WEBVTT - Jamie O'Neal

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<v Speaker 1>Carola. She's the queen of talking. He was sown. She's

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<v Speaker 1>on the side. She got the snoop on on the

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<v Speaker 1>one side. No one can do with Clie Carola Carola.

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<v Speaker 1>No one can do with Clie Carola Carola. Hey, y'all,

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<v Speaker 1>welcome to Hyper Caroline Hobby. I am your host, Caroline Hobby.

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<v Speaker 1>I know music, I know people, and I know the

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<v Speaker 1>questions do you want to ask? So let's get hyper

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<v Speaker 1>heads up. These are adults having adult conversations, so there

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<v Speaker 1>could be adult content. You guys, I have j B

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<v Speaker 1>O'Neill in the house. What what So? When she came

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<v Speaker 1>out two thousand, her album Shiver went to gold, number one,

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<v Speaker 1>back to back singles, to number one, back to back singles.

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<v Speaker 1>There is no Arizona when I think about Angels. She's

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<v Speaker 1>not made for Grammys. She won a c M Top

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<v Speaker 1>New Artists. She's saying all by myself in Bridget Jones Diary, Okay,

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<v Speaker 1>are you kidding me? That's like the movie of my life.

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<v Speaker 1>She's amazing, She's so much fun to talk to. I'm

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<v Speaker 1>so honored, thrilled, kind of fan girled out a little

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<v Speaker 1>bit that I got to interview her because I'm such

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<v Speaker 1>a fan of her. Here is Jamie O'Neil. Jamie O'Neil

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<v Speaker 1>in the house. Actually, I'm in your house. I know.

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<v Speaker 1>I'm so glad you're here. Thank you. I'm sorry, and

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<v Speaker 1>I'm pay you. Your house is amazing. It's like a

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<v Speaker 1>you walk in it, It's an experience that's so cozy.

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<v Speaker 1>You have all these great feeling colors. What's the vibe

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<v Speaker 1>that you could call your house? I would call it

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<v Speaker 1>um Castle meets kind of. I mean, I like the

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<v Speaker 1>idea of it being cozy and kind of like um

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<v Speaker 1>earth tones, nothing too garish and bright, more like soothing.

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<v Speaker 1>But it's it's pretty dark. I mean, it's kind of

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<v Speaker 1>like moody. And I love it. Thank you. I absolutely

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<v Speaker 1>love it. And I've kind of collected things all over

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<v Speaker 1>from all the places I've been, so everything has kind

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<v Speaker 1>of a memory attached to it. I love that. I

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<v Speaker 1>really think that's so special because you see, it takes

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<v Speaker 1>you back. You never forget where you've been. Absolutely, by

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<v Speaker 1>the way, you're from Australia. I never knew that. I know. Well,

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<v Speaker 1>it's it's throws people because I don't have an accent

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<v Speaker 1>where it's kind of like I always say, it's the

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<v Speaker 1>opposite of Nicole Kidman. She was born in New York

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<v Speaker 1>or Hawaii or something, and then she moved to Australia. Well,

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<v Speaker 1>I was born in Australia and then I moved here

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<v Speaker 1>when I was two, Okay, because I moved back there

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<v Speaker 1>and I ended up touring with Kylie Minogue and going

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<v Speaker 1>all all over the world with her, and that was

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<v Speaker 1>a major It was just a life changing experience in

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<v Speaker 1>my twenties. And I lived back there for nine years

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<v Speaker 1>before I came. I got offered by publishing deal and

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<v Speaker 1>came back to Nashville. Okay, So we have to break

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<v Speaker 1>that down a little bit. How it's very confusing. Your

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<v Speaker 1>family is you're from a family band, So you grew

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<v Speaker 1>up playing music your parents? What kind of family band

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<v Speaker 1>were you at? My mom was a singer dancer. My

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<v Speaker 1>dad was a songwriter and a guitar player, great guitar

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<v Speaker 1>player and um singer and yodeler yodeler, can you get us? No? No,

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<v Speaker 1>My sister is a master yodeler. Now I can only

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<v Speaker 1>do a little old Lady who from the Knock Knock jokes.

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<v Speaker 1>That's That's all I'm good for, That's right. So, um, yeah,

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<v Speaker 1>family and my younger sister and then um, my parents divorced.

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<v Speaker 1>That kind of broke up the family band. So what

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<v Speaker 1>it was it was yodeling, it was country. It was

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<v Speaker 1>country music. And we did like Pop Goes the Country

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<v Speaker 1>with Ralph Emery here in Nashville when I was little,

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<v Speaker 1>and we worked with Ronnie millsap, Dolly Parton, Crystal Gale.

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<v Speaker 1>We opened up for a lot of different country artists.

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<v Speaker 1>You are like a very successful family band. Well, we

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<v Speaker 1>grew I grew family, you know, it's kind of like that. Yeah,

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<v Speaker 1>we had the overalls, we had the bus, you know,

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<v Speaker 1>we had we just we in between fairs. We would

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<v Speaker 1>just go to a koa campground, plug in and live

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<v Speaker 1>there until the next fair. So you really like gypsies.

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<v Speaker 1>We just traveled wherever the work was. How long did

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<v Speaker 1>you do that? My whole childhood from the age of

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<v Speaker 1>probably seven. I started singing at eight, but from the

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<v Speaker 1>age of seven I was on the road with my

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<v Speaker 1>parents because they did it all the way up till

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<v Speaker 1>about um, wow, and you and your sister, is it

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<v Speaker 1>just y'all too? And then my dad remarried and had

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<v Speaker 1>three more kids. About the family band was overbeted right exactly.

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<v Speaker 1>And then he started a new family band with my

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<v Speaker 1>sisters and and my step mom. So he's always been

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<v Speaker 1>in the business and now he's co managing me. So

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<v Speaker 1>so he had the first family band with your mom

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<v Speaker 1>and your sister, so it's four of y'all. And then

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<v Speaker 1>your parents divorced and he started a new family band

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<v Speaker 1>with his new wife and three new kids. Well they

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<v Speaker 1>didn't really go on the road though, they were just

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<v Speaker 1>playing in Washington State. But yeah, everyone in my family

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<v Speaker 1>sings or writes music, and yeah, it's really it's really

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<v Speaker 1>cool because we have karaoke nights. We really have Karen

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<v Speaker 1>Go Hard. My dad does Baby Got Back, and it

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<v Speaker 1>brings down the house. He is a master rapper. It's amazing.

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<v Speaker 1>He'll be here in a little while, so he might

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<v Speaker 1>do it. Maybe you could pop into a little yodeling

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<v Speaker 1>a little rap session. It would not be funny. I

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<v Speaker 1>had a yodel in a rap song. Let's do it.

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<v Speaker 1>That yodeling really is the country version of rapping. I

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<v Speaker 1>guess I totally agree. That's amazing. You don't meet many

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<v Speaker 1>people who actually grow up in a family band like

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<v Speaker 1>into the music like that. Music industry like that, right, Yeah,

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<v Speaker 1>we were singing, and you know the thing is, we

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<v Speaker 1>thought it was so fun, so much fun. And my

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<v Speaker 1>dad used to give us quarters to go to the arcade.

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<v Speaker 1>So to us, you know, just being able to play

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<v Speaker 1>the games, sing and then ride the rides and then

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<v Speaker 1>eat a corn dog and then do another show and

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<v Speaker 1>then get back on the right. I mean, it's a

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<v Speaker 1>great way to grow up, you know. And we never

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<v Speaker 1>thought we were missing out on anything, and all we

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<v Speaker 1>ever wanted to do was sing, and so it's just

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<v Speaker 1>I think it was just, you know, something that started

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<v Speaker 1>early and took a hold and it's never gone away.

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<v Speaker 1>Did you'll tour all over the States? We did nice? Okay.

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<v Speaker 1>So then from two years old you're born in Australia.

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<v Speaker 1>From two to thirteen, you're touring in the family band

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<v Speaker 1>in the United States. At some point though, you moved

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<v Speaker 1>back to Australia and you link up with Kylie Minogua.

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<v Speaker 1>And how did that is very confusing. Well, I went,

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<v Speaker 1>I was actually singing in Canada with a couple of

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<v Speaker 1>the guys from a Lover Boy and they gave me

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<v Speaker 1>all these contacts. I said, I'm going to go to

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<v Speaker 1>Australian visit my mom who was living over there at

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<v Speaker 1>the time, and my sister, and do you have any

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<v Speaker 1>musical contacts and so one thing led to another. They

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<v Speaker 1>gave me a list of people to call. I called

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<v Speaker 1>all those people. Um, somebody that I was in a

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<v Speaker 1>band with at the time said hey, you know she

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<v Speaker 1>she needs a backing vocalist. Would you like to do

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<v Speaker 1>the tour? And I was like, I said, heck yeah,

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<v Speaker 1>So yeah. What was Kylie like? Really great? She's Madonna

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<v Speaker 1>of Australia for sure, right, she really is. And I

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<v Speaker 1>think I feel like I learned so much from her

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<v Speaker 1>because of her work ethic. Would you never seen anybody

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<v Speaker 1>work so hard? What's her what's her regime? Like? She's very,

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<v Speaker 1>very structured and very disciplined and she would dance all day.

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<v Speaker 1>She would do interviews and dancing. We were over there

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<v Speaker 1>doing rehearsals for like ten days, and um, is it Birmingham.

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<v Speaker 1>I don't want to say Birmingham because it's like I

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<v Speaker 1>don't want to pronounce mispronounce it. But set up in

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<v Speaker 1>a huge, you know, arena type of rehearsal space for

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<v Speaker 1>ten days and she would come in early in the morning.

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<v Speaker 1>They do dance rehearsals, they do fittings, and we were

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<v Speaker 1>there to be there for like ten hours, and she

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<v Speaker 1>would go beyond that because she had interviews to do

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<v Speaker 1>and things like that, and I think, you know, just

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<v Speaker 1>being super super disciplined and coming off stage and still

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<v Speaker 1>working on stuff. I mean, probably like Taylor Swift, does

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<v Speaker 1>you know, they just never stopped. They're really driven in

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<v Speaker 1>very She never complained. She loved her complain and I

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<v Speaker 1>feel like that was a lot for me to to

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<v Speaker 1>learn because I would look at her and I think

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<v Speaker 1>she's never saying, oh I'm so tired, I can't take

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<v Speaker 1>this anymore anything like that. I never heard a complain

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<v Speaker 1>out of her. So now when I work with other

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<v Speaker 1>artists as I do because I'm producing, if they complain,

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<v Speaker 1>if these young girls start complaining about being too tired,

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<v Speaker 1>and I'm just like, you're not, suck it up. Yeah,

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<v Speaker 1>it's a great job and it's a big job, but

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<v Speaker 1>it's it takes a lot of commitment. And I think

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<v Speaker 1>that drive where you wake up just with that burning

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<v Speaker 1>ambition to keep going and to keep doing it into

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<v Speaker 1>and that nothing's too hard that you can get through it.

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<v Speaker 1>You know, what a great boot camp experience, and it

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<v Speaker 1>really was you're like made for this. Though you started

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<v Speaker 1>off in your family band, you go straight to Kylie Minoga,

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<v Speaker 1>I mean, like honestly. And then okay, so after that

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<v Speaker 1>you moved from Australia because you get offered a publishing

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<v Speaker 1>deal states How did that happen? Which was, well, it

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<v Speaker 1>was Harold Shed and it was kind of new to

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<v Speaker 1>me because I've been writing since I was eighteen. But

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<v Speaker 1>it wasn't something like in my mind all I wanted

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<v Speaker 1>to me was an artist. I didn't really think, oh,

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<v Speaker 1>I want to be a songwriter and if an artist

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<v Speaker 1>steel comes great. It was more I want to be

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<v Speaker 1>an artist steal, and I'll write to help get my

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<v Speaker 1>artist steal. I mean you were like trying to write

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<v Speaker 1>for other people. You just wanted to not at that time,

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<v Speaker 1>I wanted to be the artist exactly. Yeah, and I was.

