WEBVTT - I'm on a Boz Mother F-er: A RHOBH Recap

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<v Speaker 1>Welco up to Reality the King.

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<v Speaker 2>It's me Carlos King, the King of Reality TV and

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<v Speaker 2>one of the most sought after executive producers in reality

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<v Speaker 2>television with over ten years a production experience.

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<v Speaker 1>Twice a week on.

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<v Speaker 2>Reality with the King, we'll sit down with my friends

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<v Speaker 2>across the entertainment industry, recap our favorite reality shows and

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<v Speaker 2>revisit unforgettable moments that we are still talking and tweeting about. Hey,

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<v Speaker 2>rain drops on today's episode of Ryan.

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<v Speaker 1>I listen Ryan with.

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<v Speaker 3>The King, Yeah, right up, rain drops got the new show.

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<v Speaker 1>Though.

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<v Speaker 2>I'm laughing because listen, it's Ryan Bailly, our friend. He's

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<v Speaker 2>a rain drop. But what the funniest thing for those

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<v Speaker 2>who can't see us, Ryan's name is what made me

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<v Speaker 2>like lab and call him Ryan with the King. Honey,

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<v Speaker 2>he is going by Ryan scrapped the ball. Welcome to

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<v Speaker 2>the shot Ryot.

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<v Speaker 3>Okay, it is so good to be back.

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<v Speaker 1>Secondly, are you a slut?

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<v Speaker 4>No, listen, I'm a former sluton. I don't know if

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<v Speaker 4>slutton is I don't know if Sutton is defensible at

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<v Speaker 4>this point. If you can defend this behavior and uh listen,

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<v Speaker 4>it's an iconic way to end this episode. With her

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<v Speaker 4>having me to have a loane time to have a think.

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<v Speaker 4>But you know, she just doesn't know how to communicate

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<v Speaker 4>in these situations, so it's really easy to get one

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<v Speaker 4>over on her. But I mean, listen at that the

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<v Speaker 4>caviar Caspia lunch, the wallet comment. You're never going to

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<v Speaker 4>live that down, directing that towards Dreed.

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<v Speaker 1>Okay, let's just get right into it.

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<v Speaker 2>Okay, my friend Megan McCain said to me, Carlos, we

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<v Speaker 2>usually agree on everything, but we're gonna disagree on Sutton.

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<v Speaker 2>I thought the comment was grows when she compared her

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<v Speaker 2>wallet to the reeds, And I said, look, I'm never

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<v Speaker 2>saying that. I thought the comment itself as a person

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<v Speaker 2>was great.

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<v Speaker 1>It is growth. I said.

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<v Speaker 2>The reason why I called myself a Slatin is because

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<v Speaker 2>I like when Sutton is herself. I like it when

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<v Speaker 2>women or men or they show up on these reality

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<v Speaker 2>shows and they're not placating to the audience.

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<v Speaker 1>That comment of comparing wallets is so like the class a.

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<v Speaker 2>That that's the world in whish site lives this so

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<v Speaker 2>I won't know funny.

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<v Speaker 3>Yeah, it's great. It's very dynasty.

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<v Speaker 4>It's very you know, it's like that if you want

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<v Speaker 4>to see wealth, she is telling us, you know, there

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<v Speaker 4>is wealth there. So in that sense, I mean, it's

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<v Speaker 4>an amazing kind of archetype in terms of.

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<v Speaker 3>A reality show.

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<v Speaker 4>But there is something really uh distasteful knowing the season

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<v Speaker 4>that Dared is portraying herself in that You're just like, damn, damn,

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<v Speaker 4>And there seems to be like a hypocritical nature with

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<v Speaker 4>everybody in the cast right now, where you know, obviously

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<v Speaker 4>that's not Sutton's money. She helped earn that money through

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<v Speaker 4>her relationship with her husband. But if you're using that

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<v Speaker 4>as your main point of standing up for yourself of

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<v Speaker 4>like I got a huge wallet, it's really funny and iconic,

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<v Speaker 4>but it is hard to necessarily support, and you realize

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<v Speaker 4>she is gonna get beat up on all sides from

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<v Speaker 4>that point on, which.

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<v Speaker 2>Is why we got to talk about this because I

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<v Speaker 2>watched this show like a student like you do, Ryan Strack,

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<v Speaker 2>and I wonder if you caught the moment that I

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<v Speaker 2>call okay, So when she made the comment three episodes

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<v Speaker 2>ago when Sutt instead, my wallet is bigger, and all

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<v Speaker 2>the girls gas like, oh my gosh, who says that

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<v Speaker 2>dot dot dot on camera?

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<v Speaker 3>You know, what I mean, like, look, we say.

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<v Speaker 4>That's the problem with these shows, and especially Beverly Hills,

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<v Speaker 4>is because everything is off camera with these ladies, everything

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<v Speaker 4>whether whatever's going on with Morgan Wade, whatever's going They'll

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<v Speaker 4>only feel comfortable talking smack about each other in talking

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<v Speaker 4>heads or on watch what Happens, or in the press.

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<v Speaker 4>But if you want to get them to talk smack

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<v Speaker 4>at each other in the scenes, I guess in a

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<v Speaker 4>sense Sutton is a.

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<v Speaker 3>Hero for that.

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<v Speaker 4>But you you know, that's the frustrating part is that

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<v Speaker 4>it's so much subtext on Beverly Hills where you're watching

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<v Speaker 4>scenes and it really feels like they're trying to keep

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<v Speaker 4>the truth hidden. It's like what can we hide from

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<v Speaker 4>the show, And then you have people like Garcel trying

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<v Speaker 4>to bring it into the light of like why can't

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<v Speaker 4>we talk about Morgan right exactly.

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<v Speaker 2>So again, when Sudden made that comment, she said her confession,

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<v Speaker 2>that was her interview.

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<v Speaker 1>Verbado.

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<v Speaker 2>I said it, and I don't regret it.

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<v Speaker 1>Three episodes later, you regret what you said.

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<v Speaker 2>So to my rain drops, let me tell you how

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<v Speaker 2>this how this works when you film a scene, all right,

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<v Speaker 2>so so so rain drops sit still and Listen, when

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<v Speaker 2>you film a scene and it's happening in real time,

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<v Speaker 2>you say shit months later, not like the next day,

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<v Speaker 2>but months, a month, or months later. You film a

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<v Speaker 2>confessional where the producer's asking you about the moment. Okay,

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<v Speaker 2>that could be weeks later, months later. So hear me out.

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<v Speaker 2>When some made that comment, she meant it because she

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<v Speaker 2>said her confessional weeks later, you say I regret it.

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<v Speaker 2>Trust me, it's because and listen.

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<v Speaker 1>It's all alleged.

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<v Speaker 2>Sutton spoke to her team and they said, you said,

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<v Speaker 2>what you have to apologize. You have to apologize. You

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<v Speaker 2>can't double down on it. And that's the reason why

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<v Speaker 2>rain Drops Dree, to her credit, did not accept the

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<v Speaker 2>apology because Durit knew you only regret it because someone

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<v Speaker 2>told you how bad you're going to look when this

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<v Speaker 2>episode airs.

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<v Speaker 4>Yeah, I love, I mean I love the thought of

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<v Speaker 4>asking Sudden or any of these housewives the same question

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<v Speaker 4>in every talking head session and seeing if the answers

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<v Speaker 4>line up. Because we had that great moment from Portia

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<v Speaker 4>in Atlanta this week where they were doing like back

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<v Speaker 4>to back confessionals with Portia where she's saying she's not

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<v Speaker 4>pressed about Drew and Dennis, and I just thought it

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<v Speaker 4>was great, Like in multiple different looks, she's like, I

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<v Speaker 4>don't care when you could tell she obviously cares. Yeah,

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<v Speaker 4>But Sudden is interesting because she's all over the place,

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<v Speaker 4>she's listening to so many people. But you know, at

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<v Speaker 4>the end of the day, her real thoughts are what

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<v Speaker 4>she really said at that table.

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<v Speaker 2>It is it is, And again, I it's the reason

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<v Speaker 2>why I love Lisa Barlow.

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<v Speaker 1>When she complained about was it nineteen C or seventeen

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<v Speaker 1>seventeen CE?

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<v Speaker 2>Right?

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<v Speaker 3>Oh yeah, the flight Yes.

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<v Speaker 2>Again, when she complained to bron and like, I got

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<v Speaker 2>to sit and coach in a seventeen CE. Like again,

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<v Speaker 2>in this climate, in this economical climate, it's not the

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<v Speaker 2>greatest thing to say.

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<v Speaker 1>However, I like the fact that she's like, in my world,

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<v Speaker 1>got some bullshit.

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<v Speaker 4>So so well, I'm like, seventeen C in my climate

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<v Speaker 4>sounds pretty damn good. But moment from Lisa Barlow, and

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<v Speaker 4>I think that's why Lisa is celebrated from like real

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<v Speaker 4>hardcore viewers because she's so uniquely herself and Sudden can

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<v Speaker 4>be uniquely herself. But I think your point is, don't

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<v Speaker 4>then backtrack on it, like double down triple down.

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<v Speaker 3>Don't like. If that's your thought, that's your thought, stay

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<v Speaker 3>with it.

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<v Speaker 4>Don't all of a sudden then apologize for something we

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<v Speaker 4>know you are not sorry for.

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<v Speaker 1>Big oh exactly, Bingo.

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<v Speaker 2>So what was interesting though, because a lot of people

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<v Speaker 2>are saying that bows is of Duri's ask, which I

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<v Speaker 2>never I never felt for that a lot, exactly, Ryan,

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<v Speaker 2>I never thought that myself. I like the fact that

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<v Speaker 2>Bowse of all people, has come in saying I'm going

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<v Speaker 2>to be fair. I don't know these women personally. I'm

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<v Speaker 2>just going to come in and take these women for

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<v Speaker 2>face value. She literally has called out Garcell Kyle Sutton,

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<v Speaker 2>and then in this most recent episode, she told to

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<v Speaker 2>read you're not being fair.

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<v Speaker 1>She's apologizing to you. I think you should accept it.

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<v Speaker 1>I love both. I think she's bringing to the show

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<v Speaker 1>with so delicious.

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<v Speaker 4>It's so refreshing to see bos and to see a

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<v Speaker 4>first season housewife that they're actually giving storyline. She has

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<v Speaker 4>the most normal scenes that actually have real life consequences.

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<v Speaker 4>We're seeing this romance Bloom, the introduction of her boyfriend

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<v Speaker 4>to her daughter, and the pregnancy journey, and you can

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<v Speaker 4>really trust it this moment what she says, It'll be

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<v Speaker 4>interesting to see in future seasons how she changes, but

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<v Speaker 4>at this moment, she's the reliable narrator.

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<v Speaker 2>Yes, and it's fascinating because listen to be this boss

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<v Speaker 2>woman who worked for these big brands from Uber to Netflix.

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<v Speaker 2>She understands how to get her point across in a

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<v Speaker 2>way to where she's speaking to you, not at you,

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<v Speaker 2>and that's what makes it so special. Now on the

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<v Speaker 2>flip side, what we are seeing for the first time

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<v Speaker 2>in this episode that I'm like, does someone play reality

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<v Speaker 2>with the King for Garcella Sutton and said, Carl King

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<v Speaker 2>has been calling this out for three fucking years, and

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<v Speaker 2>instead of instead of attacking him on Twitter high tweets,

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<v Speaker 2>let's let's finally, you know, give the audience something they've

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<v Speaker 2>been craving.

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<v Speaker 1>Garcell calling out Sutton is.

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<v Speaker 2>Long overdue, and I was happy to see that finally

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<v Speaker 2>garcel is seeing that.

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<v Speaker 1>Look, let's be real.

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<v Speaker 2>Sutton is a woman from a very high society background. Therefore,

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<v Speaker 2>she likes to hang with women whose wallet is the

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<v Speaker 2>same size of hers or bigger. Kyle Richards, at the

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<v Speaker 2>end of the day, has more money than Sutton because

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<v Speaker 2>Sutton's money is capped at three hundred and fifty thousand

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<v Speaker 2>dollars a month.

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<v Speaker 1>It's cap you're not going to go above it.

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<v Speaker 3>Poor Ah.

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<v Speaker 2>So Ryan Strap, Colerid Listen, Mauricio Umansky has a very

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<v Speaker 2>successful business called The Agency. Kyle Richards also said her

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<v Speaker 2>money's long too. That's the reason why is of Kyle's

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<v Speaker 2>ass the way she was Kathy Hilton's and she had

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<v Speaker 2>that very soft conversation with her two seasons ago. Is

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<v Speaker 2>because Sutton needs to be in the high society of

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<v Speaker 2>Billy Hills. That's why she doesn't like to read. So

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<v Speaker 2>I think Garcell is finally seeing that. Why are you

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<v Speaker 2>constantly talking shit about Morgan and Kyle to me? But

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<v Speaker 2>when we're around Kyle together, I'm the one that has

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<v Speaker 2>to bring it up.

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<v Speaker 1>And you sit there and you drink your espresso martini.

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<v Speaker 3>Yeah, bring it out into the light.

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<v Speaker 4>I you know, I love Garcel going to bed early,

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<v Speaker 4>like that's enough. I'm going to bed and not continuing

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<v Speaker 4>with sudden and I love. I mean, it really threw

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<v Speaker 4>Sutton off her game a little bit, but I mean

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<v Speaker 4>it is ridiculou. If you're going to have these conversations,

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<v Speaker 4>you're on a reality show. You're on a reality show,

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<v Speaker 4>bring it in and let's talk about it. Let's talk

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<v Speaker 4>about it even if it's.

