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Speaker 1: Look Mayer, Oh, I see you my own look over

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Speaker 1: there is that culture.

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Speaker 2: Yes, goodness loves cult ding dum lost cultustas calling.

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Speaker 1: Tell them what you're doing, tell them about what you're

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Speaker 1: in process on.

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Speaker 2: Right now, I am chopping up some shallatte garlic for

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Speaker 2: a make ahead sauce later.

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Speaker 1: Now, can I ask you a question?

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Speaker 2: Please? Is this an Alison Roman recipe? We have been enjoying, Yes,

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Speaker 2: tomato season with the end of tomato season with Alison Roman,

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Speaker 2: which is not your favorite food but one of your

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Speaker 2: favorite girls.

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Speaker 1: Oh no, let me say something. Tomato sauce, concentrated tomato flavor,

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Speaker 1: any concentrated tomato flavor. I'm into it's just tomatoes itself.

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Speaker 1: And do people agree with me out there in the community.

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Speaker 2: You don't like the wetness of tomato.

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Speaker 1: I think it is the texture that I don't like.

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Speaker 1: Is this a point of contention for us or do

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Speaker 1: you just fully embrace on it?

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Speaker 2: I embrace I us think that you have to love

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Speaker 2: the whole thing. It's not I.

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Speaker 1: Don't have to do anything, Okay, okay, okay.

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Speaker 2: I just I'm trying to manage a house here. We're

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Speaker 2: on fire island.

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Speaker 1: You kind of are the mom of the house.

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Speaker 2: It's okay.

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Speaker 1: I love to be that.

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Speaker 2: Yeah. And this this trip especially, I've I've been very

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Speaker 2: domestic and I've been very administrative. Not very, but I've

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Speaker 2: been like.

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Speaker 1: Hold on, hold on, we have someone's coming in taking

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Speaker 1: a break from his glute bridges. If you if you

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Speaker 1: think that we can't see, speak into the micro.

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Speaker 2: We're gonna get Jackson. Everybody.

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Speaker 1: We're here on the line recording live from the Fire

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Speaker 1: Island Bines.

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Speaker 2: This is live, This is live Air Jacks Wow, Live

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Speaker 2: from the Pines.

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Speaker 1: What thoughts on culture do you have outside of the

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Speaker 1: culture of glute bridges?

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Speaker 2: I was doing goop bridges because.

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Speaker 3: I haven't moved my body in six or seven days.

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Speaker 3: And what thoughts do I have on culture? Yes, fat

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Speaker 3: asses are important?

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Speaker 2: Yeah. Who is the fattest ass in media? Just kidding.

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Speaker 1: You don't have to say that.

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Speaker 3: No, we have to know this the fast Oh probably

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Speaker 3: mts Megan, the fat.

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Speaker 1: Megan v Stallion.

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Speaker 2: Yeah, yeah, yeah, yeah, that is body by God?

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Speaker 1: Wouldn't we say from Runner for the title of that

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Speaker 1: by God? I mean we are here in the pine,

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Speaker 1: so we're seeing lots of body by God. Yes, each

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Speaker 1: one to each one, one. Well, right now, we have

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Speaker 1: a gorgeous view. You sort of went over there so

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Speaker 1: we can see each other. But you don't know what.

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Speaker 2: I actually enjoyed the group all week.

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Speaker 1: Oh my god, wait, hold on, there's another special guest

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Speaker 1: coming in hot it's he wasn't doing Blue Bridges outside,

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Speaker 1: but it's Josh Ship.

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Speaker 4: Everybody I'm listening to the album is the sit by

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Speaker 4: the Strokes outside and bowen. You do not talk about

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Speaker 4: the Strokes enough.

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Speaker 2: I don't talk about the Strokes now, you.

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Speaker 4: And your listeners need to put respect on the Strokes.

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Speaker 4: It's anti man the way you behave.

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Speaker 2: I don't talk about is this it by the Strokes?

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Speaker 2: But I do talk about this? Is it by Michael Jackson?

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Speaker 2: Is who is the Strokes of his day?

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Speaker 5: To quote Charlene all is forgiven, Michael.

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Speaker 2: Forgiven that charlat quote Charlene car publicly has forgiven Michael Jackson.

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Speaker 1: Can we say this has been such a diet coke house?

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Speaker 4: Oh, it's it's six flags over pine, it's bright night.

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Speaker 1: Oh, they should make us six flags here.

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Speaker 2: That be good.

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Speaker 1: What rides, Well, let's not be too ambitious. We can't

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Speaker 1: have a big coaster on the Island.

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Speaker 2: I think I think one of them should be called.

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Speaker 1: Yeah, well, I just want to bring us back here

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Speaker 1: because it feels like it's.

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Speaker 2: Getting out of control. I think one of them should

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Speaker 2: be called the Daniel Nordikio Patti Lapone Rider Adventure. He

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Speaker 2: has to get he has to get all the items

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Speaker 2: from Patti Laopone's Rider.

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Speaker 1: That's amazing, you know. That's like actually the plot of

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Speaker 1: Princess Tati's by you dip. It's like, we have to

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Speaker 1: get a lot of the musicians to play a big show.

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Speaker 1: It's like, okay, cool, this is a theme park ride, right,

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Speaker 1: We're supposed to feel some danger.

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Speaker 2: Yeah.

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Speaker 4: Yeah, and you're a rotten kid and he Lette is

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Speaker 4: hunting you with a gun.

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Speaker 2: Oh my god, justice lethal. I really don't like this

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Speaker 2: one now that guns came into it. I'm sorry, We're sorry.

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Speaker 1: There certainly is what are you guys all packing up

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Speaker 1: to do?

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Speaker 2: Are you guys gonna go somewhere? Okay? In a diet

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Speaker 2: coke house? And Josh has been very sort of I

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Speaker 2: would say Italian in his way. He's wrapped meat and cheese.

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Speaker 1: Okay, good?

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Speaker 2: Is that Italian French?

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Speaker 1: You need a house mother to make sauce and you

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Speaker 1: need a house daddy to wrap up meats.

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Speaker 2: I'm going to okay, great, bye boys.

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Speaker 1: This has been an amazing snapchat.

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Speaker 2: Snapchat It's it's back.

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Speaker 1: Snapchat is back, and that's exactly what this is. This

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Speaker 1: episode is just a snapchat of what it's like to

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Speaker 1: live in the pines.

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Speaker 2: Can we do a terminology swap? Yeah, because podcasts doesn't

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Speaker 2: really it's not a great word.

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Speaker 1: Podcast is over? You think the as a word, of course.

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Speaker 2: We have to tie the word to the concept. The

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Speaker 2: concept of podcasts is eternal. Can I be honest with you,

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Speaker 2: what's a better name for a podcast? That's what I

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Speaker 2: was just gonna say. This is why I'm like, can

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Speaker 2: podcast now be called snapchats?

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Speaker 1: I think from now on? Yeah, I think that. The

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Speaker 1: fact is, if anyone was going to be able to

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Speaker 1: sort of swing their big, fat, thick, juicy podcast dicks,

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Speaker 1: make this a real thing, it's us.

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Speaker 2: It's us. Can we just say our dicks have never

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Speaker 2: been bigger? My dick has is not a drop of saline.

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Speaker 2: I'm huge.

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Speaker 1: I'm ready to swing it like Hank Aaron, who's that

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Speaker 1: famous baseball player.

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Speaker 2: Oh, let's try another one. I'm ready to swing it

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Speaker 2: like Barry Bonds. You know that, I don't.

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Speaker 1: You don't know Barry Bonds?

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Speaker 3: Who is that?

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Speaker 1: He is actually the all time home run leader and

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Speaker 1: he was a famous San Francisco Giant.

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Speaker 2: And do these men have huge dicks or big bats?

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Speaker 1: I mean they were just amazing hitters known for hitting

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Speaker 1: home runs. Which is the analogy that I'm making. What

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Speaker 1: about this one? I'll start a little bit easier, then

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Speaker 1: we'll get to the really good, easy one. Sammy Sosa.

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Speaker 2: I do know, Sammy Sosa, Baseball.

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Speaker 1: Had been very, very good to me.

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Speaker 2: You I was love bombed by an ex baseball player once.

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Speaker 1: Holy fucking shit, tell this entire story.

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Speaker 2: No it's not. I'm not telling this entire story.

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Speaker 1: You were loved buying by by a former baseball.

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Speaker 2: Player tame to the theory house.

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Speaker 1: Actually, oh, actually I remember him.

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Speaker 2: But he's a former college I think he was, like,

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Speaker 2: I forget what division he was a baseball baseball boy

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Speaker 2: while he was in the closet, and like, you go

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Speaker 2: back and look at his old baseball pictures and you're like, one.

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Speaker 1: Thing we share is we both saw each other's love

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Speaker 1: bombers coming from a mile away, but didn't see it ourselves.

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Speaker 2: What does that say about us? Blinded by love but

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Speaker 2: blinded by love? Title of that blinded by left But

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Speaker 2: I'm saying with the friendships like accountability. Check if this ever,

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Speaker 2: if we ever get love bombed again? Oh no, I'm

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Speaker 2: first of.

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Speaker 1: All, you know, I was on the front lines and

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Speaker 1: being like hey, uh no, no, I know, although he

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Speaker 1: did charm me like that for a second. For a second,

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Speaker 1: but this man took me by my arm and took

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Speaker 1: me for a turn about the room like I was Elizabeth.

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Speaker 2: Like you are Charlotte. Yeah, it was Elizabeth, and then

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Speaker 2: and then it's Charlotte. What's her face in the book? Anyway?

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Speaker 2: Is it that you really want to get to the sandwiches?

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Speaker 2: Or is it that you're just over over us and

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Speaker 2: I never will be. You know, before he said, we

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Speaker 2: will talk about JULIAU Dazzle, don't you were were chat.

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Speaker 1: About Julius Dazzle here can I And remember I've been

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Speaker 1: wanting content with Julius Dazzles.

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Speaker 2: So maybe this is where so Matt came a few

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Speaker 2: days after the rest of us. But we discovered this

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Speaker 2: bottle of rose and the fridge one of the most

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Speaker 2: gorgeous form factors in all of glass making, glass blowing history.

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Speaker 2: I can't believe everyone googled Julia's dazzle, Julia apostrophe s dazzle.

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Speaker 2: The word dazzle and you will come across the most.

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Speaker 2: There must be some golden ratio thing going on here.

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Speaker 2: It's just so pretty. You know, you know it's not

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Speaker 2: We're not It's not just us. I posted this to

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Speaker 2: stories Miss Ago King Wodeem herself. That is a gorgeous bottle.

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Speaker 1: I think, yes, it's really getting around. Can I say something?

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Speaker 1: And this is going to really hurt some people's feelings.

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Speaker 1: Lisa vanderbum could never any like.

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Speaker 2: We much love to Lisa, we love LVP No, but.

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Speaker 1: Like, there's something about this bottle of Julius Dazzle Rose

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Speaker 1: twenty twenty. We should say not a bad wine. This

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Speaker 1: is the part where you hold up the bottle of

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Speaker 1: wine and see you say great year. But here's the

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Speaker 1: thing about twenty twenty. I'm never holding anything up with

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Speaker 1: your twenty twenty on it and saying great year twenty

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Speaker 1: twenty can't happen.

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Speaker 2: This is the only good thing to come out of

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Speaker 2: that year.

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Speaker 1: It's a roller culture Number eight twenty twenty was.

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Speaker 2: Not a great a great year. No, ma, come in,

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Speaker 2: come in, come in.

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Speaker 1: Oh my gosh, I guess this would be your podcast debut.

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Speaker 2: Is this Whitaker's podcast debut?

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Speaker 1: Do you want to say hello to everybody?

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Speaker 2: I think the only other time I've a little bit

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Speaker 2: appeared on the podcast also coming back.

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Speaker 1: From beautiful And that's how you prefer it. You preferred

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Speaker 1: the space what.

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Speaker 5: Are you looking at?

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Speaker 2: What are you looking over there?

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Speaker 1: For the war.

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Speaker 2: When New York Times Wirecutter sent Grilling Challenge week four.

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Speaker 1: Well we're letting everyone know about Julia's dazzle, and we're

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Speaker 1: letting everyone know about the beauty of Julia' dazzle. And

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Speaker 1: we actually just said, this is a twenty twenty wine

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Speaker 1: and it may be the only good thing to come

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Speaker 1: out of twenty twenty, because you know how you're supposed

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Speaker 1: to hold up a wine bottle and say a great year.

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Speaker 2: So hard to do with twenty twenty, hard to do

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Speaker 2: and anyone hard to do with nineteen sixty eight? Oh

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Speaker 2: my god, say nothing of nineteen sixty nine.

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Speaker 5: Well, the moon.

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Speaker 2: Landing was was big. I guess that was a pretty

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Speaker 2: good year. Okay, Well, we love any of the nineteen Okay,

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Speaker 2: he'll be in and out. Is going to be in

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Speaker 2: and out? You know Whittaker is I mean he's in

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Speaker 2: the next room, but I would say he is, he's

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Speaker 2: one of the kings.

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Speaker 1: Well, you know, he actually made it onto my Instagram

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Speaker 1: story yesterday and people it was a little bit of

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Speaker 1: people to find.

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Speaker 2: People always get thrilled when they go who is that man?

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Speaker 2: And I say, don't even bother. Yeah, don't even bother.

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Speaker 2: He's wiped up. Honey, honey, well let's talk about the

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Speaker 2: big Wait. Can you give me a die Cooke? No,

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Speaker 2: there's there's die Cooks behind you.

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Speaker 1: Never mind, honey, there's Dicos behind you.

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Speaker 2: Don't worry, don't worry.

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Speaker 1: Yeah, thank you, though I know you would have done it.

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Speaker 2: So it's been a die Coke household. It's been a

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Speaker 2: spright household. Now I always say I'm good. I always

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Speaker 2: say that sprite what people think ginger ale does to

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Speaker 2: your stomach on planes or you know, on the ground,

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Speaker 2: they're actually thinking about sprite. It's the same thing that

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Speaker 2: when people are like, I love I want to read

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Speaker 2: a Joan Diddion book that I haven't read before I go, no,

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Speaker 2: you're actually thinking of an Eve Babbitt's book that you've

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Speaker 2: never read before or that you've already read. Open it.

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Speaker 2: Oh my god, not a better sound in the world.

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Speaker 1: The most satisfying thing I've ever heard. It's literally more

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Speaker 1: satisfying than when you're with a man and he goes,

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Speaker 1: I'm coming.

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Speaker 2: Yeah, I don't care for that. I don't care about that.

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Speaker 2: Or I don't care if you come. I don't care

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Speaker 2: if you can say it's really coose you number thirty.

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Speaker 2: I don't care if you come. But that's actually quite refreshing.

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Speaker 2: Decenter the orgasm. You always are saying this, Have we

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Speaker 2: not as sexual beings been on either side of the like, well,

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Speaker 2: it's okay, you know, like I don't need anything from anyone.

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Speaker 2: I don't need anything from anyone. I know one should

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Speaker 2: need anything from me except my positive vibes.

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Speaker 1: I wanted to ask you this, how many times have

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Speaker 1: you come in this house on this trip?

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Speaker 2: You can't. That's too personal, is it? Do you any answer?

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Speaker 1: Well, Bowen, let's think about this. Did I ask the question?

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Speaker 1: Do I ask questions that I don't want answers to?

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Speaker 1: Don't talk down to me.

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Speaker 2: I've come twice before I got here before you got here,

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Speaker 2: I was like, I have the room to myself. I

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Speaker 2: was thinking that, how many times have you have I

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Speaker 2: been away from the room or have you come in

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Speaker 2: another room?

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Speaker 1: Okay, I'd be honest, please, I went into the bathroom

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Speaker 1: this morning and I shot.

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Speaker 2: I came. You shot, you shot you?

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Speaker 1: You?

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Speaker 2: You. I almost had shot alone. It just felt too much.

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Speaker 1: Sorry, you guys know what happens to us when we

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Speaker 1: get into Fire Island.

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Speaker 2: We get a little bit loose, a little loose, and

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Speaker 2: before you levy accusations of us being dua and always

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Speaker 2: on vacation.

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Speaker 1: This is the last vacation.

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Speaker 2: This is the last vacation. But we've also had a lot,

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Speaker 2: We've had work, travel mm hmm, and it's been I

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Speaker 2: would say it's been a fruitful summer. We reflected on summer.

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Speaker 2: Is this that episode?

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Speaker 1: Well you're literally rolling your eyes with every single word.

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Speaker 2: But should we It's an important it's an important thing

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Speaker 2: that we should all do. We should all reflect on

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Speaker 2: this season.

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Speaker 1: Okay, let's reflect highs, lows, roses and thorns of the summer.