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<v Speaker 1>And when people would want to pitch my songs, I'm like, no,

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<v Speaker 1>you know, like when when I think about Angels, I'll

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<v Speaker 1>never forget. Whitney Dane was like, what do you pitch

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<v Speaker 1>this to Jessica Andrews. I'm like, no, it's fine, it's fine,

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<v Speaker 1>mind mine. And now I'd like to take it, take it.

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<v Speaker 1>But I wanted to actually talk to you about your

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<v Speaker 1>songwriting because your songwriting is you write such incredible lyrics,

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<v Speaker 1>like when I think about that's really sweet. I was

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<v Speaker 1>just about to say I'm more of a melody person, though,

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<v Speaker 1>I have to say I have to give it back

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<v Speaker 1>to my co writers, because if I didn't write, I would.

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<v Speaker 1>I'm not the kind of person that's going to sit

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<v Speaker 1>home writing lyrics, but I will hum melodies all day long.

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<v Speaker 1>All my melodies started first, So you're a melody first,

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<v Speaker 1>melody first, and then put Yes, I've never put a

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<v Speaker 1>melody to lyrics. I've tried, but it just doesn't. It

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<v Speaker 1>just doesn't work out for me. The melody has to

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<v Speaker 1>come first, and the lyrics come yes yea. And titles

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<v Speaker 1>like I mean, I get titles, but but not pages

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<v Speaker 1>and pages of lyrics. I have so much respect for

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<v Speaker 1>like Lisa Drew, who I wrote Arizona with, because all

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<v Speaker 1>she does is lyrics, and she'll come in with just

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<v Speaker 1>pages and pages of songs and she'll fit it precisely

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<v Speaker 1>to my melody. I could just send her a melody

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<v Speaker 1>and she'll do. That's a great comb team. There is

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<v Speaker 1>no Arizona is one of the most amazing songs. Thank you.

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<v Speaker 1>Ever that was your big breakup song. I will never

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<v Speaker 1>forget when that song came out, I was like, Holy cow,

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<v Speaker 1>this girl can sing and that song is so cool.

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<v Speaker 1>Thank you. It was different for the time, you know

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<v Speaker 1>it was. It has like a almost like a Hotel

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<v Speaker 1>California vibe a little bit, and we do Hotel California

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<v Speaker 1>in the middle of that song. It's funny you should

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<v Speaker 1>say that, are you serious? We do when we do

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<v Speaker 1>the bridge, we go into the verse of Hotel California

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<v Speaker 1>and then go back to the chorus of Arizona. It's

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<v Speaker 1>so cool, Thank you. So tell me how that felt

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<v Speaker 1>like you got hooked up with Keith Steagall. Who is

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<v Speaker 1>it Steagall or Stea Gale? I can never get stall

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<v Speaker 1>And he did all of Alan Jackson's records, so you

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<v Speaker 1>get a publishing deal and then does he hear you

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<v Speaker 1>and like, I will have to work with her. She's amazing. Um.

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<v Speaker 1>I was so lucky too. I feel like I wouldn't

0:10:54.520 --> 0:10:56.120
<v Speaker 1>have a career if it wasn't for Keith, you know,

0:10:56.200 --> 0:10:58.920
<v Speaker 1>I mean he Gary Overton was at e m I

0:10:59.000 --> 0:11:01.400
<v Speaker 1>and set up an audition in the studio sort of

0:11:01.440 --> 0:11:03.000
<v Speaker 1>like this where I was singing on the other side

0:11:03.040 --> 0:11:04.920
<v Speaker 1>of the glass and Keith came in to listen to me,

0:11:05.000 --> 0:11:08.320
<v Speaker 1>because I guess he liked the idea of hearing someone

0:11:08.360 --> 0:11:11.160
<v Speaker 1>in the studio because you really can hear someone's voice.

0:11:11.200 --> 0:11:14.280
<v Speaker 1>Sometimes when people say you sound so different live, you

0:11:14.320 --> 0:11:16.360
<v Speaker 1>sound so much better live than you do on record,

0:11:16.400 --> 0:11:19.319
<v Speaker 1>it's because when you're on record and it really picks

0:11:19.400 --> 0:11:22.439
<v Speaker 1>up your tone you're being in the studio. There are

0:11:22.520 --> 0:11:25.400
<v Speaker 1>things that they can cover up afterwards, but when you're

0:11:25.400 --> 0:11:28.439
<v Speaker 1>singing live on a mike, that's it. That is you're

0:11:28.440 --> 0:11:30.760
<v Speaker 1>gonna hear every single thing that might be wrong with

0:11:30.840 --> 0:11:32.680
<v Speaker 1>a with a singer or a voice or whatever, or

0:11:32.679 --> 0:11:34.760
<v Speaker 1>what they're doing in their throat, you know, and things

0:11:34.800 --> 0:11:36.720
<v Speaker 1>like that. The studio is a great a great place

0:11:36.760 --> 0:11:39.680
<v Speaker 1>to discover that, and I think Keith knew that, and

0:11:39.679 --> 0:11:42.160
<v Speaker 1>I think it was a really different way to audition.

0:11:42.240 --> 0:11:44.520
<v Speaker 1>But when you think about it's so smart because you

0:11:45.000 --> 0:11:47.600
<v Speaker 1>know what people are really like and what they can do.

0:11:47.720 --> 0:11:51.600
<v Speaker 1>So anyway, I had prepared to do four songs and

0:11:51.640 --> 0:11:54.160
<v Speaker 1>I made it through two and he's like, stop, stop, stop,

0:11:54.160 --> 0:11:56.800
<v Speaker 1>I've heard enough. And I thought, oh, it is yeah,

0:11:58.280 --> 0:12:00.760
<v Speaker 1>you know and everything, and no he was like he

0:12:00.840 --> 0:12:03.400
<v Speaker 1>told Gary, he said, I want to sign her, like

0:12:03.440 --> 0:12:06.480
<v Speaker 1>before he left that day, he was so he was

0:12:06.520 --> 0:12:09.320
<v Speaker 1>just instantly on board. And I just feel like everybody

0:12:09.360 --> 0:12:12.520
<v Speaker 1>needs that one person that's their champion, and he was

0:12:12.600 --> 0:12:15.240
<v Speaker 1>definitely my champion. You have to get that power player

0:12:15.280 --> 0:12:17.920
<v Speaker 1>in your corner. He's just cheerleader, going to make it happen.

0:12:18.000 --> 0:12:21.040
<v Speaker 1>Who believes in you? But I feel like you would

0:12:21.040 --> 0:12:23.600
<v Speaker 1>be very easy to believe in. Your voice is insane.

0:12:23.679 --> 0:12:26.079
<v Speaker 1>Like when I heard a lot of nose, I went

0:12:26.120 --> 0:12:34.360
<v Speaker 1>around twice to different labels. Yes, people said, are you serious? Wow?

0:12:34.520 --> 0:12:36.439
<v Speaker 1>You know, but it only takes one yes. And that's

0:12:36.440 --> 0:12:39.120
<v Speaker 1>what I always tell everybody, Like, you can't get discouraged

0:12:39.200 --> 0:12:43.480
<v Speaker 1>because every time you hear no, you're just like next, next, next.

0:12:43.520 --> 0:12:47.000
<v Speaker 1>And you also really have to keep songwriting, you know,

0:12:47.160 --> 0:12:49.800
<v Speaker 1>writing songs because I didn't have Arizona when I got

0:12:49.800 --> 0:12:51.800
<v Speaker 1>my deal. I wrote it after I got my record deal.

0:12:52.320 --> 0:12:54.400
<v Speaker 1>But you just never know when that next song is

0:12:54.440 --> 0:12:56.520
<v Speaker 1>going to be your breakout song. If anybody had asked me,

0:12:56.559 --> 0:12:58.520
<v Speaker 1>I would have said Angels would be my first single.

0:12:58.600 --> 0:13:01.440
<v Speaker 1>It was my second one. But um, I hadn't even

0:13:01.480 --> 0:13:03.760
<v Speaker 1>written Arizona wasn't even on the radar. So I just

0:13:03.800 --> 0:13:07.680
<v Speaker 1>feel like it's the songwriting thing. It's very discipline. You

0:13:07.800 --> 0:13:10.360
<v Speaker 1>have to. Like, my daughter is writing every day and

0:13:10.440 --> 0:13:12.840
<v Speaker 1>she has that passion of running up to a room

0:13:12.880 --> 0:13:15.559
<v Speaker 1>and creating and doing all that. For me, I had

0:13:15.600 --> 0:13:18.640
<v Speaker 1>to be more disciplined, like make an appointment, show up,

0:13:18.880 --> 0:13:21.760
<v Speaker 1>have my pages of ideas, melodies on my notes and

0:13:21.760 --> 0:13:24.120
<v Speaker 1>things like that, because I didn't write by myself. And

0:13:24.160 --> 0:13:27.080
<v Speaker 1>I'm so I I really admire the fact that, you know,

0:13:27.160 --> 0:13:28.640
<v Speaker 1>she can't wait to get home from school and go

0:13:28.720 --> 0:13:35.800
<v Speaker 1>right Eliah, Eliah. She's alread sometimes though, oh thank you,

0:13:35.760 --> 0:13:38.800
<v Speaker 1>Oh my gosh, I see all your Instagram videos that

0:13:39.400 --> 0:13:42.120
<v Speaker 1>proud mom. You should be. Yeah, she can see like

0:13:42.160 --> 0:13:45.160
<v Speaker 1>a crazy person for thirteen years old. I know she well,

0:13:45.240 --> 0:13:48.600
<v Speaker 1>she loves it, you know, and that's what Yeah, yeah,

0:13:48.640 --> 0:13:51.360
<v Speaker 1>it's posting in a curse. Though Ronnie and I are like,

0:13:51.400 --> 0:13:54.960
<v Speaker 1>go to medical school, go to law school. She's like, heck, no,

0:13:55.120 --> 0:13:58.440
<v Speaker 1>I got I got musician, producer parents. I'm not doing it. Yeah,

0:13:58.480 --> 0:14:01.000
<v Speaker 1>And it's funny because she could probably you know, you

0:14:01.040 --> 0:14:03.600
<v Speaker 1>would think have an album recorded by now, but she doesn't.

0:14:03.640 --> 0:14:07.160
<v Speaker 1>You know. We're always working with other people, and I mean,

0:14:07.200 --> 0:14:09.280
<v Speaker 1>I will work with her, but I feel like she's

0:14:09.320 --> 0:14:13.040
<v Speaker 1>so young, and I feel also like having been a

0:14:13.080 --> 0:14:16.400
<v Speaker 1>child performer myself, where I put everything into that, it

0:14:16.960 --> 0:14:19.080
<v Speaker 1>kind of makes you grow up quicker and you're thinking

0:14:19.120 --> 0:14:22.760
<v Speaker 1>about the business side of things and your childhood goes

0:14:23.200 --> 0:14:25.120
<v Speaker 1>to the wayside. And I really want her to enjoy

0:14:25.120 --> 0:14:29.520
<v Speaker 1>her childhood. And I also feel like, besides Leanne Rhymes,

0:14:29.520 --> 0:14:31.400
<v Speaker 1>who I feel, it's like the exception of a person

0:14:31.400 --> 0:14:33.680
<v Speaker 1>who made it when she was thirteen, has really kept

0:14:33.680 --> 0:14:37.560
<v Speaker 1>herself together and it's so amazingly talented and has sustained

0:14:37.600 --> 0:14:40.280
<v Speaker 1>a career. But that doesn't happen. That's not the norm.