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<v Speaker 3>Good or bad.

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<v Speaker 4>And I feel like I know more about Mauricio and

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<v Speaker 4>his relationships than I do Kyle and hers. This isn't

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<v Speaker 4>the Real Housewives of Mauricio, Like they are separated. I

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<v Speaker 4>don't care if he's going to all the SOHO houses

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<v Speaker 4>in the nation with different women every day. I want

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<v Speaker 4>to know what's going on with Kyle. I want to

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<v Speaker 4>know what's going on with Erica's relationships. I want to

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<v Speaker 4>know what's going on with Dread and PK more like

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<v Speaker 4>I don't give a rip. And also Kathy suddenly shading Mauricio.

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<v Speaker 4>Was it last week of like, well he doesn't have

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<v Speaker 4>that kind of money? He doesn't And I was like,

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<v Speaker 4>wait a sec, he does have that kind of money.

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<v Speaker 4>The agencies worldwide are we suggesting there's a financial issue

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<v Speaker 4>with Mauricio now, But we shouldn't be like so giving

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<v Speaker 4>so much time to Mauricio when we're not giving equal time,

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<v Speaker 4>if not more, to Kyle and her relationships or the

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<v Speaker 4>other ladies in their relationships.

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<v Speaker 2>It is, first of all, I'm so gagging the real Mauricio.

0:12:00.160 --> 0:12:04.600
<v Speaker 2>Beverley Hills. It's it's it's it's what I've been calling

0:12:04.640 --> 0:12:09.679
<v Speaker 2>out Ryan from day one. And what's so fascinating about

0:12:09.720 --> 0:12:13.840
<v Speaker 2>the The Housewives fans. The Belly Hills fans are second

0:12:13.880 --> 0:12:19.079
<v Speaker 2>to Jersey when it comes to no One, no one,

0:12:20.000 --> 0:12:22.319
<v Speaker 2>no one beats Jersey when it comes to fandom. Let's

0:12:22.400 --> 0:12:25.600
<v Speaker 2>let's be real, it's Jersey, then it's Beverley Hills. Okay,

0:12:26.640 --> 0:12:30.320
<v Speaker 2>Beverly Hills has a lot of like diehard fans. And

0:12:30.360 --> 0:12:33.240
<v Speaker 2>if you talk about certain people, oh honey, you're getting

0:12:33.320 --> 0:12:36.600
<v Speaker 2>attacked on Twitter right or on the Spotify comments leave

0:12:36.640 --> 0:12:37.040
<v Speaker 2>me one.

0:12:37.080 --> 0:12:37.559
<v Speaker 1>I don't care.

0:12:37.800 --> 0:12:40.800
<v Speaker 2>So with that being said, I don't give a shit.

0:12:41.080 --> 0:12:44.720
<v Speaker 2>With that being said, you're so right, Ryan in the

0:12:44.760 --> 0:12:50.240
<v Speaker 2>sense of like, look, Mauricio has moved on, and he

0:12:50.360 --> 0:12:55.480
<v Speaker 2>has moved on for quite a while. Right, yeah, sorry,

0:12:55.520 --> 0:12:57.760
<v Speaker 2>rain drops. If you disagree with me is okay, you'll you'll,

0:12:57.840 --> 0:12:58.440
<v Speaker 2>you'll be fine.

0:12:59.080 --> 0:12:59.839
<v Speaker 1>I am not.

0:13:00.040 --> 0:13:00.199
<v Speaker 4>Now.

0:13:00.400 --> 0:13:04.439
<v Speaker 2>Based on this episode and hearing more conversations from Kyle

0:13:04.520 --> 0:13:08.800
<v Speaker 2>and the girls about Morgan and Mauricio, I do strongly

0:13:08.840 --> 0:13:11.360
<v Speaker 2>believe in my opinion that something happened in the marriage

0:13:11.360 --> 0:13:12.920
<v Speaker 2>where Mauricio was at fault.

0:13:14.960 --> 0:13:16.720
<v Speaker 1>I believe Mauricio did something.

0:13:16.440 --> 0:13:21.240
<v Speaker 2>That Kyle said, Okay, we got to be separated. I

0:13:21.280 --> 0:13:27.520
<v Speaker 2>think Mauricio, in my opinion, I think he respectfully made

0:13:27.520 --> 0:13:33.920
<v Speaker 2>sure not too publicly embarrassed Kyle meeting women going on

0:13:34.559 --> 0:13:39.680
<v Speaker 2>podcasts saying I slept with mauriciover dating, right, I think

0:13:39.720 --> 0:13:40.320
<v Speaker 2>what happened.

0:13:40.360 --> 0:13:42.640
<v Speaker 1>In my opinion, I think they made a deal.

0:13:43.480 --> 0:13:46.800
<v Speaker 2>Let's deal with this privately and we won't embarrass each

0:13:46.840 --> 0:13:51.679
<v Speaker 2>other publicly. I think when Kyle met Morgan and things

0:13:51.720 --> 0:13:56.320
<v Speaker 2>started to happen, I think Mauricio was like, now, wait

0:13:56.320 --> 0:13:59.199
<v Speaker 2>a second, we had a deal, and I think at

0:13:59.200 --> 0:14:02.559
<v Speaker 2>the end of the day, a Mauricio played his role,

0:14:03.320 --> 0:14:06.000
<v Speaker 2>and when the Morgan thing got too crazy, I think

0:14:06.040 --> 0:14:09.959
<v Speaker 2>two things happen simultaneously. I think Morgan said this faining

0:14:10.000 --> 0:14:13.640
<v Speaker 2>shit when it comes to these diehard Bailly Hills fans,

0:14:13.960 --> 0:14:16.680
<v Speaker 2>what Diana Jakins went through. I think Morgan said, I'm

0:14:16.679 --> 0:14:18.719
<v Speaker 2>good in the hood. I'm going to go back in

0:14:18.800 --> 0:14:23.160
<v Speaker 2>my cubby hole and be a performer at the State Fair, right,

0:14:23.560 --> 0:14:26.760
<v Speaker 2>because she's not booking stages at Coachella, No, say Morgan, way,

0:14:27.160 --> 0:14:29.280
<v Speaker 2>I would love to see you in intimate setting at

0:14:29.280 --> 0:14:30.120
<v Speaker 2>my backyard.

0:14:31.120 --> 0:14:33.680
<v Speaker 4>Well, I'm sure she's going to rush to do that now, Carlos,

0:14:33.680 --> 0:14:40.200
<v Speaker 4>after these nice comments, No, I Morgan listen. I well,

0:14:40.480 --> 0:14:42.160
<v Speaker 4>as a producer, I was wondering this. I was going

0:14:42.200 --> 0:14:44.680
<v Speaker 4>to ask you. Is that Are they told that they

0:14:44.720 --> 0:14:48.240
<v Speaker 4>cannot ask directly about Morgan Way? Because it feels like

0:14:48.240 --> 0:14:51.720
<v Speaker 4>this tap dance of like Garza's like, well, you know

0:14:51.840 --> 0:14:53.800
<v Speaker 4>I saw you at a concert, like we're talking about

0:14:53.840 --> 0:14:56.240
<v Speaker 4>how to approach Kyle. Are we not allowed to ask

0:14:56.280 --> 0:14:58.920
<v Speaker 4>direct questions of Kyle anymore? Or is that like a

0:14:59.040 --> 0:15:01.680
<v Speaker 4>rule that is there? An edict has thrown down because

0:15:01.800 --> 0:15:03.840
<v Speaker 4>we asked direct questions of other women, why can't we

0:15:03.880 --> 0:15:04.600
<v Speaker 4>ask it of Kyle?

0:15:04.640 --> 0:15:05.360
<v Speaker 3>I don't understand.

0:15:05.480 --> 0:15:08.160
<v Speaker 1>I'm gonna make you understand. You ready for this? Brother? Yeah,

0:15:08.320 --> 0:15:11.600
<v Speaker 1>it's Kyle's show now. No, I'm gonna tell you something

0:15:11.640 --> 0:15:13.040
<v Speaker 1>that this is all.

0:15:12.920 --> 0:15:18.480
<v Speaker 3>Alleged in my opinion, right.

0:15:19.480 --> 0:15:20.160
<v Speaker 1>My opinion.

0:15:20.480 --> 0:15:23.000
<v Speaker 2>Hi, Tamera, I'm glad you're back at work. I saw

0:15:23.000 --> 0:15:28.800
<v Speaker 2>it on Twitter. Okay, Fie, Okay, Look, Kyle Richards is

0:15:28.840 --> 0:15:32.080
<v Speaker 2>the queen bee of that show. Beverly Hills Housewives is

0:15:32.200 --> 0:15:34.760
<v Speaker 2>ran not by production, meaning.

0:15:34.440 --> 0:15:35.200
<v Speaker 1>By the cast.

0:15:35.720 --> 0:15:40.200
<v Speaker 2>Beverly Hills has ran very differently than Atlanta, Miami, OC.

0:15:41.880 --> 0:15:42.880
<v Speaker 1>Potomac.

0:15:43.600 --> 0:15:46.160
<v Speaker 2>You know, when you're the queen Bee of those shows,

0:15:46.360 --> 0:15:50.440
<v Speaker 2>if anything, Ryan, you get asked more questions, Like they're like,

0:15:50.960 --> 0:15:52.840
<v Speaker 2>you're in the hot stee bitch, like we're gonna ask

0:15:52.920 --> 0:15:57.720
<v Speaker 2>you everything. It's Kyle's show, and I think those women

0:15:58.320 --> 0:16:03.680
<v Speaker 2>are so protective of their queen and also of their

0:16:03.760 --> 0:16:09.920
<v Speaker 2>own skeletons in their closet. Do I believe that Erica Jane,

0:16:09.920 --> 0:16:12.720
<v Speaker 2>who I'm obsessed with, I love her. Do I believe

0:16:12.920 --> 0:16:15.680
<v Speaker 2>Erica Jane is not getting her back blown out? No.

0:16:16.200 --> 0:16:19.760
<v Speaker 2>I think she has a boy toy, but they're not

0:16:19.800 --> 0:16:22.000
<v Speaker 2>going to call her out on it. Do I believe

0:16:22.040 --> 0:16:23.120
<v Speaker 2>for a second that.

0:16:23.000 --> 0:16:25.280
<v Speaker 1>None of these women knew.

0:16:24.720 --> 0:16:30.160
<v Speaker 2>That Kyle and Mikyle, that Dri and PK had issues. No.

0:16:30.960 --> 0:16:33.800
<v Speaker 1>I think they all respect each other's secrets.

0:16:34.240 --> 0:16:39.640
<v Speaker 2>And I think when it comes to Kyle, specifically because

0:16:39.680 --> 0:16:42.880
<v Speaker 2>it's her show, I think they give her a little

0:16:42.880 --> 0:16:46.640
<v Speaker 2>bit more respect. And I think garcel is sort of

0:16:46.720 --> 0:16:50.560
<v Speaker 2>like am I in the Twilight Zone. This is crazy,

0:16:51.240 --> 0:16:53.600
<v Speaker 2>and I think that's why Garcella is the only one

0:16:53.640 --> 0:16:55.680
<v Speaker 2>who wants to push the homelope and I want to

0:16:55.800 --> 0:16:57.760
<v Speaker 2>end it by saying this and This is me being

0:16:58.080 --> 0:17:02.680
<v Speaker 2>very honest about my opinion. I think because and I'm

0:17:02.680 --> 0:17:07.440
<v Speaker 2>speaking as an overly gay person. As an overly gay person,

0:17:07.920 --> 0:17:11.560
<v Speaker 2>you never want to out somebody if they're not ready

0:17:11.600 --> 0:17:12.160
<v Speaker 2>to come out.

0:17:12.720 --> 0:17:15.480
<v Speaker 1>Sure, And I think there is kid.

0:17:15.280 --> 0:17:18.880
<v Speaker 2>Gloves when it comes to how far can we go

0:17:19.119 --> 0:17:23.560
<v Speaker 2>with this Morgan and Kyle alleged relationship, Because if Kyle

0:17:23.680 --> 0:17:25.960
<v Speaker 2>isn't ready to come out as a woman who's in

0:17:26.000 --> 0:17:30.240
<v Speaker 2>a relationship with relationship with another woman, are we then

0:17:30.640 --> 0:17:32.320
<v Speaker 2>outing somebody who's not ready?

0:17:32.440 --> 0:17:32.640
<v Speaker 1>Which?

0:17:32.680 --> 0:17:32.960
<v Speaker 3>Which?

0:17:33.000 --> 0:17:35.200
<v Speaker 1>Which? Which? I at least get that.

0:17:35.840 --> 0:17:38.240
<v Speaker 4>I that's a great point, and I do understand that.

0:17:38.400 --> 0:17:41.000
<v Speaker 4>But unfortunately we have two things. You know, two things

0:17:41.000 --> 0:17:43.160
<v Speaker 4>can be true at once. Is that that is completely true,

0:17:43.400 --> 0:17:46.080
<v Speaker 4>But unfortunately you've chosen to make a certain part of

0:17:46.119 --> 0:17:46.840
<v Speaker 4>your living.

