1 00:00:02,279 --> 00:00:04,840 Speaker 1: Give it a chance, give it a chance, Give it 2 00:00:04,840 --> 00:00:05,200 Speaker 1: a chance. 3 00:00:05,280 --> 00:00:06,520 Speaker 2: Come on and give it a chance. 4 00:00:06,720 --> 00:00:09,240 Speaker 1: Give it a chance, give it a chance, give it 5 00:00:09,280 --> 00:00:11,400 Speaker 1: a come on and give it. You want to give 6 00:00:11,440 --> 00:00:14,240 Speaker 1: it a chance, Give it a chance, Give it a chance. 7 00:00:14,400 --> 00:00:24,680 Speaker 2: Just chancers, chancers, chancers. It's a snow day here in Brooklyn. 8 00:00:25,800 --> 00:00:27,520 Speaker 2: It's a snow day here in Brooklyn. 9 00:00:27,600 --> 00:00:33,600 Speaker 1: Have yours ever met? Not in person, but I've seen 10 00:00:33,640 --> 00:00:35,239 Speaker 1: a lot of videos of you, and you've probably seen 11 00:00:35,280 --> 00:00:38,400 Speaker 1: a ton of videos of me, because that Kevin shares, 12 00:00:39,000 --> 00:00:41,440 Speaker 1: shares all the videos I send him. I'm sure have 13 00:00:41,479 --> 00:00:45,040 Speaker 1: you seen a ton of videos of Casey? No, I 14 00:00:45,040 --> 00:00:48,519 Speaker 1: don't think, of course, the answer is no, of course not. 15 00:00:48,840 --> 00:00:50,400 Speaker 1: My development is not as important. 16 00:00:51,159 --> 00:00:55,520 Speaker 2: Well, listen, that's debatable. I mean, look, I love you, 17 00:00:56,720 --> 00:01:00,000 Speaker 2: but I also love him. 18 00:01:00,120 --> 00:01:04,920 Speaker 1: He is my son and your brother. Surprise. That's what 19 00:01:04,959 --> 00:01:06,920 Speaker 1: this is all about. No, no, no, that's not sure. That's 20 00:01:06,959 --> 00:01:08,720 Speaker 1: not true. That's a job. That's not true. 21 00:01:09,120 --> 00:01:12,560 Speaker 2: So chances we have a special guest today, at Casey's recommendation. 22 00:01:13,640 --> 00:01:18,840 Speaker 1: There's a human child joining us, and and this is important. 23 00:01:18,840 --> 00:01:22,240 Speaker 1: We wanted you for a lot of reasons. One, you've 24 00:01:22,240 --> 00:01:25,760 Speaker 1: got the skills, we've we've I've seen you on those 25 00:01:25,840 --> 00:01:30,640 Speaker 1: videos that you've sent and you from the eighties. Gifted. Yeah, 26 00:01:30,680 --> 00:01:34,039 Speaker 1: you're gifted. You're a gift. You're a gifted person. Now 27 00:01:34,440 --> 00:01:36,520 Speaker 1: the other reason why is because we are going to 28 00:01:36,959 --> 00:01:41,160 Speaker 1: talk about the song baby Shark, which you're you're an 29 00:01:41,160 --> 00:01:43,039 Speaker 1: older How old are you now, Edie. 30 00:01:43,000 --> 00:01:48,280 Speaker 3: Nine and eleven twelfth or twelve eleven twelve? 31 00:01:49,600 --> 00:01:53,880 Speaker 1: Yeah, that's how you know you're big. But I assume 32 00:01:53,880 --> 00:01:56,720 Speaker 1: I'm making an assumption that this song is sort of 33 00:01:57,000 --> 00:01:59,040 Speaker 1: over for you, right like this that's more of like 34 00:01:59,080 --> 00:02:04,040 Speaker 1: a toddler song. Absolutely, but I'm sure there was a 35 00:02:04,120 --> 00:02:06,160 Speaker 1: time and tell me if you remember, was there a 36 00:02:06,200 --> 00:02:08,600 Speaker 1: time where you did like this song? Yo? 37 00:02:08,840 --> 00:02:10,639 Speaker 2: I So here's where I have to step in and 38 00:02:10,680 --> 00:02:13,960 Speaker 2: say did I Yeah, of course you did like but no, 39 00:02:14,400 --> 00:02:17,360 Speaker 2: I don't know. I don't know what time, I don't 40 00:02:17,360 --> 00:02:19,320 Speaker 2: know what year. We'll find out. So basically, also I 41 00:02:19,360 --> 00:02:22,639 Speaker 2: should quickly say to you what we do on Give 42 00:02:22,639 --> 00:02:25,440 Speaker 2: It a Chance is we listen to songs, even if 43 00:02:25,480 --> 00:02:29,160 Speaker 2: they're super like popular songs. There are songs that maybe 44 00:02:29,200 --> 00:02:33,400 Speaker 2: people think are like cheesy or lame or corny or cringe. 45 00:02:33,800 --> 00:02:34,520 Speaker 1: Maybe it's like. 46 00:02:34,760 --> 00:02:40,280 Speaker 2: Why did you cringe because I'm forty six, But we 47 00:02:40,400 --> 00:02:44,320 Speaker 2: try to find something we think is cool or redeeming 48 00:02:44,360 --> 00:02:45,080 Speaker 2: about the song. 49 00:02:45,360 --> 00:02:46,680 Speaker 1: So Baby Shark. 50 00:02:47,120 --> 00:02:51,200 Speaker 2: Baby Shark was like hugely popular, but I can't remember 51 00:02:51,240 --> 00:02:53,160 Speaker 2: when it was out twenty fifteen. 52 00:02:53,200 --> 00:02:55,600 Speaker 1: Twenty fifteen is when it dropped. But I think it's 53 00:02:55,800 --> 00:02:59,040 Speaker 1: children's songs like this are timeless, like you know, like 54 00:02:59,120 --> 00:03:01,919 Speaker 1: it's it's like a London bridge is falling down. It's 55 00:03:01,960 --> 00:03:04,680 Speaker 1: like it's if any kid is like, oh that came 56 00:03:04,720 --> 00:03:05,840 Speaker 1: out when I was a kid. 57 00:03:05,680 --> 00:03:09,880 Speaker 2: Totally it's forever. And so it's like Drake forever. And 58 00:03:09,919 --> 00:03:11,960 Speaker 2: there is a debate like did Eminem have the best 59 00:03:12,040 --> 00:03:14,160 Speaker 2: verse on that was the Wayne people? 60 00:03:14,200 --> 00:03:14,280 Speaker 1: Did? 61 00:03:14,520 --> 00:03:17,000 Speaker 2: Kanye re wrote his first after we heard Eminem's verse, I. 62 00:03:17,480 --> 00:03:19,480 Speaker 4: Go way song to rappers, what's happening? 63 00:03:19,560 --> 00:03:22,560 Speaker 1: Yeah, so we do, so we do. It's rangey. 64 00:03:22,960 --> 00:03:28,200 Speaker 2: It's rangey, but so the the but you dropped in 65 00:03:28,280 --> 00:03:32,320 Speaker 2: twenty sixteen, so Baby Sharks older than you. But it 66 00:03:32,440 --> 00:03:36,800 Speaker 2: was definitely a feature of your first definitely the first 67 00:03:36,920 --> 00:03:39,400 Speaker 2: daycare you ever went to. Shout out to do you 68 00:03:39,400 --> 00:03:43,560 Speaker 2: remember what it was called? Family Bayridge Family Daycare. 69 00:03:43,600 --> 00:03:46,520 Speaker 1: Shout Out Tokay, shout out a big sponsor, sponsor. 70 00:03:46,240 --> 00:03:48,480 Speaker 2: Big sponsor of the pod. They closed in twenty nineteen 71 00:03:48,560 --> 00:03:49,600 Speaker 2: Rest in Peace, Bay. 72 00:03:49,480 --> 00:03:52,720 Speaker 1: Ridge Family, but they're still sponsoring us. But they are sponsors, 73 00:03:53,160 --> 00:03:55,240 Speaker 1: and it's those sort of ideas that it was sort 74 00:03:55,240 --> 00:03:58,120 Speaker 1: of why their business didn't. Really that's why we have 75 00:03:58,440 --> 00:04:01,480 Speaker 1: the pod. Game in a Choke is for those kinds 76 00:04:01,480 --> 00:04:04,680 Speaker 1: of we're choking, we're choking out daycare. 77 00:04:04,920 --> 00:04:09,640 Speaker 2: Ourselves, We're choking ourselves. But yeah, so I definitely know 78 00:04:09,920 --> 00:04:13,880 Speaker 2: you loved Baby Shark when you were like two three. 79 00:04:14,240 --> 00:04:17,480 Speaker 1: Yeah, there was a whole thing, whole dance with your arms, 80 00:04:17,920 --> 00:04:20,920 Speaker 1: but you don't remember that. You remember the dance? Can 81 00:04:20,960 --> 00:04:21,840 Speaker 1: you show us the dance? 82 00:04:22,400 --> 00:04:25,680 Speaker 2: The dance. I remember that there was a dance that's audible. 