0:14:40.320 --> 0:14:42.760
<v Speaker 1>A lot of people fall off the rails and go crazy,

0:14:42.840 --> 0:14:45.760
<v Speaker 1>you know, gonna end up on a therapist couch, you know,

0:14:46.320 --> 0:14:50.800
<v Speaker 1>and I at one time or another, we definitely do.

0:14:50.920 --> 0:14:54.200
<v Speaker 1>But but that it's handed to them so soon, you know,

0:14:54.240 --> 0:14:56.120
<v Speaker 1>and if you're not ready for it, it's a lot

0:14:56.200 --> 0:14:58.840
<v Speaker 1>to process. That's actually very smart. Yeah, So let her

0:14:58.880 --> 0:15:02.480
<v Speaker 1>have her childhood and maybe when she's ready to fly, well. Yeah.

0:15:02.600 --> 0:15:05.240
<v Speaker 1>The other thing is it takes so much work. It

0:15:05.280 --> 0:15:09.440
<v Speaker 1>takes so much conditioning when it comes to everything about

0:15:09.720 --> 0:15:12.000
<v Speaker 1>you know, your songwriting and you're singing and getting better,

0:15:12.800 --> 0:15:14.480
<v Speaker 1>and if you don't work on it, I don't know

0:15:14.520 --> 0:15:16.040
<v Speaker 1>that it's going to come. You know, if you if

0:15:16.040 --> 0:15:17.760
<v Speaker 1>it's one of those things, I just want to be

0:15:17.800 --> 0:15:20.600
<v Speaker 1>a star, but the work ethic isn't there. I don't

0:15:20.640 --> 0:15:23.120
<v Speaker 1>think it's gonna work. I could not agree with you more.

0:15:23.560 --> 0:15:26.960
<v Speaker 1>I think that's a big misconception people have, is they think, oh,

0:15:27.120 --> 0:15:30.240
<v Speaker 1>people live this glamorous life and they're flying around and

0:15:30.280 --> 0:15:33.960
<v Speaker 1>playing shows. That's like the very least of the job.

0:15:34.080 --> 0:15:36.280
<v Speaker 1>I feel like, don't you think absolutely and the steps

0:15:36.320 --> 0:15:38.760
<v Speaker 1>you have to take to get there? So what are

0:15:38.800 --> 0:15:40.840
<v Speaker 1>the steps? Tell me the steps When you got your

0:15:40.880 --> 0:15:43.520
<v Speaker 1>big break and your big record deal, there is no

0:15:43.640 --> 0:15:46.280
<v Speaker 1>Arizona came out and then right after when I think

0:15:46.320 --> 0:15:48.560
<v Speaker 1>about Angels, tell me what that looks like. You're also

0:15:48.600 --> 0:15:52.280
<v Speaker 1>touring with Reeba, you toward Kenny Chesney Alan Jackson, like

0:15:52.360 --> 0:15:55.640
<v Speaker 1>you've toured with the great Martina McBride. I know what

0:15:55.800 --> 0:15:59.720
<v Speaker 1>did your life look like in that season? Um, it

0:15:59.760 --> 0:16:03.160
<v Speaker 1>was very busy. It was definitely like when I look

0:16:03.240 --> 0:16:04.880
<v Speaker 1>back on it, I think I wish I could have

0:16:04.960 --> 0:16:08.480
<v Speaker 1>enjoyed the moments a little bit more. I think everybody

0:16:08.480 --> 0:16:10.960
<v Speaker 1>would say the same thing. You know, Um, I wish

0:16:11.000 --> 0:16:12.480
<v Speaker 1>I could have stayed in the moment, But I feel

0:16:12.520 --> 0:16:15.080
<v Speaker 1>like for me, it did happen so quickly that I

0:16:15.160 --> 0:16:17.840
<v Speaker 1>was just bamboozled by all that I wanted to do

0:16:18.400 --> 0:16:20.520
<v Speaker 1>and wanting to sustain in that kind of thing. And

0:16:20.560 --> 0:16:23.480
<v Speaker 1>then you know, with leaving record companies, and then I

0:16:23.520 --> 0:16:26.120
<v Speaker 1>had my baby, and then my focus completely changed. I

0:16:26.160 --> 0:16:30.200
<v Speaker 1>wanted to be there with her. And you know, it's

0:16:30.200 --> 0:16:33.640
<v Speaker 1>just life changes and it takes you down roads you

0:16:33.680 --> 0:16:37.640
<v Speaker 1>never expected, and that's definitely what show businesses like. But

0:16:37.680 --> 0:16:39.960
<v Speaker 1>I feel like if you can make yourself be prepared

0:16:40.040 --> 0:16:43.400
<v Speaker 1>for what you think might be coming, um and and

0:16:43.480 --> 0:16:45.920
<v Speaker 1>lots of things are distractions for me. I didn't even

0:16:45.920 --> 0:16:47.640
<v Speaker 1>get my record deal until I was thirty three, and

0:16:47.640 --> 0:16:51.760
<v Speaker 1>I was as I was getting married, and my grandfather

0:16:51.880 --> 0:16:54.040
<v Speaker 1>was sick, my aunt was sick. They were both sick

0:16:54.040 --> 0:16:55.760
<v Speaker 1>with cancer at the same time as I was getting

0:16:55.800 --> 0:16:58.560
<v Speaker 1>married and my record was coming out, so that it

0:16:58.680 --> 0:17:00.800
<v Speaker 1>was it was all like how pening it once? You

0:17:00.800 --> 0:17:02.520
<v Speaker 1>know what I mean? It was hard to take in

0:17:02.640 --> 0:17:06.320
<v Speaker 1>and stay focused and you know, do what I needed

0:17:06.320 --> 0:17:10.679
<v Speaker 1>to do and also be emotionally prepared for everything. I think, So,

0:17:10.720 --> 0:17:12.400
<v Speaker 1>how old were you when there is no air? When

0:17:12.560 --> 0:17:14.439
<v Speaker 1>is it just it? There is no Arizona as the

0:17:14.440 --> 0:17:18.320
<v Speaker 1>whole title, is it just Arizona? How old? I love

0:17:18.359 --> 0:17:21.320
<v Speaker 1>when people say there ain't no Arizona, or they say

0:17:21.480 --> 0:17:23.879
<v Speaker 1>or one person told me I love that song yours

0:17:23.960 --> 0:17:28.200
<v Speaker 1>Raise in Arizona, Like that was a movie with Nicolas

0:17:28.200 --> 0:17:30.320
<v Speaker 1>Cage and it was a great one. It's not my song.

0:17:31.119 --> 0:17:33.160
<v Speaker 1>How old were you when that song came out? Um?

0:17:33.320 --> 0:17:35.760
<v Speaker 1>I say, I got my record deal in pretty much

0:17:35.800 --> 0:17:40.639
<v Speaker 1>the next year, so like thirty four, Wow, what was touring?

0:17:41.000 --> 0:17:44.200
<v Speaker 1>You're actually before I get start, I interned at Capitol

0:17:44.280 --> 0:17:46.560
<v Speaker 1>Records and you were on Capitol really what we were

0:17:46.560 --> 0:17:49.919
<v Speaker 1>than we there at the same time, and I was

0:17:50.000 --> 0:17:53.280
<v Speaker 1>so start Oh my gosh, you're so sweet. I swear

0:17:53.359 --> 0:17:56.240
<v Speaker 1>like this whole my whole life has been so fun

0:17:56.359 --> 0:17:59.040
<v Speaker 1>because starting off in Turning, I turned it like Universal

0:17:59.080 --> 0:18:01.760
<v Speaker 1>South you see at all. Yes, I entered all these

0:18:01.760 --> 0:18:04.200
<v Speaker 1>record labels and I would just be around these artists

0:18:04.240 --> 0:18:07.520
<v Speaker 1>like just kind of wide eyed and silent, so scared

0:18:07.840 --> 0:18:10.200
<v Speaker 1>to breathe. Because I was such a fan of country music.

0:18:10.640 --> 0:18:12.920
<v Speaker 1>So it was so cool to inter where you are

0:18:12.960 --> 0:18:14.959
<v Speaker 1>and now I'm getting to that's amazing. So you were

0:18:15.000 --> 0:18:17.879
<v Speaker 1>there with John's Arling and where were you Capital or

0:18:17.920 --> 0:18:21.840
<v Speaker 1>Capital Capital? Okay because Mercury. John's Arling was an intern there.

0:18:22.240 --> 0:18:26.640
<v Speaker 1>It was Jimmy Harnan was there and Steve um My, gosh,

0:18:26.760 --> 0:18:30.600
<v Speaker 1>I'm forgetting his name. He did. I know everybody. That's terrible.

0:18:30.720 --> 0:18:32.159
<v Speaker 1>I know. You know when you have a baby, a

0:18:32.240 --> 0:18:34.880
<v Speaker 1>lot of your memories they get all fuzzy and I'm

0:18:34.920 --> 0:18:38.120
<v Speaker 1>just like that and head lights, Yeah I do too,

0:18:38.040 --> 0:18:40.040
<v Speaker 1>would you and you don't even have any kids? Wait

0:18:40.080 --> 0:18:45.040
<v Speaker 1>till that happens, Lord bless me. Yeah. Probably leave him

0:18:45.040 --> 0:18:48.840
<v Speaker 1>at the Kroger accident. Oh gosh, leave him in the

0:18:48.840 --> 0:18:53.200
<v Speaker 1>diaper aisle. Where to leave them? My baby? Um that's amazing.

0:18:53.400 --> 0:18:55.840
<v Speaker 1>So yeah, that was I guess that was kind of

0:18:55.960 --> 0:18:58.720
<v Speaker 1>the Atlantas and Somebody's hero days. Was that when you

0:18:58.720 --> 0:19:03.520
<v Speaker 1>were there, Somebody's here. That song was so great. Thank you.

0:19:03.560 --> 0:19:06.560
<v Speaker 1>I feel like you have message songs. I did well.

0:19:06.600 --> 0:19:08.840
<v Speaker 1>I do try to think about that. I mean, I

0:19:08.880 --> 0:19:11.960
<v Speaker 1>do like to really write story songs. I love writing

0:19:12.000 --> 0:19:14.680
<v Speaker 1>because then you can go anywhere. If you're saying I

0:19:14.640 --> 0:19:17.439
<v Speaker 1>I I all the time, and you want to project

0:19:17.480 --> 0:19:20.119
<v Speaker 1>a certain image. But when you do the story songs

0:19:20.119 --> 0:19:21.920
<v Speaker 1>like say, Carrie Ona, what does you can go anywhere?

0:19:22.400 --> 0:19:24.479
<v Speaker 1>You can kill somebody, I mean you can, you can

0:19:24.560 --> 0:19:26.679
<v Speaker 1>drink yourself blind, you can beat someone up, and you

0:19:26.760 --> 0:19:30.320
<v Speaker 1>do all those things if you're saying exactly, but you

0:19:30.400 --> 0:19:33.359
<v Speaker 1>can't if your I you really have to be honest

0:19:33.400 --> 0:19:36.600
<v Speaker 1>about who you are. You know, because I remember now

0:19:36.640 --> 0:19:39.280
<v Speaker 1>I write all kinds of songs. I mean, especially with

0:19:39.320 --> 0:19:42.159
<v Speaker 1>these younger artists, I find myself writing more like friendship songs,

0:19:42.160 --> 0:19:45.119
<v Speaker 1>are falling in love songs. But if I'm writing songs

0:19:45.200 --> 0:19:49.000
<v Speaker 1>just for anybody and no matter who it is, I

0:19:49.000 --> 0:19:51.840
<v Speaker 1>can write about anything nowadays. But when I was thinking

0:19:51.880 --> 0:19:53.600
<v Speaker 1>as an artist, I would be well, I don't want

0:19:53.600 --> 0:19:55.399
<v Speaker 1>to write any songs about cheating. I don't want to

0:19:55.400 --> 0:19:57.680
<v Speaker 1>write any songs about saying it's okay to cheat. And

0:19:57.720 --> 0:19:59.520
<v Speaker 1>I don't want to write any songs about getting drunk.