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Speaker 2: Rose Bouquet was Culture Awards and was being in Vancouver

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Speaker 2: for June. I really loved that experience. I was just

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Speaker 2: reconnecting with Andrew and roses as well, spending time with

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Speaker 2: my friends, spending time at home. I did not really

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Speaker 2: because of the strikes last year. It felt like it

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Speaker 2: just the summer wasn't really real. We were all just

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Speaker 2: so stressed and the vibe was just bad. It was

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Speaker 2: very stressful, but it just like went by, Like I

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Speaker 2: did not feel a sense of like relief or like respit.

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Speaker 2: You know, the strikes were happening and like we're all

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Speaker 2: just sitting at home. It did not feel good, But

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Speaker 2: this year felt nice. What about you, thorn, I'll get

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Speaker 2: to my I'll get to you later.

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Speaker 1: I'm gonna say my roses are so plentiful.

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Speaker 2: I would say my rose.

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Speaker 1: Oh good. We're doing roses and thorns of summer. So

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Speaker 1: think about at that right well, right now I'm going wait,

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Speaker 1: let me come on.

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Speaker 5: The track Matt as Hell.

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Speaker 4: Now that I've finished the album is the sit by

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Speaker 4: the Strokes, I want to say, it's the original, short

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Speaker 4: and sweet.

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Speaker 1: Don't worry, we'll get to get to your.

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Speaker 4: Army of quite frankly, millennial gay men need to understand this,

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Speaker 4: and you need to have Julian Casablancas on the pod yeah,

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Speaker 4: anti man.

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Speaker 1: The way he said, quite frankly, millennial game man like.

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Speaker 1: It was like like truly like a way to like

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Speaker 1: drag us the way he said.

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Speaker 2: Julian cosa Blanc has also made me feel like he

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Speaker 2: likes him more than us.

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Speaker 1: How many times have you come in this house this week?

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Speaker 2: We've been asking people quest keep them on. He and

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Speaker 2: Aaron have been sharing about the entire time. One one okay, okay,

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Speaker 2: one one yeah, oh my god, One in the bathroom, yeah,

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Speaker 2: one in the bathroom, two in the pink. Wait.

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Speaker 1: So should I say my rose? I think my roses

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Speaker 1: of summer. Honestly, we're on that same trip seeing Taylor

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Speaker 1: and also specifically swimming in the in Sicily was such

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Speaker 1: a rose, even though I famously got stung by a

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Speaker 1: jellyfish there, which I'll just transition into my rose, I

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Speaker 1: mean my thorn. I think my thorn was pretty much

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Speaker 1: everything that happened that day after I got stung by

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Speaker 1: the jellyfish.

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Speaker 3: That was.

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Speaker 2: That was a rough day.

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Speaker 1: It was not emotionally, physically, spiritually. I'm sure financially.

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Speaker 2: You got to swim in the i Onion sea, which

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Speaker 2: is magical, But then the clown came back to bite.

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Speaker 2: The clown came because you did clownery, but you didn't

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Speaker 2: do clownery.

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Speaker 1: I actually was doing no clownery, and I had the

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Speaker 1: people were.

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00:14:32,680 --> 00:14:36,080
Speaker 2: Doing clownery and then but sometimes when other people do clownery,

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Speaker 2: the clown bites you for some reason.

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Speaker 1: I know, I know.

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Speaker 2: That's what I don't like about the clownery.

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Speaker 1: Oh, trust me, There's been so many times in my

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Speaker 1: life where I was doing no clownery, nothing of the sort,

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Speaker 1: and the clown just came out of nowhere bit me

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Speaker 1: and then got away with it. Okay, I'm sorry, I

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Speaker 1: gotta float away from this.

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Speaker 2: Goto away.

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Speaker 1: Do you have any roses and thorns of summer that

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00:14:54,400 --> 00:14:57,440
Speaker 1: you want to share? It's Josh Sharp, everybody, Josh Sharp.

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Speaker 5: Oh my god, roses and thorns.

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Speaker 2: Sweek has been Speak is all road. This has been

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Speaker 2: a fabulous guy.

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Speaker 5: Gabe, Julia's dazzling. What's my rose?

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Speaker 2: Actually?

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00:15:08,840 --> 00:15:10,480
Speaker 5: Grandma Avenue King Sannia was one of my.

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00:15:10,480 --> 00:15:13,480
Speaker 2: Roses Josh Josh Events of the.

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Speaker 1: Season Graham Avenue King Josh.

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Speaker 4: A couple of weeks ago, I was my fifteen year

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Speaker 4: anniversary of moving to New York City and I've only

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Speaker 4: lived off the same subway stop.

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00:15:24,800 --> 00:15:27,080
Speaker 5: We have to have a grandma New King Sania. So

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00:15:27,120 --> 00:15:27,840
Speaker 5: we bopped around a.

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00:15:27,840 --> 00:15:29,920
Speaker 2: Bunch of spots and then can you televraton what the

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00:15:29,960 --> 00:15:31,000
Speaker 2: game was like? Everyone?

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00:15:31,120 --> 00:15:34,920
Speaker 5: Everyone who just signed Famous Williamsburg Celebrities.

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Speaker 2: And they had they had to wear their headshot and

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Speaker 2: their description that Josh have written for them on their.

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Speaker 1: The famous celebrities.

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Speaker 5: That way, people like.

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Speaker 1: Famous Williamsburg Celebrities, Military.

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00:15:44,280 --> 00:15:50,080
Speaker 2: She was born there, Joy Bahar A lot of her work, you, Julio, Julio.

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Speaker 5: A lot of mob people.

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Speaker 2: I found a lot of mob people. I think like

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Speaker 2: some some painter. I was a painter. I was someone

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Speaker 2: that was a rose.

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00:15:59,560 --> 00:16:01,040
Speaker 5: I don't have a thorn off at the top of

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Speaker 5: my head.

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00:16:01,480 --> 00:16:05,440
Speaker 2: Yeah that's good. You've had a nice summer. Yeah, okay, good.

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00:16:05,720 --> 00:16:08,400
Speaker 1: I'm happy that you had no thorns that one.

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00:16:08,440 --> 00:16:09,760
Speaker 5: But I don't have it right now. I don't live

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Speaker 5: in thorns.

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Speaker 1: Okay, yeah, you do live.

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Speaker 2: In the light.

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Speaker 5: I live in the light of Christ. I'm about a.

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00:16:19,760 --> 00:16:29,560
Speaker 1: Okay, all right, I won't do it. Should we get

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Speaker 1: into short.

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00:16:30,480 --> 00:16:33,280
Speaker 2: And sweet Josh sharp transition is to short and sweetest

390
00:16:33,280 --> 00:16:34,600
Speaker 2: so remarkable, really major.

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Speaker 1: I don't know what this was Josh. I mean, he

392
00:16:37,720 --> 00:16:39,720
Speaker 1: was out there listening to the Strokes, and then he

393
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Speaker 1: said it was the original.

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00:16:41,520 --> 00:16:44,840
Speaker 2: We've had sort of a hetero sexual cis male energy

395
00:16:44,880 --> 00:16:47,440
Speaker 2: as well, because before you got here, it was the

396
00:16:47,440 --> 00:16:49,760
Speaker 2: thirtieth anniversary of Graced by Jeff Buckley, and we listened

397
00:16:49,800 --> 00:16:53,120
Speaker 2: to that the whole way through. Actually delightful. Pool side

398
00:16:53,240 --> 00:16:54,520
Speaker 2: shut up.

399
00:16:54,680 --> 00:16:55,760
Speaker 1: No, I'm not going to shut up.

400
00:16:55,880 --> 00:16:59,880
Speaker 2: Fuck you. You let me be a straight guy for once. Okay,

401
00:16:59,880 --> 00:17:01,200
Speaker 2: I'll love to see you try.

402
00:17:01,440 --> 00:17:01,880
Speaker 1: Go ahead.

403
00:17:02,360 --> 00:17:04,960
Speaker 2: No, I'm not saying more. Not an affect, justin. And

404
00:17:05,000 --> 00:17:07,000
Speaker 2: then we watched twenty minutes of Connor and Maley content.

405
00:17:07,040 --> 00:17:09,399
Speaker 2: Today we watched his new short film Corey's which you

406
00:17:09,400 --> 00:17:12,520
Speaker 2: should what you should all checkout is insane, starring friend

407
00:17:12,720 --> 00:17:17,080
Speaker 2: of the Pod Don Lee. Put some they only put

408
00:17:17,119 --> 00:17:20,160
Speaker 2: some respect, put some respect on Annie Donnelly's name. Immediately.

409
00:17:20,520 --> 00:17:24,440
Speaker 2: Did she win culture? Pat Reagan won culture in that way,

410
00:17:24,480 --> 00:17:28,120
Speaker 2: but she spiritually want spiritually, she's spiritually you were if.

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00:17:28,000 --> 00:17:30,960
Speaker 1: You were at if you were at cult War years ago, you.

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00:17:30,920 --> 00:17:33,800
Speaker 2: Are a winner. If you were at culture at Villain,

413
00:17:34,720 --> 00:17:37,879
Speaker 2: I want to say, like twenty seventeen, twenty eighteen, it

414
00:17:37,960 --> 00:17:41,359
Speaker 2: had to be twenty eighteen. Yeah, something like that. Reach

415
00:17:41,440 --> 00:17:44,000
Speaker 2: out and you will win a special prize because us

416
00:17:44,000 --> 00:17:45,040
Speaker 2: telling you that we love you.

417
00:17:45,359 --> 00:17:48,040
Speaker 1: If you were at Villain and you reach out to

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00:17:48,119 --> 00:17:49,840
Speaker 1: us and you let us know, we will list your

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00:17:49,960 --> 00:17:52,760
Speaker 1: name at the end credits of next episode.

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00:17:53,080 --> 00:17:56,520
Speaker 2: We will visually list your name. In the next episode.

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00:17:56,640 --> 00:17:58,560
Speaker 2: We will read the names. We will read the names.

422
00:17:58,560 --> 00:18:00,440
Speaker 2: We're in dispute and what's going happen.

423
00:18:01,280 --> 00:18:04,160
Speaker 1: Let's talk about the album of the year. We really

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00:18:04,200 --> 00:18:06,119
Speaker 1: are ultimately such gay guys, because you know what, I

425
00:18:06,160 --> 00:18:08,720
Speaker 1: realized this is going to be the I think fifth

426
00:18:08,840 --> 00:18:11,720
Speaker 1: time I get on this podcast and you're no better,

427
00:18:12,040 --> 00:18:14,320
Speaker 1: no and basically say this is the album of the year,

428
00:18:14,920 --> 00:18:15,919
Speaker 1: genuinely believe.

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00:18:17,240 --> 00:18:18,920
Speaker 2: Well, so far, what have we said this about. We

430
00:18:18,960 --> 00:18:25,080
Speaker 2: said this about Sunshine now Boy Carter Billy. Sure, at

431
00:18:25,080 --> 00:18:26,760
Speaker 2: some point we said it about Chapel Roon. In fact,

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00:18:26,800 --> 00:18:28,159
Speaker 2: we called it the album of the year. Yes, she

433
00:18:28,240 --> 00:18:30,160
Speaker 2: want album of the year. Two years now we're saying

434
00:18:30,200 --> 00:18:32,040
Speaker 2: it again. So five. But there was one before that.

435
00:18:32,080 --> 00:18:32,840
Speaker 2: I want to say.

436
00:18:32,960 --> 00:18:34,959
Speaker 1: We never said Torture Poets was the album of the year.

437
00:18:35,040 --> 00:18:36,479
Speaker 1: I just said we love Torture Poets.

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00:18:37,000 --> 00:18:41,520
Speaker 2: But then Brat of course oh Jesuspratt and then do

439
00:18:41,600 --> 00:18:43,440
Speaker 2: what we said it was it was up there. Yes,

440
00:18:43,880 --> 00:18:48,560
Speaker 2: And I think Short and Sweet is, pound for pound

441
00:18:49,200 --> 00:18:52,639
Speaker 2: my favorite album. It is so good.

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00:18:53,160 --> 00:18:55,120
Speaker 1: It is so good, and I know that no one

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Speaker 1: can argue from the first seconds to the last seconds.

444
00:19:00,119 --> 00:19:05,919
Speaker 1: Ran new clever, funny point of view, underrated vocalist.

445
00:19:06,119 --> 00:19:09,280
Speaker 2: Oh yeah, try and do one of these riffs. I'm

446
00:19:09,320 --> 00:19:11,600
Speaker 2: with it the whole time. I'm never bored on this album,

447
00:19:11,720 --> 00:19:13,679
Speaker 2: not a second. Not that I was born on the others,

448
00:19:13,720 --> 00:19:18,560
Speaker 2: but there's just something so she really lightly tugs at

449
00:19:18,560 --> 00:19:22,240
Speaker 2: your attention for the thirty six minutes Short and Sweet. Yeah,

450
00:19:22,400 --> 00:19:24,840
Speaker 2: just and we're saying like thematically obviously too, Like the

451
00:19:24,880 --> 00:19:28,719
Speaker 2: title is it touches on this general threat of like

452
00:19:29,280 --> 00:19:31,879
Speaker 2: a short, ephemeral relationship that sticks with you.

453
00:19:32,240 --> 00:19:34,879
Speaker 1: Yeah, she said, like it's about how the short relationships

454
00:19:34,880 --> 00:19:37,040
Speaker 1: are ultimately the ones that fuck you up the hardest,

455
00:19:37,520 --> 00:19:41,520
Speaker 1: which don't we know you can confirm honestly, Like, yeah,

456
00:19:41,560 --> 00:19:43,280
Speaker 1: and I think that I thought it was just like

457
00:19:43,320 --> 00:19:46,119
Speaker 1: a cute little title based on her own stature, her

458
00:19:46,160 --> 00:19:50,200
Speaker 1: own very exact, very very mindful.

459
00:19:49,840 --> 00:19:51,160
Speaker 2: Very considerate thatture.

460
00:19:52,160 --> 00:19:54,560
Speaker 1: Check that out on TikTok if you open TikTok, you're

461
00:19:54,560 --> 00:19:57,560
Speaker 1: gonna get a very demure result if you know, you know,

462
00:19:59,359 --> 00:20:01,520
Speaker 1: but yeah no, and then to hear about that. It's

463
00:20:01,520 --> 00:20:04,040
Speaker 1: about like the brevity of relationships and how frustrating that

464
00:20:04,080 --> 00:20:08,040
Speaker 1: can be when you allow yourself to really commit to

465
00:20:08,200 --> 00:20:11,160
Speaker 1: that emotionally. I absolutely loved it. What's your top track?

466
00:20:11,720 --> 00:20:14,160
Speaker 1: I And it's okay to say the basic thing.

467
00:20:14,240 --> 00:20:18,360
Speaker 2: I think. I'm not even worried about that what I've

468
00:20:18,359 --> 00:20:20,720
Speaker 2: been doing lately, and I'm keeping mind this album has

469
00:20:20,760 --> 00:20:23,080
Speaker 2: only been out for four days as of this recording,

470
00:20:23,119 --> 00:20:25,320
Speaker 2: but wow, it feels that feels crazy. It feels like

471
00:20:25,359 --> 00:20:27,600
Speaker 2: it's been with us eternally. Matt Whitker said this, But

472
00:20:28,280 --> 00:20:31,320
Speaker 2: I have been doing the thing of keeping the album

473
00:20:31,320 --> 00:20:34,199
Speaker 2: on repeat, of course, but doing Don't Smile into Taste,

474
00:20:34,880 --> 00:20:38,359
Speaker 2: I see, because Don't Smile is actually phenomenal. Closer I

475
00:20:38,400 --> 00:20:41,280
Speaker 2: love it. Just go and just let's just listen to

476
00:20:41,320 --> 00:20:42,960
Speaker 2: that song. It's just a perfect.

477
00:20:42,680 --> 00:20:45,320
Speaker 1: It's literally a perfect throwback to We were saying the

478
00:20:45,359 --> 00:20:48,200
Speaker 1: other day that Taste was giving a little bit of

479
00:20:48,240 --> 00:20:50,880
Speaker 1: Shania Twain and I mentioned in the vinyls I touched

480
00:20:50,880 --> 00:20:52,840
Speaker 1: myself and I guess when you told me this. Yeah,

481
00:20:52,880 --> 00:20:54,520
Speaker 1: shout out to Tellio Crane. So I was having a

482
00:20:54,560 --> 00:20:57,439
Speaker 1: conversation I taught about and she pointed that out. I

483
00:20:57,440 --> 00:20:58,640
Speaker 1: was like, oh my god, that is it.

484
00:20:59,680 --> 00:21:01,920
Speaker 2: But think about you just did y.

