WEBVTT - One on One: Dave Gruber Allen

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<v Speaker 1>I am all in, Kiss you, I am all in

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<v Speaker 1>with Scott Patterson and I heart Radio podcast. Hey, everybody's

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<v Speaker 1>Scott Patterson here, I am all in podcast. We're going

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<v Speaker 1>to be talking with Dave Gruber Allen, who was in

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<v Speaker 1>season two episode seventeen, Dead Uncles and Vegetables. Um. He

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<v Speaker 1>has a very broad background in the entertainment field with

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<v Speaker 1>a comedy troupe and starting in New York, came out

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<v Speaker 1>to l a. Then he started getting cast because he's

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<v Speaker 1>a very unique personality and a very unique, very soothing voice. Uh.

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<v Speaker 1>And he plays the eternal hippie uh whenever he's cast. Um.

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<v Speaker 1>And he can't wait to talk to him. So let's

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<v Speaker 1>bring him in, Danielle, can you bring him in? God?

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<v Speaker 1>It bringing him in? Hey, Scott, how's it going, man?

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<v Speaker 1>It's going great. Dave? How are you, buddy? I'm so

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<v Speaker 1>happy to see you and so happy to accept your

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<v Speaker 1>invitation to be on. Thank you so much. I'm really grateful,

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<v Speaker 1>Like kid, do not you know? This is this is

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<v Speaker 1>what makes doing this so much fun is to have

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<v Speaker 1>you know, people like you on that are unsung, who

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<v Speaker 1>come on to to an episode that you get two

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<v Speaker 1>or three scenes, you steal the whole episode, and you

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<v Speaker 1>wonder why you didn't get more episodes, especially that you

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<v Speaker 1>can do arts and crafts at that level. You know, Scott,

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<v Speaker 1>I know that you're an artist. Yeah, you're a lot

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<v Speaker 1>of art and you collected and amazing. But I was

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<v Speaker 1>wondering how much of at his crafts, So I thought,

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<v Speaker 1>let me do something here, and uh so you know what,

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<v Speaker 1>I was actually trying to accommodate you and your team.

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<v Speaker 1>They're right team. I am all in um because if

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<v Speaker 1>there's a huge delay in my talking and it's aggrave eating,

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<v Speaker 1>I'm happy to just put this guy up here and

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<v Speaker 1>go like, that's my guy, that's my avatar. No that

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<v Speaker 1>that like maybe briefly, but that's gonna be uh you know,

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<v Speaker 1>that's kind of cool. That's kind of funky and cool.

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<v Speaker 1>I kind of like that. Let's do it a little bit. Yeah, Okay,

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<v Speaker 1>thanks for having me here though, I appreciate it. So

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<v Speaker 1>it's a pleasure having your man um. So listen, I'm

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<v Speaker 1>gonna I'm gonna let the audience know a little bit

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<v Speaker 1>about your background. Uh. David Allen appears his second Troubert

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<v Speaker 1>Or a Minister and Minister for a total of four episodes.

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<v Speaker 1>You were only in four episodes. You should have been

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<v Speaker 1>in forty. You should have been Why were you? I

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<v Speaker 1>just man, I'm gonna, I'm gonna. I want some bucks anyway.

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<v Speaker 1>Although he only appears in four episodes, the Second Troubador stars,

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<v Speaker 1>Hall is a very recognizable character, perhaps because of his

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<v Speaker 1>charm and humor edition. Most of the appearances occurrent monumental

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<v Speaker 1>moments near the end of season and c below. Okay,

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<v Speaker 1>here we go. Listen, you are charm at both well.

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<v Speaker 1>I don't think you're gonna have one without the other,

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<v Speaker 1>can you? Well? Maybe not. I mean, is the soul

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<v Speaker 1>of humor? Charmer is themost charm humor. I don't know. Listen,

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<v Speaker 1>you appeared. You're best known for TV series The Higgins Boys,

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<v Speaker 1>and you were also a counselor. You left out, you

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<v Speaker 1>left out the important boards. Scott Brewer. That's that's me.

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<v Speaker 1>That's David Gruber, and now you're you're David Gruber. Allan's

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<v Speaker 1>my apologies. I'm seeing with David Gruber alien here, but

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<v Speaker 1>it's just my eyesight. That's all Higgins Boys, and Gruber

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<v Speaker 1>was playing guidance counselor Jeff Rosso got it on the

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<v Speaker 1>Jutt Apptow produce comedy drama Freaks and Geeks. You also

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<v Speaker 1>played Mr Quest on ned Ned's Declassified School Survival Guide

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<v Speaker 1>and the town Trooper on Gilmore Girls. I have to

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<v Speaker 1>share this with you two, Scott, that you mentioned that

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<v Speaker 1>Judd Apatow produced Uh, Freaks and Geeks. Don't forget that

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<v Speaker 1>Paul fig created Freaksing Geeks. It's really important because Paul

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<v Speaker 1>it's basically Paul's life. And then Judd said, I think

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<v Speaker 1>this is a great show. So it was. It was

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<v Speaker 1>a tag team effort on Paul and Judd's behalf, you know,

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<v Speaker 1>to go, let's get this show out there. And that's

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<v Speaker 1>that was probably my biggest best thing. So I was

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<v Speaker 1>on more than four of those. Scott, you are you were?

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<v Speaker 1>You were? You were serious? Regular? Right? Yeah? Regular enough? Yea,

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<v Speaker 1>all right, let's get let's get into the Gilmore thing

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<v Speaker 1>first and start from the beginning. And we know from

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<v Speaker 1>the iconic of Freaks and Geeks, Neddie Classified much more.

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<v Speaker 1>How did you but how did you get started in acting?

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<v Speaker 1>And did you always want to be an actor? You

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<v Speaker 1>know what? It's on my tax forms, So just note this.

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<v Speaker 1>I know that you are an actor and you study acting.

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<v Speaker 1>So I'm a performer and it's really weird. I actually

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<v Speaker 1>put it on my taxes, Scot, I put performers slash

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<v Speaker 1>writer because I don't consider myself a very good actor.

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<v Speaker 1>I'm kind of a actor, if you will, So I

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<v Speaker 1>actually I performed. That's what I do, and many of

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<v Speaker 1>my characters if you know me personally, and now we do.

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<v Speaker 1>Great to meet you. Um Mr Rosso, Mr Quest the

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<v Speaker 1>second try, but are on Gilmo Girls. It's kind of

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<v Speaker 1>just me saying lines that other people wrote. So if

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<v Speaker 1>that's acting, sure I'll take it. But I'm kind of

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<v Speaker 1>more of a performer. So um, well I got and

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<v Speaker 1>I got my start in high school. Just you know,

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<v Speaker 1>in high school. Could you remember what production? In high school?

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<v Speaker 1>It was a it was called like Fall Follies, and

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<v Speaker 1>we did a fire signed theater, ask your grandparents, Ask

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<v Speaker 1>your great grandparents, comedy skit. It was a radio skit,

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<v Speaker 1>so I heard radio from way back and it was

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<v Speaker 1>a comedy group that had a funny skit called Mark Time.

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<v Speaker 1>And it was like Fall Follies where people did skits

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<v Speaker 1>and songs and so forth. So my friend Paul Felster

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<v Speaker 1>and I took just every word from a fire signed

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<v Speaker 1>theater recorded comedy skit. This is ancient history, right, and

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<v Speaker 1>that's where you got that going? So and by the way,

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<v Speaker 1>can I mention one thing? May I please mention this?

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<v Speaker 1>I can clear up another podcast? By the way, I

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<v Speaker 1>am all in for I am all in, Okay. I

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<v Speaker 1>don't care about any of the other boy I don't

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<v Speaker 1>who cares about him? However, on another podcast, one of

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<v Speaker 1>the Saturday Live cast members Chris Red super funny guy. Right, great,

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<v Speaker 1>he's a rapper, he's a singer, he's a really funny guy.

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<v Speaker 1>He said that only two people we're funny that came

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<v Speaker 1>out of Naperville, Illinois, and one was Bob oden Kirk. Right,

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<v Speaker 1>we love we love Bob, and I love Chris Red.

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<v Speaker 1>But he said there was only two him and Bob Odenkirk.

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<v Speaker 1>So I'll let your fans, who I trust with humor

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<v Speaker 1>and charm. I trust that your fans are are humorous

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<v Speaker 1>and charming, to say maybe let's like grouper in that group.

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<v Speaker 1>It's a pretty small group. Two people. Come on, I

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<v Speaker 1>think I think you should you know, we don't even

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<v Speaker 1>need to consult with the audience. Let's put you in

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<v Speaker 1>the group. There's three people now from Napierville, thank you,

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<v Speaker 1>that are funny, good, and there may be more. Scott.

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<v Speaker 1>I don't mean to discount anybody else who came out

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<v Speaker 1>of there that was hilarious. So I just wanted to

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<v Speaker 1>make sure that Chris Rednew I think I'm too old

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<v Speaker 1>for him. I think that's why he didn't know me.

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<v Speaker 1>So what are you gonna do? What? You know what?

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<v Speaker 1>You can't do anything? You know? You have? There you go, there,

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<v Speaker 1>you go, there's a there's the crafty Dave. So listen,

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<v Speaker 1>you worked with so many great actors and when they

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<v Speaker 1>were just young uns on Freaks and Geeks, could you

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<v Speaker 1>tell at the time that they would go on to

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<v Speaker 1>do great things? Well, you know what too, And I'm

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<v Speaker 1>gonna do what I call a sidebar. You know everything

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<v Speaker 1>I do as all the legal leads. So I'll tell

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<v Speaker 1>you about sure that whole cast, right of Seth and uh,

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<v Speaker 1>Linda Cardlini and all those folks, you kind of sense

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<v Speaker 1>that they were really something. Alison Jones really and Paul

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<v Speaker 1>Feig and Judd. They chose some really great young people

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<v Speaker 1>to be those students on Freaksy Geeks, right, And so

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<v Speaker 1>you knew they were going to go somewhere. There was

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<v Speaker 1>no doubt about it. But also I was early on

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<v Speaker 1>and other people relevant to your show, my friend because

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<v Speaker 1>Lauren Graham I knew just kind of from l A

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<v Speaker 1>and around. We were in a movie that nobody saw

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<v Speaker 1>called dil Scallion together. That was the first time I

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<v Speaker 1>spent any time with her. Right. Also, Melissa McCarthy, right,

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<v Speaker 1>the first time I met her was on your show, right,

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<v Speaker 1>just briefly. I think we're in maybe a a town

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<v Speaker 1>hall scene or something like that, or you know, in passing.

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<v Speaker 1>But then I got to work with her twice on

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<v Speaker 1>Mike and Molly right and in Ghostbusters, where I was

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<v Speaker 1>so freaky made up that she did not recognize me

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<v Speaker 1>as close as you know, as close as this No Joe.

