WEBVTT - From the Vault: Library of Babel

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<v Speaker 1>Hey, you welcome to stuff to blow your mind. My

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<v Speaker 1>name is Robert Lamb and I'm Joe McCormick. And it's Saturday.

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<v Speaker 1>Time to venture into the vault. But appears that this

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<v Speaker 1>time the vault is pretty much infinite. That's right, we

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<v Speaker 1>may get lost in there. This is our episode on

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<v Speaker 1>the Library of Babel. This originally aired Tuesday, August second,

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<v Speaker 1>and this is one of my favorite episodes we ever did. Yeah,

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<v Speaker 1>we get to talk about infinity, we get to talk

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<v Speaker 1>about Bogyes, we get to talk a little bit. Uh.

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<v Speaker 1>I think I end up referencing, uh, the Name of

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<v Speaker 1>the Rose by m Berto Eco, which is timely because

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<v Speaker 1>I just found out that they are producing another adaptation

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<v Speaker 1>of the Name of the Rose. It's going to be

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<v Speaker 1>like an eight part TV movie with John to Truro

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<v Speaker 1>starring as William of Baskerville. Yeah. I thought you were

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<v Speaker 1>going to say that a grown up Christian Slater would

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<v Speaker 1>now be That would make perfect sense in a way,

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<v Speaker 1>but not in any acting sense. I think here's my recast. Okay,

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<v Speaker 1>Burt Reynolds, that's Baskerville. What do you think he's too old?

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<v Speaker 1>You'd have to play brother Jr. Hey, Okay, well, anyway,

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<v Speaker 1>this is the Library of Babel episode. Let's go straight

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<v Speaker 1>into Oh Time Ny Pyramids. Welcome to Stuff to Blow

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<v Speaker 1>Your Mind from how Stuff Works dot Com. Hello, Hello,

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<v Speaker 1>this is Stuff to Blow Your Mind audiologue. This is

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<v Speaker 1>Robert Lamb and this is Joe McCormick. This is day

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<v Speaker 1>of our descent into the famed Library of Babel. We've

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<v Speaker 1>been exploring this infinite sprawl of interconnected hexagonal rooms and

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<v Speaker 1>the twenty bookshelves contained with eat each one, Joe, how

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<v Speaker 1>many rooms have we explored since last log entry? Oh,

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<v Speaker 1>let me find it here. Let's see. Well, we're up

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<v Speaker 1>to a hundred and twelve in that brings the grand

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<v Speaker 1>total of rooms we have explored to date up to

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<v Speaker 1>one thousand, five hundred and sixty one. And of course

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<v Speaker 1>that is not counting the rooms to the library that

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<v Speaker 1>we could tell had already been explored. So we just

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<v Speaker 1>skipped over with books pulled out all over the place,

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<v Speaker 1>or some just had empty shelves, smoke lines on the ceiling,

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<v Speaker 1>and these ancient piles of cold black coal in the

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<v Speaker 1>middle of the floor we can presume from some long

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<v Speaker 1>ago book burnings. Yeah, that's right. The I mean that

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<v Speaker 1>the library is at least indefinite, if not infinite. So

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<v Speaker 1>it falls to inquisitors such as ourselves to steadily work

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<v Speaker 1>our way out from charted portions of the library and

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<v Speaker 1>into uncharted regions. And it really is a room by room,

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<v Speaker 1>book by book procedures. Now, fortunately, most of the books

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<v Speaker 1>are nonsense, and you can spot that right away, because

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<v Speaker 1>I mean real nonsense, total typographical gibberish. And that's not

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<v Speaker 1>even counting the ones that have been totally or partially

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<v Speaker 1>burned by the purifiers. I hear footsteps sometimes in the

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<v Speaker 1>room was directly above us, and I keep wondering if

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<v Speaker 1>it's them. It could be, but you know, it could

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<v Speaker 1>be the bookman. I know that's superstition, Joe we I mean,

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<v Speaker 1>we might as well hope to find that the Crimson hexagon. Now,

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<v Speaker 1>come on, Robert, wouldn't you love to find the one

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<v Speaker 1>hexagonal room in this entire place that contains something truly

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<v Speaker 1>precious apart from all this gibberish, maybe even real functional

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<v Speaker 1>books of magic spells. Well, of course I would, but

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<v Speaker 1>that doesn't mean it actually exists even in the Library

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<v Speaker 1>of Babel. Now, remember, Robert, these rooms contain not only

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<v Speaker 1>all books, but all possible books. Those books have got

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<v Speaker 1>to be out there, but that doesn't mean they're actually magical. Yeah.

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<v Speaker 1>I guess you're right, But sometimes I like to think

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<v Speaker 1>the Crimson Hexagon is out there. You know, maybe the

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<v Speaker 1>purifiers haven't found it yet because it moves. Have you

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<v Speaker 1>thought about that? Like in the movie Cube rooms move

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<v Speaker 1>around while we're asleep. Who are like the the the

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<v Speaker 1>Castle and Krawl? You know. I'm glad you mentioned Krull

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<v Speaker 1>because I found a copy of Alan Dean Foresters three

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<v Speaker 1>novelization of the screenplay of Krall. That's a real book. Yeah,

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<v Speaker 1>but I also found a Krull novel by Stanford Sherman,

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<v Speaker 1>the guy who wrote the screenplay, and he never actually

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<v Speaker 1>wrote a novel version, right, Oh no, not in our reality,

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<v Speaker 1>but of course it could exist, which means the library

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<v Speaker 1>has it. And that's why I was also able to

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<v Speaker 1>find a copy of a Christmas Carol. You might want

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<v Speaker 1>to see this where instead of saying God bless us everyone,

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<v Speaker 1>tiny Tim gives an invocation of Mala Collord of destruction.

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<v Speaker 1>What about you check this out? Frank Herbert's complete seven

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<v Speaker 1>book Dune series. Yeah, not not just the six he

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<v Speaker 1>actually wrote in our reality all seven as well as

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<v Speaker 1>look at this, an alternate Herbert Dune trilogy that's only

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<v Speaker 1>three books long, but a lot more erotic. Yeah, yeah,

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<v Speaker 1>you've got to read this. Yeah, it's on my list.

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<v Speaker 1>But hey, guess what, I've got the final two books

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<v Speaker 1>of the Game of Thrones series, the Song of Ice

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<v Speaker 1>and Fire spoiler they were on Earth all along, and

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<v Speaker 1>west Ros is actually in rural North Florida. But also, Robert,

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<v Speaker 1>I have your complete biography, including the end, and as

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<v Speaker 1>per our agreement, I didn't read it. Well good, well cool,

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<v Speaker 1>here's yours. Then you just swap thank you. Yeah, there

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<v Speaker 1>we go. We're good. Wait, wait a minute, did you

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<v Speaker 1>hear that? It's probably just other inquisitors or you know,

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<v Speaker 1>our pilgrims looking for deposits of alternate Gospels or book

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<v Speaker 1>worshippers or the Purifiers or the Book miss none of that.

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<v Speaker 1>Let's let's keep moving. This hexagon up ahead looks pretty promised. Hey,

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<v Speaker 1>welcome to stuff to blow your mind. My name is

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<v Speaker 1>Robert Land, and I'm Joe McCormick. In today we're going

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<v Speaker 1>to be talking about the Library of Babel. So the

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<v Speaker 1>Library of Babel is both it's a short story, but

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<v Speaker 1>it's also the concept at the core of this short story,

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<v Speaker 1>and we're really going to be focusing on the concept

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<v Speaker 1>and it's broader implications today, not just the story itself,

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<v Speaker 1>but the concept of the Library of Babel comes from

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<v Speaker 1>a short story of the same name by Jorge Luis Borges,

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<v Speaker 1>first published in the collection The Garden of Forking Paths

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<v Speaker 1>in nineteen forty one. So. Borges was a twentieth century

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<v Speaker 1>Argentine author. He lived from eighteen to nineteen eighty six,

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<v Speaker 1>and in his lifetime, especially later in his life, he

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<v Speaker 1>became famous for poetry essays, but especially short stories and

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<v Speaker 1>short stories. A lot of them are kind of like

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<v Speaker 1>this story. Yeah, I mean, like like a lot of

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<v Speaker 1>his tales. Uh. The Library of Babel was not really

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<v Speaker 1>a narrative experience. It's not very plot heavy, right, It's

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<v Speaker 1>kind of a sort of scholarly missive about a fantastic idea.

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<v Speaker 1>So he he choose on this fantastic idea, gets all

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<v Speaker 1>of these philosophic juices going, and we're just we're fortunate

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<v Speaker 1>enough to experience it with him. Uh. In his his stories,

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<v Speaker 1>there there are a number of different themes that offer

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<v Speaker 1>pop up, such as knives mirrors, dreams, Oh, dreams. There's

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<v Speaker 1>some fabulous dream stories. Um, and and they're all pretty short.

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<v Speaker 1>Like That's one of the wonderful things about a collection

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<v Speaker 1>of Bores short fiction is you can just pick it up.

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<v Speaker 1>You can pretty much pick any story and just in

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<v Speaker 1>a few pages and just mind blowing concept is presented

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<v Speaker 1>to you. That just expands the limits of your imagination. Yeah.

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<v Speaker 1>You ever know those like fantasy writers who are better

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<v Speaker 1>at world building than they are at character and plot. Yeah,

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<v Speaker 1>I'd say Bores is like that, except he writes what

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<v Speaker 1>would probably be considered now literary fiction. It's you know,

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<v Speaker 1>respectable intellectual fiction. Uh that that's treated without any hint

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<v Speaker 1>of a sneer by the Academy as far as I

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<v Speaker 1>can tell. But but it's fascinating stuff through and through. Yeah,

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<v Speaker 1>it reminds me a lot of some of the short

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<v Speaker 1>fiction that Philip K. Dick would later do. And now,

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<v Speaker 1>certainly Philip K. Dick was was capable of producing novel

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<v Speaker 1>after novel after novel as well. Uh, you know, he

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<v Speaker 1>was pretty adapted. It longer works, But some of his

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<v Speaker 1>short stories remind me of Borges in their ability to

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<v Speaker 1>without getting too bogged down in story or character just

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<v Speaker 1>presenting in a nugget like a really crazy mind warping idea. Yeah,

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<v Speaker 1>so we should probably start with a quote from the

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<v Speaker 1>beginning of the Library of Babel the story to give

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<v Speaker 1>you a sense of what is being talked about here.

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<v Speaker 1>So this is a quote from the beginning of the story,

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<v Speaker 1>with some editorial illusions for brevity. Quote. The universe, which

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<v Speaker 1>others call the library, is composed of an indefinite, perhaps

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<v Speaker 1>infinite number of hexagonal galleries. The arrangement of the galleries

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<v Speaker 1>is always the same, twenty bookshelves, five to each side,

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<v Speaker 1>line four of the hexagon's six sides. One of the

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<v Speaker 1>hexagon's free sides opens onto a narrow sort of vestibule,

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<v Speaker 1>which in turn opens onto another gallery identical to the first,

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<v Speaker 1>identical in fact to all. To the right and left

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<v Speaker 1>of the vestibule are two tiny compartments. One is for

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<v Speaker 1>sleeping upright, the other for satisfying one's physical necessities. Through

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<v Speaker 1>this space, too, there passes a spiral staircase which winds

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<v Speaker 1>upward and downward into the remote distance. In the vestibule,

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<v Speaker 1>there is a mirror which faithfully duplicates appearances. Uh, and

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<v Speaker 1>he goes on to explain how the implications of having

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<v Speaker 1>a mirror in a library that may or may not

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<v Speaker 1>be infinite as far as the characters disclosed that they

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<v Speaker 1>know at first at least. Yeah, so this is the

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<v Speaker 1>basic setup. This is the basic HexaCon, and then that

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<v Speaker 1>hexagon is cloned out. Yeah, it's a six sided room.

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<v Speaker 1>There are shelves of books in each room, and the

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<v Speaker 1>rooms seem to go on forever, and in a honeycomb

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<v Speaker 1>where no one has ever discovered the forest boundary. That

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<v Speaker 1>there are places, as we mentioned, for wanderers, librarians, etcetera,

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<v Speaker 1>to use the bathroom and to sleep upright, it does

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<v Speaker 1>make me wonder if like Barnes and Noble, there is

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<v Speaker 1>a policy against bringing books into the bathroom, or if

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<v Speaker 1>I mean maybe that you have to maybe you just

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<v Speaker 1>have to pick a gibberish book. You know. The question

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<v Speaker 1>is who enforces the policy. Well, that's that's one of

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<v Speaker 1>the things that as Well discussed. There seems to be

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<v Speaker 1>a lack of a lack of laws and policy in

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<v Speaker 1>place in the Library of Babbel. Yeah, so in the

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<v Speaker 1>Library of Babel, we're going to talk about the philosophical

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<v Speaker 1>and scientific implications of this thought experiment. Later on in

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<v Speaker 1>the episode, but first we just want to kind of

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<v Speaker 1>explore what this this concept entails. And there are definitely

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<v Speaker 1>a lot of ironies and absurdities in Borge's story. So

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<v Speaker 1>I don't think he was trying to create something that

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<v Speaker 1>was I mean, I feel kind of absurd saying this,

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<v Speaker 1>but I don't think he was trying to create something realistic. No,

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<v Speaker 1>I mean, I mean, and really you run into a

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<v Speaker 1>lot of problems trying to even fathom it as a

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<v Speaker 1>real place because it is so vast. Because, as we

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<v Speaker 1>we discussed in our you know, hopefully entertaining intro here,

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<v Speaker 1>it contains not only all books, but all possible books. Right,

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<v Speaker 1>so let's get into the actual numbers of what this

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<v Speaker 1>library would entail as described in the story. So, as

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<v Speaker 1>Borges writes, each book in this library contains four hundred

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<v Speaker 1>and ten pages. Each page has forty lines, and each

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<v Speaker 1>line has approximately eighty black letters, just printed letters. And

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<v Speaker 1>you can actually work out the math from this. So

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<v Speaker 1>all the books consists of the same twenty five elements

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<v Speaker 1>for characters. They've got a space, a period, a comma,

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<v Speaker 1>and twenty two letters of the alphabet. The only variation

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<v Speaker 1>is in the arrangement of these twenty five characters. Now

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<v Speaker 1>you might be saying, wait a minute, that there you

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<v Speaker 1>know less than the total number of letters in our alphabet. Well,

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<v Speaker 1>you know some letters are kind of redundant, are they?

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<v Speaker 1>Why do we need to see? Why? Not just a

0:11:56.880 --> 0:12:00.760
<v Speaker 1>K in an S. But no, two books in the

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<v Speaker 1>library are exactly the same. So if the books don't

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<v Speaker 1>duplicate one another, and we know the starting conditions, we

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<v Speaker 1>can actually calculate the number of books that would be

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<v Speaker 1>in the library. So if there's eighty characters per line,

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<v Speaker 1>forty lines per page, times four hundred and ten pages

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<v Speaker 1>per book, that's one million, three hundred and twelve thousand

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<v Speaker 1>characters per book. And with twenty five possible characters and

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<v Speaker 1>and one million, three hundred and twelve thousand characters per book,

0:12:29.600 --> 0:12:32.320
<v Speaker 1>we know that there have to be twenty five to

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<v Speaker 1>the one million, three hundred and twelve power books. That

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<v Speaker 1>is a number that is so big that if you

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<v Speaker 1>can count to it, you automatically become the god of

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<v Speaker 1>your local galaxy cluster. So so the basic idea here,

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<v Speaker 1>and I'm sure there's another metaphor a little nonsensical story

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<v Speaker 1>that often comes to mind, and that is the idea

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<v Speaker 1>of the monkeys banging on type. Right. I'm going to

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<v Speaker 1>get into that in a bit, creating gibberish and eventually

0:12:58.720 --> 0:13:02.880
<v Speaker 1>recreating the works of Expeaire. Right now, it's sort of analogous.

