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Speaker 1: Look man, oh I see you. Why look over there?

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Speaker 1: How is that culture? Yes? Goodness lost cultures? Calling my

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Speaker 1: friend is already making me laugh my a off. Well

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Speaker 1: you know what you're doing to all of TikTok? Oh,

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Speaker 1: my god, our producer Becca just let us know that

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Speaker 1: it's been all over her TikTok this morning. That's the

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Speaker 1: way I said, TikTok, TikTok, TikTok. That Bone was dancing

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Speaker 1: with Muna on stage last night at their concert. It

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Speaker 1: was it was very fun and I'll leave it at that.

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Speaker 1: I was with you. I remember the day that song

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Speaker 1: and video drop it was we were loading into Fire

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Speaker 1: Island the first day of it was the track it was,

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Speaker 1: it was, it was. I remember. I was like, I

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Speaker 1: turned to you, was like this song. I'm gonna dance

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Speaker 1: on stage to this song and in a year and

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Speaker 1: a half I'll never forget. Just like, one thing you

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Speaker 1: can do with your friend and all the readers at home,

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Speaker 1: one thing you can do is out of nowhere. You

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Speaker 1: can just win this a quiet one. What you can

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Speaker 1: just go. What does that song mean to you? It

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Speaker 1: means freedom, It means being able to be free. Equality, Um,

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Speaker 1: it means stoner culture. Definitely, and it means, um, the

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Speaker 1: permission which goes with freedom. Yeah, do you need permission

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Speaker 1: to be free? No, that's a really big question. Do

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Speaker 1: you need permission to be free? Damn? Why is this

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Speaker 1: the deepest podcast on the web? Everyone? Hold on, let's

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Speaker 1: gett this is honest. I actually think today is going

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Speaker 1: to be honestly owned. To be honest, I'm ready. I'm

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Speaker 1: ready to go there if you are. It has to

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Speaker 1: be honest the z own because I don't think we

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Speaker 1: can well, I don't think we can comment on pop

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Speaker 1: culture without being a little honestly zone today. But we'll

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Speaker 1: get there. Um, this is my thing. Lost cultural Istist

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Speaker 1: might be a serious podcast first, it's very serio, but

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Speaker 1: one of the most serious. I think we I think

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Speaker 1: we delve into meaning just meaning. Culture is meaning? You know.

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Speaker 1: If culture isn't meaning I don't know what I don't know,

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Speaker 1: then I don't want to be right. That's a rural cultures?

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Speaker 1: Which one is that again? Number seventies seven? Culture seventy seven?

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Speaker 1: If culture, culture is a meaning, I don't want to

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Speaker 1: want to be right? Right? Love you is wrong? I

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Speaker 1: don't want to be right? Can I tell you what

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Speaker 1: I'm so into lately, What SOMENGI I'm so intulately and

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Speaker 1: I can't stop listening to it, and I realized, I

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Speaker 1: think it is my favorite song of all time. What

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Speaker 1: my Darling, I can't get enough, Babe, what is this song?

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Speaker 1: Oh my god, I should know, I don't my very

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Speaker 1: white sublind spot. Oh my god, there's the lead up

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Speaker 1: to the chorus is so a feel the change, So

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Speaker 1: then move a screen, real name. That's what you got

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Speaker 1: to do? It doing enough? By god. I we need

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Speaker 1: a voice like Barry White, like literally, like someone who

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Speaker 1: sounds like very white back in the culture. We really do.

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Speaker 1: I mean, we need I guess, bass baritone supremacy. We

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Speaker 1: need them back. We truly do. You know who you

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Speaker 1: know who's kind of you know what song I can't

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Speaker 1: stop listening to and it's sort of giving me bass baritone.

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Speaker 1: But he's like he's a rapper first and then he

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Speaker 1: kind of sings as like you know, a peripheral thing

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Speaker 1: is is Young Gravy is Betty is Betty by Young Gravy.

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Speaker 1: It's it's it's just it's a sample of never Gonna

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Speaker 1: Give You Up by Rick Astley. But it's like a

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Speaker 1: really funny. It's a really funny song. He's kind of like,

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Speaker 1: I'm this weird mystery, but he is apparently, Oh god,

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Speaker 1: whose mom was he fucking someone helped me out here.

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Speaker 1: Who's hey, whose mom was Young Gravy? Fucking it was

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Speaker 1: my mom was young Gravy? Fuck um Addison raised mom.

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Speaker 1: That's what it was. Yes, yes, yes, thank you. I

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Speaker 1: have to say that for Verry White to be a

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Speaker 1: blind spot for you and for Young Gravy to be

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Speaker 1: a blind spot for me, because I I do have

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Speaker 1: a blind spot for him that he's just sort of

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Speaker 1: like popping off now in the last few months on

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Speaker 1: TikTok on TikTok. He's just this tall guy with like

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Speaker 1: you know, he's tall. He's tall, He's he's tall, and

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Speaker 1: he's kind of a goofy goof His mom is an

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Speaker 1: insomnia psychologist. I'm seeing here. That's amazing, very important work.

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Speaker 1: She fucking I don't know, you know what I always

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Speaker 1: asked about every celebrity who they fucking Um? There should

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Speaker 1: be a movie where like a rapper, a white rapper

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Speaker 1: dates like some like Okay, you know, I think like

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Speaker 1: a Young Gravy type. I'm just I'm just that's coming

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Speaker 1: to me now. But it's a young gravy type. He's

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Speaker 1: fucking some tik talker's mom and then the mom to

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Speaker 1: get back. Let's just and let's I'm imagining Addison Murray.

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Speaker 1: This Addison rack character like doesn't like that, and then

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Speaker 1: she as a way to do revenge. Sorry, Jen Kayton

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Speaker 1: Robinson reference. Uh, she fucks his mom. Oh my god, okay,

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Speaker 1: so let me just read back read about you said, Yeah, okay,

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Speaker 1: you're you're So this is the pitch White rapper, young

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Speaker 1: gravy type fucking a tiktoker's mom and the TikToker doesn't

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Speaker 1: like that, so she sucks his mom. Oh my god.

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Speaker 1: This is a huge commercial streamer. This is a big

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Speaker 1: commercial streamer on Netflix. This is a huge Netflix film.

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Speaker 1: I think, obviously, like the big story at least in

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Speaker 1: like pop culture in the gay community at large as

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Speaker 1: of late has been Bros. And I did go see

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Speaker 1: the movie on Friday night, opening night, and I loved it.

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Speaker 1: And now the weekend's over and the you know, the

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Speaker 1: box office numbers have come in and it was sort

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Speaker 1: of a major disappointment at the box office. It's so

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Speaker 1: weird to see something trotted out and the narrative be

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Speaker 1: it's historic, it's historic, it's historic. You have to go,

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Speaker 1: you have to go, you have to go, and then

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Speaker 1: literally to get a receipt at the end of it

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Speaker 1: that says people didn't go, you know what I mean.

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Speaker 1: Like that's very demoralizing and you kind of look back

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Speaker 1: on it and think, how could it ever have possibly

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Speaker 1: like occasioned that thing, the sort of like mainstream milestone

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Speaker 1: historicism of it, Like I really like if this is

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Speaker 1: honesty zone like that that greated on me the in

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Speaker 1: the entire time, it really great it on me, and

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Speaker 1: it was tough for me to watch that and be

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Speaker 1: like okay, And I will say that I kind of

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Speaker 1: detached from it very early on. I was like, yes,

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Speaker 1: I'm very lucky to be in it. You were great

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Speaker 1: in it, by the way, Like honestly, I like, like

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Speaker 1: I the whole audience was so happy to see you

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Speaker 1: when you popped up and you were so so funny,

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Speaker 1: and at the end of the movie you pop back

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Speaker 1: in for something and that hit really hard. Oh good good.

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Speaker 1: I felt extremely taken care of by Nick and Billy

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Speaker 1: and Guy Brandon who was on set with me, you know,

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Speaker 1: producing and writing wonderful alts and just being so funny.

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Speaker 1: That was guys, sort of onset ault of congratulations, you've

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Speaker 1: made it to the bombed administration. Okay, anyway, that's a

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Speaker 1: little spoiler, but that was all Guy Brandham, who but

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Speaker 1: what's around the corner or whatever? Yeah? Yeah, yeah, the

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Speaker 1: movie is great. The movie is great, and it's just

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Speaker 1: I think it was. It was tough to see it

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Speaker 1: all spun very specific that I feel like set itself

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Speaker 1: up and well, yes, this is my thing about the

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Speaker 1: whole thing is we're sitting here talking about this and

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Speaker 1: this huge gay romantic comedy has come out and it's

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Speaker 1: really good. And yet and yet here we are on Monday,

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Speaker 1: October three, recording this, and I feel like the prevailing

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Speaker 1: story about it right now is that it didn't do

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Speaker 1: well and so and so I guess this is my

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Speaker 1: thing is it's like and and maybe it is impossible,

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Speaker 1: and maybe it was a stack deck. I don't know

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Speaker 1: what it was like to be around marketing people for

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Speaker 1: that movie, to be around exacts involved in that movie,

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Speaker 1: to be involved with you know, whoever was producing it.

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Speaker 1: I don't know what that situation felt like. I just

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Speaker 1: know that it's a shame that the narrative couldn't just

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Speaker 1: be for this. This is so fucking funny and good son,

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Speaker 1: and that's the thing, is like it is. And so

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Speaker 1: because the whole media narrative was so front loaded with

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Speaker 1: this is important, and it almost became like like a

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Speaker 1: like a mandate that that, like, you go see this

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Speaker 1: because this is how we, you know, advance and if

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Speaker 1: you don't, we're not going to get this. And it

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Speaker 1: feels like like the situation that we find ourselves in

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Speaker 1: as gay creators is it always has to feel like

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Speaker 1: there's like an extra burden, extra thing, and we can't

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Speaker 1: just come out and say, hey, this is the thing

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Speaker 1: that I worked really hard on and it's really good

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Speaker 1: and it's really funny, and here I am just like

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Speaker 1: promoting it like any stray person would. It felt like

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Speaker 1: there was this just heaviness on the movie in the

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Speaker 1: beginning about being historic and being important and being new,

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Speaker 1: which is important. And I definitely had an emotional response

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Speaker 1: to buying a ticket and going and seeing that movie

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Speaker 1: and sitting down and experiencing that. But I feel like

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Speaker 1: that should have been my experience and the viewers experience,

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Speaker 1: rather than the media narrative because now at the end

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Speaker 1: of this weekend, I'm talking to my fellow like, you know,

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Speaker 1: gay creators and artists and comedians, everyone just feels kind

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Speaker 1: of like wow, like are they never are they? Are

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Speaker 1: they not going to give us another chance? Is what

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Speaker 1: they said true? That we had to do this and

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Speaker 1: make the succeed and we didn't? So now now what

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Speaker 1: So the fact that we all still feel bad after

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Speaker 1: this is the fact that, like it's sort of affirms

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Speaker 1: the homework assignment of it all. I'm disappointed for the

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Speaker 1: movie itself. It's such a great movie, and I know

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Speaker 1: I feel bad for someone like Billy who had a

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Speaker 1: very unenviable thing to do. But now I go, well,

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Speaker 1: I guess I am a little nervous now about whether

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Speaker 1: or not this happens again, you know, But this is

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Speaker 1: my question, and I think this is this is where

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Speaker 1: I really want to have like a discussion. I really

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Speaker 1: want to know what you think about this. Do you

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Speaker 1: think that there's not other things to be learned from

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Speaker 1: this can help the next thing. I hope that people

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Speaker 1: that are in positions of power that can make another

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Speaker 1: movie like this possible. If we do get another gay

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Speaker 1: rom common theaters like or if they are, you know,

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Speaker 1: if they just do better on streaming whatever. No one

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Speaker 1: knows what the future holds anyway. And it should also

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Speaker 1: be said that it's extremely hard for any live action

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Speaker 1: hard our comedy anyway, which is another reason why it

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Speaker 1: was annoying for me to have this expectation on this movie,

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Speaker 1: because it's almost like seeing a man that's carrying like

195
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Speaker 1: mattress up a stair and then saying, hey, could you

196
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Speaker 1: also be fucking gay? And everyone knows it, you know,

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Speaker 1: you know what I mean. It's just like it's already

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Speaker 1: hard enough to open a live action comedy without that

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Speaker 1: whole thing of like, and people haven't supported us before

200
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Speaker 1: in this and you better now so like and the

201
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Speaker 1: mattress is from Mattress Firm and not like the Casper,

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Speaker 1: you know. It's like it's like this new thing is

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Speaker 1: sort of displaced the market for the old thing, and

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Speaker 1: yet this person is still carrying the old thing, and

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Speaker 1: it's expected to transcend the fact that it's a mattress

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Speaker 1: from Mattress Firm. This is not like a digat mattress,

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Speaker 1: and but it's but it's just like metaphorize or whatever,

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Speaker 1: like the fact that like there are different expectations on

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Speaker 1: like the non Avengers movie exactly, and so so it

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Speaker 1: almost felt like, Okay, we haven't seen flat out a

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Speaker 1: comedy really succeed you know, at the box office in

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Speaker 1: a while, let alone like a romantic comedy, which also

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Speaker 1: have struggled, let alone a gay romantic comedy. So I

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Speaker 1: just think it was already going to be tough, and

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Speaker 1: then there's this extra stuff put on top of it,

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Speaker 1: which is like this sort of I'm sorry, but like

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Speaker 1: finger wagging at Gabe at straight people rather which I

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Speaker 1: really don't think is going to help. And now even

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Speaker 1: at the end of the weekend you see the blame

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Speaker 1: being put on straight people that didn't show up. But

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Speaker 1: it's just like, is that actually helping? Like it does it?

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Speaker 1: Does it help to say, hey, straight people, we notice

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Speaker 1: that you didn't show up for us this time. Thanks

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Speaker 1: a lot, like and that is kind of like the

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Speaker 1: prevailing feeling at the end of this like press cycle

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Speaker 1: is more like polarization. Yeah, I feel that it makes

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Speaker 1: sense to me that with that urgency that like, wow,

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Speaker 1: a comedy has not a theatrical release for a comedy

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Speaker 1: has not succeeded in a long time, and let's like

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Speaker 1: layer on all these other things. There's this enormous amount

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Speaker 1: of pressure, and so in order to meet that urgency internally,

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Speaker 1: you want to externalize that by saying, it's very important

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Speaker 1: that everyone go see this, and if you don't, then

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Speaker 1: it's of betrayal or it's it's a it's then then

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Speaker 1: we will feel wronged. And then yeah, for for that

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Speaker 1: feeling of wrong edness to continue is really tough. It

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Speaker 1: just doesn't feel good. I mean the film, let's just

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Speaker 1: be real, the film has one big star. It's really

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Speaker 1: a two hander between Billy and Luke. And I thought that, like,

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Speaker 1: Luke was incredible in the movie. He's excellent in it,

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Speaker 1: but in terms of a media thing, like Billy's obviously

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Speaker 1: going to be the one out there. He had to

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Speaker 1: do pretty much the whole thing like and it's like

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Speaker 1: and it's really hard, and I can't imagine what it

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Speaker 1: must have felt like to be him, to be noted

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Speaker 1: throughout the process of making the movie pre pro production,

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Speaker 1: post and now the marketing, which is like the most heavy,

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Speaker 1: weird part of it. And you are one person and

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Speaker 1: I don't know if the studio mandated or whoever it

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Speaker 1: was mandated the fact that the leading media narrative be

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Speaker 1: the historic nature of it, you know what I mean,

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Speaker 1: Maybe they did that can be an element of it,

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Speaker 1: but it can't be the whole thing. And it just

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Speaker 1: felt like we got to the quality of the movie

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Speaker 1: after we had maybe like exhausted this media narrative the

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Speaker 1: whole time of this is important. I think it was

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Speaker 1: coming from one place and not necessarily. It was not

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Speaker 1: as top down as we might think it is, because

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Speaker 1: I feel like on the poster you're seeing in bold

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Speaker 1: letters from the director of Forgetting Sarah Marshall, the producer

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Speaker 1: of Train Wreact, for your Virgin whatever, you know, like

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Speaker 1: Neighbors director of Neighbors. Yeah, it's like that marketing on

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Speaker 1: Let's just say the poster was telling you that this

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Speaker 1: was going to be a very funny movie. Yes, this

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Speaker 1: actually brings me to something in the movie. And I

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Speaker 1: think it's actually indicative of, like of the fact that

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Speaker 1: the museum is the first LGBT museum. That's not what

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Speaker 1: I was gonna say. I was actually going to And

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Speaker 1: you and I have spoken about this monologue that Billy

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Speaker 1: has on the beach. Excellent monologue. Okay, but I thought

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Speaker 1: I was truly breathless through that monologue. I was like, wow,

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Speaker 1: like this is really good. And I for those who

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Speaker 1: haven't seen the movie and guys, go through the movie

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Speaker 1: because it was so funny, and I just wish every

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Speaker 1: one could get like, yes, it has a high Rotten

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Speaker 1: Tomato score, Yes it's critically a claim. The cinema score

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Speaker 1: is an a that means everyone that's seeing is loving it,

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Speaker 1: leaving it being like everyone should go, you should go,

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Speaker 1: because it's all getting in the way of the fact

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Speaker 1: that this is really good. But us on this podcast,

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Speaker 1: we're sort of just reacting to what's happening in pop culture,

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Speaker 1: and this is what's happening in pop culture. This is

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Speaker 1: where we're at with this movie. But I want to

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Speaker 1: just pull something from the film, which is that Beach monologue,

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Speaker 1: which is Billy is talking about He's responding to Luke's

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Speaker 1: character saying he's the most confident person he's ever met,

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Speaker 1: and Billy said, yeah, I'm confident because I had to

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Speaker 1: be confident because no one was ever going to be

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Speaker 1: confident for me. He's sort of trying to articulate this

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Speaker 1: feeling of I had to fight my entire life to

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Speaker 1: make sure that I proved that all the straight people,

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Speaker 1: that all the naysayers were wrong, that I did deserve

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Speaker 1: to be happy, that I did serve to be successful

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Speaker 1: because I knew in my heart that they were wrong.