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<v Speaker 1>I was sitting in the makeup chair and they go, oh, hey, Melissa,

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<v Speaker 1>this is a grouper and maybe she didn't know Grouper

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<v Speaker 1>either or that name, and oh, hi, next to meet you.

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<v Speaker 1>It's like, oh my god, because the makeup that I

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<v Speaker 1>have in Ghostbusters, right with Melissa McCarthy that Ghostbusters, the

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<v Speaker 1>good Ghostbusters, um was so freaky and she did not

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<v Speaker 1>recognize me from this close, So you know, and Grantly Phillips.

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<v Speaker 1>We worked at Largo. So that's how I got this gig.

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<v Speaker 1>I think on Gilmore Girls, I'd like, I'd like for

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<v Speaker 1>you or someone to clear up an issue, but we

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<v Speaker 1>could do that later. I would love to just follow

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<v Speaker 1>your lead. But don't let me forget to say. How

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<v Speaker 1>did I get that gig? I think it was Grantly Phillips.

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<v Speaker 1>We'll talk. Oh no, no, we can do. Let's go,

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<v Speaker 1>let's chop it up right now. Let's go to it

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<v Speaker 1>right now on another podcast. Again, I only listen to

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<v Speaker 1>I have all in, so I don't know what goes

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<v Speaker 1>on in any of these other shows. Your time wisely,

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<v Speaker 1>you've got to use your time, you know what. That's

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<v Speaker 1>only so many hours in a day and so much

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<v Speaker 1>uh so much bandwidth on my iPad from nineteen fifty.

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<v Speaker 1>So that's why I you know. But here's what happened.

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<v Speaker 1>Grantly Phillips, the best trooper or ever he he and

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<v Speaker 1>I worked together Largo. Thank you Flannagan for that opportunity

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<v Speaker 1>to work. Largo is a club on Fairfax Avenue. In fact,

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<v Speaker 1>in correct, you only because the original Largo was four

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<v Speaker 1>three B two North Fairfax, So you're totally correct new

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<v Speaker 1>is on La Sianga Largo dash l a dot com

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<v Speaker 1>thinking to find out what they're new. Okay, oh yeah,

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<v Speaker 1>it's been a little while. But that's where I met

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<v Speaker 1>Grantly Phillips, the super hilarious, the super charming and humor

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<v Speaker 1>as he was both charming and humor capital C capital

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<v Speaker 1>age and so we knew each other from there. We

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<v Speaker 1>were in shows together. I opened for him. Uh. The

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<v Speaker 1>first time we did Naked Trucker Live at Largo was

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<v Speaker 1>in front of Grant and that was Flannagan saying, only Grantly,

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<v Speaker 1>with his sense of humor, will appreciate the Naked Trucker

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<v Speaker 1>show as an opening act for his show. Grantly Phillips right.

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<v Speaker 1>And we also opened to the Palace in other led

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<v Speaker 1>places no longer there for Grantly Buffalo. So I think

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<v Speaker 1>I owe it to Granently Phillips. He said that they

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<v Speaker 1>wanted maybe and again someone could correct me the either

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<v Speaker 1>one of like Robin Hitchcock or Richard Thompson to be

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<v Speaker 1>the second triper, like an actual musician, like an actual performer,

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<v Speaker 1>like an actual person, right to do it. And I

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<v Speaker 1>think that didn't happen. So it might have been Grantly

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<v Speaker 1>uh saying why don't you get grewber. I think that

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<v Speaker 1>was it, now, did did you? I mean I assumed

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<v Speaker 1>you had some kind of a a presence in the

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<v Speaker 1>Hollywood firmament. Uh, you had a reputation. People knew your work,

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<v Speaker 1>people knew who you were, so it wasn't there yea. Indeed, Scott,

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<v Speaker 1>we were super lucky the Higgins Place Grouper was in

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<v Speaker 1>New York. But then when we all moved out to

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<v Speaker 1>l A, we were getting in parts like I got

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<v Speaker 1>the part of hippie lawyer on a Drew Carey show stuff.

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<v Speaker 1>So then we still kept performing though Scott Live. We

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<v Speaker 1>played every single place in l A. Dave Higgins, Steve

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<v Speaker 1>Higgins and I played every single place at accept, the

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<v Speaker 1>Comedy Store, and the Improv. So but every single other

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<v Speaker 1>place you could play we played. So why not there?

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<v Speaker 1>Why not at the improv in the comedy They didn't

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<v Speaker 1>want us? Uh at the comedy store and the improv

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<v Speaker 1>oddly enough, because we did some improv comedy as well,

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<v Speaker 1>they were like, nah, will pass really really? Oh yeah,

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<v Speaker 1>but we were three people. I think they didn't want

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<v Speaker 1>to give out three drink tickets, is what I think.

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<v Speaker 1>You know what I mean? So you were right to

0:12:27.679 --> 0:12:30.319
<v Speaker 1>all the friends that would show up and so so

0:12:30.320 --> 0:12:35.360
<v Speaker 1>so you had the benefit of being very memorable with

0:12:35.400 --> 0:12:39.360
<v Speaker 1>your voice and your look and your humor. And casting

0:12:39.400 --> 0:12:41.880
<v Speaker 1>directors or friends of casting directors. You came and see

0:12:41.880 --> 0:12:44.439
<v Speaker 1>these shows that you know, this guy is exter exterly

0:12:44.520 --> 0:12:48.520
<v Speaker 1>hysterically funny. You can't forget him. Why don't you go

0:12:48.600 --> 0:12:50.600
<v Speaker 1>see him? Maybe cast him in that film or maybe

0:12:51.000 --> 0:12:53.040
<v Speaker 1>is that how it happened for you? Just like a

0:12:53.080 --> 0:12:56.160
<v Speaker 1>little bit of that. Yeah. In fact, um, let me

0:12:56.240 --> 0:12:58.360
<v Speaker 1>just tell you to take yourn. You mentioned the voice,

0:12:58.360 --> 0:13:00.640
<v Speaker 1>so I can share this with you. Uh. And and

0:13:01.240 --> 0:13:03.880
<v Speaker 1>one one set up story. One kind of really funny story.

0:13:03.920 --> 0:13:06.040
<v Speaker 1>It was just weird and it happened and someone might

0:13:06.080 --> 0:13:08.880
<v Speaker 1>have seen the second thing we did. Um King of

0:13:08.960 --> 0:13:12.720
<v Speaker 1>the Hill had a character called Appleseed, right, and they said,

0:13:12.720 --> 0:13:14.840
<v Speaker 1>get Gruber, he can do this character. It's kind of

0:13:14.840 --> 0:13:18.160
<v Speaker 1>a hippie crunching organic guy, right, And sure enough I

0:13:18.200 --> 0:13:21.200
<v Speaker 1>showed up in four of those two Scott four count them.

0:13:21.960 --> 0:13:24.480
<v Speaker 1>I guess that's my number. Any show Scott, They're like,

0:13:24.600 --> 0:13:28.760
<v Speaker 1>don't give Grumber five five. He's gonna you know why,

0:13:28.800 --> 0:13:31.160
<v Speaker 1>because he's it's it's too much you're gonna take over

0:13:31.200 --> 0:13:33.720
<v Speaker 1>the show. That's the problem. Maybe that's it. That's it,

0:13:33.960 --> 0:13:36.600
<v Speaker 1>because I'm telling you you stole this episode for me.

0:13:38.080 --> 0:13:41.560
<v Speaker 1>I was just I was floored. I was absolutely floored

0:13:41.600 --> 0:13:43.800
<v Speaker 1>with the with the hippie stuff. And I say, nobody

0:13:43.880 --> 0:13:46.520
<v Speaker 1>doesn't like that. I mean that is that's like the

0:13:46.559 --> 0:13:49.840
<v Speaker 1>genuine article. So were you so listen? I mean you

0:13:49.920 --> 0:13:52.959
<v Speaker 1>must have been and still are. I mean you were

0:13:53.000 --> 0:13:57.680
<v Speaker 1>in You're not old enough to be an original hippie? Right, No,

0:13:57.920 --> 0:14:00.360
<v Speaker 1>in fact, I'm two months older than you. I was

0:14:00.400 --> 0:14:03.720
<v Speaker 1>doing some reading up on Scott Patterson, right, my new

0:14:03.760 --> 0:14:07.000
<v Speaker 1>favorite podcast host. No, I was, I'm two months older

0:14:07.000 --> 0:14:09.600
<v Speaker 1>than you. So okay, So you know what, In fact,

0:14:09.960 --> 0:14:12.040
<v Speaker 1>Scott I worked at. Did you ever go to Glendale

0:14:12.080 --> 0:14:20.720
<v Speaker 1>when you're in l A? Visit Glendale? Um? Ish, that's

0:14:20.720 --> 0:14:23.640
<v Speaker 1>a good way to visit Glendale. I actually been there.

0:14:24.240 --> 0:14:26.480
<v Speaker 1>My wife's brother used to live there, so we would

0:14:26.520 --> 0:14:30.000
<v Speaker 1>go there. Yeah, I Glendale. Yeah. Well, you know what,

0:14:30.120 --> 0:14:33.200
<v Speaker 1>one of my first jobs. Our original comedy group name

0:14:33.240 --> 0:14:34.920
<v Speaker 1>is don't quit your day job, so none of us

0:14:34.960 --> 0:14:37.000
<v Speaker 1>did when we first moved to l A from Iowa,

0:14:37.360 --> 0:14:39.840
<v Speaker 1>and so one of my first day jobs was education.

0:14:39.960 --> 0:14:43.680
<v Speaker 1>Aid in a middle school in Glendale, right, Wilson Junior

0:14:43.760 --> 0:14:48.440
<v Speaker 1>High at the time, And and that we just started

0:14:48.480 --> 0:14:51.840
<v Speaker 1>doing all the comedy we could from there, right, And

0:14:51.920 --> 0:14:54.440
<v Speaker 1>so yeah, I forget what I was gonna tell you,

0:14:54.520 --> 0:14:57.440
<v Speaker 1>but it was super important. Okay, let's let's get in

0:14:57.440 --> 0:15:02.880
<v Speaker 1>with the Gilmore stuff. The first season one, episode one, God,

0:15:03.080 --> 0:15:07.120
<v Speaker 1>really do what do I remember you in season? In

0:15:07.160 --> 0:15:10.000
<v Speaker 1>season one? Anyway? The second Town Trooper? How did you

0:15:10.000 --> 0:15:12.360
<v Speaker 1>get the role? Well? Yeah, how did you get the role?