0:13:02.920 --> 0:13:06.959
<v Speaker 1>If the monkeys could only pound out one book length

0:13:07.040 --> 0:13:11.439
<v Speaker 1>work of gibberish at a time and avoid complete repetition, right,

0:13:11.520 --> 0:13:14.760
<v Speaker 1>and never do the same thing twice, eventually they'd get

0:13:14.800 --> 0:13:19.199
<v Speaker 1>to Shakespeare. But so, the library contains all books there

0:13:19.200 --> 0:13:21.920
<v Speaker 1>could possibly be, so, in addition to just trying to

0:13:22.000 --> 0:13:24.840
<v Speaker 1>imagine what this is like, in addition to the indefinite

0:13:25.160 --> 0:13:27.800
<v Speaker 1>numbers of books full of random gibberish, which would be

0:13:27.880 --> 0:13:31.760
<v Speaker 1>almost all the books, there are also perfect copies of

0:13:31.840 --> 0:13:35.160
<v Speaker 1>all books that already exist in reality. So there's a

0:13:35.200 --> 0:13:39.440
<v Speaker 1>perfect copy of all the books in the Twilight series. Now,

0:13:39.480 --> 0:13:41.520
<v Speaker 1>if you're worrying, wait a minute, I know of some

0:13:41.600 --> 0:13:44.040
<v Speaker 1>books that are more than four ten pages too long

0:13:44.080 --> 0:13:47.960
<v Speaker 1>to be reproduced. Not so, actually, because there's a book

0:13:48.000 --> 0:13:52.160
<v Speaker 1>that contains its exact first four ten pages, and then

0:13:52.200 --> 0:13:57.200
<v Speaker 1>another book that contains whatever happens after that, stretching into

0:13:57.240 --> 0:14:01.520
<v Speaker 1>as many volumes as you need. Plus all books that

0:14:01.559 --> 0:14:05.439
<v Speaker 1>exist in reality would be there with every possible combination

0:14:05.559 --> 0:14:09.400
<v Speaker 1>of typographical errors that there could be. So there's a

0:14:09.400 --> 0:14:13.320
<v Speaker 1>book that's a perfect copy of Jane Eyre, except every

0:14:13.400 --> 0:14:16.720
<v Speaker 1>instance of Mr Rochester's name is replaced with the words

0:14:16.800 --> 0:14:21.080
<v Speaker 1>a crocodile of immense girth. There is also a copy

0:14:21.120 --> 0:14:24.640
<v Speaker 1>of Hamlet that reads normally except for the one line

0:14:24.960 --> 0:14:27.800
<v Speaker 1>one change. There are more things in heaven and Earth

0:14:28.000 --> 0:14:31.720
<v Speaker 1>ratio than are dreamt of in your vaping newsletter. It

0:14:31.840 --> 0:14:35.960
<v Speaker 1>also contains a perfectly accurate autobiography of your life, as

0:14:35.960 --> 0:14:39.080
<v Speaker 1>we mentioned, including all the events that haven't happened yet.

0:14:39.360 --> 0:14:43.760
<v Speaker 1>It contains lots of almost perfect autobiographies of your life,

0:14:43.760 --> 0:14:47.560
<v Speaker 1>but containing a few lies. It contains all books explaining

0:14:47.600 --> 0:14:51.240
<v Speaker 1>the perfect solutions to all the world's most vexing problems.

0:14:51.600 --> 0:14:53.840
<v Speaker 1>If we can only find those books and know them

0:14:53.840 --> 0:14:56.160
<v Speaker 1>when we see them, then we'd have the solutions to

0:14:56.200 --> 0:14:59.600
<v Speaker 1>all those problems in the story. All these books exist

0:14:59.680 --> 0:15:03.280
<v Speaker 1>in the library, but they represent such a tiny fraction

0:15:03.360 --> 0:15:07.040
<v Speaker 1>of the total possible combinations of symbols that you could

0:15:07.040 --> 0:15:09.720
<v Speaker 1>wander your whole life through the library and probably not

0:15:09.800 --> 0:15:13.720
<v Speaker 1>expect to find any lengthy combination of words that made

0:15:13.760 --> 0:15:17.480
<v Speaker 1>any grammatical sense. Yeah, I mean it. I mean it's

0:15:17.520 --> 0:15:19.520
<v Speaker 1>easy for all of us to to just really go

0:15:19.600 --> 0:15:22.040
<v Speaker 1>wild imagining this. I mean, just think of think of

0:15:22.080 --> 0:15:25.360
<v Speaker 1>your favorite book in the world, and just imagine then

0:15:25.640 --> 0:15:28.200
<v Speaker 1>that there are so many different versions of it that

0:15:28.280 --> 0:15:30.800
<v Speaker 1>are a little bit less good and maybe have a

0:15:30.800 --> 0:15:34.880
<v Speaker 1>few different typos in in it, a few different character changes.

0:15:35.040 --> 0:15:37.080
<v Speaker 1>Then there are versions of it that are even better.

0:15:37.800 --> 0:15:41.800
<v Speaker 1>There's even like an ideal version of it, a perfect version.

0:15:41.800 --> 0:15:44.480
<v Speaker 1>There is a version of your favorite book that you

0:15:44.160 --> 0:15:48.280
<v Speaker 1>yourself would perhaps love even more because it's a little

0:15:48.320 --> 0:15:51.840
<v Speaker 1>more in tune with your expectations. Right, And all that

0:15:51.880 --> 0:15:55.080
<v Speaker 1>fan fiction you write that's already in the library, it's there,

0:15:55.640 --> 0:15:57.920
<v Speaker 1>plus all the changes you could have made to make it,

0:15:58.160 --> 0:16:00.400
<v Speaker 1>you know, less of a travesty. But it all on

0:16:00.440 --> 0:16:03.320
<v Speaker 1>the same shelf. No, it's all on the same hexagon.

0:16:04.040 --> 0:16:07.200
<v Speaker 1>Probably not, because it's arranged in random rtary, making it

0:16:07.280 --> 0:16:09.720
<v Speaker 1>even more frustrating to try to find anything, though not

0:16:09.760 --> 0:16:12.680
<v Speaker 1>necessarily even more frustrating, because if you try to imagine

0:16:12.720 --> 0:16:15.480
<v Speaker 1>what navigating the library of Babble would be like if

0:16:15.520 --> 0:16:19.360
<v Speaker 1>it were organized in some alphabetical fashion, you might be

0:16:19.440 --> 0:16:23.200
<v Speaker 1>trapped in the A A A A A A A

0:16:23.800 --> 0:16:26.840
<v Speaker 1>section of the library your entire life, and you would

0:16:26.880 --> 0:16:30.600
<v Speaker 1>just be physically unable to traverse that area and get

0:16:30.640 --> 0:16:34.040
<v Speaker 1>to the sensible books. Right. So I'd actually prefer a

0:16:34.160 --> 0:16:38.080
<v Speaker 1>randomized library to being stuck in a sea of a's

0:16:38.200 --> 0:16:40.320
<v Speaker 1>that I could never escape from no matter how long

0:16:40.360 --> 0:16:43.800
<v Speaker 1>I walked, you know. Um, of course this has been

0:16:43.800 --> 0:16:46.280
<v Speaker 1>such a highly influential book. It's referenced in a number

0:16:46.320 --> 0:16:48.720
<v Speaker 1>of different works. Um, I mean the Library of the

0:16:48.720 --> 0:16:51.400
<v Speaker 1>Library babble, so like a lot of people probably recognize

0:16:51.440 --> 0:16:54.280
<v Speaker 1>it from umberto Eco's masterful Name of the Rose, where

0:16:54.480 --> 0:16:59.000
<v Speaker 1>an actual library and an Italian monastery is is modeled

0:16:59.080 --> 0:17:01.760
<v Speaker 1>on this. Um. There are aspects of it that I

0:17:02.000 --> 0:17:06.320
<v Speaker 1>believe are utilized in a House of Leaves. But then

0:17:06.320 --> 0:17:08.480
<v Speaker 1>there's also a Stephen King short story. I don't know

0:17:08.480 --> 0:17:10.800
<v Speaker 1>if you've read this one titled Er that came out

0:17:10.840 --> 0:17:13.760
<v Speaker 1>It was only for kindle, I don't think so. It's

0:17:13.760 --> 0:17:16.800
<v Speaker 1>about a man who obtains a pink kindle and it

0:17:16.840 --> 0:17:18.840
<v Speaker 1>turns out to be a kindle from another No, I

0:17:18.840 --> 0:17:22.000
<v Speaker 1>haven't read this, and it gives him access not only

0:17:22.040 --> 0:17:25.760
<v Speaker 1>to the kindle store in our universe, but also to

0:17:26.119 --> 0:17:30.240
<v Speaker 1>kindle stores in alternate universes, so he's able to access

0:17:30.400 --> 0:17:33.240
<v Speaker 1>books by authors he loves that have not yet been

0:17:33.280 --> 0:17:36.960
<v Speaker 1>written or that that just were not written in our world.

0:17:37.600 --> 0:17:39.960
<v Speaker 1>So in a sense, it's a it's an interesting play

0:17:40.000 --> 0:17:41.800
<v Speaker 1>on the Library of Babble. You know, if you want

0:17:41.840 --> 0:17:43.919
<v Speaker 1>to get a sense of what it would be like

0:17:44.080 --> 0:17:47.280
<v Speaker 1>to actually inhabit this universe the Library of Babel and

0:17:47.320 --> 0:17:49.879
<v Speaker 1>just start pulling books off the shelf. There is a

0:17:49.920 --> 0:17:53.600
<v Speaker 1>tool you can use. A Brooklyn author named Jonathan Basil

0:17:53.720 --> 0:17:56.320
<v Speaker 1>has created a virtual version. You can go to it

0:17:56.440 --> 0:17:59.760
<v Speaker 1>Library of Babble dot info. You can go explore this

0:17:59.840 --> 0:18:02.720
<v Speaker 1>at any time and it's great fun for a few

0:18:02.760 --> 0:18:07.119
<v Speaker 1>minutes until you get just buried under the noise of

0:18:07.200 --> 0:18:10.919
<v Speaker 1>nonsense hiding all potential information. So you're you're able to

0:18:10.920 --> 0:18:13.879
<v Speaker 1>pull up titles of books hypothetical, Yeah, you can. You

0:18:13.920 --> 0:18:17.080
<v Speaker 1>can go pull up a shelf of the library by name,

0:18:17.880 --> 0:18:21.360
<v Speaker 1>which I guess it generates the text that would be

0:18:21.520 --> 0:18:24.920
<v Speaker 1>under that randomized section of the library, and you can

0:18:24.960 --> 0:18:28.240
<v Speaker 1>pull out some books and look at what's inside them. Huh.

0:18:28.560 --> 0:18:32.240
<v Speaker 1>And are there any MPCs here? No, not that I

0:18:32.280 --> 0:18:34.000
<v Speaker 1>know of. I don't know. I haven't I haven't played

0:18:34.040 --> 0:18:35.920
<v Speaker 1>with it long enough, it wouldn't it be great if

0:18:35.960 --> 0:18:38.280
<v Speaker 1>some purifiers come by and start trying to burn the

0:18:38.320 --> 0:18:40.560
<v Speaker 1>books you're reading. Now, now that reminds me we should

0:18:40.560 --> 0:18:42.840
<v Speaker 1>say a little bit more about the story. Who were

0:18:42.840 --> 0:18:45.959
<v Speaker 1>the characters who occupied this library? Oh? Yeah, and and

0:18:46.000 --> 0:18:48.840
<v Speaker 1>this is this is tremendous fun um. So a first

0:18:48.840 --> 0:18:54.280
<v Speaker 1>and foremost, Uh, there are the librarians and the the narrator.

0:18:54.359 --> 0:18:56.359
<v Speaker 1>The main character, if you can even call them that

0:18:56.680 --> 0:19:00.000
<v Speaker 1>in the story, is a librarian. Right, So they're given

0:19:00.040 --> 0:19:04.080
<v Speaker 1>the impossible task of caring for the library exploring it,

0:19:04.160 --> 0:19:08.200
<v Speaker 1>and they're generally an overworked and just suicidal lot. Plus

0:19:08.200 --> 0:19:10.640
<v Speaker 1>they have to contend with all the other weird wanderers

0:19:10.720 --> 0:19:14.040
<v Speaker 1>that are out there amid the hexagons, such as Oh well,

0:19:14.480 --> 0:19:19.080
<v Speaker 1>there are the inquisitors, and these are official searchers, but

0:19:19.119 --> 0:19:21.840
<v Speaker 1>they don't really seem to make much progress. It's kind

0:19:21.840 --> 0:19:24.200
<v Speaker 1>of vague in the story exactly what they're doing. I

0:19:24.280 --> 0:19:27.359
<v Speaker 1>assume they are somehow searching for books that make sense

0:19:27.600 --> 0:19:30.840
<v Speaker 1>or books of some kind of value which are just

0:19:31.280 --> 0:19:33.600
<v Speaker 1>impossible to come by. And I believe there's a sense

0:19:33.640 --> 0:19:36.639
<v Speaker 1>to that they're they're separate from the librarians. It's almost

0:19:36.680 --> 0:19:41.400
<v Speaker 1>like an academic versus a governmental body. So the libraries

0:19:41.440 --> 0:19:44.120
<v Speaker 1>and inquisitors are kind of it seems like their jobs

0:19:44.119 --> 0:19:48.880
<v Speaker 1>should be similar, but they have different philosophical aims. What else,

0:19:49.000 --> 0:19:51.400
<v Speaker 1>then we have the Purifiers, who we alluded to already,

0:19:51.440 --> 0:19:54.160
<v Speaker 1>and these this is a sect that traversed the library

0:19:54.240 --> 0:19:57.800
<v Speaker 1>and they destroy any book that they deem nonsensical. So

0:19:57.840 --> 0:20:00.720
<v Speaker 1>that would be pretty much all books, yes, but it

0:20:00.760 --> 0:20:04.480
<v Speaker 1>could also mean I mean, I wondered if it's it's

0:20:04.520 --> 0:20:06.800
<v Speaker 1>alluded to as well that that maybe they're not the

0:20:06.840 --> 0:20:09.560
<v Speaker 1>ones to judge, how are Maybe a book that seems

0:20:09.560 --> 0:20:12.280
<v Speaker 1>like nonsense is not nonsense. Maybe they're burning a bunch

0:20:12.320 --> 0:20:15.320
<v Speaker 1>of sous any comings and they don't even realize it.

0:20:16.160 --> 0:20:18.840
<v Speaker 1>But mainly they are in search of something known as

0:20:18.920 --> 0:20:21.639
<v Speaker 1>the Crimson Hexagon. Ye, and now we alluded to this

0:20:21.720 --> 0:20:24.360
<v Speaker 1>at the beginning. But Robert, what is the Crimson hexagon

0:20:24.400 --> 0:20:28.680
<v Speaker 1>because it sounds alluring. Oh, yes, it is a Crimson room,

0:20:28.800 --> 0:20:34.840
<v Speaker 1>the Crimson Hexagon within the library, rumored to exist. Yes, no,

0:20:34.840 --> 0:20:37.919
<v Speaker 1>nobody has actually seen it that we know of, uh.

