WEBVTT - Barbara Tversky on How the Mind Works

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<v Speaker 1>This is Master's in Business with Barry Ridholts on Bloomberg

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<v Speaker 1>Radio this week on the podcast Really, I have a

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<v Speaker 1>super extra special guest. Everybody makes fun of me for

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<v Speaker 1>saying that each week, but I have an extra special guest.

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<v Speaker 1>I was fortunate enough to go to a dinner one

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<v Speaker 1>night that Annie Duke was hosting, and each person at

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<v Speaker 1>the table was more fascinating and accomplished than the next,

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<v Speaker 1>from Mike Mobison, a Josh Wolf to Danny Kahneman. And

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<v Speaker 1>at the end of the evening, one of the women

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<v Speaker 1>at the table pulls me aside to discuss my interview

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<v Speaker 1>with Michael Lewis, and that turned out to be Barbara Tversky,

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<v Speaker 1>a experimental psychologist, publisher of hundreds of research papers, oh

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<v Speaker 1>and also the spouse of a Moost Tversky. And she

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<v Speaker 1>told me how much she enjoyed my conversation with Mike Lewis,

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<v Speaker 1>and we started chatting, and it took me, I don't know,

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<v Speaker 1>maybe four seconds to say, oh my god, this woman

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<v Speaker 1>is fascinating and I have to sit down and have

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<v Speaker 1>a conversation with her. But she's back and forth between

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<v Speaker 1>Stanford and Colombian, and it took us a while to

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<v Speaker 1>hone in on a time, and I'm really glad we did.

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<v Speaker 1>She wrote this fascinating book on how the brain works,

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<v Speaker 1>how we perceive things, whether it's language or spatial perception,

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<v Speaker 1>and why action shapes thoughts and how motion impacts cognitive processes.

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<v Speaker 1>It's not drying clinical, It's really a very fascinating abstract conversation.

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<v Speaker 1>And we just babbled. At least I babbled for two hours.

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<v Speaker 1>It really was an intriguing conversation. If you're at all

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<v Speaker 1>interested in cognitive psychology, how the brain works, the way

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<v Speaker 1>language affects thought and vice versa, the way thought affects language,

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<v Speaker 1>as well as her nine laws of Cognition, you're going

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<v Speaker 1>to find this to be absolutely fascinating. So, with no

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<v Speaker 1>further ado, my conversation with Barbara Taversky. This is Masters

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<v Speaker 1>in Business with Barry Ridholts on Bloomberg Radio. My extra

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<v Speaker 1>special guest this week is Barbara Tversky. She is a

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<v Speaker 1>professor of psychology at Stanford University. She also is a

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<v Speaker 1>psychology and education professor at Teachers College at Columbia University.

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<v Speaker 1>She has published more than two hundred articles on cognition, psychology, memory,

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<v Speaker 1>all sorts of fascinating topics. Her new book is called

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<v Speaker 1>Mind in Motion, How Action Shapes Thought. Barbara Taverski, Welcome

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<v Speaker 1>to Bloomberg. Thank you. I'm happy to be here. So

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<v Speaker 1>let's talk a little bit about cognition and psychology. How

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<v Speaker 1>did you find your way to that field. I'm a

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<v Speaker 1>bit of a contrarian, and when I entered the field,

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<v Speaker 1>the cognition revolution was well in progress, so you could

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<v Speaker 1>open up the mind if you were clever, and find

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<v Speaker 1>ways of revealing how people thought. But I thought at

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<v Speaker 1>that time was heavily dominated by language, by propositional thinking

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<v Speaker 1>that came from philosophy and linguistics, and people thought at

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<v Speaker 1>that time. The way we thought about the spatial world,

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<v Speaker 1>the visual world, was by putting it into propositional format.

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<v Speaker 1>Explain what that means is So proposition is in philosophy

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<v Speaker 1>is a minimal statement, like the cup is round or

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<v Speaker 1>the desk is flat. Their minimal statements where you attribute

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<v Speaker 1>something to something else. And it felt to me like

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<v Speaker 1>you could never begin to describe faces that way. We're

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<v Speaker 1>very bad at describing faces. Emotions are difficult to describe,

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<v Speaker 1>fairly easy to detect. Spaces that were in our heart

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<v Speaker 1>to describe, So thinking about reducing that to propositions, to

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<v Speaker 1>these simple, minimal statements didn't make sense to me. It

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<v Speaker 1>made sense to me that the spatial world and the

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<v Speaker 1>visual world had its own logic, and that logic came

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<v Speaker 1>first evolutionarily, because you know, babies don't talk. It takes

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<v Speaker 1>them a while to talk, and even when they talk,

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<v Speaker 1>everything sounds like bah buss banana bottle and they aren't

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<v Speaker 1>saying very deep things for a long time. So they

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<v Speaker 1>do very intelligent things. Animals do very intelligent things without speech.

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<v Speaker 1>So it felt to me that, if anything, the spatial

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<v Speaker 1>visual world preceded evolutionarily and in development and had a

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<v Speaker 1>richness of its own and that needed to be explored

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<v Speaker 1>independent of language. So let's talk about language for secon

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<v Speaker 1>and because it's funny, I first wrote this question how

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<v Speaker 1>did people think before language? And then I kind of said, well,

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<v Speaker 1>now that's the wrong way to think about it, based

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<v Speaker 1>on some of the things you wrote in the book.

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<v Speaker 1>The better way to ask that question is how has

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<v Speaker 1>language changed the way we think? That's a great question

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<v Speaker 1>and that's one that people grapple with, and you know,

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<v Speaker 1>people want simple answers. It is probably complicated. Let me

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<v Speaker 1>start first with how we speak, and a lot of

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<v Speaker 1>the way we speak about thinking is as if they

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<v Speaker 1>were actions on objects. And I think that that kind

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<v Speaker 1>of thinking of acting on objects got internalized to think

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<v Speaker 1>about thoughts as objects. So we raise ideas, we pushed

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<v Speaker 1>them forward, we tear them apart. All of those are

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<v Speaker 1>the ways we talk about thinking, and there is if

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<v Speaker 1>we were having actual objects and doing it. So I

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<v Speaker 1>don't think that's metaphor. I think we have no other

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<v Speaker 1>way of talking about thinking except as if there were actions.

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<v Speaker 1>So those are things we do with our hands, with

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<v Speaker 1>our fate. We go from place to place, and our

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<v Speaker 1>thoughts go from idea to idea along conceptual paths, the

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<v Speaker 1>way our feet go from place to place along spatial paths.

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<v Speaker 1>And it now turns out that the same brain structures

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<v Speaker 1>in humans are coding both of them. They're both coding

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<v Speaker 1>our paths in actual space and our paths in conceptual space.

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<v Speaker 1>Explain that a little bit. When you say that we're

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<v Speaker 1>coded in in conceptual space when we go from thought

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<v Speaker 1>to thought, are you suggesting our thought processes are somewhat predestined?

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<v Speaker 1>We all have the same approach to solving the same

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<v Speaker 1>problems more or less, at least structurally. What do you

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<v Speaker 1>mean by that? It's again a great question. It's really associations,

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<v Speaker 1>just the way you'll walk from A to B in

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<v Speaker 1>a different way than I might walk from A to

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<v Speaker 1>B for different reasons, but it's still a to be right.

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<v Speaker 1>And some of the problem with thinking is we don't

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<v Speaker 1>know where be is right. We start off with a

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<v Speaker 1>and we're trying to solve a problem maybe or we're

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<v Speaker 1>just letting our minds wander. No. I think, if anything,

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<v Speaker 1>we're gonna If you look at human beings were incredibly

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<v Speaker 1>diverse and thinking in different ways, and our associations are

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<v Speaker 1>built from experience, from many different experiences, So thoughts go

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<v Speaker 1>from association to association, and those associations are going to

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<v Speaker 1>be wildly different. So I'll give you a small example.

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<v Speaker 1>When my husband and I used to walk in streets

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<v Speaker 1>in cities that yours being a most of our right.

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<v Speaker 1>This is years ago, because unfortunately he's hasn't been with

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<v Speaker 1>us for all too long. But we would walk in Paris,

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<v Speaker 1>in New York, places where we were tourists at the time,

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<v Speaker 1>and when we'd come back, um, he would say, did

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<v Speaker 1>you see all those prostitutes. I didn't pick up a

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<v Speaker 1>single one, And you know, I was looking at other things,

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<v Speaker 1>the architecture, maybe what people were wearing. Um I didn't.

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<v Speaker 1>I wasn't seeing that. But you also noticed, and I

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<v Speaker 1>picked this up from the book, the way the structure

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<v Speaker 1>of the cities were lying. You talk about how Japan

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<v Speaker 1>has there very it's very confusing to foreigners, but they

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<v Speaker 1>break cities into quadrants, and those quadrants are pretty consistent

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<v Speaker 1>from Japanese city to Japanese city. It becomes very helpful

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<v Speaker 1>if you know the code, but anybody who doesn't, it's

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<v Speaker 1>just a perplexing mess. Yeah. And and that again is

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<v Speaker 1>illustrating different ways of thinking and different ways of designing.

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<v Speaker 1>But both are designed. And I think one of the

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<v Speaker 1>points are trying to make in the book is that

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<v Speaker 1>we design the world the way we design our minds.

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<v Speaker 1>So both Japan and the US New York with its

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<v Speaker 1>grid system and many other cities with grid systems, even

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<v Speaker 1>the Romans had grid systems, and some Chinese have grid systems.

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<v Speaker 1>In fact, Japan has grid systems, they just labeled them

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<v Speaker 1>differently from the way we do. But that those designs

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<v Speaker 1>are go across cultures with with variations, but they have

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<v Speaker 1>to do with the way we design our minds. Um. So,

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<v Speaker 1>so let me ask you this question, since since we're

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<v Speaker 1>talking about visual cognition, how does our sense of spatial

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<v Speaker 1>understanding and visual cognition affect the way we think? It's so?

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<v Speaker 1>One way is is I think? Okay? How to how

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<v Speaker 1>to answer that? One way are things that I've already

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<v Speaker 1>said that we think about actions on ideas, the way

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<v Speaker 1>we think about actions and objects, and we go from

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<v Speaker 1>place to place, the way we go from idea to idea.

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<v Speaker 1>UM that probably affects the structure of language. That's my hunch,

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<v Speaker 1>and I didn't work that out very well. You asked

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<v Speaker 1>earlier how does language bootstrap our thinking? And I think

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<v Speaker 1>language isn't one of many cognitive tools that we use.

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<v Speaker 1>We can then use language to reason about other things,

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<v Speaker 1>the way we can use math to reason about other things,

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<v Speaker 1>or or logic or computer programming. We have a number

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<v Speaker 1>of these cognitive tools that we have built through culture.

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<v Speaker 1>Their cultural evolved. We don't we're not born with them,

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<v Speaker 1>and they enable leaps of thought. We now have computers

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<v Speaker 1>that do help us think and help us design, and

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<v Speaker 1>so we we've developed a number of these cognitive tools

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<v Speaker 1>that help us structure our thinking and will leapfrog are thinking.

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<v Speaker 1>We can use them to think farther. So I don't

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<v Speaker 1>need to compute square roots anymore. I have them amount calculator.

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<v Speaker 1>I can use that to leap frog and go to

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<v Speaker 1>other um levels of understanding. So so last question on

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<v Speaker 1>this topic, what is cognitive collage? I love that phrase. Okay,

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<v Speaker 1>thank you. So we did some work on how people

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<v Speaker 1>understand the environments that they walk through every day, and

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<v Speaker 1>there are a number of distortions that people have that

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<v Speaker 1>indicate that people are constructing their images of environments. So

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<v Speaker 1>the grid pattern, we tend to line things up in

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<v Speaker 1>in in parallel and perpendicular lines and ignore um ignore diagonals,

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<v Speaker 1>and ignore five sided things like the Boston Commons. People

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<v Speaker 1>often act as if it were four sided kind of quadrilateral,

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<v Speaker 1>not a pentagon, and it's not really a pentagon, so

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<v Speaker 1>we we distort. So some of the distortions are really

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<v Speaker 1>quite remarkable. The most remarkable is probably that people think

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<v Speaker 1>that distances to a landmark are smaller than distances from

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<v Speaker 1>a landmark. Explain that because that sounds so obviously incorrect. Exactly,

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<v Speaker 1>So a number of studies have been done where people

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<v Speaker 1>on college campuses pick landmarks. They have the students picked

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<v Speaker 1>the landmarks, and then another group of students is asked

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<v Speaker 1>about distances and you get those a symmetric distances. So

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<v Speaker 1>the example I use is that people think that Jacques's

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<v Speaker 1>house is closer to the Eiffel Tower than Eiffel Tower

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<v Speaker 1>to Jacques's house. And one explanation for that might be

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<v Speaker 1>that the Eiffel Tower defines a neighborhood. Columbus Circle is

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<v Speaker 1>a neighborhood, the village is a neighborhood. We tend to

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<v Speaker 1>form neighborhoods around these landmarks, and we say, if someone

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<v Speaker 1>says where do you live, you can say I live

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<v Speaker 1>near Columbus Circle and that tells people the environment. And

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<v Speaker 1>so the neighborhood is quite expanded. It includes Jacques's house,

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<v Speaker 1>but Jacques's House only includes itself, so you get that asymmetry.

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<v Speaker 1>And these are these are This is research I didn't do.

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<v Speaker 1>I pointed to it, but it's very related to research

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<v Speaker 1>that my husband had done earlier, showing that people this

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<v Speaker 1>is going way back in history. People think that North

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<v Speaker 1>Korea is more like communist China than communist China like

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<v Speaker 1>North Korea, or the son is more like the father

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<v Speaker 1>than the father like this son. So we have these

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<v Speaker 1>landmarks or prototypes and they draw similar things into them.

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<v Speaker 1>Eleanor Rosh had earlier done work showing that people think

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<v Speaker 1>magenta is more like red than red like magenta, so

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<v Speaker 1>I could see that. Yeah, they are defining categories really,

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<v Speaker 1>and these peripheral instances don't. So those are spatial ideas.

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<v Speaker 1>The distance, whether it's distance and color, or distance in

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<v Speaker 1>political leanings, or distances in some kind of psychological or

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<v Speaker 1>physical similarity, the son to the father, those are all

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<v Speaker 1>spatial concepts. But and and we can show them in

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<v Speaker 1>space two. But they are affecting our thinking. We're spatializing

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<v Speaker 1>those concepts of North Korea, red and magenta and communist

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<v Speaker 1>China and and thinking about other things in relation to them,

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<v Speaker 1>but in relation to spatial distance. So everywhere I look,

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<v Speaker 1>I can find spatial distortions that are reflected in conceptual ones.

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<v Speaker 1>In group out group would be one. We tend to

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<v Speaker 1>think that that if we're in one political leaning, that

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<v Speaker 1>everybody in another political they're all alike. My group is

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<v Speaker 1>highly differentiated, but it's because it's close to me. And

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<v Speaker 1>I can see the differences. I don't see the differences

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<v Speaker 1>in those others, so we tend to think of them

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<v Speaker 1>is all alike, but our group is differentiate. That's quite fascinating.

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<v Speaker 1>One of my favorite parts about the book was the

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<v Speaker 1>nine law of cognition. And I have to ask you,

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<v Speaker 1>how did you develop nine rules? And how long have

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<v Speaker 1>you been working on these? You know? I started writing

0:16:09.640 --> 0:16:13.920
<v Speaker 1>the book and I realized that certain of the things

0:16:14.040 --> 0:16:18.200
<v Speaker 1>that I was saying, again, many of them about space,

0:16:18.320 --> 0:16:22.880
<v Speaker 1>had generality to thinking in general or behavior in general,

0:16:22.960 --> 0:16:27.400
<v Speaker 1>and I wanted to point to those and encapsulate them

0:16:27.480 --> 0:16:31.240
<v Speaker 1>in a way. Then it became laws. And I have

0:16:31.440 --> 0:16:34.960
<v Speaker 1>a good friend who comes from medical science, very hard

0:16:35.040 --> 0:16:38.280
<v Speaker 1>noised researcher. After the book was written, and I couldn't

0:16:38.320 --> 0:16:41.640
<v Speaker 1>change anything. Sounds confused by that because she was thinking

0:16:41.680 --> 0:16:46.160
<v Speaker 1>of physics laws, which are laws, and and you can

0:16:46.280 --> 0:16:49.560
<v Speaker 1>compute them and get answers that will in fact hold.

0:16:50.160 --> 0:16:54.400
<v Speaker 1>So these are not like that. They're generalizations, and I

0:16:54.440 --> 0:17:00.160
<v Speaker 1>think that fits with the way social sciences see laws

0:17:00.320 --> 0:17:04.360
<v Speaker 1>kind of generalizations. Okay, let's go over some of these generalizations.

0:17:04.600 --> 0:17:08.920
<v Speaker 1>Will start with rule number one. There are no benefits

0:17:08.920 --> 0:17:14.120
<v Speaker 1>without costs, meaning creativity versus learning. How do they set

0:17:14.160 --> 0:17:17.879
<v Speaker 1>each other? Interesting? And I mean it's a nice example.

0:17:18.440 --> 0:17:21.840
<v Speaker 1>So I think again, the mind is quite simple. We

0:17:21.880 --> 0:17:25.840
<v Speaker 1>want simple, straight answers. Things are always this, and things

0:17:25.880 --> 0:17:30.320
<v Speaker 1>are always that. And we categorize because the number of

0:17:30.400 --> 0:17:33.240
<v Speaker 1>things in the world is huge. If we had to

0:17:33.320 --> 0:17:38.040
<v Speaker 1>think about each chair individually, each cup individually, it would

0:17:38.080 --> 0:17:42.720
<v Speaker 1>be overwhelming. So we categorize things as chairs and tables

0:17:42.840 --> 0:17:46.440
<v Speaker 1>and dogs and cats, and that enables us to know

0:17:46.560 --> 0:17:50.200
<v Speaker 1>how to recognize them and how to behave towards them.

