1 00:00:02,960 --> 00:00:05,360 Speaker 1: Welcome to Stuff to Blow Your Mind production of My 2 00:00:05,480 --> 00:00:10,800 Speaker 1: Heart Radio. Hey, welcome to Stuff to Blow your Mind 3 00:00:11,000 --> 00:00:13,880 Speaker 1: listener mail. My name is Robert Lamb and I'm Joe 4 00:00:13,960 --> 00:00:16,000 Speaker 1: McCormick in. It's Monday, the day of the week that 5 00:00:16,040 --> 00:00:17,840 Speaker 1: we read back some of the messages that you have 6 00:00:17,920 --> 00:00:21,480 Speaker 1: sent in recently. So Rob, if you don't mind today, 7 00:00:21,560 --> 00:00:24,119 Speaker 1: I'm going to get us started with a message that 8 00:00:24,239 --> 00:00:27,200 Speaker 1: came in from Chris in response to our episodes on 9 00:00:27,320 --> 00:00:31,040 Speaker 1: natural flames and fire coming out of the earth. All right, 10 00:00:36,400 --> 00:00:39,520 Speaker 1: all right, Chris says, Hi, Robert and Joe, I loved 11 00:00:39,520 --> 00:00:42,320 Speaker 1: your episodes about eternal flames and thought you might want 12 00:00:42,320 --> 00:00:46,520 Speaker 1: to see some images of Mount Chimera. And then Chris 13 00:00:46,520 --> 00:00:49,239 Speaker 1: includes a description referring to one of the images they 14 00:00:49,240 --> 00:00:53,159 Speaker 1: sent along, and also, yeah, Artash meaning the rock that 15 00:00:53,280 --> 00:00:57,480 Speaker 1: lights up and Olympus, the modern town and the ruins 16 00:00:57,520 --> 00:01:00,200 Speaker 1: of the Greco Roman city. Oh this is cool because 17 00:01:00,240 --> 00:01:02,320 Speaker 1: this is a place that you actually brought up in 18 00:01:02,600 --> 00:01:05,520 Speaker 1: that pair of episodes, Rob, I think you and Artas 19 00:01:05,680 --> 00:01:08,160 Speaker 1: specifically is the one where it has the fire coming 20 00:01:08,160 --> 00:01:11,400 Speaker 1: out of the rocks on the real side. Yeah. Um, 21 00:01:11,400 --> 00:01:15,120 Speaker 1: But Chris goes on both the modern and ancient cities 22 00:01:15,280 --> 00:01:19,240 Speaker 1: sit on the banks of the Achai River in antiquity, 23 00:01:19,360 --> 00:01:23,480 Speaker 1: known as Harpasso's Right, where it empties into the Mediterranean 24 00:01:23,560 --> 00:01:27,119 Speaker 1: on a beautiful pebble beach surrounded by high cliffs. There 25 00:01:27,120 --> 00:01:31,360 Speaker 1: are a number of rustic pinsions or pincion as I 26 00:01:31,400 --> 00:01:35,080 Speaker 1: think this just means like little houses or huts, where 27 00:01:35,120 --> 00:01:38,440 Speaker 1: most tourists stay between the modern town and the ancient sites. 28 00:01:38,880 --> 00:01:41,840 Speaker 1: There are ruins all along the river, including a Roman 29 00:01:41,880 --> 00:01:45,560 Speaker 1: bath and numerous tombs, all covered in vines and moss 30 00:01:45,959 --> 00:01:49,200 Speaker 1: and surrounded by bright red poppies. The grounds are not 31 00:01:49,280 --> 00:01:52,120 Speaker 1: yet improved, so there are no trails and tourists are 32 00:01:52,160 --> 00:01:55,240 Speaker 1: able to scramble all over the ancient structures. For better 33 00:01:55,360 --> 00:01:59,760 Speaker 1: or worse. The whole place looks very Indiana Jones. Apparently 34 00:02:00,120 --> 00:02:03,720 Speaker 1: the area was a pirate sanctuary for thousands of years, 35 00:02:04,000 --> 00:02:06,360 Speaker 1: and you can feel why if you kayak around the 36 00:02:06,440 --> 00:02:09,680 Speaker 1: cove among the sea turtles and ruins of the Genoese 37 00:02:09,800 --> 00:02:13,880 Speaker 1: fortresses on the surrounding cliffs. You can hike directly dan 38 00:02:13,919 --> 00:02:16,120 Speaker 1: our Touch from the beach, or you can take a 39 00:02:16,160 --> 00:02:18,880 Speaker 1: tourist bus to the base of Mount Chimiro, which is 40 00:02:18,919 --> 00:02:21,520 Speaker 1: what we did the hike from the base takes about 41 00:02:21,520 --> 00:02:24,800 Speaker 1: thirty minutes. The trail has steps, but I can only 42 00:02:24,840 --> 00:02:28,720 Speaker 1: describe them as cyclopean, and most people tried to walk 43 00:02:28,760 --> 00:02:32,560 Speaker 1: around them. The path is littered with carved marble chunks 44 00:02:32,600 --> 00:02:35,720 Speaker 1: of ancient monuments or temples. When you finally get to 45 00:02:35,760 --> 00:02:37,680 Speaker 1: the top, it's a little bit of a letdown. At 46 00:02:37,760 --> 00:02:40,920 Speaker 1: least during the day. Jean Artash is sort of a 47 00:02:41,040 --> 00:02:45,400 Speaker 1: smallish clearing of ashy looking bare rocks, surrounded by forest 48 00:02:45,800 --> 00:02:47,760 Speaker 1: and a few bits of what must have been a 49 00:02:47,800 --> 00:02:51,600 Speaker 1: temple right at the tree line. As the sun goes down, though, 50 00:02:51,720 --> 00:02:54,160 Speaker 1: the place takes on an eerie quality that you can 51 00:02:54,200 --> 00:02:58,720 Speaker 1: imagine might inspire stories about monsters. We saw no lions 52 00:02:58,840 --> 00:03:01,240 Speaker 1: or snakes, by the way. Oh this is referring I 53 00:03:01,280 --> 00:03:04,800 Speaker 1: think Rob to uh you talking about those ancient writings 54 00:03:04,800 --> 00:03:08,000 Speaker 1: about the different animals of the Camira monster being around 55 00:03:08,040 --> 00:03:11,040 Speaker 1: the area. So Chris has no lions, no snakes. But 56 00:03:11,919 --> 00:03:15,919 Speaker 1: picking up there are many domestic goats on the surrounding hillsides. 57 00:03:16,080 --> 00:03:18,880 Speaker 1: The sound of their bleeding, the call of the goat herds, 58 00:03:18,919 --> 00:03:21,760 Speaker 1: and the clanking of the bells around their necks instantly 59 00:03:21,800 --> 00:03:25,200 Speaker 1: evoked the past. It's an amazing trip that I almost 60 00:03:25,240 --> 00:03:27,760 Speaker 1: don't want to recommend so as not to spoil it. 61 00:03:28,000 --> 00:03:30,000 Speaker 1: I only found out about it because my wife and 62 00:03:30,040 --> 00:03:32,480 Speaker 1: I were teaching in Istanbul at the time and looking 63 00:03:32,520 --> 00:03:35,280 Speaker 1: for something to do on our fall break. The host 64 00:03:35,360 --> 00:03:38,800 Speaker 1: of our pincheon was very friendly and spent most nights 65 00:03:38,880 --> 00:03:41,560 Speaker 1: chatting with guests of all ages from all over the world, 66 00:03:41,960 --> 00:03:44,520 Speaker 1: drinking beer or tea around a fire pit in the 67 00:03:44,520 --> 00:03:49,280 Speaker 1: front courtyard. Idyllic barely describes the experience. Thanks for letting 68 00:03:49,280 --> 00:03:51,880 Speaker 1: me share. Hope you enjoy the photos. I'm the guy 69 00:03:51,960 --> 00:03:54,720 Speaker 1: standing in the river, and then Chris attaches many photos, 70 00:03:54,960 --> 00:03:58,160 Speaker 1: some of which are extremely beautiful. One indeed does have 71 00:03:58,240 --> 00:04:02,080 Speaker 1: one standing in a river. H Well, awesome. It's great 72 00:04:02,120 --> 00:04:07,160 Speaker 1: to hear some firsthand experience from from this fascinating location. 73 00:04:12,520 --> 00:04:14,360 Speaker 1: All right, here's another one when comes to us from 74 00:04:14,400 --> 00:04:17,720 Speaker 1: Stephen in response to our star Gazer in the well episode, 75 00:04:18,960 --> 00:04:21,760 Speaker 1: Dear Joe and Rob, I really enjoyed your recent podcast 76 00:04:21,800 --> 00:04:25,159 Speaker 1: on stargazing in the daytime through wells. I thought i'd 77 00:04:25,160 --> 00:04:28,800 Speaker 1: point your attention to a way the real life, bona 78 00:04:28,839 --> 00:04:32,240 Speaker 1: fide modern day astronomers use wells of a sort to 79 00:04:32,320 --> 00:04:36,040 Speaker 1: observe the night sky. The super Kamio Kandi is a 80 00:04:36,080 --> 00:04:39,400 Speaker 1: massive artificial body of water buried deep in an old 81 00:04:39,480 --> 00:04:42,920 Speaker 1: mine under Japan. This is, in a loose sense, a well, 82 00:04:43,120 --> 00:04:46,000 Speaker 1: though it doesn't have any shafts leading from the water 83 00:04:46,120 --> 00:04:48,680 Speaker 1: straight to the air. Instead, the mind acts as a 84 00:04:48,680 --> 00:04:53,120 Speaker 1: shield against cosmic radiation, allowing only neutrinos to pass through 85 00:04:53,240 --> 00:04:56,080 Speaker 1: into the water below to be picked up by the 86 00:04:56,160 --> 00:04:59,680 Speaker 1: super ai S detectors. Of course, most of the newtrinos 87 00:04:59,720 --> 00:05:02,280 Speaker 1: come for our son, though there are records of neutrinos 88 00:05:02,320 --> 00:05:06,720 Speaker 1: coming from supernova things that would normally only be observable 89 00:05:06,760 --> 00:05:11,760 Speaker 1: in the night sky. Thanks for a great show, much appreciated, Stephen. Yeah, 90 00:05:12,080 --> 00:05:15,560 Speaker 1: I believe I've seen photographs of of this before the right. 91 00:05:15,600 --> 00:05:18,719 Speaker 1: It's quite captivating. It looks very sci fi. Yeah, I 92 00:05:18,720 --> 00:05:20,760 Speaker 1: don't know how much I already knew about this one, 93 00:05:20,800 --> 00:05:23,640 Speaker 1: because I realized, um at first I thought I knew 94 00:05:23,640 --> 00:05:25,280 Speaker 1: what he was talking about, but then I realized I 95 00:05:25,320 --> 00:05:29,640 Speaker 1: was thinking of the South Pole Neutrino Observatory, the Ice 96 00:05:29,720 --> 00:05:34,680 Speaker 1: Cube Observatory, which is like a subterranean facility UH in Antarctica, 97 00:05:35,200 --> 00:05:38,320 Speaker 1: but this one in a mine in Japan also sounds fascinating. 