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Speaker 1: And then there's a moment in the monologue where he

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Speaker 1: looks out to the water and he says, and they were,

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Speaker 1: and he says again and they were, And it should

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Speaker 1: have ended right there because I was like, oh my god,

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Speaker 1: yes they were. This is Billy Eichner, you know what

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Speaker 1: I mean? Like, and can I just say pulling out?

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Speaker 1: I love Bill. I have listed Billyer on so many

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Speaker 1: lists of like my top influences. He truly genuinely Lewis

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Speaker 1: for Tells said this online and I think it's so true.

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Speaker 1: He brought a niche type of pop culture like gay

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Speaker 1: male humor that we share and brought it to the

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Speaker 1: mainstream and thought and like, you know, it may not

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Speaker 1: be your thing, but if it is, it really is.

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Speaker 1: And Billy Eichner is someone who he can do pretty

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Speaker 1: much no wrong for me and making me laugh like

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Speaker 1: he always makes me laugh. And he's also such a

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Speaker 1: nice guy and he's a very sweet person, and I

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Speaker 1: think he's deserving of success here with this. But in

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Speaker 1: this monologue he says, and they were, and they were,

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Speaker 1: And there's a moment where it feels like it should end,

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Speaker 1: and then he keeps going, and it's clear that his character,

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Speaker 1: and I think by extension maybe him is still very

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Speaker 1: bitter about this idea that straight people have held him down,

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Speaker 1: or if, like you know, he goes in he even

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Speaker 1: says like words that we all say to each other,

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Speaker 1: like how many times have we been called two nice

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Speaker 1: to that whatever? And he says these things like sort

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Speaker 1: of out loud, and I'm sitting there thinking, I think

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Speaker 1: this was all actually much more implicit and what he's

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Speaker 1: already said, And maybe by going a little bit too

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Speaker 1: far in this, there's something else revealed that stops it

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Speaker 1: from being like I'm on your side and starts me saying,

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Speaker 1: I see that you're angry, you know what I mean?

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Speaker 1: And I just think, whether it's for a romantic comedy

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Speaker 1: or for this film, or for us our attitude going

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Speaker 1: forward in general, can I just say you're right? They

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Speaker 1: were wrong, they were wrong. We needn't be angry anymore,

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Speaker 1: you know what I mean? They were wrong about you,

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Speaker 1: they were You're you're a star, you know what I mean,

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Speaker 1: like like and like you know, it's it's so affirming

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Speaker 1: that we got this moment. Yeah, like the best writing,

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Speaker 1: especially for a moment like that, is some textually rich

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Speaker 1: and he kind of it went a little too far. Well,

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Speaker 1: he he kind of brought the subtext up to the surface,

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Speaker 1: not not even up to the service, just kind of

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Speaker 1: like pulled it up out of the water or whatever,

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Speaker 1: you know, like, um, that's interesting, that's really interesting. I

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Speaker 1: really and I really I was breathless that entire monologue too.

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Speaker 1: When I watched, I was like, this is an excellent performance. Yeah,

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Speaker 1: he was great. Um, and that is I think that

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Speaker 1: is the midpoint of the film. It is, Yeah, basically

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Speaker 1: that's that's like where it's like very clear that they

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Speaker 1: are in love or like like that that it's happening

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Speaker 1: between them. And I will say this, I it was

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Speaker 1: so charmed. But I was much more charmed than I

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Speaker 1: thought I would be by the actual romantic aspect of it.

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Speaker 1: Like everyone had been leaving me like, oh my god,

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Speaker 1: it's so funny. You're gonna love the jokes, and I

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Speaker 1: really did. I mean, there's some jokes here that I

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Speaker 1: will remembering. Is incredible. Messing is so funny, and it

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Speaker 1: like there's a moment where like like you see Luke

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Speaker 1: and his job and like he's talking to some guy

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Speaker 1: and like I won't spoil it, but the line about

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Speaker 1: SHARE's staff that was so funny. The Kamala and the

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Speaker 1: Kamala impressionists was so funny. There's just there's so many

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Speaker 1: things and all the pop culture references like the names

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Speaker 1: of fake shows and stuff like all of that was

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Speaker 1: just hitting on such a deep level. But I was

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Speaker 1: really taken by the fact that I really, like actually

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Speaker 1: bought their romance. Like I I was really with them

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Speaker 1: until then it became a little bit I felt in

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Speaker 1: the script it was like, oh, this is when the

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Speaker 1: characters fight because the movie needs them to fight. Um.

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Speaker 1: But but I was very armed by their chemistry and

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Speaker 1: like I loved the weird sex that they had. That

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Speaker 1: felt very right. Yeah yeah, um. So yes, we're saying

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Speaker 1: to you publicist readers Katie's um that you should definitely

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Speaker 1: see it, but not because it's compulsory, because you will

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Speaker 1: enjoy it, no matter guaranteed you will enjoy it. It's

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Speaker 1: also relevant to us in our interests. And I will say,

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Speaker 1: like I said this to you and Joel, but I

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Speaker 1: feel like being a part of Fire Island and literally

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Speaker 1: seeing and even more than seeing, like feeling how the

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Speaker 1: sausage was made. Sort of like when I sat down

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Speaker 1: to have ultimately watched that movie in the movie theater,

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Speaker 1: like I didn't get to have like a full, holy

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Speaker 1: complete experience watching it as like a gay movie goer

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Speaker 1: because I was in it, you know what I mean,

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Speaker 1: Like we were in it. But with this I went

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Speaker 1: and I was like, you know, my theater was about full,

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Speaker 1: and you know, it was all of these gay men

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Speaker 1: laughing at these gay jokes and like, you know, all

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Speaker 1: this stuff, and it felt really good. You know. I

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Speaker 1: actually left the theater being like this movie is going

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Speaker 1: to be successful, Like I I really think that, like

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Speaker 1: people are going to come see this. And then when

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Speaker 1: I googled like how I'd done at the box office,

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Speaker 1: I just really my heart sank because it deserved better

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Speaker 1: than that, and I wonder if we could have set

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Speaker 1: it up for success. But it's not for lack of trying.

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Speaker 1: And like I said, I know how hard they worked

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Speaker 1: and promoting it. They worked tireless, absolutely, and I maybe

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Speaker 1: maybe what's pulling at me is that it's like there

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Speaker 1: is no like right person or thing to blame necessarily.

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Speaker 1: Even as we're saying all this, like you know, who know,

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Speaker 1: like we don't we we just we just don't know.

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Speaker 1: Even even after we like posit all these things, it's

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Speaker 1: it's not definitive. And so we're just here talking on

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Speaker 1: our podcast about pop culture being like it might have

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Speaker 1: been this, it might have been that. Who knows if

405
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Speaker 1: it was this, who knows if it was something else?

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Speaker 1: But yeah, anyway, please go see it. Yeah, people should

407
00:23:02,320 --> 00:23:03,800
Speaker 1: go see it. And also, you know what, it's not

408
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Speaker 1: it's not necessarily a capital F failure because there could

409
00:23:07,080 --> 00:23:09,600
Speaker 1: be great word of mouth. And what we're telling you

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00:23:09,760 --> 00:23:12,000
Speaker 1: was like like from from us to you, like it's

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Speaker 1: so funny Smile Smile, Socie Bacon talking about Smile, So

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Speaker 1: Socie Bagon talking about Smile. And also but you know

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Speaker 1: what they had really clever marketing. Did you hear that something?

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Speaker 1: And this, by the way, Smile was like a huge

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Speaker 1: hit this weekend And I actually it was funny because

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Speaker 1: I was leaving that, I was leaving Bros. And it

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Speaker 1: was like, I guess both movies had come out at

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Speaker 1: the same time and I was like, I saw some

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Speaker 1: people that I knew, and I was like, oh my god,

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Speaker 1: so funny. Right, and they go and they go, oh,

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Speaker 1: really you thought it was funny. We were so scared.

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Speaker 1: I was like Rose and they were like, oh no, no, no,

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Speaker 1: we saw a smile. And I was like, oh, I

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Speaker 1: was like, oh, I just saw bros. And they're like, oh, yeah,

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00:23:58,320 --> 00:24:03,000
Speaker 1: for sure. Oh are all your people coming out a smile?

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00:24:03,240 --> 00:24:06,120
Speaker 1: Like but they were all coming out a smile. This

427
00:24:06,200 --> 00:24:09,800
Speaker 1: is really illuminating because I'm sure there's no possible way

428
00:24:09,840 --> 00:24:12,680
Speaker 1: you will ever see smile. But if you go into

429
00:24:12,720 --> 00:24:16,439
Speaker 1: smile going and I love SoC oh my god, if

430
00:24:16,440 --> 00:24:19,080
Speaker 1: you go into smile going, maybe I'm gonna trick my

431
00:24:19,119 --> 00:24:22,840
Speaker 1: brain ato thing this is a comedy, then like you,

432
00:24:23,119 --> 00:24:25,359
Speaker 1: you couldn't enjoy it, couldn't work alright, I mean probably

433
00:24:25,359 --> 00:24:30,040
Speaker 1: not apparently to give a harrowing performance. But we were

434
00:24:30,040 --> 00:24:33,360
Speaker 1: talking about this. It's toward a force. Just giving toward

435
00:24:33,400 --> 00:24:36,199
Speaker 1: a force in a horror movie. Maybe worthwhile for you

436
00:24:36,320 --> 00:24:38,720
Speaker 1: and you know what to because I do know her, like,

437
00:24:38,840 --> 00:24:40,400
Speaker 1: maybe I'll be able to laugh at it a little

438
00:24:40,400 --> 00:24:42,160
Speaker 1: bit more like oh that's so see, it's not real.

439
00:24:42,240 --> 00:24:44,360
Speaker 1: She's not really dying or someone or whatever the funk

440
00:24:44,359 --> 00:24:47,240
Speaker 1: happens in it. Like what I love about that, And

441
00:24:47,320 --> 00:24:49,280
Speaker 1: Joel made Joe Ready made a really good point about

442
00:24:49,280 --> 00:24:52,840
Speaker 1: this is you know, mid budget horror is where they

443
00:24:52,840 --> 00:24:56,400
Speaker 1: can make these sort of creations, Like yeah, they're gonna

444
00:24:56,400 --> 00:24:58,919
Speaker 1: put Socie in the lead. Like I don't think people

445
00:24:59,200 --> 00:25:03,879
Speaker 1: knew her name like out there in Middle America. Like

446
00:25:04,200 --> 00:25:06,760
Speaker 1: I think people maybe recognized her from Mara East Town

447
00:25:06,880 --> 00:25:08,960
Speaker 1: or whatever, and maybe they know that she, you know,

448
00:25:09,080 --> 00:25:13,280
Speaker 1: has famous parents or whatever. But like she was like

449
00:25:13,680 --> 00:25:17,040
Speaker 1: an interesting, fun choice for smiles and now it's like

450
00:25:17,400 --> 00:25:22,280
Speaker 1: she she's a movie star and another therapist. Hello, Hello,

451
00:25:23,720 --> 00:25:26,600
Speaker 1: I'm so see. I met Socy years ago. Um, she

452
00:25:26,720 --> 00:25:29,280
Speaker 1: was doing an like an off Broadway musical with Dave

453
00:25:29,680 --> 00:25:32,119
Speaker 1: and she's got a great voice too, So there's lots

454
00:25:32,119 --> 00:25:35,600
Speaker 1: of stuff hidden there. I embarrassed myself on the Today's Show.

455
00:25:35,640 --> 00:25:37,399
Speaker 1: She was right across the stage from me, and I

456
00:25:37,440 --> 00:25:38,639
Speaker 1: was like, they're so see, and I was like we

457
00:25:38,680 --> 00:25:43,199
Speaker 1: went to school together. And then that was not factually correct.

458
00:25:43,280 --> 00:25:46,239
Speaker 1: It's just that she knew Dave. Yeah, and I had

459
00:25:46,280 --> 00:25:49,520
Speaker 1: assumed that I traced it. I interpolated too far into

460
00:25:49,680 --> 00:25:51,720
Speaker 1: n y U Days and that's not what happened. Yes,

461
00:25:51,800 --> 00:25:54,800
Speaker 1: So she she did an off broad musical with Dave

462
00:25:55,640 --> 00:25:59,320
Speaker 1: Um with also Lauren Pritchard from Spring Awakening cast of

463
00:25:59,359 --> 00:26:01,960
Speaker 1: Spring Awakening. That's how I met her, and she and

464
00:26:02,040 --> 00:26:03,879
Speaker 1: David hit it off like right away and sort of

465
00:26:03,880 --> 00:26:05,760
Speaker 1: like any friend of Dave's a friend of mine. So

466
00:26:05,800 --> 00:26:08,280
Speaker 1: it's like she became like she's a very cool girl,

467
00:26:08,320 --> 00:26:11,679
Speaker 1: and it's it's very awesome to see. Obviously we wanted Bros.

468
00:26:11,720 --> 00:26:13,639
Speaker 1: To come out at number one, but like, it's pretty

469
00:26:13,680 --> 00:26:16,040
Speaker 1: cool that Socie is the star of you know, Smiling

470
00:26:16,119 --> 00:26:18,000
Speaker 1: in one movie. And I was saying about their marketing,

471
00:26:18,440 --> 00:26:20,400
Speaker 1: did you see Um? I don't know. I was reading

472
00:26:20,440 --> 00:26:24,280
Speaker 1: an article about like comparing the the the success of

473
00:26:24,359 --> 00:26:27,240
Speaker 1: Smile with like the failure quote unquote of Bros. This weekend,

474
00:26:27,520 --> 00:26:29,639
Speaker 1: and they were saying the way that Smile marketed their

475
00:26:29,680 --> 00:26:32,359
Speaker 1: movie was really interesting, Like they hired I guess actors

476
00:26:32,840 --> 00:26:35,640
Speaker 1: to sit behind the home plate at a baseball game

477
00:26:36,000 --> 00:26:41,119
Speaker 1: and just smile like this the whole time, and the

478
00:26:41,240 --> 00:26:43,760
Speaker 1: camera would pen in on them and was like, what's this.

