Speaker 1: a bad election day to day. I think it's going 560 00:32:18,080 --> 00:32:20,440 Speaker 1: to be very difficult for them to then say, well 561 00:32:20,880 --> 00:32:23,520 Speaker 1: there were security issues, because I mean, look how difficult 562 00:32:23,560 --> 00:32:25,360 Speaker 1: it's been for them to say that about two thousand 563 00:32:25,360 --> 00:32:28,320 Speaker 1: and sixteen. Well, and that's but in the Republicans have 564 00:32:28,400 --> 00:32:31,040 Speaker 1: done a good job to put their people in positions 565 00:32:31,080 --> 00:32:34,480 Speaker 1: like this as secretaries of state or attorney generals or judges, 566 00:32:34,920 --> 00:32:37,720 Speaker 1: so they have a way to ensure minority rule no 567 00:32:37,840 --> 00:32:40,080 Speaker 1: matter what happens. And I think That's the other thing 568 00:32:40,160 --> 00:32:42,560 Speaker 1: is they've they took a queue when Obama became president, 569 00:32:42,640 --> 00:32:44,640 Speaker 1: like Okay, we're gonna have to load this deck on 570 00:32:44,800 --> 00:32:47,160 Speaker 1: whatever way possible. And now this is what's happening, Like 571 00:32:47,240 --> 00:32:50,600 Speaker 1: you're seeing the product of that. All right, So what 572 00:32:50,800 --> 00:32:53,680 Speaker 1: races are we watching tonight? Guys? What are you keeping 573 00:32:53,680 --> 00:32:56,760 Speaker 1: your eye on. We've got bet oh obviously, and that's 574 00:32:57,440 --> 00:33:00,880 Speaker 1: you know, leaning crews. It would be a huge upset 575 00:33:01,040 --> 00:33:03,840 Speaker 1: if better were to pull it off. And then you've 576 00:33:03,840 --> 00:33:09,600 Speaker 1: got Gill him Abraham's both looking good ish for democ Yeah, 577 00:33:09,840 --> 00:33:12,400 Speaker 1: I mean very Hey, these are the kinds of races 578 00:33:12,480 --> 00:33:15,600 Speaker 1: that I think will really help people understand what direction 579 00:33:15,680 --> 00:33:17,880 Speaker 1: a wave is moving. If there's a wave, if there's 580 00:33:17,920 --> 00:33:20,360 Speaker 1: a I don't know, what's a smaller wave, a bit 581 00:33:20,400 --> 00:33:23,440 Speaker 1: of a ripple, ripple. Yeah, And then I know John 582 00:33:23,480 --> 00:33:25,920 Speaker 1: Tester and Montana's one Republicans are we're looking at to 583 00:33:25,960 --> 00:33:30,000 Speaker 1: try and turn red. Claire mccaskell is barely hanging on 584 00:33:30,240 --> 00:33:35,680 Speaker 1: in Missouri. Uh, Heidi height camp might Uh that's yeah. 585 00:33:35,760 --> 00:33:39,280 Speaker 1: That one's basically a loss. Ye. But one one that's 586 00:33:39,320 --> 00:33:44,320 Speaker 1: really interesting is Abigail Spamburger, who is in Virginia's seventh district, 587 00:33:44,360 --> 00:33:48,479 Speaker 1: which is Eric Cantor's old seat, who was unseated by 588 00:33:48,560 --> 00:33:51,000 Speaker 1: this guy, Dave Bratt. And this has been a pretty 589 00:33:51,120 --> 00:33:53,800 Speaker 1: solid red district for a long time. But she is 590 00:33:53,880 --> 00:33:57,800 Speaker 1: a very interesting candidate. She has like an insanely like 591 00:33:58,360 --> 00:34:03,520 Speaker 1: credible national security background. She's a CIA operative, so she's 592 00:34:03,560 --> 00:34:06,280 Speaker 1: not she's not any novice when it comes to national security, 593 00:34:06,760 --> 00:34:09,560 Speaker 1: and she has really been closing in on this seat too. 594 00:34:09,640 --> 00:34:11,480 Speaker 1: And it's the kind of race that I think is 595 00:34:11,520 --> 00:34:14,160 Speaker 1: indicative of like you have a solidly red seat, but 596 00:34:14,320 --> 00:34:18,799 Speaker 1: you're seeing a democratic challenge or really performed like overperformed 597 00:34:18,840 --> 00:34:22,160 Speaker 1: really in the district. Uh, And we'll see how a 598 00:34:22,280 --> 00:34:25,680 Speaker 1: lot of these suburban like excurb voters go. But I 599 00:34:25,719 --> 00:34:27,520 Speaker 1: think that's when to look out for and could be 600 00:34:27,800 --> 00:34:30,440 Speaker 1: an indicator of other things to come. But I mean 601 00:34:30,480 --> 00:34:32,720 Speaker 1: it's tense, and I think just like over the weekend, 602 00:34:32,920 --> 00:34:35,120 Speaker 1: SNL kind of summed it up with that like fake 603 00:34:35,440 --> 00:34:37,600 Speaker 1: video about the blue wave coming and everyone is like 604 00:34:37,680 --> 00:34:41,080 Speaker 1: through Clent's teeth like smiling, like super nervous. Yeah. I mean, 605 00:34:41,120 --> 00:34:44,560 Speaker 1: because you know, traditional wisdom failed us last time, or 606 00:34:44,680 --> 00:34:46,680 Speaker 1: what we were relying on to try and indicate with 607 00:34:46,719 --> 00:34:51,400 Speaker 1: the six Team, we were complacent. Yeah, exactly. So I 608 00:34:51,560 --> 00:34:55,080 Speaker 1: like the idea that we're nervous, yeah and doing trying 609 00:34:55,160 --> 00:34:57,920 Speaker 1: to do something about it. Um, this seems like a 610 00:34:58,000 --> 00:35:01,799 Speaker 1: perfect time to mention I have an all new comedy podcast. Yes, 611 00:35:02,280 --> 00:35:04,880 Speaker 1: it has a relief It's called comic Relief for a 612 00:35:04,960 --> 00:35:10,600 Speaker 1: for a reason. Uh, the general terminology. Uh, I'm getting it. 613 00:35:11,239 --> 00:35:13,600 Speaker 1: We'll get to it whenever you guys want to talk about. Yes, 614 00:35:13,920 --> 00:35:17,000 Speaker 1: and then Steve King very funny coming off of comedy 615 00:35:17,520 --> 00:35:22,640 Speaker 1: Steve King Open White Supremacists is you know, has been 616 00:35:22,719 --> 00:35:25,239 Speaker 1: slated to win. But the guy who's running against him, 617 00:35:25,239 --> 00:35:29,920 Speaker 1: who's a complete political newcomer, J D. Scholton, former professional pitcher, 618 00:35:30,760 --> 00:35:34,359 Speaker 1: He's making a run at Steve King's I was fourth 619 00:35:34,400 --> 00:35:37,520 Speaker 1: congressional district and you know the Cook. This is one 620 00:35:37,560 --> 00:35:40,320 Speaker 1: of those ones where the Cook Political Report, which you know, 621 00:35:40,480 --> 00:35:43,280 Speaker 1: as Miles has shared back in his political days, that's 622 00:35:43,560 --> 00:35:46,320 Speaker 1: the report that you checked every morning, even to the 623 00:35:46,360 --> 00:35:48,000 Speaker 1: point that I was like, what's going on with Cook 624 00:35:48,040 --> 00:35:49,960 Speaker 1: Political Report? And he was like, oh, it's always there's 625 00:35:49,960 --> 00:35:53,400 Speaker 1: always long lag time because all the political consultants are 626 00:35:53,480 --> 00:35:56,839 Speaker 1: checking it that are just their servers right, yeah, well 627 00:35:57,040 --> 00:35:58,920 Speaker 1: a little bit of both, I think right now, especially 628 00:35:59,000 --> 00:36:01,200 Speaker 1: though because it's getting so tight, everyone looks to Charlie 629 00:36:01,239 --> 00:36:04,600 Speaker 1: Cook too. Yeah, look at the read the tea leaves. Yeah, 630 00:36:04,680 --> 00:36:07,000 Speaker 1: and they do a good job. And this is the 631 00:36:07,600 --> 00:36:11,960 Speaker 1: King Chulton race is one where it's going from you know, 632 00:36:12,120 --> 00:36:16,960 Speaker 1: solid our solid Republican to likely Republican to now just 633 00:36:17,160 --> 00:36:20,879 Speaker 1: a lean Republican. So it's moving to the left. It's 634 00:36:20,960 --> 00:36:23,919 Speaker 1: moving democratic, but it's just a question of whether it's 635 00:36:24,000 --> 00:36:26,840 Speaker 1: going to move yeah far enough. Well, there's always so 636 00:36:26,960 --> 00:36:29,480 Speaker 1: many ways to look at polling, and it truly is 637 00:36:29,600 --> 00:36:31,600 Speaker 1: I've noticed like a lot of the reporting on poles 638 00:36:31,680 --> 00:36:34,000 Speaker 1: comes out really it is sort of if you are 639 00:36:34,040 --> 00:36:36,880 Speaker 1: a half empty or half full kind of person, because 640 00:36:37,000 --> 00:36:41,200 Speaker 1: for example, like the Democrat lead in the generic ballot 641 00:36:41,440 --> 00:36:44,080 Speaker 1: is something people go, well, it's tightening or it's widening. 