1 00:00:00,960 --> 00:00:05,240 Speaker 1: It's time for the Bobby Bones post show. Here's your host, 2 00:00:05,760 --> 00:00:19,880 Speaker 1: Bobby Bones. Hello, welcome to Bobby Loves You. What you've 3 00:00:19,880 --> 00:00:21,720 Speaker 1: called this number for a reason, it's the wrong number. 4 00:00:21,760 --> 00:00:28,479 Speaker 1: I gotta go to love you. Yep, I'm out unknown 5 00:00:28,520 --> 00:00:34,160 Speaker 1: fact about Lunchbox Eddie. Eddie was a funny one. Yall 6 00:00:34,240 --> 00:00:36,479 Speaker 1: had no idea. But I get to sit next to 7 00:00:36,560 --> 00:00:40,520 Speaker 1: lunchbox and did you know that he doesn't type the 8 00:00:40,560 --> 00:00:43,240 Speaker 1: way you know you were taught to type with the 9 00:00:43,320 --> 00:00:46,479 Speaker 1: home keys and all that. He uses his index fingers. 10 00:00:46,720 --> 00:00:49,519 Speaker 1: I'm a peer. I've always said I'm a pecker. I 11 00:00:49,520 --> 00:00:51,680 Speaker 1: mean many people have too, and they don't know. Yeah, 12 00:00:51,800 --> 00:00:54,080 Speaker 1: I'm a pecker pecker, but I'm pretty good. I can 13 00:00:54,200 --> 00:00:56,560 Speaker 1: use my pointer fingers and my thumb. So I used 14 00:00:56,600 --> 00:01:00,080 Speaker 1: four fingers. I'm most peckers just use their fingers. But 15 00:01:00,120 --> 00:01:02,640 Speaker 1: I'm telling you what improved my typing is chatting on Facebook. 16 00:01:02,680 --> 00:01:04,120 Speaker 1: I'm a lot faster. We do it every day all 17 00:01:04,120 --> 00:01:06,360 Speaker 1: the time. I'm saying, like in high school, I took 18 00:01:06,400 --> 00:01:08,040 Speaker 1: a typing class where you had to try to do that, 19 00:01:08,080 --> 00:01:10,800 Speaker 1: and you would had to type these papers out and 20 00:01:10,920 --> 00:01:13,440 Speaker 1: everybody be done in ten minutes. And then me goofing 21 00:01:13,480 --> 00:01:15,240 Speaker 1: off roads of the class and there I am with 22 00:01:15,280 --> 00:01:18,959 Speaker 1: my peckers going boom boom boom boom, stressing out, and 23 00:01:19,000 --> 00:01:20,520 Speaker 1: I'd get it done with like a minute left to go. 24 00:01:20,520 --> 00:01:24,360 Speaker 1: In class. I tried for class. I tried to mean 25 00:01:24,360 --> 00:01:27,399 Speaker 1: you tried. I would sit there and be like yeah, 26 00:01:28,200 --> 00:01:29,800 Speaker 1: and I would you do it over and over it, 27 00:01:29,840 --> 00:01:31,760 Speaker 1: but I would fail because I would go on Facebook. 28 00:01:31,880 --> 00:01:33,640 Speaker 1: I would get a lot better. I would get bad 29 00:01:33,720 --> 00:01:36,559 Speaker 1: grades because I wasn't getting them done because I would 30 00:01:36,560 --> 00:01:38,600 Speaker 1: mess up so much I'd had to delete, go back 31 00:01:39,480 --> 00:01:43,280 Speaker 1: a A S d E. I don't know what you're 32 00:01:43,280 --> 00:01:44,960 Speaker 1: talking about. I'm just saying that you taught us are 33 00:01:45,160 --> 00:01:47,600 Speaker 1: home keys the home keys, and then you're supposed to 34 00:01:47,640 --> 00:01:49,600 Speaker 1: do it. And I would try to type those papers 35 00:01:49,640 --> 00:01:51,640 Speaker 1: and I would mess up so much that I was 36 00:01:51,720 --> 00:01:53,240 Speaker 1: running out of time, so I just had to peck. 37 00:01:54,480 --> 00:01:58,560 Speaker 1: That's it. You You look like a puppet. Yeah, pecks 38 00:01:59,040 --> 00:02:00,840 Speaker 1: twenty types, because that's like you have strings on your 39 00:02:00,920 --> 00:02:03,360 Speaker 1: arms up down, up down, up down. It looks like 40 00:02:03,400 --> 00:02:07,000 Speaker 1: a yeah, like a fraggle rock or like a muppet. 41 00:02:07,120 --> 00:02:09,360 Speaker 1: And the fingers are flying everywhere, like when he has 42 00:02:09,400 --> 00:02:10,639 Speaker 1: to move the finger all the way to get the 43 00:02:10,680 --> 00:02:13,040 Speaker 1: backspace and then oh my gosh when there's a shift 44 00:02:13,160 --> 00:02:17,360 Speaker 1: and you know exclamation point. It's crazy. Like we sit 45 00:02:17,440 --> 00:02:19,799 Speaker 1: turn in Show Pepper every night, Like, honestly, how long 46 00:02:19,800 --> 00:02:21,440 Speaker 1: does it take you to type up your stories? It 47 00:02:21,520 --> 00:02:23,200 Speaker 1: takes a little while. He's the last one to submit 48 00:02:23,320 --> 00:02:25,799 Speaker 1: right now, But listen, it's really doesn't take that long. 49 00:02:25,840 --> 00:02:29,160 Speaker 1: I'm I'm pretty quick with the peckers. Like, I'm like, 50 00:02:29,760 --> 00:02:31,960 Speaker 1: I can type. I mean, what do you gonna make 51 00:02:31,960 --> 00:02:33,480 Speaker 1: a type? I can type you something right now. You 52 00:02:34,400 --> 00:02:38,000 Speaker 1: shouldn't do it. Hey, look your peckers quick, right, And 53 00:02:38,040 --> 00:02:41,040 Speaker 1: we were okay with that. What's he doing? That's I 54 00:02:41,040 --> 00:02:43,640 Speaker 1: don't even care that much. I just thought it was funny. Yeah, 55 00:02:43,639 --> 00:02:46,120 Speaker 1: he's fine for as much as he has to pack its. 56 00:02:46,160 --> 00:02:50,680 Speaker 1: Pecker works fine. Boa tied to whole sentence, A whole sentence. Wow, 57 00:02:50,760 --> 00:02:52,760 Speaker 1: today we're going to Las Vegas. I'm gonna make millions 58 00:02:52,760 --> 00:02:55,920 Speaker 1: of dollars. I was just practicing positive thoughts for tomorrow. 59 00:02:56,040 --> 00:02:58,280 Speaker 1: Did you do a comma? Why would there be a 60 00:02:58,280 --> 00:03:00,840 Speaker 1: comma there? Today we're going to Las Vega. Guess comma? 61 00:03:01,760 --> 00:03:03,720 Speaker 1: He just blew his mind. No way did that? No, 62 00:03:03,760 --> 00:03:06,120 Speaker 1: I did another supposed to a comma, I would I 63 00:03:06,160 --> 00:03:08,000 Speaker 1: know they're supposed to be a comma there the pause? Man, 64 00:03:08,040 --> 00:03:11,080 Speaker 1: another one of those classes that you huh. Yeah, I 65 00:03:11,120 --> 00:03:13,000 Speaker 1: get that a lot sometimes, Like when I'm typing things, 66 00:03:13,000 --> 00:03:14,200 Speaker 1: It'll be like, oh, do you want to put a 67 00:03:14,240 --> 00:03:15,919 Speaker 1: comma on there? And I'm like, I guess if you guys, 68 00:03:15,960 --> 00:03:18,040 Speaker 1: won't you argues with it? Why would I do that? 69 00:03:18,120 --> 00:03:21,320 Speaker 1: He's talking to the paper clip, Hey, paper clip, the 70 00:03:21,320 --> 00:03:24,200 Speaker 1: paper clip the time? Yeah, what do you mean? What's 71 00:03:24,200 --> 00:03:28,000 Speaker 1: your reason behind this comma? That paper clip rock? He 72 00:03:28,080 --> 00:03:29,920 Speaker 1: was cool, man, he was really cool. He saved me 73 00:03:29,960 --> 00:03:31,359 Speaker 1: a lot. So this is not how we do a 74 00:03:31,400 --> 00:03:33,520 Speaker 1: resume usually. Would you like me to put this in? Yes? 75 00:03:33,600 --> 00:03:38,000 Speaker 1: I was absolute paper clip morgan. Someone stole a box 76 00:03:38,040 --> 00:03:41,200 Speaker 1: of stuff here that was yours, like a Titan stuff. Yes, 77 00:03:41,520 --> 00:03:46,000 Speaker 1: so I got my Titans thing in the mail and I, oh, 78 00:03:46,120 --> 00:03:49,200 Speaker 1: these guys are looking at each other at me. So 79 00:03:49,240 --> 00:03:52,880 Speaker 1: I looked at him looking at me. This or reaction 80 00:03:52,960 --> 00:03:54,560 Speaker 1: was to look at each other. So you're gonna say 81 00:03:54,600 --> 00:03:57,440 Speaker 1: the story, but something just happened over here, so go 82 00:03:57,480 --> 00:03:59,360 Speaker 1: ahead and explain what happens is I don't know? Well, 83 00:03:59,400 --> 00:04:02,200 Speaker 1: so my Titans box came and I opened it up 84 00:04:02,240 --> 00:04:03,560 Speaker 1: and I was like, cool, this is awesome, and I 85 00:04:03,600 --> 00:04:05,200 Speaker 1: left it sitting in the green room for me to 86 00:04:05,240 --> 00:04:08,240 Speaker 1: take home. I got a hoodie, some T shirt, some hats. 87 00:04:08,560 --> 00:04:10,840 Speaker 1: I knew what was in there. Well, I opened it 88 00:04:10,920 --> 00:04:12,760 Speaker 1: up before I laughed. I was like, just out of curiosity, 89 00:04:12,840 --> 00:04:14,840 Speaker 1: making sure everything's in here. I opened it up. The 90 00:04:14,880 --> 00:04:17,520 Speaker 1: hoodie's gone, So no, I don't have it anymore. I 91 00:04:17,560 --> 00:04:20,200 Speaker 1: hear Ray laughing to the glass, which the sound almost 92 00:04:20,240 --> 00:04:23,760 Speaker 1: never comes through the glass, right, What do you know? Nothing? 