0:17:46.600 --> 0:17:47.720
<v Speaker 3>Off of reality television.

0:17:47.800 --> 0:17:47.919
<v Speaker 2>Right.

0:17:48.160 --> 0:17:50.240
<v Speaker 4>We don't want to call this show the Housewives of

0:17:50.280 --> 0:17:52.359
<v Speaker 4>Beverly Hills. We want to call it the Real Housewives

0:17:52.359 --> 0:17:53.040
<v Speaker 4>of Beverly Hills.

0:17:53.119 --> 0:17:53.280
<v Speaker 1>Right.

0:17:53.359 --> 0:17:57.280
<v Speaker 4>And I would argue that, you know, obviously, Kyle, whatever

0:17:57.400 --> 0:18:00.000
<v Speaker 4>is going on, this could just be a standard friend

0:18:00.359 --> 0:18:03.000
<v Speaker 4>But there is so much like in the not talking about.

0:18:02.760 --> 0:18:04.480
<v Speaker 3>It, it just adds so much.

0:18:04.280 --> 0:18:06.840
<v Speaker 4>More suspicion and so many more issues, and then you

0:18:06.880 --> 0:18:09.600
<v Speaker 4>see it almost gives these other cast members permission to

0:18:09.640 --> 0:18:12.080
<v Speaker 4>not like, yeah, I want to know about Erica gettner

0:18:12.160 --> 0:18:14.560
<v Speaker 4>back blown out. Do you know how many people would

0:18:14.600 --> 0:18:16.880
<v Speaker 4>love to hear of like, oh, I got my back

0:18:16.960 --> 0:18:19.439
<v Speaker 4>blown out last night, Like that would be an amazing

0:18:19.520 --> 0:18:21.919
<v Speaker 4>piece of dialogue from Erica Jane, like I'm glad you

0:18:21.920 --> 0:18:24.520
<v Speaker 4>got the wallpaper in the house, But now what's going

0:18:24.520 --> 0:18:25.200
<v Speaker 4>on downtown?

0:18:25.680 --> 0:18:27.639
<v Speaker 3>I mean, I want those like real moments.

0:18:27.640 --> 0:18:29.879
<v Speaker 4>And to your point earlier about to Read, they all

0:18:29.960 --> 0:18:31.600
<v Speaker 4>knew to Read and PK were having issues.

0:18:31.840 --> 0:18:32.800
<v Speaker 3>The audience didn't.

0:18:32.840 --> 0:18:35.680
<v Speaker 4>We never got to see one damn fight between them

0:18:35.960 --> 0:18:39.560
<v Speaker 4>before this season. They obviously were having blowout fights. PK

0:18:39.800 --> 0:18:42.679
<v Speaker 4>was like, we would destroy each other. We don't know

0:18:42.720 --> 0:18:45.200
<v Speaker 4>that because they kept like a certain image in front

0:18:45.200 --> 0:18:47.840
<v Speaker 4>of the cameras. And so now we're catching up to

0:18:47.920 --> 0:18:51.600
<v Speaker 4>what everybody in that cast already knows. So to me,

0:18:51.840 --> 0:18:54.480
<v Speaker 4>that's why I kind of understand Garcel where it feels

0:18:54.520 --> 0:18:57.200
<v Speaker 4>like as a viewer. For me personally, I am watching

0:18:57.240 --> 0:18:58.399
<v Speaker 4>the Twilight Zone at times.

0:18:58.560 --> 0:19:02.200
<v Speaker 2>No everything you're saying, and I think that's the reason

0:19:02.240 --> 0:19:06.600
<v Speaker 2>why again, you have to give Garcel and Bows their

0:19:06.680 --> 0:19:11.280
<v Speaker 2>props in terms of they're challenging the situation a little

0:19:11.320 --> 0:19:15.119
<v Speaker 2>bit more than what the other ladies are doing. And

0:19:15.160 --> 0:19:19.240
<v Speaker 2>I think the reason why Bows and Garcel are doing

0:19:19.359 --> 0:19:24.359
<v Speaker 2>the best is because there isn't They're not. They don't

0:19:24.359 --> 0:19:26.439
<v Speaker 2>have this history of being a part of like this

0:19:26.600 --> 0:19:30.760
<v Speaker 2>Beverly Hills society. Bows has been a working ass boss

0:19:30.880 --> 0:19:35.480
<v Speaker 2>working in corporate corporations for years, and you have Garcel,

0:19:35.760 --> 0:19:40.040
<v Speaker 2>who has been a black Hollywood iconic actress since she

0:19:40.119 --> 0:19:43.120
<v Speaker 2>was in her twenties, not to mention a freaking model.

0:19:43.359 --> 0:19:48.679
<v Speaker 2>So their allegiance to this society of the Beverly Hills

0:19:49.280 --> 0:19:53.040
<v Speaker 2>isn't the same as this with Erica Durizon and Kyle.

0:19:53.480 --> 0:19:56.080
<v Speaker 2>And that's why those two women are pushing the envelope

0:19:56.080 --> 0:19:59.320
<v Speaker 2>more when it comes to like, Okay, we have to

0:19:59.440 --> 0:20:01.800
<v Speaker 2>really stand what's happening.

0:20:01.920 --> 0:20:04.560
<v Speaker 1>Because this is this is my thing, Ryan, right.

0:20:05.000 --> 0:20:11.399
<v Speaker 2>Like, for example, when Garcel is challenging something like and

0:20:11.520 --> 0:20:13.720
<v Speaker 2>mind you she's saying in her interviews not in her face,

0:20:13.760 --> 0:20:16.360
<v Speaker 2>which is another cop out to me, but whatever, I'll

0:20:16.400 --> 0:20:18.199
<v Speaker 2>take it. She gave a little bit more like you

0:20:18.200 --> 0:20:19.720
<v Speaker 2>said when she said I'm going to I'm going to

0:20:19.720 --> 0:20:24.639
<v Speaker 2>sleep girl, because girl, you're trying it. But when Garcel

0:20:25.040 --> 0:20:27.320
<v Speaker 2>pretty much said that Sutton has.

0:20:27.200 --> 0:20:31.120
<v Speaker 1>Blind us on when it comes to Kyle and.

0:20:32.560 --> 0:20:36.560
<v Speaker 2>Something is sort of not seeing it, do you think

0:20:36.800 --> 0:20:42.840
<v Speaker 2>the comfortability that Garcela is not having calling something out

0:20:42.920 --> 0:20:46.000
<v Speaker 2>and she's never done it before is because of what

0:20:46.040 --> 0:20:49.760
<v Speaker 2>you're saying. She feels like, why the fuck am I

0:20:49.920 --> 0:20:53.919
<v Speaker 2>sharing the same stage with Kyle if she's not going

0:20:53.960 --> 0:20:55.000
<v Speaker 2>to give us the reality?

0:20:55.600 --> 0:20:57.680
<v Speaker 1>But Kyle pushes everyone else to.

0:20:58.560 --> 0:20:59.919
<v Speaker 3>Yeah, I mean one hundred percent.

0:21:00.359 --> 0:21:02.920
<v Speaker 4>I feel like I'm watching people collect paychecks rather than

0:21:02.920 --> 0:21:06.160
<v Speaker 4>participate in I mean, and at this point, the whole

0:21:06.160 --> 0:21:08.720
<v Speaker 4>season is based on like this false premise of a

0:21:08.760 --> 0:21:11.280
<v Speaker 4>sisterhood that's Sutton set up. You know, it's like what

0:21:11.640 --> 0:21:13.800
<v Speaker 4>you know, Like listen, I am not a female, but

0:21:13.920 --> 0:21:16.840
<v Speaker 4>like I you know, my view of a sisterhood is

0:21:16.880 --> 0:21:19.439
<v Speaker 4>not this season of Real Housewives of Beverly Hills. So

0:21:19.480 --> 0:21:21.560
<v Speaker 4>we already start the season on this kind of false

0:21:21.560 --> 0:21:24.199
<v Speaker 4>premise that you see slowly chip away. And it's just

0:21:24.240 --> 0:21:26.080
<v Speaker 4>weird because you're seeing a bunch of people that I

0:21:26.080 --> 0:21:30.360
<v Speaker 4>feel like are coworkers rather than friends. So I would

0:21:30.440 --> 0:21:33.640
<v Speaker 4>imagine that it is very upsetting for people like Garcel

0:21:34.080 --> 0:21:36.480
<v Speaker 4>to be like, I don't get I don't get what

0:21:36.560 --> 0:21:39.160
<v Speaker 4>our purpose here is. Like you're telling me one thing

0:21:39.200 --> 0:21:41.680
<v Speaker 4>off cameras and in our natural friendship when the cameras

0:21:41.760 --> 0:21:43.960
<v Speaker 4>go up, you are mom on the word what are

0:21:43.960 --> 0:21:45.200
<v Speaker 4>we supposed to talk about here?

0:21:45.880 --> 0:21:46.200
<v Speaker 1>Yes?

0:21:46.359 --> 0:21:51.680
<v Speaker 2>Yes, yes, this episode was pretty much apparent that this

0:21:51.760 --> 0:21:57.080
<v Speaker 2>group is dysfunctional. Let me tell you something, Ryan Strack,

0:21:58.400 --> 0:22:02.240
<v Speaker 2>I won't go by the name Carlos Jane because.

0:22:03.320 --> 0:22:04.360
<v Speaker 1>My good sister.

0:22:04.280 --> 0:22:11.000
<v Speaker 2>Erica Jane clocked in and Erica, who carried three seasons,

0:22:11.240 --> 0:22:14.000
<v Speaker 2>three consecutive seasons, going through the terrible things with her

0:22:14.040 --> 0:22:18.280
<v Speaker 2>ex husband. I was like, Okay, my girl deserves a break,

0:22:18.320 --> 0:22:21.320
<v Speaker 2>and I'm fine with that, but I love Erica clocks

0:22:21.320 --> 0:22:25.800
<v Speaker 2>the girls. When Erica Jane told Sutton, you don't support

0:22:25.840 --> 0:22:28.960
<v Speaker 2>these women, and you like to make it seem like

0:22:29.000 --> 0:22:31.800
<v Speaker 2>it's a sisterhood, that's bullshit. You like to say it,

0:22:31.840 --> 0:22:34.159
<v Speaker 2>but you don't act, You don't act upon it. Not

0:22:34.280 --> 0:22:37.879
<v Speaker 2>only that you do have a tendency to come in

0:22:38.000 --> 0:22:40.840
<v Speaker 2>say ooh, I want to help you, and then you

0:22:40.960 --> 0:22:43.560
<v Speaker 2>go around and you do dirty shit behind the back.

0:22:43.560 --> 0:22:45.680
<v Speaker 2>She needs to say those exact words that's been paraphrasing

0:22:46.520 --> 0:22:51.000
<v Speaker 2>and then Ston being look, I like when Sutton is herself,

0:22:51.680 --> 0:22:52.840
<v Speaker 2>she was dead as wrong.

0:22:53.040 --> 0:22:55.440
<v Speaker 1>But I found a comical when she.

0:22:55.720 --> 0:22:59.000
<v Speaker 2>Said, you said, I don't support women, and she's like,

0:22:59.080 --> 0:23:02.160
<v Speaker 2>no women in this group is who I'm talking about.

0:23:02.640 --> 0:23:04.720
<v Speaker 2>Don't play in the gambles of maxist. To me, the

0:23:04.800 --> 0:23:07.960
<v Speaker 2>fact that it took that ad I don't support women,

0:23:08.400 --> 0:23:14.280
<v Speaker 2>sut it girl calmed down. But Erica clocking Sutton is

0:23:14.480 --> 0:23:19.840
<v Speaker 2>lack of emotional intelligence when it comes to being there

0:23:19.840 --> 0:23:23.000
<v Speaker 2>for the women on the show was my favorite part

0:23:23.000 --> 0:23:25.760
<v Speaker 2>of the episode to me, because I think it's true.

0:23:25.800 --> 0:23:28.480
<v Speaker 4>You know, it was a it was a great part.

0:23:28.560 --> 0:23:32.200
<v Speaker 4>But come on, like any like a blind deaf person

0:23:32.240 --> 0:23:33.040
<v Speaker 4>can clock Sutton.

0:23:33.119 --> 0:23:34.320
<v Speaker 3>That is not a great feat.

0:23:34.480 --> 0:23:37.240
<v Speaker 4>Like you know you like a broken clock can be

0:23:37.359 --> 0:23:40.359
<v Speaker 4>raw right twice a day, right, Like, it's not hard

0:23:40.400 --> 0:23:43.120
<v Speaker 4>to clock Sutton. It's just like people are like sometimes

0:23:43.119 --> 0:23:44.360
<v Speaker 4>like do I want to get into this?

0:23:44.640 --> 0:23:46.040
<v Speaker 3>And so for Erica Jane, this.

0:23:46.080 --> 0:23:48.679
<v Speaker 4>Is like like this is like a free pass, like

0:23:49.440 --> 0:23:51.479
<v Speaker 4>let her rip, you know, and she they set her

0:23:51.520 --> 0:23:53.080
<v Speaker 4>up for this great moment and she has it.

0:23:53.119 --> 0:23:54.879
<v Speaker 3>And I will say for this episode, it had.