83 00:04:25,920 --> 00:04:28,760 Speaker 1: I can't imagine that's audible. It is. I'm hearing it, 84 00:04:28,839 --> 00:04:32,560 Speaker 1: all right, Great, no more questions answers. I'm also going 85 00:04:32,640 --> 00:04:35,640 Speaker 1: to pull the curtain back a little bit because a 86 00:04:35,680 --> 00:04:39,680 Speaker 1: few things. We had recorded an entire episode of this song, 87 00:04:39,880 --> 00:04:44,520 Speaker 1: like in early season one. Yes, and I am often 88 00:04:44,560 --> 00:04:48,000 Speaker 1: responsible for hitting the record button, and I did not 89 00:04:48,440 --> 00:04:50,800 Speaker 1: do that the day that we recorded this, so we 90 00:04:50,960 --> 00:04:53,600 Speaker 1: we It's funny because I forgot everything we said about 91 00:04:53,640 --> 00:04:56,520 Speaker 1: this and I'm glad it's almost like kiss Met in 92 00:04:56,560 --> 00:04:58,000 Speaker 1: that we now have. 93 00:04:58,680 --> 00:05:00,480 Speaker 2: Kiss all the Mets, every New York. 94 00:05:00,560 --> 00:05:05,360 Speaker 1: Every minute, kiss met And but it's it's worked out. 95 00:05:05,400 --> 00:05:07,479 Speaker 1: It's fate that we we get to do it again 96 00:05:07,800 --> 00:05:10,400 Speaker 1: with somebody who was actually influenced by this song, whether 97 00:05:10,440 --> 00:05:12,040 Speaker 1: they want to admit it or not. 98 00:05:12,520 --> 00:05:14,840 Speaker 2: Yo, right, Yeah, like whether you want to deny it, 99 00:05:14,960 --> 00:05:17,320 Speaker 2: admit it. And you know what they say about whoever 100 00:05:17,400 --> 00:05:22,680 Speaker 2: denied it, supply it, supplied it, dude, complained? 101 00:05:26,240 --> 00:05:28,320 Speaker 1: Do you know that? Does that? The kids still say that? 102 00:05:28,960 --> 00:05:31,960 Speaker 1: All right? So if like Casey farted right, mm hmmm, 103 00:05:32,320 --> 00:05:34,400 Speaker 1: which happens he has. 104 00:05:34,240 --> 00:05:37,080 Speaker 2: Farted before, not on the pond, but like in life at. 105 00:05:37,040 --> 00:05:43,480 Speaker 1: Least, maybe SBD SBD silence. Do you know what that is? Wow? 106 00:05:43,680 --> 00:05:47,440 Speaker 2: Kids today, dude you repeat that SBD. 107 00:05:47,760 --> 00:05:50,920 Speaker 1: Silent but deadly. Do you know what that would mean? 108 00:05:52,040 --> 00:05:53,520 Speaker 3: I know that, I know that. 109 00:05:53,600 --> 00:05:56,000 Speaker 4: I just didn't know it was initials its initials. 110 00:05:56,440 --> 00:05:58,240 Speaker 1: Yeah, once you start using it enough, you have to, 111 00:05:58,440 --> 00:06:00,160 Speaker 1: you know, you got to abbreviate it as much which 112 00:06:00,160 --> 00:06:00,679 Speaker 1: as possible. 113 00:06:00,839 --> 00:06:04,599 Speaker 2: Yeah, you gotta breathe as much as pass. 114 00:06:05,120 --> 00:06:06,720 Speaker 1: So are you taking you know? Anyway? 115 00:06:06,760 --> 00:06:09,080 Speaker 2: That's just to say we have to finish this. If 116 00:06:09,120 --> 00:06:13,320 Speaker 2: you farted right, okay I said, or you said O 117 00:06:13,440 --> 00:06:17,880 Speaker 2: case you farted right, and then Casey said, no, I didn't. 118 00:06:18,520 --> 00:06:21,720 Speaker 2: Then I could say whoever denied it supplied it. But 119 00:06:21,760 --> 00:06:24,599 Speaker 2: then you could say whoever smelted delt it? 120 00:06:25,040 --> 00:06:31,480 Speaker 1: Okay, she know, she know? Oh you do. Okay. So 121 00:06:31,680 --> 00:06:33,960 Speaker 1: that's what's going on. Lots of our talk, lots of 122 00:06:33,960 --> 00:06:36,039 Speaker 1: Baby Shark waiting in the way, and that's what this 123 00:06:36,120 --> 00:06:39,440 Speaker 1: podcast is, and that's what people listen for. And that's uh. 124 00:06:39,640 --> 00:06:41,600 Speaker 1: And now we're going to jump into the song. We're 125 00:06:41,600 --> 00:06:45,480 Speaker 1: gonna listen to it, all right, and and uh, then 126 00:06:45,520 --> 00:06:47,760 Speaker 1: we will discuss. Okay, you're up for the task, Eadie. 127 00:06:48,040 --> 00:06:51,840 Speaker 2: Yeah, I guess ringing endorsement pod game in a choke 128 00:06:51,880 --> 00:06:53,880 Speaker 2: called all right, so Baby Shark, I'm. 129 00:06:53,760 --> 00:06:55,840 Speaker 1: Going pink fong and I always The other thing is 130 00:06:55,839 --> 00:06:56,960 Speaker 1: I always watched the video. 131 00:06:57,800 --> 00:06:59,080 Speaker 2: Casey always watches the video. 132 00:06:59,080 --> 00:07:01,280 Speaker 1: I always just listen to music and then we compare 133 00:07:01,560 --> 00:07:04,880 Speaker 1: you ready, all right, go three two? 134 00:07:05,200 --> 00:07:10,880 Speaker 3: Now baby checked it, Baby checked it, Baby shirk. 135 00:07:12,560 --> 00:07:16,880 Speaker 1: Wow, Okay, we are back. Wow. Lot a lot, a 136 00:07:16,880 --> 00:07:19,400 Speaker 1: lot to discuss, a lot to love. I will start 137 00:07:19,400 --> 00:07:22,240 Speaker 1: with the reason why we did. This is because you know, historically, 138 00:07:22,440 --> 00:07:24,880 Speaker 1: when kids like a song, they ask for it over 139 00:07:24,920 --> 00:07:27,360 Speaker 1: and over again, and parents are often like, I can't 140 00:07:27,360 --> 00:07:29,200 Speaker 1: believe I have to listen to this song again, right, 141 00:07:29,240 --> 00:07:31,760 Speaker 1: that's like a trope. His parents have to like deal 142 00:07:31,760 --> 00:07:33,400 Speaker 1: and listen to the song. And then it does get 143 00:07:33,440 --> 00:07:36,080 Speaker 1: to a point where a kid might go, I'm I'm 144 00:07:36,120 --> 00:07:37,920 Speaker 1: not a baby anymore. I don't want baby Shark, and 145 00:07:37,920 --> 00:07:39,440 Speaker 1: the parents are kind of like, I kind of miss 146 00:07:39,480 --> 00:07:42,440 Speaker 1: baby Shark. Yeah, yeah, yep, yeah, And that's where I'm 147 00:07:42,440 --> 00:07:44,000 Speaker 1: at now. I almost feel like the last time we 148 00:07:44,080 --> 00:07:46,360 Speaker 1: listened to it, she was still like, still like it. 149 00:07:46,400 --> 00:07:49,480 Speaker 1: My daughter, who is four, was still liking it, and 150 00:07:49,520 --> 00:07:52,360 Speaker 1: now she's like, I don't like that song. She actually 151 00:07:52,400 --> 00:07:54,040 Speaker 1: I told her that we were doing this podcast and 152 00:07:54,080 --> 00:07:55,600 Speaker 1: asked her if she wanted to join, and she said 153 00:07:55,680 --> 00:07:58,160 Speaker 1: no and no meaning no she didn't want to and no, 154 00:07:58,360 --> 00:08:01,280 Speaker 1: she doesn't like it. She is onto a song right 155 00:08:01,320 --> 00:08:05,360 Speaker 1: now that is I think maybe worse, which is I'm 156 00:08:05,440 --> 00:08:10,280 Speaker 1: a gummy bear. I'm a gummy bear and it's like goods, goods, goods. 157 00:08:10,440 --> 00:08:14,360 Speaker 2: Yeah, and you know, so you can talk about it 158 00:08:14,400 --> 00:08:17,400 Speaker 2: if you want to. Edie definitely had a passage with 159 00:08:17,400 --> 00:08:19,720 Speaker 2: Gummy Bear and I don't want to blow you up, 160 00:08:19,760 --> 00:08:22,280 Speaker 2: but I have to. I have to offer this. Gummy 161 00:08:22,320 --> 00:08:27,360 Speaker 2: Bear had a song called about the pacifying and it 162 00:08:27,400 --> 00:08:29,560 Speaker 2: was called nookie like Fred. 163 00:08:29,440 --> 00:08:32,040 Speaker 1: Durst, Yeah, like fred Durston Olympus. 164 00:08:31,560 --> 00:08:34,679 Speaker 2: And but that's I guess maybe that's called that in 165 00:08:34,679 --> 00:08:38,480 Speaker 2: some places. I don't know, but that was a part 166 00:08:38,559 --> 00:08:42,119 Speaker 2: of Edie's I was gonna say nightmare blunt rotation, bedtime 167 00:08:42,320 --> 00:08:43,600 Speaker 2: song rotation. 168 00:08:44,960 --> 00:08:46,720 Speaker 1: For a little while where it would. 169 00:08:46,480 --> 00:08:50,400 Speaker 2: Be like, yo, this isn't a psychotic arrangement of songs. 170 00:08:50,440 --> 00:08:53,480 Speaker 1: That definitely is very it was. 171 00:08:53,520 --> 00:08:55,800 Speaker 2: It was collaborative, but a lot of me it was 172 00:08:55,840 --> 00:08:57,560 Speaker 2: like the softness of it. I think we did. 173 00:08:58,720 --> 00:08:59,440 Speaker 1: We definitely did that. 174 00:08:59,480 --> 00:09:03,959 Speaker 2: It was like after school play on my computer, my nook. 175 00:09:04,000 --> 00:09:05,280 Speaker 1: He never leaves my mouth. 