0:20:37.960 --> 0:20:44.000
<v Speaker 1>And it contains quote books smaller than natural books, books omnipotent, illustrated,

0:20:44.280 --> 0:20:47.359
<v Speaker 1>and magical. So in other words, this is where you'd

0:20:47.359 --> 0:20:52.679
<v Speaker 1>find the real functional copies of various grimoires, including the

0:20:52.760 --> 0:20:56.959
<v Speaker 1>real Necronomicon. Uh, the real Book of Sand, which is

0:20:57.000 --> 0:20:59.720
<v Speaker 1>by the way, is it is an infinite book of

0:20:59.760 --> 0:21:03.840
<v Speaker 1>that of put factors into another Borhes story. Uh. You

0:21:03.840 --> 0:21:06.359
<v Speaker 1>would find just all these books of power and meaning,

0:21:06.520 --> 0:21:10.600
<v Speaker 1>books that answer are big questions like this. Is this

0:21:10.680 --> 0:21:15.040
<v Speaker 1>is like a mythological center for the library, a place

0:21:15.080 --> 0:21:18.359
<v Speaker 1>of order and answer. Yeah. And it gives many people

0:21:18.359 --> 0:21:21.919
<v Speaker 1>in the library hope when they're traversing an otherwise unbroken

0:21:22.000 --> 0:21:25.080
<v Speaker 1>sea of nonsense and gibberish. And I'll tell you one

0:21:25.119 --> 0:21:27.720
<v Speaker 1>book that might be in the Crimson Hexagon if it

0:21:27.760 --> 0:21:31.520
<v Speaker 1>exists or might be elsewhere. Is this okay? So since

0:21:31.600 --> 0:21:34.919
<v Speaker 1>the Library Babble contains all possible books, that means it

0:21:35.080 --> 0:21:39.159
<v Speaker 1>must contain a book books about the library itself. It

0:21:39.240 --> 0:21:42.679
<v Speaker 1>must contain a book that tells the reader how to

0:21:42.720 --> 0:21:46.120
<v Speaker 1>find what you want. It lays it autologue or guide

0:21:46.200 --> 0:21:49.520
<v Speaker 1>for the library itself. Yeah, like yeah, a tourist guide.

0:21:49.920 --> 0:21:52.919
<v Speaker 1>So even though that book has not been found, it

0:21:53.040 --> 0:21:57.520
<v Speaker 1>is rumored that there must exist someone known as the Bookman,

0:21:57.640 --> 0:22:01.560
<v Speaker 1>that the Bookman has actually uh found that book. That

0:22:01.720 --> 0:22:06.600
<v Speaker 1>is quote the Cipher and perfect compendium of all possible books.

0:22:06.640 --> 0:22:10.640
<v Speaker 1>The Bookman has read this book and wanders the library

0:22:10.680 --> 0:22:15.200
<v Speaker 1>as a godlike librarian, worshiped, quested after, and perhaps even

0:22:15.280 --> 0:22:18.840
<v Speaker 1>prayed to. So this is a god figure, a really

0:22:18.920 --> 0:22:22.639
<v Speaker 1>kind of a Christ figure that wanders the Library of Babel,

0:22:23.080 --> 0:22:26.080
<v Speaker 1>and everyone wants to find this gentleman and meet him

0:22:26.359 --> 0:22:29.800
<v Speaker 1>so that they might too know where they can find

0:22:29.800 --> 0:22:33.040
<v Speaker 1>their answers. In a way, it in a way, it's

0:22:33.080 --> 0:22:35.320
<v Speaker 1>like the perfect Holy Man, right like the the the

0:22:35.440 --> 0:22:39.000
<v Speaker 1>order of the Library of Babel is beyond us. We

0:22:39.040 --> 0:22:41.600
<v Speaker 1>cannot relate to it, but we can relate to an individual.

0:22:41.680 --> 0:22:44.800
<v Speaker 1>So if there's an individual who can grasp this vastness,

0:22:45.040 --> 0:22:48.520
<v Speaker 1>then let us speak to him right now. It probably

0:22:48.520 --> 0:22:51.440
<v Speaker 1>won't be lost on all the parallels to religious figures

0:22:51.440 --> 0:22:54.320
<v Speaker 1>and profits like like you were mentioning, you know, this

0:22:54.440 --> 0:22:56.920
<v Speaker 1>Christ figure. But I would say also that the bookman

0:22:57.080 --> 0:22:59.840
<v Speaker 1>not need not necessarily be a man. I would suspect

0:23:00.000 --> 0:23:02.280
<v Speaker 1>that it's more likely a book woman because the men

0:23:02.400 --> 0:23:05.680
<v Speaker 1>of this library are way too caught up in suicides

0:23:05.720 --> 0:23:08.879
<v Speaker 1>and murders, and uh, man, it just seems like it

0:23:09.000 --> 0:23:11.280
<v Speaker 1>is not a nice thing to be uh to be

0:23:12.280 --> 0:23:16.119
<v Speaker 1>a soul male wandering this library. Yeah, it makes me

0:23:16.160 --> 0:23:18.679
<v Speaker 1>think of the the back in the days when you

0:23:18.720 --> 0:23:21.560
<v Speaker 1>had the big bookstores everywhere, you would have like the

0:23:21.560 --> 0:23:24.040
<v Speaker 1>the kind of sketchy dudes who would hang out in

0:23:24.080 --> 0:23:27.480
<v Speaker 1>the photography books section. Um, that is not a sect

0:23:27.560 --> 0:23:30.040
<v Speaker 1>that is mentioned by Borges, but I can only imagine

0:23:30.080 --> 0:23:33.080
<v Speaker 1>that they're out there picking up various books and trying

0:23:33.119 --> 0:23:35.120
<v Speaker 1>to sneak off to the bathroom with them. Though. There

0:23:35.200 --> 0:23:38.800
<v Speaker 1>is a sense of pervasive suicidal melancholy throughout the library,

0:23:38.920 --> 0:23:41.439
<v Speaker 1>because after a while it just seems to grind on

0:23:41.520 --> 0:23:43.560
<v Speaker 1>you that you can't find the answers you're looking for,

0:23:43.600 --> 0:23:45.359
<v Speaker 1>you can't find the books that you're looking for, and

0:23:45.400 --> 0:23:48.280
<v Speaker 1>then you have to contend with young people who wander

0:23:48.320 --> 0:23:52.879
<v Speaker 1>into worship and kiss the books, various heretics, pilgrims again,

0:23:52.960 --> 0:23:57.239
<v Speaker 1>like people looking for alternate gospels, brigands, suicides, all of

0:23:57.240 --> 0:24:00.240
<v Speaker 1>this going on and you're just a simple librarian trying

0:24:00.320 --> 0:24:03.119
<v Speaker 1>to do your job is just too much. Now. A

0:24:03.200 --> 0:24:05.720
<v Speaker 1>fact that I found interesting when I was reading about

0:24:05.720 --> 0:24:09.400
<v Speaker 1>bores life was that Borges was himself a librarian at

0:24:09.520 --> 0:24:12.360
<v Speaker 1>multiple different times in his life for almost a decade

0:24:12.400 --> 0:24:15.120
<v Speaker 1>beginning In around nineteen thirty seven or nineteen thirty eight,

0:24:15.440 --> 0:24:19.119
<v Speaker 1>Borhes worked in a small library in Buenos Aires, and

0:24:19.200 --> 0:24:21.560
<v Speaker 1>this time in the library would include the time of

0:24:21.600 --> 0:24:24.520
<v Speaker 1>publication for the Library of Babble, which he first published

0:24:24.560 --> 0:24:27.639
<v Speaker 1>in nineteen forty one. I figured out which library it was,

0:24:27.680 --> 0:24:29.280
<v Speaker 1>by the way, and I looked it up, and and

0:24:29.359 --> 0:24:31.680
<v Speaker 1>the scale is not what you would expect. I think

0:24:31.720 --> 0:24:34.119
<v Speaker 1>I might have mentioned that earlier, but given the story,

0:24:34.280 --> 0:24:37.560
<v Speaker 1>it's a very small, quaint, little library with a modest

0:24:37.600 --> 0:24:42.200
<v Speaker 1>collection of books. But also in nineteen thirty eight Borges

0:24:42.560 --> 0:24:46.199
<v Speaker 1>read experienced to head wound which led to blood poisoning,

0:24:46.240 --> 0:24:49.520
<v Speaker 1>which in turn made him very feeble, and he feared

0:24:49.760 --> 0:24:53.720
<v Speaker 1>losing his sanity, and so Borees was eventually dismissed from

0:24:53.760 --> 0:24:56.840
<v Speaker 1>his library position. When Juan Perone came to power in

0:24:56.960 --> 0:24:59.840
<v Speaker 1>Argentina and I think nineteen forty five or forty six,

0:25:00.440 --> 0:25:04.000
<v Speaker 1>and he Bores had supported the Allies during World War Two.

0:25:04.040 --> 0:25:07.040
<v Speaker 1>He opposed Nazi Germany, and he was also at the

0:25:07.040 --> 0:25:11.959
<v Speaker 1>time opposed to Peron's authoritarian sympathies. So in retaliation, Perron

0:25:12.200 --> 0:25:17.520
<v Speaker 1>demoted Borhes to the job title of poultry inspector. Bores

0:25:17.760 --> 0:25:20.080
<v Speaker 1>was not a fan of this move, but later he

0:25:20.160 --> 0:25:23.040
<v Speaker 1>was again given a library position as director of the

0:25:23.119 --> 0:25:27.960
<v Speaker 1>Argentine National Library in nineteen fifty five. But I do

0:25:28.040 --> 0:25:32.080
<v Speaker 1>wonder to what extent his experiences among the books, even

0:25:32.119 --> 0:25:35.480
<v Speaker 1>if it was truly a modest collection of books, led

0:25:35.560 --> 0:25:39.720
<v Speaker 1>to his his dreaming of the Library of Babel. Yeah,

0:25:39.840 --> 0:25:42.520
<v Speaker 1>perhaps a lot of it too came from him not

0:25:42.640 --> 0:25:45.440
<v Speaker 1>only you know, not only encountering books in this bookstore,

0:25:45.720 --> 0:25:48.560
<v Speaker 1>in the libraries and his personal collection, but also reading

0:25:48.640 --> 0:25:52.560
<v Speaker 1>about other books, seeing the names of these other books.

0:25:52.600 --> 0:25:55.199
<v Speaker 1>It's it's it's hard, you know, just looking through a

0:25:55.240 --> 0:25:59.240
<v Speaker 1>card catalog. Um. Yeah, I guess today we get a

0:25:59.359 --> 0:26:03.359
<v Speaker 1>sense of such a vassal library just when we're going

0:26:03.400 --> 0:26:06.400
<v Speaker 1>through an online database of books, be it a library

0:26:06.440 --> 0:26:10.280
<v Speaker 1>system or Amazon. And uh, and I can I can

0:26:10.280 --> 0:26:12.959
<v Speaker 1>see even with it with older catalog systems, where one

0:26:13.040 --> 0:26:15.120
<v Speaker 1>might have that experience, especially if one of the true

0:26:15.160 --> 0:26:18.919
<v Speaker 1>lover of books, as as Bores you know, definitely was.

0:26:20.000 --> 0:26:22.320
<v Speaker 1>But of course, the Library of Babel is more than

0:26:22.359 --> 0:26:25.359
<v Speaker 1>just an interesting short story, right, It's become this door

0:26:25.600 --> 0:26:28.679
<v Speaker 1>that we can walk through to think about the nature

0:26:28.680 --> 0:26:33.600
<v Speaker 1>of information and scale, numerical scale, and the universe infinity,

0:26:33.720 --> 0:26:38.240
<v Speaker 1>the relationship between information and physicality, and a very useful

0:26:38.280 --> 0:26:41.760
<v Speaker 1>model for philosophers, scientists, and thinkers of all kinds. So

0:26:42.119 --> 0:26:43.679
<v Speaker 1>we're going to take a quick break, and when we

0:26:43.760 --> 0:26:46.159
<v Speaker 1>come back from the break, we're going to learn more

0:26:46.200 --> 0:26:49.119
<v Speaker 1>about the implications of the Library of Babel as a

0:26:49.119 --> 0:26:58.920
<v Speaker 1>thought experiment. So the characters in the Library of Babel,

0:26:58.960 --> 0:27:01.480
<v Speaker 1>they all seem to be searched for meaning, right, They're

0:27:01.520 --> 0:27:05.639
<v Speaker 1>living in this vast library of nonsense, is full of

0:27:05.680 --> 0:27:09.000
<v Speaker 1>gibberish everywhere, and they want to find books that have

0:27:09.240 --> 0:27:13.560
<v Speaker 1>some kind of significance. So I think it's quite clear

0:27:13.600 --> 0:27:15.840
<v Speaker 1>that in many ways this story is an analogy for

0:27:15.880 --> 0:27:19.040
<v Speaker 1>the search of meaning, the search for meanings. Sorry, imagine

0:27:19.240 --> 0:27:24.040
<v Speaker 1>that feeling of knowing that there were already in existence

0:27:24.200 --> 0:27:28.280
<v Speaker 1>books that explained the true origin and purpose of the universe,

0:27:29.080 --> 0:27:30.919
<v Speaker 1>if there is such a thing, of course, and the

0:27:30.960 --> 0:27:34.960
<v Speaker 1>origin and purpose of everything in the universe, including your

0:27:34.960 --> 0:27:37.520
<v Speaker 1>own existence. And I want to read another quote from

0:27:37.560 --> 0:27:43.160
<v Speaker 1>the story, quote that unbridled hopefulness was succeeded naturally enough

0:27:43.280 --> 0:27:49.159
<v Speaker 1>by a similarly disproportionate depression, the certainty that some bookshelf

0:27:49.200 --> 0:27:53.240
<v Speaker 1>in some hexagon contained precious books yet that those precious

0:27:53.280 --> 0:27:57.440
<v Speaker 1>books were forever out of reach was almost unbearable. One

0:27:57.480 --> 0:28:01.199
<v Speaker 1>blasphemous sect proposed that the searches be discontinued and that

0:28:01.320 --> 0:28:05.439
<v Speaker 1>all men shuffle letters and symbols until those canonical books,

0:28:05.640 --> 0:28:10.639
<v Speaker 1>through some improbable stroke of chance, had been constructed. The

0:28:10.680 --> 0:28:14.760
<v Speaker 1>authorities were forced to issue strict orders. The sect disappeared.

0:28:14.840 --> 0:28:17.520
<v Speaker 1>But in my childhood I have seen old men who,

0:28:17.560 --> 0:28:20.960
<v Speaker 1>for long periods would hide in the latrines with metal

0:28:21.040 --> 0:28:25.560
<v Speaker 1>discs and a forbidden dice cup, feebly mimicking the divine order.