485
00:21:03,040 --> 00:21:05,879
Speaker 1: Yeah, yeah, it's it's living in the same world, not

486
00:21:05,960 --> 00:21:08,280
Speaker 1: just not to So when you do that sometimes I

487
00:21:08,280 --> 00:21:09,320
Speaker 1: feel like it's a little bit.

488
00:21:09,240 --> 00:21:11,160
Speaker 2: Of a levy of aron, not a read.

489
00:21:11,720 --> 00:21:13,800
Speaker 1: I'm not saying you're reading, but I'm just saying.

490
00:21:13,840 --> 00:21:17,640
Speaker 2: It's just that, like pop songwriting like tends to like, yeah,

491
00:21:17,720 --> 00:21:19,440
Speaker 2: sure overlap with other pop songs.

492
00:21:19,480 --> 00:21:21,480
Speaker 1: Yeah, and I think it's great. What I'm saying is

493
00:21:21,520 --> 00:21:23,879
Speaker 1: the Di Vinyl should sue this woman. I'm like, based

494
00:21:23,880 --> 00:21:25,560
Speaker 1: on what bowhen Yang just did. And I'm just kidding,

495
00:21:26,040 --> 00:21:30,080
Speaker 1: but yeah, no taste is insane. It is an insane song.

496
00:21:30,080 --> 00:21:32,720
Speaker 1: And what I was saying is it's a perfect throwback

497
00:21:32,760 --> 00:21:34,800
Speaker 1: pretty much song to song of the.

498
00:21:34,800 --> 00:21:37,440
Speaker 2: Late nineties for me, Like, it's giving you a little

499
00:21:37,440 --> 00:21:38,320
Speaker 2: bit of late nineties shni.

500
00:21:38,440 --> 00:21:41,680
Speaker 1: It's certainly giving you like specifically, yeah, it's also giving

501
00:21:41,680 --> 00:21:43,560
Speaker 1: you like throwback to like a country moment.

502
00:21:44,080 --> 00:21:47,800
Speaker 2: I was saying, remarkably coincidence is a Ladies of the

503
00:21:47,840 --> 00:21:56,840
Speaker 2: Canyon hang Joni Mitchell classic sounding Yeah tagged in said

504
00:21:56,840 --> 00:21:59,080
Speaker 2: coincidence is his favorite that doesn't surprise me at all.

505
00:22:00,880 --> 00:22:02,520
Speaker 5: Beautiful yeah, la la.

506
00:22:02,840 --> 00:22:05,480
Speaker 1: And about Sean and Kamila, which is one of your

507
00:22:05,560 --> 00:22:11,720
Speaker 1: top issues. Well, mate, he actually is running, and he's

508
00:22:11,800 --> 00:22:14,359
Speaker 1: running on getting Sean and Camila back together for once

509
00:22:14,400 --> 00:22:18,880
Speaker 1: and for all.

510
00:22:20,520 --> 00:22:26,879
Speaker 2: Really good God, testes, damn Well, I think there's not

511
00:22:26,960 --> 00:22:29,560
Speaker 2: much else to say, is there? What I'm kidding?

512
00:22:29,840 --> 00:22:31,080
Speaker 1: This is a podcast about pop.

513
00:22:31,119 --> 00:22:33,399
Speaker 2: I'm trying to transition out of our little guest drop in.

514
00:22:33,720 --> 00:22:35,280
Speaker 1: Okay, nothing more to say from him?

515
00:22:35,760 --> 00:22:35,960
Speaker 5: Well?

516
00:22:36,080 --> 00:22:39,400
Speaker 1: Yeah, so I love taste absolutely think please please please

517
00:22:39,440 --> 00:22:42,800
Speaker 1: an espresso sing on the album they sound great, and

518
00:22:42,840 --> 00:22:46,960
Speaker 1: I think my favorite song is Sharpest Tool. Yeah that

519
00:22:47,440 --> 00:22:50,280
Speaker 1: tracks now, come on, Josh, you can always contribute.

520
00:22:50,480 --> 00:22:55,399
Speaker 4: I would say ultimately Someday is a banger last night.

521
00:22:55,440 --> 00:22:57,400
Speaker 4: I know it was the single, but it still holds up.

522
00:22:57,520 --> 00:23:01,960
Speaker 5: You are a big Julian does.

523
00:23:01,800 --> 00:23:04,880
Speaker 4: With his vocal stylings on the original short of suite

524
00:23:05,000 --> 00:23:06,240
Speaker 4: is this you know what's crazy?

525
00:23:06,400 --> 00:23:10,320
Speaker 2: Created? Which songs are about Shawn Mendes and which ones

526
00:23:10,320 --> 00:23:14,800
Speaker 2: are about Sean and oh god, oh god, barely legal

527
00:23:15,040 --> 00:23:15,600
Speaker 2: It's crazy.

528
00:23:15,640 --> 00:23:17,960
Speaker 1: The sort of sexual power of that Shawn Mendes has

529
00:23:18,000 --> 00:23:19,080
Speaker 1: over these women.

530
00:23:19,600 --> 00:23:21,359
Speaker 2: Ironic in a way.

531
00:23:23,960 --> 00:23:27,040
Speaker 1: No, well, okay, so so Shawn Mendes also has a

532
00:23:27,440 --> 00:23:30,320
Speaker 1: new song, a new album out, and I was watching

533
00:23:30,359 --> 00:23:33,359
Speaker 1: the video and it actively made me mad. And it's

534
00:23:33,600 --> 00:23:36,680
Speaker 1: about being shirtless and playing his guitar in the woods

535
00:23:36,680 --> 00:23:40,000
Speaker 1: and being like, and I'm just like, God, you really

536
00:23:40,080 --> 00:23:43,040
Speaker 1: are just like I don't know, I don't trust him.

537
00:23:43,080 --> 00:23:45,199
Speaker 2: You can move to the woods and be shirtless and

538
00:23:45,200 --> 00:23:48,000
Speaker 2: play the guitar and put on an album. The thing

539
00:23:48,040 --> 00:23:49,840
Speaker 2: that pushes it over the edge for me is like,

540
00:23:50,400 --> 00:23:52,680
Speaker 2: and this is not saying that like religion is bad,

541
00:23:52,760 --> 00:23:55,520
Speaker 2: it's just that, like you can't find God, it's too

542
00:23:55,600 --> 00:23:57,480
Speaker 2: much going on at once. You gotta give it to

543
00:23:57,600 --> 00:24:00,639
Speaker 2: us in little pieces. You do the Christianity album later.

544
00:24:01,280 --> 00:24:02,040
Speaker 2: Here's what I'd say.

545
00:24:02,920 --> 00:24:04,919
Speaker 1: I agree with you one hundred percent, Sean.

546
00:24:05,400 --> 00:24:09,080
Speaker 2: Leave these girls alone, Like, just leave these girls alone.

547
00:24:09,240 --> 00:24:14,400
Speaker 2: Like if just please, hey men, leave people alone. If

548
00:24:14,400 --> 00:24:17,080
Speaker 2: you know you're a fucking loser, just leave them alone,

549
00:24:17,440 --> 00:24:19,160
Speaker 2: Like if you know you're gonna bail on them later,

550
00:24:19,840 --> 00:24:22,400
Speaker 2: like if you know you're gonna be too sensitive.

551
00:24:22,000 --> 00:24:24,720
Speaker 1: For a life later, just leave people alone. Just go

552
00:24:24,840 --> 00:24:28,080
Speaker 1: be annoying yourself. Go to the woods yourself without the cameras.

553
00:24:28,560 --> 00:24:29,639
Speaker 1: I don't know he annoys me.

554
00:24:29,720 --> 00:24:33,720
Speaker 2: Man, you said something that really resonated with me the

555
00:24:33,720 --> 00:24:36,760
Speaker 2: other day. You're like, I'm finding my husband. I'm finding

556
00:24:36,800 --> 00:24:39,399
Speaker 2: my I think I'm in husband mode too. Now officially

557
00:24:39,480 --> 00:24:42,600
Speaker 2: I'm in husband. I'm not literally no longer fucking around.

558
00:24:42,640 --> 00:24:44,880
Speaker 1: Well, because if it's not your husband, then it's sixteen

559
00:24:44,920 --> 00:24:47,600
Speaker 1: million Shawn Mendes is which who are who are like

560
00:24:47,880 --> 00:24:50,040
Speaker 1: giving you the fuck boy energy? Bring the cameras out

561
00:24:50,040 --> 00:24:52,159
Speaker 1: to the woods to film me shirtless playing guitar, and

562
00:24:52,200 --> 00:24:54,119
Speaker 1: then oh no, I have to totally bail on you.

563
00:24:54,200 --> 00:24:57,600
Speaker 1: It's like, guys, get it fucking together. I'm not saying

564
00:24:57,640 --> 00:24:59,600
Speaker 1: that like I don't have empathy for people, but I'm

565
00:24:59,640 --> 00:25:02,919
Speaker 1: just saying, stop stringing these girls along, Stop stringing these

566
00:25:02,920 --> 00:25:06,119
Speaker 1: people along with you just want attention, governor, you're asking

567
00:25:06,160 --> 00:25:09,600
Speaker 1: your emotion. You know who you are. Just relax stop

568
00:25:09,680 --> 00:25:13,280
Speaker 1: with the tension seeking period, is what I'm saying. Kajin

569
00:25:14,320 --> 00:25:15,240
Speaker 1: on Fire Island.

570
00:25:15,119 --> 00:25:17,960
Speaker 2: Cracked, No, I think maybe it's a mix of both.

571
00:25:18,200 --> 00:25:20,400
Speaker 2: Matt Rogers does what I was.

572
00:25:20,359 --> 00:25:21,959
Speaker 1: Just gonna say, you know who made me think about this,

573
00:25:22,000 --> 00:25:27,320
Speaker 1: ben Affleck, leave her alone, Leave her alone. I can't

574
00:25:27,359 --> 00:25:27,960
Speaker 1: stand him.

575
00:25:28,080 --> 00:25:31,280
Speaker 2: I know, I know, poor Jen. So all she did

576
00:25:31,440 --> 00:25:34,520
Speaker 2: was like be on a movie about this show.

577
00:25:34,720 --> 00:25:38,040
Speaker 1: Listen to me. She is a lunatic, but guess not

578
00:25:38,240 --> 00:25:41,320
Speaker 1: harmful to society. No, she's a lunatic who is obsessed

579
00:25:41,320 --> 00:25:43,880
Speaker 1: with love and a love addict and a romance addict

580
00:25:43,920 --> 00:25:46,400
Speaker 1: and like you know, all those different things. And he

581
00:25:46,480 --> 00:25:48,800
Speaker 1: just keeps coming back because he can't get his shit together.

582
00:25:49,280 --> 00:25:51,280
Speaker 1: And Shawn mends, if you're not careful, that's gonna be

583
00:25:51,320 --> 00:25:54,359
Speaker 1: you in twenty years. I'm just saying, is that a

584
00:25:54,400 --> 00:25:55,560
Speaker 1: read on Ben Affleck's age.

585
00:25:55,600 --> 00:25:57,879
Speaker 2: It's just these guys who like can't help but string

586
00:25:57,920 --> 00:26:03,800
Speaker 2: these girls along, these these emotional artistic girls who buy

587
00:26:03,920 --> 00:26:06,159
Speaker 2: into it and believe it when people come to them

588
00:26:06,200 --> 00:26:08,080
Speaker 2: and say I'm giving you everything, and then they take

589
00:26:08,119 --> 00:26:11,240
Speaker 2: it all away. These guys are jerks and they're gay too,

590
00:26:11,280 --> 00:26:14,639
Speaker 2: and they're running around here and you know them. You

591
00:26:14,760 --> 00:26:16,720
Speaker 2: might be them.

592
00:26:17,240 --> 00:26:19,360
Speaker 1: Turn it off, Turn it off if this is you,

593
00:26:19,400 --> 00:26:21,800
Speaker 1: Turn this off, if you're this guy turning this podcast

594
00:26:21,800 --> 00:26:24,000
Speaker 1: off right now? This is for water signs.

595
00:26:24,640 --> 00:26:26,679
Speaker 2: I think there's some water signing fuck boys let.

596
00:26:26,520 --> 00:26:28,080
Speaker 1: Me look at let me look up their signs.

597
00:26:28,560 --> 00:26:31,640
Speaker 2: Ben Affleck Astrological. I'm sorry, Sabrina.

598
00:26:31,640 --> 00:26:33,520
Speaker 1: This was supposed to be about you today, but what

599
00:26:33,920 --> 00:26:36,119
Speaker 1: happened was you got fucked up by Shawn Mendes And

600
00:26:36,160 --> 00:26:38,080
Speaker 1: now we're talking about this type of guy you think

601
00:26:38,119 --> 00:26:38,439
Speaker 1: about that.

602
00:26:38,560 --> 00:26:40,199
Speaker 2: We need to bring Tenny Nicholas on the podcast.

603
00:26:40,760 --> 00:26:44,960
Speaker 1: He's a Leo. Ben Affleck, color me on surprised. Oh

604
00:26:45,000 --> 00:26:51,720
Speaker 1: my god, now what a Shawn Mendozo both Leo's. This

605
00:26:51,840 --> 00:26:53,520
Speaker 1: is so fucking funny.

606
00:26:53,680 --> 00:26:55,680
Speaker 2: This is crazy. How do you feel it? We're in

607
00:26:55,760 --> 00:26:57,679
Speaker 2: Virgo season now? How do you feel about Vigo season?

608
00:26:57,760 --> 00:26:59,560
Speaker 1: What I feel about Virgo season is I'm gonna say

609
00:26:59,560 --> 00:27:01,199
Speaker 1: my famous line, and I'm supposed to marry one of you.

610
00:27:01,240 --> 00:27:03,400
Speaker 1: And let me tell you something. You I know Virgos

611
00:27:03,440 --> 00:27:05,560
Speaker 1: love to be right. If you have an instinct about me,

612
00:27:05,760 --> 00:27:07,239
Speaker 1: you are right. Come get it.

613
00:27:07,359 --> 00:27:10,680
Speaker 2: I'm ready. Wow. So this is really good. This is

614
00:27:10,720 --> 00:27:12,720
Speaker 2: a really good way to draw them in. It's for

615
00:27:12,760 --> 00:27:15,080
Speaker 2: you to be like you want to be yourself, your

616
00:27:15,160 --> 00:27:19,000
Speaker 2: Virgo self. Come find me so you can be type

617
00:27:19,000 --> 00:27:20,800
Speaker 2: A about my ass. Listen to me.

618
00:27:21,160 --> 00:27:24,239
Speaker 1: Just be nice, just be nice and supportive. You can

619
00:27:24,240 --> 00:27:25,160
Speaker 1: be right all the time.

620
00:27:25,680 --> 00:27:29,360
Speaker 2: Who is Scorpio romantically?

621
00:27:29,960 --> 00:27:31,760
Speaker 1: It's just so funny that Sean men is in Ben

622
00:27:31,800 --> 00:27:33,840
Speaker 1: Affleck are both leos. And those are the examples I

623
00:27:33,880 --> 00:27:36,800
Speaker 1: was using. Because they can't fucking help it. They can't

624
00:27:36,920 --> 00:27:43,160
Speaker 1: fucking help driving these women crazy. Okay, Earth signs send

625
00:27:43,160 --> 00:27:45,720
Speaker 1: a soft hay, like Sabrina says in the song you

626
00:27:45,760 --> 00:27:47,359
Speaker 1: Send a Soft Hay on a Tuesday.

627
00:27:48,280 --> 00:27:51,480
Speaker 2: I hate the soft ha just like hey, like I'm back,

628
00:27:51,920 --> 00:27:56,000
Speaker 2: get out of here. What I hate Hey, get into it,

629
00:27:56,080 --> 00:27:58,120
Speaker 2: launch into your you.

630
00:27:58,119 --> 00:28:00,639
Speaker 1: Bowen Yang has expressed this before. He hates to just

631
00:28:00,720 --> 00:28:04,760
Speaker 1: be texted one word like hey, Like hey, you want

632
00:28:04,760 --> 00:28:05,480
Speaker 1: to know what the reason?

633
00:28:05,520 --> 00:28:08,959
Speaker 2: Why are you wasting time? Hi? Hi? The only thing

634
00:28:09,000 --> 00:28:11,120
Speaker 2: the eyes the other person can say back is hi,

635
00:28:12,040 --> 00:28:17,560
Speaker 2: and we're wasting time here? Hi? Hey. I think I

636
00:28:17,600 --> 00:28:18,840
Speaker 2: always text you with a purpose.

637
00:28:19,000 --> 00:28:20,439
Speaker 1: Oh no, actually, but I don't know you do.