176 00:09:06,559 --> 00:09:10,080 Speaker 2: Wow, So I still know, but it's to the I 177 00:09:10,120 --> 00:09:11,520 Speaker 2: still know all of it. And then it was also 178 00:09:11,559 --> 00:09:14,520 Speaker 2: like Elliott Smith, Daniel Johnston. It was like a very 179 00:09:14,679 --> 00:09:17,480 Speaker 2: soft song thing. And then like when she was like 180 00:09:17,520 --> 00:09:19,640 Speaker 2: six and a half, one night she just went like, hey, 181 00:09:19,679 --> 00:09:21,960 Speaker 2: I don't need to just sing to me anymore, I know, 182 00:09:22,559 --> 00:09:25,440 Speaker 2: and I was like okay, and then I like left 183 00:09:25,440 --> 00:09:26,200 Speaker 2: the room I was like. 184 00:09:27,000 --> 00:09:29,200 Speaker 1: You take a hit, you take it eat. They don't. 185 00:09:29,240 --> 00:09:31,439 Speaker 1: They don't realize. The other thing is like big al 186 00:09:31,520 --> 00:09:38,920 Speaker 1: for dad who was in your bloot rotation, Big yeah yeah. 187 00:09:39,240 --> 00:09:42,480 Speaker 1: But so like I was thinking about this because it 188 00:09:42,520 --> 00:09:45,959 Speaker 1: feels like yesterday obviously that Marie was listening to these songs. 189 00:09:46,000 --> 00:09:49,679 Speaker 1: I'm sure similar with Eadie. But a child's life is 190 00:09:49,800 --> 00:09:53,160 Speaker 1: like it's it's so scrunched down compared to ours totally, 191 00:09:53,559 --> 00:09:57,199 Speaker 1: So like an hour in a car is like especially 192 00:09:57,200 --> 00:09:59,800 Speaker 1: as like even a younger age and Eadie it's a 193 00:10:00,240 --> 00:10:04,600 Speaker 1: portion of their life totally, so it feels crazy, whereas 194 00:10:04,600 --> 00:10:05,400 Speaker 1: for an hour. 195 00:10:05,679 --> 00:10:08,200 Speaker 2: In ten years is a lot different than an hour 196 00:10:08,360 --> 00:10:10,000 Speaker 2: in forty six years. 197 00:10:10,240 --> 00:10:12,160 Speaker 1: R you know, do you know? Do you get it? 198 00:10:12,240 --> 00:10:18,280 Speaker 1: Like you get it? What CPA's outside. 199 00:10:18,559 --> 00:10:22,080 Speaker 2: I will just say yeah, yeah, just on that front, 200 00:10:22,320 --> 00:10:27,199 Speaker 2: that's totally true and just it's also wild because I 201 00:10:27,320 --> 00:10:29,880 Speaker 2: remember so much stuff that I always ask you, like 202 00:10:29,920 --> 00:10:32,960 Speaker 2: do you remember that? And you're like, no, dude, I 203 00:10:33,040 --> 00:10:35,560 Speaker 2: was four, you know what I mean? Like the memories. 204 00:10:35,679 --> 00:10:38,360 Speaker 2: I feel like your memories are like fuzzy back then. 205 00:10:38,679 --> 00:10:41,080 Speaker 4: I have memory loss. 206 00:10:41,320 --> 00:10:41,680 Speaker 1: I don't have. 207 00:10:44,040 --> 00:10:47,040 Speaker 2: Actually, there are some great dementia meds that are also 208 00:10:47,400 --> 00:10:48,600 Speaker 2: sponsors of this pod. 209 00:10:48,960 --> 00:10:52,079 Speaker 1: I'm sure I probably Wait, so Eadie, what are your 210 00:10:52,120 --> 00:10:54,520 Speaker 1: thoughts on Baby I need to get back to Baby Sharks? 211 00:10:54,520 --> 00:10:58,720 Speaker 1: So hearing it? Sorry here a headphone was out, So 212 00:10:58,880 --> 00:11:02,800 Speaker 1: hearing Baby Shark again all over again? What are your thoughts? 213 00:11:03,960 --> 00:11:05,560 Speaker 4: So basically. 214 00:11:06,840 --> 00:11:09,960 Speaker 3: The lyrics. I was listening to them. The first part 215 00:11:10,000 --> 00:11:14,319 Speaker 3: where they were introducing the family. It was fine, some voices, 216 00:11:16,280 --> 00:11:21,640 Speaker 3: they were voices, but at the last part, something like 217 00:11:21,800 --> 00:11:26,240 Speaker 3: it sounded so terrifying. It was like it sounded like 218 00:11:26,320 --> 00:11:28,760 Speaker 3: someone was like getting stalked. 219 00:11:29,360 --> 00:11:33,120 Speaker 2: Well, yo, exactly, that's there. All of a sudden, the 220 00:11:33,120 --> 00:11:36,640 Speaker 2: whole family of sharks goes hunting and then what So 221 00:11:36,760 --> 00:11:40,679 Speaker 2: keep sorry, keep knowing. My curiosity is. I also have 222 00:11:40,760 --> 00:11:44,560 Speaker 2: to point out to the listener that, of course that 223 00:11:44,760 --> 00:11:47,920 Speaker 2: my child immediately is like the lyrics. Let's break down 224 00:11:47,920 --> 00:11:49,920 Speaker 2: the lyrics. I feel like, as a trope of. 225 00:11:49,880 --> 00:11:53,160 Speaker 1: This, how often does daddy talk about Leonard Cohen, Nirvana 226 00:11:53,720 --> 00:11:55,120 Speaker 1: and Elliott Smith. 227 00:11:55,360 --> 00:11:56,760 Speaker 4: Nirvana and Elliott Smith. 228 00:11:56,800 --> 00:12:01,040 Speaker 3: I have heard about him a lot, and the other 229 00:12:01,160 --> 00:12:02,079 Speaker 3: guy I don't know. 230 00:12:02,679 --> 00:12:06,120 Speaker 1: Okay, all right, yeah, Leonard Cohen hasn't reached it yet. 231 00:12:06,120 --> 00:12:08,120 Speaker 1: But the hierarchy of beads. 232 00:12:08,160 --> 00:12:11,160 Speaker 2: For dad, yeah, okay, this is great, this is good, 233 00:12:11,200 --> 00:12:12,840 Speaker 2: and we'll come back to those. I'd love to get 234 00:12:12,880 --> 00:12:16,640 Speaker 2: your perspective on those artists. But for Baby Shark purposes, 235 00:12:17,280 --> 00:12:19,000 Speaker 2: what I have a question for both of you about 236 00:12:19,160 --> 00:12:22,840 Speaker 2: is do you feel like so when the tempo change 237 00:12:22,880 --> 00:12:26,280 Speaker 2: and key change happens and run away, now we're safe. 238 00:12:26,480 --> 00:12:28,960 Speaker 2: So that's the moment where the narrative shifts to the 239 00:12:29,000 --> 00:12:32,959 Speaker 2: perspective of the fish being hunted, right, Well, it. 240 00:12:32,920 --> 00:12:35,600 Speaker 1: Was always through to the narratives, like they are they are 241 00:12:35,600 --> 00:12:38,000 Speaker 1: meeting all these people, right, so the perspective is the 242 00:12:38,040 --> 00:12:42,080 Speaker 1: fish going, oh, look, there's baby shark, there's Mommy shark. 243 00:12:42,120 --> 00:12:45,160 Speaker 1: And then they're singing along and then it's just like, well, 244 00:12:45,200 --> 00:12:47,120 Speaker 1: maybe you're right, because it does switch to let's go 245 00:12:47,240 --> 00:12:49,840 Speaker 1: hunt and then run away. That's what I thought. 246 00:12:49,840 --> 00:12:53,680 Speaker 2: I thought they were introducing themselves and then let's go hunt. 247 00:12:54,040 --> 00:12:56,360 Speaker 2: And then when the tempo and key changes, then it's 248 00:12:56,400 --> 00:13:01,440 Speaker 2: the other that's the like the guppy, the the goldy. 249 00:13:02,720 --> 00:13:05,400 Speaker 1: You know, unless it doesn't switch, it's actually they're turning 250 00:13:05,480 --> 00:13:08,360 Speaker 1: on themselves, so like they're all hunting themselves, you know, 251 00:13:08,520 --> 00:13:11,880 Speaker 1: sort of like how nowadays, like a political family that's 252 00:13:11,880 --> 00:13:14,040 Speaker 1: torn between different sides will just sort of start to 253 00:13:14,040 --> 00:13:14,640 Speaker 1: eat themselves. 254 00:13:14,720 --> 00:13:18,920 Speaker 2: You know about that? Yeah, yeah, And nowadays everybody used 255 00:13:18,920 --> 00:13:22,720 Speaker 2: to talk, but they've got something to say, don't go yeah, yeah, yeah. 256 00:13:22,920 --> 00:13:25,280 Speaker 1: So unless that's so, maybe maybe it's like, let's go 257 00:13:25,360 --> 00:13:27,640 Speaker 1: hunt their hunting, really hunting each other because of the 258 00:13:27,640 --> 00:13:32,640 Speaker 1: their their different views about the political economic situations that 259 00:13:32,679 --> 00:13:37,160 Speaker 1: are happening under the water, under the sea, And then 260 00:13:37,320 --> 00:13:40,400 Speaker 1: it's possible that then then they're like, Okay, it's the end. 261 00:13:40,720 --> 00:13:45,040 Speaker 1: It's the end, it's the end, And that's that's actually foretelling. 