1 00:00:00,040 --> 00:00:03,360 Speaker 1: The Miniwauk Caves is intended for mature audiences. It contained 2 00:00:03,400 --> 00:00:07,280 Speaker 1: strong language and depictions of bullying, violence, and sexual assault 3 00:00:07,320 --> 00:00:10,840 Speaker 1: that some may find disturbing. Listener discretion is advised. Also, 4 00:00:10,920 --> 00:00:14,320 Speaker 1: this is an extremely immersive experience and headphones are recommended. 5 00:00:19,040 --> 00:00:19,880 Speaker 1: You're listening to The. 6 00:00:19,800 --> 00:00:26,560 Speaker 2: Maniwauk Caves, a production of iHeartRadio, Blumhouse Television, and Psycopia Pictures. 7 00:00:33,800 --> 00:00:35,640 Speaker 3: I borrowed Jimmy's bike so I could ride back to 8 00:00:35,680 --> 00:00:39,680 Speaker 3: the Fowler State to get my car. The breeze was 9 00:00:39,800 --> 00:00:43,280 Speaker 3: cool and the air smells sweet like the cane apple. 10 00:00:44,320 --> 00:00:47,320 Speaker 3: Stark shadows cut across the road, and I felt like 11 00:00:47,400 --> 00:00:52,760 Speaker 3: a teenager again, racing with the moon across Maniwauc County. 12 00:00:54,800 --> 00:00:56,920 Speaker 3: When I got to the driveway, it was taped off. 13 00:00:58,080 --> 00:01:00,120 Speaker 3: The house was still smoldering up at the top to 14 00:01:00,160 --> 00:01:03,720 Speaker 3: the driveway. It was completely good about fire, but my 15 00:01:03,800 --> 00:01:06,040 Speaker 3: car was still there parts in the yard halfway up. 16 00:01:18,040 --> 00:01:19,960 Speaker 3: I popped up in my laptop and then I saw 17 00:01:20,840 --> 00:01:26,520 Speaker 3: amongst the floody emails, there was one from Tyler. The 18 00:01:26,560 --> 00:01:28,640 Speaker 3: subject just said good luck, and there was one file 19 00:01:28,680 --> 00:01:32,200 Speaker 3: attached with the label play me, So I did. 20 00:01:37,560 --> 00:01:40,920 Speaker 4: It's August six, twenty twenty one. My name is Tyler Wilson. 21 00:01:41,160 --> 00:01:44,960 Speaker 4: I'm recording this so that there'll be a record. I 22 00:01:45,040 --> 00:01:47,080 Speaker 4: was going to leave the letter, but that's not how 23 00:01:47,080 --> 00:01:51,600 Speaker 4: it works. How it works is you have to listen. 24 00:01:53,600 --> 00:01:58,000 Speaker 4: I need you to hear this, all right, especially you, Julian, 25 00:01:58,920 --> 00:02:02,680 Speaker 4: not just my voice. I got the idea from you. 26 00:02:02,800 --> 00:02:06,800 Speaker 4: So when I took you back to the caves last week, 27 00:02:07,000 --> 00:02:10,320 Speaker 4: you were recording everything on that micro cassette, because of 28 00:02:10,360 --> 00:02:15,680 Speaker 4: course you were, because the devil's into details. That's what 29 00:02:15,720 --> 00:02:21,400 Speaker 4: they say. Ry the noise and all the noises I've 30 00:02:21,440 --> 00:02:29,000 Speaker 4: been hearing, they're all from the caves, from the evil 31 00:02:29,000 --> 00:02:33,000 Speaker 4: one that inhabits the caves. He fears the light of 32 00:02:33,040 --> 00:02:40,239 Speaker 4: the world, so he hides inside the caves or in 33 00:02:40,320 --> 00:02:47,160 Speaker 4: the fog. If you ever stood at the mouth of 34 00:02:47,160 --> 00:02:50,560 Speaker 4: the caves and hollered, you hear your voice bounce back. 35 00:02:51,320 --> 00:02:53,919 Speaker 4: It's a natural echo chamber, and so one second to 36 00:02:54,000 --> 00:02:56,680 Speaker 4: lay I've timed it, and when your voice bounced back 37 00:02:56,720 --> 00:03:06,640 Speaker 4: to you, it's different. It's like it's been processed or replaced. No, 38 00:03:08,720 --> 00:03:15,440 Speaker 4: it ain't your voice that bounces back. It's his, the 39 00:03:15,520 --> 00:03:28,400 Speaker 4: devil calling from inside the caves, calling your name. The 40 00:03:28,440 --> 00:03:32,400 Speaker 4: caves run deep, they go for centuries. They operate with 41 00:03:32,440 --> 00:03:36,720 Speaker 4: their own logic, dream logic, and infinite kind of clockwork 42 00:03:36,760 --> 00:03:41,920 Speaker 4: of invisible gears, driven by a mainspring that stretches across dimensions, 43 00:03:42,000 --> 00:03:49,560 Speaker 4: wound up by forces unseen. I'm only human sea, I 44 00:03:49,640 --> 00:03:53,520 Speaker 4: mean flesh and blood, pretty good brain and a nervous 45 00:03:53,520 --> 00:03:57,680 Speaker 4: system hardwired to pick up data points collected through five senses, 46 00:03:57,960 --> 00:04:05,160 Speaker 4: observable phenomenas, signs. But I've been studying it, this clockwork, 47 00:04:06,520 --> 00:04:09,040 Speaker 4: charting mechanics, formulating proofs. 