0:28:26.640 --> 0:28:29.160
<v Speaker 1>I love something about this little section of the story

0:28:29.160 --> 0:28:32.480
<v Speaker 1>because notice here the similarity with something you already brought

0:28:32.560 --> 0:28:36.040
<v Speaker 1>up Robert the infinite monkey theorem, right, the idea that

0:28:36.080 --> 0:28:38.000
<v Speaker 1>you've got a gang of monkeys, and you put him

0:28:38.040 --> 0:28:40.400
<v Speaker 1>in front of typewriters, and they just hit keys on

0:28:40.440 --> 0:28:43.959
<v Speaker 1>the typewriters at random. Now, given infinite time, it's all

0:28:44.200 --> 0:28:48.320
<v Speaker 1>often said that these monkeys will produce specified works of literature,

0:28:48.400 --> 0:28:51.240
<v Speaker 1>such as the complete works of Shakespeare, or of course

0:28:51.240 --> 0:28:55.920
<v Speaker 1>they would need vast periods of time. The key factors here,

0:28:56.040 --> 0:28:58.360
<v Speaker 1>and that that's not depending on what the work is,

0:28:58.400 --> 0:29:00.760
<v Speaker 1>like Shakespeare or whatever. They could be trying to create

0:29:00.800 --> 0:29:04.000
<v Speaker 1>the complete works of Anne Rice, and that the infinite

0:29:04.080 --> 0:29:07.200
<v Speaker 1>time parameter is crucial because in reality, such a scenario

0:29:07.240 --> 0:29:11.480
<v Speaker 1>would probably not produce a single page of grammatically meaningful

0:29:11.560 --> 0:29:14.719
<v Speaker 1>English within the total age of the universe. It's just,

0:29:15.320 --> 0:29:19.360
<v Speaker 1>you know, random combinatrix are not very forgiving. But in

0:29:19.400 --> 0:29:22.800
<v Speaker 1>the Borhe story, there's this blasphemous sect he talks about

0:29:22.840 --> 0:29:26.640
<v Speaker 1>who wants to try to create precious and meaningful books

0:29:27.040 --> 0:29:30.720
<v Speaker 1>by randomly generating volumes with something kind of like a

0:29:30.800 --> 0:29:33.960
<v Speaker 1>Wegia board and a pair of dice, almost like a

0:29:34.120 --> 0:29:38.000
<v Speaker 1>like a code cracking program. Right, But it doesn't fundamentally

0:29:38.000 --> 0:29:41.240
<v Speaker 1>alter our predicament in the search for meaning, only the

0:29:41.320 --> 0:29:45.720
<v Speaker 1>observer's level of personal activity within it. So the librarians

0:29:45.760 --> 0:29:49.520
<v Speaker 1>in the library of Babel are like the observer watching

0:29:49.560 --> 0:29:52.880
<v Speaker 1>the monkeys type, waiting for them to produce Shakespeare. They're

0:29:52.920 --> 0:29:57.080
<v Speaker 1>passively receiving all of this random information, waiting for something

0:29:57.080 --> 0:30:00.240
<v Speaker 1>of significance to come out. The blasphemous sect, the people

0:30:00.320 --> 0:30:03.560
<v Speaker 1>rolling the dice with Luigia board, they're just more like

0:30:03.960 --> 0:30:07.840
<v Speaker 1>being the monkey sitting at the typewriter randomly typing text.

0:30:08.320 --> 0:30:10.920
<v Speaker 1>It doesn't change the odds that you'll come across something

0:30:10.960 --> 0:30:14.320
<v Speaker 1>of significance. But maybe it does make a psychological difference

0:30:14.360 --> 0:30:18.560
<v Speaker 1>if you yourself are the creator versus passively receiving what

0:30:18.720 --> 0:30:22.280
<v Speaker 1>already exists around you. Yeah, I mean, it's it's really

0:30:22.320 --> 0:30:24.800
<v Speaker 1>like the members of the Blastmouths sect are playing God.

0:30:25.000 --> 0:30:28.280
<v Speaker 1>They're doing the work of God. Uh, of of of

0:30:28.520 --> 0:30:34.000
<v Speaker 1>a creator entity in this scenario. But um, they're bound

0:30:34.000 --> 0:30:38.320
<v Speaker 1>by mortal or semi mortal experience. So uh, it really

0:30:38.320 --> 0:30:40.440
<v Speaker 1>amounts to the same thing. They're just as lost in

0:30:40.480 --> 0:30:43.320
<v Speaker 1>the in the library, except to say, a library of

0:30:43.400 --> 0:30:48.320
<v Speaker 1>their their own creation. Well, in the cosmological sense, how

0:30:48.720 --> 0:30:52.400
<v Speaker 1>similar is the library of Babel to the universe we

0:30:52.480 --> 0:30:56.960
<v Speaker 1>actually inhabit? And what what what similarities and differences could

0:30:56.960 --> 0:31:00.240
<v Speaker 1>we observe? Well, if we look at the library as

0:31:00.240 --> 0:31:03.280
<v Speaker 1>a metaphor for cosmos, and and it seems one of

0:31:03.520 --> 0:31:05.480
<v Speaker 1>one of Borhe's intense I mean, he says in the

0:31:05.520 --> 0:31:09.320
<v Speaker 1>first line that the universe, universe is the library. Yeah,

0:31:09.360 --> 0:31:13.280
<v Speaker 1>so you could argue that it is his central intent. Uh, certainly. Uh.

0:31:13.320 --> 0:31:16.440
<v Speaker 1>In this case, it lines up rather nicely with the

0:31:16.480 --> 0:31:20.280
<v Speaker 1>cosmological principle the idea that matter in the universe is

0:31:20.320 --> 0:31:24.640
<v Speaker 1>homogeneous and isotropic when averaged out over very large scales

0:31:25.360 --> 0:31:28.480
<v Speaker 1>as a major principle that speaks to the composition of

0:31:28.480 --> 0:31:31.120
<v Speaker 1>the universe, and it helps us serve as the basis

0:31:31.160 --> 0:31:34.200
<v Speaker 1>for the Big Bang theory. Here, it's kind of hard

0:31:34.240 --> 0:31:37.120
<v Speaker 1>to imagine living on Earth as we do and not

0:31:37.200 --> 0:31:40.880
<v Speaker 1>seeing really anywhere else in the universe that's as hospitable

0:31:40.920 --> 0:31:45.000
<v Speaker 1>as Earth, that the universe is homogeneous, you know. But

0:31:45.000 --> 0:31:48.239
<v Speaker 1>but yeah, it's talking about scale there. Over scale, you

0:31:48.280 --> 0:31:50.800
<v Speaker 1>could say it is homogeneous even if we're sort of

0:31:50.880 --> 0:31:54.440
<v Speaker 1>living in the book that makes sense, right, like we

0:31:55.320 --> 0:31:59.440
<v Speaker 1>you could almost say that, like we are living. It's

0:31:59.440 --> 0:32:01.560
<v Speaker 1>it's difficult, right, because it's like we are we are

0:32:01.600 --> 0:32:04.160
<v Speaker 1>the book that makes sense. We are the book that

0:32:04.200 --> 0:32:07.200
<v Speaker 1>we can understand, and we just according to us, according

0:32:07.200 --> 0:32:11.480
<v Speaker 1>to us, and and by by amazing fortune, we are

0:32:11.520 --> 0:32:13.920
<v Speaker 1>in the hexagon that contains of that book. And then

0:32:14.080 --> 0:32:16.800
<v Speaker 1>so it's easy to think it's and certainly we've from

0:32:16.840 --> 0:32:19.720
<v Speaker 1>a cosmological perspective, we've fallen into this trap many times

0:32:19.760 --> 0:32:22.000
<v Speaker 1>where we think, well, this is the center, this is

0:32:22.080 --> 0:32:25.760
<v Speaker 1>we are living in the Crimson hexagon, and there's a

0:32:25.880 --> 0:32:29.280
<v Speaker 1>you know, there's a whole discipline and cosmologies is about

0:32:29.680 --> 0:32:33.040
<v Speaker 1>just reminding everyone and we do not live in the hexagonal,

0:32:33.520 --> 0:32:36.640
<v Speaker 1>in the Crimson hexagon. Yeah, not every hexagon that contains

0:32:36.680 --> 0:32:40.960
<v Speaker 1>a basically sensical operation manual for a VCR is the

0:32:41.000 --> 0:32:44.440
<v Speaker 1>Crimson hexagon. Yeah, there's not. There's nothing privileged about the

0:32:44.560 --> 0:32:48.640
<v Speaker 1>human condition, about and about the conditions of Earth um

0:32:49.000 --> 0:32:52.880
<v Speaker 1>like the universe. To all the characters that in this

0:32:52.960 --> 0:32:56.760
<v Speaker 1>story that are considering the Library of Babbel are within

0:32:56.880 --> 0:32:59.400
<v Speaker 1>the Library of Babbel. They don't step outside of it.

0:32:59.440 --> 0:33:01.760
<v Speaker 1>They don't. They don't wander back to the surface of

0:33:01.840 --> 0:33:04.960
<v Speaker 1>some you know, dungeons and Dragons type realm and then

0:33:05.120 --> 0:33:06.800
<v Speaker 1>think about it again and then go back in. It's

0:33:06.800 --> 0:33:09.880
<v Speaker 1>not like in say the novel House of Leaves, where

0:33:10.160 --> 0:33:13.400
<v Speaker 1>they're they're venturing from this house into this realm of

0:33:13.440 --> 0:33:17.160
<v Speaker 1>infinite corridors. There is no house to return to. So

0:33:17.400 --> 0:33:20.000
<v Speaker 1>quests they might to understand the shape and nature of

0:33:20.040 --> 0:33:23.320
<v Speaker 1>the library. They cannot step beyond the library for an

0:33:23.320 --> 0:33:27.040
<v Speaker 1>outside outside understanding of what they're in. They cannot step

0:33:27.080 --> 0:33:30.160
<v Speaker 1>beyond the borders of cosmos. I mean, we can barely

0:33:30.280 --> 0:33:32.840
<v Speaker 1>step beyond the borders of the human experience. We have

0:33:32.960 --> 0:33:36.840
<v Speaker 1>this huge problem just trying to to comprehend consciousness in

0:33:36.880 --> 0:33:39.960
<v Speaker 1>the and and the functionality of the human mind. It's

0:33:40.840 --> 0:33:43.480
<v Speaker 1>you're trapped within the form you're trying to understand. Yeah,

0:33:43.520 --> 0:33:46.120
<v Speaker 1>but the Library of Babel also seems like it has

0:33:46.120 --> 0:33:50.840
<v Speaker 1>some metaphorical significance in our quest for knowledge. Yeah, I

0:33:50.840 --> 0:33:54.360
<v Speaker 1>mean the idea here the complete knowledge seems impossible. You

0:33:54.360 --> 0:33:56.760
<v Speaker 1>can believe in the Bookman and the Crimson Hexagon all

0:33:56.800 --> 0:34:00.320
<v Speaker 1>you want, but they remain ever outside your grasp. There's

0:34:00.400 --> 0:34:05.120
<v Speaker 1>no center, there's no privileged area or privileged knowledge. The

0:34:05.200 --> 0:34:11.759
<v Speaker 1>story also, according to writer Marcello Glycer, uh, seems a

0:34:11.840 --> 0:34:16.200
<v Speaker 1>commentary on reductionism. So we can know all the characters

0:34:16.239 --> 0:34:19.960
<v Speaker 1>that comprise the works and the books, like identifying the

0:34:20.000 --> 0:34:22.719
<v Speaker 1>building blocks of nature, right, but does that bring us

0:34:22.719 --> 0:34:26.280
<v Speaker 1>any closer to understanding the fundamental nature of the universe

0:34:26.600 --> 0:34:32.400
<v Speaker 1>or the library? No? No, not really yeah. Um. And

0:34:32.440 --> 0:34:34.400
<v Speaker 1>of course in all of this, I can't help but

0:34:34.480 --> 0:34:36.919
<v Speaker 1>think of a subject we've discussed in the past here

0:34:37.080 --> 0:34:40.760
<v Speaker 1>on the show, Plato's theory of forms, Right, the idea

0:34:40.840 --> 0:34:44.520
<v Speaker 1>that that there's an ideal version of everything that exists

0:34:44.880 --> 0:34:49.319
<v Speaker 1>beyond our grasp according to Plato, like essentially in another realm.

0:34:49.440 --> 0:34:53.000
<v Speaker 1>So there would be, in theory, an ideal form of

0:34:53.040 --> 0:34:56.120
<v Speaker 1>every book that's ever been written in the Library of Babble. Right,

0:34:56.560 --> 0:35:00.080
<v Speaker 1>But we can spend an eternity encounter and eternity of

0:35:00.120 --> 0:35:03.960
<v Speaker 1>alternate versions and never happen upon the perfect form. It

0:35:04.000 --> 0:35:07.680
<v Speaker 1>doesn't quite exist outside the Library of Babble. However, though,

0:35:07.680 --> 0:35:10.600
<v Speaker 1>I wonder if you could sort of cobble that idea

0:35:10.640 --> 0:35:13.360
<v Speaker 1>together with the Crimson hexicon. Maybe that's what the Crimson

0:35:13.480 --> 0:35:16.320
<v Speaker 1>hexicon also encompasses, the idea that there's a place where

0:35:16.600 --> 0:35:19.920
<v Speaker 1>all the ideals are represented. Well, this brings up something

0:35:20.080 --> 0:35:23.400
<v Speaker 1>that I wanted to talk about, which is the difference

0:35:23.480 --> 0:35:27.439
<v Speaker 1>between being able to generate a precious or significant book

0:35:27.480 --> 0:35:30.080
<v Speaker 1>in the ability to recognize it when you see. Uh.

0:35:30.120 --> 0:35:33.320
<v Speaker 1>This sort of goes back to our P versus NP discussion,

0:35:33.400 --> 0:35:36.880
<v Speaker 1>you know, the search for algorithms, like there are certain

0:35:37.560 --> 0:35:42.719
<v Speaker 1>problem solving techniques that you can check to see if

0:35:42.760 --> 0:35:45.920
<v Speaker 1>you got the right answer, but you can't as quickly

0:35:46.080 --> 0:35:49.560
<v Speaker 1>generate the right answer. And I, you know, I wonder

0:35:49.600 --> 0:35:52.680
<v Speaker 1>if our books the same way, Like, what is the

0:35:52.719 --> 0:35:59.600
<v Speaker 1>relationship between insight and time? Given infinite time, could any

0:35:59.680 --> 0:36:03.560
<v Speaker 1>person and who could recognize a precious book also generate

0:36:03.800 --> 0:36:08.440
<v Speaker 1>that same precious book. I don't know, but uh, it

0:36:08.520 --> 0:36:10.480
<v Speaker 1>kind of makes me wonder. Like the Library of Babble

0:36:10.480 --> 0:36:12.480
<v Speaker 1>brings up these questions. So you're searching through all the

0:36:12.520 --> 0:36:16.719
<v Speaker 1>shelves and you you eventually come across a book that

0:36:16.760 --> 0:36:19.759
<v Speaker 1>you know is a meaningful and significant book that's full

0:36:19.800 --> 0:36:23.000
<v Speaker 1>of true things, full of great creativity, full of beauty

0:36:23.040 --> 0:36:25.960
<v Speaker 1>and insight. It's a good thing that you found it.

0:36:26.520 --> 0:36:29.000
<v Speaker 1>If you know that thing when you see it, would

0:36:29.000 --> 0:36:31.399
<v Speaker 1>you be able to create that thing? If there were

0:36:31.440 --> 0:36:35.040
<v Speaker 1>no constraints on you whatsoever. It's like it to come

0:36:35.080 --> 0:36:38.040
<v Speaker 1>back to say something like Dune, right, like, how would

0:36:38.160 --> 0:36:39.920
<v Speaker 1>would I be able to tell if I found a

0:36:39.960 --> 0:36:42.440
<v Speaker 1>copy of Doone in the library? That is that that

0:36:42.560 --> 0:36:45.560
<v Speaker 1>exceeds the original? All I have is the version that

0:36:45.600 --> 0:36:48.680
<v Speaker 1>we have in our reality. And uh, and I'm a

0:36:48.680 --> 0:36:51.440
<v Speaker 1>big fan of that. But who's to say that that's

0:36:51.480 --> 0:36:54.239
<v Speaker 1>anywhere close to the ideal version of it? You know what?