262 00:13:45,120 --> 00:13:48,040 Speaker 1: It's no, it's foretelling of what our society is about collapsing. 263 00:13:48,320 --> 00:13:50,200 Speaker 2: What do you think about that take? That's why he's 264 00:13:50,240 --> 00:13:55,800 Speaker 2: won several peabodies as as a podcasters pod bodies. The 265 00:13:55,880 --> 00:13:58,640 Speaker 2: pod bodies have been piling up. He's got the pod 266 00:13:58,679 --> 00:14:01,560 Speaker 2: getting a chocolate go ahead, go ahead, good. 267 00:14:02,240 --> 00:14:05,880 Speaker 3: It is the one thing to say about that. I 268 00:14:05,960 --> 00:14:10,480 Speaker 3: honestly think that is a very low possibility because this 269 00:14:10,600 --> 00:14:15,240 Speaker 3: is a kid's song. Wow, it would have that like 270 00:14:16,120 --> 00:14:16,960 Speaker 3: deep meaning. 271 00:14:17,920 --> 00:14:20,200 Speaker 1: Oh, look at animal farm. Okay, look at animal farm. Right, 272 00:14:20,240 --> 00:14:21,600 Speaker 1: everyone thought it was a kid's book, But. 273 00:14:21,680 --> 00:14:25,640 Speaker 2: You've read George Orwell's Animal Farm, right, and that miss 274 00:14:26,120 --> 00:14:28,920 Speaker 2: hasn't given you that, okay, you know, shout out to 275 00:14:28,920 --> 00:14:35,120 Speaker 2: miss another sponsor, another sponsor. I'm EADI divide his fourth 276 00:14:35,160 --> 00:14:47,160 Speaker 2: grade teacher, and I sponsored give it a chance. I 277 00:14:47,280 --> 00:14:50,040 Speaker 2: feel like I like what Casey did there. I like 278 00:14:50,120 --> 00:14:55,840 Speaker 2: the depths. He plumbed the depths and that's important to do. 279 00:14:56,200 --> 00:15:00,880 Speaker 2: Exit Gesis is next to me sis. But I do 280 00:15:00,960 --> 00:15:05,160 Speaker 2: think that I feel like what I liked on the 281 00:15:05,280 --> 00:15:10,520 Speaker 2: order of chance, giving it a chancy for me. That 282 00:15:10,560 --> 00:15:13,840 Speaker 2: could be what's going on, or it could be a 283 00:15:13,920 --> 00:15:16,680 Speaker 2: you know, sometimes Freud has said a cigar is just 284 00:15:16,680 --> 00:15:19,120 Speaker 2: a cigar, right, you know that you've learned that, what 285 00:15:19,320 --> 00:15:21,560 Speaker 2: so I do think it's like sometimes a rose is 286 00:15:21,640 --> 00:15:24,280 Speaker 2: just a rose. Sometimes in this song, it could be 287 00:15:25,160 --> 00:15:28,000 Speaker 2: it could be that they're eating each other, that they're 288 00:15:28,040 --> 00:15:33,040 Speaker 2: falling apart kind of bliz. Yeah, it could be that, 289 00:15:33,600 --> 00:15:36,720 Speaker 2: Or it could be we were introduced to each member 290 00:15:36,720 --> 00:15:40,080 Speaker 2: of the family and then the gupy the gold all 291 00:15:40,120 --> 00:15:45,400 Speaker 2: of them are like and that's the moment where I 292 00:15:45,600 --> 00:15:49,000 Speaker 2: like that. The key change and tempo change indicates like, 293 00:15:49,680 --> 00:15:53,480 Speaker 2: you know, it's like a yeah, or they're swimming really fast, 294 00:15:53,520 --> 00:15:58,120 Speaker 2: and it's like anxious, fearful. Your heart rate moves faster 295 00:15:58,240 --> 00:16:00,880 Speaker 2: when you're moving faster, right, you're so. I thought that 296 00:16:00,960 --> 00:16:02,560 Speaker 2: was a cool feature of the song that, like the 297 00:16:03,040 --> 00:16:07,600 Speaker 2: track actually mirrors the story. I thought that was cool. 298 00:16:08,520 --> 00:16:10,600 Speaker 2: But with him that could just oh no, he's with me, 299 00:16:10,680 --> 00:16:13,000 Speaker 2: or as answer, that could just be me. But I 300 00:16:13,040 --> 00:16:15,320 Speaker 2: also wanted to just quickly say something a little off topic, 301 00:16:15,320 --> 00:16:17,440 Speaker 2: but we can stay on topic case I had a question. 302 00:16:17,520 --> 00:16:20,480 Speaker 1: Oh no, no, I guess what I like, I was gonna 303 00:16:20,480 --> 00:16:24,720 Speaker 1: say another chancey As the voices build as to this, 304 00:16:24,880 --> 00:16:27,000 Speaker 1: as does the music, you know, like it starts pretty 305 00:16:27,040 --> 00:16:29,360 Speaker 1: simple and then like that high hat comes in. That's 306 00:16:29,360 --> 00:16:33,400 Speaker 1: so nice. That's that's a really nice moment, and then 307 00:16:33,440 --> 00:16:36,160 Speaker 1: it just builds up the dances do too, like there's 308 00:16:36,160 --> 00:16:37,960 Speaker 1: this really fun like, oh, I will go back to 309 00:16:37,960 --> 00:16:40,240 Speaker 1: the video. Yeah yeah I did. I'll go back to 310 00:16:40,280 --> 00:16:42,840 Speaker 1: what Edie said before, which was like, oh yeah, we 311 00:16:42,840 --> 00:16:43,760 Speaker 1: can watch it again. 312 00:16:43,560 --> 00:16:45,720 Speaker 2: Like another time, another time, like to like I saw 313 00:16:45,720 --> 00:16:46,480 Speaker 2: even like a year or. 314 00:16:46,480 --> 00:16:50,040 Speaker 1: Two go ahead when we revisit no for the anniversary 315 00:16:50,080 --> 00:16:53,520 Speaker 1: of this app at the Bounce Ballroom, Well yeah, next 316 00:16:53,560 --> 00:16:58,160 Speaker 1: no day, the voices you brought up before. It's so true, 317 00:16:58,280 --> 00:17:02,600 Speaker 1: Like that daddy voice is so strange. It's like, no, sure, 318 00:17:02,800 --> 00:17:04,880 Speaker 1: I can't even do it. It sounds like a ghost 319 00:17:05,000 --> 00:17:09,120 Speaker 1: from like the nineteen twenties, like you like. 320 00:17:09,080 --> 00:17:13,120 Speaker 2: A cartoon Dracula, like I've your blood. 321 00:17:13,840 --> 00:17:15,240 Speaker 1: Yeah, it's like Daddy's shark. 322 00:17:15,359 --> 00:17:17,080 Speaker 4: Yeah, sounds like it. 323 00:17:18,160 --> 00:17:23,000 Speaker 3: You can say my speech a drunk opera singer. 324 00:17:22,760 --> 00:17:29,960 Speaker 2: To me, yess opera singer. You're pardoned, by the way. 325 00:17:29,119 --> 00:17:33,160 Speaker 1: It's accurate. And then there's like a grandma and grandpa 326 00:17:33,240 --> 00:17:35,879 Speaker 1: shark and they have this sort of like gum like 327 00:17:36,320 --> 00:17:41,160 Speaker 1: kids put their teeth away. 328 00:17:41,240 --> 00:17:43,520 Speaker 2: Yeah, I was doing that. I have a question though, 329 00:17:43,680 --> 00:17:47,000 Speaker 2: from from a from a young kid's perspective, do you 330 00:17:47,080 --> 00:17:49,879 Speaker 2: think that's what? For instance, like you have a dad, 331 00:17:50,720 --> 00:17:54,159 Speaker 2: I do have a dad. You have two grandmas? Do 332 00:17:54,320 --> 00:17:54,680 Speaker 2: have two? 333 00:17:55,400 --> 00:17:55,720 Speaker 1: Your two? 334 00:17:55,800 --> 00:17:57,639 Speaker 2: Grandpa's rest in peace? 335 00:17:58,320 --> 00:18:00,440 Speaker 1: But is that what you think? 336 00:18:00,640 --> 00:18:02,760 Speaker 2: Like? Do I so like the Do I sound like 337 00:18:02,840 --> 00:18:03,760 Speaker 2: Don Pardo? 338 00:18:07,200 --> 00:18:07,280 Speaker 1: No? 339 00:18:07,840 --> 00:18:10,919 Speaker 4: All right, I think you know that, But I'm just asking. 340 00:18:11,000 --> 00:18:12,159 Speaker 2: I don't know what the world sounds like. 341 00:18:12,200 --> 00:18:15,080 Speaker 1: You're fishing. He's fishing for a compliment right now, he's fishing. 342 00:18:15,359 --> 00:18:16,600 Speaker 1: Do I sound better than them? 343 00:18:16,880 --> 00:18:28,240 Speaker 2: Nope? Harding my speech. But that's super all right, So 344 00:18:28,400 --> 00:18:29,639 Speaker 2: I just wanted to know if that's And do you 345 00:18:29,640 --> 00:18:32,680 Speaker 2: feel like your grandma's talk like that? Oh worried it's 346 00:18:32,800 --> 00:18:38,239 Speaker 2: me Nana and me me. No, okay, not really. Do 347 00:18:38,320 --> 00:18:39,919 Speaker 2: you feel like your dad talks like that? 348 00:18:40,040 --> 00:18:44,240 Speaker 1: Casey, No, No, My dad's very like monotone. He talks 349 00:18:44,440 --> 00:18:46,280 Speaker 1: like this. So it's daddy Shark. He can be like 350 00:18:46,359 --> 00:18:52,439 Speaker 1: Daddy Shark. Daddy Shark. He loses his voice. It's like 351 00:18:52,480 --> 00:18:54,400 Speaker 1: he's at a place when there's like more than ten 352 00:18:54,480 --> 00:18:56,240 Speaker 1: people and he has to talk to someone. He like 353 00:18:56,280 --> 00:19:03,560 Speaker 1: loses his voice right away. He's like, so monitor, yeah, 354 00:19:03,640 --> 00:19:05,480 Speaker 1: he's got to leave, all right. What else? 355 00:19:06,200 --> 00:19:07,800 Speaker 2: I don't mean to keep pulling us off. Oh there 356 00:19:07,840 --> 00:19:09,199 Speaker 2: is one thing I do, like we do have to 357 00:19:09,200 --> 00:19:11,440 Speaker 2: tell Casey, just on the subject of nightmare blunt. 