0:23:54.760 --> 0:23:57.800
<v Speaker 4>So many funny moments in it, like that moment, and

0:23:57.880 --> 0:24:00.639
<v Speaker 4>you know already Sutton's gonna get rattles. Sutton doesn't know

0:24:00.680 --> 0:24:04.640
<v Speaker 4>how to communicate as effectively as Erica, so it's not.

0:24:04.640 --> 0:24:06.840
<v Speaker 3>Even a fair fight in any sort of way.

0:24:06.960 --> 0:24:10.639
<v Speaker 4>So Erica, it looks amazing, and you know, yeah, I

0:24:10.680 --> 0:24:13.359
<v Speaker 4>will say this is the most I've ever liked Erica

0:24:13.440 --> 0:24:16.359
<v Speaker 4>Jane was this season for me personally, like because I

0:24:16.440 --> 0:24:19.159
<v Speaker 4>wasn't I'm not into like fashion obviously, and I'm not

0:24:19.200 --> 0:24:22.240
<v Speaker 4>in the extreme wealth like I've seen that so much.

0:24:22.520 --> 0:24:25.280
<v Speaker 4>But this has been an interesting season for Erica where

0:24:25.320 --> 0:24:27.640
<v Speaker 4>it was like you don't have the hot potato anymore

0:24:28.200 --> 0:24:31.679
<v Speaker 4>and you just get to comment and be around and

0:24:32.040 --> 0:24:36.120
<v Speaker 4>say what you see.

0:24:34.880 --> 0:24:36.919
<v Speaker 3>Chowd We are just getting started.

0:24:44.520 --> 0:24:45.720
<v Speaker 1>Elevating my style.

0:24:45.960 --> 0:24:50.280
<v Speaker 2>Used to me breaking the bank, but with Quint Honey,

0:24:50.520 --> 0:24:54.479
<v Speaker 2>I get the high end, versatile pieces at prices that

0:24:54.560 --> 0:24:58.320
<v Speaker 2>I can actually afford. Now I can upgrade my style

0:24:58.800 --> 0:25:03.240
<v Speaker 2>by snagging killer luxury essentials that sync with my vibe

0:25:03.560 --> 0:25:04.360
<v Speaker 2>and my wallet.

0:25:04.440 --> 0:25:05.440
<v Speaker 3>Hey Ston.

0:25:07.040 --> 0:25:11.000
<v Speaker 2>Quins has all the must have like Mongolian cashmere sweaters

0:25:11.119 --> 0:25:15.120
<v Speaker 2>that ranges from fifty dollars to iconic one hundred percent

0:25:15.320 --> 0:25:18.879
<v Speaker 2>leather jackets two plus. They got comfortable pants that you

0:25:18.880 --> 0:25:21.200
<v Speaker 2>could wear for any occasion. But one of the best

0:25:21.200 --> 0:25:24.800
<v Speaker 2>parts about Quinn's items is that there are priced fifty

0:25:24.960 --> 0:25:29.320
<v Speaker 2>to eighty percent than less similar brands. So when you

0:25:29.400 --> 0:25:33.280
<v Speaker 2>partner directly with top factories, Quin's cuts out the cost

0:25:33.720 --> 0:25:37.639
<v Speaker 2>of the middleman and passes the savings onto us.

0:25:38.119 --> 0:25:39.480
<v Speaker 1>Quinn's only works.

0:25:39.200 --> 0:25:44.159
<v Speaker 2>With factories that are safe, ethical and responsible manufacturing practices,

0:25:44.840 --> 0:25:48.439
<v Speaker 2>along with premium fabrics and finishes. And you know I

0:25:48.480 --> 0:25:52.439
<v Speaker 2>love that. So I got a chance to get the joggers. Hey, cheat,

0:25:53.000 --> 0:25:58.000
<v Speaker 2>these amazing sweatpants. They feel so good, they're cashmere, they're comfortable.

0:25:58.320 --> 0:26:01.359
<v Speaker 2>I get to wear them as I run errands, do

0:26:01.440 --> 0:26:03.400
<v Speaker 2>a podcast, or even go to the jet.

0:26:04.280 --> 0:26:07.120
<v Speaker 1>So if you're interested indulge.

0:26:06.560 --> 0:26:11.040
<v Speaker 2>An affordable luxury honey, go to quins dot com slash

0:26:11.119 --> 0:26:15.400
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0:26:21.640 --> 0:26:26.840
<v Speaker 2>c E dot com slash king to get free shipping

0:26:27.080 --> 0:26:31.080
<v Speaker 2>and three hundred and sixty five day returns Quins dot

0:26:31.119 --> 0:26:39.439
<v Speaker 2>com slash king. This is reality with the King, and

0:26:39.480 --> 0:26:44.800
<v Speaker 2>I'm Carlos King. Let's get back into the show. I

0:26:44.880 --> 0:26:47.359
<v Speaker 2>definitely can see your point when it comes to like

0:26:47.600 --> 0:26:51.199
<v Speaker 2>something is an easy target because she can the thing

0:26:51.280 --> 0:26:53.600
<v Speaker 2>what something is. I like it when she has a

0:26:53.640 --> 0:26:57.080
<v Speaker 2>moment where she's sort of unhinged the fact that she's

0:26:57.200 --> 0:27:00.199
<v Speaker 2>like I'm leaving and she's walking away and she's like,

0:27:00.280 --> 0:27:06.080
<v Speaker 2>I need to be alone for two seconds. I'm obsessed

0:27:06.160 --> 0:27:10.040
<v Speaker 2>with those moments because again, that's the real Suddon. And

0:27:10.640 --> 0:27:13.359
<v Speaker 2>I find it quite strange, even for me that I

0:27:13.400 --> 0:27:14.040
<v Speaker 2>am now off.

0:27:13.960 --> 0:27:17.160
<v Speaker 1>A sudden like this big spot, because there's a.

0:27:17.080 --> 0:27:20.640
<v Speaker 2>Time where everybody's like Carlos, We're hopping off the Ston train,

0:27:20.680 --> 0:27:23.680
<v Speaker 2>and I'm like, no, bitch, I'm in that bitch first class.

0:27:23.720 --> 0:27:26.080
<v Speaker 1>I'm not in seventeen ce Lisa Barlow. I am in

0:27:26.240 --> 0:27:27.760
<v Speaker 1>row two fucking A.

0:27:28.480 --> 0:27:31.640
<v Speaker 2>And I am loving everything she's doing because I find

0:27:31.680 --> 0:27:33.040
<v Speaker 2>it so entertaining.

0:27:34.119 --> 0:27:35.680
<v Speaker 4>See, I love I love that, I love that there's

0:27:35.720 --> 0:27:38.480
<v Speaker 4>a housewife for everybody, and that you know, not everybody's

0:27:38.520 --> 0:27:40.199
<v Speaker 4>gonna love to say, and we all don't watch the

0:27:40.200 --> 0:27:42.600
<v Speaker 4>show in the same way either, So like you are

0:27:42.680 --> 0:27:45.959
<v Speaker 4>kind of saying that you love Suddon because of the mess,

0:27:46.000 --> 0:27:49.000
<v Speaker 4>because that she will say these unhinged things, and that

0:27:49.240 --> 0:27:52.160
<v Speaker 4>is very entertaining to watch. Some of us are watching

0:27:52.240 --> 0:27:55.280
<v Speaker 4>it so seriously that we're like, this is ridiculous. It

0:27:55.400 --> 0:27:57.960
<v Speaker 4>is so hurtful. I can't believe it. And that is

0:27:58.000 --> 0:28:00.119
<v Speaker 4>the concept of the show. It was like that, that's

0:28:00.119 --> 0:28:01.800
<v Speaker 4>why the sisterhood think at the beginning of the season

0:28:01.880 --> 0:28:05.199
<v Speaker 4>is so funny, because that's how many times have we

0:28:05.200 --> 0:28:08.800
<v Speaker 4>seen like a true genuine sisterhood of women.

0:28:08.520 --> 0:28:10.240
<v Speaker 3>That have each other's backs like Bo's.

0:28:10.440 --> 0:28:13.160
<v Speaker 4>It was almost cute of her saying this Saint Lucia

0:28:13.240 --> 0:28:15.439
<v Speaker 4>trip is going to be so happy, so wonderful, and

0:28:15.480 --> 0:28:18.520
<v Speaker 4>I was like, have you watched any Housewife trip before

0:28:18.600 --> 0:28:21.400
<v Speaker 4>Saint Lucia? That is not like And as a producer, Carlos,

0:28:21.640 --> 0:28:23.680
<v Speaker 4>when you see Bo's do a talking head where she's

0:28:23.680 --> 0:28:26.520
<v Speaker 4>talking about the wonderful like I've planned all of these events,

0:28:26.520 --> 0:28:28.840
<v Speaker 4>It's going to be so amazing, amazing thing to like

0:28:28.880 --> 0:28:31.439
<v Speaker 4>as a producer, are they sitting there going lol? Like

0:28:31.480 --> 0:28:33.440
<v Speaker 4>are they winking at each other? Like we'll see how

0:28:33.480 --> 0:28:35.760
<v Speaker 4>good this is? Like you have a boat, you know

0:28:35.880 --> 0:28:38.760
<v Speaker 4>the history of boats on Housewives. They're never going to

0:28:38.840 --> 0:28:41.880
<v Speaker 4>have a nice, friendly scene on a boat. And I

0:28:41.920 --> 0:28:44.880
<v Speaker 4>love that Bo's is still so wide eyed and innocent

0:28:45.080 --> 0:28:48.080
<v Speaker 4>in this world that she believes this truly will be

0:28:48.120 --> 0:28:49.320
<v Speaker 4>a magical vacation.

0:28:49.720 --> 0:28:51.880
<v Speaker 2>Yes, because the thing is this, I tell people all

0:28:51.920 --> 0:28:55.280
<v Speaker 2>the time, when you see a housewive going to cast trip,

0:28:55.600 --> 0:29:01.000
<v Speaker 2>oh honey, honey, where there is a boat, a dinner table,

0:29:01.680 --> 0:29:06.040
<v Speaker 2>or the beach, an argument is going to ensue. It

0:29:06.080 --> 0:29:08.840
<v Speaker 2>is what it is the formula in which we know

0:29:08.920 --> 0:29:12.200
<v Speaker 2>will go down. And that's exactly why this episode was

0:29:12.200 --> 0:29:16.040
<v Speaker 2>fun to watch because it definitely delivered what we all

0:29:16.080 --> 0:29:18.880
<v Speaker 2>wanted it to. When we realize, oh, you guys are

0:29:18.920 --> 0:29:21.400
<v Speaker 2>going on a trip, yay, this means we're going to

0:29:21.440 --> 0:29:24.000
<v Speaker 2>see some real intense moments. One of the moments that

0:29:24.080 --> 0:29:28.640
<v Speaker 2>I thought was so interesting was this Sutton revealed No,

0:29:29.040 --> 0:29:31.920
<v Speaker 2>it was even I think Garcel Ryan, tell me if

0:29:31.920 --> 0:29:37.240
<v Speaker 2>I got this wrong. Garcel reveilt in her confessional that

0:29:38.440 --> 0:29:44.960
<v Speaker 2>Mo meaning Mauricio, has been seen with that woman before

0:29:45.800 --> 0:29:48.680
<v Speaker 2>at the restaurant, multiple places and multiple places. So the

0:29:48.720 --> 0:29:53.520
<v Speaker 2>woman that he was caught with at the airport where

0:29:53.600 --> 0:29:56.080
<v Speaker 2>Jennifer Aniston goes there, but the Papa Rochter, the and

0:29:56.080 --> 0:29:57.080
<v Speaker 2>the followed this Rhyanniston.

0:29:57.120 --> 0:29:58.720
<v Speaker 1>They followed Mauricio.

0:29:59.240 --> 0:30:02.840
<v Speaker 2>And it was revealed that that woman has been seeing

0:30:02.880 --> 0:30:07.040
<v Speaker 2>Alvi with Mauricio at dinners and how sut And called Kyle.

0:30:08.040 --> 0:30:12.440
<v Speaker 2>This is the reason why I believe that again there

0:30:12.520 --> 0:30:16.200
<v Speaker 2>needs to be a cast change with this show. Why

0:30:16.240 --> 0:30:19.920
<v Speaker 2>are you calling Kyle off camera to say I've seen

0:30:19.920 --> 0:30:21.360
<v Speaker 2>Mauricio out with this woman?

0:30:21.840 --> 0:30:24.320
<v Speaker 4>Wait are you talking about? No, I think Bo's called

0:30:24.400 --> 0:30:27.120
<v Speaker 4>Kyle and left a three and a half minute message. Yes, sorry,

0:30:27.200 --> 0:30:30.280
<v Speaker 4>Bose called Kyle. And then she was like, I'm a

0:30:30.320 --> 0:30:32.320
<v Speaker 4>girl's girl. It was that kind of this amazing moment,

0:30:32.360 --> 0:30:33.800
<v Speaker 4>and I think she played a little bit of the

0:30:34.360 --> 0:30:36.640
<v Speaker 4>voice and she was like this girl isn't even good looking.

0:30:36.760 --> 0:30:38.600
<v Speaker 4>If you're gonna do this, do it with a better

0:30:38.640 --> 0:30:40.920
<v Speaker 4>looking girl. And I will say that three and a

0:30:40.960 --> 0:30:45.000
<v Speaker 4>half minutes that's better than any Bravo Leberty's podcast out there.