98 00:05:39,080 --> 00:05:42,640 Speaker 1: So yeah, really good on that connection. I did not 99 00:05:42,720 --> 00:05:46,039 Speaker 1: make that. Yeah, I believe I wrote an article about 100 00:05:46,440 --> 00:05:50,479 Speaker 1: like top ten Amazing telescopes or something like ten years 101 00:05:50,480 --> 00:05:53,240 Speaker 1: ago for our stuff Works, And uh, I remember looking 102 00:05:53,279 --> 00:05:56,160 Speaker 1: at a lot of photographs of these various installations, and 103 00:05:56,200 --> 00:05:58,279 Speaker 1: I believe some of the some of the the images 104 00:05:58,320 --> 00:06:01,640 Speaker 1: I saw of this one. Uh, it reminded me of 105 00:06:01,360 --> 00:06:03,960 Speaker 1: of of yeah, just pure science fiction. It's any of 106 00:06:04,000 --> 00:06:06,919 Speaker 1: these vast spaces with you know, these kind of like 107 00:06:07,000 --> 00:06:13,360 Speaker 1: golden looking lights in it. Quite fascinating. Yeah. The detector 108 00:06:13,520 --> 00:06:16,640 Speaker 1: room looks like a set from two thousand one of 109 00:06:16,680 --> 00:06:21,120 Speaker 1: Space Odyssey. Dave awakens in it and he speaks to 110 00:06:21,240 --> 00:06:25,440 Speaker 1: some being inside his head or something. Yeah. Yeah, And 111 00:06:25,520 --> 00:06:28,560 Speaker 1: so you know, it's, like Steven said, not a direct 112 00:06:28,640 --> 00:06:30,760 Speaker 1: comparison to be made between this in a well, but 113 00:06:31,400 --> 00:06:33,520 Speaker 1: some things line up, so it's worth noting. So thanks 114 00:06:33,560 --> 00:06:41,719 Speaker 1: for writing in about that. All right. This next message 115 00:06:41,760 --> 00:06:45,479 Speaker 1: comes to us from Lauren. It is about our series 116 00:06:45,520 --> 00:06:50,440 Speaker 1: of episodes on document duplication and fact Simile. Lauren says, Hello, 117 00:06:50,600 --> 00:06:53,360 Speaker 1: Robin Joe. I was just listening to your second episode 118 00:06:53,360 --> 00:06:56,320 Speaker 1: on the Facts Simile and had some personal life experiences 119 00:06:56,360 --> 00:06:59,520 Speaker 1: to share about carbon paper and how it is still 120 00:06:59,640 --> 00:07:03,040 Speaker 1: slinking around in the shadows of everyday life. Though it 121 00:07:03,080 --> 00:07:05,920 Speaker 1: feels like it should be obsolete in our modern age, 122 00:07:06,080 --> 00:07:09,279 Speaker 1: carbon copy paper is not quite a curiosity of the past. 123 00:07:09,320 --> 00:07:14,520 Speaker 1: It is still frequently used, especially in restaurants settings. As 124 00:07:14,560 --> 00:07:16,040 Speaker 1: soon as you said this, I knew what you were 125 00:07:16,040 --> 00:07:19,640 Speaker 1: talking about. I have worked in restaurants myself. Yeah. Um, 126 00:07:19,680 --> 00:07:22,880 Speaker 1: But Lauren also says occasionally in the form of receipts, 127 00:07:22,880 --> 00:07:26,520 Speaker 1: but predominantly so that both the kitchen staff and the 128 00:07:26,520 --> 00:07:30,560 Speaker 1: servers have access to the order information. So Rob, do 129 00:07:30,560 --> 00:07:32,080 Speaker 1: you know what she's talking about. Here, you have the 130 00:07:32,080 --> 00:07:35,560 Speaker 1: pad and the carbon paper on it. One one copy 131 00:07:35,600 --> 00:07:39,240 Speaker 1: stays in your hand, and one copy goes to the kitchen. Yeah. Yeah, 132 00:07:39,240 --> 00:07:41,880 Speaker 1: this this springs about I. I don't have the restaurant 133 00:07:41,880 --> 00:07:44,520 Speaker 1: experience that you have, but but of course I've seen 134 00:07:44,560 --> 00:07:46,200 Speaker 1: now they've been brought to my attention. I've seen this 135 00:07:46,280 --> 00:07:48,440 Speaker 1: take place, and basically it comes down to the fact 136 00:07:48,480 --> 00:07:50,360 Speaker 1: that the kitchen needs to know what the food is 137 00:07:50,400 --> 00:07:53,160 Speaker 1: going to be, but also the front of the restaurant 138 00:07:53,160 --> 00:07:55,280 Speaker 1: needs to know as well. I think another way it 139 00:07:55,280 --> 00:07:58,520 Speaker 1: works sometimes is that one copy goes to the kitchen 140 00:07:58,600 --> 00:08:00,240 Speaker 1: so they can see what to make, and the other 141 00:08:00,280 --> 00:08:03,160 Speaker 1: copy gets like spiked on a stack so they can 142 00:08:03,200 --> 00:08:05,520 Speaker 1: be counted up at the end of the night, so like, 143 00:08:05,600 --> 00:08:08,560 