WEBVTT - Episode 9: A Message From Tyler (Part 1)

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<v Speaker 1>The Miniwauk Caves is intended for mature audiences. It contained

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<v Speaker 1>strong language and depictions of bullying, violence, and sexual assault

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<v Speaker 1>that some may find disturbing. Listener discretion is advised. Also,

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<v Speaker 1>this is an extremely immersive experience and headphones are recommended.

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<v Speaker 1>You're listening to The.

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<v Speaker 2>Maniwauk Caves, a production of iHeartRadio, Blumhouse Television, and Psycopia Pictures.

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<v Speaker 3>I borrowed Jimmy's bike so I could ride back to

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<v Speaker 3>the Fowler State to get my car. The breeze was

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<v Speaker 3>cool and the air smells sweet like the cane apple.

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<v Speaker 3>Stark shadows cut across the road, and I felt like

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<v Speaker 3>a teenager again, racing with the moon across Maniwauc County.

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<v Speaker 3>When I got to the driveway, it was taped off.

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<v Speaker 3>The house was still smoldering up at the top to

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<v Speaker 3>the driveway. It was completely good about fire, but my

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<v Speaker 3>car was still there parts in the yard halfway up.

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<v Speaker 3>I popped up in my laptop and then I saw

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<v Speaker 3>amongst the floody emails, there was one from Tyler. The

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<v Speaker 3>subject just said good luck, and there was one file

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<v Speaker 3>attached with the label play me, So I did.

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<v Speaker 4>It's August six, twenty twenty one. My name is Tyler Wilson.

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<v Speaker 4>I'm recording this so that there'll be a record. I

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<v Speaker 4>was going to leave the letter, but that's not how

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<v Speaker 4>it works. How it works is you have to listen.

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<v Speaker 4>I need you to hear this, all right, especially you, Julian,

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<v Speaker 4>not just my voice. I got the idea from you.

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<v Speaker 4>So when I took you back to the caves last week,

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<v Speaker 4>you were recording everything on that micro cassette, because of

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<v Speaker 4>course you were, because the devil's into details. That's what

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<v Speaker 4>they say. Ry the noise and all the noises I've

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<v Speaker 4>been hearing, they're all from the caves, from the evil

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<v Speaker 4>one that inhabits the caves. He fears the light of

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<v Speaker 4>the world, so he hides inside the caves or in

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<v Speaker 4>the fog. If you ever stood at the mouth of

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<v Speaker 4>the caves and hollered, you hear your voice bounce back.

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<v Speaker 4>It's a natural echo chamber, and so one second to

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<v Speaker 4>lay I've timed it, and when your voice bounced back

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<v Speaker 4>to you, it's different. It's like it's been processed or replaced. No,

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<v Speaker 4>it ain't your voice that bounces back. It's his, the

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<v Speaker 4>devil calling from inside the caves, calling your name. The

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<v Speaker 4>caves run deep, they go for centuries. They operate with

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<v Speaker 4>their own logic, dream logic, and infinite kind of clockwork

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<v Speaker 4>of invisible gears, driven by a mainspring that stretches across dimensions,

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<v Speaker 4>wound up by forces unseen. I'm only human sea, I

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<v Speaker 4>mean flesh and blood, pretty good brain and a nervous

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<v Speaker 4>system hardwired to pick up data points collected through five senses,

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<v Speaker 4>observable phenomenas, signs. But I've been studying it, this clockwork,

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<v Speaker 4>charting mechanics, formulating proofs.

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<v Speaker 5>I figured out a few things.

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<v Speaker 6>I know that.

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<v Speaker 4>There were rules, and if you break them, that's when

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<v Speaker 4>he comes for you.

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<v Speaker 7>I feel like it's all here somehow in this recording

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<v Speaker 7>I made at Tyler's place, Maybe Tyler himself holds the

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<v Speaker 7>key to unlocked.

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<v Speaker 5>The truth, the piece of tim.

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<v Speaker 8>The true good blood, like the suit.

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<v Speaker 5>To leave behid.

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<v Speaker 3>Sure if I want to follow a missing persons support

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<v Speaker 3>for Tyler Wilson.

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<v Speaker 4>AHw People disappear all the time, Julian, what makes you

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<v Speaker 4>think Tyler is missing?

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<v Speaker 6>Side of the struggle at his house? And what were

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<v Speaker 6>you doing in his house?