0:15:12.640 --> 0:15:15.240
<v Speaker 1>You think you think you think it was But you

0:15:15.280 --> 0:15:17.440
<v Speaker 1>had to come in an audition, right are you? Were

0:15:17.440 --> 0:15:19.840
<v Speaker 1>you just offered the part? I think I might have

0:15:19.880 --> 0:15:22.160
<v Speaker 1>been off of the part or auditioned like don't mess

0:15:22.200 --> 0:15:23.880
<v Speaker 1>it up, one of those kind of things, just so

0:15:23.920 --> 0:15:26.240
<v Speaker 1>you know. Scott, for example, I did audition for the

0:15:26.280 --> 0:15:28.120
<v Speaker 1>part of Mr Rosso and Freaks and Geeks, but I

0:15:28.120 --> 0:15:30.520
<v Speaker 1>had to go in. It was written for me, basically

0:15:30.840 --> 0:15:33.480
<v Speaker 1>like we need a hippie counselor for the high school.

0:15:33.840 --> 0:15:36.360
<v Speaker 1>And so I believe Second Trooper or I had the

0:15:36.400 --> 0:15:39.840
<v Speaker 1>great recommendation. I'm sure it had to be grantly looking

0:15:39.840 --> 0:15:41.760
<v Speaker 1>out for me and saying, you know what, if you

0:15:41.800 --> 0:15:44.600
<v Speaker 1>can't get a real musician get a pretty good fake,

0:15:44.680 --> 0:15:47.440
<v Speaker 1>one good grouper. So I have a feeling that's what

0:15:47.480 --> 0:15:49.800
<v Speaker 1>it is. And maybe they had me come in and

0:15:49.840 --> 0:15:52.480
<v Speaker 1>just read it Scott, I don't recall like and just

0:15:52.520 --> 0:15:54.800
<v Speaker 1>if he doesn't screw up, then yes we'll give him

0:15:54.840 --> 0:15:57.440
<v Speaker 1>the part. It might have been like that, right, right, right?

0:15:57.480 --> 0:16:02.040
<v Speaker 1>So do you remember your first day on the set? Uh? No,

0:16:02.160 --> 0:16:04.560
<v Speaker 1>I do not, except remember the first phone call I

0:16:04.600 --> 0:16:08.360
<v Speaker 1>had with your amazing team there, and they said, what

0:16:08.400 --> 0:16:09.960
<v Speaker 1>are you gonna sing? And I go, I don't know.

0:16:10.120 --> 0:16:13.400
<v Speaker 1>I was gonna see going down the Road feeling bad? Right, Oh?

0:16:13.440 --> 0:16:15.160
<v Speaker 1>And I remember what I was gonna say about Wilson

0:16:15.640 --> 0:16:18.040
<v Speaker 1>Junior High. So going down the Road feeling bad it's

0:16:18.080 --> 0:16:21.360
<v Speaker 1>a grateful, dead cover of an old timey folk song.

0:16:21.640 --> 0:16:23.840
<v Speaker 1>But then I had this long conversation with the music

0:16:24.000 --> 0:16:28.040
<v Speaker 1>clearance team, and boy, you want a busy job music

0:16:28.080 --> 0:16:30.680
<v Speaker 1>clearance for the Gilmurg girls. Are you kidding me? Right?

0:16:31.040 --> 0:16:34.800
<v Speaker 1>That would be like the busiest job ever in show business.

0:16:35.040 --> 0:16:38.600
<v Speaker 1>They're delving, They're delving into every genre of music pretty much,

0:16:38.640 --> 0:16:41.240
<v Speaker 1>oh my gosh. And it's just it's endless between Grant

0:16:41.280 --> 0:16:43.800
<v Speaker 1>Lee's original songs, whatnot and just all the songs and

0:16:43.840 --> 0:16:46.080
<v Speaker 1>all the artists you've had on and so I'm sorry,

0:16:46.080 --> 0:16:49.200
<v Speaker 1>I gotta flashback real quick. People, when I was working

0:16:49.240 --> 0:16:52.680
<v Speaker 1>at Wilson Junior High in Glendale, and again you and

0:16:52.720 --> 0:16:55.280
<v Speaker 1>I two months apart, my friend. All the students would

0:16:55.280 --> 0:16:58.000
<v Speaker 1>ask me, hey, Mr aland are you a hippie? And

0:16:58.040 --> 0:17:00.000
<v Speaker 1>I would explain, well, I was ten when the hip

0:17:00.000 --> 0:17:05.480
<v Speaker 1>these were getting hippiefied, So yeah, I embraced the hippie gig.

0:17:05.880 --> 0:17:08.040
<v Speaker 1>But no it was not. So that clears that up.

0:17:08.200 --> 0:17:10.320
<v Speaker 1>I'm gonna say it was Grantly Phillips. I'm gonna say

0:17:10.320 --> 0:17:12.439
<v Speaker 1>I don't remember my first day on set, but I

0:17:12.480 --> 0:17:15.280
<v Speaker 1>remember a day with Jamie Babbitt when we get to

0:17:15.320 --> 0:17:19.120
<v Speaker 1>that episode. Okay, so right, well that this is the episode,

0:17:19.160 --> 0:17:22.920
<v Speaker 1>this is the episode week this is you with the

0:17:22.920 --> 0:17:26.320
<v Speaker 1>the the the the open air market, the vegetable moment

0:17:26.480 --> 0:17:30.840
<v Speaker 1>was that and that was Jamie directing that. Okay, I

0:17:30.920 --> 0:17:33.720
<v Speaker 1>love everything about Jamie Babbott. Let's just make that clear

0:17:34.000 --> 0:17:37.119
<v Speaker 1>right up top, okay. And then she said the most

0:17:37.160 --> 0:17:40.760
<v Speaker 1>gil More Girlean thing to me that I think in

0:17:40.800 --> 0:17:44.440
<v Speaker 1>those four times that I visited, I think I ever heard. Um.

0:17:44.560 --> 0:17:47.159
<v Speaker 1>It was some complicated scene. Maybe a jib shot or

0:17:47.200 --> 0:17:50.800
<v Speaker 1>something like. Something was going on uber at the focus

0:17:50.840 --> 0:17:54.240
<v Speaker 1>of it, and she took me aside, super quietly, super cool.

0:17:54.280 --> 0:17:56.280
<v Speaker 1>Did not bring this up in front of the other

0:17:57.000 --> 0:17:58.760
<v Speaker 1>in front of the writers, in front of the producers,

0:17:58.760 --> 0:18:01.200
<v Speaker 1>in front of the other cast, and she just quietly

0:18:01.200 --> 0:18:03.359
<v Speaker 1>said to me, Gruber, doing great out there. You're like

0:18:03.440 --> 0:18:05.560
<v Speaker 1>real supportive, you know what I mean. Scott's just all

0:18:05.600 --> 0:18:08.679
<v Speaker 1>about you know, you're doing great. Everything's cool. Could you

0:18:08.760 --> 0:18:13.160
<v Speaker 1>tie those lines together? Because I was doing these sort

0:18:13.160 --> 0:18:16.199
<v Speaker 1>of pinter pauses William Schattner I don't know what I

0:18:16.240 --> 0:18:20.800
<v Speaker 1>was doing williams Chattner thing or Harold pinter pauses, and

0:18:20.880 --> 0:18:23.280
<v Speaker 1>she just quietly said, Grouber, you know, it would be

0:18:23.280 --> 0:18:26.359
<v Speaker 1>great if you just pull those lines. And I go, oh,

0:18:26.600 --> 0:18:29.399
<v Speaker 1>you mean, like every line ever said in a Gilmore

0:18:29.440 --> 0:18:32.360
<v Speaker 1>Girls episode. I go, thank you, Jamie got it. I'll

0:18:32.359 --> 0:18:35.280
<v Speaker 1>do my best. And it worked because that, you know

0:18:35.320 --> 0:18:37.960
<v Speaker 1>what I mean? They all flowed beautifully together because you

0:18:38.000 --> 0:18:40.560
<v Speaker 1>were very smooth in this. That was that was the

0:18:40.640 --> 0:18:43.080
<v Speaker 1>sensation I was getting listening to you. You're acting. It's

0:18:43.119 --> 0:18:45.360
<v Speaker 1>so easy to sit back and listen to because it's

0:18:45.400 --> 0:18:49.760
<v Speaker 1>so smooth and cool and funny. Thanks, you really stole

0:18:49.800 --> 0:18:54.159
<v Speaker 1>this episode. You're seriously without without overdoing it. You know,

0:18:54.200 --> 0:18:56.240
<v Speaker 1>the writing is super strong because it all starts with

0:18:56.280 --> 0:18:59.320
<v Speaker 1>the writing, right, you know. But then I gotta say

0:18:59.520 --> 0:19:02.600
<v Speaker 1>Jamie because she was so cool about it, like I

0:19:02.600 --> 0:19:04.159
<v Speaker 1>could have fought it, like I'm gonna do it, by

0:19:04.160 --> 0:19:06.960
<v Speaker 1>the way, and she's like, just try this. You know this.

0:19:07.000 --> 0:19:08.200
<v Speaker 1>I think she even said it was one of those

0:19:08.200 --> 0:19:10.199
<v Speaker 1>things where you give the actor a choice. And so

0:19:10.280 --> 0:19:12.720
<v Speaker 1>Jamie really came through for me and then set me

0:19:12.760 --> 0:19:14.840
<v Speaker 1>up for the next three episodes after that. You know

0:19:14.880 --> 0:19:17.720
<v Speaker 1>what I mean that I was in you, but thank

0:19:17.760 --> 0:19:20.320
<v Speaker 1>you for your good words. Oh no, there was there's

0:19:20.320 --> 0:19:23.240
<v Speaker 1>no other option but to do you know, to to

0:19:23.320 --> 0:19:26.720
<v Speaker 1>string it all together. I mean, yeah, taking a pinteresque

0:19:26.800 --> 0:19:32.600
<v Speaker 1>pause no oh no, no, recommended the time for that.

0:19:32.880 --> 0:19:38.119
<v Speaker 1>Uh So, your relationship with Taylor Dosie Michael Winners did delightful.

0:19:39.440 --> 0:19:42.000
<v Speaker 1>It wasn't he What was your off screen relationship Like,

0:19:42.080 --> 0:19:44.840
<v Speaker 1>did you guys click right away or what was that? Like?

0:19:45.520 --> 0:19:47.360
<v Speaker 1>I think we did. You know what I looked to him?

