WEBVTT - Jon Cor

0:00:33.960 --> 0:00:37.960
<v Speaker 1>Hello. Oh my goodness. Hello, it is so good to

0:00:38.040 --> 0:00:40.480
<v Speaker 1>see you. It's so nice to see you too. Thanks

0:00:40.520 --> 0:00:43.320
<v Speaker 1>for having me, buddy. How are you hey? How are

0:00:43.360 --> 0:00:46.880
<v Speaker 1>you man? Man? Yeah, I'm doing well. I instantly miss

0:00:46.880 --> 0:00:49.600
<v Speaker 1>you even more. Wow, you've got like a full, very

0:00:49.680 --> 0:00:53.960
<v Speaker 1>professional setup going on. Such a crow. It's a ruse.

0:00:54.000 --> 0:01:00.400
<v Speaker 1>It's a fake tree beside a palm. Yeah, it's not

0:01:00.520 --> 0:01:04.280
<v Speaker 1>quite between two ferns, is it. Yeah, super wide out.

0:01:04.360 --> 0:01:07.319
<v Speaker 1>There's another one that no one else could say. Yeah,

0:01:07.600 --> 0:01:11.120
<v Speaker 1>there's a secret fern. John, How are you, man, it's

0:01:11.120 --> 0:01:14.360
<v Speaker 1>been a minute. It's been a minute for sure. Um,

0:01:14.440 --> 0:01:16.800
<v Speaker 1>I don't know where to start. I'm doing very well. Yeah,

0:01:16.959 --> 0:01:20.320
<v Speaker 1>good about you. You know, living the dream, living the

0:01:21.120 --> 0:01:23.520
<v Speaker 1>actor dream. It's like great for a second and then

0:01:23.600 --> 0:01:26.000
<v Speaker 1>like not working and then it's great again, and then

0:01:26.200 --> 0:01:29.520
<v Speaker 1>not working again. It's just life forever and ever tell

0:01:29.560 --> 0:01:31.720
<v Speaker 1>me about it. I was listening to um a couple

0:01:31.760 --> 0:01:33.520
<v Speaker 1>of the other the other episodes that you did, and

0:01:33.560 --> 0:01:35.160
<v Speaker 1>you were talking about how, you know, most of us

0:01:35.160 --> 0:01:37.520
<v Speaker 1>have to build a career up and we have our

0:01:37.600 --> 0:01:39.319
<v Speaker 1>ups and downs, and we have a lot of challenges

0:01:39.360 --> 0:01:40.920
<v Speaker 1>and we learn a lot of things along the way.

0:01:41.440 --> 0:01:44.800
<v Speaker 1>And yeah, so quite frankly to echo that I feel

0:01:45.520 --> 0:01:48.600
<v Speaker 1>happier and healthier than I've ever been. And uh, it's

0:01:48.680 --> 0:01:51.360
<v Speaker 1>really good and really fulfilling and lots of fun and yeah,

0:01:51.600 --> 0:01:56.559
<v Speaker 1>just exactly living that dream, that dream. Yeah, you don't

0:01:56.560 --> 0:01:59.160
<v Speaker 1>look like you've aged today, which is crazy to me.

0:02:00.200 --> 0:02:03.000
<v Speaker 1>Kind and and and likewise, I put vasiline on the

0:02:03.080 --> 0:02:08.240
<v Speaker 1>lens before I die one of the are you serious,

0:02:09.639 --> 0:02:14.560
<v Speaker 1>I'm falling for this. I'm falling for this? Does that work? Yeah?

0:02:14.800 --> 0:02:17.400
<v Speaker 1>I forgot you were such a prankster. John. Thank you

0:02:17.480 --> 0:02:20.079
<v Speaker 1>so much for returning to the Shadows with us today.

0:02:20.200 --> 0:02:23.760
<v Speaker 1>You obviously were such an instrumental part of the story

0:02:23.919 --> 0:02:27.480
<v Speaker 1>and of the show and of why people were so

0:02:27.800 --> 0:02:30.839
<v Speaker 1>enthralled with with our show from the very beginning, and uh,

0:02:31.120 --> 0:02:32.880
<v Speaker 1>we wanted to just, you know, bring you on and

0:02:33.360 --> 0:02:36.080
<v Speaker 1>chat a little bit today about you. And you know,

0:02:36.160 --> 0:02:39.120
<v Speaker 1>it's you were one of our first guest stars to

0:02:39.200 --> 0:02:41.840
<v Speaker 1>come on the show and our first recurring characters who

0:02:42.160 --> 0:02:46.880
<v Speaker 1>became such a not controversial but definitely talked about character

0:02:47.000 --> 0:02:50.320
<v Speaker 1>on the show. I think it's very yeah, yeah, and

0:02:50.360 --> 0:02:52.680
<v Speaker 1>it's it's one that people got excited about and been

0:02:52.800 --> 0:02:55.640
<v Speaker 1>very angry at you. And you know, many many. You

0:02:55.800 --> 0:02:58.520
<v Speaker 1>ran the fans through the gamut of emotions throughout the

0:02:58.560 --> 0:03:01.440
<v Speaker 1>course of your time on the show, and certainly all

0:03:01.480 --> 0:03:04.119
<v Speaker 1>of us as well. So thank you for the impact

0:03:04.240 --> 0:03:08.280
<v Speaker 1>that you made. Oh well, thank you. Know, Um, the

0:03:08.320 --> 0:03:12.760
<v Speaker 1>fans are so incredible, aren't They were just so supportive. Um,

0:03:12.760 --> 0:03:15.120
<v Speaker 1>from start to finish, I found, you know, there were

0:03:15.160 --> 0:03:16.640
<v Speaker 1>things to talk about, of course, when I came to

0:03:16.680 --> 0:03:22.840
<v Speaker 1>the casting and all of that. Beloved, why don't we

0:03:22.880 --> 0:03:26.440
<v Speaker 1>start off with tell us tell everyone who you are,

0:03:26.600 --> 0:03:28.640
<v Speaker 1>what got you interested in acting? Give us a little

0:03:28.639 --> 0:03:31.680
<v Speaker 1>of your you know, your your first baby steps. Give

0:03:31.720 --> 0:03:34.480
<v Speaker 1>us the John Core backstory. Okay, I'll try to keep

0:03:34.480 --> 0:03:37.200
<v Speaker 1>it as a succinct and to the point as possible,

0:03:37.280 --> 0:03:42.880
<v Speaker 1>don't we don't It doesn't matter, no, Okay, Well, I

0:03:42.920 --> 0:03:45.880
<v Speaker 1>started acting very young, but I don't think I realized it.

0:03:46.560 --> 0:03:49.000
<v Speaker 1>My mother was very young when I was born, and

0:03:49.520 --> 0:03:52.360
<v Speaker 1>we ended up moving around quite a bit, sort of

0:03:52.520 --> 0:03:55.280
<v Speaker 1>West Canada, East Canada again, and I went to a

0:03:55.280 --> 0:03:58.240
<v Speaker 1>bunch of different schools. You know. There was a junior

0:03:58.280 --> 0:04:00.240
<v Speaker 1>high switch as well, and a mid grades itch and

0:04:00.280 --> 0:04:01.520
<v Speaker 1>all of these things. So I was the new kid

0:04:01.560 --> 0:04:05.680
<v Speaker 1>a lot, and I very quickly realized at least for myself.

0:04:05.920 --> 0:04:11.360
<v Speaker 1>That popularity was erroneous in that just for showing up

0:04:11.760 --> 0:04:14.640
<v Speaker 1>you could be targeted just as easily as you could

0:04:14.640 --> 0:04:19.799
<v Speaker 1>be somehow celebrated and embraced and accepted. But both seemed

0:04:20.040 --> 0:04:22.520
<v Speaker 1>just really sort of impulsive and and like these were

0:04:22.560 --> 0:04:26.400
<v Speaker 1>big reactions from human beings that had never experienced me,

0:04:26.720 --> 0:04:29.400
<v Speaker 1>you know, for better or for worse, kind of like

0:04:29.440 --> 0:04:31.800
<v Speaker 1>how people reacted to, you know, my head shot when

0:04:31.800 --> 0:04:35.760
<v Speaker 1>I was cast for this show without you know, knowing anything,

0:04:35.800 --> 0:04:39.599
<v Speaker 1>for better or for worse. So at some points, you know,

0:04:39.680 --> 0:04:42.200
<v Speaker 1>you start standing up for yourself with your bullies, and

0:04:42.240 --> 0:04:43.520
<v Speaker 1>so you're in a lot of fights and you're not

0:04:43.560 --> 0:04:45.920
<v Speaker 1>winning them all, but solving your problems that way is

0:04:45.960 --> 0:04:49.279
<v Speaker 1>not cool. And I did a play of some kind

0:04:49.480 --> 0:04:52.839
<v Speaker 1>just at a high school assembly, or probably younger than that,

0:04:52.920 --> 0:04:55.960
<v Speaker 1>maybe junior high or something, and I was so terrified.

0:04:55.960 --> 0:04:58.839
<v Speaker 1>You know, I'm very introverted. I'm shy right now, but

0:04:58.920 --> 0:05:01.480
<v Speaker 1>I had to develop sort of extroverted skill sets as

0:05:01.600 --> 0:05:05.520
<v Speaker 1>as a defense mechanism. I just sort of forgot where

0:05:05.520 --> 0:05:09.360
<v Speaker 1>I was and came unleashed on stage and people they

0:05:09.360 --> 0:05:12.320
<v Speaker 1>stood up, they clapped, they liked me, and I thought, well,

0:05:12.360 --> 0:05:16.320
<v Speaker 1>that's neat. Perhaps I can communicate and connect with people

0:05:16.920 --> 0:05:20.520
<v Speaker 1>and either circumvent or solve problems. And however you want

0:05:20.520 --> 0:05:24.840
<v Speaker 1>to phrase that using storytelling and jokes and you know,

0:05:24.920 --> 0:05:28.400
<v Speaker 1>things like that, and and so I ended up becoming

0:05:28.440 --> 0:05:30.920
<v Speaker 1>that musical theater kid. It was like Charlie and Charlie Brown,

0:05:31.040 --> 0:05:33.279
<v Speaker 1>Scrooge and Scrooge and all that stuff. And it was

0:05:33.400 --> 0:05:35.919
<v Speaker 1>tons of fun. But I didn't really know what I

0:05:35.960 --> 0:05:38.840
<v Speaker 1>was doing yet, and I hadn't. I fell in love

0:05:38.920 --> 0:05:41.479
<v Speaker 1>with it later on, when I started getting some parts

0:05:41.520 --> 0:05:44.200
<v Speaker 1>that I really cared about. When I wasn't playing some

0:05:44.279 --> 0:05:48.479
<v Speaker 1>stereotypical jock that I probably avoided in high school. You know,

0:05:48.520 --> 0:05:50.160
<v Speaker 1>it was like character acting for me, but I felt

0:05:50.200 --> 0:05:53.960
<v Speaker 1>typed and I was grateful to work, but I wasn't.

0:05:54.160 --> 0:05:57.600
<v Speaker 1>I didn't feel like I was stretching. I didn't show compelled.

0:05:57.680 --> 0:06:00.400
<v Speaker 1>It was more like, hey, this is better and structure

0:06:00.480 --> 0:06:04.200
<v Speaker 1>this weekend's rent um. So yeah, eventually I just fell

0:06:04.240 --> 0:06:06.479
<v Speaker 1>in love with it, and it it went from being

0:06:06.520 --> 0:06:10.400
<v Speaker 1>something a little selfish and protective to becoming something far

0:06:10.480 --> 0:06:13.360
<v Speaker 1>more I guess meaningful to me. You know, whether it's

0:06:13.360 --> 0:06:17.080
<v Speaker 1>a fart joke or some social activism. You can really

0:06:17.080 --> 0:06:19.240
<v Speaker 1>make a difference in the world doing what we do,

0:06:19.360 --> 0:06:23.680
<v Speaker 1>even negatively, you know. So with that comes a lot

0:06:23.680 --> 0:06:27.360
<v Speaker 1>of responsibility, especially when you're given the opportunity to bring

0:06:27.480 --> 0:06:30.560
<v Speaker 1>characters like this to life that are so very much

0:06:30.640 --> 0:06:36.159
<v Speaker 1>alive already internationally. I couldn't believe the impact of reach

0:06:36.760 --> 0:06:40.160
<v Speaker 1>this this had with or without me before I had

0:06:40.200 --> 0:06:43.159
<v Speaker 1>anything to do with it. Totally. I mean, we first

0:06:43.200 --> 0:06:45.320
<v Speaker 1>of all, that's a really beautiful story, and thank you

0:06:45.320 --> 0:06:47.680
<v Speaker 1>for sharing that with us. Thank you about how you

0:06:47.720 --> 0:06:49.280
<v Speaker 1>sort of got into it, because it's supposed to be

0:06:49.320 --> 0:06:52.000
<v Speaker 1>happy story. It is a happy story. Yeah, And I

0:06:52.000 --> 0:06:54.160
<v Speaker 1>think it's interesting you touched on something where you said

0:06:54.360 --> 0:06:57.600
<v Speaker 1>the initial part of it was I think you said selfish,

0:06:57.640 --> 0:07:01.000
<v Speaker 1>and I don't necessarily agree with that. I think protective

0:07:01.120 --> 0:07:04.839
<v Speaker 1>maybe definitely, But I don't think learning to protect yourself,

0:07:04.920 --> 0:07:07.479
<v Speaker 1>learning to communicate the way you feel best to communicate

0:07:07.600 --> 0:07:09.479
<v Speaker 1>is selfish in anyway. I think you did what you

0:07:09.520 --> 0:07:11.360
<v Speaker 1>did best, and you use the skill set that you

0:07:11.440 --> 0:07:14.960
<v Speaker 1>had to evolve into the human you are, and we're

0:07:14.960 --> 0:07:17.400
<v Speaker 1>all grateful for the human you are. So yeah, maybe

0:07:17.400 --> 0:07:19.240
<v Speaker 1>it's maybe it's not as selfish as you think it is.