93 00:04:23,839 --> 00:04:26,600 Speaker 1: But it's just comical that stuff gets stolen. And I mean, 94 00:04:26,720 --> 00:04:28,599 Speaker 1: how are you going to steal the hoodie? You obviously 95 00:04:28,640 --> 00:04:31,200 Speaker 1: can't ever wear it? Who would you say? Where's the 96 00:04:31,240 --> 00:04:35,280 Speaker 1: most hoodies lunchbox? Do you have a new Titans hoodie? 97 00:04:35,320 --> 00:04:38,320 Speaker 1: Buy any chance? Guys? Don't. I'm not a Titans fan, 98 00:04:38,920 --> 00:04:41,720 Speaker 1: But you have hoodies from all kinds of stuff. Do 99 00:04:41,720 --> 00:04:44,560 Speaker 1: you have like pharmaceutical saleshood I have the Colorado Rockies, 100 00:04:44,680 --> 00:04:46,800 Speaker 1: not a fan of them. Did you steal Morgan Hoddy? 101 00:04:47,000 --> 00:04:49,720 Speaker 1: I would never do that. What are you doing the 102 00:04:49,760 --> 00:04:56,000 Speaker 1: voice like that voice? Do you have Morgan's hoodie? Nope? 103 00:04:56,360 --> 00:04:58,240 Speaker 1: Why are you looking around? You're saying he doesn't have 104 00:04:58,279 --> 00:05:00,880 Speaker 1: it right now. Yeah, that's why, say, did you just 105 00:05:00,920 --> 00:05:03,440 Speaker 1: think it was promo and you just grabbed it? Like 106 00:05:03,480 --> 00:05:06,000 Speaker 1: I didn't see a name on the box. So he 107 00:05:06,120 --> 00:05:08,840 Speaker 1: did it and let's just say that. No, let's just 108 00:05:08,880 --> 00:05:11,240 Speaker 1: say I don't want to do let I'm saying. And 109 00:05:11,320 --> 00:05:13,520 Speaker 1: so there was three T shirts of hoodie, so I 110 00:05:13,520 --> 00:05:15,480 Speaker 1: thought it was meant for everybody. So I was like, oh, 111 00:05:15,520 --> 00:05:17,280 Speaker 1: why didn't you ask? That's like a hundred would I 112 00:05:17,320 --> 00:05:20,240 Speaker 1: ask anybody? Scooba Steve the person you should ask, I think, 113 00:05:21,160 --> 00:05:25,040 Speaker 1: says Morgan on the bottle, all the things that come 114 00:05:25,200 --> 00:05:26,640 Speaker 1: half names on him. And I did not see a 115 00:05:26,720 --> 00:05:29,320 Speaker 1: name on the box. Look, it wasn't box. I saw Titans. 116 00:05:29,600 --> 00:05:31,840 Speaker 1: I saw it when I got the box, Morgan. But 117 00:05:32,000 --> 00:05:34,120 Speaker 1: in the green room, this is for you. He didn't 118 00:05:34,120 --> 00:05:37,400 Speaker 1: tell me that it's not for you. I was large, okay, 119 00:05:37,400 --> 00:05:39,960 Speaker 1: but you don't take stuff. It was really soft. It's 120 00:05:40,200 --> 00:05:44,960 Speaker 1: on like this. Yeah, and you know, and you know 121 00:05:45,040 --> 00:05:47,440 Speaker 1: the Mitchell Timpenny when he came in last week and 122 00:05:47,440 --> 00:05:49,839 Speaker 1: he had that Derrick Henry shirt on that was in 123 00:05:49,880 --> 00:05:52,440 Speaker 1: the box. So he must have got a package too. 124 00:05:52,640 --> 00:05:54,719 Speaker 1: So you were looking in the box no, I'm just 125 00:05:54,720 --> 00:05:56,279 Speaker 1: seeing it like other stuff. Would you have taken it 126 00:05:56,320 --> 00:05:59,560 Speaker 1: as well? No? I preferred the hoodie. I like hoodies, 127 00:05:59,680 --> 00:06:01,839 Speaker 1: but that's not yours. Well, I didn't know whose it was, 128 00:06:01,880 --> 00:06:03,800 Speaker 1: but you didn't look. I did look. I looked at 129 00:06:03,800 --> 00:06:05,400 Speaker 1: the box. I was like, oh boxing. You looked at 130 00:06:05,440 --> 00:06:07,000 Speaker 1: the box and you didn't Did you look at like 131 00:06:07,040 --> 00:06:10,840 Speaker 1: a mailing No, I didn't see a mailing thing. All 132 00:06:10,880 --> 00:06:12,640 Speaker 1: I saw was a Titans box. Where's the hoodie? Now, 133 00:06:13,080 --> 00:06:17,719 Speaker 1: that's not the crib the crib. I think you either 134 00:06:17,839 --> 00:06:23,279 Speaker 1: a oh Morgan a hoodie? That hoodie hopefully unwashed unwashed? Okay? No, 135 00:06:23,279 --> 00:06:25,680 Speaker 1: no, no no, no, never been worn or washed? Oh you 136 00:06:25,720 --> 00:06:27,520 Speaker 1: said unwashed, and I meant like I don't want to 137 00:06:27,560 --> 00:06:29,599 Speaker 1: get it. I don't want it then washed? Have you 138 00:06:29,640 --> 00:06:32,880 Speaker 1: worn it? No, I'm just chilled with it to the house. 139 00:06:33,160 --> 00:06:35,159 Speaker 1: You haven't worn it, but you chilled with it. Yeah, 140 00:06:35,200 --> 00:06:39,599 Speaker 1: it's like laying on the count with your packer. Wasn't 141 00:06:39,640 --> 00:06:42,520 Speaker 1: pecking in it? Okay, you're wear it to write something 142 00:06:42,560 --> 00:06:44,719 Speaker 1: like shot or something, because it's not like freezing cold 143 00:06:44,760 --> 00:06:46,840 Speaker 1: my house like it is here? Got it? Got it? So? 144 00:06:47,000 --> 00:06:48,520 Speaker 1: Did you have it? Have you had it on it? No, 145 00:06:48,720 --> 00:06:52,520 Speaker 1: I didn't try it on. Yeah, he should wash it. No, 146 00:06:52,839 --> 00:06:54,360 Speaker 1: he should give it to Morgan. And if she wants 147 00:06:54,400 --> 00:06:56,520 Speaker 1: to wash it, that's fine, or dry clean it or nothing. 148 00:06:56,839 --> 00:07:00,120 Speaker 1: But you have to give Morgan the hoodie bag. It's hurt. No, No, 149 00:07:00,279 --> 00:07:03,560 Speaker 1: it's hers. Yeah, okay, I didn't know his hers. But 150 00:07:03,680 --> 00:07:06,560 Speaker 1: you didn't look. No, I did look. I'm telling you. 151 00:07:06,560 --> 00:07:07,839 Speaker 1: I looked at the box. I was like, oh, tits 152 00:07:07,839 --> 00:07:09,960 Speaker 1: gear and I were going to nowhere with this. Yeah. 153 00:07:10,120 --> 00:07:12,760 Speaker 1: I'm still wondering why you didn't know I was getting 154 00:07:12,800 --> 00:07:15,280 Speaker 1: something from them? He saw the DM Yeah, no, I 155 00:07:15,360 --> 00:07:17,600 Speaker 1: thought at the game. Here's what I think. My theory is, 156 00:07:17,600 --> 00:07:19,160 Speaker 1: he still upset he didn't get invited to go to 157 00:07:19,200 --> 00:07:21,120 Speaker 1: the celebrity suite, so now he's taking it out on 158 00:07:21,200 --> 00:07:24,360 Speaker 1: Morgan and little ways correct, And this is a way 159 00:07:24,400 --> 00:07:26,280 Speaker 1: I didn't know. I didn't look. If I closed his 160 00:07:26,320 --> 00:07:28,960 Speaker 1: eyes and saw the hoodie from Afar, I closed his eyes, 161 00:07:28,960 --> 00:07:34,760 Speaker 1: grabbed him see it. Yes, I just I thought she 162 00:07:34,760 --> 00:07:36,400 Speaker 1: said she got something at the game. I didn't run, 163 00:07:36,480 --> 00:07:38,120 Speaker 1: and so I thought maybe they heard me talking about it, 164 00:07:38,160 --> 00:07:39,760 Speaker 1: so they sent me to look to see And no 165 00:07:39,800 --> 00:07:42,680 Speaker 1: one told you that. Well when Scooba Steve come to 166 00:07:42,720 --> 00:07:44,840 Speaker 1: you and say, Lunchbox, the Titans have sent you a 167 00:07:44,840 --> 00:07:47,000 Speaker 1: box of murder. No, no, I thought it was just everybody. 