Speaker 1: you know, all the things that got ordered. Funny enough, 144 00:08:08,640 --> 00:08:12,480 Speaker 1: I also have experience with carbon paper for receipts because 145 00:08:13,240 --> 00:08:16,080 Speaker 1: in my days working in the tourist industry, where I 146 00:08:16,120 --> 00:08:19,480 Speaker 1: was a ticket seller for for an attraction in Tennessee, 147 00:08:20,000 --> 00:08:22,840 Speaker 1: when we don't know if it was in power outages 148 00:08:22,960 --> 00:08:25,280 Speaker 1: or something, we'd have some kind of utility problem, power 149 00:08:25,400 --> 00:08:27,840 Speaker 1: internet or something and we couldn't the credit card machines 150 00:08:27,840 --> 00:08:32,040 Speaker 1: wouldn't work electronically. We would still sell tickets with credit cards, 151 00:08:32,040 --> 00:08:35,280 Speaker 1: but we would use these ancient machines that uh that 152 00:08:35,520 --> 00:08:38,480 Speaker 1: like made an impression of the credit card information, so 153 00:08:38,520 --> 00:08:41,320 Speaker 1: you'd like swipe something over the card physically and it 154 00:08:41,320 --> 00:08:44,960 Speaker 1: would punch the carbon paper. Yeah, I distinctly remember that 155 00:08:45,000 --> 00:08:47,720 Speaker 1: one from when I would go shopping with my mom 156 00:08:48,000 --> 00:08:50,280 Speaker 1: when I was a little kid, and you know, should 157 00:08:50,280 --> 00:08:53,000 Speaker 1: be buying clothing for us or whatnot at the you know, 158 00:08:53,080 --> 00:08:56,280 Speaker 1: the mall or sears or whatever, and that was how 159 00:08:56,360 --> 00:08:58,440 Speaker 1: she would pay and they would use that device. And 160 00:08:58,679 --> 00:09:00,800 Speaker 1: I can still hear that sound that it makes in 161 00:09:00,840 --> 00:09:03,560 Speaker 1: my head. That is it as they bear down on 162 00:09:03,600 --> 00:09:05,640 Speaker 1: it and roll it over the paper and then back. 163 00:09:05,920 --> 00:09:10,000 Speaker 1: It's like the pump action on a shotgun. But this 164 00:09:10,040 --> 00:09:14,400 Speaker 1: is getting your tickets to the Imax theater. Yeah, so 165 00:09:14,480 --> 00:09:19,160 Speaker 1: that the shotgun sound of this. The spike receipts and 166 00:09:19,200 --> 00:09:21,720 Speaker 1: processing payment used to be so much more violent. Now 167 00:09:21,920 --> 00:09:24,600 Speaker 1: you just swipe a card. Okay, sorry, we got sidetracked, 168 00:09:24,679 --> 00:09:28,120 Speaker 1: Lauren continues. Also, I can buy carbon copy paper at 169 00:09:28,120 --> 00:09:30,480 Speaker 1: the local discount store a block away, sort of like 170 00:09:30,520 --> 00:09:33,800 Speaker 1: a dollar store, And because I pay my landlord the 171 00:09:33,840 --> 00:09:37,640 Speaker 1: monthly rent and bills in sketchy, cold hard cash, she 172 00:09:37,720 --> 00:09:40,600 Speaker 1: gives me a receipt for the transaction using a carbon 173 00:09:40,600 --> 00:09:46,080 Speaker 1: paper copy pad, especially formatted for monetary transactions. And it 174 00:09:46,120 --> 00:09:48,960 Speaker 1: doesn't stop there, Lauren says, on a final note, though 175 00:09:48,960 --> 00:09:52,120 Speaker 1: my memories are vague, I've also had to sign paperwork 176 00:09:52,160 --> 00:09:55,760 Speaker 1: and official documents at certain places of business and or 177 00:09:55,840 --> 00:09:59,680 Speaker 1: in employment situations on carbon paper. But certainly I always 178 00:09:59,720 --> 00:10:02,520 Speaker 1: felt like I was dealing with an establishment without enough 179 00:10:02,520 --> 00:10:06,360 Speaker 1: money or foresight to upgrade their technology. Have a wonderful week, 180 00:10:06,400 --> 00:10:10,360 Speaker 1: and thank you for the always stimulating podcasts. Lauren, very nice. Well, 181 00:10:10,360 --> 00:10:13,600 Speaker 1: thanks for writing in. Lauren. Again, we always appreciate these 182 00:10:13,640 --> 00:10:18,199 Speaker 1: firsthand tidbits about the various places and devices and and 183 00:10:18,280 --> 00:10:21,360 Speaker 1: other things we discussed on the show. My fingertips feel 184 00:10:21,400 --> 00:10:26,040 Speaker 1: weirdly dusty after reading this email. What was that feeling? 