0:07:19.280 --> 0:07:21.560
<v Speaker 1>You know what I mean. I appreciate the perspective a

0:07:21.560 --> 0:07:24.000
<v Speaker 1>great deal. Yeah, I guess that's just my way of

0:07:24.040 --> 0:07:26.520
<v Speaker 1>saying that in the beginning. I definitely did it from me.

0:07:27.880 --> 0:07:29.880
<v Speaker 1>But ideah, and know what I'm saying, it's different. That's

0:07:29.880 --> 0:07:31.880
<v Speaker 1>necessarily a bad thing, you know. I think it's a

0:07:31.880 --> 0:07:35.600
<v Speaker 1>good thing to a few. Anyway, Why don't we talk

0:07:35.640 --> 0:07:40.560
<v Speaker 1>about the beginnings of because you again touched on it,

0:07:40.600 --> 0:07:43.120
<v Speaker 1>so just moving on from that. And we talked about

0:07:43.120 --> 0:07:45.040
<v Speaker 1>this with a lot of people. But joining a show

0:07:45.080 --> 0:07:47.800
<v Speaker 1>like Shadow answers that's already been done as books and

0:07:47.800 --> 0:07:50.040
<v Speaker 1>it's already been done as a movie, and everyone has

0:07:50.080 --> 0:07:53.920
<v Speaker 1>a concept of who Jason Clary Hodge are, and everyone's

0:07:53.960 --> 0:07:56.200
<v Speaker 1>is a little bit different, especially from your book fans,

0:07:56.240 --> 0:07:59.080
<v Speaker 1>because when you read a book, everyone sees whoever that

0:07:59.080 --> 0:08:01.600
<v Speaker 1>person is and they see the differently. What was that

0:08:01.680 --> 0:08:03.960
<v Speaker 1>like for you? How did you feel? Obviously we the

0:08:03.960 --> 0:08:06.120
<v Speaker 1>show in a slightly different way than the books in

0:08:06.120 --> 0:08:09.000
<v Speaker 1>the movie, well, and for those who haven't read the books,

0:08:09.040 --> 0:08:11.640
<v Speaker 1>For those folks out there who don't know Hodge, your

0:08:11.720 --> 0:08:16.560
<v Speaker 1>character in the books is sort of an elderly librarian

0:08:16.840 --> 0:08:21.400
<v Speaker 1>esque professor type, which you very clearly were not, and

0:08:21.440 --> 0:08:25.040
<v Speaker 1>we were quickly given a rather quipping nickname by the fandom,

0:08:25.120 --> 0:08:28.400
<v Speaker 1>which I think we all have forgot about that wonderful Yes,

0:08:28.440 --> 0:08:32.840
<v Speaker 1>you were very quickly dubbed hot Hodge by the shadow fan. Um,

0:08:32.880 --> 0:08:35.560
<v Speaker 1>and rightly so. But but tell us a little bit

0:08:35.600 --> 0:08:37.600
<v Speaker 1>about that and what your experience was like when you first,

0:08:37.679 --> 0:08:39.560
<v Speaker 1>you know, got the audition and read the part, and

0:08:39.600 --> 0:08:41.760
<v Speaker 1>what your thoughts were and sort of that whole. Tell

0:08:41.840 --> 0:08:45.440
<v Speaker 1>us a little bit about your audition process. My goodness, well,

0:08:45.720 --> 0:08:49.800
<v Speaker 1>as a fan myself of things like this, I just

0:08:49.840 --> 0:08:53.800
<v Speaker 1>felt this tremendous responsibility. Um. I didn't know what I

0:08:53.840 --> 0:08:56.320
<v Speaker 1>was going to come up with, I didn't know how

0:08:56.360 --> 0:08:59.840
<v Speaker 1>they were going to respond to it, but I immediately

0:09:00.200 --> 0:09:02.840
<v Speaker 1>delved into the source material because I've always had at

0:09:02.920 --> 0:09:05.920
<v Speaker 1>least I think, if you're going to do something new,

0:09:06.400 --> 0:09:09.600
<v Speaker 1>take something new in a new direction, that that's that's wonderful, um,

0:09:09.640 --> 0:09:11.280
<v Speaker 1>And there's nothing wrong with that, but I think you

0:09:11.360 --> 0:09:13.640
<v Speaker 1>need to do it with the utmost respect for the

0:09:13.679 --> 0:09:18.880
<v Speaker 1>source material. And so I looked for nuances, little nods.

0:09:19.600 --> 0:09:21.560
<v Speaker 1>Getting ahead of myself here, but at one point I've

0:09:21.559 --> 0:09:24.880
<v Speaker 1>read one line about how Hodge had a favorite blue

0:09:24.960 --> 0:09:28.480
<v Speaker 1>chipped mug. And you know, nobody was really paying attention

0:09:28.520 --> 0:09:30.800
<v Speaker 1>to me at the time. I don't think or what

0:09:30.840 --> 0:09:32.600
<v Speaker 1>I'm saying was like it was on a smaller scale,

0:09:32.640 --> 0:09:35.400
<v Speaker 1>but I still I went to Twitter. Um, I approved

0:09:35.400 --> 0:09:37.360
<v Speaker 1>it with the art department. I said, we whittled it

0:09:37.400 --> 0:09:39.880
<v Speaker 1>down to three and they asked me to pick, and

0:09:39.960 --> 0:09:41.480
<v Speaker 1>I thought that was really cool. So we let the

0:09:41.480 --> 0:09:44.760
<v Speaker 1>fans pick, you know, and they picked the one I

0:09:44.800 --> 0:09:48.640
<v Speaker 1>wanted anyway, which that's good. It wasn't ragged, it wasn't

0:09:49.040 --> 0:09:51.240
<v Speaker 1>um but it was a very cute experience. And yeah,

0:09:51.240 --> 0:09:53.040
<v Speaker 1>it's so funny you bring that that up, because that's

0:09:53.120 --> 0:09:55.480
<v Speaker 1>the first conversation I remember having with you. And and

0:09:55.480 --> 0:09:57.920
<v Speaker 1>this is the thing that you know, Yeah, well, for

0:09:57.920 --> 0:10:00.480
<v Speaker 1>for someone that you know plays characters that are often

0:10:00.640 --> 0:10:06.280
<v Speaker 1>very action oriented, you are such a contemplative and thoughtful person,

0:10:06.520 --> 0:10:09.680
<v Speaker 1>and you put so much care into all the details

0:10:09.679 --> 0:10:12.199
<v Speaker 1>of your characters. And it's always been one of something

0:10:12.240 --> 0:10:16.760
<v Speaker 1>I've respected and really found most fascinating about you. Um,

0:10:16.760 --> 0:10:19.280
<v Speaker 1>But that was something that you know, I always heard

0:10:19.320 --> 0:10:21.200
<v Speaker 1>out about little character and things like that, and I

0:10:21.240 --> 0:10:24.800
<v Speaker 1>know does too, and likewise, yeah, yeah, well, in the

0:10:24.880 --> 0:10:26.920
<v Speaker 1>fact that you came on to set and we were

0:10:26.920 --> 0:10:28.480
<v Speaker 1>sitting there and makeup trail and you like, there's this

0:10:28.600 --> 0:10:30.560
<v Speaker 1>mug and I read this thing and I want to

0:10:30.600 --> 0:10:32.240
<v Speaker 1>put it in and I don't know who to talk

0:10:32.320 --> 0:10:33.959
<v Speaker 1>to it. I don't know, like where should we where

0:10:33.960 --> 0:10:35.200
<v Speaker 1>should I go? I want to I want to make

0:10:35.240 --> 0:10:38.520
<v Speaker 1>sure that this is a part of him. Instantly, I

0:10:38.559 --> 0:10:41.000
<v Speaker 1>was inspired by you on you know, the like the

0:10:41.040 --> 0:10:44.560
<v Speaker 1>first day on set. So just it's it's really amazing

0:10:44.720 --> 0:10:46.800
<v Speaker 1>that you, you know, come into something and are are

0:10:46.840 --> 0:10:50.079
<v Speaker 1>instantly diving into the world head first. Oh no, that's

0:10:50.080 --> 0:10:53.800
<v Speaker 1>still mutual, I felt, says the first dance. That's kind

0:10:53.840 --> 0:10:56.839
<v Speaker 1>of a blur, but I sort of remember just the

0:10:56.880 --> 0:11:00.040
<v Speaker 1>feeling of the first scene I did. I think you

0:11:00.120 --> 0:11:03.320
<v Speaker 1>were both in it. I couldn't with your introduction. I

0:11:03.320 --> 0:11:07.560
<v Speaker 1>think we were introducing you in the in the training area.

0:11:08.280 --> 0:11:12.160
<v Speaker 1>I just felt as if waking up is not the

0:11:12.240 --> 0:11:14.040
<v Speaker 1>right word, but I think we just did a read

0:11:14.120 --> 0:11:17.079
<v Speaker 1>or something. It just remember feeling whoa, okay, like we're

0:11:17.120 --> 0:11:20.120
<v Speaker 1>coming in hot, like this might actually really be something,

0:11:20.800 --> 0:11:24.560
<v Speaker 1>you know, And so I think that's what fired me

0:11:24.679 --> 0:11:26.720
<v Speaker 1>up on the day. I mean, because of course, you

0:11:27.240 --> 0:11:29.000
<v Speaker 1>you've got to work with the best intentions. I think

0:11:29.040 --> 0:11:31.200
<v Speaker 1>of it athletically now, where you know you might not

0:11:31.280 --> 0:11:33.800
<v Speaker 1>win the game, but you're you're driving into work. It's

0:11:33.840 --> 0:11:36.280
<v Speaker 1>game time. You know, you're eating your wheaties, You're trying

0:11:36.280 --> 0:11:39.319
<v Speaker 1>to be sharp and prepared and all that good stuff.

0:11:39.360 --> 0:11:41.960
<v Speaker 1>Assuming that's what that role calls for, and that's your process,

0:11:41.960 --> 0:11:44.359
<v Speaker 1>you know what I mean. And it's just so refreshing

0:11:44.440 --> 0:11:46.800
<v Speaker 1>when you show up and the people on the team

0:11:46.920 --> 0:11:49.719
<v Speaker 1>want to be there and they've done the work and

0:11:49.720 --> 0:11:52.120
<v Speaker 1>they're ready to work and play, and they're not married

0:11:52.160 --> 0:11:53.920
<v Speaker 1>to all of their ideas, but they've got a ton

0:11:54.320 --> 0:11:57.480
<v Speaker 1>you know. I just immediately I went, oh, I don't

0:11:57.520 --> 0:12:00.280
<v Speaker 1>need to worry about any of this. I just need

0:12:00.320 --> 0:12:02.440
<v Speaker 1>to be really present. You know, we had a similar

0:12:03.080 --> 0:12:09.240
<v Speaker 1>experience with you a this it was with the hand.

0:12:09.800 --> 0:12:12.800
<v Speaker 1>Um so we'll, you know, we'll jump back and forth

0:12:12.920 --> 0:12:15.719
<v Speaker 1>to what we were talking about. But I don't know

0:12:15.760 --> 0:12:17.719
<v Speaker 1>if you remember that day. And this is one of

0:12:17.720 --> 0:12:19.679
<v Speaker 1>the days that I that I will treasure as a

0:12:19.720 --> 0:12:22.760
<v Speaker 1>memory between you and I because they threw that torture

0:12:22.800 --> 0:12:25.679
<v Speaker 1>scene at us, like the morning off. Do you remember

0:12:25.679 --> 0:12:27.560
<v Speaker 1>when your hand was lopped off and I was trying

0:12:27.559 --> 0:12:29.800
<v Speaker 1>to get information about where Valentine is and I put

0:12:29.800 --> 0:12:33.480
<v Speaker 1>my thumb in your stump and they were like, so

0:12:33.559 --> 0:12:37.240
<v Speaker 1>that stump for everyone out there was literally like was

0:12:37.280 --> 0:12:39.720
<v Speaker 1>it cardboard or newspaper or something. They just wrapped up

0:12:39.720 --> 0:12:42.200
<v Speaker 1>and poured blood because we didn't have the prosthetic yet,

0:12:42.400 --> 0:12:47.160
<v Speaker 1>they just through something at you. Yeah, And this is

0:12:47.160 --> 0:12:49.640
<v Speaker 1>something that was so great about working with John is

0:12:49.920 --> 0:12:54.080
<v Speaker 1>that preparedness really came into fruition there where it's like, Hey,

0:12:54.080 --> 0:12:55.520
<v Speaker 1>we're going to throw the scene at you that you're

0:12:55.520 --> 0:12:57.160
<v Speaker 1>not really supposed to do for another couple of days,

0:12:57.160 --> 0:12:58.560
<v Speaker 1>but we're just here, so we're going to do it.