479
00:26:43,880 --> 00:26:46,560
Speaker 1: It looks like the people like behind home plate or

480
00:26:46,600 --> 00:26:49,239
Speaker 1: have some sort of scary affliction. To find out about this,

481
00:26:49,280 --> 00:26:51,960
Speaker 1: you better go see Smile this weekend. And that's the

482
00:26:52,040 --> 00:26:54,399
Speaker 1: kind of marketing that I think is really clever, you

483
00:26:54,440 --> 00:26:56,720
Speaker 1: know what I mean, Like, like, where where is the

484
00:26:56,800 --> 00:27:00,760
Speaker 1: cleverness with this marketing? It can be fun, It can

485
00:27:00,800 --> 00:27:04,680
Speaker 1: be fun. It can be fun. Just get out there,

486
00:27:05,080 --> 00:27:09,920
Speaker 1: do something. Do something silly at a sports game. Period, Yeah,

487
00:27:09,960 --> 00:27:11,560
Speaker 1: do something silly at a sports game. It's actually a

488
00:27:11,560 --> 00:27:18,600
Speaker 1: really coach number three a period. Oh my god, it

489
00:27:18,640 --> 00:27:23,320
Speaker 1: really is spooky season, but spooky season. And how before

490
00:27:23,359 --> 00:27:26,719
Speaker 1: we get into spooky season, can quickly just ask you

491
00:27:26,760 --> 00:27:30,800
Speaker 1: about your experience with Fasora, the b York album that

492
00:27:30,920 --> 00:27:34,880
Speaker 1: just came out because you in the group chat with

493
00:27:34,920 --> 00:27:38,600
Speaker 1: a bunch of York kads, Joshua Aaron Jackson had to

494
00:27:38,760 --> 00:27:45,359
Speaker 1: rob me every now and then Burker loves York. I've

495
00:27:45,400 --> 00:27:50,560
Speaker 1: I've always enjoyed York on a very like innocent, uninformed

496
00:27:50,640 --> 00:27:53,280
Speaker 1: level my whole life. And then going to Iceland, I

497
00:27:53,359 --> 00:27:55,280
Speaker 1: like it just you it feel like I had to

498
00:27:55,320 --> 00:27:57,879
Speaker 1: listen to her and it and it all clicked and

499
00:27:57,880 --> 00:28:00,280
Speaker 1: I was like, Okay, I'm listening to every single them

500
00:28:00,359 --> 00:28:04,200
Speaker 1: start to finish and it all makes sense to me.

501
00:28:04,240 --> 00:28:06,119
Speaker 1: And asked, I'm happy to answer any questions or address

502
00:28:06,160 --> 00:28:08,159
Speaker 1: any concerns, but talk to me about your experience with

503
00:28:08,160 --> 00:28:10,240
Speaker 1: a Sore, which is a tough album to get into

504
00:28:10,280 --> 00:28:13,640
Speaker 1: with her. Yeah, So basically for all the readers, um,

505
00:28:14,160 --> 00:28:17,280
Speaker 1: I am not really a your person, you know what

506
00:28:17,400 --> 00:28:19,359
Speaker 1: I mean, Like you probably into it that if you

507
00:28:19,440 --> 00:28:22,199
Speaker 1: listen to this podcast about me, like I don't I

508
00:28:22,240 --> 00:28:25,800
Speaker 1: appreciate what she's doing. I get it, but I don't

509
00:28:25,840 --> 00:28:27,240
Speaker 1: get it, you know what I mean, Like I can't

510
00:28:27,280 --> 00:28:29,600
Speaker 1: listen to it, and like, really there's not really a

511
00:28:29,600 --> 00:28:33,040
Speaker 1: place for me to land in it. But when I

512
00:28:33,080 --> 00:28:36,480
Speaker 1: was tripping balls with my sisters in Fire Island, they

513
00:28:36,560 --> 00:28:39,920
Speaker 1: actually Crystal Line. They played Crystal Line and they were

514
00:28:39,960 --> 00:28:43,520
Speaker 1: sort of I don't really go very witchy on the dock.

515
00:28:43,640 --> 00:28:45,360
Speaker 1: We were witchy. And then and then like at the

516
00:28:45,400 --> 00:28:48,240
Speaker 1: end of Crystalline, she like has like a thousand drumbeats

517
00:28:48,240 --> 00:28:51,200
Speaker 1: all converge at one completely insane, complete, and then we

518
00:28:51,280 --> 00:28:53,480
Speaker 1: it all. It became a little mini mosh pet mosh

519
00:28:53,560 --> 00:28:55,840
Speaker 1: moment and we were all like fucking like head bobbing

520
00:28:55,960 --> 00:28:59,200
Speaker 1: head rock and it was euphoric and so that you

521
00:28:59,240 --> 00:29:01,040
Speaker 1: were like, let me check this woman out, let's me

522
00:29:01,160 --> 00:29:03,040
Speaker 1: check this girl out. Well, when I see all my

523
00:29:03,120 --> 00:29:06,840
Speaker 1: dear girls enjoying my like I said, my my, my

524
00:29:06,920 --> 00:29:10,200
Speaker 1: three older sisters and my two good little sisters enjoying

525
00:29:10,720 --> 00:29:13,120
Speaker 1: m New York. So I was like, all right, let

526
00:29:13,160 --> 00:29:16,680
Speaker 1: me just try to put it on. Yeah, and I'll say,

527
00:29:16,720 --> 00:29:18,800
Speaker 1: you know how on Spotify, like you can put it on,

528
00:29:18,920 --> 00:29:22,960
Speaker 1: but in the background there's like those images, yes, yes, canvas. Yeah.

529
00:29:23,080 --> 00:29:25,240
Speaker 1: I had to turn it off because those images were

530
00:29:25,320 --> 00:29:27,360
Speaker 1: very scary to me. It was like, yeah, the fun

531
00:29:27,440 --> 00:29:30,640
Speaker 1: guy like some sort of like like a lava lamp

532
00:29:30,720 --> 00:29:34,360
Speaker 1: fun guy moment, and just I it overwhelms me. But

533
00:29:34,480 --> 00:29:38,160
Speaker 1: York overwhelms me. I completely understand that. First of all,

534
00:29:38,480 --> 00:29:41,880
Speaker 1: canvas turn it off. I don't like it. It's distracting.

535
00:29:41,880 --> 00:29:44,720
Speaker 1: When I listen to music on Spotify, I don't really

536
00:29:44,760 --> 00:29:46,280
Speaker 1: care for the visuals most of the time. I just

537
00:29:46,280 --> 00:29:48,040
Speaker 1: want to see the square and the picture. That's it.

538
00:29:49,000 --> 00:29:53,080
Speaker 1: Second of all, to be overwhelmed by York is gay culture,

539
00:29:53,320 --> 00:29:57,360
Speaker 1: gay culture, that's rule of culture. Yeah, what is that again?

540
00:29:57,640 --> 00:30:05,080
Speaker 1: One hundred fifty fifty New York is gay culture. But

541
00:30:05,200 --> 00:30:08,320
Speaker 1: that speak. But then once you accept that there is

542
00:30:08,560 --> 00:30:12,840
Speaker 1: there are very few footholds in her music, then that's

543
00:30:12,880 --> 00:30:16,400
Speaker 1: when you can sort of like completely rethink your your

544
00:30:16,440 --> 00:30:19,640
Speaker 1: concept of pop music because she is she is considered

545
00:30:19,640 --> 00:30:23,560
Speaker 1: a pop artist, you know, and so okay. Jason P.

546
00:30:23,680 --> 00:30:25,760
Speaker 1: Frank actually wrote a great piece and Vulture about like

547
00:30:26,040 --> 00:30:30,560
Speaker 1: how to access New York because she is inaccessible, but

548
00:30:30,600 --> 00:30:32,239
Speaker 1: it seems like the people who really love her are

549
00:30:32,280 --> 00:30:35,240
Speaker 1: like in on something. And it's that once you realize

550
00:30:35,880 --> 00:30:40,800
Speaker 1: that it's meant to be boundary, lest that like there

551
00:30:40,800 --> 00:30:44,360
Speaker 1: are no destructure, structure doesn't really exist in the same

552
00:30:44,400 --> 00:30:48,160
Speaker 1: way as most pop music and melody and all this

553
00:30:48,200 --> 00:30:52,320
Speaker 1: other stuff, like it can be a little fun. And

554
00:30:52,360 --> 00:30:58,960
Speaker 1: then I think maybe start with Chris Vespertine, which is like,

555
00:30:59,440 --> 00:31:03,840
Speaker 1: it's g she's a genius because when invest Suppertin came out, um,

556
00:31:03,920 --> 00:31:06,480
Speaker 1: she it's a lot of like icy sounds. It's a

557
00:31:06,480 --> 00:31:08,840
Speaker 1: lot of and it's like she that was very intentional

558
00:31:08,840 --> 00:31:10,720
Speaker 1: because it's right when Napster was big, and right when

559
00:31:10,720 --> 00:31:13,720
Speaker 1: the MP three's were like a concept and introduced into

560
00:31:13,760 --> 00:31:16,040
Speaker 1: the world and people were downloading music, and she was like,

561
00:31:16,480 --> 00:31:20,719
Speaker 1: I need to sonically make this album about even if

562
00:31:20,760 --> 00:31:23,240
Speaker 1: you download it a million different times, and the quality

563
00:31:23,400 --> 00:31:28,480
Speaker 1: of the audio is completely bastardized and diminished, like once

564
00:31:28,520 --> 00:31:32,320
Speaker 1: it lands in people's computers or whatever c ds, like,

565
00:31:32,440 --> 00:31:36,400
Speaker 1: it should still sound like the same. Does that make sense?

566
00:31:36,440 --> 00:31:39,000
Speaker 1: Like the sounds are very sharp and so therefore that

567
00:31:39,480 --> 00:31:42,760
Speaker 1: that sort of resolution in the in the sound is

568
00:31:42,800 --> 00:31:44,920
Speaker 1: maintained no matter how many times it's downloaded. Like she

569
00:31:45,040 --> 00:31:48,520
Speaker 1: like is so she's incredibly forward thinking. Yeah, she she

570
00:31:48,600 --> 00:31:51,600
Speaker 1: really is, And I do get that's that's part of it.

571
00:31:51,720 --> 00:31:54,080
Speaker 1: Part of it that I get is I understand that

572
00:31:54,160 --> 00:31:57,080
Speaker 1: she wants the listener to have a different type of

573
00:31:57,120 --> 00:32:03,360
Speaker 1: experience than someone who is following a pop structure. Would

574
00:32:03,720 --> 00:32:06,800
Speaker 1: I guess for me, I'm just such a I'm actually

575
00:32:06,800 --> 00:32:11,800
Speaker 1: such a structure person when it comes to film, television, music,

576
00:32:12,080 --> 00:32:15,240
Speaker 1: Like I actually think the structures of all of these

577
00:32:15,280 --> 00:32:18,840
Speaker 1: things make it exciting because I like to see someone.

578
00:32:19,280 --> 00:32:21,840
Speaker 1: I like to see someone experiment within a structure. And

579
00:32:21,880 --> 00:32:24,280
Speaker 1: then when something is sort of structure list or follows

580
00:32:24,280 --> 00:32:28,000
Speaker 1: its own structure rather to not sound so pejorative, it's

581
00:32:28,120 --> 00:32:32,040
Speaker 1: more of a leap for me because I'm I'm waiting

582
00:32:32,120 --> 00:32:34,360
Speaker 1: for the structure. It's just like there's like a rhythm

583
00:32:34,440 --> 00:32:37,880
Speaker 1: that I'm like waiting for whereas with her, I actually

584
00:32:37,920 --> 00:32:41,120
Speaker 1: was laughing hysterical at the end of Crystal Line, because

585
00:32:41,320 --> 00:32:46,840
Speaker 1: essentially it sounds like chaos, like a volcanic eruption. Yes,

586
00:32:47,040 --> 00:32:51,160
Speaker 1: it sounds like destruction in a way where I was like, actually, like,

587
00:32:51,280 --> 00:32:55,480
Speaker 1: this is hilarious to me, and I think that, yeah,

588
00:32:55,480 --> 00:32:58,240
Speaker 1: there has to be like it has to come from

589
00:32:58,280 --> 00:33:02,720
Speaker 1: a place of humor in some way because it's so crazy,

590
00:33:02,920 --> 00:33:06,120
Speaker 1: and it felt like my body had been tossed around

591
00:33:06,200 --> 00:33:08,040
Speaker 1: in a million directions and therefore, so I had my

592
00:33:08,080 --> 00:33:11,239
Speaker 1: emotions and I was like, Okay, I understand that that

593
00:33:11,320 --> 00:33:14,880
Speaker 1: was the intended response. I just don't know that I

594
00:33:14,920 --> 00:33:18,040
Speaker 1: could like it's it surprises me that so many people

595
00:33:18,080 --> 00:33:23,480
Speaker 1: listen to her so much. Well, she started out like,

596
00:33:24,520 --> 00:33:27,040
Speaker 1: oh my god, she's just she's so funny, so you should.

597
00:33:27,080 --> 00:33:29,760
Speaker 1: So this podcast came out pretty recently where she like

598
00:33:29,960 --> 00:33:31,960
Speaker 1: each episode is her talking about the album and the

599
00:33:32,080 --> 00:33:35,240
Speaker 1: really interesting interviews, and her whole thing is that you

600
00:33:35,240 --> 00:33:37,280
Speaker 1: would think that York is very like high brower, that

601
00:33:37,320 --> 00:33:39,480
Speaker 1: like the people who listened to her are like, oh,

602
00:33:39,480 --> 00:33:42,320
Speaker 1: like incredibly sophisticated or whatever. But she's always been like,

603
00:33:42,360 --> 00:33:45,320
Speaker 1: my music is for everyone. It's not for like, it's

604
00:33:45,360 --> 00:33:49,080
Speaker 1: not for like quote unquote like educated people, like like

605
00:33:49,160 --> 00:33:52,680
Speaker 1: snop music. It's not for music stops, it's for everyone.

606
00:33:52,800 --> 00:33:56,680
Speaker 1: And then she goes um. When she first started out,

607
00:33:56,680 --> 00:33:59,320
Speaker 1: she came from this you know, punk band, Sugarcubes, and

608
00:33:59,320 --> 00:34:02,000
Speaker 1: then she went so hello, and when she went solo,

609
00:34:02,040 --> 00:34:04,480
Speaker 1: she was like, I felt like people were limiting me.

610
00:34:05,360 --> 00:34:07,960
Speaker 1: And she goes um as a woman, like if your

611
00:34:08,000 --> 00:34:09,560
Speaker 1: solo artist as a woman, like people trying to like

612
00:34:09,600 --> 00:34:11,640
Speaker 1: box you in, blah blah blah blah blah. But then

613
00:34:11,640 --> 00:34:13,120
Speaker 1: she puts it in the best place. She goes, I

614
00:34:13,160 --> 00:34:15,040
Speaker 1: didn't want to be smurf fat. I wanted to be

615
00:34:15,080 --> 00:34:20,239
Speaker 1: all the Smurfs. And she's so funny and and this

616
00:34:20,360 --> 00:34:24,239
Speaker 1: has been helpful for me. All of Gaga's cookiness is

617
00:34:24,320 --> 00:34:27,080
Speaker 1: just like a water down thing that York has done

618
00:34:27,080 --> 00:34:29,719
Speaker 1: in the past. Some might say, why has this been

619
00:34:29,760 --> 00:34:32,359
Speaker 1: helpful for you? Because it's like I love I will,

620
00:34:32,600 --> 00:34:36,120
Speaker 1: I love everything Gaga has ever done. And I think

621
00:34:36,200 --> 00:34:39,759
Speaker 1: Gaga is as inspired by Madonna as she is by York.

622
00:34:40,840 --> 00:34:45,120
Speaker 1: And like the visuals being like so crazy, especially early

623
00:34:45,160 --> 00:34:46,960
Speaker 1: on when she was wearing like Crimit the frog dresses,

624
00:34:47,120 --> 00:34:50,759
Speaker 1: like that's like you know, like the Swan dress is iconic, yes,

625
00:34:51,600 --> 00:34:54,319
Speaker 1: and York is just like York just gets it. She's

626
00:34:54,400 --> 00:34:58,160
Speaker 1: just like doesn't take it seriously. Icelandic through and through

627
00:34:58,360 --> 00:35:07,080
Speaker 1: the Icelandic people are just so like wonderfully unflappable as

628
00:35:07,120 --> 00:35:09,880
Speaker 1: a and I feel like that's as an artist. You know.