168 00:07:47,040 --> 00:07:49,200 Speaker 1: I didn't know. He thought you didn't even ask? Well, 169 00:07:49,200 --> 00:07:50,800 Speaker 1: why would I ask? If there's something there? I'm like, 170 00:07:50,800 --> 00:07:53,560 Speaker 1: oh cool, it's all of us. Ever since, Lunchbox has 171 00:07:53,560 --> 00:07:55,880 Speaker 1: been bringing up that why did Morgan go and he 172 00:07:55,920 --> 00:07:58,320 Speaker 1: didn't get to go? Have they reached out reached out 173 00:07:58,360 --> 00:08:02,360 Speaker 1: to me, Hello Titans, this is working. I mean they 174 00:08:02,440 --> 00:08:04,320 Speaker 1: got to be listening in their office right well on 175 00:08:04,720 --> 00:08:08,040 Speaker 1: a podcast the Post show like this. Probably not. They 176 00:08:08,080 --> 00:08:10,760 Speaker 1: did reach out to me to ask for Bobby's size 177 00:08:10,800 --> 00:08:14,160 Speaker 1: of things. Oh wow, excuse me, Well, don't leave it here? 178 00:08:15,360 --> 00:08:17,679 Speaker 1: What'd you tell them? I gave him their stuff. They'll 179 00:08:17,680 --> 00:08:21,080 Speaker 1: send it here for you to stuff if it comes in. 180 00:08:21,680 --> 00:08:26,880 Speaker 1: Don't I put in your office? Yeah? What your name 181 00:08:26,920 --> 00:08:29,520 Speaker 1: wasn't on the door? That was my office? Or they're 182 00:08:29,520 --> 00:08:32,760 Speaker 1: going there? Wait, Morgan, now that Stevenson place football, we 183 00:08:32,760 --> 00:08:36,920 Speaker 1: should go. We try to take Stevenson. Okay, like Morgan 184 00:08:36,960 --> 00:08:43,400 Speaker 1: has all the tickets kids, we should go. What's up? 185 00:08:44,280 --> 00:08:48,400 Speaker 1: Come on, hook me up? That's the head coach John 186 00:08:48,480 --> 00:08:53,280 Speaker 1: Robinson GM. Let's go. Come home. The hoodie has to 187 00:08:53,280 --> 00:08:56,120 Speaker 1: come back, and you know you stole her hoodie. I 188 00:08:56,120 --> 00:08:59,480 Speaker 1: didn't know hers, you guys like I knew it was hers. 189 00:08:59,520 --> 00:09:01,080 Speaker 1: You guys are pointed me as at the you know 190 00:09:01,080 --> 00:09:02,400 Speaker 1: hest all the hoodie. Hey, I have a bit I 191 00:09:02,440 --> 00:09:04,160 Speaker 1: wanted to do here, but the involves music and I 192 00:09:04,200 --> 00:09:08,120 Speaker 1: can't play music right scubaya for five seconds or less? 193 00:09:08,920 --> 00:09:10,960 Speaker 1: So I can't. I couldn't do this music bit now 194 00:09:12,200 --> 00:09:13,920 Speaker 1: I can only do it on the air on YouTube, 195 00:09:13,960 --> 00:09:15,920 Speaker 1: or I can't do it at all. Yes, yeah you can, 196 00:09:16,280 --> 00:09:17,480 Speaker 1: And then we can't even put on the podcast if 197 00:09:17,400 --> 00:09:19,640 Speaker 1: I do on the air, yeah, if we can't make 198 00:09:19,679 --> 00:09:22,920 Speaker 1: it the proper end for five seconds or less? Yeah, hm, 199 00:09:23,320 --> 00:09:26,400 Speaker 1: So we can't play music games anymore. Sorry, And I'm 200 00:09:26,440 --> 00:09:28,720 Speaker 1: still airs on our national show. You can on the show. 201 00:09:28,760 --> 00:09:32,120 Speaker 1: They just can't put on the podcast. Even with Ronnie 202 00:09:32,320 --> 00:09:35,760 Speaker 1: yesterday Ronnie Donne, I couldn't play any brooks and done clips, 203 00:09:36,520 --> 00:09:38,560 Speaker 1: so I just sing them back to him. Remember the 204 00:09:38,559 --> 00:09:43,760 Speaker 1: songunt best limits up? Remember that one that works? Yea? Yeah, 205 00:09:44,600 --> 00:09:48,640 Speaker 1: so what now could you sing it? Yeah? Maybe it's younger? 206 00:09:49,120 --> 00:09:51,440 Speaker 1: Get out of mind? Oh yeah, you can't play Oh 207 00:09:51,480 --> 00:09:53,440 Speaker 1: I think all you need is five seconds? Can you 208 00:09:53,440 --> 00:09:56,640 Speaker 1: do five seconds at a time? Great, let's go. Great question, 209 00:09:56,720 --> 00:10:00,000 Speaker 1: we go five seconds, pause up, and hit it again. 210 00:10:00,080 --> 00:10:01,400 Speaker 1: Do it go? But come on the time of that. 211 00:10:01,520 --> 00:10:03,160 Speaker 1: I kind of like the loophole. There are any rules 212 00:10:03,160 --> 00:10:05,680 Speaker 1: against that? Let's go. Okay, Ray, give me five seconds 213 00:10:05,679 --> 00:10:15,640 Speaker 1: of the song. Okay, here we are just chilling. I 214 00:10:15,640 --> 00:10:17,520 Speaker 1: don't want to say I gotta skip ahead. He's gonna 215 00:10:17,559 --> 00:10:20,040 Speaker 1: get now, he's gotta get to the five second. Oh 216 00:10:20,080 --> 00:10:22,640 Speaker 1: you stopped it. Let's do it again from the top, 217 00:10:22,840 --> 00:10:31,160 Speaker 1: all right, from the top, could take forever on my mind. Okay, 218 00:10:33,480 --> 00:10:51,840 Speaker 1: take a breath, Okay, all right, hanging out man, young girl, 219 00:10:51,920 --> 00:10:55,960 Speaker 1: get out of my mind? Something my thoughts of you 220 00:10:56,000 --> 00:10:58,280 Speaker 1: are way out of line, something like that. Let's go 221 00:10:58,640 --> 00:11:02,760 Speaker 1: get and then it's as you better run girl. So 222 00:11:03,920 --> 00:11:06,240 Speaker 1: Eddie sent me this and said, what you canceled the song? 223 00:11:06,320 --> 00:11:08,480 Speaker 1: I mean, we cancel everything else in the world, but 224 00:11:08,520 --> 00:11:11,719 Speaker 1: this song has lasted since nineteen sixty eight. Hey, Mike, 225 00:11:11,760 --> 00:11:15,800 Speaker 1: we throw the lyrics up. What the crap man? You're saying? 226 00:11:15,840 --> 00:11:18,400 Speaker 1: It's kind of young girl, get out of my mind? 227 00:11:18,440 --> 00:11:20,400 Speaker 1: And he's singing it like, oh like, hey, look at me, 228 00:11:20,440 --> 00:11:23,840 Speaker 1: I'm romantic like, what are you talking about? Full Michael Bublet, 229 00:11:24,720 --> 00:11:27,960 Speaker 1: young girl. So it's like the you know, the Christmas 230 00:11:27,960 --> 00:11:31,120 Speaker 1: one we canceled. Uh huh, I really can't stay. Nobody's 231 00:11:31,160 --> 00:11:34,400 Speaker 1: even looking at this song. Huh No, I think everyone 232 00:11:34,400 --> 00:11:36,040 Speaker 1: forgot about it. But I was listening to when you 233 00:11:36,080 --> 00:11:39,160 Speaker 1: said it, young get out, I don't think about the worst. 234 00:11:39,200 --> 00:11:41,679 Speaker 1: I was listening to the oldie station cooking. I was like, dude, 235 00:11:41,720 --> 00:11:43,960 Speaker 1: this song came. I'm like, what the crap? No, no no, no, 236 00:11:44,200 --> 00:11:48,000 Speaker 1: no, no no, no no. You were singing a little too passionate. Okay, 237 00:11:48,000 --> 00:11:50,439 Speaker 1: here we go, young girl, get out of my mind. 238 00:11:50,760 --> 00:11:53,600 Speaker 1: But love for you is way out of line. Better 239 00:11:53,679 --> 00:11:57,600 Speaker 1: run girl, you're much too younger. Oh my god. And 240 00:11:57,800 --> 00:11:59,960 Speaker 1: this was so bad that I google the songwriter. I'm like, 241 00:12:00,040 --> 00:12:01,800 Speaker 1: he's got to be in jail, right, let's do it more. 242 00:12:03,040 --> 00:12:05,280 Speaker 1: I don't know how the melody of the verse. What's 243 00:12:05,280 --> 00:12:07,480 Speaker 1: all the charms of a woman. You've kept the secret 244 00:12:07,559 --> 00:12:10,280 Speaker 1: of your youth. You led me to believe you're old enough. 245 00:12:10,440 --> 00:12:13,920 Speaker 1: Oh no, no, give me love, and now it hurts 246 00:12:13,920 --> 00:12:20,760 Speaker 1: to know the truth. CANCELTF man. Yeah whooa young girl, 247 00:12:20,960 --> 00:12:23,599 Speaker 1: get out of my mind. I love for you is 248 00:12:23,679 --> 00:12:28,680 Speaker 1: way out of line. Better run girl. You're too young girl, Okay, 249 00:12:28,760 --> 00:12:33,800 Speaker 1: let's keep going. Oh man, beneaths your perfume and makeup, 250 00:12:34,120 --> 00:12:36,120 Speaker 1: you're just a baby in the sky. Oh my god, 251 00:12:36,920 --> 00:12:39,520 Speaker 1: though you know it's wrong to be alone with me. 252 00:12:39,679 --> 00:12:42,680 Speaker 1: That come on, look is in your eyes? Who I'm 253 00:12:42,679 --> 00:12:48,080 Speaker 1: telling you? Get out of my mind? Wow, I didn't 254 00:12:48,120 --> 00:12:50,319 Speaker 1: even get that far more. There's more, there's more, Oh 255 00:12:50,360 --> 00:12:53,200 Speaker 1: my gosh. So hurry home to your mama. I'm sure 256 00:12:53,280 --> 00:12:56,120 Speaker 1: she wonders where you are. Get out of here before 257 00:12:56,160 --> 00:12:58,640 Speaker 1: I have the time to change my mind, because I'm 258 00:12:58,640 --> 00:13:03,599 Speaker 1: afraid it will go too far. I cannot believe. I 259 00:13:03,960 --> 00:13:06,240 Speaker 1: know the song, I know the quo. Man, Yo, let 260 00:13:06,240 --> 00:13:09,000 Speaker 1: me finish a guy, Yo, get out of my mom 261 00:13:09,000 --> 00:13:11,440 Speaker 1: My love for you is the way a limbtter runer. 