0:12:58.760 --> 0:13:01.880
<v Speaker 1>And you're like, oh, ship, okay, great, let's just dive

0:13:01.880 --> 0:13:04.480
<v Speaker 1>into that headspace. And he did, and his performance is

0:13:04.520 --> 0:13:09.520
<v Speaker 1>incredible and he's consistently amazing screen partner to have, so

0:13:09.880 --> 0:13:14.440
<v Speaker 1>thank you for that. I'm speechless. Feel the exact same

0:13:14.480 --> 0:13:17.439
<v Speaker 1>way you made it. You made it so easy. I

0:13:17.679 --> 0:13:21.960
<v Speaker 1>didn't feel curveballed. I don't remember if anything. It was

0:13:22.000 --> 0:13:26.120
<v Speaker 1>just kind of funny and exciting and yeah, you were

0:13:26.240 --> 0:13:30.360
<v Speaker 1>scary man sometimes sometimes, you know, I would see some

0:13:30.400 --> 0:13:33.040
<v Speaker 1>of the episodes and I think we got a little

0:13:33.080 --> 0:13:35.559
<v Speaker 1>too adult there. They cut around it a little bit,

0:13:35.640 --> 0:13:38.600
<v Speaker 1>you know, a little too bloody or a little too

0:13:39.720 --> 0:13:41.559
<v Speaker 1>you know what I mean. It is just sometimes we

0:13:41.679 --> 0:13:43.760
<v Speaker 1>got we really you know, we were in it. Yeah,

0:13:43.840 --> 0:13:46.240
<v Speaker 1>we got we got dark in a couple of times. Yeah, yeah,

0:13:46.280 --> 0:13:48.959
<v Speaker 1>exactly exactly, which is okay, but we still want to

0:13:48.960 --> 0:13:54.000
<v Speaker 1>be entertaining and yeah for accessible. Yeah, well it's tricky

0:13:54.040 --> 0:13:56.559
<v Speaker 1>when you're discussing this sort of subject matter like we're

0:13:56.600 --> 0:13:59.600
<v Speaker 1>you know, we're talking about sort of the shadow hunts

0:13:59.600 --> 0:14:02.839
<v Speaker 1>equivalent of like hunting terrorists. Um, and it's that sort

0:14:02.880 --> 0:14:04.560
<v Speaker 1>of question of like how far are you willing to

0:14:04.600 --> 0:14:07.240
<v Speaker 1>go to? You know, you're willing to murder one to

0:14:07.280 --> 0:14:09.720
<v Speaker 1>save a hundreds? Maybe not are you willing to murder

0:14:09.720 --> 0:14:11.959
<v Speaker 1>one to save a thousand? I don't know, it's you know,

0:14:12.000 --> 0:14:14.320
<v Speaker 1>and then you get in that weird sort of headspace

0:14:14.400 --> 0:14:17.240
<v Speaker 1>and like as the actors trying to portray that we

0:14:17.600 --> 0:14:20.360
<v Speaker 1>were in that place, we're in that questioning department of

0:14:20.400 --> 0:14:23.040
<v Speaker 1>like what what are you willing to do to to

0:14:23.160 --> 0:14:25.800
<v Speaker 1>do the things that you know a right overall? But

0:14:25.840 --> 0:14:27.920
<v Speaker 1>you have to take steps that you know wrong along

0:14:27.960 --> 0:14:30.040
<v Speaker 1>the way and whatever. And I think there are times, yeah,

0:14:30.040 --> 0:14:36.400
<v Speaker 1>where the editors went in and went yea ch well

0:14:36.400 --> 0:14:39.360
<v Speaker 1>and to to kind of second that as well. Hard

0:14:39.440 --> 0:14:42.400
<v Speaker 1>just such an interesting character in regard to that because

0:14:42.440 --> 0:14:46.040
<v Speaker 1>of his past. He's a very loyal character. But to

0:14:46.240 --> 0:14:49.240
<v Speaker 1>what and to what end? And it's it was so

0:14:49.320 --> 0:14:52.400
<v Speaker 1>interesting watching back because we were all so you know,

0:14:52.800 --> 0:14:55.600
<v Speaker 1>in our own storylines in season one, trying to figure

0:14:55.640 --> 0:14:58.000
<v Speaker 1>out what the show was. It's so interesting to watch

0:14:58.040 --> 0:15:01.520
<v Speaker 1>it back and see all of the detail and all

0:15:01.560 --> 0:15:04.480
<v Speaker 1>of the color that you really you brought to that storyline.

0:15:04.480 --> 0:15:07.080
<v Speaker 1>And that's that struggle, and that's sort of wanting to

0:15:07.120 --> 0:15:10.640
<v Speaker 1>find a place where you were valued as as a

0:15:10.680 --> 0:15:13.280
<v Speaker 1>soldier and as a fighter, and where your loyalty was valued.

0:15:13.320 --> 0:15:16.840
<v Speaker 1>And ultimately I almost felt bad for Hodge because doors

0:15:16.920 --> 0:15:18.960
<v Speaker 1>kept getting shut in his face, left, right, and center,

0:15:19.400 --> 0:15:22.480
<v Speaker 1>even though he was proving his loyalty and risking life

0:15:22.480 --> 0:15:25.920
<v Speaker 1>and literal limb for whoever he thought was going to

0:15:25.960 --> 0:15:29.120
<v Speaker 1>be there for him on the other side. Precisely, Yeah,

0:15:29.200 --> 0:15:34.560
<v Speaker 1>I remember, I wanted to the audience too feel conflicted. Um.

0:15:34.720 --> 0:15:38.400
<v Speaker 1>I thought, if they uniformly adore this guy, I'm not

0:15:38.440 --> 0:15:40.960
<v Speaker 1>doing my job. And if they uniformly loathed this guy,

0:15:40.960 --> 0:15:43.280
<v Speaker 1>I'm not doing my job. I don't know, if you

0:15:43.280 --> 0:15:46.480
<v Speaker 1>want to get into see see his his morality right

0:15:46.480 --> 0:15:50.080
<v Speaker 1>off the jump here, let's do it. But when I auditioned,

0:15:50.320 --> 0:15:54.880
<v Speaker 1>when I auditioned, I I think I did it British

0:15:55.120 --> 0:16:01.240
<v Speaker 1>to lend an erudition, to try Tom and I was

0:16:01.280 --> 0:16:04.400
<v Speaker 1>ready to get this streak and the hair, the scarring

0:16:04.440 --> 0:16:07.800
<v Speaker 1>we kept. But I was that first down set they

0:16:07.800 --> 0:16:09.960
<v Speaker 1>said you're not British and you're taking your shirt off,

0:16:10.480 --> 0:16:15.040
<v Speaker 1>and I was really confused. Uh, yeah, you know these things,

0:16:15.160 --> 0:16:18.720
<v Speaker 1>these these decisions, Uh, some things were still happening on

0:16:18.760 --> 0:16:21.880
<v Speaker 1>the fly, I guess, and so I had sort of

0:16:22.240 --> 0:16:25.640
<v Speaker 1>a vision given the source material. But but I, like

0:16:25.720 --> 0:16:29.280
<v Speaker 1>you said, it was still very formative while we collaboratively

0:16:29.360 --> 0:16:32.800
<v Speaker 1>put those pieces together. M hm, yeah it was. It

0:16:32.840 --> 0:16:35.040
<v Speaker 1>was really interesting to see the evolution of the character.

0:16:35.960 --> 0:16:38.560
<v Speaker 1>But I think so back to the casting for a moment.

0:16:38.680 --> 0:16:42.640
<v Speaker 1>Cassandra Claire actually spoke up saying that, no, he's actually

0:16:42.640 --> 0:16:45.880
<v Speaker 1>closer to the real age in the book. The movie

0:16:45.960 --> 0:16:50.120
<v Speaker 1>sort of took this Alfreddy spin. Yeah, and I liked

0:16:50.640 --> 0:16:53.880
<v Speaker 1>I loved it actually, but I think I was tasked

0:16:53.920 --> 0:16:57.120
<v Speaker 1>with being you know, when your older brother or sister

0:16:57.280 --> 0:17:01.040
<v Speaker 1>or it's just somebody baby sits you and not. They're

0:17:01.040 --> 0:17:04.639
<v Speaker 1>old enough to not quite be a peer for a stage,

0:17:04.880 --> 0:17:09.000
<v Speaker 1>but they're not parent level or guardian level. If this

0:17:09.040 --> 0:17:13.800
<v Speaker 1>makes a sense. It really exactly what you're saying. Right.

0:17:13.880 --> 0:17:16.919
<v Speaker 1>So when when the kids, so to speak, were younger,

0:17:17.440 --> 0:17:19.440
<v Speaker 1>I mean, he fell in love with them. He would

0:17:19.520 --> 0:17:23.480
<v Speaker 1>never ever want to hurt those kids. Um as they age,

0:17:23.760 --> 0:17:26.439
<v Speaker 1>they become his peers and some of them even in

0:17:26.480 --> 0:17:30.560
<v Speaker 1>many ways is superior. And so I think I had

0:17:30.640 --> 0:17:31.920
<v Speaker 1>this idea in my head that he was a little

0:17:31.920 --> 0:17:36.040
<v Speaker 1>older too. So the breakdown said no beards at all.

0:17:36.200 --> 0:17:38.199
<v Speaker 1>The show will have no beards, and I broke that

0:17:38.280 --> 0:17:41.680
<v Speaker 1>rule and that probably worked in my favorite a little bit.

0:17:42.440 --> 0:17:44.240
<v Speaker 1>Uh Yeah, I just I don't think I ever thought

0:17:44.280 --> 0:17:46.720
<v Speaker 1>I was gonna get it, but I just thought it

0:17:46.760 --> 0:17:49.200
<v Speaker 1>was the coolest audition I've seen in a long time,

0:17:49.760 --> 0:17:52.000
<v Speaker 1>and so I was gonna have fun doing it, you know.

0:17:52.560 --> 0:17:54.720
<v Speaker 1>And then what we end up seeing on screen is

0:17:54.800 --> 0:17:56.840
<v Speaker 1>this puzzle some of the stuff that I brought. And

0:17:57.840 --> 0:18:00.320
<v Speaker 1>at the end of the day, you're in my mind anyway,

0:18:00.320 --> 0:18:02.439
<v Speaker 1>you're a tradesman, so it's not about me showing up

0:18:02.480 --> 0:18:05.359
<v Speaker 1>and going I want to put this window in your house.

0:18:05.440 --> 0:18:08.560
<v Speaker 1>If you go, not my style, put this one in.

0:18:08.640 --> 0:18:11.120
<v Speaker 1>Then it's my job to do that as best I can.

0:18:11.760 --> 0:18:13.719
<v Speaker 1>You know what I mean, really interesting allegory. I've never

0:18:13.720 --> 0:18:16.040
<v Speaker 1>really heard it described that way, but you're right, there

0:18:16.119 --> 0:18:18.320
<v Speaker 1>is definitely an element of that. You know, you come

0:18:18.359 --> 0:18:21.720
<v Speaker 1>in and you have to match thematically what the idea is,

0:18:21.840 --> 0:18:24.359
<v Speaker 1>especially earlier, especially in the audition process. You know, if

0:18:24.400 --> 0:18:25.920
<v Speaker 1>you come in and go, now I'm doing this, they're

0:18:25.920 --> 0:18:27.960
<v Speaker 1>going to go, Okay, well that's not what we asked for.

0:18:28.080 --> 0:18:30.840
<v Speaker 1>So let's see likes in the job we hired you

0:18:30.880 --> 0:18:33.520
<v Speaker 1>to do. You won't work for long, you know, if

0:18:33.560 --> 0:18:37.480
<v Speaker 1>it's difficult and if you have a better idea. Yeah,

0:18:37.680 --> 0:18:41.840
<v Speaker 1>all of the time so interesting. But it was very

0:18:41.880 --> 0:18:45.119
<v Speaker 1>apparent from from the rewatch that you were having so

0:18:45.240 --> 0:18:48.040
<v Speaker 1>much fun with this character. And we got to see,

0:18:48.080 --> 0:18:50.760
<v Speaker 1>you know, from Hodge coming in with all the you

0:18:50.800 --> 0:18:52.320
<v Speaker 1>were one of the first people that got to use

0:18:52.320 --> 0:18:56.640
<v Speaker 1>our boards and use the little shadow Hunter computer information systems.