0:17:50.200 --> 0:17:55.159
<v Speaker 1>Now we can miscategorize, and that happens often tragically and

0:17:55.359 --> 0:18:00.760
<v Speaker 1>certain situations, but we forget that we need those categories

0:18:01.280 --> 0:18:05.240
<v Speaker 1>on some level because we have to behave very quickly

0:18:05.800 --> 0:18:08.720
<v Speaker 1>and we have to respond very quickly. Is someone throwing

0:18:08.840 --> 0:18:12.719
<v Speaker 1>something at me to hurt me, as someone throwing something

0:18:12.760 --> 0:18:16.000
<v Speaker 1>at me so I can catch it, and our behavior

0:18:16.119 --> 0:18:18.160
<v Speaker 1>is going to be very different. So when you say

0:18:18.160 --> 0:18:23.240
<v Speaker 1>cost versus benefits, sometimes the trade off is speed versus

0:18:23.280 --> 0:18:29.280
<v Speaker 1>accuracy or making a defensive decision because it's a matter

0:18:29.320 --> 0:18:33.920
<v Speaker 1>of existential survival versus Hey, I may not be accurate here,

0:18:34.080 --> 0:18:36.400
<v Speaker 1>but better safe and sorry? Is that what you mean?

0:18:36.520 --> 0:18:39.560
<v Speaker 1>By the forces of these decisions. Well, I mean it's

0:18:39.600 --> 0:18:43.520
<v Speaker 1>a cost benefit. I think economists understands that everything is

0:18:43.560 --> 0:18:48.920
<v Speaker 1>a trade off. I'm not sure that psychologists understand that

0:18:48.920 --> 0:18:54.200
<v Speaker 1>that well, So then they'll say people miscategorize. Somebody had

0:18:54.240 --> 0:18:57.959
<v Speaker 1>a toy gun, not a real gun. That this is

0:18:58.080 --> 0:19:01.199
<v Speaker 1>we shouldn't be categorizing at all. And I want to

0:19:01.240 --> 0:19:04.320
<v Speaker 1>say we have to we do it's it seems to

0:19:04.320 --> 0:19:09.200
<v Speaker 1>be the way we think, occasionally with tragic consequence, exactly

0:19:09.560 --> 0:19:14.320
<v Speaker 1>right and missteps. So on creativity and learning. We have

0:19:14.480 --> 0:19:18.520
<v Speaker 1>to learn routines to get through the day, and otherwise

0:19:18.560 --> 0:19:21.320
<v Speaker 1>if everything is a new problem, it's going to take

0:19:21.359 --> 0:19:23.480
<v Speaker 1>too long. How do we get a key in a door?

0:19:23.600 --> 0:19:26.399
<v Speaker 1>And how do we make toasts in the morning. So

0:19:26.480 --> 0:19:29.439
<v Speaker 1>we have to get into those routines. But once we

0:19:29.520 --> 0:19:33.600
<v Speaker 1>have those routines, it's hard to change them. So creativity

0:19:33.680 --> 0:19:38.480
<v Speaker 1>requires thinking in new ways, meaning outside of the routines exactly,

0:19:38.640 --> 0:19:41.000
<v Speaker 1>and thinking of a new way to build a teacup

0:19:41.119 --> 0:19:43.320
<v Speaker 1>or a new way to design a chair. These are

0:19:43.359 --> 0:19:46.640
<v Speaker 1>what designers have. A new way to design a school,

0:19:46.720 --> 0:19:50.440
<v Speaker 1>maybe the old way of designing schools isn't as good

0:19:50.440 --> 0:19:54.400
<v Speaker 1>as it could be. Libraries have changed enormously now that

0:19:54.920 --> 0:19:58.120
<v Speaker 1>in a little while there'll be no paperbooks. I mean,

0:19:58.400 --> 0:20:01.639
<v Speaker 1>I'm happy so further hanging. They are hanging out, and

0:20:01.680 --> 0:20:04.840
<v Speaker 1>I'm glad to see because I'm a fan. So in

0:20:04.920 --> 0:20:07.719
<v Speaker 1>order to design, we have to get rid of those

0:20:07.760 --> 0:20:12.280
<v Speaker 1>old ways and thinking new. And we just finished an

0:20:12.320 --> 0:20:15.680
<v Speaker 1>experiment asking people to think of new ways to use

0:20:15.880 --> 0:20:21.560
<v Speaker 1>old things, and the good answers come about the ninth answer,

0:20:21.960 --> 0:20:25.920
<v Speaker 1>meaning it takes that long before they overcome their natural

0:20:26.200 --> 0:20:30.920
<v Speaker 1>tendency towards routine. Exactly, quite quite interesting. What's I think

0:20:31.080 --> 0:20:34.320
<v Speaker 1>interesting also is the way we got people to generate

0:20:34.359 --> 0:20:37.960
<v Speaker 1>new ideas for these old things. How do you use

0:20:38.000 --> 0:20:42.440
<v Speaker 1>an umbrella? And creative ways? Well, it can be sticks

0:20:42.480 --> 0:20:46.440
<v Speaker 1>to hold kebab, but that was the ninth idea, right,

0:20:46.640 --> 0:20:50.120
<v Speaker 1>and it's clever and cute. But the way we got

0:20:50.160 --> 0:20:54.840
<v Speaker 1>people to think creatively was to ask them to think

0:20:54.880 --> 0:20:58.719
<v Speaker 1>about different roles of people. So how would a doctor

0:20:58.960 --> 0:21:02.239
<v Speaker 1>use this? How would a gardener use it? So we

0:21:02.320 --> 0:21:07.280
<v Speaker 1>ask people to put themselves in mindsets of other professions.

0:21:07.320 --> 0:21:10.640
<v Speaker 1>And professions are something we know a lot about. We've

0:21:10.840 --> 0:21:13.720
<v Speaker 1>since we were three. People ask us, what do you

0:21:13.760 --> 0:21:16.600
<v Speaker 1>want to be when you grow up and we interact

0:21:16.680 --> 0:21:19.560
<v Speaker 1>with people with different roles, so we know a lot

0:21:19.600 --> 0:21:24.119
<v Speaker 1>about what those roles do, and that help people generate

0:21:24.280 --> 0:21:28.560
<v Speaker 1>new uses. So there's a television show that focuses on

0:21:28.680 --> 0:21:32.480
<v Speaker 1>improv called Whose Line Is It? Anyway? And as you

0:21:32.520 --> 0:21:35.879
<v Speaker 1>were speaking, I can only think of the segment they

0:21:35.960 --> 0:21:39.600
<v Speaker 1>do with props where they give each group a different

0:21:39.640 --> 0:21:44.600
<v Speaker 1>set of props, and it's amazingly creative, and it seems

0:21:44.640 --> 0:21:49.320
<v Speaker 1>some people really have a skill set for applying these

0:21:49.560 --> 0:21:53.200
<v Speaker 1>in unexpected ways. Yeah, and improv is exactly the right

0:21:53.280 --> 0:21:57.439
<v Speaker 1>example for that, for that kind of creativity. I have

0:21:57.560 --> 0:22:01.080
<v Speaker 1>a former grand with student who talks about art making.

0:22:01.160 --> 0:22:05.400
<v Speaker 1>She's an artist. An excellent one is improvisational and you

0:22:05.440 --> 0:22:08.800
<v Speaker 1>have to keep your mind open to new ideas. And

0:22:08.840 --> 0:22:11.680
<v Speaker 1>I think you're right, you couldn't develop really good skills

0:22:11.760 --> 0:22:15.800
<v Speaker 1>for doing it. Let's let's go to another rule number three.

0:22:16.200 --> 0:22:22.000
<v Speaker 1>The mind can override perception, really cognitive dissonance, And is

0:22:22.040 --> 0:22:24.400
<v Speaker 1>the way I was looking at that. If you're perceiving

0:22:24.480 --> 0:22:27.879
<v Speaker 1>something and you're not going to believe it, how is

0:22:27.920 --> 0:22:30.960
<v Speaker 1>it that we ignore what's in front of our very

0:22:31.000 --> 0:22:33.920
<v Speaker 1>eyes if we're not happy with what we're seeing? Well,

0:22:33.920 --> 0:22:35.800
<v Speaker 1>I don't know if it's not happy, it doesn't fit

0:22:35.840 --> 0:22:40.040
<v Speaker 1>our hypotheses. So that's really more confirmation biased than anything,

0:22:40.160 --> 0:22:44.560
<v Speaker 1>or exactly or disconfirmation exactly. We don't want to see

0:22:44.600 --> 0:22:48.959
<v Speaker 1>that which disconfirms our existing but exactly. And one of

0:22:49.000 --> 0:22:51.840
<v Speaker 1>the early studies that was done on that was by

0:22:52.040 --> 0:22:55.440
<v Speaker 1>Jerry Brunner, an old friend, and Molly Potter, and they

0:22:55.480 --> 0:22:59.800
<v Speaker 1>showed out of focused photographs of odd things like if

0:22:59.800 --> 0:23:03.200
<v Speaker 1>I or hydrant at an odd angle, and they gradually

0:23:03.240 --> 0:23:06.600
<v Speaker 1>brought them into focus and asked people to keep guessing

0:23:06.760 --> 0:23:10.359
<v Speaker 1>what they were and compare them to a group that

0:23:10.520 --> 0:23:14.280
<v Speaker 1>saw them in focus. So these odd angles, like an

0:23:14.359 --> 0:23:17.280
<v Speaker 1>odd angle of a fire hydrant, people came up with

0:23:17.359 --> 0:23:21.160
<v Speaker 1>wild hypothesis and when it was in full focus couldn't

0:23:21.200 --> 0:23:25.000
<v Speaker 1>identify it because they already anchored to that previous And

0:23:25.040 --> 0:23:28.320
<v Speaker 1>then let me go to my favorite question, my favorite rule.

0:23:28.720 --> 0:23:32.840
<v Speaker 1>The mind fills in misinformation. I have a pet theory

0:23:32.880 --> 0:23:35.760
<v Speaker 1>that we're walking around with the model of a universe

0:23:35.800 --> 0:23:39.080
<v Speaker 1>in our head that's just wildly wrong, and that we

0:23:40.240 --> 0:23:44.040
<v Speaker 1>it's mostly misinformation. I'm curious what your thoughts are on

0:23:44.480 --> 0:23:48.280
<v Speaker 1>the mind fills in misinformation? Is it just little patches

0:23:48.520 --> 0:23:52.760
<v Speaker 1>behind our vision that's filled in, or is our world view?

0:23:52.920 --> 0:23:56.719
<v Speaker 1>Is our model of the universe completely wrong? Well, I

0:23:56.760 --> 0:23:59.239
<v Speaker 1>don't know that. I would say it's one of the

0:23:59.280 --> 0:24:02.840
<v Speaker 1>other around there's something in between. But sure we're filling

0:24:02.880 --> 0:24:05.960
<v Speaker 1>in all the time. There are some lovely experiments on

0:24:06.160 --> 0:24:10.400
<v Speaker 1>our worldview now where you show a photograph and then

0:24:10.440 --> 0:24:14.040
<v Speaker 1>another photograph where something has changed, like even an engine

0:24:14.160 --> 0:24:18.760
<v Speaker 1>is often a jet plane, and show them in rapid succession,

0:24:18.960 --> 0:24:21.840
<v Speaker 1>and people think they've seen the whole scene, but they

0:24:21.840 --> 0:24:26.080
<v Speaker 1>cannot identify what's changed. And those are that you can

0:24:26.119 --> 0:24:30.280
<v Speaker 1>find them online their wild So you don't know what's changed,

0:24:30.320 --> 0:24:34.040
<v Speaker 1>but you know you've seen a jet plane, people going

0:24:34.119 --> 0:24:37.240
<v Speaker 1>up on it, cargo being loaded the background. You get

0:24:37.280 --> 0:24:40.160
<v Speaker 1>this feeling that you see a rich scene. But it's

0:24:40.200 --> 0:24:43.719
<v Speaker 1>because we're refreshing it all the time, internally refreshing it.

0:24:44.040 --> 0:24:47.920
<v Speaker 1>And I'm sure we're filling in the gaps. So if

0:24:47.960 --> 0:24:50.320
<v Speaker 1>in a series of photos, in one of them the

0:24:50.359 --> 0:24:53.760
<v Speaker 1>engine is missing from the plane but it should be there,

0:24:54.359 --> 0:24:57.399
<v Speaker 1>do we visually fill that in in our own minds?

0:24:57.920 --> 0:25:00.679
<v Speaker 1>I think we just don't even notice that missing. We

0:25:00.800 --> 0:25:05.120
<v Speaker 1>see airplane, we're coding it on that level and adding

0:25:05.240 --> 0:25:08.719
<v Speaker 1>those details. So this is an example from Scott McCloud,

0:25:08.760 --> 0:25:11.800
<v Speaker 1>who wrote a brilliant book on comics, and he says,

0:25:11.960 --> 0:25:14.160
<v Speaker 1>you know someone sitting at a desk. You can't see

0:25:14.200 --> 0:25:16.840
<v Speaker 1>their legs because the desk is covering it up, but

0:25:16.920 --> 0:25:20.560
<v Speaker 1>you know they have legs. So we're filling in in

0:25:20.560 --> 0:25:23.400
<v Speaker 1>that way. We fill in on language, We fill in

0:25:23.520 --> 0:25:28.440
<v Speaker 1>all the time, missing information, we're guessing, and usually it's

0:25:28.520 --> 0:25:32.719
<v Speaker 1>right because we've learned those contingencies in the world. I

0:25:32.720 --> 0:25:37.040
<v Speaker 1>think almost everybody has at some point experienced an argument

0:25:37.080 --> 0:25:41.439
<v Speaker 1>with someone that they're close to and say misinterprets what

0:25:41.560 --> 0:25:46.359
<v Speaker 1>they're saying emotionally, and that can lead to the disastrous

0:25:47.359 --> 0:25:50.720
<v Speaker 1>escalation of an argument. I mean you were angry. No,

0:25:50.880 --> 0:25:54.159
<v Speaker 1>I wasn't angry. I was sad, And we get to

0:25:54.280 --> 0:25:58.080
<v Speaker 1>those sorts of impasses. So the most I have to

0:25:58.080 --> 0:26:01.440
<v Speaker 1>share something with you because I hadn't experience with filling in.

0:26:02.000 --> 0:26:05.840
<v Speaker 1>That was just astonishing and it stayed with me many

0:26:05.880 --> 0:26:10.679
<v Speaker 1>many years ago. I would occasionally ride a motorcycle and

0:26:10.720 --> 0:26:14.600
<v Speaker 1>when the time came to get the motorcycle license, the

0:26:14.640 --> 0:26:18.000
<v Speaker 1>state requires you go through this training program, most of

0:26:18.040 --> 0:26:21.359
<v Speaker 1>which if you're an experienced writer you don't need, but

0:26:21.600 --> 0:26:24.040
<v Speaker 1>they fill it in with a lot of safety things.

0:26:24.640 --> 0:26:28.040
<v Speaker 1>And the one thing that stayed with me probably why

0:26:28.080 --> 0:26:32.520
<v Speaker 1>I don't ride motorcycles anymore, um, is they wanted to

0:26:32.680 --> 0:26:36.680
<v Speaker 1>explain to you how limited your field division is. And

0:26:36.760 --> 0:26:39.639
<v Speaker 1>when you're looking straight ahead, you have about a three

0:26:39.680 --> 0:26:43.400
<v Speaker 1>percent range of vision and everything around you is more

0:26:43.480 --> 0:26:47.080
<v Speaker 1>or less a reasonable guests your brain constructing a model.

0:26:47.440 --> 0:26:49.760
<v Speaker 1>But that means if something enters that field and you

0:26:49.760 --> 0:26:53.320
<v Speaker 1>know you're not aware of it, it's a danger. And

0:26:53.359 --> 0:26:56.360
<v Speaker 1>the way they showed this to you was they put

0:26:56.440 --> 0:27:00.800
<v Speaker 1>us in a room, regular square, rectangular room, and you

0:27:00.920 --> 0:27:05.439
<v Speaker 1>stand on one wall, and then a person um stands

0:27:05.480 --> 0:27:09.720
<v Speaker 1>directly opposite you, about twenty ft away, and then in

0:27:09.800 --> 0:27:13.080
<v Speaker 1>your peripheral vision on your same wall in the corners,

0:27:13.119 --> 0:27:17.280
<v Speaker 1>someone holds a reasonable size playing card and they walk

0:27:17.359 --> 0:27:20.520
<v Speaker 1>along the wall towards the person opposite you, and you

0:27:20.600 --> 0:27:23.800
<v Speaker 1>have to say, you have to guess when you can

0:27:23.880 --> 0:27:27.080
<v Speaker 1>identify the card is either red or black, and then

0:27:27.119 --> 0:27:30.240
<v Speaker 1>when you can identify the actual suit and number of

0:27:30.240 --> 0:27:33.000
<v Speaker 1>the card. And it's not like a regular four inch

0:27:33.160 --> 0:27:37.000
<v Speaker 1>deck of plane cards. They're like ten big magician cards,

0:27:37.040 --> 0:27:39.600
<v Speaker 1>like eight inch day or ten inch, and I was

0:27:39.840 --> 0:27:42.520
<v Speaker 1>I assumed that I would be able to identify it

0:27:43.040 --> 0:27:48.959
<v Speaker 1>pretty rapidly, maybe thirty degrees from forty five degrees, and

0:27:49.160 --> 0:27:53.720
<v Speaker 1>I was shocked to learn that it's almost dead on

0:27:54.440 --> 0:27:58.040
<v Speaker 1>maybe that instead of straight across from you, maybe it's

0:27:58.080 --> 0:28:01.560
<v Speaker 1>a hundred and twenty degrees before you can identify just

0:28:01.640 --> 0:28:04.119
<v Speaker 1>the color. You couldn't even say is this a club

0:28:04.160 --> 0:28:06.720
<v Speaker 1>or spade? You could say it's the card is black,

0:28:07.080 --> 0:28:09.840
<v Speaker 1>and then a little closer before you can identify. And

0:28:09.880 --> 0:28:13.840
<v Speaker 1>they're practically dead opposite you when you're staring straight ahead

0:28:14.240 --> 0:28:17.680
<v Speaker 1>before you could identify the card. It was shocking at

0:28:17.720 --> 0:28:22.200
<v Speaker 1>how little acutey you have outside of straight ahead of you.