48 00:04:09,080 --> 00:04:11,600 Speaker 5: I figured out a few things. 49 00:04:12,280 --> 00:04:12,840 Speaker 6: I know that. 50 00:04:16,320 --> 00:04:26,800 Speaker 4: There were rules, and if you break them, that's when 51 00:04:26,839 --> 00:04:27,719 Speaker 4: he comes for you. 52 00:04:41,680 --> 00:04:46,839 Speaker 7: I feel like it's all here somehow in this recording 53 00:04:46,920 --> 00:04:51,280 Speaker 7: I made at Tyler's place, Maybe Tyler himself holds the 54 00:04:51,320 --> 00:04:52,480 Speaker 7: key to unlocked. 55 00:04:52,080 --> 00:04:57,800 Speaker 5: The truth, the piece of tim. 56 00:04:59,120 --> 00:05:03,360 Speaker 8: The true good blood, like the suit. 57 00:05:05,520 --> 00:05:07,560 Speaker 5: To leave behid. 58 00:05:10,440 --> 00:05:12,480 Speaker 3: Sure if I want to follow a missing persons support 59 00:05:12,560 --> 00:05:14,120 Speaker 3: for Tyler Wilson. 60 00:05:13,920 --> 00:05:19,080 Speaker 4: AHw People disappear all the time, Julian, what makes you 61 00:05:19,120 --> 00:05:20,280 Speaker 4: think Tyler is missing? 62 00:05:20,920 --> 00:05:24,440 Speaker 6: Side of the struggle at his house? And what were 63 00:05:24,440 --> 00:05:25,480 Speaker 6: you doing in his house? 64 00:05:27,240 --> 00:05:31,560 Speaker 4: Like me from all will be? 65 00:05:34,240 --> 00:05:35,280 Speaker 8: What's broken? 66 00:05:38,400 --> 00:05:47,599 Speaker 9: Wouldn't Julian Tyler was seen on Friday, Good Morning after 67 00:05:47,640 --> 00:05:53,000 Speaker 9: you went to his place where Riverbend Maximum Security Institution 68 00:05:53,200 --> 00:05:56,560 Speaker 9: in Nashville apparently paid a visit to James. 69 00:06:05,640 --> 00:06:11,800 Speaker 4: I'm remembering things, moving images, just like impressions. At first, 70 00:06:12,160 --> 00:06:16,520 Speaker 4: like from a dream or maybe one of those old 71 00:06:16,520 --> 00:06:18,720 Speaker 4: horror movies they put out on public access in the 72 00:06:18,720 --> 00:06:21,680 Speaker 4: middle of night. Thought maybe I passed out in my 73 00:06:21,760 --> 00:06:25,800 Speaker 4: chair to the sound of screams and butcher knives. But 74 00:06:25,880 --> 00:06:28,680 Speaker 4: these images would repeat my mind over and over and 75 00:06:28,760 --> 00:06:33,599 Speaker 4: over and over and over, like a fever dream. Then 76 00:06:33,720 --> 00:06:38,080 Speaker 4: one morning, I'm in the shower and the hot water 77 00:06:38,120 --> 00:06:40,680 Speaker 4: did suddenly like it was ice cold on my back, 78 00:06:40,760 --> 00:06:47,320 Speaker 4: kind of like shock therapy, And just like that, an 79 00:06:47,360 --> 00:06:50,360 Speaker 4: image locked into focus, like I found it again after 80 00:06:50,400 --> 00:06:53,600 Speaker 4: it had been lost and the recesses of my brain 81 00:06:53,680 --> 00:07:04,840 Speaker 4: for like fifteen years a memory Deacon Hadley screaming his 82 00:07:04,920 --> 00:07:13,440 Speaker 4: final words. But the image was low resolution, of grainy 83 00:07:13,600 --> 00:07:17,120 Speaker 4: and interlaced like a home movie. And there was blood, 84 00:07:17,560 --> 00:07:21,080 Speaker 4: blood on the lens and that right there, that's when 85 00:07:21,120 --> 00:07:22,320 Speaker 4: I remembered. 86 00:07:23,400 --> 00:07:27,280 Speaker 5: The camera. I remembered the camera. 