0:30:45.080 --> 0:30:47.640
<v Speaker 4>Like put that three and a half minute voicemail out bows,

0:30:47.680 --> 0:30:50.800
<v Speaker 4>like that is going to be better than any Bravo celebrity.

0:30:50.400 --> 0:30:52.160
<v Speaker 3>Podcast that is on the market currently.

0:30:52.720 --> 0:30:54.440
<v Speaker 4>But that was it is that she left a three

0:30:54.440 --> 0:30:57.160
<v Speaker 4>and a half minute voicemail or voice note to Kyle

0:30:57.520 --> 0:30:59.720
<v Speaker 4>once she saw them at the Soho House in Malibu.

0:31:00.160 --> 0:31:02.080
<v Speaker 1>But that's the thing. I want that shit to be

0:31:02.120 --> 0:31:03.080
<v Speaker 1>on camera.

0:31:03.040 --> 0:31:06.880
<v Speaker 4>And well why But as a producer, why isn't it

0:31:07.200 --> 0:31:09.240
<v Speaker 4>if you know that exists, if you hear like, why

0:31:09.280 --> 0:31:09.600
<v Speaker 4>are we.

0:31:09.640 --> 0:31:10.640
<v Speaker 3>Not getting those moments?

0:31:10.680 --> 0:31:14.040
<v Speaker 2>Well, that's the thing I think, because listen, I can't

0:31:14.080 --> 0:31:16.160
<v Speaker 2>confirm this right because I don't work on the show.

0:31:17.360 --> 0:31:22.160
<v Speaker 2>I think Kyle just has these ladies not bowing down

0:31:22.160 --> 0:31:24.160
<v Speaker 2>to her. That's the wrong word to use, but I

0:31:24.200 --> 0:31:30.440
<v Speaker 2>think Kyle, I mean, Kyle has set the stage for

0:31:30.800 --> 0:31:33.440
<v Speaker 2>this is my show, and I set the tone for

0:31:33.520 --> 0:31:38.200
<v Speaker 2>what happened. And I yes, I love the moment of

0:31:38.240 --> 0:31:41.560
<v Speaker 2>the Voiceboule being played, but I like it better when

0:31:41.560 --> 0:31:44.000
<v Speaker 2>it happens in real time. I miss the days of

0:31:44.120 --> 0:31:46.560
<v Speaker 2>like you hold things until the cameras on and you say, hey,

0:31:46.960 --> 0:31:49.680
<v Speaker 2>by the way, I was at so House Malibu and

0:31:49.720 --> 0:31:53.160
<v Speaker 2>you're eating your medium rare steak and you say, and

0:31:53.200 --> 0:31:56.760
<v Speaker 2>I saw Marisa with a woman, like why not do that?

0:31:57.000 --> 0:32:00.000
<v Speaker 1>So for me, great moment for the show.

0:32:00.040 --> 0:32:02.920
<v Speaker 2>Oh, but I think it's another thing that raises the

0:32:03.040 --> 0:32:06.560
<v Speaker 2>flag in terms of like what has happened to Beverly Hills.

0:32:06.800 --> 0:32:09.160
<v Speaker 1>Why is this show feeling self produced behind the scene.

0:32:08.960 --> 0:32:13.160
<v Speaker 2>And so protected and nobody's having real conversations and listen,

0:32:13.240 --> 0:32:16.640
<v Speaker 2>I'm gonna say this, and I mean when I say

0:32:17.120 --> 0:32:21.080
<v Speaker 2>it makes me miss Jersey because at least with Jersey.

0:32:20.960 --> 0:32:23.520
<v Speaker 3>Wow, wow, girls.

0:32:23.280 --> 0:32:26.280
<v Speaker 2>Call each other out so much and you're like, well, damn,

0:32:26.640 --> 0:32:30.520
<v Speaker 2>Like watching Beverley Hills this season makes me miss Jersey Housewives.

0:32:31.000 --> 0:32:33.040
<v Speaker 4>There could be a happy balance, Carlos, Who I mean,

0:32:33.040 --> 0:32:35.640
<v Speaker 4>couldn't there be a mix of Jersey and like, there

0:32:35.680 --> 0:32:37.960
<v Speaker 4>should be more of this mix, And right now it

0:32:38.040 --> 0:32:40.120
<v Speaker 4>just feels like Beverly Hills is all about what's not

0:32:40.200 --> 0:32:43.320
<v Speaker 4>said and what's not told, and you know, Jersey always

0:32:43.320 --> 0:32:45.800
<v Speaker 4>feels like it's like everything's out there and so like

0:32:45.840 --> 0:32:47.959
<v Speaker 4>there has to be some sort of balance. And I

0:32:48.040 --> 0:32:49.560
<v Speaker 4>was like sitting there thinking less and I was like,

0:32:49.640 --> 0:32:51.960
<v Speaker 4>is it humane to just have these ladies attached to

0:32:52.000 --> 0:32:55.080
<v Speaker 4>a GoPro like three sixty five, like a live mic,

0:32:55.200 --> 0:32:58.000
<v Speaker 4>like you know, Portia and Dennis they have live mics

0:32:58.000 --> 0:33:00.360
<v Speaker 4>at the end of this week's Atlanta you know, hot

0:33:00.400 --> 0:33:02.480
<v Speaker 4>Mike hot mic, which, by the way, that was another

0:33:02.520 --> 0:33:04.520
<v Speaker 4>moment I still am like, wait, don't you have to

0:33:04.600 --> 0:33:06.400
<v Speaker 4>check in your mic pack at the end of filming?

0:33:06.480 --> 0:33:08.120
<v Speaker 3>How are they still having their mics on?

0:33:09.040 --> 0:33:11.400
<v Speaker 4>And so why can't we just mike these Beverly Hills

0:33:11.440 --> 0:33:14.280
<v Speaker 4>ladies up twenty four to seven, like, just have a mic,

0:33:14.440 --> 0:33:16.760
<v Speaker 4>just a hot mic moment all the time. We don't

0:33:16.760 --> 0:33:18.479
<v Speaker 4>even need the cameras, just the audio.

0:33:18.680 --> 0:33:21.120
<v Speaker 1>I'm with you, because they're not giving it to us.

0:33:21.480 --> 0:33:24.320
<v Speaker 2>But this is why, this is why this social experiment

0:33:24.800 --> 0:33:28.800
<v Speaker 2>of Beverly Hills Housewoks is so entertaining. Because Belly Hills

0:33:28.840 --> 0:33:33.560
<v Speaker 2>is in California. Orange County is in California. These two

0:33:33.560 --> 0:33:37.560
<v Speaker 2>shows could not be more different. Yeah, could not be

0:33:37.680 --> 0:33:43.280
<v Speaker 2>more different, both in California, but closely different. Those OC women.

0:33:44.280 --> 0:33:46.800
<v Speaker 2>I think Carlos King is saying this, and I don't

0:33:46.800 --> 0:33:51.719
<v Speaker 2>care who gets mad. What makes OC the greatest of

0:33:51.760 --> 0:33:55.760
<v Speaker 2>all time in terms of a show that has lasted

0:33:57.600 --> 0:34:01.640
<v Speaker 2>almost twenty years ninety Yes, and their last couple of

0:34:01.680 --> 0:34:02.960
<v Speaker 2>seasons have been the best ever.

0:34:03.400 --> 0:34:05.880
<v Speaker 1>That's you got to give them a trophy for that.

0:34:06.680 --> 0:34:10.640
<v Speaker 2>Those OC women call each other out, but they always

0:34:10.680 --> 0:34:12.960
<v Speaker 2>find a way to resolve it.

0:34:13.000 --> 0:34:17.879
<v Speaker 1>And I believe they like each other. I believe they

0:34:18.560 --> 0:34:20.640
<v Speaker 1>like each other. I believe Gina Emily.

0:34:20.800 --> 0:34:22.399
<v Speaker 3>I believe they want to like each other.

0:34:22.920 --> 0:34:24.959
<v Speaker 4>I believe they want to like each other or they're

0:34:25.040 --> 0:34:27.600
<v Speaker 4>open to liking each other, where it feels like Beverly

0:34:27.680 --> 0:34:31.040
<v Speaker 4>Hill's pretty resolute in what these friendships are, how far

0:34:31.040 --> 0:34:33.160
<v Speaker 4>they're willing to go. At this point, there is gonna

0:34:33.160 --> 0:34:35.520
<v Speaker 4>be no de Read Garcel, There's gonna be no Duret

0:34:35.600 --> 0:34:38.160
<v Speaker 4>Sutton at this point. I feel like it's pretty finite

0:34:38.160 --> 0:34:40.759
<v Speaker 4>in what their relationships are. And we've gone to you're

0:34:40.760 --> 0:34:43.279
<v Speaker 4>gonna keep seeing the same beats again and again with

0:34:43.360 --> 0:34:47.080
<v Speaker 4>those three ladies in particular, whereas OC, you know, really

0:34:47.280 --> 0:34:49.759
<v Speaker 4>like to their credit, and also I would include salt

0:34:49.840 --> 0:34:53.200
<v Speaker 4>Lake on this and the Atlanta this season. I mean,

0:34:53.239 --> 0:34:55.560
<v Speaker 4>we have new cast members and they're already working off

0:34:55.560 --> 0:34:58.319
<v Speaker 4>of each other way better than these Beverly Hills ladies are.

0:34:58.600 --> 0:35:02.240
<v Speaker 4>I mean new cast members on Atlanta already working together

0:35:02.680 --> 0:35:05.319
<v Speaker 4>in a scene where they're on top of each other

0:35:05.520 --> 0:35:08.840
<v Speaker 4>and they're calling people out, and I was so refreshed.

0:35:08.880 --> 0:35:10.759
<v Speaker 4>It was so refreshing to see that in Atlanta, because

0:35:10.800 --> 0:35:13.160
<v Speaker 4>sometimes with new cast members, you're like, oh, this is

0:35:13.200 --> 0:35:15.879
<v Speaker 4>gonna be a slow build. But I think salt Lake

0:35:15.920 --> 0:35:18.840
<v Speaker 4>does it excellent and OC, yeah, last season one of

0:35:18.840 --> 0:35:21.520
<v Speaker 4>the best seasons ever. I just don't feel like Beverly

0:35:21.600 --> 0:35:24.480
<v Speaker 4>Hills is in that same realm anymore, which is.

0:35:24.440 --> 0:35:27.960
<v Speaker 3>Wild because it's a lot of our favorite favorite Housewives iteration.

0:35:28.160 --> 0:35:31.120
<v Speaker 1>Yeah no, Kyle rich is my number one favorite Housewives.

0:35:31.160 --> 0:35:35.800
<v Speaker 2>So I do believe that a change has to happen

0:35:35.960 --> 0:35:37.880
<v Speaker 2>in order for this show to get back to his

0:35:38.000 --> 0:35:41.320
<v Speaker 2>glory days. Atlanta is having a great season. Two episodes

0:35:41.320 --> 0:35:44.399
<v Speaker 2>in Salt Lake City is an amazing show. I loved

0:35:44.400 --> 0:35:47.600
<v Speaker 2>every single episode. There was not one filler. OC is

0:35:47.640 --> 0:35:51.200
<v Speaker 2>the greatest in terms of an amazing season for a

0:35:51.200 --> 0:35:51.720
<v Speaker 2>show that's.

0:35:51.560 --> 0:35:52.800
<v Speaker 1>Been off for almost twenty years.

0:35:53.400 --> 0:35:56.439
<v Speaker 2>And I just think there needs to be a real

0:35:56.480 --> 0:36:00.760
<v Speaker 2>conversation about like what is Beverley Hills, because it can't

0:36:00.760 --> 0:36:05.879
<v Speaker 2>be about like you said, Beverly Hills is so like Seinfeld.

0:36:06.840 --> 0:36:11.840
<v Speaker 1>It's like it's a show about the show, you know,

0:36:11.920 --> 0:36:14.920
<v Speaker 1>it's not about like these women getting along.

0:36:15.000 --> 0:36:18.480
<v Speaker 2>It's sort of like, well this happened at Solhouse in Malibu.

0:36:18.719 --> 0:36:22.319
<v Speaker 2>Well this happened at the airport. Well this happened. It's like,

0:36:22.520 --> 0:36:25.600
<v Speaker 2>why aren't we seeing it and being told about it? Yeah?

0:36:25.640 --> 0:36:27.880
<v Speaker 4>Well no, I had a great acting teacher back in

0:36:27.920 --> 0:36:30.239
<v Speaker 4>the day. That's always like show us, don't tell us,

0:36:30.680 --> 0:36:33.320
<v Speaker 4>show us. We want to see things that are shown.

