WEBVTT - Thurs Post Show (09-22-22)

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<v Speaker 1>It's time for the Bobby Bones post show. Here's your host,

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<v Speaker 1>Bobby Bones. Hello, welcome to Bobby Loves You. What you've

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<v Speaker 1>called this number for a reason, it's the wrong number.

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<v Speaker 1>I gotta go to love you. Yep, I'm out unknown

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<v Speaker 1>fact about Lunchbox Eddie. Eddie was a funny one. Yall

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<v Speaker 1>had no idea. But I get to sit next to

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<v Speaker 1>lunchbox and did you know that he doesn't type the

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<v Speaker 1>way you know you were taught to type with the

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<v Speaker 1>home keys and all that. He uses his index fingers.

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<v Speaker 1>I'm a peer. I've always said I'm a pecker. I

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<v Speaker 1>mean many people have too, and they don't know. Yeah,

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<v Speaker 1>I'm a pecker pecker, but I'm pretty good. I can

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<v Speaker 1>use my pointer fingers and my thumb. So I used

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<v Speaker 1>four fingers. I'm most peckers just use their fingers. But

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<v Speaker 1>I'm telling you what improved my typing is chatting on Facebook.

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<v Speaker 1>I'm a lot faster. We do it every day all

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<v Speaker 1>the time. I'm saying, like in high school, I took

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<v Speaker 1>a typing class where you had to try to do that,

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<v Speaker 1>and you would had to type these papers out and

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<v Speaker 1>everybody be done in ten minutes. And then me goofing

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<v Speaker 1>off roads of the class and there I am with

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<v Speaker 1>my peckers going boom boom boom boom, stressing out, and

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<v Speaker 1>I'd get it done with like a minute left to go.

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<v Speaker 1>In class. I tried for class. I tried to mean

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<v Speaker 1>you tried. I would sit there and be like yeah,

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<v Speaker 1>and I would you do it over and over it,

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<v Speaker 1>but I would fail because I would go on Facebook.

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<v Speaker 1>I would get a lot better. I would get bad

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<v Speaker 1>grades because I wasn't getting them done because I would

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<v Speaker 1>mess up so much I'd had to delete, go back

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<v Speaker 1>a A S d E. I don't know what you're

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<v Speaker 1>talking about. I'm just saying that you taught us are

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<v Speaker 1>home keys the home keys, and then you're supposed to

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<v Speaker 1>do it. And I would try to type those papers

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<v Speaker 1>and I would mess up so much that I was

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<v Speaker 1>running out of time, so I just had to peck.

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<v Speaker 1>That's it. You You look like a puppet. Yeah, pecks

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<v Speaker 1>twenty types, because that's like you have strings on your

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<v Speaker 1>arms up down, up down, up down. It looks like

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<v Speaker 1>a yeah, like a fraggle rock or like a muppet.

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<v Speaker 1>And the fingers are flying everywhere, like when he has

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<v Speaker 1>to move the finger all the way to get the

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<v Speaker 1>backspace and then oh my gosh when there's a shift

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<v Speaker 1>and you know exclamation point. It's crazy. Like we sit

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<v Speaker 1>turn in Show Pepper every night, Like, honestly, how long

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<v Speaker 1>does it take you to type up your stories? It

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<v Speaker 1>takes a little while. He's the last one to submit

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<v Speaker 1>right now, But listen, it's really doesn't take that long.

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<v Speaker 1>I'm I'm pretty quick with the peckers. Like, I'm like,

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<v Speaker 1>I can type. I mean, what do you gonna make

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<v Speaker 1>a type? I can type you something right now. You

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<v Speaker 1>shouldn't do it. Hey, look your peckers quick, right, And

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<v Speaker 1>we were okay with that. What's he doing? That's I

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<v Speaker 1>don't even care that much. I just thought it was funny. Yeah,

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<v Speaker 1>he's fine for as much as he has to pack its.

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<v Speaker 1>Pecker works fine. Boa tied to whole sentence, A whole sentence. Wow,

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<v Speaker 1>today we're going to Las Vegas. I'm gonna make millions

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<v Speaker 1>of dollars. I was just practicing positive thoughts for tomorrow.

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<v Speaker 1>Did you do a comma? Why would there be a

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<v Speaker 1>comma there? Today we're going to Las Vega. Guess comma?

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<v Speaker 1>He just blew his mind. No way did that? No,

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<v Speaker 1>I did another supposed to a comma, I would I

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<v Speaker 1>know they're supposed to be a comma there the pause? Man,

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<v Speaker 1>another one of those classes that you huh. Yeah, I

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<v Speaker 1>get that a lot sometimes, Like when I'm typing things,

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<v Speaker 1>It'll be like, oh, do you want to put a

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<v Speaker 1>comma on there? And I'm like, I guess if you guys,

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<v Speaker 1>won't you argues with it? Why would I do that?

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<v Speaker 1>He's talking to the paper clip, Hey, paper clip, the

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<v Speaker 1>paper clip the time? Yeah, what do you mean? What's

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<v Speaker 1>your reason behind this comma? That paper clip rock? He

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<v Speaker 1>was cool, man, he was really cool. He saved me

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<v Speaker 1>a lot. So this is not how we do a

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<v Speaker 1>resume usually. Would you like me to put this in? Yes?

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<v Speaker 1>I was absolute paper clip morgan. Someone stole a box

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<v Speaker 1>of stuff here that was yours, like a Titan stuff. Yes,

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<v Speaker 1>so I got my Titans thing in the mail and I, oh,

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<v Speaker 1>these guys are looking at each other at me. So

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<v Speaker 1>I looked at him looking at me. This or reaction

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<v Speaker 1>was to look at each other. So you're gonna say

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<v Speaker 1>the story, but something just happened over here, so go

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<v Speaker 1>ahead and explain what happens is I don't know? Well,

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<v Speaker 1>so my Titans box came and I opened it up

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<v Speaker 1>and I was like, cool, this is awesome, and I

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<v Speaker 1>left it sitting in the green room for me to

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<v Speaker 1>take home. I got a hoodie, some T shirt, some hats.

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<v Speaker 1>I knew what was in there. Well, I opened it

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<v Speaker 1>up before I laughed. I was like, just out of curiosity,

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<v Speaker 1>making sure everything's in here. I opened it up. The

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<v Speaker 1>hoodie's gone, So no, I don't have it anymore. I

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<v Speaker 1>hear Ray laughing to the glass, which the sound almost

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<v Speaker 1>never comes through the glass, right, What do you know? Nothing?

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<v Speaker 1>But it's just comical that stuff gets stolen. And I mean,

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<v Speaker 1>how are you going to steal the hoodie? You obviously

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<v Speaker 1>can't ever wear it? Who would you say? Where's the

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<v Speaker 1>most hoodies lunchbox? Do you have a new Titans hoodie?

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<v Speaker 1>Buy any chance? Guys? Don't. I'm not a Titans fan,

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<v Speaker 1>But you have hoodies from all kinds of stuff. Do

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<v Speaker 1>you have like pharmaceutical saleshood I have the Colorado Rockies,

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<v Speaker 1>not a fan of them. Did you steal Morgan Hoddy?

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<v Speaker 1>I would never do that. What are you doing the

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<v Speaker 1>voice like that voice? Do you have Morgan's hoodie? Nope?

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<v Speaker 1>Why are you looking around? You're saying he doesn't have

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<v Speaker 1>it right now. Yeah, that's why, say, did you just

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<v Speaker 1>think it was promo and you just grabbed it? Like

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<v Speaker 1>I didn't see a name on the box. So he

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<v Speaker 1>did it and let's just say that. No, let's just

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<v Speaker 1>say I don't want to do let I'm saying. And

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<v Speaker 1>so there was three T shirts of hoodie, so I

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<v Speaker 1>thought it was meant for everybody. So I was like, oh,

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<v Speaker 1>why didn't you ask? That's like a hundred would I

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<v Speaker 1>ask anybody? Scooba Steve the person you should ask, I think,

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<v Speaker 1>says Morgan on the bottle, all the things that come

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<v Speaker 1>half names on him. And I did not see a

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<v Speaker 1>name on the box. Look, it wasn't box. I saw Titans.

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<v Speaker 1>I saw it when I got the box, Morgan. But

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<v Speaker 1>in the green room, this is for you. He didn't

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<v Speaker 1>tell me that it's not for you. I was large, okay,

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<v Speaker 1>but you don't take stuff. It was really soft. It's

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<v Speaker 1>on like this. Yeah, and you know, and you know

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<v Speaker 1>the Mitchell Timpenny when he came in last week and

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<v Speaker 1>he had that Derrick Henry shirt on that was in

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<v Speaker 1>the box. So he must have got a package too.