0:18:56.680 --> 0:18:59.280
<v Speaker 1>Go these warlocks and this information and this is the

0:18:59.320 --> 0:19:01.679
<v Speaker 1>mission you have to go on, and there's there's so

0:19:01.760 --> 0:19:03.440
<v Speaker 1>much We talk a lot about this early on in

0:19:03.480 --> 0:19:07.880
<v Speaker 1>the rewatches, but each of us got to establish different

0:19:08.119 --> 0:19:10.400
<v Speaker 1>parts of the world. You know, Harry got to establish

0:19:10.400 --> 0:19:13.840
<v Speaker 1>the Warlocks, Domini and and Emrod and Matt got to

0:19:13.920 --> 0:19:17.119
<v Speaker 1>establish the shadow Hunters, you know, and you got to

0:19:17.200 --> 0:19:20.640
<v Speaker 1>establish so much with like the Circle Rooin and our screens,

0:19:20.760 --> 0:19:22.600
<v Speaker 1>and you got you were one of the first of

0:19:22.680 --> 0:19:26.399
<v Speaker 1>the quote unquote grown ups of the Shadow Hunters to

0:19:26.480 --> 0:19:28.399
<v Speaker 1>come in and set the tone of what the world

0:19:28.640 --> 0:19:31.960
<v Speaker 1>was that this new generation is coming into. And you know,

0:19:32.000 --> 0:19:34.679
<v Speaker 1>so we owe a lot of the richness of that

0:19:34.840 --> 0:19:37.480
<v Speaker 1>world to those ideas that you brought, and to the

0:19:37.560 --> 0:19:40.480
<v Speaker 1>kind of window that you had ideas about putting in

0:19:40.520 --> 0:19:46.879
<v Speaker 1>our house. Oh my gosh, you're too kind, too kind. No,

0:19:47.320 --> 0:19:49.440
<v Speaker 1>walked onto that set and it just looked so good

0:19:49.480 --> 0:19:53.639
<v Speaker 1>and felt so good. Those costumes, how fun great we

0:19:53.640 --> 0:20:16.639
<v Speaker 1>were Ninja pirates. Yeah. You had a background in martial

0:20:16.760 --> 0:20:20.480
<v Speaker 1>arts pre the show, right, yeah, yeah, yeah. UM tell

0:20:20.560 --> 0:20:23.040
<v Speaker 1>us a little about that, because obviously that benefited you

0:20:23.080 --> 0:20:25.480
<v Speaker 1>and ended up benefiting me massively as well, like having

0:20:25.520 --> 0:20:27.639
<v Speaker 1>a good dance partner at the end, is it is

0:20:27.680 --> 0:20:30.639
<v Speaker 1>so much finely helpful. UM, tell us a little bit

0:20:30.680 --> 0:20:33.000
<v Speaker 1>about first of all, how you got into martial arts

0:20:33.040 --> 0:20:37.120
<v Speaker 1>and then how that influenced your shadow into his great.

0:20:37.640 --> 0:20:42.520
<v Speaker 1>I've been studying martial arts and many for far longer

0:20:42.560 --> 0:20:44.600
<v Speaker 1>than I've been acting. I think that was maybe one

0:20:44.600 --> 0:20:47.000
<v Speaker 1>of my first loves and first defense mechanisms. You know,

0:20:47.480 --> 0:20:50.640
<v Speaker 1>before I found acting or guitar writing or things like that.

0:20:51.400 --> 0:20:54.199
<v Speaker 1>It was my antidepressant, my anti drug. It was just

0:20:55.320 --> 0:20:57.879
<v Speaker 1>very early on recognized that, oh, if I break a sweat,

0:20:57.880 --> 0:21:01.719
<v Speaker 1>I feel better. And if I feel better, I think smarter.

0:21:02.440 --> 0:21:04.880
<v Speaker 1>And I mean I'm dumbing it down for myself here,

0:21:04.920 --> 0:21:09.399
<v Speaker 1>but I think more better, I do better. Wow. I

0:21:09.440 --> 0:21:15.120
<v Speaker 1>couldn't even get that. And so you know, growing up,

0:21:15.400 --> 0:21:19.359
<v Speaker 1>of course, I just idolized guys like Bruce Lee and

0:21:19.440 --> 0:21:23.520
<v Speaker 1>Muhammad Ali who you know, they had avant garde um

0:21:23.720 --> 0:21:28.280
<v Speaker 1>social justice ideas uh and and you know they just

0:21:28.280 --> 0:21:30.879
<v Speaker 1>did so much in their lives with and without the

0:21:30.920 --> 0:21:33.399
<v Speaker 1>martial arts, so to speak. Um. And I was just

0:21:33.480 --> 0:21:36.399
<v Speaker 1>drawn to a lot of these guys who what I

0:21:36.760 --> 0:21:39.879
<v Speaker 1>The main takeaway from me was process that learning a

0:21:39.920 --> 0:21:42.639
<v Speaker 1>back flip reinforced everything that you learn you learn to

0:21:42.720 --> 0:21:45.080
<v Speaker 1>ride your bike. I guess which is you know, you

0:21:45.119 --> 0:21:47.320
<v Speaker 1>fall down and you can get up and do better

0:21:47.400 --> 0:21:50.040
<v Speaker 1>and eventually succeed. And I think it's a very valuable

0:21:50.080 --> 0:21:55.560
<v Speaker 1>lesson that UM. For me, reinforcing that constantly is really healthy.

0:21:55.640 --> 0:21:57.800
<v Speaker 1>And then I also found it to be meditation and

0:21:57.880 --> 0:22:00.600
<v Speaker 1>motion because you know, being upside down own if you're

0:22:00.640 --> 0:22:03.480
<v Speaker 1>doing something acrobatic is really to me, it's scary. It's

0:22:03.480 --> 0:22:06.160
<v Speaker 1>hard work. So I can't think I'm not worried about

0:22:06.160 --> 0:22:08.840
<v Speaker 1>getting the job or not when I'm worried about landing

0:22:08.840 --> 0:22:13.280
<v Speaker 1>on my feet right. And so as a young person,

0:22:13.960 --> 0:22:18.200
<v Speaker 1>especially in going through you know that pubest informative period

0:22:18.359 --> 0:22:21.840
<v Speaker 1>or even in college when you're just finding yourself, you're

0:22:21.880 --> 0:22:24.399
<v Speaker 1>individuating and all of that, I don't know, I just

0:22:24.400 --> 0:22:27.000
<v Speaker 1>found it was sort of a compass that kept pulling

0:22:27.040 --> 0:22:31.960
<v Speaker 1>me back. And Shadow Hunters actually, UM, I hadn't been

0:22:32.000 --> 0:22:36.360
<v Speaker 1>doing as much as for a little while, and as

0:22:36.400 --> 0:22:38.520
<v Speaker 1>soon as I got the part, I got really serious.

0:22:38.600 --> 0:22:40.800
<v Speaker 1>It's in my spare time in case we got to

0:22:40.920 --> 0:22:43.520
<v Speaker 1>use any of it, and so it was something that

0:22:43.800 --> 0:22:46.359
<v Speaker 1>it was a gift actually because even you know, after

0:22:46.600 --> 0:22:49.560
<v Speaker 1>after my time on the show, I kept up UM

0:22:49.600 --> 0:22:51.400
<v Speaker 1>and that has led to you know, the work I'm

0:22:51.440 --> 0:22:56.000
<v Speaker 1>doing now, yeah, on the Flash flying around and fighting

0:22:56.000 --> 0:22:58.879
<v Speaker 1>people and you know, and what a small world, you know,

0:22:58.960 --> 0:23:02.320
<v Speaker 1>it's it was Yeah, yeah, what a small world to

0:23:02.400 --> 0:23:07.000
<v Speaker 1>sort of end up full circle Arrow sister. Yeah, in

0:23:07.359 --> 0:23:10.960
<v Speaker 1>in the same same superhero world, still on opposite sides

0:23:11.000 --> 0:23:12.959
<v Speaker 1>of well sort of. I don't know. Both of our

0:23:13.040 --> 0:23:16.280
<v Speaker 1>characters in that world are but on the fence of

0:23:16.920 --> 0:23:18.960
<v Speaker 1>good and evil. But that makes it fun in the

0:23:19.000 --> 0:23:23.320
<v Speaker 1>writer's hands. Yea, every script I get do I die?

0:23:23.840 --> 0:23:27.560
<v Speaker 1>Am I good or evil? You know exactly, no idea

0:23:27.680 --> 0:23:29.879
<v Speaker 1>skipped to the end. Let's figure it out. So I

0:23:29.880 --> 0:23:31.600
<v Speaker 1>don't know if that answer to your question or not.

0:23:31.760 --> 0:23:33.640
<v Speaker 1>It did. Yeah, No, it does, And I'm glad you're

0:23:33.720 --> 0:23:36.760
<v Speaker 1>keeping it up because you you I mean, you came

0:23:36.800 --> 0:23:39.440
<v Speaker 1>into the show. I think the first thing we see

0:23:39.440 --> 0:23:42.560
<v Speaker 1>of Hodge is you're training with the young lady in

0:23:42.560 --> 0:23:47.240
<v Speaker 1>the training center and a sort of in semi spectacular fashion,

0:23:47.280 --> 0:23:49.840
<v Speaker 1>and then we come in break the Reverie. But then

0:23:50.280 --> 0:23:54.440
<v Speaker 1>there are sort of three like very spectacular Hodge fights,

0:23:54.520 --> 0:23:58.320
<v Speaker 1>especially in season or throughout season one. There's that one,

0:23:58.680 --> 0:24:01.160
<v Speaker 1>there's the one with the facake can, which will talk

0:24:01.200 --> 0:24:05.919
<v Speaker 1>about where you do this this like round off flip

0:24:05.960 --> 0:24:09.080
<v Speaker 1>but on the stick, which is just incredible, like an

0:24:09.080 --> 0:24:14.000
<v Speaker 1>incredible thing to have asking someone did John do that?

0:24:14.280 --> 0:24:16.479
<v Speaker 1>And they were like, yeah, John did that. I was like, wow,

0:24:16.520 --> 0:24:19.119
<v Speaker 1>that's some pretty gnarly stuff. And then we had the

0:24:19.160 --> 0:24:21.040
<v Speaker 1>fight at the end as well, which will again we'll

0:24:21.080 --> 0:24:25.280
<v Speaker 1>get into um, but it's, you know, so much fun

0:24:25.480 --> 0:24:28.240
<v Speaker 1>in I mean, freezing ask cold in a skate park

0:24:28.320 --> 0:24:31.040
<v Speaker 1>all made out of concretes that like just pull down.

0:24:31.200 --> 0:24:33.399
<v Speaker 1>Doesn't get any more legitimate than that, though, doesn't know,

0:24:34.960 --> 0:24:36.920
<v Speaker 1>but that was again like, it's a good thing. It's

0:24:36.960 --> 0:24:39.240
<v Speaker 1>you know, we've talked about this quite a bit over

0:24:39.240 --> 0:24:41.880
<v Speaker 1>the course of the show, obviously, being so stunts heavy,

0:24:42.000 --> 0:24:44.200
<v Speaker 1>and it's such a huge part of it as having

0:24:44.240 --> 0:24:47.600
<v Speaker 1>someone that you trust, having someone that you you know,

0:24:47.640 --> 0:24:51.360
<v Speaker 1>a dance partner that you you trust is coming out

0:24:51.440 --> 0:24:56.560
<v Speaker 1>this from a smart, measured, I guess attack point, because

0:24:56.600 --> 0:24:58.720
<v Speaker 1>anything less than that is dangerous and you don't want

0:24:58.720 --> 0:25:00.680
<v Speaker 1>to be working in a dangerous place. And I felt

0:25:00.680 --> 0:25:04.960
<v Speaker 1>safe with you, I really did. Likewise, yeah, I certainly

0:25:05.600 --> 0:25:07.800
<v Speaker 1>I have not felt safe working with a lot of

0:25:07.840 --> 0:25:11.000
<v Speaker 1>different people. Really I couldn't. I couldn't agree more. But

0:25:11.160 --> 0:25:15.119
<v Speaker 1>saying oh, yeah, I've been injured through for lack of

0:25:15.119 --> 0:25:17.560
<v Speaker 1>a better word, ignorance, I guess you know that there's

0:25:17.560 --> 0:25:21.520
<v Speaker 1>almost no excuse for the the accident happening other than

0:25:21.800 --> 0:25:27.600
<v Speaker 1>somebody thinking they had a better idea didn't run. Issue.