642 00:36:44,280 --> 00:36:46,080 Speaker 1: And you can look at it in a few ways, 643 00:36:46,160 --> 00:36:48,280 Speaker 1: like if you look on an arc right from June 644 00:36:48,360 --> 00:36:51,640 Speaker 1: to September, the lead that the Democrats took on a 645 00:36:51,719 --> 00:36:54,600 Speaker 1: generic ballot just like shoots up, so it's searched, and 646 00:36:54,680 --> 00:36:58,719 Speaker 1: then in September it like dropped slightly. So depending on 647 00:36:59,120 --> 00:37:02,000 Speaker 1: who you are, you could say that the Democrat has 648 00:37:02,040 --> 00:37:06,520 Speaker 1: grown substantially, like over time in the summer months, or 649 00:37:07,080 --> 00:37:10,200 Speaker 1: you can say that since September it's waned a little bit, 650 00:37:10,520 --> 00:37:12,359 Speaker 1: but the fact of the matter remains like it's been 651 00:37:12,360 --> 00:37:15,080 Speaker 1: a pretty consistent upward trajectory and then sort of a 652 00:37:15,200 --> 00:37:17,880 Speaker 1: leveling off. And yeah, but I think it's a lot 653 00:37:17,920 --> 00:37:19,680 Speaker 1: of people who write on this stuff they don't want 654 00:37:19,719 --> 00:37:23,720 Speaker 1: to fall into the same sort of mistake of be like, oh, yeah, solid, 655 00:37:24,000 --> 00:37:26,479 Speaker 1: it's moving the right way, Everything's going to be fine. 656 00:37:26,640 --> 00:37:28,120 Speaker 1: But I think in the end, there's the only way 657 00:37:28,160 --> 00:37:30,200 Speaker 1: to guarantee that is everyone gets their ass to the 658 00:37:30,320 --> 00:37:34,120 Speaker 1: polls if you haven't already. Now there's no excuse to 659 00:37:34,239 --> 00:37:36,640 Speaker 1: vote if you're if you're allowed to have an opinion, 660 00:37:36,920 --> 00:37:39,520 Speaker 1: which we've been talking about how everyone is forced now 661 00:37:40,320 --> 00:37:44,520 Speaker 1: to listen to all the fucking opinions, then that would 662 00:37:44,520 --> 00:37:46,800 Speaker 1: be a good law, right. You can't can Twitter account 663 00:37:46,880 --> 00:37:49,760 Speaker 1: unless you fucking vote and we can verify that vote 664 00:37:49,840 --> 00:37:53,399 Speaker 1: or shut your Yeah, and there is So we talked 665 00:37:53,480 --> 00:37:56,719 Speaker 1: last week about how millennials are becoming the largest contingent 666 00:37:56,960 --> 00:38:01,600 Speaker 1: of adults in the United States and how their voting 667 00:38:01,719 --> 00:38:05,680 Speaker 1: records has suggested that they are just not politically engaged, 668 00:38:05,800 --> 00:38:09,120 Speaker 1: not interested. While they may be the most opinionated of 669 00:38:09,800 --> 00:38:14,600 Speaker 1: members of the internet, they are not the most politically motivated. 670 00:38:15,080 --> 00:38:19,480 Speaker 1: There are some early indicators that suggests that maybe that 671 00:38:19,680 --> 00:38:24,360 Speaker 1: is changing in this election, because millennial turnout for early 672 00:38:24,480 --> 00:38:28,160 Speaker 1: voting compared to two thousand fourteen is up to a 673 00:38:28,280 --> 00:38:34,279 Speaker 1: pretty ridiculous degree across the country, especially in states that matter, Yeah, Arizona, Georgia. Well, 674 00:38:34,320 --> 00:38:38,960 Speaker 1: when those high school kids across the country protested and 675 00:38:39,040 --> 00:38:43,520 Speaker 1: had marchers on, they couldn't seem more motivated. And that 676 00:38:43,719 --> 00:38:46,680 Speaker 1: they're all coming of age to vote is one of 677 00:38:46,760 --> 00:38:50,480 Speaker 1: the more exciting things for the Democrats. Absolutely, and that's 678 00:38:50,480 --> 00:38:53,239 Speaker 1: could be the thing that the polls don't can't measure too. 679 00:38:53,280 --> 00:38:54,440 Speaker 1: And I think that's what a lot of people on 680 00:38:54,480 --> 00:38:56,480 Speaker 1: the betto or rock side are saying. It's like it's 681 00:38:56,520 --> 00:38:58,360 Speaker 1: in the same way how Trump was sort of this 682 00:38:58,440 --> 00:39:02,480 Speaker 1: insurgent campaign that it's hard to sort of quantify. That's 683 00:39:02,560 --> 00:39:03,960 Speaker 1: that's sort of the same feeling because when you look 684 00:39:03,960 --> 00:39:06,680 Speaker 1: at some of the numbers right in Georgia, for example, 685 00:39:06,960 --> 00:39:10,560 Speaker 1: it's four hundred and fifteen percent higher than the last 686 00:39:10,640 --> 00:39:16,800 Speaker 1: mid terms. Tennessee, that's just a ridiculous, astounding. Yeah, Tennessee, 687 00:39:16,880 --> 00:39:20,720 Speaker 1: it's seven hundred and sixty seven percent higher, which people 688 00:39:21,080 --> 00:39:24,200 Speaker 1: Republicans have been like, Okay, we don't care what Taylor 689 00:39:24,280 --> 00:39:26,879 Speaker 1: Swift says. She can shut her mouth. It's like, well, 690 00:39:27,080 --> 00:39:30,080 Speaker 1: Taylor Swift might have driven a little bit. And I 691 00:39:30,160 --> 00:39:32,480 Speaker 1: know there's just but again, there's been so much grassroots 692 00:39:32,520 --> 00:39:35,040 Speaker 1: and an organizing effort from at every level to do this, 693 00:39:35,120 --> 00:39:36,560 Speaker 1: so it's hard to pin it on any one thing. 694 00:39:36,640 --> 00:39:42,359 Speaker 1: But yeah, Texas fo percent increased, Virginia increase. It's it's 695 00:39:42,400 --> 00:39:44,920 Speaker 1: just skyrocketing. And when you look at the amount of 696 00:39:45,080 --> 00:39:46,560 Speaker 1: you know, we were saying last week, I think something 697 00:39:46,960 --> 00:39:51,160 Speaker 1: close to of millennials will definitely vote or we're saying 698 00:39:51,200 --> 00:39:54,480 Speaker 1: they're very close to voting, right, they look at now 699 00:39:54,560 --> 00:39:56,520 Speaker 1: like sort of the kinds of things that they care about, 700 00:39:56,680 --> 00:39:59,959 Speaker 1: and percent of these people surveyed was saying they supp 701 00:40:00,080 --> 00:40:02,919 Speaker 1: or to federal jobs guarantee with fifteen dollar an hour 702 00:40:03,000 --> 00:40:06,040 Speaker 1: minimum wage and family and paid you know, sick leave, 703 00:40:06,520 --> 00:40:09,680 Speaker 1: and you know, increasing support for Medicare for all and 704 00:40:09,960 --> 00:40:12,560 Speaker 1: more public university tuition funding and things like that. So 705 00:40:13,120 --> 00:40:14,640 Speaker 1: these are like, you know, you're starting to see what 706 00:40:14,719 --> 00:40:17,040 Speaker 1: the values are of this generation. It's more about you know, 707 00:40:17,239 --> 00:40:20,600 Speaker 1: being able to have a decent wage, have access to healthcare, 708 00:40:20,640 --> 00:40:23,400 Speaker 1: have access to education, and it's not like, hey, we 709 00:40:23,520 --> 00:40:26,640 Speaker 1: need to gut social Security or something some other stuff 710 00:40:26,680 --> 00:40:30,400 Speaker 1: like that, which is more the existing establishment conservative ideology 711 00:40:30,680 --> 00:40:34,440 Speaker 1: that's in the White House in Congress. Yeah, and you 712 00:40:34,480 --> 00:40:38,520 Speaker 1: are a Shahiti, the actress from Blackish who just turned 713 00:40:38,760 --> 00:40:43,479 Speaker 1: eighteen in February and has been out there registering people. 714 00:40:43,560 --> 00:40:46,640 Speaker 1: Her age to vote is another kind of inspiring story. 715 00:40:46,840 --> 00:40:49,799 Speaker 1: So maybe it's just like the people younger than millennials 716 00:40:49,840 --> 00:40:51,600 Speaker 1: are about. Yeah, we've got to come up with a 717 00:40:51,640 --> 00:40:55,800 Speaker 1: new name because gen Zah. Yeah. Yeah. And when I 718 00:40:55,840 --> 00:40:57,680 Speaker 1: would saying come up with I mean, tell me what 719 00:40:57,800 --> 00:41:03,120 Speaker 1: the name or just stop calling them millennials because they 720 00:41:03,200 --> 00:41:05,759 Speaker 1: aren't the millennials seem to be the ones we made 721 00:41:05,800 --> 00:41:12,879 Speaker 1: fun of five eight years ago being lazy. No good, Yeah, 722 00:41:13,560 --> 00:41:19,200 Speaker 1: well not you, because you're clearly not representing the generalization 723 00:41:19,239 --> 00:41:23,360 Speaker 1: I'm talking about. But this gen z Um is exciting 724 00:41:23,400 --> 00:41:26,399 Speaker 1: as hell quite frankly. Yeah, no, absolutely, all right, we're 725 00:41:26,400 --> 00:41:29,160 Speaker 1: gonna take another quick break and we didn't talk about it, 726 00:41:29,239 --> 00:41:44,560 Speaker 1: and then we'll talk about and we're back and miles. 