0:19:59.520 --> 0:20:00.920
<v Speaker 1>You know what I mean? You didn't want to know.

0:20:01.720 --> 0:20:04.479
<v Speaker 1>I didn't know, and it's it's just it's not really me,

0:20:04.680 --> 0:20:06.199
<v Speaker 1>you know what I mean. I really wanted to be

0:20:06.240 --> 0:20:09.360
<v Speaker 1>true to what I what I felt was right. Um

0:20:09.400 --> 0:20:11.399
<v Speaker 1>even though I know those those are great songs, and

0:20:11.440 --> 0:20:13.480
<v Speaker 1>I sing them, you know, I sing Patsy Klein songs

0:20:13.520 --> 0:20:15.199
<v Speaker 1>and I sing you know, some of these songs that

0:20:15.320 --> 0:20:17.920
<v Speaker 1>just amazed me. I just kind of wanted the audience

0:20:17.920 --> 0:20:19.639
<v Speaker 1>and the fans to know who I was and what

0:20:19.720 --> 0:20:21.880
<v Speaker 1>I kind of stood for, you know. I think that's

0:20:21.920 --> 0:20:25.160
<v Speaker 1>so crucial to represent yourself truly as an artist. Well,

0:20:25.200 --> 0:20:27.680
<v Speaker 1>I think the fans know when you're being fake. I

0:20:27.760 --> 0:20:32.000
<v Speaker 1>think they recognize authenticity, and I think, um, that's what

0:20:32.040 --> 0:20:35.120
<v Speaker 1>they really connect with, you know, is I know who

0:20:35.119 --> 0:20:37.800
<v Speaker 1>this person is and that's exactly how I feel, and

0:20:37.840 --> 0:20:40.560
<v Speaker 1>that's how what I would do in a relationship or not,

0:20:40.800 --> 0:20:44.080
<v Speaker 1>you know. Um. And so some of the artists that

0:20:44.119 --> 0:20:46.920
<v Speaker 1>I feel like you have to believe them are the

0:20:47.240 --> 0:20:50.600
<v Speaker 1>ones that make it to the top because you absolutely

0:20:50.600 --> 0:20:54.359
<v Speaker 1>believe every word they're saying, you know, Garth Brooks, Taylor Swift,

0:20:54.359 --> 0:20:56.879
<v Speaker 1>people like that, where when they when they sing a

0:20:56.920 --> 0:20:59.320
<v Speaker 1>song and then you believe it, you're in the palm

0:20:59.320 --> 0:21:02.399
<v Speaker 1>of their hand, you absolutely And you know, it takes

0:21:02.480 --> 0:21:04.639
<v Speaker 1>being a fan to get fans, do you know what

0:21:04.720 --> 0:21:08.440
<v Speaker 1>I mean? So that fans of I've always been a fan,

0:21:08.640 --> 0:21:11.359
<v Speaker 1>and I love the Waye Taylor Swift fan girling all

0:21:11.400 --> 0:21:15.920
<v Speaker 1>the time. She recognizes talented people and you know, pass

0:21:15.960 --> 0:21:18.080
<v Speaker 1>them on the back. And I feel like other people

0:21:18.480 --> 0:21:20.520
<v Speaker 1>see that and love that too, because that's the way

0:21:20.720 --> 0:21:25.280
<v Speaker 1>most people are supporting, to support everyone. Loretta Lynn always says,

0:21:25.280 --> 0:21:28.199
<v Speaker 1>there's enough room for everybody, exactly, and there is. If

0:21:28.200 --> 0:21:30.719
<v Speaker 1>you're doing you and you're doing it like how you

0:21:30.760 --> 0:21:33.320
<v Speaker 1>feel called to do the right, it's going to happen

0:21:33.359 --> 0:21:35.320
<v Speaker 1>the way it's supposed to. Yeah, if you're being yourself.

0:21:35.400 --> 0:21:39.000
<v Speaker 1>Absolutely Okay. So in this whirlwind, you won a c

0:21:39.240 --> 0:21:41.800
<v Speaker 1>M New Artists the Year. Because a c M, then

0:21:41.880 --> 0:21:44.600
<v Speaker 1>you like Billboard New Arts the Year, you're nominated for

0:21:44.600 --> 0:21:48.360
<v Speaker 1>four Grammys? Are you freaking out? I was freaking out.

0:21:48.480 --> 0:21:50.680
<v Speaker 1>And when I did the announcements for the Grammys, it

0:21:50.760 --> 0:21:53.760
<v Speaker 1>was really cool and it was like Ussher and Stevie

0:21:53.840 --> 0:21:58.120
<v Speaker 1>Nicks and Beyonce and and I remember that was when

0:21:58.119 --> 0:22:00.879
<v Speaker 1>I was looking around, going, am I really amongst these people?

0:22:01.119 --> 0:22:03.520
<v Speaker 1>They don't know who I am, but I know who

0:22:03.560 --> 0:22:06.600
<v Speaker 1>they were. That's the company you're in, that's your yeah,

0:22:06.640 --> 0:22:08.760
<v Speaker 1>And I think, and I remember the Dixie Chicks to

0:22:08.880 --> 0:22:10.720
<v Speaker 1>Natalie Maines came up to me on the c M

0:22:10.760 --> 0:22:13.720
<v Speaker 1>A red carpet, my very first cimas and said I

0:22:13.760 --> 0:22:15.840
<v Speaker 1>love your song, I love your voice. That was a

0:22:15.920 --> 0:22:18.040
<v Speaker 1>huge moment for me. If anybody says, what are your

0:22:18.040 --> 0:22:21.200
<v Speaker 1>big moments, I'm like, well that was as a new artist,

0:22:21.359 --> 0:22:23.840
<v Speaker 1>you know, barely known, you know, still living in a

0:22:23.880 --> 0:22:28.720
<v Speaker 1>little rental apartment, you know, with my with my husband. Um,

0:22:28.880 --> 0:22:32.000
<v Speaker 1>that was a big, huge moment for me, just that recognition.

0:22:32.080 --> 0:22:35.119
<v Speaker 1>And I love that about her, And I thought, I

0:22:35.160 --> 0:22:36.879
<v Speaker 1>always want to be that way. I always want to

0:22:36.920 --> 0:22:40.040
<v Speaker 1>recognize other people because you know how great it made

0:22:40.080 --> 0:22:44.919
<v Speaker 1>you feel. Like Myelu says, you know, people won't remember

0:22:44.960 --> 0:22:46.960
<v Speaker 1>what you said, but they'll always remember how you make

0:22:47.000 --> 0:22:50.239
<v Speaker 1>them feel. And I think it's it's so important. I

0:22:50.280 --> 0:22:52.440
<v Speaker 1>love that you live that way. Yeah, well I don't

0:22:52.440 --> 0:22:53.920
<v Speaker 1>know if I live that way. I don't want to be.

0:22:54.119 --> 0:22:56.840
<v Speaker 1>I don't want to be like totally you know, UM,

0:22:57.160 --> 0:22:59.520
<v Speaker 1>you know saying I do it all the time because

0:22:59.560 --> 0:23:01.480
<v Speaker 1>we all in our own world, you know. I mean,

0:23:01.520 --> 0:23:04.040
<v Speaker 1>I'm driving my car and I turn off the radio

0:23:04.080 --> 0:23:06.119
<v Speaker 1>deliberately to try to get melodies because that's when they

0:23:06.119 --> 0:23:07.639
<v Speaker 1>come to me in the car. So a lot of

0:23:07.640 --> 0:23:09.720
<v Speaker 1>times on my voice notes. You hear all this, you know,

0:23:09.800 --> 0:23:12.640
<v Speaker 1>fire trucks going past, the people honking and me screaming

0:23:12.640 --> 0:23:16.040
<v Speaker 1>at another driver or whatever. But it's it's that's the

0:23:16.080 --> 0:23:19.560
<v Speaker 1>time when I you know, really the melodies do come

0:23:19.600 --> 0:23:22.919
<v Speaker 1>to me, but I do. If I'm thinking about other things,

0:23:23.520 --> 0:23:25.879
<v Speaker 1>it's definitely a block, you know, like I need to

0:23:25.920 --> 0:23:27.399
<v Speaker 1>do this, I need to get take care of this.

0:23:27.680 --> 0:23:33.080
<v Speaker 1>You know. Just every day shouldn't shut off because as

0:23:33.119 --> 0:23:36.960
<v Speaker 1>a mom, I probably drive sixty miles a day. A

0:23:36.960 --> 0:23:39.680
<v Speaker 1>lot of time is spent in the car, and I think,

0:23:40.240 --> 0:23:43.119
<v Speaker 1>I guess the car is a quiet space, you know.

0:23:43.960 --> 0:23:46.160
<v Speaker 1>You know, when you're home, you're doing stuff. I'm usually

0:23:46.240 --> 0:23:50.200
<v Speaker 1>down here singing background vocals or riding upstairs with co writers.

0:23:50.240 --> 0:23:53.400
<v Speaker 1>And you know, with Rodney here, you know, he busts in,

0:23:53.680 --> 0:23:56.399
<v Speaker 1>you know, in on my groove. And so how did

0:23:56.440 --> 0:23:58.520
<v Speaker 1>you and Rodney meat? And how long about the studio?

0:23:59.000 --> 0:24:04.000
<v Speaker 1>We have been to other for twenty one years, um,

0:24:04.040 --> 0:24:08.239
<v Speaker 1>married for sixteen this year. I don't know if there

0:24:08.320 --> 0:24:10.280
<v Speaker 1>is a secret, because I feel like what works for

0:24:10.320 --> 0:24:14.040
<v Speaker 1>one people one person doesn't work for another. UM. It's

0:24:14.119 --> 0:24:16.400
<v Speaker 1>weird because if you had said to me, you're gonna

0:24:16.480 --> 0:24:19.240
<v Speaker 1>end up working with your husband in the studio and

0:24:19.400 --> 0:24:22.800
<v Speaker 1>on the road and still be together and doing everything

0:24:22.800 --> 0:24:25.520
<v Speaker 1>that we do. I would have said, no way could

0:24:25.520 --> 0:24:27.520
<v Speaker 1>I take that, because I remember doing a cruise with

0:24:27.640 --> 0:24:30.680
<v Speaker 1>him before I had any any success, and we were

0:24:30.720 --> 0:24:33.520
<v Speaker 1>just dating and we did a cruise together and he

0:24:33.640 --> 0:24:38.679
<v Speaker 1>drove me crazy in that little space. Well, I don't know,

0:24:38.760 --> 0:24:40.520
<v Speaker 1>it was just it was a confined space, and I

0:24:40.600 --> 0:24:43.040
<v Speaker 1>just thought, this is what marriage must be like. You know,

0:24:43.920 --> 0:24:47.000
<v Speaker 1>you can relieve if we if we didn't have this

0:24:47.119 --> 0:24:49.600
<v Speaker 1>house with some space. I don't know, I don't know.

0:24:49.800 --> 0:24:51.640
<v Speaker 1>You know, I think he needs your own separate thing.