87 00:07:27,600 --> 00:07:29,840 Speaker 4: I remember the weight of it in my hands and 88 00:07:29,840 --> 00:07:32,360 Speaker 4: how it made my shoulder hurting after an hour, pulling 89 00:07:32,440 --> 00:07:34,400 Speaker 4: it out in front of me. And that's how I 90 00:07:34,440 --> 00:07:36,520 Speaker 4: was able to confirm that it wasn't a dream because 91 00:07:36,560 --> 00:07:42,400 Speaker 4: I found it. I found the fucking camera, and now 92 00:07:42,800 --> 00:07:55,360 Speaker 4: now I know what happened. I know, but I ain't 93 00:07:55,400 --> 00:08:06,480 Speaker 4: supposed to say. That's rule number one. Never speak about it. 94 00:08:08,320 --> 00:08:10,600 Speaker 4: Never talk about what you saw in the caves or 95 00:08:10,680 --> 00:08:14,280 Speaker 4: think you saw or ever fucking dreamed, And never. 96 00:08:15,880 --> 00:08:23,440 Speaker 5: Ever talk about him, because he knows. 97 00:08:25,840 --> 00:08:31,400 Speaker 4: Sometimes he uses spies, other people and animals, uses their 98 00:08:31,440 --> 00:08:36,920 Speaker 4: eyes and ears. And if you tell that's when it 99 00:08:37,000 --> 00:08:43,560 Speaker 4: comes for you, That's that's when he comes, just like 100 00:08:43,679 --> 00:08:52,800 Speaker 4: he's coming for me. Now. I didn't used to know 101 00:08:52,880 --> 00:09:00,960 Speaker 4: when he was close, lurking in the shadows, working working well, 102 00:09:01,000 --> 00:09:08,400 Speaker 4: I slept, But now I know. I know when he's coming, 103 00:09:08,679 --> 00:09:11,360 Speaker 4: and I can feel him moving through the fog, closer 104 00:09:11,800 --> 00:09:24,560 Speaker 4: and closer to me. I used to freeze and try 105 00:09:24,600 --> 00:09:27,040 Speaker 4: and stay still and not call any attention to myself. 106 00:09:27,080 --> 00:09:33,200 Speaker 4: It don't matter, don't help, nothing helps. Eventually he finds me. 107 00:09:36,880 --> 00:09:41,160 Speaker 4: I tried everything everything I could think of to elude 108 00:09:41,240 --> 00:09:44,080 Speaker 4: or repel him. I've covered my tracks, I've tried to 109 00:09:44,080 --> 00:09:47,200 Speaker 4: mask my sin tried everything from garlic to God, damn 110 00:09:47,400 --> 00:09:55,280 Speaker 4: Roman therapy, Jews, cleansing to Jesus. Nothing helps. Can't hide, 111 00:09:56,280 --> 00:10:06,160 Speaker 4: can't run. He always hunts me. Now, So under normal circumstances, 112 00:10:06,200 --> 00:10:08,520 Speaker 4: as best I just keep myself out here in the woods. 113 00:10:14,080 --> 00:10:29,840 Speaker 4: But these ain't normal circumstances, all right, observable phenomenon. The 114 00:10:29,880 --> 00:10:33,640 Speaker 4: temperature drops to exactly fifty eight grades when he's coming. 115 00:10:35,320 --> 00:10:41,720 Speaker 4: It's sixty eight now and dropping was seventy one before. 116 00:10:41,760 --> 00:10:50,160 Speaker 4: When I hit record, the woods get quiet too, wind stops, 117 00:10:51,520 --> 00:10:55,960 Speaker 4: the mosquitoes vanish. It's like all of God's creatures simultaneously 118 00:10:56,040 --> 00:11:02,559 Speaker 4: get the fuck out of his way. Then the fox 119 00:11:02,559 --> 00:11:08,600 Speaker 4: sets in heavy like it is now. It rolled in 120 00:11:08,679 --> 00:11:10,520 Speaker 4: thick the day you came home, Julian. 121 00:11:12,559 --> 00:11:12,839 Speaker 5: Fuck. 122 00:11:13,920 --> 00:11:18,200 Speaker 4: But in a few minutes, I I'm not gonna be 123 00:11:18,200 --> 00:11:22,959 Speaker 4: able to see three feet unnatural forces working on the 124 00:11:22,960 --> 00:11:31,400 Speaker 4: physical world disguised as natural phenomena. Am I scared? 125 00:11:34,280 --> 00:11:34,520 Speaker 6: Hell? 126 00:11:34,600 --> 00:11:35,480 Speaker 4: Yes, I'm scared. 127 00:11:37,679 --> 00:11:38,720 Speaker 5: I can't soft shaken. 128 00:11:38,960 --> 00:11:46,360 Speaker 4: But at least I finally know what to do, what 129 00:11:46,520 --> 00:11:48,960 Speaker 4: has to be done. 130 00:11:51,880 --> 00:11:57,920 Speaker 5: So here we go. I'm starting to clock for the record. 