727 00:41:45,560 --> 00:41:51,480 Speaker 1: We're talking black metal music for metal, not metal for dark. Yes, 728 00:41:52,400 --> 00:41:55,359 Speaker 1: have you ever been to a UK record store where 729 00:41:55,719 --> 00:41:58,240 Speaker 1: just like Rapp and R and B are just titled 730 00:41:58,360 --> 00:42:01,800 Speaker 1: black music no swear to go, I mean back in 731 00:42:02,160 --> 00:42:05,360 Speaker 1: two thousand, oh cool, but the entire section of record 732 00:42:05,400 --> 00:42:09,200 Speaker 1: store was called over at the h MV. Yeah, well no, 733 00:42:09,360 --> 00:42:11,640 Speaker 1: there was a researcher who was trying to figure out 734 00:42:11,719 --> 00:42:14,239 Speaker 1: like what the appeal was of black metal music because 735 00:42:14,320 --> 00:42:16,200 Speaker 1: it's sort of the same thinking of like how violent 736 00:42:16,320 --> 00:42:18,920 Speaker 1: video games people like, well, these are gonna make people violent, right, 737 00:42:18,960 --> 00:42:20,719 Speaker 1: so if you're listening to black metal, you're probably an 738 00:42:20,800 --> 00:42:24,160 Speaker 1: agro murderer because that's what the thematically, what the music 739 00:42:24,280 --> 00:42:26,759 Speaker 1: is around. So you know, he decided to kind of 740 00:42:26,880 --> 00:42:31,120 Speaker 1: do a not the most scientifically sound study because it's 741 00:42:31,120 --> 00:42:32,799 Speaker 1: a lot of self reporting, but he got a group 742 00:42:32,880 --> 00:42:34,879 Speaker 1: of non black metal fans in a group of black 743 00:42:34,960 --> 00:42:38,440 Speaker 1: metal fans, uh self described black metal fans to take 744 00:42:38,440 --> 00:42:41,120 Speaker 1: a listen to some tracks and see how they felt after. 745 00:42:41,239 --> 00:42:42,880 Speaker 1: And some of the tracks that they were listening to 746 00:42:43,000 --> 00:42:47,040 Speaker 1: where songs like Slowly We Wrought by Obituary, Waiting for 747 00:42:47,160 --> 00:42:52,320 Speaker 1: the Screams by Autopsy and obviously the cannibal corpse fucking 748 00:42:52,400 --> 00:42:55,920 Speaker 1: classic hammer smashed face. If you remember in ace Ventura, 749 00:42:56,280 --> 00:42:58,239 Speaker 1: the first movie, when he goes to a concert when 750 00:42:58,280 --> 00:42:59,960 Speaker 1: he's meeting the dude where he has to do with 751 00:43:00,000 --> 00:43:02,560 Speaker 1: a New England clam chowder code. He's at a he's 752 00:43:02,560 --> 00:43:06,200 Speaker 1: at a metal show. That's cannibal corpse plan. Yeah. Anyway, 753 00:43:06,280 --> 00:43:08,640 Speaker 1: so he found that after these people listen to the 754 00:43:08,719 --> 00:43:10,960 Speaker 1: music that you know, the non fans are like, it 755 00:43:11,080 --> 00:43:14,040 Speaker 1: just sounds like people screaming because they're whiny and hate 756 00:43:14,080 --> 00:43:15,920 Speaker 1: their parents, sort of like they were put off by 757 00:43:15,960 --> 00:43:19,600 Speaker 1: the music, where the actual fans they report experiencing feelings 758 00:43:19,680 --> 00:43:24,040 Speaker 1: of empowerment, joy, peace, and transcendence. Uh. And so he 759 00:43:24,200 --> 00:43:26,200 Speaker 1: was and it wasn't like it had nothing to do 760 00:43:26,280 --> 00:43:28,279 Speaker 1: with anger attention. They never felt like that at all. 761 00:43:28,640 --> 00:43:31,160 Speaker 1: And he was sort of scratching his head and was wondering, Okay, then, 762 00:43:31,560 --> 00:43:33,440 Speaker 1: like the appeal of it must be sort of that 763 00:43:34,120 --> 00:43:37,400 Speaker 1: the fact that the lyrics are so aggressive and pronounced 764 00:43:37,480 --> 00:43:40,200 Speaker 1: that it's very divisive, so you're either going to love 765 00:43:40,280 --> 00:43:42,120 Speaker 1: it or you're gonna hate it. And he found that 766 00:43:42,120 --> 00:43:44,880 Speaker 1: a lot of the fans of black metal already nonconformists, 767 00:43:45,239 --> 00:43:47,960 Speaker 1: so the fact that people who like it helped sort 768 00:43:48,000 --> 00:43:50,040 Speaker 1: of self define them a bit more like they can 769 00:43:50,120 --> 00:43:51,960 Speaker 1: wear it as a badge of honor. It's like, yeah, 770 00:43:52,000 --> 00:43:53,920 Speaker 1: this music appeals to me, and I'm not interested in 771 00:43:54,000 --> 00:43:56,640 Speaker 1: that music. And to him, that's what he thought the 772 00:43:56,719 --> 00:43:59,960 Speaker 1: appeal was of metal. I mean, it's just just heavy music, 773 00:44:00,200 --> 00:44:02,840 Speaker 1: you know, wants your head to explore, something about a 774 00:44:02,960 --> 00:44:07,440 Speaker 1: numbing effect that might bring on a peaceful feeling. That 775 00:44:07,640 --> 00:44:10,680 Speaker 1: the music is more aggressive, loud, and angry than you 776 00:44:10,960 --> 00:44:14,200 Speaker 1: could ever be. So therefore it sort of calms you 777 00:44:14,920 --> 00:44:17,799 Speaker 1: because you thought you were aggressive and angry and now 778 00:44:17,960 --> 00:44:21,160 Speaker 1: you don't feel as much because this music, yeah, way 779 00:44:21,280 --> 00:44:24,200 Speaker 1: more intense than I'm feeling. Really just like sludge like metal, 780 00:44:24,320 --> 00:44:27,520 Speaker 1: Like that's slower and wigh, heavier. And those people at 781 00:44:27,560 --> 00:44:31,200 Speaker 1: those shows aren't like violently washing, they're more just intensely 782 00:44:31,400 --> 00:44:34,880 Speaker 1: just head binged, so you know it. And again, these 783 00:44:34,920 --> 00:44:38,839 Speaker 1: are like sounds that people are like custom making instruments 784 00:44:38,920 --> 00:44:42,359 Speaker 1: to hit frequencies that are just so low, so heavy 785 00:44:42,480 --> 00:44:45,080 Speaker 1: that they'll just make your chest cave in yeah show, 786 00:44:45,280 --> 00:44:48,360 Speaker 1: and I mean they're hearing, they're legitimately the sound is 787 00:44:48,440 --> 00:44:51,279 Speaker 1: hitting their brain in a different it might as well 788 00:44:51,320 --> 00:44:53,439 Speaker 1: be a different sound than the sound hitting our brand 789 00:44:53,480 --> 00:44:57,080 Speaker 1: as non fans, and like it's just they're processing it 790 00:44:57,120 --> 00:45:00,040 Speaker 1: differently because they have so much context and then know 791 00:45:00,239 --> 00:45:03,400 Speaker 1: all the different like they know where each note fits 792 00:45:03,480 --> 00:45:07,640 Speaker 1: within the context of all the other black metal they've heard. So, uh, 793 00:45:08,080 --> 00:45:10,520 Speaker 1: you have the same debate though about Cardi B. In 794 00:45:10,600 --> 00:45:14,080 Speaker 1: my opinion, yeah, well Cardi B. We we happen to 795 00:45:14,160 --> 00:45:17,040 Speaker 1: be fans of Cardi B. But my brain I think 796 00:45:17,160 --> 00:45:20,920 Speaker 1: that's so the it falls on either side. Yeah, I 797 00:45:20,920 --> 00:45:23,359 Speaker 1: think some people are like, what, Yes, I think it's 798 00:45:23,400 --> 00:45:27,080 Speaker 1: a very devisive, Yeah, very divided. I mean, how heavy 799 00:45:27,160 --> 00:45:29,480 Speaker 1: do you get Jack with your what's the heaviest ship 800 00:45:29,560 --> 00:45:32,919 Speaker 1: you listened to? I don't know. I guess like Guns 801 00:45:32,960 --> 00:45:37,040 Speaker 1: and Roses and some Metallica would probably, which is like 802 00:45:37,320 --> 00:45:40,839 Speaker 1: every fan of black metal, just like scoffed yea, Kevin, 803 00:45:40,880 --> 00:45:45,600 Speaker 1: what's the heaviest music you listen to? The heaviest you go, Yeah, 804 00:45:45,680 --> 00:45:51,359 Speaker 1: it doesn't really register on the playlist in any way, 805 00:45:51,400 --> 00:45:55,560 Speaker 1: shape or form. I much preferred, you know, new wave 806 00:45:56,200 --> 00:45:59,319 Speaker 1: from the eighties than the long haired metal band there. Yeah, 807 00:45:59,520 --> 00:46:02,200 Speaker 1: way a way more. I'll listen to some torch, you know, 808 00:46:02,480 --> 00:46:05,680 Speaker 1: some tar pit carnivore. I don't know, are you making 809 00:46:05,719 --> 00:46:08,759 Speaker 1: that up? No? They basically up that kind of says 810 00:46:08,760 --> 00:46:12,799 Speaker 1: it all. You're making a carnivore. Yeah, it's amazing song 811 00:46:13,280 --> 00:46:16,279 Speaker 1: like the Bassis has a just called the bomb note. 812 00:46:16,360 --> 00:46:22,480 Speaker 1: I mean that's evocative tar pit carnivores. I would I 813 00:46:22,560 --> 00:46:24,960 Speaker 1: would write out on it, but if you had headphones 814 00:46:25,080 --> 00:46:28,320 Speaker 1: it would. You can't even listen to this properly. And 815 00:46:28,440 --> 00:46:31,680 Speaker 1: it is what I like it all music. But I 816 00:46:31,840 --> 00:46:35,760 Speaker 1: just feel like before you talk about any music negatively, 817 00:46:35,880 --> 00:46:39,400 Speaker 1: just realized that everybody says the music they don't like 818 00:46:39,600 --> 00:46:44,000 Speaker 1: all sounds the same. Like basically all negative music