0:36:33.480 --> 0:36:35.480
<v Speaker 4>Don't tell us about it, show it. And I know

0:36:35.520 --> 0:36:38.200
<v Speaker 4>we're working under the confines of like shooting days, but

0:36:38.280 --> 0:36:40.600
<v Speaker 4>it is that thing is that you know, Beverly Hills

0:36:40.680 --> 0:36:43.080
<v Speaker 4>is always going to get a really high ratings in

0:36:43.160 --> 0:36:46.440
<v Speaker 4>terms of viewers, so they can kind of coast a

0:36:46.440 --> 0:36:48.480
<v Speaker 4>little bit and still get like a what like a

0:36:48.600 --> 0:36:51.560
<v Speaker 4>point eight zero nine and like ratings every week. They

0:36:51.560 --> 0:36:53.640
<v Speaker 4>can coast on that, so they don't have to make

0:36:53.719 --> 0:36:57.640
<v Speaker 4>any real changes. But I think, in my heart, I

0:36:57.719 --> 0:37:00.759
<v Speaker 4>want them to break this show for the overall health

0:37:00.800 --> 0:37:02.279
<v Speaker 4>of it in the long run. And I don't know

0:37:02.280 --> 0:37:04.840
<v Speaker 4>what that necessarily means, but I do think there's a

0:37:04.880 --> 0:37:08.000
<v Speaker 4>world in which we get these ladies, you know, working

0:37:08.000 --> 0:37:10.720
<v Speaker 4>together in a more dynamic fashion, even if it's fighting

0:37:11.000 --> 0:37:13.560
<v Speaker 4>in a more dynamic fashion, because I feel like they're

0:37:13.560 --> 0:37:16.640
<v Speaker 4>getting lapped by other housewives and this shouldn't happen with

0:37:16.680 --> 0:37:18.360
<v Speaker 4>Beverly Hills. And I know that's I don't want to

0:37:18.400 --> 0:37:21.040
<v Speaker 4>be negative because there's still so many great things about

0:37:21.080 --> 0:37:24.319
<v Speaker 4>this and you know, it's so funny. I'm just you

0:37:24.400 --> 0:37:26.879
<v Speaker 4>watch these other shows and it's sometimes a much more

0:37:26.960 --> 0:37:28.280
<v Speaker 4>enjoyable viewing experience.

0:37:28.520 --> 0:37:31.360
<v Speaker 2>Yes, Yes, now listen, I agree with one hundred percent

0:37:31.400 --> 0:37:33.960
<v Speaker 2>of what you're saying. I really did enjoy this episode

0:37:34.120 --> 0:37:36.880
<v Speaker 2>because I felt like things were being called out to

0:37:36.960 --> 0:37:40.000
<v Speaker 2>the forefront, and I enjoyed that. But I think if

0:37:40.000 --> 0:37:41.799
<v Speaker 2>you think about the future of the show, I mean,

0:37:41.840 --> 0:37:46.319
<v Speaker 2>look all of the Hollywood stylists, from Julia Roberts to

0:37:47.160 --> 0:37:52.200
<v Speaker 2>Jennifer what's her name, Laurence, thank you, Ryan, they.

0:37:52.080 --> 0:37:55.880
<v Speaker 1>Watched the show, so it is, and I think Reese Riperspoon.

0:37:55.440 --> 0:37:57.120
<v Speaker 2>Watched it because she was on the plane with Cobridge

0:37:57.160 --> 0:37:59.000
<v Speaker 2>Church and they have a deal together allegedly.

0:37:59.400 --> 0:38:01.359
<v Speaker 1>So it's watched.

0:38:01.120 --> 0:38:04.520
<v Speaker 2>Like you said, by so many people because it's aspiration though,

0:38:04.880 --> 0:38:09.080
<v Speaker 2>and it's a good looking show in terms of like

0:38:10.040 --> 0:38:13.760
<v Speaker 2>showing Billy Hills, showing California, showing the Armez bags, Jennifer

0:38:13.800 --> 0:38:17.040
<v Speaker 2>Tilley and her lifestyle, Kathie Hilton. You get to see

0:38:17.040 --> 0:38:19.600
<v Speaker 2>all these amazing things. But when I think about the

0:38:19.600 --> 0:38:22.640
<v Speaker 2>longevity of the show, I think they have to take

0:38:22.640 --> 0:38:25.960
<v Speaker 2>a page out of the Book of OC. Not the

0:38:26.000 --> 0:38:28.960
<v Speaker 2>Book of Psalms, not the Book of Jacob, but the

0:38:29.000 --> 0:38:34.359
<v Speaker 2>Book of OC. Okay, and really come back to what

0:38:34.400 --> 0:38:39.040
<v Speaker 2>you said. Even if you aren't the best of friends.

0:38:39.400 --> 0:38:42.800
<v Speaker 2>One thing OC does well is you believe they want

0:38:42.880 --> 0:38:45.200
<v Speaker 2>to like each other and you believe they want to

0:38:45.239 --> 0:38:48.279
<v Speaker 2>be friends and they really want this to work. And

0:38:48.480 --> 0:38:50.240
<v Speaker 2>I just don't believe that for Billy Hills.

0:38:50.480 --> 0:38:52.319
<v Speaker 4>Yeah, I mean, we even have these like you know, uh,

0:38:52.600 --> 0:38:56.440
<v Speaker 4>Deuri brings up Kim Richards to Kyle, and Kyle's like, oh, listen,

0:38:56.560 --> 0:38:59.040
<v Speaker 4>we don't really you know, we're not as close anymore

0:38:59.200 --> 0:39:02.239
<v Speaker 4>and we don't dive any deeper into that, you know,

0:39:02.320 --> 0:39:05.080
<v Speaker 4>and like Kim is og Beverly Hills, and I think

0:39:05.120 --> 0:39:06.879
<v Speaker 4>the audience would love to know a little bit more

0:39:06.880 --> 0:39:08.640
<v Speaker 4>about that. So we have these great I mean, listen,

0:39:08.719 --> 0:39:10.080
<v Speaker 4>at this point, Kyle just needs.

0:39:09.880 --> 0:39:12.200
<v Speaker 3>To date John Jansen. I get this show back on

0:39:12.280 --> 0:39:13.320
<v Speaker 3>the back on track.

0:39:15.000 --> 0:39:18.319
<v Speaker 4>But you have all of these great building blocks and

0:39:19.040 --> 0:39:22.239
<v Speaker 4>this show will always be there. There's no chance this

0:39:22.280 --> 0:39:25.040
<v Speaker 4>show will ever go off the air unless they choose

0:39:25.080 --> 0:39:27.920
<v Speaker 4>to have that. But I just I want I don't know,

0:39:28.000 --> 0:39:29.879
<v Speaker 4>it's hard, like I don't you would know this way

0:39:29.880 --> 0:39:31.560
<v Speaker 4>more than I would as a producer. I just want

0:39:31.560 --> 0:39:34.680
<v Speaker 4>them to like take this very seriously and not be

0:39:34.719 --> 0:39:37.319
<v Speaker 4>able to hide as much as they are. And with

0:39:37.400 --> 0:39:39.800
<v Speaker 4>the Mauricio like I just feel like, God, I'm getting

0:39:39.840 --> 0:39:43.160
<v Speaker 4>every bit of information about Mauricio that I want, and

0:39:43.200 --> 0:39:45.319
<v Speaker 4>he's barely even on the show. Like I know his

0:39:45.440 --> 0:39:48.240
<v Speaker 4>dating history way better than any of those other ladies,

0:39:48.280 --> 0:39:51.080
<v Speaker 4>and that, to me is frustrating. I'm still confused about

0:39:51.120 --> 0:39:54.520
<v Speaker 4>durt and PK, Like, wait, seven page email, you're threatening

0:39:54.520 --> 0:39:56.920
<v Speaker 4>to divorce. We see the scene last week where he's like,

0:39:57.080 --> 0:39:59.080
<v Speaker 4>I don't know if we'll be divorced. I don't know

0:39:59.280 --> 0:40:02.520
<v Speaker 4>no resolution there, Like where are we are you dating

0:40:02.560 --> 0:40:03.279
<v Speaker 4>anybody to read?

0:40:03.360 --> 0:40:04.960
<v Speaker 3>You know, has anybody caught your eye?

0:40:05.040 --> 0:40:07.759
<v Speaker 4>And on top of it, we have things like we

0:40:07.840 --> 0:40:12.480
<v Speaker 4>see christylanex Durite's glam that came at her this past

0:40:12.520 --> 0:40:14.440
<v Speaker 4>week or a week and a half ago, which is

0:40:14.480 --> 0:40:17.360
<v Speaker 4>a wild thing to not comment on when we're talking

0:40:17.360 --> 0:40:20.759
<v Speaker 4>about pocketbooks and wallets and things like that. Of we

0:40:20.840 --> 0:40:23.400
<v Speaker 4>have this guy christillan Nex, who you see briefly in

0:40:23.440 --> 0:40:25.480
<v Speaker 4>a shot from last night's episode, who was there on

0:40:25.520 --> 0:40:29.160
<v Speaker 4>the trip with Durit, saying that potentially or allegedly, Durite

0:40:29.200 --> 0:40:32.680
<v Speaker 4>didn't pay some portion of a bill. And I'm like, Okay,

0:40:32.920 --> 0:40:35.920
<v Speaker 4>whether that's true or not, that would be interesting fodder

0:40:35.960 --> 0:40:36.480
<v Speaker 4>for the show.

0:40:36.960 --> 0:40:41.960
<v Speaker 2>Yes, because we tracked when people used accue Charae of

0:40:42.040 --> 0:40:44.799
<v Speaker 2>not paying bills, we didn't hide it. We showed it,

0:40:44.920 --> 0:40:48.600
<v Speaker 2>and we showed Charae defending herself. We showed char saying

0:40:48.920 --> 0:40:52.000
<v Speaker 2>they did complete the job, I'm not paying them. So again,

0:40:52.600 --> 0:40:56.640
<v Speaker 2>I don't understand this big protection that is clouding Biley Hills,

0:40:57.160 --> 0:41:00.759
<v Speaker 2>but it's not making for a season that could have

0:41:00.880 --> 0:41:03.759
<v Speaker 2>been great because it started off strong to me with

0:41:04.320 --> 0:41:07.920
<v Speaker 2>the re versus Kyle, and then I think once that

0:41:08.239 --> 0:41:10.120
<v Speaker 2>sort of like simmered.

0:41:10.560 --> 0:41:14.239
<v Speaker 4>Oh that was so good with Durit's smoking in the car.

0:41:14.040 --> 0:41:16.799
<v Speaker 3>And I was like, wow, this is like really this that.

0:41:16.800 --> 0:41:19.440
<v Speaker 4>Felt so frantic and real, and or even the Kyle

0:41:19.480 --> 0:41:22.200
<v Speaker 4>Darite scene at Duret's place where you see that she's

0:41:22.280 --> 0:41:25.040
<v Speaker 4>like her whole like her plants are dying and she's

0:41:25.080 --> 0:41:27.200
<v Speaker 4>like like hoarding things almost out.

0:41:27.040 --> 0:41:29.160
<v Speaker 3>Of here, like wow, dar you know, and Kyle's like

0:41:29.200 --> 0:41:30.640
<v Speaker 3>it used to be so clean in here.

0:41:30.880 --> 0:41:33.160
<v Speaker 4>Those little moments are like, to me, what makes this

0:41:33.239 --> 0:41:35.560
<v Speaker 4>show fly? But then they kind of get dropped or

0:41:35.560 --> 0:41:37.959
<v Speaker 4>pushed to the wayside, and I think, to me, that's

0:41:38.000 --> 0:41:40.319
<v Speaker 4>like really interesting because you're like, oh, wow, Dured has

0:41:40.360 --> 0:41:42.560
<v Speaker 4>nothing to lose. This season, but I thought it was

0:41:42.600 --> 0:41:45.080
<v Speaker 4>way more interesting when it went with her and Kyle

0:41:45.160 --> 0:41:46.400
<v Speaker 4>as opposed to her and Sutton.

0:41:46.600 --> 0:41:46.839
<v Speaker 1>Yeah.

0:41:47.239 --> 0:41:50.279
<v Speaker 2>Agree, So Ryan, my last question for you is this,

0:41:50.680 --> 0:41:51.360
<v Speaker 2>who would you like.

0:41:51.400 --> 0:41:53.600
<v Speaker 1>To see return to next season of Belly Hills.

0:41:53.840 --> 0:41:56.000
<v Speaker 4>Man, I'm gonna really get people hate me right now,

0:41:56.080 --> 0:41:58.080
<v Speaker 4>Like I mean, this is It's gonna be really bad,

0:41:58.080 --> 0:41:59.560
<v Speaker 4>and I'm so sorry, and I want to tell you

0:41:59.600 --> 0:42:04.879
<v Speaker 4>I'm basic a nice person and I this is I

0:42:04.880 --> 0:42:08.080
<v Speaker 4>I say this with peace and love. I want Kyle

0:42:08.120 --> 0:42:11.440
<v Speaker 4>to sit a season out. I just I know that's

0:42:11.480 --> 0:42:14.680
<v Speaker 4>never gonna happen unless she chooses it, but I want

0:42:14.680 --> 0:42:16.360
<v Speaker 4>her to sit it out. I want her to really

0:42:16.400 --> 0:42:18.920
<v Speaker 4>think about things and really like kind of figure out

0:42:18.960 --> 0:42:21.880
<v Speaker 4>what her life is looking like at this point forward.

0:42:23.440 --> 0:42:28.160
<v Speaker 4>I want her to sit out. And I there's no

0:42:28.200 --> 0:42:31.759
<v Speaker 4>way to answer this question. That's if Kyle's out, I

0:42:31.760 --> 0:42:34.520
<v Speaker 4>think Sorry, guys, I think Garcell's out as well.

0:42:34.920 --> 0:42:35.319
<v Speaker 3>Break up.