131 00:11:58,640 --> 00:11:59,960 Speaker 4: It is one eleven am. 132 00:12:01,840 --> 00:12:02,800 Speaker 5: It's only a matter of time. 133 00:12:02,840 --> 00:12:05,920 Speaker 4: Before it comes for me, before he gets in and 134 00:12:06,040 --> 00:12:13,280 Speaker 4: raises my head again, or worse, he's already on his way. 135 00:12:15,800 --> 00:12:19,840 Speaker 4: I'm praying you get this message to land, and I 136 00:12:19,880 --> 00:12:21,240 Speaker 4: hope to hell that you listen. 137 00:12:21,960 --> 00:12:22,200 Speaker 6: Good. 138 00:12:25,200 --> 00:12:31,840 Speaker 4: All right, best get started. I know it won't be 139 00:12:31,880 --> 00:12:36,959 Speaker 4: long now, I know. I know because I know the signs. 140 00:12:38,520 --> 00:12:47,200 Speaker 4: I know your rules, your son of a bitch, fuck it. 141 00:12:51,800 --> 00:13:43,360 Speaker 10: I've never been much one for rules anyway. 142 00:13:45,840 --> 00:13:53,160 Speaker 4: Lock time time, Hey finch, what's it like? What waiting 143 00:13:53,200 --> 00:13:53,560 Speaker 4: to die? 144 00:13:55,160 --> 00:13:55,199 Speaker 6: Know? 145 00:13:55,320 --> 00:13:56,720 Speaker 4: And you only have one week left? 146 00:13:59,640 --> 00:14:04,800 Speaker 11: M All of a sudden, they're serving decent food, French 147 00:14:04,920 --> 00:14:11,520 Speaker 11: toast and shit. I got no appetite though, knowing there's 148 00:14:11,520 --> 00:14:13,040 Speaker 11: only so many heart beats living. 149 00:14:15,000 --> 00:14:16,960 Speaker 4: You know, of all the people who have ever been alive, 150 00:14:18,200 --> 00:14:20,320 Speaker 4: only in tiny fraction of them ever knew the exact 151 00:14:20,320 --> 00:14:21,600 Speaker 4: minute they were gonna die. 152 00:14:22,800 --> 00:14:24,080 Speaker 6: I guess that's true. 153 00:14:24,800 --> 00:14:27,440 Speaker 4: Schedule. Death is not a thing our brains are wired 154 00:14:27,480 --> 00:14:34,720 Speaker 4: to work with. So what happens next? 155 00:14:35,760 --> 00:14:37,800 Speaker 12: They'll move me off the road to when isolated sales. 156 00:14:37,880 --> 00:14:40,320 Speaker 12: Soon they don't let you out at all. 157 00:14:40,360 --> 00:14:41,000 Speaker 6: The last couple of. 158 00:14:41,040 --> 00:14:45,000 Speaker 4: Days they let you read. 159 00:14:45,120 --> 00:14:49,080 Speaker 12: Depends on what custodian is for now, I got a radio, 160 00:14:49,560 --> 00:14:52,440 Speaker 12: some paper, no shop objects. 161 00:14:51,920 --> 00:14:54,680 Speaker 6: So they gave me crayns. 162 00:14:56,240 --> 00:14:57,120 Speaker 4: What you're listening to? 163 00:14:58,240 --> 00:15:05,920 Speaker 6: Mostly, I just listened to the stuff between static. Guess 164 00:15:05,960 --> 00:15:11,200 Speaker 6: who comes to see me? Fucking Reverend Perkins. 165 00:15:11,960 --> 00:15:16,800 Speaker 12: Can you believe that he's been in here every day 166 00:15:16,840 --> 00:15:17,840 Speaker 12: this week? Now? 167 00:15:18,000 --> 00:15:20,720 Speaker 4: Shit, hell's he wont. 168 00:15:21,080 --> 00:15:25,000 Speaker 6: It's not to save my soul, that's for damn sure. 169 00:15:26,360 --> 00:15:28,240 Speaker 4: Yeah, fucker. 170 00:15:29,080 --> 00:15:32,560 Speaker 12: He wants a confession, something shining to take back to 171 00:15:32,600 --> 00:15:36,560 Speaker 12: his flock. Maybe my repentance too, but only so he 172 00:15:36,560 --> 00:15:39,920 Speaker 12: can be right. He asked me to pray with him 173 00:15:39,960 --> 00:15:40,560 Speaker 12: every time. 174 00:15:41,800 --> 00:15:42,480 Speaker 4: What do you say? 175 00:15:43,160 --> 00:15:44,720 Speaker 6: I tell him he's not the one that gets to 176 00:15:44,760 --> 00:15:46,760 Speaker 6: right the end of my story. 177 00:15:47,600 --> 00:15:48,640 Speaker 5: What did he say to that? 178 00:15:49,320 --> 00:15:50,200 Speaker 6: Who is the author? 179 00:15:50,280 --> 00:15:50,680 Speaker 2: James? 180 00:15:52,120 --> 00:15:53,680 Speaker 12: Your life may be in the hands of the state, 181 00:15:53,720 --> 00:15:56,320 Speaker 12: but God is in charge of your salvation. It's not 182 00:15:56,360 --> 00:15:57,880 Speaker 12: too late to accept Jesus. 