262 00:13:11,640 --> 00:13:15,559 Speaker 1: You're much too younger, younger, get out of my mom 263 00:13:15,679 --> 00:13:18,640 Speaker 1: my love for you? Is that it? Mike, No more 264 00:13:18,960 --> 00:13:21,319 Speaker 1: is that. When they arrested him, I stopped the words. 265 00:13:22,200 --> 00:13:24,000 Speaker 1: That's the creepiest song I've ever heard in my life. Yeah, 266 00:13:24,040 --> 00:13:31,120 Speaker 1: that's worse than Baby don't wait. Yeah yeah, wow, well baby, 267 00:13:31,120 --> 00:13:33,559 Speaker 1: it's old side. He's like drink his drink. It's pretty bad. 268 00:13:33,559 --> 00:13:37,600 Speaker 1: But I mean, this is like crazy young Yeah, baby's 269 00:13:37,600 --> 00:13:39,000 Speaker 1: called us. I don't think it's anything I llegal, it's 270 00:13:39,000 --> 00:13:42,439 Speaker 1: just creepy. This is illegal. Yeah, man, but he didn't 271 00:13:42,440 --> 00:13:44,400 Speaker 1: do anything. I guess that's what he's saying. It's like, 272 00:13:44,480 --> 00:13:46,760 Speaker 1: get out of here. I'm watching before I do something. 273 00:13:46,880 --> 00:13:49,320 Speaker 1: But I wonder how old he His name is Gary Puckett, 274 00:13:49,360 --> 00:13:52,560 Speaker 1: Gary Puckett. Yeah, he's not the songwriter, though I didn't 275 00:13:52,600 --> 00:13:54,720 Speaker 1: would you ever sing that song by a songwriter if 276 00:13:54,720 --> 00:13:57,040 Speaker 1: you first of all, if you've wrote it and then 277 00:13:57,040 --> 00:14:00,000 Speaker 1: you're singing it, still extra creepy. So what I found 278 00:14:00,320 --> 00:14:02,280 Speaker 1: my research is the guy that wrote it was the 279 00:14:02,320 --> 00:14:04,240 Speaker 1: producer of that album and he was like, hey, I 280 00:14:04,280 --> 00:14:07,200 Speaker 1: got this serious boler you guys might like it. And 281 00:14:07,240 --> 00:14:09,320 Speaker 1: then the band's what four dudes, and they're all like, 282 00:14:09,559 --> 00:14:12,439 Speaker 1: best to get him immediately for sure. Okay, back then, 283 00:14:12,559 --> 00:14:18,560 Speaker 1: what was it sixty nine? No, I'm asking what was no? No, no, 284 00:14:18,559 --> 00:14:23,280 Speaker 1: no no, I'm asking what was the age of marrying 285 00:14:23,440 --> 00:14:25,800 Speaker 1: and amy. That's even crazier say that they're just a 286 00:14:25,880 --> 00:14:28,400 Speaker 1: young girl. Oh I know, because even if like it 287 00:14:28,520 --> 00:14:31,320 Speaker 1: was younger, then this dude's still talking about it being illegal. 288 00:14:32,400 --> 00:14:36,000 Speaker 1: There's another song, and I don't know, maybe we google Lyrix, 289 00:14:36,040 --> 00:14:39,440 Speaker 1: but it's like she's sixteen. She's beautiful and she's mine. 290 00:14:39,760 --> 00:14:42,520 Speaker 1: It's the Beatles and they should all go to jail. 291 00:14:45,000 --> 00:14:47,960 Speaker 1: She was just Mike doesn't want to google because are 292 00:14:48,000 --> 00:14:50,760 Speaker 1: you thinking of the she was just seventeen? No, okay, 293 00:14:50,960 --> 00:14:55,880 Speaker 1: different one. I don't want to go. Oh it's Ringo, 294 00:14:56,480 --> 00:15:01,560 Speaker 1: you're sixteen. You're beautiful in your mind, dang ringo, Ringo. Wow, 295 00:15:02,040 --> 00:15:06,000 Speaker 1: sweet little sixteen. She's just got to have about half 296 00:15:06,000 --> 00:15:08,920 Speaker 1: a million framed autographs, her walls filled pictures. She gets 297 00:15:08,920 --> 00:15:11,160 Speaker 1: some one by one, become so excited. Oh watch her 298 00:15:12,360 --> 00:15:16,760 Speaker 1: at the run. Oh mommy, mommy, please me I Oh, daddy, daddy, whatever. 299 00:15:16,760 --> 00:15:19,440 Speaker 1: Sweet little sixteen. She's got the grown up blues, tight 300 00:15:19,520 --> 00:15:22,080 Speaker 1: dresses and lipsticks. She's supporting high Hill boots. Oh but 301 00:15:22,160 --> 00:15:24,840 Speaker 1: tomorrow morning she'll have to change her trend, become sweet 302 00:15:24,880 --> 00:15:28,360 Speaker 1: sixteen and back in class again. Where is the part 303 00:15:28,400 --> 00:15:32,800 Speaker 1: that's like she's sixteen? Keep going down, Mike, wya, m 304 00:15:32,960 --> 00:15:38,240 Speaker 1: there's a lot of these songs. Apparently she's sixteen and 305 00:15:38,240 --> 00:15:42,080 Speaker 1: she's be Okay, that's Ringo. Ready you have Ringo? She's sixteen? 306 00:15:42,200 --> 00:15:45,720 Speaker 1: Do we play five seconds of Oh maybe it's your 307 00:15:45,800 --> 00:15:48,600 Speaker 1: there's a different one. You're sixteen. That's a different one 308 00:15:48,600 --> 00:15:52,160 Speaker 1: by Ringo. You're sixteen. What the heck Ringo's got all 309 00:15:52,160 --> 00:15:56,480 Speaker 1: these songs about sixteen year old? Get no. I just 310 00:15:56,520 --> 00:16:01,080 Speaker 1: need you to play five seconds of it. Stop it, 311 00:16:02,400 --> 00:16:09,120 Speaker 1: skip ahead, all right, just play it randomly anywhere else 312 00:16:09,160 --> 00:16:11,680 Speaker 1: I want to find if I know this one. Okay, 313 00:16:11,720 --> 00:16:17,720 Speaker 1: here's a good part. That's not a good part. That's 314 00:16:17,840 --> 00:16:20,800 Speaker 1: it's a kazoo solo. Hey, that was a kazoo. So 315 00:16:20,840 --> 00:16:25,560 Speaker 1: this is Ringo after Beatles. I don't know, dude, I'm 316 00:16:25,560 --> 00:16:27,600 Speaker 1: just weird doubt by all this. What's that song? Mike? 317 00:16:28,960 --> 00:16:32,720 Speaker 1: It is Okay, you're sixteen. You're beautiful in your mind. Yeah, 318 00:16:32,760 --> 00:16:35,440 Speaker 1: you're sixteen, you're beautiful. Can you find that part? Raight? 319 00:16:35,560 --> 00:16:37,240 Speaker 1: Scrub it a little bit. We're okay to listen to 320 00:16:37,240 --> 00:16:49,680 Speaker 1: some scrubs nineteen seventy three and mind rewind y'all beautiful 321 00:16:50,080 --> 00:16:53,320 Speaker 1: ring that's it. That's a ring this, dude, this is 322 00:16:53,360 --> 00:16:55,720 Speaker 1: after the Ringo in nineteen seventy three. We need to 323 00:16:55,760 --> 00:16:58,480 Speaker 1: have a discussion on if he's an adult adult, why 324 00:16:58,560 --> 00:16:59,960 Speaker 1: he would be singing that to be in his thirty 325 00:17:00,160 --> 00:17:03,920 Speaker 1: by then you can easily change it to nineteen. It's 326 00:17:03,960 --> 00:17:08,399 Speaker 1: why not and still feels weird. How old? So in 327 00:17:08,520 --> 00:17:12,840 Speaker 1: seventy three he'd have been thirty three. That's wild. Come on, man, 328 00:17:12,840 --> 00:17:16,360 Speaker 1: that's straight Seinfeld. Dude, what did he do again? God? 329 00:17:17,119 --> 00:17:18,840 Speaker 1: Sixteen year old girl when he was like thirty eight 330 00:17:18,920 --> 00:17:21,800 Speaker 1: or something. I'm sure those numbers are off a little bit, 331 00:17:21,840 --> 00:17:27,240 Speaker 1: but that's why I'm trucking to see his spouse's type type. 332 00:17:27,240 --> 00:17:34,679 Speaker 1: Creepy songs from from the sixties. Oh, Man, yeah, Mike, Mike, 333 00:17:34,800 --> 00:17:38,720 Speaker 1: keep googling. Man, Oh, I'm just disgusted by this creepy 334 00:17:38,760 --> 00:17:42,000 Speaker 1: songs from the There's a lot just seventies, sixties whatever. 335 00:17:42,600 --> 00:17:45,919 Speaker 1: But it's like, you know, record producers, record labels, they 336 00:17:45,960 --> 00:17:51,800 Speaker 1: all let this go. They signed off on all these songs, 337 00:17:51,240 --> 00:17:58,120 Speaker 1: spooky songs. No one huh. Well, I'm never gonna listen 338 00:17:58,160 --> 00:18:00,639 Speaker 1: to young girl, na I think man I took that 339 00:18:00,720 --> 00:18:02,560 Speaker 1: off se Oh no, I'm not listening to that anymore. 