WEBVTT - Linguistic Programming

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<v Speaker 1>It's to forty seven am in the Southern Reach and

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<v Speaker 1>you're listening to Night Cole Hi. I'm Test Lynch in

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<v Speaker 1>Los Angeles, and with me are Lolly Lambard. And in

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<v Speaker 1>New York, I'm Emily Oshita. Welcome back tonight, Call you guys. Um.

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<v Speaker 1>We have a very exciting podcast for you today. But

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<v Speaker 1>we're going to kick off with the most important topic,

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<v Speaker 1>which is Kim Kardashian Always Otaku Kim Kardashian and Taku

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<v Speaker 1>notice me sent pie. Kim Kardashian has been doing a

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<v Speaker 1>lot of Instagram posting recently since having her baby Chicago,

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<v Speaker 1>and people have been noticing that they're sort of increasingly

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<v Speaker 1>thirst trappy with what she's been doing, where it's just

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<v Speaker 1>like something more crazy each time, or more trying to

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<v Speaker 1>get attention. E people are surmising that she feels insecure

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<v Speaker 1>about Kylie surpassing her. That's the number one Kardassian and

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<v Speaker 1>now also the number one Kardashian mom. So well, actually

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<v Speaker 1>there's only one number one Kardashian mom, and you know

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<v Speaker 1>it's Chris Theo is not a Kardashian. It's true, but

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<v Speaker 1>let's be real. She's the ultimate. She's the Queen. I

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<v Speaker 1>thought you're gonna say Courtney, but I do love Courtney's

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<v Speaker 1>Like Courtney is the only one who seems like maybe

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<v Speaker 1>Chill and mom Secretly Chill. I feel a little disconnected

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<v Speaker 1>from things because I can't understand how anybody, especially somebody

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<v Speaker 1>within her own family, would find Kylie's circumstances and motherhood

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<v Speaker 1>right now to be in any way enviable. But that's

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<v Speaker 1>just me. It's sexy to have a baby when you're

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<v Speaker 1>a billionaire, billionaire babies just to prove you can do

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<v Speaker 1>it exactly. I mean, you know, I'm trying to be

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<v Speaker 1>open minded, but she did put a Snapchat filter on

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<v Speaker 1>the first picture of the baby, and I was like,

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<v Speaker 1>this baby is doomed. Don't you say that about all

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<v Speaker 1>the babies at various points, like didn't we probably say

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<v Speaker 1>that about Kendall and Kylie? And like the first season

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<v Speaker 1>of Me Again, Like now, I'm like, that's so like

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<v Speaker 1>they didn't have a Snapchat filter on their infant photos.

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<v Speaker 1>That really made me go, huh or a new world now.

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<v Speaker 1>I saw a story the other day that was about

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<v Speaker 1>people bringing in Snapchat filter selfies to plastic surgeons. It's

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<v Speaker 1>apparently really common now and they come out with roses

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<v Speaker 1>growing on their forehead. Yes, sparkles and spangles on their

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<v Speaker 1>weird dilated pupils. Yeah. Yeah, they're like, I want to

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<v Speaker 1>look at like, make me look like this, dear filter,

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<v Speaker 1>I want to be a deer. Um. So, Kim Kardashian

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<v Speaker 1>posted on her Instagram she now has pink hair. That's

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<v Speaker 1>her new her new uh Instagram stunt is that she

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<v Speaker 1>got pink hair. And she posted a picture of an

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<v Speaker 1>anime babe with pink hair, and so this was my inspiration. Yeah,

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<v Speaker 1>and uh, Emily, I'll defer to you as the expert

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<v Speaker 1>um anime podcaster. Yeah, what do you think it means?

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<v Speaker 1>What do I think it means? Well, I mean I

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<v Speaker 1>think we discussed this maybe on a group chat that

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<v Speaker 1>obviously well, I mean, I won't rule out the fact

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<v Speaker 1>that that Kim enjoys herself some automy on her own,

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<v Speaker 1>but I feel like, definitely Kanye has made her watch

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<v Speaker 1>a Kira at some point. That has definitely happened at

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<v Speaker 1>some point in their relationship. Um, and where she chose

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<v Speaker 1>to go with her fandom and interest in the medium

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<v Speaker 1>from there is uh, you know, anyone's guests. But I

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<v Speaker 1>do think that right now there is I would be

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<v Speaker 1>more shocked about Kim embracing on me or even taking

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<v Speaker 1>style cues from Automy at any other time, but right

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<v Speaker 1>now I feel like it is. Uh there's a wave

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<v Speaker 1>right now of celebrities coming out of their otaku closets.

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<v Speaker 1>But aren't you glad about it? Because at least it's

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<v Speaker 1>like reclaiming it back from the alt right, who we

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<v Speaker 1>were concerned had sort of taken over anime avatars. Yes,

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<v Speaker 1>they try to take over everything, but they're not taking anime. Yes,

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<v Speaker 1>I mean I am I am a d percent for that.

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<v Speaker 1>I'm a hundred percent for Michael B. Jordan's um talking

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<v Speaker 1>about Naruto UM in an interview. I mean, it's it's

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<v Speaker 1>it's very it's very endearing. Or are you such a

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<v Speaker 1>snob that you're like it devalues my Naruto fandom now

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<v Speaker 1>that you're going to funk about Naruto like, uh, he

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<v Speaker 1>can have it, But it's it's still very sweet, like

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<v Speaker 1>and I've I like to like just I mean, it

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<v Speaker 1>could be Fraser, you know. I like to imagine beautiful

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<v Speaker 1>celebrities at home watching Netflix, watching you know, Pokemon or

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<v Speaker 1>whatever in their free time. That's very that makes me

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<v Speaker 1>feel like, I, you know, they're one of us. You

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<v Speaker 1>have a generous spirit. Well, I mean I don't. Yeah,

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<v Speaker 1>it's hard for me to be snobby about on me

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<v Speaker 1>because I'm like, you know, I've I've explained this. I

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<v Speaker 1>used to explain this on the podcast that I used

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<v Speaker 1>to have it. I'm not like a like expert by

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<v Speaker 1>any means. I don't know what that character is that

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<v Speaker 1>Kim posted and I didn't look it up actually in

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<v Speaker 1>time for this podcast, which I probably should have done.

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<v Speaker 1>But uh, you know, it's it's cool, like I I

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<v Speaker 1>don't know, I'm not mad at it. Uh, And I

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<v Speaker 1>feel like it's just about growth of the fact that

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<v Speaker 1>all these shows are so much easier to watch now

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<v Speaker 1>than they were like when we were when we were teen. Yeah,

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<v Speaker 1>so you know, it's accessible and it just couldn like,

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<v Speaker 1>you know, absorb itself into the culture a little more

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<v Speaker 1>easily than it could have a while ago. It's just

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<v Speaker 1>fright and cool. Like well, last week we talked about

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<v Speaker 1>Phantom Thread, but not in time for the podcast. Molly

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<v Speaker 1>got a text from her friend illuminating a theory that

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<v Speaker 1>we all thought was really interesting. So we wanted to

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<v Speaker 1>just jump back so that we could kind of explore

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<v Speaker 1>this theory. So, uh, Phantom of the Theory time UM.

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<v Speaker 1>Friend of the podcast, Gil Keenan, who is also a

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<v Speaker 1>director from the San Fernando Valley UM, told me that

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<v Speaker 1>he had to fandom throwd theory. He would let me

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<v Speaker 1>in on after I saw the movie. So when I

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<v Speaker 1>asked him what it was, I will read it. He

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<v Speaker 1>texted it to me. He said, oh, just that Alma

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<v Speaker 1>is a camp survivor. Her parents were killed there. She

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<v Speaker 1>made it to England after the war, and the recent

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<v Speaker 1>memory of the loss is what makes her so strangely numb,

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<v Speaker 1>but also equipped to handle Woodcock and whose gestapo sister. Also,

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<v Speaker 1>she becomes weirdly animated by the disrespect that the old

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<v Speaker 1>rich lady shows to the dress. After the press conference

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<v Speaker 1>scene where the fit press asked the fiance about his

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<v Speaker 1>family's involvement in his scandal involving Jewish visas, m and

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<v Speaker 1>I wrote back, Oh, it's the night Porter, which is

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<v Speaker 1>my answer to everything. It was interesting to kind of.

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<v Speaker 1>I think Molly dived deep, as did I into the

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<v Speaker 1>into finding ways to justify this theory. But I'll let

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<v Speaker 1>Molly go first. And Emily, I bet you of your

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<v Speaker 1>own thoughts, but it was it was thought provoking because

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<v Speaker 1>that the Jewish visas thing really stood out in the

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<v Speaker 1>movie as being like very specific information that was kind

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<v Speaker 1>of dropped and then not really revisited. So I think

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<v Speaker 1>it's stuck out to all of us as being kind

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<v Speaker 1>of strange. Yeah. I mean, also if Paul Thomas Anderson

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<v Speaker 1>wants to call us and be like, you know nothing

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<v Speaker 1>of my work, like we just give us anything we

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<v Speaker 1>like to theorize. But you know, I'm also willing to

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<v Speaker 1>accept that this might not be true at all. But um, Emily,

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<v Speaker 1>what did you think? Um? Well, I mean, I I

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<v Speaker 1>really like the theory. I think I think it would

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<v Speaker 1>explain I think I would explain her resistance to Reynolds

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<v Speaker 1>and Cyril if she was forced into the situation, like

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<v Speaker 1>if she was hired as a maid or something like that.

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<v Speaker 1>But she's you know, she's drawn to her herself. It's

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<v Speaker 1>not just a resisting of a thing. It's like she's

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<v Speaker 1>actually attracted to there. They're just stop at ways. Well

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<v Speaker 1>to the night Porter comes in. Yeah, well, yeah, so

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<v Speaker 1>I feel like I don't know, I would I would

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<v Speaker 1>need a little more psychological back up there. As far

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<v Speaker 1>as I said she could stand forever. Yeah, because she

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<v Speaker 1>has the resilience. Did as the Robert gray Smith did

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<v Speaker 1>a lot of real research and came back with much

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<v Speaker 1>information that I don't know if it supports the theory,

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<v Speaker 1>but there's there's some interest. I kind of went down

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<v Speaker 1>a rabbit hole and found like some weird some weird threads,

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<v Speaker 1>if you will. So one thing that I found, um

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<v Speaker 1>that was interesting from Nylon. It doesn't address the you know,

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<v Speaker 1>Holocaust in particular, but it is interesting visa VI that scene.

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<v Speaker 1>So it The article says one of Woodcock's most important

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<v Speaker 1>clients is the heiress Barbara Rose. Anderson gives hair is

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<v Speaker 1>only four scenes in the Phantom Thread, and they're not

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<v Speaker 1>long in terms of length, but it seems that Barbara

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<v Speaker 1>Rose is like a message stitched into the fabric of

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<v Speaker 1>the narrative, and her appearance feels crucial to understanding the

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<v Speaker 1>rather obscure meanings of the movie. Oh yes, it does so.

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<v Speaker 1>Basically though her first name is Barbara, you know, it

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<v Speaker 1>didn't occur to me that Harris was playing a role

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<v Speaker 1>based on the Woolworth heiress Barbara Hutton until her second scene.

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<v Speaker 1>This is all quoted from Nylon by the way where

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<v Speaker 1>Anderson stages, Barbara Rosa is humiliating press conference announcing her

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<v Speaker 1>marriage to a noted playboy who is clearly meant to

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<v Speaker 1>be the infamous Porferrio ruber Rosa. So then there's a

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<v Speaker 1>Vanity Fair profile and ruber Rosa. It says um that

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<v Speaker 1>he was unable to return to his country because he

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<v Speaker 1>was basically, you know, he would he had been selling

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<v Speaker 1>Dominican visas to Jews wishing to flee Europe and had

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<v Speaker 1>been kind of found out. And Barbara Hutton was the

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<v Speaker 1>poor little rich girl that would you know, for every

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<v Speaker 1>poor little rich girl movie and book has been based

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<v Speaker 1>on Um. So she was kind of like a sad sack.

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<v Speaker 1>She I think she got married six times or something

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<v Speaker 1>and at one point was married to a grant Like

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<v Speaker 1>she was a really kind of bizarre and like sad

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<v Speaker 1>person who squandered her fortune. Yeah, this is the thing

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<v Speaker 1>I was talking about last week, but I couldn't remember

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<v Speaker 1>the names of them. So yeah, there's a lot of

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<v Speaker 1>further reading on Barbara Hutton and Porfirio Um on the

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<v Speaker 1>internet to be found. I think several people. I think

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<v Speaker 1>there's a piece on Vanity Fair about it. As well. Yes,

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<v Speaker 1>that was there was a vanity there's a nylon piece

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<v Speaker 1>in the Vanity Fair piece about Barbara Hutton too. I

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<v Speaker 1>also found some interesting things about people who were sewing

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<v Speaker 1>secret messages into needlework while they were in Nazi camps. Um.

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<v Speaker 1>There was a guy named Alexis Castalli and he was

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<v Speaker 1>he would add secret messages to the stuff that he

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<v Speaker 1>was sewing. Um in morse code around you know, some

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<v Speaker 1>piece of needlework. He wrote, funk Hitler. And then there

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<v Speaker 1>was also um the case there were like all of

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<v Speaker 1>these women who were working under Hedwig Pois, who was

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<v Speaker 1>the wife of a concentration camp commander, and she had

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<v Speaker 1>a dressmaking workshop where they would do hoach culture um

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<v Speaker 1>and kind of like make these gowns for for you know,

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<v Speaker 1>Nazi events. Um. And there was a book about it

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<v Speaker 1>that I guess then was adapted into a young adult

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<v Speaker 1>novel by a woman named Lucy ad Linton. But had

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<v Speaker 1>said that there's a I pulled a quote from an

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<v Speaker 1>article in the Express about this, but it says the

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<v Speaker 1>clients even came to the concentration camp camp workshops for

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<v Speaker 1>fittings and consultations, all part of what ad Linton calls

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<v Speaker 1>the repulsive mock civilization of the Nazi regime. One of

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<v Speaker 1>the Auschwitz seamstresses, a Slovakian dressmaker named Lulu Gruenberg, could

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<v Speaker 1>barely control her resentment at the indifference and arrogance of

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<v Speaker 1>the women for whom she was making clothes to survive. Okay,

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<v Speaker 1>that's just super interesting. I went away down the hole

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<v Speaker 1>on this. That also sounds like like that does sound

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<v Speaker 1>like made for a novel. Also, I believe that there

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<v Speaker 1>is a novel based on that. That's fascinating. Someone like

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<v Speaker 1>make a movie about that. Yeah, I know somewhere in

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<v Speaker 1>the article they said they were sewing for their lives,

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<v Speaker 1>like they were trying to prove their talent and like,

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<v Speaker 1>you know, worth to be kept around, and all the

0:12:10.200 --> 0:12:13.240
<v Speaker 1>Nazi things where they made people like do creative stuff

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<v Speaker 1>to like prove that they should survive, like the musicians.

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<v Speaker 1>You know. It's that's the scariest. It is the scariest thing.

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<v Speaker 1>I don't know why, I mean, I do know why.