629
00:35:09,960 --> 00:35:12,279
Speaker 1: What's interesting is like you mentioned the Swan dress, and

630
00:35:12,320 --> 00:35:16,560
Speaker 1: I also think the reason why I'm sort of like, um,

631
00:35:16,600 --> 00:35:18,480
Speaker 1: I had never thought she was for me is because

632
00:35:18,480 --> 00:35:21,040
Speaker 1: when the Swan dress happened, and when her performance on

633
00:35:21,080 --> 00:35:22,920
Speaker 1: the Oscar stuff I've seen it all from day was

634
00:35:23,040 --> 00:35:26,719
Speaker 1: ridiculous happened. I remember sitting there, I was I think

635
00:35:26,760 --> 00:35:31,440
Speaker 1: it was nine, yeah, and so I was watching it

636
00:35:31,480 --> 00:35:35,720
Speaker 1: and I had just become familiar with the Oscars basically

637
00:35:35,760 --> 00:35:38,640
Speaker 1: through the phin phenomenon of Titanic, right, and so by

638
00:35:38,680 --> 00:35:41,440
Speaker 1: proxy my heart will go on. And the type of

639
00:35:41,560 --> 00:35:45,319
Speaker 1: music I was like told was very good, was very

640
00:35:45,960 --> 00:35:49,520
Speaker 1: you know, very structured and stuff like that. And so

641
00:35:49,920 --> 00:35:52,480
Speaker 1: the type of glamour I was also told or like

642
00:35:52,560 --> 00:35:54,680
Speaker 1: how you look at a red carpet was also like

643
00:35:54,880 --> 00:35:57,640
Speaker 1: very clearly telegraphed to like a seven eight nine year

644
00:35:57,680 --> 00:36:02,280
Speaker 1: old me. And then hair comes Bork with the Swan,

645
00:36:02,920 --> 00:36:06,959
Speaker 1: which was full on Swan's body wrapped around her damn

646
00:36:07,040 --> 00:36:09,600
Speaker 1: neck in a tutu, and then she went out in

647
00:36:09,719 --> 00:36:12,759
Speaker 1: that outfit, no costume changed, and performed one of the

648
00:36:12,920 --> 00:36:18,400
Speaker 1: strangest songs I ever heard, in such a manner that

649
00:36:18,440 --> 00:36:20,600
Speaker 1: I had never seen before. And I remember turning to

650
00:36:20,640 --> 00:36:25,359
Speaker 1: my mom and being like, this is terrible. This is terrible. Yeah,

651
00:36:25,400 --> 00:36:27,960
Speaker 1: this is terrible, right, and like she was on all

652
00:36:27,960 --> 00:36:32,160
Speaker 1: the worst dress list because no one got it. Now,

653
00:36:32,600 --> 00:36:37,000
Speaker 1: in my adulthood, not get the Swan dress. I think

654
00:36:37,040 --> 00:36:41,560
Speaker 1: it's so funny and good, but also that performance of

655
00:36:41,600 --> 00:36:46,120
Speaker 1: that song and that song are so hunting and beautiful,

656
00:36:46,160 --> 00:36:48,000
Speaker 1: and I just never could have gotten it, as like

657
00:36:48,040 --> 00:36:51,040
Speaker 1: a little idiot toled by the media that this is

658
00:36:51,080 --> 00:36:54,160
Speaker 1: weird and stupid, and like weird and stupid equals bad,

659
00:36:54,280 --> 00:36:58,960
Speaker 1: So like hate this, hate York. She's wild and from Iceland.

660
00:37:00,239 --> 00:37:03,640
Speaker 1: And now as an adult, I'm like, okay, wait, there's

661
00:37:03,680 --> 00:37:06,560
Speaker 1: so much more here than I ever would have thought,

662
00:37:06,560 --> 00:37:09,160
Speaker 1: and probably that song should have won the Oscar? Oh

663
00:37:09,280 --> 00:37:10,960
Speaker 1: what did when? Do you remember? What did when the Oscar?

664
00:37:11,000 --> 00:37:13,440
Speaker 1: That year? I think it was a song from I

665
00:37:13,480 --> 00:37:18,960
Speaker 1: think it was like God it was bout Dylan. That's right,

666
00:37:19,080 --> 00:37:21,880
Speaker 1: It was a bob Yeah yeah, yeah, yeah yeah. But

667
00:37:23,440 --> 00:37:27,279
Speaker 1: I feel like York is just a beautiful, rich meal

668
00:37:27,520 --> 00:37:30,760
Speaker 1: and anytime it's there for you, anytime there's no shelf

669
00:37:30,840 --> 00:37:34,000
Speaker 1: life on it. Um, it's non perish. It's a beautiful,

670
00:37:34,040 --> 00:37:36,760
Speaker 1: non perishable meal. Like like all all of the albums

671
00:37:36,760 --> 00:37:39,320
Speaker 1: hold up. It's like canna beans. It's like canna beans

672
00:37:39,320 --> 00:37:52,040
Speaker 1: but delicious. Speaking of beans, have you seen like so online,

673
00:37:52,120 --> 00:37:54,799
Speaker 1: like you know how like there was like this um

674
00:37:55,560 --> 00:37:59,279
Speaker 1: like everyone was obsessed with a while with Courtney Take

675
00:37:59,320 --> 00:38:07,400
Speaker 1: Your Break from the new one that's going around is

676
00:38:04,360 --> 00:38:11,600
Speaker 1: it's just so funny. Well, it started with people sending

677
00:38:11,640 --> 00:38:14,800
Speaker 1: around the Stephanie clip like Stephanie j Block fully belts

678
00:38:14,840 --> 00:38:17,680
Speaker 1: it out, very fiercely, belt it out and stuff. But

679
00:38:17,760 --> 00:38:20,839
Speaker 1: like I saw a super cut recently of like high

680
00:38:20,880 --> 00:38:28,799
Speaker 1: school girls singing Beas and honestly, it's hard because the

681
00:38:29,320 --> 00:38:33,680
Speaker 1: like the ju that vowel is hard to like, so

682
00:38:33,760 --> 00:38:35,840
Speaker 1: it's hard to get up there, like it's hard to

683
00:38:36,440 --> 00:38:39,600
Speaker 1: it's just it's a hard vocal. And then the beans,

684
00:38:39,800 --> 00:38:42,520
Speaker 1: it's just like it's just like not an easy part

685
00:38:42,560 --> 00:38:45,600
Speaker 1: of that song to sing. So of course we've heard

686
00:38:46,320 --> 00:38:49,359
Speaker 1: Sarah Barella's do it like gleas and do it, and

687
00:38:49,440 --> 00:38:51,640
Speaker 1: you know, like all these people do it that have

688
00:38:51,719 --> 00:38:53,560
Speaker 1: been able to do it because they've done it professionally.

689
00:38:53,880 --> 00:38:56,160
Speaker 1: But watching these high school girls try to do it

690
00:38:56,239 --> 00:38:59,440
Speaker 1: is so funny because you can tell it's just like

691
00:38:59,560 --> 00:39:03,880
Speaker 1: flam link in the dark, like laser tag with no gone,

692
00:39:04,120 --> 00:39:09,200
Speaker 1: just like that vibe like completely lost shooting at nothing

693
00:39:09,719 --> 00:39:13,000
Speaker 1: like flailing in the sky. But that's the one that

694
00:39:13,040 --> 00:39:16,520
Speaker 1: has been sort of violently and I recommend you, I'm

695
00:39:16,560 --> 00:39:19,560
Speaker 1: gonna do it. It's that's the beauty even Into the

696
00:39:19,560 --> 00:39:22,160
Speaker 1: Woods too, is that it's the most easily you know,

697
00:39:22,920 --> 00:39:27,280
Speaker 1: amountable for high schools for like a young cast and therefore,

698
00:39:27,680 --> 00:39:32,280
Speaker 1: like you just there's just so much like goodness there

699
00:39:32,320 --> 00:39:34,600
Speaker 1: and like innocence there, and like they only do the

700
00:39:34,640 --> 00:39:39,719
Speaker 1: first half. That's right, Yeah, they stopped the high schools do.

701
00:39:39,760 --> 00:39:41,400
Speaker 1: I don't know if readers know that. They probably do,

702
00:39:41,480 --> 00:39:43,919
Speaker 1: but like high schools don't do the second half Into

703
00:39:43,960 --> 00:39:49,319
Speaker 1: the Woods for their musicals and stuff. The Giant is tough. Well,

704
00:39:49,320 --> 00:39:51,680
Speaker 1: it's just it's a little substantial, you understand. They don't

705
00:39:51,680 --> 00:39:53,799
Speaker 1: want to see that. The The Baker's wife gets stopped all

706
00:39:53,880 --> 00:39:57,480
Speaker 1: the way out, which spoiler alert she does spoiler alert um,

707
00:39:57,719 --> 00:39:59,919
Speaker 1: speaking of the sun time of it all, this pod

708
00:40:00,040 --> 00:40:02,920
Speaker 1: has continues to be predict the future. What do you

709
00:40:02,920 --> 00:40:05,040
Speaker 1: mean when we said we wanted to see a big

710
00:40:05,040 --> 00:40:07,640
Speaker 1: budget tweeny todd Oh yeah and low and be ho,

711
00:40:08,560 --> 00:40:12,560
Speaker 1: we're getting Josh Groban and Emily I think it'll be

712
00:40:12,600 --> 00:40:16,719
Speaker 1: great piece orchestra. And they're both committed for a year.

713
00:40:17,160 --> 00:40:19,920
Speaker 1: I also have heard this, but but when we were

714
00:40:19,920 --> 00:40:22,360
Speaker 1: you we are talking about how like Beanie was committed

715
00:40:22,560 --> 00:40:26,560
Speaker 1: for six months. I don't know how long she was committed,

716
00:40:26,560 --> 00:40:31,279
Speaker 1: but basically, like I mean, they're human beings, like they

717
00:40:31,280 --> 00:40:33,480
Speaker 1: can do whatever. Like when you're under contract, no one's

718
00:40:33,480 --> 00:40:34,840
Speaker 1: gonna put gun to your head and be like you

719
00:40:34,880 --> 00:40:36,920
Speaker 1: have to do this ship. But like I mean, I

720
00:40:36,920 --> 00:40:40,480
Speaker 1: don't know, like I would I would imagine that, Yeah,

721
00:40:41,480 --> 00:40:43,840
Speaker 1: I would imagine that Beanie was contracted longer than she

722
00:40:43,880 --> 00:40:46,239
Speaker 1: did the show, but then it was like not a

723
00:40:46,239 --> 00:40:48,799
Speaker 1: tenable situation for her are their production and so they

724
00:40:49,040 --> 00:40:52,120
Speaker 1: probably let her go early, especially because it happened so quickly.

725
00:40:52,360 --> 00:40:55,960
Speaker 1: I'm very excited, I will say, And this could be

726
00:40:56,000 --> 00:40:57,719
Speaker 1: and I don't think so honey, but I won't do

727
00:40:57,760 --> 00:41:00,799
Speaker 1: that either. Um, I try to get Today was when

728
00:41:00,800 --> 00:41:03,000
Speaker 1: the tickets were dropping premarriily. We were along at York

729
00:41:03,040 --> 00:41:06,440
Speaker 1: Theater Workshop starring Jonathan Groffin, Daniel rad Cleff and and

730
00:41:06,440 --> 00:41:12,600
Speaker 1: and and a wonderful cast. Um, but I gosh could

731
00:41:12,680 --> 00:41:15,279
Speaker 1: not do it. And I set an alarm. I was

732
00:41:15,360 --> 00:41:18,000
Speaker 1: on it the minute the clock struck twelve. Couldn't do it,

733
00:41:18,000 --> 00:41:21,759
Speaker 1: and so they sold out, sold out within Like I

734
00:41:22,160 --> 00:41:24,640
Speaker 1: was in the queue for like twelve twenty minutes and

735
00:41:24,680 --> 00:41:26,200
Speaker 1: then like it just booted me. And I was like,

736
00:41:26,239 --> 00:41:28,719
Speaker 1: oh no, what a bummer. Yeah, it's hard to buy

737
00:41:28,760 --> 00:41:31,279
Speaker 1: tickets online. You know what. What what they say is

738
00:41:31,320 --> 00:41:35,400
Speaker 1: always call because nobody but the New York Theater Workshop

739
00:41:35,480 --> 00:41:38,600
Speaker 1: website says, do not call us, do not calls. To

740
00:41:38,600 --> 00:41:42,080
Speaker 1: do it through the website. And I was like, well shit, okay,

741
00:41:42,080 --> 00:41:43,239
Speaker 1: Well then you know what, if it's going to be

742
00:41:43,280 --> 00:41:44,960
Speaker 1: a mandate that we do with the website, then the

743
00:41:44,960 --> 00:41:47,440
Speaker 1: websites have to be prepared to handle that kind of traffic,

744
00:41:47,800 --> 00:41:49,359
Speaker 1: and they have to be prepared to like I mean,

745
00:41:49,400 --> 00:41:52,400
Speaker 1: it's ridiculous, like these websites have to you know, gotta

746
00:41:52,440 --> 00:41:54,960
Speaker 1: get you gotta get it together. Gotta get together. It's

747
00:41:54,960 --> 00:41:57,080
Speaker 1: like with be Real, it's like okay, like let's like

748
00:41:57,360 --> 00:42:02,480
Speaker 1: let's like make this usable and have the the pictures upload, mama,

749
00:42:02,560 --> 00:42:04,160
Speaker 1: if it's gonna be But it's time to be real.

750
00:42:04,200 --> 00:42:06,680
Speaker 1: When I flip open the app, why am I waiting

751
00:42:06,719 --> 00:42:08,600
Speaker 1: to get the option to take my picture? Just give

752
00:42:08,640 --> 00:42:10,919
Speaker 1: me an option to take my picture now, honey, it's

753
00:42:10,920 --> 00:42:12,440
Speaker 1: time for you. You're telling me it's time to be real.

754
00:42:12,480 --> 00:42:16,960
Speaker 1: I'm telling you it's time to be functional. Culture number thirty,

755
00:42:17,440 --> 00:42:19,520
Speaker 1: It's time to be real real, It's time for you

756
00:42:20,120 --> 00:42:22,760
Speaker 1: to functional. I don't think that you're just gonna mention

757
00:42:22,840 --> 00:42:25,680
Speaker 1: be real and may not bring up your startling and

758
00:42:25,680 --> 00:42:31,239
Speaker 1: and and startling salient sketch. It made salient points. All

759
00:42:31,239 --> 00:42:34,880
Speaker 1: my all my work is startling and salient. There's a

760
00:42:34,960 --> 00:42:37,360
Speaker 1: rumor online about the lost culture is this bit to

761
00:42:37,600 --> 00:42:41,319
Speaker 1: SNL sketch pipeline? But what is that? I don't think

762
00:42:41,320 --> 00:42:43,719
Speaker 1: there are that many examples. There's been a couple of

763
00:42:43,719 --> 00:42:48,279
Speaker 1: times where it seems like something that was time. It

764
00:42:48,320 --> 00:42:51,920
Speaker 1: has been been at times. It has been at times,

765
00:42:52,239 --> 00:42:54,560
Speaker 1: um no, that was I mean that was purely inspired

766
00:42:54,600 --> 00:42:56,520
Speaker 1: by like the conversations that like we've had on this

767
00:42:56,640 --> 00:42:58,440
Speaker 1: Like I literally found out what be Real was on

768
00:42:58,480 --> 00:43:01,920
Speaker 1: this podcast, um, and then I pitched it to Celeste.

769
00:43:01,920 --> 00:43:03,560
Speaker 1: I was like, Okay, it's a bank robbery and then

770
00:43:03,560 --> 00:43:05,799
Speaker 1: the real goes off and they were like that's they

771
00:43:05,800 --> 00:43:07,120
Speaker 1: were like, okay. I was like, I think the PDD

772
00:43:07,200 --> 00:43:09,480
Speaker 1: boys had a similar idea where it happens in surgery,

773
00:43:09,840 --> 00:43:11,160
Speaker 1: and I was like, okay, that's funny too. And then

774
00:43:11,160 --> 00:43:12,719
Speaker 1: we all met up and we were like we just

775
00:43:12,760 --> 00:43:15,399
Speaker 1: all kind of talked it down and it was so

776
00:43:15,440 --> 00:43:18,920
Speaker 1: fun and god like, the boys were great. Selust was great,

777
00:43:19,480 --> 00:43:24,640
Speaker 1: directed by new director um Tim will Kim and wonderful

778
00:43:24,680 --> 00:43:27,879
Speaker 1: it was. It was, it was very fun. I thought

779
00:43:27,880 --> 00:43:30,000
Speaker 1: Myles was great. I thought Myles Teller was a great host.

780
00:43:30,400 --> 00:43:33,520
Speaker 1: Miles is fun and my boy was that freshman dorm

781
00:43:33,560 --> 00:43:37,279
Speaker 1: was third North wait really and yeah, and then he

782
00:43:37,440 --> 00:43:40,960
Speaker 1: was at Lafayette and it's been a big n my

783
00:43:41,080 --> 00:43:43,000
Speaker 1: U week for me because then went I went to graduate.