638
00:28:20,720 --> 00:28:22,960
Speaker 2: You don't have to, and I don't mind it from you.

639
00:28:23,840 --> 00:28:25,639
Speaker 1: I would never just say hey to you, though, I

640
00:28:25,640 --> 00:28:27,800
Speaker 1: would say like hey girl or hey Queena.

641
00:28:27,960 --> 00:28:31,480
Speaker 2: Sometimes at work, though, I'll get a text and it'll

642
00:28:31,480 --> 00:28:34,200
Speaker 2: be like someone being like hey, I'll be like what,

643
00:28:34,320 --> 00:28:37,520
Speaker 2: like the show's on Saturday? Like, tell me, yeah, what

644
00:28:37,560 --> 00:28:37,960
Speaker 2: do you need for?

645
00:28:38,000 --> 00:28:38,880
Speaker 1: What's up? What's up?

646
00:28:39,400 --> 00:28:41,600
Speaker 2: I will be I'll be there. I'm not difficult, I

647
00:28:41,640 --> 00:28:45,600
Speaker 2: promise anyway. I feel like I identify with not being

648
00:28:45,640 --> 00:28:47,840
Speaker 2: difficult to such an extent that must mean that I am.

649
00:28:48,120 --> 00:28:50,560
Speaker 1: Can I be really honest with you, I wouldn't describe

650
00:28:50,560 --> 00:28:52,640
Speaker 1: you as the least difficult person.

651
00:28:52,720 --> 00:28:54,800
Speaker 2: I'm not the least. I'm a little bit difficult.

652
00:28:54,880 --> 00:28:58,240
Speaker 1: I think you can be difficult, but I wouldn't describe

653
00:28:58,280 --> 00:28:59,680
Speaker 1: you as difficult. But I would say you have the

654
00:28:59,720 --> 00:29:03,400
Speaker 1: appitude for being difficult. And I would say flatteringly the

655
00:29:03,440 --> 00:29:06,440
Speaker 1: same to you about you, when do you consider me

656
00:29:06,480 --> 00:29:07,440
Speaker 1: to be the most difficult?

657
00:29:07,960 --> 00:29:11,200
Speaker 2: I honestly don't know what the context would be. I

658
00:29:11,240 --> 00:29:15,440
Speaker 2: think you, when you know something, you are very good

659
00:29:15,440 --> 00:29:18,200
Speaker 2: at conceptualizing what you need, and you communicate that, and

660
00:29:18,240 --> 00:29:20,800
Speaker 2: when it's not given to you, then you will vocalize

661
00:29:20,800 --> 00:29:22,840
Speaker 2: that in a way that I find so respectful.

662
00:29:22,880 --> 00:29:24,160
Speaker 1: I understand that what about me?

663
00:29:24,200 --> 00:29:24,680
Speaker 2: What about me?

664
00:29:25,520 --> 00:29:30,880
Speaker 1: Difficult? Maybe sometimes communication? Maybe sometimes like getting responses from

665
00:29:30,880 --> 00:29:31,960
Speaker 1: you or locking you down.

666
00:29:32,160 --> 00:29:35,120
Speaker 2: I'm very bad at tech. It's not and see, that's

667
00:29:35,120 --> 00:29:37,440
Speaker 2: not difficulty, although maybe it is. Sure registers is a

668
00:29:37,440 --> 00:29:41,400
Speaker 2: difficulty to the other person. I'm just something happened in

669
00:29:41,440 --> 00:29:44,480
Speaker 2: the last three four years. I got so bad at emails,

670
00:29:44,520 --> 00:29:47,680
Speaker 2: I got so bad at texts. I am not chiming

671
00:29:47,720 --> 00:29:50,200
Speaker 2: into the group chat as much as I would like to. Yeah,

672
00:29:50,280 --> 00:29:51,000
Speaker 2: something happened.

673
00:29:51,320 --> 00:29:52,920
Speaker 1: I never feel like I can't get a hold of

674
00:29:52,960 --> 00:29:56,440
Speaker 1: you though, so maybe that's I wouldn't say it's an issue.

675
00:29:56,760 --> 00:29:58,640
Speaker 1: I would say that both of us are not issues.

676
00:29:59,040 --> 00:30:01,760
Speaker 1: Not us water signed. We're not these leos, not these

677
00:30:01,800 --> 00:30:04,800
Speaker 1: famous leos out here like absolutely running the show.

678
00:30:05,200 --> 00:30:08,720
Speaker 2: If you're Leo listening to this, congrats, congrats on the

679
00:30:09,480 --> 00:30:14,600
Speaker 2: scorched earth that you will lay in your wake for

680
00:30:14,680 --> 00:30:19,240
Speaker 2: the rest of your lives unless you self examine.

681
00:30:18,960 --> 00:30:21,520
Speaker 1: See this is so funny. Shawn Mendes was born on

682
00:30:21,760 --> 00:30:24,360
Speaker 1: and we didn't mean this to be a Shawn Mends dragfest,

683
00:30:24,400 --> 00:30:26,479
Speaker 1: but the fact is, it is what it is. He

684
00:30:26,520 --> 00:30:29,520
Speaker 1: was born on August eighth, nineteen ninety eight. He's a

685
00:30:29,560 --> 00:30:32,680
Speaker 1: fierty Leo son with a rebellious Aquarius moon. This is

686
00:30:32,760 --> 00:30:37,000
Speaker 1: literally the biggest red flag ever. This opposition reveals that

687
00:30:37,040 --> 00:30:39,400
Speaker 1: our man was born in a full moon and wants

688
00:30:39,400 --> 00:30:42,640
Speaker 1: the lion's share of attention and affection. He will suck

689
00:30:42,720 --> 00:30:46,000
Speaker 1: you dry. He will suck you dry. And that's what's

690
00:30:46,040 --> 00:30:48,880
Speaker 1: happening here with Camila and Sabrina. By the way, see

691
00:30:49,000 --> 00:30:53,240
Speaker 1: XO XO and Short and Sweet, both a lot of

692
00:30:53,240 --> 00:30:56,080
Speaker 1: them are about Shawn Mendes and that feels like, girls,

693
00:30:56,200 --> 00:31:00,480
Speaker 1: we can do better, Ladies, Let's get our short asses

694
00:31:00,720 --> 00:31:04,280
Speaker 1: up and out there in the world where there's billions

695
00:31:04,280 --> 00:31:07,120
Speaker 1: of other men. Many of them don't aren't even Leo's.

696
00:31:08,160 --> 00:31:10,680
Speaker 2: I have to say, it's helpful to be in a

697
00:31:10,720 --> 00:31:13,680
Speaker 2: place like Fire Island as a gay man and be like, wow,

698
00:31:13,680 --> 00:31:16,640
Speaker 2: there are just so many. And then that's both like

699
00:31:16,760 --> 00:31:21,479
Speaker 2: reassuring and also like neutralizing, and you can sort of

700
00:31:21,480 --> 00:31:23,360
Speaker 2: come at it in a worshack test way of like

701
00:31:23,680 --> 00:31:25,480
Speaker 2: this can mean whatever I want it to mean. And

702
00:31:25,480 --> 00:31:27,080
Speaker 2: I don't know why I'm relating this back to Shawn men.

703
00:31:27,120 --> 00:31:31,000
Speaker 2: Does I mean we were funnily enough the day that

704
00:31:31,080 --> 00:31:34,560
Speaker 2: the It's Giving Share moment happened. We were shooting. It

705
00:31:34,600 --> 00:31:38,040
Speaker 2: was our rap day at shooting at the Ice Palace,

706
00:31:38,480 --> 00:31:42,600
Speaker 2: the Underwrip party scene. Well what else? What else?

707
00:31:43,040 --> 00:31:44,840
Speaker 1: I guess there's the rest of this album. I mean,

708
00:31:45,080 --> 00:31:48,480
Speaker 1: so Sharper's tool is my favorite song. Okay, love it.

709
00:31:48,480 --> 00:31:50,840
Speaker 1: It is also about that thing of someone giving you

710
00:31:50,920 --> 00:31:54,960
Speaker 1: so much and like then taking it away. What else

711
00:31:54,960 --> 00:31:55,440
Speaker 1: do I love?

712
00:31:55,520 --> 00:31:55,720
Speaker 2: Oh?

713
00:31:55,800 --> 00:31:58,800
Speaker 1: Bed kem just fun when you know you're gonna absolutely

714
00:31:58,960 --> 00:32:01,000
Speaker 1: have a lot of fun, jump in somebody's bones.

715
00:32:01,480 --> 00:32:07,120
Speaker 2: Like all the musical influences are very clearly drawn and

716
00:32:07,160 --> 00:32:09,760
Speaker 2: delineated or whatever. But like she just makes it her out. Okay,

717
00:32:09,760 --> 00:32:11,560
Speaker 2: So between Taste and then good Graces to me is

718
00:32:11,840 --> 00:32:17,440
Speaker 2: giving like I think it's giving my nineties Like yep.

719
00:32:17,560 --> 00:32:18,200
Speaker 1: That's exactly.

720
00:32:18,480 --> 00:32:20,800
Speaker 2: R and B dance like RB and dance like beats

721
00:32:21,000 --> 00:32:24,160
Speaker 2: that Ken is very like has like the Luther Vandros guitar.

722
00:32:24,280 --> 00:32:28,120
Speaker 2: I would say, anyway, it's excellent. All the way Mariah

723
00:32:28,120 --> 00:32:31,240
Speaker 2: Carey would smile down on this album smell down, I

724
00:32:31,320 --> 00:32:32,080
Speaker 2: just mean for live.

725
00:32:32,200 --> 00:32:33,000
Speaker 1: I no, I know that.

726
00:32:33,080 --> 00:32:33,440
Speaker 5: I mean.

727
00:32:36,520 --> 00:32:38,640
Speaker 1: That also feels like a joke. Wasn't making a joke.

728
00:32:39,360 --> 00:32:41,440
Speaker 1: I just meant that she would smile on this album

729
00:32:41,440 --> 00:32:43,280
Speaker 1: like she is smiling on this album. I don't know

730
00:32:43,280 --> 00:32:45,240
Speaker 1: why I did that. I think it's just I hold

731
00:32:45,280 --> 00:32:47,480
Speaker 1: her in high regard. Of course, I'm obviously thinking about

732
00:32:47,520 --> 00:32:49,800
Speaker 1: Mariah right now because her mother and sister both passed

733
00:32:49,840 --> 00:32:52,360
Speaker 1: last weekend, very sad. If you read her book, you

734
00:32:52,400 --> 00:32:54,800
Speaker 1: know those were tough relationships and sometimes those are the

735
00:32:54,840 --> 00:32:56,760
Speaker 1: ones that are the most difficult to lose.

736
00:32:56,760 --> 00:32:58,680
Speaker 2: So I really hope she's okay. And I did not

737
00:32:58,760 --> 00:33:00,000
Speaker 2: mean to make light of that neither.

738
00:33:00,840 --> 00:33:03,040
Speaker 1: What I was trying to say was that Mariah would

739
00:33:03,080 --> 00:33:07,320
Speaker 1: be is so proud of this album just because of

740
00:33:07,400 --> 00:33:09,600
Speaker 1: not only like the wordplay. It reminds me of like

741
00:33:09,640 --> 00:33:11,440
Speaker 1: the lyrics that Maria would write when she started to

742
00:33:11,480 --> 00:33:12,120
Speaker 1: have a lot of fun.

743
00:33:12,960 --> 00:33:15,280
Speaker 2: I miss adverb Mariah, but yes, is that? Is that?

744
00:33:15,360 --> 00:33:15,920
Speaker 2: What do he means?

745
00:33:16,120 --> 00:33:18,360
Speaker 1: Just like just like when she kind of like broke

746
00:33:18,400 --> 00:33:22,480
Speaker 1: out of her like Tommy Mottola moment, Like we'll call

747
00:33:22,520 --> 00:33:26,040
Speaker 1: the earlier years of her career that Afanasief years. Walter

748
00:33:26,080 --> 00:33:28,600
Speaker 1: Afanasief was her big producer, and then when she stopped

749
00:33:28,640 --> 00:33:31,200
Speaker 1: working with him, like and she was having more fun

750
00:33:31,320 --> 00:33:33,040
Speaker 1: with like her R and B sound and getting a

751
00:33:33,080 --> 00:33:35,320
Speaker 1: little bit more like you know, goofy and silly and

752
00:33:35,360 --> 00:33:38,920
Speaker 1: her lyrics and stuff. It just this album reminds me

753
00:33:39,080 --> 00:33:41,880
Speaker 1: of that. Like this, it feels like you're getting to

754
00:33:41,960 --> 00:33:44,360
Speaker 1: know someone better when you listen to this album and

755
00:33:44,640 --> 00:33:46,600
Speaker 1: she's obviously been around for a while to bring then

756
00:33:46,600 --> 00:33:48,600
Speaker 1: we had Espresso, and she's got a pretty well defined

757
00:33:48,600 --> 00:33:50,920
Speaker 1: public persona at this point. Even in the six seven

758
00:33:50,920 --> 00:33:54,040
Speaker 1: months she's been like very famous. But prior to that,

759
00:33:54,080 --> 00:33:56,040
Speaker 1: she was kind of known as just the other woman

760
00:33:56,080 --> 00:33:59,320
Speaker 1: in this Olivia Rodrigo situation. Who apparently that kid also

761
00:33:59,480 --> 00:34:01,920
Speaker 1: is of this. You know, Shawn mend has been athletic

762
00:34:01,960 --> 00:34:04,600
Speaker 1: persuasion of can you please leave these people alone?

763
00:34:04,680 --> 00:34:08,680
Speaker 2: Really? Yeah? And then later on like he came out, Yeah,

764
00:34:08,760 --> 00:34:13,560
Speaker 2: it's very Leo thing to do at anytime anyone comes

765
00:34:13,600 --> 00:34:17,600
Speaker 2: out of the closet and any fashion Leo behavior.

766
00:34:17,800 --> 00:34:20,600
Speaker 1: We're not saying we hate Leo's. We're saying that the

767
00:34:20,640 --> 00:34:23,560
Speaker 1: worst version of Leo's is someone to avoid. And you

768
00:34:23,640 --> 00:34:25,880
Speaker 1: know it's true. And the Leo's out there listening, and

769
00:34:25,920 --> 00:34:28,839
Speaker 1: the Aquarius says no too, especially you Aquarius men. Which

770
00:34:28,880 --> 00:34:30,279
Speaker 1: is why when I look down here and I see

771
00:34:30,280 --> 00:34:32,560
Speaker 1: Seawan Mends as a Leo with an Aquarius moon.

772
00:34:33,160 --> 00:34:35,920
Speaker 2: The Aquarius moon thing is what kind of like messes

773
00:34:36,000 --> 00:34:37,960
Speaker 2: up to signal a little bit for Sean. It's like

774
00:34:38,040 --> 00:34:40,520
Speaker 2: he wants to be an Aquary so badly, and he

775
00:34:40,560 --> 00:34:42,759
Speaker 2: thinks that being an Aquarius that he thinks that the

776
00:34:42,760 --> 00:34:46,080
Speaker 2: internal Aquarius life is to be shirt listen to play

777
00:34:46,080 --> 00:34:47,720
Speaker 2: the guitar in the woods. But it's like an aquarian

778
00:34:47,719 --> 00:34:48,440
Speaker 2: would never do that.

779
00:34:48,719 --> 00:34:50,320
Speaker 1: By the way, I just want to say something about Kimilla.

780
00:34:50,400 --> 00:34:54,520
Speaker 2: She's a Pisces and this is why you love the xoxos.

781
00:34:54,560 --> 00:34:56,040
Speaker 1: See, this is why I need to speak to her

782
00:34:56,320 --> 00:34:59,839
Speaker 1: is because I'm like, listen to me. He will never

783
00:35:00,320 --> 00:35:02,960
Speaker 1: stop because he knows he can get it from you

784
00:35:03,080 --> 00:35:07,000
Speaker 1: every single time. So you have to be you have

785
00:35:07,080 --> 00:35:09,040
Speaker 1: to say see exho exo to this relationship.

786
00:35:09,120 --> 00:35:12,839
Speaker 2: Queen. Okay, so let's just lay this out between Pisces,

787
00:35:12,960 --> 00:35:17,359
Speaker 2: Scorpio and cancer, between the water signs. Pisces, y'all are

788
00:35:17,520 --> 00:35:21,719
Speaker 2: the most vulnerable. And because cancer and Scorpio, we got

789
00:35:21,719 --> 00:35:24,400
Speaker 2: our we got our exo skeletons, we got our heart exteriors.