criticism 819 00:46:44,080 --> 00:46:45,960 Speaker 1: all sounds the same. You're all saying the same ship 820 00:46:46,040 --> 00:46:48,759 Speaker 1: and it's not true in any objective sense. So like, 821 00:46:49,280 --> 00:46:52,080 Speaker 1: just well none of its objective, the exact the thing 822 00:46:52,160 --> 00:46:56,840 Speaker 1: about any art form, the most subjective thing. Frankly, Yeah, absolutely, 823 00:46:56,880 --> 00:46:59,640 Speaker 1: I don't think less of someone who loves a certain 824 00:46:59,719 --> 00:47:03,040 Speaker 1: music that I can't listen to a second of yeah 825 00:47:03,200 --> 00:47:05,719 Speaker 1: it's just not for me. Well you're not a shitty person, 826 00:47:05,760 --> 00:47:07,680 Speaker 1: because I think a shitty person has the attitude of like, 827 00:47:07,760 --> 00:47:09,120 Speaker 1: well you like this and you're an idiot. So fun. 828 00:47:09,400 --> 00:47:11,279 Speaker 1: I mean, I feel that way about Dodger fans, but 829 00:47:11,360 --> 00:47:14,399 Speaker 1: I don't know. It's nice to be Giants fan. It's 830 00:47:14,440 --> 00:47:18,080 Speaker 1: nice of you guys to suit up, yeah, and at 831 00:47:18,160 --> 00:47:20,839 Speaker 1: least go to the World Series, unlike your fans who 832 00:47:21,000 --> 00:47:24,359 Speaker 1: left in the seventh inning. But anyways, are you Giants fan? 833 00:47:24,760 --> 00:47:26,960 Speaker 1: I went to high school with Dave Righetti. We can 834 00:47:27,000 --> 00:47:31,000 Speaker 1: finish talking about my my lifelong fanship of San Francisco, 835 00:47:31,120 --> 00:47:33,279 Speaker 1: my hometown. Yeah right right, that's what I had, the 836 00:47:33,320 --> 00:47:35,600 Speaker 1: starting lineup of Dave Righetti when I was a kid, 837 00:47:35,880 --> 00:47:38,160 Speaker 1: because he pushed. He pitched for the Yankees at one point, 838 00:47:38,520 --> 00:47:41,399 Speaker 1: you know, hit a rookie year fourth of July. Yeah, 839 00:47:41,719 --> 00:47:44,680 Speaker 1: that's true. I had his little these little figurines that 840 00:47:44,840 --> 00:47:48,000 Speaker 1: was that popular in the eighties, the sort of photo 841 00:47:48,080 --> 00:47:51,879 Speaker 1: realistic ones in the statue, I mean kind of yeah. Yeah, 842 00:47:51,920 --> 00:47:53,919 Speaker 1: my Jerry Rice one looks like a fucking I don't 843 00:47:53,920 --> 00:48:00,480 Speaker 1: even know. Yeah, he had one huge eye really serving 844 00:48:00,920 --> 00:48:04,120 Speaker 1: not not real life, not real life. But the poses 845 00:48:04,160 --> 00:48:08,040 Speaker 1: were cool. Yeah. Willie Randolph like fielding a grounder, which 846 00:48:08,120 --> 00:48:11,040 Speaker 1: was cool. Yeah. Uh, these are the eighties Yankees that 847 00:48:11,080 --> 00:48:13,439 Speaker 1: I liked when I was six years old. Alright, let's 848 00:48:13,480 --> 00:48:17,000 Speaker 1: talk about tetris real quick, because this is something that 849 00:48:17,280 --> 00:48:21,000 Speaker 1: has It's definitely something I have gotten into to a 850 00:48:21,160 --> 00:48:24,120 Speaker 1: point at various points in my life where I closed 851 00:48:24,160 --> 00:48:26,600 Speaker 1: my eyes at night and see tetris, like you know 852 00:48:26,719 --> 00:48:29,640 Speaker 1: that feeling you get when you ever like on skiing, 853 00:48:29,840 --> 00:48:32,360 Speaker 1: or like a bunch of mushrooms. Yeah, we're done a 854 00:48:32,400 --> 00:48:35,880 Speaker 1: bunch of mushrooms and they start seeing a boat mushrooms, 855 00:48:37,160 --> 00:48:41,279 Speaker 1: the things where you then once you like, you feel 856 00:48:41,320 --> 00:48:43,360 Speaker 1: like you're still doing the thing. When I've had that 857 00:48:43,440 --> 00:48:46,040 Speaker 1: with tetris, when I play like Guitar Hero or something 858 00:48:46,120 --> 00:48:47,920 Speaker 1: like that too, or I'm looking at an old piano 859 00:48:48,000 --> 00:48:50,719 Speaker 1: players here in the matrix. Yeah, but this one is 860 00:48:50,719 --> 00:48:53,319 Speaker 1: about flow states, and I don't we've talked about flow 861 00:48:53,400 --> 00:48:57,000 Speaker 1: states before about just sort of generally activities that take 862 00:48:57,040 --> 00:48:59,440 Speaker 1: a little bit of skill require a lot of concentration, 863 00:48:59,560 --> 00:49:01,960 Speaker 1: and when you engage in it, sort of time seems 864 00:49:02,000 --> 00:49:04,200 Speaker 1: to melt because you're so engrossed in the activity. And 865 00:49:04,280 --> 00:49:06,399 Speaker 1: like they call this a flow state, because your mind 866 00:49:06,520 --> 00:49:08,600 Speaker 1: is just so in the zone and working on this 867 00:49:08,760 --> 00:49:12,480 Speaker 1: task that your anxieties melts away, time melts away. And 868 00:49:12,600 --> 00:49:14,840 Speaker 1: so they did a study where they were trying to 869 00:49:14,880 --> 00:49:17,759 Speaker 1: see if Tetris could have some sort of effect or 870 00:49:17,800 --> 00:49:19,839 Speaker 1: if that flow state had an effect on people who 871 00:49:19,880 --> 00:49:22,160 Speaker 1: were in like sort of a state of anxiety. So 872 00:49:22,280 --> 00:49:23,719 Speaker 1: the way they sort of did this study was they 873 00:49:23,760 --> 00:49:27,200 Speaker 1: got like three college students and said that, uh, they 874 00:49:27,280 --> 00:49:30,080 Speaker 1: were going to get like assessed on their attractiveness. Uh. 875 00:49:30,160 --> 00:49:31,839 Speaker 1: So they'd go in and they're like, okay, we're gonna 876 00:49:31,840 --> 00:49:34,880 Speaker 1: assess your attractiveness. And then while they waited for their results, 877 00:49:35,080 --> 00:49:37,319 Speaker 1: they had them play Tetris because they wanted to put 878 00:49:37,360 --> 00:49:39,719 Speaker 1: these people in sort of an anxious state to see 879 00:49:39,760 --> 00:49:42,279 Speaker 1: how it felt. And then they found that as these 880 00:49:42,280 --> 00:49:45,480 Speaker 1: people who were waiting for uncertain or potentially life altering news, 881 00:49:46,040 --> 00:49:48,680 Speaker 1: that this flow inducing game could help them cope. Now, 882 00:49:48,719 --> 00:49:51,200 Speaker 1: it wasn't like that every single person was like, oh 883 00:49:51,280 --> 00:49:53,640 Speaker 1: my god, I'm I'm I feel amazing, but they did 884 00:49:53,760 --> 00:49:56,239 Speaker 1: find like that the group that was playing Tetris in 885 00:49:56,280 --> 00:49:58,640 Speaker 1: a way that put them in the flow state, they 886 00:49:58,680 --> 00:50:01,319 Speaker 1: scored like a measure a few points higher than everyone 887 00:50:01,400 --> 00:50:05,000 Speaker 1: else in terms of positive feelings. Afterwards, and after they 888 00:50:05,080 --> 00:50:07,440 Speaker 1: told them they were ugly or what did they what 889 00:50:07,680 --> 00:50:11,720 Speaker 1: was they could have just asked me through all that trouble, 890 00:50:11,800 --> 00:50:13,759 Speaker 1: and I would have said the average brain does not 891 00:50:13,960 --> 00:50:18,160 Speaker 1: like chaos that could be and then so I think 892 00:50:18,239 --> 00:50:20,719 Speaker 1: this is sort of part of a larger study about 893 00:50:20,840 --> 00:50:24,000 Speaker 1: flow states sort of contributing to wellness. And they realized 894 00:50:24,040 --> 00:50:26,799 Speaker 1: too that you know, like people who sort of regularly 895 00:50:27,719 --> 00:50:31,160 Speaker 1: engage in any kind of flow activity just sort of overtime, 896 00:50:31,239 --> 00:50:35,200 Speaker 1: had better stress management skills, had more feelings of positivity, 897 00:50:35,680 --> 00:50:37,239 Speaker 1: and they just felt that like tetris was like an 898 00:50:37,280 --> 00:50:39,440 Speaker 1: easy way to kind of achieve that. And there's a 899 00:50:39,480 --> 00:50:42,160 Speaker 1: book The me Hi Chick Sent Me High is the 900 00:50:42,239 --> 00:50:45,439 Speaker 1: name of the neurologist, Yes, who wrote the book Flow 901 00:50:45,560 --> 00:50:48,359 Speaker 1: and Finding Flow, which are really great books about flow 902 00:50:48,400 --> 00:50:50,640 Speaker 1: state and you realize how you can get it from anything, 903 00:50:50,719 --> 00:50:52,680 Speaker 1: like he was sort of going around talking to many 904 00:50:52,719 --> 00:50:54,759 Speaker 1: people who had flow states. So some people can get 905 00:50:54,800 --> 00:50:57,040 Speaker 1: it from just driving, like some people love going for 906 00:50:57,200 --> 00:51:00,000 Speaker 1: drives and it helps clear their minds. Another person would 907 00:51:00,080 --> 00:51:02,800 Speaker 1: someone who like at a canary, like just sort of 908 00:51:02,880 --> 00:51:04,839 Speaker 1: testing the tops of lids to see if things were 909 00:51:04,840 --> 00:51:06,720 Speaker 1: properly in there, and could just tell from the tone, 910 00:51:07,200 --> 00:51:09,120 Speaker 1: like what if you had to pull a can off 911 00:51:09,120 --> 00:51:11,200 Speaker 1: a line and that was like a flow state where 912 00:51:11,239 --> 00:51:13,719 Speaker 1: this person was in it and his sort of his 913 00:51:13,880 --> 00:51:16,239 Speaker 1: or overall sense of well being was super high because 914 00:51:16,280 --> 00:51:18,520 Speaker 1: every day he was just in this highly engaged state. 