784
00:43:43,800 --> 00:43:49,560
Speaker 1: He was like he was like two thousand nine, but

785
00:43:49,640 --> 00:43:52,080
Speaker 1: we overlapped with him. He was Strasbourg. Oh so yeah,

786
00:43:52,120 --> 00:43:54,439
Speaker 1: he must have been a school when we were so yeah, yeah,

787
00:43:54,440 --> 00:43:56,480
Speaker 1: so we were there he must have been there's been

788
00:43:56,520 --> 00:43:58,880
Speaker 1: graduated nine okay, yeah, he must have been a freshman

789
00:43:58,960 --> 00:44:01,200
Speaker 1: senior when we were freshman anyway, and then they did

790
00:44:01,280 --> 00:44:04,399
Speaker 1: Today's Show with Jacob sober Off and he was like,

791
00:44:05,320 --> 00:44:07,640
Speaker 1: I was at Haydn and then now it's called something else.

792
00:44:07,960 --> 00:44:11,880
Speaker 1: Remember he's very cute. He's very cute, is he? G

793
00:44:12,080 --> 00:44:16,359
Speaker 1: A y No, he's not very h E T E

794
00:44:16,560 --> 00:44:19,560
Speaker 1: r oh Okay yeah yeah, yeah, sorry to this man.

795
00:44:19,880 --> 00:44:23,879
Speaker 1: Sorry to this man. Um. For some reason, maybe this

796
00:44:23,960 --> 00:44:27,239
Speaker 1: is the year of me like coming to terms with

797
00:44:27,280 --> 00:44:30,000
Speaker 1: my n y U e LAM identity because I kind

798
00:44:30,000 --> 00:44:32,800
Speaker 1: of I've kind of blocked it out for several years

799
00:44:33,760 --> 00:44:37,120
Speaker 1: before this. I just every now and then I'll be like, oh, yeah,

800
00:44:37,120 --> 00:44:40,799
Speaker 1: I went to that school. Okay, I forget that I

801
00:44:40,840 --> 00:44:42,680
Speaker 1: went there until I remember, you know what I mean, Like,

802
00:44:42,880 --> 00:44:45,239
Speaker 1: it's it's so funny to have gone to college there,

803
00:44:45,239 --> 00:44:47,279
Speaker 1: because I guess like when you go to n y

804
00:44:47,320 --> 00:44:48,799
Speaker 1: U was just sort of like like you're just in

805
00:44:48,840 --> 00:44:51,200
Speaker 1: New York City and so that kind of is the vibe.

806
00:44:51,600 --> 00:44:56,400
Speaker 1: But I don't know, the city is your campus even period.

807
00:44:56,760 --> 00:45:01,240
Speaker 1: Here at n y U, the city is your campus. God,

808
00:45:01,480 --> 00:45:04,400
Speaker 1: should we go back and do like a corny asps

809
00:45:04,400 --> 00:45:06,839
Speaker 1: a or no, never accept money from them. No, I

810
00:45:06,840 --> 00:45:09,440
Speaker 1: don't want to accept money from them. Sorry, and I'm

811
00:45:09,480 --> 00:45:12,480
Speaker 1: never giving you money. Stopped sending me this a lum bullshit.

812
00:45:13,200 --> 00:45:15,480
Speaker 1: Oh yeah, it's so funny to me. It's like, you

813
00:45:15,560 --> 00:45:18,520
Speaker 1: don't you have more than enough from me, Thank you

814
00:45:18,600 --> 00:45:23,719
Speaker 1: very much. I'm not giving you a shilling. You're not

815
00:45:23,760 --> 00:45:32,720
Speaker 1: gonna from Matt Rodgers, are there? There's an exciting development. Um.

816
00:45:32,760 --> 00:45:36,160
Speaker 1: I will say is that you and my and are good.

817
00:45:36,239 --> 00:45:41,120
Speaker 1: Judy Joel can Booster competed on Celebrity Jeopardy recently and

818
00:45:41,200 --> 00:45:44,040
Speaker 1: the episode will be coming out and I didn't compete

819
00:45:44,080 --> 00:45:48,320
Speaker 1: against Joe Kim No, that's right. But we taped episodes

820
00:45:48,360 --> 00:45:50,600
Speaker 1: on the same day. I think I can say that,

821
00:45:51,120 --> 00:45:55,120
Speaker 1: and I can't say how it went, but I can

822
00:45:55,239 --> 00:45:59,520
Speaker 1: say that it's going to be a good content and

823
00:46:00,000 --> 00:46:05,880
Speaker 1: it watch the whole episode, four episodes. Honestly, it was

824
00:46:06,080 --> 00:46:08,880
Speaker 1: really fun. Um. I had a nice little conversation with

825
00:46:08,880 --> 00:46:12,239
Speaker 1: Miam Biolic. Yes, I actually I told her. I was like,

826
00:46:12,920 --> 00:46:15,200
Speaker 1: I was like, you had a podcast episode with Kelly

827
00:46:15,200 --> 00:46:19,000
Speaker 1: Clarkson that was like so good because they Kelly Clarkson

828
00:46:19,080 --> 00:46:22,920
Speaker 1: was on Miam's podcast and it was like such a good,

829
00:46:22,920 --> 00:46:27,040
Speaker 1: honest episode of it was giving good podcast and I

830
00:46:27,040 --> 00:46:29,080
Speaker 1: had to tell her. I was like I really enjoyed that,

831
00:46:29,120 --> 00:46:32,880
Speaker 1: and she was very nice and lovely. I will say,

832
00:46:33,239 --> 00:46:35,760
Speaker 1: when you are on Jeopardy, which is like so surreal,

833
00:46:36,480 --> 00:46:40,399
Speaker 1: like it's so crazy, it's such a beautiful stage, like

834
00:46:40,480 --> 00:46:43,000
Speaker 1: it's like and like I can't say who I competed against.

835
00:46:43,080 --> 00:46:47,080
Speaker 1: It was a really fun group and you do think like,

836
00:46:47,120 --> 00:46:50,480
Speaker 1: oh my god, like to watch Alex Trebec stomp out

837
00:46:50,520 --> 00:46:53,600
Speaker 1: here and do it like so majestic, like he really was,

838
00:46:53,800 --> 00:46:56,680
Speaker 1: so he had the gravitas. And one thing I loved

839
00:46:56,680 --> 00:47:00,239
Speaker 1: about Mayam was she didn't come out beforehand to like

840
00:47:00,280 --> 00:47:02,080
Speaker 1: say hi, how are you? Thank you for doing this?

841
00:47:02,360 --> 00:47:04,120
Speaker 1: It was just we saw her for the first time

842
00:47:04,239 --> 00:47:07,319
Speaker 1: live on the day she came out and hit the

843
00:47:07,320 --> 00:47:09,719
Speaker 1: podium and then started the game, and I was like, yes,

844
00:47:09,840 --> 00:47:14,480
Speaker 1: I thought that was actually like I was like, I

845
00:47:14,560 --> 00:47:17,359
Speaker 1: was like absolutely, I was like say hi to us,

846
00:47:17,400 --> 00:47:20,600
Speaker 1: you're the host of the period. And then I did

847
00:47:20,680 --> 00:47:23,880
Speaker 1: think like wow, what the added nerves it must have

848
00:47:23,960 --> 00:47:27,200
Speaker 1: been to have like tripbec like stalk out there and

849
00:47:27,400 --> 00:47:29,480
Speaker 1: that tall drink of water and like do it like,

850
00:47:29,520 --> 00:47:31,440
Speaker 1: oh my god. But like I said, I had an

851
00:47:31,480 --> 00:47:35,840
Speaker 1: amazing time. It's it's a sophisticated show, and that it

852
00:47:35,960 --> 00:47:38,440
Speaker 1: is like I would only ever host a game show

853
00:47:39,000 --> 00:47:43,200
Speaker 1: if it well I'm saying not that, I'm saying I

854
00:47:43,239 --> 00:47:45,359
Speaker 1: would only host a game show if it was like

855
00:47:45,520 --> 00:47:48,000
Speaker 1: if it wasn't like, hey, here we are playing this,

856
00:47:48,680 --> 00:47:50,200
Speaker 1: I would only host a game shop it was like

857
00:47:50,560 --> 00:47:53,359
Speaker 1: welcome to the game show and here we go, you know,

858
00:47:53,440 --> 00:47:55,480
Speaker 1: like that kind of thing. And I think maybe the

859
00:47:55,520 --> 00:47:58,240
Speaker 1: play is about that. I think the play is about

860
00:47:58,320 --> 00:48:00,960
Speaker 1: a game show that's very like by it and like

861
00:48:01,040 --> 00:48:06,960
Speaker 1: low frequencies that we're going to do. Yeah, And I

862
00:48:07,080 --> 00:48:09,480
Speaker 1: just think like there's something there. And then like, is

863
00:48:09,480 --> 00:48:11,160
Speaker 1: it a play where you play the host and I

864
00:48:11,160 --> 00:48:15,640
Speaker 1: play the contestant and I challenge your conceptions of what

865
00:48:15,719 --> 00:48:18,560
Speaker 1: you thought the game was. I think it's write this down.

866
00:48:18,600 --> 00:48:20,160
Speaker 1: I think this is a good tention with the tick,

867
00:48:20,239 --> 00:48:22,560
Speaker 1: with the sort of young gravy tick to believe we're

868
00:48:22,560 --> 00:48:26,360
Speaker 1: gonna write two movies. How does he challenge your conception

869
00:48:26,360 --> 00:48:29,759
Speaker 1: of your quiet game that you host them. It's not

870
00:48:29,800 --> 00:48:31,839
Speaker 1: about the game, you know, the game is always gonna

871
00:48:31,840 --> 00:48:36,560
Speaker 1: be quiet, Okay, no, it's okay. Well you obviously the

872
00:48:36,760 --> 00:48:40,160
Speaker 1: obviously like the sort of let's just say this is

873
00:48:40,200 --> 00:48:41,800
Speaker 1: not the right usage of the term, but the Chekhov's

874
00:48:41,840 --> 00:48:44,000
Speaker 1: gun is that like, at one point I yell and

875
00:48:44,040 --> 00:48:46,560
Speaker 1: things get loud and people scream and like, and then

876
00:48:46,600 --> 00:48:50,879
Speaker 1: that disrupts the entire sort of like equilibrium of the thing,

877
00:48:50,920 --> 00:48:52,919
Speaker 1: where it's like, this is supposed to be a quiet game,

878
00:48:52,960 --> 00:48:54,560
Speaker 1: So why are we why are we yelling? And like

879
00:48:54,680 --> 00:48:57,240
Speaker 1: that's when the audience gets nervous, you know. So maybe

880
00:48:57,280 --> 00:49:00,919
Speaker 1: it's that you have a pomp and circumstance. M hmm.

881
00:49:01,600 --> 00:49:04,759
Speaker 1: Way to say it, Yeah, you you have, you have

882
00:49:04,840 --> 00:49:07,440
Speaker 1: a dignity and serenity around this game. And then when

883
00:49:07,440 --> 00:49:10,240
Speaker 1: someone comes in and challenges that, that's when the play begins.

884
00:49:10,280 --> 00:49:12,600
Speaker 1: And the play is the thing. The play is the thing.

885
00:49:13,040 --> 00:49:17,919
Speaker 1: I feel like, I'm I'm not tripping here, am I Like?

886
00:49:18,320 --> 00:49:21,960
Speaker 1: That sounds like a really solid piece of player. It

887
00:49:22,000 --> 00:49:26,040
Speaker 1: sounds like a huge commercial play. I never said commercial. No,

888
00:49:26,200 --> 00:49:27,959
Speaker 1: and it is. It's going to be really important because

889
00:49:27,960 --> 00:49:30,319
Speaker 1: when people buy tickets to this big commercial play, they're

890
00:49:30,360 --> 00:49:33,640
Speaker 1: also buying tickets to two gay men on stage together.

891
00:49:34,200 --> 00:49:39,040
Speaker 1: It's a story you can't do that. It's a story now, man,

892
00:49:40,520 --> 00:49:42,359
Speaker 1: you have to What are you gonna do? Not laugh

893
00:49:43,640 --> 00:49:48,640
Speaker 1: because they save me from crying? No, um, I think no,

894
00:49:48,760 --> 00:49:53,200
Speaker 1: this is the plan. Literally, the the venue idea is

895
00:49:53,280 --> 00:49:55,680
Speaker 1: New York Theater Workshops, so that we're there and then

896
00:49:55,719 --> 00:49:57,239
Speaker 1: I get to go up to the people who run

897
00:49:57,280 --> 00:50:01,400
Speaker 1: the damn website and go change the ticketing system. Twenty

898
00:50:01,480 --> 00:50:04,600
Speaker 1: years ago, I couldn't buy tickets to Merrily. Why do

899
00:50:04,640 --> 00:50:06,600
Speaker 1: you think this is gonna happen in twenty years? I

900
00:50:06,640 --> 00:50:09,000
Speaker 1: don't know, because places takes our art takes a long time,

901
00:50:09,080 --> 00:50:13,759
Speaker 1: because years art takes a long time. Yeah. Ak, that's

902
00:50:13,760 --> 00:50:16,239
Speaker 1: bones nice way of saying I'm too fucking booked to

903
00:50:16,320 --> 00:50:21,359
Speaker 1: do a play. Um what else? What else? I? Um? Housewives?

904
00:50:21,960 --> 00:50:24,839
Speaker 1: Oh yeah, well the Salt Lake girls are sucking back.

905
00:50:25,040 --> 00:50:27,399
Speaker 1: Let's just say that. And in a moment too soon,

906
00:50:28,120 --> 00:50:29,960
Speaker 1: did you enjoy the premiere? Because I know that you

907
00:50:30,040 --> 00:50:34,000
Speaker 1: sort of you dragged your feet with salt Like not really,

908
00:50:34,000 --> 00:50:35,920
Speaker 1: I just the trailer just didn't hit me. Maybe I

909
00:50:35,960 --> 00:50:37,760
Speaker 1: was just not in a good, in the right mindset

910
00:50:37,800 --> 00:50:39,120
Speaker 1: for the trailer when it came out, But I was like,

911
00:50:39,160 --> 00:50:41,040
Speaker 1: this looks fine, and like the whole black guy. I think,

912
00:50:41,080 --> 00:50:43,400
Speaker 1: like Heather's black eye. I'm like, she fell Okay, no

913
00:50:43,440 --> 00:50:46,960
Speaker 1: one hit her, she fell down. Hit her, fucking I

914
00:50:47,160 --> 00:50:50,719
Speaker 1: sock it on, you know, a banister the end, Like,

915
00:50:50,880 --> 00:50:53,640
Speaker 1: let's not draw this out. But UM like that maybe

916
00:50:53,680 --> 00:50:55,759
Speaker 1: like bugged me the entire time. I'm like, why are

917
00:50:55,760 --> 00:50:58,359
Speaker 1: we pretending anyway? Um, It's wonderful. I'm so glad these

918
00:50:58,680 --> 00:51:00,839
Speaker 1: these women are back. I was watching it at work

919
00:51:00,920 --> 00:51:05,640
Speaker 1: with the last um and they were like, Heather's the

920
00:51:05,680 --> 00:51:12,799
Speaker 1: only one. And I was like, I guess no wrong,

921
00:51:11,560 --> 00:51:15,360
Speaker 1: I said, and then push their head. Yeah, okay, what

922
00:51:15,360 --> 00:51:18,560
Speaker 1: do you think? What do you think Heather is not

923
00:51:18,680 --> 00:51:20,560
Speaker 1: the only one? Okay, So this is this is my

924
00:51:20,719 --> 00:51:22,680
Speaker 1: This is my take on the first episode of Salta

925
00:51:22,760 --> 00:51:30,160
Speaker 1: City Housewives O. One. Lisa Barlow is a one of

926
00:51:30,160 --> 00:51:33,520
Speaker 1: a kind creature for television and her walking in with

927
00:51:33,560 --> 00:51:35,759
Speaker 1: her diet coke, she now like knows what she's doing

928
00:51:35,880 --> 00:51:40,080
Speaker 1: enough to the cup to her head. Yeah yeah. And

929
00:51:40,160 --> 00:51:44,520
Speaker 1: I think that she is kind in the sense that

930
00:51:44,600 --> 00:51:46,919
Speaker 1: she makes things happen in the show without it being

931
00:51:46,960 --> 00:51:49,360
Speaker 1: like I'm producing. She just kind of put herself in

932
00:51:49,440 --> 00:51:52,600
Speaker 1: situations where they get emotionally heated and we have to

933
00:51:52,640 --> 00:51:56,080
Speaker 1: respect that, like her crying breaking down to Seth at

934
00:51:56,080 --> 00:51:58,120
Speaker 1: the end of the episode when Meredith wouldn't even turn

935
00:51:58,120 --> 00:52:00,560
Speaker 1: her back at the end, that that to me was

936
00:52:00,600 --> 00:52:03,839
Speaker 1: the Housewives that I like, that's like and it's honest. Yes,

937
00:52:03,960 --> 00:52:07,560
Speaker 1: it feels real, and it feels based on something crazy

938
00:52:07,680 --> 00:52:11,080
Speaker 1: that that a person would do like and and I

939
00:52:11,520 --> 00:52:14,520
Speaker 1: just I love that. I think that everything Meredith is

940
00:52:14,520 --> 00:52:16,680
Speaker 1: saying about Lisa and these rumors about her cheating and

941
00:52:16,680 --> 00:52:18,720
Speaker 1: doing sexual favors in order to get you to tequila

942
00:52:18,760 --> 00:52:22,200
Speaker 1: in certain establishments is I don't I don't believe it,

943
00:52:22,280 --> 00:52:25,359
Speaker 1: and I don't think it's not very Is that not

944
00:52:25,480 --> 00:52:29,160
Speaker 1: very produced? Like Meredith trying to produce. I understand why

945
00:52:29,239 --> 00:52:31,360
Speaker 1: she's doing it, and I almost think there is a

946
00:52:31,440 --> 00:52:34,759
Speaker 1: hidden point to doing it, which is see, look, I

947
00:52:34,760 --> 00:52:38,839
Speaker 1: can just say any fucking thing too, because I also

948
00:52:38,920 --> 00:52:41,800
Speaker 1: don't believe that Meredith fucked half of New York, you

949
00:52:41,840 --> 00:52:43,799
Speaker 1: know what I mean. But Lisa got to just say that,

950
00:52:43,840 --> 00:52:45,600
Speaker 1: and then it gets to be out there and Meredith

951
00:52:45,600 --> 00:52:48,040
Speaker 1: feels with the strife. Well guess what, bitch, I can

952
00:52:48,080 --> 00:52:50,920
Speaker 1: say whatever I fucking want to, and people can decide

953
00:52:50,920 --> 00:52:53,239
Speaker 1: whether or not it's true. How do you like it? So?