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<v Speaker 4>Like me from all will be?

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<v Speaker 8>What's broken?

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<v Speaker 9>Wouldn't Julian Tyler was seen on Friday, Good Morning after

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<v Speaker 9>you went to his place where Riverbend Maximum Security Institution

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<v Speaker 9>in Nashville apparently paid a visit to James.

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<v Speaker 4>I'm remembering things, moving images, just like impressions. At first,

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<v Speaker 4>like from a dream or maybe one of those old

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<v Speaker 4>horror movies they put out on public access in the

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<v Speaker 4>middle of night. Thought maybe I passed out in my

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<v Speaker 4>chair to the sound of screams and butcher knives. But

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<v Speaker 4>these images would repeat my mind over and over and

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<v Speaker 4>over and over and over, like a fever dream. Then

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<v Speaker 4>one morning, I'm in the shower and the hot water

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<v Speaker 4>did suddenly like it was ice cold on my back,

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<v Speaker 4>kind of like shock therapy, And just like that, an

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<v Speaker 4>image locked into focus, like I found it again after

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<v Speaker 4>it had been lost and the recesses of my brain

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<v Speaker 4>for like fifteen years a memory Deacon Hadley screaming his

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<v Speaker 4>final words. But the image was low resolution, of grainy

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<v Speaker 4>and interlaced like a home movie. And there was blood,

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<v Speaker 4>blood on the lens and that right there, that's when

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<v Speaker 4>I remembered.

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<v Speaker 5>The camera. I remembered the camera.

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<v Speaker 4>I remember the weight of it in my hands and

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<v Speaker 4>how it made my shoulder hurting after an hour, pulling

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<v Speaker 4>it out in front of me. And that's how I

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<v Speaker 4>was able to confirm that it wasn't a dream because

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<v Speaker 4>I found it. I found the fucking camera, and now

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<v Speaker 4>now I know what happened. I know, but I ain't

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<v Speaker 4>supposed to say. That's rule number one. Never speak about it.

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<v Speaker 4>Never talk about what you saw in the caves or

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<v Speaker 4>think you saw or ever fucking dreamed, And never.

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<v Speaker 5>Ever talk about him, because he knows.

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<v Speaker 4>Sometimes he uses spies, other people and animals, uses their

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<v Speaker 4>eyes and ears. And if you tell that's when it

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<v Speaker 4>comes for you, That's that's when he comes, just like

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<v Speaker 4>he's coming for me. Now. I didn't used to know

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<v Speaker 4>when he was close, lurking in the shadows, working working well,

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<v Speaker 4>I slept, But now I know. I know when he's coming,

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<v Speaker 4>and I can feel him moving through the fog, closer

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<v Speaker 4>and closer to me. I used to freeze and try

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<v Speaker 4>and stay still and not call any attention to myself.

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<v Speaker 4>It don't matter, don't help, nothing helps. Eventually he finds me.

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<v Speaker 4>I tried everything everything I could think of to elude

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<v Speaker 4>or repel him. I've covered my tracks, I've tried to

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<v Speaker 4>mask my sin tried everything from garlic to God, damn

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<v Speaker 4>Roman therapy, Jews, cleansing to Jesus. Nothing helps. Can't hide,

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<v Speaker 4>can't run. He always hunts me. Now, So under normal circumstances,

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<v Speaker 4>as best I just keep myself out here in the woods.

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<v Speaker 4>But these ain't normal circumstances, all right, observable phenomenon. The

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<v Speaker 4>temperature drops to exactly fifty eight grades when he's coming.

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<v Speaker 4>It's sixty eight now and dropping was seventy one before.

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<v Speaker 4>When I hit record, the woods get quiet too, wind stops,

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<v Speaker 4>the mosquitoes vanish. It's like all of God's creatures simultaneously

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<v Speaker 4>get the fuck out of his way. Then the fox

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<v Speaker 4>sets in heavy like it is now. It rolled in

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<v Speaker 4>thick the day you came home, Julian.

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<v Speaker 5>Fuck.

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<v Speaker 4>But in a few minutes, I I'm not gonna be

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<v Speaker 4>able to see three feet unnatural forces working on the

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<v Speaker 4>physical world disguised as natural phenomena. Am I scared?

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<v Speaker 6>Hell?