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<v Speaker 1>It's strange that all. I mean, it's it's interesting that

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<v Speaker 1>you can kind of find these weird, you know, articles

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<v Speaker 1>that that seemed to relate to the phantoms I mean

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<v Speaker 1>it's definitely about a certain time, and then you get

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<v Speaker 1>into like the seamstresses and the hidden messages being sewed

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<v Speaker 1>into things. But it's it was interesting the passports or

0:12:40.440 --> 0:12:44.440
<v Speaker 1>the visa line being like this weird clue and you

0:12:44.559 --> 0:12:47.520
<v Speaker 1>think you're going to follow it and find something concrete,

0:12:47.520 --> 0:12:52.040
<v Speaker 1>but you but it is a phantom threat. It's merely

0:12:52.080 --> 0:12:55.920
<v Speaker 1>a phantom thread. So let's take a night call. And

0:12:56.120 --> 0:12:58.439
<v Speaker 1>as always, if you want to leave us a night call,

0:12:58.480 --> 0:13:00.440
<v Speaker 1>you can give us a call at one two four

0:13:00.480 --> 0:13:04.040
<v Speaker 1>oh four six night that's one two four oh four

0:13:04.080 --> 0:13:06.520
<v Speaker 1>six night. Or you can email us at Night Call

0:13:06.679 --> 0:13:10.800
<v Speaker 1>Podcast at gmail dot com. Which other whichever method do

0:13:10.880 --> 0:13:13.520
<v Speaker 1>you prefer, is a okay with us, and just leave

0:13:13.600 --> 0:13:17.839
<v Speaker 1>us your questions, theories, comments, just your thoughts and we

0:13:17.880 --> 0:13:21.360
<v Speaker 1>will will address them on air. So we have a

0:13:21.400 --> 0:13:26.400
<v Speaker 1>call today about a little movie that I think we've

0:13:26.440 --> 0:13:31.120
<v Speaker 1>all seen. Let's see. Hey, this is Charlie in Texas.

0:13:31.440 --> 0:13:36.280
<v Speaker 1>It is twelve oh five am, true night call hours.

0:13:37.480 --> 0:13:40.800
<v Speaker 1>I just got out of the screening of Annihilation, which

0:13:40.880 --> 0:13:45.400
<v Speaker 1>fucking ruled everyone should go see it. Um, But I

0:13:45.600 --> 0:13:47.760
<v Speaker 1>notice this is like the third time in a row

0:13:48.360 --> 0:13:52.600
<v Speaker 1>where I've seen a movie and Jennifer Jason Lee randomly

0:13:52.600 --> 0:13:56.160
<v Speaker 1>popped up and it made the movie a lot better.

0:13:57.000 --> 0:13:59.920
<v Speaker 1>So I was wondering if there's any actors or act

0:14:00.040 --> 0:14:03.000
<v Speaker 1>is that you, guys, you rarely pop up in movies

0:14:03.760 --> 0:14:06.880
<v Speaker 1>that you never will bring a good time? All right, thanks,

0:14:08.040 --> 0:14:11.160
<v Speaker 1>So I really appreciate Charlie's p s a to go

0:14:11.320 --> 0:14:16.760
<v Speaker 1>see Annihilation, a movie that I quite like spoiler alert,

0:14:17.240 --> 0:14:20.040
<v Speaker 1>But um, I fear that it might be a little

0:14:20.080 --> 0:14:22.560
<v Speaker 1>too late for it, seeing as I think it's like

0:14:22.600 --> 0:14:25.440
<v Speaker 1>maybe still in five theaters in the United States by

0:14:25.440 --> 0:14:29.280
<v Speaker 1>the time you're hearing this podcast. Um. But yes, Jennifer

0:14:29.360 --> 0:14:33.560
<v Speaker 1>Jason Lee is in it, and she's very scary and

0:14:33.680 --> 0:14:36.600
<v Speaker 1>weird in it, and uh, I'm I'm a fan of

0:14:36.680 --> 0:14:39.240
<v Speaker 1>Jennifer Jason Lee, and I feel like it isn't I

0:14:39.280 --> 0:14:41.800
<v Speaker 1>feel like she rarely pops up, though I'm usually very

0:14:41.880 --> 0:14:43.800
<v Speaker 1>aware that Jennifer dationally is going to be a movie

0:14:43.840 --> 0:14:46.000
<v Speaker 1>before I see it. I had a spooky experience because

0:14:46.000 --> 0:14:48.080
<v Speaker 1>I had no idea she was in this movie, and

0:14:48.480 --> 0:14:51.360
<v Speaker 1>my mind was wandering and I was for some reason

0:14:51.440 --> 0:14:55.360
<v Speaker 1>thinking about, like, hey, it's so weird that No bom

0:14:55.440 --> 0:14:58.280
<v Speaker 1>Bach was married to Jennifer Jason Lee and it is

0:14:58.320 --> 0:15:01.600
<v Speaker 1>now Date's greta girl right And then like as I

0:15:01.640 --> 0:15:05.760
<v Speaker 1>was thinking it was like, then she appeared on willed

0:15:05.800 --> 0:15:07.880
<v Speaker 1>Her and I like was so weird it out because

0:15:07.880 --> 0:15:10.680
<v Speaker 1>I was like, I don't normally just think about Jennifer

0:15:10.720 --> 0:15:14.200
<v Speaker 1>ducing Lee. But I was also I was so happy

0:15:14.280 --> 0:15:18.000
<v Speaker 1>to see her, um, and she really brought me back

0:15:18.040 --> 0:15:20.240
<v Speaker 1>into the movie. She was fantastic in that. But wait,

0:15:20.320 --> 0:15:23.400
<v Speaker 1>what what actors are you guys always happy to see

0:15:23.680 --> 0:15:27.880
<v Speaker 1>um Luise Gusman. Yeah, that's a great one. Um. I

0:15:28.680 --> 0:15:30.440
<v Speaker 1>kept trying to think of people and I just ended

0:15:30.480 --> 0:15:34.160
<v Speaker 1>up coming back to everybody in the Paddington movies. Jim

0:15:34.200 --> 0:15:36.480
<v Speaker 1>Broadbent is a big one for me. Um. I love

0:15:36.520 --> 0:15:40.360
<v Speaker 1>a Jim Broadbent cameo slash appearance. You know who used

0:15:40.360 --> 0:15:41.720
<v Speaker 1>to be one for me or like, I mean he

0:15:41.840 --> 0:15:44.040
<v Speaker 1>is no longer with us our I p but um,

0:15:44.720 --> 0:15:47.440
<v Speaker 1>when he appears in kind of if I'm watching an

0:15:47.440 --> 0:15:50.680
<v Speaker 1>oldie or some you know, kind of b list thing

0:15:50.760 --> 0:15:52.840
<v Speaker 1>I've never seen before, if Pete postal Weight shows up

0:15:52.840 --> 0:15:55.960
<v Speaker 1>in something, I'm always really into that. Oh yeah, well

0:15:56.000 --> 0:15:59.320
<v Speaker 1>that also leads us into this this Danny Boyle Yes

0:16:00.040 --> 0:16:03.440
<v Speaker 1>conversation tonight can I say mine because I have too, Sorry,

0:16:03.520 --> 0:16:09.920
<v Speaker 1>Danny Boyle, affiliated Yes, mine are Martin Maull because he

0:16:10.040 --> 0:16:12.480
<v Speaker 1>was in an episode of Taxi and he was also

0:16:12.520 --> 0:16:15.640
<v Speaker 1>in an episode of The Golden Girls, and like, I

0:16:15.680 --> 0:16:17.720
<v Speaker 1>remember both of them, and then I was I was looking.

0:16:17.800 --> 0:16:20.760
<v Speaker 1>I was like, oh, you know what's his wikipedia And

0:16:20.760 --> 0:16:23.080
<v Speaker 1>it's just like full of those things. And then also

0:16:23.240 --> 0:16:27.680
<v Speaker 1>Richard Maser, we've ever seen Fernwood Tonight. No, that is

0:16:27.800 --> 0:16:31.120
<v Speaker 1>the best show in the world. Uh, and kind of

0:16:31.120 --> 0:16:33.200
<v Speaker 1>what I want night called to be, like what it's

0:16:33.240 --> 0:16:38.360
<v Speaker 1>like a spinoff of Mary Hartman. Mary Hartman. Oh, yeah,

0:16:38.400 --> 0:16:41.120
<v Speaker 1>that's all I'll say. Fernwood Tonight, That's what I calls

0:16:41.240 --> 0:16:45.920
<v Speaker 1>very Friendwood Tonight inspired. Let's talk Annihilation. Let's talk about Annihilation.

0:16:46.400 --> 0:16:48.960
<v Speaker 1>I wish Martin Maull had been in an He should have.

0:16:49.000 --> 0:16:52.000
<v Speaker 1>Maybe he was maybe he was double Emily. I'm going

0:16:52.040 --> 0:16:54.840
<v Speaker 1>to break your heart right now. Okay, go for it.

0:16:55.960 --> 0:16:58.320
<v Speaker 1>Test and I did not love Annihilation as much as

0:16:58.360 --> 0:17:02.280
<v Speaker 1>you did. I think, well, you test actively disliked it.

0:17:02.720 --> 0:17:06.399
<v Speaker 1>I was more more kind. I think I liked a

0:17:06.440 --> 0:17:08.040
<v Speaker 1>lot of things about it, and I thought about it

0:17:08.040 --> 0:17:10.959
<v Speaker 1>a lot afterwards. Um, we also sell it at eleven

0:17:10.960 --> 0:17:13.720
<v Speaker 1>in the morning. That's the best time to see any movie.

0:17:13.800 --> 0:17:15.960
<v Speaker 1>I'm a huge fan of watching movies in the morning.

0:17:16.000 --> 0:17:18.920
<v Speaker 1>Your mind is open, you're not all tired and jaded yet.

0:17:19.080 --> 0:17:21.280
<v Speaker 1>So you know, I feel like this was more of

0:17:21.320 --> 0:17:25.040
<v Speaker 1>a nightcall movie, movie you might want to watch at night.

0:17:25.440 --> 0:17:30.440
<v Speaker 1>Well yeah, I mean, for sure spoiler alert about the

0:17:31.359 --> 0:17:36.200
<v Speaker 1>swirling guts and seen in this movie twenty in the morning.

0:17:36.240 --> 0:17:38.440
<v Speaker 1>But you know, we had meet us appreciate it more.

0:17:38.520 --> 0:17:41.520
<v Speaker 1>I think it's our guts were still swirling with breakfast,

0:17:41.560 --> 0:17:43.560
<v Speaker 1>and then we're like, oh, look at look at that.

0:17:43.560 --> 0:17:45.240
<v Speaker 1>That's when I turned to Tests and I went, I'm

0:17:45.320 --> 0:17:50.520
<v Speaker 1>in yeah. Um. Test is also not swayed by the

0:17:50.600 --> 0:17:53.440
<v Speaker 1>charms of Oscar Isaac like some of us might be. Look,

0:17:53.520 --> 0:17:57.320
<v Speaker 1>I appreciate his acting. It's purely it's a sexual preference,

0:17:57.400 --> 0:18:00.760
<v Speaker 1>like right now, oh my god, I know you're not

0:18:00.800 --> 0:18:03.600
<v Speaker 1>sexually attracted to young al Pacino. He's just not well.

0:18:03.760 --> 0:18:08.600
<v Speaker 1>I didn't say that specifically, there's just something I guess

0:18:08.680 --> 0:18:11.680
<v Speaker 1>because I know everyone else feels that way. I'm like, well,

0:18:11.800 --> 0:18:14.520
<v Speaker 1>let them have him. But I appreciate his acting. Although

0:18:14.880 --> 0:18:18.320
<v Speaker 1>he didn't do much in Annihilation, it was which was great.

0:18:18.359 --> 0:18:21.359
<v Speaker 1>It was a female dominated sci fi movie, which is fantastic.

0:18:21.440 --> 0:18:24.160
<v Speaker 1>Everybody was really excited before the movie came out because

0:18:24.160 --> 0:18:27.119
<v Speaker 1>he was only billed as being the husband and I

0:18:27.160 --> 0:18:30.879
<v Speaker 1>am DV and everybody was like, yes, Oscar Isaac is

0:18:31.080 --> 0:18:36.640
<v Speaker 1>the husband. Um, yeah, it was weird how much. I mean,

0:18:36.640 --> 0:18:38.320
<v Speaker 1>first of all, I'm glad test and I both saw

0:18:38.359 --> 0:18:40.719
<v Speaker 1>it because there's no way you could possibly explain this

0:18:40.760 --> 0:18:42.480
<v Speaker 1>movie and the amount of time we have on a

0:18:42.520 --> 0:18:46.639
<v Speaker 1>podcast to each other and also to the audience, So

0:18:46.880 --> 0:18:49.040
<v Speaker 1>we should probably decide how what level of spoiler we

0:18:49.080 --> 0:18:50.960
<v Speaker 1>want to go with it, because I actually, I mean,

0:18:51.800 --> 0:18:54.040
<v Speaker 1>my favorite aspect of it is the end, and that's

0:18:54.040 --> 0:18:55.960
<v Speaker 1>the part that I could talk about the most. Well,

0:18:56.040 --> 0:18:58.680
<v Speaker 1>that's how we'll get there. So Annihilation is a sci

0:18:58.760 --> 0:19:03.320
<v Speaker 1>fi uh movie about a team of scientists going to

0:19:03.720 --> 0:19:07.040
<v Speaker 1>a area you're not supposed to go to, some sort

0:19:07.080 --> 0:19:10.640
<v Speaker 1>of contaminated area, Area X. I feel like the distinction

0:19:10.680 --> 0:19:13.560
<v Speaker 1>is sort of weird in the movie. In the book,

0:19:13.640 --> 0:19:16.639
<v Speaker 1>it's all called Area X. They also call it the

0:19:16.680 --> 0:19:18.840
<v Speaker 1>Shimmer in the movie, but they also refer to Area

0:19:19.040 --> 0:19:21.879
<v Speaker 1>X as like maybe a reason that contains the ship shimmer.

0:19:21.920 --> 0:19:25.360
<v Speaker 1>It's very strange. It's like a weird southern swamp. Yeah,

0:19:25.400 --> 0:19:27.960
<v Speaker 1>it's it's supposed to be in Florida somewhere. It's based

0:19:28.000 --> 0:19:30.119
<v Speaker 1>on a book by Jeff Vandermere. There's three. There's a

0:19:30.119 --> 0:19:32.359
<v Speaker 1>trilogy of books that's based on the first one. But

0:19:32.400 --> 0:19:35.080
<v Speaker 1>it's very much meant to just be a self contained movie.