185 00:10:26,040 --> 00:10:28,120 Speaker 1: You know, that handling carbon paper feeling? You know what 186 00:10:28,120 --> 00:10:31,400 Speaker 1: I'm talking about. I guess I don't know. I don't. 187 00:10:31,760 --> 00:10:33,760 Speaker 1: I don't have a distinct memory of that, no sense 188 00:10:33,840 --> 00:10:35,960 Speaker 1: memory of that. Okay, maybe it's a kind of a 189 00:10:36,160 --> 00:10:48,280 Speaker 1: kind of dusty, kind of waxy strange. Now, before we 190 00:10:48,280 --> 00:10:50,199 Speaker 1: get into Weird House Cinema, we just want to call 191 00:10:50,240 --> 00:10:54,959 Speaker 1: attention to a couple of of tidbits from first the 192 00:10:55,000 --> 00:10:57,640 Speaker 1: Stuff to Bow your Mind discussion module, which you can 193 00:10:57,720 --> 00:10:59,840 Speaker 1: join on Facebook. Look it up and you have to 194 00:11:00,120 --> 00:11:02,719 Speaker 1: you know, like apply and then we let you in 195 00:11:02,960 --> 00:11:06,240 Speaker 1: that sort of thing. But UM listener by the name 196 00:11:06,280 --> 00:11:09,080 Speaker 1: of William just shared a post that said toad dug 197 00:11:09,080 --> 00:11:12,040 Speaker 1: out vegetables the fastest, which when I read that at 198 00:11:12,040 --> 00:11:14,440 Speaker 1: the end of the day one day, I was I 199 00:11:14,520 --> 00:11:16,760 Speaker 1: just I was like, what is this craziness? Is there? 200 00:11:16,920 --> 00:11:22,040 Speaker 1: Should I report? This is somebody in crisis here or something? 201 00:11:22,600 --> 00:11:26,200 Speaker 1: UM and I think I even asked them. I was like, wait, what, like, 202 00:11:26,240 --> 00:11:29,000 Speaker 1: what are you talking about? And then they reminded me 203 00:11:29,040 --> 00:11:32,079 Speaker 1: that we had asked what was Toads special ability in 204 00:11:32,120 --> 00:11:35,800 Speaker 1: Super Mario Brothers Too. It's apparently the Toad dugout vegetables 205 00:11:35,800 --> 00:11:38,360 Speaker 1: the fastest, right, so you pull those radishes out of 206 00:11:38,360 --> 00:11:42,800 Speaker 1: the ground, Toad does it faster than Mario Luigian Peach 207 00:11:43,760 --> 00:11:47,600 Speaker 1: because Peach could float. That was peaches thing, right, and 208 00:11:47,640 --> 00:11:57,400 Speaker 1: Mario was just even distributed. Now the other bit I 209 00:11:57,440 --> 00:11:59,840 Speaker 1: want to call attention to on the stuff to blow 210 00:11:59,840 --> 00:12:04,040 Speaker 1: your mind discord page, which if you want the link 211 00:12:04,080 --> 00:12:06,640 Speaker 1: for that, just email us and we'll send you the link. 212 00:12:06,720 --> 00:12:08,439 Speaker 1: That seems to be the only way to really make 213 00:12:08,480 --> 00:12:12,840 Speaker 1: this work. But Fletch wrote in and says the episode 214 00:12:12,840 --> 00:12:15,920 Speaker 1: on creatures with transparent bodies reminded me of this novel 215 00:12:16,000 --> 00:12:18,840 Speaker 1: that I read as a teenager Legacy of the Stars. 216 00:12:18,960 --> 00:12:21,000 Speaker 1: No idea if it still holds up. But the central 217 00:12:21,120 --> 00:12:24,880 Speaker 1: concept was that aliens had attempted to colonize Earth in 218 00:12:24,920 --> 00:12:27,720 Speaker 1: the Ice Age, leaving behind some technology that a group 219 00:12:27,760 --> 00:12:31,240 Speaker 1: of prehistoric humans discovered and were able to exploit. Living 220 00:12:31,320 --> 00:12:35,640 Speaker 1: underground in total isolation only to be recontacted in modern times. 221 00:12:36,000 --> 00:12:40,760 Speaker 1: Because of millennia subterranean living, they had become almost completely translucent. 222 00:12:41,160 --> 00:12:43,400 Speaker 1: I don't remember much more about it, since it must 223 00:12:43,440 --> 00:12:45,280 Speaker 1: be thirty years since I read it, but I remember 224 00:12:45,320 --> 00:12:49,040 Speaker 1: the idea capturing my imagination at the time. Also, like 225 00:12:49,080 --> 00:12:53,480 Speaker 1: the humans turned into glow worms or something. I guess, yeah. This, 226 00:12:53,559 --> 00:12:55,120 Speaker 1: and then the title of this book is The Legacy 227 00:12:55,120 --> 00:12:57,760 Speaker 1: of the Stars by John Gregory. I'm not familiar with that. 228 00:12:57,760 --> 00:13:00,280 Speaker 1: I don't think I've read anything by John Gregory, but 229 00:13:00,440 --> 00:13:04,640 Speaker 1: that this sounds sounds very very interesting. Uh you know 230 00:13:04,679 --> 00:13:06,720 Speaker 1: what one of those um one of those sci fi 231 00:13:06,800 --> 00:13:09,720 Speaker 1: novel concepts that very much speaks at the time, Like 232 00:13:09,760 --> 00:13:13,800 Speaker 1: you can imagine, uh how cool the the cover art 233 00:13:14,000 --> 00:13:22,720 Speaker 1: probably looks without even looking it up, you know. All right, well, 234 00:13:22,760 --> 00:13:26,120 Speaker 1: let's move on into the Weird House Cinema feedback. All right, 235 00:13:26,320 --> 00:13:30,040 Speaker 1: let's see, Uh, this first one comes from Nan uh 236 00:13:30,080 --> 00:13:32,600 Speaker 1: the I think both of our Weird House messages today 237 00:13:32,600 --> 00:13:35,960 Speaker 1: are about Jason takes Manhattan. But Nan says, Hi, guys 238 00:13:36,080 --> 00:13:38,600 Speaker 1: just wanted to say that today's Weird House Cinema episode 239 00:13:38,640 --> 00:13:41,240 Speaker 1: on j t M needs to go in the stuff 240 00:13:41,280 --> 00:13:43,840 Speaker 1: to blow your mind. Hall of Fame if one exists. 