183 00:15:57,920 --> 00:15:59,200 Speaker 6: Accept Jesus as your. 184 00:15:59,120 --> 00:16:03,600 Speaker 12: Lord and savior, and you can free your soul. I 185 00:16:03,640 --> 00:16:07,920 Speaker 12: told him it was best for me to stay. The 186 00:16:07,920 --> 00:16:10,720 Speaker 12: monster told him he had his part to. 187 00:16:10,680 --> 00:16:17,280 Speaker 6: Play, and I got mine. Then he says his part 188 00:16:17,960 --> 00:16:19,520 Speaker 6: is to offer me salvation. 189 00:16:20,960 --> 00:16:22,320 Speaker 4: His parts keep fair alive. 190 00:16:24,080 --> 00:16:29,560 Speaker 6: He'll be back too tomorrow and the next day and 191 00:16:29,640 --> 00:16:30,960 Speaker 6: the day after that till. 192 00:16:32,800 --> 00:16:36,160 Speaker 12: There ain't nothing to come back to anymore. 193 00:16:40,280 --> 00:16:41,920 Speaker 4: I almost killed somebody last night. 194 00:16:43,960 --> 00:16:51,520 Speaker 6: Wait what Yeah? 195 00:16:52,760 --> 00:16:57,000 Speaker 4: I woke up to the sounds fourth entry, someone breaking up. 196 00:16:58,000 --> 00:17:01,200 Speaker 4: Oh the fuck out of bed. Peeked out of the 197 00:17:01,200 --> 00:17:05,320 Speaker 4: bedroom door and saw this male figure moving in the dark. 198 00:17:06,080 --> 00:17:08,520 Speaker 4: I mean, I thought it was Julian Julie. I was 199 00:17:08,520 --> 00:17:10,400 Speaker 4: about to say something when the guy took a seat 200 00:17:10,400 --> 00:17:14,720 Speaker 4: in my recliner and pulled out a gun. And then 201 00:17:14,960 --> 00:17:20,280 Speaker 4: some bit just started firing, blank, playing, playing, bland playing, 202 00:17:20,400 --> 00:17:23,040 Speaker 4: just shooting up the place, blew the glass, coffee table 203 00:17:23,080 --> 00:17:29,840 Speaker 4: to beds, my back to held away from the bedroom door, 204 00:17:29,920 --> 00:17:32,720 Speaker 4: and I slipped into the closet where I keep my shotgun. 205 00:17:33,359 --> 00:17:37,120 Speaker 5: I grabbed it, waited then he started tearing the. 206 00:17:37,040 --> 00:17:41,080 Speaker 4: Place, part ripped the bookshelves down, shattered glass everywhere. Once 207 00:17:41,119 --> 00:17:46,600 Speaker 4: he settled down bed, I heard the fridge open. Fucks. 208 00:17:48,280 --> 00:17:51,960 Speaker 4: Then he came in my room, opened the door. 209 00:17:53,560 --> 00:17:54,720 Speaker 5: And just stood there. 210 00:17:56,240 --> 00:18:02,800 Speaker 4: Breathing, slowly, real calm like. I told him I had 211 00:18:02,800 --> 00:18:04,960 Speaker 4: a gun and to back the fuck out because I 212 00:18:04,960 --> 00:18:06,760 Speaker 4: didn't want to have to kill anyone. 213 00:18:07,600 --> 00:18:10,399 Speaker 5: You don't get out of here, right, fucking airfucker just laughed. 214 00:18:10,560 --> 00:18:16,640 Speaker 4: You hear me? And uh, it surprised me that laugh. 215 00:18:20,840 --> 00:18:26,480 Speaker 4: It was high, like a teenager's laugh. Reminded me of 216 00:18:26,520 --> 00:18:32,640 Speaker 4: Thomas Hadley's laugh. Anyway, I lost my nerve. I ain't 217 00:18:32,680 --> 00:18:39,480 Speaker 4: shooting no kid. But he he retreated, backed up into 218 00:18:39,480 --> 00:18:45,639 Speaker 4: the moonlight, and then I saw him, and what the fuck? 219 00:18:46,680 --> 00:18:47,880 Speaker 4: You wouldn't believe that the fuck? 220 00:18:47,920 --> 00:18:56,800 Speaker 6: It was Finch, my nephew, Jimmy. 221 00:18:58,960 --> 00:19:06,639 Speaker 4: Yeah, that's right, little Jimmy. Well he ain't so little 222 00:19:06,680 --> 00:19:08,439 Speaker 4: no more. He's got a lot bigger than when I 223 00:19:08,520 --> 00:19:13,440 Speaker 4: last seen him. It's head shaped too, all that red 224 00:19:13,440 --> 00:19:22,320 Speaker 4: hair gone. Yeah, fucking Jimmy. I think he's in danger. 