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<v Speaker 4>Yes, I'm scared.

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<v Speaker 5>I can't soft shaken.

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<v Speaker 4>But at least I finally know what to do, what

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<v Speaker 4>has to be done.

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<v Speaker 5>So here we go. I'm starting to clock for the record.

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<v Speaker 4>It is one eleven am.

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<v Speaker 5>It's only a matter of time.

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<v Speaker 4>Before it comes for me, before he gets in and

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<v Speaker 4>raises my head again, or worse, he's already on his way.

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<v Speaker 4>I'm praying you get this message to land, and I

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<v Speaker 4>hope to hell that you listen.

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<v Speaker 6>Good.

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<v Speaker 4>All right, best get started. I know it won't be

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<v Speaker 4>long now, I know. I know because I know the signs.

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<v Speaker 4>I know your rules, your son of a bitch, fuck it.

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<v Speaker 10>I've never been much one for rules anyway.

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<v Speaker 4>Lock time time, Hey finch, what's it like? What waiting

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<v Speaker 4>to die?

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<v Speaker 6>Know?

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<v Speaker 4>And you only have one week left?

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<v Speaker 11>M All of a sudden, they're serving decent food, French

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<v Speaker 11>toast and shit. I got no appetite though, knowing there's

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<v Speaker 11>only so many heart beats living.

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<v Speaker 4>You know, of all the people who have ever been alive,

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<v Speaker 4>only in tiny fraction of them ever knew the exact

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<v Speaker 4>minute they were gonna die.

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<v Speaker 6>I guess that's true.

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<v Speaker 4>Schedule. Death is not a thing our brains are wired

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<v Speaker 4>to work with. So what happens next?

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<v Speaker 12>They'll move me off the road to when isolated sales.

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<v Speaker 12>Soon they don't let you out at all.

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<v Speaker 6>The last couple of.

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<v Speaker 4>Days they let you read.

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<v Speaker 12>Depends on what custodian is for now, I got a radio,

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<v Speaker 12>some paper, no shop objects.

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<v Speaker 6>So they gave me crayns.

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<v Speaker 4>What you're listening to?

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<v Speaker 6>Mostly, I just listened to the stuff between static. Guess

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<v Speaker 6>who comes to see me? Fucking Reverend Perkins.

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<v Speaker 12>Can you believe that he's been in here every day

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<v Speaker 12>this week? Now?

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<v Speaker 4>Shit, hell's he wont.

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<v Speaker 6>It's not to save my soul, that's for damn sure.

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<v Speaker 4>Yeah, fucker.

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<v Speaker 12>He wants a confession, something shining to take back to

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<v Speaker 12>his flock. Maybe my repentance too, but only so he

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<v Speaker 12>can be right. He asked me to pray with him

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<v Speaker 12>every time.

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<v Speaker 4>What do you say?

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<v Speaker 6>I tell him he's not the one that gets to

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<v Speaker 6>right the end of my story.

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<v Speaker 5>What did he say to that?

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<v Speaker 6>Who is the author?

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<v Speaker 2>James?

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<v Speaker 12>Your life may be in the hands of the state,

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<v Speaker 12>but God is in charge of your salvation. It's not

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<v Speaker 12>too late to accept Jesus.

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<v Speaker 6>Accept Jesus as your.

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<v Speaker 12>Lord and savior, and you can free your soul. I

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<v Speaker 12>told him it was best for me to stay. The

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<v Speaker 12>monster told him he had his part to.

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<v Speaker 6>Play, and I got mine. Then he says his part

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<v Speaker 6>is to offer me salvation.

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<v Speaker 4>His parts keep fair alive.

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<v Speaker 6>He'll be back too tomorrow and the next day and

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<v Speaker 6>the day after that till.

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<v Speaker 12>There ain't nothing to come back to anymore.

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<v Speaker 4>I almost killed somebody last night.

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<v Speaker 6>Wait what Yeah?

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<v Speaker 4>I woke up to the sounds fourth entry, someone breaking up.

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<v Speaker 4>Oh the fuck out of bed. Peeked out of the

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<v Speaker 4>bedroom door and saw this male figure moving in the dark.