790
00:35:24,520 --> 00:35:27,200
Speaker 2: Yeah not me, a cancer, I will I will always

791
00:35:27,200 --> 00:35:29,879
Speaker 2: love a cancer. A cancer is just pure light. Your joy,

792
00:35:29,920 --> 00:35:33,879
Speaker 2: pure sweetness is kind of walking along the beach being cute. Mary,

793
00:35:33,960 --> 00:35:38,560
Speaker 2: that Scorpio, we are scary and we can sting you

794
00:35:38,600 --> 00:35:39,400
Speaker 2: and kill you.

795
00:35:39,400 --> 00:35:40,560
Speaker 1: You're the crab on the beach.

796
00:35:41,000 --> 00:35:46,200
Speaker 2: No, the crab on the beach is cancer? What so

797
00:35:46,239 --> 00:35:49,400
Speaker 2: what do you mean you're the scorpion and where the

798
00:35:49,440 --> 00:35:52,440
Speaker 2: scorpion on the on the boulder? Holy shit? So like

799
00:35:52,480 --> 00:35:55,120
Speaker 2: you've come into our domain Alio aligned to crush me.

800
00:35:55,719 --> 00:36:00,919
Speaker 2: But I with my stinger could kill you. Yeah, even

801
00:36:00,920 --> 00:36:02,680
Speaker 2: though I am also sensitive, I could bite.

802
00:36:02,719 --> 00:36:04,000
Speaker 1: Scorpion's gonna stick crap?

803
00:36:04,000 --> 00:36:06,560
Speaker 2: Can pingeh crow? Can hold your hand though, isn't that sweet?

804
00:36:06,600 --> 00:36:11,160
Speaker 2: But a scorpion A scorpion is vulnerable as delicate, can

805
00:36:11,160 --> 00:36:13,680
Speaker 2: be easily broken in half, but can sting.

806
00:36:13,520 --> 00:36:16,480
Speaker 1: And kill you? Wait, what's your astrological sign, Josh, I'm

807
00:36:16,480 --> 00:36:19,280
Speaker 1: an aquarius again here, No, we love.

808
00:36:19,680 --> 00:36:23,520
Speaker 5: We're catching Sean mindes strays right now. Be kind to me?

809
00:36:23,760 --> 00:36:24,680
Speaker 2: Now? Why am I in it?

810
00:36:25,120 --> 00:36:26,040
Speaker 1: Why buy in it?

811
00:36:35,560 --> 00:36:35,719
Speaker 5: You know?

812
00:36:35,760 --> 00:36:37,440
Speaker 2: And it's refreshing to be in a household that is

813
00:36:37,920 --> 00:36:40,680
Speaker 2: housewives of agnostic because being on a vacation with you

814
00:36:40,719 --> 00:36:45,120
Speaker 2: and Jared and Patrick is a very housewives rich experience,

815
00:36:45,120 --> 00:36:47,080
Speaker 2: which I love. Yeah, this is also a nice racet

816
00:36:47,080 --> 00:36:49,040
Speaker 2: to be like, oh that's right, like hearing you play

817
00:36:49,120 --> 00:36:51,960
Speaker 2: like the strokes spray me with water.

818
00:36:52,800 --> 00:36:53,719
Speaker 5: I was filling up the ice.

819
00:36:55,719 --> 00:36:57,680
Speaker 2: This is a Jimney glick class and we told the

820
00:36:57,880 --> 00:37:03,120
Speaker 2: the RPKA as we watched Connormalley and yeah, we did

821
00:37:03,120 --> 00:37:04,959
Speaker 2: a lot of boys stuff. Wee, movie, are you gonna

822
00:37:04,960 --> 00:37:05,359
Speaker 2: watch tonight?

823
00:37:05,360 --> 00:37:07,080
Speaker 1: Before I got her, stepbrother watched Alien.

824
00:37:07,160 --> 00:37:09,040
Speaker 2: We watched Alien, which is not a that's not a

825
00:37:09,080 --> 00:37:12,160
Speaker 2: browie movie. That's a pretty gay movie. I mean, yeah,

826
00:37:12,160 --> 00:37:14,040
Speaker 2: I guess, but I'm just saying, like all the men

827
00:37:14,280 --> 00:37:17,840
Speaker 2: first energetically though, like you know, it's a rough and

828
00:37:17,880 --> 00:37:21,680
Speaker 2: tumble movie. Sure, and then we are going to watch

829
00:37:21,680 --> 00:37:24,600
Speaker 2: step Brothers tonight, which is probably one of the browest comedies,

830
00:37:24,640 --> 00:37:27,000
Speaker 2: which but you don't want to watch step Brothers. Aaron's

831
00:37:27,040 --> 00:37:28,280
Speaker 2: never seen it.

832
00:37:28,440 --> 00:37:30,440
Speaker 1: Aaron's never seen Stepbrothers.

833
00:37:29,880 --> 00:37:33,640
Speaker 2: And it's so like Dicks the musical, it's so like see.

834
00:37:33,680 --> 00:37:36,400
Speaker 1: I mean, my opinion would be I'd rather watch Newlander,

835
00:37:36,480 --> 00:37:38,080
Speaker 1: and I say that it's a proud member of the

836
00:37:38,120 --> 00:37:39,680
Speaker 1: Big Money Players network.

837
00:37:42,239 --> 00:37:48,239
Speaker 2: So long, not that long, both Will Ferrell films. I

838
00:37:48,280 --> 00:37:52,400
Speaker 2: want to watch Newlander. We've also been extolling Nathan Lee

839
00:37:52,400 --> 00:37:59,200
Speaker 2: Graham because my mistake, you'rest mistakes, but we were. I

840
00:37:59,239 --> 00:38:03,120
Speaker 2: went out with Aaron and John last weekend and we

841
00:38:03,200 --> 00:38:06,239
Speaker 2: smoked a little bit of weed, and you're kidding. I know.

842
00:38:06,320 --> 00:38:08,400
Speaker 2: But then Aaron was reminding me of because we went

843
00:38:08,440 --> 00:38:11,440
Speaker 2: to go see Titanique with Nathan Lee Graham as Ruth

844
00:38:12,000 --> 00:38:15,320
Speaker 2: as Rose's mother, and you didn't. You never saw Nathan

845
00:38:15,360 --> 00:38:20,000
Speaker 2: as also the great Ruth's have Ruth. Ruth is always

846
00:38:20,120 --> 00:38:25,279
Speaker 2: my favorite part of the show. Incredible, the hardest stuff

847
00:38:25,320 --> 00:38:30,000
Speaker 2: ever laughed. But but Nathan Lee Graham has a moment

848
00:38:30,080 --> 00:38:33,759
Speaker 2: where he just goes Ruth like breaks down. He just goes,

849
00:38:34,719 --> 00:38:41,399
Speaker 2: I'm black. And it's everyone's crying in the audience because

850
00:38:41,400 --> 00:38:43,680
Speaker 2: it's Nathan Lee Graham screaming at the top of us

851
00:38:43,719 --> 00:38:47,800
Speaker 2: bringing like a little pussy bow top blouse, screaming I'm black.

852
00:38:48,600 --> 00:38:51,960
Speaker 2: It was It's true theater comedy.

853
00:38:52,000 --> 00:38:54,040
Speaker 1: All do you think the show will go on and on?

854
00:38:54,640 --> 00:38:57,600
Speaker 2: It's here, there's nothing I fear, and I know that

855
00:38:57,640 --> 00:38:58,480
Speaker 2: the show will go on.

856
00:38:58,560 --> 00:39:00,919
Speaker 1: Wait, remember the other night show tunes when they played

857
00:39:00,960 --> 00:39:02,520
Speaker 1: my Heart Will Go On And it was just like

858
00:39:02,920 --> 00:39:08,799
Speaker 1: everyone silent. Everyone just really allowed it to take its

859
00:39:08,840 --> 00:39:13,960
Speaker 1: space emotionally, culturally and sonically in that space and that

860
00:39:14,040 --> 00:39:16,520
Speaker 1: hallowed grounds of the pavilion and My Heart Will Go

861
00:39:16,560 --> 00:39:22,239
Speaker 1: On played, and everyone through the at the end was

862
00:39:22,360 --> 00:39:27,279
Speaker 1: just like totally enraptured and just you don't get more

863
00:39:27,440 --> 00:39:29,839
Speaker 1: iconic than my heart will go on. You just don't.

864
00:39:29,880 --> 00:39:32,000
Speaker 2: You just don't. But you even in these like shots

865
00:39:32,040 --> 00:39:37,719
Speaker 2: of Selene wearing basically nothing or whatever, just looking so gorgeous,

866
00:39:38,480 --> 00:39:42,360
Speaker 2: it just makes it reminds you of her famous quote,

867
00:39:42,480 --> 00:39:46,360
Speaker 2: which is, it's not about the song, it's about the performance.

868
00:39:47,120 --> 00:39:51,200
Speaker 2: She is not thinking about the music and the material necessarily,

869
00:39:51,200 --> 00:39:53,359
Speaker 2: she is just thinking about how to deliver. And that

870
00:39:53,480 --> 00:39:56,040
Speaker 2: is so apparent. She is such you. She is one

871
00:39:56,040 --> 00:39:57,480
Speaker 2: of our big guest singers.

872
00:39:57,760 --> 00:40:00,680
Speaker 1: I mean she remember never forget that one of the

873
00:40:00,760 --> 00:40:06,640
Speaker 1: nominees for Best Note Ever Sung was at the very

874
00:40:06,680 --> 00:40:09,160
Speaker 1: beginning of Every Night of My Dreams, at the very

875
00:40:09,200 --> 00:40:10,560
Speaker 1: beginning of how We'll Go on.

876
00:40:10,640 --> 00:40:14,279
Speaker 2: Every Not in My Dreams.

877
00:40:14,600 --> 00:40:16,239
Speaker 1: It's one of the best notes ever sung.

878
00:40:20,640 --> 00:40:25,799
Speaker 2: This is Celine dion Is on Iconic four hundred. This

879
00:40:25,840 --> 00:40:28,319
Speaker 2: is the time to say, wait, didn't we agree? Who

880
00:40:28,400 --> 00:40:32,560
Speaker 2: was number four hundred? Was Blake Clive? Before that? It

881
00:40:32,640 --> 00:40:33,520
Speaker 2: ends with us drama.

882
00:40:33,640 --> 00:40:35,319
Speaker 1: By the way, can I say, okay, I don't think

883
00:40:35,320 --> 00:40:37,799
Speaker 1: I was totally aware of, like exactly what was going

884
00:40:37,800 --> 00:40:39,600
Speaker 1: on with you. It ends with us drama. When we

885
00:40:39,680 --> 00:40:40,359
Speaker 1: talked about it.

886
00:40:40,560 --> 00:40:42,399
Speaker 2: Neither we did not know.

887
00:40:42,640 --> 00:40:45,480
Speaker 1: Yeah, I was like very much like, oh, well, team Blake, duh.

888
00:40:45,920 --> 00:40:48,239
Speaker 1: And then I've since seen like the YouTube clips of

889
00:40:48,320 --> 00:40:50,440
Speaker 1: her interviews talking and I'm like, oh, maybe it's not

890
00:40:50,480 --> 00:40:52,399
Speaker 1: as couldn't dry as I thought like. And now I'm

891
00:40:52,440 --> 00:40:54,600
Speaker 1: just like wiping my hands off the whole thing, being like, well,

892
00:40:54,640 --> 00:40:57,600
Speaker 1: I hope everyone is happy with their huge hit film.

893
00:40:58,160 --> 00:41:00,880
Speaker 1: It's just why I just I know is hard. I

894
00:41:00,920 --> 00:41:03,240
Speaker 1: get it. It's very exhausting and stuff. It's a lot.

895
00:41:03,680 --> 00:41:09,600
Speaker 2: I just can't imagine being on camera and saying things

896
00:41:09,760 --> 00:41:12,280
Speaker 2: like she says on camera to some of the people

897
00:41:12,320 --> 00:41:14,160
Speaker 2: she talks to. I'm like, wow, this is crazy. You're

898
00:41:14,160 --> 00:41:18,040
Speaker 2: not even pretending. You're not even pretending to try and

899
00:41:18,080 --> 00:41:21,680
Speaker 2: be kind to this person I'm talking about the graduation.

900
00:41:25,239 --> 00:41:27,600
Speaker 1: I was like, oh, this is wild, and it really

901
00:41:27,640 --> 00:41:28,759
Speaker 1: just flew out her mouth.

902
00:41:28,880 --> 00:41:33,400
Speaker 2: I can't quite tell in that situation though, Like should

903
00:41:33,480 --> 00:41:35,120
Speaker 2: she have commented on it? Maybe not.

904
00:41:35,400 --> 00:41:36,080
Speaker 1: I don't know.

905
00:41:36,320 --> 00:41:38,120
Speaker 2: I mean, like, here's the thing is.

906
00:41:38,160 --> 00:41:41,160
Speaker 1: It's like and again like I don't know, but I

907
00:41:41,160 --> 00:41:44,280
Speaker 1: would imagine like if you're the kind of celebrity who

908
00:41:44,480 --> 00:41:47,279
Speaker 1: part of your deal is you do announce things like

909
00:41:47,680 --> 00:41:50,840
Speaker 1: I'm pregnant. You do announce things like we're getting married.

910
00:41:50,920 --> 00:41:54,439
Speaker 1: You do have like a public relationship that you benefit from.

911
00:41:54,520 --> 00:41:56,719
Speaker 1: And also you're out here, like you know, with a

912
00:41:56,760 --> 00:42:00,680
Speaker 1: lifestyle brand and like selling you know, Beverett and like

913
00:42:00,719 --> 00:42:02,759
Speaker 1: you know, your hair stuff, and like being like like

914
00:42:03,000 --> 00:42:06,160
Speaker 1: like a front facing public celebrity. If someone says to you,

915
00:42:06,160 --> 00:42:09,400
Speaker 1: congrats on your bump, like you're gonna get get nasty

916
00:42:09,480 --> 00:42:12,680
Speaker 1: about it back. I don't think so, honey, quite frankly,

917
00:42:13,000 --> 00:42:14,600
Speaker 1: and I don't use those words until the end of

918
00:42:14,640 --> 00:42:16,600
Speaker 1: the episode. I know it's early for me to say that,

919
00:42:16,960 --> 00:42:18,640
Speaker 1: but it just feels like a little bit like, Okay,

920
00:42:19,000 --> 00:42:20,839
Speaker 1: everyone's allowed a bad day, but then there's a lot

921
00:42:20,840 --> 00:42:22,040
Speaker 1: of bad days on those clips.

922
00:42:22,120 --> 00:42:24,880
Speaker 2: I think this dovetails nicely into a conversation that we

923
00:42:24,960 --> 00:42:28,120
Speaker 2: as a house have been having, which is what it's

924
00:42:28,200 --> 00:42:31,600
Speaker 2: just so. I really envy that you can just go

925
00:42:31,960 --> 00:42:35,800
Speaker 2: that dick and hole out and has returned from the pantry.

926
00:42:35,800 --> 00:42:40,160
Speaker 2: He's wearing He's wearing a cropped rug Rats tank top

927
00:42:41,000 --> 00:42:44,239
Speaker 2: and a speedo song that shows off his.

928
00:42:44,400 --> 00:42:46,839
Speaker 1: And he's here with some col brew concentrate.

929
00:42:46,440 --> 00:42:50,600
Speaker 2: Gorgeous body glue bridged body. He did glue Bridges so

930
00:42:50,640 --> 00:42:52,920
Speaker 2: he could walk over to the Pines pantry with nothing on,

931
00:42:52,960 --> 00:42:56,040
Speaker 2: two band aids and a cork and a rug Rats

932
00:42:56,640 --> 00:42:57,440
Speaker 2: Mini T shirt.

933
00:42:57,480 --> 00:43:00,239
Speaker 1: He doesn't even know who they are. We said, could

934
00:43:00,080 --> 00:43:02,680
Speaker 1: could little Tommy.

935
00:43:05,880 --> 00:43:09,680
Speaker 2: So you you learned it since yesterday. Look and Josh

936
00:43:09,719 --> 00:43:12,319
Speaker 2: is I think Josh has the baddestass? And show does

937
00:43:13,160 --> 00:43:16,400
Speaker 2: Josh has a gorgeously badass? You Josh, the twins do

938
00:43:16,600 --> 00:43:17,680
Speaker 2: have gorgeous asses.

939
00:43:19,080 --> 00:43:21,439
Speaker 1: He has comment on the Blake Lively controversy that people

940
00:43:21,480 --> 00:43:24,760
Speaker 1: want to know that the September issue cover is boring.

941
00:43:24,920 --> 00:43:29,880
Speaker 2: Oh tell that to Baz Luhrman directed it. Wait, what

942
00:43:29,880 --> 00:43:33,560
Speaker 2: do you mean the September Issue's Oh she's on the

943
00:43:33,600 --> 00:43:35,560
Speaker 2: cover of Vogue and we're saying it didn't give.