0:42:35.360 --> 0:42:38.280
<v Speaker 4>These things don't have sudden have anybody there in her corner,

0:42:38.320 --> 0:42:40.400
<v Speaker 4>don't have the Garcel of it all, don't have the

0:42:40.760 --> 0:42:43.319
<v Speaker 4>I mean, I want to see more of Bow's I

0:42:43.360 --> 0:42:46.399
<v Speaker 4>want to see, like, let's see how Eric like Erica Jane.

0:42:46.440 --> 0:42:48.040
<v Speaker 4>You got to see a different side of once Lisa

0:42:48.080 --> 0:42:50.760
<v Speaker 4>Reno was off the show. I thought that was really interesting.

0:42:50.800 --> 0:42:52.800
<v Speaker 4>So some of these friendships are even like on Potomac

0:42:52.880 --> 0:42:55.520
<v Speaker 4>with the you know, Giselle and Robin being split up,

0:42:55.680 --> 0:42:58.239
<v Speaker 4>you get to see another facet of their personality. So

0:42:58.360 --> 0:43:02.640
<v Speaker 4>what does Durit look like without trying to get Kyle's

0:43:02.640 --> 0:43:06.680
<v Speaker 4>affections or sudden without Kyle's affections? It seems like Kyle

0:43:06.760 --> 0:43:09.160
<v Speaker 4>everybody is gunning for affections. Maybe we need to take

0:43:09.200 --> 0:43:11.759
<v Speaker 4>that away and see where those ladies stand at that

0:43:11.840 --> 0:43:14.799
<v Speaker 4>point on and then refresh with a couple of like

0:43:15.120 --> 0:43:16.880
<v Speaker 4>maybe heavy hitters. I don't know if you want to

0:43:16.920 --> 0:43:19.360
<v Speaker 4>do stunt casting like Denise Richards, but there is a

0:43:19.400 --> 0:43:23.000
<v Speaker 4>world in which potentially, if you're going to get somebody

0:43:23.000 --> 0:43:26.440
<v Speaker 4>big away like that from Kyle, maybe somebody else comes

0:43:26.480 --> 0:43:27.600
<v Speaker 4>in that's an actual name.

0:43:28.000 --> 0:43:30.520
<v Speaker 3>Do I know? What I just said is Bunker's bananas?

0:43:30.520 --> 0:43:31.120
<v Speaker 3>What about you?

0:43:31.440 --> 0:43:38.040
<v Speaker 1>I listen. I love a choice that is controversial like that.

0:43:38.200 --> 0:43:41.400
<v Speaker 4>So Kyle's my favorite with no, Kyle's my favorite too.

0:43:41.440 --> 0:43:43.520
<v Speaker 4>I hate to say that Kyle is somebody that I

0:43:43.520 --> 0:43:46.640
<v Speaker 4>think is like I genuinely will love her no matter

0:43:46.680 --> 0:43:48.520
<v Speaker 4>what she does, and if she's on this show until

0:43:48.560 --> 0:43:52.239
<v Speaker 4>the end of time, it's deservedly. So I'm just trying

0:43:52.280 --> 0:43:55.359
<v Speaker 4>to think of, like what could actually make people sit

0:43:55.440 --> 0:43:56.200
<v Speaker 4>up and pay attention.

0:43:56.400 --> 0:44:01.000
<v Speaker 2>Listen, I am not going to allan you and your thought.

0:44:01.160 --> 0:44:04.000
<v Speaker 1>I love a controversial thinging. I love it. I love it.

0:44:05.400 --> 0:44:07.440
<v Speaker 1>I would love to see chrisy Tiagan on the show.

0:44:08.360 --> 0:44:11.799
<v Speaker 4>I wouldn't you love to see that John Legend relationship

0:44:11.800 --> 0:44:12.359
<v Speaker 4>in real life?

0:44:14.120 --> 0:44:17.240
<v Speaker 1>Just I want to see Listen.

0:44:17.640 --> 0:44:21.040
<v Speaker 2>What made Billy Hill special to me was like when

0:44:21.040 --> 0:44:23.320
<v Speaker 2>I got a chance to see like my soap opera

0:44:23.320 --> 0:44:26.920
<v Speaker 2>stars be real people like Lisa Renna who was Bobby

0:44:27.000 --> 0:44:29.759
<v Speaker 2>and Days of Our Lives and Eileen Davidson, you know.

0:44:29.760 --> 0:44:30.080
<v Speaker 3>What I mean.

0:44:30.160 --> 0:44:35.000
<v Speaker 1>Like, and then you know I knew.

0:44:34.719 --> 0:44:38.920
<v Speaker 2>Of Kyle and Kim based on Paris Hilton being their niece,

0:44:39.920 --> 0:44:43.520
<v Speaker 2>So I just enjoyed that. And then I'm a fan

0:44:43.560 --> 0:44:47.239
<v Speaker 2>of Guarsel from my childhood. So and then I mean,

0:44:47.360 --> 0:44:51.319
<v Speaker 2>Denise fucking Richards for Pete's sake, Like, I do want

0:44:51.480 --> 0:44:56.160
<v Speaker 2>some old Hollywood or soap opera stars to come to

0:44:56.200 --> 0:44:58.839
<v Speaker 2>this show. So I do want to see more celebrities

0:44:58.880 --> 0:45:02.000
<v Speaker 2>because I think what makes Hills so special is when

0:45:02.040 --> 0:45:04.279
<v Speaker 2>you see celebrities be real people. It's sort of like

0:45:04.320 --> 0:45:09.640
<v Speaker 2>the US Weekly category in the magazine Celebrities. They're just

0:45:09.719 --> 0:45:13.640
<v Speaker 2>like us, and I want to see that. I think

0:45:13.760 --> 0:45:18.080
<v Speaker 2>the plot has been missing in terms of, like, let's

0:45:18.160 --> 0:45:23.120
<v Speaker 2>see wealthy celebrity women who are willing to show us

0:45:23.160 --> 0:45:28.200
<v Speaker 2>a piece of their lifestyle. Adrian Mloof was fantastic, you

0:45:28.239 --> 0:45:31.239
<v Speaker 2>know what I mean, like Lisa Vanda Pump, but like

0:45:31.760 --> 0:45:36.040
<v Speaker 2>we had Adrian Mlouke who owned a fucking basketball team,

0:45:36.440 --> 0:45:39.960
<v Speaker 2>like you can't who's denied that star power? Oh?

0:45:40.400 --> 0:45:41.040
<v Speaker 3>What about well?

0:45:41.040 --> 0:45:43.759
<v Speaker 4>I mean, this is what about Meghan Good who just

0:45:43.800 --> 0:45:44.799
<v Speaker 4>got engaged to John I.

0:45:44.760 --> 0:45:45.600
<v Speaker 3>Will see that.

0:45:46.520 --> 0:45:48.920
<v Speaker 2>I mean, if you were going to go far, I

0:45:49.000 --> 0:45:50.160
<v Speaker 2>want to see Megan mark all.

0:45:51.680 --> 0:45:53.640
<v Speaker 4>I mean by the way she might need the career

0:45:53.719 --> 0:45:56.880
<v Speaker 4>rehab eventually. Or what about what is there a world

0:45:57.040 --> 0:45:58.960
<v Speaker 4>and this suld would there be a world in which

0:45:59.000 --> 0:46:00.960
<v Speaker 4>Paris Hilton would join and you'd still be able to

0:46:01.040 --> 0:46:04.440
<v Speaker 4>keep Kathy that way and like this kind of periphery role.

0:46:04.560 --> 0:46:06.759
<v Speaker 4>I mean, I don't know, there's so many options, but

0:46:06.840 --> 0:46:10.279
<v Speaker 4>I think you know, from a production angle, I just wonder, like,

0:46:10.680 --> 0:46:12.960
<v Speaker 4>you know, if it's not completely broken, don't fix it.

0:46:13.040 --> 0:46:15.480
<v Speaker 4>If we're bringing in the advertising dollars, don't. I mean,

0:46:15.920 --> 0:46:17.040
<v Speaker 4>but at the end of the day, I just think

0:46:17.040 --> 0:46:19.360
<v Speaker 4>it's gonna make the job harder and harder as seasons

0:46:19.400 --> 0:46:24.560
<v Speaker 4>continue unless we break down the secrets and all of

0:46:24.600 --> 0:46:26.880
<v Speaker 4>the defenses that are like put up these ladies, like

0:46:26.960 --> 0:46:28.920
<v Speaker 4>you said, the protections. If we can break those down

0:46:28.960 --> 0:46:31.080
<v Speaker 4>a little bit, I think you have a wonderful cast.

0:46:31.120 --> 0:46:33.719
<v Speaker 4>But like let it rip, you know, like Porscha said

0:46:33.760 --> 0:46:35.960
<v Speaker 4>this week, you know, or the producer said to Porsche,

0:46:36.000 --> 0:46:37.040
<v Speaker 4>break it, break it.

0:46:37.360 --> 0:46:39.239
<v Speaker 3>I can I break the fourth wall? Break it, like

0:46:39.360 --> 0:46:40.879
<v Speaker 3>break this show? Break it? Yes?

0:46:41.160 --> 0:46:44.799
<v Speaker 1>No, I Ryan, you know, I disagree with you. I

0:46:44.840 --> 0:46:45.399
<v Speaker 1>agree with you.

0:46:45.880 --> 0:46:49.239
<v Speaker 2>Break it something. Yes, if it ain't broke, don't fix it.

0:46:49.280 --> 0:46:52.319
<v Speaker 2>But I feel like it may not be broken. But

0:46:52.360 --> 0:46:55.120
<v Speaker 2>I definitely feel like there's a little loose script.

0:46:55.960 --> 0:46:58.880
<v Speaker 4>Yeah yeah, Guysia, please don't. I'm not saying this is

0:46:58.880 --> 0:47:01.000
<v Speaker 4>completely broken. I still watch it. I still laugh at

0:47:01.080 --> 0:47:03.000
<v Speaker 4>so many moments. I think it's just because I have

0:47:03.040 --> 0:47:05.280
<v Speaker 4>such a deep love for it that I want better

0:47:05.320 --> 0:47:06.399
<v Speaker 4>for it in the long run.

0:47:06.800 --> 0:47:09.120
<v Speaker 3>And that's it. And also we Carlos real quick, but

0:47:09.320 --> 0:47:09.520
<v Speaker 3>I do.

0:47:09.800 --> 0:47:12.680
<v Speaker 4>Kathy Hilton, this is one of our greatest performing artists

0:47:12.719 --> 0:47:15.520
<v Speaker 4>of all time. Yeah, we have to admit at this

0:47:15.560 --> 0:47:19.400
<v Speaker 4>point that she is like fully fully doing fake scenes,

0:47:19.480 --> 0:47:21.960
<v Speaker 4>right like the scene with her assistant on the phone

0:47:22.080 --> 0:47:24.359
<v Speaker 4>where she goes off and does the makeup. You know,

0:47:24.560 --> 0:47:27.200
<v Speaker 4>like that's very Kathy and we're like, oh, crazy Kathy.

0:47:27.520 --> 0:47:30.040
<v Speaker 4>But there's a cameraman in there. You don't just forget,

0:47:30.239 --> 0:47:32.880
<v Speaker 4>Like there's a cameraman with a camera, a guy in

0:47:32.920 --> 0:47:36.600
<v Speaker 4>like cargo shorts, filming Kathy Hilton in her bedroom and bathroom.

0:47:36.960 --> 0:47:39.960
<v Speaker 4>Does Kathy Hilton really forget that her assistant is on

0:47:40.000 --> 0:47:41.240
<v Speaker 4>the line for twenty minutes?

0:47:41.760 --> 0:47:42.719
<v Speaker 3>Or is that a.

0:47:42.800 --> 0:47:45.480
<v Speaker 4>Bit that Kathy does because she's our world, she's our

0:47:45.480 --> 0:47:46.880
<v Speaker 4>world's greatest performing artist.

0:47:47.080 --> 0:47:48.480
<v Speaker 1>I believe it is a little bit of both.

0:47:48.560 --> 0:47:52.040
<v Speaker 2>I definitely believe in the beginning, when Kathy first came

0:47:52.080 --> 0:47:56.680
<v Speaker 2>on the show, the sort of like comedy relief was her.

0:47:57.520 --> 0:48:00.160
<v Speaker 2>And what happens that I can share with you a

0:48:00.200 --> 0:48:03.919
<v Speaker 2>reality producer, what happens is when in reality star gets

0:48:03.960 --> 0:48:10.240
<v Speaker 2>rewarded for a very singular behavior trope, they go above

0:48:10.280 --> 0:48:12.879
<v Speaker 2>and beyond to constantly give you that. And I think

0:48:12.880 --> 0:48:15.400
<v Speaker 2>what Kathy is doing is she's leaning more into it.

0:48:15.480 --> 0:48:18.120
<v Speaker 2>I think it's funny. I kind of think we're all

0:48:18.160 --> 0:48:20.560
<v Speaker 2>over it. To be honest with you, I think the

0:48:20.680 --> 0:48:24.759
<v Speaker 2>bit is a little bit too much pun intended. I

0:48:24.800 --> 0:48:28.680
<v Speaker 2>think she's playing into the trope of like, oh, I'm

0:48:28.719 --> 0:48:31.280
<v Speaker 2>this ditsi woman. Do I think she's a fun ditsi

0:48:31.400 --> 0:48:32.680
<v Speaker 2>woman in real life?

0:48:33.160 --> 0:48:33.960
<v Speaker 4>Sure? Right?

