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Speaker 1: Hello, everybody, Welcome to another episode of I Saw What

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Speaker 1: You Did.

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Speaker 2: My name is Millie to.

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Speaker 1: Jericho, I'm Daniel Henderson and wahhhh.

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Speaker 2: I like how you you laughed like that. I did

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Speaker 2: not know you were going to laugh like that, and

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Speaker 2: my natural laugh sounds like your Dracula laugh. Good to know.

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Speaker 3: This is something you don't know about me.

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Speaker 1: Maybe, but I love a shitty Dracula impression.

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Speaker 2: Did you know that? What? Yes? Love it? I did

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Speaker 2: not know that.

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Speaker 3: I think it's like the funniest thing in the world.

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Speaker 2: I don't know why, like shitty on screen, shitty in person.

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Speaker 2: What makes it shitty? I don't know.

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Speaker 1: Just I love any lackadaisical, bad Transylvanian esque accent doing

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Speaker 1: a Dracula, Like what's the guy from SCTV?

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Speaker 2: I forgot his name? That does? Oh yeah, Joe, what's

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Speaker 2: his space Joe Flaherty?

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Speaker 3: Is that his name?

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Speaker 1: Yes? Yes, I love that. He's my favorite bad Dracula.

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Speaker 2: He's a pretty good bad Dracula.

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Speaker 3: Just looks wise. But I don't know why. That cracks

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Speaker 3: me up.

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Speaker 1: And so you know, it's about to be Halloween, so

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Speaker 1: I'm getting spades right now. And I also love doing

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Speaker 1: one whenever I get the shot. So tell me, tell

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Speaker 1: me what's up, tell me what's going on with you.

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Speaker 2: Well, I'm so amused to find out about this bad

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Speaker 2: Dracula story. It just again I'm adding it to the

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Speaker 2: list of things that are completely endearing about you. Sorry

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Speaker 2: that now will also make me laugh for sure. But well,

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Speaker 2: first off, I should mention we are doing our first

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Speaker 2: live event. We are. Yes, we will be million and

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Speaker 2: I both at the Wexner's Center for the Arts in Columbus,

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Speaker 2: Ohio on Friday, November fifth and Saturday November sixth. We

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Speaker 2: are presenting a double feature on Friday November fifth at

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Speaker 2: seven pm. It is nine dollars for the general public,

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Speaker 2: seven dollars for members, and five dollars for students. The

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Speaker 2: first film starts at seven pm, the second film starts

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Speaker 2: at nine pm, and we will be showing nine to

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Speaker 2: five and Filma and Louise and then what happens next Well,

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Speaker 2: so we're.

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Speaker 1: Doing the movies on Friday, and then we're going to

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Speaker 1: talk about the movies the next day. So on Saturday,

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Speaker 1: November sixth, starting at seven pm. This is a free event,

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Speaker 1: by the way, so if you don't have any money

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Speaker 1: and you just want to come see his talk.

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Speaker 3: Come on Saturday.

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Speaker 1: We are going to talk about Thelma and Louise and

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Speaker 1: nine to five from the night before. We're gonna do

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Speaker 1: a little episode. We're not going to record it or anything.

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Speaker 1: We're just having a chat. It'll be just like doing

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Speaker 1: a live episode of the pod. And we cannot wait.

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Speaker 1: This is the first time that Danielle and I are

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Speaker 1: actually doing a live thing.

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Speaker 3: Yes, I believe.

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Speaker 1: Vaccines are required and you'll have to wear masks, which

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Speaker 1: keeps everybody safe.

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Speaker 3: We love it.

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Speaker 1: So if you're in the area and want to come,

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Speaker 1: we'd love to see you. Would be would be great.

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Speaker 2: Absolutely, And again it's the Wexner Center for the Arts

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Speaker 2: in Columbus, Ohio. You can come to one event, you

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Speaker 2: can come to both events, pick and choose, but we

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Speaker 2: we just love to see you if you're in the area.

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Speaker 1: Yes, there'll be also a lot of info about it

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Speaker 1: on the on social media too, so you know, check

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Speaker 1: us out there, and yeah, I can't wait. It's gonna

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Speaker 1: be so fun.

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Speaker 2: It's gonna be so fun. But also, okay, so you

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Speaker 2: asked me what's up, and let me tell you. I

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Speaker 2: have noticed this week that trucks need to calm down.

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Speaker 2: And I'm talking about like pickup trucks, like normal, not

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Speaker 2: like eighteen wheelers, but like normal trucks that people are

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Speaker 2: driving need to calm down because I cannot tell you,

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Speaker 2: and I've noticed it more because of where I live now, naturally. Yeah,

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Speaker 2: I bet I was on the road and I decided

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Speaker 2: to take a back road to go get something this week,

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Speaker 2: I was running errands, took a back road. All of

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Speaker 2: a sudden, coming up behind me is a pickup truck

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Speaker 2: and it had tended mirrors. Extended side mirrors yep, which

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Speaker 2: I've seen before. But when I tell you, this truck

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Speaker 2: coming up behind me looked like Christ the fucking Redeemer,

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Speaker 2: just like arm spread These mirrors were like three feet

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Speaker 2: out from the side of this truck. Yeah, And I

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Speaker 2: was like, what in it looked like speaking of Dracula,

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Speaker 2: Like just picture anything with his arm spread out, and

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Speaker 2: that is what this truck looked like. It looked like

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Speaker 2: it had actual arms that stuck out three feet from

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Speaker 2: this It's not it's no longer even doing the job

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Speaker 2: of a side mirror at that point, because what are

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Speaker 2: you seeing three feet away from your car on either side.

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Speaker 1: Well, that is one thing I will agree with you

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Speaker 1: on is the the truck itself has gotten so fucking

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Speaker 1: big over the years.

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Speaker 2: Too much, too much.

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Speaker 1: Do you remember, like when we were kids in the eighties,

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Speaker 1: Like my neighbor drove a Dotson truck. They were like tiny, tiny,

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Speaker 1: little metal trucks.

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Speaker 2: They were the matchbox cars of pickup trucks.

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Speaker 1: Yes, they were super tiny. H they were effective. They

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Speaker 1: could carry fruit or yeah, furniture whatever. It's not as

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Speaker 1: if like they were too small to where people were like, God,

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Speaker 1: this is so inefficient, we have to create a bigger truck.

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Speaker 2: Exactly. I think it's a vanity thing.

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Speaker 1: I think people were like, yo, I'm driving a pickup truck.

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Speaker 1: We gotta jacket up on big wheels, we gotta put

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Speaker 1: three foot mirrors on the sides. Absolutely, And now they're

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Speaker 1: like buses. They're like buses. I'm telling you, I could

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Speaker 1: not agree with you more. I could not agree with

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Speaker 1: you more. And it's like a masculinity thing. And I

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Speaker 1: see these trucks coming up at me now and I

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Speaker 1: just instantly can't I just get so mad because I'm like,

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Speaker 1: this is too much. We don't need all of this.

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Speaker 1: I don't need it. You don't need it.

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Speaker 2: Look up a dots In and then look up a

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Speaker 2: current like a twenty twenty four one fifty Yes, and

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Speaker 2: just imagine going from dots into that in your own lifetime.

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Speaker 2: I know, like you you could roller skate with dots

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Speaker 2: Ins based on compared to the size of their trucks.

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Speaker 2: Nowadays you can strap a dots In on each foot. Yeah.

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Speaker 1: Oh, in fact, I think I've seen a regular modern

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Speaker 1: pickup truck rolling over like ten Dotson's at the fucking

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Speaker 1: City Center.

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Speaker 2: Arena or whatever.

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Speaker 1: Like now, normal sized trucks in the eighties are getting

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Speaker 1: smashed by modern sized trucks.

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Speaker 2: It's insane. Yeah, Like Bigfoot used to like Bigfoot, you know,

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Speaker 2: that big truck that we were all obsessed with in

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Speaker 2: the in the eighties, used to smash like volkswagons. Yes,

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Speaker 2: and now Bigfoot smashes other trucks. It's just like it's

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Speaker 2: too much. It's too much. I can't handle it, and

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Speaker 2: it is my gripe for the week. I definitely feel

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Speaker 2: like because it's it's more than anything. It's just disc inserting.

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Speaker 2: Like I'm by myself on a country road and then

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Speaker 2: here comes this roaring fucking truck up behind me with

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Speaker 2: its arms spread out, and I'm just like, I can't

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Speaker 2: It looks like a statue and a truck all at once.

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Speaker 2: I just I can't handle. I don't like it. I

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Speaker 2: don't like the feeling it gives me. I think it's

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Speaker 2: too much. Trucks need to calm down. Listen.

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Speaker 1: This is pure American shit, because I'll tell you right now,

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Speaker 1: if you go to Italy, you will never see a

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Speaker 1: truck like that. You'll never see the big ass country truck.

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Speaker 1: You could be in the country in Italy.

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Speaker 2: You know they have a country in Italy.

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Speaker 1: I've driven through Italy twice and you're in the middle

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Speaker 1: of fucking nowhere. Yeah, just like you would be, you know,

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Speaker 1: in upstate New York, and they don't have trucks that big.

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Speaker 2: They just don't. I have never been to Italy, but

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Speaker 2: I guarantee anyone building a house in the country in

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Speaker 2: Italy is popping those planks of wood in the back

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Speaker 2: of a Fiat and not saying anything. Es just fucking

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Speaker 2: planks of wood hanging out of those windows and that's it. Yeah,

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Speaker 2: it's not happening. And I think that's the thing. Is

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Speaker 2: like even in la. I wouldn't see trucks that big.

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Speaker 1: Yeah, it feels like it's an American country size, like

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Speaker 1: it's something about America. And this idea of like jacking

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Speaker 1: up a normal truck to be a monster truck, because

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Speaker 1: that's the thing is that they are.

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Speaker 3: Some of them are monster truck size. It's very stray.

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Speaker 2: It's really weird. And guess what the thing that's the

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Speaker 2: most is concerning about it. Most people who have those

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Speaker 2: trucks are just throwing a garbage bag in the back

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Speaker 2: of it and driving it down the driveway like the verbs.

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Speaker 2: They're not even doing anything cool with it or monster

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Speaker 2: trucky with it. They're just like, I just don't want

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Speaker 2: to slide on this highway on my way to Dunkin

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Speaker 2: Donuts to get my latte.

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Speaker 3: Yeah, unless you.

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Speaker 1: Take it like a little league baseball team in the back.

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Speaker 1: Why do you need that truck? Usually it's one person.

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Speaker 1: I see one person in it, you know, unreal, there's

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Speaker 1: no need, there's no need.

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Speaker 2: But what about you? How was your week? Oh?

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Speaker 1: Okay, so you know how you spoke a few weeks

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Speaker 1: ago about how you went out, Yeah on the town.

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Speaker 1: I did a little of that over the weekend, I

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Speaker 1: went to a concert. It was the first music concert

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Speaker 1: that I've been to probably like two years, damn, because

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Speaker 1: I wasn't going to many even before COVID. Yes, So

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Speaker 1: I went to a show and I went and saw

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Speaker 1: I saw what you did, King of Men. I went

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Speaker 1: and saw Tim Capello from The Lost Boys in concert.

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Speaker 2: Wow. Yes, say more about that right now.

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Speaker 1: Okay, So, first of all, COVID has not taken our king,

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Speaker 1: thank you, just to put just to put that out there.

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Speaker 2: I thought of that the entire time I.

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Speaker 1: Was at the show, as you, praying to the Lord COVID,

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Speaker 1: please don't take our saxophone King. But you know, after

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Speaker 1: that episode, if somebody messaged me, actually more than one

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Speaker 1: person messaged me, I got it a lot. Actually, they

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Speaker 1: were like, hey, did you know that Tim Capello from

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Speaker 1: The Lost Boys, saxophone player from the Party Sequence and

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Speaker 1: the Lost Boys is touring right now?

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Speaker 3: And I was like, holy shit.

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Speaker 1: I found out he was coming to my town and

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Speaker 1: bought tickets and so I was like, oh, now the

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Speaker 1: concert is here because I bought them a while ago.

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Speaker 1: And then I was like, oh, the concert's actually here.

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Speaker 2: Yeah.

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Speaker 1: I when I tell you that, I had so much

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Speaker 1: fucking fun. I can't describe to you the joy that

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Speaker 1: I felt seeing him in concert. Okay, because for every

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Speaker 1: fucking reason that I was obsessed with him before being

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Speaker 1: in The Lost Boys, for being this very earnest presence

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Speaker 1: in this fucking, crazy, dumb fun movie, he is exactly

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Speaker 1: the same he showed up. First of all, he looks

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Speaker 1: fucking incredible. He's almost effectively the same body. I don't

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Speaker 1: know how that's possible. He's like sixty years old. He

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Speaker 1: looks unbelievable. He was oiled down, so he was covered in.

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Speaker 2: Oil, just as he was in The Lost Boys. See.

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Speaker 2: I knew it. He's got an oil spit. I knew it.

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Speaker 3: I thought that was such a great touch.

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Speaker 1: He was wearing the like intricate goth bondage necklace or

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Speaker 1: whatever the fuck he was wearing the movie.

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Speaker 2: He was wearing like I don't even know how to

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Speaker 2: describe this. Aha.

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Speaker 1: I believe it was a leather cod piece over a

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Speaker 1: pair of tight, acid washed jeans.

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Speaker 2: Wow, I mean wow, I.

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Speaker 1: Have to post a photo on our Instagram. It was

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Speaker 1: such a fuck look and he was pulling it off

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Speaker 1: without any problems. I was just like, Wow, a sixty

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Speaker 1: year old man is out here looking like this.

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Speaker 2: I'm like, he is our king. Also, a sixty year

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Speaker 2: old man is out here looking like this in a pandemic, Because,

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Speaker 2: let me tell you, I just getting dressed is a

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Speaker 2: miracle for me. Any day that I have clothes on

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Speaker 2: my body, let alone an outfit, let alone a killer outfit.

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Speaker 1: Listen, this guy was oiled up, put on that leather

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Speaker 1: cod piece or those leather breaths.

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Speaker 2: I don't know what they were.

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Speaker 3: It was like some kind of like was it a thong,

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Speaker 3: I you know.

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Speaker 1: I don't know if it was a thong, but it

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Speaker 1: was like the only thing I can say is that

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Speaker 1: there's a cover to a Prince record from the eighties.

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Speaker 1: I think where Prince is wearing nothing but like underwearing

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Speaker 1: the front part is leather. I think that's kind of

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Speaker 1: what I looked like, but maybe a little bit more rhinestony. No,

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Speaker 1: I wasn't really like staring too hard, but I'm just

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Speaker 1: saying that the dedication the pandemic, dedication to wearing those

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Speaker 1: over a pair of jeans, I thought was incredible.

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Speaker 2: Sincerely, And it.

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Speaker 1: Was literally just him and his saxophone. He was basically

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Speaker 1: playing to like a pre programmed beat or whatever. And

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Speaker 1: in the background he was showing he was showing footage

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Speaker 1: from when he was on Miamivice, which I thought was

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Speaker 1: so fucking funny. And then he was showing clips of

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Speaker 1: like old movies, like classic films.

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Speaker 2: Oh, we got to get him on the pod.

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Speaker 3: Dude, exactly.

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Speaker 1: I was like, Okay, this guy just showed a clip

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Speaker 1: from The Misfits. We are definitely getting him on this podcast, don't.

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Speaker 1: I don't know if he's like a huge old movie fan,

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Speaker 1: but whatever, it's I was like, this is evidence alone

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Speaker 1: that he belongs to our podcast. And the thing about

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Speaker 1: him that really just warmed my heart was just this

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Speaker 1: idea that he he was basic like, hey, guys, if

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Speaker 1: there's anything about me that you need to know, it's

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Speaker 1: that I'm not trying to kid myself.

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Speaker 3: I know why you guys are here. You're here to hear.

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Speaker 1: I still believe from the Lost Face. However, do me

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Speaker 1: a favor and listen to a song from my new album.

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Speaker 1: Like he was just like setting it up, like, I

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Speaker 1: know why you're here. I appreciate you. I know that

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Speaker 1: most people don't want to hear the new track from

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Speaker 1: the new album, but you know, just do me a

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Speaker 1: big favor and be sweet.

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Speaker 3: And I was like, I love you.

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Speaker 2: You were so nice, Like I'll go anywhere for you,

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Speaker 2: mister capell I love an earnest sex playing God.

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Speaker 3: God, it was so fun.

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Speaker 1: Every song sounded like a song that would be in

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Speaker 1: a Buddy cop film from the eighties, like Judge Ryinhold

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Speaker 1: is like rolling over the hood of a car or

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Speaker 1: something like.

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Speaker 3: It was like just this perfect.

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Speaker 1: Combo of like of the music and the look, and

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Speaker 1: you know, everybody is like flipping out and I had

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Speaker 1: the best time.

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Speaker 3: Now I have to get a COVID test this week.