0:19:47.480 --> 0:19:49.320
<v Speaker 1>He liked you and many of the others in your

0:19:49.320 --> 0:19:52.440
<v Speaker 1>cast as an actor actor, right, so you know we

0:19:52.560 --> 0:19:55.360
<v Speaker 1>just kind of talked about that kind of stuff, you know, like, hey,

0:19:55.400 --> 0:19:57.119
<v Speaker 1>what have you been in? What are you doing? How's

0:19:57.160 --> 0:20:00.480
<v Speaker 1>your Because he's an actual the interactor, is he not right,

0:20:00.480 --> 0:20:04.320
<v Speaker 1>he's a big, big classical actor. Yeah, yeah, so we

0:20:04.520 --> 0:20:06.480
<v Speaker 1>I think we talked a little about that and Scott,

0:20:06.560 --> 0:20:08.840
<v Speaker 1>you know what, if there was podcast at the time,

0:20:09.200 --> 0:20:12.199
<v Speaker 1>all I did was talking with your cast about what

0:20:12.240 --> 0:20:14.439
<v Speaker 1>they were doing. So they were always happy to have

0:20:14.520 --> 0:20:16.400
<v Speaker 1>me and let's have some fun. But when you set

0:20:16.440 --> 0:20:19.040
<v Speaker 1>off screen relationship that was the same unfixing geeks to

0:20:19.119 --> 0:20:21.280
<v Speaker 1>where I just wanted to go, where are you from,

0:20:21.320 --> 0:20:23.720
<v Speaker 1>what are you doing? What's your gig? You know that

0:20:23.800 --> 0:20:25.879
<v Speaker 1>was because I'm always curious about people and want to

0:20:25.920 --> 0:20:28.240
<v Speaker 1>learn more about them. So I'm sure I just found out,

0:20:28.600 --> 0:20:33.960
<v Speaker 1>Oh he's as cool as he looks On dav with Michael, Um,

0:20:34.000 --> 0:20:39.240
<v Speaker 1>how would you describe the character of Taylor Dozy? And

0:20:39.440 --> 0:20:43.840
<v Speaker 1>I described the character Taylor Dozy? Oh wow, I don't

0:20:43.840 --> 0:20:48.320
<v Speaker 1>know that's I really have nothing for that. Um kind

0:20:48.320 --> 0:20:50.080
<v Speaker 1>of uh, you know what, maybe a fly in the

0:20:50.160 --> 0:20:55.359
<v Speaker 1>ointment that a bit of a gad fly, lovable gad fly.

0:20:57.240 --> 0:20:59.880
<v Speaker 1>He certainly had his opinion of you, that's for sure.

0:21:00.040 --> 0:21:03.160
<v Speaker 1>Oh my gosh. Yeah, not pretty thick, I mean he uh.

0:21:03.160 --> 0:21:05.520
<v Speaker 1>He referred to you as the long haired freaks of

0:21:05.560 --> 0:21:09.320
<v Speaker 1>van Halen hair his her suit hippie rapunzel. I think

0:21:09.320 --> 0:21:13.560
<v Speaker 1>there were a couple of van Halen hair he called you,

0:21:13.680 --> 0:21:15.400
<v Speaker 1>I think two or three different names in the town

0:21:15.400 --> 0:21:18.760
<v Speaker 1>hall meeting in that episode. It was hysterical. What's funny too,

0:21:18.880 --> 0:21:21.840
<v Speaker 1>is that by doing van Halen hair he gets he gets,

0:21:21.880 --> 0:21:24.760
<v Speaker 1>you know, one point for that, because if he's talking

0:21:24.760 --> 0:21:27.360
<v Speaker 1>to David lee Roth van Halen, then yeah, man, I'll

0:21:27.400 --> 0:21:29.840
<v Speaker 1>take it. That's a nice you know, it's a nice

0:21:29.880 --> 0:21:32.159
<v Speaker 1>head of hair at the time, right, you know, I

0:21:32.240 --> 0:21:36.400
<v Speaker 1>kind of apology Matty hair here right now though, um

0:21:36.720 --> 0:21:40.879
<v Speaker 1>Dwayne Johnson hair right here. Check out the buddy between

0:21:40.960 --> 0:21:49.200
<v Speaker 1>Johnson kind of yeah it is. Yeah, You're you seem

0:21:49.320 --> 0:21:53.280
<v Speaker 1>to be very similar to your character and Gilmore. Are

0:21:53.320 --> 0:21:57.119
<v Speaker 1>you always this happy and cheery? Just like just like

0:21:57.160 --> 0:22:01.120
<v Speaker 1>your character in in in the show. I would say

0:22:01.200 --> 0:22:05.000
<v Speaker 1>this in front of other people because I love other people,

0:22:05.160 --> 0:22:07.280
<v Speaker 1>and I love my friends and I love my family.

0:22:07.520 --> 0:22:10.760
<v Speaker 1>I would say yes, I am that cheery and positive

0:22:11.040 --> 0:22:14.159
<v Speaker 1>in person. When I'm by myself, I get all bummed

0:22:14.200 --> 0:22:17.119
<v Speaker 1>out and I deal with all that stuff later. But

0:22:17.480 --> 0:22:20.160
<v Speaker 1>in a seriously answer to your question, I would say

0:22:20.400 --> 0:22:23.560
<v Speaker 1>the second true but or is a direct sort of

0:22:24.640 --> 0:22:27.720
<v Speaker 1>projection of what my real life is around other people.

0:22:29.119 --> 0:22:32.440
<v Speaker 1>I'm happy and I try and make that situation happier

0:22:32.560 --> 0:22:36.120
<v Speaker 1>or more positive. You can talk to my ex wife

0:22:36.160 --> 0:22:38.160
<v Speaker 1>and some girlfriends in my life and they'd say, wow,

0:22:38.240 --> 0:22:43.280
<v Speaker 1>I did not see that guy. That's true too well.

0:22:44.160 --> 0:22:47.520
<v Speaker 1>Certain people, we didn't even meet that guy. Certain people

0:22:47.680 --> 0:22:50.520
<v Speaker 1>bring out you know, they bring out different energy and

0:22:50.600 --> 0:22:54.119
<v Speaker 1>you you know, it's like if you connect with people,

0:22:54.160 --> 0:22:56.200
<v Speaker 1>then it's wonderful, but if you don't, it can get

0:22:56.240 --> 0:23:00.000
<v Speaker 1>a little Yeah. Um, so what was it your favorite

0:23:00.200 --> 0:23:02.560
<v Speaker 1>character to play on the show? From that you played

0:23:02.560 --> 0:23:04.920
<v Speaker 1>the proprietor, the minister and the second Troubadoor was the

0:23:05.000 --> 0:23:07.320
<v Speaker 1>favorite one? Was it? Was it the Troubadour second Troubador.

0:23:08.400 --> 0:23:10.240
<v Speaker 1>I think he was the second tributor at the very

0:23:10.280 --> 0:23:14.359
<v Speaker 1>first appearance because it had that crazy town Hall meeting.

0:23:14.880 --> 0:23:19.360
<v Speaker 1>Uh if you remember that episode. Um, I actually grantly

0:23:19.440 --> 0:23:23.400
<v Speaker 1>and I write the Troubadour via Troubadour, we actually link

0:23:23.520 --> 0:23:25.160
<v Speaker 1>up at the end so we don't fight. The fighting

0:23:25.240 --> 0:23:29.200
<v Speaker 1>is over right, Taylor is his decision has put aside

0:23:29.400 --> 0:23:31.760
<v Speaker 1>and we are together. So I would say, just that

0:23:31.800 --> 0:23:34.800
<v Speaker 1>it established that this guy might come back, Scott, I

0:23:34.840 --> 0:23:37.720
<v Speaker 1>would go, let's go with the first first appearance of

0:23:37.760 --> 0:23:40.320
<v Speaker 1>the second Troubadoor, because it just set the pace then

0:23:40.520 --> 0:23:43.040
<v Speaker 1>so I could open my vegetable stand home grown by

0:23:43.080 --> 0:23:46.600
<v Speaker 1>the way, right, those are all mind supposedly grown. And

0:23:46.640 --> 0:23:48.560
<v Speaker 1>then if you remember, at the end of that episode,

0:23:48.840 --> 0:23:51.680
<v Speaker 1>he goes off to Palestine in isdriel Is to try

0:23:51.680 --> 0:23:55.760
<v Speaker 1>and solve some problems. There was a great line to

0:23:55.760 --> 0:23:58.240
<v Speaker 1>the drill, I'm gonna plant some seeds, spread some peace,

0:23:58.359 --> 0:24:00.440
<v Speaker 1>you know, this kind of thing. I laughed so hard.

0:24:00.880 --> 0:24:05.320
<v Speaker 1>I laughed harder on your stuff than in that show

0:24:05.400 --> 0:24:07.880
<v Speaker 1>that was You were my biggest laugh in that whole episode.

0:24:07.880 --> 0:24:12.040
<v Speaker 1>That was just thanks pleasure that I couldn't understand why

0:24:12.080 --> 0:24:14.040
<v Speaker 1>you weren't in more episodes. I mean, you just told

0:24:14.080 --> 0:24:16.600
<v Speaker 1>me four and I was like, what, my god? What

0:24:16.760 --> 0:24:22.880
<v Speaker 1>were you just not available? I'm sure, Scott. The other

0:24:22.960 --> 0:24:25.480
<v Speaker 1>thing I must tell you about my career is, oh,

0:24:25.560 --> 0:24:30.000
<v Speaker 1>I'm available. I'm around. So I'm gonna I'm gonna say no,

0:24:30.160 --> 0:24:34.600
<v Speaker 1>I was available. What I mean, you know what it

0:24:34.640 --> 0:24:36.840
<v Speaker 1>could have been let's discuss something here. You know what

0:24:36.880 --> 0:24:39.119
<v Speaker 1>it could have been. Because I was doing a little reading,

0:24:39.119 --> 0:24:42.199
<v Speaker 1>trying to prep for my time with Scott right my

0:24:42.320 --> 0:24:45.680
<v Speaker 1>new favorite podcast. Um, I was I'm a tall man.

0:24:46.200 --> 0:24:48.240
<v Speaker 1>So here's what I heard. I think you came in

0:24:48.280 --> 0:24:52.080
<v Speaker 1>at number three of the tallest of the casts, a shrimp.

0:24:52.160 --> 0:24:55.360
<v Speaker 1>Are you're rocking six two? Where are you going? Six one? Now?

0:24:55.359 --> 0:24:59.240
<v Speaker 1>I'm I'm like six one barely, okay, so we'll give

0:24:59.280 --> 0:25:01.920
<v Speaker 1>you six one right, rounding up. And then I heard

0:25:02.040 --> 0:25:05.400
<v Speaker 1>ed Herman at six five five and Jared six four

0:25:05.480 --> 0:25:08.400
<v Speaker 1>or six five? Yeah. Yeah, So here's the thing, I'm

0:25:08.480 --> 0:25:11.080
<v Speaker 1>six five. I think it was I was too tall.

0:25:11.520 --> 0:25:13.600
<v Speaker 1>I think they said, you know what, we'd have to

0:25:13.680 --> 0:25:16.960
<v Speaker 1>frame this differently, Jamie Babbitt and Amy when she was

0:25:16.960 --> 0:25:19.440
<v Speaker 1>directing the episodes, She's like, I don't think we can

0:25:19.440 --> 0:25:21.639
<v Speaker 1>fit him in the frame, right, I don't think. I

0:25:21.680 --> 0:25:23.760
<v Speaker 1>don't think maybe maybe that's it. I don't think that

0:25:23.920 --> 0:25:27.160
<v Speaker 1>they they managed with ed Herman, they managed with Jared beautifully.