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<v Speaker 4>I mean, I thought it was Julian Julie. I was

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<v Speaker 4>about to say something when the guy took a seat

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<v Speaker 4>in my recliner and pulled out a gun. And then

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<v Speaker 4>some bit just started firing, blank, playing, playing, bland playing,

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<v Speaker 4>just shooting up the place, blew the glass, coffee table

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<v Speaker 4>to beds, my back to held away from the bedroom door,

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<v Speaker 4>and I slipped into the closet where I keep my shotgun.

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<v Speaker 5>I grabbed it, waited then he started tearing the.

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<v Speaker 4>Place, part ripped the bookshelves down, shattered glass everywhere. Once

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<v Speaker 4>he settled down bed, I heard the fridge open. Fucks.

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<v Speaker 4>Then he came in my room, opened the door.

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<v Speaker 5>And just stood there.

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<v Speaker 4>Breathing, slowly, real calm like. I told him I had

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<v Speaker 4>a gun and to back the fuck out because I

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<v Speaker 4>didn't want to have to kill anyone.

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<v Speaker 5>You don't get out of here, right, fucking airfucker just laughed.

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<v Speaker 4>You hear me? And uh, it surprised me that laugh.

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<v Speaker 4>It was high, like a teenager's laugh. Reminded me of

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<v Speaker 4>Thomas Hadley's laugh. Anyway, I lost my nerve. I ain't

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<v Speaker 4>shooting no kid. But he he retreated, backed up into

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<v Speaker 4>the moonlight, and then I saw him, and what the fuck?

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<v Speaker 4>You wouldn't believe that the fuck?

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<v Speaker 6>It was Finch, my nephew, Jimmy.

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<v Speaker 4>Yeah, that's right, little Jimmy. Well he ain't so little

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<v Speaker 4>no more. He's got a lot bigger than when I

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<v Speaker 4>last seen him. It's head shaped too, all that red

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<v Speaker 4>hair gone. Yeah, fucking Jimmy. I think he's in danger.

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<v Speaker 4>Maybe he's just a misguided youth, or maybe he's spent

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<v Speaker 4>spending too much time in the caves. So tell me, Finch,

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<v Speaker 4>how do you know? How'd you know it was him?

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<v Speaker 6>I was talking about Dennis said he's been sneaking out

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<v Speaker 6>at night. But I already knew him. I dreamed it,

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<v Speaker 6>dreamed it.

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<v Speaker 4>Well, I'll be goddamned. You always were special, like that.

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<v Speaker 5>Crazy shit.

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<v Speaker 4>Anyway, I know Tom is precious for both of us.

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<v Speaker 4>So why do you ask me here, Finch?

0:20:07.760 --> 0:20:10.760
<v Speaker 6>Just that my dreams?

0:20:11.640 --> 0:20:17.960
<v Speaker 4>What about you're in them, and.

0:20:16.840 --> 0:20:20.440
<v Speaker 6>And that ain't usually a good sign. Tie. The thing

0:20:20.600 --> 0:20:23.480
<v Speaker 6>is my dreams they don't lie.

0:20:24.400 --> 0:20:30.520
<v Speaker 4>Okay, then what'd you dream.

0:20:28.720 --> 0:20:32.480
<v Speaker 6>That you was in the caves? Well, some of you

0:20:33.320 --> 0:20:37.360
<v Speaker 6>was in the cave and some of you was outside.

0:20:40.320 --> 0:20:41.160
<v Speaker 4>Sounds about right.

0:20:41.800 --> 0:20:44.879
<v Speaker 6>Hey, Look, whatever you're trying to do right now, you

0:20:44.920 --> 0:20:45.440
<v Speaker 6>can't win.

0:20:46.600 --> 0:20:53.080
<v Speaker 4>Maybe it ain't about winning. And what about you? Huh

0:20:53.600 --> 0:20:54.679
<v Speaker 4>think you have a chance?

0:20:55.600 --> 0:20:58.040
<v Speaker 6>I mean it depends.

0:20:58.960 --> 0:21:02.919
<v Speaker 12>They're working on the last appeal, all right, Dina and

0:21:02.960 --> 0:21:05.360
<v Speaker 12>miss Campbell. They got this attorney named LeBlanc and they

0:21:05.359 --> 0:21:07.359
<v Speaker 12>are working on the last minute of appeal, the appeal.