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Speaker 2: Because I'm terrified. I am terrified that I got COVID

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Speaker 2: at this show.

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Speaker 3: I hope I didn't. But you know, did you.

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Speaker 2: Have your mask on? Like? How was the crowd? How

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Speaker 2: was the vibe?

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Speaker 1: Well, listen, I mean, bottom line is that I'm in Georgia.

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Speaker 2: Now.

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Speaker 1: It's not as bad as Florida, I will say that,

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Speaker 1: But it's the kind of thing where some places do

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Speaker 1: like mandatory vaccines, some places don't. Most places do do masks,

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Speaker 1: but you see people without them all the time. And

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Speaker 1: when I was at the show, I mean I was

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Speaker 1: wearing a mask, but yeah, there was a lot of

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Speaker 1: people not wearing masks, and I was like, and I

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Speaker 1: wasn't asked for my vaccination card when I walked through

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Speaker 1: the door, So I was kind of like, Okay, this

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Speaker 1: is a this is a red zone. But you know what,

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Speaker 1: like if I I got COVID while I went and

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Speaker 1: saw Tim Cappello, I hope I did not, But I'm.

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Speaker 3: Just saying it's possibly worth it.

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Speaker 2: I don't know.

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Speaker 3: I don't want to say that.

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Speaker 2: But listen, if COVID did not take our saxophone, Prince

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Speaker 2: Tim Capello, but it does take my podcast Queen million

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Speaker 2: to cheer Ago, I will have to box him in

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Speaker 2: a public square. Rest in peace, Queen. I will box

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Speaker 2: Tim Capello. If you got COVID at this show.

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Speaker 1: Well, And you know what's funny is that I was

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Speaker 1: concerned for him. I was like, why are these people

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Speaker 1: not wearing a mask for him? Like, he can't wear

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Speaker 1: a mask. He's playing his saxophone tunes. You know, he

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Speaker 1: can't take his mask down.

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Speaker 2: There's no like prophylactic, prosthetic. There's nothing you can do

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Speaker 2: to play the saxophone through a mask because the read

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Speaker 2: is and the mouthpiece. It's all about contact. Yes, yes, exactly.

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Speaker 2: And here's another question. Was there a bar on the

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Speaker 2: premises of course? Well, there you go, bitch, there you go. Ah.

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Speaker 2: I'm sure people with even the best intentions took one

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Speaker 2: drink and that mask came down. Oh yeah, And I.

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Speaker 3: Mean I had a drink or two.

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Speaker 1: Not gonna lie, and I there were moments where I

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Speaker 1: was like trying to do the straw underneath the mass look,

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Speaker 1: which is so awful. But you know, I was trying

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Speaker 1: to do it safely. But at a certain point, I

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Speaker 1: was just like, I gotta do a flip up because

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Speaker 1: you gotta do it. I can't do this, can have

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Speaker 1: a straw poking through my face. So I don't know.

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Speaker 1: I'm a little I'm a little scared.

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Speaker 2: Look, we're taking our precautions. We have to live. We

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Speaker 2: came to this this realization a couple of weeks ago

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Speaker 2: when I talked about going out in New York City.

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Speaker 2: I've since taken a COVID test, a PRC test. Everything's fine,

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Speaker 2: and you know, we just we gotta be careful. But

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Speaker 2: we got to get out there. We got to get

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Speaker 2: back out there and you know, to our own comfort levels.

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Speaker 2: And I'm talking about just you and me. Everyone else

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Speaker 2: should still stay at home. Yes, anyone listening to this

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00:19:07,080 --> 00:19:09,159
Speaker 2: should just stay at home. But me and Millie we

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Speaker 2: have to get that gap there because we've been cooped

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Speaker 2: up for two years and that is not good for

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Speaker 2: the two of us, I know, And.

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Speaker 1: You know, it did feel there was a moment where

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Speaker 1: I thought, should I just not go because the place

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Speaker 1: that he played it wasn't like.

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Speaker 3: You know, it was like a cool it's a cool.

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Speaker 2: Bar in Atlanta.

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Speaker 1: It's not, you know, an amphitheater. You know, they're not

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Speaker 1: doing the like six feet apart tables thing. It was

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Speaker 1: basically like a punk rock club in the city.

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Speaker 3: You know, lots of young people, dark and goth.

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Speaker 1: It was very goth that night, and I just thought

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Speaker 1: it's gonna be a thing and I but I was like,

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Speaker 1: I don't know, I want to try to go because

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Speaker 1: when am I going to see Thank you Tim Cappello

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Speaker 1: sax player.

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00:19:56,200 --> 00:19:58,240
Speaker 3: From the Lost Boys, and thank you.

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Speaker 1: You know, I took that risk and hopeful fingers crossed nothing.

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Speaker 1: I didn't catch anything, but you know, I just was

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Speaker 1: like it was so fun in a moment though, I

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Speaker 1: just had a blast.

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Speaker 2: I'm so glad you win. And I'm so glad you

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Speaker 2: had fun. And if anyone gave COVID to both you

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Speaker 2: and Tim Capello, I'm gonna bury you side by side.

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Speaker 2: I don't care what his family says, and he's just

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00:20:20,400 --> 00:20:22,280
Speaker 2: gonna have to deal. They're just gonna have to deal

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Speaker 2: with coming to visit him and you while the three

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Speaker 2: eleven hologram plays over your bodies. It's just the way

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00:20:27,840 --> 00:20:28,320
Speaker 2: it's gotta be.

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00:20:28,640 --> 00:20:33,119
Speaker 1: Listen, everybody knows that there is an Italian cemetery that

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Speaker 1: all the Italians get buried in.

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Speaker 3: So I'll be with him.

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Speaker 1: It's gonna be me, Tim Cappello, Kevin Klein's character from

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00:20:40,800 --> 00:20:45,320
Speaker 1: I Love You to Death. Sinatra is already there, Sophia

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00:20:45,440 --> 00:20:46,560
Speaker 1: Lorenn is already there.

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00:20:46,760 --> 00:20:50,240
Speaker 2: No Sarella or Lorette is alive, I should say. I

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Speaker 2: was like, why is she there, like in a lawn chair,

380
00:20:52,440 --> 00:20:53,439
Speaker 2: just hanging out knitting.

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Speaker 1: Sephia Lorette is standing above all the other dead Italians.

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Speaker 2: Been like, bitch, I'm still here.

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Speaker 1: Jealous, but you know what I mean.

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Speaker 2: I'm glad you went. I really am glad that you went.

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00:21:06,720 --> 00:21:10,560
Speaker 2: And I think that again, you're safe in every single

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Speaker 2: aspect of your everyday life. You went and had fun. Yeah,

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00:21:13,840 --> 00:21:16,000
Speaker 2: sounds like it was worth it. And I truly cannot

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Speaker 2: believe he saw Tim Capello, and I wish I could

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Speaker 2: have been there with you.

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00:21:19,160 --> 00:21:21,080
Speaker 3: I know I was thinking about you the entire time.

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Speaker 1: I really was, because I kept thinking about that COVID

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00:21:25,440 --> 00:21:29,560
Speaker 1: king scenario. And then I just know that that episode

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00:21:29,560 --> 00:21:32,080
Speaker 1: that we recorded about the Lost Boys was was so

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Speaker 1: fun for us to talk about. And I think that

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Speaker 1: and when I listened to it again, I was like, Damn,

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00:21:37,640 --> 00:21:40,359
Speaker 1: I really like him legit, Like I was like really

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00:21:40,400 --> 00:21:43,919
Speaker 1: making the case for him. Yeah, in a way that

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00:21:43,960 --> 00:21:46,960
Speaker 1: I think it was scary. Like a friend of mine

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00:21:47,000 --> 00:21:49,520
Speaker 1: was like, Damn, I didn't realize you really loved that guy.

400
00:21:49,640 --> 00:21:51,679
Speaker 1: And I'm like, don't say anything bad about him. Do

401
00:21:51,800 --> 00:21:54,080
Speaker 1: not make fun of him. He is a fucking great musician.

402
00:21:54,240 --> 00:21:57,040
Speaker 1: He played with Tina Turner. Fuck you again.

403
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Speaker 2: I love it. I absolutely love it. Yeah, I think

404
00:22:00,200 --> 00:22:03,040
Speaker 2: it is fantastic, And I love that you earnestly, like

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00:22:03,119 --> 00:22:04,399
Speaker 2: an earnest man.

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00:22:04,880 --> 00:22:08,919
Speaker 1: Yes, some people do not enjoy things, ironically, you know,

407
00:22:09,000 --> 00:22:12,440
Speaker 1: some people really love the thing, and I feel that

408
00:22:12,480 --> 00:22:15,000
Speaker 1: way about Tim Capello. Sir, You're doing a great job.

409
00:22:15,320 --> 00:22:17,439
Speaker 1: Stay safe out there. I had a great time at

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Speaker 1: your show, and thank you for the.

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00:22:20,680 --> 00:22:23,640
Speaker 2: Tunes and come back so I can see you. Yes,

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00:22:24,000 --> 00:22:27,359
Speaker 2: for sure, I have no segue for this this week.

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00:22:27,440 --> 00:22:30,240
Speaker 2: I don't think you can have one for this. I

414
00:22:30,240 --> 00:22:34,240
Speaker 2: don't know how unless something incredibly strange happened at this concert.

415
00:22:34,960 --> 00:22:41,560
Speaker 2: I think we just have to get into it. Speaking

416
00:22:41,600 --> 00:22:45,080
Speaker 2: of goths, I don't know, does that work? Yeah, it's good.

417
00:22:45,160 --> 00:22:48,400
Speaker 2: I like it. You're like just.

418
00:22:48,359 --> 00:22:50,320
Speaker 3: Being nice girl, But that would really suck.

419
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Speaker 1: We have a really spooky, ooky, halloweeny theme this week.

420
00:22:58,200 --> 00:23:03,439
Speaker 2: I'm really excited. Yeah, we do. Our theme this week

421
00:23:04,600 --> 00:23:08,520
Speaker 2: is books that Open the Portal to Hell.

422
00:23:12,600 --> 00:23:19,840
Speaker 1: Woah this I feel like this was all you, which

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00:23:19,920 --> 00:23:23,760
Speaker 1: I love. I stand by it. Tell us a little

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00:23:23,760 --> 00:23:26,040
Speaker 1: bit about books that open the portal to hell.

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Speaker 2: Well, as you know, I was reared on the horror films,

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00:23:31,080 --> 00:23:36,280
Speaker 2: and I kind of enjoy when the thematic element of

427
00:23:36,320 --> 00:23:40,520
Speaker 2: the film is built around something simple and something easy

428
00:23:40,560 --> 00:23:43,840
Speaker 2: to explain. Yes, so a swamp thing if you will,

429
00:23:44,200 --> 00:23:49,480
Speaker 2: a blob if you will, a book that you read

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00:23:49,640 --> 00:23:53,600
Speaker 2: from an or read in general, and it just opens

431
00:23:53,600 --> 00:23:59,760
Speaker 2: the portal to hell. Very simple thing for our Halloween area.

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00:24:00,680 --> 00:24:02,359
Speaker 3: Exactly. Well, I love it.

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00:24:02,359 --> 00:24:07,200
Speaker 1: Too for Halloween obviously such a fun you know, kind

434
00:24:07,240 --> 00:24:09,520
Speaker 1: of I don't even know if it's a micro genre,

435
00:24:09,600 --> 00:24:11,960
Speaker 1: but it is a sort of thematic element to horror

436
00:24:11,960 --> 00:24:14,720
Speaker 1: movies that is really fun and cool and makes us laugh.

437
00:24:15,720 --> 00:24:19,720
Speaker 2: And I think both of these movies are classics.

438
00:24:19,840 --> 00:24:22,760
Speaker 1: I mean, you have like you have two kind of

439
00:24:22,800 --> 00:24:26,520
Speaker 1: famous see horror movie directors. I mean, I think obviously

440
00:24:26,600 --> 00:24:31,560
Speaker 1: your movie, your director is probably like one of the

441
00:24:31,640 --> 00:24:35,280
Speaker 1: most famous horror movie directors of all time. And my

442
00:24:35,600 --> 00:24:39,000
Speaker 1: and for my film, it's the movie itself became this

443
00:24:39,200 --> 00:24:44,399
Speaker 1: like huge cult franchise and is a key horror movie,

444
00:24:44,760 --> 00:24:48,040
Speaker 1: although the director kind of went on and started doing

445
00:24:48,080 --> 00:24:50,560
Speaker 1: more kind of Hollywood stuff and kind of moved away

446
00:24:50,600 --> 00:24:51,600
Speaker 1: from horror for a while.

447
00:24:52,680 --> 00:24:54,639
Speaker 2: But I love these two together.

448
00:24:55,320 --> 00:24:58,040
Speaker 1: And I love the idea of a book opening a

449
00:24:58,119 --> 00:25:00,440
Speaker 1: portal to hell because it is like that thing where

450
00:25:00,440 --> 00:25:02,720
Speaker 1: it's like it's literary but it's scary.

451
00:25:03,800 --> 00:25:06,399
Speaker 2: Well, it's also like it's always the way, like if

452
00:25:06,440 --> 00:25:09,399
Speaker 2: you're in a dubious situation and you find a book

453
00:25:09,920 --> 00:25:13,080
Speaker 2: that is either I don't know, covered with human skin

454
00:25:13,840 --> 00:25:19,119
Speaker 2: or given to you by an axe wielding madman, you

455
00:25:19,240 --> 00:25:22,200
Speaker 2: don't want to read from it. Like the book itself

456
00:25:22,280 --> 00:25:26,280
Speaker 2: is always the ultimate reason to not want to read it,

457
00:25:26,400 --> 00:25:28,760
Speaker 2: and yet people are constantly opening the portal to Hell,

458
00:25:29,080 --> 00:25:32,280
Speaker 2: which makes me laugh so hard. Can I ask you

459
00:25:32,560 --> 00:25:33,160
Speaker 2: a question?

460
00:25:34,080 --> 00:25:36,840
Speaker 1: Was there a book from when you were a child

461
00:25:37,119 --> 00:25:39,440
Speaker 1: that you thought opened the portal to hell?

462
00:25:40,000 --> 00:25:42,840
Speaker 2: Stephen King's Needful Things? It was too real, It was

463
00:25:42,880 --> 00:25:44,919
Speaker 2: too real. Yeah, it felt like it could happen in

464
00:25:44,960 --> 00:25:45,359
Speaker 2: my town.

465
00:25:45,840 --> 00:25:48,160
Speaker 1: I have not read that book, but I've heard that

466
00:25:48,240 --> 00:25:49,760
Speaker 1: it's terrifying as.

467
00:25:49,600 --> 00:25:50,840
Speaker 2: Fuck, terrifying.

468
00:25:50,960 --> 00:25:53,920
Speaker 1: We love you King, We love you King, res and

469
00:25:54,000 --> 00:25:56,000
Speaker 1: Pece King King, Resip King King.

470
00:25:58,440 --> 00:26:01,440
Speaker 2: You know, I love Stephen King. But Needful Things too

471
00:26:01,680 --> 00:26:04,119
Speaker 2: goddamn freaky when I was a kid. You know what

472
00:26:04,160 --> 00:26:07,359
Speaker 2: else is also weird to me? People really love that book,

473
00:26:07,400 --> 00:26:09,760
Speaker 2: The Secret Garden. I always thought it was kind of

474
00:26:09,800 --> 00:26:11,119
Speaker 2: creepy when I was a kid.

475
00:26:11,560 --> 00:26:15,240
Speaker 1: Oh, totally, totally, totally, totally. That was a lot of

476
00:26:15,400 --> 00:26:18,040
Speaker 1: books from our childhood, was that they kind of had

477
00:26:18,080 --> 00:26:23,720
Speaker 1: this like spooky element to them. I for me, I

478
00:26:23,880 --> 00:26:28,040
Speaker 1: was terrified of Time Life's Mysteries of the Unknown.

479
00:26:28,320 --> 00:26:28,960
Speaker 2: Oh.

480
00:26:29,200 --> 00:26:31,240
Speaker 3: I think we've talked about this in the podcast before.

481
00:26:32,200 --> 00:26:35,199
Speaker 1: I thought all of them the entire series opened the

482
00:26:35,240 --> 00:26:36,520
Speaker 1: Portal to Hell completely.

483
00:26:37,160 --> 00:26:40,600
Speaker 2: The commercials alone. It just laying eyeballs on. The commercial

484
00:26:40,640 --> 00:26:42,959
Speaker 2: opens the portal to Hell. Oh my god.

485
00:26:43,280 --> 00:26:46,840
Speaker 1: Yeah, it's that commercial and the Stephen King commercial that

486
00:26:46,880 --> 00:26:48,440
Speaker 1: we posted a while back.

487
00:26:48,880 --> 00:26:50,920
Speaker 2: Yep, scariest fuck.