944
00:43:36,440 --> 00:43:37,160
Speaker 1: Oh is it here?

945
00:43:38,239 --> 00:43:38,399
Speaker 2: Oh?

946
00:43:38,440 --> 00:43:40,160
Speaker 1: You we have it. We have to get it.

947
00:43:40,200 --> 00:43:43,160
Speaker 2: I have to look out.

948
00:43:43,360 --> 00:43:44,919
Speaker 5: I get Vogue to my house.

949
00:43:46,200 --> 00:43:48,439
Speaker 2: Love, I've never since.

950
00:43:49,480 --> 00:43:51,840
Speaker 1: Well, please bring it out because I would love to see.

951
00:43:51,640 --> 00:43:54,560
Speaker 2: This because you're you're you're a media elite and September

952
00:43:54,680 --> 00:43:57,480
Speaker 2: issue is the issue gave me to home documentary about it.

953
00:43:57,719 --> 00:43:59,480
Speaker 1: Yeah, Well, what did they say on the doc.

954
00:43:59,680 --> 00:44:01,680
Speaker 2: That a big issue? I don't know. I don't really

955
00:44:01,760 --> 00:44:02,239
Speaker 2: keep up with that.

956
00:44:02,280 --> 00:44:04,920
Speaker 1: Okay, Well, to be honest with you, I think this

957
00:44:05,040 --> 00:44:06,920
Speaker 1: is stunning.

958
00:44:07,440 --> 00:44:10,600
Speaker 2: The colors might be yeah, the colors are not giving September.

959
00:44:11,200 --> 00:44:14,000
Speaker 1: I mean she does have some iconic hair. Of course,

960
00:44:14,080 --> 00:44:16,520
Speaker 1: I have thought that since of the Traveling Pants. I'm like, oh,

961
00:44:18,120 --> 00:44:18,319
Speaker 1: how do.

962
00:44:18,320 --> 00:44:20,560
Speaker 2: We feel about how do we feel about this? I

963
00:44:20,600 --> 00:44:25,239
Speaker 2: don't believe has ever had a stylist, Like, yeah, just

964
00:44:25,360 --> 00:44:29,080
Speaker 2: taste Matt is silent.

965
00:44:30,719 --> 00:44:32,799
Speaker 1: I think she could benefit from a stylist. Well, we

966
00:44:32,840 --> 00:44:33,600
Speaker 1: got we all.

967
00:44:33,440 --> 00:44:35,240
Speaker 2: Could an objective eye.

968
00:44:36,160 --> 00:44:38,520
Speaker 1: I'm a fan, though. Here's the It's like, here's the

969
00:44:38,520 --> 00:44:40,720
Speaker 1: thing is, it's like, I'm a fan of all these people.

970
00:44:40,760 --> 00:44:42,359
Speaker 1: I don't want to turn on the TV and see

971
00:44:42,400 --> 00:44:45,160
Speaker 1: and them be nasty to interviewers. That's up.

972
00:44:45,480 --> 00:44:47,480
Speaker 2: Don't want to nice that we've been we've been talking

973
00:44:47,480 --> 00:44:52,560
Speaker 2: about missus Chappell's week where she has really I Josh

974
00:44:52,600 --> 00:44:54,239
Speaker 2: and I are obsessed, and Josh brought this up. It's

975
00:44:54,480 --> 00:44:58,719
Speaker 2: it's obsession worthy that she is calling anytime she talks

976
00:44:58,719 --> 00:45:02,239
Speaker 2: about the work. She says the project, the project. She's like,

977
00:45:02,400 --> 00:45:04,759
Speaker 2: I'm so proud of Like, I love what we do.

978
00:45:04,800 --> 00:45:07,759
Speaker 2: I'm so grateful forgetting to do to work on the project. Yeah,

979
00:45:07,800 --> 00:45:11,040
Speaker 2: but that is such a way of like separating it obviously,

980
00:45:11,080 --> 00:45:13,759
Speaker 2: but being like, don't you see, I'm gonna outline for

981
00:45:13,800 --> 00:45:15,440
Speaker 2: you why it makes no sense for you to like

982
00:45:16,480 --> 00:45:18,920
Speaker 2: run up to me and like unload all your emotional

983
00:45:18,960 --> 00:45:22,520
Speaker 2: trauma on to me when all I'm doing is like

984
00:45:23,000 --> 00:45:26,360
Speaker 2: putting work into this long term project that i've that

985
00:45:26,400 --> 00:45:28,800
Speaker 2: I've made, and of course it's gonna elicit an emotional

986
00:45:28,960 --> 00:45:31,520
Speaker 2: response for me because it's music and the way that

987
00:45:31,600 --> 00:45:37,840
Speaker 2: like music is arranged and oriented around like worship is

988
00:45:38,760 --> 00:45:40,799
Speaker 2: kind of weird and fucked up, but that is, like

989
00:45:41,680 --> 00:45:43,680
Speaker 2: that is what she is like trying to rail against

990
00:45:43,760 --> 00:45:45,759
Speaker 2: and it's hard. But it's hard to change that because

991
00:45:45,800 --> 00:45:51,160
Speaker 2: it's so set in how it's been set up since whatever,

992
00:45:51,239 --> 00:45:52,919
Speaker 2: Like I think it's one hundred years ago.

993
00:45:53,040 --> 00:45:56,160
Speaker 1: Yeah, I think it's like so much simpler than people

994
00:45:56,200 --> 00:45:58,840
Speaker 1: are making it out to be, which is, she's an artist.

995
00:45:58,920 --> 00:46:01,480
Speaker 1: Her job is to put out me music. She doesn't

996
00:46:01,680 --> 00:46:04,719
Speaker 1: owe you one second of her time and energy, and

997
00:46:04,760 --> 00:46:07,120
Speaker 1: she's making that really clear, and she's letting you know

998
00:46:07,239 --> 00:46:10,160
Speaker 1: she's not one of these people that's going to be

999
00:46:10,280 --> 00:46:14,640
Speaker 1: out here pushing her personal brand and attaching it to

1000
00:46:14,719 --> 00:46:17,480
Speaker 1: herself and being out there and like really trying to

1001
00:46:17,520 --> 00:46:20,120
Speaker 1: market that. She is an artist who refers to what

1002
00:46:20,160 --> 00:46:22,640
Speaker 1: she does on stage as the project, which means it's

1003
00:46:22,640 --> 00:46:25,000
Speaker 1: separate from her, it's outside of her. And when you

1004
00:46:25,040 --> 00:46:27,160
Speaker 1: come to her and you see her and you invade

1005
00:46:27,200 --> 00:46:30,840
Speaker 1: her space, she's saying that might be okay for other people,

1006
00:46:30,880 --> 00:46:33,960
Speaker 1: it is not okay for me, and she is.

1007
00:46:35,719 --> 00:46:38,880
Speaker 2: Worst case scenario, she pulls a di'angelo and she gets

1008
00:46:38,920 --> 00:46:41,279
Speaker 2: so fucking like rattled by this that she's like, I'm

1009
00:46:41,280 --> 00:46:44,960
Speaker 2: moving to the woods. I'm never putting in another album again, Like,

1010
00:46:45,040 --> 00:46:47,120
Speaker 2: don't let it get to that point. No. The way

1011
00:46:47,160 --> 00:46:49,600
Speaker 2: I feel is like I fucking love her as an artist.

1012
00:46:49,680 --> 00:46:50,880
Speaker 2: I love her music.

1013
00:46:51,040 --> 00:46:54,439
Speaker 1: Her music has like really been like it's already even

1014
00:46:54,440 --> 00:46:56,040
Speaker 1: though it's only been out for a couple of years,

1015
00:46:56,080 --> 00:46:58,120
Speaker 1: Like it's been there for me, Like it's inspired me,

1016
00:46:58,239 --> 00:47:01,239
Speaker 1: I've like really felt my feelings. And my thing is

1017
00:47:01,280 --> 00:47:02,759
Speaker 1: I just want her to do it for as long

1018
00:47:02,800 --> 00:47:06,279
Speaker 1: as she possibly can. However, however she can do it,

1019
00:47:06,480 --> 00:47:10,839
Speaker 1: so if she's giving clear signals like just fucking lay off,

1020
00:47:11,160 --> 00:47:13,719
Speaker 1: just enjoy it for what it is, because she's a

1021
00:47:13,800 --> 00:47:16,439
Speaker 1: human being and I think there is like a huge

1022
00:47:16,440 --> 00:47:19,120
Speaker 1: difference between her and like the other people were talking

1023
00:47:19,120 --> 00:47:21,959
Speaker 1: about who like make their who like you know what I'm.

1024
00:47:21,880 --> 00:47:24,680
Speaker 2: Saying, they've had like the not the training wheels on,

1025
00:47:24,760 --> 00:47:27,880
Speaker 2: but they've like had like some people love it and

1026
00:47:27,880 --> 00:47:28,600
Speaker 2: some people love it.

1027
00:47:28,680 --> 00:47:30,439
Speaker 1: Some people love it. Like I think there's a world

1028
00:47:30,520 --> 00:47:33,000
Speaker 1: where like, like I do believe that Jennifer Lopez calls

1029
00:47:33,040 --> 00:47:35,120
Speaker 1: the proparazzi on herself, you know what I mean? Like

1030
00:47:35,160 --> 00:47:38,320
Speaker 1: I believe that she filed for divorce from Ben Affleck

1031
00:47:38,360 --> 00:47:40,760
Speaker 1: on like the two year anniversary of their big wedding

1032
00:47:40,760 --> 00:47:43,280
Speaker 1: because she wants people to think about that. She wants

1033
00:47:43,320 --> 00:47:47,239
Speaker 1: a documentary out there about her personal fucking life. Not

1034
00:47:47,360 --> 00:47:49,239
Speaker 1: everyone is like that, and I think that is why

1035
00:47:49,360 --> 00:47:51,160
Speaker 1: Chapel feels the need to come out and be like,

1036
00:47:51,280 --> 00:47:54,919
Speaker 1: listen to me, I am not like these people who

1037
00:47:55,360 --> 00:47:58,280
Speaker 1: want this type of attention all the time, Like there's

1038
00:47:58,320 --> 00:48:02,120
Speaker 1: no part of me that thrive off of my personal

1039
00:48:02,160 --> 00:48:05,399
Speaker 1: space being something valuable to you, Like I don't want

1040
00:48:05,440 --> 00:48:08,680
Speaker 1: you thinking about me and my personhood. She also said,

1041
00:48:08,719 --> 00:48:12,880
Speaker 1: don't call me Kayley. It's incredibly invasive. Like and so

1042
00:48:13,000 --> 00:48:15,520
Speaker 1: when someone makes it that clear that they're not up

1043
00:48:15,880 --> 00:48:19,759
Speaker 1: for consumption in that way, just fucking lay off because

1044
00:48:19,800 --> 00:48:21,719
Speaker 1: guess what, there's a lot of people who who out

1045
00:48:21,760 --> 00:48:22,280
Speaker 1: there who.

1046
00:48:22,120 --> 00:48:25,360
Speaker 2: All take and then there are also people who are like, well,

1047
00:48:25,360 --> 00:48:27,640
Speaker 2: then why is she like doing the VMAs and why stupid?

1048
00:48:27,920 --> 00:48:31,640
Speaker 2: Because that's the project. Yeah, that's that separate from the

1049
00:48:31,719 --> 00:48:35,359
Speaker 2: way these certain people will engage with her, which is, yeah,

1050
00:48:35,360 --> 00:48:37,200
Speaker 2: I like the sort of quote unquote backlash to it

1051
00:48:37,280 --> 00:48:38,520
Speaker 2: is so interesting because it is a lot of people

1052
00:48:38,600 --> 00:48:40,359
Speaker 2: being like, but what if they're like, what if they're

1053
00:48:40,360 --> 00:48:42,280
Speaker 2: neurodiversion or what if they're like they have social anxiety

1054
00:48:42,360 --> 00:48:44,640
Speaker 2: or blah. It's like, well, they should also just take

1055
00:48:44,719 --> 00:48:47,840
Speaker 2: accountability for what they do to what they do. Unto

1056
00:48:47,880 --> 00:48:50,879
Speaker 2: this person, It's not like it's like Chapels going up

1057
00:48:50,920 --> 00:48:52,439
Speaker 2: to them and waiting.

1058
00:48:52,120 --> 00:48:54,840
Speaker 1: For someone to sorry, wait, I'm sorry. The defense of

1059
00:48:54,880 --> 00:48:56,719
Speaker 1: people who are getting up in her face is but

1060
00:48:56,840 --> 00:49:00,200
Speaker 1: what if they're neuro diverse with is an you.

1061
00:49:00,160 --> 00:49:02,560
Speaker 2: Know, but it's honestly like part of this thing where

1062
00:49:02,600 --> 00:49:04,359
Speaker 2: it's like, well, then she shouldn't be taking bigger gigs.

1063
00:49:04,360 --> 00:49:06,839
Speaker 2: And also like some people like have social anxiety, it's like, well,

1064
00:49:06,840 --> 00:49:07,880
Speaker 2: then well, no.

1065
00:49:08,160 --> 00:49:11,279
Speaker 1: That's people who feel entitled having that's what she's.

1066
00:49:11,320 --> 00:49:11,759
Speaker 2: That's what she's.

1067
00:49:11,800 --> 00:49:13,680
Speaker 1: Yes, And she even says she's like, and if this

1068
00:49:13,800 --> 00:49:16,160
Speaker 1: makes you feel a certain way, or if this makes

1069
00:49:16,160 --> 00:49:18,720
Speaker 1: you feel angry, if this makes you feel like something's

1070
00:49:18,760 --> 00:49:19,719
Speaker 1: being taken from you.

1071
00:49:20,080 --> 00:49:22,560
Speaker 2: That's not my problem and you need to assess. Yes,

1072
00:49:23,040 --> 00:49:26,200
Speaker 2: which is important anyway, the VMA's performance is going to

1073
00:49:26,239 --> 00:49:28,960
Speaker 2: be fucking legendary. Yeah, I just know it. I don't

1074
00:49:29,000 --> 00:49:31,680
Speaker 2: know anything. I'm just saying like it's it's Goga Papa Rozz's.

1075
00:49:31,719 --> 00:49:33,880
Speaker 2: It's like it might not be at that level necessarily,

1076
00:49:33,880 --> 00:49:36,040
Speaker 2: but I'm saying like it has that sort of power

1077
00:49:36,080 --> 00:49:38,279
Speaker 2: and expectation around it when like, I mean, I remember

1078
00:49:38,320 --> 00:49:40,359
Speaker 2: where I was like seeing that perform. What I mean

1079
00:49:40,400 --> 00:49:42,239
Speaker 2: it was it was the summer of Gaga and then

1080
00:49:42,280 --> 00:49:43,520
Speaker 2: we were all like, what the fuck is she gonna

1081
00:49:43,520 --> 00:49:44,120
Speaker 2: do with the VMAs?

1082
00:49:44,200 --> 00:49:46,760
Speaker 1: This year might bring the VMA's back in many one Wednesday,

1083
00:49:46,840 --> 00:49:48,960
Speaker 1: because doesn't it feel like, I mean, it's such a

1084
00:49:49,000 --> 00:49:51,080
Speaker 1: good time for pop music that like, it feels like

1085
00:49:51,120 --> 00:49:53,480
Speaker 1: the VMAs are worth tuning into again.

1086
00:49:53,560 --> 00:49:56,760
Speaker 2: And maybe this is just indicative of this thing where

1087
00:49:56,800 --> 00:50:02,160
Speaker 2: like the pop music landscape needs like girlies. Yeah, like

1088
00:50:02,200 --> 00:50:05,000
Speaker 2: we've gone without like pop girlies for too long.

1089
00:50:05,160 --> 00:50:07,600
Speaker 1: Is Charlie performing, No, I would love that.

1090
00:50:07,640 --> 00:50:10,400
Speaker 2: It's just a brain in chapel for you love Charlie's

1091
00:50:10,960 --> 00:50:13,640
Speaker 2: New York mag Oh, it's done incredible.

1092
00:50:13,840 --> 00:50:16,920
Speaker 1: David Chapelle, Yeah, David la Chapelle. Also, one more thing

1093
00:50:17,000 --> 00:50:18,400
Speaker 1: on the on the chapel of it all, which I

1094
00:50:18,440 --> 00:50:20,560
Speaker 1: think is something that's also getting lost, is it's not

1095
00:50:20,760 --> 00:50:24,640
Speaker 1: like she goes up on stage and waves and smiles.