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<v Speaker 1>So you were looking in the box no, I'm just

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<v Speaker 1>seeing it like other stuff. Would you have taken it

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<v Speaker 1>as well? No? I preferred the hoodie. I like hoodies,

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<v Speaker 1>but that's not yours. Well, I didn't know whose it was,

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<v Speaker 1>but you didn't look. I did look. I looked at

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<v Speaker 1>the box. I was like, oh boxing. You looked at

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<v Speaker 1>the box and you didn't Did you look at like

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<v Speaker 1>a mailing No, I didn't see a mailing thing. All

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<v Speaker 1>I saw was a Titans box. Where's the hoodie? Now,

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<v Speaker 1>that's not the crib the crib. I think you either

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<v Speaker 1>a oh Morgan a hoodie? That hoodie hopefully unwashed unwashed? Okay? No,

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<v Speaker 1>no, no no, no, never been worn or washed? Oh you

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<v Speaker 1>said unwashed, and I meant like I don't want to

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<v Speaker 1>get it. I don't want it then washed? Have you

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<v Speaker 1>worn it? No, I'm just chilled with it to the house.

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<v Speaker 1>You haven't worn it, but you chilled with it. Yeah,

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<v Speaker 1>it's like laying on the count with your packer. Wasn't

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<v Speaker 1>pecking in it? Okay, you're wear it to write something

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<v Speaker 1>like shot or something, because it's not like freezing cold

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<v Speaker 1>my house like it is here? Got it? Got it? So?

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<v Speaker 1>Did you have it? Have you had it on it? No,

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<v Speaker 1>I didn't try it on. Yeah, he should wash it. No,

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<v Speaker 1>he should give it to Morgan. And if she wants

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<v Speaker 1>to wash it, that's fine, or dry clean it or nothing.

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<v Speaker 1>But you have to give Morgan the hoodie bag. It's hurt. No, No,

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<v Speaker 1>it's hers. Yeah, okay, I didn't know his hers. But

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<v Speaker 1>you didn't look. No, I did look. I'm telling you.

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<v Speaker 1>I looked at the box. I was like, oh, tits

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<v Speaker 1>gear and I were going to nowhere with this. Yeah.

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<v Speaker 1>I'm still wondering why you didn't know I was getting

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<v Speaker 1>something from them? He saw the DM Yeah, no, I

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<v Speaker 1>thought at the game. Here's what I think. My theory is,

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<v Speaker 1>he still upset he didn't get invited to go to

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<v Speaker 1>the celebrity suite, so now he's taking it out on

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<v Speaker 1>Morgan and little ways correct, And this is a way

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<v Speaker 1>I didn't know. I didn't look. If I closed his

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<v Speaker 1>eyes and saw the hoodie from Afar, I closed his eyes,

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<v Speaker 1>grabbed him see it. Yes, I just I thought she

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<v Speaker 1>said she got something at the game. I didn't run,

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<v Speaker 1>and so I thought maybe they heard me talking about it,

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<v Speaker 1>so they sent me to look to see And no

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<v Speaker 1>one told you that. Well when Scooba Steve come to

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<v Speaker 1>you and say, Lunchbox, the Titans have sent you a

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<v Speaker 1>box of murder. No, no, I thought it was just everybody.

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<v Speaker 1>I didn't know. He thought you didn't even ask? Well,

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<v Speaker 1>why would I ask? If there's something there? I'm like,

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<v Speaker 1>oh cool, it's all of us. Ever since, Lunchbox has

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<v Speaker 1>been bringing up that why did Morgan go and he

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<v Speaker 1>didn't get to go? Have they reached out reached out

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<v Speaker 1>to me, Hello Titans, this is working. I mean they

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<v Speaker 1>got to be listening in their office right well on

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<v Speaker 1>a podcast the Post show like this. Probably not. They

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<v Speaker 1>did reach out to me to ask for Bobby's size

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<v Speaker 1>of things. Oh wow, excuse me, Well, don't leave it here?

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<v Speaker 1>What'd you tell them? I gave him their stuff. They'll

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<v Speaker 1>send it here for you to stuff if it comes in.

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<v Speaker 1>Don't I put in your office? Yeah? What your name

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<v Speaker 1>wasn't on the door? That was my office? Or they're

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<v Speaker 1>going there? Wait, Morgan, now that Stevenson place football, we

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<v Speaker 1>should go. We try to take Stevenson. Okay, like Morgan

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<v Speaker 1>has all the tickets kids, we should go. What's up?

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<v Speaker 1>Come on, hook me up? That's the head coach John

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<v Speaker 1>Robinson GM. Let's go. Come home. The hoodie has to

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<v Speaker 1>come back, and you know you stole her hoodie. I

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<v Speaker 1>didn't know hers, you guys like I knew it was hers.

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<v Speaker 1>You guys are pointed me as at the you know

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<v Speaker 1>hest all the hoodie. Hey, I have a bit I

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<v Speaker 1>wanted to do here, but the involves music and I

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<v Speaker 1>can't play music right scubaya for five seconds or less?

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<v Speaker 1>So I can't. I couldn't do this music bit now

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<v Speaker 1>I can only do it on the air on YouTube,

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<v Speaker 1>or I can't do it at all. Yes, yeah you can,

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<v Speaker 1>And then we can't even put on the podcast if

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<v Speaker 1>I do on the air, yeah, if we can't make

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<v Speaker 1>it the proper end for five seconds or less? Yeah, hm,

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<v Speaker 1>So we can't play music games anymore. Sorry, And I'm

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<v Speaker 1>still airs on our national show. You can on the show.

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<v Speaker 1>They just can't put on the podcast. Even with Ronnie

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<v Speaker 1>yesterday Ronnie Donne, I couldn't play any brooks and done clips,

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<v Speaker 1>so I just sing them back to him. Remember the

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<v Speaker 1>songunt best limits up? Remember that one that works? Yea? Yeah,

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<v Speaker 1>so what now could you sing it? Yeah? Maybe it's younger?

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<v Speaker 1>Get out of mind? Oh yeah, you can't play Oh

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<v Speaker 1>I think all you need is five seconds? Can you

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<v Speaker 1>do five seconds at a time? Great, let's go. Great question,

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<v Speaker 1>we go five seconds, pause up, and hit it again.

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<v Speaker 1>Do it go? But come on the time of that.

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<v Speaker 1>I kind of like the loophole. There are any rules

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<v Speaker 1>against that? Let's go. Okay, Ray, give me five seconds

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<v Speaker 1>of the song. Okay, here we are just chilling. I

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<v Speaker 1>don't want to say I gotta skip ahead. He's gonna

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<v Speaker 1>get now, he's gotta get to the five second. Oh

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<v Speaker 1>you stopped it. Let's do it again from the top,

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<v Speaker 1>all right, from the top, could take forever on my mind. Okay,

0:10:33.480 --> 0:10:51.840
<v Speaker 1>take a breath, Okay, all right, hanging out man, young girl,

0:10:51.920 --> 0:10:55.960
<v Speaker 1>get out of my mind? Something my thoughts of you

0:10:56.000 --> 0:10:58.280
<v Speaker 1>are way out of line, something like that. Let's go

0:10:58.640 --> 0:11:02.760
<v Speaker 1>get and then it's as you better run girl. So

0:11:03.920 --> 0:11:06.240
<v Speaker 1>Eddie sent me this and said, what you canceled the song?

0:11:06.320 --> 0:11:08.480
<v Speaker 1>I mean, we cancel everything else in the world, but

0:11:08.520 --> 0:11:11.719
<v Speaker 1>this song has lasted since nineteen sixty eight. Hey, Mike,

0:11:11.760 --> 0:11:15.800
<v Speaker 1>we throw the lyrics up. What the crap man? You're saying?

0:11:15.840 --> 0:11:18.400
<v Speaker 1>It's kind of young girl, get out of my mind?

0:11:18.440 --> 0:11:20.400
<v Speaker 1>And he's singing it like, oh like, hey, look at me,

0:11:20.440 --> 0:11:23.840
<v Speaker 1>I'm romantic like, what are you talking about? Full Michael Bublet,

0:11:24.720 --> 0:11:27.960
<v Speaker 1>young girl. So it's like the you know, the Christmas

0:11:27.960 --> 0:11:31.120
<v Speaker 1>one we canceled. Uh huh, I really can't stay. Nobody's

0:11:31.160 --> 0:11:34.400
<v Speaker 1>even looking at this song. Huh No, I think everyone

0:11:34.400 --> 0:11:36.040
<v Speaker 1>forgot about it. But I was listening to when you

0:11:36.080 --> 0:11:39.160
<v Speaker 1>said it, young get out, I don't think about the worst.