241 00:13:44,160 --> 00:13:47,400 Speaker 1: This was the funniest and most nostalgia inducing episode ever, 242 00:13:47,720 --> 00:13:51,720 Speaker 1: with some surprisingly insightful cinematic analysis and uh I think. 243 00:13:51,760 --> 00:13:56,480 Speaker 1: She mentions rob your comparison between James Bond and Jason 244 00:13:56,559 --> 00:14:01,640 Speaker 1: Vorhees the striking number of similarities between these two franchises. Uh. 245 00:14:01,640 --> 00:14:04,640 Speaker 1: And she also calls out the appeal of Tina's quote 246 00:14:04,679 --> 00:14:10,280 Speaker 1: telekinetic home alone. Oh yeah, Tina's great. The new podcast 247 00:14:10,320 --> 00:14:12,680 Speaker 1: format took some getting used to, but I'm really loving 248 00:14:12,720 --> 00:14:15,199 Speaker 1: the rhythm and variety of episodes. Now keep up the 249 00:14:15,240 --> 00:14:18,760 Speaker 1: great work. Nan uh Nan says that this is the 250 00:14:18,800 --> 00:14:22,280 Speaker 1: same Nan who wrote the email about landfill goats. Oh, 251 00:14:22,320 --> 00:14:25,960 Speaker 1: I remember that one. And then finally Nan says, ps, 252 00:14:26,000 --> 00:14:29,400 Speaker 1: my Canadian husband says he's never heard of Danger Bay, 253 00:14:29,440 --> 00:14:33,320 Speaker 1: but the show name sounds very Canadian. What was that? 254 00:14:33,360 --> 00:14:35,720 Speaker 1: There were actors in jt M that we're in something 255 00:14:35,760 --> 00:14:38,480 Speaker 1: called Danger Bay. Oh yeah, a lot of Canadian actors 256 00:14:38,520 --> 00:14:40,400 Speaker 1: and and so some of at least one of them 257 00:14:40,400 --> 00:14:43,400 Speaker 1: had a connection to Danger Bay, maybe a couple of them. Uh. 258 00:14:43,440 --> 00:14:45,520 Speaker 1: And Danger Bay was a show that when I when 259 00:14:45,520 --> 00:14:49,680 Speaker 1: I was a small child and lived in Canada for 260 00:14:50,040 --> 00:14:53,680 Speaker 1: you know, a year or so. Um. I distinctly remember 261 00:14:53,680 --> 00:14:56,200 Speaker 1: we had one TV channel, and so whatever was on 262 00:14:56,240 --> 00:14:59,160 Speaker 1: TV we would, you know, sometimes watch, especially it was 263 00:14:59,200 --> 00:15:02,240 Speaker 1: cold out obvious, and two shows I distinctly remember, We're 264 00:15:02,320 --> 00:15:05,640 Speaker 1: Danger Bay, which had like seaplanes and uh, you know, 265 00:15:06,000 --> 00:15:08,000 Speaker 1: sea life in it. And then there was a show 266 00:15:08,040 --> 00:15:13,240 Speaker 1: called Seeing Things that had a really catchy tune theme 267 00:15:13,280 --> 00:15:15,640 Speaker 1: song to it, and it starred the guy whose head 268 00:15:15,640 --> 00:15:19,240 Speaker 1: blows up at the beginning of Scanners. Yeah, yeah, the 269 00:15:19,240 --> 00:15:21,560 Speaker 1: the the bald head kind of I think it had 270 00:15:21,560 --> 00:15:25,840 Speaker 1: a mustache, kind of looks like Frank Oz. But I 271 00:15:25,920 --> 00:15:28,840 Speaker 1: have no idea how truly memorable either of these shows 272 00:15:28,920 --> 00:15:32,160 Speaker 1: are two true Canadians. They're just you know, two shows 273 00:15:32,200 --> 00:15:34,720 Speaker 1: that were on TV that I caught sometimes when I 274 00:15:34,760 --> 00:15:43,240 Speaker 1: was like in kindergarten. Nice, all right. This next one 275 00:15:43,240 --> 00:15:46,040 Speaker 1: comes to us from Dan. It is also about Jason 276 00:15:46,080 --> 00:15:48,320 Speaker 1: Takes Manhattan. Hello, Robert and Joe. I listened to your 277 00:15:48,320 --> 00:15:50,480 Speaker 1: Weird House Cinema episode on Jason Takes Manhattan, and I 278 00:15:50,560 --> 00:15:52,760 Speaker 1: think this might be one of your best weird House episodes. 279 00:15:53,160 --> 00:15:55,080 Speaker 1: I've never been much of a fan of the Friday 280 00:15:55,120 --> 00:15:58,440 Speaker 1: the Thirteenth movies. I've only seen the original the Cronenberg 281 00:15:58,520 --> 00:16:02,440 Speaker 1: scenes of Jason X and the two thousand nine reboot. 