0:21:07.680 --> 0:21:10.520
<v Speaker 12>Mister Hadley, he may be asking for clemency for me himself,

0:21:10.760 --> 0:21:13.119
<v Speaker 12>all right, So yeah, that that is something that's not

0:21:13.680 --> 0:21:14.200
<v Speaker 12>And Julie.

0:21:14.080 --> 0:21:15.919
<v Speaker 6>Is gonna take back what he said his testimony. You're

0:21:15.920 --> 0:21:16.720
<v Speaker 6>gonna say it was recording.

0:21:16.840 --> 0:21:18.600
<v Speaker 5>Julie's not the fucking point, man.

0:21:18.680 --> 0:21:20.960
<v Speaker 6>It says that sentences have been commuted for far less

0:21:20.960 --> 0:21:21.159
<v Speaker 6>than that.

0:21:21.320 --> 0:21:22.680
<v Speaker 5>Not talking about that.

0:21:22.760 --> 0:21:28.080
<v Speaker 6>Man, Wait the fuck is wrong with two? I'm trying

0:21:28.080 --> 0:21:29.520
<v Speaker 6>to stand around the fucking subject here.

0:21:29.560 --> 0:21:31.520
<v Speaker 13>Okay, you can't just see that.

0:21:33.800 --> 0:21:42.320
<v Speaker 6>What it's the wool time He's keep your trap shot.

0:21:43.600 --> 0:21:45.520
<v Speaker 5>We never speak about it, Okay, we never.

0:21:45.640 --> 0:21:48.720
<v Speaker 13>Talk about the caves, right because you don't like it

0:21:49.080 --> 0:21:50.520
<v Speaker 13>we talk about the caves.

0:21:53.400 --> 0:21:54.720
<v Speaker 4>I am well aware.

0:21:54.920 --> 0:21:55.800
<v Speaker 6>I haven't all right.

0:21:55.840 --> 0:21:58.480
<v Speaker 12>I haven't said a word. Man. I couldn't be right here,

0:21:58.800 --> 0:22:02.760
<v Speaker 12>locked inside of me all these years, all these fucking years.

0:22:02.800 --> 0:22:02.960
<v Speaker 8>Man.

0:22:03.080 --> 0:22:05.640
<v Speaker 6>So yeah, I think I've got a fucking chance here.

0:22:06.560 --> 0:22:08.879
<v Speaker 12>And a week out before my execution ain't exactly the

0:22:08.920 --> 0:22:11.000
<v Speaker 12>best goddamn time to try to tell me otherwise.

0:22:13.880 --> 0:22:19.760
<v Speaker 4>Going up against the state is one thing. Finch, going

0:22:19.840 --> 0:22:26.280
<v Speaker 4>up against the cave against him, that's something else.

0:22:30.320 --> 0:22:32.720
<v Speaker 5>So I'm afraid, and.

0:22:35.359 --> 0:22:37.240
<v Speaker 4>I'm just afraid it's too late if we.

0:22:37.200 --> 0:22:49.199
<v Speaker 13>Don't tell right. God right, I don't know.

0:22:49.640 --> 0:22:51.199
<v Speaker 5>I don't know.

0:22:53.000 --> 0:22:56.080
<v Speaker 4>Feels an awful hot like it don't matter regardless of

0:22:56.119 --> 0:23:00.320
<v Speaker 4>what we do or what we don't. I know you

0:23:00.359 --> 0:23:05.880
<v Speaker 4>feel it too, man, And Julian. I mean, that's why

0:23:05.920 --> 0:23:10.560
<v Speaker 4>I come home Julian, and he's losing his ship right now.

0:23:10.720 --> 0:23:11.840
<v Speaker 4>It's only a matter of time.

0:23:14.720 --> 0:23:15.480
<v Speaker 6>It's a bribe.

0:23:17.240 --> 0:23:17.760
<v Speaker 7>What is.

0:23:21.000 --> 0:23:28.200
<v Speaker 12>Reverend Perkins my confession said if I did it, if

0:23:28.200 --> 0:23:31.720
<v Speaker 12>I confess to the murders, he would make sure Diana

0:23:31.720 --> 0:23:33.040
<v Speaker 12>and Jimmy were well cared for.

0:23:34.200 --> 0:23:35.520
<v Speaker 6>Said the church would become a.

0:23:35.480 --> 0:23:39.080
<v Speaker 12>Beacon a lot and he'd see to it himself, personally,

0:23:40.119 --> 0:23:41.560
<v Speaker 12>see to it that Jimmy had.