488
00:26:51,000 --> 00:26:53,520
Speaker 1: Why were they playing at four pm after school? I

489
00:26:53,560 --> 00:26:55,040
Speaker 1: don't know why, because.

490
00:26:54,800 --> 00:26:56,800
Speaker 2: We were the only people dumb enough to buy those books.

491
00:26:56,800 --> 00:26:59,560
Speaker 2: They're like, let's market this to twelve year olds. They're

492
00:26:59,640 --> 00:27:03,879
Speaker 2: the people who are gonna buy the time life book

493
00:27:04,000 --> 00:27:06,640
Speaker 2: series that will scare them for the rest of their

494
00:27:06,720 --> 00:27:09,600
Speaker 2: natural lives. I swear to God.

495
00:27:09,800 --> 00:27:12,399
Speaker 1: Sometimes I think about it, I'm like, oh, our childhood

496
00:27:12,480 --> 00:27:15,760
Speaker 1: was essentially one big episode of like Garth Morangkey's Dark Place.

497
00:27:15,880 --> 00:27:19,880
Speaker 1: It was just one funny and scary. Also, I've never

498
00:27:19,960 --> 00:27:20,480
Speaker 1: read them.

499
00:27:20,800 --> 00:27:24,280
Speaker 2: I think it's because I'm pretty sure the Babysitters Club

500
00:27:24,359 --> 00:27:25,960
Speaker 2: series would open the Portal to Hell.

501
00:27:26,320 --> 00:27:32,439
Speaker 1: Ah, Okay, you are talking to a super fan of

502
00:27:32,480 --> 00:27:35,880
Speaker 1: the Babysitters Club series. What yes, And I will say,

503
00:27:35,960 --> 00:27:39,600
Speaker 1: there's maybe three that opened the portal to Hell.

504
00:27:39,800 --> 00:27:41,880
Speaker 2: Oh, but the rest of them are very nice. Well,

505
00:27:42,040 --> 00:27:45,920
Speaker 2: text me those three because I just have a feeling,

506
00:27:45,960 --> 00:27:48,359
Speaker 2: because I know for a fact that the entire Sweet

507
00:27:48,359 --> 00:27:52,520
Speaker 2: Belly twin series will open the Portal to Hell. If

508
00:27:52,520 --> 00:27:54,600
Speaker 2: I have to read about that split ranch house one

509
00:27:54,640 --> 00:27:57,359
Speaker 2: more time. When I was a kid, the earth was

510
00:27:57,400 --> 00:27:58,520
Speaker 2: going to crack open.

511
00:27:59,800 --> 00:28:03,040
Speaker 1: If you get a package in the mail without a

512
00:28:03,080 --> 00:28:07,280
Speaker 1: return address and it's just a copy of Logan likes Marianne, do.

513
00:28:07,359 --> 00:28:08,160
Speaker 3: Not open that shit.

514
00:28:08,520 --> 00:28:12,040
Speaker 2: Put it in a fire, burn it. I'll take it

515
00:28:12,160 --> 00:28:14,200
Speaker 2: right out to the yard and light it on fire.

516
00:28:16,960 --> 00:28:20,600
Speaker 2: All of those books Portal to Hell. Oh my god,

517
00:28:21,040 --> 00:28:23,160
Speaker 2: this is gonna be fun. I cannot wait to get

518
00:28:23,160 --> 00:28:27,040
Speaker 2: into this. You're going first, so ooh, I am going first.

519
00:28:27,400 --> 00:28:28,119
Speaker 2: My goodness.

520
00:28:28,200 --> 00:28:34,080
Speaker 1: Okay, So my movie for the theme books that open

521
00:28:34,160 --> 00:28:37,520
Speaker 1: the Portal to Hell is a movie from nineteen eighty one.

522
00:28:37,760 --> 00:28:40,320
Speaker 1: It was directed by Sam Raimi and it's called The

523
00:28:40,520 --> 00:28:46,200
Speaker 1: Evil Dead. I have seen the dark shadows moving in

524
00:28:46,200 --> 00:28:48,680
Speaker 1: the woods, and I have no doubt that whatever I

525
00:28:48,720 --> 00:28:51,520
Speaker 1: have resurrected through this book that she would have.

526
00:28:51,480 --> 00:29:01,720
Speaker 2: Gone recalling for me. You sounded very out from Sesame Street.

527
00:29:03,920 --> 00:29:06,480
Speaker 2: That's my favorite Dracula. It is the Count.

528
00:29:06,600 --> 00:29:10,640
Speaker 1: Oh yeah, well, absolutely like he's He's got a great,

529
00:29:10,800 --> 00:29:12,680
Speaker 1: bad Transylvanian accent.

530
00:29:12,440 --> 00:29:16,160
Speaker 2: And a shitty attitude. I fucking love that guy.

531
00:29:16,960 --> 00:29:20,080
Speaker 3: He also had like a disco period, which is very interesting.

532
00:29:20,920 --> 00:29:23,400
Speaker 2: Look, he likes a party. He definitely showed up the

533
00:29:23,400 --> 00:29:26,240
Speaker 2: studio fifty four and he wants no children in his presence.

534
00:29:26,520 --> 00:29:27,600
Speaker 2: Who does that remind you of?

535
00:29:28,080 --> 00:29:29,280
Speaker 3: Hello? A Cape?

536
00:29:29,400 --> 00:29:37,400
Speaker 2: Hello, give me a cape. I'm your tract. Good. Tell

537
00:29:37,440 --> 00:29:38,560
Speaker 2: me about this movie.

538
00:29:38,960 --> 00:29:42,520
Speaker 1: Okay, First, I just have to say I feel like

539
00:29:43,280 --> 00:29:48,760
Speaker 1: the influence of this film on modern horror cannot be overstated.

540
00:29:48,920 --> 00:29:49,880
Speaker 2: Okay completely.

541
00:29:50,120 --> 00:29:52,840
Speaker 1: There would not be Edgar Wright. I'm sorry, there just

542
00:29:52,880 --> 00:29:55,600
Speaker 1: wouldn't be. There would not be Cabin in the Woods

543
00:29:55,840 --> 00:29:58,320
Speaker 1: or a lot of modern horror without The Evil Dead.

544
00:29:58,520 --> 00:30:01,840
Speaker 2: If you ask me, I have just my opinion. Thank you.

545
00:30:02,920 --> 00:30:05,880
Speaker 1: But as you can imagine, there's a lot of info

546
00:30:06,000 --> 00:30:09,000
Speaker 1: already out there about this movie and this franchise. If

547
00:30:09,040 --> 00:30:10,920
Speaker 1: you feel like doing a deep dive, I'm not going

548
00:30:11,000 --> 00:30:13,920
Speaker 1: to do a deep dive. I'm just gonna mention that

549
00:30:14,680 --> 00:30:16,920
Speaker 1: The Evil Dead, this film we're about to talk about,

550
00:30:17,200 --> 00:30:20,600
Speaker 1: is the first in what eventually became a franchise of

551
00:30:20,720 --> 00:30:25,520
Speaker 1: movies and TV shows that is centered around a character

552
00:30:25,600 --> 00:30:32,880
Speaker 1: name Ashley ash Williams, played by cult movie king Bruce Campbell.

553
00:30:33,240 --> 00:30:34,840
Speaker 2: I feel like a lot of people know him.

554
00:30:35,240 --> 00:30:38,320
Speaker 1: He wasn't just he was Briscoe The Adventures of Briscoe

555
00:30:38,320 --> 00:30:39,120
Speaker 1: County Junior Earth.

556
00:30:39,200 --> 00:30:43,840
Speaker 2: Thank you, anyone, anyone, anyone, anyone. I once dated someone

557
00:30:43,880 --> 00:30:46,240
Speaker 2: for a couple of dates because they look like Bruce Campbell.

558
00:30:46,640 --> 00:30:47,440
Speaker 2: Not even ashamed.

559
00:30:47,920 --> 00:30:48,120
Speaker 4: You know.

560
00:30:48,840 --> 00:30:53,080
Speaker 1: I have similarly been attracted to men who look like

561
00:30:53,120 --> 00:30:53,720
Speaker 1: Bruce Campbell.

562
00:30:53,800 --> 00:30:55,440
Speaker 2: Yeah, okay, just like you look like Bruce Campbell. And

563
00:30:55,480 --> 00:30:57,040
Speaker 2: then he started talking and I'm like, you don't sound

564
00:30:57,080 --> 00:30:59,920
Speaker 2: like Bruce Campbell. Bye, goodbye.

565
00:31:00,440 --> 00:31:05,120
Speaker 1: If chins could kill indeed, but Ash over the years

566
00:31:05,360 --> 00:31:08,400
Speaker 1: has become one of the great figures of horror movies.

567
00:31:08,520 --> 00:31:11,080
Speaker 1: I would say, like a Freddy Krueger or Jason Morhees

568
00:31:11,120 --> 00:31:13,200
Speaker 1: or whatever. Absolutely, I feel like there was like a

569
00:31:13,200 --> 00:31:18,200
Speaker 1: mash up to like, didn't Ash fight either or both

570
00:31:18,200 --> 00:31:20,000
Speaker 1: of them at one point I.

571
00:31:20,720 --> 00:31:23,400
Speaker 2: Can't remember it took them on, took both of them

572
00:31:23,400 --> 00:31:28,680
Speaker 2: all single handed. And there was a TV series.

573
00:31:29,280 --> 00:31:32,920
Speaker 1: Somebody went to Space. I don't know who thought who.

574
00:31:33,520 --> 00:31:39,360
Speaker 1: It gets very convoluted. But honestly, Ash really became Ash

575
00:31:39,400 --> 00:31:44,520
Speaker 1: after this filmy, like the sequel to this film, which

576
00:31:44,560 --> 00:31:46,479
Speaker 1: is called Evil Dead, Too Dead by Dawn. I mean,

577
00:31:46,480 --> 00:31:48,720
Speaker 1: I'm not gonna say a lot about it, but that's

578
00:31:48,840 --> 00:31:53,520
Speaker 1: kind of when the character really exploded in pop culture,

579
00:31:54,000 --> 00:31:56,800
Speaker 1: I would say. But I will say with the Evil

580
00:31:56,800 --> 00:31:59,640
Speaker 1: Dead franchise, it's like a lot of horror movie franchises,

581
00:31:59,680 --> 00:32:03,080
Speaker 1: and and I'm thinking specifically of stuff like Nightmare on

582
00:32:03,120 --> 00:32:05,880
Speaker 1: Elm Street and Child's Play. I would say that the

583
00:32:05,920 --> 00:32:11,200
Speaker 1: Evil Dead movie's got progressively funnier and self referential as

584
00:32:11,240 --> 00:32:11,880
Speaker 1: they rolled out.

585
00:32:12,000 --> 00:32:16,800
Speaker 2: Right, Yes, like I think you already mentioned this in

586
00:32:16,840 --> 00:32:21,479
Speaker 2: another episode, but after like the sixth movie, the Nightmare

587
00:32:21,480 --> 00:32:24,320
Speaker 2: in Elm Street films were just basically like Freddy Krueger

588
00:32:24,320 --> 00:32:25,360
Speaker 2: turned into Shacky Green.

589
00:32:25,840 --> 00:32:30,840
Speaker 1: Yes, Freddy Krueger's stand up is what it became. Same

590
00:32:30,880 --> 00:32:34,760
Speaker 1: with Chucky, Chucky had Bars. I think we remember this.

591
00:32:34,720 --> 00:32:38,800
Speaker 2: Chucky had Bars Leprechaun even, Yes.

592
00:32:40,600 --> 00:32:44,280
Speaker 3: And the thing about Evil Dead two is that it

593
00:32:44,360 --> 00:32:46,080
Speaker 3: really is on steroids.

594
00:32:46,080 --> 00:32:49,240
Speaker 1: It's like taking the first Evil Dead pumping it up

595
00:32:49,320 --> 00:32:52,280
Speaker 1: full of steroids. It's over the top. It's really fun

596
00:32:52,320 --> 00:32:55,520
Speaker 1: to watch. But the first Evil Dead movie, and this

597
00:32:55,640 --> 00:32:58,640
Speaker 1: is exactly what happened with Nightmare on Elm Street, the

598
00:32:58,680 --> 00:33:01,800
Speaker 1: first Evil Dead movie, much like the first Nightmare on Elm.

599
00:33:01,640 --> 00:33:05,520
Speaker 3: Street, is scary to me, it's scary as fuck to me.

600
00:33:05,760 --> 00:33:05,960
Speaker 2: Yeah.

601
00:33:06,320 --> 00:33:08,400
Speaker 1: So if you haven't seen the first Evil Dead in

602
00:33:08,400 --> 00:33:10,520
Speaker 1: a long time and you only remember like Army of

603
00:33:10,600 --> 00:33:12,560
Speaker 1: Darkness or something like that, watch the first Yievil Dead.

604
00:33:12,560 --> 00:33:14,960
Speaker 1: It's actually scary, it really is. And I saw I

605
00:33:15,000 --> 00:33:17,479
Speaker 1: saw them in reverse. I saw Army of Darkness first, ye,

606
00:33:17,560 --> 00:33:19,080
Speaker 1: and I watched Evil Dead too. Then I watched The

607
00:33:19,120 --> 00:33:21,160
Speaker 1: Evil Dead when I was a kid. Yeah, I mean,

608
00:33:21,160 --> 00:33:22,760
Speaker 1: I think it's a lets common. I think a lot

609
00:33:22,760 --> 00:33:24,280
Speaker 1: of people have seen it kind.

610
00:33:24,120 --> 00:33:27,040
Speaker 2: Of in reverse. But just a little background on it.

611
00:33:27,080 --> 00:33:29,320
Speaker 1: I mean Sam Raimie, the director of The Evil Dead,

612
00:33:29,400 --> 00:33:33,120
Speaker 1: he and Bruce Kevil were childhood friends, and initially when

613
00:33:33,160 --> 00:33:36,800
Speaker 1: they were thinking about making this movie, they decided to

614
00:33:36,840 --> 00:33:38,840
Speaker 1: make this you know, short version of it, like a

615
00:33:38,880 --> 00:33:42,840
Speaker 1: thirty ish minute version of this film that they kind

616
00:33:42,840 --> 00:33:45,280
Speaker 1: of used as a proof of concept to make the

617
00:33:45,400 --> 00:33:49,400
Speaker 1: longer film. Right, But even after they got some money

618
00:33:49,440 --> 00:33:52,080
Speaker 1: to make it, it's still was.

619
00:33:52,120 --> 00:33:53,800
Speaker 2: Essentially a low budget film.

620
00:33:53,800 --> 00:33:56,800
Speaker 1: I mean, they got their friends and family to be

621
00:33:56,920 --> 00:33:58,960
Speaker 1: in the film, and they had to come up with

622
00:33:59,040 --> 00:34:02,960
Speaker 1: like all these and ways to make it, like and

623
00:34:02,960 --> 00:34:05,600
Speaker 1: and I've read like again you can go on a

624
00:34:05,640 --> 00:34:07,040
Speaker 1: deep dive of this online.

625
00:34:07,080 --> 00:34:10,080
Speaker 3: But you know, apparently the set was like really rough.

626
00:34:10,360 --> 00:34:14,000
Speaker 1: It was kind of miserable Cole and Rady and muddy,

627
00:34:14,000 --> 00:34:17,279
Speaker 1: and everybody was like hating it. But it was a

628
00:34:17,360 --> 00:34:19,839
Speaker 1: labor of love at the end of the day, from

629
00:34:19,840 --> 00:34:22,600
Speaker 1: what it sounds like. And I think it paid off

630
00:34:22,680 --> 00:34:25,520
Speaker 1: because Sam Raimi went on to have this big career

631
00:34:25,560 --> 00:34:28,440
Speaker 1: in Hollywood, like I said, and he and Bruce Campbell

632
00:34:28,440 --> 00:34:32,920
Speaker 1: worked together many times, even when Sam Raimi was like

633
00:34:33,040 --> 00:34:38,279
Speaker 1: doing the big Toby Maguire Spider Man films. Yeah, in

634
00:34:38,360 --> 00:34:40,040
Speaker 1: the two thousands.

635
00:34:39,600 --> 00:34:41,920
Speaker 2: Bruce Campbell's in him. How about a.

636
00:34:41,920 --> 00:34:44,399
Speaker 1: One sentenced synopsis of The Evil Dead.

637
00:34:44,680 --> 00:34:45,880
Speaker 2: Oh, I can't wait to hear this.

638
00:34:46,360 --> 00:34:49,719
Speaker 1: It's it's okay, it's it's a standard. I don't want

639
00:34:49,719 --> 00:34:54,440
Speaker 1: to overpromise, but here we go. A group of teenagers

640
00:34:54,480 --> 00:34:58,200
Speaker 1: sang the night in a truly frightening old cabin in

641
00:34:58,239 --> 00:35:02,520
Speaker 1: the woods, discoverabook and audio tape in the basement that

642
00:35:02,600 --> 00:35:08,120
Speaker 1: once played summons evil murderous demons that possess their bodies.