282 00:16:02,800 --> 00:16:05,800 Speaker 1: I really enjoyed Joe's passionate analysis of the series, and 283 00:16:05,840 --> 00:16:08,720 Speaker 1: I especially loved your commentary on the trailer. Maybe this 284 00:16:08,800 --> 00:16:10,760 Speaker 1: is something you could explore in a future of special 285 00:16:10,800 --> 00:16:13,360 Speaker 1: episode where you do a commentary track on an entire 286 00:16:13,400 --> 00:16:16,400 Speaker 1: film attack of the Crab Monsters or it conquered the World. 287 00:16:16,440 --> 00:16:19,760 Speaker 1: Perhaps he learned too late that man is a feeling creature. 288 00:16:21,400 --> 00:16:23,680 Speaker 1: When Joe said Jason is a nature spirit, I was 289 00:16:23,720 --> 00:16:25,720 Speaker 1: reminded of something you may have brought up in a 290 00:16:25,720 --> 00:16:28,080 Speaker 1: stuff Toble your Mind episode from a few years ago. 291 00:16:28,200 --> 00:16:31,320 Speaker 1: Unless I'm misremembering, I don't remember who said it, but 292 00:16:31,440 --> 00:16:33,920 Speaker 1: you were waxing about how Jason is a pagan god 293 00:16:34,000 --> 00:16:37,040 Speaker 1: who demands human sacrifice of teenagers in order to appease 294 00:16:37,120 --> 00:16:39,480 Speaker 1: his bloodthirst. I thought that this could make for an 295 00:16:39,480 --> 00:16:43,120 Speaker 1: interesting spin that could take the series into Cabin in 296 00:16:43,160 --> 00:16:46,840 Speaker 1: the Woods territory, where the longtime residents of Crystal Lake 297 00:16:47,200 --> 00:16:50,720 Speaker 1: must every few years provide teenagers to be sacrificed to 298 00:16:50,920 --> 00:16:54,280 Speaker 1: He who never died lest he turned his sights on them. 299 00:16:54,520 --> 00:16:58,640 Speaker 1: Does this sound familiar of all the work you do Dan, Well, yeah, 300 00:16:58,720 --> 00:17:02,600 Speaker 1: you know, I'm not positive, but I think that older 301 00:17:02,600 --> 00:17:04,800 Speaker 1: episode you're remembering may have been the one where we 302 00:17:04,880 --> 00:17:09,280 Speaker 1: talked about the masked killer in It was like a 303 00:17:09,280 --> 00:17:15,120 Speaker 1: Halloween season episode, and we we talked about how Jason 304 00:17:15,560 --> 00:17:20,440 Speaker 1: strangely connects back to uh multiple older traditions, Like there 305 00:17:20,440 --> 00:17:23,960 Speaker 1: have been some scholars who argued that Jason emerges from 306 00:17:24,040 --> 00:17:27,080 Speaker 1: the traditions of like the public execution or you know, 307 00:17:27,160 --> 00:17:30,680 Speaker 1: he's like the hooded axe man. But then the other 308 00:17:30,720 --> 00:17:32,840 Speaker 1: half is, yeah, that he's like the God who must 309 00:17:32,880 --> 00:17:35,280 Speaker 1: be sacrificed too, And I think that is in fact 310 00:17:35,400 --> 00:17:38,960 Speaker 1: being pretty directly lampooned in Kevin in the Woods. Yeah, 311 00:17:39,040 --> 00:17:41,560 Speaker 1: Kevin in the Woods fun flick. By the way, Dan 312 00:17:42,359 --> 00:17:45,439 Speaker 1: watched all of Jason X. It's worth seeing from beginning 313 00:17:45,440 --> 00:17:49,600 Speaker 1: to end, aunds pretty solid. The Cronenberg David Cronenberg's canny 314 00:17:49,640 --> 00:17:51,720 Speaker 1: alway is also a lot of fun. I think the 315 00:17:51,760 --> 00:17:55,520 Speaker 1: most brilliant moment in Jason X is whoever came up 316 00:17:55,560 --> 00:17:59,760 Speaker 1: with the idea of putting Jason into a hollow deck. So, yeah, 317 00:18:00,080 --> 00:18:02,119 Speaker 1: you know, it's firmly established at this point that Jason 318 00:18:02,200 --> 00:18:06,440 Speaker 1: cannot be killed, but I that just awoke. My mind 319 00:18:06,560 --> 00:18:09,080 Speaker 1: was like, how creative a solution to Jason. You just 320 00:18:09,200 --> 00:18:12,560 Speaker 1: put him in a hollow deck with infinite fake victims, 321 00:18:12,720 --> 00:18:15,879 Speaker 1: so then no real person is harmed. He's just entertained 322 00:18:15,920 --> 00:18:20,359 Speaker 1: forever being in there, and that's a win win. Yeah. Yeah, 323 00:18:20,480 --> 00:18:23,359 Speaker 1: it's It's a film that totally embraces the silliness of 324 00:18:23,400 --> 00:18:27,240 Speaker 1: the concept and his orders of magnitude better than any 325 00:18:27,280 --> 00:18:30,600 Speaker 1: of the other horror franchises Go to Space Films. Oh 326 00:18:30,680 --> 00:18:34,159 Speaker 1: and as for commentary tracks, yeah, yeah, we could do 327 00:18:34,200 --> 00:18:36,240 Speaker 1: a commentary track sometime. I don't know. I don't know 328 00:18:36,240 --> 00:18:38,680 Speaker 1: if you're if you're putting out one of these classic 329 00:18:39,320 --> 00:18:42,160 Speaker 1: horror movies with crab monsters in it on Blu Ray 330 00:18:42,240 --> 00:18:44,639 Speaker 1: or something, and you need somebody to do, uh do 