358 00:19:11,200 --> 00:19:14,200 Speaker 1: Rotations, what I do often suggest? 359 00:19:14,400 --> 00:19:17,600 Speaker 2: What do I ask you to do? Often in the 360 00:19:17,640 --> 00:19:22,800 Speaker 2: streets of Bay Ridge, when we pass a law like 361 00:19:23,000 --> 00:19:25,840 Speaker 2: what about or people standing outside? 362 00:19:26,880 --> 00:19:29,000 Speaker 4: He asked me, I don't know if this is right, 363 00:19:29,800 --> 00:19:30,840 Speaker 4: because give it a shot. 364 00:19:30,920 --> 00:19:31,640 Speaker 1: It's like it's like. 365 00:19:32,119 --> 00:19:34,760 Speaker 3: Sometimes when we pass people in the street, or we 366 00:19:34,840 --> 00:19:39,560 Speaker 3: pass like a bar, he asked me, go inside. Or 367 00:19:39,920 --> 00:19:46,719 Speaker 3: go to the person and ask for a sig, like 368 00:19:46,840 --> 00:19:47,320 Speaker 3: I do you want to? 369 00:19:51,480 --> 00:19:53,520 Speaker 1: And have you ever done it? Nope? 370 00:19:53,680 --> 00:19:56,920 Speaker 2: All right, and has anyone? But so I want I'm 371 00:19:56,960 --> 00:19:59,520 Speaker 2: interested in the social experiment case. I want to give 372 00:19:59,600 --> 00:20:01,920 Speaker 2: people a chance in general in this life. 373 00:20:02,200 --> 00:20:02,440 Speaker 1: Yep. 374 00:20:02,880 --> 00:20:06,080 Speaker 2: And I'm a sponsor of this program as well. Give 375 00:20:06,119 --> 00:20:08,520 Speaker 2: people a chance. But I just want to see what 376 00:20:08,520 --> 00:20:10,360 Speaker 2: would happen. I want to see what would happen if 377 00:20:10,400 --> 00:20:12,080 Speaker 2: like a nine year old I did it when you 378 00:20:12,080 --> 00:20:13,600 Speaker 2: were like six. I want to see if like someone 379 00:20:13,600 --> 00:20:15,800 Speaker 2: would be like looking for me, or if someone would 380 00:20:15,800 --> 00:20:18,240 Speaker 2: be like all right and just like you know, it's 381 00:20:18,240 --> 00:20:21,440 Speaker 2: a real scale test too, like what what level where 382 00:20:21,480 --> 00:20:23,520 Speaker 2: the person's at? None of the bar who's going to 383 00:20:23,560 --> 00:20:25,840 Speaker 2: be like, yeah, sure, no problem. 384 00:20:25,440 --> 00:20:26,800 Speaker 1: Bay Ridges it's fifty to fifty. 385 00:20:26,960 --> 00:20:29,200 Speaker 2: Bay Ridge is fifty to fifty. It's a coin flip 386 00:20:29,240 --> 00:20:32,400 Speaker 2: for show. But anyway, yeah, you like something could share 387 00:20:32,440 --> 00:20:33,080 Speaker 2: with the audience. 388 00:20:33,440 --> 00:20:36,440 Speaker 1: Yeah, people don't send their kids to get SIGs anymore, 389 00:20:37,440 --> 00:20:38,480 Speaker 1: that's yo. 390 00:20:38,960 --> 00:20:42,160 Speaker 2: But that's literally there was a time, like I bet 391 00:20:42,160 --> 00:20:46,600 Speaker 2: when Nana was a kid. It's not inconceivable that's like 392 00:20:47,080 --> 00:20:49,080 Speaker 2: her dad might have sent her to the store to 393 00:20:49,119 --> 00:20:53,000 Speaker 2: get like the newspaper of some bread and a pack 394 00:20:53,040 --> 00:20:55,720 Speaker 2: of cigarettes, like in nineteen sixty. 395 00:20:55,480 --> 00:20:57,480 Speaker 1: And it's like get a Hershey bar for yourself for 396 00:20:57,680 --> 00:20:59,520 Speaker 1: the trouble, but bring back my change. 397 00:20:59,600 --> 00:21:00,800 Speaker 2: That sounds all right though, right? 398 00:21:03,440 --> 00:21:05,240 Speaker 1: That was that was what it was. And now kids 399 00:21:05,280 --> 00:21:08,080 Speaker 1: they're on Baby Shark all day. Yeah, yeah, that's true. 400 00:21:08,119 --> 00:21:09,879 Speaker 2: You can't even leave the house because you're like baby. 401 00:21:10,240 --> 00:21:12,320 Speaker 2: You're like Harvey Kaite Tell and bad Lieutenant, just. 402 00:21:12,240 --> 00:21:16,520 Speaker 1: Like Baby Shark, Baby Shark. What music are you listening 403 00:21:16,560 --> 00:21:22,119 Speaker 1: to now, Edie Hamilton? Wow? Really, that's your dad's least 404 00:21:22,280 --> 00:21:24,120 Speaker 1: favorite genre. 405 00:21:25,000 --> 00:21:26,160 Speaker 3: I brain rotted him. 406 00:21:26,880 --> 00:21:31,200 Speaker 2: Our friend of the program, Chris O'Brien cephas how many? 407 00:21:31,320 --> 00:21:32,520 Speaker 1: How many? How many? 408 00:21:32,680 --> 00:21:37,000 Speaker 2: And the high chiefs, how many Hamilton's stickers do you 409 00:21:37,080 --> 00:21:39,600 Speaker 2: presently have on your portable water bottle? 410 00:21:39,960 --> 00:21:40,680 Speaker 4: Can I get it? 411 00:21:40,680 --> 00:21:41,280 Speaker 2: It's not here? 412 00:21:41,480 --> 00:21:42,000 Speaker 1: Okay? 413 00:21:42,040 --> 00:21:42,320 Speaker 4: Five? 414 00:21:42,440 --> 00:21:44,480 Speaker 1: I think it's five? 415 00:21:44,520 --> 00:21:46,480 Speaker 2: Would be under five to ten? 416 00:21:47,080 --> 00:21:48,280 Speaker 3: No, I have five? 417 00:21:48,359 --> 00:21:48,679 Speaker 1: Okay. 418 00:21:48,800 --> 00:21:49,400 Speaker 4: I counted. 419 00:21:49,760 --> 00:21:52,480 Speaker 2: He saw the water bottle. We were all together on Saturday, 420 00:21:52,640 --> 00:21:56,240 Speaker 2: and he counted. They counted it together, and then he 421 00:21:56,320 --> 00:21:59,920 Speaker 2: turned to me and he said, justice is funny, dude. 422 00:22:01,200 --> 00:22:07,119 Speaker 1: Just this is I don't know, it's this Hamilton's educational. 423 00:22:07,560 --> 00:22:09,440 Speaker 1: It's got a lot of value to it in that way. 424 00:22:09,520 --> 00:22:11,960 Speaker 1: I feel like that's of kids of songs that you 425 00:22:12,000 --> 00:22:14,000 Speaker 1: could be listening to our genres, you could go down. 426 00:22:14,040 --> 00:22:16,360 Speaker 1: I think that's that's a safe one. It's I think 427 00:22:16,400 --> 00:22:18,200 Speaker 1: as a parent, you got to be pretty happy about it. 428 00:22:18,760 --> 00:22:24,320 Speaker 2: I would say this, I managed to avoid Hamilton for 429 00:22:25,160 --> 00:22:29,000 Speaker 2: ten years of its existence. And we've talked about this 430 00:22:29,040 --> 00:22:30,760 Speaker 2: before on the pod. That's why cases bringing it up. 431 00:22:30,800 --> 00:22:34,920 Speaker 2: It was I have I have some probably boring, not 432 00:22:34,960 --> 00:22:37,479 Speaker 2: necessary for us to go through on the pod thoughts 433 00:22:37,520 --> 00:22:39,320 Speaker 2: about the some of my I have some issues with 434 00:22:39,359 --> 00:22:44,200 Speaker 2: like the politics of Hamilton frankly, but but I'd also 435 00:22:44,280 --> 00:22:46,960 Speaker 2: never really listened to it. And what I could say 436 00:22:47,080 --> 00:22:52,080 Speaker 2: now is, having spent the better part of the last 437 00:22:52,240 --> 00:22:58,080 Speaker 2: would you say, two years year, really uh, really in 438 00:22:58,240 --> 00:23:02,199 Speaker 2: deep with it. It's not without its charms. I know 439 00:23:02,359 --> 00:23:05,560 Speaker 2: every and I also feel like I probably now know 440 00:23:05,720 --> 00:23:07,800 Speaker 2: at least to the first half of the record. I 441 00:23:07,800 --> 00:23:09,040 Speaker 2: don't like the cues. 442 00:23:09,600 --> 00:23:12,639 Speaker 1: Yeah, I don't like Yeah, there's a lot. Have you 443 00:23:12,680 --> 00:23:13,719 Speaker 1: watched it or just listened? 