225 00:19:24,720 --> 00:19:28,120 Speaker 4: Maybe he's just a misguided youth, or maybe he's spent 226 00:19:28,200 --> 00:19:34,639 Speaker 4: spending too much time in the caves. So tell me, Finch, 227 00:19:36,119 --> 00:19:39,080 Speaker 4: how do you know? How'd you know it was him? 228 00:19:39,119 --> 00:19:42,280 Speaker 6: I was talking about Dennis said he's been sneaking out 229 00:19:42,320 --> 00:19:48,000 Speaker 6: at night. But I already knew him. I dreamed it, 230 00:19:49,240 --> 00:19:49,760 Speaker 6: dreamed it. 231 00:19:51,280 --> 00:19:56,200 Speaker 4: Well, I'll be goddamned. You always were special, like that. 232 00:19:58,840 --> 00:19:59,560 Speaker 5: Crazy shit. 233 00:20:01,480 --> 00:20:04,159 Speaker 4: Anyway, I know Tom is precious for both of us. 234 00:20:04,200 --> 00:20:07,680 Speaker 4: So why do you ask me here, Finch? 235 00:20:07,760 --> 00:20:10,760 Speaker 6: Just that my dreams? 236 00:20:11,640 --> 00:20:17,960 Speaker 4: What about you're in them, and. 237 00:20:16,840 --> 00:20:20,440 Speaker 6: And that ain't usually a good sign. Tie. The thing 238 00:20:20,600 --> 00:20:23,480 Speaker 6: is my dreams they don't lie. 239 00:20:24,400 --> 00:20:30,520 Speaker 4: Okay, then what'd you dream. 240 00:20:28,720 --> 00:20:32,480 Speaker 6: That you was in the caves? Well, some of you 241 00:20:33,320 --> 00:20:37,360 Speaker 6: was in the cave and some of you was outside. 242 00:20:40,320 --> 00:20:41,160 Speaker 4: Sounds about right. 243 00:20:41,800 --> 00:20:44,879 Speaker 6: Hey, Look, whatever you're trying to do right now, you 244 00:20:44,920 --> 00:20:45,440 Speaker 6: can't win. 245 00:20:46,600 --> 00:20:53,080 Speaker 4: Maybe it ain't about winning. And what about you? Huh 246 00:20:53,600 --> 00:20:54,679 Speaker 4: think you have a chance? 247 00:20:55,600 --> 00:20:58,040 Speaker 6: I mean it depends. 248 00:20:58,960 --> 00:21:02,919 Speaker 12: They're working on the last appeal, all right, Dina and 249 00:21:02,960 --> 00:21:05,360 Speaker 12: miss Campbell. They got this attorney named LeBlanc and they 250 00:21:05,359 --> 00:21:07,359 Speaker 12: are working on the last minute of appeal, the appeal. 251 00:21:07,680 --> 00:21:10,520 Speaker 12: Mister Hadley, he may be asking for clemency for me himself, 252 00:21:10,760 --> 00:21:13,119 Speaker 12: all right, So yeah, that that is something that's not 253 00:21:13,680 --> 00:21:14,200 Speaker 12: And Julie. 254 00:21:14,080 --> 00:21:15,919 Speaker 6: Is gonna take back what he said his testimony. You're 255 00:21:15,920 --> 00:21:16,720 Speaker 6: gonna say it was recording. 256 00:21:16,840 --> 00:21:18,600 Speaker 5: Julie's not the fucking point, man. 257 00:21:18,680 --> 00:21:20,960 Speaker 6: It says that sentences have been commuted for far less 258 00:21:20,960 --> 00:21:21,159 Speaker 6: than that. 259 00:21:21,320 --> 00:21:22,680 Speaker 5: Not talking about that. 260 00:21:22,760 --> 00:21:28,080 Speaker 6: Man, Wait the fuck is wrong with two? I'm trying 261 00:21:28,080 --> 00:21:29,520 Speaker 6: to stand around the fucking subject here. 262 00:21:29,560 --> 00:21:31,520 Speaker 13: Okay, you can't just see that. 263 00:21:33,800 --> 00:21:42,320 Speaker 6: What it's the wool time He's keep your trap shot. 264 00:21:43,600 --> 00:21:45,520 Speaker 5: We never speak about it, Okay, we never. 265 00:21:45,640 --> 00:21:48,720 Speaker 13: Talk about the caves, right because you don't like it 266 00:21:49,080 --> 00:21:50,520 Speaker 13: we talk about the caves. 267 00:21:53,400 --> 00:21:54,720 Speaker 4: I am well aware. 268 00:21:54,920 --> 00:21:55,800 Speaker 6: I haven't all right. 269 00:21:55,840 --> 00:21:58,480 Speaker 12: I haven't said a word. Man. I couldn't be right here, 270 00:21:58,800 --> 00:22:02,760 Speaker 12: locked inside of me all these years, all these fucking years. 271 00:22:02,800 --> 00:22:02,960 Speaker 8: Man. 272 00:22:03,080 --> 00:22:05,640 Speaker 6: So yeah, I think I've got a fucking chance here. 273 00:22:06,560 --> 00:22:08,879 Speaker 12: And a week out before my execution ain't exactly the 274 00:22:08,920 --> 00:22:11,000 Speaker 12: best goddamn time to try to tell me otherwise. 