0:19:35.080 --> 0:19:37.360
<v Speaker 1>I think. Yeah, And it's different. It's very different from

0:19:37.359 --> 0:19:40.439
<v Speaker 1>the book supposably, Um, but there are some things that

0:19:40.480 --> 0:19:44.280
<v Speaker 1>are the same. Test and I both brought notes right,

0:19:44.480 --> 0:19:48.280
<v Speaker 1>can't wait. I it made me want to go home

0:19:48.359 --> 0:19:52.119
<v Speaker 1>and watch Tarkovsky's Stalker, which I did. Oh yeah. And

0:19:52.160 --> 0:19:54.800
<v Speaker 1>then my friend gave me a hard time about watching

0:19:54.960 --> 0:19:58.919
<v Speaker 1>Stalker on a laptop. I was like, but I was

0:19:58.960 --> 0:20:03.879
<v Speaker 1>really close to the screw going on. You have a

0:20:03.880 --> 0:20:07.480
<v Speaker 1>projector at home. Yeah, but I was like, like, I

0:20:07.560 --> 0:20:11.000
<v Speaker 1>was watching it by myself, like you know, I was.

0:20:11.480 --> 0:20:15.360
<v Speaker 1>It was great. It wasn't super enjoyable for me. Um.

0:20:15.400 --> 0:20:17.680
<v Speaker 1>And then I was reading about Soviet sci fi all

0:20:17.840 --> 0:20:21.800
<v Speaker 1>night long? Ye, which is the best. Well. Stalker is

0:20:21.840 --> 0:20:24.960
<v Speaker 1>the only movie that Alex Garland, the director, has owned

0:20:25.040 --> 0:20:27.600
<v Speaker 1>up to being inspired by because he I think like

0:20:28.560 --> 0:20:31.840
<v Speaker 1>I think understandably bristles at like the thing of like,

0:20:32.440 --> 0:20:34.520
<v Speaker 1>what things were you looking for for your movie, because

0:20:34.520 --> 0:20:36.159
<v Speaker 1>I think especially people who are trying to do like

0:20:36.440 --> 0:20:38.680
<v Speaker 1>newish sci fi, you want to feel like you're trying

0:20:38.720 --> 0:20:41.440
<v Speaker 1>to Yeah, it's a it's a tribute slash rip off

0:20:41.600 --> 0:20:45.560
<v Speaker 1>of Stalker. But that's the one thing he was like, Yeah, Tarkovsky, definitely,

0:20:46.040 --> 0:20:50.879
<v Speaker 1>it's a trip off. Um. And yeah, and also Solaris,

0:20:50.880 --> 0:20:53.359
<v Speaker 1>which is the other Tarkovsky movie which I saw recently.

0:20:53.400 --> 0:20:57.280
<v Speaker 1>I saw like a beautiful new Stalker. There's also like

0:20:57.359 --> 0:20:59.920
<v Speaker 1>a new Criterion print of it that's yeah, sucking all

0:21:00.119 --> 0:21:04.040
<v Speaker 1>so um. But Solaris, which is based on a novel

0:21:04.119 --> 0:21:08.000
<v Speaker 1>by the Polish writer Lim Standis law. Uh, it's sort

0:21:08.000 --> 0:21:10.280
<v Speaker 1>of invented the sci fi concept of like the aliens

0:21:10.320 --> 0:21:13.240
<v Speaker 1>being like instead of being little gray men or tall

0:21:13.240 --> 0:21:15.840
<v Speaker 1>grays or little green men, they it's like a planet

0:21:16.359 --> 0:21:18.960
<v Speaker 1>or like a gas. It's like a consciousness. It's like

0:21:19.000 --> 0:21:21.560
<v Speaker 1>a consciousness and you like can't communicate with it at

0:21:21.600 --> 0:21:25.800
<v Speaker 1>all because so for it, Yeah, um, the Solaris is

0:21:25.800 --> 0:21:29.440
<v Speaker 1>a planet that watches you the state of mind. So yeah,

0:21:29.480 --> 0:21:31.840
<v Speaker 1>Test and I both really like a lot of the

0:21:31.920 --> 0:21:34.919
<v Speaker 1>ideas that are in Annihilation. Um. I just felt like

0:21:34.920 --> 0:21:38.880
<v Speaker 1>the characterization and dialogue was like felt really flat. Yeah, yeah,

0:21:38.920 --> 0:21:41.520
<v Speaker 1>I mean I definitely think that it was. It's hard

0:21:41.560 --> 0:21:44.040
<v Speaker 1>because you kind of place all your hopes on when

0:21:44.040 --> 0:21:47.520
<v Speaker 1>you see five women who are scientists or I mean,

0:21:47.560 --> 0:21:49.000
<v Speaker 1>I guess one is an e M T. But I

0:21:49.040 --> 0:21:51.560
<v Speaker 1>mean they're there are five strong women who are not

0:21:52.119 --> 0:21:55.119
<v Speaker 1>like being shepherded by a man, or being sent on

0:21:55.119 --> 0:21:57.399
<v Speaker 1>this mission by a man. In fact, like you know,

0:21:57.560 --> 0:22:01.639
<v Speaker 1>venturous dr Ventrous, who's Jennifer Jason Lee. She's kind of

0:22:02.160 --> 0:22:05.440
<v Speaker 1>portrayed like you would. It's a shame that you would

0:22:05.520 --> 0:22:08.520
<v Speaker 1>normally see men playing these roles, but I felt as

0:22:08.520 --> 0:22:12.440
<v Speaker 1>though they could have intellectualized them more. And I was

0:22:12.480 --> 0:22:16.240
<v Speaker 1>telling Molly that it made me really nostalgic for the

0:22:16.240 --> 0:22:19.920
<v Speaker 1>original Jurassic Park and Ian Malcolm because I remember reading

0:22:19.920 --> 0:22:22.240
<v Speaker 1>the book and seeing the movie the explanation of the

0:22:22.320 --> 0:22:25.160
<v Speaker 1>science and his you know, drive to kind of wrap

0:22:25.200 --> 0:22:27.640
<v Speaker 1>his mind around it. Was a lot of screen time

0:22:27.680 --> 0:22:30.399
<v Speaker 1>was devoted to him kind of unpacking it, and I

0:22:30.440 --> 0:22:33.080
<v Speaker 1>felt as though that was something that was kind of

0:22:33.119 --> 0:22:35.080
<v Speaker 1>neglected And I don't know if it is in the

0:22:35.119 --> 0:22:38.439
<v Speaker 1>book as well, but we're just supposed to accept that, Okay,

0:22:38.440 --> 0:22:41.879
<v Speaker 1>So d N A is refracted like through a prism,

0:22:41.880 --> 0:22:44.720
<v Speaker 1>and it's like, but what does that mean? And then

0:22:44.760 --> 0:22:47.240
<v Speaker 1>you see that it can, you know, you can kind

0:22:47.280 --> 0:22:51.919
<v Speaker 1>of transfer your DNA via touch that you become contaminated.

0:22:51.960 --> 0:22:54.199
<v Speaker 1>Your DNA is seeping out all over the place and

0:22:54.280 --> 0:22:57.080
<v Speaker 1>mingling with plants and becoming a fungus. And I thought

0:22:57.080 --> 0:23:01.560
<v Speaker 1>it was interesting, but it seemed like not satisfying to

0:23:01.680 --> 0:23:05.920
<v Speaker 1>not have at least one of these very accomplished scientists

0:23:06.400 --> 0:23:10.560
<v Speaker 1>trying to give a more thorough explanation, Like it felt

0:23:10.600 --> 0:23:13.760
<v Speaker 1>like a blind spot that we were just expected to accept,

0:23:14.160 --> 0:23:16.800
<v Speaker 1>and it bothered me. Well, the only the only one

0:23:16.800 --> 0:23:20.440
<v Speaker 1>of them who is a scientist who would be equipped

0:23:20.440 --> 0:23:23.680
<v Speaker 1>to explain it is Natalie Portman's character is a biologist.

0:23:23.720 --> 0:23:27.360
<v Speaker 1>The other ones, there's a physicist, the physicist, yeah, Tessa Thompson,

0:23:27.600 --> 0:23:30.679
<v Speaker 1>Yeah yeah, And I mean then there's also a psychologist

0:23:30.760 --> 0:23:33.360
<v Speaker 1>who or I don't know if she's a psychologist or psychiatrist,

0:23:33.440 --> 0:23:37.600
<v Speaker 1>but I mean, spoiler alert, it's weird that the physicist

0:23:37.640 --> 0:23:41.879
<v Speaker 1>gets the biology death exactly and Tessa neverre also bothered

0:23:41.880 --> 0:23:45.200
<v Speaker 1>that Tessa Thompson's character who turns into a plant spoiler

0:23:45.359 --> 0:23:47.960
<v Speaker 1>spoiler they don't show you that she turned into a

0:23:49.040 --> 0:23:51.080
<v Speaker 1>kind of off then you never see her again and

0:23:51.119 --> 0:23:53.439
<v Speaker 1>it's very creepy and wickermanny. But you're also just like

0:23:53.480 --> 0:23:56.840
<v Speaker 1>waiting for the shot of money plant and I don't

0:23:56.880 --> 0:24:00.200
<v Speaker 1>show it, and then I don't know, really wanted to

0:24:00.200 --> 0:24:02.840
<v Speaker 1>see it also made me want her to play poison Ivy. Yes,

0:24:03.000 --> 0:24:06.040
<v Speaker 1>well so, so the thing about the book is that

0:24:06.280 --> 0:24:09.280
<v Speaker 1>they actually have more character flashing out in the movie

0:24:09.320 --> 0:24:12.600
<v Speaker 1>than they do in the book. They're pretty much like Cipher's.

0:24:13.200 --> 0:24:14.480
<v Speaker 1>We saw it with a friend who had read the

0:24:14.480 --> 0:24:16.600
<v Speaker 1>book and he was like, they're even more like Ciphers.

0:24:16.600 --> 0:24:18.560
<v Speaker 1>And they don't have names in the book. They're just

0:24:18.680 --> 0:24:20.800
<v Speaker 1>called well the different positions too. They have like the

0:24:20.840 --> 0:24:25.240
<v Speaker 1>surveyor the anthropologists. The linguist is one of them. There's

0:24:25.240 --> 0:24:28.040
<v Speaker 1>no linguist in this one, um, which is because the

0:24:28.080 --> 0:24:30.400
<v Speaker 1>whole thing that the linguist is interested in is not

0:24:31.040 --> 0:24:33.159
<v Speaker 1>in the movie, which is one of one of the

0:24:33.160 --> 0:24:35.320
<v Speaker 1>bigger things that I missed from the movie that's in

0:24:35.359 --> 0:24:39.480
<v Speaker 1>the book. But um, but I I kind of bristle

0:24:39.520 --> 0:24:42.400
<v Speaker 1>against this idea, and this has come up multiple times,

0:24:42.400 --> 0:24:43.840
<v Speaker 1>and I feel like I haven't had like a forum

0:24:43.880 --> 0:24:47.040
<v Speaker 1>to talk about it um or like haven't had the

0:24:47.080 --> 0:24:49.080
<v Speaker 1>time or I don't I don't know, but like I

0:24:49.160 --> 0:24:51.600
<v Speaker 1>kind of bristle against this idea of like this should

0:24:51.640 --> 0:24:55.840
<v Speaker 1>be a movie about strong female scientists. I don't think

0:24:55.880 --> 0:25:00.400
<v Speaker 1>that that's what this movie is about. But it's it's

0:25:00.400 --> 0:25:03.480
<v Speaker 1>fun to watch. It's fun to think about the portrayal

0:25:03.560 --> 0:25:06.399
<v Speaker 1>of five female sciences. It's as so funny. It is

0:25:06.480 --> 0:25:09.600
<v Speaker 1>like when I was watching it, I never thought about

0:25:09.600 --> 0:25:12.760
<v Speaker 1>the fact that they were all women, just like regular people,

0:25:13.400 --> 0:25:15.240
<v Speaker 1>and they're just like, we're going to try something different.

0:25:15.280 --> 0:25:17.120
<v Speaker 1>The last few exhibitions have been men, and we haven't

0:25:17.160 --> 0:25:18.600
<v Speaker 1>done with all women yet, so we're just gonna see

0:25:18.680 --> 0:25:20.200
<v Speaker 1>it goes and it's like cool. Then there was a

0:25:20.240 --> 0:25:21.760
<v Speaker 1>point where they all came out in the suits and

0:25:21.760 --> 0:25:24.359
<v Speaker 1>I was like, oh no, their Ghostbusters. Um, you know,

0:25:24.400 --> 0:25:28.679
<v Speaker 1>because it's not their fault or it's not this movie's fault.

0:25:28.760 --> 0:25:30.919
<v Speaker 1>It just stresses me out because I'm like, if this

0:25:30.960 --> 0:25:34.880
<v Speaker 1>movie fails exactly like A Wrinkle in Time, you know, fails,

0:25:35.000 --> 0:25:37.240
<v Speaker 1>like are we ever going to get any more female

0:25:37.240 --> 0:25:39.479
<v Speaker 1>sci fi ever again? Or people going to be like

0:25:39.560 --> 0:25:42.240
<v Speaker 1>female sci fi doesn't self, let's never sell it. I

0:25:42.240 --> 0:25:45.960
<v Speaker 1>mean like last, you know, like Annihili or Animil Arrival.

0:25:46.119 --> 0:25:49.399
<v Speaker 1>It was my favorite movie of that year. Um that

0:25:49.480 --> 0:25:52.600
<v Speaker 1>was like a very successful movie. I got nominated for

0:25:52.640 --> 0:25:55.159
<v Speaker 1>words and stuff and is very much told. That's like

0:25:55.200 --> 0:25:59.960
<v Speaker 1>a developed I feel like scientist character dealing with something uncanny,

0:26:00.520 --> 0:26:02.960
<v Speaker 1>an alien. If you want something that has like that's

0:26:02.960 --> 0:26:04.919
<v Speaker 1>a little more of a character study as opposed to this,

0:26:04.960 --> 0:26:06.840
<v Speaker 1>which I feel is much more like It's like it

0:26:06.920 --> 0:26:09.280
<v Speaker 1>is like those Tarkovsky movies where you don't I don't

0:26:09.320 --> 0:26:10.840
<v Speaker 1>think you have a gripe about those movies that you

0:26:10.880 --> 0:26:13.200
<v Speaker 1>wish to like the main dude character that you knew

0:26:13.280 --> 0:26:16.680
<v Speaker 1>more about him as like a professional you know more

0:26:16.720 --> 0:26:21.280
<v Speaker 1>about I mean no, but I mean like in the

0:26:21.320 --> 0:26:23.720
<v Speaker 1>mold of a movie like Aliens or Predator, which was

0:26:24.119 --> 0:26:26.960
<v Speaker 1>the things I mainly was thinking about, It's like, how

0:26:27.040 --> 0:26:29.119
<v Speaker 1>much do you need to develop those characters that you

0:26:29.160 --> 0:26:30.879
<v Speaker 1>know we're all going to get killed off? Well, I

0:26:30.920 --> 0:26:33.520
<v Speaker 1>mean I think that I'm guessing Emily that you would

0:26:33.560 --> 0:26:37.960
<v Speaker 1>agree that the Crosby stills and Nash flashbacks too, that

0:26:38.080 --> 0:26:41.600
<v Speaker 1>made Test so much helplessly hoping was really rough. I

0:26:41.600 --> 0:26:45.600
<v Speaker 1>mean that was but you know I was right? No,

0:26:45.720 --> 0:26:50.959
<v Speaker 1>tell me, Oh, come on, therefore people or the other

0:26:51.080 --> 0:26:53.840
<v Speaker 1>two people they are three together, they have it's about

0:26:53.880 --> 0:27:00.280
<v Speaker 1>cell division. Okay, it's great, but I can't watch a

0:27:00.280 --> 0:27:03.320
<v Speaker 1>woman crying on a sofa walk. It's against my religion.