0:28:22.200 --> 0:28:26.080
<v Speaker 1>Your peripheral vision is. You can see images, you could

0:28:26.080 --> 0:28:30.280
<v Speaker 1>see rough shapes, but there's no specificity at all. It's

0:28:30.320 --> 0:28:34.520
<v Speaker 1>a beautiful demonstration and we should all have it. Shocking,

0:28:34.640 --> 0:28:40.120
<v Speaker 1>just absolutely shocking. So we discussed cognitive collage earlier, and

0:28:40.120 --> 0:28:45.480
<v Speaker 1>I'm fascinated by that concept. The way we put together

0:28:45.720 --> 0:28:49.040
<v Speaker 1>our models of the world, how much of that is

0:28:49.120 --> 0:28:53.200
<v Speaker 1>based on what we visually perceive in reality, and how

0:28:53.280 --> 0:28:56.360
<v Speaker 1>much of it is based on what we're creating to

0:28:56.440 --> 0:28:59.400
<v Speaker 1>fill in the holes, it's gonna vary. And what I

0:28:59.480 --> 0:29:04.000
<v Speaker 1>liked about the College metaphor is its multi media. If

0:29:04.000 --> 0:29:06.480
<v Speaker 1>you go back and look at Picasso and Bronch, they

0:29:06.560 --> 0:29:11.200
<v Speaker 1>put newspaper clippings in and paintings in and all kinds

0:29:11.240 --> 0:29:15.720
<v Speaker 1>of things in it. And again, people think, or many

0:29:15.840 --> 0:29:20.360
<v Speaker 1>researchers thought, that our views of our environment are more

0:29:20.440 --> 0:29:23.800
<v Speaker 1>or less vertical. And I think our research and the

0:29:23.840 --> 0:29:26.800
<v Speaker 1>research of many other people show it's filled with small

0:29:26.880 --> 0:29:30.680
<v Speaker 1>biases that aren't coherent. You try to put them together,

0:29:31.400 --> 0:29:35.640
<v Speaker 1>different perspectives on the world, different landmarks. So you try

0:29:35.680 --> 0:29:37.920
<v Speaker 1>to put them together, you don't get anything that would

0:29:37.960 --> 0:29:42.560
<v Speaker 1>work on a Euclidean space. And in addition to its multimodels,

0:29:42.560 --> 0:29:45.320
<v Speaker 1>So if I'm wandering around New York or another city,

0:29:45.960 --> 0:29:48.600
<v Speaker 1>there are some things I know from language that I

0:29:48.680 --> 0:29:51.840
<v Speaker 1>need to go four blocks this way. In turn, some

0:29:51.920 --> 0:29:55.880
<v Speaker 1>things I know from recognizing the world, some from my

0:29:56.000 --> 0:30:01.240
<v Speaker 1>recollections of maps that I've seen. So I'm gathering information

0:30:01.760 --> 0:30:05.760
<v Speaker 1>from many different places to decide is the entrance to

0:30:05.840 --> 0:30:08.560
<v Speaker 1>the Bloomer building going to be on Lexington or going

0:30:08.640 --> 0:30:13.040
<v Speaker 1>to be on fifty nine, and how do I find it?

0:30:13.240 --> 0:30:17.320
<v Speaker 1>And so I'm making those decisions. That way balancing that

0:30:17.520 --> 0:30:23.000
<v Speaker 1>information gathering from many sources. It's not a coherent system,

0:30:23.040 --> 0:30:26.160
<v Speaker 1>and I do think that's a model for all kinds

0:30:26.160 --> 0:30:29.920
<v Speaker 1>of judgment. And the context is going to determine what

0:30:30.160 --> 0:30:34.719
<v Speaker 1>information is salient and what information isn't what I'm bringing

0:30:34.800 --> 0:30:38.040
<v Speaker 1>up now, what I'm bringing up in other cases. So

0:30:38.120 --> 0:30:43.120
<v Speaker 1>I do feel that this cognitive collage idea is really

0:30:43.200 --> 0:30:47.160
<v Speaker 1>a model for the way we make judgments in many situations.

0:30:47.280 --> 0:30:50.160
<v Speaker 1>If you think about what's in the brain, there aren't

0:30:50.280 --> 0:30:53.680
<v Speaker 1>calculations in the brain, there aren't maps in the brain,

0:30:53.760 --> 0:30:57.560
<v Speaker 1>there aren't photographs of people, and it's all neurons. And

0:30:57.760 --> 0:31:03.560
<v Speaker 1>we use these terms like language and spatial representations and

0:31:04.040 --> 0:31:07.920
<v Speaker 1>images of faces and so forth as a way of talking.

0:31:08.080 --> 0:31:11.000
<v Speaker 1>And in fact, there are places in the brain that

0:31:11.080 --> 0:31:16.960
<v Speaker 1>are dedicated to recognizing faces or scenes and even rudimentary

0:31:17.040 --> 0:31:20.680
<v Speaker 1>concepts of number. There are places that are activated. But

0:31:20.840 --> 0:31:25.560
<v Speaker 1>in the end it's norns and these are ways of talking.

0:31:25.880 --> 0:31:29.520
<v Speaker 1>And again, the idea that we gather information from all

0:31:29.520 --> 0:31:33.600
<v Speaker 1>over the cortex to make a judgment whatever seems relevant

0:31:34.080 --> 0:31:37.600
<v Speaker 1>seems to me a model not just for space, but

0:31:37.720 --> 0:31:43.080
<v Speaker 1>for all judgment. So you reference the comparison of people

0:31:43.800 --> 0:31:48.000
<v Speaker 1>using either verbal or visual thinking. But maybe this is

0:31:48.040 --> 0:31:51.240
<v Speaker 1>the American schooling system. I tend to think about the

0:31:51.280 --> 0:31:54.840
<v Speaker 1>way different people approach the world and either verbal or

0:31:55.000 --> 0:31:58.000
<v Speaker 1>mathematical thinking, or at least maybe that's what we do

0:31:58.080 --> 0:32:01.320
<v Speaker 1>with kids coming out of school. He's a numbers person

0:32:01.520 --> 0:32:04.400
<v Speaker 1>or she's a language person. How did you come up

0:32:04.440 --> 0:32:07.800
<v Speaker 1>with the economy between verbal and visual and are there

0:32:07.840 --> 0:32:12.920
<v Speaker 1>any parallels for academia where there's a tendency for the

0:32:13.000 --> 0:32:15.959
<v Speaker 1>math and science people to go this way and the

0:32:16.120 --> 0:32:19.800
<v Speaker 1>literature and language people to go that way? Right? So

0:32:19.880 --> 0:32:24.040
<v Speaker 1>people think of themselves as visual thinkers or as verbal

0:32:24.080 --> 0:32:29.080
<v Speaker 1>thinkers or computational thinkers, or I think can aesthetically and

0:32:29.440 --> 0:32:35.360
<v Speaker 1>meaning in terms of right dancers or right might be think.

0:32:35.880 --> 0:32:39.600
<v Speaker 1>So those are again ways of talking. They don't have

0:32:39.680 --> 0:32:44.880
<v Speaker 1>a lot of evidence behind them. Even spatial thinking turns

0:32:44.880 --> 0:32:47.680
<v Speaker 1>out or visual it turns out to be quite complicated.

0:32:47.760 --> 0:32:51.600
<v Speaker 1>It's many different features verbal too. We know people that

0:32:51.680 --> 0:32:55.240
<v Speaker 1>are can produce words but can think straight, and vice

0:32:55.400 --> 0:32:58.320
<v Speaker 1>versa who are hard to come up with words but

0:32:58.440 --> 0:33:02.880
<v Speaker 1>think very logically. So verbal abilities are quite different and

0:33:03.160 --> 0:33:07.680
<v Speaker 1>spatial abilities are quite different. The bad news is you

0:33:07.680 --> 0:33:11.000
<v Speaker 1>can be good at both and bad at votes. It's

0:33:11.040 --> 0:33:15.880
<v Speaker 1>not that one compensates for another to some extent, they

0:33:15.920 --> 0:33:21.360
<v Speaker 1>clearly compensate. So I recently had the wonderful opportunity of

0:33:21.680 --> 0:33:24.720
<v Speaker 1>because of a talk I needed to give, of delving

0:33:24.760 --> 0:33:28.200
<v Speaker 1>into Leonardo, who's by all accounts, one of the most

0:33:28.280 --> 0:33:33.320
<v Speaker 1>brilliant thinkers of all times. He thought visually spacially, and

0:33:33.400 --> 0:33:37.880
<v Speaker 1>he thought through sketching, and he used sketches as a

0:33:37.880 --> 0:33:43.080
<v Speaker 1>way of understanding dynamic processes that not just static ones,

0:33:43.120 --> 0:33:46.880
<v Speaker 1>because sketches are static. And in fact, he used the

0:33:46.960 --> 0:33:50.600
<v Speaker 1>way he drew as a way of understanding the way

0:33:50.680 --> 0:33:54.959
<v Speaker 1>vortices are happening water, so the way he drew them,

0:33:55.000 --> 0:33:59.160
<v Speaker 1>and he used many different perspectives. So he was very

0:33:59.240 --> 0:34:02.040
<v Speaker 1>much a kind of visual thinker. But he was able

0:34:02.080 --> 0:34:07.320
<v Speaker 1>to get to enormous abstractions through the visual spatial thinking,

0:34:07.680 --> 0:34:12.000
<v Speaker 1>and there wasn't much maths then. Quite interesting. One of

0:34:12.000 --> 0:34:14.759
<v Speaker 1>the things you talked about in the book is our

0:34:14.880 --> 0:34:21.520
<v Speaker 1>hands expressing our thinking. New Yorker's notorious with their hands, big,

0:34:21.800 --> 0:34:25.680
<v Speaker 1>big hand. But what is the significance of gestures to cognition?

0:34:26.160 --> 0:34:30.600
<v Speaker 1>How important is it you could typically understand what someone

0:34:30.640 --> 0:34:32.920
<v Speaker 1>is saying on the radio regardless of what their hands

0:34:32.920 --> 0:34:38.040
<v Speaker 1>are doing. That said, it's helpful to try and express

0:34:38.120 --> 0:34:42.479
<v Speaker 1>certain ideas with your hands as as you speak. Why

0:34:42.560 --> 0:34:45.319
<v Speaker 1>why is that? Yeah, I know it's lovely and I

0:34:45.360 --> 0:34:48.759
<v Speaker 1>think what you're saying that we can get information just

0:34:49.000 --> 0:34:51.759
<v Speaker 1>through hearing, we can get it just through readings. So

0:34:51.920 --> 0:34:58.720
<v Speaker 1>human beings are enormously um adept at learning from different

0:34:58.760 --> 0:35:02.440
<v Speaker 1>media and where I don't get filled in, but you

0:35:02.480 --> 0:35:06.360
<v Speaker 1>couldn't if it face to face. Conversation does involve gesture,

0:35:07.239 --> 0:35:10.160
<v Speaker 1>and we did a number of experiments showing that the

0:35:10.239 --> 0:35:14.000
<v Speaker 1>way people gesture when they're explaining something changes the thought

0:35:14.080 --> 0:35:17.400
<v Speaker 1>of other people. Really yeah, so so depending on what

0:35:17.440 --> 0:35:20.040
<v Speaker 1>you're doing with your hands, you're very much. It's not

0:35:20.120 --> 0:35:23.440
<v Speaker 1>necessarily for the speaker, it's for the listener both so

0:35:23.520 --> 0:35:27.640
<v Speaker 1>for the speaker. So think of cyclical thinking, going from

0:35:27.640 --> 0:35:30.719
<v Speaker 1>a seed to a flower back to a seed. If

0:35:30.760 --> 0:35:34.000
<v Speaker 1>we ask people just to represent that, they tend to

0:35:34.080 --> 0:35:38.520
<v Speaker 1>represent lines, not cycles. But if we gesture in a circle,

0:35:38.960 --> 0:35:43.200
<v Speaker 1>they'll put down circles when we asked them to put

0:35:43.239 --> 0:35:46.359
<v Speaker 1>something on paper. We have some other examples of that,

0:35:46.400 --> 0:35:50.759
<v Speaker 1>but I think the most striking wounds are gestures for yourself.

0:35:51.560 --> 0:35:54.400
<v Speaker 1>So we put people in a room there alone, not

0:35:54.560 --> 0:35:59.200
<v Speaker 1>talking to anybody. They're reading a complicated description of space

0:35:59.760 --> 0:36:04.640
<v Speaker 1>low catering, say eight landmarks in a larger space. It's

0:36:04.719 --> 0:36:07.640
<v Speaker 1>new to them and they're going to be tested, so

0:36:07.719 --> 0:36:10.840
<v Speaker 1>they have to learn it. And if you watch them studying,

0:36:10.880 --> 0:36:14.000
<v Speaker 1>they're looking at the screen and their hands are making

0:36:14.040 --> 0:36:18.720
<v Speaker 1>a map. They're drawing lines for the paths and points

0:36:18.719 --> 0:36:23.799
<v Speaker 1>with emphasis on the table for landmarks. And when they

0:36:23.880 --> 0:36:28.680
<v Speaker 1>do that, they're more likely to be correct on the exam.

0:36:28.719 --> 0:36:30.880
<v Speaker 1>And if we tell them to sit on their hands

0:36:30.960 --> 0:36:35.120
<v Speaker 1>when they're reading, they do worse. Really, so the process

0:36:35.160 --> 0:36:38.359
<v Speaker 1>of emoting or or maybe that's the wrong word, of

0:36:38.360 --> 0:36:42.320
<v Speaker 1>of cognitively expressing what they're learning through their hands helps

0:36:42.360 --> 0:36:44.239
<v Speaker 1>them learn and helps them retain that. So, if you

0:36:44.320 --> 0:36:48.480
<v Speaker 1>think about the language is arbitrary and it's very hard

0:36:48.560 --> 0:36:51.839
<v Speaker 1>to understand a spatial description, what I can do with

0:36:51.880 --> 0:36:55.680
<v Speaker 1>my hands is modeled the environment. And that's what I do.

0:36:55.800 --> 0:36:58.760
<v Speaker 1>I turn the words into a model with my hands

0:36:59.200 --> 0:37:04.040
<v Speaker 1>that my hands are representing the information in the description.

0:37:04.360 --> 0:37:08.040
<v Speaker 1>And when you say words are arbitrary, you specifically make

0:37:08.080 --> 0:37:14.160
<v Speaker 1>a point in the book that most words are completely arbitrary,

0:37:14.280 --> 0:37:17.920
<v Speaker 1>with a handful of an amount of poetic exceptions. And

0:37:18.680 --> 0:37:22.520
<v Speaker 1>that's true from you know, a cup, there's a different

0:37:22.560 --> 0:37:24.760
<v Speaker 1>word for it in every language, and none of which

0:37:24.800 --> 0:37:27.480
<v Speaker 1>sound like the word cup or or what what this

0:37:27.600 --> 0:37:31.680
<v Speaker 1>physical object? If it makes a sound, what it would be? Right?

0:37:31.960 --> 0:37:35.160
<v Speaker 1>And so we find with environments. We also find it.

0:37:35.239 --> 0:37:38.440
<v Speaker 1>Teaching people how a car break works, they model it

0:37:38.520 --> 0:37:43.240
<v Speaker 1>with their hands. So what's again an extra interesting about

0:37:43.239 --> 0:37:48.520
<v Speaker 1>that is the hands are representing the information. Language also

0:37:48.680 --> 0:37:53.799
<v Speaker 1>represents the information, and a sketch will represent the information.

0:37:53.840 --> 0:37:57.319
<v Speaker 1>So with many different ways of representation, So one is abstract,

0:37:57.440 --> 0:38:01.040
<v Speaker 1>one is physical, and one is a hatch to us

0:38:01.080 --> 0:38:03.719
<v Speaker 1>actually part of our body. Right. And what I try

0:38:03.760 --> 0:38:07.520
<v Speaker 1>to argue is that this kind of spatial thinking is

0:38:07.600 --> 0:38:12.320
<v Speaker 1>more direct. I'm I'm expressing it through a diagram or

0:38:12.360 --> 0:38:16.359
<v Speaker 1>expressing it through my hands. It's a direct representation of

0:38:16.400 --> 0:38:19.720
<v Speaker 1>the knowledge. So even if I'm explaining, if I'm talking

0:38:19.760 --> 0:38:22.960
<v Speaker 1>to about a situation where people are arguing or whatever,

0:38:23.360 --> 0:38:26.040
<v Speaker 1>I use on the one hand, on the other I've

0:38:26.080 --> 0:38:29.880
<v Speaker 1>created a diagram. I've put all the things that go

0:38:30.080 --> 0:38:33.920
<v Speaker 1>with on this hand on one space, and the things

0:38:33.960 --> 0:38:37.399
<v Speaker 1>that go with it on another in another space. If

0:38:37.440 --> 0:38:42.120
<v Speaker 1>I talk about people rising in a corporate world, I'm

0:38:42.120 --> 0:38:44.600
<v Speaker 1>going to use my hand to go up. So I'm

0:38:44.640 --> 0:38:49.279
<v Speaker 1>illustrating all those ways of thinking with my hands, and

0:38:49.760 --> 0:38:54.640
<v Speaker 1>it helps you understand and it helps me express. Quite interesting.

0:38:54.960 --> 0:38:58.640
<v Speaker 1>Let's talk a little bit about the project that Michael

0:38:58.719 --> 0:39:03.279
<v Speaker 1>Lewis did. Theo he wrote called the Undoing Project, and

0:39:03.360 --> 0:39:07.840
<v Speaker 1>he very specifically said, without you, there would be no

0:39:08.000 --> 0:39:12.520
<v Speaker 1>book Undoing Projects. First question, and the book is about

0:39:12.600 --> 0:39:16.920
<v Speaker 1>Danny Kaneman and his partner Amos Tversky, who was your husband.