340 00:18:02,560 --> 00:18:06,359 Speaker 1: I change the lady, get out of my mind, the 341 00:18:06,480 --> 00:18:09,680 Speaker 1: old woman. I mean, the worst part is when he says, 342 00:18:09,720 --> 00:18:12,520 Speaker 1: get out of here now, you better run girl before 343 00:18:12,560 --> 00:18:19,080 Speaker 1: I change my mind. Was worried about you. You better run, bro. 344 00:18:19,160 --> 00:18:24,040 Speaker 1: That's crazy. Yeah, man, why would someone you think? Even then, 345 00:18:24,560 --> 00:18:25,760 Speaker 1: you think a lot of that stuff since there was 346 00:18:25,760 --> 00:18:27,840 Speaker 1: no social media, which just kept quiet, not ye sing it. 347 00:18:28,560 --> 00:18:30,680 Speaker 1: It was probably number one. And if Gary Puckett like 348 00:18:30,720 --> 00:18:32,800 Speaker 1: they still play because one of these old mans still play, 349 00:18:32,880 --> 00:18:35,440 Speaker 1: like if they still sing that song, no way they 350 00:18:35,440 --> 00:18:37,640 Speaker 1: still perform that that one out of the set list. Okay, 351 00:18:37,640 --> 00:18:39,120 Speaker 1: we can move off that. That is That is weird. 352 00:18:39,160 --> 00:18:41,760 Speaker 1: I've never noticed that. I don't ever look at lyrics 353 00:18:41,800 --> 00:18:44,680 Speaker 1: for anything. Ever. I don't know half due when they 354 00:18:44,680 --> 00:18:50,480 Speaker 1: say that it definitely catches your ears. Huh, exactly what 355 00:18:50,600 --> 00:18:57,080 Speaker 1: is it? Would you say? Do you remember another creepy song? Okay, 356 00:18:58,560 --> 00:19:03,920 Speaker 1: She's beautiful, She's mine. Lunchbox google scary songs, No monster 357 00:19:04,040 --> 00:19:10,600 Speaker 1: mash came up, creepy songs, thriller. Mike's googling a bunch 358 00:19:10,640 --> 00:19:12,439 Speaker 1: of weird stuff here. I'm not gonna say what he's googling. 359 00:19:12,560 --> 00:19:18,400 Speaker 1: What I did? Creep He's trying to inappropriate songs, top 360 00:19:18,440 --> 00:19:23,680 Speaker 1: ten jail bait songs. That's it though, That's that's hilarious. 361 00:19:23,680 --> 00:19:30,040 Speaker 1: Here did you get did you google tat? That's what 362 00:19:30,080 --> 00:19:32,560 Speaker 1: it's called creepy rock songs about young girls. You've been 363 00:19:32,560 --> 00:19:35,160 Speaker 1: singing along without realizing it. This is exactly what we're 364 00:19:35,160 --> 00:19:40,080 Speaker 1: looking for. Go uh see if I know it's Betsy girls, 365 00:19:41,160 --> 00:19:45,280 Speaker 1: poke it out. Bikini is a little ditty I can stare. 366 00:19:45,359 --> 00:19:48,760 Speaker 1: Oh my gosh, Nope, what dirty gray cat blues by 367 00:19:48,800 --> 00:19:51,720 Speaker 1: the rolling Stone scroll it Mike's got Mike's got it. 368 00:19:52,320 --> 00:19:54,840 Speaker 1: Oh read that. I can see you. You're fifteen years old. No, 369 00:19:54,920 --> 00:19:56,680 Speaker 1: I don't want your I d you look so restless 370 00:19:56,680 --> 00:19:59,400 Speaker 1: and you're so far from home. But it's no hanging matter, 371 00:19:59,520 --> 00:20:01,600 Speaker 1: it's no capital crime. Can you play some of my 372 00:20:01,640 --> 00:20:03,640 Speaker 1: straight cat blues right from the stones, just the beginning? 373 00:20:03,680 --> 00:20:07,919 Speaker 1: See if I know that. Let's see Christine sixteen from Kiss. 374 00:20:08,440 --> 00:20:11,919 Speaker 1: She's been around, she's young and clean. I gotta have her. 375 00:20:11,920 --> 00:20:15,600 Speaker 1: I can't live without her. Christine sixteen, Christine sixteen, I'm 376 00:20:15,600 --> 00:20:18,280 Speaker 1: about grateful dead. They have one called good Morning Little Schoolgirl. 377 00:20:18,560 --> 00:20:22,879 Speaker 1: My Sharona. You know, mom never gonna stop give it up, 378 00:20:23,000 --> 00:20:25,280 Speaker 1: such a dirty mind. I always get it up for 379 00:20:25,359 --> 00:20:27,720 Speaker 1: the touch of the younger kind of stop it. I've 380 00:20:27,760 --> 00:20:31,120 Speaker 1: never heard that line, this line, good morning little school girl? 381 00:20:31,200 --> 00:20:33,320 Speaker 1: Can I come home? With you. Tell your mama and 382 00:20:33,320 --> 00:20:36,680 Speaker 1: your papa. I'm a little schoolboy too. What's that that's 383 00:20:36,720 --> 00:20:40,040 Speaker 1: grateful dead? Good morning, little schoolgirl? Ray? What's this song? 384 00:20:41,160 --> 00:20:42,919 Speaker 1: Great cat? You're ready? Yeah? I turn it down and 385 00:20:42,960 --> 00:20:44,280 Speaker 1: just fast forward it a little bit. I got it 386 00:20:44,359 --> 00:20:51,760 Speaker 1: right here, goohead from the I don't have it? Can 387 00:20:51,800 --> 00:20:59,000 Speaker 1: you play a little more? I don't know that one either? Yeah, 388 00:21:00,240 --> 00:21:03,680 Speaker 1: if I know every word, that's my favorite. Um here's 389 00:21:03,720 --> 00:21:07,680 Speaker 1: one girl. You'll be a woman soon. Oh yeah, could 390 00:21:07,760 --> 00:21:10,920 Speaker 1: please come take my hand soon? You'll need a man. 391 00:21:11,680 --> 00:21:17,600 Speaker 1: That's weird. That is Neil Diamond. Yeah, keep going, Keep going, Mike. 392 00:21:17,840 --> 00:21:21,360 Speaker 1: There's young Girl from Gary Puckett. Yeah. Number one, you're sixteen. 393 00:21:21,400 --> 00:21:24,399 Speaker 1: You're beautiful in your mind? From Johnny Burnett. Is that 394 00:21:24,480 --> 00:21:28,280 Speaker 1: a did Ringo do a cover of that? You come 395 00:21:28,320 --> 00:21:31,000 Speaker 1: on like a dream. Peaches and cream looks like strawberry wine. 396 00:21:31,000 --> 00:21:33,720 Speaker 1: You're sixteen, You're beautiful in your mind? Come on, go ahead. 397 00:21:34,359 --> 00:21:36,199 Speaker 1: Don't stand so close to me from the police, you know, 398 00:21:36,320 --> 00:21:40,520 Speaker 1: don't stand so, don't stand so close to me. Inside him, 399 00:21:40,520 --> 00:21:44,639 Speaker 1: there's longing. This girl's an open page bookmarking. She's so close. 400 00:21:44,680 --> 00:21:46,720 Speaker 1: Now the girl is half his age. Well that could 401 00:21:46,720 --> 00:21:49,160 Speaker 1: be fifty and twenty five. Absolutely, yeah, I'm not gonna 402 00:21:49,160 --> 00:21:51,159 Speaker 1: throw them in jail for that one. Brown Sugar, the 403 00:21:51,240 --> 00:21:54,160 Speaker 1: Rolling Stones, brown sugar, How come you taste so good 404 00:21:54,200 --> 00:21:56,760 Speaker 1: brown sugar? Just like a young girl should? The young 405 00:21:57,400 --> 00:22:01,200 Speaker 1: girl parts weird if I said younger girl, but young girl, 406 00:22:01,280 --> 00:22:05,040 Speaker 1: it means young girl. That's weird. The Doors Alabama song, 407 00:22:05,359 --> 00:22:08,720 Speaker 1: Well show me the way to the next little girl. Oh, 408 00:22:08,760 --> 00:22:12,280 Speaker 1: don't ask why, or don't ask why what the aerosmith 409 00:22:12,320 --> 00:22:13,720 Speaker 1: walked this way. Let's see if this one is it? 410 00:22:14,400 --> 00:22:17,280 Speaker 1: Schoolgirl sweety with a kind of class sassy little skirts 411 00:22:17,280 --> 00:22:21,320 Speaker 1: climbing way up. Yeah, yeah, this one's weird. And I 412 00:22:21,359 --> 00:22:26,560 Speaker 1: probably sang along schoolgirl sweetie with a classy kind of 413 00:22:26,600 --> 00:22:30,199 Speaker 1: sassy little skirts climbing way up the knee. There was 414 00:22:30,240 --> 00:22:32,720 Speaker 1: three young ladies in the school Jim Locker. When I 415 00:22:32,800 --> 00:22:35,600 Speaker 1: noticed they was looking at me, Well, what if he's 416 00:22:35,600 --> 00:22:37,639 Speaker 1: in skirl? Yeah, I think some of these are like 417 00:22:37,720 --> 00:22:39,800 Speaker 1: in the eyes of another student, Yeah, what if he's 418 00:22:39,800 --> 00:22:41,600 Speaker 1: in I'm doing all the bands out like and being 419 00:22:41,720 --> 00:22:45,080 Speaker 1: like going no, no, no, that was good. Four or seventeen. 420 00:22:45,080 --> 00:22:47,600 Speaker 1: When you grow older, girl, you'll remember I told you 421 00:22:47,640 --> 00:22:53,919 Speaker 1: girl seventeen you're just seventeen, okay, not thirteen, big star thirteen. 