0:27:05.040 --> 0:27:07.320
<v Speaker 1>I won't do it again. I was brought up c

0:27:07.560 --> 0:27:11.480
<v Speaker 1>S and wait, how can I even pronounce this? Like yes?

0:27:11.680 --> 0:27:15.560
<v Speaker 1>And sometimes why yeah? I want to say, you know,

0:27:15.640 --> 0:27:17.480
<v Speaker 1>the best part of this movie reminded me of of

0:27:17.560 --> 0:27:19.760
<v Speaker 1>Angel's Egg a little bit, And sometimes I was like,

0:27:19.800 --> 0:27:21.600
<v Speaker 1>I kind of wish this or just an anime, and

0:27:21.640 --> 0:27:25.280
<v Speaker 1>I wouldn't QUI honestly. I mean, I think some of

0:27:25.320 --> 0:27:28.240
<v Speaker 1>the design of it is cool that I did was cool.

0:27:28.359 --> 0:27:31.040
<v Speaker 1>Doesn't love the aesthetic? No me, I feel the same way.

0:27:31.119 --> 0:27:32.919
<v Speaker 1>And there was a moment where I had like a

0:27:32.960 --> 0:27:36.439
<v Speaker 1>false revelation that turned out to not be true, where

0:27:36.920 --> 0:27:39.359
<v Speaker 1>when they find when you know, the whole end is

0:27:39.440 --> 0:27:41.800
<v Speaker 1>very cool. It turns into like a Jodorowski movie in

0:27:41.800 --> 0:27:44.040
<v Speaker 1>a way that is like made it worth seeing for

0:27:44.119 --> 0:27:47.200
<v Speaker 1>me definitely. Um, And when she's in the like there's

0:27:47.240 --> 0:27:50.960
<v Speaker 1>like the bone fungus we say that where we haven't

0:27:50.960 --> 0:27:56.520
<v Speaker 1>really even that much, but you should probably she goes

0:27:56.560 --> 0:28:00.560
<v Speaker 1>in a hole in a like a lighthouse with bone

0:28:00.640 --> 0:28:04.240
<v Speaker 1>a bone fungus, a skeleton fungus that's growing everywhere. That's

0:28:04.359 --> 0:28:06.160
<v Speaker 1>very scary. And then she gets in there and it's

0:28:06.160 --> 0:28:10.320
<v Speaker 1>like an hr Geiger a drain pipe. And then she

0:28:10.600 --> 0:28:13.920
<v Speaker 1>finds Jennifer Jason Lee or like an alien Jennifer Jason Lee.

0:28:14.320 --> 0:28:17.520
<v Speaker 1>She's like Jennifer Jason Lee is letting the alien presents

0:28:17.560 --> 0:28:20.840
<v Speaker 1>basically take over her body, or like you, Jennifer Jason

0:28:20.920 --> 0:28:28.200
<v Speaker 1>Lee goes, oh, no, Mortal Kombat. I mean, it's sort

0:28:28.240 --> 0:28:32.160
<v Speaker 1>of funny because annihilation is also like a significant word

0:28:32.240 --> 0:28:34.560
<v Speaker 1>uttered by that character in the book. But no, I

0:28:34.640 --> 0:28:36.600
<v Speaker 1>read it makes a lot more sense in the book.

0:28:36.640 --> 0:28:38.280
<v Speaker 1>But it's one of those things like in The Shining

0:28:38.280 --> 0:28:40.360
<v Speaker 1>where it's like a vestige of the book that like

0:28:41.160 --> 0:28:43.600
<v Speaker 1>is creepier because you don't have the context for it,

0:28:43.680 --> 0:28:46.120
<v Speaker 1>like in The Shining with the bear the bear costume

0:28:46.160 --> 0:28:48.480
<v Speaker 1>guy oh, and speaking of bears, that was I think

0:28:48.480 --> 0:28:53.160
<v Speaker 1>the best part of I feel like it's I feel

0:28:53.160 --> 0:28:56.480
<v Speaker 1>like it's a good litmus test, like to know what's

0:28:56.480 --> 0:29:00.200
<v Speaker 1>scarier to you, the the green suit at the end

0:29:00.280 --> 0:29:02.520
<v Speaker 1>or the bear. Because I think that everybody I have

0:29:02.560 --> 0:29:04.440
<v Speaker 1>talked to who's seen this movie, it's one thing or

0:29:04.480 --> 0:29:08.040
<v Speaker 1>the other, like one thing upsets them more. Um. Okay,

0:29:08.080 --> 0:29:10.080
<v Speaker 1>well okay, so so Jennifer days and he goes into

0:29:10.080 --> 0:29:14.680
<v Speaker 1>allusion and then she turns into like prismatic rainbow matter.

0:29:15.480 --> 0:29:18.960
<v Speaker 1>And then what I thought that meant was I thought, oh,

0:29:19.320 --> 0:29:24.440
<v Speaker 1>you become the shimmer like the shimmers people. Um. And

0:29:24.480 --> 0:29:26.880
<v Speaker 1>then it was like, no, it's an alien. Well I mean,

0:29:27.080 --> 0:29:29.800
<v Speaker 1>but I think that's how the alien manifests itself, right,

0:29:30.880 --> 0:29:33.400
<v Speaker 1>I guess. But then it's like and then someone comes

0:29:33.440 --> 0:29:36.240
<v Speaker 1>out in a fetish suit and does like a tangle

0:29:36.440 --> 0:29:41.280
<v Speaker 1>the dance the modern dance. Good, but it was bad,

0:29:41.400 --> 0:29:43.320
<v Speaker 1>you know. I mean, that's kind of it was. It

0:29:43.360 --> 0:29:44.920
<v Speaker 1>was good, but it was bad. We watched it with

0:29:44.920 --> 0:29:46.840
<v Speaker 1>our friend Brendan whale and who used to do the

0:29:46.880 --> 0:29:50.400
<v Speaker 1>social media for a fetish were site, and he was like,

0:29:50.480 --> 0:29:55.400
<v Speaker 1>it's just a z any suit. Well, you guys, I'm

0:29:55.440 --> 0:29:57.280
<v Speaker 1>willing to I'm willing to fill in a more and

0:29:57.320 --> 0:29:59.200
<v Speaker 1>more of that scene for you if you're open minded

0:29:59.240 --> 0:30:01.840
<v Speaker 1>about it. Don't I I'm supposed that you've written anything

0:30:01.840 --> 0:30:04.000
<v Speaker 1>that I've written about it on the internet, so I'll

0:30:04.120 --> 0:30:08.240
<v Speaker 1>be happy to repeat myself here. We both of us

0:30:09.120 --> 0:30:14.400
<v Speaker 1>and we both test tests like, this isn't a drug movie.

0:30:14.760 --> 0:30:17.080
<v Speaker 1>I did not think it was a drug Well it

0:30:17.160 --> 0:30:19.800
<v Speaker 1>was eleven twenty in the morning, but you know, I

0:30:19.840 --> 0:30:22.280
<v Speaker 1>went in with an open mind and I still didn't

0:30:22.280 --> 0:30:23.680
<v Speaker 1>feel like it was a drugma, I don't think it's

0:30:23.680 --> 0:30:25.880
<v Speaker 1>a drug movie. I'm I'm in a drug movie. Well

0:30:25.880 --> 0:30:27.760
<v Speaker 1>that was in my first piece that I read about it.

0:30:27.800 --> 0:30:29.760
<v Speaker 1>But like, I don't think it's a drug movie in

0:30:29.840 --> 0:30:31.800
<v Speaker 1>that it is about drugs, but I think it's like

0:30:32.280 --> 0:30:34.120
<v Speaker 1>maybe destined to be the kind of thing that you

0:30:34.200 --> 0:30:36.280
<v Speaker 1>show somebody at a dorm room at four in the morning,

0:30:36.320 --> 0:30:39.160
<v Speaker 1>like that kind of movie. Yeah, but you know what,

0:30:39.320 --> 0:30:41.520
<v Speaker 1>Like then I went home and watched Stalkard. I was like,

0:30:41.560 --> 0:30:45.400
<v Speaker 1>you know, Stalker is like a more psychedelic movie. Even

0:30:45.400 --> 0:30:48.440
<v Speaker 1>though there is no rainbow fungus in it. It's like

0:30:48.480 --> 0:30:53.120
<v Speaker 1>the it's paste better, it is scarier. Just like this

0:30:53.240 --> 0:30:55.680
<v Speaker 1>was fine, it was okay, but you know when I

0:30:55.720 --> 0:30:58.880
<v Speaker 1>realized it was Alex Garland. I also really liked ex Machina,

0:30:59.000 --> 0:31:04.080
<v Speaker 1>which tests I think to not like again, which is

0:31:04.120 --> 0:31:08.560
<v Speaker 1>the same actor Oscar is like and interpretive dance to

0:31:08.760 --> 0:31:10.520
<v Speaker 1>checks on your list. But you know, I did I

0:31:10.560 --> 0:31:14.000
<v Speaker 1>did really like X Macina. Um. I don't know why

0:31:14.040 --> 0:31:16.480
<v Speaker 1>I was underwhelmed. Maybe because you built it up and

0:31:16.520 --> 0:31:17.960
<v Speaker 1>I thought it was gonna be great. Well, I didn't

0:31:18.000 --> 0:31:20.680
<v Speaker 1>build it up because I would say that I gave.

0:31:20.720 --> 0:31:22.320
<v Speaker 1>I would give this if I had to do a

0:31:22.320 --> 0:31:24.479
<v Speaker 1>star rating, which I never do for movies, but like

0:31:24.520 --> 0:31:26.320
<v Speaker 1>it would be like a three and a half out

0:31:26.320 --> 0:31:27.960
<v Speaker 1>of five for me or something. I don't think that

0:31:27.960 --> 0:31:30.200
<v Speaker 1>it's perfect at all. I think most of the body

0:31:30.320 --> 0:31:33.600
<v Speaker 1>of the movie is kind of poorly written. Um, not

0:31:33.680 --> 0:31:36.000
<v Speaker 1>because of character development, but just because it's just sort

0:31:36.040 --> 0:31:38.880
<v Speaker 1>of like laying out all these sort of structure and

0:31:38.920 --> 0:31:42.800
<v Speaker 1>steaks things that feel much more like like skeletal Hollywood

0:31:42.840 --> 0:31:45.800
<v Speaker 1>structure than then the then I think the movie really

0:31:45.920 --> 0:31:48.160
<v Speaker 1>is trying to do and I feel like that kind

0:31:48.200 --> 0:31:50.960
<v Speaker 1>of undersells how kind of cosmic it goes at the end?

0:31:51.240 --> 0:31:54.640
<v Speaker 1>Can I Can I recommend something that I read about

0:31:54.640 --> 0:31:57.920
<v Speaker 1>Annihilation that I thought was a really good take on it. Um.

0:31:58.200 --> 0:32:01.640
<v Speaker 1>It appeared in Collider and it's I'm Matt Goldberg and

0:32:01.760 --> 0:32:04.680
<v Speaker 1>he basically is like, this is a movie about cancer,

0:32:05.080 --> 0:32:08.360
<v Speaker 1>and it obviously cancers a through line, but the way

0:32:08.400 --> 0:32:11.000
<v Speaker 1>that a cancer spreads and changes, and it doesn't have

0:32:11.040 --> 0:32:14.560
<v Speaker 1>like an agenda other than the you know, innate biological

0:32:14.560 --> 0:32:18.040
<v Speaker 1>agenda to self destruct, which is also referenced a lot um.

0:32:18.080 --> 0:32:20.560
<v Speaker 1>But how how it like mutates and changes. And then

0:32:20.640 --> 0:32:23.200
<v Speaker 1>he also kind of went into like, oh, they're all women.

0:32:23.800 --> 0:32:26.680
<v Speaker 1>The most common form of cancer is breast cancer, like

0:32:26.720 --> 0:32:29.640
<v Speaker 1>it was an interesting thought to play with. More it

0:32:29.640 --> 0:32:32.440
<v Speaker 1>starts with them looking at cervical cancer cells at the beginning,

0:32:32.520 --> 0:32:35.920
<v Speaker 1>and like, I think that's very intentional. I mean, I think,

0:32:36.360 --> 0:32:38.200
<v Speaker 1>you know, I think that this movie is also like

0:32:38.240 --> 0:32:42.520
<v Speaker 1>resonating more for people who have like have you know

0:32:42.680 --> 0:32:45.920
<v Speaker 1>that with depression or any other kind of self destructive tendencies,

0:32:45.960 --> 0:32:49.480
<v Speaker 1>because I think that there are people who watch that

0:32:49.600 --> 0:32:53.120
<v Speaker 1>ending scene and are like it's like, yeah, it's like

0:32:53.240 --> 0:32:55.360
<v Speaker 1>out there, it's crazy. And then there are people are like,

0:32:55.400 --> 0:32:57.680
<v Speaker 1>oh my god, Like I I mean, I have like

0:32:57.720 --> 0:33:01.880
<v Speaker 1>an extremely emotional reaction to the end. H. I appreciated

0:33:01.960 --> 0:33:05.960
<v Speaker 1>that it was trying something crazy, But I do think

0:33:06.000 --> 0:33:08.920
<v Speaker 1>that Alex Garland has sort of like an endings problem,

0:33:09.040 --> 0:33:11.160
<v Speaker 1>um other than ex Pacino, which I really liked the

0:33:11.240 --> 0:33:16.200
<v Speaker 1>ending of UM, but you know, I remembered he Sunshine also,

0:33:16.240 --> 0:33:17.960
<v Speaker 1>which the movie that I really really liked up until

0:33:18.000 --> 0:33:19.880
<v Speaker 1>a certain point, and I was always like, it's like

0:33:20.080 --> 0:33:22.680
<v Speaker 1>two thousand one, it's like the acid cosmic horror movie,

0:33:22.720 --> 0:33:25.920
<v Speaker 1>and then this is like the ecstasy movie, right. Um.

0:33:25.920 --> 0:33:28.120
<v Speaker 1>In Sunshine also it ends with like and then there's

0:33:28.160 --> 0:33:32.200
<v Speaker 1>a guy, a scary guy. And I think for me,

0:33:32.320 --> 0:33:35.040
<v Speaker 1>just having it be like like a scary like a

0:33:35.280 --> 0:33:38.560
<v Speaker 1>like a boss, you know, a level boss, instead of

0:33:38.600 --> 0:33:41.080
<v Speaker 1>just being sort of like, oh, it's a mind fungus

0:33:41.120 --> 0:33:43.120
<v Speaker 1>and it's not like a human being. The fact that

0:33:43.160 --> 0:33:44.760
<v Speaker 1>it was like if it had been like tests what

0:33:44.800 --> 0:33:46.680
<v Speaker 1>we were saying too, if the body had been made

0:33:46.680 --> 0:33:48.480
<v Speaker 1>of slime, we would have been much more into it.