0:25:27.200 --> 0:25:31.040
<v Speaker 1>I don't think that's ed Herman with a jip shot. Yeah. Angle.

0:25:31.840 --> 0:25:34.639
<v Speaker 1>You notice all the Herman scenes are wide angle shots.

0:25:35.119 --> 0:25:39.320
<v Speaker 1>Noticed that well, you know he yeah, yeah, maybe I

0:25:39.920 --> 0:25:44.120
<v Speaker 1>just I'm not I'm not buying that, you're I had

0:25:44.200 --> 0:25:46.520
<v Speaker 1>the best time in the Gilmbo girls, I'm not kidding you, right.

0:25:46.560 --> 0:25:49.560
<v Speaker 1>Evidence treated me super nice and it was super fun,

0:25:49.560 --> 0:25:51.439
<v Speaker 1>So I got no complaints at all. It was it

0:25:51.480 --> 0:25:53.719
<v Speaker 1>was the time for me to do first things too.

0:25:53.800 --> 0:25:56.080
<v Speaker 1>When I did the Minister. If you notice in that

0:25:56.119 --> 0:25:59.800
<v Speaker 1>scene speaking of jim shots and whatever aerial shots, I

0:26:00.040 --> 0:26:02.919
<v Speaker 1>walked all the way from the back up over the gazebo,

0:26:03.080 --> 0:26:05.840
<v Speaker 1>through the band right down those stairs. It was the

0:26:05.880 --> 0:26:07.639
<v Speaker 1>first time, Scott that I got to use one of

0:26:07.680 --> 0:26:09.680
<v Speaker 1>those ear pieces. I don't know the term for them,

0:26:09.720 --> 0:26:15.080
<v Speaker 1>but it was I think it's called an earpiece. Okay,

0:26:15.119 --> 0:26:17.600
<v Speaker 1>I think that's what they Professor Fression names apiece. And

0:26:18.960 --> 0:26:24.199
<v Speaker 1>I was, but it was that's executive producer. Do you know?

0:26:24.440 --> 0:26:29.560
<v Speaker 1>That's exactly different things too when you're on set all

0:26:29.600 --> 0:26:31.280
<v Speaker 1>the time and here and so that's what happened in

0:26:31.320 --> 0:26:33.439
<v Speaker 1>that scene is people were talking and I could hear

0:26:33.480 --> 0:26:35.480
<v Speaker 1>the dialogue going, and I'm like, oh, man, don't mess

0:26:35.520 --> 0:26:39.359
<v Speaker 1>this up. And you play guitar right, your guitar player right, Okay,

0:26:39.520 --> 0:26:42.320
<v Speaker 1>So I'm like, going, is that the right chord? I

0:26:42.359 --> 0:26:45.000
<v Speaker 1>don't want to mess this up. I have lines to remember.

0:26:45.240 --> 0:26:47.200
<v Speaker 1>I need to sing the song that Dan wrote, which

0:26:47.280 --> 0:26:49.720
<v Speaker 1>is a nutty song by the way, one of my

0:26:49.760 --> 0:26:53.560
<v Speaker 1>favorite rhymes, because you're a songwriter, A don't you dig

0:26:53.600 --> 0:26:55.399
<v Speaker 1>this rhyme? If you remember the song? It was about

0:26:55.440 --> 0:26:58.760
<v Speaker 1>toys and love being like toys. Okay that the ministers saying.

0:26:58.840 --> 0:27:03.760
<v Speaker 1>Remember that? Okay, yeah, and so um here's my favorite

0:27:03.800 --> 0:27:08.520
<v Speaker 1>rhyme from there, Barrel of Monkeys, Your Battleship Sunk Me?

0:27:09.400 --> 0:27:13.280
<v Speaker 1>Please recall the joy? So the song that the minister

0:27:13.480 --> 0:27:17.120
<v Speaker 1>says was about, uh, when kids you play with toys,

0:27:17.240 --> 0:27:20.199
<v Speaker 1>right as an adult you you switched to love and

0:27:20.240 --> 0:27:22.760
<v Speaker 1>you love is the game is the sweetest joy of all?

0:27:22.880 --> 0:27:25.280
<v Speaker 1>Or whatever? So I just love. I think Dan wrote

0:27:25.280 --> 0:27:30.359
<v Speaker 1>that Barrel of Monkeys, Your Battleship Sunk Me? Please to

0:27:30.400 --> 0:27:33.440
<v Speaker 1>recall the joy one of my favorite weird rhymes of all.

0:27:34.960 --> 0:27:38.720
<v Speaker 1>What Barrett monkeys Wait? Let me let me let my

0:27:38.760 --> 0:27:44.800
<v Speaker 1>craft sing you ready, barl of Monkeys, Your Battleship Sunk Me?

0:27:45.280 --> 0:27:51.399
<v Speaker 1>Please recall the jewoy who wrote that. I think it

0:27:51.480 --> 0:27:53.520
<v Speaker 1>was Dan Palladino, Not sure, but I think it was his.

0:27:54.119 --> 0:28:01.359
<v Speaker 1>Does he write songs? He writes songs. We interrupt this

0:28:01.440 --> 0:28:04.480
<v Speaker 1>program for a special report. We take you now to

0:28:04.520 --> 0:28:10.359
<v Speaker 1>Walter Cronkite in New York. This is Walter Cronkite in

0:28:10.600 --> 0:28:15.639
<v Speaker 1>New York. What you're about to hear is elite tape

0:28:15.720 --> 0:28:19.240
<v Speaker 1>from a Brooklyn recording studio spirited out by a disgruntled

0:28:19.240 --> 0:28:24.719
<v Speaker 1>employee of the Mr Daniel Pallodinio. Purportedly is the voice

0:28:26.080 --> 0:28:31.879
<v Speaker 1>and the song of Daniel Pallodano, delivered to CBS News

0:28:32.000 --> 0:28:37.000
<v Speaker 1>this evening by Career. You have small children? Are dogs?

0:28:37.760 --> 0:28:42.120
<v Speaker 1>Cover their ears or get them upstairs? Here now the

0:28:42.240 --> 0:29:15.280
<v Speaker 1>tape bat some ship jow come When's afraid that? Mr

0:29:15.400 --> 0:29:21.960
<v Speaker 1>Palladino's tour manager, A Holden ex Calfield, announced dates for

0:29:22.080 --> 0:29:28.400
<v Speaker 1>Daniels World Tour. Tour takes place September one and ends

0:29:29.120 --> 0:29:34.880
<v Speaker 1>September one in Pecoma, California, the Howdy Dooty Fund Park,

0:29:36.040 --> 0:29:40.520
<v Speaker 1>right side Freeway, beginning at six o one pm, ending

0:29:40.640 --> 0:29:47.680
<v Speaker 1>promptly at six o three. This is Walter Cronkite, New York.

0:29:48.400 --> 0:29:52.280
<v Speaker 1>Good night. This has been a special report. We now

0:29:52.320 --> 0:30:00.479
<v Speaker 1>return you to your regularly scheduled program. He wrote a

0:30:00.520 --> 0:30:04.000
<v Speaker 1>couple of songs. Man did he really yeah about a beaver.

0:30:04.440 --> 0:30:08.040
<v Speaker 1>Did they make it on the show? Oh yeah, oh yeah,

0:30:08.080 --> 0:30:10.640
<v Speaker 1>I guess you gotta know somebody. Huh. You know what

0:30:11.040 --> 0:30:16.040
<v Speaker 1>you guys, did you not have your song portfolio on set?

0:30:16.120 --> 0:30:22.800
<v Speaker 1>What's wrong? You should have had it there? No, no, no, no.

0:30:23.000 --> 0:30:25.720
<v Speaker 1>I used to jam with Grantly Phillips when he was

0:30:25.720 --> 0:30:27.840
<v Speaker 1>on set. I used to jam without you know, we

0:30:27.880 --> 0:30:33.240
<v Speaker 1>had a good time. Um now never, I never. Yeah,

0:30:33.360 --> 0:30:39.520
<v Speaker 1>that's God's I didn't know Dan wrote songs. So those lyrics, lyrics,

0:30:38.200 --> 0:30:43.320
<v Speaker 1>he wrote lyrics. He didn't write two songs correct, Just

0:30:43.360 --> 0:30:47.240
<v Speaker 1>so you know. The the song that I sing in partings, Yeah,

0:30:47.400 --> 0:30:49.760
<v Speaker 1>that that is my original song that well with a

0:30:49.760 --> 0:30:51.760
<v Speaker 1>couple of other folks from the old Macred Trucker days.

0:30:51.920 --> 0:30:54.040
<v Speaker 1>And that is an original song. So it's called Tears

0:30:54.040 --> 0:30:56.600
<v Speaker 1>in the Grease Paint. So when you hear that song,

0:30:56.640 --> 0:30:58.880
<v Speaker 1>it's a real song. It's out there somewhere, tears in

0:30:58.960 --> 0:31:04.080
<v Speaker 1>the grease paint. Heere's in the grease paint. Yeah, the

0:31:04.520 --> 0:31:07.640
<v Speaker 1>line was nobody laughs at the clown when he's crying.

0:31:07.880 --> 0:31:12.600
<v Speaker 1>Is the the hook to that. Nobody laughs at a

0:31:12.680 --> 0:31:15.960
<v Speaker 1>clown when he's crying. So if you look up tears

0:31:15.960 --> 0:31:19.600
<v Speaker 1>in the grease paint, second troub or Naked Trucker. You'll

0:31:19.640 --> 0:31:24.959
<v Speaker 1>find that out there somewhere. Beautiful song title beautiful Tears

0:31:25.000 --> 0:31:29.959
<v Speaker 1>in the grease paint. Right, it's a little Smoky Robinson

0:31:30.000 --> 0:31:34.000
<v Speaker 1>tears in the clown. But you know, yeah, can I

0:31:34.000 --> 0:31:40.400
<v Speaker 1>ask you your question, very little Smokey Robinson? Um, I

0:31:40.480 --> 0:31:42.360
<v Speaker 1>have to clear something up, but only if it's if

0:31:42.400 --> 0:31:45.400
<v Speaker 1>we're good on your time? Are you good on your yes,

0:31:46.000 --> 0:31:48.880
<v Speaker 1>you can solve an issue. Some of your younger listeners

0:31:50.200 --> 0:31:53.760
<v Speaker 1>might know the show Love, also a Netflix show, by

0:31:53.800 --> 0:31:56.640
<v Speaker 1>the way, Okay, I might know the show Love where

0:31:56.680 --> 0:31:59.800
<v Speaker 1>I played basically myself, getting back to that with my

0:32:00.160 --> 0:32:03.680
<v Speaker 1>Steve Banos playing Frank. Steve is an actual actor like

0:32:03.760 --> 0:32:07.280
<v Speaker 1>you and uh, Michael Winslow and stuff or Michael what's

0:32:07.280 --> 0:32:13.360
<v Speaker 1>his name? Michael Winslow, Michael Winter plant of a demostake,

0:32:15.160 --> 0:32:18.120
<v Speaker 1>Michael Winters. Steve bans is an actual actor. So he

0:32:18.200 --> 0:32:21.080
<v Speaker 1>and I played Frank and Allen on the Paul Rust

0:32:21.360 --> 0:32:24.600
<v Speaker 1>show Love on Netflix, right, and that's something you can see.