0:11:39.200 --> 0:11:41.679
<v Speaker 1>I was listening to the oldie station cooking. I was like, dude,

0:11:41.720 --> 0:11:43.960
<v Speaker 1>this song came. I'm like, what the crap? No, no no, no,

0:11:44.200 --> 0:11:48.000
<v Speaker 1>no, no no, no no. You were singing a little too passionate. Okay,

0:11:48.000 --> 0:11:50.439
<v Speaker 1>here we go, young girl, get out of my mind.

0:11:50.760 --> 0:11:53.600
<v Speaker 1>But love for you is way out of line. Better

0:11:53.679 --> 0:11:57.600
<v Speaker 1>run girl, you're much too younger. Oh my god. And

0:11:57.800 --> 0:11:59.960
<v Speaker 1>this was so bad that I google the songwriter. I'm like,

0:12:00.040 --> 0:12:01.800
<v Speaker 1>he's got to be in jail, right, let's do it more.

0:12:03.040 --> 0:12:05.280
<v Speaker 1>I don't know how the melody of the verse. What's

0:12:05.280 --> 0:12:07.480
<v Speaker 1>all the charms of a woman. You've kept the secret

0:12:07.559 --> 0:12:10.280
<v Speaker 1>of your youth. You led me to believe you're old enough.

0:12:10.440 --> 0:12:13.920
<v Speaker 1>Oh no, no, give me love, and now it hurts

0:12:13.920 --> 0:12:20.760
<v Speaker 1>to know the truth. CANCELTF man. Yeah whooa young girl,

0:12:20.960 --> 0:12:23.599
<v Speaker 1>get out of my mind. I love for you is

0:12:23.679 --> 0:12:28.680
<v Speaker 1>way out of line. Better run girl. You're too young girl, Okay,

0:12:28.760 --> 0:12:33.800
<v Speaker 1>let's keep going. Oh man, beneaths your perfume and makeup,

0:12:34.120 --> 0:12:36.120
<v Speaker 1>you're just a baby in the sky. Oh my god,

0:12:36.920 --> 0:12:39.520
<v Speaker 1>though you know it's wrong to be alone with me.

0:12:39.679 --> 0:12:42.680
<v Speaker 1>That come on, look is in your eyes? Who I'm

0:12:42.679 --> 0:12:48.080
<v Speaker 1>telling you? Get out of my mind? Wow, I didn't

0:12:48.120 --> 0:12:50.319
<v Speaker 1>even get that far more. There's more, there's more, Oh

0:12:50.360 --> 0:12:53.200
<v Speaker 1>my gosh. So hurry home to your mama. I'm sure

0:12:53.280 --> 0:12:56.120
<v Speaker 1>she wonders where you are. Get out of here before

0:12:56.160 --> 0:12:58.640
<v Speaker 1>I have the time to change my mind, because I'm

0:12:58.640 --> 0:13:03.599
<v Speaker 1>afraid it will go too far. I cannot believe. I

0:13:03.960 --> 0:13:06.240
<v Speaker 1>know the song, I know the quo. Man, Yo, let

0:13:06.240 --> 0:13:09.000
<v Speaker 1>me finish a guy, Yo, get out of my mom

0:13:09.000 --> 0:13:11.440
<v Speaker 1>My love for you is the way a limbtter runer.

0:13:11.640 --> 0:13:15.559
<v Speaker 1>You're much too younger, younger, get out of my mom

0:13:15.679 --> 0:13:18.640
<v Speaker 1>my love for you? Is that it? Mike, No more

0:13:18.960 --> 0:13:21.319
<v Speaker 1>is that. When they arrested him, I stopped the words.

0:13:22.200 --> 0:13:24.000
<v Speaker 1>That's the creepiest song I've ever heard in my life. Yeah,

0:13:24.040 --> 0:13:31.120
<v Speaker 1>that's worse than Baby don't wait. Yeah yeah, wow, well baby,

0:13:31.120 --> 0:13:33.559
<v Speaker 1>it's old side. He's like drink his drink. It's pretty bad.

0:13:33.559 --> 0:13:37.600
<v Speaker 1>But I mean, this is like crazy young Yeah, baby's

0:13:37.600 --> 0:13:39.000
<v Speaker 1>called us. I don't think it's anything I llegal, it's

0:13:39.000 --> 0:13:42.439
<v Speaker 1>just creepy. This is illegal. Yeah, man, but he didn't

0:13:42.440 --> 0:13:44.400
<v Speaker 1>do anything. I guess that's what he's saying. It's like,

0:13:44.480 --> 0:13:46.760
<v Speaker 1>get out of here. I'm watching before I do something.

0:13:46.880 --> 0:13:49.320
<v Speaker 1>But I wonder how old he His name is Gary Puckett,

0:13:49.360 --> 0:13:52.560
<v Speaker 1>Gary Puckett. Yeah, he's not the songwriter, though I didn't

0:13:52.600 --> 0:13:54.720
<v Speaker 1>would you ever sing that song by a songwriter if

0:13:54.720 --> 0:13:57.040
<v Speaker 1>you first of all, if you've wrote it and then

0:13:57.040 --> 0:14:00.000
<v Speaker 1>you're singing it, still extra creepy. So what I found

0:14:00.320 --> 0:14:02.280
<v Speaker 1>my research is the guy that wrote it was the

0:14:02.320 --> 0:14:04.240
<v Speaker 1>producer of that album and he was like, hey, I

0:14:04.280 --> 0:14:07.200
<v Speaker 1>got this serious boler you guys might like it. And

0:14:07.240 --> 0:14:09.320
<v Speaker 1>then the band's what four dudes, and they're all like,

0:14:09.559 --> 0:14:12.439
<v Speaker 1>best to get him immediately for sure. Okay, back then,

0:14:12.559 --> 0:14:18.560
<v Speaker 1>what was it sixty nine? No, I'm asking what was no? No, no,

0:14:18.559 --> 0:14:23.280
<v Speaker 1>no no, I'm asking what was the age of marrying

0:14:23.440 --> 0:14:25.800
<v Speaker 1>and amy. That's even crazier say that they're just a

0:14:25.880 --> 0:14:28.400
<v Speaker 1>young girl. Oh I know, because even if like it

0:14:28.520 --> 0:14:31.320
<v Speaker 1>was younger, then this dude's still talking about it being illegal.

0:14:32.400 --> 0:14:36.000
<v Speaker 1>There's another song, and I don't know, maybe we google Lyrix,

0:14:36.040 --> 0:14:39.440
<v Speaker 1>but it's like she's sixteen. She's beautiful and she's mine.

0:14:39.760 --> 0:14:42.520
<v Speaker 1>It's the Beatles and they should all go to jail.

0:14:45.000 --> 0:14:47.960
<v Speaker 1>She was just Mike doesn't want to google because are

0:14:48.000 --> 0:14:50.760
<v Speaker 1>you thinking of the she was just seventeen? No, okay,

0:14:50.960 --> 0:14:55.880
<v Speaker 1>different one. I don't want to go. Oh it's Ringo,

0:14:56.480 --> 0:15:01.560
<v Speaker 1>you're sixteen. You're beautiful in your mind, dang ringo, Ringo. Wow,

0:15:02.040 --> 0:15:06.000
<v Speaker 1>sweet little sixteen. She's just got to have about half

0:15:06.000 --> 0:15:08.920
<v Speaker 1>a million framed autographs, her walls filled pictures. She gets

0:15:08.920 --> 0:15:11.160
<v Speaker 1>some one by one, become so excited. Oh watch her

0:15:12.360 --> 0:15:16.760
<v Speaker 1>at the run. Oh mommy, mommy, please me I Oh, daddy, daddy, whatever.

0:15:16.760 --> 0:15:19.440
<v Speaker 1>Sweet little sixteen. She's got the grown up blues, tight

0:15:19.520 --> 0:15:22.080
<v Speaker 1>dresses and lipsticks. She's supporting high Hill boots. Oh but

0:15:22.160 --> 0:15:24.840
<v Speaker 1>tomorrow morning she'll have to change her trend, become sweet

0:15:24.880 --> 0:15:28.360
<v Speaker 1>sixteen and back in class again. Where is the part

0:15:28.400 --> 0:15:32.800
<v Speaker 1>that's like she's sixteen? Keep going down, Mike, wya, m

0:15:32.960 --> 0:15:38.240
<v Speaker 1>there's a lot of these songs. Apparently she's sixteen and

0:15:38.240 --> 0:15:42.080
<v Speaker 1>she's be Okay, that's Ringo. Ready you have Ringo? She's sixteen?