0:25:27.720 --> 0:25:30.639
<v Speaker 1>That's sort of improving is not yet and you can't

0:25:30.720 --> 0:25:33.080
<v Speaker 1>there's no there's no room for it in this in

0:25:33.160 --> 0:25:35.600
<v Speaker 1>this world. You know, it's like improving in a fight

0:25:35.800 --> 0:25:38.040
<v Speaker 1>stops being a fight scene and it's a fight. Then

0:25:38.240 --> 0:25:40.160
<v Speaker 1>if you don't know what's coming, it's a fight. You're

0:25:40.160 --> 0:25:43.080
<v Speaker 1>in a fight, and it's impossible to deal with right

0:25:43.400 --> 0:25:47.720
<v Speaker 1>Um to me, you're playing a song together and if

0:25:47.760 --> 0:25:50.080
<v Speaker 1>you both first of all, you both have to be

0:25:50.119 --> 0:25:52.159
<v Speaker 1>able to play that song really well. But then you

0:25:52.200 --> 0:25:53.800
<v Speaker 1>have to kind of you have to try to stay

0:25:53.800 --> 0:25:55.960
<v Speaker 1>in the same time with one another. Yeah, you know,

0:25:56.000 --> 0:25:57.760
<v Speaker 1>if either one of us just speeds it up or

0:25:57.760 --> 0:26:01.320
<v Speaker 1>slows it down, we might a mess here, if that

0:26:01.400 --> 0:26:03.960
<v Speaker 1>makes makes sense. And so of course I think it's

0:26:03.960 --> 0:26:07.080
<v Speaker 1>worth being I mean, of course, be alive and be

0:26:07.160 --> 0:26:10.479
<v Speaker 1>well trained, and you know there's some flexibility, but I

0:26:10.520 --> 0:26:13.000
<v Speaker 1>really think when it comes to stunts, then you almost

0:26:13.040 --> 0:26:17.439
<v Speaker 1>have to be overpractical. Keep second nature has to be

0:26:17.480 --> 0:26:19.560
<v Speaker 1>like something you're not even thinking about, Like I need

0:26:19.600 --> 0:26:21.720
<v Speaker 1>to think about the performance, the rest of it, what

0:26:21.840 --> 0:26:23.359
<v Speaker 1>my hands in my arms and my face and my

0:26:23.359 --> 0:26:25.439
<v Speaker 1>head and my legs are doing my body needs to

0:26:25.440 --> 0:26:26.920
<v Speaker 1>do that. It needs to do that on its own,

0:26:26.960 --> 0:26:29.040
<v Speaker 1>and then I'm aware of like and then I guess

0:26:29.119 --> 0:26:31.840
<v Speaker 1>it helps me to like if it's if it's sort

0:26:31.840 --> 0:26:33.840
<v Speaker 1>of it's almost like doing an accent, like if you're

0:26:33.880 --> 0:26:36.240
<v Speaker 1>if you're physically feeling like, these are the motions that

0:26:36.240 --> 0:26:38.440
<v Speaker 1>we're doing, and this is what we're playing here. Then

0:26:38.440 --> 0:26:41.879
<v Speaker 1>as soon as something changes, your body tells you someone's

0:26:41.920 --> 0:26:43.520
<v Speaker 1>wrong and I don't know what it is, but like

0:26:43.560 --> 0:26:45.440
<v Speaker 1>an arms out of place, or a foot's out of place,

0:26:45.480 --> 0:26:47.440
<v Speaker 1>or something's coming at me from the wrong angle or whatever,

0:26:47.480 --> 0:26:48.959
<v Speaker 1>and you just you sort of see it in like, oh,

0:26:49.000 --> 0:26:51.080
<v Speaker 1>it's alien. All of a sudden, somebody used to stop

0:26:51.160 --> 0:26:54.960
<v Speaker 1>like it's off. You know, yeah, well that's that's something.

0:26:55.000 --> 0:26:56.720
<v Speaker 1>You know. We talked about how fund stunts are and

0:26:56.760 --> 0:26:58.720
<v Speaker 1>how much we love fighting and doing all this stuff

0:26:58.760 --> 0:27:01.960
<v Speaker 1>all the time. But it we were able to have

0:27:02.200 --> 0:27:05.040
<v Speaker 1>fun on a show like Shadow Hunters because of the

0:27:05.119 --> 0:27:08.439
<v Speaker 1>trust and the practice that all of us had and

0:27:08.520 --> 0:27:11.560
<v Speaker 1>because we all took the safety aspect of it so seriously.

0:27:12.000 --> 0:27:14.400
<v Speaker 1>And it's you know, in the true fashion of don't

0:27:14.400 --> 0:27:17.520
<v Speaker 1>try this at home, kids, you know, it's very much

0:27:17.880 --> 0:27:19.960
<v Speaker 1>It takes a lot of work, and and that's something

0:27:20.000 --> 0:27:21.960
<v Speaker 1>that you know in both you two. I I have

0:27:22.080 --> 0:27:24.600
<v Speaker 1>massive respect for Well, I was gonna say to your credit,

0:27:24.640 --> 0:27:27.679
<v Speaker 1>and I'm fairly certain most, if not all, of the cast,

0:27:28.280 --> 0:27:32.520
<v Speaker 1>you all just went gung home with training, and I

0:27:32.560 --> 0:27:34.960
<v Speaker 1>thought that was so cool. I mean, in a post

0:27:35.000 --> 0:27:39.040
<v Speaker 1>Marvel world, now we see more of it, but even

0:27:39.080 --> 0:27:41.640
<v Speaker 1>at that time, it was a little more uncommon and

0:27:41.680 --> 0:27:46.159
<v Speaker 1>more transformative. I mean, you transformed your bodies. It was

0:27:46.200 --> 0:27:49.359
<v Speaker 1>wild because we want to see so much growth. Yeah,

0:27:49.440 --> 0:27:51.560
<v Speaker 1>it was a lot of fun. All that growth off

0:27:51.600 --> 0:27:55.719
<v Speaker 1>screen translates, you know, it enriched the character's growth on

0:27:55.800 --> 0:27:58.440
<v Speaker 1>the screen. You know. I was just remarkable to see

0:27:58.480 --> 0:28:03.720
<v Speaker 1>them all grow up together and more ass Absolutely right, yeah,

0:28:03.960 --> 0:28:08.640
<v Speaker 1>absolutely well. And also, you know, speaking of transformation, your

0:28:08.720 --> 0:28:11.320
<v Speaker 1>character went through quite a transformation on the show. You

0:28:11.400 --> 0:28:16.320
<v Speaker 1>start off as this sort of older brother, teacher, caretaker

0:28:16.560 --> 0:28:19.800
<v Speaker 1>as it were, and by the end, you're arguably one

0:28:19.840 --> 0:28:23.720
<v Speaker 1>of the biggest villains of season one, maybe maybe a

0:28:23.800 --> 0:28:27.320
<v Speaker 1>morally questionable pivotal role for sure. I don't know if

0:28:27.359 --> 0:28:30.680
<v Speaker 1>i'd say villain because and the reason I say that

0:28:30.800 --> 0:28:34.879
<v Speaker 1>is because I'm in the scene with you in season two.

0:28:35.160 --> 0:28:37.800
<v Speaker 1>I'm in the scene with you where we have parallel cells,

0:28:38.680 --> 0:28:42.520
<v Speaker 1>and I remember coming was such a good scene and

0:28:42.960 --> 0:28:44.640
<v Speaker 1>and the reason why I liked it so much is

0:28:44.680 --> 0:28:48.320
<v Speaker 1>I came into it with my sort of motivation being

0:28:49.360 --> 0:28:52.560
<v Speaker 1>fuck this guy. Fuck this guy, like he betrayed as

0:28:52.560 --> 0:28:55.080
<v Speaker 1>all he's led to so many issues. Fun this guy.

0:28:55.440 --> 0:28:59.040
<v Speaker 1>And then the performance, the conversation that we had with

0:28:59.080 --> 0:29:02.640
<v Speaker 1>each other really mellowed me as Jakes like it mellowed

0:29:02.680 --> 0:29:05.760
<v Speaker 1>and I ended up sympathizing. Like that's how that scene

0:29:05.880 --> 0:29:11.120
<v Speaker 1>ends with like maybe he's right, like maybe he did

0:29:11.560 --> 0:29:14.120
<v Speaker 1>get a bad rap with this, And would I've made

0:29:14.160 --> 0:29:16.280
<v Speaker 1>those choices, Probably not. But can I blame him for

0:29:16.320 --> 0:29:18.840
<v Speaker 1>making them? I don't know. I don't know if I

0:29:18.880 --> 0:29:22.200
<v Speaker 1>can um And I think that's in my head and

0:29:22.200 --> 0:29:24.440
<v Speaker 1>I think I've said this before on this show. That's

0:29:24.440 --> 0:29:27.080
<v Speaker 1>what makes a good like villain or not even villain

0:29:27.080 --> 0:29:28.920
<v Speaker 1>in this case, like that, that's what makes a good

0:29:28.920 --> 0:29:32.960
<v Speaker 1>sort of antithesis is someone you can kind of get

0:29:33.000 --> 0:29:35.360
<v Speaker 1>behind their ideology, you know what I mean, someone who

0:29:35.440 --> 0:29:37.720
<v Speaker 1>you're like I kind of get it, like I kind

0:29:37.720 --> 0:29:40.480
<v Speaker 1>of get like Thanos is a great example, Like he

0:29:40.560 --> 0:29:43.720
<v Speaker 1>wanted to do genocide. That's a horrible idea, but he

0:29:43.800 --> 0:29:47.680
<v Speaker 1>wanted to do it to preserve life. Is he a

0:29:47.720 --> 0:29:50.120
<v Speaker 1>bad guy because his motivations, I mean, he's obviously a

0:29:50.120 --> 0:29:52.040
<v Speaker 1>bad guy. He wants to do a genesis, Like it's

0:29:52.120 --> 0:29:56.320
<v Speaker 1>a genesis, a genocide. He it's a horrendous thing to

0:29:56.320 --> 0:30:00.000
<v Speaker 1>to contemplate, but his motivations in his head a positive.

0:30:00.040 --> 0:30:02.160
<v Speaker 1>If so, there has to be a world in which

0:30:02.200 --> 0:30:04.720
<v Speaker 1>you're like, I get what you're trying to do, but

0:30:04.760 --> 0:30:07.120
<v Speaker 1>not this way. This isn't how happens, you know, And

0:30:07.200 --> 0:30:09.960
<v Speaker 1>that's that. That was a cool thing for me to

0:30:10.000 --> 0:30:12.640
<v Speaker 1>experience with you, for sure. Yeah, I just thought that

0:30:12.720 --> 0:30:15.200
<v Speaker 1>was probably. I mean, it's the crux of the character.

0:30:15.240 --> 0:30:17.400
<v Speaker 1>Is the most interesting part of the character for me

0:30:17.480 --> 0:30:20.880
<v Speaker 1>is that. I mean, I'm I'm sure you've played a

0:30:20.920 --> 0:30:23.800
<v Speaker 1>lot of unsavory characters yourself, and I mean, correct me

0:30:23.800 --> 0:30:26.160
<v Speaker 1>if I'm wrong. But I think it's not our job

0:30:26.240 --> 0:30:29.240
<v Speaker 1>to agree with what's on the page, with what they do,

0:30:29.520 --> 0:30:32.600
<v Speaker 1>but it is our job to try to compassionately empathize

0:30:32.640 --> 0:30:35.240
<v Speaker 1>with their motivations, to to figure out what those are,

0:30:35.600 --> 0:30:37.480
<v Speaker 1>whether we agree with them or not. I did ten

0:30:37.560 --> 0:30:41.200
<v Speaker 1>murders to feed my son. Okay, well let's let's whether

0:30:41.240 --> 0:30:43.920
<v Speaker 1>I agree or not. Let's examine this, right. And so

0:30:44.000 --> 0:30:46.520
<v Speaker 1>Hodge was tons of fun in that way. There was

0:30:46.600 --> 0:30:49.520
<v Speaker 1>there was lots of double speak, but at the same

0:30:49.560 --> 0:30:53.360
<v Speaker 1>time so much sincerity. Um. I do believe that he

0:30:53.520 --> 0:30:57.640
<v Speaker 1>thought he could get away with taking control of his

0:30:57.680 --> 0:31:02.360
<v Speaker 1>own circumstances. He felt disproportionately punished post circle uprising and

0:31:02.400 --> 0:31:07.720
<v Speaker 1>all of that, and I think he believed in it

0:31:07.920 --> 0:31:10.680
<v Speaker 1>for a time, and at some point enough just seemed

0:31:10.720 --> 0:31:15.640
<v Speaker 1>like enough he saw other people being free or being pardoned,

0:31:16.400 --> 0:31:19.160
<v Speaker 1>you know, at some point he just I think felt

0:31:19.160 --> 0:31:21.240
<v Speaker 1>like he got a really short end of the stick.

0:31:22.000 --> 0:31:25.360
<v Speaker 1>And at some point, you know, maybe he'd have to

0:31:25.360 --> 0:31:28.920
<v Speaker 1>sacrifice a lot of different things. But I don't think

0:31:28.920 --> 0:31:32.240
<v Speaker 1>he ever meant to sacrifice any people. And of course

0:31:32.720 --> 0:31:34.520
<v Speaker 1>we could argue, like duh, what did you think was

0:31:34.560 --> 0:31:37.440
<v Speaker 1>going to happen? Um? But when you're in it, you're

0:31:37.480 --> 0:31:41.080
<v Speaker 1>in it. Yeah, And he didn't. He doesn't put any triggers,

0:31:41.080 --> 0:31:43.800
<v Speaker 1>like he's not that guy he hands the gun off,

0:31:43.840 --> 0:31:46.680
<v Speaker 1>but he doesn't put any triggers necessarily. Um. And like

0:31:46.760 --> 0:31:49.600
<v Speaker 1>you say, you know, it's it's it is about empathizing.

0:31:49.600 --> 0:31:52.400
<v Speaker 1>It is about understanding these people that whether we agree

0:31:52.440 --> 0:31:54.200
<v Speaker 1>with them or not, like we have to, I have

0:31:54.280 --> 0:31:57.120
<v Speaker 1>to understand who they are. Otherwise I'm just saying words

0:31:57.160 --> 0:32:00.880
<v Speaker 1>loud that doing otherwise, you know, like I have to

0:32:00.920 --> 0:32:03.000
<v Speaker 1>get it to a certain extent, whether I agree with

0:32:03.000 --> 0:32:05.440
<v Speaker 1>it or not, for whatever whatever it is, that has

0:32:05.480 --> 0:32:07.320
<v Speaker 1>to be a world in which I get it. I

0:32:07.400 --> 0:32:10.160
<v Speaker 1>get this choice. And I think if there's anything we've

0:32:10.240 --> 0:32:13.200
<v Speaker 1>learned over over the years, at least especially the last

0:32:13.200 --> 0:32:15.680
<v Speaker 1>couple of years, and as our world has become arguably

0:32:15.760 --> 0:32:19.520
<v Speaker 1>more divisive than ever, it's it's all about listening and

0:32:19.640 --> 0:32:22.120
<v Speaker 1>understanding and trying to go, Okay, I don't agree with

0:32:22.160 --> 0:32:24.840
<v Speaker 1>your perspective, but why do you feel this way? And

0:32:24.920 --> 0:32:27.720
<v Speaker 1>let me try and understand it so that we can

0:32:27.920 --> 0:32:31.120
<v Speaker 1>solve it. And that's sort of how how you have

0:32:31.160 --> 0:32:33.760
<v Speaker 1>to approach characters like that as go Okay, I don't

0:32:33.840 --> 0:32:36.600
<v Speaker 1>I don't agree, this isn't right necessarily, but but you

0:32:36.680 --> 0:32:38.840
<v Speaker 1>have a reason, and what is it? And let's figure

0:32:38.880 --> 0:32:41.080
<v Speaker 1>it out. And that's kind of the most fascinating part.