422 00:22:54,080 --> 00:22:57,200 Speaker 1: This is called oh, this one's bad, This one's bad 423 00:22:57,480 --> 00:23:00,639 Speaker 1: because then the title of the song is thirteen and 424 00:23:00,800 --> 00:23:03,680 Speaker 1: the lyric is would you be an outlaw for my love? 425 00:23:04,800 --> 00:23:07,240 Speaker 1: If it's so, then let me know what. That's what 426 00:23:07,400 --> 00:23:09,200 Speaker 1: Chris Harrison shows up at the door type stuff with 427 00:23:09,320 --> 00:23:11,840 Speaker 1: the wine coolers. No he doesn't, no, no no, no, I know, 428 00:23:11,880 --> 00:23:15,760 Speaker 1: with the I can't believe this. Keep going just a 429 00:23:15,800 --> 00:23:21,680 Speaker 1: couple more. Yeah, I go that past that one. Um, okay, well, 430 00:23:22,480 --> 00:23:25,760 Speaker 1: music in the sixties was really creepy. Yeah, man, what's 431 00:23:25,760 --> 00:23:29,920 Speaker 1: out Chris wrong, Chris, we're just talking about Chris stories. 432 00:23:30,080 --> 00:23:33,000 Speaker 1: Chris Hanson. Chris, Uh, you said, Chris whatever. I don't 433 00:23:33,000 --> 00:23:36,200 Speaker 1: even know anymore Chris Hansen. Oh yeah, Hanson, because we 434 00:23:36,280 --> 00:23:40,320 Speaker 1: knew even what you said. Harrison Harrison. Oh yeah, different, dude. 435 00:23:40,680 --> 00:23:43,520 Speaker 1: What about jail bait? The songs called jail beat, Yeah, 436 00:23:43,560 --> 00:23:47,200 Speaker 1: by I've never seen that song. It says, well, I 437 00:23:47,240 --> 00:23:49,320 Speaker 1: don't care if you're just thirteen. You look too good 438 00:23:49,320 --> 00:23:53,600 Speaker 1: to be true. Yep, I just know that you're probably clean. 439 00:23:53,720 --> 00:23:57,040 Speaker 1: There's one little thing I got to do. Jail bait, 440 00:23:57,080 --> 00:23:58,920 Speaker 1: you look so good to me. Jail bait. You will 441 00:23:59,040 --> 00:24:05,680 Speaker 1: you that this eighties or seventies, and you know I've 442 00:24:05,680 --> 00:24:07,680 Speaker 1: got to have you in a matter of time. Sad 443 00:24:07,720 --> 00:24:10,080 Speaker 1: but true. So tell your mama that I'm back in town. 444 00:24:11,040 --> 00:24:13,359 Speaker 1: Tell your MoMA that I'm back in town. My mind 445 00:24:13,480 --> 00:24:18,320 Speaker 1: is blown right now. That's the nude. Oh, especially the 446 00:24:18,359 --> 00:24:20,479 Speaker 1: my Sharona one. In ninth grade, we did a school 447 00:24:20,560 --> 00:24:23,480 Speaker 1: like a drill team. We danced to that. We did 448 00:24:23,480 --> 00:24:28,399 Speaker 1: a jailbait. The whole play based on the Hey. One 449 00:24:28,400 --> 00:24:30,840 Speaker 1: of the lines is it's quite It's all right, baby, 450 00:24:30,840 --> 00:24:34,160 Speaker 1: it's quite all right. I asked your mama. Oh he's 451 00:24:34,200 --> 00:24:36,240 Speaker 1: lying about Wait a minute, officer, Wait a minute, officer, 452 00:24:36,240 --> 00:24:40,880 Speaker 1: don't put those handcuffs on me. The very end, Hey, Oh, 453 00:24:40,960 --> 00:24:47,600 Speaker 1: shure with you. That's the line. Terrible, I tell you. 454 00:24:47,680 --> 00:24:51,399 Speaker 1: Maybe that's him saying you'll get arrested if you do this. 455 00:24:51,960 --> 00:24:55,760 Speaker 1: Oh I'm stretching. Yeah you are. And I'm not a 456 00:24:55,840 --> 00:24:59,720 Speaker 1: nugent guy. But at least somebody goes to jail at 457 00:24:59,760 --> 00:25:02,320 Speaker 1: the end. And the song is called jail bait. That's weird. 458 00:25:02,880 --> 00:25:05,840 Speaker 1: So it's a full story. Maybe it's about what you say, Mike. 459 00:25:07,000 --> 00:25:09,679 Speaker 1: The whole album's jail. He invested a whole album in 460 00:25:09,720 --> 00:25:15,760 Speaker 1: the m you know, like we do rejected segments. Yeah, 461 00:25:15,760 --> 00:25:18,760 Speaker 1: but that's what the label said. They're like, let's treat 462 00:25:18,800 --> 00:25:20,760 Speaker 1: this like, let's do all the songs you been jail 463 00:25:20,880 --> 00:25:23,600 Speaker 1: put on a record. Give it a shot. Oh gosh, 464 00:25:23,680 --> 00:25:29,440 Speaker 1: that's wild. Are man? Oh man, I honestly cannot believe this, 465 00:25:29,680 --> 00:25:34,400 Speaker 1: young get out of my mind. Okay what he found? 466 00:25:34,400 --> 00:25:37,440 Speaker 1: Another one? No, no, this is about jail Bait. So 467 00:25:37,760 --> 00:25:41,240 Speaker 1: two years before he released it, he had been he 468 00:25:41,320 --> 00:25:43,800 Speaker 1: had explored the option of becoming the legal guardian of 469 00:25:43,800 --> 00:25:46,200 Speaker 1: a seventeen year old girl when he was in his thirties, 470 00:25:46,800 --> 00:25:49,560 Speaker 1: so they could hook up without her parents having any 471 00:25:49,680 --> 00:25:54,360 Speaker 1: legal recourse. Ted Nugent, Yes, so he wrote a song 472 00:25:54,400 --> 00:26:00,440 Speaker 1: about story from this is from the Huffington Post. Wow, 473 00:26:01,680 --> 00:26:03,119 Speaker 1: I mean, I've never heard any of that. So when 474 00:26:03,160 --> 00:26:06,440 Speaker 1: Ted Nugent was thirty two years old, read it. He says, 475 00:26:07,160 --> 00:26:09,000 Speaker 1: when he was thirty two he wrote the song jail. 476 00:26:09,000 --> 00:26:10,440 Speaker 1: He released the song jail Bait, but a couple of 477 00:26:10,520 --> 00:26:12,119 Speaker 1: years before that, two years afore that, so he was 478 00:26:12,200 --> 00:26:16,280 Speaker 1: thirty he uh had the novel idea of becoming legal 479 00:26:16,280 --> 00:26:18,119 Speaker 1: guardian to a seventeen year old girl, so that they 480 00:26:18,119 --> 00:26:21,680 Speaker 1: could have sex without, you know, her parents having legal recourse. 481 00:26:23,520 --> 00:26:26,360 Speaker 1: Isn't he like the family values guy? Now? I don't 482 00:26:26,359 --> 00:26:29,320 Speaker 1: know much about him. They acquiesced whatever the heck that 483 00:26:29,359 --> 00:26:32,880 Speaker 1: means acquiesced a quest. Yeah, you're right right. I guess 484 00:26:32,880 --> 00:26:36,200 Speaker 1: they figured better Ted Nugent than some drug invested punk 485 00:26:36,200 --> 00:26:43,080 Speaker 1: in high school. He told VH one years later. No, No, 486 00:26:43,080 --> 00:26:44,439 Speaker 1: he wasn't legal guard. I don't know. If they were, 487 00:26:44,760 --> 00:26:49,280 Speaker 1: he'd let him hook up without they would ensue who 488 00:26:49,400 --> 00:26:51,359 Speaker 1: I just googled him. I had no idea what he 489 00:26:51,440 --> 00:26:54,920 Speaker 1: even looked like. Oh Ted that, he told the H 490 00:26:55,040 --> 00:26:57,879 Speaker 1: one years later. In the same documentary, he claimed to 491 00:26:57,920 --> 00:27:00,600 Speaker 1: have had several relationships with young girls and seems to 492 00:27:00,640 --> 00:27:05,119 Speaker 1: brag about it gaining their parents' approval first huh, But 493 00:27:05,200 --> 00:27:07,480 Speaker 1: he did not go as far as to adopt any 494 00:27:07,480 --> 00:27:10,800 Speaker 1: of them. The album's next tract is I Am not 495 00:27:10,840 --> 00:27:15,679 Speaker 1: a predator? Serious? I was already Oh I am a predator? 496 00:27:15,760 --> 00:27:18,040 Speaker 1: Are you gave him credit? Oh my god? You were 497 00:27:18,040 --> 00:27:21,600 Speaker 1: trying to help him out a little bit. I don't 498 00:27:21,640 --> 00:27:23,720 Speaker 1: want to say. Yeah, man, I know we're going down 499 00:27:23,720 --> 00:27:28,240 Speaker 1: a dark road of seventies I'm glad we're we've moved 500 00:27:28,359 --> 00:27:32,280 Speaker 1: sixties fifties. She's made a little progress, all right. Well, 501 00:27:33,400 --> 00:27:37,439 Speaker 1: oh I'm done though, Yeah, Oh Courtney loves well, I 502 00:27:37,480 --> 00:27:39,760 Speaker 1: don't know. This is allegation. This was this year the 503 00:27:39,840 --> 00:27:43,600 Speaker 1: dark side of music. Courtney loves allegation of underage assault 504 00:27:43,720 --> 00:27:49,000 Speaker 1: against teg Nugent. Oh yeah, she says that she Oh 505 00:27:49,080 --> 00:27:53,800 Speaker 1: my gosh, so dark. I'm done. Yeah, this is trusting me. Yeah, 506 00:27:53,840 --> 00:27:56,400 Speaker 1: you don't want to say what Courtney loves about Ted 507 00:27:56,480 --> 00:27:59,920 Speaker 1: Nugent and him and her. Yeah, when she was a kid, 508 00:28:00,080 --> 00:28:04,399 Speaker 1: she was twelve and a half. Political now, for example, 509 00:28:04,480 --> 00:28:06,480 Speaker 1: Cordy Left claims La la la. I'm I gonna say 510 00:28:06,520 --> 00:28:10,000 Speaker 1: that he was twenty nine years old and he was 511 00:28:10,000 --> 00:28:14,760 Speaker 1: twelve and a half. Yeah, that's that's well, Eddie. Sorry, dude, 512 00:28:14,760 --> 00:28:19,040 Speaker 1: I mean Gary Puckett and Union Gap. My bad, they 513 00:28:19,040 --> 00:28:21,000 Speaker 1: have any other good songs? I read? Does Gary Puckett 514 00:28:21,040 --> 00:28:24,240 Speaker 1: have any other good songs? Oh? Man, how does Ted Nujon? 