0:15:42.200 --> 0:15:45.720
<v Speaker 1>Do we play five seconds of Oh maybe it's your

0:15:45.800 --> 0:15:48.600
<v Speaker 1>there's a different one. You're sixteen. That's a different one

0:15:48.600 --> 0:15:52.160
<v Speaker 1>by Ringo. You're sixteen. What the heck Ringo's got all

0:15:52.160 --> 0:15:56.480
<v Speaker 1>these songs about sixteen year old? Get no. I just

0:15:56.520 --> 0:16:01.080
<v Speaker 1>need you to play five seconds of it. Stop it,

0:16:02.400 --> 0:16:09.120
<v Speaker 1>skip ahead, all right, just play it randomly anywhere else

0:16:09.160 --> 0:16:11.680
<v Speaker 1>I want to find if I know this one. Okay,

0:16:11.720 --> 0:16:17.720
<v Speaker 1>here's a good part. That's not a good part. That's

0:16:17.840 --> 0:16:20.800
<v Speaker 1>it's a kazoo solo. Hey, that was a kazoo. So

0:16:20.840 --> 0:16:25.560
<v Speaker 1>this is Ringo after Beatles. I don't know, dude, I'm

0:16:25.560 --> 0:16:27.600
<v Speaker 1>just weird doubt by all this. What's that song? Mike?

0:16:28.960 --> 0:16:32.720
<v Speaker 1>It is Okay, you're sixteen. You're beautiful in your mind. Yeah,

0:16:32.760 --> 0:16:35.440
<v Speaker 1>you're sixteen, you're beautiful. Can you find that part? Raight?

0:16:35.560 --> 0:16:37.240
<v Speaker 1>Scrub it a little bit. We're okay to listen to

0:16:37.240 --> 0:16:49.680
<v Speaker 1>some scrubs nineteen seventy three and mind rewind y'all beautiful

0:16:50.080 --> 0:16:53.320
<v Speaker 1>ring that's it. That's a ring this, dude, this is

0:16:53.360 --> 0:16:55.720
<v Speaker 1>after the Ringo in nineteen seventy three. We need to

0:16:55.760 --> 0:16:58.480
<v Speaker 1>have a discussion on if he's an adult adult, why

0:16:58.560 --> 0:16:59.960
<v Speaker 1>he would be singing that to be in his thirty

0:17:00.160 --> 0:17:03.920
<v Speaker 1>by then you can easily change it to nineteen. It's

0:17:03.960 --> 0:17:08.399
<v Speaker 1>why not and still feels weird. How old? So in

0:17:08.520 --> 0:17:12.840
<v Speaker 1>seventy three he'd have been thirty three. That's wild. Come on, man,

0:17:12.840 --> 0:17:16.360
<v Speaker 1>that's straight Seinfeld. Dude, what did he do again? God?

0:17:17.119 --> 0:17:18.840
<v Speaker 1>Sixteen year old girl when he was like thirty eight

0:17:18.920 --> 0:17:21.800
<v Speaker 1>or something. I'm sure those numbers are off a little bit,

0:17:21.840 --> 0:17:27.240
<v Speaker 1>but that's why I'm trucking to see his spouse's type type.

0:17:27.240 --> 0:17:34.679
<v Speaker 1>Creepy songs from from the sixties. Oh, Man, yeah, Mike, Mike,

0:17:34.800 --> 0:17:38.720
<v Speaker 1>keep googling. Man, Oh, I'm just disgusted by this creepy

0:17:38.760 --> 0:17:42.000
<v Speaker 1>songs from the There's a lot just seventies, sixties whatever.

0:17:42.600 --> 0:17:45.919
<v Speaker 1>But it's like, you know, record producers, record labels, they

0:17:45.960 --> 0:17:51.800
<v Speaker 1>all let this go. They signed off on all these songs,

0:17:51.240 --> 0:17:58.120
<v Speaker 1>spooky songs. No one huh. Well, I'm never gonna listen

0:17:58.160 --> 0:18:00.639
<v Speaker 1>to young girl, na I think man I took that

0:18:00.720 --> 0:18:02.560
<v Speaker 1>off se Oh no, I'm not listening to that anymore.

0:18:02.560 --> 0:18:06.359
<v Speaker 1>I change the lady, get out of my mind, the

0:18:06.480 --> 0:18:09.680
<v Speaker 1>old woman. I mean, the worst part is when he says,

0:18:09.720 --> 0:18:12.520
<v Speaker 1>get out of here now, you better run girl before

0:18:12.560 --> 0:18:19.080
<v Speaker 1>I change my mind. Was worried about you. You better run, bro.

0:18:19.160 --> 0:18:24.040
<v Speaker 1>That's crazy. Yeah, man, why would someone you think? Even then,

0:18:24.560 --> 0:18:25.760
<v Speaker 1>you think a lot of that stuff since there was

0:18:25.760 --> 0:18:27.840
<v Speaker 1>no social media, which just kept quiet, not ye sing it.

0:18:28.560 --> 0:18:30.680
<v Speaker 1>It was probably number one. And if Gary Puckett like

0:18:30.720 --> 0:18:32.800
<v Speaker 1>they still play because one of these old mans still play,

0:18:32.880 --> 0:18:35.440
<v Speaker 1>like if they still sing that song, no way they

0:18:35.440 --> 0:18:37.640
<v Speaker 1>still perform that that one out of the set list. Okay,

0:18:37.640 --> 0:18:39.120
<v Speaker 1>we can move off that. That is That is weird.

0:18:39.160 --> 0:18:41.760
<v Speaker 1>I've never noticed that. I don't ever look at lyrics

0:18:41.800 --> 0:18:44.680
<v Speaker 1>for anything. Ever. I don't know half due when they

0:18:44.680 --> 0:18:50.480
<v Speaker 1>say that it definitely catches your ears. Huh, exactly what

0:18:50.600 --> 0:18:57.080
<v Speaker 1>is it? Would you say? Do you remember another creepy song? Okay,

0:18:58.560 --> 0:19:03.920
<v Speaker 1>She's beautiful, She's mine. Lunchbox google scary songs, No monster

0:19:04.040 --> 0:19:10.600
<v Speaker 1>mash came up, creepy songs, thriller. Mike's googling a bunch

0:19:10.640 --> 0:19:12.439
<v Speaker 1>of weird stuff here. I'm not gonna say what he's googling.

0:19:12.560 --> 0:19:18.400
<v Speaker 1>What I did? Creep He's trying to inappropriate songs, top

0:19:18.440 --> 0:19:23.680
<v Speaker 1>ten jail bait songs. That's it though, That's that's hilarious.

0:19:23.680 --> 0:19:30.040
<v Speaker 1>Here did you get did you google tat? That's what

0:19:30.080 --> 0:19:32.560
<v Speaker 1>it's called creepy rock songs about young girls. You've been

0:19:32.560 --> 0:19:35.160
<v Speaker 1>singing along without realizing it. This is exactly what we're

0:19:35.160 --> 0:19:40.080
<v Speaker 1>looking for. Go uh see if I know it's Betsy girls,

0:19:41.160 --> 0:19:45.280
<v Speaker 1>poke it out. Bikini is a little ditty I can stare.

0:19:45.359 --> 0:19:48.760
<v Speaker 1>Oh my gosh, Nope, what dirty gray cat blues by

0:19:48.800 --> 0:19:51.720
<v Speaker 1>the rolling Stone scroll it Mike's got Mike's got it.

0:19:52.320 --> 0:19:54.840
<v Speaker 1>Oh read that. I can see you. You're fifteen years old. No,

0:19:54.920 --> 0:19:56.680
<v Speaker 1>I don't want your I d you look so restless

0:19:56.680 --> 0:19:59.400
<v Speaker 1>and you're so far from home. But it's no hanging matter,

0:19:59.520 --> 0:20:01.600
<v Speaker 1>it's no capital crime. Can you play some of my

0:20:01.640 --> 0:20:03.640
<v Speaker 1>straight cat blues right from the stones, just the beginning?

0:20:03.680 --> 0:20:07.919
<v Speaker 1>See if I know that. Let's see Christine sixteen from Kiss.

0:20:08.440 --> 0:20:11.919
<v Speaker 1>She's been around, she's young and clean. I gotta have her.

0:20:11.920 --> 0:20:15.600
<v Speaker 1>I can't live without her. Christine sixteen, Christine sixteen, I'm

0:20:15.600 --> 0:20:18.280
<v Speaker 1>about grateful dead. They have one called good Morning Little Schoolgirl.

0:20:18.560 --> 0:20:22.879
<v Speaker 1>My Sharona. You know, mom never gonna stop give it up,

0:20:23.000 --> 0:20:25.280
<v Speaker 1>such a dirty mind. I always get it up for

0:20:25.359 --> 0:20:27.720
<v Speaker 1>the touch of the younger kind of stop it. I've

0:20:27.760 --> 0:20:31.120
<v Speaker 1>never heard that line, this line, good morning little school girl?