643
00:35:10,280 --> 00:35:14,120
Speaker 2: Cut to the quick, simple, I love it, simple, effective.

644
00:35:15,239 --> 00:35:17,160
Speaker 1: So one of the things about The Evil Dead that

645
00:35:17,200 --> 00:35:20,040
Speaker 1: I love is that it gets going really fast, which

646
00:35:20,080 --> 00:35:24,040
Speaker 1: I appreciate there's no like forty five minutes of like

647
00:35:24,320 --> 00:35:27,439
Speaker 1: ramp up and then horror. It's like there's horror within

648
00:35:27,480 --> 00:35:29,040
Speaker 1: the first like ten minutes of this movie.

649
00:35:29,400 --> 00:35:31,560
Speaker 3: Essentially, you've got five college kids.

650
00:35:32,200 --> 00:35:36,040
Speaker 1: You've got Ash and his girlfriend Linda, who was played

651
00:35:36,080 --> 00:35:40,600
Speaker 1: by Betsy Baker. You've got Ash's sister Cheryl, who is

652
00:35:40,640 --> 00:35:44,360
Speaker 1: played by Ellen Sandweiss. And then you've got this other couple,

653
00:35:44,440 --> 00:35:48,600
Speaker 1: Scott and Shelley, who are played by Richard Demanicor and

654
00:35:48,719 --> 00:35:52,600
Speaker 1: Teresa Tilley. Okay, and they're driving to this remote cabin

655
00:35:52,640 --> 00:35:54,279
Speaker 1: in the woods of like Tennessee.

656
00:35:54,440 --> 00:35:55,399
Speaker 3: I think that's where they're at.

657
00:35:55,520 --> 00:35:59,000
Speaker 1: Yeah, And they're driving this big old seventies car, like

658
00:35:59,040 --> 00:36:00,959
Speaker 1: a Cutlass Surprise or some shit.

659
00:36:01,200 --> 00:36:02,680
Speaker 3: It's huge car, but.

660
00:36:02,800 --> 00:36:06,680
Speaker 1: Rickety, right, and they have to cross this rickety bridge

661
00:36:06,960 --> 00:36:10,080
Speaker 1: where there's like wood shards flying.

662
00:36:09,800 --> 00:36:12,359
Speaker 2: Around as they're driving over it. Okay, oh my god,

663
00:36:12,400 --> 00:36:14,399
Speaker 2: it's like a Scooby Doo bridge if I ever saw one.

664
00:36:14,760 --> 00:36:17,480
Speaker 1: Yeah. At one point, the tire like pokes through and

665
00:36:17,520 --> 00:36:22,560
Speaker 1: they're like, oh my god. I mean already, like sirens

666
00:36:22,560 --> 00:36:24,560
Speaker 1: are going off in my head. I'm like, come on, people,

667
00:36:24,640 --> 00:36:28,960
Speaker 1: this bridge. That ain't good but they finally pull up

668
00:36:28,960 --> 00:36:32,240
Speaker 1: to this cabin that they're supposed to be renting, and.

669
00:36:32,880 --> 00:36:36,840
Speaker 3: I have to say, this cabin is fucking terrifying.

670
00:36:36,920 --> 00:36:39,960
Speaker 2: Oh it's fucked the fuck up, like I would.

671
00:36:40,200 --> 00:36:43,759
Speaker 3: I don't know how much they paid to stay here.

672
00:36:44,360 --> 00:36:45,920
Speaker 3: I'm not sure if it was free.

673
00:36:46,400 --> 00:36:51,359
Speaker 2: Yeah, hopefully zero dollars went into renting this place. They

674
00:36:51,360 --> 00:36:53,800
Speaker 2: should be paid to stay in the cabin, to be honest.

675
00:36:53,920 --> 00:36:57,880
Speaker 1: But look, we all know that horror movies would not

676
00:36:57,960 --> 00:37:03,719
Speaker 1: exist without people making bad choices. But this cabin is

677
00:37:03,760 --> 00:37:06,400
Speaker 1: definitely not the move from the jump.

678
00:37:06,440 --> 00:37:09,120
Speaker 2: You're on a vacation with your friends. Someone's like, I

679
00:37:09,160 --> 00:37:11,799
Speaker 2: rented an airbnb, come hang out, and we're like, all right, cool,

680
00:37:11,840 --> 00:37:14,800
Speaker 2: we all drive up, you pull up to this cabin,

681
00:37:14,840 --> 00:37:15,399
Speaker 2: What do you do?

682
00:37:16,280 --> 00:37:21,359
Speaker 1: I Am going home immediately, Like, I'm like, I walk

683
00:37:21,440 --> 00:37:24,040
Speaker 1: across the rickety bridge. I don't care if there's a

684
00:37:24,080 --> 00:37:26,279
Speaker 1: hole in it from our car. Like, I'm just like,

685
00:37:26,320 --> 00:37:27,960
Speaker 1: I'm going right back where.

686
00:37:27,760 --> 00:37:28,239
Speaker 2: I came from.

687
00:37:28,280 --> 00:37:29,400
Speaker 3: I am I am leaving.

688
00:37:29,960 --> 00:37:34,400
Speaker 1: I will take an extremely expensive same day flight the

689
00:37:34,480 --> 00:37:36,160
Speaker 1: fluck out of Tennessee.

690
00:37:37,239 --> 00:37:41,280
Speaker 2: I will hitchhike to the goddamn airport. I will risk

691
00:37:41,440 --> 00:37:45,239
Speaker 2: my life on the open road with a stranger to

692
00:37:45,360 --> 00:37:47,080
Speaker 2: get to the airport and get the fuck out of there.

693
00:37:47,120 --> 00:37:49,640
Speaker 2: I would never will you would never see me rent

694
00:37:49,680 --> 00:37:51,960
Speaker 2: so fast in your life.

695
00:37:52,360 --> 00:37:54,480
Speaker 1: I don't even want to stay in nice cabins a

696
00:37:54,480 --> 00:37:56,040
Speaker 1: lot of the times. So you know what, like a

697
00:37:56,080 --> 00:37:57,560
Speaker 1: shitty one, forget it.

698
00:37:57,760 --> 00:37:59,080
Speaker 2: I don't care. I don't even want to stay in

699
00:37:59,160 --> 00:38:02,160
Speaker 2: my own damn house. Yes, there's too many buds. It's

700
00:38:02,200 --> 00:38:04,839
Speaker 2: in the woods. I shouldn't have bought this one. It's

701
00:38:05,040 --> 00:38:06,160
Speaker 2: fucking creepy. Shit.

702
00:38:06,760 --> 00:38:10,759
Speaker 1: Well, okay, so here's the thing that happens to these kids, right,

703
00:38:11,480 --> 00:38:15,040
Speaker 1: they're in the cabin and they decide to go down

704
00:38:15,120 --> 00:38:18,600
Speaker 1: into the cellar or basement or whatever the fuck it is.

705
00:38:19,080 --> 00:38:23,880
Speaker 2: That shit's a cellar, subterranean abode. I feel like the

706
00:38:23,920 --> 00:38:26,560
Speaker 2: only difference is like when the earth is actually poking

707
00:38:26,600 --> 00:38:30,440
Speaker 2: through the wall, that is a cellar. Yes, yes, it was.

708
00:38:30,440 --> 00:38:34,160
Speaker 1: Kind of like Graveyard Shift esque where they went below

709
00:38:34,400 --> 00:38:39,040
Speaker 1: the floor of the factory to like this other secret world.

710
00:38:39,120 --> 00:38:42,640
Speaker 1: It was that level of terrifying, okay, And they start

711
00:38:42,680 --> 00:38:44,799
Speaker 1: finding all this random stuff down there. So there's like

712
00:38:44,840 --> 00:38:50,480
Speaker 1: a shotgun, there's a real to real tape recorder, and then.

713
00:38:50,400 --> 00:38:53,280
Speaker 3: There's this book. Okay.

714
00:38:54,920 --> 00:38:56,600
Speaker 1: First of all, the first thing you need to know

715
00:38:57,000 --> 00:38:59,760
Speaker 1: right off the bat is that this book is bound by.

716
00:38:59,719 --> 00:39:04,160
Speaker 2: Human flesh, which even if you don't know that holding it,

717
00:39:04,239 --> 00:39:07,880
Speaker 2: even if you do not know, hey, this is human flesh.

718
00:39:07,960 --> 00:39:12,440
Speaker 2: It is not like a textbook canvass cover. There's something

719
00:39:12,480 --> 00:39:13,640
Speaker 2: abnormal about it.

720
00:39:13,840 --> 00:39:18,000
Speaker 1: And it's bumpy, bumpy and like it's not even like

721
00:39:18,200 --> 00:39:21,400
Speaker 1: it's like that weird leathery like listen, I don't know

722
00:39:21,440 --> 00:39:22,520
Speaker 1: anything about human flesh.

723
00:39:22,560 --> 00:39:26,280
Speaker 2: I'm just saying that, Like, you know, I'm just saying,

724
00:39:26,840 --> 00:39:30,000
Speaker 2: if your book has zits, put it down. Yes.

725
00:39:31,080 --> 00:39:33,680
Speaker 1: But yet this is another red flag that they decide

726
00:39:33,680 --> 00:39:36,640
Speaker 1: to shrug off. And they open the book and it

727
00:39:36,680 --> 00:39:39,239
Speaker 1: has all this like ancient writing in it, and there's

728
00:39:39,280 --> 00:39:44,800
Speaker 1: some creepy ass drawings, and then someone decides to press

729
00:39:44,840 --> 00:39:47,680
Speaker 1: play on the real reel, which is another thing. I'm like,

730
00:39:47,680 --> 00:39:50,359
Speaker 1: I'm not listening to that. That's crazy, but they do it.

731
00:39:50,480 --> 00:39:53,160
Speaker 1: They do it anyway, and it's the voice of this

732
00:39:53,320 --> 00:39:57,120
Speaker 1: professor and he's kind of like, you know, it's kind

733
00:39:57,120 --> 00:40:01,360
Speaker 1: of like a diary slash like investigation notes. I don't know,

734
00:40:01,400 --> 00:40:05,319
Speaker 1: I don't know what it is. But he basically says

735
00:40:05,360 --> 00:40:07,880
Speaker 1: he's been living in the cabin. He's doing research on

736
00:40:07,920 --> 00:40:13,040
Speaker 1: this ancient book that was written by the Sumerians called

737
00:40:13,800 --> 00:40:16,279
Speaker 1: the Naturum Demano too.

738
00:40:16,480 --> 00:40:21,160
Speaker 2: No, I can't. I'm sorry, I can travel that.

739
00:40:21,160 --> 00:40:24,880
Speaker 3: That's crazy. Naturum Demanto.

740
00:40:25,000 --> 00:40:29,839
Speaker 2: Okay, nobody expects you to speak Sumeri. Okay, you could

741
00:40:29,880 --> 00:40:32,839
Speaker 2: just say that book and we're leaving all of this in.

742
00:40:35,320 --> 00:40:41,759
Speaker 1: Goddamn me, I'm gonna take another stab at it. It's

743
00:40:41,800 --> 00:40:48,920
Speaker 1: called the Naturum Demanto done. All I'll say is that

744
00:40:48,960 --> 00:40:51,000
Speaker 1: it's also called the necro.

745
00:40:53,640 --> 00:40:56,040
Speaker 2: Why can't I say this because you know what will

746
00:40:56,080 --> 00:40:58,600
Speaker 2: open the portal? The hell your body in your mouth

747
00:40:58,680 --> 00:41:01,520
Speaker 2: is trying to tell you not to say it. Listen.

748
00:41:01,640 --> 00:41:04,120
Speaker 2: It's like if I say this five times, some shit

749
00:41:04,280 --> 00:41:05,239
Speaker 2: is about to pop off.

750
00:41:06,840 --> 00:41:11,160
Speaker 1: It's also called the Necronomicon Ex Mortis and the other

751
00:41:11,239 --> 00:41:12,200
Speaker 1: Evil Dead movies.

752
00:41:12,280 --> 00:41:15,520
Speaker 3: But anyway, it's known by several names, and.

753
00:41:17,480 --> 00:41:19,799
Speaker 1: All you need to know is that the mythology of

754
00:41:19,880 --> 00:41:23,520
Speaker 1: the book was based on the writings of H. P.

755
00:41:23,680 --> 00:41:24,319
Speaker 2: Lovecraft.

756
00:41:24,800 --> 00:41:27,800
Speaker 1: I think you've probably heard of him, and he wrote

757
00:41:27,840 --> 00:41:31,560
Speaker 1: about the Necronomicon, which he also called the Book of

758
00:41:31,600 --> 00:41:33,680
Speaker 1: the Dead. There's a lot of different names for this

759
00:41:34,600 --> 00:41:35,280
Speaker 1: skin book.

760
00:41:35,520 --> 00:41:38,200
Speaker 2: Let's just say this is. Part of the problem with

761
00:41:38,280 --> 00:41:41,160
Speaker 2: skin Book is that it's got too many names. And

762
00:41:41,239 --> 00:41:43,560
Speaker 2: I think the book does that on purpose because they're like, look,

763
00:41:43,560 --> 00:41:46,320
Speaker 2: we're going to cast a wide net. If anyone says

764
00:41:46,400 --> 00:41:48,000
Speaker 2: any of this shit, we're coming out of hell.

765
00:41:48,400 --> 00:41:51,680
Speaker 1: Yes, they're like, what if they can't say it, let's

766
00:41:51,719 --> 00:41:53,520
Speaker 1: call it something else. What if they can't say that,

767
00:41:53,719 --> 00:41:55,960
Speaker 1: let's just call it this. You know, they're covering all

768
00:41:55,960 --> 00:41:59,319
Speaker 1: their bases. These demons are smart. Let's get serious, keep

769
00:41:59,320 --> 00:42:03,279
Speaker 1: it going until you get a skin book. If they

770
00:42:03,360 --> 00:42:05,640
Speaker 1: just say skin book, we're coming out, here we go.

771
00:42:07,440 --> 00:42:08,359
Speaker 3: Well, and here's the thing.

772
00:42:08,440 --> 00:42:12,960
Speaker 1: So the professor on the audio tape starts translating some

773
00:42:13,080 --> 00:42:15,600
Speaker 1: of the text from the book that they're currently holding,

774
00:42:16,239 --> 00:42:20,320
Speaker 1: and of course it summons an evil force and turns

775
00:42:20,360 --> 00:42:23,480
Speaker 1: everyone in the house into fucking demons from the.

776
00:42:23,480 --> 00:42:27,400
Speaker 2: Ninth level of Hell. That professor needs a talking too,

777
00:42:27,440 --> 00:42:30,640
Speaker 2: because he set that up perfectly for some demons to

778
00:42:30,680 --> 00:42:34,239
Speaker 2: come out. Yes, it's like all the temptation is there.

779
00:42:34,280 --> 00:42:37,040
Speaker 2: I bet it was one of their dads. Yeah, where

780
00:42:37,040 --> 00:42:38,799
Speaker 2: he was just like, you know, you little fus think

781
00:42:38,840 --> 00:42:41,160
Speaker 2: you're gonna hang out of my cabin all weekend. How

782
00:42:41,200 --> 00:42:43,279
Speaker 2: about we opened the portal the hell and turning on

783
00:42:43,400 --> 00:42:44,000
Speaker 2: the demons.

784
00:42:44,280 --> 00:42:47,160
Speaker 1: Well, it ends up actually being someone's dad in the

785
00:42:47,200 --> 00:42:50,360
Speaker 1: second film, which again you're just gonna have to watch.

786
00:42:51,040 --> 00:42:52,960
Speaker 3: We won't talk about it any further.

787
00:42:53,840 --> 00:42:58,520
Speaker 1: But Ash's sister, sheryld is essentially the first one out

788
00:42:58,520 --> 00:43:01,720
Speaker 1: of them who kicks off this whole fucking thing, okay,

789
00:43:02,440 --> 00:43:05,360
Speaker 1: And I'm not sure if she was affected first because

790
00:43:05,400 --> 00:43:08,400
Speaker 1: she was like the artist of the group, or maybe

791
00:43:08,480 --> 00:43:09,560
Speaker 1: just a single lady.

792
00:43:10,400 --> 00:43:13,680
Speaker 2: I don't know why. Ah, that'll be so fucked up.

793
00:43:13,719 --> 00:43:16,200
Speaker 2: If they came for her first because she was single.

794
00:43:16,680 --> 00:43:21,320
Speaker 1: Yeah, they were like your single artist. We're fucking getting

795
00:43:21,320 --> 00:43:26,680
Speaker 1: in that shit immediately. But she wanders into the woods

796
00:43:26,719 --> 00:43:30,319
Speaker 1: and then gets attacked by the woods, like the like

797
00:43:30,360 --> 00:43:33,359
Speaker 1: the fucking branches of the tree start like coming at

798
00:43:33,360 --> 00:43:36,480
Speaker 1: her and holding her down, and she gets assaulted by

799
00:43:36,480 --> 00:43:36,960
Speaker 1: a tree.