444 00:23:15,000 --> 00:23:17,400 Speaker 4: I watched it and I listened to it. 445 00:23:17,960 --> 00:23:21,000 Speaker 1: It's on streamer right, It's on so you can. I 446 00:23:21,040 --> 00:23:23,520 Speaker 1: want you guys to see it. I didn't see it 447 00:23:23,560 --> 00:23:26,080 Speaker 1: in person. I think I watched it when it came out, 448 00:23:26,920 --> 00:23:29,400 Speaker 1: and yeah, I get it. I like it. There's elements 449 00:23:29,560 --> 00:23:33,920 Speaker 1: there that are that are fun. It's tendencies, tendencies, there's 450 00:23:34,200 --> 00:23:39,040 Speaker 1: things that I definitely well, you know, as the parlance 451 00:23:39,160 --> 00:23:42,159 Speaker 1: cringe at, but I think it's you know, you know 452 00:23:42,200 --> 00:23:45,760 Speaker 1: what it is sometimes when sometimes like people will ruin 453 00:23:46,240 --> 00:23:49,880 Speaker 1: art for the artist, and there was just so many 454 00:23:50,040 --> 00:23:53,560 Speaker 1: like clips of people like you know, all over the 455 00:23:53,560 --> 00:23:56,399 Speaker 1: country making like their version with their whole family, and 456 00:23:56,400 --> 00:23:58,600 Speaker 1: it's just like when you see that so many times, 457 00:23:58,640 --> 00:24:01,080 Speaker 1: it's like, oh my gosh, and you're like, okay, like 458 00:24:01,119 --> 00:24:03,720 Speaker 1: this is great. The whole family comes together, they're having fun. 459 00:24:03,760 --> 00:24:05,760 Speaker 1: I should I should applaud that. I should give that 460 00:24:05,880 --> 00:24:09,800 Speaker 1: a chancy, But it's it's tough. It's sometimes tough to stomach, 461 00:24:10,000 --> 00:24:12,600 Speaker 1: you know, and you just gotta close your eyes, yo. Totally. 462 00:24:23,600 --> 00:24:28,200 Speaker 2: And also like he's he's clearly very talented, clearly doesn't 463 00:24:28,240 --> 00:24:31,159 Speaker 2: care what I think nor we'll ever find out. But 464 00:24:32,440 --> 00:24:36,399 Speaker 2: he's a little hard. He's a high he's a high hurdle. 465 00:24:36,680 --> 00:24:40,080 Speaker 1: He's a h He also wrote I've been staring at 466 00:24:40,119 --> 00:24:44,400 Speaker 1: the edge of the water young as I can remember. 467 00:24:44,760 --> 00:24:47,760 Speaker 1: That's a great tune. She's yeah, it didn't write that song. 468 00:24:47,880 --> 00:24:50,280 Speaker 1: He wrote the whole all the music he did. You're Welcome, 469 00:24:50,320 --> 00:24:52,560 Speaker 1: which is You're Welcome is great, very Lynn. 470 00:24:52,680 --> 00:24:55,280 Speaker 2: We've talked about You're Welcome before on this podcast because 471 00:24:55,280 --> 00:24:57,520 Speaker 2: I think I said that it's the most It's the 472 00:24:57,560 --> 00:25:01,680 Speaker 2: song in the Disney canon that I could hear slightly 473 00:25:01,760 --> 00:25:05,080 Speaker 2: repurposed and on a Saddle Creek record in the early 474 00:25:05,160 --> 00:25:06,040 Speaker 2: two thousands. 475 00:25:06,640 --> 00:25:07,640 Speaker 1: Yeah, it's pretty good. 476 00:25:08,480 --> 00:25:11,520 Speaker 2: Yeah, but yeah, I would say, what would you say 477 00:25:11,520 --> 00:25:12,600 Speaker 2: Hamilton's the favorite? 478 00:25:12,680 --> 00:25:13,080 Speaker 1: Right now? 479 00:25:13,400 --> 00:25:13,640 Speaker 4: Yeah? 480 00:25:13,800 --> 00:25:14,159 Speaker 1: All right? 481 00:25:14,280 --> 00:25:16,679 Speaker 2: And would you what would you say your favorite song 482 00:25:17,119 --> 00:25:20,280 Speaker 2: from Hamilton is if I had to like? Yeah, two 483 00:25:20,320 --> 00:25:22,080 Speaker 2: part question, favorite song from Hamilton? 484 00:25:22,440 --> 00:25:23,640 Speaker 4: I don't have a favorite song. 485 00:25:24,240 --> 00:25:25,200 Speaker 2: Pick top three? 486 00:25:25,840 --> 00:25:26,359 Speaker 4: It can't. 487 00:25:26,480 --> 00:25:29,840 Speaker 2: All right, you're about to get booted off this podcast, dude. 488 00:25:29,640 --> 00:25:32,480 Speaker 1: Because honestly, you need to have hard opinions takes. 489 00:25:34,320 --> 00:25:35,760 Speaker 4: It's a long musical, all right. 490 00:25:36,000 --> 00:25:37,600 Speaker 1: Warm take doesn't even have to be a hot take. 491 00:25:37,720 --> 00:25:41,440 Speaker 2: Yeah, it could just be like Luke warm take about Hamilton. 492 00:25:42,920 --> 00:25:44,080 Speaker 1: You get to decide for you. 493 00:25:44,160 --> 00:25:45,760 Speaker 2: Are you running out of steam? Are you done with 494 00:25:45,800 --> 00:25:46,320 Speaker 2: the podcast. 495 00:25:47,119 --> 00:25:47,840 Speaker 4: What does that mean? 496 00:25:47,920 --> 00:25:49,360 Speaker 2: Okay, it doesn't mean you have to be like it's 497 00:25:49,400 --> 00:25:51,679 Speaker 2: my absolute favorite, but it's like, what are some that 498 00:25:51,720 --> 00:25:53,360 Speaker 2: are in the mix for you? 499 00:25:53,480 --> 00:25:55,520 Speaker 1: Sisters? The Sisters one three. 500 00:25:55,600 --> 00:25:58,560 Speaker 4: Three one, the Scuttle Sisters. 501 00:25:58,800 --> 00:26:04,480 Speaker 2: All right, sad as satisfied, the world turned upside down 502 00:26:06,040 --> 00:26:09,200 Speaker 2: the room where it happened. See, I know in case 503 00:26:09,359 --> 00:26:10,600 Speaker 2: I've been given it a chance. 504 00:26:10,960 --> 00:26:13,160 Speaker 1: That's amazing. You've turned, You've changed. 505 00:26:13,840 --> 00:26:19,600 Speaker 2: You've changed, you have tendencies. Would you say, uh oh? 506 00:26:20,119 --> 00:26:24,920 Speaker 2: Would you say Aaron Burser? All right, there you go 507 00:26:25,520 --> 00:26:29,000 Speaker 2: before we move forward? Is there anything you'd like to 508 00:26:29,040 --> 00:26:32,080 Speaker 2: perform from Hamilton for the podcast before we continue moving? 509 00:26:33,640 --> 00:26:35,440 Speaker 2: Are you sure? Because we could be the Wee could 510 00:26:35,640 --> 00:26:38,040 Speaker 2: beat Box, we could be he could be Hercules Mulligan. 511 00:26:39,000 --> 00:26:44,360 Speaker 2: Actually he went as Hercules Mulligan for for Thanksgiving three 512 00:26:44,440 --> 00:26:47,439 Speaker 2: years in a row at his family. They dressed up 513 00:26:47,440 --> 00:26:48,240 Speaker 2: for Thanksgiving like that. 514 00:26:49,040 --> 00:26:49,359 Speaker 1: Thanks. 515 00:26:50,960 --> 00:26:52,159 Speaker 2: Bring it back to Baby Shark. 516 00:26:52,359 --> 00:26:55,760 Speaker 1: Sorry that I don't mind. I'm just watching the show. 517 00:26:56,320 --> 00:27:01,480 Speaker 2: Yeah, I feel like, is is there anything you were 518 00:27:01,520 --> 00:27:05,200 Speaker 2: surprised by hearing Baby Shark again for the first time 519 00:27:05,240 --> 00:27:05,680 Speaker 2: in a while. 520 00:27:06,400 --> 00:27:10,200 Speaker 3: I don't remember it kind of like the first part 521 00:27:10,960 --> 00:27:13,439 Speaker 3: without any baby voice singing. 522 00:27:14,080 --> 00:27:16,240 Speaker 4: The first part was kind of like a banger. 523 00:27:16,400 --> 00:27:22,439 Speaker 3: I didn't like having that drum totally, and it like 524 00:27:23,119 --> 00:27:25,440 Speaker 3: the electronic like beeping and stuff. 525 00:27:25,480 --> 00:27:26,240 Speaker 4: It's really cool. 526 00:27:26,680 --> 00:27:30,199 Speaker 3: The track was cool, but then it started singing and 527 00:27:30,240 --> 00:27:30,840 Speaker 3: it ruined it. 528 00:27:31,200 --> 00:27:33,320 Speaker 1: Yeah, I know what you mean. Sometimes that happens, especially 529 00:27:33,320 --> 00:27:35,880 Speaker 1: with kids songs. They like try to make the voices 530 00:27:36,000 --> 00:27:41,360 Speaker 1: be so kind of like stand out and cartoon like cartoonish, 531 00:27:41,400 --> 00:27:43,680 Speaker 1: so that like little kids like it. But I agree, 532 00:27:43,720 --> 00:27:45,840 Speaker 1: it's it's it's it's like strength in one way, but 533 00:27:45,880 --> 00:27:50,040 Speaker 1: it's its weakness in another way. Its streekness. It's its streakness. 