331 00:18:44,680 --> 00:18:46,880 Speaker 1: a commentary track. I don't know. Let's talk, let's see, 332 00:18:46,920 --> 00:18:49,159 Speaker 1: le's see what we can work out. That's how you 333 00:18:49,200 --> 00:18:51,760 Speaker 1: make the big bucks. That's that's what we're angling for. 334 00:18:51,840 --> 00:18:58,760 Speaker 1: That's the big bucks. The commentary track Monday. Uh oh oh. 335 00:18:58,880 --> 00:19:01,800 Speaker 1: Speaking of Weird House, by the way, if you are 336 00:19:01,840 --> 00:19:05,000 Speaker 1: interested in Weird House merchandise, you can get it along 337 00:19:05,000 --> 00:19:07,480 Speaker 1: with stuff to Blow your Mind merchandise in our T 338 00:19:07,600 --> 00:19:10,040 Speaker 1: shirt store. You can go to stuff to Blow your 339 00:19:10,040 --> 00:19:12,360 Speaker 1: Mind dot com and there's a tab over to your 340 00:19:12,440 --> 00:19:15,520 Speaker 1: right that says like store or whatnot. You go there 341 00:19:15,800 --> 00:19:17,439 Speaker 1: and you can look at some of these designs, including 342 00:19:17,480 --> 00:19:20,879 Speaker 1: the new design rubbed the Fur. Joe said it, we 343 00:19:20,920 --> 00:19:23,000 Speaker 1: believe it, and now it is in merch form for 344 00:19:23,040 --> 00:19:26,760 Speaker 1: you to purchase. Where stick to the side of a bus, 345 00:19:27,080 --> 00:19:29,479 Speaker 1: you name it all right, right, I gotta get me 346 00:19:29,520 --> 00:19:32,920 Speaker 1: some of our merch Yeah, yeah, merch hub. I Um, 347 00:19:32,960 --> 00:19:35,200 Speaker 1: I don't think I currently have one of our merch shirts. 348 00:19:35,280 --> 00:19:38,119 Speaker 1: My my son has a couple of them though, Like 349 00:19:38,160 --> 00:19:40,000 Speaker 1: the last few times where we had like a new 350 00:19:40,040 --> 00:19:42,560 Speaker 1: shirt design, I was like, Okay, I'll get I'll get 351 00:19:42,600 --> 00:19:44,680 Speaker 1: one for him. I'm gonna I have too many T 352 00:19:44,800 --> 00:19:46,199 Speaker 1: shirts right now. I get him for him. Hey, he 353 00:19:46,240 --> 00:19:48,720 Speaker 1: looks good at him. Yeah, we get some some cool 354 00:19:48,760 --> 00:19:51,480 Speaker 1: designs in there, so check them out. I don't likewise 355 00:19:51,560 --> 00:19:54,199 Speaker 1: right in, if you there's like a certain design, you're like, oh, 356 00:19:54,240 --> 00:19:56,520 Speaker 1: I wouldn't wear any of these, but I would wear this. 357 00:19:56,520 --> 00:19:59,080 Speaker 1: This would be fun, because ultimately that's what the merch 358 00:19:59,080 --> 00:20:00,840 Speaker 1: store is about. It is just if something is if 359 00:20:00,880 --> 00:20:03,200 Speaker 1: you have a fun idea. Right in let's talk, let's 360 00:20:03,200 --> 00:20:05,600 Speaker 1: figure it out. All right, We're gonna go and close 361 00:20:05,680 --> 00:20:07,919 Speaker 1: up the mail bag there, but hey, we'd love to 362 00:20:07,920 --> 00:20:10,040 Speaker 1: hear from you. Do you have thoughts on anything we 363 00:20:10,080 --> 00:20:13,040 Speaker 1: discussed here recent episodes of Stuff to Blow Your Mind 364 00:20:13,320 --> 00:20:17,560 Speaker 1: or Monster Fact or Artifact or UM. Of course, the 365 00:20:17,840 --> 00:20:21,520 Speaker 1: core episodes UM, in addition to Weird House Cinema, were 366 00:20:21,600 --> 00:20:23,879 Speaker 1: right in. We would love to hear from you. As always, 367 00:20:23,920 --> 00:20:25,760 Speaker 1: you can find all this and the Stuff to Blow 368 00:20:25,800 --> 00:20:28,159 Speaker 1: your Mind podcast feed where and you can get that 369 00:20:28,280 --> 00:20:31,320 Speaker 1: wherever you get your podcasts. If it serves you a podcast, 370 00:20:31,680 --> 00:20:33,840 Speaker 1: it is probably a place where you can find our shows. 371 00:20:34,280 --> 00:20:37,240 Speaker 1: Huge thanks as always to our excellent audio producer Seth 372 00:20:37,320 --> 00:20:39,520 Speaker 1: Nicholas Johnson. If you would like to get in touch 373 00:20:39,560 --> 00:20:41,800 Speaker 1: with us with feedback on this episode or any other, 374 00:20:41,880 --> 00:20:43,800 Speaker 1: to suggest a topic for the future, or just to 375 00:20:43,880 --> 00:20:46,680 Speaker 1: say hello, you can email us at contact at stuff 376 00:20:46,720 --> 00:20:56,199 Speaker 1: to Blow your Mind dot com. Stuff to Blow Your 377 00:20:56,200 --> 00:20:58,640 Speaker 1: Mind is a production of I Heart Radio. For more 378 00:20:58,680 --> 00:21:01,280 Speaker 1: podcasts for My Heart Radio, visit the iHeart Radio app, 379 00:21:01,440 --> 00:21:04,199 Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.