0:32:41.560 --> 0:32:43.520
<v Speaker 1>And there's a reason we tell stories about good people

0:32:43.560 --> 0:32:45.960
<v Speaker 1>and bad people and people in between, because we're all

0:32:46.040 --> 0:32:48.720
<v Speaker 1>human and we can all you know, connect and relate

0:32:48.760 --> 0:32:51.400
<v Speaker 1>in some way form or fashion. Oh yes, we have

0:32:51.480 --> 0:32:54.200
<v Speaker 1>firsts and seconds and thirds and states and phases. And

0:32:54.840 --> 0:32:57.440
<v Speaker 1>it baffles me sometimes when somebody talks about somebody they

0:32:57.440 --> 0:32:59.360
<v Speaker 1>haven't seen for twenty years, is if they still know

0:32:59.440 --> 0:33:02.880
<v Speaker 1>that person a day, You know, so and so might

0:33:02.880 --> 0:33:06.240
<v Speaker 1>be man. They might have leveled that they are different,

0:33:06.320 --> 0:33:08.160
<v Speaker 1>might have taken a lot of accountability. It might have

0:33:08.240 --> 0:33:13.960
<v Speaker 1>leveled down different like twenty years ago, whether you went

0:33:14.080 --> 0:33:17.200
<v Speaker 1>up down, nobody stayed the same for twenty years. That's

0:33:17.240 --> 0:33:19.720
<v Speaker 1>that's my genuine opinion. You did not, even if you

0:33:19.760 --> 0:33:22.840
<v Speaker 1>felt like you did twenty years worth of experiences, Even

0:33:22.880 --> 0:33:26.400
<v Speaker 1>if you stayed in your house, you had twenty winters

0:33:26.440 --> 0:33:29.280
<v Speaker 1>and twenty summers and you experienced them twenty different ways,

0:33:29.360 --> 0:33:31.760
<v Speaker 1>you know what I mean. That's the experience of inexperience

0:33:31.800 --> 0:33:34.800
<v Speaker 1>even exactly. Yeah, and that has changed you in a

0:33:34.800 --> 0:33:37.320
<v Speaker 1>way as well, Like every every day we're evolving and

0:33:37.360 --> 0:33:40.360
<v Speaker 1>we're moving and and you can't be the same person.

0:33:40.400 --> 0:33:43.360
<v Speaker 1>And that, I think is what makes interesting characters too,

0:33:43.440 --> 0:33:45.720
<v Speaker 1>is if if you sort of developed this understanding and

0:33:45.720 --> 0:33:48.800
<v Speaker 1>I'm still working on it for sure. This under the

0:33:48.840 --> 0:33:50.960
<v Speaker 1>year right, like as soon as you stopped learning, then

0:33:51.240 --> 0:33:54.120
<v Speaker 1>why you still doing it? But it's it's that it's

0:33:54.160 --> 0:33:57.800
<v Speaker 1>that question of like, well, the scene I just did

0:33:58.120 --> 0:34:00.640
<v Speaker 1>happened three days ago. It's what happened to me in

0:34:00.720 --> 0:34:03.320
<v Speaker 1>those three days. I didn't spend three days walking from

0:34:03.360 --> 0:34:05.840
<v Speaker 1>there to here, and if I did, what happened in

0:34:05.840 --> 0:34:08.440
<v Speaker 1>that walk like there was there's there's three days. There's

0:34:08.440 --> 0:34:11.120
<v Speaker 1>seventy two hours of time that stuff happened to me?

0:34:12.080 --> 0:34:14.080
<v Speaker 1>What was it? How do we how do we develop

0:34:14.160 --> 0:34:16.520
<v Speaker 1>this into a into a thing? I knew this was

0:34:16.520 --> 0:34:18.160
<v Speaker 1>going to happen when we got you on. I knew

0:34:18.160 --> 0:34:20.239
<v Speaker 1>we were going to get into a much more existential

0:34:20.400 --> 0:34:24.600
<v Speaker 1>like acting theory, that's what we do. Yeah, I knew

0:34:24.640 --> 0:34:26.399
<v Speaker 1>that this is what was going to happen for sure.

0:34:26.440 --> 0:34:28.440
<v Speaker 1>I was like I looked at the brief briefly and

0:34:28.480 --> 0:34:31.440
<v Speaker 1>I was like, there's no way get any of that.

0:34:31.480 --> 0:34:34.879
<v Speaker 1>I was concerned that digressive. No, it's great, We're both

0:34:35.480 --> 0:34:39.879
<v Speaker 1>to the point of this. This is the whole point

0:34:39.920 --> 0:34:43.320
<v Speaker 1>of this podcast. And everyone has a different perspective. Everyone

0:34:43.320 --> 0:34:46.680
<v Speaker 1>has a different idea. So talking to you about acting

0:34:46.760 --> 0:34:49.680
<v Speaker 1>and talking to Alberto about acting, who also went we

0:34:49.719 --> 0:34:52.480
<v Speaker 1>went very deep into theory. But it's two completely different

0:34:52.480 --> 0:34:55.560
<v Speaker 1>perspectives from two different worlds. So it's these are new

0:34:55.600 --> 0:34:58.000
<v Speaker 1>conversations that not only we get to have, but we

0:34:58.040 --> 0:35:00.600
<v Speaker 1>get to share with people. We get to tell people

0:35:00.600 --> 0:35:03.360
<v Speaker 1>our experiences. You know, a lot of people when we

0:35:03.400 --> 0:35:06.760
<v Speaker 1>do these conventions and stuff, I'll get the question probably

0:35:06.800 --> 0:35:09.360
<v Speaker 1>wants at least per convention, I want to be an actor.

0:35:09.400 --> 0:35:11.799
<v Speaker 1>Do you have any advice? I say, yeah, I do.

0:35:11.880 --> 0:35:14.160
<v Speaker 1>I have a whole ship ton of advice. But my

0:35:14.200 --> 0:35:16.040
<v Speaker 1>advice is going to be different from Cats, Who's going

0:35:16.080 --> 0:35:19.080
<v Speaker 1>to be different from John's, different from Mats, different from Alberto's.

0:35:19.400 --> 0:35:22.200
<v Speaker 1>My number one piece of advice honestly, talk to as

0:35:22.239 --> 0:35:24.879
<v Speaker 1>many different actors as you can and take little bits

0:35:24.880 --> 0:35:26.479
<v Speaker 1>that you like from every single one of them. Because

0:35:26.520 --> 0:35:28.600
<v Speaker 1>that's what I did. That's why growing up, every actor

0:35:28.640 --> 0:35:30.920
<v Speaker 1>I worked with, even if it was I took something

0:35:30.920 --> 0:35:33.680
<v Speaker 1>that like hate that, and I don't ever want to

0:35:33.719 --> 0:35:36.400
<v Speaker 1>do that because it's for whatever reason, you know, but

0:35:36.480 --> 0:35:39.440
<v Speaker 1>it's now it's in my backpack. I'm like, I don't

0:35:39.440 --> 0:35:41.040
<v Speaker 1>want to be that. I don't ever want to do

0:35:41.080 --> 0:35:45.040
<v Speaker 1>that or something where I'm like, that's incredible. I'm having that.

0:35:45.040 --> 0:35:48.200
<v Speaker 1>That's now going in my little thing. Something as simple

0:35:48.239 --> 0:35:50.880
<v Speaker 1>as like one of my very early jobs, there was

0:35:50.920 --> 0:35:54.040
<v Speaker 1>a guy who made a point of learning everyone's name.

0:35:54.160 --> 0:35:56.160
<v Speaker 1>Day one, he went around and made a point so

0:35:56.200 --> 0:35:59.400
<v Speaker 1>like at lunch he went round and like solidified everyone's name.

0:35:59.440 --> 0:36:02.120
<v Speaker 1>And I'm like, that's not only I mean, it's just

0:36:02.160 --> 0:36:04.240
<v Speaker 1>a normal like that's how you should be at work,

0:36:04.360 --> 0:36:07.400
<v Speaker 1>just as respecting to everybody's name. But there's two hundred

0:36:07.440 --> 0:36:10.000
<v Speaker 1>people on set, which is tricky. But he spent those

0:36:10.040 --> 0:36:12.320
<v Speaker 1>first couple of days like making sure it was done,

0:36:12.400 --> 0:36:15.840
<v Speaker 1>and it made everyone feel like special and made everyone

0:36:15.840 --> 0:36:17.960
<v Speaker 1>feel seen and it's a really important thing to do.

0:36:18.000 --> 0:36:20.040
<v Speaker 1>And I was like, that's lovely and it's made me

0:36:20.080 --> 0:36:22.440
<v Speaker 1>really like you, and I'm having it. I'm gonna make

0:36:22.440 --> 0:36:24.880
<v Speaker 1>sure that that's something I do. You know. Yeah, yeah,

0:36:25.000 --> 0:36:28.400
<v Speaker 1>I think, especially when we're fortunate enough to be in

0:36:28.480 --> 0:36:31.880
<v Speaker 1>lead positions, but but in general, I do believe that

0:36:31.960 --> 0:36:34.520
<v Speaker 1>no matter what your process is, part of part of

0:36:34.560 --> 0:36:38.080
<v Speaker 1>the job is being pleasant with with other people. And

0:36:38.200 --> 0:36:40.200
<v Speaker 1>if you can do anything that brightened someone's day in

0:36:40.239 --> 0:36:44.160
<v Speaker 1>the way that it's constructive, it's not necessarily you know okay,

0:36:44.200 --> 0:36:47.200
<v Speaker 1>Captain Love and Sunshine. We have work to do right

0:36:47.280 --> 0:36:51.279
<v Speaker 1>right right? Yeah, exactly do it quick? Yeah? Yeah? Can

0:36:51.320 --> 0:36:56.680
<v Speaker 1>you not drop a line today? Yeah? That's my camera

0:36:56.760 --> 0:37:01.719
<v Speaker 1>up on this show. I just finished partner track. Mean, congratulated.

0:37:02.800 --> 0:37:05.440
<v Speaker 1>They haven't told me about it's going out. Um. I

0:37:05.880 --> 0:37:10.120
<v Speaker 1>developed a very good relationship with camera, lots of people

0:37:10.160 --> 0:37:13.759
<v Speaker 1>with camera Patrick, and we would have that conversation over

0:37:13.840 --> 0:37:15.839
<v Speaker 1>the time where it'd be like, hey, man, how's it going,

0:37:16.040 --> 0:37:17.839
<v Speaker 1>Like yeah, good, dude, good, good good. Are you gonna

0:37:17.840 --> 0:37:19.520
<v Speaker 1>step on your fucking mark today? And I'm like, I'm

0:37:19.520 --> 0:37:24.279
<v Speaker 1>gonna try. There's a guy there, Mart, He's like, I'm

0:37:24.320 --> 0:37:28.560
<v Speaker 1>sick of him stepping on me. Yes, could you not

0:37:28.680 --> 0:37:33.600
<v Speaker 1>stop on me today? Exactly? So literal, you know, it's

0:37:33.680 --> 0:37:36.440
<v Speaker 1>it's it's really amazing when you get to work on

0:37:36.440 --> 0:37:38.520
<v Speaker 1>a project because we've all worked on so many different

0:37:38.520 --> 0:37:40.840
<v Speaker 1>projects over the years and so many different things and

0:37:40.880 --> 0:37:43.880
<v Speaker 1>meant a ton of groups of people. But at least

0:37:43.920 --> 0:37:47.080
<v Speaker 1>for me, Shadow Hunters will always be special because of

0:37:47.120 --> 0:37:49.480
<v Speaker 1>the people. And as you say, so much of it

0:37:49.560 --> 0:37:52.360
<v Speaker 1>is being pleasant and being personal and getting to know folks.

0:37:53.120 --> 0:37:56.040
<v Speaker 1>And we say that, but it's not always the case.