0:23:41.440 --> 0:23:42.360
<v Speaker 6>A proper Baptist.

0:23:43.400 --> 0:23:45.040
<v Speaker 12>He'd also have the church set up in five to

0:23:45.119 --> 0:23:49.720
<v Speaker 12>nine investment fund for Jimmy's education. He wants to make

0:23:49.800 --> 0:23:53.919
<v Speaker 12>Dina and Jimmy an example of how the Lord's goodness

0:23:54.400 --> 0:23:55.959
<v Speaker 12>is mightier than the devil's eve.

0:24:00.440 --> 0:24:04.720
<v Speaker 4>I see. So if you confess the thing you didn't do,

0:24:04.880 --> 0:24:08.000
<v Speaker 4>your dead and your name would be associated forever with evil,

0:24:08.080 --> 0:24:11.159
<v Speaker 4>and Perkins gets what he wanted all along, proof that

0:24:11.200 --> 0:24:14.520
<v Speaker 4>the Almighty is more powerful than the devil. You just

0:24:15.000 --> 0:24:17.119
<v Speaker 4>give him his wins save your family from what the

0:24:17.160 --> 0:24:21.920
<v Speaker 4>clutches of poverty, right, Okay? Well, on the other hand,

0:24:22.200 --> 0:24:25.159
<v Speaker 4>if instead of confessing to a crime that you didn't commit,

0:24:25.359 --> 0:24:30.159
<v Speaker 4>if instead you tell the truth, truth about what you

0:24:30.200 --> 0:24:33.240
<v Speaker 4>saw in the cave, saying I wel you, you might

0:24:33.320 --> 0:24:39.760
<v Speaker 4>walk away free man, maybe, but you be breaking.

0:24:39.440 --> 0:24:40.200
<v Speaker 6>The rule.

0:24:43.400 --> 0:24:44.080
<v Speaker 4>His rules.

0:24:45.560 --> 0:24:46.359
<v Speaker 6>It's something like that.

0:24:46.320 --> 0:24:53.399
<v Speaker 4>That's a hell of a predicament. Finch your life for

0:24:53.520 --> 0:24:58.280
<v Speaker 4>your soul state may let you off the think of

0:24:58.359 --> 0:25:08.640
<v Speaker 4>the truth, but the devil never will. That's damn interesting. Though,

0:25:11.160 --> 0:25:14.400
<v Speaker 4>what is only a timey fraction of all the people

0:25:14.440 --> 0:25:16.600
<v Speaker 4>who ever lived knew the exact minute that they were

0:25:16.600 --> 0:25:23.840
<v Speaker 4>gonna die. And that's something you and I have in common.

0:25:25.520 --> 0:25:26.200
<v Speaker 6>What are you saying?

0:25:28.640 --> 0:25:36.600
<v Speaker 4>What I'm saying is I'm done. I'm done playing by

0:25:36.640 --> 0:25:43.680
<v Speaker 4>his rules. Maybe you should stop too, Finch, because there's

0:25:43.680 --> 0:25:47.960
<v Speaker 4>no way to win here and the game is almost over.

0:25:51.480 --> 0:25:53.640
<v Speaker 4>But at least you can write your own into man.

0:25:58.720 --> 0:25:59.960
<v Speaker 6>It's the less time of the Moe.

0:26:02.720 --> 0:26:07.240
<v Speaker 4>Who knows, maybe you'll see me in your dreams.

0:26:29.480 --> 0:26:32.560
<v Speaker 2>The Ghost The Man Walk Caves stars Jonathan Tucker as

0:26:32.640 --> 0:26:37.359
<v Speaker 2>Julian Sallace, Eddie Gatheggy as James Fincher, Clark Peters as

0:26:37.400 --> 0:26:42.080
<v Speaker 2>Detective Solomon Smith, Nick Cercy as Sheriff Kirby Hooper, Justin

0:26:42.119 --> 0:26:46.040
<v Speaker 2>Welborn as Tyler Wilson, Jill Jane Clements as Jill Campbell,

0:26:46.720 --> 0:26:50.840
<v Speaker 2>Brad Carter as Dooleye Tappert, Scott Poethrus as Reverend Perkins,

0:26:51.200 --> 0:26:55.959
<v Speaker 2>Samantha Ashley as Dina Fincher, Justin Matthew Smith as Paul Sawace,

