1 00:00:01,240 --> 00:00:02,679 Speaker 1: It's Brulton Jeffrey in the morning. 2 00:00:02,880 --> 00:00:05,280 Speaker 2: If you take a bunch of drunk people wandering around 3 00:00:05,320 --> 00:00:08,200 Speaker 2: the city and oversize sombreros. Add in a guy with 4 00:00:08,240 --> 00:00:11,720 Speaker 2: a microphone who looks kind of Spanish but doesn't speak anything, 5 00:00:12,240 --> 00:00:15,480 Speaker 2: plus a tiny gen z blonde who's down to party 6 00:00:15,520 --> 00:00:17,360 Speaker 2: on the fifth day of any month. 7 00:00:17,720 --> 00:00:18,680 Speaker 1: And what do you get? 8 00:00:19,200 --> 00:00:23,360 Speaker 2: What you're doing at Cinco de Maya, the unofficial holiday. 9 00:00:23,360 --> 00:00:25,520 Speaker 2: That's the perfect excuse to stuff your face with as 10 00:00:25,560 --> 00:00:29,320 Speaker 2: many tacos and margarite as as humanly possible and nobody 11 00:00:29,360 --> 00:00:31,440 Speaker 2: can judge you for it, which is why over the 12 00:00:31,440 --> 00:00:34,400 Speaker 2: weekend we hit out one of the biggest parties and 13 00:00:34,479 --> 00:00:38,560 Speaker 2: covered it from front to back because Jose was outside 14 00:00:38,600 --> 00:00:42,320 Speaker 2: while Alexis was inside. Oh my god, totally not taking 15 00:00:42,360 --> 00:00:46,440 Speaker 2: free shots, just asking people a simple question, what you're 16 00:00:46,479 --> 00:00:47,680 Speaker 2: doing at Cinco de Mayo? 17 00:00:48,040 --> 00:00:51,720 Speaker 3: What you're doing on Cinco to Mayo taking shots at 18 00:00:51,760 --> 00:00:56,120 Speaker 3: tequila of course, And how isn't I going for you? 19 00:00:56,160 --> 00:00:56,520 Speaker 2: So far? 20 00:00:57,120 --> 00:00:57,800 Speaker 1: Not so good? 21 00:00:58,240 --> 00:01:00,480 Speaker 4: Just straight it's my boss that it's gonna be an 22 00:01:00,480 --> 00:01:03,600 Speaker 4: awkward conversation for wait wait, wait, wait wait. 23 00:01:03,520 --> 00:01:08,160 Speaker 1: Your boss is at the bar. Yes, okay, are you gonna. 24 00:01:07,880 --> 00:01:09,880 Speaker 5: Take it tequila shot with your boss. 25 00:01:10,120 --> 00:01:12,120 Speaker 4: I can't take a shot with my boss because. 26 00:01:11,920 --> 00:01:17,120 Speaker 1: She thinks I am top tier employees. Oh, I might 27 00:01:17,200 --> 00:01:19,400 Speaker 1: send her a shot, but like try to hide it 28 00:01:19,440 --> 00:01:22,480 Speaker 1: from her. Oh so you're gonna get the boss drunker 29 00:01:22,520 --> 00:01:27,400 Speaker 1: than you. Yeah, so she blacksound forgets me. That's actually 30 00:01:27,400 --> 00:01:28,440 Speaker 1: a genius idea. 31 00:01:28,920 --> 00:01:34,880 Speaker 2: Yeah, that's why I'm a top tier employee. Yeah. 32 00:01:34,920 --> 00:01:36,560 Speaker 4: I feel like she runs into her boss at every 33 00:01:36,600 --> 00:01:37,959 Speaker 4: bar and the boss still doesn't remember. 34 00:01:38,040 --> 00:01:40,440 Speaker 1: Yeah, this is so brilliant. I could feel like Alex 35 00:01:40,560 --> 00:01:41,400 Speaker 1: is gonna do this one night. 36 00:01:41,440 --> 00:01:43,160 Speaker 3: She's out of the bar drunk and she's like, oh 37 00:01:43,200 --> 00:01:44,640 Speaker 3: my god, I got a text Brook if she wants 38 00:01:44,640 --> 00:01:45,160 Speaker 3: to drink with me. 39 00:01:46,440 --> 00:01:49,160 Speaker 2: You could tell that girl doesn't work in the radio industry, though, 40 00:01:49,160 --> 00:01:52,600 Speaker 2: because nobody's embarrassed drinking with your bosses in radio. 41 00:01:53,680 --> 00:01:55,960 Speaker 1: That's the tamous substance that you're gonna do with the 42 00:01:56,040 --> 00:01:56,880 Speaker 1: higher up boss. 43 00:01:57,000 --> 00:01:58,520 Speaker 4: You're more drunk at the office. 44 00:01:58,880 --> 00:02:01,120 Speaker 1: Yeah, you know, we called you in for this meeting. 