915 00:51:19,040 --> 00:51:21,160 Speaker 1: And they show that it's different for all people, and 916 00:51:21,200 --> 00:51:23,320 Speaker 1: the sort of point was for everyone to sort of 917 00:51:23,400 --> 00:51:25,320 Speaker 1: beging to identify what that could be for you, like 918 00:51:25,400 --> 00:51:27,959 Speaker 1: it could be rock climbing or anything, or playing video games, 919 00:51:28,040 --> 00:51:30,200 Speaker 1: but that it's important to sort of keep your head 920 00:51:30,239 --> 00:51:33,000 Speaker 1: in that space. I got a good one. Clean your 921 00:51:33,040 --> 00:51:37,480 Speaker 1: fucking house, yeah, yeah, do the dishes, clean the counters, yeah, 922 00:51:38,200 --> 00:51:42,640 Speaker 1: re uh, structure your closet space. You will find nirvana. Right. 923 00:51:43,160 --> 00:51:45,440 Speaker 1: There's nothing like that moment when you sit down though, 924 00:51:45,520 --> 00:51:47,120 Speaker 1: after you clean a bunch of ship and you're like, 925 00:51:47,280 --> 00:51:51,440 Speaker 1: holy ship. Yeah yeah. I feel like a sense of 926 00:51:51,520 --> 00:51:56,759 Speaker 1: accomplishment and removing clutter and chaos is ultimately what all 927 00:51:56,840 --> 00:52:00,200 Speaker 1: humans are searching for but too fucking lazy to to 928 00:52:00,360 --> 00:52:03,840 Speaker 1: actually incorporate into their daily lots. Do you kind of 929 00:52:03,920 --> 00:52:06,640 Speaker 1: yo yo with your tidiness or you sort of always 930 00:52:06,719 --> 00:52:09,080 Speaker 1: on the ball. I love a clean counter, yeah yeah, 931 00:52:09,160 --> 00:52:12,520 Speaker 1: and I don't you don't hate the studio. I don't know. 932 00:52:12,600 --> 00:52:16,279 Speaker 1: I'm okay around other people's non clean and it's not 933 00:52:16,360 --> 00:52:18,360 Speaker 1: really no CD thing because I don't feel it in 934 00:52:18,400 --> 00:52:20,839 Speaker 1: any other place in life. Like when I come in here, 935 00:52:21,080 --> 00:52:23,879 Speaker 1: I hadn't even noticed the clutter until you said something. 936 00:52:23,960 --> 00:52:28,640 Speaker 1: And I still don't really see serious clutter, you know 937 00:52:28,640 --> 00:52:30,920 Speaker 1: what I mean. So in my own house, I just 938 00:52:31,680 --> 00:52:36,160 Speaker 1: I really do find myself regularly, you know, like it's 939 00:52:36,200 --> 00:52:40,120 Speaker 1: a daily thing that I'm I like to remove chaos 940 00:52:40,239 --> 00:52:42,120 Speaker 1: there you go. Yeah, and not just in the house, 941 00:52:42,239 --> 00:52:45,719 Speaker 1: but just in life, whether it's cutting friends that are 942 00:52:46,160 --> 00:52:52,120 Speaker 1: quicksand you know, it's another form of removing chaos. Yeah. 943 00:52:53,440 --> 00:52:55,600 Speaker 1: And puzzles are another thing that I know is making 944 00:52:55,640 --> 00:52:59,560 Speaker 1: a big comeback. And coloring books. Coloring books so much 945 00:52:59,600 --> 00:53:01,840 Speaker 1: that just mentioned it, I think on SNL or something 946 00:53:02,120 --> 00:53:05,560 Speaker 1: inside the lines and just just and but I think, 947 00:53:06,840 --> 00:53:10,120 Speaker 1: I guess, yeah, Kevin, you were talking about order like 948 00:53:10,280 --> 00:53:13,040 Speaker 1: being and you know those are literally puzzles or like 949 00:53:13,120 --> 00:53:17,439 Speaker 1: putting a picture in order from from chaos into order. 950 00:53:18,000 --> 00:53:21,600 Speaker 1: And I agree. So like I've had these moments where 951 00:53:21,800 --> 00:53:25,960 Speaker 1: I've played even iPhone games that where I've been like, well, 952 00:53:26,080 --> 00:53:28,759 Speaker 1: I just like three hours just disappeared like that, like 953 00:53:28,880 --> 00:53:31,680 Speaker 1: I had no idea where it went, and believe it, Yeah, 954 00:53:32,000 --> 00:53:35,040 Speaker 1: where my kids Sarah's left, She's left the note that 955 00:53:35,280 --> 00:53:39,360 Speaker 1: she's gone to her years. Yeah, but I don't know. 956 00:53:39,520 --> 00:53:43,680 Speaker 1: I I do feel better after I've done that with 957 00:53:43,960 --> 00:53:47,040 Speaker 1: something productive, like cleaning your head, Like I feel bad 958 00:53:47,200 --> 00:53:49,400 Speaker 1: after I've spent a bunch of time just playing a 959 00:53:49,520 --> 00:53:53,200 Speaker 1: game that hasn't done anything other than like just made 960 00:53:53,280 --> 00:53:55,359 Speaker 1: time melt away. You might have felt better during those 961 00:53:55,400 --> 00:53:57,839 Speaker 1: three hours when your brain drifted away, but you're saying 962 00:53:57,880 --> 00:54:02,560 Speaker 1: when you finished, ye sense, yeah, guilt and yeah, well 963 00:54:02,560 --> 00:54:04,440 Speaker 1: then you got to find something, you know, either real, 964 00:54:04,600 --> 00:54:07,560 Speaker 1: you know, re contextualized relationship with that game, or find 965 00:54:07,640 --> 00:54:11,680 Speaker 1: a thing that doesn't feel like empty calories right clean. Yeah, No, 966 00:54:11,880 --> 00:54:13,600 Speaker 1: I think I think cleaning is a great one. Get 967 00:54:13,640 --> 00:54:16,680 Speaker 1: yourself a swift or wet chet. Yeah, you know, feel 968 00:54:16,680 --> 00:54:20,000 Speaker 1: a little bit like click that the all time great 969 00:54:20,000 --> 00:54:23,480 Speaker 1: Adam Sandler comedy where by the way, we'll we'll talk 970 00:54:23,560 --> 00:54:25,759 Speaker 1: tomorrow about the Adam Sandler we we didn't have time 971 00:54:25,760 --> 00:54:27,920 Speaker 1: to get to it today, but the Adam Sandler Netflix 972 00:54:27,960 --> 00:54:30,719 Speaker 1: special is wonderful. Something else. I was there for some 973 00:54:30,840 --> 00:54:34,040 Speaker 1: of the rep because we took Tic Friends Theater. The 974 00:54:34,320 --> 00:54:38,440 Speaker 1: Donasty Typewriter he recorded I think four nights there and 975 00:54:38,760 --> 00:54:41,319 Speaker 1: we were there one night and oh man, it was magical. Yeah, 976 00:54:41,360 --> 00:54:45,279 Speaker 1: it really It's like going back twenty years and just 977 00:54:46,160 --> 00:54:48,840 Speaker 1: I felt like I was in high school again. But 978 00:54:49,040 --> 00:54:50,759 Speaker 1: all right, we'll talk about a little bit more about 979 00:54:50,760 --> 00:54:53,000 Speaker 1: that tomorrow. But Kevin, while we're on the subject, You're funny. 980 00:54:53,360 --> 00:54:56,520 Speaker 1: While we're on the subject of funny, h thank you 981 00:54:56,640 --> 00:54:59,520 Speaker 1: first of all for being with this and what can 982 00:54:59,600 --> 00:55:02,880 Speaker 1: you tell our listeners. Usually we ask our guests for 983 00:55:02,920 --> 00:55:05,520 Speaker 1: a tweet that they've been enjoying, but I want to 984 00:55:05,600 --> 00:55:08,560 Speaker 1: ask you to talk a little bit about your new 985 00:55:08,840 --> 00:55:12,960 Speaker 1: comedy podcast on the How Stuff Works Network, Executive produced 986 00:55:13,000 --> 00:55:16,520 Speaker 1: by one Chuck Bryant, who I know our audience loves. 987 00:55:16,880 --> 00:55:20,319 Speaker 1: Tell us about it. What what it is? Well, if 988 00:55:20,360 --> 00:55:23,359 Speaker 1: you've ever been to a great improv show, I say 989 00:55:23,480 --> 00:55:28,040 Speaker 1: great because they're arguably very few things worse than bad 990 00:55:28,080 --> 00:55:32,560 Speaker 1: and bad improv show. So I've been around the improv 991 00:55:32,640 --> 00:55:34,840 Speaker 1: and sketch world a long time. I started at as 992 00:55:34,840 --> 00:55:38,800 Speaker 1: a stand up comedian, and so I've always been I 993 00:55:38,880 --> 00:55:43,400 Speaker 1: have found more alive in a comedy situation and laughing 994 00:55:43,719 --> 00:55:50,000 Speaker 1: involuntarily and uncontrollably when people were fast, uh and and 995 00:55:50,520 --> 00:55:54,320 Speaker 1: fearless while improvising. I mean I shared the stage in 996 00:55:54,400 --> 00:55:57,200 Speaker 1: my early days with Robin Williams and doing that very 997 00:55:57,280 --> 00:55:59,759 Speaker 1: thing he I and Rick Overton. Rick Overton I were 998 00:55:59,800 --> 00:56:05,560 Speaker 1: the two Brownies and Willow. Um so when we were 999 00:56:05,560 --> 00:56:08,520 Speaker 1: shooting that we were up in northern California, we would, 1000 00:56:08,600 --> 00:56:11,439 Speaker 1: you know, get on stage with Robin and improviser stuff. 