0:36:54.640 --> 0:36:57.880
<v Speaker 1>Who who can make that judgment? And and then it

0:36:57.920 --> 0:37:00.319
<v Speaker 1>also gets into sort of the privilege, like were gonna

0:37:00.440 --> 0:37:03.279
<v Speaker 1>have a bias towards what we already know, what we

0:37:03.360 --> 0:37:07.399
<v Speaker 1>already have, which is which gets involved in the cosmology again,

0:37:07.520 --> 0:37:11.520
<v Speaker 1>because we're basing everything on this one model of of life,

0:37:11.600 --> 0:37:14.359
<v Speaker 1>this one model of that we have an Earth and

0:37:14.400 --> 0:37:17.520
<v Speaker 1>all the life that has evolved here. Uh, we have

0:37:17.600 --> 0:37:19.640
<v Speaker 1>nothing else to base it on. We only have this

0:37:19.760 --> 0:37:25.080
<v Speaker 1>copy of doone alas alas that we have but one

0:37:25.120 --> 0:37:28.400
<v Speaker 1>reality of doone to draw from. Shy elude be praise.

0:37:30.440 --> 0:37:32.359
<v Speaker 1>All right, we need to take another really quick break.

0:37:32.400 --> 0:37:33.879
<v Speaker 1>But when we come back, we're going to talk about

0:37:33.880 --> 0:37:43.920
<v Speaker 1>the Library of Babel as applied to biology and genetics. Alright,

0:37:43.960 --> 0:37:46.680
<v Speaker 1>we're back, all right. So, as the Library of Babel

0:37:46.760 --> 0:37:50.360
<v Speaker 1>is essentially all about vast quantities of randomized information and

0:37:50.360 --> 0:37:54.279
<v Speaker 1>the occasional emergence of books from that data. See, it

0:37:54.280 --> 0:37:57.719
<v Speaker 1>should come as no surprise that Borges fantastic library is

0:37:57.800 --> 0:38:02.279
<v Speaker 1>of use in fathoming the complexity of biology and genetics. Yeah. Now,

0:38:02.320 --> 0:38:05.200
<v Speaker 1>I've read about this idea in a couple of different

0:38:05.239 --> 0:38:09.960
<v Speaker 1>books by the the American philosopher and cognitive scientist Daniel Dinnett.

0:38:09.960 --> 0:38:13.319
<v Speaker 1>He wrote about this in Darwin's Dangerous Idea, which came

0:38:13.320 --> 0:38:16.000
<v Speaker 1>out in the nineties, and he also wrote a chapter

0:38:16.120 --> 0:38:18.960
<v Speaker 1>about it in his book Intuition, Pumps and other tools

0:38:18.960 --> 0:38:23.160
<v Speaker 1>for thinking. And I always found this comparison very interesting.

0:38:23.200 --> 0:38:28.279
<v Speaker 1>But maybe maybe you can illuminate us. But what application

0:38:28.360 --> 0:38:31.279
<v Speaker 1>does the Library of Babel have to the genes that

0:38:31.400 --> 0:38:34.680
<v Speaker 1>build our bodies? Well, let me read a quick quote

0:38:34.680 --> 0:38:37.200
<v Speaker 1>here from from Dinnett that I think helps to eliminate

0:38:37.239 --> 0:38:41.520
<v Speaker 1>this quote. The actual genomes that have ever existed are

0:38:41.560 --> 0:38:47.880
<v Speaker 1>a vanishingly small subset of the combinatorially possible genomes, just

0:38:48.000 --> 0:38:50.840
<v Speaker 1>as the actual books in the world's libraries are a

0:38:50.960 --> 0:38:55.520
<v Speaker 1>vanishingly small subset of the books in the imaginary Library

0:38:55.560 --> 0:38:59.160
<v Speaker 1>of Babel. Yeah, so din It actually puts together an

0:38:59.200 --> 0:39:02.520
<v Speaker 1>alternate verse shin of the library. He just substitutes in

0:39:02.640 --> 0:39:06.520
<v Speaker 1>some alternate numbers and does some number crunching. But I

0:39:06.520 --> 0:39:09.960
<v Speaker 1>think it's actually interesting what he comes up with. Yeah,

0:39:10.280 --> 0:39:12.839
<v Speaker 1>look for starters. He he does some some fun number

0:39:12.880 --> 0:39:17.040
<v Speaker 1>crunching on the Library of Babbel itself. Um, here, here's

0:39:17.080 --> 0:39:18.920
<v Speaker 1>just a quick quote from this h And again we're

0:39:18.920 --> 0:39:20.719
<v Speaker 1>gonna throw some numbers at you here, but I think

0:39:20.719 --> 0:39:22.799
<v Speaker 1>it's worth it. So suppose that each book is five

0:39:22.880 --> 0:39:25.680
<v Speaker 1>hundred pages long, and each page consists of forty lines

0:39:25.719 --> 0:39:28.520
<v Speaker 1>of fifty spaces, So there are two thousand characters spaces

0:39:28.560 --> 0:39:31.520
<v Speaker 1>per page. Each space is either is blank or has

0:39:31.520 --> 0:39:33.840
<v Speaker 1>a character printed on it, chosen from a set of

0:39:33.880 --> 0:39:36.040
<v Speaker 1>one hundred Somewhere in the Library of Babble as a

0:39:36.120 --> 0:39:39.279
<v Speaker 1>volume consisting entirely of blank pages, and another volume is

0:39:39.320 --> 0:39:42.439
<v Speaker 1>all question marks, but the vast majority consists of type

0:39:42.440 --> 0:39:45.799
<v Speaker 1>of graphical gibberish. No rules of spelling or grammar, to

0:39:45.840 --> 0:39:48.960
<v Speaker 1>say nothing of sense prohibit the inclusion of a volume.

0:39:49.520 --> 0:39:52.760
<v Speaker 1>Five hundred pages times two thousand characters per page gives

0:39:53.400 --> 0:39:56.239
<v Speaker 1>one million character spaces per book. So there are one

0:39:56.360 --> 0:39:59.400
<v Speaker 1>hundred to the one million power books in the Library

0:39:59.440 --> 0:40:02.560
<v Speaker 1>of Babble. Since it's it estimated that there are only one,

0:40:04.360 --> 0:40:09.080
<v Speaker 1>give or take a few particles, protons, neutrons, and electrons

0:40:09.160 --> 0:40:11.839
<v Speaker 1>in the region of the universe, we can observe the

0:40:11.880 --> 0:40:16.120
<v Speaker 1>Library of Babel is not remotely a physically possible object.

0:40:16.360 --> 0:40:19.160
<v Speaker 1>But thanks to the strict rules with which Borhe is

0:40:19.200 --> 0:40:23.000
<v Speaker 1>constructed it in his imagination, we can think about it clearly.

0:40:23.960 --> 0:40:27.239
<v Speaker 1>So I I like, I like how he sort of

0:40:27.440 --> 0:40:30.040
<v Speaker 1>reins it when he doesn't rein it in. But well,

0:40:30.120 --> 0:40:32.320
<v Speaker 1>he crunches the numbers of it and and just lays

0:40:32.360 --> 0:40:34.400
<v Speaker 1>out the fact that this could not exist in the

0:40:34.400 --> 0:40:38.080
<v Speaker 1>physical universe. Yeah, yeah, I mean there is not space

0:40:38.640 --> 0:40:41.200
<v Speaker 1>in the universe for it. And yet it is still

0:40:41.920 --> 0:40:46.240
<v Speaker 1>arguably a finite object. Oh, not arguably, it's definitely finite.

0:40:46.320 --> 0:40:49.520
<v Speaker 1>But well, but that's the thing. It's finite in a

0:40:49.600 --> 0:40:52.879
<v Speaker 1>way like there and certainly this is a subject we've

0:40:53.120 --> 0:40:55.760
<v Speaker 1>covered in other episodes on on the nature of infinity.

0:40:55.800 --> 0:40:59.000
<v Speaker 1>But there, of course different types of infinity. And so

0:40:59.040 --> 0:41:02.399
<v Speaker 1>it's physically fine, it's physically finite, but it is from

0:41:02.440 --> 0:41:05.399
<v Speaker 1>a human perspective it might as well be infinite. Well,

0:41:05.440 --> 0:41:08.000
<v Speaker 1>you can make the case that while it is physically

0:41:08.040 --> 0:41:10.720
<v Speaker 1>finite in that there are a limited number of books

0:41:10.719 --> 0:41:13.520
<v Speaker 1>however vast, you know, impossibly vast to contain in the

0:41:13.560 --> 0:41:17.440
<v Speaker 1>real universe. There there are a actually limited number of books,

0:41:17.440 --> 0:41:20.560
<v Speaker 1>but there might not be a limited amount of information

0:41:21.160 --> 0:41:24.040
<v Speaker 1>because if you follow this, uh, the same strategy we

0:41:24.120 --> 0:41:27.520
<v Speaker 1>mentioned earlier of allowing one book's contents to spill over

0:41:27.560 --> 0:41:31.040
<v Speaker 1>into another volume, and given the fact that all volumes

0:41:31.239 --> 0:41:36.479
<v Speaker 1>possible to represent our present, meaning all unfinished ideas will

0:41:36.600 --> 0:41:42.239
<v Speaker 1>be continued into other ideas, there is potentially limitless information

0:41:42.280 --> 0:41:46.440
<v Speaker 1>in the limited library of Babel. Well, yeah, I mean,

0:41:46.840 --> 0:41:49.520
<v Speaker 1>I can't help but think of the infinity hotel analogy

0:41:49.600 --> 0:41:51.759
<v Speaker 1>like I did it, Like an infinite number of people

0:41:51.800 --> 0:41:53.640
<v Speaker 1>show up to a hotel and then another infinite number

0:41:53.640 --> 0:41:56.360
<v Speaker 1>shop on another bus. Um what I mean, what what

0:41:56.400 --> 0:41:59.120
<v Speaker 1>do you do about books that themselves are infinite? What

0:41:59.120 --> 0:42:01.240
<v Speaker 1>do you do about Bore Hayes the Book of Sands,

0:42:01.280 --> 0:42:04.600
<v Speaker 1>which is a book that is that that is endless?

0:42:05.040 --> 0:42:07.360
<v Speaker 1>How many books then does that contain? Like trying to

0:42:07.400 --> 0:42:10.680
<v Speaker 1>shelve the Book of sand uh in the Library of

0:42:10.719 --> 0:42:14.320
<v Speaker 1>Babbel is kind of like a busload of infinite hotel

0:42:14.360 --> 0:42:16.560
<v Speaker 1>guests showing up at the infinity Hotel. Well, I would

0:42:16.560 --> 0:42:19.160
<v Speaker 1>say that the Library of Babel itself is sort of

0:42:19.200 --> 0:42:21.799
<v Speaker 1>an argument that there could not be such a thing

0:42:21.840 --> 0:42:25.720
<v Speaker 1>as an infinite book. That there there there are books

0:42:25.760 --> 0:42:30.440
<v Speaker 1>that are so vast as to, you know, stifle our comprehension.

0:42:30.840 --> 0:42:33.160
<v Speaker 1>But if you think of the Library of Babel itself

0:42:33.239 --> 0:42:36.880
<v Speaker 1>as one book that you can just move the pages

0:42:36.920 --> 0:42:40.839
<v Speaker 1>around as much as you want, all possible representations of

0:42:41.000 --> 0:42:44.680
<v Speaker 1>all possible characters are there, but the book is finite.

0:42:44.880 --> 0:42:47.200
<v Speaker 1>That's true. That's a good point. But let's let's bring

0:42:47.239 --> 0:42:50.200
<v Speaker 1>it back to Dinnett So Dinnett proposes a variation on

0:42:50.280 --> 0:42:54.080
<v Speaker 1>the Library of Babel that he calls the Library of Mendel,

0:42:54.239 --> 0:42:58.040
<v Speaker 1>named after Men, the Mendel, famous of men Dalian genetics,

0:42:58.080 --> 0:43:03.799
<v Speaker 1>and it's a library that contains all possible genomes. So

0:43:03.840 --> 0:43:06.960
<v Speaker 1>if we assume that the Library of Mendel is composed

0:43:07.000 --> 0:43:11.839
<v Speaker 1>of descriptions of genomes, then not not the molecules themselves,

0:43:11.920 --> 0:43:15.880
<v Speaker 1>but the the coding that would represent what is contained

0:43:15.920 --> 0:43:19.200
<v Speaker 1>in your gene recipes. Um that's the case, then you

0:43:19.239 --> 0:43:21.719
<v Speaker 1>could you could argue that, well, they're actually already part

0:43:21.719 --> 0:43:24.520
<v Speaker 1>of the Library of Babel, as the standard code for

0:43:24.640 --> 0:43:27.560
<v Speaker 1>DNA descriptions consists of the characters A, C, G and

0:43:27.640 --> 0:43:34.319
<v Speaker 1>T for addanine, setosine, guanine, and thymine. Uh. These are

0:43:34.360 --> 0:43:38.080
<v Speaker 1>the four nucleotides that compose the letters of the DNA alphabet, right,

0:43:38.080 --> 0:43:40.200
<v Speaker 1>so if you're going to spell out a representation of

0:43:40.239 --> 0:43:43.640
<v Speaker 1>your genome, you'd use those four letters. So since those

0:43:43.640 --> 0:43:45.920
<v Speaker 1>are letters that are already part of the alphabet, that

0:43:46.000 --> 0:43:49.320
<v Speaker 1>makes the Library of Babel, the Library of Mendel is

0:43:49.360 --> 0:43:52.680
<v Speaker 1>a subset of the Library of Babel. Yeah, and according

0:43:52.760 --> 0:43:55.279
<v Speaker 1>to Dennet, you need to vote three thousand of the

0:43:55.320 --> 0:43:58.440
<v Speaker 1>five page volumes in the Library of Babbel just to

0:43:58.520 --> 0:44:02.080
<v Speaker 1>cover the human genome. Truly, Library Babble. That's not really

0:44:02.080 --> 0:44:07.279
<v Speaker 1>a problem, as we've discussed UM. However, I hope that

0:44:07.280 --> 0:44:11.400
<v Speaker 1>the purifiers in this case haven't been destroying these copies

0:44:11.480 --> 0:44:13.520
<v Speaker 1>you think they would, like they come across a book

0:44:13.520 --> 0:44:15.480
<v Speaker 1>that's just a bunch of A C, T and G

0:44:15.800 --> 0:44:19.040
<v Speaker 1>what what what use is this? It looks like more gibberish,

0:44:19.080 --> 0:44:22.120
<v Speaker 1>But they're really just burning the Library of Mendel volume

0:44:22.160 --> 0:44:25.399
<v Speaker 1>after volume, and who knows we might need those someday. Well,

0:44:25.480 --> 0:44:28.000
<v Speaker 1>that sort of highlights another thing about the Library of Babel,

0:44:28.040 --> 0:44:31.839
<v Speaker 1>which is, uh, how do you necessarily know when you've

0:44:31.840 --> 0:44:34.920
<v Speaker 1>come across something of significance, Like we've been assuming that