0:32:24.600 --> 0:32:26.720
<v Speaker 1>It's out there, it's on your Netflix and it was

0:32:26.720 --> 0:32:28.920
<v Speaker 1>a short two season, so it would be a great

0:32:28.920 --> 0:32:31.960
<v Speaker 1>bench watch. I'm gonna encourage that we shot an episode

0:32:32.240 --> 0:32:35.080
<v Speaker 1>at the Oakwood Apartments. Did you ever stay there, Scott? No,

0:32:35.200 --> 0:32:37.360
<v Speaker 1>I drove by it every day to going to work, though,

0:32:38.040 --> 0:32:39.960
<v Speaker 1>of course you did, right, And I've got somebody on

0:32:40.040 --> 0:32:45.200
<v Speaker 1>the Gilmore's cast stade at Oakwood because, yeah, so we're

0:32:45.200 --> 0:32:47.840
<v Speaker 1>shooting an episode outside where we're on the roof of

0:32:47.920 --> 0:32:50.880
<v Speaker 1>the Oakwood apartments that you drove by every day, and

0:32:50.920 --> 0:32:57.000
<v Speaker 1>they were shooting the the reboots, right, the four episode reboots,

0:32:57.080 --> 0:33:00.320
<v Speaker 1>And is there an episode that has like fireworks or

0:33:00.560 --> 0:33:04.800
<v Speaker 1>go crazy? Yeah, So here's the thing. Talk to your people,

0:33:04.920 --> 0:33:07.760
<v Speaker 1>talk to talk to your fans, talk to your fan base,

0:33:08.000 --> 0:33:10.640
<v Speaker 1>and say whatever that scene was, whether it was I

0:33:10.640 --> 0:33:15.040
<v Speaker 1>think there's fireworks or explosions or music or something going on.

0:33:15.320 --> 0:33:17.080
<v Speaker 1>We were filming a scene on the roof of the

0:33:17.080 --> 0:33:20.720
<v Speaker 1>oak Wood Apartments and here was a line. Just tuck

0:33:20.800 --> 0:33:23.680
<v Speaker 1>this in your you know, in your book of stuff

0:33:23.720 --> 0:33:27.960
<v Speaker 1>about Gilmo Girls. The line from our I guess it

0:33:28.000 --> 0:33:30.320
<v Speaker 1>would be first Dad, right, The line for our first

0:33:30.320 --> 0:33:34.200
<v Speaker 1>city would have been hold for Gilmore Girls, Hold for

0:33:34.960 --> 0:33:37.920
<v Speaker 1>Because we'd start the scene, Scott, and there was like

0:33:38.040 --> 0:33:40.640
<v Speaker 1>it was flashlights. It was at night, right, so we're

0:33:40.840 --> 0:33:44.240
<v Speaker 1>flashlights and gun play or knives or something, and it

0:33:44.360 --> 0:33:46.520
<v Speaker 1>was like, Okay, we gotta sneak up on him. It

0:33:46.560 --> 0:33:48.760
<v Speaker 1>was like one of those things being super quiet, and

0:33:48.800 --> 0:33:52.960
<v Speaker 1>then you'd hear, hey, something going on on the Warner

0:33:53.000 --> 0:33:55.440
<v Speaker 1>Brothers lot and the first dad would go hold for

0:33:55.480 --> 0:33:57.479
<v Speaker 1>gil Muo girls and they were not happy about them.

0:33:57.520 --> 0:34:00.440
<v Speaker 1>I think I think that was the wedding. I think

0:34:00.480 --> 0:34:02.760
<v Speaker 1>that was the way of the wedding cell, the little

0:34:02.960 --> 0:34:05.440
<v Speaker 1>wedding something maybe. And there were yeah, there were all

0:34:05.520 --> 0:34:08.480
<v Speaker 1>kinds of things going on. Yeah, there was no gender revealed.

0:34:08.560 --> 0:34:12.759
<v Speaker 1>That was before that. Yeah, that's yeah, that's before yeah, right,

0:34:13.160 --> 0:34:15.120
<v Speaker 1>But so Scott, whatever it was, it was funny because

0:34:15.120 --> 0:34:16.759
<v Speaker 1>it kept going on. You know, they had you guys

0:34:16.800 --> 0:34:18.960
<v Speaker 1>had to reshoot whatever you're doing down there, and we're

0:34:19.000 --> 0:34:21.200
<v Speaker 1>just trying to get the scene done outside on the

0:34:21.239 --> 0:34:23.960
<v Speaker 1>top of the Oakwood departments, and the funny line were

0:34:24.000 --> 0:34:27.600
<v Speaker 1>just laughing old for gil mug Girls, old for girl muggirls. Man.

0:34:27.960 --> 0:34:31.520
<v Speaker 1>How many people heard that over the years, right, especially

0:34:31.640 --> 0:34:35.800
<v Speaker 1>especially on the Warner Brothers Law. It's like, then, again, Jesus,

0:34:36.000 --> 0:34:37.359
<v Speaker 1>we have the whole you know, we had the whole

0:34:37.400 --> 0:34:39.359
<v Speaker 1>back lot. So a lot of people had to hold

0:34:39.360 --> 0:34:41.600
<v Speaker 1>Phil Gilmore girls when we were shooting right, if we're

0:34:41.600 --> 0:34:44.160
<v Speaker 1>shooting at yeah, exactly. You have the whole back lot.

0:34:44.160 --> 0:34:49.359
<v Speaker 1>You pretty much control the studio. Um, that's great. Um, Hey,

0:34:49.480 --> 0:34:52.560
<v Speaker 1>I like hearing that you jam. That's pretty cool. I

0:34:52.600 --> 0:34:56.440
<v Speaker 1>love that a lot. What he's such a great songwriter

0:34:56.520 --> 0:34:59.879
<v Speaker 1>and he's such a great performer and singers. He's so

0:35:00.000 --> 0:35:03.560
<v Speaker 1>got everything. Let me let's take a minute in praise

0:35:03.560 --> 0:35:07.080
<v Speaker 1>of Grantly Phillips and played in craise of men. Um.

0:35:07.120 --> 0:35:10.520
<v Speaker 1>Here's the thing, everything about him, his voice, his character,

0:35:10.719 --> 0:35:13.960
<v Speaker 1>his personality, his songwriting, a bill, his guitar playing. It's

0:35:14.040 --> 0:35:16.760
<v Speaker 1>crazy good. So I can I can share. Here's another

0:35:17.120 --> 0:35:21.759
<v Speaker 1>here's another gils connection to Uh. In the episode Partyings Right,

0:35:22.160 --> 0:35:25.480
<v Speaker 1>Marylynn Rice Scott appears and she's also singing right. So

0:35:25.520 --> 0:35:27.719
<v Speaker 1>she was part of Girls Guitar Club. Her and Karen

0:35:28.040 --> 0:35:31.560
<v Speaker 1>Garret had a duo that played at Where Largo. Okay,

0:35:31.840 --> 0:35:33.759
<v Speaker 1>so we all knew each other from way back when

0:35:33.880 --> 0:35:36.160
<v Speaker 1>I remember shows that Grantly Phillips will put on with

0:35:36.160 --> 0:35:39.359
<v Speaker 1>Mary Lynn Rice variety shows where I was. I think

0:35:39.360 --> 0:35:42.400
<v Speaker 1>I was the fake warm up guy. Uh Scott. This

0:35:42.480 --> 0:35:45.160
<v Speaker 1>is going deep gruber, but I had a character. It

0:35:45.239 --> 0:35:48.080
<v Speaker 1>was a fake warm up guy named Todd Carlin, and

0:35:48.120 --> 0:35:50.720
<v Speaker 1>it was he was supposedly like a nephew of George

0:35:50.760 --> 0:35:54.600
<v Speaker 1>Colin or something, right, so there you go. Um, But

0:35:54.719 --> 0:35:57.799
<v Speaker 1>I think I played Todd Carlin in the Grantly Phillips

0:35:57.920 --> 0:36:01.400
<v Speaker 1>and Maryland Rice scob variety show at Largo, so I

0:36:01.480 --> 0:36:03.160
<v Speaker 1>knew her from way back then too, you know what

0:36:03.200 --> 0:36:05.360
<v Speaker 1>I mean. And Grantly and mary Lynn we're friends and

0:36:05.400 --> 0:36:09.479
<v Speaker 1>put on these great shows, hilarious, musical everything you want

0:36:09.600 --> 0:36:12.239
<v Speaker 1>all that. Yeah, I'm gonna go. I'm gonna go down

0:36:12.320 --> 0:36:16.560
<v Speaker 1>to Nashville and write some songs with some some artists

0:36:16.640 --> 0:36:20.919
<v Speaker 1>down there. Um, and I'm gonna you know, Grants down there,

0:36:21.320 --> 0:36:23.759
<v Speaker 1>and uh, I'm probably gonna I'm probably gonna hook up

0:36:23.800 --> 0:36:26.480
<v Speaker 1>with him. And maybe you know, I'm I'm terrified or

0:36:26.520 --> 0:36:28.759
<v Speaker 1>performing anymore because I don't know that I'm very good

0:36:28.800 --> 0:36:32.360
<v Speaker 1>at it, but it just terrifies me to to to

0:36:32.360 --> 0:36:34.640
<v Speaker 1>to sing and play the guitar. So I don't know

0:36:34.680 --> 0:36:36.600
<v Speaker 1>if I'm actually going to do that part of it

0:36:36.640 --> 0:36:38.719
<v Speaker 1>because they want me to play at the Bluebird and

0:36:39.120 --> 0:36:41.080
<v Speaker 1>put on a whole show. But I mean, I toured

0:36:41.760 --> 0:36:44.319
<v Speaker 1>four years ago, and I you know, when you do

0:36:44.400 --> 0:36:46.480
<v Speaker 1>that you're kind of rock solid and you you get

0:36:46.520 --> 0:36:48.879
<v Speaker 1>all your confidence going and it's easy. But man, it's

0:36:48.880 --> 0:36:52.040
<v Speaker 1>been a while so I'm terrified of it. So anyway,

0:36:52.040 --> 0:36:54.839
<v Speaker 1>but I'll hook up with Grant when I'm down there.