0:39:17.239 --> 0:39:19.319
<v Speaker 1>They worked for many years together in Israel and then

0:39:19.360 --> 0:39:22.240
<v Speaker 1>came here to the United States. I get the sense

0:39:22.280 --> 0:39:25.120
<v Speaker 1>from the book that in the beginning you were a

0:39:25.120 --> 0:39:30.080
<v Speaker 1>little reluctant to participate. Is that a misinterpretation or were

0:39:30.120 --> 0:39:33.120
<v Speaker 1>you ready to jump in with both feet right from

0:39:33.120 --> 0:39:38.960
<v Speaker 1>the beginning. No, I wasn't reluctant. Danny Kaneman and Michael

0:39:39.000 --> 0:39:41.799
<v Speaker 1>had struck up a friendship. They lived pretty close to

0:39:41.800 --> 0:39:45.200
<v Speaker 1>each other in at the time. Danny no longer has

0:39:45.239 --> 0:39:48.680
<v Speaker 1>a home there. And the way Michael tells the story

0:39:48.760 --> 0:39:51.640
<v Speaker 1>of how they met, Michael did go to business school,

0:39:51.719 --> 0:39:56.800
<v Speaker 1>but he went too early to have learned Koneman and Firsty,

0:39:57.400 --> 0:39:59.879
<v Speaker 1>and he came to it quite late, and they came

0:40:00.000 --> 0:40:04.520
<v Speaker 1>would indirectly. He'd written money Ball, an amazing book, and

0:40:04.640 --> 0:40:08.160
<v Speaker 1>Dick Taylor and I think as Sunstein wrote a review

0:40:08.200 --> 0:40:11.120
<v Speaker 1>in the Republic and they said the book is great

0:40:11.160 --> 0:40:14.240
<v Speaker 1>and all that, but Michael needs to know about Kanamen

0:40:14.280 --> 0:40:20.760
<v Speaker 1>and first Key to understand why coaches scouts were missled

0:40:20.760 --> 0:40:25.279
<v Speaker 1>and Billy Dean. So Michael at that time and now

0:40:25.480 --> 0:40:28.120
<v Speaker 1>is living in Berkeley. One of his closest friends is

0:40:28.680 --> 0:40:33.360
<v Speaker 1>Dr Keltner, who was a graduate student in social psychology

0:40:33.360 --> 0:40:37.640
<v Speaker 1>at Stanford and tight actually for my husband. As Michael

0:40:37.640 --> 0:40:41.920
<v Speaker 1>tells the story over beer, Michael asked Dr about this

0:40:42.000 --> 0:40:45.759
<v Speaker 1>work and doctor says, sure, Danny lives up the hill,

0:40:45.920 --> 0:40:50.719
<v Speaker 1>I'll introduce you. So Danny was willing, in his generous

0:40:50.800 --> 0:40:54.440
<v Speaker 1>way to talk about the work explain it to Michael,

0:40:54.480 --> 0:40:57.440
<v Speaker 1>because Michael realized he needed to know about it if

0:40:57.480 --> 0:41:00.360
<v Speaker 1>he were interested in statistics, he need it to know

0:41:00.480 --> 0:41:04.160
<v Speaker 1>about how people misuse them. So I think Danny said,

0:41:04.160 --> 0:41:07.520
<v Speaker 1>if you walk with me, we'll talk. Because Danny walked,

0:41:07.840 --> 0:41:11.440
<v Speaker 1>and they gradually I think struck up a friendship. And

0:41:11.600 --> 0:41:14.440
<v Speaker 1>I think Michael tells it that he got the idea

0:41:14.440 --> 0:41:18.920
<v Speaker 1>of writing a book about their friendship, about Danny and

0:41:19.120 --> 0:41:23.320
<v Speaker 1>amesis friendship. And Danny came to me and he said,

0:41:23.760 --> 0:41:26.800
<v Speaker 1>Michael wants to write a book and if he doesn't

0:41:26.840 --> 0:41:30.719
<v Speaker 1>do it, somebody else will. And Michael likes us, and

0:41:31.239 --> 0:41:34.040
<v Speaker 1>he named another person who was waiting in line and

0:41:34.080 --> 0:41:38.880
<v Speaker 1>said that person doesn't like us. So I said, Danny, whatever,

0:41:38.920 --> 0:41:43.359
<v Speaker 1>I trust you completely. Whatever you think, I'll go along with.

0:41:43.719 --> 0:41:46.759
<v Speaker 1>So the side part on that story is, I think

0:41:46.800 --> 0:41:49.799
<v Speaker 1>for a year or two Michael taught a course in

0:41:50.120 --> 0:41:55.240
<v Speaker 1>finance journalism at the Berkeley School of Journalism. One point

0:41:55.239 --> 0:41:58.560
<v Speaker 1>he opened it up to be school students. Our oldest son,

0:41:58.840 --> 0:42:02.560
<v Speaker 1>Oran was a student has at that point and took

0:42:02.600 --> 0:42:06.200
<v Speaker 1>Michael's course and they hit it off, and he obviously

0:42:06.239 --> 0:42:09.080
<v Speaker 1>figured out who Oran was. He didn't figure it out

0:42:09.200 --> 0:42:12.319
<v Speaker 1>at all. Really, he didn't figure it out at all.

0:42:12.600 --> 0:42:17.680
<v Speaker 1>And I don't know exactly he never put that together,

0:42:17.680 --> 0:42:20.759
<v Speaker 1>didn't put it together. And I don't remember if that

0:42:20.880 --> 0:42:24.000
<v Speaker 1>was before or after money well, but he didn't put

0:42:24.040 --> 0:42:28.080
<v Speaker 1>it together. And the upshot was that it was Oran

0:42:28.160 --> 0:42:32.200
<v Speaker 1>who introduced me to Michael, which is sweet over email,

0:42:32.840 --> 0:42:36.360
<v Speaker 1>which I mean, I think Michael asked Oran Michael. He

0:42:36.560 --> 0:42:39.440
<v Speaker 1>ended up talking a great deal with my three children

0:42:40.000 --> 0:42:42.719
<v Speaker 1>and ended up being quite fond of them, which of

0:42:42.760 --> 0:42:45.840
<v Speaker 1>course warms the mother's heart. So how did you and

0:42:46.560 --> 0:42:49.680
<v Speaker 1>Michael collaborate when he was doing the research part of

0:42:49.680 --> 0:42:52.839
<v Speaker 1>the book. I don't know if his collaboration. Michael sat

0:42:53.080 --> 0:42:58.640
<v Speaker 1>in my office at Stanford going through Emmessis papers. He

0:42:58.680 --> 0:43:03.719
<v Speaker 1>really does his search beautifully, complete concentration, and he would

0:43:03.760 --> 0:43:07.000
<v Speaker 1>ask me questions and I would answer them. If something

0:43:07.120 --> 0:43:10.319
<v Speaker 1>was in Hebrew, I'd try to translate it for him.

0:43:10.440 --> 0:43:14.319
<v Speaker 1>He asked me questions by email, and I answered them

0:43:14.360 --> 0:43:17.200
<v Speaker 1>at great length, and that was I think an easy

0:43:17.280 --> 0:43:20.200
<v Speaker 1>way for us to communicate. At one point, you know,

0:43:20.280 --> 0:43:23.160
<v Speaker 1>I came to Israel young bride, within the middle of

0:43:23.160 --> 0:43:26.440
<v Speaker 1>graduate school with no Hebrew whatsoever. Where did you go

0:43:26.480 --> 0:43:29.400
<v Speaker 1>to Israel from from the US? From the US from graduates?

0:43:30.360 --> 0:43:36.719
<v Speaker 1>That it was the October sixt six day war, right,

0:43:36.920 --> 0:43:40.040
<v Speaker 1>and AMOS was drafted on the twenty two of May,

0:43:40.120 --> 0:43:44.839
<v Speaker 1>and the war broke out ten days later. And and

0:43:44.880 --> 0:43:48.040
<v Speaker 1>by then I'd learned enough Hebrew that I could understand

0:43:48.120 --> 0:43:51.880
<v Speaker 1>what the chief of staff at Corobbins said on the

0:43:52.080 --> 0:43:55.600
<v Speaker 1>ten o'clock news. So that's a longer story. I can

0:43:55.640 --> 0:43:59.440
<v Speaker 1>tell it. And in fact, Michael asked about that, and

0:43:59.480 --> 0:44:03.560
<v Speaker 1>I told them, in great detail, turn on your novelist eyes,

0:44:03.760 --> 0:44:06.880
<v Speaker 1>what's it like to be an American coming to Israel?

0:44:07.440 --> 0:44:10.120
<v Speaker 1>So I wrote in the sixties. Yeah, I wrote him

0:44:10.120 --> 0:44:13.799
<v Speaker 1>at great length, what's that was like? And later I

0:44:14.000 --> 0:44:17.840
<v Speaker 1>found letters I think my brother sent them. I'm found

0:44:17.920 --> 0:44:21.440
<v Speaker 1>letters that I've written my parents. Everything that I remember

0:44:21.640 --> 0:44:26.399
<v Speaker 1>was correct, which is astounding. You write about memory, which

0:44:26.440 --> 0:44:28.880
<v Speaker 1>we know is not only fallible, but every time we

0:44:28.880 --> 0:44:32.640
<v Speaker 1>recall an event, we're reconstructing the event on Memories are

0:44:33.440 --> 0:44:37.399
<v Speaker 1>essentially replaced by a series of bad carbon copies. So

0:44:37.480 --> 0:44:40.080
<v Speaker 1>it's nice that when you when something is that vivid

0:44:40.120 --> 0:44:43.560
<v Speaker 1>and you remember it accurately. Maybe it's because it was

0:44:43.640 --> 0:44:47.680
<v Speaker 1>so vivid it couldn't or that I retold it. I mean,

0:44:47.719 --> 0:44:51.920
<v Speaker 1>memories start getting distorted them and you use language because

0:44:51.960 --> 0:44:54.480
<v Speaker 1>they don't happen in language. I mean, they might happen

0:44:54.520 --> 0:44:58.000
<v Speaker 1>in part, but they get distorted from the get go,

0:44:58.320 --> 0:45:02.240
<v Speaker 1>from your perception and so forth. I think I helped

0:45:02.280 --> 0:45:05.799
<v Speaker 1>my colin that way answering his emails. I gave him

0:45:05.800 --> 0:45:08.799
<v Speaker 1>a long list of people he might want to speak with,

0:45:08.840 --> 0:45:12.879
<v Speaker 1>both in the US and people who knew Amos well,

0:45:12.960 --> 0:45:15.920
<v Speaker 1>and people like can Arrow. He was a close friend

0:45:16.320 --> 0:45:19.800
<v Speaker 1>and stayed a close friend of mine for many years

0:45:19.840 --> 0:45:24.200
<v Speaker 1>after Amos died. Kenneth stayed a close friend. So when

0:45:24.280 --> 0:45:27.799
<v Speaker 1>Kenneth was one of the early Nobel Prize winners in economics,

0:45:27.800 --> 0:45:31.280
<v Speaker 1>and he quickly bought into the work, it was clear

0:45:31.320 --> 0:45:33.920
<v Speaker 1>to him that the work was right from the get go,

0:45:34.120 --> 0:45:38.160
<v Speaker 1>in contrast to many other economists. So I sent him

0:45:38.200 --> 0:45:40.759
<v Speaker 1>to a whole set of people that I thought he

0:45:40.880 --> 0:45:44.320
<v Speaker 1>might give him a picture of Amos because he knew

0:45:44.440 --> 0:45:48.279
<v Speaker 1>Danny well, but he didn't know Amos. I sent him

0:45:48.320 --> 0:45:51.719
<v Speaker 1>to many people at friends of ours and Israel. He

0:45:51.840 --> 0:45:55.560
<v Speaker 1>went to Israel three four times and met all of them,

0:45:55.640 --> 0:45:59.600
<v Speaker 1>I mean Michael's research, where he met my sister in law,

0:45:59.800 --> 0:46:04.759
<v Speaker 1>my niece and talked with them. He was extraordinary in

0:46:04.800 --> 0:46:10.319
<v Speaker 1>the amazing and he got Amos in many ways. I mean,

0:46:10.320 --> 0:46:13.319
<v Speaker 1>there are errors in the book, but some people were

0:46:13.360 --> 0:46:16.560
<v Speaker 1>disturbed by the portrait of Amos is only being interested

0:46:16.600 --> 0:46:20.600
<v Speaker 1>in his work, because he really was helpful on every way,

0:46:20.760 --> 0:46:24.520
<v Speaker 1>both personally to people and in the departments in which

0:46:24.600 --> 0:46:28.759
<v Speaker 1>he participated in the university. He was a super good citizen,

0:46:29.000 --> 0:46:32.160
<v Speaker 1>so that he was single minded about his work isn't

0:46:32.239 --> 0:46:35.359
<v Speaker 1>quite right. That's hard to depict when you're going back

0:46:35.400 --> 0:46:37.920
<v Speaker 1>twenty five years later. I would imagine when you didn't

0:46:37.920 --> 0:46:39.920
<v Speaker 1>know the guy, and you know, all of us are

0:46:39.960 --> 0:46:45.200
<v Speaker 1>complicated and we're different, with different people in different situations,

0:46:45.480 --> 0:46:49.440
<v Speaker 1>and he probably caricatured Danny, and then you're capturing them

0:46:49.440 --> 0:46:53.000
<v Speaker 1>at a particular point of time and we're always changing.

0:46:53.320 --> 0:46:57.000
<v Speaker 1>I mean, the book's a great story and what impressed

0:46:57.000 --> 0:47:01.239
<v Speaker 1>me to him? And Michael learned the work and he

0:47:01.600 --> 0:47:04.640
<v Speaker 1>kept telling me, I feel like it'd be student studying

0:47:04.680 --> 0:47:08.480
<v Speaker 1>a plus work, but he really learned it. And I

0:47:08.640 --> 0:47:12.080
<v Speaker 1>think his portrayal of both of the history that Mail

0:47:12.360 --> 0:47:15.479
<v Speaker 1>and Lou Goldberg and other people have done similar work

0:47:15.520 --> 0:47:19.759
<v Speaker 1>before their work Robin Dawes people who were influences on

0:47:19.920 --> 0:47:23.960
<v Speaker 1>them or in the same ecology, and getting the work right.

0:47:24.040 --> 0:47:27.279
<v Speaker 1>I thought he did a masterful job of explaining the

0:47:27.320 --> 0:47:30.160
<v Speaker 1>work to lay people, so he might have gotten some

0:47:30.200 --> 0:47:34.840
<v Speaker 1>of the nuances about Amos wrong. Did he find anything

0:47:34.920 --> 0:47:39.399
<v Speaker 1>from speaking to friends, colleagues, relatives that surprised you. Did

0:47:39.440 --> 0:47:41.560
<v Speaker 1>anything show up in the book that you said, huh?

0:47:41.880 --> 0:47:43.879
<v Speaker 1>I don't really know about that. No, I don't think.

0:47:43.920 --> 0:47:47.080
<v Speaker 1>So it's not that Amos didn't have secrets, although a

0:47:47.080 --> 0:47:49.719
<v Speaker 1>few from me, But no, I don't. I don't think

0:47:49.719 --> 0:47:53.399
<v Speaker 1>there was anything there that I didn't know. So you

0:47:53.440 --> 0:47:56.000
<v Speaker 1>wrote or said, I don't remember where I pulled this

0:47:56.080 --> 0:48:00.439
<v Speaker 1>quote from about Danny and Amos. Their relationship was more

0:48:00.600 --> 0:48:04.279
<v Speaker 1>intense than a marriage, so that had to be a

0:48:04.440 --> 0:48:07.400
<v Speaker 1>difficult thing to balance with your own marriage. What was

0:48:07.480 --> 0:48:09.759
<v Speaker 1>that like living through that? I'm not sure if I

0:48:09.760 --> 0:48:12.560
<v Speaker 1>said more intense than a marriage, but it was certainly

0:48:12.600 --> 0:48:16.520
<v Speaker 1>intense like a marriage. They really loved each other, and

0:48:16.600 --> 0:48:20.200
<v Speaker 1>they formed a close friendship, and the way they worked

0:48:20.200 --> 0:48:24.279
<v Speaker 1>together was gleeful and joyful until it wasn't. When you

0:48:24.320 --> 0:48:28.239
<v Speaker 1>say gleeful and joyful. There are stories parts of the

0:48:28.320 --> 0:48:31.279
<v Speaker 1>Undoing Project where the two of them are locked in

0:48:31.320 --> 0:48:35.360
<v Speaker 1>a classroom by themselves and all people in the hallway

0:48:35.400 --> 0:48:39.520
<v Speaker 1>here is just peals of laughter for hours. They're back

0:48:39.560 --> 0:48:42.520
<v Speaker 1>and forth debating stuff and just laughing their butts off.

0:48:43.160 --> 0:48:45.400
<v Speaker 1>Was it work or was it fun? I had the

0:48:45.480 --> 0:48:50.319
<v Speaker 1>advantage of understanding Hebrew and English, and the conversations would

0:48:50.320 --> 0:48:54.240
<v Speaker 1>go back and forth and be mixed between English and Hebrew. Yeah,

0:48:54.320 --> 0:48:57.680
<v Speaker 1>and you know, they'd come out for tea or a

0:48:57.680 --> 0:49:00.440
<v Speaker 1>lot of the conversations were in my house. They'd come

0:49:00.440 --> 0:49:02.960
<v Speaker 1>out for tea, or they'd come out to tell me

0:49:03.120 --> 0:49:06.880
<v Speaker 1>something that they were dying to tell me. And when

0:49:06.960 --> 0:49:09.400
<v Speaker 1>Danny would leave and Amos would be with me, I

0:49:09.440 --> 0:49:13.240
<v Speaker 1>would hear a recap of the discussion and the conversations

0:49:13.280 --> 0:49:18.080
<v Speaker 1>and the stories the questions they were asking students. So

0:49:18.239 --> 0:49:20.600
<v Speaker 1>I had a front row seat to everything that was

0:49:20.640 --> 0:49:23.239
<v Speaker 1>going on. It didn't interfere with mine. So this wasn't

0:49:23.239 --> 0:49:26.280
<v Speaker 1>an imposition. This was just your husband and a professional

0:49:26.320 --> 0:49:29.760
<v Speaker 1>relationship that worked for him and worked for everybody involved,

0:49:29.800 --> 0:49:33.040
<v Speaker 1>and gave me a great deal of intellectual pleasure, of

0:49:33.120 --> 0:49:36.799
<v Speaker 1>personal pleasure. Danny would often visit us, stay in our

0:49:36.800 --> 0:49:39.799
<v Speaker 1>house when we were at Stanford, he was at Vancouver.