0:37:56.280 --> 0:38:00.600
<v Speaker 1>And it's not always as warm and as as familial

0:38:00.719 --> 0:38:03.960
<v Speaker 1>feeling as Shadow Hunters. And you know, that's something that

0:38:03.960 --> 0:38:06.400
<v Speaker 1>that I think each of us could has has taken

0:38:06.440 --> 0:38:10.400
<v Speaker 1>with us and really appreciated. But it's it's really wonderful

0:38:10.440 --> 0:38:12.560
<v Speaker 1>when you can walk onto a set and go, oh,

0:38:12.640 --> 0:38:15.560
<v Speaker 1>these people are excited to be here, They're excited for

0:38:15.640 --> 0:38:17.840
<v Speaker 1>what the story that we're going to tell. Their wonderful

0:38:17.840 --> 0:38:21.439
<v Speaker 1>people and also incredible artists, and that's you know, that's

0:38:21.440 --> 0:38:23.840
<v Speaker 1>Shadow Hunters. And then you bring the fandom in and

0:38:23.880 --> 0:38:50.480
<v Speaker 1>it just becomes a dream. Absolutely. Let me ask you

0:38:50.520 --> 0:38:52.719
<v Speaker 1>a question, John, do you think because I have it,

0:38:52.960 --> 0:38:55.480
<v Speaker 1>I have sort of a loose ish theory about how

0:38:55.480 --> 0:38:58.719
<v Speaker 1>this happened with sort of the closeness and the niceties

0:38:58.760 --> 0:39:00.880
<v Speaker 1>on set and whatever. Have you found that more in

0:39:00.960 --> 0:39:07.040
<v Speaker 1>Canada than anywhere else? Not really interesting? Well, I did

0:39:07.080 --> 0:39:11.080
<v Speaker 1>a British TV show for a while and we were

0:39:11.120 --> 0:39:14.800
<v Speaker 1>really really tight. It was it was location in South Africa,

0:39:14.840 --> 0:39:18.440
<v Speaker 1>and but those things don't would so South Africa I

0:39:18.480 --> 0:39:24.600
<v Speaker 1>felt it as well. That's what I mean. It's not

0:39:24.680 --> 0:39:28.239
<v Speaker 1>necessarily the actors, or the first team as they call it,

0:39:28.440 --> 0:39:31.719
<v Speaker 1>although obviously if the first team shitty then it tends

0:39:31.760 --> 0:39:35.400
<v Speaker 1>to roll downhill. Um. But a lot of the crew

0:39:36.080 --> 0:39:38.359
<v Speaker 1>it was very helpful. And I found South African crew

0:39:38.400 --> 0:39:41.319
<v Speaker 1>too to be And I've never really worked with crew

0:39:41.360 --> 0:39:44.760
<v Speaker 1>that I found negative at any point, but I've definitely

0:39:44.840 --> 0:39:48.160
<v Speaker 1>had more experiences where I'm like, wow, this is really

0:39:48.200 --> 0:39:52.399
<v Speaker 1>like exceptionally pleasant, and Canada was one of those. I'm

0:39:52.440 --> 0:39:56.080
<v Speaker 1>so glad. Yeah, it definitely doesn't happen for me that

0:39:56.160 --> 0:40:00.759
<v Speaker 1>on every job. We just hang out or adults now

0:40:00.840 --> 0:40:04.520
<v Speaker 1>people are married with children or this or that. I mean,

0:40:04.600 --> 0:40:07.520
<v Speaker 1>we we don't Sometimes were their work and you know,

0:40:07.880 --> 0:40:11.439
<v Speaker 1>if if there's some kind of a bond that forms organically, great, um,

0:40:11.480 --> 0:40:14.760
<v Speaker 1>but if not, that's that's fine too. Hm. And Shadow

0:40:14.840 --> 0:40:19.279
<v Speaker 1>Hunters was just this immediate gel. I don't know what

0:40:20.160 --> 0:40:23.400
<v Speaker 1>the secret ingredient was, but a lot of us I

0:40:23.400 --> 0:40:26.279
<v Speaker 1>think we're it's starting to I'm starting to question whether

0:40:26.360 --> 0:40:28.080
<v Speaker 1>or not they put some ship in the water, like

0:40:29.280 --> 0:40:31.120
<v Speaker 1>you know what I mean, Like it was we were

0:40:31.120 --> 0:40:33.279
<v Speaker 1>all dosed with something when we walked on. That's why

0:40:33.360 --> 0:40:36.080
<v Speaker 1>everyone just got on. So that was the white dust

0:40:36.120 --> 0:40:39.960
<v Speaker 1>that fell down sometimes the magic pixie dust, the missing

0:40:40.000 --> 0:40:45.279
<v Speaker 1>holy water. Yeah, yeah, seriously, don't tell the vampires. No.

0:40:45.440 --> 0:40:49.000
<v Speaker 1>But but you know, John, you yourself are such a

0:40:49.080 --> 0:40:52.520
<v Speaker 1>creative and such a an artist in so many ways,

0:40:52.920 --> 0:40:54.360
<v Speaker 1>you know, and I think that's a lot of it.

0:40:54.400 --> 0:40:57.800
<v Speaker 1>We're all storytellers, and we're all here to do different things.

0:40:57.880 --> 0:41:01.839
<v Speaker 1>But it's we these briefs every time we do one

0:41:01.880 --> 0:41:05.840
<v Speaker 1>of these, and we always learned something about these people

0:41:05.920 --> 0:41:08.200
<v Speaker 1>that we we've known, like yourself for so many years.

0:41:08.560 --> 0:41:10.359
<v Speaker 1>I had no idea you were a novelist as well,

0:41:11.160 --> 0:41:14.839
<v Speaker 1>so so tell us a little bit. Tell us about

0:41:14.880 --> 0:41:18.160
<v Speaker 1>this novel that you drafted, and and you're writing as well,

0:41:18.200 --> 0:41:21.680
<v Speaker 1>and sort of that aspect. I was convinced that as

0:41:21.719 --> 0:41:23.880
<v Speaker 1>soon as I published the novel, I would I would

0:41:24.120 --> 0:41:28.600
<v Speaker 1>die by by some inverse miracle. The novel was sort

0:41:28.640 --> 0:41:31.640
<v Speaker 1>of this tether. I think I finished the first draft

0:41:31.680 --> 0:41:35.360
<v Speaker 1>when I was nineteen, and again it was something that

0:41:35.480 --> 0:41:38.920
<v Speaker 1>was very I needed, something that nobody could give to

0:41:38.960 --> 0:41:44.880
<v Speaker 1>me or take away, and writing became my choice medium.

0:41:45.200 --> 0:41:49.480
<v Speaker 1>And for example, when I started acting, I realized, okay,

0:41:49.520 --> 0:41:53.200
<v Speaker 1>we answer to directors and producers and writers and even

0:41:53.280 --> 0:41:56.640
<v Speaker 1>our colleagues as we collaborate, and you know, it was

0:41:56.680 --> 0:41:58.719
<v Speaker 1>a medium in which I was more than happy to

0:41:58.719 --> 0:42:01.800
<v Speaker 1>relinquish control. Um. But when it came to my writing,

0:42:01.960 --> 0:42:03.759
<v Speaker 1>there was a part of me that went, now, this

0:42:03.840 --> 0:42:06.160
<v Speaker 1>is I mean, of course, you work with editors and

0:42:06.800 --> 0:42:09.840
<v Speaker 1>you know all of that. You can't be an egoist

0:42:09.880 --> 0:42:13.120
<v Speaker 1>an echo chamber, of course, and I expect to be taken.

0:42:13.840 --> 0:42:17.440
<v Speaker 1>I wouldn't like that guy. Uh And and so I

0:42:17.480 --> 0:42:20.240
<v Speaker 1>think I was a little precious about it for a time,

0:42:20.280 --> 0:42:23.560
<v Speaker 1>and it was just something that I just kept working

0:42:23.560 --> 0:42:25.200
<v Speaker 1>on and kept working on. But as you grow, your

0:42:25.280 --> 0:42:29.319
<v Speaker 1>voice grows, and then the novel grows. And I've done

0:42:29.320 --> 0:42:31.799
<v Speaker 1>a lot since I've I've published short stories and things

0:42:31.840 --> 0:42:34.279
<v Speaker 1>like that. Um, But as you know, acting is so

0:42:34.440 --> 0:42:37.200
<v Speaker 1>full time, especially when you're trying to get something going

0:42:38.200 --> 0:42:40.719
<v Speaker 1>right at the beginning for sure. Yeah, and so I've

0:42:40.719 --> 0:42:45.040
<v Speaker 1>done all kinds of different jobs in my life, but writing,

0:42:45.040 --> 0:42:48.239
<v Speaker 1>I think fiction and non is probably what I'm best at.

0:42:48.880 --> 0:42:51.680
<v Speaker 1>And it's something that i'd like to do, um professionally

0:42:52.400 --> 0:42:54.480
<v Speaker 1>and not not simply for the sake of it, you know,

0:42:54.640 --> 0:42:56.560
<v Speaker 1>not to be another guy with a book. But it's

0:42:56.680 --> 0:43:00.279
<v Speaker 1>it's really special to me and I'm really have to

0:43:00.320 --> 0:43:02.920
<v Speaker 1>share that with the world. And then yeah, that's so excited.

0:43:03.000 --> 0:43:05.719
<v Speaker 1>The short stories as well, and is there is there

0:43:05.719 --> 0:43:07.799
<v Speaker 1>anything we can find now? I would love to pick

0:43:07.840 --> 0:43:12.120
<v Speaker 1>one up. Yeah, there is actually, I mean if the

0:43:12.560 --> 0:43:15.920
<v Speaker 1>easiest way and totally free, if you just if you

0:43:15.960 --> 0:43:18.880
<v Speaker 1>go to my Instagram and you go to writing highlights,

0:43:19.040 --> 0:43:21.759
<v Speaker 1>I'm fairly certain you can swipe up and go to

0:43:21.800 --> 0:43:25.680
<v Speaker 1>a link. Okay, fair warning, it's not very PG thirteen

0:43:25.760 --> 0:43:28.399
<v Speaker 1>most of the time. A lot of these are written

0:43:28.400 --> 0:43:31.479
<v Speaker 1>when I was a little younger, but those are republished there,

0:43:32.000 --> 0:43:35.080
<v Speaker 1>those are all published pieces. If you're interested, I'd be

0:43:35.120 --> 0:43:38.799
<v Speaker 1>honored just taking a note. I'm going to do it

0:43:38.880 --> 0:43:42.400
<v Speaker 1>as soon as we're done today. Thank you. Well, speaking

0:43:42.480 --> 0:43:45.800
<v Speaker 1>of the writing, is there what else is in your future?

0:43:45.840 --> 0:43:48.600
<v Speaker 1>What do you do? You have jobs that you're still

0:43:48.600 --> 0:43:50.879
<v Speaker 1>working on? Is there anything you want to be working on?

0:43:51.080 --> 0:43:56.320
<v Speaker 1>What would what's like John Core's dream next? Yeah? Five years,

0:43:56.760 --> 0:44:00.720
<v Speaker 1>six months, next tomorrow? Writing terminologies? What's the next chapter

0:44:00.800 --> 0:44:05.240
<v Speaker 1>for John Corry? Wow? Well, it's all to be continued,

0:44:05.280 --> 0:44:09.080
<v Speaker 1>isn't it. I mean, not unlike yourselves. I think we

0:44:09.080 --> 0:44:10.920
<v Speaker 1>we people like us, tend to have a lot of

0:44:10.920 --> 0:44:13.719
<v Speaker 1>different things going on, or at least being cooked up,

0:44:14.560 --> 0:44:18.560
<v Speaker 1>and so I was definitely very focused on working on

0:44:18.600 --> 0:44:21.719
<v Speaker 1>the Flash and putting myself through some rigorous training and

0:44:21.719 --> 0:44:24.480
<v Speaker 1>things like that. But now that we're on hiatus of

0:44:24.600 --> 0:44:28.160
<v Speaker 1>segued I'm actually voicing an audiobook. It's not something that

0:44:28.200 --> 0:44:31.920
<v Speaker 1>I wrote. Um, but I'm playing character sci fi right now,

0:44:31.960 --> 0:44:36.960
<v Speaker 1>which is tons of fun. Yeah, right, what is what

0:44:37.120 --> 0:44:40.560
<v Speaker 1>is the book? It's called Affinity and it's actually based

0:44:40.600 --> 0:44:45.120
<v Speaker 1>on a tabletop game that just came out, a good

0:44:45.520 --> 0:44:49.680
<v Speaker 1>steam punky multiple tarring line. Yes, I play the same

0:44:49.719 --> 0:44:53.080
<v Speaker 1>guy in three different timelines and U Yeah, I'm really

0:44:53.120 --> 0:44:55.960
<v Speaker 1>excited for you guys to see it. The arts. That's great. Yeah,

0:44:56.000 --> 0:44:58.120
<v Speaker 1>can you tell us about that character? That sounds amazing?

0:44:58.920 --> 0:45:00.480
<v Speaker 1>Are you not allowed to say I don't want to

0:45:00.480 --> 0:45:06.800
<v Speaker 1>get in? That's a really good question. I don't actually know.

0:45:06.640 --> 0:45:15.520
<v Speaker 1>And yeah, thanks, Yeah, you can tell us after. Because

0:45:15.640 --> 0:45:19.160
<v Speaker 1>I'm a huge I just recently started playing D and

0:45:19.239 --> 0:45:22.319
<v Speaker 1>D for the first time and so much obsessed. It's

0:45:22.360 --> 0:45:24.759
<v Speaker 1>so much fun. So anything in those worlds now I'm

0:45:24.800 --> 0:45:26.839
<v Speaker 1>just fascinated by. There's it's a whole it's a whole

0:45:26.840 --> 0:45:30.200
<v Speaker 1>new world of character building that you know. The the

0:45:30.239 --> 0:45:32.520
<v Speaker 1>actor who loves creating characters and me is like, wait,

0:45:32.520 --> 0:45:34.120
<v Speaker 1>I can do this. In my spare time as well.