0:24:52.119 --> 0:24:54.600
<v Speaker 1>But he's never been the kind of person that would

0:24:54.640 --> 0:24:56.080
<v Speaker 1>ever stop me from doing what I want to do,

0:24:56.119 --> 0:25:00.119
<v Speaker 1>which I think is important for any relationship. And he's

0:25:00.200 --> 0:25:03.560
<v Speaker 1>never been jealous, and he's never needed to be reassured.

0:25:03.960 --> 0:25:08.280
<v Speaker 1>And those are really unattractive things that I think someone

0:25:08.359 --> 0:25:12.040
<v Speaker 1>can do, especially in entertainment. In entertainment, if you don't

0:25:12.080 --> 0:25:15.040
<v Speaker 1>understand what someone is doing and let them go do

0:25:15.080 --> 0:25:17.320
<v Speaker 1>it with a healthy respect, you know what I mean.

0:25:17.359 --> 0:25:19.200
<v Speaker 1>You don't want to like just ignore them and go, Okay,

0:25:19.160 --> 0:25:21.479
<v Speaker 1>well i'll see you when you get back. But um,

0:25:21.480 --> 0:25:23.720
<v Speaker 1>because you are it's kind of cool when you're gonna

0:25:23.760 --> 0:25:26.800
<v Speaker 1>miss that person, you know they're gone for a little while.

0:25:27.000 --> 0:25:30.360
<v Speaker 1>You know, three husbands on the road. Actually, my husband's

0:25:30.359 --> 0:25:32.720
<v Speaker 1>been home for two months after CHRISTI driving you crazy.

0:25:32.840 --> 0:25:35.280
<v Speaker 1>It's not driving me crazy, but I'm like, you know what,

0:25:35.520 --> 0:25:39.240
<v Speaker 1>I'm not. I'm gonna be excited to miss you. And

0:25:39.280 --> 0:25:41.080
<v Speaker 1>I think I felt the same way because we we

0:25:41.200 --> 0:25:43.080
<v Speaker 1>always have a little bit of time to miss each other.

0:25:43.280 --> 0:25:47.400
<v Speaker 1>That kind of keeps you your relationship always fresh, it does, yeah,

0:25:47.520 --> 0:25:49.639
<v Speaker 1>I think so. I mean we don't really have that now,

0:25:50.280 --> 0:25:51.879
<v Speaker 1>but we had a lot of that in the beginning

0:25:51.920 --> 0:25:53.959
<v Speaker 1>because you know, I was a new artist and everything,

0:25:54.000 --> 0:25:55.760
<v Speaker 1>and he wasn't. He was in the band, but I'd

0:25:55.760 --> 0:25:57.960
<v Speaker 1>have to go do different things, you know, often fly

0:25:58.040 --> 0:25:59.879
<v Speaker 1>off for things that he wasn't involved in. So we

0:26:00.000 --> 0:26:02.440
<v Speaker 1>at all that in the early days. And it's also

0:26:02.480 --> 0:26:04.679
<v Speaker 1>great to have him included in your life because I

0:26:04.720 --> 0:26:08.800
<v Speaker 1>do think artists that are totally separate from their spouses

0:26:08.920 --> 0:26:12.760
<v Speaker 1>that could also be problems. That's true, I mean, I

0:26:12.800 --> 0:26:15.560
<v Speaker 1>think it just it takes a special person to understand

0:26:15.560 --> 0:26:18.880
<v Speaker 1>this crazy business and the fact that you know, one

0:26:18.920 --> 0:26:20.800
<v Speaker 1>of the one of the things that that he and

0:26:20.840 --> 0:26:24.160
<v Speaker 1>I hit quite a lot with any issues. Is He'll

0:26:24.160 --> 0:26:26.360
<v Speaker 1>always say to me, you don't tell me, you don't

0:26:26.400 --> 0:26:27.760
<v Speaker 1>keep me in the loop. You don't tell me what's

0:26:27.760 --> 0:26:31.320
<v Speaker 1>going on with our daughter. And I'm like, we're two chicks,

0:26:31.440 --> 0:26:33.399
<v Speaker 1>you know. We we don't have time to stop and

0:26:33.400 --> 0:26:37.000
<v Speaker 1>tell you every move we're making. It's just tedious. But

0:26:37.080 --> 0:26:39.920
<v Speaker 1>it's funny because when when I get it as a dad,

0:26:40.040 --> 0:26:42.560
<v Speaker 1>because if he if we had a son, I'm sure

0:26:42.600 --> 0:26:44.280
<v Speaker 1>it would be the two of them going everywhere and

0:26:44.320 --> 0:26:46.320
<v Speaker 1>making plans and then be going, wait, where are you

0:26:46.359 --> 0:26:48.359
<v Speaker 1>guys going? What's going on? You know? But for for

0:26:48.440 --> 0:26:50.439
<v Speaker 1>my daughter and I were like looking at each other,

0:26:50.560 --> 0:26:53.000
<v Speaker 1>rolling our eyes. Here comes dad again with there's twenty

0:26:53.119 --> 0:26:55.440
<v Speaker 1>questions as we're walking out the door. So we a

0:26:55.520 --> 0:26:57.359
<v Speaker 1>lot of times because he's working in the studio, we

0:26:57.440 --> 0:26:59.639
<v Speaker 1>sneak out the front and he goes out there and

0:26:59.640 --> 0:27:02.080
<v Speaker 1>we're going, he calls us, what's going on? When did

0:27:02.080 --> 0:27:05.520
<v Speaker 1>you guys leave? We're like, we're gonna want the questions,

0:27:05.680 --> 0:27:08.520
<v Speaker 1>So we just left it, just booked it out of here.

0:27:08.680 --> 0:27:11.640
<v Speaker 1>You guys are a cute family. Oh thank you, thank you.

0:27:11.680 --> 0:27:13.760
<v Speaker 1>That's so sweet of you. That's well. At the end,

0:27:13.760 --> 0:27:16.399
<v Speaker 1>of the day. That's all that really matters. Sense of

0:27:16.480 --> 0:27:20.640
<v Speaker 1>humor is huge, It really is huge. I feel sorry

0:27:20.640 --> 0:27:22.520
<v Speaker 1>for people who don't have it. You know, they can't

0:27:22.600 --> 0:27:26.920
<v Speaker 1>laugh serious hysterically, are too uptight to laugh. And every

0:27:27.040 --> 0:27:29.639
<v Speaker 1>honestly you can laugh at everything. You can find a

0:27:29.640 --> 0:27:31.679
<v Speaker 1>little bit of humor and everything. Yeah, I think our

0:27:31.760 --> 0:27:34.320
<v Speaker 1>daughters sometimes thinks we're nuts because we're like you know,

0:27:34.480 --> 0:27:36.480
<v Speaker 1>Modern Family a little bit, you know what I mean.

0:27:36.560 --> 0:27:38.440
<v Speaker 1>We laugh at that show so much. But wait, it's

0:27:38.440 --> 0:27:41.160
<v Speaker 1>because we can relate a lot to those crazy characters.

0:27:41.760 --> 0:27:43.879
<v Speaker 1>I love it. Yeah, Okay, So another cool thing that

0:27:43.880 --> 0:27:46.439
<v Speaker 1>I'm going a fan girl out about is I'm obsessed

0:27:46.440 --> 0:27:49.359
<v Speaker 1>with the Bridget Jones is iri. It's like for my

0:27:49.440 --> 0:27:52.359
<v Speaker 1>single years in my twenties, I felt like I was

0:27:52.400 --> 0:27:56.920
<v Speaker 1>Bridget Jones, just like the hottest missed ever is a Disaster.

0:27:57.040 --> 0:28:01.800
<v Speaker 1>But in the yeah you say all by myself, which

0:28:01.840 --> 0:28:04.600
<v Speaker 1>they had had seln Dion when they were going to

0:28:04.680 --> 0:28:06.080
<v Speaker 1>have her do it right, I think it was going

0:28:06.160 --> 0:28:08.080
<v Speaker 1>to be too expensive, so they got old cheap oh

0:28:08.119 --> 0:28:10.680
<v Speaker 1>over here. But the fact that like you and Selene,

0:28:10.920 --> 0:28:16.439
<v Speaker 1>how that is the caliber of your voice is like

0:28:16.600 --> 0:28:19.520
<v Speaker 1>neck and neck was Celendon I mean, hello, Jamie O'Neill. Yeah,

0:28:19.680 --> 0:28:21.439
<v Speaker 1>it was. I think she wants to go. She's so

0:28:21.560 --> 0:28:25.280
<v Speaker 1>bored with this. She's she's y'all and she's like, Adios,

0:28:25.359 --> 0:28:28.840
<v Speaker 1>peace out the watches, Okay, bye, Chelsea. That's a little dog.

0:28:28.920 --> 0:28:32.480
<v Speaker 1>She's a little terrier. She's a Marky. I call it

0:28:32.520 --> 0:28:36.440
<v Speaker 1>a y'all tee. It's Maltese and YORKI so yll tee

0:28:36.480 --> 0:28:42.320
<v Speaker 1>instead of Marky. I know, I know my stepmom is though, Um,

0:28:42.360 --> 0:28:45.360
<v Speaker 1>I think that's weird. I haven't seen Bridget Jones's baby.

0:28:45.640 --> 0:28:48.040
<v Speaker 1>I haven't either, but um, they had already shot the

0:28:48.080 --> 0:28:49.440
<v Speaker 1>movie when I when I got to sing it, so

0:28:49.480 --> 0:28:52.000
<v Speaker 1>I had to watch her and follow her. When I sang,

0:28:52.040 --> 0:28:53.760
<v Speaker 1>I had to follow her lip syncing. She had already

0:28:53.760 --> 0:28:56.560
<v Speaker 1>lip sync to the other version. So that was like

0:28:56.800 --> 0:28:58.880
<v Speaker 1>a first for me, was trying to do something like that.

0:28:59.080 --> 0:29:04.920
<v Speaker 1>Holy cow. So did you actually get to meet Renee Zellweger?

0:29:05.160 --> 0:29:07.480
<v Speaker 1>I did. I got to go to the movie and

0:29:07.560 --> 0:29:11.600
<v Speaker 1>meet Hugh Grant and m Renee's Yeah. It was really cool.

0:29:11.880 --> 0:29:14.160
<v Speaker 1>So would you have Paris Hilton was there too, I

0:29:14.160 --> 0:29:17.840
<v Speaker 1>remember that was big at the time. Would you have

0:29:17.960 --> 0:29:22.320
<v Speaker 1>picked Hugh Grant or Colin Firth, if you were a grant,

0:29:22.520 --> 0:29:25.080
<v Speaker 1>not his personality. I guess I'm just going by looks.

0:29:25.240 --> 0:29:30.520
<v Speaker 1>He's so charming. He is charming. He is charming for sure. Okay,

0:29:30.560 --> 0:29:32.959
<v Speaker 1>so how did that field? But I would pick Patrick

0:29:33.040 --> 0:29:36.080
<v Speaker 1>Dempsey and the new one over any of them. I love.

0:29:37.360 --> 0:29:41.320
<v Speaker 1>I'm so upset. I started crying. I started crying on

0:29:41.360 --> 0:29:44.320
<v Speaker 1>Gray's Anatomy when that happened, and my daughter was like, Mom,

0:29:44.600 --> 0:29:46.880
<v Speaker 1>get it together. This isn't real. What is going on

0:29:46.920 --> 0:29:49.640
<v Speaker 1>with you? And then my husband's so sweet. He's like, sweetie,

0:29:49.680 --> 0:29:52.080
<v Speaker 1>you gotta realize she's had a lot of years invested

0:29:52.120 --> 0:29:55.760
<v Speaker 1>in this character. He was so sweetie. I'm like, thank you,

0:29:55.720 --> 0:30:00.280
<v Speaker 1>you're understanding. Yeah, I love Gray's and out of me,

0:30:00.320 --> 0:30:02.800
<v Speaker 1>I'm a huge grades fan and I really miss Patrick Dempsey.