800
00:43:37,520 --> 00:43:39,279
Speaker 2: Yeah, and then she so she runs back.

801
00:43:39,200 --> 00:43:41,960
Speaker 3: To the house and it's like, all right.

802
00:43:41,840 --> 00:43:44,160
Speaker 2: We gotta get the fuck out of here, okay.

803
00:43:44,120 --> 00:43:48,480
Speaker 1: And she she demands that Ash drive her back to civilization.

804
00:43:48,640 --> 00:43:51,879
Speaker 1: And wouldn't you know the bridge that they drove over

805
00:43:52,640 --> 00:43:56,960
Speaker 1: that they popped a hole in is now completely demolished. Okay,

806
00:43:57,120 --> 00:43:59,319
Speaker 1: so looks like they got to go back to the

807
00:43:59,320 --> 00:44:03,480
Speaker 1: creepy cabin. And you know, once she's back, forget it.

808
00:44:03,480 --> 00:44:07,719
Speaker 1: It's over for your girl. It's over she like I said,

809
00:44:07,719 --> 00:44:10,480
Speaker 1: once she gets going, it is scary as fuck. And

810
00:44:10,920 --> 00:44:13,640
Speaker 1: to me it reminds me very much of The Exorcist,

811
00:44:14,200 --> 00:44:18,719
Speaker 1: where she's like hovering over everyone with the creepy eyeballs

812
00:44:18,880 --> 00:44:23,200
Speaker 1: and like the weird head tilts and shit. And the

813
00:44:23,239 --> 00:44:27,480
Speaker 1: best part is that she stabs someone in the ankle

814
00:44:28,120 --> 00:44:34,160
Speaker 1: with a fucking pencil and yes you must say that,

815
00:44:34,760 --> 00:44:39,880
Speaker 1: like the guy from the first John Wick movie. Ah,

816
00:44:41,080 --> 00:44:44,960
Speaker 1: with a fucking pencil, a fucking pencil.

817
00:44:45,520 --> 00:44:48,839
Speaker 2: It's gory as shit. Yeah, because she keeps stabbing her.

818
00:44:48,840 --> 00:44:51,600
Speaker 2: She doesn't just stab her once and that's it. She's

819
00:44:51,680 --> 00:44:55,600
Speaker 2: like lead poisoning number two. Here we go, keep it going.

820
00:44:57,040 --> 00:44:58,040
Speaker 2: But it's so bad.

821
00:44:58,160 --> 00:45:00,640
Speaker 1: She's so bad that they have to put under the

822
00:45:00,640 --> 00:45:05,160
Speaker 1: floorboards and shane it down, which is always the part

823
00:45:05,200 --> 00:45:08,240
Speaker 1: that I remember from childhood, is like the her coming

824
00:45:08,320 --> 00:45:10,680
Speaker 1: up from the floorboards but they're chained. Yeah, you know,

825
00:45:11,320 --> 00:45:14,759
Speaker 1: but as you can imagine, one by one, these kids

826
00:45:14,800 --> 00:45:17,800
Speaker 1: they all start getting possessed, and Ash is the last

827
00:45:17,800 --> 00:45:20,040
Speaker 1: one standing and has to fight everybody off.

828
00:45:20,200 --> 00:45:22,799
Speaker 2: And he doesn't want to. He doesn't want to kill anybody.

829
00:45:23,120 --> 00:45:26,440
Speaker 1: No, he certainly doesn't want to kill his girlfriend Linda,

830
00:45:26,480 --> 00:45:30,600
Speaker 1: who he just gave this like fancy spyglass necklace to

831
00:45:30,840 --> 00:45:31,719
Speaker 1: or what is it?

832
00:45:31,760 --> 00:45:32,920
Speaker 3: A magnifying glass?

833
00:45:33,280 --> 00:45:36,160
Speaker 2: A magnifying glass that, honestly, if you wore outside, would

834
00:45:36,200 --> 00:45:37,480
Speaker 2: just light you on fire.

835
00:45:38,320 --> 00:45:41,520
Speaker 1: Yes, he looks like he spent a lot of his

836
00:45:42,840 --> 00:45:45,520
Speaker 1: summer job money on this necklace, and he doesn't want

837
00:45:45,560 --> 00:45:49,399
Speaker 1: to have to dismember his own girlfriend. But hey, she's

838
00:45:49,440 --> 00:45:52,279
Speaker 1: possessed by fucking demons. He's the only one that's not.

839
00:45:52,719 --> 00:45:56,000
Speaker 2: Right, only one. Could you do it? Could you kill

840
00:45:56,000 --> 00:45:58,000
Speaker 2: a possessed partner? Girl?

841
00:45:58,120 --> 00:46:02,120
Speaker 1: Yes, I'm Catholic. I don't fucking demons whatsoever.

842
00:46:02,360 --> 00:46:08,400
Speaker 4: Ah Okay, listen, when it comes down to it, I

843
00:46:08,480 --> 00:46:10,440
Speaker 4: think part of my fear of the evil dead and

844
00:46:10,640 --> 00:46:12,960
Speaker 4: movies about demons.

845
00:46:12,680 --> 00:46:16,160
Speaker 1: Is because I grew up Catholic. Like The Exorcist is

846
00:46:16,160 --> 00:46:17,799
Speaker 1: the scariest movie of all time. To me, I do

847
00:46:17,920 --> 00:46:22,160
Speaker 1: not fucking fuck with devil shit, No way, I do not.

848
00:46:22,440 --> 00:46:25,680
Speaker 2: I could kill anyone. I have a very strong sense

849
00:46:25,680 --> 00:46:29,720
Speaker 2: of self preservation. Yes, you could kill anyone at any time.

850
00:46:30,000 --> 00:46:33,759
Speaker 2: I could kill anyone if it saves my life. You're gone.

851
00:46:34,560 --> 00:46:37,040
Speaker 3: I don't care how in love we were.

852
00:46:37,120 --> 00:46:40,720
Speaker 1: I don't care if we just got a timeshare condo

853
00:46:41,480 --> 00:46:45,040
Speaker 1: in a foreign country. If you are possessed by a demon,

854
00:46:45,360 --> 00:46:45,920
Speaker 1: you're gone.

855
00:46:46,000 --> 00:46:46,680
Speaker 2: You got to go.

856
00:46:47,120 --> 00:46:49,680
Speaker 3: If I'm not possessed and you're possessed.

857
00:46:49,480 --> 00:46:52,480
Speaker 2: Forget it. I have never There's a scene in this

858
00:46:52,560 --> 00:46:56,320
Speaker 2: movie where someone gets hit with an ax so hard

859
00:46:56,560 --> 00:47:00,319
Speaker 2: they turn into ground beef. Yes, that would be me.

860
00:47:00,520 --> 00:47:03,120
Speaker 2: Like I would hit and keep hitting your possessed ass

861
00:47:04,400 --> 00:47:07,319
Speaker 2: until you looked like a deli counter, and then I

862
00:47:07,320 --> 00:47:11,080
Speaker 2: would find another bridge to cross, or you'd see me

863
00:47:11,160 --> 00:47:14,320
Speaker 2: like repelling into a fucking ravine. I would like repel

864
00:47:14,480 --> 00:47:18,440
Speaker 2: down that ravine. Yes, scurry across the rocks, climb up

865
00:47:18,480 --> 00:47:20,400
Speaker 2: the other side. You're out of there. I have a

866
00:47:20,520 --> 00:47:23,719
Speaker 2: very strong sense of self preservation. I could kill anyone.

867
00:47:23,960 --> 00:47:25,640
Speaker 2: We know this about you. You don't even want to

868
00:47:25,680 --> 00:47:28,000
Speaker 2: go to the movies by yourself? Nope, already thinking about

869
00:47:28,080 --> 00:47:30,000
Speaker 2: murdering the movies. Can't you get sit in the movie

870
00:47:30,040 --> 00:47:31,360
Speaker 2: without thinking about killing somebody?

871
00:47:32,960 --> 00:47:36,080
Speaker 1: But to your point, This is the thing about this

872
00:47:36,120 --> 00:47:40,120
Speaker 1: movie that was so effective and still is effective, It's

873
00:47:40,160 --> 00:47:43,319
Speaker 1: that it's pretty fucking gnarally, Like, the core of this

874
00:47:43,400 --> 00:47:45,000
Speaker 1: movie is gnarly as hell.

875
00:47:45,360 --> 00:47:48,359
Speaker 2: It is gross. There's a scene and I every time

876
00:47:48,360 --> 00:47:50,840
Speaker 2: I see it, I say the same thing. This bitch

877
00:47:51,000 --> 00:47:54,440
Speaker 2: eats her own hand off to get the knife out

878
00:47:54,480 --> 00:47:57,680
Speaker 2: of her. This shit is gory. Well, and that's what

879
00:47:57,719 --> 00:47:57,960
Speaker 2: I mean.

880
00:47:58,000 --> 00:48:02,640
Speaker 1: It's like for something that was low budget filmmaking, for

881
00:48:02,719 --> 00:48:06,000
Speaker 1: something that was seemingly kind of handmade and sort of

882
00:48:06,040 --> 00:48:09,040
Speaker 1: like a group effort amongst a group of friends, they

883
00:48:09,160 --> 00:48:12,439
Speaker 1: really outdid themselves in the blood and guts department. I mean, yeah,

884
00:48:12,600 --> 00:48:16,239
Speaker 1: there are moments where they have like the stop motion

885
00:48:16,360 --> 00:48:21,040
Speaker 1: animation for some of the sequences that you know, stop

886
00:48:21,080 --> 00:48:24,600
Speaker 1: motion animation from a modern perspective can sometimes look pretty hokey,

887
00:48:24,680 --> 00:48:27,279
Speaker 1: but for whatever reason, it still looks incredible to me.

888
00:48:28,200 --> 00:48:30,040
Speaker 1: And there's a lot of techniques that they use in

889
00:48:30,040 --> 00:48:33,840
Speaker 1: this movie that have been copied endlessly in the horror realm.

890
00:48:33,880 --> 00:48:36,400
Speaker 1: I mean it's like the moving shots through the woods

891
00:48:36,480 --> 00:48:40,040
Speaker 1: in the house, which basically they did with like you know,

892
00:48:40,120 --> 00:48:42,920
Speaker 1: they didn't have a steady cam, so they had to

893
00:48:42,960 --> 00:48:46,000
Speaker 1: basically nail a camera to like a twoe by four

894
00:48:46,040 --> 00:48:48,560
Speaker 1: and have two dudes on either side like run through

895
00:48:48,600 --> 00:48:51,920
Speaker 1: the house. And they actually put a camera on a

896
00:48:51,960 --> 00:48:55,200
Speaker 1: bicycle too. For from one part, I think it's like

897
00:48:55,239 --> 00:48:55,640
Speaker 1: towards the.

898
00:48:55,680 --> 00:48:57,240
Speaker 2: End of the film so good.

899
00:48:57,600 --> 00:49:00,360
Speaker 1: You know, they use these Dutch angles, which now, like

900
00:49:00,400 --> 00:49:03,240
Speaker 1: you see Dutch angles and horror movies all.

901
00:49:03,080 --> 00:49:06,279
Speaker 2: The time everywhere. There's that one scene where they it

902
00:49:06,360 --> 00:49:09,240
Speaker 2: starts out at the back of Ash, like it starts

903
00:49:09,239 --> 00:49:11,800
Speaker 2: with the back of Bruce Campbell's head and then goes

904
00:49:11,920 --> 00:49:15,200
Speaker 2: over his head and flips around to the front. Yeah,

905
00:49:15,200 --> 00:49:17,399
Speaker 2: and I still don't know how they did that with

906
00:49:17,840 --> 00:49:22,160
Speaker 2: the amount of tech that was available back then. Yeah, exactly,

907
00:49:22,320 --> 00:49:23,040
Speaker 2: very creative.

908
00:49:23,200 --> 00:49:24,080
Speaker 3: I think it's.

909
00:49:24,360 --> 00:49:28,799
Speaker 1: Totally fresh and still still fucking awesome. And you know,

910
00:49:28,880 --> 00:49:31,560
Speaker 1: I think the thing that makes this movie scary but

911
00:49:31,600 --> 00:49:35,680
Speaker 1: then sometimes it turns into funny is the idea that

912
00:49:35,719 --> 00:49:38,800
Speaker 1: these demons start really fucking with Ash, like all this

913
00:49:39,000 --> 00:49:45,520
Speaker 1: friends are now demonically possessed, and uh, they are fucking

914
00:49:45,640 --> 00:49:48,560
Speaker 1: taunting his ass like they're like, come on, Ash, like

915
00:49:48,560 --> 00:49:50,719
Speaker 1: what's you fucking new? And come on, dude, And it's

916
00:49:50,760 --> 00:49:54,680
Speaker 1: like that they really doubled down on that in the

917
00:49:54,719 --> 00:49:58,320
Speaker 1: second film, obviously, like it became kind of a comedy

918
00:49:58,520 --> 00:49:59,120
Speaker 1: in that way.

919
00:49:59,640 --> 00:49:59,840
Speaker 2: You know.

920
00:50:00,120 --> 00:50:02,239
Speaker 1: I know that, like Sam Raimi is a big Three

921
00:50:02,239 --> 00:50:04,719
Speaker 1: Stooges fan, so there had to have been some of

922
00:50:04,719 --> 00:50:05,239
Speaker 1: that in there.

923
00:50:05,320 --> 00:50:10,319
Speaker 2: Obviously they are bringing the psychological terror along with the

924
00:50:10,320 --> 00:50:11,160
Speaker 2: demon terror.

925
00:50:11,360 --> 00:50:12,799
Speaker 3: Yes, but yeah, it does.

926
00:50:12,920 --> 00:50:13,279
Speaker 2: It is.

927
00:50:13,320 --> 00:50:15,719
Speaker 1: And I don't know if I'm informed by the rest

928
00:50:15,719 --> 00:50:18,560
Speaker 1: of the franchise, but there were moments where I watched

929
00:50:18,560 --> 00:50:20,319
Speaker 1: this again and I've seen this several times where I

930
00:50:20,360 --> 00:50:20,799
Speaker 1: was like, oh.

931
00:50:20,760 --> 00:50:22,200
Speaker 3: Yeah, this is kind of funny.

932
00:50:22,920 --> 00:50:26,840
Speaker 1: It's scary as shit, but it does sort of amuse

933
00:50:26,960 --> 00:50:30,000
Speaker 1: me that the demons are like taunting Ash and he's

934
00:50:30,160 --> 00:50:33,520
Speaker 1: just trying to survive his own friends who have turned

935
00:50:33,520 --> 00:50:36,640
Speaker 1: into satanic demons because of this damn book.

936
00:50:37,080 --> 00:50:40,279
Speaker 2: Skin Book. Did it again, this skin.

937
00:50:40,160 --> 00:50:43,880
Speaker 1: Book And at the end of the day, the Evil

938
00:50:43,920 --> 00:50:47,520
Speaker 1: Dead is. It's just a good old fashioned splatter film,

939
00:50:48,200 --> 00:50:51,040
Speaker 1: just how we like it, a real classic. It's an

940
00:50:51,080 --> 00:50:53,520
Speaker 1: amazing movie to watch for Halloween. If you haven't seen

941
00:50:53,560 --> 00:50:56,800
Speaker 1: it in a while, check it out. But this book

942
00:50:57,600 --> 00:51:02,120
Speaker 1: is what creates the chaos in this film and in

943
00:51:02,160 --> 00:51:05,960
Speaker 1: this franchise, So I had to pick it for our theme.

944
00:51:06,239 --> 00:51:08,000
Speaker 2: I love that you picked it. I hadn't seen it

945
00:51:08,000 --> 00:51:10,640
Speaker 2: in ages. I've seen it several times as well, but

946
00:51:10,719 --> 00:51:14,960
Speaker 2: not in a long time. And it's just so good

947
00:51:15,080 --> 00:51:18,400
Speaker 2: I think it is. It's so clever and so funny,

948
00:51:18,840 --> 00:51:22,400
Speaker 2: and it holds up. It holds up. Yeah, definitely holds up.

949
00:51:22,560 --> 00:51:23,160
Speaker 2: Great pick.

950
00:51:24,320 --> 00:51:28,040
Speaker 1: Well, way, all right.