0:33:49.560 --> 0:33:51.000
<v Speaker 1>I mean, I guess we thought we were looking for

0:33:51.080 --> 0:33:54.840
<v Speaker 1>slime because maybe Emily is like, maybe it's because just

0:33:54.880 --> 0:33:56.880
<v Speaker 1>like why did Emily want us to see that so badly?

0:33:56.880 --> 0:33:59.920
<v Speaker 1>I don't understand. Um, But yeah, the part we're like

0:34:00.080 --> 0:34:03.600
<v Speaker 1>the guy, the guy the suit thing is kind of

0:34:03.600 --> 0:34:05.520
<v Speaker 1>like grinding on her and trying to become her. Like

0:34:05.520 --> 0:34:08.000
<v Speaker 1>I thought it was gonna be like, oh percent, I

0:34:08.040 --> 0:34:10.840
<v Speaker 1>think I just said, it turns it turns into slime

0:34:10.920 --> 0:34:13.560
<v Speaker 1>and like takes her, you know. But again, maybe that's

0:34:13.600 --> 0:34:15.800
<v Speaker 1>just because I was I was thinking for blob horror,

0:34:15.880 --> 0:34:17.920
<v Speaker 1>see I find it well. I mean, you know you

0:34:17.920 --> 0:34:19.960
<v Speaker 1>you see that part with the like deers who are

0:34:20.480 --> 0:34:24.000
<v Speaker 1>marrying each other. Basically, I think that there's something terribly unsettling,

0:34:24.080 --> 0:34:26.400
<v Speaker 1>much more than a bunch of slime would be about

0:34:26.440 --> 0:34:30.040
<v Speaker 1>these sort of auto pile itsels that are just mimicking

0:34:30.080 --> 0:34:33.960
<v Speaker 1>the body that are you Like, the idea of being

0:34:34.000 --> 0:34:36.239
<v Speaker 1>in something that feels like a fight but is not

0:34:36.360 --> 0:34:39.760
<v Speaker 1>a fight because it's just you is like, I feel

0:34:39.840 --> 0:34:43.800
<v Speaker 1>like a kind of constricting fear around my chest because

0:34:43.800 --> 0:34:46.920
<v Speaker 1>that sounds like a nightmare. Like that sounds horrible. Well,

0:34:46.960 --> 0:34:49.200
<v Speaker 1>I initially when watching and I was like, oh, it's

0:34:49.200 --> 0:34:51.759
<v Speaker 1>about PTSD because they both served in them. You know,

0:34:52.320 --> 0:34:55.040
<v Speaker 1>scary had no face. That was the scariest part that

0:34:55.680 --> 0:34:58.560
<v Speaker 1>very scary images in this movie, including the moving guts.

0:34:58.600 --> 0:35:00.439
<v Speaker 1>There were like a lot of things that really liked

0:35:00.440 --> 0:35:03.680
<v Speaker 1>and I appreciated how ambitious it was. Um, I think

0:35:03.719 --> 0:35:05.520
<v Speaker 1>I also just felt like, oh, I don't want to

0:35:05.560 --> 0:35:08.759
<v Speaker 1>have to put the pressure on this movie of like

0:35:09.200 --> 0:35:11.840
<v Speaker 1>will we ever get another like team of female scientists.

0:35:11.840 --> 0:35:13.600
<v Speaker 1>That's what I meant when I said that it was

0:35:14.120 --> 0:35:16.640
<v Speaker 1>you you want so badly for it to be perfect,

0:35:16.680 --> 0:35:18.600
<v Speaker 1>and I think what you expect from it depends a

0:35:18.680 --> 0:35:21.200
<v Speaker 1>lot on what the changes that you want to see

0:35:21.320 --> 0:35:23.239
<v Speaker 1>in the roles that women get to play. We were

0:35:23.239 --> 0:35:25.480
<v Speaker 1>talking about another movie earlier. I don't want to outtest

0:35:25.520 --> 0:35:28.120
<v Speaker 1>what I'm going to as she said she wasn't a

0:35:28.120 --> 0:35:30.560
<v Speaker 1>fan of Ladybird so much as everyone else was. But

0:35:30.560 --> 0:35:32.400
<v Speaker 1>she said also she was like, but guys get to

0:35:32.440 --> 0:35:35.920
<v Speaker 1>make like narcissistic movies about their lives all the time,

0:35:36.000 --> 0:35:38.000
<v Speaker 1>that like, maybe aren't the greatest movie in the world,

0:35:38.280 --> 0:35:41.239
<v Speaker 1>So like, I don't want to condemn it, because you know,

0:35:41.480 --> 0:35:44.759
<v Speaker 1>I liked Ladybird, but it didn't blow me away as

0:35:44.880 --> 0:35:46.520
<v Speaker 1>much as I wanted it to, and then I had

0:35:46.520 --> 0:35:49.839
<v Speaker 1>to and then you felt guilty for loving it, Like

0:35:49.960 --> 0:35:52.600
<v Speaker 1>I wanted to be like my favorite and I thought

0:35:52.600 --> 0:35:54.960
<v Speaker 1>the performances were incredible and I was happy that it

0:35:55.040 --> 0:35:58.239
<v Speaker 1>was there. But I think maybe it's expectations that that

0:35:58.400 --> 0:36:01.440
<v Speaker 1>I have that are so unreal stick to be met of,

0:36:01.560 --> 0:36:05.680
<v Speaker 1>like I want Lady Bird to be the best, whereas

0:36:05.680 --> 0:36:07.799
<v Speaker 1>we bring nothing to go see Paddington two, and then

0:36:07.840 --> 0:36:11.000
<v Speaker 1>I love Paddington because I have nothing riding on Paddington too.

0:36:11.320 --> 0:36:15.640
<v Speaker 1>You know, I feel like having that attitude, especially about

0:36:15.640 --> 0:36:20.840
<v Speaker 1>anything like created by or featuring women, is like, I

0:36:20.880 --> 0:36:25.319
<v Speaker 1>don't know a recipe for it is self destructive and

0:36:25.320 --> 0:36:29.439
<v Speaker 1>and and it's unfair also like yeah, because exactly you don't.

0:36:29.480 --> 0:36:32.279
<v Speaker 1>You don't come in with that expectation about no, it's

0:36:32.320 --> 0:36:35.120
<v Speaker 1>totally unfair. And I also like, I feel like I

0:36:35.120 --> 0:36:37.279
<v Speaker 1>put this pressure on Natalie Portman all the time too,

0:36:37.360 --> 0:36:39.600
<v Speaker 1>you know where I'm like, Oh, that's where I differ

0:36:39.640 --> 0:36:42.719
<v Speaker 1>because I'm like, I feel like, you know, I guess

0:36:42.760 --> 0:36:45.240
<v Speaker 1>I understand in a cynical way why they wanted Natalie

0:36:45.320 --> 0:36:47.359
<v Speaker 1>Portman to be this character. It's not like she's not

0:36:47.480 --> 0:36:50.000
<v Speaker 1>the character. But I don't think that like trying to

0:36:50.040 --> 0:36:53.040
<v Speaker 1>sell the movie on her name alone is any kind

0:36:53.080 --> 0:36:55.239
<v Speaker 1>of strategy, because I feel like people are much more

0:36:55.239 --> 0:36:58.239
<v Speaker 1>excited right now in general to see Taza Thompson and

0:36:58.280 --> 0:37:00.920
<v Speaker 1>Gina Rodriguez in a movie that too. I mean, they

0:37:00.920 --> 0:37:02.920
<v Speaker 1>were like, you know, I think it's also just because

0:37:02.960 --> 0:37:04.880
<v Speaker 1>she's playing this main character who's a little more of

0:37:04.920 --> 0:37:06.640
<v Speaker 1>a merry Sue and a little more sort of like

0:37:06.680 --> 0:37:09.160
<v Speaker 1>a cipher. And then there was like the part that

0:37:09.320 --> 0:37:10.719
<v Speaker 1>Tests and I both were like this is the best

0:37:10.719 --> 0:37:14.000
<v Speaker 1>part was when Gina Rodriguez this is like, oh we

0:37:14.080 --> 0:37:17.920
<v Speaker 1>got Hella footage, because I was like, she probably i'd

0:37:17.960 --> 0:37:19.799
<v Speaker 1>lived that, because I don't know that Alex Garland has

0:37:19.800 --> 0:37:22.239
<v Speaker 1>ever heard Hella. But it just felt like, you know,

0:37:22.280 --> 0:37:24.680
<v Speaker 1>it's like, oh, a real person, like a character who

0:37:25.080 --> 0:37:28.400
<v Speaker 1>feels like they have a life that exists before they

0:37:28.440 --> 0:37:30.359
<v Speaker 1>were in this. And I think one of the things

0:37:30.400 --> 0:37:32.279
<v Speaker 1>that I really wanted to was I wanted it to

0:37:32.320 --> 0:37:35.680
<v Speaker 1>be a much stranger movie than I felt like it was.

0:37:35.760 --> 0:37:37.880
<v Speaker 1>I wanted it like I was just thinking when we

0:37:37.880 --> 0:37:40.440
<v Speaker 1>were talking about, you know, these expectations that ending was

0:37:40.480 --> 0:37:43.319
<v Speaker 1>too normal for you. It wasn't that it was it

0:37:43.400 --> 0:37:48.400
<v Speaker 1>was that there was so much formulaic plot in that movie.

0:37:48.440 --> 0:37:50.440
<v Speaker 1>And yeah, I didn't need any of the backstory or

0:37:50.480 --> 0:37:54.200
<v Speaker 1>the setup, like I could have just been they could

0:37:54.200 --> 0:37:57.080
<v Speaker 1>have just started an area X and just and I

0:37:57.120 --> 0:37:59.840
<v Speaker 1>found the I found the characters. I mean, it was

0:38:00.000 --> 0:38:03.759
<v Speaker 1>not just the characters themselves, but how how the like

0:38:04.200 --> 0:38:09.240
<v Speaker 1>exal the like they were cuts. To feel I couldn't

0:38:09.320 --> 0:38:12.600
<v Speaker 1>that stuffer, but to feel that's the thing where I'm like,

0:38:12.680 --> 0:38:16.919
<v Speaker 1>don't don't condescend to self destructive. And I felt That's why.

0:38:17.560 --> 0:38:19.799
<v Speaker 1>That's why I'm like, I don't I would rather do

0:38:19.880 --> 0:38:22.399
<v Speaker 1>away that with that entirely. I would rather have those

0:38:22.400 --> 0:38:27.319
<v Speaker 1>performances from the supporting characters be purely performance and not

0:38:27.480 --> 0:38:30.759
<v Speaker 1>written as like, you know, she does X Y Z

0:38:30.880 --> 0:38:33.520
<v Speaker 1>therefore this, because that feels so on the nose and

0:38:33.560 --> 0:38:36.080
<v Speaker 1>like like so literal in the way that I don't

0:38:36.080 --> 0:38:38.520
<v Speaker 1>think this film is operating in a really literal way.

0:38:38.560 --> 0:38:41.120
<v Speaker 1>I mean, how are you supposed to really like explain

0:38:41.200 --> 0:38:43.640
<v Speaker 1>the ending and a to B manner. It's just it's

0:38:43.719 --> 0:38:46.520
<v Speaker 1>kind of all at that point, I wish this movie

0:38:46.640 --> 0:38:49.759
<v Speaker 1>had like less dial just spend a lot more like

0:38:49.880 --> 0:38:53.520
<v Speaker 1>plants growing into animals totally coming each other. Because obviously

0:38:53.560 --> 0:38:55.840
<v Speaker 1>I like that. Yeah, that was that was great. I

0:38:55.840 --> 0:38:59.759
<v Speaker 1>don't know why, but tests is looking up welcome to me. No,

0:39:00.000 --> 0:39:02.880
<v Speaker 1>I'm not distracted, and I've no but I it's just

0:39:02.920 --> 0:39:04.879
<v Speaker 1>because when we were talking about the best movie about

0:39:04.880 --> 0:39:07.600
<v Speaker 1>a self destructive woman, yes, And I think it's it's

0:39:07.640 --> 0:39:10.640
<v Speaker 1>interesting because I think every time there's a movie that

0:39:10.880 --> 0:39:13.960
<v Speaker 1>is being framed as being like very strange or kind

0:39:13.960 --> 0:39:16.640
<v Speaker 1>of mind bendy or something, I'm like, well, I don't

0:39:16.680 --> 0:39:19.719
<v Speaker 1>know if I should recommend Welcome to Me, judging it

0:39:19.719 --> 0:39:22.000
<v Speaker 1>against a Welcome to Me. Welcome to Me. It was

0:39:22.080 --> 0:39:24.760
<v Speaker 1>not well received. I mean it was not well received,

0:39:24.760 --> 0:39:28.319
<v Speaker 1>but it was well received by me. But it's like

0:39:28.520 --> 0:39:30.920
<v Speaker 1>from when you talk about like a self destructive person

0:39:31.040 --> 0:39:33.520
<v Speaker 1>or a personality where you have that you know, you

0:39:33.640 --> 0:39:36.600
<v Speaker 1>kind of identify or you see parts of yourself in

0:39:36.640 --> 0:39:41.440
<v Speaker 1>a very extreme characterization of a person, like Welcome to

0:39:41.480 --> 0:39:45.759
<v Speaker 1>Me was. It didn't rely on anything familiar, but it

0:39:45.800 --> 0:39:49.520
<v Speaker 1>painted a very specific and you know, it was a

0:39:49.600 --> 0:39:52.560
<v Speaker 1>very full portrait of a self destructive person. Maybe not

0:39:52.680 --> 0:39:57.239
<v Speaker 1>completely successful, but I mean I wanted something where the

0:39:57.320 --> 0:39:59.839
<v Speaker 1>characters like you, you know, I really have a hard

0:40:00.000 --> 0:40:01.799
<v Speaker 1>I'm with the she wears long sleeves and she cuts

0:40:01.800 --> 0:40:04.040
<v Speaker 1>herself to Felix. I'm like, that's just kind of it is.