534 00:27:50,280 --> 00:27:52,040 Speaker 1: That's definitely its streetness. 535 00:27:52,320 --> 00:27:55,800 Speaker 2: It's its breakness, freakness Blinders, which we've been watching a 536 00:27:55,840 --> 00:27:58,240 Speaker 2: lot of No. 537 00:27:59,760 --> 00:28:02,760 Speaker 1: No, the the voices and stuff. But yeah, the music 538 00:28:02,840 --> 00:28:06,200 Speaker 1: is great and and the drums excellent. There are these 539 00:28:06,200 --> 00:28:08,920 Speaker 1: samples that get dropped in that are like these drum 540 00:28:08,960 --> 00:28:13,480 Speaker 1: fills you know, that are really fun, and then you 541 00:28:13,600 --> 00:28:16,560 Speaker 1: kind of forget about the main melody, like that lead 542 00:28:17,200 --> 00:28:21,359 Speaker 1: that's like, yeah. 543 00:28:21,080 --> 00:28:25,000 Speaker 2: If you take away the lyrics and you just had 544 00:28:25,000 --> 00:28:26,720 Speaker 2: the beat in the synth line, it's basically is it 545 00:28:26,840 --> 00:28:28,480 Speaker 2: New Order? Is that the song I just can't get. 546 00:28:29,480 --> 00:28:32,199 Speaker 2: I just can't get. It's really like almost like the 547 00:28:32,240 --> 00:28:35,240 Speaker 2: same song. They have a synth line in that song 548 00:28:35,280 --> 00:28:36,960 Speaker 2: that's like I think goes. 549 00:28:36,960 --> 00:28:42,400 Speaker 1: I think it's right. It's basically exactly. Yeah. I've always 550 00:28:42,720 --> 00:28:47,800 Speaker 1: it's funny because Baby Shark has taken over for that song. 551 00:28:47,840 --> 00:28:50,320 Speaker 1: I've heard so much more now and I forgot that. 552 00:28:50,400 --> 00:28:52,600 Speaker 1: It's when I remember when I first heard Baby Shark, 553 00:28:52,600 --> 00:28:53,800 Speaker 1: I was like, this is a rip off of it. 554 00:28:53,920 --> 00:28:57,840 Speaker 1: I just I wonder if they actually like some royalties. 555 00:28:57,960 --> 00:29:04,080 Speaker 2: It's really like pretty exact actually, and even the rhythm too. 556 00:29:04,680 --> 00:29:06,160 Speaker 2: This is how it is what I do when I'm 557 00:29:06,200 --> 00:29:08,560 Speaker 2: just standing for like rib yeah yeah. 558 00:29:08,440 --> 00:29:10,600 Speaker 1: Yeah, like a like a bully that's about that, just 559 00:29:10,600 --> 00:29:13,960 Speaker 1: like saw a nerd and it's like hungry to bully. 560 00:29:14,440 --> 00:29:16,000 Speaker 2: To bully. 561 00:29:16,080 --> 00:29:18,280 Speaker 1: I have them bullied in twenty five minutes. 562 00:29:20,600 --> 00:29:23,800 Speaker 2: Bullied It's twenty five minutes, and then bullies at your school? 563 00:29:25,080 --> 00:29:27,800 Speaker 2: All right, good shout out another one of our sponsors. 564 00:29:27,840 --> 00:29:30,280 Speaker 1: I want to ask you about K pop demon Hunters. 565 00:29:30,480 --> 00:29:34,440 Speaker 1: Oh God, are we over it? Are we into it? 566 00:29:34,440 --> 00:29:39,200 Speaker 4: It was good and I don't like it anymore right totally. 567 00:29:39,240 --> 00:29:40,800 Speaker 1: This is news breaking news for me. 568 00:29:40,800 --> 00:29:46,160 Speaker 3: Someone if someone asked me, like to play it in 569 00:29:46,200 --> 00:29:49,080 Speaker 3: the car, I wouldn't like to die and be like, no, 570 00:29:49,160 --> 00:29:49,760 Speaker 3: I hate that. 571 00:29:49,880 --> 00:29:51,880 Speaker 4: I just don't like it that much anyone. 572 00:29:52,240 --> 00:29:54,720 Speaker 2: So, just to recap, if somebody asked you to play 573 00:29:54,720 --> 00:29:57,200 Speaker 2: it in the car, by the way, who would that 574 00:29:57,240 --> 00:30:01,360 Speaker 2: potentially be? Know? All right, her kind of cousin? 575 00:30:01,680 --> 00:30:05,720 Speaker 1: Okay, okay, putting blast I love it? Yeahs fired, she's 576 00:30:05,760 --> 00:30:08,760 Speaker 1: going to respond to the next episode. 577 00:30:09,880 --> 00:30:12,080 Speaker 2: By the way, we did want to update the listeners. 578 00:30:12,280 --> 00:30:17,520 Speaker 2: From now on, we will always have a child with us. Okay. So, 579 00:30:17,520 --> 00:30:19,560 Speaker 2: so if Lena asked you to listen to it in 580 00:30:19,600 --> 00:30:22,880 Speaker 2: the car, good news, you wouldn't die. 581 00:30:23,400 --> 00:30:24,240 Speaker 1: Which cousin is this? 582 00:30:24,320 --> 00:30:26,800 Speaker 2: By the way, this is like a kind of This 583 00:30:26,960 --> 00:30:33,520 Speaker 2: is like a cousin. It's it's Lilah's sister's. 584 00:30:33,160 --> 00:30:37,200 Speaker 1: Daughter, gotcha? Okay? Because so because it will if it 585 00:30:37,240 --> 00:30:39,760 Speaker 1: were Dan, anyone related to Dan, it would get back 586 00:30:39,800 --> 00:30:43,000 Speaker 1: to him. Dan is Dan, Your brother is a is 587 00:30:43,280 --> 00:30:45,360 Speaker 1: a big time listener. He's listening right now. Chance he 588 00:30:45,480 --> 00:30:47,240 Speaker 1: might even have a smirk on his face right now, 589 00:30:47,280 --> 00:30:48,560 Speaker 1: just because we're bringing him up. 590 00:30:48,720 --> 00:30:50,720 Speaker 2: If you want to shout out uncle Dan. He listens 591 00:30:50,760 --> 00:30:53,520 Speaker 2: to the pod you want to shut out over uncle Dan. 592 00:30:53,760 --> 00:30:56,360 Speaker 1: There you go. Okay, another smile, Another smile for Dan. 593 00:30:56,400 --> 00:30:56,760 Speaker 1: I'm good. 594 00:30:56,960 --> 00:30:59,640 Speaker 2: So you wouldn't die, you would be okay with it, 595 00:30:59,720 --> 00:31:02,760 Speaker 2: but you wouldn't ask to put it on yourself. But 596 00:31:02,920 --> 00:31:05,520 Speaker 2: if it was on, I have a feeling I know 597 00:31:06,200 --> 00:31:10,640 Speaker 2: the top songs for you from that strategy. That's not 598 00:31:10,720 --> 00:31:11,800 Speaker 2: a song strategy. 599 00:31:11,880 --> 00:31:13,760 Speaker 4: It is in it, but it's not. 600 00:31:14,240 --> 00:31:15,760 Speaker 1: Oh that is on it. Yeah, I do know that. 601 00:31:15,760 --> 00:31:18,560 Speaker 3: One by twice. 602 00:31:19,440 --> 00:31:21,360 Speaker 2: We're really splitting hairs at this point, dude, it's on 603 00:31:21,440 --> 00:31:22,320 Speaker 2: the soundtrack. 604 00:31:22,640 --> 00:31:23,680 Speaker 1: We're talking the movie. 605 00:31:23,840 --> 00:31:25,040 Speaker 2: Oh you're just talking the movie. 606 00:31:25,040 --> 00:31:28,000 Speaker 4: It's not It is in the movie, but it's only 607 00:31:28,040 --> 00:31:29,640 Speaker 4: like three minutes. 608 00:31:30,440 --> 00:31:34,400 Speaker 1: Hello, uh Dad, I get with it. 609 00:31:35,080 --> 00:31:37,600 Speaker 2: This is the first time to have both of you together, 610 00:31:37,800 --> 00:31:41,440 Speaker 2: like both of my kids, and it's actually like really 611 00:31:41,480 --> 00:31:45,120 Speaker 2: a lot for me, like in a stress way and 612 00:31:45,240 --> 00:31:46,840 Speaker 2: like I wish you wouldn't gang up on. 613 00:31:46,840 --> 00:31:54,080 Speaker 1: Me and you're doing too much. You be an extra okay, Yeah, but. 614 00:31:54,240 --> 00:31:55,680 Speaker 2: Don't you guys feel like I'm kind of like a 615 00:31:55,960 --> 00:32:00,480 Speaker 2: cool dad, Like I'm like anti cringe, anti x X. 616 00:32:00,520 --> 00:32:02,400 Speaker 2: I don't I don't go on X anymore. I'm not 617 00:32:02,440 --> 00:32:05,280 Speaker 2: into musk. 618 00:32:05,560 --> 00:32:05,920 Speaker 1: I haven't. 619 00:32:06,120 --> 00:32:08,440 Speaker 2: I've been like at least nineteen years since, Like I 620 00:32:08,800 --> 00:32:09,560 Speaker 2: like the other X. 621 00:32:09,600 --> 00:32:11,800 Speaker 1: It's been so long, you know what I mean? 622 00:32:12,160 --> 00:32:14,640 Speaker 2: So like I used to like d m X and 623 00:32:14,640 --> 00:32:16,479 Speaker 2: like the punk band from Los Angeles. X. 624 00:32:16,480 --> 00:32:22,520 Speaker 1: That's cool, XXX Young is big, that's your favorite? Good? 625 00:32:22,880 --> 00:32:25,240 Speaker 1: All right, well we're even talking how long we're talking 626 00:32:25,240 --> 00:32:25,840 Speaker 1: about talking? 