1096
00:50:25,080 --> 00:50:28,320
Speaker 1: She goes up on stage and she's Chapel roone. She's

1097
00:50:28,440 --> 00:50:33,040
Speaker 1: singing like very very, very few people in the industry

1098
00:50:33,080 --> 00:50:36,719
Speaker 1: can performing at one hundred and ten percent in drag,

1099
00:50:37,120 --> 00:50:43,240
Speaker 1: giving the show to an increasingly large amount of people,

1100
00:50:43,480 --> 00:50:46,880
Speaker 1: which is incredibly exhausting. So it's not just like, well,

1101
00:50:46,960 --> 00:50:49,799
Speaker 1: this is what she signed up for. Whatever. The raid

1102
00:50:49,880 --> 00:50:54,080
Speaker 1: at which this has accelerated is truly like wild and

1103
00:50:54,200 --> 00:50:58,400
Speaker 1: it's it would be one thing if it were what

1104
00:50:58,440 --> 00:51:01,320
Speaker 1: I'm saying is like if she were just performing in basements,

1105
00:51:01,360 --> 00:51:03,680
Speaker 1: she'd still be acting like Chapel Rome, which is a

1106
00:51:03,719 --> 00:51:04,560
Speaker 1: lot of energy.

1107
00:51:04,760 --> 00:51:06,200
Speaker 2: So it's not like everyone else.

1108
00:51:06,239 --> 00:51:09,640
Speaker 1: It's like she's actually giving you more and more than everyone,

1109
00:51:09,640 --> 00:51:12,520
Speaker 1: which is why you love her. We love how maximalist

1110
00:51:12,600 --> 00:51:14,279
Speaker 1: she is. We love that she hearkens back to a

1111
00:51:14,320 --> 00:51:17,600
Speaker 1: time that was big and emotional and energetic, you know,

1112
00:51:17,719 --> 00:51:20,120
Speaker 1: like that's part of who she is.

1113
00:51:20,160 --> 00:51:22,239
Speaker 2: And also that speaks.

1114
00:51:21,920 --> 00:51:26,120
Speaker 1: To how much energy she's using, so it's not that's

1115
00:51:26,120 --> 00:51:28,560
Speaker 1: something you have to remember too, yeah, is that she's

1116
00:51:28,600 --> 00:51:30,960
Speaker 1: not going up there giving you nothing and coming off now,

1117
00:51:31,000 --> 00:51:33,000
Speaker 1: Like it's not easy for her to do what she's doing.

1118
00:51:33,040 --> 00:51:35,000
Speaker 2: Were you at the show at Brooklyn Steel where she

1119
00:51:36,120 --> 00:51:38,560
Speaker 2: It was during her keyboards, Thatt like I got a

1120
00:51:38,600 --> 00:51:41,319
Speaker 2: little quiet, and she was like going into like, oh,

1121
00:51:41,440 --> 00:51:44,080
Speaker 2: like my like personal history stuff, and then like there

1122
00:51:44,080 --> 00:51:46,120
Speaker 2: were just there's just some chatter in the back and

1123
00:51:46,160 --> 00:51:47,560
Speaker 2: then she like did the she did the whole like

1124
00:51:47,560 --> 00:51:49,560
Speaker 2: school taker thing, which I thought was great, Like she's

1125
00:51:49,600 --> 00:51:52,719
Speaker 2: not a warm person and that's wonderful. Yeah, Like she

1126
00:51:53,160 --> 00:51:56,120
Speaker 2: wonderful even it's it's great, it's wonderful. Even she's like guys,

1127
00:51:56,480 --> 00:51:58,520
Speaker 2: there's talking going on back there, and the whole theater

1128
00:51:58,600 --> 00:52:01,399
Speaker 2: was like whoa, oh okay, Like she's not like she's

1129
00:52:01,440 --> 00:52:05,000
Speaker 2: not there to like I don't know, be like this

1130
00:52:05,200 --> 00:52:11,719
Speaker 2: like beautiful, benevolent, you know, like Gaga esque pop star,

1131
00:52:11,760 --> 00:52:13,480
Speaker 2: which gag. I yes, did that back in the day,

1132
00:52:13,520 --> 00:52:15,960
Speaker 2: which maybe I don't know, but like I think maybe

1133
00:52:16,000 --> 00:52:18,880
Speaker 2: like we need to like re arrange the paradigms around

1134
00:52:18,920 --> 00:52:21,399
Speaker 2: like how a pop star is supposed to make us

1135
00:52:21,480 --> 00:52:23,799
Speaker 2: feel and how we're supposed to act around them.

1136
00:52:24,280 --> 00:52:27,719
Speaker 1: Just treat people like people. Treat people like people. Whether

1137
00:52:27,800 --> 00:52:30,120
Speaker 1: you're a fan at their show, who's up there looking

1138
00:52:30,160 --> 00:52:32,440
Speaker 1: at them being like, Wow, they're amazing. I put them

1139
00:52:32,480 --> 00:52:34,719
Speaker 1: on a pedestal. That's a person. If you are a

1140
00:52:34,719 --> 00:52:37,080
Speaker 1: celebrity who's in an interview, when someone says something you

1141
00:52:37,080 --> 00:52:39,200
Speaker 1: don't like, treat them like a person, you know what

1142
00:52:39,200 --> 00:52:41,359
Speaker 1: I mean? Like, just I think everyone should treat If

1143
00:52:41,360 --> 00:52:44,200
Speaker 1: you're on Fire Island and you come up to me

1144
00:52:44,239 --> 00:52:48,200
Speaker 1: and you see me, treat me like a dog, treat me,

1145
00:52:48,840 --> 00:52:53,080
Speaker 1: treat me like you think I am. No, Actually, treat

1146
00:52:53,080 --> 00:52:54,040
Speaker 1: everyone else like a person.

1147
00:52:54,120 --> 00:52:54,319
Speaker 5: Right.

1148
00:52:54,600 --> 00:52:57,080
Speaker 2: What people on Fire Island love to do to anybody

1149
00:52:57,280 --> 00:53:05,000
Speaker 2: is just hurdle facts about niche actresses. That's something happens.

1150
00:53:05,000 --> 00:53:08,160
Speaker 1: Sometimes you'll just be standing and someone will come come

1151
00:53:08,160 --> 00:53:09,719
Speaker 1: at you from your left and be like, you know.

1152
00:53:09,800 --> 00:53:11,520
Speaker 1: She won the Oscar for her Best Actress in nineteen

1153
00:53:11,560 --> 00:53:12,600
Speaker 1: sixty four and I'd be.

1154
00:53:12,560 --> 00:53:26,040
Speaker 6: Like, I'm like, okay, oh I my one note about fire.

1155
00:53:26,120 --> 00:53:28,240
Speaker 2: That's a notice. That's just the thing that I relearned

1156
00:53:28,320 --> 00:53:31,320
Speaker 2: about myself every year. And I'm like, oh, I haven't

1157
00:53:31,360 --> 00:53:36,279
Speaker 2: seen any movie ever. I don't know any song ever.

1158
00:53:37,000 --> 00:53:38,759
Speaker 2: Sid Well, I'm just like, I'm like, what are y'all

1159
00:53:38,800 --> 00:53:43,160
Speaker 2: talking about? I'm like, everyone's talking about fucking I don't

1160
00:53:43,160 --> 00:53:45,640
Speaker 2: know Alien, like the Alien movies. I was like, I

1161
00:53:45,680 --> 00:53:47,880
Speaker 2: guess I had not ever seen an Alien. Oh no,

1162
00:53:47,920 --> 00:53:50,239
Speaker 2: I saw. I saw them Covenant. I just never saw

1163
00:53:50,239 --> 00:53:53,440
Speaker 2: the original Alien, Aliens Aliens, so you've seen, but you

1164
00:53:53,480 --> 00:53:55,960
Speaker 2: watch Alien the other night. Watch Alien. I loved it.

1165
00:53:56,080 --> 00:53:56,680
Speaker 1: Yeah, it's great.

1166
00:53:56,840 --> 00:53:59,399
Speaker 2: So you've never seen that. I've never seen. It's pure

1167
00:53:59,560 --> 00:54:01,040
Speaker 2: I just know it's horror classic. You know what I

1168
00:54:01,040 --> 00:54:04,359
Speaker 2: have seen. I have seen Prometheus, and Prometheus I hear

1169
00:54:04,480 --> 00:54:09,120
Speaker 2: is very fun. It depends. It's pure lore. It's like

1170
00:54:09,160 --> 00:54:09,520
Speaker 2: the Organ.

1171
00:54:09,640 --> 00:54:11,480
Speaker 1: Yeah, it was. It's like truly the Origin story. But

1172
00:54:11,600 --> 00:54:16,879
Speaker 1: I I remember I saw Prometheus in college because iaspender Well.

1173
00:54:16,880 --> 00:54:19,000
Speaker 1: I wanted to see Michael Fasspender I'm also a Charlie's

1174
00:54:19,000 --> 00:54:22,800
Speaker 1: stand and I had it in my head that someone

1175
00:54:22,840 --> 00:54:25,279
Speaker 1: I was going to see the movie with, even though

1176
00:54:25,280 --> 00:54:28,480
Speaker 1: he was straight, we could maybe like have something happen.

1177
00:54:28,880 --> 00:54:30,680
Speaker 1: And then I realized, like zi.

1178
00:54:30,640 --> 00:54:34,560
Speaker 2: Iliah, I probably could find out. Do I know this person?

1179
00:54:36,040 --> 00:54:37,640
Speaker 2: You actually text me?

1180
00:54:38,719 --> 00:54:41,160
Speaker 1: Okay, hold on, You're actually gonna die when you find

1181
00:54:41,160 --> 00:54:42,799
Speaker 1: out who this is that I'm talking about. Wait wa

1182
00:54:42,800 --> 00:54:47,200
Speaker 1: wait okay this person is a Gemini? Wait wow wait

1183
00:54:47,239 --> 00:54:49,720
Speaker 1: wait wait what do you what is this true?

1184
00:54:50,239 --> 00:54:51,319
Speaker 2: Who is this person? Yeah?

1185
00:54:51,360 --> 00:54:55,799
Speaker 1: Yeah, okay, okay, okay, okay, okay, I.

1186
00:54:55,680 --> 00:54:58,799
Speaker 2: Can't say it on the mic. This person is the Gemini.

1187
00:54:59,160 --> 00:55:03,960
Speaker 1: He's potentially well known. This person is a Gemini. And

1188
00:55:04,360 --> 00:55:06,840
Speaker 1: we went to go see Prometheus together in college, and

1189
00:55:06,880 --> 00:55:09,840
Speaker 1: I thought the whole time that something could happen. And

1190
00:55:09,880 --> 00:55:14,360
Speaker 1: I'm telling noyone who it is right now on on text,

1191
00:55:14,560 --> 00:55:16,000
Speaker 1: and that's who it is.

1192
00:55:17,360 --> 00:55:23,520
Speaker 2: I had a suspicion. Oh my god, I just I

1193
00:55:23,560 --> 00:55:27,000
Speaker 2: love that first name. By the way, me too, such

1194
00:55:27,000 --> 00:55:27,799
Speaker 2: a hot first name.

1195
00:55:28,480 --> 00:55:30,840
Speaker 1: Okay, so anymore all time, Sabrina Carpenter are short and

1196
00:55:30,880 --> 00:55:32,200
Speaker 1: sweet or else? Or should we move on to I

1197
00:55:32,200 --> 00:55:32,880
Speaker 1: don't think so, honey, you.

1198
00:55:32,880 --> 00:55:34,640
Speaker 2: Know, let's know what I just I do really want

1199
00:55:34,640 --> 00:55:37,560
Speaker 2: to put out there is so good Juno is so good.

1200
00:55:37,560 --> 00:55:40,160
Speaker 2: Of course, I think again, don't smile love. That is

1201
00:55:40,160 --> 00:55:40,600
Speaker 2: a closer.

1202
00:55:40,760 --> 00:55:44,800
Speaker 1: Yeah, I just love you don't have to lie to girt.

1203
00:55:45,600 --> 00:55:49,480
Speaker 1: They like you, they'll just light of himself.

1204
00:55:49,360 --> 00:55:51,439
Speaker 2: Like that's a great lyric. If they like you, they'll

1205
00:55:51,440 --> 00:55:52,600
Speaker 2: just liight to themselves like you.

1206
00:55:52,560 --> 00:55:54,759
Speaker 1: They'll just and I do think the highlight of the

1207
00:55:54,760 --> 00:55:57,400
Speaker 1: whole thing is I might let you make me juno

1208
00:55:57,480 --> 00:55:59,200
Speaker 1: and then she goes, you.

1209
00:55:58,840 --> 00:56:04,560
Speaker 2: Know, you know I want to put out there once again.

1210
00:56:06,000 --> 00:56:09,360
Speaker 2: I'm looking for a husband. Yeah, that is the energy

1211
00:56:09,400 --> 00:56:11,120
Speaker 2: that I am six five test.

1212
00:56:10,920 --> 00:56:13,319
Speaker 1: Fun blue just kidding. Those are the worst.

1213
00:56:13,360 --> 00:56:17,560
Speaker 2: Those are the worst. That's that's danger. Let's be mind.

1214
00:56:17,560 --> 00:56:18,320
Speaker 2: I don't think so, honey.

1215
00:56:18,360 --> 00:56:19,840
Speaker 1: Let's be mind. I don't think so honey. This is

1216
00:56:19,880 --> 00:56:20,840
Speaker 1: our sixty second segment.

1217
00:56:24,840 --> 00:56:28,320
Speaker 2: This is Benjia something man. Yeah, okay, this is Matt Rogers.

1218
00:56:28,360 --> 00:56:29,920
Speaker 2: I don't think so many times it's now, I.

1219
00:56:29,840 --> 00:56:32,000
Speaker 1: Don't think so, honey, Ben Affleck, and I'm on over

1220
00:56:32,040 --> 00:56:34,120
Speaker 1: it and I have actually done this is actually the

1221
00:56:34,560 --> 00:56:37,359
Speaker 1: trilogy because I've done. I don't think so, honey. Ben

1222
00:56:37,400 --> 00:56:40,359
Speaker 1: Affleck and j Loo critics the first time. When they

1223
00:56:40,360 --> 00:56:42,120
Speaker 1: first got together, I said, let her get her best

1224
00:56:42,200 --> 00:56:44,880
Speaker 1: nut if that's what she wants. Turns out now, I'm like,

1225
00:56:44,880 --> 00:56:46,799
Speaker 1: you know what, I should never have given that advice, because,

1226
00:56:46,840 --> 00:56:48,279
Speaker 1: you know what, she went back to her best nut

1227
00:56:48,360 --> 00:56:52,000
Speaker 1: and it blinded her. Sometimes your best nuts blindly. And

1228
00:56:52,040 --> 00:56:54,640
Speaker 1: then all of a sudden, here you are heartbroken because

1229
00:56:54,680 --> 00:56:57,040
Speaker 1: a man can't like only said, he was a man.

1230
00:56:57,200 --> 00:57:00,080
Speaker 1: And it's like Sabrina Carpenter said, because you leave like

1231
00:57:00,120 --> 00:57:03,120
Speaker 1: one doesn't make you a man. Okay, Ben Affleck, get

1232
00:57:03,160 --> 00:57:06,239
Speaker 1: it fucking together, and now he's dating Kick Kennedy. Give

1233
00:57:06,280 --> 00:57:08,880
Speaker 1: me a goddamn break. First of all, I don't think so,

1234
00:57:08,880 --> 00:57:12,799
Speaker 1: honey of the Kennedy's RFK Junior actually killed us all dead,

1235
00:57:13,040 --> 00:57:15,600
Speaker 1: you know what, Like I'm done. By the way, what

1236
00:57:15,800 --> 00:57:21,280
Speaker 1: microwave did that man go into? Because Jesus Christ, show hines, Hello,

1237
00:57:21,520 --> 00:57:24,400
Speaker 1: what is going on? What is going on?

1238
00:57:24,920 --> 00:57:25,080
Speaker 2: Now?

1239
00:57:25,120 --> 00:57:28,040
Speaker 1: Ben Affleck is in the family. I don't think so, honey,

1240
00:57:28,040 --> 00:57:30,280
Speaker 1: Ben Affleck, it's a mess. Get it together. And that's

1241
00:57:30,280 --> 00:57:34,200
Speaker 1: one minute. Crimson Banner, Crimson, that is that who? That

1242
00:57:34,280 --> 00:57:35,440
Speaker 1: is who you do not trust.

1243
00:57:36,560 --> 00:57:38,400
Speaker 2: We are done. We're done.

1244
00:57:38,440 --> 00:57:40,120
Speaker 1: We're done with the leos, We're done with this.

1245
00:57:40,320 --> 00:57:44,840
Speaker 2: Actually, this is an attack on Leo's full full out.