275 00:22:13,880 --> 00:22:19,760 Speaker 4: Going up against the state is one thing. Finch, going 276 00:22:19,840 --> 00:22:26,280 Speaker 4: up against the cave against him, that's something else. 277 00:22:30,320 --> 00:22:32,720 Speaker 5: So I'm afraid, and. 278 00:22:35,359 --> 00:22:37,240 Speaker 4: I'm just afraid it's too late if we. 279 00:22:37,200 --> 00:22:49,199 Speaker 13: Don't tell right. God right, I don't know. 280 00:22:49,640 --> 00:22:51,199 Speaker 5: I don't know. 281 00:22:53,000 --> 00:22:56,080 Speaker 4: Feels an awful hot like it don't matter regardless of 282 00:22:56,119 --> 00:23:00,320 Speaker 4: what we do or what we don't. I know you 283 00:23:00,359 --> 00:23:05,880 Speaker 4: feel it too, man, And Julian. I mean, that's why 284 00:23:05,920 --> 00:23:10,560 Speaker 4: I come home Julian, and he's losing his ship right now. 285 00:23:10,720 --> 00:23:11,840 Speaker 4: It's only a matter of time. 286 00:23:14,720 --> 00:23:15,480 Speaker 6: It's a bribe. 287 00:23:17,240 --> 00:23:17,760 Speaker 7: What is. 288 00:23:21,000 --> 00:23:28,200 Speaker 12: Reverend Perkins my confession said if I did it, if 289 00:23:28,200 --> 00:23:31,720 Speaker 12: I confess to the murders, he would make sure Diana 290 00:23:31,720 --> 00:23:33,040 Speaker 12: and Jimmy were well cared for. 291 00:23:34,200 --> 00:23:35,520 Speaker 6: Said the church would become a. 292 00:23:35,480 --> 00:23:39,080 Speaker 12: Beacon a lot and he'd see to it himself, personally, 293 00:23:40,119 --> 00:23:41,560 Speaker 12: see to it that Jimmy had. 294 00:23:41,440 --> 00:23:42,360 Speaker 6: A proper Baptist. 295 00:23:43,400 --> 00:23:45,040 Speaker 12: He'd also have the church set up in five to 296 00:23:45,119 --> 00:23:49,720 Speaker 12: nine investment fund for Jimmy's education. He wants to make 297 00:23:49,800 --> 00:23:53,919 Speaker 12: Dina and Jimmy an example of how the Lord's goodness 298 00:23:54,400 --> 00:23:55,959 Speaker 12: is mightier than the devil's eve. 299 00:24:00,440 --> 00:24:04,720 Speaker 4: I see. So if you confess the thing you didn't do, 300 00:24:04,880 --> 00:24:08,000 Speaker 4: your dead and your name would be associated forever with evil, 301 00:24:08,080 --> 00:24:11,159 Speaker 4: and Perkins gets what he wanted all along, proof that 302 00:24:11,200 --> 00:24:14,520 Speaker 4: the Almighty is more powerful than the devil. You just 303 00:24:15,000 --> 00:24:17,119 Speaker 4: give him his wins save your family from what the 304 00:24:17,160 --> 00:24:21,920 Speaker 4: clutches of poverty, right, Okay? Well, on the other hand, 305 00:24:22,200 --> 00:24:25,159 Speaker 4: if instead of confessing to a crime that you didn't commit, 306 00:24:25,359 --> 00:24:30,159 Speaker 4: if instead you tell the truth, truth about what you 307 00:24:30,200 --> 00:24:33,240 Speaker 4: saw in the cave, saying I wel you, you might 308 00:24:33,320 --> 00:24:39,760 Speaker 4: walk away free man, maybe, but you be breaking. 309 00:24:39,440 --> 00:24:40,200 Speaker 6: The rule. 310 00:24:43,400 --> 00:24:44,080 Speaker 4: His rules. 311 00:24:45,560 --> 00:24:46,359 Speaker 6: It's something like that. 312 00:24:46,320 --> 00:24:53,399 Speaker 4: That's a hell of a predicament. Finch your life for 313 00:24:53,520 --> 00:24:58,280 Speaker 4: your soul state may let you off the think of 314 00:24:58,359 --> 00:25:08,640 Speaker 4: the truth, but the devil never will. That's damn interesting. Though, 315 00:25:11,160 --> 00:25:14,400 Speaker 4: what is only a timey fraction of all the people 316 00:25:14,440 --> 00:25:16,600 Speaker 4: who ever lived knew the exact minute that they were 317 00:25:16,600 --> 00:25:23,840 Speaker 4: gonna die. And that's something you and I have in common. 318 00:25:25,520 --> 00:25:26,200 Speaker 6: What are you saying? 319 00:25:28,640 --> 00:25:36,600 Speaker 4: What I'm saying is I'm done. I'm done playing by 320 00:25:36,640 --> 00:25:43,680 Speaker 4: his rules. Maybe you should stop too, Finch, because there's 321 00:25:43,680 --> 00:25:47,960 Speaker 4: no way to win here and the game is almost over. 322 00:25:51,480 --> 00:25:53,640 Speaker 4: But at least you can write your own into man. 323 00:25:58,720 --> 00:25:59,960 Speaker 6: It's the less time of the Moe. 324 00:26:02,720 --> 00:26:07,240 Speaker 4: Who knows, maybe you'll see me in your dreams. 