45 00:02:01,120 --> 00:02:04,120 Speaker 1: Anybody want to drink before we get Yeah, remember while 46 00:02:04,160 --> 00:02:08,480 Speaker 1: we're here, what you're doing on Sinco to myo. I'll 47 00:02:08,520 --> 00:02:09,280 Speaker 1: single to Mayo. 48 00:02:09,360 --> 00:02:13,440 Speaker 5: I'm telling everybody and the Nostellosnidos. That single de Mayer 49 00:02:13,520 --> 00:02:17,560 Speaker 5: goes bad at Mexico because they got better court days, 50 00:02:17,600 --> 00:02:20,239 Speaker 5: they got better explosives. They even got hammers. They muth 51 00:02:20,600 --> 00:02:23,560 Speaker 5: go off well on fourth of July and not on 52 00:02:23,639 --> 00:02:25,440 Speaker 5: Independence Day. But I'll single the Maya. 53 00:02:25,520 --> 00:02:27,119 Speaker 1: Oh well, you said a lot of stuff there. What's 54 00:02:27,120 --> 00:02:30,640 Speaker 1: a court day? What's an explosive? Why are we exploding things? 55 00:02:31,160 --> 00:02:34,000 Speaker 1: A courte is still a firework? Oh it's a firework. 56 00:02:34,200 --> 00:02:35,840 Speaker 1: Do they do it bigger in Mexico? 57 00:02:36,480 --> 00:02:38,520 Speaker 5: They definitely do it bigger on single than Mayo in 58 00:02:38,560 --> 00:02:41,600 Speaker 5: Mexico because they got better court days, they got better 59 00:02:41,639 --> 00:02:42,919 Speaker 5: fireworks and explosives. 60 00:02:43,080 --> 00:02:45,080 Speaker 3: I'm a little concerned that that's all you're worried about 61 00:02:45,120 --> 00:02:46,600 Speaker 3: is arsen though have you noticed. 62 00:02:46,360 --> 00:02:48,960 Speaker 5: That I'm worried about Poppit's man, because all you had 63 00:02:48,960 --> 00:02:50,280 Speaker 5: to do is get a dud once in a while 64 00:02:50,320 --> 00:02:51,960 Speaker 5: and try and smack them things and pick it up 65 00:02:52,000 --> 00:02:54,720 Speaker 5: and go against the concrete. Talking about fireworks, I'm talking 66 00:02:54,760 --> 00:02:58,240 Speaker 5: about poppits, man. Poppets are way different. They almost sound 67 00:02:58,280 --> 00:02:59,920 Speaker 5: like fireworks. But yeah, don't get it. 68 00:03:02,720 --> 00:03:04,400 Speaker 4: So he likes the big things and then he likes 69 00:03:04,440 --> 00:03:06,120 Speaker 4: a little tiny pop scar. 70 00:03:07,720 --> 00:03:12,440 Speaker 3: Yeah, oh my god, all form of explosives. 71 00:03:12,440 --> 00:03:14,560 Speaker 2: He's the type of guy who watches like a Fast 72 00:03:14,600 --> 00:03:17,240 Speaker 2: and the Furious movie with sixty explosions, and he's like, 73 00:03:17,880 --> 00:03:20,280 Speaker 2: in Mexico they do explosions so much better. 74 00:03:20,880 --> 00:03:23,320 Speaker 1: The cars explode all the time. It's so dope, bro. 75 00:03:24,080 --> 00:03:26,880 Speaker 2: Remember we're doing what you're doing at Cinco de Maya, 76 00:03:26,919 --> 00:03:28,800 Speaker 2: where we sent Jose and Alexis to one of the 77 00:03:28,840 --> 00:03:33,080 Speaker 2: biggest parties in the city. Let's go back inside and 78 00:03:33,120 --> 00:03:35,200 Speaker 2: see how Alexis is doing in the bar. 79 00:03:35,560 --> 00:03:36,880 Speaker 1: What you're doing on syncre to Maya. 80 00:03:37,560 --> 00:03:41,200 Speaker 4: I'm security for gay bar security. 81 00:03:41,360 --> 00:03:44,440 Speaker 1: That sounds like a tough job. It can be on 82 00:03:44,560 --> 00:03:45,120 Speaker 1: at times. 83 00:03:45,160 --> 00:03:48,640 Speaker 4: Yeah, how many memorable times you've had to kick somebody out? 84 00:03:49,160 --> 00:03:54,640 Speaker 4: There was one instance where this demon Tweink was trying 85 00:03:54,680 --> 00:03:57,760 Speaker 4: to cut the line at the bathroom and he was 86 00:03:57,800 --> 00:04:01,000 Speaker 4: getting lippy with everyone and so, oh, no one can 87 00:04:01,000 --> 00:04:01,440 Speaker 4: tell me. 88 00:04:01,320 --> 00:04:01,840 Speaker 5: What to do. 89 00:04:01,920 --> 00:04:03,520 Speaker 4: And I was like, well, I'm gonna tell you what 90 00:04:03,600 --> 00:04:05,160 Speaker 4: to do, and you have a choice. 