0:20:31.200 --> 0:20:33.320
<v Speaker 1>Can I come home? With you. Tell your mama and

0:20:33.320 --> 0:20:36.680
<v Speaker 1>your papa. I'm a little schoolboy too. What's that that's

0:20:36.720 --> 0:20:40.040
<v Speaker 1>grateful dead? Good morning, little schoolgirl? Ray? What's this song?

0:20:41.160 --> 0:20:42.919
<v Speaker 1>Great cat? You're ready? Yeah? I turn it down and

0:20:42.960 --> 0:20:44.280
<v Speaker 1>just fast forward it a little bit. I got it

0:20:44.359 --> 0:20:51.760
<v Speaker 1>right here, goohead from the I don't have it? Can

0:20:51.800 --> 0:20:59.000
<v Speaker 1>you play a little more? I don't know that one either? Yeah,

0:21:00.240 --> 0:21:03.680
<v Speaker 1>if I know every word, that's my favorite. Um here's

0:21:03.720 --> 0:21:07.680
<v Speaker 1>one girl. You'll be a woman soon. Oh yeah, could

0:21:07.760 --> 0:21:10.920
<v Speaker 1>please come take my hand soon? You'll need a man.

0:21:11.680 --> 0:21:17.600
<v Speaker 1>That's weird. That is Neil Diamond. Yeah, keep going, Keep going, Mike.

0:21:17.840 --> 0:21:21.360
<v Speaker 1>There's young Girl from Gary Puckett. Yeah. Number one, you're sixteen.

0:21:21.400 --> 0:21:24.399
<v Speaker 1>You're beautiful in your mind? From Johnny Burnett. Is that

0:21:24.480 --> 0:21:28.280
<v Speaker 1>a did Ringo do a cover of that? You come

0:21:28.320 --> 0:21:31.000
<v Speaker 1>on like a dream. Peaches and cream looks like strawberry wine.

0:21:31.000 --> 0:21:33.720
<v Speaker 1>You're sixteen, You're beautiful in your mind? Come on, go ahead.

0:21:34.359 --> 0:21:36.199
<v Speaker 1>Don't stand so close to me from the police, you know,

0:21:36.320 --> 0:21:40.520
<v Speaker 1>don't stand so, don't stand so close to me. Inside him,

0:21:40.520 --> 0:21:44.639
<v Speaker 1>there's longing. This girl's an open page bookmarking. She's so close.

0:21:44.680 --> 0:21:46.720
<v Speaker 1>Now the girl is half his age. Well that could

0:21:46.720 --> 0:21:49.160
<v Speaker 1>be fifty and twenty five. Absolutely, yeah, I'm not gonna

0:21:49.160 --> 0:21:51.159
<v Speaker 1>throw them in jail for that one. Brown Sugar, the

0:21:51.240 --> 0:21:54.160
<v Speaker 1>Rolling Stones, brown sugar, How come you taste so good

0:21:54.200 --> 0:21:56.760
<v Speaker 1>brown sugar? Just like a young girl should? The young

0:21:57.400 --> 0:22:01.200
<v Speaker 1>girl parts weird if I said younger girl, but young girl,

0:22:01.280 --> 0:22:05.040
<v Speaker 1>it means young girl. That's weird. The Doors Alabama song,

0:22:05.359 --> 0:22:08.720
<v Speaker 1>Well show me the way to the next little girl. Oh,

0:22:08.760 --> 0:22:12.280
<v Speaker 1>don't ask why, or don't ask why what the aerosmith

0:22:12.320 --> 0:22:13.720
<v Speaker 1>walked this way. Let's see if this one is it?

0:22:14.400 --> 0:22:17.280
<v Speaker 1>Schoolgirl sweety with a kind of class sassy little skirts

0:22:17.280 --> 0:22:21.320
<v Speaker 1>climbing way up. Yeah, yeah, this one's weird. And I

0:22:21.359 --> 0:22:26.560
<v Speaker 1>probably sang along schoolgirl sweetie with a classy kind of

0:22:26.600 --> 0:22:30.199
<v Speaker 1>sassy little skirts climbing way up the knee. There was

0:22:30.240 --> 0:22:32.720
<v Speaker 1>three young ladies in the school Jim Locker. When I

0:22:32.800 --> 0:22:35.600
<v Speaker 1>noticed they was looking at me, Well, what if he's

0:22:35.600 --> 0:22:37.639
<v Speaker 1>in skirl? Yeah, I think some of these are like

0:22:37.720 --> 0:22:39.800
<v Speaker 1>in the eyes of another student, Yeah, what if he's

0:22:39.800 --> 0:22:41.600
<v Speaker 1>in I'm doing all the bands out like and being

0:22:41.720 --> 0:22:45.080
<v Speaker 1>like going no, no, no, that was good. Four or seventeen.

0:22:45.080 --> 0:22:47.600
<v Speaker 1>When you grow older, girl, you'll remember I told you

0:22:47.640 --> 0:22:53.919
<v Speaker 1>girl seventeen you're just seventeen, okay, not thirteen, big star thirteen.

0:22:54.080 --> 0:22:57.200
<v Speaker 1>This is called oh, this one's bad, This one's bad

0:22:57.480 --> 0:23:00.639
<v Speaker 1>because then the title of the song is thirteen and

0:23:00.800 --> 0:23:03.680
<v Speaker 1>the lyric is would you be an outlaw for my love?

0:23:04.800 --> 0:23:07.240
<v Speaker 1>If it's so, then let me know what. That's what

0:23:07.400 --> 0:23:09.200
<v Speaker 1>Chris Harrison shows up at the door type stuff with

0:23:09.320 --> 0:23:11.840
<v Speaker 1>the wine coolers. No he doesn't, no, no no, no, I know,

0:23:11.880 --> 0:23:15.760
<v Speaker 1>with the I can't believe this. Keep going just a

0:23:15.800 --> 0:23:21.680
<v Speaker 1>couple more. Yeah, I go that past that one. Um, okay, well,

0:23:22.480 --> 0:23:25.760
<v Speaker 1>music in the sixties was really creepy. Yeah, man, what's

0:23:25.760 --> 0:23:29.920
<v Speaker 1>out Chris wrong, Chris, we're just talking about Chris stories.

0:23:30.080 --> 0:23:33.000
<v Speaker 1>Chris Hanson. Chris, Uh, you said, Chris whatever. I don't

0:23:33.000 --> 0:23:36.200
<v Speaker 1>even know anymore Chris Hansen. Oh yeah, Hanson, because we

0:23:36.280 --> 0:23:40.320
<v Speaker 1>knew even what you said. Harrison Harrison. Oh yeah, different, dude.

0:23:40.680 --> 0:23:43.520
<v Speaker 1>What about jail bait? The songs called jail beat, Yeah,

0:23:43.560 --> 0:23:47.200
<v Speaker 1>by I've never seen that song. It says, well, I

0:23:47.240 --> 0:23:49.320
<v Speaker 1>don't care if you're just thirteen. You look too good

0:23:49.320 --> 0:23:53.600
<v Speaker 1>to be true. Yep, I just know that you're probably clean.

0:23:53.720 --> 0:23:57.040
<v Speaker 1>There's one little thing I got to do. Jail bait,

0:23:57.080 --> 0:23:58.920
<v Speaker 1>you look so good to me. Jail bait. You will

0:23:59.040 --> 0:24:05.680
<v Speaker 1>you that this eighties or seventies, and you know I've

0:24:05.680 --> 0:24:07.680
<v Speaker 1>got to have you in a matter of time. Sad

0:24:07.720 --> 0:24:10.080
<v Speaker 1>but true. So tell your mama that I'm back in town.

0:24:11.040 --> 0:24:13.359
<v Speaker 1>Tell your MoMA that I'm back in town. My mind

0:24:13.480 --> 0:24:18.320
<v Speaker 1>is blown right now. That's the nude. Oh, especially the

0:24:18.359 --> 0:24:20.479
<v Speaker 1>my Sharona one. In ninth grade, we did a school

0:24:20.560 --> 0:24:23.480
<v Speaker 1>like a drill team. We danced to that. We did

0:24:23.480 --> 0:24:28.399
<v Speaker 1>a jailbait. The whole play based on the Hey. One

0:24:28.400 --> 0:24:30.840
<v Speaker 1>of the lines is it's quite It's all right, baby,

0:24:30.840 --> 0:24:34.160
<v Speaker 1>it's quite all right. I asked your mama. Oh he's

0:24:34.200 --> 0:24:36.240
<v Speaker 1>lying about Wait a minute, officer, Wait a minute, officer,

0:24:36.240 --> 0:24:40.880
<v Speaker 1>don't put those handcuffs on me. The very end, Hey, Oh,

0:24:40.960 --> 0:24:47.600
<v Speaker 1>shure with you. That's the line. Terrible, I tell you.