0:48:34.520 --> 0:48:35.520
<v Speaker 1>But I definitely think.

0:48:35.400 --> 0:48:37.920
<v Speaker 4>I think she's smart as hell. I think she's smart

0:48:37.960 --> 0:48:38.479
<v Speaker 4>as hell.

0:48:38.719 --> 0:48:40.280
<v Speaker 1>Like I think it's a character.

0:48:40.480 --> 0:48:42.160
<v Speaker 2>Right When I say she's did see, I mean the

0:48:42.239 --> 0:48:45.120
<v Speaker 2>character she has to portrayed, Like when Paris has to

0:48:45.200 --> 0:48:47.399
<v Speaker 2>reveal to us that that's not her rope speaking voice.

0:48:47.440 --> 0:48:50.719
<v Speaker 3>Yeah, she's like, what's up? Like she has like a baritone.

0:48:50.800 --> 0:48:53.640
<v Speaker 2>Yeah, Like, I think that's what Kathy does. I think

0:48:54.120 --> 0:48:57.360
<v Speaker 2>Paris had said she she makes money playing this character,

0:48:57.400 --> 0:49:00.319
<v Speaker 2>which was a ditsie blond, and I think that what

0:49:01.160 --> 0:49:04.440
<v Speaker 2>Kathy Hilton has done. She's the adult version of Paris.

0:49:05.719 --> 0:49:08.799
<v Speaker 2>And my last draw with the bit was the fashion show.

0:49:08.840 --> 0:49:11.080
<v Speaker 2>I'm like, girl, that's it.

0:49:12.160 --> 0:49:14.720
<v Speaker 4>Yeah, come on, Like you've been to so many fashion

0:49:14.760 --> 0:49:17.240
<v Speaker 4>shows with both of your daughters, with all of your family,

0:49:17.480 --> 0:49:20.279
<v Speaker 4>there is no way that you didn't know that you

0:49:20.360 --> 0:49:22.600
<v Speaker 4>were standing in front, or to even go backstage and

0:49:22.640 --> 0:49:25.560
<v Speaker 4>suggest that Durree make hey, duri should make some comments

0:49:25.640 --> 0:49:26.800
<v Speaker 4>during the fashion.

0:49:26.400 --> 0:49:28.840
<v Speaker 3>Show, like Kathy knows how fashion shows.

0:49:28.600 --> 0:49:31.480
<v Speaker 4>Are run better than most fashion shows, like there's no way,

0:49:31.560 --> 0:49:34.120
<v Speaker 4>but it's funny as hell. The audience gets that quick

0:49:34.200 --> 0:49:36.799
<v Speaker 4>hit of adrenaline because it's a funny moment. But I

0:49:36.840 --> 0:49:40.239
<v Speaker 4>just think Kathy Hilton is so damn smart, and it's

0:49:40.280 --> 0:49:42.239
<v Speaker 4>like Chris Jenner in a way. We'll never see the

0:49:42.320 --> 0:49:45.279
<v Speaker 4>real Chris Jenner on the Kardashians, but we know she's

0:49:45.320 --> 0:49:46.920
<v Speaker 4>there and she's really powerful.

0:49:47.040 --> 0:49:52.719
<v Speaker 2>Agreed a great agree, And I would like to see

0:49:52.760 --> 0:49:55.440
<v Speaker 2>Kim Riches come back. So that's that's that's that's my thing.

0:49:55.560 --> 0:49:58.280
<v Speaker 1>That's it. If she's if she's at a good place

0:49:58.280 --> 0:50:00.640
<v Speaker 1>in her life and her sobriety team recovery.

0:50:00.680 --> 0:50:02.719
<v Speaker 2>But that's important, that's the most important, you know, as

0:50:02.760 --> 0:50:05.759
<v Speaker 2>a human being. So my Boston prayers and love goes

0:50:05.800 --> 0:50:09.040
<v Speaker 2>out to Kim Richards. But whenever she's ready to be

0:50:09.280 --> 0:50:12.719
<v Speaker 2>back on television the best healthy way possible, I would

0:50:12.719 --> 0:50:15.360
<v Speaker 2>love to see her comeback. Just like Ryan Strak, I

0:50:15.360 --> 0:50:17.719
<v Speaker 2>would love to see you come back. On Reality with

0:50:17.760 --> 0:50:20.200
<v Speaker 2>the King. I always have so much fun with you.

0:50:20.200 --> 0:50:24.200
<v Speaker 2>You're so intelligent and you bring so much thoughtful dialogue

0:50:24.400 --> 0:50:28.759
<v Speaker 2>to these shows, and today's episode was no exception. But

0:50:29.400 --> 0:50:31.919
<v Speaker 2>you also have an amazing podcast that we all love

0:50:32.600 --> 0:50:34.960
<v Speaker 2>so Bad is Good with Ryan Bailey, So talk to

0:50:35.080 --> 0:50:38.799
<v Speaker 2>us about the podcast, what they can expect, and how

0:50:38.800 --> 0:50:41.600
<v Speaker 2>they can subscribe to your podcast as well.

0:50:42.040 --> 0:50:45.359
<v Speaker 4>Yeah, just go on Apple Podcasts, Spotify, leave a five

0:50:45.400 --> 0:50:45.920
<v Speaker 4>star review.

0:50:45.960 --> 0:50:48.560
<v Speaker 3>Do it for this one as well. If you hated anything.

0:50:48.200 --> 0:50:51.000
<v Speaker 4>That I said, just skip the podcast entirely and just

0:50:51.040 --> 0:50:54.880
<v Speaker 4>support Carlos Raindrops. But no, we I do a full

0:50:54.960 --> 0:50:57.440
<v Speaker 4>like line by line reenactment of Beverly Hills and like

0:50:57.520 --> 0:51:00.319
<v Speaker 4>I'm doing somewhere else Southern Charm, Atlanta. But we also

0:51:00.400 --> 0:51:03.719
<v Speaker 4>do things like we had Susan Morrison, who has a

0:51:03.719 --> 0:51:06.200
<v Speaker 4>New York Times bestseller about Lauren Michaels, the creator of

0:51:06.200 --> 0:51:08.400
<v Speaker 4>Saturday Night Live that's out right now. We did an

0:51:08.440 --> 0:51:11.120
<v Speaker 4>hour long conversation with her about SNL's fiftieth and the

0:51:11.360 --> 0:51:15.360
<v Speaker 4>origination of SNL. So we'll we did the Karen Reid trial,

0:51:15.480 --> 0:51:17.839
<v Speaker 4>so we go into different pockets of pop culture. But

0:51:17.880 --> 0:51:20.600
<v Speaker 4>my one true love has always been reality series. And

0:51:20.600 --> 0:51:22.759
<v Speaker 4>that's why, Carlos, you know what a fan I was

0:51:22.800 --> 0:51:24.920
<v Speaker 4>of yours even before I got to meet you, So

0:51:25.400 --> 0:51:28.320
<v Speaker 4>anytime to be able to speak to you is truly

0:51:28.880 --> 0:51:30.759
<v Speaker 4>truly meaningful to me. So thank you, man, I really

0:51:30.800 --> 0:51:32.000
<v Speaker 4>appreciate this opportunity.

0:51:32.120 --> 0:51:33.800
<v Speaker 1>No, thank you, And I love your podcast.

0:51:33.920 --> 0:51:37.680
<v Speaker 2>I'm a subscriber and I listened to it weekly, and guys, listen,

0:51:37.840 --> 0:51:42.200
<v Speaker 2>Ryan Bailey is so funny, but he really the difference

0:51:42.280 --> 0:51:45.719
<v Speaker 2>between Ryan's pod having a lot of others is he

0:51:45.840 --> 0:51:49.880
<v Speaker 2>goes deep in the in the in the conversations about

0:51:49.880 --> 0:51:53.680
<v Speaker 2>these shows, and he really he really brings an intelligent,

0:51:54.480 --> 0:51:57.360
<v Speaker 2>you know, conversation to what we're seeing and it's so

0:51:57.640 --> 0:52:00.920
<v Speaker 2>thought provoking. So if you're looking for our thought provoking

0:52:01.000 --> 0:52:05.040
<v Speaker 2>podcast that also was funny and hilarious, make sure you guys.

0:52:04.880 --> 0:52:06.960
<v Speaker 1>Subscribe to you. So bad is good with Ryan Bailey.

0:52:07.000 --> 0:52:09.320
<v Speaker 1>I'm a fan of his work and his podcast.

0:52:09.600 --> 0:52:12.399
<v Speaker 4>Well now I'm gonna cry. Now you're making me. We're

0:52:12.440 --> 0:52:15.239
<v Speaker 4>having a tearful and joyful moments. Which, by the way,

0:52:15.320 --> 0:52:17.480
<v Speaker 4>I was listening to you talk about Atlanta. You know,

0:52:17.520 --> 0:52:19.560
<v Speaker 4>I was like, I'd already watch Atlanta and I loved it,

0:52:19.800 --> 0:52:21.480
<v Speaker 4>and then I was watching a clip of you where

0:52:21.520 --> 0:52:25.279
<v Speaker 4>you're like, here's the deal, rain drops it I you

0:52:25.360 --> 0:52:26.120
<v Speaker 4>almost got like.

0:52:26.160 --> 0:52:27.719
<v Speaker 3>I was like, oh my god, he's gonna say he

0:52:27.760 --> 0:52:28.200
<v Speaker 3>hated it.

0:52:28.280 --> 0:52:30.759
<v Speaker 4>He's gonna say you were like, I've got to be

0:52:30.840 --> 0:52:31.560
<v Speaker 4>honest with you.

0:52:31.640 --> 0:52:33.279
<v Speaker 3>I've got to be and I was like, oh my god.

0:52:33.360 --> 0:52:35.239
<v Speaker 4>I literally just did a whole recap where I thought,

0:52:35.360 --> 0:52:36.960
<v Speaker 4>I said, this is like the best thing, and.

0:52:36.920 --> 0:52:39.399
<v Speaker 3>Then you're like, it's fantastic, ten out of ten.

0:52:39.440 --> 0:52:41.719
<v Speaker 4>And I was like, oh god, thank god, because I

0:52:41.800 --> 0:52:43.799
<v Speaker 4>was like, if I am this far off in what

0:52:43.880 --> 0:52:45.719
<v Speaker 4>I saw on that first episode of Atlanta, I was

0:52:45.760 --> 0:52:48.759
<v Speaker 4>going to be so embarrassed. And I was like, but

0:52:48.800 --> 0:52:50.759
<v Speaker 4>you really teased me, you know what I'm talking about.

0:52:50.760 --> 0:52:53.160
<v Speaker 4>You really teased it in that video, and I really

0:52:53.200 --> 0:52:54.759
<v Speaker 4>thought you were going to say it was horrible, and

0:52:54.800 --> 0:52:56.840
<v Speaker 4>I was like, oh my god, am I not seen something.

0:52:57.120 --> 0:52:59.040
<v Speaker 4>So I'm just glad that you made me more confidently

0:52:59.120 --> 0:52:59.480
<v Speaker 4>at work.

0:52:59.520 --> 0:53:00.840
<v Speaker 3>So thank you.

0:53:00.880 --> 0:53:02.680
<v Speaker 1>No, it was good. It was good. It was good.

0:53:02.680 --> 0:53:05.600
<v Speaker 2>It was a great premiere. If you guys aren't watching Atlanta,

0:53:05.600 --> 0:53:08.839
<v Speaker 2>you missing out. Watch Atlanta Housewives every Sunday. Antacom sum

0:53:09.000 --> 0:53:13.800
<v Speaker 2>Central and Beverly Hills Too, every Tuesday eight o'clock Summer

0:53:13.880 --> 0:53:16.759
<v Speaker 2>Central and both shows the next day on Peacock Ryan

0:53:16.800 --> 0:53:18.640
<v Speaker 2>and My Brother, Thank you and I will talk to

0:53:18.680 --> 0:53:19.320
<v Speaker 2>you soon.

0:53:20.040 --> 0:53:21.400
<v Speaker 3>Thank you by rain Drops.

0:53:22.560 --> 0:53:26.960
<v Speaker 2>Thank you for listening to Reality with the King. New

0:53:27.080 --> 0:53:32.759
<v Speaker 2>episodes drop on Tuesdays and Thursdays. Share, comment, follow and

0:53:32.840 --> 0:53:37.040
<v Speaker 2>subscribe to Reality with the King. Wherever you get your podcast,

0:53:37.680 --> 0:53:41.560
<v Speaker 2>visit realitywthe King dot com and be sure to follow

0:53:41.600 --> 0:53:46.680
<v Speaker 2>me at the Carlos King Underscore on Instagram, Twitter, TikTok

0:53:46.840 --> 0:53:49.759
<v Speaker 2>and Yes Baby, my YouTube channel where you could get

0:53:49.800 --> 0:53:54.000
<v Speaker 2>all of my visuals, baby, my expressions, Yes and don't

0:53:54.000 --> 0:53:57.319
<v Speaker 2>forget Tweet me your thoughts and hot takes about this

0:53:57.440 --> 0:54:03.120
<v Speaker 2>episode using the hashtag Reality with the King. Reality with

0:54:03.160 --> 0:54:07.359
<v Speaker 2>the King is a production of Kingdom Reign Entertainment, an

0:54:07.400 --> 0:54:24.120
<v Speaker 2>executive produced by me Carlos King, Kingdom Reign Entertainment, Baby