951
00:51:28,080 --> 00:51:35,560
Speaker 2: Well my pick for the theme of books that opened

952
00:51:35,600 --> 00:51:38,520
Speaker 2: The Portal to Hill was released in nineteen ninety four,

953
00:51:39,080 --> 00:51:43,440
Speaker 2: written by Michael de Luca, directed by John Carpenter, and

954
00:51:43,480 --> 00:51:48,880
Speaker 2: the movie is in the Mouth of Madness. The riots

955
00:51:48,880 --> 00:51:51,520
Speaker 2: began because the stores could not meet the demands of

956
00:51:51,680 --> 00:51:56,560
Speaker 2: Sutter Games novel in the Mouth Madness. Oh, it's going

957
00:51:56,600 --> 00:51:58,400
Speaker 2: to be a blast. Let me start you off with

958
00:51:58,440 --> 00:52:03,080
Speaker 2: a one sentence synopsis of this film. A freelance insurance

959
00:52:03,120 --> 00:52:07,280
Speaker 2: investigator wishes he had stuck to proving arson or finding

960
00:52:07,320 --> 00:52:11,399
Speaker 2: people committing workmen's comp fraud, after he gets roped into

961
00:52:11,480 --> 00:52:14,600
Speaker 2: looking for an author who has written a book that

962
00:52:14,719 --> 00:52:22,520
Speaker 2: drives everyone who reads it insane ha workman's comp. He's like,

963
00:52:22,880 --> 00:52:28,239
Speaker 2: I should have stuck to proving arson fraud. Like I

964
00:52:28,280 --> 00:52:30,799
Speaker 2: did not want to lose my mind at all. I

965
00:52:30,800 --> 00:52:34,640
Speaker 2: had a good thing going. Also freelance insurance investigator.

966
00:52:35,200 --> 00:52:40,279
Speaker 1: Okay, that is like, how I think we need to

967
00:52:40,400 --> 00:52:46,000
Speaker 1: create a list of great freelance insurance investigators of cinema

968
00:52:46,080 --> 00:52:48,600
Speaker 1: because I'm trying to think of more than one at

969
00:52:48,600 --> 00:52:53,719
Speaker 1: this point, and if we can figure out more than one.

970
00:52:54,000 --> 00:52:55,919
Speaker 2: We got we got a theme going, Babe, we got

971
00:52:55,920 --> 00:53:00,359
Speaker 2: a stew going. I've never seen it, but what, oh god,

972
00:53:00,360 --> 00:53:03,840
Speaker 2: what's that play that does turned into a movie about

973
00:53:03,840 --> 00:53:06,120
Speaker 2: the death of a salesman? Is that about a freelance

974
00:53:06,120 --> 00:53:07,160
Speaker 2: insurance investigator?

975
00:53:08,400 --> 00:53:10,680
Speaker 3: Freelance? I don't know if it's freelance.

976
00:53:11,360 --> 00:53:14,320
Speaker 2: I think you might have worked for a company Big Difference,

977
00:53:15,160 --> 00:53:16,839
Speaker 2: Miracle on thirty fourth Street.

978
00:53:19,480 --> 00:53:22,840
Speaker 1: The great freelance insurance Investigators.

979
00:53:22,960 --> 00:53:28,359
Speaker 2: Well, look, Sam Neil is a freelance insurance investigator named

980
00:53:28,440 --> 00:53:32,400
Speaker 2: John Trent, and he is committed to the role even

981
00:53:32,440 --> 00:53:36,560
Speaker 2: though that job does not exist. That job is one

982
00:53:36,640 --> 00:53:39,560
Speaker 2: hundred percent made up. Don't even DM me if it's real.

983
00:53:39,600 --> 00:53:43,120
Speaker 2: I don't want to know. I want to keep it

984
00:53:43,160 --> 00:53:46,600
Speaker 2: in my head as something pure and hilarious. So spoil,

985
00:53:47,000 --> 00:53:51,400
Speaker 2: do not DM me. Yes, he is playing this character

986
00:53:51,560 --> 00:53:54,160
Speaker 2: to a t. And just to back it up for

987
00:53:54,320 --> 00:53:57,920
Speaker 2: a moment, we have to talk about the fact that

988
00:53:58,000 --> 00:54:01,120
Speaker 2: this movie was directed by John Carpent, who is an

989
00:54:01,200 --> 00:54:08,400
Speaker 2: absolutely iconic filmmaker, particularly in the genre of horror and gore.

990
00:54:09,200 --> 00:54:11,919
Speaker 2: So you might know him from a couple of little

991
00:54:12,000 --> 00:54:17,880
Speaker 2: films like the Halloween franchise, The Fog Escape from New York.

992
00:54:18,520 --> 00:54:21,759
Speaker 2: Maybe you know him from The Thing or Christine or

993
00:54:21,840 --> 00:54:25,200
Speaker 2: Big Trouble in Little China or They Live. The man

994
00:54:25,480 --> 00:54:29,719
Speaker 2: is an icon. He has been scaring the shit out

995
00:54:29,760 --> 00:54:32,360
Speaker 2: of people since our parents were teenagers.

996
00:54:32,719 --> 00:54:36,160
Speaker 1: Yes, he is a king among men. He's a big

997
00:54:36,239 --> 00:54:39,600
Speaker 1: basketball fan. I think I don't know if people really

998
00:54:39,640 --> 00:54:39,880
Speaker 1: know that.

999
00:54:40,160 --> 00:54:45,359
Speaker 2: I love that he quit college to make his first movie.

1000
00:54:47,080 --> 00:54:50,040
Speaker 2: Just to keep the train of bad advice rolling on

1001
00:54:50,080 --> 00:54:53,520
Speaker 2: this show. We have a fan. I never thought I

1002
00:54:53,520 --> 00:54:55,879
Speaker 2: would get a chance to corrupt a child the way

1003
00:54:55,920 --> 00:54:58,280
Speaker 2: that a parent does, because I never wanted to have kids.

1004
00:54:58,520 --> 00:55:01,400
Speaker 2: But we do have a listener who is just the best.

1005
00:55:01,560 --> 00:55:06,239
Speaker 2: Her name's Raven, yes, and she's twelve. And I just

1006
00:55:06,280 --> 00:55:08,600
Speaker 2: feel great being able that I have this opportunity to

1007
00:55:08,640 --> 00:55:14,680
Speaker 2: corrupt someone else's child. Raven, stay in school, please, or

1008
00:55:15,120 --> 00:55:16,600
Speaker 2: quit and make a movie, Raven.

1009
00:55:17,040 --> 00:55:20,319
Speaker 1: Although I'm sure your dad would be thrilled if you

1010
00:55:20,400 --> 00:55:23,080
Speaker 1: follow it, in John Carpenter's footsteps, just say.

1011
00:55:23,360 --> 00:55:26,879
Speaker 2: Truly a model among men. And again, as always, at

1012
00:55:26,880 --> 00:55:30,160
Speaker 2: the time of this recording, John Carpenter has not popped

1013
00:55:30,160 --> 00:55:33,200
Speaker 2: off on Twitter, has not said anything terrible about women.

1014
00:55:33,680 --> 00:55:37,960
Speaker 2: He's been fine up till this recording. Yes, but he's

1015
00:55:37,960 --> 00:55:40,840
Speaker 2: an icon. He's an icon. So this movie is part

1016
00:55:40,920 --> 00:55:44,160
Speaker 2: of the lineage and part of the great career of

1017
00:55:44,200 --> 00:55:49,520
Speaker 2: this incredible director. The cast is cool again, Sam Neil

1018
00:55:49,960 --> 00:55:53,239
Speaker 2: playing John Trent. John Glover is in it as a

1019
00:55:53,280 --> 00:55:56,799
Speaker 2: doctor named Sapristine. And if John Glover was in your

1020
00:55:57,040 --> 00:56:01,719
Speaker 2: eighties movie, he was one hundred percent of villain, always

1021
00:56:02,280 --> 00:56:04,439
Speaker 2: one hundred You saw that guy and you're like, he

1022
00:56:04,600 --> 00:56:07,000
Speaker 2: is going to fuck someone over? Is he a shitty

1023
00:56:07,040 --> 00:56:12,359
Speaker 2: businessman or an evil doctor? Either way a bad boyfriend? Yes,

1024
00:56:12,760 --> 00:56:17,000
Speaker 2: he's jumping in there. You've got Julie Carmen playing Linda

1025
00:56:17,080 --> 00:56:21,560
Speaker 2: Styles and Jurgen Prock now is Sutter Kane. Who is

1026
00:56:21,719 --> 00:56:26,560
Speaker 2: this author that is missing? Who wrote this book? I

1027
00:56:26,560 --> 00:56:29,320
Speaker 2: would be remiss if I didn't mention Bernie Casey is

1028
00:56:29,360 --> 00:56:32,799
Speaker 2: in the film, yes, as one of the clients of

1029
00:56:32,840 --> 00:56:41,239
Speaker 2: this freelance insurance investigator. And also Charlton Heston plays the publisher,

1030
00:56:41,440 --> 00:56:45,480
Speaker 2: the book publisher Charlton pulled this gun from my cold

1031
00:56:45,560 --> 00:56:49,000
Speaker 2: dead hands Heston, which is how I knew him as

1032
00:56:49,040 --> 00:56:51,799
Speaker 2: a child. Like fuck the movie star Charlton Hessen, who's

1033
00:56:51,800 --> 00:56:53,520
Speaker 2: this lunatic on stage with a gun.

1034
00:56:54,280 --> 00:56:57,040
Speaker 1: As of this recording, we can confirm that Charlton Hessen

1035
00:56:57,120 --> 00:56:58,480
Speaker 1: has said some fucked up shit.

1036
00:56:58,440 --> 00:57:02,640
Speaker 2: One hundred percent as I love the as of this

1037
00:57:03,120 --> 00:57:06,120
Speaker 2: As of this recording, we can confirm he's still garbage.

1038
00:57:07,840 --> 00:57:10,120
Speaker 2: He's been dead for twenty years. I don't know he's

1039
00:57:10,120 --> 00:57:14,120
Speaker 2: been We can confirm that his corpse is still full

1040
00:57:14,160 --> 00:57:19,880
Speaker 2: of worms shit at the time of this recording. But yeah,

1041
00:57:19,920 --> 00:57:22,600
Speaker 2: charl Nessen's in it, like okay, Like the cast is

1042
00:57:22,680 --> 00:57:26,480
Speaker 2: wild and we're gonna start. The movie starts out with

1043
00:57:26,560 --> 00:57:29,919
Speaker 2: Sam Neil being committed, like he's already kind of lost it,

1044
00:57:30,160 --> 00:57:33,080
Speaker 2: lost the plot a little bit. And he is in

1045
00:57:33,120 --> 00:57:37,440
Speaker 2: this tiny, padded room in this hospital. And when I

1046
00:57:37,560 --> 00:57:43,400
Speaker 2: tell you that his his visions have everything, you've got demons, axes,

1047
00:57:43,920 --> 00:57:51,120
Speaker 2: thunder flowers, diva cups. The man is seeing everything. He

1048
00:57:51,200 --> 00:57:54,160
Speaker 2: uses a single black crayon to draw crosses all over

1049
00:57:54,200 --> 00:57:57,760
Speaker 2: his room and all over himself, which is impossible unless

1050
00:57:57,800 --> 00:58:00,640
Speaker 2: that crayon was actually eyeliner, which in the eighties it

1051
00:58:00,680 --> 00:58:09,840
Speaker 2: probably was. It could have been the red mabelene like

1052
00:58:10,160 --> 00:58:12,880
Speaker 2: when it came in a little red pencil. Yes, So

1053
00:58:13,120 --> 00:58:15,360
Speaker 2: he's he's in this thing. He's going like he's in

1054
00:58:15,480 --> 00:58:18,480
Speaker 2: his madness at the start, and he starts talking to

1055
00:58:18,520 --> 00:58:21,439
Speaker 2: this investigator who comes to see him, and he goes

1056
00:58:21,480 --> 00:58:23,320
Speaker 2: back to the start of his story and the way

1057
00:58:23,360 --> 00:58:25,720
Speaker 2: that the story started, and the reason that he is

1058
00:58:25,880 --> 00:58:31,200
Speaker 2: in this current condition is that Sutter Kane Jurgen procnow Is,

1059
00:58:31,280 --> 00:58:35,680
Speaker 2: who's a horror writer, has disappeared and he's been hired

1060
00:58:35,720 --> 00:58:40,440
Speaker 2: to find this guy. Sutter Kane writes something called the

1061
00:58:40,480 --> 00:58:44,120
Speaker 2: Hobbs and Horror series, and the tagline of that series

1062
00:58:44,280 --> 00:58:47,000
Speaker 2: is if this book doesn't scare you to death, you're

1063
00:58:47,040 --> 00:58:51,960
Speaker 2: already dead. Which he's a little work. There's a little

1064
00:58:52,000 --> 00:58:53,120
Speaker 2: work on the copy editing there.

1065
00:58:54,200 --> 00:58:56,920
Speaker 1: Yeah, that's that's actually not the most confusing thing about

1066
00:58:56,920 --> 00:58:58,040
Speaker 1: this movie in my opinion.

1067
00:58:58,240 --> 00:59:00,480
Speaker 2: Oh no, it is actually downhill from here in terms

1068
00:59:00,520 --> 00:59:05,240
Speaker 2: of confusion. But that is just the printed version of

1069
00:59:05,280 --> 00:59:07,800
Speaker 2: what is the most confusing in the first five minutes.

1070
00:59:10,200 --> 00:59:14,720
Speaker 2: The next and most confusing thing is that as Bernie

1071
00:59:14,760 --> 00:59:18,880
Speaker 2: Casey and Sam neil So as John Trent and Robinson

1072
00:59:18,880 --> 00:59:21,240
Speaker 2: are sitting down at this cafe discussing whether or not

1073
00:59:21,240 --> 00:59:24,120
Speaker 2: he should take this case. There's a man with an

1074
00:59:24,200 --> 00:59:28,560
Speaker 2: axe just cruising at them across the street. Yes, nobody

1075
00:59:28,840 --> 00:59:32,920
Speaker 2: notices a thing like full floorida ceiling window. This man

1076
00:59:33,000 --> 00:59:36,680
Speaker 2: comes out of store covered in blood with an axe,

1077
00:59:36,680 --> 00:59:38,360
Speaker 2: and they're just like, oh no, you won't take this job.

1078
00:59:39,960 --> 00:59:42,840
Speaker 2: So clearly he jumps through the window and tries to

1079
00:59:42,920 --> 00:59:47,640
Speaker 2: attack John Trent and this guy. This axe man turns

1080
00:59:47,640 --> 00:59:49,840
Speaker 2: out to be Sutter Kane's agent. He's one of the

1081
00:59:49,840 --> 00:59:54,560
Speaker 2: first people who read this book, and he turned into

1082
00:59:54,800 --> 00:59:56,160
Speaker 2: an axe wielding maniac.

1083
00:59:56,920 --> 01:00:00,640
Speaker 1: What I was thinking about during this part, I was like,

1084
01:00:01,360 --> 01:00:04,200
Speaker 1: what if Dannyelle's book agent did this. What if Christopher

1085
01:00:04,240 --> 01:00:07,200
Speaker 1: came through a window with an axe on the fucking street.

1086
01:00:08,240 --> 01:00:11,000
Speaker 2: I would laugh first and foremost, because you know me

1087
01:00:11,440 --> 01:00:14,960
Speaker 2: and Christopher is so funny and so wonderful that I

1088
01:00:14,960 --> 01:00:17,920
Speaker 2: would think he was playing a joke. So I would

1089
01:00:18,120 --> 01:00:21,800
Speaker 2: burst out laughing. And then, as we've already established, I

1090
01:00:21,840 --> 01:00:23,880
Speaker 2: would have to kill him because I have a very

1091
01:00:23,920 --> 01:00:25,720
Speaker 2: strong sense of self preservation.

1092
01:00:26,440 --> 01:00:27,840
Speaker 3: Listen, here's another list.

1093
01:00:27,840 --> 01:00:30,840
Speaker 1: We need to come up with the great murderous book

1094
01:00:30,880 --> 01:00:36,240
Speaker 1: Agents of Films, and Christopher, You've got Halloween costumes for

1095
01:00:36,280 --> 01:00:37,520
Speaker 1: the rest of your life as far.