0:45:34.440 --> 0:45:36.640
<v Speaker 1>This is also so much fun. Yeah. I was like,

0:45:37.160 --> 0:45:38.680
<v Speaker 1>where's this been all my life? I don't know how

0:45:38.719 --> 0:45:41.000
<v Speaker 1>to do it alone. I don't know how to do

0:45:41.040 --> 0:45:45.480
<v Speaker 1>the math, you know, But I like ideas and voices

0:45:46.080 --> 0:45:50.600
<v Speaker 1>and rolling dice. Yeah. You can make a whole person

0:45:50.960 --> 0:45:54.879
<v Speaker 1>with powers and do stuff. Yeah, let's let's go into

0:45:54.960 --> 0:45:59.920
<v Speaker 1>a new world. Yeah. Yeah, super fun. Congrats, that's so amazing,

0:46:00.719 --> 0:46:04.439
<v Speaker 1>pretty cool. Okay to two part question. If you could

0:46:04.520 --> 0:46:07.640
<v Speaker 1>come back and do another season of the show, let's

0:46:07.680 --> 0:46:10.640
<v Speaker 1>forget that that last scene with Hodge happened, um, and

0:46:10.680 --> 0:46:13.520
<v Speaker 1>you could come back and do another season of the show,

0:46:13.880 --> 0:46:16.200
<v Speaker 1>what do you think he would do? Where do you

0:46:16.200 --> 0:46:21.400
<v Speaker 1>think he would go? Yeah, what's speaking of? What? What

0:46:21.560 --> 0:46:24.480
<v Speaker 1>has happened Hodge? Do you think if you know that

0:46:24.560 --> 0:46:26.919
<v Speaker 1>last scene aside, what would have happened? That's a really

0:46:26.920 --> 0:46:30.600
<v Speaker 1>good question. Would he still be imprisoned? Well, so let's

0:46:30.640 --> 0:46:32.759
<v Speaker 1>say let's toy with the idea a little. So let's

0:46:32.760 --> 0:46:35.600
<v Speaker 1>say then, instead of that scene ending the way it did,

0:46:36.560 --> 0:46:40.600
<v Speaker 1>let's say Jas broke you out and just said go away,

0:46:40.920 --> 0:46:45.120
<v Speaker 1>you go do your Hodge thing. What happens then? What

0:46:46.000 --> 0:46:50.360
<v Speaker 1>from the right man? I would assume he would respect

0:46:50.480 --> 0:46:55.719
<v Speaker 1>and appreciate that given what an enormous you hope. So

0:46:55.880 --> 0:47:01.920
<v Speaker 1>for sure that is expect like basket or so thing. Yeah, yeah, yeah, alright.

0:47:01.960 --> 0:47:05.520
<v Speaker 1>I live in New Zealand and that's cool, thank you.

0:47:05.880 --> 0:47:09.040
<v Speaker 1>There's like a New Zealand institute that pops up and

0:47:09.080 --> 0:47:11.520
<v Speaker 1>we're like, wait, what is this. We've never seen that before.

0:47:11.680 --> 0:47:14.680
<v Speaker 1>It's like an Antarctica institute and it's just in a Igloo.

0:47:16.600 --> 0:47:21.399
<v Speaker 1>He's working closely with Elon Musk. Yeah, I'm always alone.

0:47:21.400 --> 0:47:26.040
<v Speaker 1>I'll go first. Yeah, first, shadow Hunter in Space International

0:47:26.080 --> 0:47:30.880
<v Speaker 1>Space Station, shadow Hunter hudgs. If that's not a spinoff,

0:47:30.920 --> 0:47:32.759
<v Speaker 1>I don't know what is. That's if we don't have

0:47:32.800 --> 0:47:37.640
<v Speaker 1>Moon shadow Hunters. Someone's really dropped the bull. It's true.

0:47:37.840 --> 0:47:42.759
<v Speaker 1>It's like the Martian meets shadow Hunters. Yeah. I mean

0:47:43.040 --> 0:47:45.640
<v Speaker 1>we've talked a lot about the fandom and about all

0:47:45.680 --> 0:47:47.640
<v Speaker 1>of these interactions that we've had. Do you have a

0:47:47.719 --> 0:47:52.080
<v Speaker 1>favorite fan interaction over the years, or something that someone said,

0:47:52.160 --> 0:47:54.960
<v Speaker 1>or some message you've received or any kind of anything

0:47:55.000 --> 0:47:58.680
<v Speaker 1>like that, Um, several. I mean, it's it's it's very

0:47:58.680 --> 0:48:02.279
<v Speaker 1>hard to choose a single one. I mean, there was

0:48:02.360 --> 0:48:04.440
<v Speaker 1>one woman on YouTube who made a song. It was

0:48:04.480 --> 0:48:07.560
<v Speaker 1>really good and really funny about my casting. I had

0:48:07.560 --> 0:48:11.600
<v Speaker 1>never experienced anything like that before. Yeah, it was lovely,

0:48:11.800 --> 0:48:16.120
<v Speaker 1>very heartwarming, very accepting, very complimentary. Um. But fast forward,

0:48:16.280 --> 0:48:21.520
<v Speaker 1>doing a convention in London without you guys, I felt

0:48:21.760 --> 0:48:29.160
<v Speaker 1>so strange, but I thought it was I just thought, oh,

0:48:29.200 --> 0:48:32.239
<v Speaker 1>they're all busy, I guess, so I'm getting on this point.

0:48:32.400 --> 0:48:35.160
<v Speaker 1>Why am I here? What am I if they're not here?

0:48:35.200 --> 0:48:37.759
<v Speaker 1>What am I doing? Um? But I'm so glad I went.

0:48:38.320 --> 0:48:42.319
<v Speaker 1>The fans were just incredible, And for example that there

0:48:42.360 --> 0:48:45.799
<v Speaker 1>was there was this one woman who was weeping in

0:48:45.880 --> 0:48:49.520
<v Speaker 1>my arms and shaking, and I think someone called out.

0:48:49.520 --> 0:48:51.920
<v Speaker 1>They were kind of teasing like something about her being

0:48:51.920 --> 0:48:54.200
<v Speaker 1>a super fan, and and I just sort of made

0:48:54.200 --> 0:48:56.879
<v Speaker 1>this cut it out gesture because she was She had

0:48:56.920 --> 0:48:59.560
<v Speaker 1>just finished telling me that she got out of hospital

0:49:00.160 --> 0:49:03.879
<v Speaker 1>just days before, and she had thought she was going

0:49:03.920 --> 0:49:06.000
<v Speaker 1>to be dead instead of at this thing that she

0:49:06.040 --> 0:49:09.000
<v Speaker 1>had tickets for, and she just broke down sharing it

0:49:09.040 --> 0:49:12.440
<v Speaker 1>and it was it was powerful, and you know, came

0:49:12.480 --> 0:49:15.319
<v Speaker 1>out of nowhere. And it's experiences like that that you

0:49:15.480 --> 0:49:18.600
<v Speaker 1>walk away with that that people have. They share so

0:49:18.680 --> 0:49:21.439
<v Speaker 1>much of themselves sometimes they give you so much. Yeah,

0:49:21.560 --> 0:49:24.440
<v Speaker 1>has a real impact. I honestly, I'm it's this is

0:49:24.440 --> 0:49:27.800
<v Speaker 1>not I'm not trying to be trendy or cheesy, or

0:49:28.640 --> 0:49:30.600
<v Speaker 1>I'm not I'm not appealing to anything or anyone. I

0:49:30.920 --> 0:49:33.680
<v Speaker 1>genuinely walk away from these things, blown away, and I

0:49:33.719 --> 0:49:36.319
<v Speaker 1>feel so humbled. You know, we can be so hard

0:49:36.320 --> 0:49:39.480
<v Speaker 1>on ourselves as well, sometimes full of fear and doubt

0:49:39.480 --> 0:49:43.360
<v Speaker 1>and confusion and regret or all kinds of emotions that

0:49:43.400 --> 0:49:45.680
<v Speaker 1>require life skills to conceptualize and deal with on a

0:49:45.719 --> 0:49:49.920
<v Speaker 1>regular basis. I just always feel like, whether it's a

0:49:49.960 --> 0:49:52.239
<v Speaker 1>little or a lot, those experiences make me a better

0:49:52.280 --> 0:49:59.480
<v Speaker 1>person and and a better actor as well. Um I think, yeah,

0:49:59.520 --> 0:50:01.440
<v Speaker 1>you guys were missed. We had tons of fun, but

0:50:01.520 --> 0:50:05.680
<v Speaker 1>you were missed next time. Yeah. Absolutely. But that's that's

0:50:05.719 --> 0:50:07.840
<v Speaker 1>something I always love about the Shadow fam. And you

0:50:07.920 --> 0:50:09.360
<v Speaker 1>hit the nail on the head with that, is that

0:50:10.239 --> 0:50:14.279
<v Speaker 1>it is so humbling and it really does remind you. Yes,

0:50:14.320 --> 0:50:18.040
<v Speaker 1>we play these you know, superheroes or supernatural creatures on screen,

0:50:18.080 --> 0:50:21.200
<v Speaker 1>but everything they go through is so human and that's

0:50:21.480 --> 0:50:23.560
<v Speaker 1>that's what people connect with. And then we get to

0:50:23.640 --> 0:50:26.080
<v Speaker 1>go and we get to meet these people and spend

0:50:26.080 --> 0:50:29.480
<v Speaker 1>time and hear their stories and feel that love. And

0:50:29.520 --> 0:50:31.680
<v Speaker 1>that's that's that's why I think all of us keep

0:50:31.680 --> 0:50:33.399
<v Speaker 1>going back to the Shadow fam and that's why we're

0:50:33.440 --> 0:50:36.200
<v Speaker 1>doing this podcast, and that's why this is so special

0:50:36.320 --> 0:50:39.799
<v Speaker 1>because of these human connections. And you know, again, we

0:50:39.800 --> 0:50:43.160
<v Speaker 1>aren't trying to be cheesy or anything. Is family and

0:50:43.200 --> 0:50:46.000
<v Speaker 1>it's it's we're all kind of bonded because of this story.

0:50:46.120 --> 0:50:50.759
<v Speaker 1>And and there's something there's something special about that. Oh yes, yes, yeah,

0:50:51.000 --> 0:50:54.720
<v Speaker 1>very special. Now. I was tremendously honored that, um, you guys,

0:50:54.880 --> 0:50:57.399
<v Speaker 1>you guys thought to bring me on, And of course, yeah,

0:50:57.440 --> 0:50:59.839
<v Speaker 1>I know, we couldn't have done it without you being

0:50:59.840 --> 0:51:02.000
<v Speaker 1>a part of this thing. Like I said, it happened

0:51:02.040 --> 0:51:04.920
<v Speaker 1>so fast and I was so green, but I couldn't

0:51:04.920 --> 0:51:07.439
<v Speaker 1>have I couldn't have been happier to be a part

0:51:07.440 --> 0:51:09.440
<v Speaker 1>of something that means so much to so many people.

0:51:10.160 --> 0:51:13.360
<v Speaker 1>I can't think of a better way to end the episode, honestly,

0:51:13.520 --> 0:51:17.600
<v Speaker 1>like literally, at exactly the thirty minute mark, because we

0:51:17.640 --> 0:51:21.480
<v Speaker 1>started at four thirty my time, you just came out

0:51:21.520 --> 0:51:24.520
<v Speaker 1>with this like wonderful speech about how thankful you are

0:51:24.560 --> 0:51:27.120
<v Speaker 1>for everything. I was like, holy shit, that's fucking perfect.

0:51:27.280 --> 0:51:29.680
<v Speaker 1>Let's just that's how we end the show. That's great.

0:51:30.400 --> 0:51:32.720
<v Speaker 1>You guys are awesome. I'm going to be thinking about

0:51:32.760 --> 0:51:36.640
<v Speaker 1>this all day and wondering if I was clumsy or Rambley. No,

0:51:36.760 --> 0:51:39.759
<v Speaker 1>it was perfect. Man, you are anything, but you know

0:51:39.960 --> 0:51:42.839
<v Speaker 1>we are. We are so grateful. Thank you. I love

0:51:42.880 --> 0:51:44.759
<v Speaker 1>you guys, Thank you so much. I love you too.

0:51:44.840 --> 0:51:54.840
<v Speaker 1>John returned to the Shadows as hosted an executive produced

0:51:54.880 --> 0:51:58.920
<v Speaker 1>by Katherine McNamara and Dominic Sherwood. Our executive producer is Lingley.

0:51:59.160 --> 0:52:01.800
<v Speaker 1>Our senior producer There's are Liz Hayes and Diego Tapia,

0:52:01.960 --> 0:52:05.280
<v Speaker 1>and our producers are Hannah Harris and Kristin Vermilia. Original

0:52:05.360 --> 0:52:08.080
<v Speaker 1>music by Alex Kinsey and performed by Alex Kinsey and

0:52:08.160 --> 0:52:18.239
<v Speaker 1>Katherine McNamara. The episode was mixed by Seth Landscape. Be

0:52:18.280 --> 0:52:20.759
<v Speaker 1>sure to subscribe to Return to the Shadows wherever you

0:52:20.800 --> 0:52:23.240
<v Speaker 1>get your podcasts, and don't forget to leave us a review.