515 00:28:24,320 --> 00:28:29,560 Speaker 1: I get canceled completely? Right? Just that one in the system. Yeah, 516 00:28:29,600 --> 00:28:31,960 Speaker 1: and I got it all on my computer now, and 517 00:28:32,080 --> 00:28:35,640 Speaker 1: you highlighted it and copied it. You got any more 518 00:28:35,840 --> 00:28:38,080 Speaker 1: stories over there? Where? Do us tell me something good. 519 00:28:38,120 --> 00:28:40,240 Speaker 1: The fact that his list said top ten jail baits songs. 520 00:28:40,800 --> 00:28:43,000 Speaker 1: He found that that's good. But it's like the computer 521 00:28:43,080 --> 00:28:47,080 Speaker 1: knew we wanted it, suggested Mike wasn't getting that. I 522 00:28:47,080 --> 00:28:51,400 Speaker 1: was watching all my exaitt list never came out on 523 00:28:50,160 --> 00:28:54,680 Speaker 1: show on the phone. Alicia, who lives in North Dakota. 524 00:28:54,800 --> 00:28:57,959 Speaker 1: Hey Alicia, Hi, how are you pretty good? What can 525 00:28:58,000 --> 00:29:01,240 Speaker 1: I do for you? So well? Amy needs a penalty? 526 00:29:01,800 --> 00:29:04,880 Speaker 1: I heard it too. Oh, this happens a couple of times, 527 00:29:04,880 --> 00:29:07,320 Speaker 1: and we don't always bust Amy on it. Sometimes she 528 00:29:07,320 --> 00:29:10,000 Speaker 1: doesn't pay attention. But do you want to do you 529 00:29:10,040 --> 00:29:13,960 Speaker 1: want to share what happened? Alicia? So immediately when you 530 00:29:13,960 --> 00:29:17,760 Speaker 1: started talking about Eddie joining, you said that you would 531 00:29:17,760 --> 00:29:19,960 Speaker 1: be Ronnie and Eddie would be cooked. And then like 532 00:29:20,080 --> 00:29:24,440 Speaker 1: three sentences later, she goes, well it would be who. Yeah, okay, well, 533 00:29:24,480 --> 00:29:26,520 Speaker 1: I was definitely listening to that whole segment. I don't 534 00:29:26,600 --> 00:29:29,160 Speaker 1: know how I mean, it was right after Okay, well, 535 00:29:29,160 --> 00:29:30,680 Speaker 1: I just started because I was the first I was 536 00:29:30,720 --> 00:29:32,760 Speaker 1: picturing you in Caitlin, and then I was like, oh wait, 537 00:29:32,840 --> 00:29:35,160 Speaker 1: and then as you said Eddie, so then I was 538 00:29:35,280 --> 00:29:37,960 Speaker 1: confirming who's who? But yes, clearly you had said it 539 00:29:39,280 --> 00:29:43,280 Speaker 1: six seconds. I was looking at you the entire segment. Yeah, Alicia, 540 00:29:43,320 --> 00:29:46,080 Speaker 1: that's a great point. I've talked to the voting panel here. 541 00:29:46,120 --> 00:29:48,800 Speaker 1: Oh yeah, what is the punishment? Don't know? The first one? 542 00:29:49,240 --> 00:29:52,520 Speaker 1: The money? The first one? What is it? Twenty dollars? 543 00:29:52,600 --> 00:29:59,280 Speaker 1: Fine to who too? It goes into a yeah, I 544 00:29:59,320 --> 00:30:01,640 Speaker 1: like that. Then we draw forward or something, right, Mike, 545 00:30:01,680 --> 00:30:03,040 Speaker 1: you're gonna to remember. I don't know if this was 546 00:30:03,040 --> 00:30:07,520 Speaker 1: the first twenty dollars? Is it lunch box? I'll remember 547 00:30:07,520 --> 00:30:11,160 Speaker 1: that next time, the first offense. But we have to 548 00:30:11,240 --> 00:30:14,240 Speaker 1: vote as a panel. Do we feel like Amy violated 549 00:30:14,280 --> 00:30:16,400 Speaker 1: the rule of not listening and then asking a question 550 00:30:16,600 --> 00:30:19,440 Speaker 1: when they weren't listening? Okay, hold on, I'm going to 551 00:30:19,440 --> 00:30:22,760 Speaker 1: the voting panel panel, Eddie, it's twenty dollars in the pot. 552 00:30:22,880 --> 00:30:26,600 Speaker 1: Absolutely listen. When it happened live, I was like, oh, 553 00:30:27,360 --> 00:30:29,040 Speaker 1: I did too. I did too, and I tried to 554 00:30:29,120 --> 00:30:30,880 Speaker 1: just go over it. I did. But when we get 555 00:30:30,960 --> 00:30:33,080 Speaker 1: called out, we get called out. It happens any well. 556 00:30:33,120 --> 00:30:34,480 Speaker 1: I don't know how I miss that because I was 557 00:30:34,520 --> 00:30:36,600 Speaker 1: literally staring about the entire time. It's not like I 558 00:30:36,640 --> 00:30:39,080 Speaker 1: was on my computer or writing something down or doing 559 00:30:39,120 --> 00:30:45,520 Speaker 1: anything organ Okay, I do think that it was a 560 00:30:45,560 --> 00:30:49,160 Speaker 1: repetitive situation in this case, right the fact you made 561 00:30:49,200 --> 00:30:51,320 Speaker 1: lunch cringe and the caller called her out. So I 562 00:30:51,320 --> 00:30:53,280 Speaker 1: feel like we have to do it now before let's say, 563 00:30:53,280 --> 00:31:00,880 Speaker 1: if we go it's it's all unanimous, Scuba, what's happening. Yeah, 564 00:31:00,880 --> 00:31:05,680 Speaker 1: she should be punished, Mike, Okay, twenty bucks, twenty bucks 565 00:31:05,680 --> 00:31:08,880 Speaker 1: in the kiddie that was across the board. Well, yeah, 566 00:31:08,880 --> 00:31:11,200 Speaker 1: it almost has to be. I think that'll be it. 567 00:31:11,320 --> 00:31:14,240 Speaker 1: Everybody has to say yes. And there are times listen, 568 00:31:14,320 --> 00:31:16,280 Speaker 1: I'm guilty of it too. To be fair, I'm also 569 00:31:16,320 --> 00:31:18,560 Speaker 1: reading notes and get into commercials and looking at things, 570 00:31:18,600 --> 00:31:21,720 Speaker 1: but I still should not fall. But it happened. Sometimes 571 00:31:21,720 --> 00:31:24,560 Speaker 1: we're reading notes and we're not, but I wasn't. Sometimes 572 00:31:24,920 --> 00:31:31,600 Speaker 1: talking to friends on Instagram. Sometimes I'm chatting on Facebook, Facebook, Instagram. Yes, Alicia, 573 00:31:31,720 --> 00:31:33,800 Speaker 1: thank you for that call, and we thank you for 574 00:31:33,840 --> 00:31:36,960 Speaker 1: being a big listener to the show. Thank you, have 575 00:31:37,040 --> 00:31:40,080 Speaker 1: a good day. Amy's like, thank you. I don't through 576 00:31:40,080 --> 00:31:44,880 Speaker 1: her teeth. Let's go over to pod who is listening 577 00:31:44,880 --> 00:31:49,680 Speaker 1: in Vermont? Hey? Pod? Hey, how are you doing pretty good? 578 00:31:49,720 --> 00:31:52,280 Speaker 1: What's going on? Not much for me. I just wanted 579 00:31:52,320 --> 00:31:55,400 Speaker 1: to say hi to the show, listen to the show. 580 00:31:55,560 --> 00:31:58,880 Speaker 1: I like the show. I was listening this morning when 581 00:31:58,920 --> 00:32:02,520 Speaker 1: I was driving and just wanted to call that on 582 00:32:03,320 --> 00:32:07,239 Speaker 1: when you were talking about Kane Brown and Entourage. Um, 583 00:32:07,320 --> 00:32:09,040 Speaker 1: I now you don't have a lot of time. You know, 584 00:32:09,080 --> 00:32:12,120 Speaker 1: we're getting I've done it, you know. Goodness. So you know, 585 00:32:12,200 --> 00:32:14,440 Speaker 1: I've done a lot of different talent shows, like you know, 586 00:32:14,640 --> 00:32:17,720 Speaker 1: like The Voice, all these different things, try it out, 587 00:32:17,840 --> 00:32:20,120 Speaker 1: all this good stuff whatever. But at the end of 588 00:32:20,160 --> 00:32:22,240 Speaker 1: the day, I always told myself, if I was ever 589 00:32:22,960 --> 00:32:26,000 Speaker 1: to make it through, as they say, into the business, 590 00:32:26,240 --> 00:32:28,960 