1096
01:00:37,360 --> 01:00:40,960
Speaker 2: As we're concerned. Devil wears Prada? No, yes, yes, yeah,

1097
01:00:41,000 --> 01:00:46,920
Speaker 2: why not? So this guy comes through this window. He

1098
01:00:46,960 --> 01:00:50,920
Speaker 2: gets killed by the police, but it turns out that

1099
01:00:50,960 --> 01:00:53,560
Speaker 2: he was this guy's agent. So John Trent's like, oh,

1100
01:00:53,640 --> 01:00:57,800
Speaker 2: I'm definitely on the case now, I just saw some

1101
01:00:57,920 --> 01:01:00,880
Speaker 2: insane shit. I am on it. And he decides to

1102
01:01:00,880 --> 01:01:03,760
Speaker 2: start reading all of the Sutter Kane books, and Suttercane

1103
01:01:03,800 --> 01:01:06,880
Speaker 2: is basically like your you know, like you're kind of

1104
01:01:06,960 --> 01:01:10,600
Speaker 2: John Grisham Airport, you know, like horror, but horror, not law,

1105
01:01:10,680 --> 01:01:13,280
Speaker 2: but like horror, the horror version of that. So John

1106
01:01:13,320 --> 01:01:16,760
Speaker 2: Chen's reading these books and he has this flash where

1107
01:01:17,200 --> 01:01:19,960
Speaker 2: he puts together that all of the covers of the

1108
01:01:20,000 --> 01:01:25,280
Speaker 2: book make up a map of New Hampshire, because okay, huh,

1109
01:01:25,320 --> 01:01:27,520
Speaker 2: I mean, to be fair, New Hampshire does not get

1110
01:01:27,560 --> 01:01:30,800
Speaker 2: its due in most pop culture. Very true, so I'm

1111
01:01:30,840 --> 01:01:33,440
Speaker 2: here for it. But yeah, map of New Hampshire. So

1112
01:01:33,480 --> 01:01:35,680
Speaker 2: he naturally is like, oh, I have to drive to

1113
01:01:35,720 --> 01:01:39,520
Speaker 2: New Hampshire. Let me grab this editor Linda and pop

1114
01:01:39,560 --> 01:01:41,960
Speaker 2: off to New Hampshire. And that's what they do. And

1115
01:01:42,040 --> 01:01:45,200
Speaker 2: let me tell you that this drive, much like his visions,

1116
01:01:45,440 --> 01:01:48,960
Speaker 2: has everything. You've got a kid on a bike who

1117
01:01:49,000 --> 01:01:54,960
Speaker 2: turns into Albert Einstein, blood curdling screens, a sharp transition

1118
01:01:55,080 --> 01:01:58,240
Speaker 2: from night to day. But then they're in hobbs End

1119
01:01:58,640 --> 01:02:03,720
Speaker 2: where all hell breaks literally all hell, all hell breaks loose,

1120
01:02:03,760 --> 01:02:06,360
Speaker 2: and they're still looking. They're still looking for this author,

1121
01:02:06,480 --> 01:02:09,880
Speaker 2: even though everything around them is like, yeah, this book

1122
01:02:09,920 --> 01:02:13,000
Speaker 2: is clearly doing something to people. Like when they check

1123
01:02:13,000 --> 01:02:16,600
Speaker 2: in at the hotel, the homegirl at the hotel has

1124
01:02:16,680 --> 01:02:21,120
Speaker 2: her she's like ninety. She has her naked husband handcuffed

1125
01:02:21,160 --> 01:02:25,280
Speaker 2: to her ankle while she's checking people in. He is

1126
01:02:25,320 --> 01:02:27,640
Speaker 2: way too old to be down there. He's definitely catching

1127
01:02:27,640 --> 01:02:30,640
Speaker 2: pneumonia if she doesn't like axe murder him. Listen.

1128
01:02:30,640 --> 01:02:31,680
Speaker 3: I'm not trying to cank shame.

1129
01:02:31,760 --> 01:02:35,880
Speaker 1: Grandma's obviously obs but I was like, yo, what's up

1130
01:02:35,920 --> 01:02:36,240
Speaker 1: with this?

1131
01:02:36,640 --> 01:02:39,040
Speaker 2: Like that was a level of kink that I have

1132
01:02:39,280 --> 01:02:43,160
Speaker 2: not yet partaken in or seen. You're gonna chain up

1133
01:02:43,160 --> 01:02:47,280
Speaker 2: a ninety year old man to your ankle. I don't

1134
01:02:47,280 --> 01:02:49,440
Speaker 2: even know what kind of kink that would be called

1135
01:02:50,240 --> 01:02:56,680
Speaker 2: like sack of skin kink, Old Patrick Wilson's ass kink.

1136
01:02:56,840 --> 01:03:07,360
Speaker 2: I don't know, Old Patrick Wilson's ass play the saggy

1137
01:03:07,480 --> 01:03:11,280
Speaker 2: moons of New Hampshire play I don't know. But this

1138
01:03:11,320 --> 01:03:13,960
Speaker 2: man is down there. He is fucking naked, he's like

1139
01:03:13,960 --> 01:03:18,080
Speaker 2: a hundred years old, and he's handcuffed to her goddamn ankle.

1140
01:03:18,920 --> 01:03:20,920
Speaker 2: And they never come back to him. They never come

1141
01:03:20,960 --> 01:03:22,800
Speaker 2: back to him because he's not the weirdest thing that's

1142
01:03:22,840 --> 01:03:27,800
Speaker 2: happening in this town. Exactly exactly there. I mean, there

1143
01:03:27,840 --> 01:03:30,280
Speaker 2: are monsters coming out of the back of people's heads,

1144
01:03:30,760 --> 01:03:37,360
Speaker 2: there are bulging, bleeding doors. Bigo from Ghostbusters shows up,

1145
01:03:37,520 --> 01:03:42,640
Speaker 2: Wilhelm von Hamburg shows up just to commit suicide with

1146
01:03:42,680 --> 01:03:46,680
Speaker 2: a shotgun, and that's not even happened. That's like, like

1147
01:03:46,720 --> 01:03:48,680
Speaker 2: within the first five minutes of them arriving in this town,

1148
01:03:49,440 --> 01:03:51,800
Speaker 2: Bigo from Ghostbusters is there and you're like.

1149
01:03:51,760 --> 01:03:56,600
Speaker 3: Ha, oh my god. And you know what, it cracks

1150
01:03:56,640 --> 01:03:57,840
Speaker 3: me up about Sam Neil.

1151
01:03:57,920 --> 01:03:59,600
Speaker 1: I mean, I'm sure you're probably gonna talk about him

1152
01:03:59,600 --> 01:04:01,480
Speaker 1: a little bit, but Sam Neil is one of these

1153
01:04:01,520 --> 01:04:06,840
Speaker 1: actors who every time he flips the fuck out, I laugh.

1154
01:04:07,040 --> 01:04:09,760
Speaker 3: Like absolutely because I think it's.

1155
01:04:09,560 --> 01:04:12,840
Speaker 1: The accent, and he is very like you know, handsome

1156
01:04:12,960 --> 01:04:15,800
Speaker 1: and very poss seemingly put together. But then like in

1157
01:04:15,840 --> 01:04:20,000
Speaker 1: this movie when he progressively like is trying to understand,

1158
01:04:20,080 --> 01:04:22,840
Speaker 1: like I thought this was a publicity.

1159
01:04:22,240 --> 01:04:23,919
Speaker 3: Stunt, Actually it might be real.

1160
01:04:24,720 --> 01:04:28,640
Speaker 1: That like moment of him flipping out about everything that's

1161
01:04:28,640 --> 01:04:30,480
Speaker 1: happening cracks me up.

1162
01:04:30,600 --> 01:04:33,040
Speaker 3: Like I don't know why I laugh when he flips out.

1163
01:04:33,080 --> 01:04:35,880
Speaker 2: It's so funny because he really does have like a

1164
01:04:35,920 --> 01:04:39,920
Speaker 2: beautifully expressive face. Yes, and I'm right there with you.

1165
01:04:40,040 --> 01:04:46,720
Speaker 2: When he starts his descent, it is like wild to

1166
01:04:46,800 --> 01:04:50,080
Speaker 2: see and it is so fun Yes, and Sam Neil,

1167
01:04:50,360 --> 01:04:52,760
Speaker 2: like now a lot of people know Sam Neil now

1168
01:04:52,840 --> 01:04:55,760
Speaker 2: as like the guy on Instagram who has like a

1169
01:04:55,840 --> 01:04:59,480
Speaker 2: vineyard and a farm and he's just this very sweet

1170
01:04:59,520 --> 01:05:03,520
Speaker 2: and funny any social media presence, but he is actually

1171
01:05:03,800 --> 01:05:08,000
Speaker 2: actually like a very commanding and wonderful actor. He's been

1172
01:05:08,000 --> 01:05:10,520
Speaker 2: in Peaky Blinders recently, but he's just had a hell

1173
01:05:10,560 --> 01:05:13,440
Speaker 2: of a career. I love that he's able to relax

1174
01:05:13,480 --> 01:05:16,040
Speaker 2: and have this whole new or different kind of life

1175
01:05:16,160 --> 01:05:18,160
Speaker 2: on the you know that kind of balances out the

1176
01:05:18,200 --> 01:05:22,600
Speaker 2: acting stuff. But he really was like, especially in the

1177
01:05:22,680 --> 01:05:26,120
Speaker 2: late eighties early nineties, he was that kind of leading

1178
01:05:26,200 --> 01:05:28,200
Speaker 2: man where he like this was kind of a great

1179
01:05:28,320 --> 01:05:31,480
Speaker 2: weird choice for him because he was very like, I

1180
01:05:31,720 --> 01:05:34,760
Speaker 2: am a posh dude who can get a nice tan,

1181
01:05:35,480 --> 01:05:38,880
Speaker 2: and uh, I'm pretty hot, so put me in anything

1182
01:05:38,920 --> 01:05:39,240
Speaker 2: you want.

1183
01:05:40,040 --> 01:05:43,400
Speaker 1: Yeah, he's been in some you know, dare I say

1184
01:05:43,440 --> 01:05:46,880
Speaker 1: he's a gentleman pervert. He's been in some really weird

1185
01:05:47,000 --> 01:05:52,720
Speaker 1: movies like ah, he was in this unbelievable movie called

1186
01:05:52,760 --> 01:05:56,360
Speaker 1: Possession from nineteen eighty one, oh with Isabella au Jehanni.

1187
01:05:56,800 --> 01:06:00,680
Speaker 3: I mean, just kind of a classic fucked up movie.

1188
01:06:00,960 --> 01:06:03,400
Speaker 1: But just him being in that movie alone was what

1189
01:06:03,560 --> 01:06:05,840
Speaker 1: really was Like I tip my cap to you, sir,

1190
01:06:06,000 --> 01:06:06,880
Speaker 1: gentleman pervert.

1191
01:06:07,280 --> 01:06:09,480
Speaker 3: But he's I mean, I remember when he.

1192
01:06:09,440 --> 01:06:12,920
Speaker 1: Was in Dead Calm, Like, Yes, he's been in some

1193
01:06:13,080 --> 01:06:16,520
Speaker 1: crazy shit, Like I kind of love him for that,

1194
01:06:16,680 --> 01:06:20,360
Speaker 1: Like he when he ventures into these weirder worlds like

1195
01:06:20,440 --> 01:06:23,840
Speaker 1: with the John Carpenter movies and st the movies, it

1196
01:06:23,840 --> 01:06:25,560
Speaker 1: it's it's always amusing.

1197
01:06:25,240 --> 01:06:27,960
Speaker 2: It's always wonderful. And look, I know that most of

1198
01:06:28,000 --> 01:06:30,600
Speaker 2: you are right now are at home screaming Jurassic Park.

1199
01:06:30,720 --> 01:06:36,120
Speaker 2: Jurassic Park. Fine, yes, I saw it. I saw it too. Yeah,

1200
01:06:36,160 --> 01:06:39,080
Speaker 2: great movie, Let's move on. He's more interesting, He's more

1201
01:06:39,120 --> 01:06:43,040
Speaker 2: interesting than that. He's done more. But I will acknowledge

1202
01:06:43,080 --> 01:06:45,440
Speaker 2: it so that you can stop screaming, because I know

1203
01:06:45,480 --> 01:06:48,240
Speaker 2: you're all at home screaming right now. Yes, Jurassic Park.

1204
01:06:48,840 --> 01:06:51,200
Speaker 2: But yeah, he he really is very interesting. Like he

1205
01:06:51,280 --> 01:06:53,520
Speaker 2: voiced something in Rick and Morty and like, I don't know,

1206
01:06:53,560 --> 01:06:57,960
Speaker 2: he's just he's he's a beautiful New Zealand raised gentleman

1207
01:06:58,040 --> 01:07:02,560
Speaker 2: pervert and I just think he's hilarious. Love it, And

1208
01:07:02,600 --> 01:07:05,960
Speaker 2: he's wonderful in this movie. I feel like I shouldn't

1209
01:07:06,080 --> 01:07:08,160
Speaker 2: like this movie as much as I do, because it's

1210
01:07:08,280 --> 01:07:13,160
Speaker 2: one terrifying still. Sure. Yeah, And when I was younger,

1211
01:07:13,240 --> 01:07:15,920
Speaker 2: I used to get this movie confused with Jacob's Ladder

1212
01:07:16,040 --> 01:07:18,520
Speaker 2: all the time, another movie that I saw when I

1213
01:07:18,640 --> 01:07:23,640
Speaker 2: was way too young. Yes, So if we're if we're

1214
01:07:23,640 --> 01:07:26,080
Speaker 2: if this is the show where we're making and keeping lists,

1215
01:07:26,520 --> 01:07:28,680
Speaker 2: let's start with some films that we were way too

1216
01:07:28,720 --> 01:07:30,919
Speaker 2: young to see that scarred us for life and throw

1217
01:07:31,000 --> 01:07:32,000
Speaker 2: this one onto the pile.

1218
01:07:32,280 --> 01:07:35,240
Speaker 3: Oh my god, we have to do Jacob's Ladder at

1219
01:07:35,240 --> 01:07:35,720
Speaker 3: some point.

1220
01:07:35,800 --> 01:07:37,680
Speaker 2: We just have to. Holy shit, I don't know if

1221
01:07:37,680 --> 01:07:38,560
Speaker 2: I can go back to it.

1222
01:07:38,760 --> 01:07:41,320
Speaker 3: I know we're gonna have to watch it at some point.

1223
01:07:41,640 --> 01:07:45,040
Speaker 2: I'll do it, you know why I love this pod? Yes,

1224
01:07:45,280 --> 01:07:47,120
Speaker 2: do it for the pod. I'll do it for the pod.

1225
01:07:47,440 --> 01:07:49,760
Speaker 2: But I shouldn't like this movie because it's like terrifying.

1226
01:07:49,800 --> 01:07:52,800
Speaker 2: But it's also kind of a parable about how books

1227
01:07:52,800 --> 01:08:00,240
Speaker 2: are bad and I'm a writer, like this is a

1228
01:08:00,280 --> 01:08:03,840
Speaker 2: book that opens the portal. Not just opens the portal

1229
01:08:03,880 --> 01:08:07,880
Speaker 2: to Hell, it opens up everyone's specific special personal portal

1230
01:08:07,920 --> 01:08:08,240
Speaker 2: to Hell.

1231
01:08:08,920 --> 01:08:12,920
Speaker 3: Yes, and also it opens up like the apocalypse. You're

1232
01:08:13,000 --> 01:08:14,560
Speaker 3: something like, it's so weird.

1233
01:08:15,440 --> 01:08:20,160
Speaker 2: It's like a planetary, like it's just it takes over

1234
01:08:20,680 --> 01:08:24,240
Speaker 2: the universe somehow. There's a plan in this movie where

1235
01:08:24,479 --> 01:08:27,439
Speaker 2: trend isn't trying to explain it. And someone says like,

1236
01:08:27,479 --> 01:08:29,240
Speaker 2: oh what if people don't read the book? And he

1237
01:08:29,280 --> 01:08:31,680
Speaker 2: says there's a movie, And I swear to god, my

1238
01:08:31,720 --> 01:08:34,880
Speaker 2: skin went cold, yes, because I was like, oh God,

1239
01:08:34,920 --> 01:08:37,280
Speaker 2: they're gonna get you, no matter how they're gonna get you.

1240
01:08:37,920 --> 01:08:40,880
Speaker 1: Which does feel like a very kind of John Carpenter thing,

1241
01:08:40,920 --> 01:08:44,679
Speaker 1: because it is about like, you know, the the idea

1242
01:08:44,840 --> 01:08:48,640
Speaker 1: of consumerism and and you know, book buying, but you

1243
01:08:48,640 --> 01:08:52,720
Speaker 1: know when when books turning to movies and the kind

1244
01:08:52,720 --> 01:08:54,680
Speaker 1: of consumerism.

1245
01:08:53,880 --> 01:08:56,920
Speaker 2: That happens along those lines. But it is.

1246
01:08:57,120 --> 01:09:01,879
Speaker 1: It is crazy though, when the movie does address that finally,

1247
01:09:02,040 --> 01:09:02,880
Speaker 1: like when.

1248
01:09:02,800 --> 01:09:05,240
Speaker 2: It's revealed that there was a movie made in the book,

1249
01:09:05,240 --> 01:09:08,719
Speaker 2: because that really it takes a turn. The movie takes

1250
01:09:08,720 --> 01:09:12,799
Speaker 2: a turn. It takes a real turn. And there's already

1251
01:09:12,840 --> 01:09:16,000
Speaker 2: like a lot of scenes that are repeating scenes to

1252
01:09:16,080 --> 01:09:20,200
Speaker 2: kind of indicate that people are stuck in a madness loop. Yes,

1253
01:09:20,560 --> 01:09:23,840
Speaker 2: and once they reveal that it's a movie, it's become

1254
01:09:23,880 --> 01:09:27,080
Speaker 2: a movie as well. There's some fourth wall breaking down

1255
01:09:27,240 --> 01:09:29,599
Speaker 2: a little bit in a sort of weird way, Like

1256
01:09:29,640 --> 01:09:33,920
Speaker 2: it is just it's a disturbing movie still to this day,

1257
01:09:33,960 --> 01:09:35,800
Speaker 2: even knowing what was coming, I was like, I don't

1258
01:09:35,800 --> 01:09:37,280
Speaker 2: know if I can sleep, and I watched it at

1259
01:09:37,280 --> 01:09:40,520
Speaker 2: like eleven am on purpose. Yeah.