0:24:47.680 --> 0:24:51.399
<v Speaker 1>Maybe that's him saying you'll get arrested if you do this.

0:24:51.960 --> 0:24:55.760
<v Speaker 1>Oh I'm stretching. Yeah you are. And I'm not a

0:24:55.840 --> 0:24:59.720
<v Speaker 1>nugent guy. But at least somebody goes to jail at

0:24:59.760 --> 0:25:02.320
<v Speaker 1>the end. And the song is called jail bait. That's weird.

0:25:02.880 --> 0:25:05.840
<v Speaker 1>So it's a full story. Maybe it's about what you say, Mike.

0:25:07.000 --> 0:25:09.679
<v Speaker 1>The whole album's jail. He invested a whole album in

0:25:09.720 --> 0:25:15.760
<v Speaker 1>the m you know, like we do rejected segments. Yeah,

0:25:15.760 --> 0:25:18.760
<v Speaker 1>but that's what the label said. They're like, let's treat

0:25:18.800 --> 0:25:20.760
<v Speaker 1>this like, let's do all the songs you been jail

0:25:20.880 --> 0:25:23.600
<v Speaker 1>put on a record. Give it a shot. Oh gosh,

0:25:23.680 --> 0:25:29.440
<v Speaker 1>that's wild. Are man? Oh man, I honestly cannot believe this,

0:25:29.680 --> 0:25:34.400
<v Speaker 1>young get out of my mind. Okay what he found?

0:25:34.400 --> 0:25:37.440
<v Speaker 1>Another one? No, no, this is about jail Bait. So

0:25:37.760 --> 0:25:41.240
<v Speaker 1>two years before he released it, he had been he

0:25:41.320 --> 0:25:43.800
<v Speaker 1>had explored the option of becoming the legal guardian of

0:25:43.800 --> 0:25:46.200
<v Speaker 1>a seventeen year old girl when he was in his thirties,

0:25:46.800 --> 0:25:49.560
<v Speaker 1>so they could hook up without her parents having any

0:25:49.680 --> 0:25:54.360
<v Speaker 1>legal recourse. Ted Nugent, Yes, so he wrote a song

0:25:54.400 --> 0:26:00.440
<v Speaker 1>about story from this is from the Huffington Post. Wow,

0:26:01.680 --> 0:26:03.119
<v Speaker 1>I mean, I've never heard any of that. So when

0:26:03.160 --> 0:26:06.440
<v Speaker 1>Ted Nugent was thirty two years old, read it. He says,

0:26:07.160 --> 0:26:09.000
<v Speaker 1>when he was thirty two he wrote the song jail.

0:26:09.000 --> 0:26:10.440
<v Speaker 1>He released the song jail Bait, but a couple of

0:26:10.520 --> 0:26:12.119
<v Speaker 1>years before that, two years afore that, so he was

0:26:12.200 --> 0:26:16.280
<v Speaker 1>thirty he uh had the novel idea of becoming legal

0:26:16.280 --> 0:26:18.119
<v Speaker 1>guardian to a seventeen year old girl, so that they

0:26:18.119 --> 0:26:21.680
<v Speaker 1>could have sex without, you know, her parents having legal recourse.

0:26:23.520 --> 0:26:26.360
<v Speaker 1>Isn't he like the family values guy? Now? I don't

0:26:26.359 --> 0:26:29.320
<v Speaker 1>know much about him. They acquiesced whatever the heck that

0:26:29.359 --> 0:26:32.880
<v Speaker 1>means acquiesced a quest. Yeah, you're right right. I guess

0:26:32.880 --> 0:26:36.200
<v Speaker 1>they figured better Ted Nugent than some drug invested punk

0:26:36.200 --> 0:26:43.080
<v Speaker 1>in high school. He told VH one years later. No, No,

0:26:43.080 --> 0:26:44.439
<v Speaker 1>he wasn't legal guard. I don't know. If they were,

0:26:44.760 --> 0:26:49.280
<v Speaker 1>he'd let him hook up without they would ensue who

0:26:49.400 --> 0:26:51.359
<v Speaker 1>I just googled him. I had no idea what he

0:26:51.440 --> 0:26:54.920
<v Speaker 1>even looked like. Oh Ted that, he told the H

0:26:55.040 --> 0:26:57.879
<v Speaker 1>one years later. In the same documentary, he claimed to

0:26:57.920 --> 0:27:00.600
<v Speaker 1>have had several relationships with young girls and seems to

0:27:00.640 --> 0:27:05.119
<v Speaker 1>brag about it gaining their parents' approval first huh, But

0:27:05.200 --> 0:27:07.480
<v Speaker 1>he did not go as far as to adopt any

0:27:07.480 --> 0:27:10.800
<v Speaker 1>of them. The album's next tract is I Am not

0:27:10.840 --> 0:27:15.679
<v Speaker 1>a predator? Serious? I was already Oh I am a predator?

0:27:15.760 --> 0:27:18.040
<v Speaker 1>Are you gave him credit? Oh my god? You were

0:27:18.040 --> 0:27:21.600
<v Speaker 1>trying to help him out a little bit. I don't

0:27:21.640 --> 0:27:23.720
<v Speaker 1>want to say. Yeah, man, I know we're going down

0:27:23.720 --> 0:27:28.240
<v Speaker 1>a dark road of seventies I'm glad we're we've moved

0:27:28.359 --> 0:27:32.280
<v Speaker 1>sixties fifties. She's made a little progress, all right. Well,

0:27:33.400 --> 0:27:37.439
<v Speaker 1>oh I'm done though, Yeah, Oh Courtney loves well, I

0:27:37.480 --> 0:27:39.760
<v Speaker 1>don't know. This is allegation. This was this year the

0:27:39.840 --> 0:27:43.600
<v Speaker 1>dark side of music. Courtney loves allegation of underage assault

0:27:43.720 --> 0:27:49.000
<v Speaker 1>against teg Nugent. Oh yeah, she says that she Oh

0:27:49.080 --> 0:27:53.800
<v Speaker 1>my gosh, so dark. I'm done. Yeah, this is trusting me. Yeah,

0:27:53.840 --> 0:27:56.400
<v Speaker 1>you don't want to say what Courtney loves about Ted

0:27:56.480 --> 0:27:59.920
<v Speaker 1>Nugent and him and her. Yeah, when she was a kid,

0:28:00.080 --> 0:28:04.399
<v Speaker 1>she was twelve and a half. Political now, for example,

0:28:04.480 --> 0:28:06.480
<v Speaker 1>Cordy Left claims La la la. I'm I gonna say

0:28:06.520 --> 0:28:10.000
<v Speaker 1>that he was twenty nine years old and he was

0:28:10.000 --> 0:28:14.760
<v Speaker 1>twelve and a half. Yeah, that's that's well, Eddie. Sorry, dude,

0:28:14.760 --> 0:28:19.040
<v Speaker 1>I mean Gary Puckett and Union Gap. My bad, they

0:28:19.040 --> 0:28:21.000
<v Speaker 1>have any other good songs? I read? Does Gary Puckett

0:28:21.040 --> 0:28:24.240
<v Speaker 1>have any other good songs? Oh? Man, how does Ted Nujon?

0:28:24.320 --> 0:28:29.560
<v Speaker 1>I get canceled completely? Right? Just that one in the system. Yeah,

0:28:29.600 --> 0:28:31.960
<v Speaker 1>and I got it all on my computer now, and

0:28:32.080 --> 0:28:35.640
<v Speaker 1>you highlighted it and copied it. You got any more

0:28:35.840 --> 0:28:38.080
<v Speaker 1>stories over there? Where? Do us tell me something good.

0:28:38.120 --> 0:28:40.240
<v Speaker 1>The fact that his list said top ten jail baits songs.

0:28:40.800 --> 0:28:43.000
<v Speaker 1>He found that that's good. But it's like the computer

0:28:43.080 --> 0:28:47.080
<v Speaker 1>knew we wanted it, suggested Mike wasn't getting that. I

0:28:47.080 --> 0:28:51.400
<v Speaker 1>was watching all my exaitt list never came out on

0:28:50.160 --> 0:28:54.680
<v Speaker 1>show on the phone. Alicia, who lives in North Dakota.

0:28:54.800 --> 0:28:57.959
<v Speaker 1>Hey Alicia, Hi, how are you pretty good? What can

0:28:58.000 --> 0:29:01.240
<v Speaker 1>I do for you? So well? Amy needs a penalty?