0:40:04.080 --> 0:40:08.759
<v Speaker 1>It's condescending, and it's almost like exactly, this has a

0:40:08.840 --> 0:40:11.319
<v Speaker 1>lot of tropes that like she cannot deal with, which

0:40:11.320 --> 0:40:14.239
<v Speaker 1>I respect, and one of them is people using a

0:40:14.480 --> 0:40:19.160
<v Speaker 1>stage brush, like people sweeping. It's sweeping the floor. That

0:40:19.239 --> 0:40:21.440
<v Speaker 1>was my main issue with Horse and Pete, which they

0:40:21.480 --> 0:40:24.319
<v Speaker 1>don't ever really do a lot of on Cheers. Surprisingly

0:40:24.360 --> 0:40:26.160
<v Speaker 1>now they don't know it's wiping the bar. And I

0:40:26.160 --> 0:40:29.120
<v Speaker 1>don't have no problem with wiping the bar. The bar

0:40:29.480 --> 0:40:32.560
<v Speaker 1>go'll be white. But the floors, when when you see

0:40:32.600 --> 0:40:35.000
<v Speaker 1>someone sweeping a floor and you look at the floor

0:40:35.040 --> 0:40:36.960
<v Speaker 1>and you realize that there's nothing there and there's no

0:40:37.040 --> 0:40:39.000
<v Speaker 1>pile and there's nothing to sweep, that's it takes me

0:40:39.040 --> 0:40:45.040
<v Speaker 1>out of it more. But pro cosmic cor yeah, yeah,

0:40:45.040 --> 0:40:46.880
<v Speaker 1>I mean, I I agree that it should have just

0:40:47.040 --> 0:40:51.120
<v Speaker 1>been weirder if that's the main like complaint, because I

0:40:51.160 --> 0:40:53.840
<v Speaker 1>think that, I mean, for the same reason I'm saying

0:40:53.840 --> 0:40:56.680
<v Speaker 1>that I kind of resist this wanting to read it

0:40:56.719 --> 0:40:59.720
<v Speaker 1>as like this victory because it's about five strong women.

0:40:59.800 --> 0:41:03.799
<v Speaker 1>I like, well, women should also have stories about like

0:41:03.800 --> 0:41:07.759
<v Speaker 1>like cosmic dissolution too, because like that that is like

0:41:07.880 --> 0:41:10.960
<v Speaker 1>and usually that is just uh like men get to

0:41:11.000 --> 0:41:14.200
<v Speaker 1>experience that in movies, and I feel like people are

0:41:14.200 --> 0:41:17.680
<v Speaker 1>afraid to put women through that kind of thing fully

0:41:17.800 --> 0:41:20.399
<v Speaker 1>in a movie because it feels like, oh, they're weak,

0:41:20.440 --> 0:41:23.440
<v Speaker 1>and we need to always show strong women, uh in movies.

0:41:23.480 --> 0:41:25.080
<v Speaker 1>And I feel like in something like this, it's so

0:41:25.160 --> 0:41:28.239
<v Speaker 1>much more and I enjoyed it more certainly than I

0:41:28.360 --> 0:41:31.000
<v Speaker 1>enjoyed seeing Jennifer Lawrence get the ship beat out of

0:41:31.000 --> 0:41:34.759
<v Speaker 1>her and mother, Oh my god, Like there there are

0:41:34.800 --> 0:41:37.480
<v Speaker 1>things about that movie that I liked, but I also,

0:41:37.719 --> 0:41:40.880
<v Speaker 1>you know, could have done with more zeny suit dancing.

0:41:41.400 --> 0:41:43.880
<v Speaker 1>Until you see Jennifer Lawrence get the sheet, the ship

0:41:43.880 --> 0:41:46.440
<v Speaker 1>beat off, the sheet, ship beat out of her in

0:41:46.680 --> 0:41:49.759
<v Speaker 1>Red Sparrow. Do you think she has Brendan Fraser? Uh,

0:41:50.160 --> 0:41:52.440
<v Speaker 1>I guess where she wants to get beaten up in

0:41:52.480 --> 0:41:55.640
<v Speaker 1>movies as like a self destructive tendency. It's very possible.

0:41:55.880 --> 0:42:00.399
<v Speaker 1>It's very possible. Well, I mean we all actresses. It's like, yeah,

0:42:00.520 --> 0:42:04.719
<v Speaker 1>you're a little bit of athochist, all actors. Let's be honest, guys.

0:42:04.800 --> 0:42:06.719
<v Speaker 1>Let's take another night call. Let's do a night call.

0:42:06.920 --> 0:42:10.360
<v Speaker 1>So we have another night call, night email. I guess

0:42:10.400 --> 0:42:13.680
<v Speaker 1>if you will that also happens to double as a

0:42:13.719 --> 0:42:17.040
<v Speaker 1>Fraser minute tests you want to read it for us? Sure?

0:42:17.120 --> 0:42:20.399
<v Speaker 1>So this comes from Kate and she writes, dear night call,

0:42:20.840 --> 0:42:23.680
<v Speaker 1>I actually already left you two voice messages about two

0:42:23.680 --> 0:42:26.160
<v Speaker 1>different things, but this also just occurred to me. I

0:42:26.200 --> 0:42:28.839
<v Speaker 1>was too embarrassed to call back a third time. I'm

0:42:28.880 --> 0:42:32.080
<v Speaker 1>so grateful that you all provide regular Fraser banter. So

0:42:32.120 --> 0:42:34.960
<v Speaker 1>my question is, have you ever tried to cast the

0:42:35.080 --> 0:42:37.680
<v Speaker 1>role of Maris. The first person that comes to mind

0:42:37.719 --> 0:42:40.719
<v Speaker 1>for me is Parker Posey, But that's never felt quite right.

0:42:41.040 --> 0:42:43.400
<v Speaker 1>Despite the entire point of Maris being that she has

0:42:43.480 --> 0:42:46.440
<v Speaker 1>vividly described but never seen, I can't quite seem to

0:42:46.440 --> 0:42:49.200
<v Speaker 1>picture her. Is it possible? Is it like trying to

0:42:49.280 --> 0:42:55.000
<v Speaker 1>imagine the face of God? Thoughts? Great question? Yeah, that

0:42:55.360 --> 0:42:57.759
<v Speaker 1>was a good one. That's such a tough question because

0:42:57.800 --> 0:43:00.319
<v Speaker 1>it is like trying to imagine the face of God. Right,

0:43:00.960 --> 0:43:04.400
<v Speaker 1>I almost don't want to. Like I understand why Parker Posey,

0:43:04.520 --> 0:43:08.279
<v Speaker 1>especially because of her in Best in Show. Um, but

0:43:08.400 --> 0:43:11.840
<v Speaker 1>I feel like Marris is almost like transparent, like I

0:43:11.920 --> 0:43:14.560
<v Speaker 1>always imagined her as being like a frail ghost. I

0:43:14.600 --> 0:43:17.680
<v Speaker 1>have maybe an answer. Okay, So, as everyone knows, I've

0:43:17.719 --> 0:43:20.279
<v Speaker 1>been watching all the Cheers in the world, UM, and

0:43:20.360 --> 0:43:24.680
<v Speaker 1>I realized from watching Fraser prequel Cheers that the device,

0:43:24.760 --> 0:43:27.320
<v Speaker 1>the Marrist device of the off screen character is actually

0:43:27.360 --> 0:43:33.360
<v Speaker 1>from Cheers. Um, in reference to Norm's wife. Um, but

0:43:33.440 --> 0:43:36.000
<v Speaker 1>it's talked about a lot UM. I also have realized

0:43:36.000 --> 0:43:39.440
<v Speaker 1>that everything I've ever liked about any sitcom is from Cheers.

0:43:40.640 --> 0:43:44.240
<v Speaker 1>Everything I liked about Friends was actually stolen from Cheers.

0:43:44.239 --> 0:43:46.680
<v Speaker 1>Why did it take you so long to watch Cheers?

0:43:46.719 --> 0:43:50.120
<v Speaker 1>It's so, yeah, I don't can't. I was always like,

0:43:50.200 --> 0:43:51.719
<v Speaker 1>why would I want to? I don't like hanging out

0:43:51.719 --> 0:43:55.000
<v Speaker 1>in bars in real life. Didn't your parents watch Cheers? No?

0:43:55.239 --> 0:43:57.680
<v Speaker 1>I didn't watch sitcoms until the nineties. There's like a

0:43:57.840 --> 0:44:00.640
<v Speaker 1>like a blank period where I didn't know anything about

0:44:00.680 --> 0:44:04.879
<v Speaker 1>culture and the artist. I watched Sesame Street and Red

0:44:05.000 --> 0:44:08.280
<v Speaker 1>Nerd Books, and then I insisted on watching full house.

0:44:08.400 --> 0:44:12.480
<v Speaker 1>Cheers was the first show that I remember watching alongside

0:44:12.480 --> 0:44:15.120
<v Speaker 1>my mom and not understanding, but like laughing along with

0:44:15.120 --> 0:44:17.919
<v Speaker 1>the laugh track to prove that I got it. So,

0:44:18.160 --> 0:44:19.800
<v Speaker 1>I mean, I don't. I didn't remember much about that

0:44:20.000 --> 0:44:22.879
<v Speaker 1>initial viewing, but I remember like all the characters and

0:44:23.120 --> 0:44:27.400
<v Speaker 1>the vibe and everything. Yeah. Yeah, my parents watched Twin Peaks.

0:44:28.640 --> 0:44:31.359
<v Speaker 1>But wait, so who would you cast as marriage? Oh?

0:44:31.480 --> 0:44:34.120
<v Speaker 1>So I was watching Cheers and there's an episode where

0:44:34.280 --> 0:44:36.480
<v Speaker 1>I'm in the Rebecca years now, which are you know,

0:44:36.560 --> 0:44:40.000
<v Speaker 1>it's a different show, but it's fine. Um, Rebecca's sister

0:44:40.120 --> 0:44:42.960
<v Speaker 1>came on and she was played by Marcia Cross. I

0:44:43.000 --> 0:44:46.120
<v Speaker 1>know I remember this, yeah, as her like slotty sister

0:44:46.160 --> 0:44:49.080
<v Speaker 1>who always steals her man um, and Sam tries to

0:44:49.080 --> 0:44:51.040
<v Speaker 1>set them up into you know, he tries to play

0:44:51.080 --> 0:44:53.240
<v Speaker 1>them off each other. Um, And I thought Marcia Cross

0:44:53.280 --> 0:44:56.560
<v Speaker 1>would be a great merest Actually she's got that. She's

0:44:56.680 --> 0:45:00.400
<v Speaker 1>see through. She's very, very skinny and sort of attrician

0:45:00.480 --> 0:45:04.400
<v Speaker 1>looking and scary. But I do also think you can't really.

0:45:04.840 --> 0:45:08.960
<v Speaker 1>I think Maris is the person thing from the end

0:45:09.000 --> 0:45:12.200
<v Speaker 1>of Annihilation because I feel like it would be interesting

0:45:12.239 --> 0:45:15.839
<v Speaker 1>to cast against type. I think for Mariss, I think

0:45:15.920 --> 0:45:19.080
<v Speaker 1>my marists pick. The person who's base usually comes into

0:45:19.160 --> 0:45:24.160
<v Speaker 1>my mind is Jane Adams. Weirdly, that makes sense too,

0:45:24.160 --> 0:45:27.120
<v Speaker 1>because she appears on Fraser later and she's just got

0:45:27.160 --> 0:45:30.239
<v Speaker 1>these big Yeah she is on Fraser. That's right, Um,

0:45:30.400 --> 0:45:34.759
<v Speaker 1>she's am I allowed to say to ethnic she's like

0:45:34.840 --> 0:45:40.840
<v Speaker 1>too She's not like waspy enough is my feeling, because

0:45:40.840 --> 0:45:44.719
<v Speaker 1>I feel like she looks too like um, like a

0:45:44.760 --> 0:45:48.839
<v Speaker 1>real person. Yeah. I mean, I was gonna say Mercedes McCambridge,

0:45:48.840 --> 0:45:51.880
<v Speaker 1>but that's like a big time hop. Who's that Mercedes

0:45:55.080 --> 0:45:59.160
<v Speaker 1>or culture the world's greatest living actress. I'm relying heavily

0:45:59.200 --> 0:46:01.920
<v Speaker 1>on my phone this podcast. But so, she was the

0:46:02.000 --> 0:46:06.160
<v Speaker 1>voice of the demon in The Exorcist. Okay, alright, but

0:46:06.280 --> 0:46:11.040
<v Speaker 1>also also I wasn't she wasn't she Annie Hall's grandmother

0:46:11.440 --> 0:46:14.560
<v Speaker 1>Gray Hawk? And I'm making that up. I'm gonna look.

0:46:14.680 --> 0:46:16.880
<v Speaker 1>I like the idea that Niles is that Mary's is

0:46:16.920 --> 0:46:20.400
<v Speaker 1>actually like very old. Well, I'm saying I would time

0:46:20.440 --> 0:46:26.120
<v Speaker 1>hop I don't would believe that that Maris would not

0:46:26.160 --> 0:46:30.799
<v Speaker 1>necessarily be like either because she's like she's like, she's

0:46:30.840 --> 0:46:33.879
<v Speaker 1>like our wool war theorists, like she might not be

0:46:33.960 --> 0:46:39.200
<v Speaker 1>the most eligible, couldn't you see? And Niles is totally

0:46:39.239 --> 0:46:41.959
<v Speaker 1>her her beard that she married, Yes, yeah, but also

0:46:42.080 --> 0:46:45.080
<v Speaker 1>couldn't you see Niles in like a Harold and mod situation? Yes?

0:46:45.320 --> 0:46:49.920
<v Speaker 1>And then it's just like and they're still together. Um, well,

0:46:49.960 --> 0:46:53.000
<v Speaker 1>that was a great question. Um let's take it to

0:46:53.719 --> 0:47:02.000
<v Speaker 1>speaking of self destructive stadistic tortures. UM. I made Tess

0:47:02.000 --> 0:47:06.000
<v Speaker 1>and Emily watch Darren Brown The Push, which is a

0:47:06.040 --> 0:47:09.120
<v Speaker 1>Netflix special from the magician Darren Brown, who is a

0:47:09.160 --> 0:47:13.960
<v Speaker 1>mentalist and uh a famous person in England but not here.

0:47:14.040 --> 0:47:15.680
<v Speaker 1>And I feel like this was his first attempt to

0:47:15.719 --> 0:47:19.400
<v Speaker 1>cross over into America. And what an attempt? Can I

0:47:19.440 --> 0:47:21.759
<v Speaker 1>say that the title Darren Brown The Push sounds like

0:47:21.760 --> 0:47:26.839
<v Speaker 1>a sex toy, I mean, Darren Brown. The Push is

0:47:26.960 --> 0:47:30.360
<v Speaker 1>a reality TV special that is best described as like

0:47:30.400 --> 0:47:34.560
<v Speaker 1>a serious Nathan for You death, where you try to

0:47:35.120 --> 0:47:38.840
<v Speaker 1>socially conditioned someone to agree to push someone off a

0:47:38.920 --> 0:47:41.120
<v Speaker 1>roof at the end of like a long night in

0:47:41.160 --> 0:47:43.359
<v Speaker 1>which you've gotten them to agree to do all these

0:47:43.360 --> 0:47:48.320
<v Speaker 1>different other demeaning things leading up to getting them to

0:47:48.360 --> 0:47:52.400
<v Speaker 1>murder somebody. What do you think? Nobody was actually murdered,

0:47:52.760 --> 0:47:57.239
<v Speaker 1>but that doesn't mean that it didn't feel like somebody was. Yes,

0:47:57.600 --> 0:48:01.200
<v Speaker 1>I guess I'm so mad at you for making me

0:48:01.239 --> 0:48:07.440
<v Speaker 1>watch I was. I mean, because I'm the Jennifer Jason Lee. Yeah,

0:48:07.760 --> 0:48:14.319
<v Speaker 1>welcome and I um, yeah, I was. I did not

0:48:14.440 --> 0:48:16.520
<v Speaker 1>watch this all the way through. I will admit, first

0:48:16.520 --> 0:48:19.279
<v Speaker 1>of all, I watched a large a lot of it.