0:36:55.480 --> 0:36:57.800
<v Speaker 1>Do you know what, You get around to him and

0:36:57.880 --> 0:36:59.680
<v Speaker 1>you can get back to there, you can get back

0:36:59.680 --> 0:37:02.279
<v Speaker 1>to their right well, yeah, I mean it takes a

0:37:02.280 --> 0:37:03.880
<v Speaker 1>lot of practice. You know, you just got You just

0:37:03.920 --> 0:37:06.239
<v Speaker 1>have to put the time in, that's all. And at

0:37:06.280 --> 0:37:08.440
<v Speaker 1>the time is something I have very little love. This

0:37:08.520 --> 0:37:12.680
<v Speaker 1>show has blessed Bliss blissfully taken over my life, which

0:37:12.719 --> 0:37:16.480
<v Speaker 1>is unexpected, but it happened very quickly. But anyway, so

0:37:16.719 --> 0:37:20.959
<v Speaker 1>share some of your other, uh fond memories of being

0:37:21.040 --> 0:37:24.120
<v Speaker 1>on set with on Gil. Did you have any scenes

0:37:24.160 --> 0:37:29.359
<v Speaker 1>with Lauren? I'm gonna say no, anything went no you

0:37:29.440 --> 0:37:37.000
<v Speaker 1>did you at the cash register? Okay? Remember you ordered? Yeah, passing.

0:37:37.040 --> 0:37:39.000
<v Speaker 1>I would say there's no big old, no big old

0:37:39.000 --> 0:37:45.000
<v Speaker 1>scenes because it was mostly with Michael Taylor. And I'm

0:37:45.000 --> 0:37:47.600
<v Speaker 1>gonna say that was the most because those were the

0:37:47.760 --> 0:37:50.839
<v Speaker 1>uh the standoffs, you know what I mean. And then

0:37:50.880 --> 0:37:53.920
<v Speaker 1>that crazy a fond memory was the what do you

0:37:54.000 --> 0:37:57.080
<v Speaker 1>call it? Uh town hall scene? Because that was all

0:37:57.200 --> 0:38:01.760
<v Speaker 1>my favorite people in one room making funny comments and stuff.

0:38:01.800 --> 0:38:03.560
<v Speaker 1>So that was pretty great. You guys came in late,

0:38:03.640 --> 0:38:05.279
<v Speaker 1>by the way, that was part of the stick of

0:38:05.320 --> 0:38:08.279
<v Speaker 1>that one. But even like Mike Gan Dolphie, who I

0:38:08.320 --> 0:38:10.040
<v Speaker 1>know from the l a commedty scene he was in

0:38:10.040 --> 0:38:12.759
<v Speaker 1>the room. It's like, oh my gosh, all these cool people,

0:38:12.840 --> 0:38:15.279
<v Speaker 1>all my favorite people, and a very nutty scene. By

0:38:15.320 --> 0:38:18.480
<v Speaker 1>the way, Grantly also one more thing in praise of Grant,

0:38:18.880 --> 0:38:23.600
<v Speaker 1>he really took his acting seriously because I remember being there,

0:38:23.640 --> 0:38:25.960
<v Speaker 1>and you know Gruber, he's a bit of a goof.

0:38:26.000 --> 0:38:27.600
<v Speaker 1>I mean, I get worried and I get nervous, and

0:38:27.600 --> 0:38:30.080
<v Speaker 1>I try and memorize my lines, and as per Jamie Babbitt,

0:38:30.160 --> 0:38:31.880
<v Speaker 1>I try and put it together. That's the key to

0:38:31.920 --> 0:38:36.040
<v Speaker 1>get put him together, put your minds together. But I

0:38:36.040 --> 0:38:38.640
<v Speaker 1>remember Grant was really trying to get it exactly right

0:38:38.680 --> 0:38:40.680
<v Speaker 1>because it was a big scene for him. You remember,

0:38:41.560 --> 0:38:43.719
<v Speaker 1>you know, he had mines, he had had a close up.

0:38:43.760 --> 0:38:46.120
<v Speaker 1>He almost had a close up. They had to punching

0:38:46.160 --> 0:38:48.120
<v Speaker 1>real close to him when he woke up and he said, hey,

0:38:48.239 --> 0:38:50.400
<v Speaker 1>you there, you know, and he and he had a

0:38:50.400 --> 0:38:53.000
<v Speaker 1>whole deal and he played that little little couple of

0:38:53.040 --> 0:38:55.480
<v Speaker 1>bars of a song and it was just good stuff.

0:38:55.800 --> 0:38:57.920
<v Speaker 1>So that was a super fun memory. And then let

0:38:57.920 --> 0:39:00.960
<v Speaker 1>me take you to uh remember I mentioned before that

0:39:01.000 --> 0:39:02.719
<v Speaker 1>we had a comedy group when we first moved to

0:39:02.840 --> 0:39:05.399
<v Speaker 1>l A. Steve Higgins, Dave Higgins, and I called don't

0:39:05.440 --> 0:39:08.240
<v Speaker 1>quit your day job. Another of my day job, believe

0:39:08.280 --> 0:39:13.320
<v Speaker 1>it or not, was a bicycle mail messenger at Warner Brothers.

0:39:14.000 --> 0:39:16.360
<v Speaker 1>So they had a weird call for it was like

0:39:16.560 --> 0:39:19.080
<v Speaker 1>open call for like people to work at Warner Brothers.

0:39:19.080 --> 0:39:21.319
<v Speaker 1>And I go in there and the human resources guy,

0:39:21.360 --> 0:39:23.200
<v Speaker 1>I don't remember his name, but he was so nice

0:39:23.280 --> 0:39:25.200
<v Speaker 1>because he hired me and I got to work in

0:39:25.239 --> 0:39:27.640
<v Speaker 1>the mail room and ride a bike around. This is

0:39:27.680 --> 0:39:30.600
<v Speaker 1>an old this is old school days right way back

0:39:30.600 --> 0:39:34.520
<v Speaker 1>when when I first moved there eighty six. But so

0:39:34.680 --> 0:39:37.600
<v Speaker 1>then to come back there all those years later, right

0:39:38.040 --> 0:39:40.680
<v Speaker 1>and perform at the Gilmore Girl on the Gridmo Girls,

0:39:40.760 --> 0:39:42.839
<v Speaker 1>It was like, yeah, I remember riding a bike pass

0:39:42.920 --> 0:39:46.759
<v Speaker 1>here to mal Passo Productions deliver something to Clin Eastwood

0:39:46.880 --> 0:39:48.920
<v Speaker 1>or you know what I mean. Yeah, I remember we're

0:39:48.960 --> 0:39:53.080
<v Speaker 1>staying outside of Ellen de generes Uh studio where she

0:39:53.640 --> 0:39:56.560
<v Speaker 1>and mal passed us right across the street. Oh there

0:39:56.560 --> 0:39:58.480
<v Speaker 1>he goes, you know, and we had some time. We're

0:39:58.760 --> 0:40:00.840
<v Speaker 1>so so because we were working on that sound stage

0:40:00.920 --> 0:40:03.239
<v Speaker 1>right across from al right, across from mal Passa when

0:40:03.280 --> 0:40:05.480
<v Speaker 1>we're doing the Red right we that's the sound stage.

0:40:05.480 --> 0:40:06.839
<v Speaker 1>We were on one of the sound stage. We had

0:40:06.840 --> 0:40:09.000
<v Speaker 1>a couple of them, and uh, I kept trying to,

0:40:09.040 --> 0:40:11.319
<v Speaker 1>you know, crane my head around to see if I could, like,

0:40:11.640 --> 0:40:15.880
<v Speaker 1>is Clinton there? And I was gonna walk in. That's hey,

0:40:16.960 --> 0:40:21.440
<v Speaker 1>big fan. I mean with Clint, not Allen. But you know,

0:40:21.480 --> 0:40:29.200
<v Speaker 1>you know what I mean. I understand. All right, So

0:40:29.200 --> 0:40:33.439
<v Speaker 1>we're gonna do rapid fire. Okay, have you heard about

0:40:33.520 --> 0:40:36.320
<v Speaker 1>rapid fire? I have not heard about. Do you have

0:40:36.360 --> 0:40:38.600
<v Speaker 1>a seatbelt? Happy to do it? I understand the idea

0:40:38.640 --> 0:40:41.360
<v Speaker 1>of rapid fire. I mean, buckle up, here we go, ready,

0:40:41.760 --> 0:40:44.160
<v Speaker 1>But guess what's got I will say this. You're doing

0:40:44.280 --> 0:40:47.719
<v Speaker 1>rapid fire. I'm doing a slow motion, smooth grouper. You

0:40:47.800 --> 0:40:51.120
<v Speaker 1>actually highlighted my smoothness. So whether or not the whether

0:40:51.200 --> 0:40:53.600
<v Speaker 1>or not the responses or rapid I don't know. But

0:40:53.719 --> 0:40:56.440
<v Speaker 1>you may run. You know, you do your thing? Do

0:40:56.520 --> 0:40:58.200
<v Speaker 1>you thing? All right? How do you take your coffee

0:41:00.160 --> 0:41:02.040
<v Speaker 1>with half and half. Don't you mention that can you

0:41:02.080 --> 0:41:09.960
<v Speaker 1>smell snow? Can I smell snow? Uh? Hopefully not. Let's

0:41:09.960 --> 0:41:12.160
<v Speaker 1>put it that way. I'm thinking of a Frank's episode.

0:41:12.239 --> 0:41:15.879
<v Speaker 1>So there you go. And these next two questions, I'm

0:41:15.920 --> 0:41:18.359
<v Speaker 1>going to eliminate them from rapid fire because I'm tired

0:41:18.360 --> 0:41:20.680
<v Speaker 1>of asking them. So I'm not gonna ask you these questions.

0:41:21.080 --> 0:41:25.120
<v Speaker 1>You can substitute two new ones. I will kay, okay, ready,

0:41:25.520 --> 0:41:29.320
<v Speaker 1>what kind of do you shampoo? And conditioner? And just shampoo?

0:41:30.120 --> 0:41:35.640
<v Speaker 1>I go shampoo, and can't you tell conditioner? And you

0:41:35.640 --> 0:41:37.640
<v Speaker 1>know what I do, Scott, I beat the system because

0:41:37.680 --> 0:41:40.480
<v Speaker 1>I go Upscale product. I won't name it, but then

0:41:40.560 --> 0:41:42.760
<v Speaker 1>I wait till it goes on set, so it's Upscale

0:41:43.120 --> 0:41:46.359
<v Speaker 1>hair carry products, but then are only on sale. So

0:41:46.480 --> 0:41:49.320
<v Speaker 1>both I go both. Who are you rooting for in

0:41:49.360 --> 0:41:52.520
<v Speaker 1>the Super Bowl or did you care? I did not

0:41:52.560 --> 0:41:54.520
<v Speaker 1>care because the Green Bay Packers were not in it.