0:29:01.800 --> 0:29:04.880
<v Speaker 1>I heard it too. Oh, this happens a couple of times,

0:29:04.880 --> 0:29:07.320
<v Speaker 1>and we don't always bust Amy on it. Sometimes she

0:29:07.320 --> 0:29:10.000
<v Speaker 1>doesn't pay attention. But do you want to do you

0:29:10.040 --> 0:29:13.960
<v Speaker 1>want to share what happened? Alicia? So immediately when you

0:29:13.960 --> 0:29:17.760
<v Speaker 1>started talking about Eddie joining, you said that you would

0:29:17.760 --> 0:29:19.960
<v Speaker 1>be Ronnie and Eddie would be cooked. And then like

0:29:20.080 --> 0:29:24.440
<v Speaker 1>three sentences later, she goes, well it would be who. Yeah, okay, well,

0:29:24.480 --> 0:29:26.520
<v Speaker 1>I was definitely listening to that whole segment. I don't

0:29:26.600 --> 0:29:29.160
<v Speaker 1>know how I mean, it was right after Okay, well,

0:29:29.160 --> 0:29:30.680
<v Speaker 1>I just started because I was the first I was

0:29:30.720 --> 0:29:32.760
<v Speaker 1>picturing you in Caitlin, and then I was like, oh wait,

0:29:32.840 --> 0:29:35.160
<v Speaker 1>and then as you said Eddie, so then I was

0:29:35.280 --> 0:29:37.960
<v Speaker 1>confirming who's who? But yes, clearly you had said it

0:29:39.280 --> 0:29:43.280
<v Speaker 1>six seconds. I was looking at you the entire segment. Yeah, Alicia,

0:29:43.320 --> 0:29:46.080
<v Speaker 1>that's a great point. I've talked to the voting panel here.

0:29:46.120 --> 0:29:48.800
<v Speaker 1>Oh yeah, what is the punishment? Don't know? The first one?

0:29:49.240 --> 0:29:52.520
<v Speaker 1>The money? The first one? What is it? Twenty dollars?

0:29:52.600 --> 0:29:59.280
<v Speaker 1>Fine to who too? It goes into a yeah, I

0:29:59.320 --> 0:30:01.640
<v Speaker 1>like that. Then we draw forward or something, right, Mike,

0:30:01.680 --> 0:30:03.040
<v Speaker 1>you're gonna to remember. I don't know if this was

0:30:03.040 --> 0:30:07.520
<v Speaker 1>the first twenty dollars? Is it lunch box? I'll remember

0:30:07.520 --> 0:30:11.160
<v Speaker 1>that next time, the first offense. But we have to

0:30:11.240 --> 0:30:14.240
<v Speaker 1>vote as a panel. Do we feel like Amy violated

0:30:14.280 --> 0:30:16.400
<v Speaker 1>the rule of not listening and then asking a question

0:30:16.600 --> 0:30:19.440
<v Speaker 1>when they weren't listening? Okay, hold on, I'm going to

0:30:19.440 --> 0:30:22.760
<v Speaker 1>the voting panel panel, Eddie, it's twenty dollars in the pot.

0:30:22.880 --> 0:30:26.600
<v Speaker 1>Absolutely listen. When it happened live, I was like, oh,

0:30:27.360 --> 0:30:29.040
<v Speaker 1>I did too. I did too, and I tried to

0:30:29.120 --> 0:30:30.880
<v Speaker 1>just go over it. I did. But when we get

0:30:30.960 --> 0:30:33.080
<v Speaker 1>called out, we get called out. It happens any well.

0:30:33.120 --> 0:30:34.480
<v Speaker 1>I don't know how I miss that because I was

0:30:34.520 --> 0:30:36.600
<v Speaker 1>literally staring about the entire time. It's not like I

0:30:36.640 --> 0:30:39.080
<v Speaker 1>was on my computer or writing something down or doing

0:30:39.120 --> 0:30:45.520
<v Speaker 1>anything organ Okay, I do think that it was a

0:30:45.560 --> 0:30:49.160
<v Speaker 1>repetitive situation in this case, right the fact you made

0:30:49.200 --> 0:30:51.320
<v Speaker 1>lunch cringe and the caller called her out. So I

0:30:51.320 --> 0:30:53.280
<v Speaker 1>feel like we have to do it now before let's say,

0:30:53.280 --> 0:31:00.880
<v Speaker 1>if we go it's it's all unanimous, Scuba, what's happening. Yeah,

0:31:00.880 --> 0:31:05.680
<v Speaker 1>she should be punished, Mike, Okay, twenty bucks, twenty bucks

0:31:05.680 --> 0:31:08.880
<v Speaker 1>in the kiddie that was across the board. Well, yeah,

0:31:08.880 --> 0:31:11.200
<v Speaker 1>it almost has to be. I think that'll be it.

0:31:11.320 --> 0:31:14.240
<v Speaker 1>Everybody has to say yes. And there are times listen,

0:31:14.320 --> 0:31:16.280
<v Speaker 1>I'm guilty of it too. To be fair, I'm also

0:31:16.320 --> 0:31:18.560
<v Speaker 1>reading notes and get into commercials and looking at things,

0:31:18.600 --> 0:31:21.720
<v Speaker 1>but I still should not fall. But it happened. Sometimes

0:31:21.720 --> 0:31:24.560
<v Speaker 1>we're reading notes and we're not, but I wasn't. Sometimes

0:31:24.920 --> 0:31:31.600
<v Speaker 1>talking to friends on Instagram. Sometimes I'm chatting on Facebook, Facebook, Instagram. Yes, Alicia,

0:31:31.720 --> 0:31:33.800
<v Speaker 1>thank you for that call, and we thank you for

0:31:33.840 --> 0:31:36.960
<v Speaker 1>being a big listener to the show. Thank you, have

0:31:37.040 --> 0:31:40.080
<v Speaker 1>a good day. Amy's like, thank you. I don't through

0:31:40.080 --> 0:31:44.880
<v Speaker 1>her teeth. Let's go over to pod who is listening

0:31:44.880 --> 0:31:49.680
<v Speaker 1>in Vermont? Hey? Pod? Hey, how are you doing pretty good?

0:31:49.720 --> 0:31:52.280
<v Speaker 1>What's going on? Not much for me. I just wanted

0:31:52.320 --> 0:31:55.400
<v Speaker 1>to say hi to the show, listen to the show.

0:31:55.560 --> 0:31:58.880
<v Speaker 1>I like the show. I was listening this morning when

0:31:58.920 --> 0:32:02.520
<v Speaker 1>I was driving and just wanted to call that on

0:32:03.320 --> 0:32:07.239
<v Speaker 1>when you were talking about Kane Brown and Entourage. Um,

0:32:07.320 --> 0:32:09.040
<v Speaker 1>I now you don't have a lot of time. You know,

0:32:09.080 --> 0:32:12.120
<v Speaker 1>we're getting I've done it, you know. Goodness. So you know,

0:32:12.200 --> 0:32:14.440
<v Speaker 1>I've done a lot of different talent shows, like you know,

0:32:14.640 --> 0:32:17.720
<v Speaker 1>like The Voice, all these different things, try it out,

0:32:17.840 --> 0:32:20.120
<v Speaker 1>all this good stuff whatever. But at the end of

0:32:20.160 --> 0:32:22.240
<v Speaker 1>the day, I always told myself, if I was ever

0:32:22.960 --> 0:32:26.000
<v Speaker 1>to make it through, as they say, into the business,

0:32:26.240 --> 0:32:28.960
<v Speaker 1>that's exactly the same way that I would be because

0:32:29.520 --> 0:32:32.720
<v Speaker 1>I feel that, you know, you get a taste of

0:32:33.880 --> 0:32:36.920
<v Speaker 1>you might get and work hard at. And then I

0:32:37.000 --> 0:32:39.360
<v Speaker 1>think to myself, well, if I'm going to pay for security,

0:32:39.480 --> 0:32:42.440
<v Speaker 1>whatever it may be, entourage, whatever you want to call it,

0:32:42.760 --> 0:32:47.160
<v Speaker 1>I would all mean people that I know, because I

0:32:47.160 --> 0:32:50.840
<v Speaker 1>would feel more comfortable at the same time. Yeah, so

0:32:50.920 --> 0:32:54.920
<v Speaker 1>I think by all these people doing it, let them

0:32:54.960 --> 0:32:59.040
<v Speaker 1>beat man, let them do what they want them, let

0:32:59.080 --> 0:33:03.560
<v Speaker 1>them be, let him be. The story was Kane was

0:33:03.680 --> 0:33:05.480
<v Speaker 1>in the news because they said, yeah, it had a

0:33:05.480 --> 0:33:07.520
<v Speaker 1>big too big of an entourage after he talked about

0:33:07.520 --> 0:33:09.640
<v Speaker 1>it in an interview, and I'm like, Kan's entourage, just

0:33:09.720 --> 0:33:11.680
<v Speaker 1>like his friends from back in the day. And then

0:33:11.680 --> 0:33:13.200
<v Speaker 1>I said, Hey, when I get to do cool stuff,

0:33:13.520 --> 0:33:15.800
<v Speaker 1>I show up with sometimes more people than they expect

0:33:15.840 --> 0:33:19.040
<v Speaker 1>because I know some of my friends wouldn't get to

0:33:19.040 --> 0:33:21.120
<v Speaker 1>experience that stuff because I don't get to experience that stuff.