0:48:19.320 --> 0:48:22.600
<v Speaker 1>I watched over how they missed the ending. I have

0:48:22.719 --> 0:48:25.120
<v Speaker 1>to cop to the exact names I could not. Did

0:48:25.200 --> 0:48:27.399
<v Speaker 1>you look up to see what happened? Yeah? I looked.

0:48:27.719 --> 0:48:30.840
<v Speaker 1>I looked up to see what happened. And okay, guys,

0:48:30.960 --> 0:48:33.040
<v Speaker 1>he didn't do it. Yeah, he tried to get somebody

0:48:33.080 --> 0:48:35.160
<v Speaker 1>else to do it. No, he just didn't do it.

0:48:35.200 --> 0:48:36.960
<v Speaker 1>He just said, like, no, this is wrong, I won't

0:48:37.000 --> 0:48:39.120
<v Speaker 1>do it, and then they cut to the three other

0:48:39.160 --> 0:48:40.719
<v Speaker 1>people they did it on and they all do it.

0:48:44.920 --> 0:48:47.919
<v Speaker 1>In my head, no, it's amazing. It's like reverse editor

0:48:47.960 --> 0:48:49.719
<v Speaker 1>because you're like, this guy is totally going to do it,

0:48:49.760 --> 0:48:51.160
<v Speaker 1>and they lead all the way up to it, and

0:48:51.160 --> 0:48:52.440
<v Speaker 1>then at the end they're like, you have to do it.

0:48:52.440 --> 0:48:54.279
<v Speaker 1>You have to push him off the roof, and he's like, no,

0:48:54.400 --> 0:48:57.399
<v Speaker 1>I'm not going to. This is fucked up. I don't

0:48:57.400 --> 0:48:59.480
<v Speaker 1>believe in, Like, I don't want to do it, I

0:48:59.480 --> 0:49:01.680
<v Speaker 1>don't care. Are like it's not worth it to me.

0:49:01.760 --> 0:49:04.960
<v Speaker 1>I'm leaving, and you're like ah, and then they're like, oh,

0:49:05.000 --> 0:49:07.239
<v Speaker 1>but also, we ran this experiment three other times and

0:49:07.280 --> 0:49:09.840
<v Speaker 1>then they just show you one after the other, the

0:49:09.880 --> 0:49:15.000
<v Speaker 1>people being like oh no, oh god, they just push him,

0:49:15.800 --> 0:49:18.360
<v Speaker 1>they like cover their mouths. So I feel like we

0:49:18.360 --> 0:49:20.359
<v Speaker 1>can get to a deeper car. I want to maybe

0:49:20.400 --> 0:49:23.680
<v Speaker 1>not discuss this right away about the veracity of all

0:49:23.719 --> 0:49:26.360
<v Speaker 1>of this, but I feel like those three other contestants

0:49:26.440 --> 0:49:30.520
<v Speaker 1>could have easily been not real, Like maybe Chris, you know,

0:49:30.600 --> 0:49:32.600
<v Speaker 1>I know That's what I'm saying. Like, I mean, before

0:49:32.640 --> 0:49:35.000
<v Speaker 1>we get into that whole aspect of it about if

0:49:35.000 --> 0:49:38.000
<v Speaker 1>it's it's like the TV show Cheaters. That's right, yeah,

0:49:38.040 --> 0:49:41.000
<v Speaker 1>exactly thought experiment and the way it makes you feel,

0:49:41.040 --> 0:49:43.840
<v Speaker 1>like the fact that you guys both reacted like so

0:49:43.960 --> 0:49:49.040
<v Speaker 1>violently it works. We got pushed, you got pushed. I

0:49:49.440 --> 0:49:52.000
<v Speaker 1>found that they do have They have kind of a

0:49:52.000 --> 0:49:54.520
<v Speaker 1>button at the beginning that is a different social It's

0:49:54.520 --> 0:49:57.399
<v Speaker 1>like a microcosm of the whole thing of a man

0:49:57.520 --> 0:50:00.080
<v Speaker 1>receiving a call at a cafe and the man and

0:50:00.440 --> 0:50:03.360
<v Speaker 1>is not an actor, but everyone around him is an actor,

0:50:03.480 --> 0:50:07.440
<v Speaker 1>and um Darren Brown and his friend or coworker, I

0:50:07.440 --> 0:50:10.279
<v Speaker 1>don't think they're friends. Who knows the other guy he's with.

0:50:10.360 --> 0:50:13.080
<v Speaker 1>They call this this person in the cafe, and they

0:50:13.080 --> 0:50:15.799
<v Speaker 1>instruct him to steal a baby carriage because they say,

0:50:16.040 --> 0:50:18.239
<v Speaker 1>you know that baby has been kidnapped and where the

0:50:18.239 --> 0:50:20.440
<v Speaker 1>police you need to get out of bring the baby

0:50:20.440 --> 0:50:23.160
<v Speaker 1>out of the cafe. So the guy does exactly what

0:50:23.200 --> 0:50:26.360
<v Speaker 1>they say, and he brings the stroll or outside the cafe,

0:50:26.480 --> 0:50:28.680
<v Speaker 1>going like this is crazy. I don't feel right about this,

0:50:28.719 --> 0:50:32.600
<v Speaker 1>but he's doing it anyway. And I was so immediately

0:50:33.200 --> 0:50:36.440
<v Speaker 1>disturbed because there's a Truman Show aspect to it of

0:50:36.560 --> 0:50:40.160
<v Speaker 1>you eliminate you know anyone, nobody around this man is

0:50:40.200 --> 0:50:44.080
<v Speaker 1>acting in good faith, and so that that's fascinating. It's

0:50:44.120 --> 0:50:47.040
<v Speaker 1>fascinating because because in the social Okay, So, first of all,

0:50:47.080 --> 0:50:49.560
<v Speaker 1>these are all people who signed up for a reality show,

0:50:49.800 --> 0:50:52.799
<v Speaker 1>went through a barrage of like psychological tests to prove

0:50:52.840 --> 0:50:54.480
<v Speaker 1>they could be on a reality show, and then we're

0:50:54.520 --> 0:50:57.160
<v Speaker 1>told they didn't get the job, and then the reality

0:50:57.160 --> 0:51:00.359
<v Speaker 1>show starts. So it's like David Fincher's a game. It's

0:51:00.400 --> 0:51:04.439
<v Speaker 1>like it's even though they auditioned for a reality show,

0:51:04.520 --> 0:51:06.279
<v Speaker 1>if any of them at any point, and even though

0:51:06.320 --> 0:51:09.360
<v Speaker 1>everyone around them is acting like an actor, like acting

0:51:09.440 --> 0:51:12.040
<v Speaker 1>very actory, which is also hard like impossible to tell

0:51:12.080 --> 0:51:14.640
<v Speaker 1>from British. Yeah, no, I thought everybody was such a

0:51:14.640 --> 0:51:17.360
<v Speaker 1>bad actor. I couldn't believe it. But like if anybody

0:51:17.360 --> 0:51:20.360
<v Speaker 1>were like am I in a reality show? Like is

0:51:20.400 --> 0:51:22.920
<v Speaker 1>this all a setup, like constructed to get me to

0:51:22.920 --> 0:51:25.040
<v Speaker 1>push someone off a route to their death? Like, then

0:51:25.080 --> 0:51:28.840
<v Speaker 1>you'd sound crazy. The kind of the prem recreated corpse

0:51:28.960 --> 0:51:31.400
<v Speaker 1>is the best actor of anybody, and that thing was

0:51:31.440 --> 0:51:34.320
<v Speaker 1>like that name is the biggest achievement of the show,

0:51:35.000 --> 0:51:37.799
<v Speaker 1>is that corpse? Which oh, also Tessa and I saw

0:51:37.880 --> 0:51:41.760
<v Speaker 1>a preview before Annihilation for the Steven Soderberg movie Unsane.

0:51:43.560 --> 0:51:46.360
<v Speaker 1>That is for sure a night call. Yeah, so I

0:51:46.360 --> 0:51:48.520
<v Speaker 1>think I'm going to see it in a couple of weeks,

0:51:48.560 --> 0:51:51.879
<v Speaker 1>so we should definitely talk about it. So yeah, Darren Brown, Um,

0:51:51.960 --> 0:51:54.279
<v Speaker 1>Darren Brown is like he's a mentalist and all of

0:51:54.360 --> 0:51:57.480
<v Speaker 1>his magic is sort of about social conditioning and linguistic

0:51:57.640 --> 0:52:00.439
<v Speaker 1>programming and how you can convince people to do things

0:52:00.480 --> 0:52:01.960
<v Speaker 1>if you talk to them in a certain way and

0:52:02.000 --> 0:52:04.560
<v Speaker 1>if you like repeat words over and over again. You

0:52:04.600 --> 0:52:06.120
<v Speaker 1>can't see it right now, I'm doing like a big

0:52:06.200 --> 0:52:15.040
<v Speaker 1>jack off motion. I can hear it. He's super famous

0:52:15.080 --> 0:52:18.239
<v Speaker 1>in England and he's also like a genius close up

0:52:18.280 --> 0:52:22.319
<v Speaker 1>magic and like regular magic. Um. But I mean, you know,

0:52:22.360 --> 0:52:25.480
<v Speaker 1>the end of the show is he's like, don't be fascist,

0:52:25.680 --> 0:52:28.120
<v Speaker 1>Like don't do stuff just because people tell you too,

0:52:28.160 --> 0:52:31.160
<v Speaker 1>because like even though you think you're helping, you might

0:52:31.160 --> 0:52:33.200
<v Speaker 1>not be. And like listen to the voice in your

0:52:33.200 --> 0:52:35.520
<v Speaker 1>head of like why you're doing things instead of just

0:52:35.600 --> 0:52:39.080
<v Speaker 1>doing things because you think you should. But he underwent

0:52:39.400 --> 0:52:42.640
<v Speaker 1>I mean he the manipulations and the links that he

0:52:42.719 --> 0:52:46.319
<v Speaker 1>went to. It's hard because if it weren't a reality show,

0:52:46.320 --> 0:52:48.960
<v Speaker 1>and it were an experiment, it would be very very

0:52:49.000 --> 0:52:52.440
<v Speaker 1>difficult what way does like, at what point does this

0:52:52.480 --> 0:52:55.239
<v Speaker 1>diverge from anything that resembles anything a normal humans going

0:52:55.239 --> 0:53:01.120
<v Speaker 1>to go through in life. For one, at this point

0:53:01.200 --> 0:53:02.960
<v Speaker 1>you would know that maybe you were going to get

0:53:02.960 --> 0:53:06.680
<v Speaker 1>like mega prank. I don't think that means a shadow

0:53:06.920 --> 0:53:10.120
<v Speaker 1>LLC or something. No, he well he did one. There's

0:53:10.160 --> 0:53:13.359
<v Speaker 1>one about the apocalypse that's really amazing. Yeah, that sounds good. Um,

0:53:13.360 --> 0:53:15.520
<v Speaker 1>that one's really packed up because it's a kid whose

0:53:15.560 --> 0:53:18.600
<v Speaker 1>family are like he's a lay about and like we're

0:53:18.640 --> 0:53:20.960
<v Speaker 1>all tired of his ship. So they all conspire to

0:53:21.120 --> 0:53:23.319
<v Speaker 1>like help do the con on him, which is the

0:53:23.320 --> 0:53:26.400
<v Speaker 1>scariest thing of all. His married's baby. Everyone you know

0:53:26.560 --> 0:53:29.440
<v Speaker 1>is in on it and they're your family. But they're like,

0:53:29.520 --> 0:53:32.040
<v Speaker 1>he only does is like fucking funk around on his computer.

0:53:32.200 --> 0:53:34.440
<v Speaker 1>So they start it's very black Marry. They start like

0:53:34.680 --> 0:53:38.600
<v Speaker 1>seating his computer with fake news stories, um, and like

0:53:38.719 --> 0:53:41.439
<v Speaker 1>his phone and it's like the computers in their house.

0:53:41.440 --> 0:53:43.440
<v Speaker 1>I'll have these fake news stories that like lead up

0:53:43.480 --> 0:53:45.680
<v Speaker 1>to a sort of twenty eight days later situation. But

0:53:45.719 --> 0:53:49.440
<v Speaker 1>like nobody you know, I hate everyone, and hey, I

0:53:49.480 --> 0:53:52.239
<v Speaker 1>mean you know question is what does this do to

0:53:52.360 --> 0:53:55.200
<v Speaker 1>the person the subject of this show. I mean, if

0:53:55.239 --> 0:53:59.440
<v Speaker 1>you if you actually had to put yourself through you know,

0:54:00.000 --> 0:54:01.720
<v Speaker 1>me to a place where you thought you were pushing

0:54:01.760 --> 0:54:05.000
<v Speaker 1>a human off a building. I mean, look, they all volunteered,

0:54:06.880 --> 0:54:09.000
<v Speaker 1>and they're all and then Darren Brown comes out at

0:54:09.040 --> 0:54:11.239
<v Speaker 1>the Brown comes out at the end, and they're all

0:54:11.320 --> 0:54:13.680
<v Speaker 1>like so happy to see him, and they're just like,

0:54:14.480 --> 0:54:17.480
<v Speaker 1>I love you. That's a social experiment that you're the

0:54:17.719 --> 0:54:21.080
<v Speaker 1>person who is, you know, pretending that you're illuminating these

0:54:21.080 --> 0:54:24.200
<v Speaker 1>truths about humanity, but maybe you're just kind of stoking

0:54:24.239 --> 0:54:27.040
<v Speaker 1>your own ego. Well, he's like a weird con man

0:54:27.239 --> 0:54:30.080
<v Speaker 1>in you know. I mean, I I don't know if

0:54:30.480 --> 0:54:34.239
<v Speaker 1>he's a genius in like the Ricky j way. You know,

0:54:34.360 --> 0:54:37.640
<v Speaker 1>he's definitely like a manipulator. I think the thing that

0:54:37.800 --> 0:54:40.560
<v Speaker 1>I um that I find to be the most disingenuous

0:54:40.640 --> 0:54:44.759
<v Speaker 1>about it is this like kind of underlining message that

0:54:44.760 --> 0:54:47.239
<v Speaker 1>he's saying that that is going on about, like don't

0:54:47.239 --> 0:54:50.040
<v Speaker 1>be a conformist, Like don't let yourself get wrapped up

0:54:50.120 --> 0:54:52.960
<v Speaker 1>in in a fascist just don't get in it. Don't

0:54:52.960 --> 0:54:56.120
<v Speaker 1>get in a crazy Truman show or anyone but it's

0:54:56.200 --> 0:54:58.520
<v Speaker 1>it's I feel like there are so many of these

0:54:58.560 --> 0:55:01.600
<v Speaker 1>like dog whistles in it are actually way more appealing

0:55:01.640 --> 0:55:04.200
<v Speaker 1>to like men's rights activists and stuff, because it's all

0:55:04.200 --> 0:55:06.879
<v Speaker 1>about here's a compliance mode. It all feels very pick

0:55:06.960 --> 0:55:10.160
<v Speaker 1>up artist e and like I totally how to manipulate

0:55:10.239 --> 0:55:12.920
<v Speaker 1>people to like get maybe the alpha and ship, and

0:55:12.960 --> 0:55:15.279
<v Speaker 1>I like, I find sure a lot of a lot

0:55:15.320 --> 0:55:17.839
<v Speaker 1>of that Frank T. J. Mackie stuff, the real Frank T. J.