0:49:40.360 --> 0:49:43.280
<v Speaker 1>Amus tended to work late at night and come wake

0:49:43.600 --> 0:49:46.120
<v Speaker 1>late in the morning, so I'd have breakfast with Danny.

0:49:46.440 --> 0:49:50.560
<v Speaker 1>Danny's great company, and that was a pleasure. So he's

0:49:50.560 --> 0:49:52.960
<v Speaker 1>in New York. Now you're in New York half the year.

0:49:53.120 --> 0:49:56.359
<v Speaker 1>You guys still see each other? Sure? Sure? I mean,

0:49:56.400 --> 0:49:58.600
<v Speaker 1>I'd like to say we we lived down the street

0:49:58.600 --> 0:50:01.680
<v Speaker 1>from each other, because We both from the corner of Broadway,

0:50:01.920 --> 0:50:06.760
<v Speaker 1>but hundred blocks apart. No, he's been a really loyal

0:50:06.880 --> 0:50:10.239
<v Speaker 1>friend and I appreciate that. Can you stick around a

0:50:10.239 --> 0:50:11.960
<v Speaker 1>little bit. I have a bunch more questions for you.

0:50:13.239 --> 0:50:16.800
<v Speaker 1>We have been speaking with Barbara Tversky, professor at Stanford

0:50:16.800 --> 0:50:20.960
<v Speaker 1>in Colombia and author of Mind in Motion, How Action

0:50:21.080 --> 0:50:24.080
<v Speaker 1>Shapes Thoughts. If you enjoy this conversation, be sure and

0:50:24.200 --> 0:50:26.840
<v Speaker 1>check out the podcast extras. Will we keep the tape

0:50:26.920 --> 0:50:31.440
<v Speaker 1>rolling and continue discussing all things cognitive and psychology related.

0:50:31.840 --> 0:50:37.000
<v Speaker 1>You can find that at Apple iTunes, Google Podcast, Stitcher, Spotify, Overcast,

0:50:37.320 --> 0:50:40.960
<v Speaker 1>wherever your finer podcasts are found. Be sure to check

0:50:41.000 --> 0:50:44.360
<v Speaker 1>out my weekly column on Bloomberg dot com. Follow me

0:50:44.400 --> 0:50:47.760
<v Speaker 1>on Twitter at rid Halts. Sign up for my daily

0:50:47.840 --> 0:50:51.799
<v Speaker 1>reads at rid Halts dot com. I'm Barry Ridholts. You're

0:50:51.840 --> 0:51:00.600
<v Speaker 1>listening to Masters in Business on Bloomberg Radio. Welcome to

0:51:00.600 --> 0:51:03.040
<v Speaker 1>the podcast, Barbara, Thank you so much for doing this.

0:51:03.120 --> 0:51:06.319
<v Speaker 1>You you and I can speak off Mike for as

0:51:06.400 --> 0:51:09.440
<v Speaker 1>long as we're talking on Mike, because these are really

0:51:09.520 --> 0:51:15.680
<v Speaker 1>really fascinating subjects. And I didn't realize the person who

0:51:15.719 --> 0:51:19.840
<v Speaker 1>sent me down the behavioral finance Rob rabbit Hole. Um

0:51:19.880 --> 0:51:24.840
<v Speaker 1>Thomas Gilovich was a student of Amoses and Lee Ross

0:51:24.880 --> 0:51:27.960
<v Speaker 1>back in the day. Now, tell us a little bit

0:51:27.960 --> 0:51:31.759
<v Speaker 1>about Lee Ross. What was his relationship with Amos? How

0:51:31.760 --> 0:51:35.960
<v Speaker 1>did how did he um have anything to do with Stanford?

0:51:36.080 --> 0:51:39.319
<v Speaker 1>And and you and Amos? So Lee Ross, who said

0:51:39.480 --> 0:51:43.440
<v Speaker 1>a dear friend. Um. It was at Stanford working with

0:51:43.560 --> 0:51:48.399
<v Speaker 1>Nick nasb and they were working on essentially biases, their

0:51:48.520 --> 0:51:52.160
<v Speaker 1>social psychologists, and they were working on biases in the

0:51:52.239 --> 0:51:57.200
<v Speaker 1>way that we interpret other people's behavior and our own behavior.

0:51:58.239 --> 0:52:04.600
<v Speaker 1>In those years, cognition was really active in social psychology

0:52:04.640 --> 0:52:07.960
<v Speaker 1>and thinking about an individual. So one of the things

0:52:08.040 --> 0:52:12.000
<v Speaker 1>they came up with is called the fundamental attribution error,

0:52:12.840 --> 0:52:15.719
<v Speaker 1>and that's that we attribute our own behavior to the

0:52:15.840 --> 0:52:21.759
<v Speaker 1>circumstances around us, and other people's behavior to enduring personality traits.

0:52:21.760 --> 0:52:24.600
<v Speaker 1>So so when I do something right, when I do

0:52:24.719 --> 0:52:27.879
<v Speaker 1>something right, it's because I'm so skillful, But when they

0:52:27.920 --> 0:52:30.800
<v Speaker 1>do something wrong, it's they're not that smart. Than that,

0:52:31.080 --> 0:52:32.960
<v Speaker 1>they're not good people. That's why they messed up. Is

0:52:33.040 --> 0:52:36.120
<v Speaker 1>something like that, Or when when if I get angry,

0:52:36.160 --> 0:52:39.759
<v Speaker 1>it's something that you did. It's a situation, it's not

0:52:39.880 --> 0:52:44.000
<v Speaker 1>my fault. The circumstances, maybe you provoked me, and and

0:52:44.320 --> 0:52:47.560
<v Speaker 1>if you're behaving that way, it's because you're an aggressive person,

0:52:47.880 --> 0:52:50.600
<v Speaker 1>or an angry person or a shy person. So we

0:52:50.719 --> 0:52:56.279
<v Speaker 1>all three. So so the that's kind of interesting, And

0:52:56.360 --> 0:53:00.200
<v Speaker 1>it just goes back to the filter I view these

0:53:00.239 --> 0:53:04.759
<v Speaker 1>things through is finance and investing in trading, and the

0:53:04.880 --> 0:53:08.839
<v Speaker 1>greatest thing to do is to speak to traders who

0:53:08.880 --> 0:53:11.959
<v Speaker 1>were either making money or losing money. And when they're

0:53:11.960 --> 0:53:16.000
<v Speaker 1>making money, it's because they're brilliant. Hey, I had this

0:53:16.080 --> 0:53:19.040
<v Speaker 1>trade figured out, I knew where to jump into it,

0:53:19.480 --> 0:53:22.279
<v Speaker 1>I understood the value of this company. And when the

0:53:22.320 --> 0:53:25.320
<v Speaker 1>trade goes south, it's never oh I had it wrong,

0:53:25.400 --> 0:53:28.600
<v Speaker 1>it's well, the Federal Reserve did this, and who knew

0:53:28.640 --> 0:53:32.800
<v Speaker 1>about this attack? And I ran And it's always externalities

0:53:32.840 --> 0:53:36.440
<v Speaker 1>why they lose money. But it's their skills why they

0:53:36.480 --> 0:53:40.520
<v Speaker 1>make money. Yeah, and you wonder why we're built that way,

0:53:40.560 --> 0:53:45.040
<v Speaker 1>because it does interfere with learning what's happening in the

0:53:45.080 --> 0:53:48.440
<v Speaker 1>world and how to interpret it. That it does feel

0:53:48.560 --> 0:53:51.520
<v Speaker 1>very strongly that we're built that way. So so if

0:53:51.520 --> 0:53:56.879
<v Speaker 1>that's the case, is there an evolutionary benefit to that

0:53:57.080 --> 0:54:02.520
<v Speaker 1>sort of self confidence? Um? And ignoring things that that

0:54:02.719 --> 0:54:06.480
<v Speaker 1>perhaps might even be your fault. Why would that why

0:54:06.480 --> 0:54:09.799
<v Speaker 1>would that be hardwired? And you know, you could write

0:54:09.840 --> 0:54:13.480
<v Speaker 1>an evolutionary story, sure that. I don't know how you

0:54:13.719 --> 0:54:16.719
<v Speaker 1>know if it was correct or not, but it makes

0:54:16.719 --> 0:54:20.040
<v Speaker 1>a great narrative. It makes a great story, right, And

0:54:20.880 --> 0:54:25.520
<v Speaker 1>I mean evolutionary psychology has taken hold a bit in psychology,

0:54:25.960 --> 0:54:30.520
<v Speaker 1>sometimes in an annoying way because in some sense all

0:54:30.560 --> 0:54:35.560
<v Speaker 1>of us were doing it anyway, but it it there's

0:54:35.680 --> 0:54:38.440
<v Speaker 1>there's a very little way that you can check those

0:54:38.480 --> 0:54:44.160
<v Speaker 1>deep psychological hypotheses. You can check other sorts of hypotheses

0:54:44.200 --> 0:54:49.160
<v Speaker 1>about structure eye or structure by raising food flies for

0:54:49.239 --> 0:54:53.920
<v Speaker 1>many generations. But it's those deep psychological ones that the

0:54:54.000 --> 0:54:59.160
<v Speaker 1>connection between any gene and psycho and behavior, and add

0:54:59.200 --> 0:55:04.480
<v Speaker 1>to that epigenetics and our BioGenome in in our stomach

0:55:04.680 --> 0:55:08.960
<v Speaker 1>and so genetics has become a huge field recently. Hasn't

0:55:08.960 --> 0:55:16.280
<v Speaker 1>it that that our experiences somehow impact our our genetics?

0:55:16.600 --> 0:55:19.839
<v Speaker 1>Am I oversimple? Well, again, I'm not an expert on this.

0:55:19.960 --> 0:55:23.560
<v Speaker 1>I went to UH symposium on it and quiz the

0:55:23.560 --> 0:55:29.360
<v Speaker 1>biologists mercilessly on the mechanisms, and yes, they seem to

0:55:30.080 --> 0:55:32.040
<v Speaker 1>they seem to believe in this is some of this

0:55:32.120 --> 0:55:35.759
<v Speaker 1>is animal work where you can check it that that

0:55:36.080 --> 0:55:41.200
<v Speaker 1>actually it is affecting the genome, the germ cells that

0:55:41.280 --> 0:55:45.359
<v Speaker 1>are being passed on to the next generation. And so

0:55:45.600 --> 0:55:49.839
<v Speaker 1>if you starve the grandfather, the grandchild who never knew

0:55:50.120 --> 0:55:54.560
<v Speaker 1>rat that never knew the grandfather has different eating behavior

0:55:54.640 --> 0:55:59.160
<v Speaker 1>than if the grandfather wasn't solved. So a lot of

0:55:59.160 --> 0:56:04.160
<v Speaker 1>that is looking at negative things that maternal deprivation, starvation,

0:56:04.719 --> 0:56:07.799
<v Speaker 1>and so forth. So I asked, does it work for

0:56:07.920 --> 0:56:11.919
<v Speaker 1>positive things? If you enrich an environment, does that get

0:56:12.000 --> 0:56:15.480
<v Speaker 1>passed to the grandchildren? And they said it looks like

0:56:16.000 --> 0:56:20.360
<v Speaker 1>it might. It does. And then I asked, are these

0:56:20.480 --> 0:56:25.400
<v Speaker 1>big effects? And they said no, they're small effects. In

0:56:25.560 --> 0:56:30.480
<v Speaker 1>the larger picture, they're small effects, but they're detectable. So

0:56:31.360 --> 0:56:35.440
<v Speaker 1>since you mentioned rats, I have to ask this question, um,

0:56:35.480 --> 0:56:39.760
<v Speaker 1>how do animals? How do the way animals think differ

0:56:39.920 --> 0:56:44.200
<v Speaker 1>from human thinking? Or are there many parallels? Do animals

0:56:44.200 --> 0:56:47.080
<v Speaker 1>and humans have a lot of similar thought processes? So

0:56:47.200 --> 0:56:50.560
<v Speaker 1>again we're getting out of my own research research that

0:56:50.680 --> 0:56:57.000
<v Speaker 1>I reviewed. But if you look, primates can't count the

0:56:57.120 --> 0:56:59.720
<v Speaker 1>way we can count. But then there are many civil

0:56:59.760 --> 0:57:03.400
<v Speaker 1>as nations still around in the world that don't have

0:57:03.520 --> 0:57:09.120
<v Speaker 1>number words, and numbers are a cultural phenomenon. Not hardwired, yes,

0:57:09.920 --> 0:57:13.440
<v Speaker 1>but one to one correspondences. Things that you have in

0:57:13.600 --> 0:57:18.680
<v Speaker 1>tallies are old and are We have an estimation system

0:57:18.720 --> 0:57:21.120
<v Speaker 1>as well as an accurate system. There are kind of

0:57:21.200 --> 0:57:24.760
<v Speaker 1>two mass systems in the brain, and they are somewhat

0:57:24.760 --> 0:57:29.600
<v Speaker 1>integrated and somewhat independent. But making estimates, are there eighty

0:57:29.760 --> 0:57:34.520
<v Speaker 1>three things or ninety things? Primates can make those estimates

0:57:34.640 --> 0:57:40.000
<v Speaker 1>quite well without counting, right. That's interesting, No, it's fascinating.

0:57:40.240 --> 0:57:43.120
<v Speaker 1>And one of the things you mentioned earlier that I

0:57:43.160 --> 0:57:47.400
<v Speaker 1>was kind of intrigued with, I wanna I wanna just

0:57:47.440 --> 0:57:52.120
<v Speaker 1>do a slight um variation of so you mentioned some

0:57:52.200 --> 0:57:56.760
<v Speaker 1>people are good with language and other people are good

0:57:56.840 --> 0:58:02.120
<v Speaker 1>with thinking processes, and not every he has both. But

0:58:02.160 --> 0:58:04.720
<v Speaker 1>one of the things I was kind of fascinated with

0:58:04.760 --> 0:58:08.920
<v Speaker 1>about language and creativity and thinking. So I write a

0:58:08.960 --> 0:58:13.160
<v Speaker 1>lot and I speak a lot. But I found that

0:58:13.320 --> 0:58:16.680
<v Speaker 1>my writing it's much more intel actually sharp, and at

0:58:16.720 --> 0:58:21.520
<v Speaker 1>a higher grade level than my speaking, and I was

0:58:21.640 --> 0:58:25.760
<v Speaker 1>kind of surprised. So when I worked on my first

0:58:25.800 --> 0:58:28.680
<v Speaker 1>book over a decade ago, I thought, oh, this will

0:58:28.680 --> 0:58:32.439
<v Speaker 1>be easy I'll dictate a bunch of stuff and it'll

0:58:32.480 --> 0:58:34.080
<v Speaker 1>take me a couple of weekends, and I'll have a

0:58:34.160 --> 0:58:37.680
<v Speaker 1>hundred thousand words, and I'm shocked as I'm rereading my

0:58:38.000 --> 0:58:42.240
<v Speaker 1>spoken word. This is terrible. Why are the things that

0:58:42.320 --> 0:58:46.760
<v Speaker 1>I laboriously pound out on a keyboard so much more

0:58:46.840 --> 0:58:50.720
<v Speaker 1>articulate and intelligent than what I say? And eventually it

0:58:50.760 --> 0:58:53.200
<v Speaker 1>wasn't a big leap to think, well, you have a

0:58:53.240 --> 0:58:55.200
<v Speaker 1>part of the brain for speech and a different part

0:58:55.200 --> 0:58:58.200
<v Speaker 1>of the brain for creativity and writing, and hey, maybe

0:58:58.240 --> 0:59:01.439
<v Speaker 1>that speech part in is well developed as your writing part.

0:59:02.240 --> 0:59:04.480
<v Speaker 1>Is that an oversimplification or is that a fair way

0:59:04.520 --> 0:59:06.440
<v Speaker 1>to look at it? And no, I think it's probably.

0:59:06.480 --> 0:59:08.480
<v Speaker 1>I don't think there are separate parts of the brain

0:59:08.560 --> 0:59:11.040
<v Speaker 1>for speaking and writing. What happens when you write is

0:59:11.120 --> 0:59:14.240
<v Speaker 1>you put something in a page and you would edit. Yeah,

0:59:14.240 --> 0:59:18.080
<v Speaker 1>but my first drafts of writing are much more articulate

0:59:18.120 --> 0:59:22.040
<v Speaker 1>than my first drafts of speaking. And the best speaking

0:59:22.120 --> 0:59:25.080
<v Speaker 1>things I do are when I write them out in

0:59:25.160 --> 0:59:29.680
<v Speaker 1>advance and come up with the structural language that I want. Okay,

0:59:29.680 --> 0:59:33.480
<v Speaker 1>so then you're you're putting on your your writing hat

0:59:33.680 --> 0:59:37.640
<v Speaker 1>and supposed to your speaking is more spontaneous, sure, and

0:59:37.840 --> 0:59:40.920
<v Speaker 1>the writing hat you're deliberately thinking about what what am

0:59:40.920 --> 0:59:43.840
<v Speaker 1>I going to? What are the thoughts I want to express,

0:59:43.880 --> 0:59:47.160
<v Speaker 1>and how's the best way to express them? So you

0:59:47.280 --> 0:59:49.920
<v Speaker 1>some particularly adept at that. I had to. I have

0:59:49.960 --> 0:59:53.760
<v Speaker 1>a colleague at Stanford named alband Or who writes many books,

0:59:53.760 --> 0:59:56.200
<v Speaker 1>and they're all good. And you ask them a question

0:59:56.640 --> 1:00:01.240
<v Speaker 1>and it comes out in paragraphs and pages full answers,

1:00:01.280 --> 1:00:03.840
<v Speaker 1>like first draft. I have a friend like that. It's

1:00:03.920 --> 1:00:08.880
<v Speaker 1>just fully formed, coherent, organized like I wish I could

1:00:08.920 --> 1:00:11.040
<v Speaker 1>do that. I could do that on on pen and paper.