954
00:52:53,320 --> 00:52:56,640
Speaker 1: I do think it is a while. It's a wild response,

955
00:52:56,680 --> 00:53:00,719
Speaker 1: and it's like it decidedly engaged for spons and I

956
00:53:00,800 --> 00:53:05,560
Speaker 1: don't think it's true. I understand the intent of her

957
00:53:05,640 --> 00:53:10,040
Speaker 1: doing it. Yes, now read Heather, this is where I

958
00:53:10,080 --> 00:53:16,120
Speaker 1: pushed the last head. Yeah, well what's the last They

959
00:53:16,120 --> 00:53:19,320
Speaker 1: can hit me back? Okay. I challenged the last to

960
00:53:19,440 --> 00:53:23,920
Speaker 1: a fight only only upper body kicks, no kicks. And

961
00:53:23,960 --> 00:53:28,520
Speaker 1: they're lucky because I have a very strong leg, long

962
00:53:28,600 --> 00:53:35,319
Speaker 1: and powerful, long, powerful chat leg um. Heather got absolutely

963
00:53:35,360 --> 00:53:38,200
Speaker 1: smoked in her first scene by Whitney because when the

964
00:53:38,560 --> 00:53:41,400
Speaker 1: entire narrative has been the church is so hard, like

965
00:53:41,440 --> 00:53:44,440
Speaker 1: I'm such a bad Mormon, like leaving the church stressed

966
00:53:44,480 --> 00:53:46,640
Speaker 1: because of the church again today, like what about my

967
00:53:46,719 --> 00:53:49,560
Speaker 1: daughters in the church, like my parents in the church,

968
00:53:49,640 --> 00:53:52,080
Speaker 1: like me and the church, the church, the church. Whitney

969
00:53:52,120 --> 00:53:54,760
Speaker 1: comes in and she's like, guess what, Mama, I'm taking

970
00:53:54,800 --> 00:53:58,080
Speaker 1: myself off the fucking mailing list. I'm not even getting

971
00:53:58,080 --> 00:54:02,839
Speaker 1: into Heaven. I'm owing to hell officially. I printed out

972
00:54:02,840 --> 00:54:05,440
Speaker 1: a document that says I'm being damned and I'm going

973
00:54:05,480 --> 00:54:09,239
Speaker 1: to sign it. And Heather was just like okay, And

974
00:54:09,480 --> 00:54:13,080
Speaker 1: I bet she feels some type of way about the

975
00:54:13,120 --> 00:54:16,600
Speaker 1: fact that Whitney is living out the storyline in a

976
00:54:16,719 --> 00:54:21,160
Speaker 1: more explicit interesting way than Heather actually can, because at

977
00:54:21,200 --> 00:54:24,719
Speaker 1: the end of the day, Heather can't like woman up

978
00:54:24,840 --> 00:54:29,680
Speaker 1: enough to get herself off that registry. She doesn't. Yeah,

979
00:54:29,800 --> 00:54:34,719
Speaker 1: perhaps this is the first grain seed whatever into their

980
00:54:34,760 --> 00:54:37,359
Speaker 1: conflict with the rest of the season. I think it's

981
00:54:37,360 --> 00:54:39,920
Speaker 1: something because I don't think I think if we're going

982
00:54:39,960 --> 00:54:42,920
Speaker 1: to set the whole thing up with Whitney and how

983
00:54:42,920 --> 00:54:44,400
Speaker 1: the I have a falling out and then this is

984
00:54:44,400 --> 00:54:46,760
Speaker 1: going to be the first thing we open on them doing,

985
00:54:47,560 --> 00:54:52,400
Speaker 1: I think that it must be a thing. Yeah, Whitney

986
00:54:52,440 --> 00:54:54,600
Speaker 1: is just doing this because she doesn't want to just

987
00:54:54,719 --> 00:54:59,319
Speaker 1: you know, have a door knock and it's the fucking church. Yeah,

988
00:54:59,440 --> 00:55:02,239
Speaker 1: we're just check in where's the money. I get it.

989
00:55:02,280 --> 00:55:03,960
Speaker 1: I'm I'm on her side. I wouldn't want to be

990
00:55:04,000 --> 00:55:08,880
Speaker 1: bothered either. And I also think like, and we always

991
00:55:08,920 --> 00:55:10,920
Speaker 1: say this about how the when the reunions roll around,

992
00:55:10,920 --> 00:55:14,759
Speaker 1: but she seems extremely high on her own supply reunions,

993
00:55:15,320 --> 00:55:19,799
Speaker 1: And it's just interesting because I feel like, and maybe

994
00:55:19,800 --> 00:55:23,000
Speaker 1: this is harsh, but I think she left the church,

995
00:55:23,239 --> 00:55:27,040
Speaker 1: but she's still just as righteous. I think she's still

996
00:55:27,120 --> 00:55:31,240
Speaker 1: just as judgmental and righteous as she always was, because

997
00:55:31,280 --> 00:55:33,160
Speaker 1: I think maybe she's not a member of the church,

998
00:55:33,480 --> 00:55:36,480
Speaker 1: but she's still someone that was formed by that church,

999
00:55:36,600 --> 00:55:40,719
Speaker 1: and her personality was heavily informed by the experience of

1000
00:55:40,760 --> 00:55:43,960
Speaker 1: being a religious Mormon and the way that she treats

1001
00:55:43,960 --> 00:55:46,799
Speaker 1: other people, the way that she's sort of and you'll

1002
00:55:46,840 --> 00:55:48,799
Speaker 1: notice that the thing she says about other women is,

1003
00:55:48,840 --> 00:55:51,279
Speaker 1: you don't treat me right. You you talk down to me,

1004
00:55:51,320 --> 00:55:53,400
Speaker 1: like you disregard me. You do this to me, you

1005
00:55:53,440 --> 00:55:55,799
Speaker 1: do this to me. But I feel she does that

1006
00:55:55,840 --> 00:56:01,919
Speaker 1: to other people and her she only thinks in terms

1007
00:56:01,960 --> 00:56:06,640
Speaker 1: of status, I feel, which is interesting because I don't

1008
00:56:06,640 --> 00:56:08,480
Speaker 1: know how you feel and we haven't even spoken about.

1009
00:56:09,120 --> 00:56:13,480
Speaker 1: But this ally ship that Heather and Meredith still have

1010
00:56:13,800 --> 00:56:17,120
Speaker 1: with Jen, I don't think it's doing what they think

1011
00:56:17,120 --> 00:56:19,360
Speaker 1: it's doing it. I don't look at that and think, Wow,

1012
00:56:19,440 --> 00:56:23,920
Speaker 1: what good friends, right are dying with Jen? I think, guys,

1013
00:56:24,400 --> 00:56:27,560
Speaker 1: there's real victims here, Like this isn't even an Erica

1014
00:56:27,680 --> 00:56:30,439
Speaker 1: Jane thing, and the Beverly Hills women really do give

1015
00:56:30,480 --> 00:56:33,200
Speaker 1: ever Erica a harder time than these talt like city women.

1016
00:56:33,239 --> 00:56:38,920
Speaker 1: Give jen who's actually responsible for these people directly? You

1017
00:56:38,920 --> 00:56:41,920
Speaker 1: know whatever? I mean what Coach Shaw is an interesting

1018
00:56:42,000 --> 00:56:45,400
Speaker 1: character in all of this, I think. But watching Jen Shaw,

1019
00:56:45,480 --> 00:56:49,920
Speaker 1: the woman the person just like crumble in this way

1020
00:56:49,960 --> 00:56:52,839
Speaker 1: slowly and where they're on the vine, I go, oh,

1021
00:56:53,440 --> 00:56:56,840
Speaker 1: this is this ain't good and this is this is

1022
00:56:56,880 --> 00:56:58,560
Speaker 1: not ending well and we all know where this is headed,

1023
00:56:58,560 --> 00:57:00,560
Speaker 1: which is the guilty plea. But to watch her in

1024
00:57:00,560 --> 00:57:02,160
Speaker 1: the first episode be like, I'm not taking the plea

1025
00:57:02,239 --> 00:57:08,120
Speaker 1: deal Like, it's so like, oh, this fucking, this fucking person.

1026
00:57:09,200 --> 00:57:11,480
Speaker 1: I don't know. I wonder how they're going to make

1027
00:57:11,520 --> 00:57:15,360
Speaker 1: it interesting and compelling for an entire season. We we

1028
00:57:15,520 --> 00:57:17,600
Speaker 1: know she's going to be like, I'm mendicinea and minnicinea

1029
00:57:17,600 --> 00:57:20,480
Speaker 1: and medicine. Yet we know she's guilty and that she

1030
00:57:20,560 --> 00:57:23,720
Speaker 1: admits to guilt. So it's essentially just going to be

1031
00:57:23,920 --> 00:57:27,240
Speaker 1: us watching her gas slide and her friends all year,

1032
00:57:27,800 --> 00:57:30,760
Speaker 1: and ultimately I guess what's going to be interesting about

1033
00:57:30,800 --> 00:57:34,200
Speaker 1: it is how they land knowing this is true? Right?

1034
00:57:35,280 --> 00:57:39,160
Speaker 1: Oh remind me um. The episode started in in a

1035
00:57:39,200 --> 00:57:44,000
Speaker 1: beautiful sort of artistic display of editing, Like I feel

1036
00:57:44,040 --> 00:57:47,600
Speaker 1: like the way it was edited was wonderful, true prime Well,

1037
00:57:47,640 --> 00:57:51,080
Speaker 1: it was like these like you know whatever, like desaturated

1038
00:57:51,120 --> 00:57:55,880
Speaker 1: shots of like the women being like it's how they're being, like,

1039
00:57:56,040 --> 00:57:58,400
Speaker 1: my friendship with Whitney is as strong as ever, and

1040
00:57:58,440 --> 00:58:02,600
Speaker 1: then it cuts to like, is oh it was the

1041
00:58:02,640 --> 00:58:05,920
Speaker 1: first season confessionals, right, That's what it was, and it's

1042
00:58:05,960 --> 00:58:09,600
Speaker 1: just like this is all being completely turned on its head.

1043
00:58:09,840 --> 00:58:12,400
Speaker 1: Every single thing these women, like, all these things that

1044
00:58:12,520 --> 00:58:14,720
Speaker 1: each of these women are saying will be completely and

1045
00:58:15,400 --> 00:58:22,840
Speaker 1: the foundations of all these characters is yes, beautiful way

1046
00:58:22,840 --> 00:58:25,520
Speaker 1: to start this season. I'm so excited. I'm pumped. I'm pumped.

1047
00:58:25,640 --> 00:58:28,120
Speaker 1: And so that that did what the trailer was trying

1048
00:58:28,160 --> 00:58:30,040
Speaker 1: to do, I think, which is to like excite me.

1049
00:58:30,600 --> 00:58:33,560
Speaker 1: And I'm glad they saved it for the actual episode

1050
00:58:33,800 --> 00:58:35,960
Speaker 1: because now I'm like, I can't wait to see how

1051
00:58:36,040 --> 00:58:42,200
Speaker 1: this turns out. This weekend is the premiere of Potomac.

1052
00:58:42,640 --> 00:58:47,240
Speaker 1: I can't wait. And I've seen it Lucky fool, and

1053
00:58:47,680 --> 00:58:51,400
Speaker 1: it is delivering. And I will say, it feels like

1054
00:58:51,560 --> 00:58:57,000
Speaker 1: Bravo has realized Potomac is that girl. Yes, And because

1055
00:58:57,000 --> 00:59:02,760
Speaker 1: they got new outfits for the like um intro, they

1056
00:59:02,760 --> 00:59:05,479
Speaker 1: it's leveled up, Like I can't tell you, Like, there's

1057
00:59:05,520 --> 00:59:08,880
Speaker 1: just a there's a quality to it. There's an awareness.

1058
00:59:09,000 --> 00:59:11,520
Speaker 1: There's an awareness. There's an awareness, and it's like it's

1059
00:59:11,520 --> 00:59:13,960
Speaker 1: almost like they've they've been like, okay, girls, you can

1060
00:59:14,000 --> 00:59:17,000
Speaker 1: be the girls now. But that's and I'm so glad

1061
00:59:17,040 --> 00:59:20,200
Speaker 1: they're finally getting rewarded because five out of seven of

1062
00:59:20,240 --> 00:59:24,240
Speaker 1: those women are original season one people, like the retention

1063
00:59:24,400 --> 00:59:29,760
Speaker 1: on that on that show is remarkable. For seven seasons,

1064
00:59:30,600 --> 00:59:36,160
Speaker 1: five of these women have stayed, is it? Is it? Karen, Giselle, Ashley, Robin,

1065
00:59:37,080 --> 00:59:39,840
Speaker 1: and um Are might just be four, it's four, and

1066
00:59:39,840 --> 00:59:43,080
Speaker 1: then Sharie is now and so that's five, and then

1067
00:59:43,160 --> 00:59:48,200
Speaker 1: there's obviously Wendy, Candice and Miya. And the only person

1068
00:59:48,240 --> 00:59:52,440
Speaker 1: who's like out completely is Monique correct. So yeah, yeah,

1069
00:59:52,480 --> 00:59:56,440
Speaker 1: So honestly, which is I think why some of these

1070
00:59:56,440 --> 00:59:59,480
Speaker 1: other franchises aren't feeling as successful anymore is because it

1071
00:59:59,520 --> 01:00:02,800
Speaker 1: feels like we either lost the core group or the

1072
01:00:02,800 --> 01:00:05,160
Speaker 1: core group lost it. I think in the case of

1073
01:00:05,320 --> 01:00:08,880
Speaker 1: New York, the core group lost it, whereas like, you know,

1074
01:00:08,960 --> 01:00:13,560
Speaker 1: and the core group is gone, and now it's just

1075
01:00:13,680 --> 01:00:17,040
Speaker 1: like are they friends? Like would these women ever hang

1076
01:00:17,080 --> 01:00:20,680
Speaker 1: out like I don't. I can't answer that. The Potomac,

1077
01:00:20,720 --> 01:00:27,000
Speaker 1: I'm like, the lines are clearly drawn, and it's fun

1078
01:00:27,080 --> 01:00:31,760
Speaker 1: to have those lines be completely like erased. To have

1079
01:00:31,880 --> 01:00:35,600
Speaker 1: Candice and Ashley team up this season is so exciting

1080
01:00:35,640 --> 01:00:40,360
Speaker 1: to me. These two women fucking hate each other truly. Yeah,

1081
01:00:40,800 --> 01:00:44,240
Speaker 1: every single one of the characters on the show starts

1082
01:00:44,280 --> 01:00:49,439
Speaker 1: off with a really strong storyline right away, like it's

1083
01:00:49,480 --> 01:00:53,160
Speaker 1: it's and I'm I mean across the board, like there's

1084
01:00:53,240 --> 01:00:55,960
Speaker 1: no one that After the first episode of Potomac, you're like,

1085
01:00:56,240 --> 01:00:58,800
Speaker 1: they're gonna have a week season. Everyone is set up

1086
01:00:58,800 --> 01:01:05,040
Speaker 1: for an incredibly strong season, I would say, especially Ashley, Like,

1087
01:01:05,040 --> 01:01:10,560
Speaker 1: like Ashley, it's about her and um, there's still so

1088
01:01:10,640 --> 01:01:15,040
Speaker 1: much places to go with that storyline, and there's so

1089
01:01:15,120 --> 01:01:18,200
Speaker 1: much discussion to be had about how she's handling it

1090
01:01:18,520 --> 01:01:21,280
Speaker 1: because it is not what you think. It's not a

1091
01:01:21,320 --> 01:01:25,200
Speaker 1: one to one like it's a divorce, Like it's complicated,

1092
01:01:25,760 --> 01:01:28,880
Speaker 1: and they're all going to have very interesting opinions on it.