0:30:02.840 --> 0:30:05.240
<v Speaker 1>I'm sorry, Well he's McDreamy. How could the show go

0:30:05.280 --> 0:30:08.680
<v Speaker 1>on without McDreamy. I don't know. And they shocked us.

0:30:08.720 --> 0:30:10.400
<v Speaker 1>It wasn't like we knew it was coming. We can't

0:30:10.480 --> 0:30:12.840
<v Speaker 1>kill the main character. Well apparently they did, and they're

0:30:12.880 --> 0:30:16.120
<v Speaker 1>going for it. They're still going strong rude. No one consulted,

0:30:16.400 --> 0:30:19.480
<v Speaker 1>no exactly, But how did that feel? Just have that

0:30:19.600 --> 0:30:23.680
<v Speaker 1>huge moment in Bridget jones Diary, amazing all by myself.

0:30:23.720 --> 0:30:26.760
<v Speaker 1>She's lip singing and having this big dramatic moment and

0:30:26.800 --> 0:30:31.080
<v Speaker 1>it's your voice. It was amazing. I I feel like

0:30:31.120 --> 0:30:32.800
<v Speaker 1>I can't use a bigger word than that. I mean,

0:30:32.840 --> 0:30:36.800
<v Speaker 1>it was life changing for me because it happened so

0:30:36.880 --> 0:30:39.880
<v Speaker 1>early in my career. Um, and I would love to

0:30:39.920 --> 0:30:41.520
<v Speaker 1>do it again. But then when it came on Bridget

0:30:41.560 --> 0:30:44.600
<v Speaker 1>Jones's Baby, everyone was like, hey, Britney Spears, it's on

0:30:44.640 --> 0:30:47.920
<v Speaker 1>Bridget Jones Baby too. Yeah. Britney Spears even put it up.

0:30:48.000 --> 0:30:51.240
<v Speaker 1>She put up a little YouTube of that scene, and

0:30:51.280 --> 0:30:53.760
<v Speaker 1>I was like, Britney Spears is talking about that scene?

0:30:53.960 --> 0:30:56.040
<v Speaker 1>Is in the new movie? Not that scene. But they

0:30:56.040 --> 0:30:58.640
<v Speaker 1>do play the song again and she says something like, oh,

0:30:58.960 --> 0:31:06.000
<v Speaker 1>screw off, Oh my god, kiss off of something. Very yeah, cheers,

0:31:06.120 --> 0:31:10.480
<v Speaker 1>high five. I know the song that lives on. I

0:31:10.520 --> 0:31:12.080
<v Speaker 1>didn't even know that. I didn't even know it was

0:31:12.120 --> 0:31:15.920
<v Speaker 1>a repeat. And what a cool movie to be. It's

0:31:16.040 --> 0:31:17.920
<v Speaker 1>the Girl movie. Did you see? So you haven't seen

0:31:17.960 --> 0:31:20.080
<v Speaker 1>the movie obviously, because I want to see it. I

0:31:20.080 --> 0:31:22.400
<v Speaker 1>want to see Patrick Dempsey. That's all I care about.

0:31:25.320 --> 0:31:27.400
<v Speaker 1>So Okay, that leads me to another question. Is he

0:31:27.480 --> 0:31:31.280
<v Speaker 1>your hot pass. I'm gonna say that would have to

0:31:31.320 --> 0:31:33.760
<v Speaker 1>be Ryan Reynolds for the sense of humor that I

0:31:33.840 --> 0:31:36.000
<v Speaker 1>love Ryan Reynolds. I love the way so dry and

0:31:36.040 --> 0:31:37.600
<v Speaker 1>I just canna. I want to go to dinner at

0:31:37.640 --> 0:31:40.360
<v Speaker 1>Blake and and Ryan's house, you know, I just I

0:31:40.360 --> 0:31:42.240
<v Speaker 1>want to watch their sense of humor together. I think

0:31:42.240 --> 0:31:46.719
<v Speaker 1>they're the cutest couple, so cool, so cute. Ryan Reynolds's

0:31:47.200 --> 0:31:51.920
<v Speaker 1>he's pretty, Yeah he is. He's good looking, but he

0:31:51.960 --> 0:31:54.360
<v Speaker 1>doesn't know it. And I don't know that that's attractive

0:31:54.360 --> 0:31:57.840
<v Speaker 1>to Yeah, funny. We always get the guys with a

0:31:57.840 --> 0:31:59.720
<v Speaker 1>sense of humor always get us, don't you think. I

0:31:59.720 --> 0:32:01.680
<v Speaker 1>think so because he wants to be like all stiff

0:32:01.680 --> 0:32:06.160
<v Speaker 1>and serious, I know. And you don't want someone that's

0:32:06.240 --> 0:32:09.320
<v Speaker 1>that has more mirror time with hair products than you either,

0:32:09.800 --> 0:32:12.280
<v Speaker 1>And you just want the guy who just puts on

0:32:12.280 --> 0:32:14.440
<v Speaker 1>a ball cap, hasn't showered in two days and goes

0:32:14.440 --> 0:32:18.360
<v Speaker 1>out the door. That's my husband. You're like, I don't care. Okay,

0:32:18.400 --> 0:32:20.720
<v Speaker 1>So we're in speaking of your husband. We're in your

0:32:20.840 --> 0:32:24.440
<v Speaker 1>studio called the Grotto, which is awesome, which is a

0:32:24.480 --> 0:32:26.760
<v Speaker 1>little grotty, right, now, as we say in Australia, it's

0:32:26.760 --> 0:32:30.880
<v Speaker 1>a little grotty. What does that mean? Messy? Dirty? Not clean.

0:32:31.080 --> 0:32:34.040
<v Speaker 1>It's great though, it's got this great vibe. Tell me

0:32:34.120 --> 0:32:37.600
<v Speaker 1>about it. A vibe, it's a full vib. It's just

0:32:37.800 --> 0:32:40.720
<v Speaker 1>it can use a little made action. I think right now,

0:32:41.840 --> 0:32:43.800
<v Speaker 1>I think you're being hard on yourself when Rodney comes

0:32:43.800 --> 0:32:46.120
<v Speaker 1>in here with his dust. You saw him dusting when

0:32:46.160 --> 0:32:48.480
<v Speaker 1>you got here. It's just it's very it's very cute.

0:32:48.560 --> 0:32:50.960
<v Speaker 1>He plays the maid, you know, with a little the

0:32:51.000 --> 0:32:54.920
<v Speaker 1>best dusting feather. So y'all have this grotto and you

0:32:55.080 --> 0:32:59.440
<v Speaker 1>produce too. He's seeing and you produce. None of my

0:32:59.600 --> 0:33:02.880
<v Speaker 1>artists right now is Kaylee Rutland and her song is

0:33:02.960 --> 0:33:06.600
<v Speaker 1>on radio Disney Country. Is it radio? Is it Radio

0:33:06.600 --> 0:33:09.920
<v Speaker 1>Disney Country or Radio Country? I think it's Disney Country. Yeah,

0:33:10.000 --> 0:33:13.080
<v Speaker 1>that's a big slightly dyslexic, I guess anything. And we

0:33:13.200 --> 0:33:16.920
<v Speaker 1>just shot a video with Kristen Barlow for it and Kaylee. Yeah,

0:33:17.040 --> 0:33:20.320
<v Speaker 1>Kristen is she's so cool. She's so funny. Speaking of

0:33:20.400 --> 0:33:25.360
<v Speaker 1>funny and gorgeous, she's amazing and um so yeah, Kaylee

0:33:25.360 --> 0:33:26.720
<v Speaker 1>did a great job. The video is going to be

0:33:26.720 --> 0:33:29.360
<v Speaker 1>incredible and it's about to be premiered UM at I

0:33:29.440 --> 0:33:33.760
<v Speaker 1>Heart Radio Summit and CRS is coming up. How did

0:33:33.760 --> 0:33:36.040
<v Speaker 1>you get into producing and do you like producing or

0:33:36.080 --> 0:33:38.760
<v Speaker 1>being an artist more? Is it two different animals? I

0:33:38.800 --> 0:33:42.560
<v Speaker 1>think it's all part of the same animal, you know,

0:33:42.640 --> 0:33:45.880
<v Speaker 1>it's more like the leg that no, But I think

0:33:46.000 --> 0:33:48.920
<v Speaker 1>I still love being on stage. I mean, love performing

0:33:48.960 --> 0:33:51.200
<v Speaker 1>and singing. It's just like there's nothing else like that,

0:33:51.240 --> 0:33:53.800
<v Speaker 1>you know what I mean. But I also love seeing

0:33:53.840 --> 0:33:56.760
<v Speaker 1>the results of helping someone else. Does that make sense?

0:33:56.840 --> 0:34:01.240
<v Speaker 1>Like I love seeing someone getting better and helping them find,

0:34:01.280 --> 0:34:03.800
<v Speaker 1>you know, the right stylist or maybe finding the look

0:34:03.840 --> 0:34:07.320
<v Speaker 1>that works for them and connecting them with you know,

0:34:07.560 --> 0:34:10.400
<v Speaker 1>photographers or video directors and people that I've known in

0:34:10.440 --> 0:34:13.160
<v Speaker 1>the business. And I don't know the whole, the whole

0:34:13.480 --> 0:34:17.400
<v Speaker 1>start to finish thing about helping, mentoring an artist, writing

0:34:17.400 --> 0:34:19.399
<v Speaker 1>with them and everything, every part of it is something

0:34:19.440 --> 0:34:22.080
<v Speaker 1>I enjoy being in the studio too. So when you

0:34:22.120 --> 0:34:24.480
<v Speaker 1>work with an artist, you don't just produce them. You

0:34:24.640 --> 0:34:27.120
<v Speaker 1>do the full meal deal you started begetting. If it's

0:34:27.120 --> 0:34:30.239
<v Speaker 1>for Momentum my label that UM we started a few

0:34:30.280 --> 0:34:32.680
<v Speaker 1>years ago with Rochelle and a which is awesome amazing.

0:34:32.760 --> 0:34:37.200
<v Speaker 1>You have a record label. Yeah, well my dad does

0:34:37.239 --> 0:34:39.439
<v Speaker 1>most of the heavy lifting and a couple of others.

0:34:39.440 --> 0:34:41.560
<v Speaker 1>We have a great team of people. But um so

0:34:41.600 --> 0:34:44.439
<v Speaker 1>I'm more the creative side. But I do love all

0:34:44.480 --> 0:34:47.759
<v Speaker 1>aspects of it. I love performance, helping people with their

0:34:47.800 --> 0:34:50.919
<v Speaker 1>performance and just everything being on set watching someone else.

0:34:51.120 --> 0:34:53.520
<v Speaker 1>Now that's when I watched someone else do a video,

0:34:53.560 --> 0:34:55.439
<v Speaker 1>it makes me be like I want to I want

0:34:55.440 --> 0:34:59.600
<v Speaker 1>to do it. Yeah, but I do love seeing all

0:34:59.719 --> 0:35:02.480
<v Speaker 1>as spects of the editing and it's just everything, you know,

0:35:02.640 --> 0:35:06.799
<v Speaker 1>going into the booth and seeing it come together. Tell

0:35:06.880 --> 0:35:12.560
<v Speaker 1>me the three top experiences of your career that you

0:35:12.600 --> 0:35:14.759
<v Speaker 1>could say off the top of your head that you've

0:35:14.800 --> 0:35:18.400
<v Speaker 1>had so far. Um, being at the Grammys being nominated

0:35:18.719 --> 0:35:21.120
<v Speaker 1>that always, to me is my first. Bridget Jones is

0:35:21.160 --> 0:35:23.360
<v Speaker 1>a huge one. And I think making the connection with

0:35:23.440 --> 0:35:26.800
<v Speaker 1>other artists that I've always looked up to. Reba, for instance,

0:35:26.840 --> 0:35:30.560
<v Speaker 1>Reba McIntyre is a hero of mine. And then when

0:35:30.600 --> 0:35:32.480
<v Speaker 1>she cut my song and I was just like, oh,

0:35:32.920 --> 0:35:35.640
<v Speaker 1>thank you. Which is another thing that we're talking about,

0:35:36.120 --> 0:35:42.640
<v Speaker 1>is Reba, Hey, oh is this this is my dad?