1001 00:56:11,440 --> 00:56:14,440 Speaker 1: And I always found myself sort of drifting up stage 1002 00:56:14,480 --> 00:56:17,600 Speaker 1: while Rick and Robin soared through the universe, and I 1003 00:56:17,760 --> 00:56:20,640 Speaker 1: was more witnessed than participant because they were both just 1004 00:56:20,920 --> 00:56:24,359 Speaker 1: so fucking fast. So there's this place where near where 1005 00:56:24,360 --> 00:56:27,000 Speaker 1: I lived, the West Side Comedy Theater on the third 1006 00:56:27,040 --> 00:56:29,960 Speaker 1: three Promenade, and there's great improvince sketch shows there and 1007 00:56:30,040 --> 00:56:32,680 Speaker 1: some stand up shows as well, and um so I 1008 00:56:32,760 --> 00:56:36,320 Speaker 1: started sort of collecting in my mind four or five 1009 00:56:36,760 --> 00:56:40,279 Speaker 1: of these brilliant improvisers and thinking when what in terms 1010 00:56:40,320 --> 00:56:43,840 Speaker 1: I might do with them, And after experimenting in a 1011 00:56:43,960 --> 00:56:48,200 Speaker 1: couple of ways, I decided finally to be the puppet 1012 00:56:48,280 --> 00:56:51,600 Speaker 1: master of a podcast wherein the five of them and 1013 00:56:51,719 --> 00:56:55,279 Speaker 1: I would sit around this very table and I would 1014 00:56:55,360 --> 00:57:01,040 Speaker 1: have created twisted, weird scenarios, previously written them down, hand 1015 00:57:01,080 --> 00:57:04,040 Speaker 1: them out at the last second before we set out 1016 00:57:04,120 --> 00:57:09,960 Speaker 1: to bring these scenarios to life. And they're just uh 1017 00:57:10,719 --> 00:57:17,080 Speaker 1: thoroughbred phenomens at fast, fearless, improvising. And it's some I 1018 00:57:17,800 --> 00:57:21,520 Speaker 1: you know, challenge or beg depending on the situation. Just 1019 00:57:22,320 --> 00:57:25,280 Speaker 1: give it a listen, give give like twenty minutes of 1020 00:57:25,320 --> 00:57:28,280 Speaker 1: your life to one episode. And and I you know, 1021 00:57:28,600 --> 00:57:32,800 Speaker 1: I'm very, very opinionated about what's funny and what isn't, 1022 00:57:32,880 --> 00:57:36,760 Speaker 1: having spent my entire life since age ten performing in 1023 00:57:36,840 --> 00:57:41,040 Speaker 1: front of people to elicit laughter. I directed a documentary 1024 00:57:41,520 --> 00:57:45,440 Speaker 1: um that premiered Sundance a few years ago called Misery 1025 00:57:45,520 --> 00:57:50,000 Speaker 1: Loved Comedy, wherein I interviewed sixty annoyingly famous funny people 1026 00:57:50,320 --> 00:57:52,200 Speaker 1: with the thesis, do you have to be miserable to 1027 00:57:52,280 --> 00:57:55,520 Speaker 1: be funny? What do you find out you don't? You 1028 00:57:55,800 --> 00:57:59,840 Speaker 1: you have to have experienced any art painter or writer, 1029 00:58:00,440 --> 00:58:04,520 Speaker 1: a novelist, you know, a musician, a poet. You have 1030 00:58:04,600 --> 00:58:06,960 Speaker 1: to experience a misery. But then you have to figure 1031 00:58:06,960 --> 00:58:09,600 Speaker 1: out a way to articulate it so that it's so 1032 00:58:09,880 --> 00:58:14,280 Speaker 1: personal the audience is filled with empathy, or it's so universal. 1033 00:58:14,520 --> 00:58:17,000 Speaker 1: Even when Jerry Seinfeld talks about a sock missing from 1034 00:58:17,040 --> 00:58:20,280 Speaker 1: his dryer. That is a form of misery in that case, 1035 00:58:20,400 --> 00:58:24,520 Speaker 1: so universal literacy and goes whole ship too. So anyways, 1036 00:58:25,000 --> 00:58:29,360 Speaker 1: but really the bigger overview is I'm a really hard laugh. 1037 00:58:29,520 --> 00:58:33,520 Speaker 1: It's very very difficult. I've just seen too much. So 1038 00:58:33,720 --> 00:58:36,040 Speaker 1: when I'm I guess I'm just trying to lend a 1039 00:58:36,120 --> 00:58:42,680 Speaker 1: little more credibility to these five performers are insanely funny, 1040 00:58:42,840 --> 00:58:46,200 Speaker 1: fast and fearless. So it's called Alchemy this. It's only 1041 00:58:46,280 --> 00:58:49,520 Speaker 1: been around for I think our third or fourth episode 1042 00:58:50,080 --> 00:58:53,960 Speaker 1: just drop its every Thursday and fourth episode. We just 1043 00:58:54,440 --> 00:58:56,720 Speaker 1: broke the top two hundred, which first show that's only 1044 00:58:56,760 --> 00:58:59,720 Speaker 1: been around four weeks with just starting to get out 1045 00:58:59,800 --> 00:59:02,600 Speaker 1: and promoted, you know, initially it's just promoted on Twitter, 1046 00:59:02,800 --> 00:59:05,680 Speaker 1: Twitter and whatnot, and um just now getting around to 1047 00:59:06,040 --> 00:59:09,200 Speaker 1: uh to talk about it on other podcasts like yours 1048 00:59:09,240 --> 00:59:12,400 Speaker 1: and thanks for having me. But Alchemy this again. I 1049 00:59:12,480 --> 00:59:16,080 Speaker 1: set up these scenarios and these insanely talented people make 1050 00:59:16,160 --> 00:59:22,200 Speaker 1: funny shit up as in the moment and it's it is, uh, dark, weird, 1051 00:59:22,320 --> 00:59:26,160 Speaker 1: funny stuff totally. Alright. Well, so what we're gonna do 1052 00:59:26,240 --> 00:59:29,200 Speaker 1: is we're gonna drop a trailer for the show at 1053 00:59:29,240 --> 00:59:31,960 Speaker 1: the end of this episode, So guys stick around to 1054 00:59:32,400 --> 00:59:34,400 Speaker 1: listen to the trailer for Alchemy this. I think one 1055 00:59:34,440 --> 00:59:39,160 Speaker 1: of them is the the Where's Jesus? And it also 1056 00:59:39,240 --> 00:59:43,040 Speaker 1: involves the third Thanksgiving. I thought it would be fun 1057 00:59:43,880 --> 00:59:47,720 Speaker 1: second just to go back to the second or third 1058 00:59:48,120 --> 00:59:53,800 Speaker 1: where you know the Native Americans or Indigenous people were, 1059 00:59:54,440 --> 00:59:57,080 Speaker 1: you know, they're just starting to Oh man, these people 1060 00:59:57,080 --> 01:00:00,800 Speaker 1: aren't going right. They really think we want to yeah? Uh? 1061 01:00:00,960 --> 01:00:03,320 Speaker 1: And where can people find you other than Alchemy this? 1062 01:00:03,640 --> 01:00:05,800 Speaker 1: Do you have a Twitter hand? Oh? So? Uh? You 1063 01:00:05,880 --> 01:00:09,440 Speaker 1: know at Kevin Pollock on Twitter? Uh? Super lame name 1064 01:00:09,520 --> 01:00:13,320 Speaker 1: for Instagram. Kevin Pollock won to three and second season 1065 01:00:13,360 --> 01:00:18,000 Speaker 1: and Marvelous Mrs masal drops in December five. We just 1066 01:00:18,160 --> 01:00:20,560 Speaker 1: as I said at the top, one a bunch of Emmy's, 1067 01:00:20,600 --> 01:00:25,320 Speaker 1: including best Show first time at the big contest show 1068 01:00:25,480 --> 01:00:31,000 Speaker 1: called the Emmy's and yeah one Golden Gloves and Peabody 1069 01:00:31,040 --> 01:00:36,439 Speaker 1: Awards and all that. It's the creators and show owners 1070 01:00:36,480 --> 01:00:39,240 Speaker 1: and writers from Gilmore Girls and they just write brilliant 1071 01:00:39,560 --> 01:00:41,960 Speaker 1: dialogue and characters and there's no way to fund this 1072 01:00:42,080 --> 01:00:45,880 Speaker 1: one up. And people we used the word that you 1073 01:00:45,960 --> 01:00:50,040 Speaker 1: guys are named for um and if you can tap 1074 01:00:50,160 --> 01:00:54,320 Speaker 1: into the zeitgeist of what people are watching these days 1075 01:00:54,760 --> 01:00:58,680 Speaker 1: with I think six hundred scripted shows now between all 1076 01:00:58,720 --> 01:01:02,960 Speaker 1: the various portals and dreaming. I know, yes, the fact 1077 01:01:03,000 --> 01:01:05,080 Speaker 1: that you can get anyone to talk about a show 1078 01:01:05,160 --> 01:01:08,120 Speaker 1: you're on is a mirror. You know. I'm doing another 1079 01:01:08,160 --> 01:01:10,320 Speaker 1: episode of my chat show of this other podcast I've 1080 01:01:10,320 --> 01:01:13,320 Speaker 1: been doing night March will be ten years old, and 1081 01:01:14,680 --> 01:01:19,640 Speaker 1: I have Benley, this great Australian musician who has a 1082 01:01:19,720 --> 01:01:23,680 Speaker 1: couple of songs, and Lena Dunham's new show Camping. And 1083 01:01:23,760 --> 01:01:25,680 Speaker 1: I was thinking as I was prepping for that, because 1084 01:01:25,680 --> 01:01:27,520 Speaker 1: I'm on my way to do that after this. Um, 1085 01:01:28,680 --> 01:01:31,200 Speaker 1: how many people are talking about Lena Dunham's new show, 1086 01:01:31,560 --> 01:01:34,600 Speaker 1: you know what I mean? That's how loud the noises 1087 01:01:34,680 --> 01:01:36,960 Speaker 1: Now that every new show is trying to break through, 1088 01:01:38,360 --> 01:01:40,720 Speaker 1: there's no way to catch up. But people are super 1089 01:01:40,800 --> 01:01:42,600 Speaker 1: excited about a show. They can't wait for it to 1090 01:01:42,640 --> 01:01:47,640 Speaker 1: come back. Another show on Amazon. I'm insane fan of it. Drops. 