1093
01:01:29,000 --> 01:01:32,200
Speaker 1: And Yeah, I'm just excited for you to see it.

1094
01:01:32,240 --> 01:01:35,240
Speaker 1: Because also I won't spoil anything, but one of the

1095
01:01:35,280 --> 01:01:38,600
Speaker 1: women has a very interesting connection with a character from

1096
01:01:38,600 --> 01:01:48,520
Speaker 1: another franchise, which is really good. This is all episode one. Wow. Yeah,

1097
01:01:48,640 --> 01:01:50,520
Speaker 1: so we can talk about it more next week or not.

1098
01:01:50,800 --> 01:01:54,760
Speaker 1: We have but but Potomacs giving and salt Like, salt

1099
01:01:54,800 --> 01:01:56,400
Speaker 1: Like and Potomac and at the same time that is

1100
01:01:56,400 --> 01:02:00,919
Speaker 1: supremacy were eating and hopefully the union of Beverly Hills

1101
01:02:00,960 --> 01:02:05,680
Speaker 1: would give. Yes, um I Wilson, I'm just manifesting this.

1102
01:02:05,720 --> 01:02:08,840
Speaker 1: Would love to have a Candice of Karen on the pod.

1103
01:02:09,000 --> 01:02:11,600
Speaker 1: It's very soon, yeah, I mean that would be fab

1104
01:02:11,760 --> 01:02:14,120
Speaker 1: And also another thing is we have to have Casey

1105
01:02:14,120 --> 01:02:18,400
Speaker 1: and Danielle on Oh my god. We keep saying, I

1106
01:02:18,480 --> 01:02:21,080
Speaker 1: just course Danielle, I just Dan with daniel I think

1107
01:02:21,120 --> 01:02:22,880
Speaker 1: we want to do it in like a month, So

1108
01:02:22,920 --> 01:02:26,800
Speaker 1: like when the when the Beverly Hills reunion is wrapping up,

1109
01:02:27,040 --> 01:02:29,919
Speaker 1: Slash Salt Lake and Potomac get going a little bit more,

1110
01:02:30,120 --> 01:02:32,800
Speaker 1: we'll have a perfect I love it before winter, love that,

1111
01:02:32,960 --> 01:02:44,000
Speaker 1: love that. Oh, I can't wait. This is I don't

1112
01:02:44,000 --> 01:02:47,480
Speaker 1: think so, honey. This is our segments we do every episode.

1113
01:02:47,520 --> 01:02:50,280
Speaker 1: It's our one minute rant on something that is really

1114
01:02:50,480 --> 01:02:54,720
Speaker 1: grinding our gears and pop culture. Matt, do you have something, um,

1115
01:02:54,760 --> 01:02:56,520
Speaker 1: you know what's funny? I was just I was just

1116
01:02:56,600 --> 01:02:58,360
Speaker 1: you know, when I watched a bunch of episodes of

1117
01:02:58,480 --> 01:03:01,360
Speaker 1: Last Night the Voice, and I was like looking for it.

1118
01:03:01,400 --> 01:03:03,000
Speaker 1: I don't think so honey in the voice, and I

1119
01:03:03,040 --> 01:03:04,840
Speaker 1: have to say, there's still no I don't think so

1120
01:03:04,880 --> 01:03:07,320
Speaker 1: honey about the voice except maybe too many country singers.

1121
01:03:07,600 --> 01:03:10,200
Speaker 1: But Kamia Cabello is giving. And you know what I

1122
01:03:10,280 --> 01:03:12,920
Speaker 1: noticed about Carson Daly, he really gets excited with the

1123
01:03:12,920 --> 01:03:15,000
Speaker 1: families when the when the people get the chair turned

1124
01:03:15,040 --> 01:03:17,880
Speaker 1: for them, He's like a little nerd. So I thought,

1125
01:03:17,880 --> 01:03:19,280
Speaker 1: maybe what I do it? I don't think so honey

1126
01:03:19,320 --> 01:03:21,640
Speaker 1: about the voice, but I won't and I'm gonna do

1127
01:03:21,640 --> 01:03:24,040
Speaker 1: the other thing. I had an idea. Thank you for

1128
01:03:24,520 --> 01:03:27,400
Speaker 1: letting us speak into that, because the voice is just good. Yeah.

1129
01:03:27,680 --> 01:03:31,000
Speaker 1: The flying undestions anyway, can't poke holes? Okay, this is

1130
01:03:31,520 --> 01:03:33,520
Speaker 1: Matt Rodgers. I don't think so many. As time starts down,

1131
01:03:33,920 --> 01:03:36,400
Speaker 1: I don't think so honey. The spelling of the word fusia,

1132
01:03:37,080 --> 01:03:42,360
Speaker 1: so fusia spelled like this, f you c h s H.

1133
01:03:42,600 --> 01:03:45,600
Speaker 1: I M already lost the threat. It's what is it?

1134
01:03:45,960 --> 01:03:48,520
Speaker 1: What is no? No? I don't know you f U

1135
01:03:48,800 --> 01:03:52,520
Speaker 1: s c H I M no so it's Fusha should

1136
01:03:52,520 --> 01:03:54,320
Speaker 1: be spelled like this, let's just just go with me.

1137
01:03:54,400 --> 01:03:59,640
Speaker 1: Future should be spelled like this. Fu s c h right,

1138
01:04:00,120 --> 01:04:03,360
Speaker 1: Future it should be spelled like that. It's spelled like this.

1139
01:04:03,720 --> 01:04:09,000
Speaker 1: Fux it's like few fuc h is a few, sort

1140
01:04:09,040 --> 01:04:13,000
Speaker 1: of like Florence pu pu g h. But but even

1141
01:04:13,080 --> 01:04:17,120
Speaker 1: that is more clear than fusha. I just feel like

1142
01:04:17,280 --> 01:04:20,720
Speaker 1: you're asking for kids to be traumatized in a spelling

1143
01:04:20,800 --> 01:04:23,280
Speaker 1: be by spelling this a ward like this, and that's

1144
01:04:23,320 --> 01:04:26,160
Speaker 1: cruelty and that's blaying. You're not thinking about the children,

1145
01:04:26,200 --> 01:04:28,160
Speaker 1: and we have to think about the children much more.

1146
01:04:28,440 --> 01:04:31,240
Speaker 1: I don't think the spelling of fusha. You're tripping up

1147
01:04:31,240 --> 01:04:34,000
Speaker 1: six graders everywhere, and this thirty two year old man,

1148
01:04:34,040 --> 01:04:36,120
Speaker 1: I don't think so, honey. And that's one minute. This

1149
01:04:36,240 --> 01:04:38,360
Speaker 1: all him about because I was wearing a future suit

1150
01:04:38,440 --> 01:04:40,680
Speaker 1: to an event the other night. You look gorgeous at

1151
01:04:40,680 --> 01:04:43,320
Speaker 1: the I think the Equality Awards, you and Joel and Torreon,

1152
01:04:43,360 --> 01:04:47,720
Speaker 1: Oh my god, we're giving me a quality award, Visibility Awards,

1153
01:04:47,800 --> 01:04:51,640
Speaker 1: Sister Support. You guys all look so good. Thank you. Um,

1154
01:04:51,640 --> 01:04:55,320
Speaker 1: and you were there in spirit winning the award as well. Um.

1155
01:04:55,480 --> 01:04:58,440
Speaker 1: But anyway, I was like, wow, I wore fusha and

1156
01:04:58,440 --> 01:05:00,480
Speaker 1: I went to spell it, and it took me so

1157
01:05:00,520 --> 01:05:03,240
Speaker 1: long to find the correct spelling of fusha. And then

1158
01:05:03,280 --> 01:05:07,000
Speaker 1: I was like, what is the etymology of this one? Honey, like, yeah,

1159
01:05:07,000 --> 01:05:10,080
Speaker 1: what is it? Let's look it up. Let's look it up.

1160
01:05:10,480 --> 01:05:13,960
Speaker 1: Fusa okay. So now I'm seeing the spelling is f

1161
01:05:14,200 --> 01:05:22,680
Speaker 1: U C H S I A, which tell me twice? Okay,

1162
01:05:22,680 --> 01:05:26,760
Speaker 1: what's the langue? What's the language? Or fusa okay. Fusia

1163
01:05:26,840 --> 01:05:34,040
Speaker 1: colory fusia language origin. Fuchsia is a vivid, pinkish purplesh

1164
01:05:34,040 --> 01:05:36,120
Speaker 1: red color named after the color of the flower of

1165
01:05:36,120 --> 01:05:38,840
Speaker 1: the fuchsia plant, which was named by a French botanist,

1166
01:05:39,200 --> 01:05:45,240
Speaker 1: Charles Plumier after the sixteenth century German botanist Leonard Fuchs.

1167
01:05:45,600 --> 01:05:49,280
Speaker 1: Want some letters to use, No, this isn't helping. I

1168
01:05:49,320 --> 01:05:52,920
Speaker 1: need to German. It must be a German word because

1169
01:05:53,760 --> 01:05:57,600
Speaker 1: because it was named H S U C H s

1170
01:05:57,680 --> 01:06:02,080
Speaker 1: is not us but whatever. I have a serious problem

1171
01:06:02,080 --> 01:06:04,640
Speaker 1: with the spelling of this word, and it's it's such

1172
01:06:04,640 --> 01:06:08,080
Speaker 1: a shame because such a beautiful color color, people are

1173
01:06:08,080 --> 01:06:11,240
Speaker 1: afraid of it because of the spelling. I really do

1174
01:06:11,400 --> 01:06:14,640
Speaker 1: think so can I ask you a question. Was that

1175
01:06:14,760 --> 01:06:18,760
Speaker 1: suit Fusia? Yes, it was okay. Thanks for all the

1176
01:06:18,760 --> 01:06:21,200
Speaker 1: readers that don't know. I suffer with color blindness. It's

1177
01:06:21,200 --> 01:06:25,160
Speaker 1: actually a fact that when my Wikipedia a little bit

1178
01:06:25,200 --> 01:06:30,160
Speaker 1: legit though it's so funny, it was like personal life,

1179
01:06:30,480 --> 01:06:33,200
Speaker 1: Rogers is gay, having come out at n N y U,

1180
01:06:33,320 --> 01:06:37,560
Speaker 1: he is color blind. Um, it's something about me that

1181
01:06:37,800 --> 01:06:42,880
Speaker 1: you need to know. Oh, if you're gonna love me,

1182
01:06:43,360 --> 01:06:46,920
Speaker 1: you need to accept me. If you're gonna love me,

1183
01:06:47,680 --> 01:06:51,120
Speaker 1: you need to look. Is this a good song? Yes,

1184
01:06:51,920 --> 01:06:56,040
Speaker 1: if you want to love me, you need to accept me.

1185
01:06:56,280 --> 01:06:58,800
Speaker 1: I think there's something interesting about the interval interval of

1186
01:06:59,160 --> 01:07:02,360
Speaker 1: you need to it's me. It's it's the phrasing of

1187
01:07:02,680 --> 01:07:09,120
Speaker 1: you to acampt me. It's like, you want to love me?

1188
01:07:09,680 --> 01:07:12,280
Speaker 1: That is so true. Sometimes I can do. This is

1189
01:07:12,320 --> 01:07:14,720
Speaker 1: what makes me the opposite of Bjork. It's because I

1190
01:07:14,800 --> 01:07:20,840
Speaker 1: say the truth right alect she hides behind it. She

1191
01:07:20,880 --> 01:07:25,240
Speaker 1: actually doesn't, She actually doesn't. She's very honest. She she

1192
01:07:25,320 --> 01:07:27,640
Speaker 1: says the truth. Don't you ever accused the York of

1193
01:07:27,680 --> 01:07:32,240
Speaker 1: that ever? Again? I've learned my lesson. All right, are

1194
01:07:32,240 --> 01:07:34,560
Speaker 1: you ready to do you? I don't think so, honey, yeah, yeah,

1195
01:07:35,040 --> 01:07:38,040
Speaker 1: all right, this is Yang and this is who. I

1196
01:07:38,080 --> 01:07:41,000
Speaker 1: don't think so honey, and it's time starts now. I

1197
01:07:41,000 --> 01:07:43,720
Speaker 1: don't think so honey. The first visual from Renaissance being

1198
01:07:43,760 --> 01:07:48,600
Speaker 1: a Tiffany commercial. It's been two months. We need something

1199
01:07:48,760 --> 01:07:53,320
Speaker 1: besides that beautiful trailer for I'm that girl. I know

1200
01:07:53,360 --> 01:07:55,960
Speaker 1: that Beyonce loves to edge us and we love her.

1201
01:07:56,160 --> 01:07:57,920
Speaker 1: We love her for it, and she really can do

1202
01:07:58,000 --> 01:08:01,919
Speaker 1: no wrong. She cannot. She really cannot funk this up

1203
01:08:01,960 --> 01:08:06,160
Speaker 1: except I'm down for her, like taking long breaks in

1204
01:08:06,200 --> 01:08:08,480
Speaker 1: between projects, but when the project is out and for

1205
01:08:08,520 --> 01:08:12,240
Speaker 1: her to still do this when she teaches visuals, it's

1206
01:08:12,320 --> 01:08:15,440
Speaker 1: it's it's tough on me, it's testing my patients. And

1207
01:08:15,520 --> 01:08:18,400
Speaker 1: I will wait as long as I need to for her.

1208
01:08:18,800 --> 01:08:20,559
Speaker 1: Oh my god. I went on the Type under Land

1209
01:08:20,560 --> 01:08:24,040
Speaker 1: Beyonce boat. It was the best. It was excellent, and

1210
01:08:24,160 --> 01:08:26,680
Speaker 1: everyone on the Saturday one at least that I was on,

1211
01:08:27,160 --> 01:08:31,000
Speaker 1: just was with every single word and note and fantastic.

1212
01:08:31,040 --> 01:08:33,200
Speaker 1: The only non Beyonce song he played was do It

1213
01:08:33,240 --> 01:08:37,600
Speaker 1: by Holley and Chloe Chloe Alley and you know, um,

1214
01:08:38,120 --> 01:08:43,160
Speaker 1: but oh my god, please give us a music video something. Yeah,

1215
01:08:43,200 --> 01:08:46,120
Speaker 1: that's one minute and I will say that I do agree.

1216
01:08:46,120 --> 01:08:48,760
Speaker 1: I'm sort of hungry for it, and to see the

1217
01:08:48,800 --> 01:08:53,720
Speaker 1: Tiffany's commercial was hard. Um, but I I remained steadfast

1218
01:08:53,720 --> 01:08:56,200
Speaker 1: in my trust of her. I remained steadfast in my trust,

1219
01:08:56,240 --> 01:08:58,760
Speaker 1: and I'm loving that she's helping. You know, everyone in

1220
01:08:58,760 --> 01:09:01,200
Speaker 1: that commercial who's just en thing, living and up having

1221
01:09:01,200 --> 01:09:03,559
Speaker 1: a good time. She's getting They're all getting their bag

1222
01:09:03,680 --> 01:09:06,880
Speaker 1: for this. I hope, um from a fucking diamond company.