1:00:11.360 --> 1:00:14.160
<v Speaker 1>I can't do that, verbon No. It's astounding, and I

1:00:14.200 --> 1:00:17.000
<v Speaker 1>think it's he's practiced so much so if you think

1:00:17.040 --> 1:00:21.160
<v Speaker 1>about musicians that write music or play music, they can

1:00:21.200 --> 1:00:23.960
<v Speaker 1>do it very rapidly. They have the scheme as they

1:00:23.960 --> 1:00:29.200
<v Speaker 1>can generated very quickly. It's highly practiced, like any sport

1:00:29.240 --> 1:00:33.240
<v Speaker 1>would be highly practiced. So perhaps you're writing, you're thinking,

1:00:33.280 --> 1:00:35.480
<v Speaker 1>at this metal level, how am I going to organize

1:00:35.520 --> 1:00:38.760
<v Speaker 1>my thoughts. I've got an outline for organizing them. I'm

1:00:38.840 --> 1:00:43.520
<v Speaker 1>gesturing the outline and and you're thinking that through and

1:00:43.640 --> 1:00:49.840
<v Speaker 1>filling it through. This interview is different from spontaneous conversations,

1:00:50.320 --> 1:00:55.160
<v Speaker 1>because again I'm crafting and thinking ahead and crafting in

1:00:55.200 --> 1:00:57.760
<v Speaker 1>that way. So my convenent of dissonances. I'm going to

1:00:57.840 --> 1:01:01.640
<v Speaker 1>stick with the two different brain sections because I like

1:01:01.760 --> 1:01:05.840
<v Speaker 1>that idea, but also the way various aphasi acts and

1:01:05.920 --> 1:01:10.120
<v Speaker 1>people who have had brain damage lose the ability to speak,

1:01:10.200 --> 1:01:13.040
<v Speaker 1>but they can sing, or they could they could write,

1:01:13.040 --> 1:01:15.640
<v Speaker 1>but they can't read. That's what led me to think

1:01:16.160 --> 1:01:19.520
<v Speaker 1>it's a speech center and a writing center. You're telling

1:01:19.520 --> 1:01:24.040
<v Speaker 1>me there is no difference. I don't know. I sort

1:01:24.080 --> 1:01:29.560
<v Speaker 1>of doubt it because I think each involves many areas Aphacians. Yeah,

1:01:29.600 --> 1:01:32.960
<v Speaker 1>Aphacia's brain damage, and it's usually not pointed. It's not

1:01:33.160 --> 1:01:38.160
<v Speaker 1>it's a cluster of neurons probably and and and there.

1:01:38.200 --> 1:01:42.720
<v Speaker 1>It is losing certain kinds of words and not others. Right,

1:01:43.160 --> 1:01:47.120
<v Speaker 1>So this is a general So so the other thing

1:01:47.200 --> 1:01:51.120
<v Speaker 1>I want to ask. Art comes up in the book

1:01:51.440 --> 1:01:55.960
<v Speaker 1>in several places. I'm curious as to why you use

1:01:56.120 --> 1:01:59.400
<v Speaker 1>art as an example. And then there's one specific example

1:01:59.440 --> 1:02:02.520
<v Speaker 1>I have to bring up to you because I was

1:02:02.560 --> 1:02:08.040
<v Speaker 1>intrigued by it. Um, what's the relationship between art and

1:02:08.320 --> 1:02:13.919
<v Speaker 1>thinking and between the concept of spatial motion and how

1:02:14.000 --> 1:02:18.919
<v Speaker 1>we express ourselves artistically. Yeah, so right, So how would

1:02:18.960 --> 1:02:21.680
<v Speaker 1>I come to naturally? I drew a lot as a kid,

1:02:21.720 --> 1:02:24.360
<v Speaker 1>and my mother's an artist, and my cousins that are

1:02:24.600 --> 1:02:27.920
<v Speaker 1>so art is very much in my life writing too,

1:02:28.120 --> 1:02:32.960
<v Speaker 1>for that matter. M but I happen to have I

1:02:33.040 --> 1:02:36.160
<v Speaker 1>got interested in design, So I first got interested in

1:02:36.240 --> 1:02:39.480
<v Speaker 1>how do we put the world in our mind? How

1:02:39.520 --> 1:02:42.040
<v Speaker 1>do we get space in our mind? And then I

1:02:42.160 --> 1:02:44.920
<v Speaker 1>got more and more interested in the spaces that we

1:02:45.080 --> 1:02:50.000
<v Speaker 1>create to improve our own cognition. So diagrams would be one.

1:02:50.360 --> 1:02:54.240
<v Speaker 1>Even the alphabet would be at one. Sure, developing the

1:02:54.280 --> 1:03:00.040
<v Speaker 1>alphabet which was invented apparently only once, but invent it

1:03:00.160 --> 1:03:04.200
<v Speaker 1>only once? What do you mean? The sound sound too,

1:03:04.600 --> 1:03:08.920
<v Speaker 1>symbol correspondence was developed once since spread and then just

1:03:09.040 --> 1:03:14.840
<v Speaker 1>variations based and otherwise. Alphabets were representing meaning the way

1:03:14.960 --> 1:03:20.600
<v Speaker 1>Chinese went from symbology to phonetics. It's whether it's representing

1:03:20.680 --> 1:03:24.680
<v Speaker 1>meanings directly the way Chinese does, or whether it's representing

1:03:24.720 --> 1:03:29.040
<v Speaker 1>the sound of language of speaking. And that's what the

1:03:29.080 --> 1:03:33.640
<v Speaker 1>Phoenician alphabet that spread everywhere and got varied and was

1:03:33.680 --> 1:03:39.720
<v Speaker 1>apparently only invented once and then spread it is fascinating.

1:03:39.800 --> 1:03:42.120
<v Speaker 1>So so let me have you disabused me of another

1:03:42.760 --> 1:03:46.720
<v Speaker 1>thing I probably have wrong? Um? Have have you seen

1:03:46.880 --> 1:03:53.240
<v Speaker 1>the trick in the Federal Express? Uh? So, the way

1:03:53.280 --> 1:03:55.960
<v Speaker 1>that was first explained to me is the reason we

1:03:56.080 --> 1:03:59.640
<v Speaker 1>don't perceive the arrow in the FedEx. And just pull

1:03:59.720 --> 1:04:02.800
<v Speaker 1>up a FedEx, any picture of FedEx, and you'll see

1:04:02.840 --> 1:04:06.439
<v Speaker 1>between the E and the x um there there's an arrow.

1:04:06.880 --> 1:04:10.640
<v Speaker 1>That's the part of your brain that recognizes language is

1:04:10.640 --> 1:04:14.360
<v Speaker 1>a different part of the brain that recognizes symbols, And

1:04:14.400 --> 1:04:18.320
<v Speaker 1>when you're reading the letters, your brain isn't primed for

1:04:18.480 --> 1:04:21.840
<v Speaker 1>seeing a symbol like an arrow. So that's fascinating, and

1:04:21.880 --> 1:04:25.640
<v Speaker 1>it would be arrows are fascinating anyway, and they've gotten

1:04:25.680 --> 1:04:30.360
<v Speaker 1>me fascinated, and somebody needs to do that work. The

1:04:30.360 --> 1:04:36.600
<v Speaker 1>the lateral occipital parietal juncture, that area of the brain

1:04:36.680 --> 1:04:41.280
<v Speaker 1>that is recognizing objects and recognizes fruits and vegetables and

1:04:41.320 --> 1:04:43.920
<v Speaker 1>so forth. There are many different sub areas, is like

1:04:43.960 --> 1:04:48.400
<v Speaker 1>a mosaic. There is only one area in all of

1:04:48.440 --> 1:04:55.440
<v Speaker 1>those areas that recognizes left right asymmetries. Otherwise, your face

1:04:56.240 --> 1:05:00.040
<v Speaker 1>mirror reversed is more places in a good example, but

1:05:00.320 --> 1:05:03.400
<v Speaker 1>it's mostly the same the special there's a special area

1:05:03.480 --> 1:05:06.400
<v Speaker 1>for faces, but most things, it doesn't matter. If it's

1:05:06.440 --> 1:05:10.320
<v Speaker 1>a left right, turning it upside down matters, but left

1:05:10.440 --> 1:05:13.840
<v Speaker 1>right doesn't matter. There's one area of the brain that

1:05:14.000 --> 1:05:18.040
<v Speaker 1>is primed to recognize left right aberration, so we can

1:05:18.080 --> 1:05:22.000
<v Speaker 1>tell a small B from a small D and differentiate.

1:05:22.400 --> 1:05:25.240
<v Speaker 1>So that area is used for reading no matter what

1:05:25.400 --> 1:05:29.240
<v Speaker 1>language you read. Now what that area would do with arrows,

1:05:29.880 --> 1:05:34.000
<v Speaker 1>I'd be absolutely fascinated to know. So maybe the way

1:05:34.040 --> 1:05:35.760
<v Speaker 1>I heard it might be right, I'm not going to

1:05:35.840 --> 1:05:39.240
<v Speaker 1>be exactly. And and the problem there is the arrows

1:05:39.320 --> 1:05:43.200
<v Speaker 1>embedded in the letters. So the embedding is going to

1:05:43.360 --> 1:05:46.920
<v Speaker 1>interfere with the perception anyway I'm not. It's like a relief.

1:05:46.960 --> 1:05:50.280
<v Speaker 1>Are you looking at the white or the black? Exactly?

1:05:50.320 --> 1:05:53.360
<v Speaker 1>The negative? There could be another the negative space. So

1:05:53.440 --> 1:05:56.000
<v Speaker 1>let me bring that back to ouray, because we we

1:05:56.040 --> 1:06:01.040
<v Speaker 1>started talking about that. You reference the linear how how

1:06:01.080 --> 1:06:04.840
<v Speaker 1>linear things are when we're moving through space, the way

1:06:04.920 --> 1:06:08.400
<v Speaker 1>language words after another appear. You use a whole bunch

1:06:08.440 --> 1:06:12.880
<v Speaker 1>of examples, and you talk about, um, the space within

1:06:12.960 --> 1:06:17.640
<v Speaker 1>an art and painting and how it had a form

1:06:17.800 --> 1:06:24.120
<v Speaker 1>of linear progression. Until Mark Rothko and Jackson Pollock come

1:06:24.160 --> 1:06:28.240
<v Speaker 1>along where they just explode that concept. And the the

1:06:28.280 --> 1:06:32.720
<v Speaker 1>reason that stood out to me is so my wife

1:06:32.960 --> 1:06:35.960
<v Speaker 1>used to she's now retired, but she taught fashion, illustration

1:06:36.000 --> 1:06:39.800
<v Speaker 1>and design. I've been dragged at every museum in the world,

1:06:40.440 --> 1:06:45.160
<v Speaker 1>and initially a lot of some modern art just didn't

1:06:45.200 --> 1:06:49.440
<v Speaker 1>resonate with me. Stella, I would look at just nonsense.

1:06:49.680 --> 1:06:54.400
<v Speaker 1>Always was fascinated by Jackson Pollock, um, but I didn't

1:06:54.440 --> 1:06:58.720
<v Speaker 1>care much for Mark Rothko until I don't know, fifteen

1:06:58.800 --> 1:07:03.560
<v Speaker 1>twenty years ago, and I can't explain what happened. But suddenly,

1:07:04.600 --> 1:07:08.360
<v Speaker 1>maybe having just seen it enough time, suddenly this is

1:07:08.440 --> 1:07:12.760
<v Speaker 1>really fascinating stuff. There's there's it's not only abstract, but

1:07:12.800 --> 1:07:16.120
<v Speaker 1>there's all sorts of different things going on, whether it's

1:07:16.240 --> 1:07:22.439
<v Speaker 1>the space, the border, the color choices. Suddenly I went

1:07:22.560 --> 1:07:27.080
<v Speaker 1>from not caring anything about roth Go to really, this

1:07:27.120 --> 1:07:29.840
<v Speaker 1>is one of the most fascinating modern painters there are.

1:07:30.080 --> 1:07:32.240
<v Speaker 1>And the fact that you used it as him as

1:07:32.280 --> 1:07:35.640
<v Speaker 1>an example. I'm not a big fan of the black period,

1:07:35.680 --> 1:07:37.720
<v Speaker 1>the later stuff he did when it's all black and

1:07:37.800 --> 1:07:41.320
<v Speaker 1>gray and white, but hold that aside. The example of

1:07:41.360 --> 1:07:48.000
<v Speaker 1>that having no linear narrative and no structural. Here's where

1:07:48.040 --> 1:07:52.640
<v Speaker 1>your eyes going to naturally lead by the figures. I

1:07:52.680 --> 1:07:55.480
<v Speaker 1>thought that was fascinating as an example early in the

1:07:55.520 --> 1:07:58.800
<v Speaker 1>book Thank you. I'm not an art critic, I'm gonna

1:07:58.840 --> 1:08:03.440
<v Speaker 1>appreciate it or either. So it gets back to the

1:08:03.560 --> 1:08:07.120
<v Speaker 1>learning versus creativity. And when you're learning, you want things

1:08:07.320 --> 1:08:11.400
<v Speaker 1>very straightforward and structured. When you're being creative you want

1:08:11.400 --> 1:08:14.680
<v Speaker 1>to go in many different directions. And what I think

1:08:14.720 --> 1:08:18.000
<v Speaker 1>both Roscoe and Pollock do and it took me a

1:08:18.040 --> 1:08:23.200
<v Speaker 1>while to appreciate them as well, is there's ambiguity built

1:08:23.240 --> 1:08:27.240
<v Speaker 1>into the paintings, and every time you look something different,

1:08:27.280 --> 1:08:31.360
<v Speaker 1>you see something differ. And as you're looking at configures

1:08:31.360 --> 1:08:36.160
<v Speaker 1>and reconfigures, and what Roscoe especially does is you get

1:08:36.200 --> 1:08:41.120
<v Speaker 1>the adapters of the eye to color adapting, so colors

1:08:41.280 --> 1:08:44.479
<v Speaker 1>change in them because of the way you're looking. You

1:08:44.520 --> 1:08:47.599
<v Speaker 1>can get after images that are very interesting. With Rothco,

1:08:47.760 --> 1:08:51.720
<v Speaker 1>look at a blank wall, but those adapters in your

1:08:51.800 --> 1:08:55.960
<v Speaker 1>eye to the different colors keep changing, and that means

1:08:56.000 --> 1:09:00.639
<v Speaker 1>that what you're seeing changes because it's not it's there,

1:09:01.080 --> 1:09:05.960
<v Speaker 1>it's you're in your eye. And and Leonardo, by the way,

1:09:06.120 --> 1:09:09.800
<v Speaker 1>knew that that it wasn't in the thing out there.

1:09:09.920 --> 1:09:14.160
<v Speaker 1>It was in your mind, m through your eye. So

1:09:14.200 --> 1:09:19.200
<v Speaker 1>I think, to me, that's what's intriguing about Roscoe. You

1:09:19.320 --> 1:09:23.960
<v Speaker 1>commune with it and it different structures appear. It stops

1:09:24.000 --> 1:09:28.080
<v Speaker 1>being flat and gets into depth. Oh, it's definitely dimensional.

1:09:29.120 --> 1:09:32.000
<v Speaker 1>And maybe that's the switch that flicked onto me. Suddenly

1:09:32.000 --> 1:09:35.240
<v Speaker 1>it wasn't just an orange or purple square. It's like,

1:09:35.720 --> 1:09:38.679
<v Speaker 1>this really has a dimensionality to it and a depth.

1:09:39.200 --> 1:09:42.560
<v Speaker 1>And I watch people going in there are those galleries

1:09:42.600 --> 1:09:46.160
<v Speaker 1>in the in the tad and in what in the

1:09:46.200 --> 1:09:49.080
<v Speaker 1>east wing of the National Gallery where there are lots

1:09:49.120 --> 1:09:51.639
<v Speaker 1>of roth calls, and I watch people just going through

1:09:51.680 --> 1:09:54.639
<v Speaker 1>and looking very quickly, and you have to sit there

1:09:54.840 --> 1:10:00.280
<v Speaker 1>and commune, and then it's it. It becomes spiritual. So

1:10:00.880 --> 1:10:05.080
<v Speaker 1>and that got me. It wasn't that, But earlier on

1:10:05.240 --> 1:10:08.400
<v Speaker 1>I started looking at design and looking at architects how

1:10:08.439 --> 1:10:13.160
<v Speaker 1>they design. We looked at experienced architects and drawing while

1:10:13.200 --> 1:10:17.760
<v Speaker 1>they were designing, and there were early sketches are ambiguous,

1:10:18.280 --> 1:10:21.760
<v Speaker 1>and it allows them to make discoveries in their own sketches.

1:10:22.760 --> 1:10:25.880
<v Speaker 1>So they drew for one reason, and when they look

1:10:25.920 --> 1:10:29.280
<v Speaker 1>at their sketch, they see new things. They see patterns,

1:10:29.800 --> 1:10:33.200
<v Speaker 1>they see implications like this is a building, the traffic

1:10:33.280 --> 1:10:36.919
<v Speaker 1>will not be right, or the light will fall poorly.