1091 01:01:47,960 --> 01:01:53,920 Speaker 1: I think this weekend is called Patriot. Oh yeah, we've heard. 1092 01:01:56,720 --> 01:01:59,280 Speaker 1: It's like Wes Anderson and the Cohen Brothers got together 1093 01:01:59,320 --> 01:02:03,880 Speaker 1: and decided to do a dark, weird espie it's hilarious. 1094 01:02:03,960 --> 01:02:06,560 Speaker 1: But yeah, I think a c a like just hit 1095 01:02:06,680 --> 01:02:10,200 Speaker 1: man who like loves folk seeking. Well, he's super depressed 1096 01:02:10,640 --> 01:02:13,880 Speaker 1: it starts writing songs about his missions and they have 1097 01:02:14,000 --> 01:02:16,880 Speaker 1: to break it and stop him, and he right and 1098 01:02:17,000 --> 01:02:19,000 Speaker 1: like it has to Anyway, It's amazing because you're also 1099 01:02:19,040 --> 01:02:21,400 Speaker 1: seeing him having to navigate, like lying about having an 1100 01:02:21,480 --> 01:02:24,240 Speaker 1: expertise in a field where that he clearly knows nothing about, 1101 01:02:24,800 --> 01:02:27,320 Speaker 1: just struggling with I had Courtwood Smith on the Chat show, 1102 01:02:27,400 --> 01:02:30,600 Speaker 1: the guy that plays basically the villain from the corporation 1103 01:02:30,720 --> 01:02:34,840 Speaker 1: that makes the piping and talking about it. That was 1104 01:02:34,880 --> 01:02:37,320 Speaker 1: a good episode of the Chat show recently. Anyway, those 1105 01:02:37,360 --> 01:02:39,640 Speaker 1: are the things I guess I would play. All right, Well, 1106 01:02:39,720 --> 01:02:41,800 Speaker 1: thank you for being with us, Miles. Where can people 1107 01:02:41,840 --> 01:02:43,960 Speaker 1: find you? Follow you? You can find me on Twitter 1108 01:02:44,160 --> 01:02:48,560 Speaker 1: and Instagram at Miles of Gray, g r a Y 1109 01:02:48,920 --> 01:02:51,760 Speaker 1: And a tweet that I like comes from at Rain 1110 01:02:51,840 --> 01:02:55,520 Speaker 1: Guardians Lizzie McGuire. Hate account is the explain name uh 1111 01:02:55,600 --> 01:02:57,360 Speaker 1: and it's just basically a screen grab of like a 1112 01:02:57,440 --> 01:03:00,280 Speaker 1: YouTube thumbnail for like it has a one in in 1113 01:03:00,440 --> 01:03:04,760 Speaker 1: a nun's habit uh and it says thirteen hundreds a 1114 01:03:04,920 --> 01:03:07,480 Speaker 1: D A s m R. None takes care of you 1115 01:03:07,600 --> 01:03:10,760 Speaker 1: in bed, and then in parentheses, you have the plague. 1116 01:03:13,520 --> 01:03:22,320 Speaker 1: That's so great, you have the plague, but it makes 1117 01:03:22,360 --> 01:03:28,439 Speaker 1: your spine tingled. Yeah, uh tweet I enjoyed. Jensen Carp 1118 01:03:28,640 --> 01:03:32,200 Speaker 1: retweeted Tommy Lauren, who tweeted, let's be clear, I'm not 1119 01:03:32,360 --> 01:03:34,880 Speaker 1: with Taylor and I'm not with Kan yet. I'm not 1120 01:03:35,040 --> 01:03:38,640 Speaker 1: for celebrities that pop off of ship they don't understand period, 1121 01:03:38,840 --> 01:03:40,840 Speaker 1: and Jensen Carp tweeted, I have bad news for you 1122 01:03:40,920 --> 01:03:44,800 Speaker 1: regarding the presidents, which it's just so I mean, he 1123 01:03:44,840 --> 01:03:47,160 Speaker 1: didn't even need to tweet that. It's just crazy that 1124 01:03:47,280 --> 01:03:49,560 Speaker 1: she tweeted that, and then a partner on Charlotte tweeted, 1125 01:03:49,560 --> 01:03:52,760 Speaker 1: I wish you could mark obsessing negative thoughts as spam, 1126 01:03:53,000 --> 01:03:56,840 Speaker 1: which I liked and identified with. You can call me 1127 01:03:56,880 --> 01:03:59,120 Speaker 1: on Twitter at Jack Underscore Brian. You can follow us 1128 01:03:59,200 --> 01:04:01,960 Speaker 1: on Twitter at daily Zeitgeis. Were at the Daily Zeitgeis 1129 01:04:02,200 --> 01:04:05,080 Speaker 1: on Instagram. We have Facebook fanpage and a website, Daily's 1130 01:04:05,080 --> 01:04:07,320 Speaker 1: i guess dot Com, where we post our episodes and 1131 01:04:07,400 --> 01:04:10,000 Speaker 1: our foot note. We link off to the information that 1132 01:04:10,040 --> 01:04:12,680 Speaker 1: we talked about today's episode, as well as the song 1133 01:04:12,800 --> 01:04:15,440 Speaker 1: we ride out on my Old Blue Song. This is 1134 01:04:15,480 --> 01:04:19,200 Speaker 1: a track from Sudan Archives, which is actually an l 1135 01:04:19,240 --> 01:04:23,720 Speaker 1: A based us like a violinist vocalist on Stone's Throw 1136 01:04:24,200 --> 01:04:27,120 Speaker 1: and her music just really interesting, has all kinds of 1137 01:04:27,280 --> 01:04:31,600 Speaker 1: like African influence and just from her experience as a 1138 01:04:31,680 --> 01:04:35,280 Speaker 1: violin is vocalist. This track is called non for Sale 1139 01:04:35,440 --> 01:04:39,080 Speaker 1: n O nt for Sale and again it's just great vocals, 1140 01:04:39,240 --> 01:04:43,680 Speaker 1: great style. Uh and yeah, just enjoy this from Student Archives. 1141 01:04:44,120 --> 01:04:46,400 Speaker 1: All right, we're gonna write out on that and then 1142 01:04:46,440 --> 01:04:53,880 Speaker 1: we'll have a special preview of the alchemy this trailer. Uh. 1143 01:04:54,160 --> 01:04:56,520 Speaker 1: We will be back tomorrow because it is a daily podcast. 1144 01:04:56,600 --> 01:05:05,560 Speaker 1: We'll talk to you guys then about you only call 1145 01:05:05,680 --> 01:05:12,840 Speaker 1: me when your knee something. I need to be free. 1146 01:05:15,120 --> 01:05:19,720 Speaker 1: Time to spread out means I don't like lee. Just 1147 01:05:21,560 --> 01:05:25,600 Speaker 1: all that time since gonna get back with you, don't 1148 01:05:25,640 --> 01:05:30,000 Speaker 1: get time for snitches. You're pulling me down. About you 1149 01:05:30,240 --> 01:05:35,000 Speaker 1: as my sister. My strings propagate through space and time 1150 01:05:35,280 --> 01:05:37,440 Speaker 1: here and there at the same time. And the men 1151 01:05:37,560 --> 01:05:40,480 Speaker 1: just in base crime, you ain't gotta be man like 1152 01:05:40,720 --> 01:05:43,600 Speaker 1: deep go Hio when you climb to stay out of 1153 01:05:43,680 --> 01:05:50,640 Speaker 1: my bed, stay out of my flame. Welcome back, to alchemy. 1154 01:05:50,720 --> 01:05:54,160 Speaker 1: This on your host, Kevin poll Yes that Kevin Pollock, 1155 01:05:54,200 --> 01:05:56,919 Speaker 1: what's that? Yes? I know, I said, I was ready 1156 01:05:56,960 --> 01:05:59,520 Speaker 1: to buy the car. I'm just not sweet listeners. Over 1157 01:05:59,560 --> 01:06:02,000 Speaker 1: the years, I've been crazy lucky to see my fair 1158 01:06:02,040 --> 01:06:05,240 Speaker 1: share of true alchemy. By definition, alchemy is quote when 1159 01:06:05,280 --> 01:06:09,200 Speaker 1: a person creates something through a seemingly magical process and 1160 01:06:09,360 --> 01:06:12,400 Speaker 1: you lovely dingleberries. Like I said, I've been witnessed to 1161 01:06:12,440 --> 01:06:15,080 Speaker 1: the stuff on several occasions. An example, you asked, okay 1162 01:06:15,920 --> 01:06:20,280 Speaker 1: when separated, only fifty of Sonny and Share had undeniable 1163 01:06:20,360 --> 01:06:23,400 Speaker 1: tell speaking of which, not too long ago, while having 1164 01:06:23,480 --> 01:06:26,720 Speaker 1: my conscious scraped and rinsed, the idea hit me. What 1165 01:06:26,840 --> 01:06:29,440 Speaker 1: if I brought together the right creative people and asked 1166 01:06:29,480 --> 01:06:31,400 Speaker 1: them to make shut up based on my own twisted, 1167 01:06:31,440 --> 01:06:35,960 Speaker 1: demented ideas, then offered a podcast of this seemingly magical 1168 01:06:36,080 --> 01:06:38,960 Speaker 1: process and I could call it alchemy? Why can't you 1169 01:06:39,040 --> 01:06:41,160 Speaker 1: be more like your brother? Well, after a bit of 1170 01:06:41,400 --> 01:06:44,080 Speaker 1: title tinkering, I'm so very proud to welcome you, dear friends, 1171 01:06:44,120 --> 01:06:48,040 Speaker 1: to another episode of alchemy. This take a photo. I'm 1172 01:06:48,040 --> 01:06:49,960 Speaker 1: gonna get a photo of this. Hey, get away from 1173 01:06:49,960 --> 01:06:53,680 Speaker 1: get back away, Please to see the tape. Photos? No photos? Okay, 1174 01:06:54,800 --> 01:06:56,160 Speaker 1: what do you what do you see? What do you like? 1175 01:06:56,280 --> 01:06:57,920 Speaker 1: What do you don't like about this? I don't like 1176 01:06:58,000 --> 01:07:01,000 Speaker 1: anything about it? All right, Well i'll tell you what 1177 01:07:01,080 --> 01:07:06,120 Speaker 1: I noticed right away. Cigarettes still lit? Yeah, that's strange, Peterson, 1178 01:07:06,160 --> 01:07:10,439 Speaker 1: you've got you've got a holmesy and I for detail. Well, 1179 01:07:10,520 --> 01:07:15,280 Speaker 1: I studied under the grade Sherlock Holmes. No you that 1180 01:07:15,440 --> 01:07:18,600 Speaker 1: was my cigarette? Can I have that back? I misunderstood. 