1246
00:57:45,080 --> 00:57:47,760
Speaker 1: Should this episode be called an attack on Leo's Yes?

1247
00:57:49,760 --> 00:57:53,440
Speaker 2: Not? What was the the other one? Aquarius bright silly?

1248
00:57:53,520 --> 00:57:53,840
Speaker 1: Whatever?

1249
00:57:53,960 --> 00:57:57,320
Speaker 2: Okay, I feel like that was the last episode, the

1250
00:57:57,360 --> 00:57:58,600
Speaker 2: last title that we set up.

1251
00:57:58,600 --> 00:58:01,760
Speaker 1: Oh white, blessed and no no, no and bless.

1252
00:58:01,920 --> 00:58:09,000
Speaker 2: I No, I forgot itical sign Aaron Jackson trustworthy and trustworthy,

1253
00:58:09,040 --> 00:58:13,880
Speaker 2: hard worker, beast of burden. Oh we know you're stubborn.

1254
00:58:13,600 --> 00:58:22,600
Speaker 3: Loves Yes, well you're drinking orange juice.

1255
00:58:23,560 --> 00:58:26,640
Speaker 1: That that is a very tourist to not drink orange

1256
00:58:26,720 --> 00:58:28,520
Speaker 1: juice but drink tangerine juice.

1257
00:58:28,840 --> 00:58:31,640
Speaker 2: You would never make it at Honcho. I know I would.

1258
00:58:31,840 --> 00:58:34,200
Speaker 2: I would, I want to, but I think I would

1259
00:58:34,640 --> 00:58:39,280
Speaker 2: never survive. I would perish. And that's why the city

1260
00:58:39,280 --> 00:58:40,960
Speaker 2: smells nice when the boys were going.

1261
00:58:43,720 --> 00:58:46,400
Speaker 1: So this is bone Yang's. I don't think Sonny, I

1262
00:58:46,440 --> 00:58:46,800
Speaker 1: have it.

1263
00:58:47,440 --> 00:58:50,360
Speaker 2: Yes, I did, just have it. Write something down. Oh no, no, no,

1264
00:58:50,560 --> 00:58:51,120
Speaker 2: I have it. I have it.

1265
00:58:51,360 --> 00:58:52,959
Speaker 1: Okay, this is bone Yangs. I don't think so, honey.

1266
00:58:52,960 --> 00:58:53,840
Speaker 1: As time starts now.

1267
00:58:53,760 --> 00:58:58,960
Speaker 2: I don't think so, honey. Oasis reunion happening. This is

1268
00:58:58,960 --> 00:59:02,120
Speaker 2: a toxic relationship. This is the toxic brotherhood. The Gallagher

1269
00:59:02,120 --> 00:59:07,160
Speaker 2: brothers are not meant to be together anytime, Like this

1270
00:59:07,240 --> 00:59:10,040
Speaker 2: is the thing they like attack each other in the press,

1271
00:59:10,360 --> 00:59:12,520
Speaker 2: but then they always are like, but we might reunite.

1272
00:59:12,640 --> 00:59:13,160
Speaker 2: Stop it.

1273
00:59:13,280 --> 00:59:15,040
Speaker 1: This is such over it.

1274
00:59:15,120 --> 00:59:18,280
Speaker 2: I'm over it. Pick a lane, stick to it for

1275
00:59:18,320 --> 00:59:20,560
Speaker 2: the rest of your life, because guess what, we don't

1276
00:59:20,560 --> 00:59:24,200
Speaker 2: trust you. I like Oasis is one of those bands.

1277
00:59:23,960 --> 00:59:24,479
Speaker 1: At this point.

1278
00:59:24,480 --> 00:59:26,800
Speaker 2: Now it's like have they earned this kind of fervor

1279
00:59:26,840 --> 00:59:29,520
Speaker 2: and like media attention, Like I don't like they're not

1280
00:59:29,600 --> 00:59:31,760
Speaker 2: like Lauren Hill level to me where it's like we

1281
00:59:31,800 --> 00:59:35,640
Speaker 2: will just put up with the wacky behavior. These are

1282
00:59:35,680 --> 00:59:39,120
Speaker 2: two men who are so toxically bad to each other

1283
00:59:39,160 --> 00:59:42,120
Speaker 2: and to the world, and this little game of like

1284
00:59:42,200 --> 00:59:44,439
Speaker 2: we might reunite, and now we've reunited and we're playing

1285
00:59:44,520 --> 00:59:46,960
Speaker 2: all the shows only in London and Ireland, or only

1286
00:59:47,040 --> 00:59:49,880
Speaker 2: the UK and Ireland. I'm not coming to you, come

1287
00:59:49,920 --> 00:59:50,160
Speaker 2: to me.

1288
00:59:50,360 --> 00:59:53,160
Speaker 1: And that's one minute. Well, you know, I think two

1289
00:59:53,320 --> 00:59:55,960
Speaker 1: boring white people. Oasis is like.

1290
00:59:55,960 --> 00:59:59,160
Speaker 2: Lauren Hill Liam Yeah, sure, you know what I mean.

1291
00:59:59,440 --> 01:00:01,680
Speaker 2: Even Laurena will play a show and Lauren's not like

1292
01:00:02,280 --> 01:00:04,360
Speaker 2: Lauren's not aving like I'm doing another album. She's like no,

1293
01:00:04,440 --> 01:00:06,520
Speaker 2: I'll just tour with this one masterpiece of an album

1294
01:00:06,560 --> 01:00:07,280
Speaker 2: that I wrote.

1295
01:00:07,080 --> 01:00:09,360
Speaker 1: Yeah, with arrangements that are different every single time, right.

1296
01:00:09,320 --> 01:00:13,160
Speaker 2: And Oasis, it's like, okay, besides, what's the story Morning Glory?

1297
01:00:13,320 --> 01:00:15,480
Speaker 2: Like I don't I can't tell you what they like.

1298
01:00:16,000 --> 01:00:18,040
Speaker 2: I'm sorry the Oasis heads out there, but it's like

1299
01:00:19,200 --> 01:00:21,200
Speaker 2: that's that's that's the that's the album, you know what

1300
01:00:21,240 --> 01:00:24,080
Speaker 2: I mean? Like otherwise it's it's slim Pickens.

1301
01:00:24,880 --> 01:00:28,160
Speaker 1: Just might surprise Slimpickens another highlight of that. Of course

1302
01:00:28,400 --> 01:00:31,760
Speaker 1: this might surprise people to hear, but I'm actually overhearing

1303
01:00:32,360 --> 01:00:36,440
Speaker 1: or knowing anything about celebrities. Like I know, we talked

1304
01:00:36,440 --> 01:00:38,240
Speaker 1: a lot about them today, but that's only because like

1305
01:00:38,320 --> 01:00:40,520
Speaker 1: that's the news outside of like the DNC.

1306
01:00:40,920 --> 01:00:42,960
Speaker 2: So this should what should this podcast be about? Now?

1307
01:00:43,200 --> 01:00:45,439
Speaker 1: Well, I'm just saying it's just like I would rather

1308
01:00:45,600 --> 01:00:48,440
Speaker 1: talk about the things that they are a part of

1309
01:00:48,560 --> 01:00:52,520
Speaker 1: and doing, like behavior, but the behavior is what's forced

1310
01:00:52,560 --> 01:00:54,680
Speaker 1: down our throats, you know what I'm saying.

1311
01:00:54,920 --> 01:00:56,760
Speaker 2: And I wonder, let's talk about the war.

1312
01:00:57,360 --> 01:00:59,200
Speaker 1: I wonder if the thing with it ends with us

1313
01:00:59,360 --> 01:01:02,040
Speaker 1: is like it was so difficult to market because it

1314
01:01:02,080 --> 01:01:04,960
Speaker 1: is essentially what it is that it's hard to get

1315
01:01:05,000 --> 01:01:06,560
Speaker 1: out there and stay with the movie. It really is.

1316
01:01:06,600 --> 01:01:08,960
Speaker 1: So they did lean into this whole thing of like

1317
01:01:09,400 --> 01:01:11,960
Speaker 1: the drama or whatever. Yes, like, and I don't know

1318
01:01:12,000 --> 01:01:14,280
Speaker 1: if if the movie like was a success and worked

1319
01:01:14,320 --> 01:01:17,240
Speaker 1: because of that, like financially and commercially, because it was

1320
01:01:17,280 --> 01:01:19,959
Speaker 1: like a huge fucking success, right, But also I guess

1321
01:01:19,960 --> 01:01:21,400
Speaker 1: the book is that famous.

1322
01:01:21,480 --> 01:01:23,320
Speaker 2: The book is that famous, but there are not They

1323
01:01:23,360 --> 01:01:25,360
Speaker 2: were supposed to be at a sequel in the works,

1324
01:01:25,400 --> 01:01:27,680
Speaker 2: and I don't think that sequal is happening anymore because

1325
01:01:27,760 --> 01:01:28,440
Speaker 2: of the drama.

1326
01:01:28,880 --> 01:01:30,920
Speaker 1: I see, So that's where we are.

1327
01:01:31,800 --> 01:01:33,680
Speaker 2: But see that this is the thing. It's like the

1328
01:01:33,680 --> 01:01:39,320
Speaker 2: behavior affects the work so much. Yeah, so yeah, well,

1329
01:01:39,720 --> 01:01:44,040
Speaker 2: well that's the summer. That's the summer. I think we

1330
01:01:44,080 --> 01:01:46,360
Speaker 2: will earnestly start. I think we have to start doing

1331
01:01:46,480 --> 01:01:47,520
Speaker 2: iconic four hundreds soon.

1332
01:01:47,640 --> 01:01:49,720
Speaker 1: Well you're difficult to get a hold of and pin down.

1333
01:01:50,480 --> 01:01:52,360
Speaker 2: I'll do a better job of responding everyone else.

1334
01:01:52,480 --> 01:01:54,360
Speaker 1: No, you've actually been the one being like, let's do this.

1335
01:01:56,080 --> 01:01:57,680
Speaker 1: I think when we do start the list, I just

1336
01:01:57,760 --> 01:01:59,640
Speaker 1: here's the last thing I want to say about Blake Lively.

1337
01:02:00,040 --> 01:02:02,080
Speaker 1: Looking at all the positives and there are so many.

1338
01:02:02,320 --> 01:02:04,720
Speaker 1: They're not gonna I'm not gonna let this like this

1339
01:02:05,520 --> 01:02:06,120
Speaker 1: press chore.

1340
01:02:06,240 --> 01:02:10,160
Speaker 2: The iconic four hundred is a celebration of these people.

1341
01:02:10,760 --> 01:02:13,440
Speaker 1: And she does having she has a care celebrate and

1342
01:02:13,480 --> 01:02:15,200
Speaker 1: you know what, I do like this photo.

1343
01:02:15,600 --> 01:02:18,400
Speaker 2: It's just it's just very Is there more pictures? When

1344
01:02:18,400 --> 01:02:20,720
Speaker 2: you when you think September is when you think Basi Lureman.

1345
01:02:20,960 --> 01:02:23,240
Speaker 2: You know it's a little muted. I think as a

1346
01:02:23,320 --> 01:02:29,040
Speaker 2: people's issue with it. God, September issue is so big. Yeah,

1347
01:02:29,120 --> 01:02:30,920
Speaker 2: you can't even find other pictures of her in here.

1348
01:02:30,960 --> 01:02:33,160
Speaker 2: I mean, it's just too much. It's too much. Oh,

1349
01:02:33,200 --> 01:02:35,960
Speaker 2: there's a great picture of Julia Robertson here. Good for her.

1350
01:02:36,320 --> 01:02:38,120
Speaker 2: She needs one. She needs she needs a good picture.

1351
01:02:38,360 --> 01:02:42,000
Speaker 2: She needs to be photographed more. All right, well, listen,

1352
01:02:42,480 --> 01:02:48,240
Speaker 2: this has been less culturation. Do u libre myself. We're

1353
01:02:48,280 --> 01:02:50,240
Speaker 2: gonna enjoy the rest of our vacation. We hope wherever

1354
01:02:50,280 --> 01:02:52,160
Speaker 2: you are in the world, you are having a nice

1355
01:02:53,000 --> 01:02:55,240
Speaker 2: wind down of your summer winter. If you're in the

1356
01:02:55,240 --> 01:02:59,840
Speaker 2: summer southern hemisphere, and uh and Leo's really, think about

1357
01:02:59,840 --> 01:03:02,720
Speaker 2: what you've done, Think about what you've done. Consider changing signs,

1358
01:03:02,920 --> 01:03:03,400
Speaker 2: isn't it.

1359
01:03:03,400 --> 01:03:05,560
Speaker 1: A bummer that they also get like the heart of

1360
01:03:05,560 --> 01:03:07,640
Speaker 1: the summer too, like they get to feel.

1361
01:03:07,640 --> 01:03:10,600
Speaker 2: Whatever falls where it's at. We're so excited for fall.

1362
01:03:10,800 --> 01:03:13,240
Speaker 1: Oh can I also say there are some leos out

1363
01:03:13,240 --> 01:03:13,960
Speaker 1: there that I really like?

1364
01:03:14,160 --> 01:03:16,800
Speaker 2: Of course here, let's let's look at famous ones at least,

1365
01:03:16,920 --> 01:03:20,000
Speaker 2: let's let's end on a positive note. Yes, best Leo.

1366
01:03:20,480 --> 01:03:25,120
Speaker 2: Jennifer Lawrence love her Jalo is also the leo. Oh wow.

1367
01:03:26,800 --> 01:03:28,840
Speaker 1: See that's why that's why we're talking about it is

1368
01:03:28,840 --> 01:03:30,120
Speaker 1: because Madonna's a leo.

1369
01:03:30,200 --> 01:03:31,880
Speaker 2: Kylie Jenners Leo. This says it all.

1370
01:03:32,000 --> 01:03:34,120
Speaker 1: Daniel Radcliffe, Megan markoles a leo.

1371
01:03:34,360 --> 01:03:35,880
Speaker 2: Daniel Radcliffe is a demure leo.

1372
01:03:36,280 --> 01:03:37,680
Speaker 1: Barack Obama is a LEO.

1373
01:03:37,880 --> 01:03:41,960
Speaker 2: Sure sure that tracks Lisa Kudrou, Demi Levado, du Alipa.

1374
01:03:42,160 --> 01:03:46,200
Speaker 1: All these people love attention. Charlie Stared, Oh wow, Mick Jagger,

1375
01:03:46,280 --> 01:03:48,640
Speaker 1: Whitney Houston, Joe Jonas.

1376
01:03:48,720 --> 01:03:51,960
Speaker 2: See we do love leo's we lovely as We're just kidding, y'all.

1377
01:03:52,480 --> 01:03:56,000
Speaker 2: Best sign, best sign bye. We always had with the

1378
01:03:56,040 --> 01:03:59,120
Speaker 2: song big Is.

1379
01:03:59,520 --> 01:04:00,600
Speaker 1: I don't know what that was.

1380
01:04:05,280 --> 01:04:07,560
Speaker 2: Oh should we tell them our new bit? What's the bet?

1381
01:04:08,360 --> 01:04:10,760
Speaker 1: When someone is saying something you don't like. In the

1382
01:04:10,760 --> 01:04:16,080
Speaker 1: middle of the sentence, you start calling like this, tell

1383
01:04:16,120 --> 01:04:24,520
Speaker 1: me something. I really don't like Long Islands. I stuck

1384
01:04:24,560 --> 01:04:26,920
Speaker 1: it too, which aeronne? I get that actual, but it

1385
01:04:27,000 --> 01:04:28,160
Speaker 1: used to growl.

1386
01:04:27,920 --> 01:04:30,240
Speaker 2: And barw le.

1387
01:04:30,400 --> 01:04:31,160
Speaker 1: I'm pretty scary.

1388
01:04:31,240 --> 01:04:36,960
Speaker 2: Huh wow, maybe we have blue energy biguins.

1389
01:04:37,640 --> 01:04:38,440
Speaker 3: Why by.

1390
01:04:40,440 --> 01:04:42,600
Speaker 2: Last culture istis is the production by Will Ferrell's Big

1391
01:04:42,600 --> 01:04:45,000
Speaker 2: Money Players and Then I Heart Radio podcasts.

1392
01:04:44,400 --> 01:04:47,680
Speaker 1: Created and hosted by Matt Rogers and Bowen Yang. Executive

1393
01:04:47,720 --> 01:04:50,280
Speaker 1: produced by Ana Hasnier and Hans Sonni.

1394
01:04:50,200 --> 01:04:53,520
Speaker 2: Produced by Becker Ramos, edited mixed by Doug BABEIMNIFLA board

1395
01:04:53,720 --> 01:04:55,560
Speaker 1: And our music is by Henry Kuberski.