325 00:26:29,480 --> 00:26:32,560 Speaker 2: The Ghost The Man Walk Caves stars Jonathan Tucker as 326 00:26:32,640 --> 00:26:37,359 Speaker 2: Julian Sallace, Eddie Gatheggy as James Fincher, Clark Peters as 327 00:26:37,400 --> 00:26:42,080 Speaker 2: Detective Solomon Smith, Nick Cercy as Sheriff Kirby Hooper, Justin 328 00:26:42,119 --> 00:26:46,040 Speaker 2: Welborn as Tyler Wilson, Jill Jane Clements as Jill Campbell, 329 00:26:46,720 --> 00:26:50,840 Speaker 2: Brad Carter as Dooleye Tappert, Scott Poethrus as Reverend Perkins, 330 00:26:51,200 --> 00:26:55,959 Speaker 2: Samantha Ashley as Dina Fincher, Justin Matthew Smith as Paul Sawace, 331 00:26:56,600 --> 00:27:00,520 Speaker 2: Tara Oaks says Laura Sawas, Jonathan Horn as Deacon Hadley, 332 00:27:01,160 --> 00:27:07,480 Speaker 2: Alden Karanovich as Thomas Hadley, Mike w Anderson as Griff Washington, Body, 333 00:27:07,520 --> 00:27:11,280 Speaker 2: Walter Off as Jimmy Fincher, Brian McClure as Ian Spinks, 334 00:27:11,720 --> 00:27:15,520 Speaker 2: Larry Clark as Bobby Hadley, Paydon Fallis as ed leablanc 335 00:27:16,040 --> 00:27:19,800 Speaker 2: Vic Palisis as William Fowler, Nick Takosky as Richard Rydell, 336 00:27:20,400 --> 00:27:24,840 Speaker 2: and Aileen Loyd as The Darkness, with additional performances by 337 00:27:24,840 --> 00:27:30,760 Speaker 2: Clint McGowan, Dina Dill, Edward Howard, Henry Foster Brown, Jamie Joseph, 338 00:27:31,280 --> 00:27:37,320 Speaker 2: Juan Monsalvez, Christopher Curry, Bailey Hineman, David Mitchell, and Bernard 339 00:27:37,359 --> 00:27:41,879 Speaker 2: Sataro Clark. Created by Connell Byrne and Dan Bush. Written 340 00:27:41,920 --> 00:27:46,199 Speaker 2: by Dan Bush, Zoe Cooper and Nicholas Dakosky, featuring our 341 00:27:46,240 --> 00:27:50,960 Speaker 2: theme song Killer Inside, written produced and performed by Lera Lynn. 342 00:27:51,400 --> 00:27:55,840 Speaker 2: Our executive producers are Matt Frederick, Alexander Williams, Michael Monty, 343 00:27:56,200 --> 00:28:00,000 Speaker 2: and Courtney du Frees. Our executive producers at Blumhouse Televis 344 00:28:00,480 --> 00:28:05,000 Speaker 2: are Jeremy Gold, Chris Dickey, and Noah Feinberg. Produced by 345 00:28:05,040 --> 00:28:10,320 Speaker 2: Dan Bush, music by Ben Lovett, Additional music by Alexander Rodriguez, 346 00:28:11,040 --> 00:28:15,000 Speaker 2: edited by Dan Bush, Chris Childs, Stephen Perez, and David Chen. 347 00:28:15,720 --> 00:28:20,520 Speaker 2: Sound design by Benjamin Malcolm. Additional sound design by Alexander Rodriguez. 348 00:28:20,840 --> 00:28:24,439 Speaker 2: Dialogue editing and sound mixing by Jan Campos. Recorded at 349 00:28:24,480 --> 00:28:28,040 Speaker 2: Studio Awesome in Los Angeles, Sound by Studio in Atlanta 350 00:28:28,320 --> 00:28:32,440 Speaker 2: and Echo Mountain in Ashville. Casting by Sunday Bowling, Kennedy 351 00:28:32,440 --> 00:28:36,040 Speaker 2: and Meg Mormon. Our dialect coach is Linda Bessesti, Assistant 352 00:28:36,040 --> 00:28:40,680 Speaker 2: director Michael Monty, second Assistant director, script supervisor and production 353 00:28:40,760 --> 00:28:46,560 Speaker 2: coordinator Sarah Klein. Supervising producer Josh Thain. Special thanks to 354 00:28:46,640 --> 00:28:50,640 Speaker 2: Mary Ellen and Jason Davis, Jonathan Dieter, and Joe Rickman. 355 00:28:50,920 --> 00:28:54,120 Speaker 2: The Manowalk Caves is a production of iHeart Radio, Blumhouse 356 00:28:54,120 --> 00:28:59,280 Speaker 2: Television and Psycopia Pictures. 357 00:29:03,120 --> 00:29:14,640 Speaker 8: And Turn Out of Blood. That's All Chemical. 358 00:29:17,800 --> 00:29:18,120 Speaker 6: Soup. 359 00:29:18,160 --> 00:29:21,760 Speaker 8: The Wall said Memory Bad 360 00:29:40,080 --> 00:29:40,280 Speaker 6: Sai