1:10:37.439 --> 1:10:40.439
<v Speaker 1>So they see new things in their sketches, and it's

1:10:40.479 --> 1:10:44.200
<v Speaker 1>the ambiguity that allows it. And then one of my

1:10:44.280 --> 1:10:50.320
<v Speaker 1>graduate students started We studied them drawing and studied that process,

1:10:50.400 --> 1:10:53.800
<v Speaker 1>and one of my graduate students started studying artists for

1:10:53.880 --> 1:10:59.120
<v Speaker 1>whom drawing is their major practice, and for them, the

1:10:59.320 --> 1:11:04.400
<v Speaker 1>drawing is a conversation between the eye and the hand

1:11:04.439 --> 1:11:07.840
<v Speaker 1>and the page. There are no words, and if they

1:11:07.840 --> 1:11:10.760
<v Speaker 1>try to talk about it, they can't. It interferes with

1:11:10.840 --> 1:11:13.960
<v Speaker 1>the whole process. So this is a different way of

1:11:14.000 --> 1:11:20.080
<v Speaker 1>thinking than language. It's thinking with the objects that I'm creating,

1:11:20.160 --> 1:11:23.479
<v Speaker 1>with a body that's creating them, and with the thing

1:11:23.600 --> 1:11:27.960
<v Speaker 1>that's perceiving them. And I'm sure something similar goes on

1:11:28.080 --> 1:11:32.639
<v Speaker 1>in creating music and even in imagining your words. If

1:11:32.680 --> 1:11:36.080
<v Speaker 1>you're thinking about speaking, you're thinking about how the words

1:11:36.120 --> 1:11:38.599
<v Speaker 1>are going to sound, if you're if you're practicing it.

1:11:39.400 --> 1:11:44.200
<v Speaker 1>So I wanted to call attention to that way of thinking.

1:11:44.280 --> 1:11:47.639
<v Speaker 1>It's not going through language. It's an important way of thinking.

1:11:47.840 --> 1:11:50.000
<v Speaker 1>It's the way I find my way in the world,

1:11:50.680 --> 1:11:53.400
<v Speaker 1>and it contributes to many other kinds of It's the

1:11:53.439 --> 1:11:57.640
<v Speaker 1>way I understand other people when I'm watching their bodies

1:11:58.280 --> 1:12:02.960
<v Speaker 1>and their faces as are responding. So I wanted to

1:12:03.000 --> 1:12:06.320
<v Speaker 1>call attention to those ways of thinking with the body

1:12:06.439 --> 1:12:09.400
<v Speaker 1>and the world and the things that we create in

1:12:09.439 --> 1:12:14.400
<v Speaker 1>the world. Is an important way of thinking that compliments language.

1:12:14.479 --> 1:12:17.960
<v Speaker 1>That's different from language. I mean, I love language, So

1:12:18.360 --> 1:12:20.880
<v Speaker 1>it's it's obvious you do. So I know I don't

1:12:20.920 --> 1:12:23.640
<v Speaker 1>have you all day. I only have you for a

1:12:23.640 --> 1:12:26.240
<v Speaker 1>little bit of time. Let me jump to my favorite

1:12:26.320 --> 1:12:29.200
<v Speaker 1>questions that we ask all our guests, and let's see

1:12:29.200 --> 1:12:33.840
<v Speaker 1>if we can learn a little bit more about Barbara Tavski. Um,

1:12:33.880 --> 1:12:37.680
<v Speaker 1>so what do you? Uh? What are you listening to?

1:12:38.080 --> 1:12:42.360
<v Speaker 1>Watching or downloading? Are you? Are you watching anything on

1:12:42.479 --> 1:12:50.439
<v Speaker 1>Netflix or Interestingly? Movies affect me too much, too much. Yeah,

1:12:51.560 --> 1:12:54.920
<v Speaker 1>so I'm very picky about what I see. So what

1:12:55.240 --> 1:13:01.280
<v Speaker 1>have you seen that you've liked recently? Um? Synonyms, synonyms.

1:13:01.320 --> 1:13:04.920
<v Speaker 1>It's an Israeli film about and because I lived in

1:13:05.040 --> 1:13:09.919
<v Speaker 1>ISRAELI especially resonates it's about but it has universal appeal.

1:13:10.240 --> 1:13:12.680
<v Speaker 1>It's about a man who was traumatized by being in

1:13:12.720 --> 1:13:15.840
<v Speaker 1>the army, by what he had to do and it

1:13:15.960 --> 1:13:19.280
<v Speaker 1>went to Paris and decides he needs a new identity.

1:13:19.800 --> 1:13:22.920
<v Speaker 1>H quite quite interesting. It's a fascinating movie. And they

1:13:22.920 --> 1:13:25.719
<v Speaker 1>add that to my Netflix. Cue. What's the most important

1:13:25.720 --> 1:13:29.519
<v Speaker 1>thing people don't know about? Barbara Zavarsky. Oh, I don't.

1:13:29.600 --> 1:13:32.840
<v Speaker 1>I'm pretty much out there. I think you probably don't

1:13:32.840 --> 1:13:35.679
<v Speaker 1>know that I, or maybe I hinted. I have three

1:13:35.720 --> 1:13:41.599
<v Speaker 1>wonderful children, and they have produced eight wonderful grandchildren who

1:13:41.640 --> 1:13:46.760
<v Speaker 1>are all lively individuals with personalities and who adore each other.

1:13:47.520 --> 1:13:51.640
<v Speaker 1>Who are some of your early mentors, So that's interesting.

1:13:51.680 --> 1:13:53.880
<v Speaker 1>I don't think I had much in the way of

1:13:53.960 --> 1:13:58.599
<v Speaker 1>human beings. It was more books that were influential, and

1:13:58.720 --> 1:14:07.360
<v Speaker 1>when I was a teenager, the existentialists, particularly um were influential. UM.

1:14:07.880 --> 1:14:14.320
<v Speaker 1>Later philosophers like Russell Quine, Wittgenstein, especially late Wittgenstein, were

1:14:14.360 --> 1:14:20.719
<v Speaker 1>all influential. Eventually, when I got into psychology, the early

1:14:20.880 --> 1:14:27.960
<v Speaker 1>cognitive people like Chomsky, Miller, Brunner, Broadband, um kun who

1:14:28.080 --> 1:14:32.920
<v Speaker 1>talked about scientific revolutions, but they were really intellectual revolutions.

1:14:32.960 --> 1:14:37.000
<v Speaker 1>They were about the human mind. So those but more

1:14:37.080 --> 1:14:41.400
<v Speaker 1>than that, the colleagues, I mean, I always, even as

1:14:41.439 --> 1:14:45.559
<v Speaker 1>an undergraduate hung out with the graduate students and and

1:14:46.640 --> 1:14:50.479
<v Speaker 1>learned an enormous amount from them. They were indulgent and

1:14:51.040 --> 1:14:54.320
<v Speaker 1>that stayed with me. I'm fortunate to have had amazing

1:14:55.040 --> 1:14:58.680
<v Speaker 1>colleagues who were also friends, including the one that I

1:14:58.800 --> 1:15:05.120
<v Speaker 1>lived with for thirty years, and our overlapping friendship groups.

1:15:05.680 --> 1:15:10.679
<v Speaker 1>So in your work, what other psychologists affect the way

1:15:10.960 --> 1:15:16.600
<v Speaker 1>you approach the world of psychology. I think that, like you,

1:15:16.760 --> 1:15:23.720
<v Speaker 1>I'm a generalist, and at I mean I had Amazon

1:15:23.840 --> 1:15:26.679
<v Speaker 1>the house and that whole circle and Danny and other

1:15:26.800 --> 1:15:30.200
<v Speaker 1>colleagues at Hebrew University when I was early on then

1:15:30.240 --> 1:15:35.640
<v Speaker 1>moved to Stanford. Stanford's way of hiring people is wallpaper.

1:15:36.320 --> 1:15:39.200
<v Speaker 1>You want the whole field covered, but you don't want

1:15:39.200 --> 1:15:44.799
<v Speaker 1>to overlap. And and I've seen other departments build little

1:15:44.920 --> 1:15:49.000
<v Speaker 1>nuclei of everybody's working on speech perception, and then there's

1:15:49.000 --> 1:15:53.160
<v Speaker 1>a nucleus some myself working on other and you don't communicate.

1:15:53.360 --> 1:15:56.720
<v Speaker 1>So what was really wonderful to me at Stanford was

1:15:56.800 --> 1:16:00.800
<v Speaker 1>having wonderful people and developmental and social in rain In

1:16:01.000 --> 1:16:04.519
<v Speaker 1>and people in cognitive doing different things from me. And

1:16:04.600 --> 1:16:07.000
<v Speaker 1>I learned a great deal from that. I loved that,

1:16:07.400 --> 1:16:12.679
<v Speaker 1>and now I have people from the arts and people

1:16:12.720 --> 1:16:18.400
<v Speaker 1>from technology, people for many arts, music, drama, UM, painting,

1:16:18.680 --> 1:16:23.080
<v Speaker 1>and who are dance? Who are influencing me? And everything

1:16:23.120 --> 1:16:26.200
<v Speaker 1>goes through the human mind. I mean you've said that, well,

1:16:26.360 --> 1:16:28.759
<v Speaker 1>you see it in your book. You talk about everything

1:16:28.840 --> 1:16:32.280
<v Speaker 1>from you reference dance and moving through space as well

1:16:32.320 --> 1:16:35.280
<v Speaker 1>as art and music. It's it's clear that all those

1:16:35.320 --> 1:16:39.280
<v Speaker 1>different folks are influencing you. Let's talk about books. What

1:16:39.320 --> 1:16:41.360
<v Speaker 1>are some of your favorite books? What are you reading

1:16:41.400 --> 1:16:44.519
<v Speaker 1>these days? What do you like to recommend? Is? So

1:16:44.680 --> 1:16:50.519
<v Speaker 1>I went from reading fiction voraciously to reading UM, to

1:16:50.840 --> 1:16:56.719
<v Speaker 1>postmodern fiction to reading nonfiction so UM a long history

1:16:56.840 --> 1:17:00.439
<v Speaker 1>and a lot of foreign fiction that I've loved and

1:17:00.560 --> 1:17:03.000
<v Speaker 1>still love because it brings you to other worlds. But

1:17:03.080 --> 1:17:08.520
<v Speaker 1>I'm reading So Sapiens, which I recommend to everybody. UM.

1:17:08.640 --> 1:17:13.599
<v Speaker 1>Danny's book Thinking Fast and Slow is wonderful. UM anything

1:17:13.680 --> 1:17:22.360
<v Speaker 1>Jared Diamond or Sapolsky as you recommended UM and UM

1:17:22.520 --> 1:17:29.200
<v Speaker 1>Hans Rustling's factfulness I found very uplifting and and it

1:17:29.240 --> 1:17:33.000
<v Speaker 1>gives you a right, the right perspective on long things

1:17:33.280 --> 1:17:38.280
<v Speaker 1>you mentioned Jared Diamond, guns, germs and steel right would

1:17:38.320 --> 1:17:42.520
<v Speaker 1>be one of them. And that again is a broad

1:17:42.560 --> 1:17:46.000
<v Speaker 1>way of thinking that makes sense to me. Um, I

1:17:46.120 --> 1:17:50.840
<v Speaker 1>loved Misbehaving Dick Taylor's Frock was just a lot of fun.

1:17:51.280 --> 1:17:54.840
<v Speaker 1>So those are probably that's a great list that'll keep

1:17:54.880 --> 1:17:58.200
<v Speaker 1>someone busy for a full semester. To say the least,

1:17:58.360 --> 1:18:01.280
<v Speaker 1>UM tell us about it time you failed and what

1:18:01.360 --> 1:18:04.719
<v Speaker 1>you learned from the experience. So that was a hard

1:18:04.800 --> 1:18:09.200
<v Speaker 1>question for me. I I don't try things that are

1:18:09.280 --> 1:18:11.679
<v Speaker 1>really out of reach. But if you think about being

1:18:12.280 --> 1:18:16.680
<v Speaker 1>an an experimental psychologist, which I have been, every experiment

1:18:16.800 --> 1:18:19.439
<v Speaker 1>is a risk. You build it and you build it

1:18:19.439 --> 1:18:23.400
<v Speaker 1>on previous work, on your previous experience, and many of

1:18:23.439 --> 1:18:25.920
<v Speaker 1>them fail. I mean, I think the failure rate is

1:18:26.000 --> 1:18:29.599
<v Speaker 1>lower than the failure rate for startups. So the failure

1:18:29.680 --> 1:18:33.040
<v Speaker 1>rate is about meaning that you just don't reach any

1:18:33.080 --> 1:18:36.360
<v Speaker 1>conclusion by the experience, and if something happens that you

1:18:36.400 --> 1:18:39.559
<v Speaker 1>didn't expect and you might be disappointed in But for me,

1:18:39.680 --> 1:18:43.240
<v Speaker 1>that's the adventure on the phone, and you learn something

1:18:43.280 --> 1:18:49.400
<v Speaker 1>from that. Now, learning from failure is problematic because it's

1:18:49.439 --> 1:18:53.479
<v Speaker 1>just one experience and it's so easy in hindsight to

1:18:53.880 --> 1:18:57.000
<v Speaker 1>explain why you failed. I mean, you saw that with

1:18:57.280 --> 1:19:00.920
<v Speaker 1>people in stock picks all the time, need do calls

1:19:01.000 --> 1:19:05.479
<v Speaker 1>this uh resulting where the poker players they learn the

1:19:05.600 --> 1:19:08.880
<v Speaker 1>lesson the wrong lesson from the result as opposed from

1:19:08.880 --> 1:19:14.479
<v Speaker 1>the process exactly. So it's only one um, one sample,

1:19:14.560 --> 1:19:18.120
<v Speaker 1>and you're interpreting at it in in the hindsight. So

1:19:19.240 --> 1:19:23.040
<v Speaker 1>failure has become popular now everybody's talking about failing is

1:19:23.080 --> 1:19:26.160
<v Speaker 1>good and you learn from failure, but you don't necessarily

1:19:26.240 --> 1:19:29.400
<v Speaker 1>learn the right thing from failure. So we're failing at failing.

1:19:30.320 --> 1:19:34.559
<v Speaker 1>We're doing it's getting a little a little fractal there,

1:19:34.680 --> 1:19:37.640
<v Speaker 1>but I think not letting failures get you down is

1:19:37.680 --> 1:19:41.080
<v Speaker 1>probably a good lesson. Okay, that's that's that's good. Um,

1:19:41.120 --> 1:19:42.479
<v Speaker 1>what do you do for fun? What do you do

1:19:42.520 --> 1:19:45.840
<v Speaker 1>when you're not doting on the grandkids and doing research? Oh?

1:19:46.160 --> 1:19:48.719
<v Speaker 1>In research is fun. I'm one of the few people

1:19:48.760 --> 1:19:55.840
<v Speaker 1>that loves writing because it's making things sculpting. Sculpting. That's

1:19:55.920 --> 1:20:00.000
<v Speaker 1>such a good turn of a phrase. Um, the library

1:20:00.000 --> 1:20:04.360
<v Speaker 1>areing of Congress. Daniel Borston used to say, I write

1:20:04.400 --> 1:20:06.920
<v Speaker 1>to figure out what I think, But you've reduced that

1:20:06.960 --> 1:20:11.280
<v Speaker 1>to one word sculpting. Yeah, I'm a fan of Daniel Borstein.

1:20:11.400 --> 1:20:17.439
<v Speaker 1>Two Explorer exactly are great books. Yeah, really, uplifting and

1:20:17.560 --> 1:20:20.840
<v Speaker 1>just so well researched and so beautifully written. Yeah, and

1:20:20.920 --> 1:20:24.559
<v Speaker 1>he gets the essences of these things in an exciting way.

1:20:24.640 --> 1:20:27.439
<v Speaker 1>Not not small books. Those are that's a summer. Each

1:20:27.439 --> 1:20:29.879
<v Speaker 1>of those books is like there's your July and August.

1:20:30.080 --> 1:20:34.320
<v Speaker 1>Yeah that was, and they're they're great. New York is

1:20:34.400 --> 1:20:37.360
<v Speaker 1>full of fun. I mean the most fun is good

1:20:37.400 --> 1:20:41.439
<v Speaker 1>conversation with friends, and I happen to have good friends

1:20:41.439 --> 1:20:47.080
<v Speaker 1>who are good conversationalized. But I love music. I've developed

1:20:47.120 --> 1:20:52.400
<v Speaker 1>a late passion for opera, for opera really interesting, and

1:20:52.439 --> 1:20:55.160
<v Speaker 1>that took many years and now it's over the top

1:20:55.240 --> 1:20:58.599
<v Speaker 1>and the stories are often you know, the men are

1:20:58.640 --> 1:21:01.320
<v Speaker 1>bastards and the women are saints and the women die.

1:21:01.880 --> 1:21:08.360
<v Speaker 1>But the end that's ever been yeah boham and right.

1:21:08.720 --> 1:21:12.679
<v Speaker 1>But I've learned to love opera just by going. I'm

1:21:12.760 --> 1:21:17.599
<v Speaker 1>no expert, but you learned by experiencing. And it's again

1:21:17.640 --> 1:21:21.920
<v Speaker 1>a different way of learning than book learning. And I

1:21:21.920 --> 1:21:24.280
<v Speaker 1>think that's the way you pointed out. You learn from

1:21:24.360 --> 1:21:28.160
<v Speaker 1>our you just look just watching. There's this stuff to

1:21:28.200 --> 1:21:30.160
<v Speaker 1>be picked up. So you're in New York a couple

1:21:30.160 --> 1:21:33.200
<v Speaker 1>of months a year in California, Well, I'm now I'm

1:21:33.240 --> 1:21:36.439
<v Speaker 1>actually Mrita at Stanford, so I'm there for summers and

1:21:36.600 --> 1:21:40.880
<v Speaker 1>many breaks, but I'm still teaching at Columbia, so I'm

1:21:40.960 --> 1:21:47.639
<v Speaker 1>more here, um right, and yeah, and hence I understand

1:21:47.680 --> 1:21:50.679
<v Speaker 1>there's an opera or two here. Part I understand there's

1:21:50.720 --> 1:21:55.599
<v Speaker 1>a couple of operas here all the time. The next

1:21:55.640 --> 1:21:58.200
<v Speaker 1>one on my list is What's Sick, which is a

1:21:58.439 --> 1:22:04.679
<v Speaker 1>very hard opera org It's it's human tragedy at its worst.