0:33:21.160 --> 0:33:22.120
<v Speaker 1>And I'm like, I get to do this, do you

0:33:22.120 --> 0:33:24.000
<v Speaker 1>guys want to go? And they're like yeah, and so

0:33:24.040 --> 0:33:25.840
<v Speaker 1>here we go. We straight roll up a little a

0:33:25.840 --> 0:33:27.640
<v Speaker 1>little larger than they thought. And it's for no other

0:33:27.680 --> 0:33:29.320
<v Speaker 1>reason than if I get an opportunity and I can

0:33:29.360 --> 0:33:31.320
<v Speaker 1>take my people to do that too, I'm gonna do it.

0:33:31.680 --> 0:33:33.840
<v Speaker 1>And that's what Kane does. What I really liked about

0:33:33.880 --> 0:33:36.160
<v Speaker 1>Kane is the day the NBA two K came out,

0:33:36.440 --> 0:33:38.280
<v Speaker 1>he had someone set up a whole PlayStation for him

0:33:38.520 --> 0:33:40.600
<v Speaker 1>while he was doing hair and makeup. Really, so when

0:33:40.640 --> 0:33:42.000
<v Speaker 1>he was at at four am, it was already set

0:33:42.080 --> 0:33:45.720
<v Speaker 1>up and ready to go. That's my dudes. I love that.

0:33:45.800 --> 0:33:48.400
<v Speaker 1>I only ever tried that once during Breaking Bobby Bones.

0:33:48.400 --> 0:33:50.320
<v Speaker 1>So I said, hey, I'm in the trailer a lot,

0:33:51.320 --> 0:33:53.600
<v Speaker 1>so can we put a PlayStation in the trailer because

0:33:53.600 --> 0:33:55.440
<v Speaker 1>sometimes I would go in the trailer for an hour

0:33:55.480 --> 0:33:58.640
<v Speaker 1>and a half as they're moving sets through, like cameras

0:33:58.640 --> 0:34:01.120
<v Speaker 1>and lights through wherever were outside and that took a

0:34:01.120 --> 0:34:04.160
<v Speaker 1>long time. They said, sures they put one in. There

0:34:04.240 --> 0:34:06.360
<v Speaker 1>was no Wi Fi. Well that doesn't work. I couldn't

0:34:06.360 --> 0:34:08.239
<v Speaker 1>play on I can't play online. I don't care to

0:34:08.239 --> 0:34:09.800
<v Speaker 1>play because I doesn't like playing video games. For the

0:34:09.800 --> 0:34:12.560
<v Speaker 1>second video games, I just like playing with my friends. Yeah,

0:34:12.600 --> 0:34:15.920
<v Speaker 1>so I was like, well this sucks. So I just

0:34:16.000 --> 0:34:18.080
<v Speaker 1>sat in Twitter with Thoms an hour and a half.

0:34:18.680 --> 0:34:20.000
<v Speaker 1>Thank you for the call pod. Hope you have a

0:34:20.040 --> 0:34:24.680
<v Speaker 1>great day. Let's go over and talk to Virginia in Louisiana. Virginia,

0:34:24.719 --> 0:34:27.680
<v Speaker 1>what's going on? Hey? How are you pretty good? What

0:34:27.719 --> 0:34:30.799
<v Speaker 1>can I do for you? Okay, so we have been

0:34:30.840 --> 0:34:34.920
<v Speaker 1>trying to find your picks on Draft Kings for like

0:34:34.960 --> 0:34:38.319
<v Speaker 1>a week. How do we is it? Do we just

0:34:38.360 --> 0:34:41.320
<v Speaker 1>need to listen to your podcast or do you have

0:34:41.960 --> 0:34:45.319
<v Speaker 1>a Draft Kings user name? Oh, I don't know anything

0:34:45.320 --> 0:34:47.200
<v Speaker 1>about a Draft Kings user name. I mean I do

0:34:47.280 --> 0:34:49.000
<v Speaker 1>have a Draft Kings account that I use, but yes,

0:34:49.040 --> 0:34:52.000
<v Speaker 1>it's on the twenty five Whistles podcast, so you can

0:34:52.040 --> 0:34:55.359
<v Speaker 1>search twenty five Whistles and every Friday when the show

0:34:55.440 --> 0:34:59.879
<v Speaker 1>goes up, I give you the picks. And it's been way, way, way, way,

0:35:00.080 --> 0:35:02.120
<v Speaker 1>way too lucky. I almost don't want you to bet

0:35:02.120 --> 0:35:04.479
<v Speaker 1>on it. Rod run from them now, see I'm worried

0:35:04.520 --> 0:35:07.239
<v Speaker 1>now I haven't missed and now I'm for sure you're

0:35:07.239 --> 0:35:10.000
<v Speaker 1>gonna miss this week. So but yes, everything is on

0:35:10.040 --> 0:35:12.880
<v Speaker 1>the podcast or at twenty five Whistles on Instagram. But

0:35:12.920 --> 0:35:14.520
<v Speaker 1>it's all there on that so if you want to

0:35:14.600 --> 0:35:17.920
<v Speaker 1>check it out, you know, have a taste. But I'm

0:35:17.920 --> 0:35:22.680
<v Speaker 1>nervous now I'm even thinking about it. I'm nervous about it. Okay, Virginia,

0:35:23.640 --> 0:35:26.880
<v Speaker 1>you're going to do great. Thank you so much. Thank you. Bye.

0:35:27.360 --> 0:35:33.560
<v Speaker 1>One more call Kimmy and Northern Virginia. Hi, Kimmy, Hello,

0:35:33.800 --> 0:35:38.800
<v Speaker 1>what's going on? Not much? Well? I have the perfect

0:35:38.880 --> 0:35:42.680
<v Speaker 1>name for your razorback, Barbie. Okay it is. She's sitting

0:35:42.719 --> 0:35:46.080
<v Speaker 1>here on the desk, lonely, nameless. What do you got?

0:35:47.080 --> 0:35:54.520
<v Speaker 1>Are you ready all right here? Still? Oh? Sue E,

0:35:55.000 --> 0:35:59.520
<v Speaker 1>sue E. That's good, yes, sue E and my real

0:35:59.640 --> 0:36:04.160
<v Speaker 1>last names. Oh that's even better, sue E. So how

0:36:04.200 --> 0:36:07.760
<v Speaker 1>would it be? Spelled Sue. Sue, yeah, and then Sue

0:36:07.840 --> 0:36:10.480
<v Speaker 1>in the last name etting good man. That's pretty good.

0:36:10.800 --> 0:36:12.520
<v Speaker 1>I'm gonna put that on the list, Kimmy, of of

0:36:12.560 --> 0:36:15.759
<v Speaker 1>finalists right now, there's only one finalist you. Yeah, yeah,

0:36:15.760 --> 0:36:18.560
<v Speaker 1>it's only you right now. But um yeah, let me

0:36:18.640 --> 0:36:20.880
<v Speaker 1>let me jot that down, and if that's the one

0:36:20.880 --> 0:36:22.480
<v Speaker 1>I choose, I'll send you some sort of prize. I'll

0:36:22.560 --> 0:36:26.279
<v Speaker 1>keep your number here handy just in case. Okay, all right,

0:36:26.400 --> 0:36:28.719
<v Speaker 1>all right, thanks, Jimmy. Have a good day. I feel

0:36:28.719 --> 0:36:31.560
<v Speaker 1>good about my chances. Yeah, so do I honestly, especially

0:36:31.560 --> 0:36:33.520
<v Speaker 1>because it's the only one I've went. That's pretty good.

0:36:33.560 --> 0:36:35.720
<v Speaker 1>That's pretty good, all right, Kimmy, have a good day,

0:36:35.800 --> 0:36:38.280
<v Speaker 1>all right, you two Aye, bye, all right, we're done.

0:36:38.680 --> 0:36:40.480
<v Speaker 1>I have a good day and we will see you tomorrow.