91 00:04:05,280 --> 00:04:06,560 Speaker 1: You can either figure it out. 92 00:04:06,440 --> 00:04:06,960 Speaker 5: Or go home. 93 00:04:07,440 --> 00:04:08,040 Speaker 1: What happened? 94 00:04:08,240 --> 00:04:10,040 Speaker 4: He didn't figure it out, so I sent him home. 95 00:04:10,480 --> 00:04:12,000 Speaker 1: Let's to go to Mayo. What would it take for 96 00:04:12,040 --> 00:04:13,520 Speaker 1: you to have to kick someone out. What's the like 97 00:04:13,840 --> 00:04:16,480 Speaker 1: sloppy drunk? Or is it cutting the bathroom lines? Is 98 00:04:16,480 --> 00:04:17,320 Speaker 1: where you draw the line. 99 00:04:17,400 --> 00:04:20,839 Speaker 4: I just tell people don't stumble, don't fumble, don't trip, 100 00:04:21,000 --> 00:04:22,280 Speaker 4: and definitely don't throw up. 101 00:04:22,360 --> 00:04:23,760 Speaker 1: Okay, I'm definitely getting kicked off. 102 00:04:24,960 --> 00:04:28,320 Speaker 2: Just imagine Alexus with a clipboard and a checklist being like, oh, 103 00:04:28,360 --> 00:04:34,480 Speaker 2: stumbling checking my drink check Yeah, I. 104 00:04:34,360 --> 00:04:37,240 Speaker 3: Do appreciate the list. That sounds like a bumper sticker. 105 00:04:37,360 --> 00:04:42,839 Speaker 4: Yeah, you know, it's just like rules to live bymble. 106 00:04:40,960 --> 00:04:48,279 Speaker 1: Yeah, stumbled on fuke. What you're doing on Sinco to Mayo? Well, 107 00:04:48,440 --> 00:04:51,080 Speaker 1: I don't drink, but our company's throwing a four twenty 108 00:04:51,120 --> 00:04:53,800 Speaker 1: style party. We're gonna be smoking up, having a good time. 109 00:04:53,960 --> 00:04:55,080 Speaker 1: It's just gonna be a lot of fun. 110 00:04:55,120 --> 00:04:58,520 Speaker 3: After hours, you're trying to slow people down on Sinco, 111 00:04:58,920 --> 00:05:00,960 Speaker 3: We're trying to chill out, have a good time, just 112 00:05:01,000 --> 00:05:03,080 Speaker 3: feel the vibes, maybe listening to music, have some good 113 00:05:03,120 --> 00:05:03,600 Speaker 3: people around. 114 00:05:03,640 --> 00:05:04,240 Speaker 1: That's what we're doing. 115 00:05:04,279 --> 00:05:06,280 Speaker 3: Okay, Well, before I let you go, mean you have 116 00:05:06,560 --> 00:05:11,040 Speaker 3: to sing the ceremonial Sinco de Mayo song. I'll start 117 00:05:11,120 --> 00:05:14,200 Speaker 3: it and then you gotta just continue because everyone knows it. 118 00:05:14,760 --> 00:05:18,080 Speaker 1: I mean, sure, I'll give it a shot. It is 119 00:05:18,200 --> 00:05:21,680 Speaker 1: Cinco de Mayo. I feel like I want to cry. 120 00:05:21,760 --> 00:05:24,840 Speaker 1: Oh you know it is Cinco de Mayo. Bro, I'm 121 00:05:24,880 --> 00:05:25,960 Speaker 1: just gonna get Hio. 122 00:05:26,360 --> 00:05:26,720 Speaker 5: All right? 123 00:05:26,800 --> 00:05:31,800 Speaker 1: Have you sinko? Brother man? I didn't know that there 124 00:05:31,880 --> 00:05:33,840 Speaker 1: was an official Cinco de Mayo song. 125 00:05:35,480 --> 00:05:35,680 Speaker 5: Yeah. 126 00:05:35,839 --> 00:05:38,120 Speaker 2: Now if you if you hear it out on the streets, 127 00:05:38,160 --> 00:05:38,640 Speaker 2: you're gonna know. 128 00:05:38,800 --> 00:05:42,240 Speaker 1: It began right here with Jose and another stoner. 129 00:05:41,920 --> 00:05:44,080 Speaker 3: Out on the streets, ready for another verse. 130 00:05:44,480 --> 00:05:51,400 Speaker 1: What you can you can get Hio or goodbyo? All right, 131 00:05:51,520 --> 00:05:54,080 Speaker 1: hopefully you enjoyed that if you're listening in Ohio, but 132 00:05:54,240 --> 00:05:57,120 Speaker 1: that is what you're doing on Sinco. 133 00:05:57,240 --> 00:05:59,560 Speaker 2: Make sure to go check out our YouTube, our insta, 134 00:05:59,640 --> 00:06:02,080 Speaker 2: our tic talk all of it at Brook and Jeffrey 135 00:06:02,120 --> 00:06:04,440 Speaker 2: for more questionably hilarious content. 136 00:06:05,240 --> 00:06:06,720 Speaker 1: Speaking of we got a phone tap coming 137 00:06:06,800 --> 00:06:09,520 Speaker 4: Up right after this Brook and Jeffrey in the morning.