0:35:42.800 --> 0:35:47.160
<v Speaker 1>And you're the yodel you go to learn the rapper. Okay,

0:35:47.200 --> 0:35:49.000
<v Speaker 1>we need to hear him. We're gonna have a guest

0:35:49.200 --> 0:35:51.759
<v Speaker 1>guest spot from you. You have to come in. We've

0:35:51.760 --> 0:36:00.359
<v Speaker 1>heard all about it. Can you yodel on the spot? Here?

0:36:00.400 --> 0:36:04.080
<v Speaker 1>You talking to the microphone really fast. So this is

0:36:04.160 --> 0:36:08.720
<v Speaker 1>Jamie's dad. Dad's coming in with some coffees and um

0:36:08.760 --> 0:36:11.600
<v Speaker 1>being put on the spot. Oh yes, this is very

0:36:11.680 --> 0:36:13.680
<v Speaker 1>it is real. Okay, we're just gonna say a little

0:36:13.760 --> 0:36:15.799
<v Speaker 1>hello to you because you started the whole thing with

0:36:15.840 --> 0:36:20.560
<v Speaker 1>a family band and the yodeling. Okay, so give us

0:36:20.560 --> 0:36:24.080
<v Speaker 1>anything you want to give us, Just a little nugget, okay,

0:36:24.600 --> 0:36:31.040
<v Speaker 1>little I don't know, country, western country and western Yoli lady,

0:36:31.320 --> 0:36:47.239
<v Speaker 1>Lodi Holadio, Lodi Holadio. Holy loony loonily loily my. But

0:36:48.880 --> 0:36:51.640
<v Speaker 1>the wrapping, now, I don't know. I feel like maybe

0:36:51.680 --> 0:36:57.200
<v Speaker 1>we need the wrapping, some wrapping. One note, Dad, why

0:36:57.200 --> 0:36:59.600
<v Speaker 1>don't you put the coffees down, grab a guitar and

0:36:59.680 --> 0:37:03.040
<v Speaker 1>do the thing right. Put the coffees now, grab a guitar. Here,

0:37:03.080 --> 0:37:06.640
<v Speaker 1>I'll take the coffee. Do you stay here. Let's grab

0:37:06.680 --> 0:37:11.800
<v Speaker 1>your guitar and now we gotta hear there rapping. This

0:37:12.040 --> 0:37:14.680
<v Speaker 1>is too good to be true. So you and you

0:37:14.760 --> 0:37:17.840
<v Speaker 1>walk about him and then he shows up with bringing coffee. Perfect.

0:37:17.880 --> 0:37:22.000
<v Speaker 1>You're like a visit, your dream come true. This is

0:37:22.239 --> 0:37:26.920
<v Speaker 1>this is called Hi Caroline. This is Caroline. Hello. It's

0:37:26.960 --> 0:37:28.680
<v Speaker 1>so nice to be you. Okay, I'm gonna hold this

0:37:28.719 --> 0:37:31.400
<v Speaker 1>to you and you now give us your wrapping. You

0:37:31.440 --> 0:37:36.200
<v Speaker 1>have pink run Oh, here you go here you okay,

0:37:36.680 --> 0:37:47.600
<v Speaker 1>this is so exciting. M what it is? Check it

0:37:47.640 --> 0:38:03.359
<v Speaker 1>out running down? That's right. Hey, hey, I like big

0:38:03.560 --> 0:38:06.680
<v Speaker 1>butts and I cannot lie you. Other brothers can't deny.

0:38:07.280 --> 0:38:09.759
<v Speaker 1>When a girl walks in with a nittybity ways round

0:38:09.800 --> 0:38:12.480
<v Speaker 1>thing in your face, you get strong. I want to

0:38:12.520 --> 0:38:14.880
<v Speaker 1>get up beside it because you see that button stuffed

0:38:15.239 --> 0:38:18.040
<v Speaker 1>trying the jeans and she's wearing I'm hoaxed and I

0:38:18.080 --> 0:38:21.480
<v Speaker 1>can't stut staring. Oh baby, I want to get witcher

0:38:21.880 --> 0:38:25.040
<v Speaker 1>and take your picture. My homeboys trying to warn man

0:38:25.440 --> 0:38:29.040
<v Speaker 1>that but you got makes me so horny. Oh whispoons

0:38:29.080 --> 0:38:32.440
<v Speaker 1>skin say you want to get muppins. Why use man?

0:38:32.840 --> 0:38:36.439
<v Speaker 1>Use me because you ain't that average grouping. I see

0:38:36.480 --> 0:38:39.960
<v Speaker 1>her dancing to hell the room mance. She sweats went

0:38:40.480 --> 0:38:44.040
<v Speaker 1>gotta going like a terrible bet. I'm tired of magazines

0:38:44.440 --> 0:38:47.439
<v Speaker 1>saying flat butts on the flank taking that ridge black

0:38:47.480 --> 0:38:50.040
<v Speaker 1>man and asked him that she gotta pack much bag.

0:38:50.200 --> 0:38:54.439
<v Speaker 1>So fellas, fellas you your friend got that button? Hell yeah,

0:38:54.680 --> 0:38:58.680
<v Speaker 1>shake it, shake it, shake that healthy but baby got

0:38:58.760 --> 0:39:09.720
<v Speaker 1>back baby god, Oh my gosh. Okay, So yes, introduced yourself.

0:39:10.480 --> 0:39:14.960
<v Speaker 1>I'm Jimmy Jimmy Jimmy Murphy. He's like Madonna. He just

0:39:15.000 --> 0:39:19.600
<v Speaker 1>goes by Jimmy goes by Jimmy Jimmy Murphy. That is

0:39:19.680 --> 0:39:23.120
<v Speaker 1>Jammie O'Neil's father. And oh my gosh, how incredible is that?

0:39:23.360 --> 0:39:26.439
<v Speaker 1>I told you we have the best karaoke nights are

0:39:26.520 --> 0:39:30.040
<v Speaker 1>family nights. Trump that that's on a bar with the

0:39:30.080 --> 0:39:33.000
<v Speaker 1>shark bite. It is. Yeah, I'm sorry, it just is

0:39:33.040 --> 0:39:37.560
<v Speaker 1>when you talk to you dad about coolness, he might

0:39:37.600 --> 0:39:38.960
<v Speaker 1>I got bit in the face by a shark, but

0:39:39.040 --> 0:39:42.680
<v Speaker 1>he cannot seeing about butts, so I think you might

0:39:43.800 --> 0:39:46.279
<v Speaker 1>he really got bit by a shark in the face. Yeah.

0:39:46.360 --> 0:39:51.640
<v Speaker 1>I well, thank you for joining us. That was such

0:39:51.680 --> 0:39:57.480
<v Speaker 1>a treat. That was too much fun. Thank you. That's

0:39:57.520 --> 0:40:01.560
<v Speaker 1>gonna go. That is gonna gona go viral. That's hilarious.

0:40:02.160 --> 0:40:05.800
<v Speaker 1>Dad's gone viral. Dad's gone viral. I don't know what's funny,

0:40:05.880 --> 0:40:09.200
<v Speaker 1>or bending over with the coffees and yodeling, yeah you know,

0:40:09.840 --> 0:40:12.640
<v Speaker 1>or the baby got back. I think it's the combo

0:40:12.719 --> 0:40:15.799
<v Speaker 1>meal of it all. It's proby m. It's pretty spectacular,

0:40:16.480 --> 0:40:18.279
<v Speaker 1>and it just it actually gives me so much more

0:40:18.280 --> 0:40:21.000
<v Speaker 1>insight into you, Jamie. Right, you see what's going on

0:40:21.080 --> 0:40:24.400
<v Speaker 1>behind the scenes craziness. I like it. If you're not crazy,

0:40:24.560 --> 0:40:26.239
<v Speaker 1>I mean, what's the point. You know? You gotta have

0:40:26.360 --> 0:40:28.560
<v Speaker 1>you gotta have that gut, I mean loose and written

0:40:28.960 --> 0:40:32.920
<v Speaker 1>a moment's notice. Yeah he didn't. He didn't even need

0:40:32.960 --> 0:40:35.080
<v Speaker 1>any time to warm up. He's totally ready to go.

0:40:35.440 --> 0:40:36.840
<v Speaker 1>He I have put him on the spot at the

0:40:36.880 --> 0:40:38.880
<v Speaker 1>opery too. I was playing at the opera and then

0:40:38.920 --> 0:40:40.920
<v Speaker 1>I'm like, you know what, you know, we just had

0:40:41.000 --> 0:40:42.680
<v Speaker 1>some yodelers here. I think I want to bring my

0:40:42.760 --> 0:40:44.400
<v Speaker 1>dad out to yodel and Dad's like, you could have

0:40:44.480 --> 0:40:46.440
<v Speaker 1>warned me. I'm like, but then it wouldn't be fun

0:40:46.480 --> 0:40:49.799
<v Speaker 1>if you didn't do a spur at the moment. That's amazing.

0:40:54.440 --> 0:40:58.200
<v Speaker 1>I freaking love it. Okay, So I think, let me see,

0:40:58.280 --> 0:41:01.480
<v Speaker 1>is there anything amissing you? You also do a songwriter cruise.

0:41:03.280 --> 0:41:05.680
<v Speaker 1>We are doing one, and that's great. I'm so glad

0:41:05.719 --> 0:41:08.200
<v Speaker 1>you brought that up because, um, Randy hobb Day at

0:41:08.280 --> 0:41:10.520
<v Speaker 1>Daily Travel will be so happy that you brought up

0:41:10.960 --> 0:41:14.399
<v Speaker 1>doing an Alaskan cruise. I've never been to Alaska. I've

0:41:14.440 --> 0:41:16.879
<v Speaker 1>always wanted to go to Alaska. Colin Ray has been

0:41:16.920 --> 0:41:20.080
<v Speaker 1>to Alaska on this Yeah, he was just here actually,

0:41:20.239 --> 0:41:23.359
<v Speaker 1>and Ronnie mills Up were doing some interviews at your house. Yeah.

0:41:24.400 --> 0:41:26.320
<v Speaker 1>I forget that these people are just your friends, like

0:41:27.400 --> 0:41:31.279
<v Speaker 1>we're using the studio. Came up together the same class

0:41:31.400 --> 0:41:34.200
<v Speaker 1>like you and Tie Herndon and Colin Ray. Who else

0:41:34.320 --> 0:41:38.200
<v Speaker 1>was in that class with you? Um? Well, those guys

0:41:38.280 --> 0:41:40.520
<v Speaker 1>when I got to Nashville, they were already big stars.