0:26:56.600 --> 0:27:00.520
<v Speaker 2>Tara Oaks says Laura Sawas, Jonathan Horn as Deacon Hadley,

0:27:01.160 --> 0:27:07.480
<v Speaker 2>Alden Karanovich as Thomas Hadley, Mike w Anderson as Griff Washington, Body,

0:27:07.520 --> 0:27:11.280
<v Speaker 2>Walter Off as Jimmy Fincher, Brian McClure as Ian Spinks,

0:27:11.720 --> 0:27:15.520
<v Speaker 2>Larry Clark as Bobby Hadley, Paydon Fallis as ed leablanc

0:27:16.040 --> 0:27:19.800
<v Speaker 2>Vic Palisis as William Fowler, Nick Takosky as Richard Rydell,

0:27:20.400 --> 0:27:24.840
<v Speaker 2>and Aileen Loyd as The Darkness, with additional performances by

0:27:24.840 --> 0:27:30.760
<v Speaker 2>Clint McGowan, Dina Dill, Edward Howard, Henry Foster Brown, Jamie Joseph,

0:27:31.280 --> 0:27:37.320
<v Speaker 2>Juan Monsalvez, Christopher Curry, Bailey Hineman, David Mitchell, and Bernard

0:27:37.359 --> 0:27:41.879
<v Speaker 2>Sataro Clark. Created by Connell Byrne and Dan Bush. Written

0:27:41.920 --> 0:27:46.199
<v Speaker 2>by Dan Bush, Zoe Cooper and Nicholas Dakosky, featuring our

0:27:46.240 --> 0:27:50.960
<v Speaker 2>theme song Killer Inside, written produced and performed by Lera Lynn.

0:27:51.400 --> 0:27:55.840
<v Speaker 2>Our executive producers are Matt Frederick, Alexander Williams, Michael Monty,

0:27:56.200 --> 0:28:00.000
<v Speaker 2>and Courtney du Frees. Our executive producers at Blumhouse Televis

0:28:00.480 --> 0:28:05.000
<v Speaker 2>are Jeremy Gold, Chris Dickey, and Noah Feinberg. Produced by

0:28:05.040 --> 0:28:10.320
<v Speaker 2>Dan Bush, music by Ben Lovett, Additional music by Alexander Rodriguez,

0:28:11.040 --> 0:28:15.000
<v Speaker 2>edited by Dan Bush, Chris Childs, Stephen Perez, and David Chen.

0:28:15.720 --> 0:28:20.520
<v Speaker 2>Sound design by Benjamin Malcolm. Additional sound design by Alexander Rodriguez.

0:28:20.840 --> 0:28:24.439
<v Speaker 2>Dialogue editing and sound mixing by Jan Campos. Recorded at

0:28:24.480 --> 0:28:28.040
<v Speaker 2>Studio Awesome in Los Angeles, Sound by Studio in Atlanta

0:28:28.320 --> 0:28:32.440
<v Speaker 2>and Echo Mountain in Ashville. Casting by Sunday Bowling, Kennedy

0:28:32.440 --> 0:28:36.040
<v Speaker 2>and Meg Mormon. Our dialect coach is Linda Bessesti, Assistant

0:28:36.040 --> 0:28:40.680
<v Speaker 2>director Michael Monty, second Assistant director, script supervisor and production

0:28:40.760 --> 0:28:46.560
<v Speaker 2>coordinator Sarah Klein. Supervising producer Josh Thain. Special thanks to

0:28:46.640 --> 0:28:50.640
<v Speaker 2>Mary Ellen and Jason Davis, Jonathan Dieter, and Joe Rickman.

0:28:50.920 --> 0:28:54.120
<v Speaker 2>The Manowalk Caves is a production of iHeart Radio, Blumhouse

0:28:54.120 --> 0:28:59.280
<v Speaker 2>Television and Psycopia Pictures.

0:29:03.120 --> 0:29:14.640
<v Speaker 8>And Turn Out of Blood. That's All Chemical.

0:29:17.800 --> 0:29:18.120
<v Speaker 6>Soup.

0:29:18.160 --> 0:29:21.760
<v Speaker 8>The Wall said Memory Bad

0:29:40.080 --> 0:29:40.280
<v Speaker 6>Sai