1181 01:07:18,760 --> 01:07:22,240 Speaker 1: I thought it was in Oh no, I left it there. 1182 01:07:22,440 --> 01:07:26,000 Speaker 1: Oh yeah, like a holder. He thought the dead guy's 1183 01:07:26,040 --> 01:07:29,160 Speaker 1: two fingers would help hold your I was taken aback 1184 01:07:29,360 --> 01:07:31,840 Speaker 1: by the whole thing. I wasn't thinking clearly. Tell us 1185 01:07:31,840 --> 01:07:37,200 Speaker 1: your name again, your waitress, Well, I'm also the floor manager. 1186 01:07:37,320 --> 01:07:39,320 Speaker 1: But yes, Turla, how do you how do you spell 1187 01:07:39,360 --> 01:07:44,600 Speaker 1: it tu r l A H the traditional? Yes? Correct? 1188 01:07:44,680 --> 01:07:50,280 Speaker 1: I'm very shaken. And do you remember this particular patron 1189 01:07:50,720 --> 01:07:53,640 Speaker 1: from inside at dinner earlier? You know I do remember 1190 01:07:53,720 --> 01:07:57,240 Speaker 1: that because I as a floor manager, I'm very adapted. 1191 01:07:57,360 --> 01:08:01,120 Speaker 1: I remembering people's faces, remembering I interact is he wanted 1192 01:08:01,160 --> 01:08:03,240 Speaker 1: his eggs over easy? I said, that's not gonna be 1193 01:08:03,280 --> 01:08:06,000 Speaker 1: a problem. Unfortunately, was the problem. He's having eggs late 1194 01:08:06,040 --> 01:08:09,480 Speaker 1: at night. That's correct. We start breakfast all days. A 1195 01:08:09,560 --> 01:08:13,080 Speaker 1: great men. You um probabteen is good for you. You know, 1196 01:08:14,080 --> 01:08:16,160 Speaker 1: uh you said it would ended up being a problem 1197 01:08:16,200 --> 01:08:19,840 Speaker 1: the eggs. Well, yes, not on my problem. But Frank 1198 01:08:20,200 --> 01:08:23,600 Speaker 1: in the kitchen he doesn't fucking understand things. So I 1199 01:08:23,640 --> 01:08:26,400 Speaker 1: said over easy, and he fuked it up. Frankie, want 1200 01:08:26,400 --> 01:08:29,760 Speaker 1: to answer to that? You know it's oh my god, 1201 01:08:30,680 --> 01:08:33,639 Speaker 1: I speaking for myself. Okay, No, you can speak for yourself. 1202 01:08:33,680 --> 01:08:35,240 Speaker 1: I just want to warn them they have made the 1203 01:08:35,280 --> 01:08:38,040 Speaker 1: biggest mistake of their lives. Do not get your notepads 1204 01:08:38,080 --> 01:08:40,000 Speaker 1: out for this attection. You're gonna want to take show 1205 01:08:40,080 --> 01:08:42,960 Speaker 1: his nose down. All right. First off, if you guys 1206 01:08:43,080 --> 01:08:45,040 Speaker 1: have a hungry late night, come over to my house. 1207 01:08:45,400 --> 01:08:51,080 Speaker 1: When to your house? Have alight? Alright, alright, alright? Over 1208 01:08:51,200 --> 01:08:55,240 Speaker 1: statement kind of kind of move like move around, you 1209 01:08:55,320 --> 01:08:57,400 Speaker 1: know what I mean? Between situations, right, A little bit 1210 01:08:57,560 --> 01:08:59,280 Speaker 1: between a lot of situations, you know what I mean. 1211 01:08:59,320 --> 01:09:01,479 Speaker 1: I don't feel we're getting straight answer from me, Frank 1212 01:09:01,640 --> 01:09:03,479 Speaker 1: Come on, man, let me just tell you. What are 1213 01:09:03,520 --> 01:09:05,560 Speaker 1: you the cook here? Yeah? Okay? And so when the 1214 01:09:06,040 --> 01:09:09,439 Speaker 1: eggs ordered, what was the problem one is very interested 1215 01:09:09,520 --> 01:09:11,680 Speaker 1: to hear this. Thank you, Detective. I've been asking him 1216 01:09:11,720 --> 01:09:13,840 Speaker 1: that as well. My question is always like, oval, what 1217 01:09:14,160 --> 01:09:16,000 Speaker 1: you know what I'm saying? It's like over easy. He's like, 1218 01:09:16,160 --> 01:09:18,559 Speaker 1: all right, but over what you know? What I mean? 1219 01:09:18,920 --> 01:09:20,760 Speaker 1: You're easy? Is the answer to Peterson. Can I talk 1220 01:09:20,760 --> 01:09:26,120 Speaker 1: to you by the dumpster? For sure? I like Frank 1221 01:09:26,200 --> 01:09:30,000 Speaker 1: for this? Do you like Frank for this? So far? Okay? 1222 01:09:30,160 --> 01:09:33,160 Speaker 1: I feel so little early. I feel like, look, I 1223 01:09:33,240 --> 01:09:36,040 Speaker 1: know it's early, but I get hunches. You know me 1224 01:09:36,120 --> 01:09:39,880 Speaker 1: and my hunches. You you learned under me, My friend, 1225 01:09:39,920 --> 01:09:42,599 Speaker 1: you're trained done to me. There's a couple of other 1226 01:09:42,880 --> 01:09:44,439 Speaker 1: fellas out there that I'd like to ask, a couple 1227 01:09:44,479 --> 01:09:46,880 Speaker 1: of how many times of my hunches probably write down 1228 01:09:46,920 --> 01:09:49,160 Speaker 1: it's Frank? Or how many times have we at least 1229 01:09:49,240 --> 01:09:51,640 Speaker 1: frame someone based on a hunch that I have. I 1230 01:09:52,240 --> 01:09:57,839 Speaker 1: want to say that sold excuse me, excuse me, officers, Yes, detective, 1231 01:09:59,360 --> 01:10:01,160 Speaker 1: we're both detect My name is Bobby. This is my 1232 01:10:01,200 --> 01:10:06,519 Speaker 1: twin brother, Robbie. Um, we saw some things, but we're 1233 01:10:06,560 --> 01:10:09,479 Speaker 1: not supposed to not here. We can't be here. Bobby 1234 01:10:09,479 --> 01:10:11,960 Speaker 1: and Robbie, though both derivative of the name Roberts. So 1235 01:10:12,000 --> 01:10:15,559 Speaker 1: we're both named Robert. Well I was, I was. They 1236 01:10:15,560 --> 01:10:18,600 Speaker 1: weren't expecting twins, so they only had one name preparative 1237 01:10:19,280 --> 01:10:22,800 Speaker 1: but things, but we can't um really tell you because 1238 01:10:22,840 --> 01:10:25,600 Speaker 1: we're not supposed to be outso late. No, this is 1239 01:10:25,720 --> 01:10:28,400 Speaker 1: way pastor or curfew. Yeah. I got the time of 1240 01:10:28,479 --> 01:10:31,640 Speaker 1: death at four am. So my first question would be 1241 01:10:31,720 --> 01:10:35,400 Speaker 1: what were you two kids doing? Eating? Eating eating, only eating, 1242 01:10:35,520 --> 01:10:41,200 Speaker 1: just eating food in a round in the diner, outside 1243 01:10:41,240 --> 01:10:46,160 Speaker 1: the diner. But it was which one is Bobby? I'm Robbie. Okay, 1244 01:10:46,320 --> 01:10:51,759 Speaker 1: I'm Bobby. Sure problems excuse me? Are they giving you problems? 1245 01:10:51,840 --> 01:10:55,519 Speaker 1: These kids? Turler? Do you remember these two? Oh? Yes, 1246 01:10:55,600 --> 01:10:59,880 Speaker 1: I remember them? Hello Robert. Uh yeah, they've been out 1247 01:11:00,040 --> 01:11:03,760 Speaker 1: side scrounging. They're always scrounding. By that, of course you 1248 01:11:03,800 --> 01:11:08,960 Speaker 1: mean scrounging. You know there's grounding grounges. We got a 1249 01:11:08,960 --> 01:11:13,560 Speaker 1: good home life? Oh well, I'm very very sad to 1250 01:11:13,640 --> 01:11:15,599 Speaker 1: hear that none of us have a good home life. 1251 01:11:15,680 --> 01:11:17,560 Speaker 1: Can we all agree? Peterson? Can I talk to you 1252 01:11:17,560 --> 01:11:22,280 Speaker 1: about excuse excuse us? Absolutely? I like Robbie for this. 1253 01:11:22,640 --> 01:11:27,960 Speaker 1: What do you think I'm writing it down? Okay, write 1254 01:11:28,000 --> 01:11:30,519 Speaker 1: it down? I'm not sure which one is Robbie to 1255 01:11:30,720 --> 01:11:32,880 Speaker 1: be like Robbie for this. It's definitely not Bobby. We 1256 01:11:32,920 --> 01:11:33,599 Speaker 1: can rule him out.