0:44:34.960 --> 0:44:37.640
<v Speaker 1>you would know a book of significance or preciousness when

0:44:37.680 --> 0:44:41.399
<v Speaker 1>you found it, but it might be encoding something for

0:44:41.520 --> 0:44:46.839
<v Speaker 1>the code for which you cannot read. So if if

0:44:46.840 --> 0:44:48.719
<v Speaker 1>we're we're lining up the Library of Mendel with the

0:44:48.760 --> 0:44:51.960
<v Speaker 1>Library of Babble or within it, UM, this means that

0:44:52.160 --> 0:44:56.080
<v Speaker 1>not only would the Library of Mendel have all genomes,

0:44:56.480 --> 0:44:59.239
<v Speaker 1>and it would also have all possible genomes within its

0:44:59.239 --> 0:45:02.239
<v Speaker 1>frame of reference. UM says, then it puts it we're

0:45:02.239 --> 0:45:04.960
<v Speaker 1>forced to quote start in the middle, and we have

0:45:05.000 --> 0:45:07.799
<v Speaker 1>only the current state of evolved biology to consider as

0:45:07.800 --> 0:45:09.960
<v Speaker 1>well as the terrestrial model. But then they're gonna be

0:45:09.960 --> 0:45:13.440
<v Speaker 1>all these other possibilities as well. Yeah, So what what

0:45:13.600 --> 0:45:17.719
<v Speaker 1>happens on Earth is not that you look around and

0:45:17.760 --> 0:45:22.360
<v Speaker 1>you find all possible variations on all possible genes in

0:45:22.640 --> 0:45:25.440
<v Speaker 1>uh or actually with the library of mental would be

0:45:25.440 --> 0:45:30.919
<v Speaker 1>all possible sequences of nucleotides and even more minute than genes. Um,

0:45:31.040 --> 0:45:33.880
<v Speaker 1>you don't see that in nature. In fact, the nature

0:45:33.960 --> 0:45:37.280
<v Speaker 1>that exists as a very tiny subset of the library

0:45:37.280 --> 0:45:40.640
<v Speaker 1>of mental. That's right. And then there there's so much

0:45:40.680 --> 0:45:43.120
<v Speaker 1>in the Library of mental that, like the Library of babble,

0:45:43.239 --> 0:45:47.360
<v Speaker 1>would just be nonsense. Um, the vast majority of it

0:45:47.520 --> 0:45:52.000
<v Speaker 1>is gonna be just blueprint blueprints for lifelessness. In quoting

0:45:52.120 --> 0:45:55.320
<v Speaker 1>Richard Dawkins, he says, quote, there are many more ways

0:45:55.800 --> 0:45:59.320
<v Speaker 1>of being dead or not alive than ways of being alive.

0:45:59.480 --> 0:46:01.680
<v Speaker 1>I think it's a good quote, and that makes sense.

0:46:01.680 --> 0:46:04.720
<v Speaker 1>I mean, most recipes you could come up with for

0:46:04.880 --> 0:46:09.240
<v Speaker 1>building a building are not actually going to be structurally viable.

0:46:09.719 --> 0:46:12.200
<v Speaker 1>Most recipes you could come up with for you know,

0:46:12.280 --> 0:46:16.520
<v Speaker 1>if you're just combining random chemicals to make food, most

0:46:16.560 --> 0:46:19.600
<v Speaker 1>of it would not be edible. Oh my goodness. Yet imagine,

0:46:19.680 --> 0:46:21.640
<v Speaker 1>like we haven't even talked about this, and I hadn't

0:46:21.640 --> 0:46:24.360
<v Speaker 1>really thought about it till now, but imagine cookbooks in

0:46:24.400 --> 0:46:28.040
<v Speaker 1>the Library of Babel, the baking cookbooks specifically, So many

0:46:28.080 --> 0:46:31.200
<v Speaker 1>of these recipes, the vast majority of the recipes are

0:46:31.239 --> 0:46:33.880
<v Speaker 1>just gonna be garbage creating, like creating not even like

0:46:34.080 --> 0:46:37.319
<v Speaker 1>the bread doesn't rise, the gough just just goops there

0:46:37.320 --> 0:46:39.440
<v Speaker 1>at the bottom of the pan. But what about the

0:46:39.440 --> 0:46:43.279
<v Speaker 1>ones that are perfectly excellent cookbooks except they all tell

0:46:43.320 --> 0:46:45.960
<v Speaker 1>you to add one bucket of cigarette butts to your

0:46:46.000 --> 0:46:50.680
<v Speaker 1>recipe every time. Yeah, or everything is delicious but also poisoned.

0:46:51.680 --> 0:46:53.760
<v Speaker 1>But like many of the books in the Library of Babbel,

0:46:53.800 --> 0:46:57.919
<v Speaker 1>I digress. Yeah, well, so the library of Mendel, as

0:46:58.600 --> 0:47:01.520
<v Speaker 1>didn't understand, is it is sort of what he would

0:47:01.560 --> 0:47:07.200
<v Speaker 1>call universal design space, which is this multidimensional space that

0:47:07.400 --> 0:47:10.480
<v Speaker 1>is how would you describe it, Robert Um? And this

0:47:10.560 --> 0:47:12.880
<v Speaker 1>is my understanding. So I might have it wrong, but

0:47:12.960 --> 0:47:15.160
<v Speaker 1>the way I keep thinking of it as it's that

0:47:15.280 --> 0:47:18.840
<v Speaker 1>black bed on the light bright Okay, in which you

0:47:18.920 --> 0:47:21.480
<v Speaker 1>put the pegs and stuff against the light up and

0:47:21.480 --> 0:47:23.480
<v Speaker 1>and essentially if you took a light bright and you

0:47:23.600 --> 0:47:26.759
<v Speaker 1>made the tree of life on it. Um, that's what

0:47:27.040 --> 0:47:30.520
<v Speaker 1>the universal design space is. Well, right, it's the possible

0:47:30.600 --> 0:47:33.680
<v Speaker 1>design space for things made out of d N a

0:47:33.880 --> 0:47:37.080
<v Speaker 1>in the way we understand DNA, and like we said,

0:47:37.160 --> 0:47:41.120
<v Speaker 1>that contains tons and tons of possible combinations that don't

0:47:41.239 --> 0:47:44.160
<v Speaker 1>lead to anything like what we would call life for

0:47:44.320 --> 0:47:48.360
<v Speaker 1>successful life. Right. And also this universal design space would

0:47:48.360 --> 0:47:53.879
<v Speaker 1>contain all actual complex phenomena, both biological designs and cultural designs,

0:47:53.920 --> 0:47:58.360
<v Speaker 1>so it would contain bacteria, apes, humans, books about apes,

0:47:58.680 --> 0:48:04.520
<v Speaker 1>jokes about apes, Great eight movies, Bad eight movies, etcetera. Yeah,

0:48:04.560 --> 0:48:08.640
<v Speaker 1>I love the way that this connects information at all levels.

0:48:08.719 --> 0:48:11.520
<v Speaker 1>So within the Library of Babel, you have both the

0:48:11.600 --> 0:48:15.520
<v Speaker 1>recipe for making my genome, so you could say, uh uh,

0:48:15.760 --> 0:48:19.960
<v Speaker 1>physical information in a way, the information contained in the molecules,

0:48:20.000 --> 0:48:23.600
<v Speaker 1>but also every story I've ever written, which you could

0:48:23.640 --> 0:48:27.680
<v Speaker 1>consider part of my genetic phenotype. Right, it's the molecules

0:48:27.680 --> 0:48:31.960
<v Speaker 1>in my DNA have, in combination with external circumstances, ultimately

0:48:32.080 --> 0:48:36.000
<v Speaker 1>led to the creation of every bit of intellectual work

0:48:36.040 --> 0:48:37.960
<v Speaker 1>I've ever done, and this is the same for all

0:48:38.000 --> 0:48:42.880
<v Speaker 1>of us, and both are subsets of the library of Babel. Yeah,

0:48:43.160 --> 0:48:45.480
<v Speaker 1>I'm going to read another quick quote from the identity here.

0:48:45.800 --> 0:48:50.480
<v Speaker 1>According to Darwin's dangerous idea, all possible explorations of design

0:48:50.520 --> 0:48:53.719
<v Speaker 1>space are connected not only all your children and your

0:48:53.760 --> 0:48:57.160
<v Speaker 1>children's children, but all your brain children and your brain

0:48:57.239 --> 0:49:00.600
<v Speaker 1>children's brain children must grow from the common stock of

0:49:00.680 --> 0:49:04.239
<v Speaker 1>design elements, genes and memes that have so far been

0:49:04.280 --> 0:49:08.840
<v Speaker 1>accumulated and conserved by the inexorable lifting algorithms, the ramps

0:49:08.840 --> 0:49:12.759
<v Speaker 1>and cranes, and cranes the top cranes of natural selection

0:49:13.120 --> 0:49:16.399
<v Speaker 1>and its products. And just to explain really quick, there

0:49:16.560 --> 0:49:19.880
<v Speaker 1>didn't when he talks about cranes. He has this idea

0:49:20.000 --> 0:49:25.960
<v Speaker 1>of design being the difference between the metaphors of cranes

0:49:26.000 --> 0:49:29.279
<v Speaker 1>and the metaphors of sky hooks. Sky Hooks are these

0:49:29.320 --> 0:49:32.760
<v Speaker 1>ideas that he thinks about design coming from the top down,

0:49:32.920 --> 0:49:38.920
<v Speaker 1>reaching in and making something without any previous precedent, whereas

0:49:39.000 --> 0:49:41.759
<v Speaker 1>cranes are things that build from the ground up, and

0:49:41.840 --> 0:49:45.360
<v Speaker 1>they can become higher and higher based on bases that

0:49:45.400 --> 0:49:47.680
<v Speaker 1>have already been built. The whole standing on the backbone,

0:49:47.800 --> 0:49:50.800
<v Speaker 1>on the backs of giants. Yeah, exactly. So, so natural

0:49:50.840 --> 0:49:54.000
<v Speaker 1>selection is a crane algorithm, as he would describe it,

0:49:54.040 --> 0:49:57.760
<v Speaker 1>as something that builds from the ground up. So thinking

0:49:57.800 --> 0:50:00.480
<v Speaker 1>of the Library of Babbel or the Library of Mental

0:50:00.640 --> 0:50:04.160
<v Speaker 1>as spaces of possibility that are different than the spaces

0:50:04.200 --> 0:50:07.480
<v Speaker 1>of what can actually be achieved in terms of living organisms.

0:50:08.000 --> 0:50:09.920
<v Speaker 1>I think it's interesting that then it goes on to

0:50:10.520 --> 0:50:14.360
<v Speaker 1>he puts together this diagram that's concentric circles of different

0:50:14.400 --> 0:50:17.880
<v Speaker 1>types of possibility that the Library of Babel and the

0:50:17.960 --> 0:50:20.920
<v Speaker 1>Library of Mental help us think about. And I like

0:50:21.000 --> 0:50:23.879
<v Speaker 1>this because I think possibility is a word that very

0:50:23.920 --> 0:50:28.479
<v Speaker 1>often gets equivocated on in our conversation. So think about

0:50:28.520 --> 0:50:31.640
<v Speaker 1>these concentric circles of possibility. It's like a Venn diagram,

0:50:31.640 --> 0:50:34.400
<v Speaker 1>but each circles inside the bigger one. So the smallest

0:50:34.440 --> 0:50:39.600
<v Speaker 1>circle in the middle is what's actually true. So the

0:50:39.680 --> 0:50:42.560
<v Speaker 1>example he gives his President Clinton, there has been a

0:50:42.600 --> 0:50:45.960
<v Speaker 1>real President Clinton that actually happened. It's true. We might

0:50:46.000 --> 0:50:48.920
<v Speaker 1>even get another one maybe, so, but then there is

0:50:49.160 --> 0:50:54.840
<v Speaker 1>historical possibility, right, President gold Water could have happened, but

0:50:55.120 --> 0:50:59.080
<v Speaker 1>given historical circumstances, it didn't. All of the all of

0:50:59.120 --> 0:51:01.160
<v Speaker 1>the pieces where the air that it seemed like it

0:51:01.200 --> 0:51:05.319
<v Speaker 1>could have happened. It's just not how the universe went. Uh.

0:51:05.360 --> 0:51:09.319
<v Speaker 1>Then there is biological possibility that's a bigger circle, which

0:51:09.440 --> 0:51:12.760
<v Speaker 1>the example he gives his striped giraffe could have happened

0:51:12.760 --> 0:51:15.920
<v Speaker 1>given what's possible with life on Earth, but it didn't. Now,

0:51:16.040 --> 0:51:21.239
<v Speaker 1>technically we do have copies which which are not striped giraffes,

0:51:21.680 --> 0:51:24.560
<v Speaker 1>but they are kind of the related to giraffes and

0:51:24.600 --> 0:51:28.320
<v Speaker 1>are kind of like a forest giraffe with some zebra

0:51:28.520 --> 0:51:32.960
<v Speaker 1>esque stripes. Well, you know that that's a danger we

0:51:32.960 --> 0:51:34.839
<v Speaker 1>always play with when we entered the realm of talking

0:51:34.840 --> 0:51:37.960
<v Speaker 1>about what's possible, we don't even always know what's really happened.

0:51:38.760 --> 0:51:43.040
<v Speaker 1>But then bigger than biological possibility is physical possibility. With

0:51:43.239 --> 0:51:46.240
<v Speaker 1>the example he gives is a flying horse, so doesn't

0:51:46.320 --> 0:51:49.719
<v Speaker 1>violate the laws of physics, is just you know, it's

0:51:49.760 --> 0:51:52.200
<v Speaker 1>not something that you're going to see in the biological world.

0:51:52.200 --> 0:51:54.719
<v Speaker 1>It's kind of like getting into our flying fish episode

0:51:54.719 --> 0:51:57.799
<v Speaker 1>where we talked about, you know, the problem with first

0:51:57.800 --> 0:52:00.880
<v Speaker 1>of all, recognizing the fact that there could be a

0:52:00.920 --> 0:52:04.960
<v Speaker 1>fish biologically with wings that could fly and not just

0:52:05.200 --> 0:52:08.359
<v Speaker 1>glide across the water, and yet it does not exist. Right.

0:52:08.800 --> 0:52:13.880
<v Speaker 1>And then finally, the biggest circle of possibility is logical possibility,

0:52:13.880 --> 0:52:18.160
<v Speaker 1>which is Superman. So Superman is also not physically possible.