0:41:40.719 --> 0:41:43.400
<v Speaker 1>They were so Yeah. I feel like they've had, you know,

0:41:43.600 --> 0:41:46.680
<v Speaker 1>been around longer than I haven't had, you know, fifteen

0:41:46.800 --> 0:41:49.480
<v Speaker 1>number ones. I think Colin has had something like incredible

0:41:49.560 --> 0:41:53.000
<v Speaker 1>like that. Yeah, he's a jam I sang I can't

0:41:53.080 --> 0:41:55.120
<v Speaker 1>live if living is without you with him because he

0:41:55.280 --> 0:41:57.359
<v Speaker 1>did that with Susan Ashton and so I was doing

0:41:57.400 --> 0:41:58.600
<v Speaker 1>a show with him and so we come out and

0:41:58.640 --> 0:42:00.919
<v Speaker 1>sing with me, and I was like, sure, we didn't

0:42:00.960 --> 0:42:04.360
<v Speaker 1>even rehearse. I walked out there and was just like,

0:42:04.800 --> 0:42:08.560
<v Speaker 1>Holy Molly, his voice is so incredible. He has so

0:42:08.719 --> 0:42:10.880
<v Speaker 1>much power. He's just as good as he as he

0:42:11.000 --> 0:42:13.600
<v Speaker 1>ever was, and it was that was definitely a highlight

0:42:13.640 --> 0:42:15.680
<v Speaker 1>for me singing that song with him because he's amazing.

0:42:16.320 --> 0:42:18.279
<v Speaker 1>Okay to go back to the The Alaskan Cruise is

0:42:18.360 --> 0:42:21.840
<v Speaker 1>July nine through the sixte My daughter, my husband and

0:42:21.920 --> 0:42:24.480
<v Speaker 1>I are going on it and we're doing acoustic shows

0:42:24.600 --> 0:42:27.960
<v Speaker 1>and songwriting seminars and you know, Lee is gonna talk

0:42:27.960 --> 0:42:30.279
<v Speaker 1>to him about her writing and what her processes. I'm

0:42:30.320 --> 0:42:31.880
<v Speaker 1>gonna talk to him about writing Gona tank Q and

0:42:31.960 --> 0:42:36.160
<v Speaker 1>A and even it work within anybody who's actually a

0:42:36.239 --> 0:42:39.160
<v Speaker 1>songwriter who wants to come on there and do some writing. Heck, yeah,

0:42:39.200 --> 0:42:41.919
<v Speaker 1>how do we sign up for it? It? I think

0:42:42.040 --> 0:42:47.080
<v Speaker 1>you'd go to Jamie O'Neil um Cruise or Alaskan Cruise. Yeah,

0:42:47.120 --> 0:42:49.320
<v Speaker 1>it's all. It's on my website, It's on my Facebook.

0:42:49.400 --> 0:42:51.799
<v Speaker 1>Tell me what your website, JA, Jamie O'Neil dot com.

0:42:52.280 --> 0:42:55.719
<v Speaker 1>And then I'm on Facebook UM and I'm on Instagram

0:42:55.840 --> 0:42:58.960
<v Speaker 1>Jamie O'Neil Official and Twitter and you can find out

0:42:59.000 --> 0:43:00.800
<v Speaker 1>all the information about and you can also go to

0:43:00.920 --> 0:43:03.960
<v Speaker 1>Daily Travel, which is d A Y L E E Travel.

0:43:04.360 --> 0:43:06.960
<v Speaker 1>Because the booking for that cruise and many other cruises.

0:43:07.000 --> 0:43:09.640
<v Speaker 1>I'm really super excited. That's gonna be awesome. It's gonna

0:43:09.640 --> 0:43:12.719
<v Speaker 1>be incredible. I'm gonna see a glacier. We might write

0:43:12.760 --> 0:43:14.960
<v Speaker 1>a song on a glacier. You probably should. I think

0:43:15.000 --> 0:43:18.520
<v Speaker 1>we should. Yeah, I love that. Yeah, Okay, anything else

0:43:18.640 --> 0:43:20.919
<v Speaker 1>that I missed? I mean, there's so much. We talked

0:43:20.920 --> 0:43:23.200
<v Speaker 1>about the artists, and we talked about the cruise, and

0:43:23.960 --> 0:43:27.600
<v Speaker 1>that's that's what I'm doing. Okay. I like to wrap

0:43:27.760 --> 0:43:29.600
<v Speaker 1>up with Oh, by the way, I had to tell you,

0:43:29.800 --> 0:43:31.520
<v Speaker 1>you know, you're telling me a recipe because I don't know.

0:43:31.560 --> 0:43:32.839
<v Speaker 1>I don't off the top of my head, I can't

0:43:32.840 --> 0:43:35.320
<v Speaker 1>think of one. You know who your double Gamer gang is? No.

0:43:35.960 --> 0:43:39.279
<v Speaker 1>I was watching your videos obviously because I was like

0:43:39.640 --> 0:43:43.120
<v Speaker 1>stopping you back background search, because you're a good interviewer.

0:43:43.239 --> 0:43:45.960
<v Speaker 1>When I think about angels, you and Meg Ryan are like,

0:43:46.200 --> 0:43:48.879
<v Speaker 1>y'all are the same. I was gonna say, Meg Ryan,

0:43:49.040 --> 0:43:51.520
<v Speaker 1>back in the day, I would get asked all the time,

0:43:51.600 --> 0:43:53.880
<v Speaker 1>and you Meg Ryan. One woman in Jersey was like,

0:43:54.040 --> 0:43:57.040
<v Speaker 1>I know who you are when Harry met Sally. You

0:43:57.280 --> 0:44:00.960
<v Speaker 1>are huh that Ryan? Can you do that thing a scene? Now?

0:44:03.600 --> 0:44:05.480
<v Speaker 1>That would be like after a few glasses of wine,

0:44:05.520 --> 0:44:08.759
<v Speaker 1>I think before I No, I love that movie, though,

0:44:08.880 --> 0:44:10.360
<v Speaker 1>I can't wait till my daughter is old enough to

0:44:10.400 --> 0:44:12.040
<v Speaker 1>show her that, you know, Like that's one of the

0:44:12.120 --> 0:44:13.480
<v Speaker 1>things you think about when you have a child and

0:44:13.480 --> 0:44:15.800
<v Speaker 1>they start getting older and they become like your buddy

0:44:15.960 --> 0:44:17.480
<v Speaker 1>is like, I can't wait to show you this movie,

0:44:17.520 --> 0:44:19.839
<v Speaker 1>but you can't see it now, not yet. Come back

0:44:19.840 --> 0:44:21.400
<v Speaker 1>in like three or four years, and then you'll be

0:44:21.480 --> 0:44:25.000
<v Speaker 1>ready to see the sandwich scene or whatever. That. Yes,

0:44:25.760 --> 0:44:29.200
<v Speaker 1>I love Meg Ryan, I love the two of them together, Crystal,

0:44:29.280 --> 0:44:33.120
<v Speaker 1>he's still okay. So is there anything left on your

0:44:33.120 --> 0:44:36.279
<v Speaker 1>bucket list? And what are you excited about? You've done

0:44:36.320 --> 0:44:38.600
<v Speaker 1>so much for me. That was going on safari to

0:44:39.239 --> 0:44:42.520
<v Speaker 1>South Africa and seeing the animals and taking pictures, and

0:44:42.800 --> 0:44:47.440
<v Speaker 1>that would be like just a dream trip. Um. But

0:44:47.600 --> 0:44:50.360
<v Speaker 1>I think also going back to Europe and singing and

0:44:50.440 --> 0:44:54.120
<v Speaker 1>playing some shows and seeing one of my artists make

0:44:54.200 --> 0:44:56.680
<v Speaker 1>it to the level that you know we all want

0:44:56.719 --> 0:45:00.359
<v Speaker 1>to make it too. Yes, that's a dream. I love that. Yeah.

0:45:01.040 --> 0:45:09.399
<v Speaker 1>So I like to wrap up with leave your light.

0:45:10.800 --> 0:45:13.759
<v Speaker 1>So leave some inspiration, how you've been inspired or how

0:45:13.800 --> 0:45:18.000
<v Speaker 1>you would like to inspire people. Oh wow, okay, yes, um.

0:45:18.560 --> 0:45:20.719
<v Speaker 1>One of the most important things that I can tell

0:45:20.840 --> 0:45:24.440
<v Speaker 1>people is you know, when they're when they have this

0:45:24.600 --> 0:45:28.360
<v Speaker 1>talent and this innate ability to connect with people and

0:45:28.480 --> 0:45:32.880
<v Speaker 1>want to make music is um to keep going, but

0:45:33.040 --> 0:45:36.120
<v Speaker 1>to write everything down, like if you have a title,

0:45:36.200 --> 0:45:39.239
<v Speaker 1>or if you're you know, going into a bookstore and

0:45:39.320 --> 0:45:42.560
<v Speaker 1>you're just looking and seeking out ideas or melodies, it

0:45:42.640 --> 0:45:44.839
<v Speaker 1>will come to you, you know, because everybody has something

0:45:44.880 --> 0:45:47.560
<v Speaker 1>to give, and everybody's different than the next person. I

0:45:47.680 --> 0:45:50.600
<v Speaker 1>always tell people, don't compare yourself to others. Don't try

0:45:50.640 --> 0:45:53.880
<v Speaker 1>to compete. It's not a competition, you know. Um. So

0:45:54.080 --> 0:45:57.480
<v Speaker 1>I guess that I'm probably giving way too much advice

0:45:57.560 --> 0:45:59.480
<v Speaker 1>to people that are like, Okay, I'm like a mom

0:45:59.560 --> 0:46:01.719
<v Speaker 1>to a lot these people because they're so young. But

0:46:01.840 --> 0:46:03.879
<v Speaker 1>you need to give it. People need to know yeah

0:46:04.080 --> 0:46:06.359
<v Speaker 1>that's true, and know that it really is hard work,

0:46:06.560 --> 0:46:08.839
<v Speaker 1>but it's so worth it at the end of the day.

0:46:08.880 --> 0:46:13.240
<v Speaker 1>It's so worth it. Hellove it. Thank you, Jane, thanks

0:46:13.280 --> 0:46:16.120
<v Speaker 1>for coming out, Thanks for having me. I'm so glad

0:46:16.120 --> 0:46:23.800
<v Speaker 1>to be here. In the grotto. Okay, piece out. I

0:46:23.880 --> 0:46:26.480
<v Speaker 1>hope you loved hearing from j B O'Neil. She's the

0:46:26.640 --> 0:46:30.400
<v Speaker 1>bomb dot com. Next week I have Kyle Jacobs and

0:46:30.600 --> 0:46:32.960
<v Speaker 1>you may know him to recognize him from I Love

0:46:33.040 --> 0:46:36.400
<v Speaker 1>Kelly Pickler on CMT. He is Kelly Pickler's husband and

0:46:36.480 --> 0:46:40.200
<v Speaker 1>he is the best guy ever. Love him so much.

0:46:40.280 --> 0:46:45.560
<v Speaker 1>He's also Lee Bryce, Bryce's producer. Amazing. He wrote More

0:46:45.680 --> 0:46:48.520
<v Speaker 1>Than a Memory for Garth Brooks. Do you remember that song?

0:46:48.640 --> 0:46:50.439
<v Speaker 1>It came out. It was the first song to ever

0:46:50.560 --> 0:46:52.920
<v Speaker 1>debut at number one on the country charts. It was

0:46:53.040 --> 0:46:56.640
<v Speaker 1>insane and he's probably just the sweetest guy ever. Love

0:46:56.760 --> 0:46:58.320
<v Speaker 1>him like a brother. Cannot wait for him to join me.

0:46:58.440 --> 0:47:00.719
<v Speaker 1>So next week Kyle Jacobs will be in the house.

0:47:00.880 --> 0:47:03.800
<v Speaker 1>Make sure you guys subscribe on iTunes and leave some

0:47:04.000 --> 0:47:18.799
<v Speaker 1>comments and tune in next week. Bye guys, mm hm