627 00:32:25,920 --> 00:32:26,000 Speaker 4: Right? 628 00:32:26,680 --> 00:32:28,840 Speaker 1: Honestly? The top three are It's Golden all the way, 629 00:32:28,920 --> 00:32:31,800 Speaker 1: it's got to be that, It's unbelievable song, Soda pop, 630 00:32:32,680 --> 00:32:37,600 Speaker 1: and yeah, that other one that you said, strategy is good. Yeah, 631 00:32:37,760 --> 00:32:40,040 Speaker 1: top three, I mean take Down, take Down. I was 632 00:32:40,080 --> 00:32:41,640 Speaker 1: over Takedown for a little bit, but then it came 633 00:32:41,680 --> 00:32:43,840 Speaker 1: on and I was like, Okay, this is this is unbelievable. 634 00:32:43,960 --> 00:32:46,400 Speaker 2: I would and you tell me if this is wrong. 635 00:32:46,640 --> 00:32:50,080 Speaker 2: I would imagine for all of the big talk you 636 00:32:50,280 --> 00:32:55,080 Speaker 2: just made about, oh, I'm so over it, if the 637 00:32:55,320 --> 00:32:57,120 Speaker 2: if Takedown came. 638 00:32:57,040 --> 00:32:59,000 Speaker 1: On right now and you're at the club. 639 00:32:59,240 --> 00:33:03,640 Speaker 2: Right or Lena or Chavon or Olivia were right here 640 00:33:04,200 --> 00:33:06,880 Speaker 2: and they started like dancing to it and singing it, 641 00:33:06,960 --> 00:33:12,000 Speaker 2: you wouldn't join in and dance and sing. Really, that's total. 642 00:33:12,120 --> 00:33:14,080 Speaker 1: That's like Kevin being like, I'm at the club and 643 00:33:14,080 --> 00:33:16,680 Speaker 1: then Hamilton comes on. I'm not going to cross my arms. 644 00:33:16,680 --> 00:33:18,640 Speaker 1: I'm gonna put my hands up in the sky and 645 00:33:18,680 --> 00:33:20,560 Speaker 1: I'm going to dance. Pardon me? 646 00:33:20,800 --> 00:33:23,040 Speaker 2: Are you I remember, sir, like I would be and 647 00:33:23,040 --> 00:33:24,600 Speaker 2: I would be in there like crying. 648 00:33:24,880 --> 00:33:28,840 Speaker 1: Is my daughter's favorite song. And you just met my son. 649 00:33:30,800 --> 00:33:33,360 Speaker 1: What I'm his son? 650 00:33:33,800 --> 00:33:36,240 Speaker 2: Just face fat for the first time. 651 00:33:36,840 --> 00:33:39,720 Speaker 1: You're out, I'm in. Yeah, I got this son. Now, 652 00:33:43,800 --> 00:33:46,320 Speaker 1: there is a video I made when you were born, 653 00:33:46,480 --> 00:33:49,200 Speaker 1: Edie that I sent to Kevin. Do you remember it? 654 00:33:49,560 --> 00:33:52,360 Speaker 1: I was at my office. I know you don't remember 655 00:33:52,400 --> 00:33:59,240 Speaker 1: it because you just got a brain, but I wonder 656 00:33:59,280 --> 00:34:02,320 Speaker 1: if he could play it? Do you like? I probably 657 00:34:02,360 --> 00:34:08,440 Speaker 1: have it in the files, the files, dude, No, no, no, no, 658 00:34:08,480 --> 00:34:09,839 Speaker 1: we're not no or not no not. 659 00:34:12,760 --> 00:34:15,839 Speaker 2: The sponsor of the pod. Shout out to. 660 00:34:17,400 --> 00:34:22,919 Speaker 1: Sorry j E truly unhinged. 661 00:34:24,840 --> 00:34:28,960 Speaker 2: Grass, to eire D the Vine. 662 00:34:29,520 --> 00:34:31,040 Speaker 1: The best person. 663 00:34:31,080 --> 00:34:35,440 Speaker 2: In the world, I think, to you, and to carry 664 00:34:35,560 --> 00:34:37,400 Speaker 2: in the little little baby. 665 00:34:37,560 --> 00:34:37,799 Speaker 3: Hello? 666 00:34:40,239 --> 00:34:42,720 Speaker 2: Was it twenty sixteen? Was right when e was born? 667 00:34:43,239 --> 00:34:44,600 Speaker 1: Yeah? What's it? What's the date? 668 00:34:45,520 --> 00:34:49,239 Speaker 2: I can't pub dude, church true? Oh here I can 669 00:34:49,280 --> 00:34:51,440 Speaker 2: show you this though. This is a good thing to 670 00:34:51,480 --> 00:34:53,279 Speaker 2: show you first of all. 671 00:34:53,360 --> 00:34:54,880 Speaker 1: Check that out. You know what that is. 672 00:34:55,719 --> 00:34:57,560 Speaker 2: That's friend of the pod Mike Strimberg, and that's the 673 00:34:57,600 --> 00:34:58,280 Speaker 2: greatest photogram. 674 00:34:58,320 --> 00:35:00,120 Speaker 1: I love that photo. Yeah, I know that one. I 675 00:35:00,120 --> 00:35:01,560 Speaker 1: know that one well for. 676 00:35:01,560 --> 00:35:03,920 Speaker 2: The listener, in case somebody will start showing you these pods. 677 00:35:04,080 --> 00:35:06,320 Speaker 1: I think we do guitars. 678 00:35:05,840 --> 00:35:07,400 Speaker 2: From the goddamn band Mike Stramberg. 679 00:35:07,520 --> 00:35:09,240 Speaker 1: And there's a photograph of him. 680 00:35:09,280 --> 00:35:13,400 Speaker 2: Through a triangle I have made by crossing my legs 681 00:35:13,520 --> 00:35:16,760 Speaker 2: in a hotel room where we are staying, and. 682 00:35:17,040 --> 00:35:18,239 Speaker 1: I took this picture of him. 683 00:35:18,440 --> 00:35:20,440 Speaker 2: So it's the funniest thing in my phone. 684 00:35:20,480 --> 00:35:20,760 Speaker 1: Please. 685 00:35:20,840 --> 00:35:22,200 Speaker 2: Yeah, I know we're coming up. 686 00:35:22,360 --> 00:35:25,279 Speaker 1: As of this date. You just played Bowery Ballroom with 687 00:35:25,400 --> 00:35:29,319 Speaker 1: that man with this child in attendance. Okay, So that's 688 00:35:29,320 --> 00:35:31,560 Speaker 1: what I wanted to know because I saw. 689 00:35:31,440 --> 00:35:32,320 Speaker 2: Eighty nine seconds. 690 00:35:32,400 --> 00:35:36,279 Speaker 1: Yeah, both of your parents rocking up on stage, and 691 00:35:36,320 --> 00:35:38,560 Speaker 1: I saw clips of it. How does that make you feel? 692 00:35:39,440 --> 00:35:43,480 Speaker 4: I was fine with It's so cool. 693 00:35:45,120 --> 00:35:48,279 Speaker 2: Did you have fun? I don't want to talk. You 694 00:35:48,320 --> 00:35:49,759 Speaker 2: talk talk to your brother. 695 00:35:52,800 --> 00:35:53,719 Speaker 1: So did you enjoy it? 696 00:35:53,760 --> 00:35:54,759 Speaker 4: I did enjoy it. 697 00:35:55,400 --> 00:35:58,040 Speaker 1: Do you wish that they played Baby Shark or something? 698 00:35:58,760 --> 00:35:59,680 Speaker 4: Absolutely not. 699 00:35:59,800 --> 00:36:03,640 Speaker 2: Do you wish that we played Auron Burser, Okay, any 700 00:36:03,680 --> 00:36:04,439 Speaker 2: notes on the show. 701 00:36:05,760 --> 00:36:08,640 Speaker 4: I think Mom said she got a tambourine bruise. 702 00:36:09,480 --> 00:36:12,040 Speaker 1: Ha, oh yeah, that would happen. 703 00:36:12,120 --> 00:36:16,480 Speaker 2: Sure she is a vigorous tambouriner. That's true. She doesn't really. 704 00:36:16,280 --> 00:36:20,359 Speaker 1: Take that's on her LinkedIn to mom. Shout out mom, 705 00:36:20,680 --> 00:36:25,040 Speaker 1: big time, all moms, And that's what I wanted to say. No, 706 00:36:25,239 --> 00:36:28,560 Speaker 1: I want to do Mother's Day. Three months ago, Baby 707 00:36:28,719 --> 00:36:29,919 Speaker 1: Shark Eatie. 708 00:36:29,800 --> 00:36:31,840 Speaker 2: Closing thoughts on baby Shark? Did you give it a 709 00:36:31,880 --> 00:36:33,120 Speaker 2: chance or do you give it no chance? 710 00:36:36,200 --> 00:36:38,880 Speaker 1: I give it a chance, all right, I give it 711 00:36:38,920 --> 00:36:40,560 Speaker 1: a chance too. I think it's delightful. 712 00:36:40,800 --> 00:36:43,919 Speaker 2: I kind of thought purpose And as we head out 713 00:36:43,920 --> 00:36:47,160 Speaker 2: the door, you've been the first special guest on the pod. 714 00:36:48,080 --> 00:36:50,560 Speaker 1: Thank you for joining us, first celebrity guest. Anything you'd 715 00:36:50,560 --> 00:36:51,480 Speaker 1: like to say before we go. 716 00:36:52,280 --> 00:36:56,560 Speaker 2: I'm a I'm a gooby wooby, and honestly, it's been 717 00:36:56,640 --> 00:36:58,239 Speaker 2: nice to have my whole family together for once. 718 00:37:02,080 --> 00:37:02,120 Speaker 4: You