0:52:18.160 --> 0:52:20.839
<v Speaker 1>It violates the laws of physics, but it's not logically

0:52:20.880 --> 0:52:25.080
<v Speaker 1>impossible because it doesn't entail a logical contradiction. It doesn't

0:52:25.200 --> 0:52:28.839
<v Speaker 1>entail both A and not A. So you could say

0:52:28.840 --> 0:52:33.080
<v Speaker 1>it's possible. And I think that it's interesting because everything

0:52:33.160 --> 0:52:36.520
<v Speaker 1>that is logically possible is in the Library of Babel, right,

0:52:37.200 --> 0:52:40.240
<v Speaker 1>All descriptions that are logically possible are in the Library

0:52:40.239 --> 0:52:46.560
<v Speaker 1>of Babel. And and as a subset, every description that's

0:52:46.600 --> 0:52:51.359
<v Speaker 1>physically possible in terms of the the nucleotides listed is

0:52:51.600 --> 0:52:54.759
<v Speaker 1>in the Library of Mendel. But then the subset of that,

0:52:54.840 --> 0:52:59.760
<v Speaker 1>everything that's biologically possible, is the biology that we actually

0:52:59.760 --> 0:53:02.319
<v Speaker 1>see or that could actually evolve from the tree of

0:53:02.360 --> 0:53:05.680
<v Speaker 1>life as it exists today. But I want to move

0:53:05.719 --> 0:53:09.120
<v Speaker 1>on to another application of the Library of Babel, and

0:53:09.280 --> 0:53:11.279
<v Speaker 1>because I think we were about about to get lost

0:53:11.440 --> 0:53:16.720
<v Speaker 1>with UH, and that's UH the work of the American

0:53:16.760 --> 0:53:21.200
<v Speaker 1>philosopher and logician W. V. O. Quine. So Quine wrote

0:53:21.239 --> 0:53:24.040
<v Speaker 1>a very short piece on the Library of Babel called

0:53:24.080 --> 0:53:27.480
<v Speaker 1>the Universal Library essay, and I recommend you can check

0:53:27.480 --> 0:53:31.040
<v Speaker 1>this out yourself because it's incredibly short, very concise. So

0:53:31.080 --> 0:53:32.960
<v Speaker 1>I want to read a quote from it where Quine

0:53:33.120 --> 0:53:36.440
<v Speaker 1>also he sort of reformulates the library in the same

0:53:36.480 --> 0:53:38.840
<v Speaker 1>way Dinnett did, just playing around with some numbers to

0:53:38.880 --> 0:53:42.680
<v Speaker 1>get different numbers, but the same principle. Qin says, at

0:53:42.719 --> 0:53:45.680
<v Speaker 1>two thousand characters to the page, we get five hundred

0:53:45.719 --> 0:53:48.719
<v Speaker 1>thousand to the two hundred and fifty page volume. So

0:53:48.840 --> 0:53:52.240
<v Speaker 1>with say a D capitals and smalls and other marks

0:53:52.280 --> 0:53:54.560
<v Speaker 1>to choose from, I wonder what those other marks are,

0:53:54.680 --> 0:53:58.000
<v Speaker 1>maybe a lot of hashtags. We arrive at the five

0:53:58.120 --> 0:54:01.360
<v Speaker 1>hundred thousand power of a D as the total number

0:54:01.400 --> 0:54:04.160
<v Speaker 1>of books in the library. I gather that there is

0:54:04.200 --> 0:54:07.080
<v Speaker 1>not room in the present phase of our expanding universe

0:54:07.160 --> 0:54:10.440
<v Speaker 1>on present estimates for more than a negligible fraction of

0:54:10.440 --> 0:54:13.520
<v Speaker 1>the collection. Numbers are cheap, so he's arrived at the

0:54:13.560 --> 0:54:16.680
<v Speaker 1>same conclusion as others before. This wouldn't fit in the universe,

0:54:17.000 --> 0:54:19.719
<v Speaker 1>And I like the expression numbers are cheap, especially when

0:54:19.719 --> 0:54:23.439
<v Speaker 1>you have notation like exponential notation. You can write out

0:54:23.480 --> 0:54:26.840
<v Speaker 1>a number like five to the one million, three D

0:54:26.960 --> 0:54:30.840
<v Speaker 1>and twelve power, but just writing that on the page.

0:54:30.880 --> 0:54:34.360
<v Speaker 1>It's a kind of small marking notation, but it denotes

0:54:34.440 --> 0:54:38.200
<v Speaker 1>something that could not possibly be contained in the universe.

0:54:38.719 --> 0:54:41.160
<v Speaker 1>But Quine draws this back to something we've mentioned before.

0:54:41.280 --> 0:54:44.319
<v Speaker 1>The number of books in the library, while bigger than

0:54:44.360 --> 0:54:49.319
<v Speaker 1>could be contained, is not infinite. It's definitely finite. At

0:54:49.320 --> 0:54:53.359
<v Speaker 1>a certain point, you could catalog every possible book in

0:54:53.400 --> 0:54:56.960
<v Speaker 1>the Library of Babel, just not in this universe, and

0:54:57.080 --> 0:55:01.080
<v Speaker 1>yet quote the entire and ultimate truth about everything is

0:55:01.120 --> 0:55:05.120
<v Speaker 1>printed in full in that library. After all, insofar as

0:55:05.160 --> 0:55:08.440
<v Speaker 1>it can be put into words at all, every true

0:55:08.480 --> 0:55:13.200
<v Speaker 1>statement and every false statement you could possibly make are

0:55:13.280 --> 0:55:17.839
<v Speaker 1>in the library. And yet the library is finite. So,

0:55:17.960 --> 0:55:22.200
<v Speaker 1>for instance, there there is that mythical not mythical, but

0:55:22.239 --> 0:55:25.680
<v Speaker 1>at least an elusive book or series of books that

0:55:25.960 --> 0:55:28.000
<v Speaker 1>that outline the location of all the books in the

0:55:28.040 --> 0:55:32.960
<v Speaker 1>Library of Babel. But then there are all possible inferior

0:55:33.120 --> 0:55:38.239
<v Speaker 1>copies and misleading copies of that same series, long, long, long,

0:55:38.320 --> 0:55:42.000
<v Speaker 1>long series of books. Uh that that that offered to

0:55:42.040 --> 0:55:44.560
<v Speaker 1>show you where everything is, and don't there's the catalog

0:55:44.600 --> 0:55:47.560
<v Speaker 1>that tells you to dive over the spiral staircase railing

0:55:47.640 --> 0:55:50.440
<v Speaker 1>and and just fall until you come to the Crimson hexagon,

0:55:50.520 --> 0:55:52.600
<v Speaker 1>and it's lying to you because the problem is you'll

0:55:52.600 --> 0:55:55.640
<v Speaker 1>pretty much keep falling forever. Oh wow, and we haven't

0:55:55.640 --> 0:55:58.040
<v Speaker 1>even gotten to how the toilets work here, Like, that's

0:55:58.080 --> 0:56:01.840
<v Speaker 1>not covered in Borhess book all how what's the plumbing like?

0:56:02.239 --> 0:56:05.120
<v Speaker 1>But it is covered in some book in the library. Yeah,

0:56:05.160 --> 0:56:07.600
<v Speaker 1>there is a book in the library that just deals

0:56:07.640 --> 0:56:11.040
<v Speaker 1>exhaustively explains where the plumbing goes, does it? I wonder

0:56:11.080 --> 0:56:14.600
<v Speaker 1>where it goes. If there's an end to the Library

0:56:14.600 --> 0:56:17.920
<v Speaker 1>of Babel, then there is an end to those interconnected

0:56:17.960 --> 0:56:21.600
<v Speaker 1>pipes that carrate all the the fecal matter and urine

0:56:21.600 --> 0:56:24.160
<v Speaker 1>a way right, and of course the watered up pieces

0:56:24.200 --> 0:56:28.680
<v Speaker 1>of of nonsense books that are being used for toilet paper.

0:56:28.880 --> 0:56:31.680
<v Speaker 1>All of the sewage plumbing goes directly to the hexagon

0:56:31.800 --> 0:56:37.799
<v Speaker 1>housing unauthorized biographies of celebrities who recently passed away. Well

0:56:37.840 --> 0:56:41.040
<v Speaker 1>you say that, Joe, But remember in the Library of

0:56:41.040 --> 0:56:46.240
<v Speaker 1>Babel there is an unauthorized autobiography of say, Heath Ledger

0:56:46.480 --> 0:56:49.040
<v Speaker 1>that is not that is not only good, but it

0:56:49.160 --> 0:56:54.520
<v Speaker 1>is great. An unauthorized autobiography would be there in the

0:56:54.840 --> 0:56:57.200
<v Speaker 1>mean to say biography, but But that's the thing. Any

0:56:57.400 --> 0:57:00.920
<v Speaker 1>mistake I make in speaking the Library of Babbel has

0:57:00.960 --> 0:57:04.600
<v Speaker 1>me covered. It exists. Is it factual? Is it is

0:57:04.640 --> 0:57:06.759
<v Speaker 1>their truth in it? I don't know, but it could

0:57:06.760 --> 0:57:13.520
<v Speaker 1>still be entertaining. Maybe it's unauthorized by the heath Ledger

0:57:13.880 --> 0:57:16.600
<v Speaker 1>of our universe that it was, but it is authorized

0:57:16.640 --> 0:57:19.600
<v Speaker 1>by the heath Ledger of an alternate universe. Yeah, well

0:57:19.640 --> 0:57:22.280
<v Speaker 1>that would be there, wouldn't it. Okay, So I gotta

0:57:22.280 --> 0:57:24.440
<v Speaker 1>bring it back to Quine. So back to Quine. We

0:57:24.440 --> 0:57:27.000
<v Speaker 1>we mentioned a couple of times now that there's this

0:57:27.080 --> 0:57:30.360
<v Speaker 1>principle that, well, what if a book takes more than

0:57:31.160 --> 0:57:34.200
<v Speaker 1>pages to express, you know, that can't be in the library.

0:57:34.200 --> 0:57:37.840
<v Speaker 1>But it can be because it gets picked up right

0:57:37.840 --> 0:57:39.960
<v Speaker 1>where it left off in a second volume, and a

0:57:40.000 --> 0:57:42.880
<v Speaker 1>third if necessary, and so on, and all those volumes

0:57:42.920 --> 0:57:45.840
<v Speaker 1>are in the library. So you have like Showgun volume one,

0:57:45.880 --> 0:57:50.560
<v Speaker 1>Showgun volume two. Yeah, it never ends. But given this

0:57:50.600 --> 0:57:53.920
<v Speaker 1>principle that messages can be spread across multiple volumes, Quine

0:57:54.000 --> 0:57:57.560
<v Speaker 1>realizes that you can use a form of Morse code

0:57:57.760 --> 0:58:02.640
<v Speaker 1>to massively downsize the library to exactly two books with

0:58:02.760 --> 0:58:06.480
<v Speaker 1>one page each. One book is a single page with

0:58:06.520 --> 0:58:09.200
<v Speaker 1>a dash and the other is a single page with

0:58:09.240 --> 0:58:12.160
<v Speaker 1>a dot. And by reading these books back and forth

0:58:12.200 --> 0:58:16.240
<v Speaker 1>in various orders, you can code any alphabetic sequence in

0:58:16.280 --> 0:58:19.560
<v Speaker 1>a simplified form of Morse code. Now the library has

0:58:19.640 --> 0:58:23.400
<v Speaker 1>massively shrunken size, but it has the exact same encoding

0:58:23.560 --> 0:58:26.560
<v Speaker 1>power if you were to, you know, if you're to

0:58:26.640 --> 0:58:30.320
<v Speaker 1>actually map out the combinations and do all of the

0:58:30.360 --> 0:58:35.560
<v Speaker 1>same possible combinations. But let's think about it in another way.

0:58:36.040 --> 0:58:38.520
<v Speaker 1>You can replace the dot and the dash with a

0:58:38.640 --> 0:58:41.520
<v Speaker 1>zero and a one, or of course, and on an

0:58:41.560 --> 0:58:45.720
<v Speaker 1>off switch. In other words, binary code and your universal

0:58:45.760 --> 0:58:49.200
<v Speaker 1>library has become the same type of information storage system

0:58:49.280 --> 0:58:53.600
<v Speaker 1>that exists inside your computer. And this illuminates a principle

0:58:53.680 --> 0:58:56.560
<v Speaker 1>that Alan Turing and others observed about the binary computer.

0:58:57.320 --> 0:59:01.120
<v Speaker 1>It's universal. Like any information in our operation that can

0:59:01.160 --> 0:59:05.760
<v Speaker 1>be represented in code, which potentially is all information or operations,

0:59:05.800 --> 0:59:09.320
<v Speaker 1>depending on you know, your philosophical orientation to that question,

0:59:10.320 --> 0:59:15.800
<v Speaker 1>it can be represented by a universal binary machine. So,

0:59:15.920 --> 0:59:18.240
<v Speaker 1>on one hand, this seems to sort of violate the

0:59:18.280 --> 0:59:20.760
<v Speaker 1>allure of the library. Right in the library of Babel,

0:59:20.840 --> 0:59:24.520
<v Speaker 1>there are already in existence the precious books. They're already

0:59:24.560 --> 0:59:27.520
<v Speaker 1>out there, the books of ultimate potential, beauty and truth

0:59:27.960 --> 0:59:31.720
<v Speaker 1>physically exist, we just have to find them. But in

0:59:31.760 --> 0:59:36.240
<v Speaker 1>the binary universal library, we'd have to encode those books ourselves.

0:59:37.280 --> 0:59:40.280
<v Speaker 1>But maybe this disconnects sort of highlights and inherent irony

0:59:40.320 --> 0:59:43.960
<v Speaker 1>in the mathematics of the Library of Babel. Those books

0:59:44.080 --> 0:59:47.840
<v Speaker 1>exist in the Library of Babel, but for any individual librarian,

0:59:47.920 --> 0:59:51.680
<v Speaker 1>they will never ever be found. Would be, as we said,

0:59:51.720 --> 0:59:55.360
<v Speaker 1>extremely lucky to discover a book with one tin word

0:59:55.440 --> 0:59:59.200
<v Speaker 1>long sentence that makes sense. And so we're sort of

0:59:59.200 --> 1:00:02.160
<v Speaker 1>back to the monkeys with typewriters in the Library of Babel.

1:00:02.640 --> 1:00:05.600
<v Speaker 1>You're watching the monkeys type at random and hoping they

1:00:05.640 --> 1:00:08.320
<v Speaker 1>give you the complete works of Shakespeare. But they're never

1:00:08.360 --> 1:00:11.880
<v Speaker 1>going to do it. In coins to volume library, you

1:00:11.880 --> 1:00:15.320
<v Speaker 1>yourself are the monkey typing at random. It makes no

1:00:15.440 --> 1:00:18.840
<v Speaker 1>difference in terms of the knowledge discovered, just how it

1:00:18.960 --> 1:00:22.720
<v Speaker 1>feels to be a part of the discovery system. So

1:00:22.800 --> 1:00:25.680
<v Speaker 1>what you need is an interface on top of quients system,

1:00:26.000 --> 1:00:30.960
<v Speaker 1>such such as say a pink Kindle, instantly search out

1:00:31.000 --> 1:00:34.480
<v Speaker 1>the books you want, um from all the possible um

1:00:34.720 --> 1:00:37.480
<v Speaker 1>you know books out there in the library right now.

1:00:37.640 --> 1:00:39.520
<v Speaker 1>This is, of course a very different way than the

1:00:39.560 --> 1:00:42.240
<v Speaker 1>way we actually generate books in reality, which is, in

1:00:42.360 --> 1:00:46.840
<v Speaker 1>reality we use heuristic shortcuts of intelligence, human brain power,

1:00:47.000 --> 1:00:50.120
<v Speaker 1>creativity to try to limit the size of the total

1:00:50.200 --> 1:00:53.000
<v Speaker 1>number of possible books and only generate books that more

1:00:53.120 --> 1:00:56.960
<v Speaker 1>or less makes sense, at least hopefully in the author's mind. Yeah,

1:00:57.000 --> 1:01:01.120
<v Speaker 1>generally you're you're the author's only writing, you know, six

1:01:01.160 --> 1:01:04.680
<v Speaker 1>to eight versions of that book, right, But when when

1:01:04.720 --> 1:01:08.480
<v Speaker 1>limiting the noise like that, we are also limiting the signal,

1:01:09.160 --> 1:01:12.520
<v Speaker 1>So there's a given take. So by by cutting out

1:01:12.560 --> 1:01:15.520
<v Speaker 1>all of the nonsense books, we massively reduce our searching

1:01:15.600 --> 1:01:20.640
<v Speaker 1>for significance project, But we also eliminate possibly the most

1:01:20.680 --> 1:01:23.360
<v Speaker 1>precious books out there because we just didn't think to

1:01:23.480 --> 1:01:27.800
<v Speaker 1>create them. Yeah, we thought to create them, and that's

1:01:27.840 --> 1:01:32.320
<v Speaker 1>time right, right. Isn't that funny that the Library of

1:01:32.320 --> 1:01:36.080
<v Speaker 1>Babbel makes me feel even worse about about all of

1:01:36.120 --> 1:01:38.120
<v Speaker 1>the books I want to read and don't get around

1:01:38.120 --> 1:01:40.520
<v Speaker 1>to reading because we don't live in the Library of Babel.