1:22:04.760 --> 1:22:09.640
<v Speaker 1>But William Kentridge is doing this production and the sets,

1:22:09.680 --> 1:22:12.880
<v Speaker 1>and he, in my mind, is the most inventive and

1:22:13.000 --> 1:22:19.640
<v Speaker 1>interesting artist alive by a long shot. Wow. That's quite interesting. Um.

1:22:19.760 --> 1:22:22.920
<v Speaker 1>So what are you optimistic about in the world of

1:22:22.960 --> 1:22:25.880
<v Speaker 1>psychology today and what are you a little pessimistic about.

1:22:27.360 --> 1:22:31.200
<v Speaker 1>I'm optimistic in general by the arts and sciences, um

1:22:31.520 --> 1:22:35.400
<v Speaker 1>and they both have young people who are doing really

1:22:35.439 --> 1:22:39.880
<v Speaker 1>innovative and creative things. In my own field, I happen

1:22:39.960 --> 1:22:44.040
<v Speaker 1>to be past president of the Association of Psychological Sciences.

1:22:44.320 --> 1:22:47.200
<v Speaker 1>I gave out a lot of prizes last year, including

1:22:47.240 --> 1:22:51.360
<v Speaker 1>to young investigators. And they know math, and they know

1:22:51.640 --> 1:22:54.439
<v Speaker 1>big data, and they know the brain and they know

1:22:54.640 --> 1:22:58.479
<v Speaker 1>behavior and they're doing mind blowing things, and you can't

1:22:58.479 --> 1:23:03.360
<v Speaker 1>help but be in all of these young people reasons

1:23:03.400 --> 1:23:07.880
<v Speaker 1>to be optimistic about the future and about the the arts, politics,

1:23:07.920 --> 1:23:10.920
<v Speaker 1>global warming. I'm worried about the same things. You know,

1:23:10.960 --> 1:23:15.639
<v Speaker 1>a reckless leader of a major country doing impulsive things

1:23:15.720 --> 1:23:20.680
<v Speaker 1>that that would never happen. You know, of course the

1:23:20.720 --> 1:23:23.759
<v Speaker 1>adults are going to take charge. No one would behave

1:23:23.800 --> 1:23:28.040
<v Speaker 1>recklessly like that. Yeah, you have to be optimistic that

1:23:28.120 --> 1:23:30.559
<v Speaker 1>we will get past all that sort of Well, global

1:23:30.600 --> 1:23:33.439
<v Speaker 1>warming is more of a worry. But so I'm worried

1:23:33.479 --> 1:23:36.400
<v Speaker 1>about the things that normal people are worried about. But

1:23:37.000 --> 1:23:40.160
<v Speaker 1>so I recently I agree with you on those I

1:23:40.320 --> 1:23:44.280
<v Speaker 1>recently read something. So there are reasons to be frightened

1:23:44.280 --> 1:23:47.200
<v Speaker 1>about global warming, but there are also reasons to be

1:23:47.280 --> 1:23:53.880
<v Speaker 1>optimistic that will transition to sustainable energy and we'll find

1:23:53.960 --> 1:23:57.880
<v Speaker 1>some technological solution that will reduce the negative effects. And

1:23:57.920 --> 1:24:01.000
<v Speaker 1>then I read this column with a person and they

1:24:01.080 --> 1:24:06.640
<v Speaker 1>look at all these surveys of people and my optimistic

1:24:06.760 --> 1:24:10.799
<v Speaker 1>viewpoint on technology, what happens if it's wrong, And lots

1:24:10.800 --> 1:24:14.080
<v Speaker 1>of lots of people seem to believe, oh yeah, we'll

1:24:14.160 --> 1:24:17.639
<v Speaker 1>we'll see the skies, We'll find some way to reflect

1:24:17.640 --> 1:24:21.160
<v Speaker 1>the sun temporarily and lower. There seems to be a

1:24:21.240 --> 1:24:23.960
<v Speaker 1>belief amongst a lot of people that yeah, yeah, well

1:24:24.000 --> 1:24:26.000
<v Speaker 1>we'll come up with a magic bullet, will be fine,

1:24:26.520 --> 1:24:29.080
<v Speaker 1>and that's not usually how things work. They usually aren't

1:24:29.120 --> 1:24:32.920
<v Speaker 1>magic bullets. And when somebody explained that, like lots of

1:24:32.960 --> 1:24:35.880
<v Speaker 1>people think this, I'm like, gee, maybe it really is

1:24:35.960 --> 1:24:38.680
<v Speaker 1>much worse than uh. I know it's bad, but I'm

1:24:38.680 --> 1:24:41.240
<v Speaker 1>trying to be optimistic. And that kind of was like

1:24:41.320 --> 1:24:44.920
<v Speaker 1>a reality check that maybe it's gonna be harder to

1:24:44.960 --> 1:24:48.000
<v Speaker 1>fix this than we think. Yeah, and what what if

1:24:48.040 --> 1:24:50.799
<v Speaker 1>you look for optimistic things and I think we share

1:24:50.880 --> 1:24:53.800
<v Speaker 1>that looking for it. I don't know that there's going

1:24:53.840 --> 1:24:57.800
<v Speaker 1>to be a magic, single solution. It's more gonna be many.

1:24:57.920 --> 1:25:02.519
<v Speaker 1>But what is impressive. Despite the government's policy, which is

1:25:02.600 --> 1:25:07.800
<v Speaker 1>not pro green, many companies have discovered that they're better off.

1:25:07.880 --> 1:25:13.120
<v Speaker 1>It's economically in their interests, and so that that's happening.

1:25:13.200 --> 1:25:16.080
<v Speaker 1>And you look at younger people and and you know,

1:25:16.280 --> 1:25:19.080
<v Speaker 1>I once left the water running while I was brushing

1:25:19.080 --> 1:25:23.080
<v Speaker 1>my teeth and one of my four year old grandchildren said, softer,

1:25:23.760 --> 1:25:27.439
<v Speaker 1>turn off the water, stop wasting, stop wasting water. So

1:25:27.560 --> 1:25:30.559
<v Speaker 1>coal is a perfect example of exactly what you're talking about.

1:25:31.360 --> 1:25:39.200
<v Speaker 1>Coal has been and coal just plummeted in usage, but

1:25:39.400 --> 1:25:44.000
<v Speaker 1>we have made natural gas not as good as solar,

1:25:44.080 --> 1:25:48.519
<v Speaker 1>but much better than coal. It's become so inexpensive that

1:25:49.560 --> 1:25:53.559
<v Speaker 1>coal fired electrical plants are rapidly going away. It's so

1:25:53.640 --> 1:25:58.320
<v Speaker 1>much cheaper to switch to natural gas that the economic

1:25:58.360 --> 1:26:00.679
<v Speaker 1>insensives are doing a lot of it on their own,

1:26:01.360 --> 1:26:03.840
<v Speaker 1>just the cost of the material. You don't have to

1:26:03.840 --> 1:26:06.400
<v Speaker 1>have scrubbers with natural gas, you don't have to have

1:26:06.479 --> 1:26:12.960
<v Speaker 1>all these complicated carbon recaption systems. Now mining for natural

1:26:13.000 --> 1:26:16.040
<v Speaker 1>gas releases methane another thing. Natural gas has a lot

1:26:16.040 --> 1:26:19.920
<v Speaker 1>of its own problems, but on any comparison basis, it's

1:26:20.000 --> 1:26:22.840
<v Speaker 1>just so much better than coal. Hopefully we see more

1:26:22.920 --> 1:26:28.120
<v Speaker 1>of that moving in the right direction organically, um but

1:26:28.240 --> 1:26:34.840
<v Speaker 1>we'll see and solar and wind and see and people

1:26:34.840 --> 1:26:38.439
<v Speaker 1>are moving. The real question is can we go fast enough?

1:26:38.479 --> 1:26:41.839
<v Speaker 1>Because the warming has already happened, The glaciers are mounting,

1:26:41.880 --> 1:26:45.520
<v Speaker 1>the coral reefs are dying, and that's our fish population.

1:26:46.040 --> 1:26:50.599
<v Speaker 1>So you could see the Great Barrier reef dying from space.

1:26:50.680 --> 1:26:54.160
<v Speaker 1>There are satellite images that are showing it bleaching. For

1:26:54.320 --> 1:26:58.200
<v Speaker 1>miles at a time. Um, I'm trying to Douglas Adams

1:26:58.240 --> 1:27:00.840
<v Speaker 1>wrote a book maybe it was he's no longer with us,

1:27:00.880 --> 1:27:04.240
<v Speaker 1>so it had to be like years ago called Last

1:27:04.320 --> 1:27:09.760
<v Speaker 1>Chance to See And it's all these environments and species

1:27:09.840 --> 1:27:13.439
<v Speaker 1>that this was before eco tourism was a big thing,

1:27:14.040 --> 1:27:15.840
<v Speaker 1>and he said, hey, if you want to see these,

1:27:16.200 --> 1:27:18.120
<v Speaker 1>you better go see these now because they're not going

1:27:18.160 --> 1:27:21.080
<v Speaker 1>to be here in fifty years. And the great barrier

1:27:21.240 --> 1:27:24.200
<v Speaker 1>brief is literally you know, they're much more sensitive to

1:27:24.360 --> 1:27:28.719
<v Speaker 1>one degree increase in sea temperature than you know, even

1:27:28.800 --> 1:27:32.639
<v Speaker 1>enjoiant populations of fish. So that's a really interesting book

1:27:33.080 --> 1:27:36.759
<v Speaker 1>if you want to be depressed. So my last two questions,

1:27:36.840 --> 1:27:40.360
<v Speaker 1>let me ask you this, Um, what sort of advice

1:27:40.400 --> 1:27:42.920
<v Speaker 1>would you give to a recent college graduate who was

1:27:43.080 --> 1:27:50.800
<v Speaker 1>interested in a career in experimental psychology. If it's experimental psychology,

1:27:50.880 --> 1:27:56.280
<v Speaker 1>you have to learn brain and data. Um. Right, it's

1:27:56.280 --> 1:27:59.760
<v Speaker 1>it's hard now, in much harder in some ways than

1:28:00.000 --> 1:28:03.160
<v Speaker 1>and I was coming in. It's harder to get grant money,

1:28:03.240 --> 1:28:07.559
<v Speaker 1>and you need grants, and so it's hard. I would

1:28:07.560 --> 1:28:12.240
<v Speaker 1>tell people to be strategic. I wasn't, but it worked out.

1:28:13.040 --> 1:28:18.000
<v Speaker 1>I was very lucky that is a theme on this show.

1:28:18.160 --> 1:28:21.679
<v Speaker 1>Lots of people say how fortunate they were and how

1:28:21.800 --> 1:28:25.200
<v Speaker 1>how lucky they were by their circumstances, and you just

1:28:25.240 --> 1:28:28.559
<v Speaker 1>can't count on that happening always, right, And I think

1:28:28.600 --> 1:28:32.720
<v Speaker 1>some of it was the meandering that I did seemed

1:28:32.840 --> 1:28:36.439
<v Speaker 1>at first like me andering. This is the research track

1:28:36.520 --> 1:28:40.480
<v Speaker 1>that I took. But eventually then I saw this isn't neandering,

1:28:40.600 --> 1:28:43.639
<v Speaker 1>this is deliberate, and then I was able to craft

1:28:43.720 --> 1:28:48.160
<v Speaker 1>what I was doing along the bigger vision that I had.

1:28:48.800 --> 1:28:51.679
<v Speaker 1>But it took a while to get that. And if

1:28:51.720 --> 1:28:56.120
<v Speaker 1>I look at Picasso at an artist Roscoe, if you

1:28:56.160 --> 1:28:58.760
<v Speaker 1>look at early Roscoe is very different from later. It

1:28:58.840 --> 1:29:03.200
<v Speaker 1>was representational, wasn't even abstract. And I think that a

1:29:03.360 --> 1:29:05.920
<v Speaker 1>certain you do a certain amount of me entering, and

1:29:06.000 --> 1:29:10.280
<v Speaker 1>that's probably a good thing of exploring and exploring widely

1:29:10.400 --> 1:29:13.120
<v Speaker 1>before you get to help you get a vision, and

1:29:13.160 --> 1:29:16.559
<v Speaker 1>also to give you the tools that you need to

1:29:16.680 --> 1:29:20.200
<v Speaker 1>do something bigger. And so you build up the technical

1:29:20.240 --> 1:29:23.559
<v Speaker 1>skills and then you get a leap off from conceptual skills,

1:29:23.880 --> 1:29:27.559
<v Speaker 1>and you've tried many different things. It took a while

1:29:27.600 --> 1:29:30.760
<v Speaker 1>before Picasso got his vision, and then he ended up

1:29:30.800 --> 1:29:36.000
<v Speaker 1>having many visions because he was especially fertile in that way.

1:29:36.200 --> 1:29:38.559
<v Speaker 1>And our final question, what do you know about the

1:29:38.600 --> 1:29:42.200
<v Speaker 1>world of psychology today that you wish you knew thirty

1:29:42.280 --> 1:29:45.760
<v Speaker 1>or forty years ago when you were a young student. Well,

1:29:46.120 --> 1:29:50.679
<v Speaker 1>here's something I'm glad I didn't know. It's political, really,

1:29:51.439 --> 1:29:54.720
<v Speaker 1>and I feeling like tenure at universities or what get

1:29:54.760 --> 1:29:58.080
<v Speaker 1>published or or a little bit everywhere. So I thought

1:29:58.120 --> 1:30:01.200
<v Speaker 1>it was grant money to or I thought I was

1:30:01.280 --> 1:30:05.000
<v Speaker 1>going into a field that wasn't that was just intellectual.

1:30:05.120 --> 1:30:09.719
<v Speaker 1>And you know, I'm aberrant that way of really enjoying

1:30:09.840 --> 1:30:13.280
<v Speaker 1>ideas and playing with ideas and contributing to them and

1:30:13.320 --> 1:30:16.240
<v Speaker 1>wanting to be around people who are thinking. And I

1:30:16.280 --> 1:30:20.519
<v Speaker 1>thought academics was going to be the purest place on that.

1:30:21.320 --> 1:30:25.120
<v Speaker 1>When I was studying, there weren't that many opportunities for women.

1:30:25.160 --> 1:30:28.839
<v Speaker 1>And I was self supporting my last two years in college,

1:30:28.840 --> 1:30:32.519
<v Speaker 1>so I I knew there was no I had nobody

1:30:32.560 --> 1:30:36.200
<v Speaker 1>to fall back on. I had to make a living um.

1:30:36.200 --> 1:30:41.240
<v Speaker 1>But sure, it's even who you site in your articles

1:30:42.160 --> 1:30:48.000
<v Speaker 1>and and and so forth. So I thought, this is

1:30:48.040 --> 1:30:51.400
<v Speaker 1>a level playing field. All that matters is good ideas.

1:30:51.439 --> 1:30:56.920
<v Speaker 1>But there's not quite a meritocracy not right in meritocracy

1:30:56.960 --> 1:31:00.559
<v Speaker 1>has come to be a bad word, but really in

1:31:00.640 --> 1:31:05.240
<v Speaker 1>some cases. But I thought all that would matter with

1:31:05.600 --> 1:31:10.160
<v Speaker 1>the ideas, but which ideas get picked up on and

1:31:10.200 --> 1:31:12.920
<v Speaker 1>who they get attributed to it. Here being a woman

1:31:13.320 --> 1:31:17.360
<v Speaker 1>was a bit of a disadvantage, and again I was oblivious,

1:31:17.520 --> 1:31:23.360
<v Speaker 1>and I'm glad I was oblivious. But there are those

1:31:23.479 --> 1:31:27.200
<v Speaker 1>political things are really social dynamics, and they're they're they're

1:31:27.200 --> 1:31:30.479
<v Speaker 1>about human beings. And in the end, even if it's

1:31:30.520 --> 1:31:35.080
<v Speaker 1>intellectual and ideas about science, it's still human beings that

1:31:35.120 --> 1:31:39.240
<v Speaker 1>are making the market quite fascinating. Barbara, thank you for

1:31:39.280 --> 1:31:41.960
<v Speaker 1>being so generous with your time. We've been talking for

1:31:42.040 --> 1:31:45.200
<v Speaker 1>about two hours, and I could go for another two hours,

1:31:45.600 --> 1:31:48.120
<v Speaker 1>but I know you have places to go and people

1:31:48.120 --> 1:31:52.400
<v Speaker 1>to see. We have been speaking with Barbara Traversky, professor

1:31:52.439 --> 1:31:56.559
<v Speaker 1>of psychology at Colombia and Stanford and author of the

1:31:56.600 --> 1:32:01.040
<v Speaker 1>book Mind in Motion, How Actions Shape Thoughts. If you

1:32:01.320 --> 1:32:04.479
<v Speaker 1>enjoy this conversation, well be sure and look up an

1:32:04.479 --> 1:32:07.360
<v Speaker 1>intro down an inch on Apple iTunes and you could

1:32:07.400 --> 1:32:11.160
<v Speaker 1>see any of the three hundred prior such conversations we've had.

1:32:11.680 --> 1:32:15.000
<v Speaker 1>You can find that on iTunes, Google, podcasts. That's your

1:32:15.000 --> 1:32:19.919
<v Speaker 1>Spotify overcast wherever final podcasts are sold. We love your comments,

1:32:19.920 --> 1:32:23.799
<v Speaker 1>feedback and suggestions right to us at m IB podcast

1:32:23.880 --> 1:32:27.760
<v Speaker 1>at Bloomberg dot net. Give us a review on Apple iTunes.

1:32:28.280 --> 1:32:30.240
<v Speaker 1>I would be remiss if I did not thank the

1:32:30.280 --> 1:32:34.519
<v Speaker 1>crack staff that helps put these conversations together each week.

1:32:35.120 --> 1:32:41.280
<v Speaker 1>Paris Wald is my producer, Mark Sinnascalce is my audio engineer.

1:32:41.760 --> 1:32:45.320
<v Speaker 1>I'm Barry Rehults. You've been listening to Masters in Business

1:32:45.600 --> 1:32:46.759
<v Speaker 1>on Bloomberg Radio