0:41:54.920 --> 0:41:57.440
<v Speaker 1>So as a guy born in Milwaukee, I have to

0:41:57.920 --> 0:42:00.239
<v Speaker 1>by law, I have to root the packers. I would

0:42:00.280 --> 0:42:03.279
<v Speaker 1>have gone bears because I grew up in Illinois. Yeah, Danny,

0:42:03.320 --> 0:42:06.560
<v Speaker 1>ELSs go pack go. You got it, all right? So

0:42:06.760 --> 0:42:08.560
<v Speaker 1>that's what I would say. If the Packers were in it,

0:42:08.600 --> 0:42:11.560
<v Speaker 1>I would have rooted from them. You're a cheesehead. I

0:42:11.600 --> 0:42:17.720
<v Speaker 1>love it. Uh. The show that you're binge watching right now, Uh,

0:42:17.920 --> 0:42:21.000
<v Speaker 1>you know what it is, and it's it's kind of

0:42:21.040 --> 0:42:23.840
<v Speaker 1>funny because there's crossover. I'm gonna call it crossover. The

0:42:23.840 --> 0:42:27.040
<v Speaker 1>show that I probably watched most of all because I

0:42:27.040 --> 0:42:30.360
<v Speaker 1>don't have Netflix. I have a iPad from Y three,

0:42:30.880 --> 0:42:34.960
<v Speaker 1>so all against is those shows. Um. The show that

0:42:35.000 --> 0:42:38.920
<v Speaker 1>I've beene watching is All In with Chris Hayes on MSNBC.

0:42:40.400 --> 0:42:47.600
<v Speaker 1>I never miss it. It's called All In with Chris

0:42:47.600 --> 0:42:50.840
<v Speaker 1>Hayes on MSNBC or what they like to call m

0:42:50.920 --> 0:42:57.719
<v Speaker 1>s LSD. The opposition calls it MSLSD. Anyway, probably more

0:42:57.760 --> 0:43:02.640
<v Speaker 1>than any of the best memory of Gilmore Girls. Best

0:43:02.640 --> 0:43:06.319
<v Speaker 1>memory of Gilmore Girls was the spreta Core. I don't

0:43:06.320 --> 0:43:09.319
<v Speaker 1>want to get all French. Don you get all French?

0:43:09.480 --> 0:43:11.640
<v Speaker 1>Just get all French. I gotta drop, I gotta drop

0:43:11.680 --> 0:43:15.920
<v Speaker 1>some French spree to Core from the table reads to

0:43:16.520 --> 0:43:20.600
<v Speaker 1>you know, costuming to Dan Pelladine or writing some goofy

0:43:20.680 --> 0:43:22.760
<v Speaker 1>lyrics that he wanted me to do, you know or whatever,

0:43:24.120 --> 0:43:26.759
<v Speaker 1>was like, Wow, this is. And here's the thing, because

0:43:26.760 --> 0:43:29.600
<v Speaker 1>you've heard the Scott before, where you go something something

0:43:29.680 --> 0:43:32.919
<v Speaker 1>is a well oiled machine, you know whatever, some show

0:43:33.040 --> 0:43:35.480
<v Speaker 1>was a well oiled machine. This was not a machine.

0:43:35.520 --> 0:43:40.719
<v Speaker 1>This was an organic, breathing body of joy that that

0:43:40.840 --> 0:43:44.560
<v Speaker 1>show really was. Okay, it was all that. So what

0:43:44.640 --> 0:43:49.120
<v Speaker 1>was the question? Didn't I answer it? You did? Okay?

0:43:49.280 --> 0:43:52.120
<v Speaker 1>That was I mean, it was best girls, but you

0:43:52.320 --> 0:43:54.840
<v Speaker 1>gave an overall impression, which is even better. Yeah, I

0:43:54.880 --> 0:43:58.919
<v Speaker 1>think was my overall impressure. Okay, good, all right, listen,

0:43:58.960 --> 0:44:01.520
<v Speaker 1>buddy fantasy. We're kind of at the end of it here,

0:44:01.520 --> 0:44:04.439
<v Speaker 1>but I would love to have you back on down

0:44:04.440 --> 0:44:07.120
<v Speaker 1>the road. You're you. You were a lot of fun.

0:44:08.000 --> 0:44:09.759
<v Speaker 1>I had so much fun. Scott, thank you And what

0:44:09.840 --> 0:44:12.440
<v Speaker 1>a great what a great opportunity. Thanks for making this happen.

0:44:12.480 --> 0:44:15.040
<v Speaker 1>I'm so grateful. When you get to Nashville, can I

0:44:15.040 --> 0:44:17.360
<v Speaker 1>do one plug for a friend. It's not a product,

0:44:17.360 --> 0:44:20.120
<v Speaker 1>it's a friend. Yeah, sure, always, always when you get

0:44:20.160 --> 0:44:23.040
<v Speaker 1>to Nashville. He's an amazing guy. Oh when you know

0:44:23.080 --> 0:44:25.319
<v Speaker 1>what triggered it was when you mentioned Ellen, right, because

0:44:25.320 --> 0:44:27.799
<v Speaker 1>remember Ellen, they took over at some point, didn't they

0:44:27.880 --> 0:44:29.560
<v Speaker 1>of of some of the stuff on the lot there

0:44:29.640 --> 0:44:32.640
<v Speaker 1>right and the parking, am I right? People? The parking

0:44:32.920 --> 0:44:35.399
<v Speaker 1>they took over all the parking Ellen de generous right,

0:44:35.520 --> 0:44:38.840
<v Speaker 1>oh right. They came around and did they built grand

0:44:38.880 --> 0:44:42.600
<v Speaker 1>stands and they did they did shows from the sets

0:44:42.640 --> 0:44:45.640
<v Speaker 1>of different shows. Yes, yes, So here's what I want

0:44:45.680 --> 0:44:47.839
<v Speaker 1>you to do, is uh, I want you to look

0:44:47.920 --> 0:44:50.480
<v Speaker 1>up our friend Ben Jaffee. I'm just gonna drop a name, like,

0:44:52.560 --> 0:44:55.520
<v Speaker 1>you know Ben Jaffee. Do you know, uh what does

0:44:55.600 --> 0:45:00.960
<v Speaker 1>he do? Musician, songwriter, amazing human beings? He you know,

0:45:00.680 --> 0:45:02.879
<v Speaker 1>the Ben Jaffrey that I know is on the East

0:45:02.920 --> 0:45:07.479
<v Speaker 1>Coast and he's a he's a drummer slash attorney. Oh wow,

0:45:07.560 --> 0:45:10.040
<v Speaker 1>which is also very cool, by the way, very cool.

0:45:10.040 --> 0:45:13.160
<v Speaker 1>That's a super cool thing, this Ben Jaffe who spells

0:45:13.160 --> 0:45:14.480
<v Speaker 1>it with one e at the end. By the way,

0:45:14.480 --> 0:45:16.880
<v Speaker 1>it might be different than than you're Ben Jeffe. But

0:45:17.080 --> 0:45:19.919
<v Speaker 1>he is playing with Casey Musgrave right now and he's

0:45:19.920 --> 0:45:22.799
<v Speaker 1>in Nashville, Tennessee. So I would love you know, I'll

0:45:22.800 --> 0:45:25.360
<v Speaker 1>try and make it happen when Scott gets there. You

0:45:25.400 --> 0:45:28.600
<v Speaker 1>should get together your jam, you play some music and

0:45:28.960 --> 0:45:30.440
<v Speaker 1>there you go. I'm just dropping that because I know

0:45:30.480 --> 0:45:33.680
<v Speaker 1>you would be cool. Yeah, I'll you know, I we'll

0:45:34.160 --> 0:45:36.920
<v Speaker 1>check in with my socials and the show and all that.

0:45:37.360 --> 0:45:39.280
<v Speaker 1>I'm going down there. I'm gonna be down there five days.

0:45:40.120 --> 0:45:41.839
<v Speaker 1>There you go. It muld be enough time to see

0:45:41.840 --> 0:45:43.359
<v Speaker 1>what he's up to. I mean, I'll be busy, but

0:45:43.680 --> 0:45:46.759
<v Speaker 1>you know, I'll need to eat and stuff, you know

0:45:46.800 --> 0:45:49.160
<v Speaker 1>that kind of thing. That guy's got to thank you,

0:45:49.200 --> 0:45:53.680
<v Speaker 1>Scott for everything. It was a pleasure anytime, and be

0:45:53.800 --> 0:45:56.000
<v Speaker 1>well my friend. Hey, by the way, one more thing,

0:45:56.040 --> 0:45:59.960
<v Speaker 1>because you don't ask it anymore, Can I slip this in? Uh?

0:46:00.640 --> 0:46:03.600
<v Speaker 1>People were talking Team Dean, team whatever. We don't want

0:46:03.600 --> 0:46:05.480
<v Speaker 1>to go we don't want to go there. No, we're

0:46:05.480 --> 0:46:07.839
<v Speaker 1>not going there. I'm going Team Danielle. I don't leave

0:46:07.840 --> 0:46:15.960
<v Speaker 1>it at that Team Danielle. Yeah, Danielle Romo, You're Danielle.

0:46:16.120 --> 0:46:23.560
<v Speaker 1>There you go, Wow, there you go. So thank you.

0:46:23.680 --> 0:46:30.480
<v Speaker 1>I love Team Dean, Team Logan or team alright again.

0:46:30.600 --> 0:46:34.399
<v Speaker 1>I only mentioned it because I'm switching that. I'm gonna

0:46:34.400 --> 0:46:36.960
<v Speaker 1>flip the script on that whole gig. And since Scott

0:46:37.080 --> 0:46:39.880
<v Speaker 1>Rapid fired me, I'm just gonna say my party flought

0:46:39.880 --> 0:46:43.759
<v Speaker 1>Team Danielle. She made this happen. She made this fun

0:46:43.800 --> 0:46:47.160
<v Speaker 1>time happen. So thank you, my friend. All Right, babe,

0:46:47.160 --> 0:46:52.320
<v Speaker 1>you're the best man. Alright, buddy, be well, okay, okay,

0:46:52.520 --> 0:47:26.800
<v Speaker 1>you too. Thank you, dot hey everybody, and don't forget

0:47:26.840 --> 0:47:30.920
<v Speaker 1>follow us on Instagram at I Am all In podcast

0:47:31.040 --> 0:47:35.960
<v Speaker 1>and Emailie at Gilmore at I heart radio dot com.

0:47:35.960 --> 0:47:37.520
<v Speaker 1>Oh you get more fans. If you're looking for the

0:47:37.520 --> 0:47:39.680
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0:47:40.080 --> 0:47:43.200
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0:47:45.840 --> 0:47:56.040
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