1:01:40.600 --> 1:01:43.160
<v Speaker 1>We live in Uh, well, you could say we live

1:01:43.160 --> 1:01:44.960
<v Speaker 1>in a version of the Library of Babel that is

1:01:45.000 --> 1:01:47.920
<v Speaker 1>the universe, But in terms of the readable library of

1:01:47.920 --> 1:01:50.960
<v Speaker 1>books available to us, it's not the Library of Babel.

1:01:51.000 --> 1:01:53.200
<v Speaker 1>It's mostly books that just makes sense, and I still

1:01:53.360 --> 1:01:56.120
<v Speaker 1>don't get to all the books that I should be reading. Yeah,

1:01:56.240 --> 1:01:59.040
<v Speaker 1>not only does it contain all the books you should

1:01:59.040 --> 1:02:01.480
<v Speaker 1>be reading, all the books you want to read, it

1:02:01.520 --> 1:02:04.680
<v Speaker 1>contains all the books you could have written, all the

1:02:04.680 --> 1:02:07.400
<v Speaker 1>books you could write in your life, which is it's

1:02:07.480 --> 1:02:09.880
<v Speaker 1>kind of a very heartbreaking thing to think of as

1:02:09.880 --> 1:02:12.520
<v Speaker 1>a writer, Like when you didn't have time to write

1:02:12.560 --> 1:02:15.800
<v Speaker 1>last week, Well, that story that you would have written,

1:02:15.800 --> 1:02:19.600
<v Speaker 1>it's in that collection, somewhere somewhere lost in the the

1:02:19.600 --> 1:02:26.120
<v Speaker 1>the the seemingly infinite but ultimately finite honeycomb of books

1:02:26.160 --> 1:02:30.560
<v Speaker 1>set ablaze by a purifier. Another idea that this made

1:02:30.560 --> 1:02:34.440
<v Speaker 1>me think about is if a world contains all possible

1:02:34.520 --> 1:02:39.960
<v Speaker 1>combinations of code of information signaling code, so all possible information,

1:02:40.520 --> 1:02:43.840
<v Speaker 1>is it in fact no different than something that contains

1:02:44.080 --> 1:02:49.520
<v Speaker 1>no information whatsoever? Yeah? Yeah, it really does, doesn't it.

1:02:49.520 --> 1:02:53.040
<v Speaker 1>It's um, it's like saying that, ohever, I put all

1:02:53.120 --> 1:02:56.520
<v Speaker 1>possible colors into this paint. Can look at this wonderful

1:02:56.560 --> 1:02:58.960
<v Speaker 1>color I have. No, you just have black at this point,

1:02:59.000 --> 1:03:02.120
<v Speaker 1>you just have or I'm weird brown. Um. It's not

1:03:02.160 --> 1:03:04.840
<v Speaker 1>the same as saying that it actually encompasses all of

1:03:04.880 --> 1:03:08.720
<v Speaker 1>these uh, these these pure elements on a much smaller scale.

1:03:08.760 --> 1:03:11.120
<v Speaker 1>This makes me think back on you know, not too

1:03:11.120 --> 1:03:14.600
<v Speaker 1>long ago, I was watching, Oh it was something on YouTube.

1:03:14.640 --> 1:03:16.880
<v Speaker 1>It was like a c SPAN event from the early

1:03:16.880 --> 1:03:18.920
<v Speaker 1>two thousands or late nineties, I think, And it was

1:03:18.960 --> 1:03:23.440
<v Speaker 1>some journalists talking. I wish I could remember who, but

1:03:23.520 --> 1:03:26.320
<v Speaker 1>some journalists talking about the impact of the Internet on

1:03:26.400 --> 1:03:29.480
<v Speaker 1>the spread of information. And I remember hearing the sentiment that,

1:03:29.560 --> 1:03:31.320
<v Speaker 1>you know, they were saying, well, the Internet is great

1:03:31.360 --> 1:03:34.560
<v Speaker 1>because it opens up all these uh you know, new channel.

1:03:34.600 --> 1:03:37.480
<v Speaker 1>Anybody can start a blog and share their perspective and

1:03:37.520 --> 1:03:41.760
<v Speaker 1>stuff like that. And I think about the cacophony of

1:03:41.760 --> 1:03:45.840
<v Speaker 1>of information or should we call it information, the cacophony

1:03:45.920 --> 1:03:48.600
<v Speaker 1>of voices that we live in now. You know, I

1:03:48.640 --> 1:03:51.000
<v Speaker 1>can't say that I would prefer to live in a

1:03:51.040 --> 1:03:55.520
<v Speaker 1>world where where there were fewer people talking about things.

1:03:55.560 --> 1:03:58.720
<v Speaker 1>But at the same time, I can't say that I

1:03:58.760 --> 1:04:04.400
<v Speaker 1>feel really in pitched by the quantity of perspective and

1:04:04.440 --> 1:04:09.480
<v Speaker 1>opinion being shared on the Internet. You know, yeah, yeah,

1:04:09.480 --> 1:04:14.160
<v Speaker 1>I agree. Now here's a question for you. Uh, as

1:04:14.160 --> 1:04:17.439
<v Speaker 1>long as we're playing with the ideas that spiral out

1:04:17.720 --> 1:04:21.280
<v Speaker 1>endlessly from the Library of Babbel. Here, imagine a future

1:04:21.840 --> 1:04:24.520
<v Speaker 1>in which you know we have we all have virtual

1:04:24.560 --> 1:04:28.800
<v Speaker 1>worlds that we've built, and someone creates not only not

1:04:29.080 --> 1:04:32.040
<v Speaker 1>something far beyond our current online version of the Library

1:04:32.080 --> 1:04:37.000
<v Speaker 1>of Babbel. Imagine a functional virtual library of Babbel world.

1:04:37.120 --> 1:04:39.440
<v Speaker 1>You put on your headset, you climb into your tank,

1:04:39.640 --> 1:04:42.040
<v Speaker 1>turn on your you know, your drip, and then you're

1:04:42.080 --> 1:04:47.240
<v Speaker 1>in there, and the computer is actually creating each room

1:04:47.280 --> 1:04:49.800
<v Speaker 1>as you go, the nonsense books. So it would have

1:04:49.840 --> 1:04:53.280
<v Speaker 1>to be procedurally generated because the computer storage system could

1:04:53.320 --> 1:04:55.920
<v Speaker 1>not store the entire library, would have to create as

1:04:56.040 --> 1:04:58.040
<v Speaker 1>as you go, and and so. But as you go,

1:04:58.200 --> 1:05:03.800
<v Speaker 1>it is actually right, non existent books is writing um

1:05:04.040 --> 1:05:09.480
<v Speaker 1>different versions of books that already exist. It seems feasible.

1:05:09.920 --> 1:05:12.040
<v Speaker 1>And certainly when we start to start considering the end

1:05:12.040 --> 1:05:16.760
<v Speaker 1>of the possibility of of of AI writers AI artists,

1:05:17.240 --> 1:05:20.360
<v Speaker 1>could we reach a point where the Library of Babble

1:05:20.440 --> 1:05:23.200
<v Speaker 1>exists in in in in actually trying to come up

1:05:23.240 --> 1:05:27.680
<v Speaker 1>with new ideas for non existent books. Instead of dreaming

1:05:27.680 --> 1:05:31.200
<v Speaker 1>them up ourselves, we are actually questioning through the library

1:05:31.240 --> 1:05:35.560
<v Speaker 1>and forcing this randomized artificial intelligence to create them. No,

1:05:35.720 --> 1:05:38.840
<v Speaker 1>I think that would never work well because the library

1:05:38.880 --> 1:05:41.080
<v Speaker 1>is too vast. Like we've said, you would come across

1:05:41.120 --> 1:05:44.120
<v Speaker 1>just pure nonsense. You could wander through this virtual library

1:05:44.120 --> 1:05:47.640
<v Speaker 1>your whole life and find almost nothing but complete nonsense.

1:05:48.240 --> 1:05:50.760
<v Speaker 1>Maybe one day you'd find three words in a row

1:05:50.880 --> 1:05:54.520
<v Speaker 1>that made some kind of grammatical sense. Would that be

1:05:54.600 --> 1:05:57.600
<v Speaker 1>worth it? I feel like it might be worth it

1:05:57.760 --> 1:06:01.080
<v Speaker 1>to wander this library. If a library was made real

1:06:01.640 --> 1:06:04.960
<v Speaker 1>in a virtual setting. Can you imagine, like the the

1:06:05.000 --> 1:06:09.880
<v Speaker 1>excitement you would feel when you actually found something readable? Uh?

1:06:09.960 --> 1:06:14.040
<v Speaker 1>I can imagine actual plans of purifiers and other sex

1:06:14.080 --> 1:06:17.080
<v Speaker 1>that would be wandering. I don't know. I Well, so

1:06:17.160 --> 1:06:20.200
<v Speaker 1>here's one thing. Maybe we could uh massively narrow the

1:06:20.240 --> 1:06:23.240
<v Speaker 1>size of the library, still be astronomical and impossible, but

1:06:23.680 --> 1:06:26.720
<v Speaker 1>impossible to find something all that valuable. But what if

1:06:26.720 --> 1:06:29.200
<v Speaker 1>you limited it to words in a dictionary, So a

1:06:29.240 --> 1:06:32.640
<v Speaker 1>procedurally generated library of babbel that, instead of all possible

1:06:32.680 --> 1:06:36.400
<v Speaker 1>combinations of characters, was all possible combinations of words that

1:06:36.480 --> 1:06:41.000
<v Speaker 1>exist in a dictionary in your language. Yeah, I guess

1:06:41.000 --> 1:06:44.560
<v Speaker 1>that would narrow it somewhat, but it's still mostly be gibberish,

1:06:44.600 --> 1:06:48.000
<v Speaker 1>wouldn't it. Huh? I guess I can't help but think

1:06:48.000 --> 1:06:51.280
<v Speaker 1>of it, because I um, I recently read Ready Player

1:06:51.320 --> 1:06:53.080
<v Speaker 1>one or if you made with this book. I've heard

1:06:53.080 --> 1:06:54.919
<v Speaker 1>of it, but I haven't read it. It's pretty fun,

1:06:55.000 --> 1:06:57.880
<v Speaker 1>fun book about virtual worlds and recreations of things that

1:06:57.960 --> 1:07:01.080
<v Speaker 1>exist in pop culture. Library of Apple does not come up,

1:07:02.160 --> 1:07:05.160
<v Speaker 1>but I can't help but think about that, especially since

1:07:05.200 --> 1:07:07.320
<v Speaker 1>that book deals with the virtual world that contains easter

1:07:07.400 --> 1:07:09.800
<v Speaker 1>eggs that people are searching for, you know, these little

1:07:09.840 --> 1:07:12.200
<v Speaker 1>nuggets of meaning, and essentially they're trying to find a

1:07:12.920 --> 1:07:17.160
<v Speaker 1>uh a Crimson hexagon of a sort in that book.

1:07:17.760 --> 1:07:21.360
<v Speaker 1>So you know, I can't help but think about the

1:07:21.400 --> 1:07:24.720
<v Speaker 1>Library of Babel as an analogy to the search for

1:07:24.800 --> 1:07:29.680
<v Speaker 1>extraterrestrial intelligence. You know the vast scale of the universe

1:07:29.760 --> 1:07:33.200
<v Speaker 1>and are the only difference is that the Library of

1:07:33.200 --> 1:07:36.880
<v Speaker 1>Babel you can know how much there is and you

1:07:36.920 --> 1:07:38.960
<v Speaker 1>can sort of say, well, here are the types of

1:07:39.000 --> 1:07:41.960
<v Speaker 1>things we'd be looking for for books that makes sense.

1:07:43.000 --> 1:07:44.960
<v Speaker 1>But we're still looking for books that makes sense from

1:07:44.960 --> 1:07:48.400
<v Speaker 1>our perspective, right, based on our model of sensical books.

1:07:48.720 --> 1:07:51.760
<v Speaker 1>And maybe in reality we're no better than the purifiers

1:07:52.120 --> 1:07:56.640
<v Speaker 1>running around setting things alight because they don't just dismissing

1:07:56.720 --> 1:07:59.720
<v Speaker 1>things because they don't line up with our expectations of

1:07:59.840 --> 1:08:03.000
<v Speaker 1>or her. And since Robert, it is your kind of

1:08:03.080 --> 1:08:06.000
<v Speaker 1>lawlessness and anarchy that has led to the library being

1:08:06.040 --> 1:08:08.400
<v Speaker 1>the kind of place it is today. We need someone

1:08:08.440 --> 1:08:11.920
<v Speaker 1>with a strong hand to set the library right, a

1:08:11.960 --> 1:08:16.880
<v Speaker 1>new head librarian. Yes, m all right, well we could

1:08:17.080 --> 1:08:19.800
<v Speaker 1>obviously we could go on and on here doing a

1:08:20.200 --> 1:08:23.760
<v Speaker 1>various thought experiments about the Library of Babel. And I'm

1:08:23.760 --> 1:08:27.040
<v Speaker 1>sure you guys and gals can as well. Maybe there's

1:08:27.080 --> 1:08:28.800
<v Speaker 1>some spin on it that's come to your mind. Maybe

1:08:28.800 --> 1:08:30.960
<v Speaker 1>there's a cool spin on it that you've encountered in

1:08:31.040 --> 1:08:34.280
<v Speaker 1>other works. Uh. If so, we would love to hear

1:08:34.280 --> 1:08:37.360
<v Speaker 1>about it. We would love to have any number of discussions,

1:08:37.800 --> 1:08:41.599
<v Speaker 1>um dare I say almost infinite number of discussions about

1:08:41.640 --> 1:08:43.840
<v Speaker 1>the Library of Babble. You can get in touch with

1:08:43.840 --> 1:08:47.720
<v Speaker 1>this the usual places sofal media where stuff to blow

1:08:47.760 --> 1:08:49.599
<v Speaker 1>your mind or blow the mind on a number of

1:08:49.600 --> 1:08:52.160
<v Speaker 1>those stuff to blow your mind. Dot com is the mothership.

1:08:52.520 --> 1:08:55.200
<v Speaker 1>And then of course there is always email where you

1:08:55.240 --> 1:08:59.040
<v Speaker 1>can email your favorite selection from the Library of Babel

1:08:59.080 --> 1:09:01.559
<v Speaker 1>to us at Blow the Mind is how Stuff Works

1:09:01.600 --> 1:09:13.160
<v Speaker 1>dot com for more on this and thousands of other

1:09:13.200 --> 1:09:37.880
<v Speaker 1>topics is that how stuff works. Dot com