Speaker 1: that's exactly the same way that I would be because 591 00:32:29,520 --> 00:32:32,720 Speaker 1: I feel that, you know, you get a taste of 592 00:32:33,880 --> 00:32:36,920 Speaker 1: you might get and work hard at. And then I 593 00:32:37,000 --> 00:32:39,360 Speaker 1: think to myself, well, if I'm going to pay for security, 594 00:32:39,480 --> 00:32:42,440 Speaker 1: whatever it may be, entourage, whatever you want to call it, 595 00:32:42,760 --> 00:32:47,160 Speaker 1: I would all mean people that I know, because I 596 00:32:47,160 --> 00:32:50,840 Speaker 1: would feel more comfortable at the same time. Yeah, so 597 00:32:50,920 --> 00:32:54,920 Speaker 1: I think by all these people doing it, let them 598 00:32:54,960 --> 00:32:59,040 Speaker 1: beat man, let them do what they want them, let 599 00:32:59,080 --> 00:33:03,560 Speaker 1: them be, let him be. The story was Kane was 600 00:33:03,680 --> 00:33:05,480 Speaker 1: in the news because they said, yeah, it had a 601 00:33:05,480 --> 00:33:07,520 Speaker 1: big too big of an entourage after he talked about 602 00:33:07,520 --> 00:33:09,640 Speaker 1: it in an interview, and I'm like, Kan's entourage, just 603 00:33:09,720 --> 00:33:11,680 Speaker 1: like his friends from back in the day. And then 604 00:33:11,680 --> 00:33:13,200 Speaker 1: I said, Hey, when I get to do cool stuff, 605 00:33:13,520 --> 00:33:15,800 Speaker 1: I show up with sometimes more people than they expect 606 00:33:15,840 --> 00:33:19,040 Speaker 1: because I know some of my friends wouldn't get to 607 00:33:19,040 --> 00:33:21,120 Speaker 1: experience that stuff because I don't get to experience that stuff. 608 00:33:21,160 --> 00:33:22,120 Speaker 1: And I'm like, I get to do this, do you 609 00:33:22,120 --> 00:33:24,000 Speaker 1: guys want to go? And they're like yeah, and so 610 00:33:24,040 --> 00:33:25,840 Speaker 1: here we go. We straight roll up a little a 611 00:33:25,840 --> 00:33:27,640 Speaker 1: little larger than they thought. And it's for no other 612 00:33:27,680 --> 00:33:29,320 Speaker 1: reason than if I get an opportunity and I can 613 00:33:29,360 --> 00:33:31,320 Speaker 1: take my people to do that too, I'm gonna do it. 614 00:33:31,680 --> 00:33:33,840 Speaker 1: And that's what Kane does. What I really liked about 615 00:33:33,880 --> 00:33:36,160 Speaker 1: Kane is the day the NBA two K came out, 616 00:33:36,440 --> 00:33:38,280 Speaker 1: he had someone set up a whole PlayStation for him 617 00:33:38,520 --> 00:33:40,600 Speaker 1: while he was doing hair and makeup. Really, so when 618 00:33:40,640 --> 00:33:42,000 Speaker 1: he was at at four am, it was already set 619 00:33:42,080 --> 00:33:45,720 Speaker 1: up and ready to go. That's my dudes. I love that. 620 00:33:45,800 --> 00:33:48,400 Speaker 1: I only ever tried that once during Breaking Bobby Bones. 621 00:33:48,400 --> 00:33:50,320 Speaker 1: So I said, hey, I'm in the trailer a lot, 622 00:33:51,320 --> 00:33:53,600 Speaker 1: so can we put a PlayStation in the trailer because 623 00:33:53,600 --> 00:33:55,440 Speaker 1: sometimes I would go in the trailer for an hour 624 00:33:55,480 --> 00:33:58,640 Speaker 1: and a half as they're moving sets through, like cameras 625 00:33:58,640 --> 00:34:01,120 Speaker 1: and lights through wherever were outside and that took a 626 00:34:01,120 --> 00:34:04,160 Speaker 1: long time. They said, sures they put one in. There 627 00:34:04,240 --> 00:34:06,360 Speaker 1: was no Wi Fi. Well that doesn't work. I couldn't 628 00:34:06,360 --> 00:34:08,239 Speaker 1: play on I can't play online. I don't care to 629 00:34:08,239 --> 00:34:09,800 Speaker 1: play because I doesn't like playing video games. For the 630 00:34:09,800 --> 00:34:12,560 Speaker 1: second video games, I just like playing with my friends. Yeah, 631 00:34:12,600 --> 00:34:15,920 Speaker 1: so I was like, well this sucks. So I just 632 00:34:16,000 --> 00:34:18,080 Speaker 1: sat in Twitter with Thoms an hour and a half. 633 00:34:18,680 --> 00:34:20,000 Speaker 1: Thank you for the call pod. Hope you have a 634 00:34:20,040 --> 00:34:24,680 Speaker 1: great day. Let's go over and talk to Virginia in Louisiana. Virginia, 635 00:34:24,719 --> 00:34:27,680 Speaker 1: what's going on? Hey? How are you pretty good? What 636 00:34:27,719 --> 00:34:30,799 Speaker 1: can I do for you? Okay, so we have been 637 00:34:30,840 --> 00:34:34,920 Speaker 1: trying to find your picks on Draft Kings for like 638 00:34:34,960 --> 00:34:38,319 Speaker 1: a week. How do we is it? Do we just 639 00:34:38,360 --> 00:34:41,320 Speaker 1: need to listen to your podcast or do you have 640 00:34:41,960 --> 00:34:45,319 Speaker 1: a Draft Kings user name? Oh, I don't know anything 641 00:34:45,320 --> 00:34:47,200 Speaker 1: about a Draft Kings user name. I mean I do 642 00:34:47,280 --> 00:34:49,000 Speaker 1: have a Draft Kings account that I use, but yes, 643 00:34:49,040 --> 00:34:52,000 Speaker 1: it's on the twenty five Whistles podcast, so you can 644 00:34:52,040 --> 00:34:55,359 Speaker 1: search twenty five Whistles and every Friday when the show 645 00:34:55,440 --> 00:34:59,879 Speaker 1: goes up, I give you the picks. And it's been way, way, way, way, 646 00:35:00,080 --> 00:35:02,120 Speaker 1: way too lucky. I almost don't want you to bet 647 00:35:02,120 --> 00:35:04,479 Speaker 1: on it. Rod run from them now, see I'm worried 648 00:35:04,520 --> 00:35:07,239 Speaker 1: now I haven't missed and now I'm for sure you're 649 00:35:07,239 --> 00:35:10,000 Speaker 1: gonna miss this week. So but yes, everything is on 650 00:35:10,040 --> 00:35:12,880 Speaker 1: the podcast or at twenty five Whistles on Instagram. But 651 00:35:12,920 --> 00:35:14,520 Speaker 1: it's all there on that so if you want to 652 00:35:14,600 --> 00:35:17,920 Speaker 1: check it out, you know, have a taste. But I'm 653 00:35:17,920 --> 00:35:22,680 Speaker 1: nervous now I'm even thinking about it. I'm nervous about it. Okay, Virginia, 654 00:35:23,640 --> 00:35:26,880 Speaker 1: you're going to do great. Thank you so much. Thank you. Bye. 655 00:35:27,360 --> 00:35:33,560 Speaker 1: One more call Kimmy and Northern Virginia. Hi, Kimmy, Hello, 656 00:35:33,800 --> 00:35:38,800 Speaker 1: what's going on? Not much? Well? I have the perfect 657 00:35:38,880 --> 00:35:42,680 Speaker 1: name for your razorback, Barbie. Okay it is. She's sitting 658 00:35:42,719 --> 00:35:46,080 Speaker 1: here on the desk, lonely, nameless. What do you got? 659 00:35:47,080 --> 00:35:54,520 Speaker 1: Are you ready all right here? Still? Oh? Sue E, 660 00:35:55,000 --> 00:35:59,520 Speaker 1: sue E. That's good, yes, sue E and my real 661 00:35:59,640 --> 00:36:04,160 Speaker 1: last names. Oh that's even better, sue E. So how 662 00:36:04,200 --> 00:36:07,760 Speaker 1: would it be? Spelled Sue. Sue, yeah, and then Sue 663 00:36:07,840 --> 00:36:10,480 Speaker 1: in the last name etting good man. That's pretty good. 664 00:36:10,800 --> 00:36:12,520 Speaker 1: I'm gonna put that on the list, Kimmy, of of 665 00:36:12,560 --> 00:36:15,759 Speaker 1: finalists right now, there's only one finalist you. Yeah, yeah, 666 00:36:15,760 --> 00:36:18,560 Speaker 1: it's only you right now. But um yeah, let me 667 00:36:18,640 --> 00:36:20,880 Speaker 1: let me jot that down, and if that's the one 668 00:36:20,880 --> 00:36:22,480 Speaker 1: I choose, I'll send you some sort of prize. I'll 669 00:36:22,560 --> 00:36:26,279 Speaker 1: keep your number here handy just in case. Okay, all right, 670 00:36:26,400 --> 00:36:28,719 Speaker 1: all right, thanks, Jimmy. Have a good day. I feel 671 00:36:28,719 --> 00:36:31,560 Speaker 1: good about my chances. Yeah, so do I honestly, especially 672 00:36:31,560 --> 00:36:33,520 Speaker 1: because it's the only one I've went. That's pretty good. 673 00:36:33,560 --> 00:36:35,720 Speaker 1: That's pretty good, all right, Kimmy, have a good day, 674 00:36:35,800 --> 00:36:38,280 Speaker 1: all right, you two Aye, bye, all right, we're done. 675 00:36:38,680 --> 00:36:40,480 Speaker 1: I have a good day and we will see you tomorrow.