1223
01:09:06,920 --> 01:09:10,320
Speaker 1: They better be paying these fucking people. Um. But I

1224
01:09:10,320 --> 01:09:12,160
Speaker 1: I you know, I would really love to see a

1225
01:09:12,280 --> 01:09:17,360
Speaker 1: fun visual companion to heated or to church girl, you know,

1226
01:09:17,560 --> 01:09:21,320
Speaker 1: like the whole thing. They're coming. They're female, but I

1227
01:09:21,360 --> 01:09:24,559
Speaker 1: want it now, I know. Okay, So wait, as we're

1228
01:09:24,600 --> 01:09:27,559
Speaker 1: talking about this, do you know what I just realized

1229
01:09:27,600 --> 01:09:31,000
Speaker 1: that we didn't even bring up is the fact that

1230
01:09:31,080 --> 01:09:35,600
Speaker 1: Rihanna announced. God, I can't believe we haven't talked about this,

1231
01:09:35,920 --> 01:09:37,920
Speaker 1: but we've been so distracted by the other pop culture

1232
01:09:37,960 --> 01:09:40,479
Speaker 1: news items of the day. Like what was your immediate

1233
01:09:40,520 --> 01:09:42,240
Speaker 1: thought when you saw that photo of her on her

1234
01:09:42,240 --> 01:09:46,320
Speaker 1: Instagram holding the football? That image is so powerful because

1235
01:09:46,320 --> 01:09:49,120
Speaker 1: you know immediately you know what it means, what was

1236
01:09:49,160 --> 01:09:53,200
Speaker 1: going down isn't that crazy? I mean, there's like just

1237
01:09:53,640 --> 01:09:59,680
Speaker 1: the impact to understanding sort of not It's like it

1238
01:09:59,720 --> 01:10:02,240
Speaker 1: all lapses into one point. You're like, I know exactly

1239
01:10:02,240 --> 01:10:08,800
Speaker 1: what's going on, and I went, oh, I can't come

1240
01:10:08,840 --> 01:10:12,040
Speaker 1: soon enough? Do we go to fucking Arizona for this? See? Okay?

1241
01:10:12,040 --> 01:10:15,160
Speaker 1: So and before this, like peek behind the curtain, there

1242
01:10:15,200 --> 01:10:18,240
Speaker 1: had been a heavy rumor that the super Bowl was

1243
01:10:18,280 --> 01:10:21,080
Speaker 1: going to be performed by none other than Taylor Swift.

1244
01:10:21,400 --> 01:10:25,240
Speaker 1: That now that the Pepsi sort of sponsorship has been

1245
01:10:26,040 --> 01:10:30,000
Speaker 1: and the contract is ended on Pepsi music, So then

1246
01:10:30,000 --> 01:10:31,840
Speaker 1: everyone was saying, it's Taylor, it's Taylor, it's Tail And

1247
01:10:31,920 --> 01:10:37,759
Speaker 1: I can I can confirm that the talks, the talks

1248
01:10:37,800 --> 01:10:41,920
Speaker 1: were talking like it was maybe going to be Taylor. Wow.

1249
01:10:42,200 --> 01:10:45,439
Speaker 1: Yeah yeah, I will ask you about that in a minute.

1250
01:10:45,680 --> 01:10:48,679
Speaker 1: Not from I'm not hearing this from the Taylor camp themselves, obviously,

1251
01:10:48,720 --> 01:10:50,439
Speaker 1: because they would never tell me that. But I'm just

1252
01:10:50,800 --> 01:10:53,240
Speaker 1: I can say that I had heard through reliable source

1253
01:10:54,240 --> 01:10:56,920
Speaker 1: it was very close to happening, and then it will happen.

1254
01:10:56,960 --> 01:10:59,960
Speaker 1: It will happen. I think it's I think it's next year.

1255
01:11:00,360 --> 01:11:01,720
Speaker 1: I think I don't if they want to take a

1256
01:11:01,720 --> 01:11:05,400
Speaker 1: break between like pop girlies. I think that they usually

1257
01:11:05,400 --> 01:11:08,000
Speaker 1: try not to like have it be pop girle after

1258
01:11:08,040 --> 01:11:10,799
Speaker 1: pop girl like, even though that's all I would want, Like,

1259
01:11:12,360 --> 01:11:14,200
Speaker 1: I think it will be an extra maybe the year after,

1260
01:11:14,280 --> 01:11:19,120
Speaker 1: definitely within five um depending. But I had texted you

1261
01:11:19,160 --> 01:11:20,760
Speaker 1: and I was like, Taylor is going to do the

1262
01:11:20,760 --> 01:11:25,040
Speaker 1: super Bowl? Are we going to fucking Dale Arizona? But

1263
01:11:25,120 --> 01:11:27,760
Speaker 1: the thing is like, it's because we've seen Taylor so

1264
01:11:27,920 --> 01:11:31,040
Speaker 1: much and like Rihanna. But for Rihanna, I mean, like,

1265
01:11:31,520 --> 01:11:34,080
Speaker 1: who is to say that she might not announce this

1266
01:11:34,120 --> 01:11:35,920
Speaker 1: is the last performance she's ever doing, you know what

1267
01:11:36,000 --> 01:11:38,479
Speaker 1: I mean? Some people are like, it'll be the new album,

1268
01:11:38,520 --> 01:11:40,639
Speaker 1: It'll be the new album. I'm like, I don't think

1269
01:11:40,640 --> 01:11:43,880
Speaker 1: it will. I really don't think she has no actual

1270
01:11:43,920 --> 01:11:46,760
Speaker 1: reason to go back into music, no reason to go

1271
01:11:46,800 --> 01:11:49,880
Speaker 1: back into music, and also no reason to need the

1272
01:11:49,960 --> 01:11:52,240
Speaker 1: super Bowl to launch her back into music, you know

1273
01:11:52,280 --> 01:11:54,080
Speaker 1: what I mean. It's not like it's not like she

1274
01:11:54,240 --> 01:11:58,280
Speaker 1: needs this to like remind us why Rihanna. We've all

1275
01:11:58,320 --> 01:12:02,040
Speaker 1: been I don't think we've did over someone to come

1276
01:12:02,080 --> 01:12:07,400
Speaker 1: back like this and a really long time. But she's not.

1277
01:12:08,720 --> 01:12:11,200
Speaker 1: I mean, there was rumors that she had music, and

1278
01:12:11,240 --> 01:12:14,200
Speaker 1: then and then like there was rumors she fully did not.

1279
01:12:14,800 --> 01:12:17,439
Speaker 1: And I don't think anyone can say definitively what's going

1280
01:12:17,479 --> 01:12:19,360
Speaker 1: on with that. But she is doing the super Bowl,

1281
01:12:19,680 --> 01:12:22,639
Speaker 1: and I wouldn't be surprised if we get no new

1282
01:12:22,760 --> 01:12:26,519
Speaker 1: songs that's entirely the greatest hits, because guess what that

1283
01:12:26,560 --> 01:12:29,040
Speaker 1: would be fine? Like that would be a fun show.

1284
01:12:29,160 --> 01:12:33,639
Speaker 1: You're singing along to every goddamn word, And what would

1285
01:12:33,640 --> 01:12:35,920
Speaker 1: be your highlights? What would be your most anticipated songs

1286
01:12:35,960 --> 01:12:42,520
Speaker 1: to see at Rihanna super Bowl? Pour it up? Definitely,

1287
01:12:42,720 --> 01:12:46,759
Speaker 1: I don't think, but she won't. But I want to start, Okay,

1288
01:12:46,800 --> 01:12:49,000
Speaker 1: So do you start or end with we Found Love?

1289
01:12:49,520 --> 01:12:51,880
Speaker 1: I think I think you. I think she ends with

1290
01:12:52,000 --> 01:12:56,600
Speaker 1: fucking like Umbrella. I think you start with umbrella and

1291
01:12:56,800 --> 01:13:02,360
Speaker 1: end what we found Love? Interesting? I think um and

1292
01:13:02,479 --> 01:13:10,880
Speaker 1: she ends with she ends with cake Eat Cake. I

1293
01:13:10,920 --> 01:13:13,040
Speaker 1: think I think I think she ends with I want

1294
01:13:13,040 --> 01:13:18,320
Speaker 1: to fucking right now. All it ends with, It ends

1295
01:13:18,360 --> 01:13:21,200
Speaker 1: with this is how it ends. She does all her numbers.

1296
01:13:21,360 --> 01:13:23,960
Speaker 1: Then there is a minute of darkness, and there's a

1297
01:13:23,960 --> 01:13:28,640
Speaker 1: minute of darkness. You hear the crowds, and then you

1298
01:13:28,720 --> 01:13:32,320
Speaker 1: just see a single. What you see on stage is

1299
01:13:32,560 --> 01:13:37,320
Speaker 1: just like a soft pink lighting starts to come up,

1300
01:13:38,280 --> 01:13:42,679
Speaker 1: and basically you then realize we're getting into you're getting

1301
01:13:42,680 --> 01:13:45,559
Speaker 1: into we're getting into ballad territory, and you just hear this,

1302
01:13:48,000 --> 01:14:06,720
Speaker 1: Oh my god, yes, chest but knows to know. Oh,

1303
01:14:06,920 --> 01:14:14,160
Speaker 1: it's just that close, et cetera. Until and the crowd

1304
01:14:14,200 --> 01:14:17,680
Speaker 1: is going, they're literally on their feet because it's the

1305
01:14:17,800 --> 01:14:21,240
Speaker 1: greatest song of all time, California King Bed. If she

1306
01:14:21,479 --> 01:14:25,599
Speaker 1: closes with California King Bed after a one minute sort

1307
01:14:25,640 --> 01:14:37,400
Speaker 1: of like a moment of silence that would heal society.

1308
01:14:41,080 --> 01:14:43,759
Speaker 1: Are you kidding? Are you kidding? We need a sound

1309
01:14:43,760 --> 01:14:47,840
Speaker 1: board just so we can go in this your kid,

1310
01:14:49,160 --> 01:14:50,559
Speaker 1: it sounds like we don't need the sound parts, und

1311
01:14:50,600 --> 01:14:52,400
Speaker 1: like you just you just belt it and whatever you

1312
01:14:52,439 --> 01:14:56,920
Speaker 1: want and we will all not along and go go off. Well,

1313
01:14:57,000 --> 01:14:59,840
Speaker 1: we have to get the end. Come on, okay, hold

1314
01:14:59,840 --> 01:15:02,080
Speaker 1: on of the of the chorus. That's what I mean.

1315
01:15:07,880 --> 01:15:16,880
Speaker 1: That a song. I'm actually not done with this episode. Wait, okay,

1316
01:15:16,880 --> 01:15:20,639
Speaker 1: so I want, I want, I want uh oh Nan,

1317
01:15:20,960 --> 01:15:23,719
Speaker 1: what's my Name? One of my favorite songs of all time?

1318
01:15:24,520 --> 01:15:27,280
Speaker 1: But don't but really, if there is a ballad she'll

1319
01:15:27,360 --> 01:15:32,160
Speaker 1: probably sing like stay, she'll sing stay um diamonds if

1320
01:15:32,160 --> 01:15:36,600
Speaker 1: we're counted in a ballad getting performed, for sure, that

1321
01:15:36,680 --> 01:15:39,719
Speaker 1: might even be last diamonds or first she'll do work

1322
01:15:40,240 --> 01:15:43,160
Speaker 1: um sex with me. I hope she just sex with me.

1323
01:15:44,320 --> 01:15:45,880
Speaker 1: I want the whole I want the whole stadium. I

1324
01:15:45,920 --> 01:15:49,639
Speaker 1: want Donald Trump watching it from Marrow, Laga going five fingers,

1325
01:15:50,200 --> 01:15:53,400
Speaker 1: I want I want all the America things, sucks with

1326
01:15:53,439 --> 01:16:02,240
Speaker 1: me together, sex with me so truly a super Bowl

1327
01:16:02,479 --> 01:16:05,920
Speaker 1: I mean that you cannot make the set list because

1328
01:16:05,960 --> 01:16:10,439
Speaker 1: there's too much good stuff. It's true. Remember when Harry

1329
01:16:10,439 --> 01:16:14,120
Speaker 1: Person did that Rihanna sing along at the pit that

1330
01:16:14,200 --> 01:16:17,760
Speaker 1: was that was maybe the best one because I was

1331
01:16:17,800 --> 01:16:20,559
Speaker 1: talking to Henry afterwards and he was like he really

1332
01:16:20,880 --> 01:16:25,840
Speaker 1: really don't always remember that, Like she has the songs. Yeah,

1333
01:16:25,960 --> 01:16:29,200
Speaker 1: there's so many fucking hits. Do you know what I

1334
01:16:29,200 --> 01:16:31,120
Speaker 1: think is actually going to happen at the very beginning

1335
01:16:31,120 --> 01:16:33,640
Speaker 1: of the Super Bowl? I still think we're gonna end

1336
01:16:33,640 --> 01:16:37,160
Speaker 1: on California king back. But basically, like I think what

1337
01:16:37,240 --> 01:16:39,639
Speaker 1: happens at the super Bowl is like the lights go down.

1338
01:16:39,680 --> 01:16:41,439
Speaker 1: Everyone knows it's going to start at the halftime show,

1339
01:16:41,600 --> 01:16:46,839
Speaker 1: and you hear the crowd, and then you just see

1340
01:16:47,479 --> 01:16:50,439
Speaker 1: a man in a fedora sort of walk out to

1341
01:16:50,479 --> 01:16:53,599
Speaker 1: the middle of the stage, and then a spotlight hits

1342
01:16:53,680 --> 01:16:57,519
Speaker 1: him and he has to freeze. And then you see

1343
01:16:57,600 --> 01:16:59,920
Speaker 1: Rihanna in a red dress and you just hear that

1344
01:17:00,040 --> 01:17:17,320
Speaker 1: us and she walks to him. Everything falls out and

1345
01:17:17,400 --> 01:17:20,519
Speaker 1: she holds a pose and then she lifts the mic

1346
01:17:20,600 --> 01:17:25,760
Speaker 1: up to her lips and she goes story in My Life, right,

1347
01:17:26,360 --> 01:17:32,840
Speaker 1: and then everyone's screaming. Everyone's on their feet, screaming, like

1348
01:17:35,600 --> 01:17:42,160
Speaker 1: because it's Unfaithful at the super Bowl. The fucking song

1349
01:17:42,640 --> 01:17:50,400
Speaker 1: on It's Unfaithful. Yeah, it's a screamer. The show is

1350
01:17:50,479 --> 01:18:00,160
Speaker 1: bookended by Unfaithful in California, came back my God, period period. Okay, well,

1351
01:18:00,160 --> 01:18:02,400
Speaker 1: I'm looking forward to that one. Looking forward to that one.

1352
01:18:02,439 --> 01:18:05,519
Speaker 1: I mean, look, we're looking if anyone can host us

1353
01:18:05,520 --> 01:18:08,320
Speaker 1: in Glendale. Let us know. I'm sorry not to pople

1354
01:18:08,439 --> 01:18:12,720
Speaker 1: on Arizona, but um whatever, whatever, I would do it,

1355
01:18:12,720 --> 01:18:14,800
Speaker 1: I would do it for Brianna. We should go stay

1356
01:18:14,840 --> 01:18:18,960
Speaker 1: with our ex producer, Megan McCain. Yeah, I'll talk to Meg,

1357
01:18:19,680 --> 01:18:24,880
Speaker 1: Hot hot girl Meg Meg. All right, Well, this has

1358
01:18:24,920 --> 01:18:29,719
Speaker 1: been a truly action packed jam packed, content packed, honesty

1359
01:18:29,880 --> 01:18:33,240
Speaker 1: Zone esque episode of Last Cultures Those Culture catch up

1360
01:18:33,720 --> 01:18:36,720
Speaker 1: absolutely let's I always love these I love I love

1361
01:18:36,800 --> 01:18:39,799
Speaker 1: doing them with you, my friend. This is sisters support,

1362
01:18:39,920 --> 01:18:42,679
Speaker 1: This is my dearest right here that I'm pointing out,

1363
01:18:43,720 --> 01:19:02,360
Speaker 1: and um, we end every episode with the song story

1364
01:19:02,400 --> 01:19:06,320
Speaker 1: I wear my life all right, but it keeps the

1365
01:19:06,400 --> 01:19:20,040
Speaker 1: bund to me time meaning that's a company. This guy

1366
01:19:22,920 --> 01:19:30,760
Speaker 1: a log again to know that he knows the all thing.

1367
01:19:38,520 --> 01:19:46,439
Speaker 1: The guy die. I don't want to do that. I

1368
01:19:46,439 --> 01:19:58,519
Speaker 1: don't want to meet reason why someone died. Ready, bore,

1369
01:20:04,520 --> 01:20:11,280
Speaker 1: let her do this lining Ready, I don't want to

1370
01:20:11,320 --> 01:20:14,240
Speaker 1: be met. I met her for more of that. Like

1371
01:20:14,760 --> 01:20:18,600
Speaker 1: a Girl Like Me by Rihanna, The Best Round album

1372
01:20:18,960 --> 01:20:24,600
Speaker 1: Bye