1260
01:09:40,600 --> 01:09:42,880
Speaker 1: I think that's part of what makes it scary to

1261
01:09:42,920 --> 01:09:44,640
Speaker 1: me too, is that it really does keep you on

1262
01:09:44,720 --> 01:09:49,120
Speaker 1: her toes. I mean, and there are moments where sometimes

1263
01:09:49,240 --> 01:09:53,000
Speaker 1: that is confusing, Like we've said just you know a

1264
01:09:53,000 --> 01:09:56,920
Speaker 1: couple minutes ago, like sometimes you're watching going all right,

1265
01:09:57,000 --> 01:09:58,080
Speaker 1: what is happening now?

1266
01:09:58,520 --> 01:10:00,840
Speaker 3: Who is this is this happening in real life or

1267
01:10:00,920 --> 01:10:01,960
Speaker 3: is this like a dream?

1268
01:10:02,560 --> 01:10:02,920
Speaker 2: Uh?

1269
01:10:03,120 --> 01:10:06,880
Speaker 1: But then it also is that thing where you're talking

1270
01:10:06,920 --> 01:10:12,360
Speaker 1: about madness in that way like you're you're you're supposed

1271
01:10:12,439 --> 01:10:16,360
Speaker 1: to be disoriented, because it's kind of in the fiber

1272
01:10:16,560 --> 01:10:18,680
Speaker 1: of the of the story.

1273
01:10:18,439 --> 01:10:20,880
Speaker 2: Right right, which is fascinating to me because I think

1274
01:10:20,920 --> 01:10:23,080
Speaker 2: that it's it's a big leap to take to hope

1275
01:10:23,120 --> 01:10:24,840
Speaker 2: that your audience will go along with you in that

1276
01:10:24,880 --> 01:10:26,800
Speaker 2: way and not but they. I think it's it's it

1277
01:10:26,880 --> 01:10:30,600
Speaker 2: was done very masterfully and craft craftily, and that you

1278
01:10:30,600 --> 01:10:34,320
Speaker 2: could very much tell that anything could happen at any

1279
01:10:34,360 --> 01:10:36,000
Speaker 2: point in time. So you kind of just have to

1280
01:10:36,080 --> 01:10:39,160
Speaker 2: throw away your own inhibitions in the beginning of watching

1281
01:10:39,240 --> 01:10:41,920
Speaker 2: this and just be really open to the to the experience,

1282
01:10:42,080 --> 01:10:43,240
Speaker 2: you know, kind of like if you were going to

1283
01:10:43,280 --> 01:10:46,559
Speaker 2: like a nudist camp or something nudist camp in the

1284
01:10:46,600 --> 01:10:50,920
Speaker 2: mouth of madness, same deal, same thing. There is a

1285
01:10:50,960 --> 01:10:55,080
Speaker 2: scene with Linda though that still gives me night terrors.

1286
01:10:55,800 --> 01:10:59,840
Speaker 2: Oh my god, which one when she comes crawling out

1287
01:10:59,840 --> 01:11:04,240
Speaker 2: of that car. I want to wrap myself in burlap

1288
01:11:04,280 --> 01:11:07,760
Speaker 2: and throw myself into the sea, into the sea. I

1289
01:11:07,800 --> 01:11:12,080
Speaker 2: cannot handle this motherfucker crawling out of that car. If I,

1290
01:11:12,080 --> 01:11:14,559
Speaker 2: if I was more talented, I would figure out how

1291
01:11:14,600 --> 01:11:16,000
Speaker 2: to make that a Halloween costume.

1292
01:11:16,640 --> 01:11:21,040
Speaker 1: Oh gosh, yeah, there's a lot of like creepy sceeds,

1293
01:11:21,080 --> 01:11:22,760
Speaker 1: a lot of creepy masks.

1294
01:11:23,479 --> 01:11:23,559
Speaker 2: Like.

1295
01:11:24,360 --> 01:11:27,639
Speaker 3: Man, yeah, I watched this later and night.

1296
01:11:27,920 --> 01:11:29,679
Speaker 1: First of all, I haven't seen this movie in probably

1297
01:11:29,680 --> 01:11:32,880
Speaker 1: like ten years, and then I decided to watch it

1298
01:11:32,920 --> 01:11:33,639
Speaker 1: at night, which is.

1299
01:11:33,600 --> 01:11:35,720
Speaker 2: So dumb, and I was like, oh, man, what did

1300
01:11:35,720 --> 01:11:39,880
Speaker 2: I do? I don't know if I can sleep. I

1301
01:11:39,920 --> 01:11:43,080
Speaker 2: have changed my whole schedule around, and I watched movies

1302
01:11:43,080 --> 01:11:45,200
Speaker 2: for the pod in the morning because I never know

1303
01:11:45,240 --> 01:11:46,519
Speaker 2: what I never know what's coming.

1304
01:11:46,520 --> 01:11:48,120
Speaker 1: Well, and I knew that we were gonna do this

1305
01:11:48,200 --> 01:11:51,160
Speaker 1: episode and it's gonna be like a horror movie episode.

1306
01:11:51,200 --> 01:11:53,200
Speaker 1: And I was like, oh, I'm still gonna wait until

1307
01:11:53,240 --> 01:11:57,120
Speaker 1: eleven forty five PM to fire up in the mouth

1308
01:11:57,160 --> 01:11:59,719
Speaker 1: of madness like a fucking moron.

1309
01:12:04,160 --> 01:12:07,000
Speaker 2: Oh. I love that you did. Though. I love this movie.

1310
01:12:07,080 --> 01:12:09,679
Speaker 2: It's so weird. It's just as twisted as I remember.

1311
01:12:09,880 --> 01:12:12,800
Speaker 2: And I just want to ask you one question, though, Yes,

1312
01:12:12,960 --> 01:12:16,640
Speaker 2: if you could write a book that gave everyone on

1313
01:12:16,680 --> 01:12:21,720
Speaker 2: the planet the same reaction one would you and two

1314
01:12:21,880 --> 01:12:23,679
Speaker 2: what would it be? Because I know the answer is yes,

1315
01:12:25,240 --> 01:12:26,120
Speaker 2: it would be yes.

1316
01:12:26,360 --> 01:12:33,880
Speaker 1: And and I think I would write a Babysitters Club book,

1317
01:12:33,920 --> 01:12:37,960
Speaker 1: maybe the next in the Babysitters Club series. Everybody would

1318
01:12:38,000 --> 01:12:42,120
Speaker 1: read it, and then they would make cinnamon brooms a

1319
01:12:42,240 --> 01:12:42,880
Speaker 1: year round.

1320
01:12:43,400 --> 01:12:49,840
Speaker 2: That's what would happen. Is magic magic, Two birds, one stone,

1321
01:12:49,920 --> 01:12:52,400
Speaker 2: There we go Stone. I hate that phrase because I'm like,

1322
01:12:52,400 --> 01:12:53,840
Speaker 2: why do I have to kill birds to get this?

1323
01:12:54,120 --> 01:12:56,120
Speaker 2: Two things happening at the same time. I love it,

1324
01:12:56,360 --> 01:12:58,639
Speaker 2: get two things done with one one fell swoop. Yes,

1325
01:12:59,120 --> 01:13:01,600
Speaker 2: if I could write a book that gave everyone in

1326
01:13:01,640 --> 01:13:05,320
Speaker 2: the world the same reaction, I would. And I would

1327
01:13:05,320 --> 01:13:08,920
Speaker 2: write a book that made everyone exactly as grumpy as

1328
01:13:08,960 --> 01:13:09,240
Speaker 2: I am.

1329
01:13:10,600 --> 01:13:13,840
Speaker 3: That's great, that's very practical.

1330
01:13:14,040 --> 01:13:19,880
Speaker 2: Every single person is exactly as grumpy as I am.

1331
01:13:20,160 --> 01:13:24,040
Speaker 2: They'll be better drivers, they'll be better lovers, they'll be

1332
01:13:24,040 --> 01:13:29,240
Speaker 2: better friends because every the same thing will bother everyone.

1333
01:13:31,560 --> 01:13:35,960
Speaker 2: That would be so it would be so great. Actually, yeah,

1334
01:13:36,000 --> 01:13:38,639
Speaker 2: And because it doesn't mean you have to permanently be grumpy,

1335
01:13:38,720 --> 01:13:41,200
Speaker 2: Like I'm not a grumpy person all the time, yes,

1336
01:13:41,520 --> 01:13:44,519
Speaker 2: but when I am, I want everyone right there with me.

1337
01:13:44,880 --> 01:13:48,080
Speaker 2: Just moving over on the road, not leaving their houses,

1338
01:13:48,120 --> 01:13:51,959
Speaker 2: maybe folding in their fucking Christ the Redeemer side mirrors.

1339
01:13:55,320 --> 01:13:56,639
Speaker 2: I love it.

1340
01:13:56,760 --> 01:14:00,519
Speaker 1: And I gotta say this theme was so so fun

1341
01:14:00,880 --> 01:14:04,320
Speaker 1: to talk about. We got to watch two really, really

1342
01:14:04,520 --> 01:14:06,800
Speaker 1: fun scary movies for Halloween.

1343
01:14:07,160 --> 01:14:09,400
Speaker 2: How great is that? Absolutely loved it. It was so

1344
01:14:09,600 --> 01:14:12,120
Speaker 2: fun And these are I'm just glad that we got

1345
01:14:12,120 --> 01:14:14,519
Speaker 2: to revisit these films and as a double feature they

1346
01:14:14,520 --> 01:14:17,599
Speaker 2: were astoundingly good. Yeah. I think So too.

1347
01:14:18,120 --> 01:14:21,439
Speaker 1: Can't do any better really than a John Carpenter film

1348
01:14:21,920 --> 01:14:24,000
Speaker 1: and you know, the First Evil Dead.

1349
01:14:24,160 --> 01:14:28,479
Speaker 2: Ah. So well, I'm excited for next week because next

1350
01:14:28,479 --> 01:14:31,760
Speaker 2: week we're doing things a little different. Yeah.

1351
01:14:31,320 --> 01:14:34,639
Speaker 1: I have to tell you we don't have any movies

1352
01:14:34,680 --> 01:14:36,040
Speaker 1: for you to watch next week.

1353
01:14:36,560 --> 01:14:41,920
Speaker 2: That's because it's our one year anniversary show, Peo Peo

1354
01:14:42,040 --> 01:14:45,200
Speaker 2: Peo a year. Can you believe it?

1355
01:14:45,800 --> 01:14:47,920
Speaker 3: I actually cannot believe it.

1356
01:14:48,920 --> 01:14:50,440
Speaker 2: So many movies.

1357
01:14:51,960 --> 01:14:52,320
Speaker 3: Listen.

1358
01:14:52,439 --> 01:14:56,760
Speaker 1: I when we opened when we opened the document to

1359
01:14:56,960 --> 01:14:58,840
Speaker 1: look at our notes tonight, I was.

1360
01:14:58,840 --> 01:15:02,759
Speaker 2: Like episode forty Yeah, what the fuck? Yeah?

1361
01:15:03,080 --> 01:15:05,840
Speaker 1: Forty five episodes. We've done this for an entire year,

1362
01:15:06,040 --> 01:15:06,800
Speaker 1: Can you believe it?

1363
01:15:07,040 --> 01:15:09,120
Speaker 2: Well? I could not be happier. I hope we get

1364
01:15:09,160 --> 01:15:12,240
Speaker 2: to do this for the next twenty years. Yeah, and

1365
01:15:12,479 --> 01:15:15,040
Speaker 2: I'm excited for next week's show. We're gonna do some clips,

1366
01:15:15,080 --> 01:15:17,599
Speaker 2: we're gonna make it fun and we're just gonna enjoy

1367
01:15:18,840 --> 01:15:21,800
Speaker 2: the fact that we've been able to do this with

1368
01:15:21,880 --> 01:15:24,240
Speaker 2: you guys and have you as listeners, and it's just

1369
01:15:24,520 --> 01:15:26,759
Speaker 2: so much fun. I'm just glad we get to celebrate

1370
01:15:26,760 --> 01:15:27,200
Speaker 2: a little bit.

1371
01:15:27,520 --> 01:15:29,960
Speaker 1: Yes, I am too. It's gonna be a great episode.

1372
01:15:29,960 --> 01:15:33,520
Speaker 1: You're gonna hear some like old faves. We're gonna reminisce,

1373
01:15:33,720 --> 01:15:38,719
Speaker 1: and we hope you'll join us because we love you. Hey, listen,

1374
01:15:39,120 --> 01:15:42,200
Speaker 1: if you want to email us, please do so. We're

1375
01:15:42,240 --> 01:15:43,919
Speaker 1: at I Saw What You Did Pod at Gmail.

1376
01:15:44,320 --> 01:15:47,479
Speaker 2: You can also find us on our socials. We are

1377
01:15:47,600 --> 01:15:50,240
Speaker 2: at I Saw Pod on Instagram and Twitter.

1378
01:15:50,840 --> 01:15:54,599
Speaker 1: Also, we've got that spookey merch Actually it's not spooky.

1379
01:15:55,560 --> 01:15:58,599
Speaker 3: You can buy a black T shirt, but.

1380
01:15:59,080 --> 01:16:01,240
Speaker 1: We do have it at the Exactly Right shop at

1381
01:16:01,240 --> 01:16:02,719
Speaker 1: Exactlyrightmedia dot com.

1382
01:16:03,560 --> 01:16:05,760
Speaker 2: And if you want even more from us, or you

1383
01:16:05,800 --> 01:16:09,280
Speaker 2: want to hear us read your own emails back to you,

1384
01:16:09,280 --> 01:16:11,720
Speaker 2: you can just follow us on stit your premium where

1385
01:16:11,760 --> 01:16:14,040
Speaker 2: we have a bunch of bonus episodes up and you

1386
01:16:14,080 --> 01:16:19,000
Speaker 2: can also use the promo code SAW for a free month. Yes,

1387
01:16:19,360 --> 01:16:22,840
Speaker 2: get that free month, get it, listen to that look.

1388
01:16:22,840 --> 01:16:25,559
Speaker 2: People have been emailing us and messaging us a lot

1389
01:16:25,600 --> 01:16:28,439
Speaker 2: that they're signing up for sit your Premium specifically to

1390
01:16:28,479 --> 01:16:30,439
Speaker 2: hear our show, and I cannot tell you how happy

1391
01:16:30,439 --> 01:16:31,760
Speaker 2: that makes us. Thank you so much.

1392
01:16:32,240 --> 01:16:35,280
Speaker 1: Oh, I know it really does warm our heart to

1393
01:16:35,760 --> 01:16:39,839
Speaker 1: have people that are willing to know. We know money's

1394
01:16:39,880 --> 01:16:44,439
Speaker 1: tight right now, and if anybody has decided to kick

1395
01:16:44,439 --> 01:16:46,800
Speaker 1: over a few bucks to listen to these episodes, we

1396
01:16:47,000 --> 01:16:49,680
Speaker 1: really really appreciate it, and we have a lot of

1397
01:16:49,680 --> 01:16:50,360
Speaker 1: fun doing them.

1398
01:16:50,400 --> 01:16:53,840
Speaker 2: So we hope you're enjoying it well until next week.

1399
01:16:53,920 --> 01:16:56,000
Speaker 2: One year, one.

1400
01:16:55,840 --> 01:17:00,959
Speaker 1: Year, Happy Halloween everybody you next week.

1401
01:17:01,720 --> 01:17:12,360
Speaker 2: Ah, this has been an exactly right production. Our producers

1402
01:17:12,360 --> 01:17:16,160
Speaker 2: Alexis Amrosi, our engineers Annalise Nelson. Our theme songs by

1403
01:17:16,200 --> 01:17:20,000
Speaker 2: Tom bry Foegel, artwork by Garrett Ross. Our executive producers

1404
01:17:20,000 --> 01:17:22,759
Speaker 2: are Georgia hart Stark, Kring Till, Gareth and Danielle Kramer.

1405
01:17:23,200 --> 01:17:25,760
Speaker 2: Follow us on Instagram and Twitter at I Saw pod

1406
01:17:26,200 --> 01:17:28,120
Speaker 2: email us at I Saw What You Did pod at

1407
01:17:28,160 --> 01:17:31,280
Speaker 2: Gmail and Please don't forget to listen, subscribe, leave us

1408
01:17:31,320 --> 01:17:34,599
Speaker 2: a review on Apple Podcast, Stitcher, or wherever you listen