0:55:17.920 --> 0:55:20.799
<v Speaker 1>Mackie whose name I forget, but who once got mad

0:55:20.840 --> 0:55:22.759
<v Speaker 1>at me for doing a blog post about how this

0:55:23.080 --> 0:55:27.399
<v Speaker 1>thing is literally to be like linguistic program people by

0:55:27.440 --> 0:55:30.279
<v Speaker 1>getting them like you just say like blow me. You

0:55:30.360 --> 0:55:33.120
<v Speaker 1>say like could you reach that that soda below me?

0:55:33.280 --> 0:55:35.279
<v Speaker 1>And you just say like over and over again. It's

0:55:35.280 --> 0:55:42.120
<v Speaker 1>like your programming them want to blow you reach soda

0:55:42.160 --> 0:55:50.520
<v Speaker 1>below me? It's a dog like Okay, this is a

0:55:50.560 --> 0:55:54.480
<v Speaker 1>women's rights activist poems w R all the way up.

0:55:55.680 --> 0:55:57.919
<v Speaker 1>I have to say, like it was a different time,

0:55:57.960 --> 0:56:00.920
<v Speaker 1>but I used to watch pickup Artist thought it was

0:56:00.960 --> 0:56:05.759
<v Speaker 1>an interesting experiment. Just I mean, it was obviously horrible, horrible,

0:56:05.880 --> 0:56:08.040
<v Speaker 1>and it made me feel rotten inside. But I was

0:56:08.080 --> 0:56:12.399
<v Speaker 1>like didn't you like mind Hunter? Yeah, I've been liking mine. Huft. Okay,

0:56:12.400 --> 0:56:14.799
<v Speaker 1>so you like thinking about like the rotten parts of

0:56:14.800 --> 0:56:19.640
<v Speaker 1>the human brain. That thing's just if it's real or fictional.

0:56:19.840 --> 0:56:21.440
<v Speaker 1>And this is the thing, is it felt you know

0:56:21.920 --> 0:56:25.000
<v Speaker 1>my mixed feelings about The Bachelor for instance, of how

0:56:25.280 --> 0:56:27.359
<v Speaker 1>you kind of, you know, take these people, you put

0:56:27.400 --> 0:56:32.120
<v Speaker 1>them on a show. You you create very strange circumstances

0:56:32.200 --> 0:56:34.839
<v Speaker 1>that they are forced to adapt to. They have real

0:56:34.880 --> 0:56:37.920
<v Speaker 1>emotional responses to things that are constructed. There's like an

0:56:37.920 --> 0:56:41.280
<v Speaker 1>ambivalence there. But then when you take someone, it's essentially

0:56:41.280 --> 0:56:44.279
<v Speaker 1>emotional torture to prove a point. And I don't think

0:56:44.320 --> 0:56:48.279
<v Speaker 1>that the point was necessarily proven. And I also think that,

0:56:48.440 --> 0:56:51.600
<v Speaker 1>you know, it made me very nostalgic for I shouldn't

0:56:51.600 --> 0:56:53.960
<v Speaker 1>be nostalgia for it because it's ongoing. But Nathan, for you,

0:56:54.280 --> 0:56:58.080
<v Speaker 1>where I would expect to feel that same kind of like, oh,

0:56:58.120 --> 0:57:02.160
<v Speaker 1>I feel morally uncomfortable with but I don't because the

0:57:02.320 --> 0:57:07.680
<v Speaker 1>motive is not to exploit or somewhere or embarrass somebody.

0:57:07.800 --> 0:57:09.440
<v Speaker 1>I know a lot of people who can't deal with

0:57:09.480 --> 0:57:12.080
<v Speaker 1>that kind of comedy in general because they're like too

0:57:12.120 --> 0:57:14.319
<v Speaker 1>afraid they'd be the mark, you know. But it's not

0:57:14.360 --> 0:57:16.840
<v Speaker 1>only that. It's so it's so hard to watch someone

0:57:16.880 --> 0:57:19.240
<v Speaker 1>who is trying to do the right thing, but the

0:57:19.280 --> 0:57:22.240
<v Speaker 1>whole frame is that it will be the wrong. The

0:57:22.280 --> 0:57:24.000
<v Speaker 1>point is that it's hard to do the right thing

0:57:24.040 --> 0:57:26.720
<v Speaker 1>and people don't care if you do. So, like in

0:57:26.760 --> 0:57:29.360
<v Speaker 1>that situation, it's like everyone's telling you to push someone

0:57:29.360 --> 0:57:32.080
<v Speaker 1>off a roof. Do you not do it? Because you're like, no,

0:57:32.280 --> 0:57:35.040
<v Speaker 1>I still know that's wrong. I guess I just can't

0:57:35.080 --> 0:57:39.360
<v Speaker 1>get past the actual stress of that he's going through.

0:57:39.440 --> 0:57:41.840
<v Speaker 1>Like I just I think that that's a traumatic experience

0:57:41.880 --> 0:57:43.720
<v Speaker 1>that they put him through. I don't feel like it's

0:57:43.760 --> 0:57:48.880
<v Speaker 1>for any like particular particularly enlightening outcome, because I think

0:57:48.880 --> 0:57:52.960
<v Speaker 1>it's applicable to groups. It's just about group psychology and

0:57:52.960 --> 0:57:55.320
<v Speaker 1>and but I think it's like nothing. I feel like

0:57:55.360 --> 0:57:57.840
<v Speaker 1>that hasn't been like it. It's like a big Milgram

0:57:57.840 --> 0:58:01.040
<v Speaker 1>experiment basically, it is exactly what's interesting about I'm like,

0:58:01.080 --> 0:58:03.640
<v Speaker 1>you can do a millgroom experiment on British television. I mean,

0:58:03.760 --> 0:58:08.200
<v Speaker 1>I like, only on British television. Don't you do anything

0:58:08.280 --> 0:58:10.960
<v Speaker 1>on British television. I thought that one thing that was

0:58:11.080 --> 0:58:14.880
<v Speaker 1>very thought provoking, and you know occurs like pretty early

0:58:15.160 --> 0:58:16.880
<v Speaker 1>in the push if you have any interest in seeing

0:58:16.960 --> 0:58:20.040
<v Speaker 1>it but are ready to duck out. Is when they're

0:58:20.120 --> 0:58:23.320
<v Speaker 1>doing the auditions. I guess that everyone will be told

0:58:23.360 --> 0:58:25.280
<v Speaker 1>they fail, but they didn't. They have a bunch of

0:58:25.280 --> 0:58:28.800
<v Speaker 1>actors and then they invite in some actual, just real

0:58:28.800 --> 0:58:30.440
<v Speaker 1>people who don't know what's going on, and they ring

0:58:30.440 --> 0:58:33.960
<v Speaker 1>a bell. Had every time the bell rings. Oh well,

0:58:33.960 --> 0:58:36.240
<v Speaker 1>I was like, this is interesting. Every time the bell rings,

0:58:36.240 --> 0:58:38.440
<v Speaker 1>the actors stand and the people who don't know what's

0:58:38.480 --> 0:58:40.200
<v Speaker 1>going on. It takes them a while, but eventually they

0:58:40.240 --> 0:58:43.080
<v Speaker 1>just start mimicking the behaviors of the act right. Wasn't

0:58:43.120 --> 0:58:46.280
<v Speaker 1>that like annihilation too? It's just like human beings are

0:58:46.320 --> 0:58:50.920
<v Speaker 1>just animals, man, just adapt dogs man. I mean, I

0:58:50.960 --> 0:58:52.960
<v Speaker 1>think that there are more interesting things that could have

0:58:53.000 --> 0:58:58.280
<v Speaker 1>been done with this idea than punishing someone this as

0:58:58.360 --> 0:59:00.800
<v Speaker 1>much as they did. I mean, it's it really, I

0:59:00.840 --> 0:59:03.280
<v Speaker 1>think you have to be at such a distance from

0:59:03.320 --> 0:59:07.000
<v Speaker 1>someone else's humanity to think that it's worth that cost

0:59:07.200 --> 0:59:09.360
<v Speaker 1>to make the point. Yeah, I I don't think it's

0:59:09.360 --> 0:59:11.280
<v Speaker 1>a victim less show. I guess that's how I feel.

0:59:11.280 --> 0:59:13.480
<v Speaker 1>In the end. I feel like those people could be

0:59:13.600 --> 0:59:16.640
<v Speaker 1>like especially the ones. If if those people did indeed

0:59:16.680 --> 0:59:18.720
<v Speaker 1>go through this entire thing and then opt to kill

0:59:18.760 --> 0:59:21.040
<v Speaker 1>the guy at the end and then learn that about themselves,

0:59:21.520 --> 0:59:24.600
<v Speaker 1>I feel like that is that could really fuck somebody

0:59:24.720 --> 0:59:27.760
<v Speaker 1>up for their entire life and for sure send them

0:59:27.760 --> 0:59:32.000
<v Speaker 1>down a really bad reality. Um uh, you guys, I'm

0:59:32.000 --> 0:59:35.440
<v Speaker 1>gonna make you guys watch Haunted, the Haunted House documentary.

0:59:35.480 --> 0:59:37.200
<v Speaker 1>So I started it and I was really liking it.

0:59:37.240 --> 0:59:39.040
<v Speaker 1>I'll make you watch that for next week because what

0:59:39.040 --> 0:59:42.760
<v Speaker 1>I think, Yeah, it's also can you repeat the name?

0:59:42.800 --> 0:59:46.520
<v Speaker 1>So it's called haunted. I think it's called haunters. It's

0:59:46.520 --> 0:59:48.680
<v Speaker 1>called haunters. I keep calling it the wrong name. It's

0:59:48.720 --> 0:59:53.600
<v Speaker 1>called haunters. It's about people, people who are really into

0:59:53.600 --> 0:59:57.520
<v Speaker 1>Haunted House stuff and who professionally work as haunters in haunts.

0:59:57.640 --> 1:00:00.520
<v Speaker 1>But again it's also you have to hip. But it

1:00:00.600 --> 1:00:02.800
<v Speaker 1>also you're also going to be mad at me. It's

1:00:02.840 --> 1:00:07.480
<v Speaker 1>be great because I mean that I watched that right

1:00:07.520 --> 1:00:09.520
<v Speaker 1>after I just started it, right after the push, and

1:00:09.560 --> 1:00:11.600
<v Speaker 1>I was like, see, these people want to be some

1:00:12.080 --> 1:00:14.320
<v Speaker 1>I'm saying, those people want to be scared. People who

1:00:14.360 --> 1:00:16.439
<v Speaker 1>signed up for a Darren Brown Show. At this point,

1:00:16.560 --> 1:00:18.600
<v Speaker 1>they know what they might be in for, because it's

1:00:18.600 --> 1:00:20.360
<v Speaker 1>like the fifth one of these, and the last one

1:00:20.400 --> 1:00:22.200
<v Speaker 1>was like the Apocalypse, and the one before that was

1:00:22.240 --> 1:00:25.200
<v Speaker 1>like getting people to rob a bank, So like it escalates.

1:00:25.320 --> 1:00:27.280
<v Speaker 1>I wonder what the next next one will be. I

1:00:27.320 --> 1:00:29.520
<v Speaker 1>honestly want to see one where it's just like, will

1:00:29.560 --> 1:00:39.480
<v Speaker 1>this person eat three cream pies fifty Yorkshire puddings? Do

1:00:39.600 --> 1:00:43.760
<v Speaker 1>we dare? Do you dare? Want something so twisty because

1:00:44.080 --> 1:00:47.920
<v Speaker 1>fifty Yorkshire puddings would also be tortured so much food,

1:00:48.200 --> 1:00:50.960
<v Speaker 1>that's so much butter. It ties back to Phantom Thread

1:00:51.000 --> 1:00:54.640
<v Speaker 1>and here we are all about the hungry boys. Yeah,

1:00:54.680 --> 1:00:56.480
<v Speaker 1>full British practice. So I guess you guys don't think

1:00:56.560 --> 1:00:58.560
<v Speaker 1>Darren Brown's going to cross over into America. It's what

1:00:58.600 --> 1:01:01.760
<v Speaker 1>you're saying. Well, he pronounced taste. He overpronounces his name

1:01:01.840 --> 1:01:03.960
<v Speaker 1>so hard that I feel like he's really trying to

1:01:03.960 --> 1:01:06.480
<v Speaker 1>get his name into our minds. So maybe he won

1:01:06.760 --> 1:01:09.600
<v Speaker 1>the number one magician from the Magic Castle like two

1:01:09.680 --> 1:01:13.920
<v Speaker 1>years running to see a mockumentary with someone else playing

1:01:14.000 --> 1:01:17.480
<v Speaker 1>dar and Brown with a linguistic programmer. So he's just

1:01:17.520 --> 1:01:21.800
<v Speaker 1>saying his name over and over again. Wow whatever it

1:01:21.880 --> 1:01:27.800
<v Speaker 1>takes that part where they keep saying whatever whatever, good Well, Um,

1:01:28.000 --> 1:01:30.080
<v Speaker 1>this this is a lovely night Call. Yeah, it's a

1:01:30.120 --> 1:01:33.760
<v Speaker 1>wonderful night. Thank you everybody for listening. And hey, if

1:01:33.800 --> 1:01:36.480
<v Speaker 1>you like Night Call for a few episodes in now,

1:01:36.520 --> 1:01:38.440
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1:01:38.600 --> 1:01:42.880
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1:01:42.960 --> 1:01:46.160
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1:01:46.280 --> 1:01:48.919
<v Speaker 1>are already, but you should be doing that by now, right,

1:01:49.360 --> 1:01:51.960
<v Speaker 1>um and yeah, that that just helps us get the

1:01:52.160 --> 1:01:54.760
<v Speaker 1>show out in front of more people's eyeballs and helps

1:01:54.760 --> 1:01:58.240
<v Speaker 1>spread the words. So yeah and um and and as always,

1:01:58.320 --> 1:01:59.960
<v Speaker 1>leave us a night call too. If you have any

1:02:00.200 --> 1:02:02.840
<v Speaker 1>questions or anything to share with us at one two

1:02:02.840 --> 1:02:06.280
<v Speaker 1>four oh four six night And you can also leave

1:02:06.360 --> 1:02:10.480
<v Speaker 1>us an email at Nightcall Podcast at gmail dot com.

1:02:10.520 --> 1:02:13.440
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1:02:13.520 --> 1:02:16.840
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1:02:17.360 --> 1:02:21.760
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1:02:21.800 --> 1:02:26.560
<v Speaker 1>Twitter at Nightcall Pod. We'll see you in the shimmer.

1:02:27.800 --> 1:02:28.480
<v Speaker 1>Have a good night.