1 00:00:00,080 --> 00:00:03,440 Speaker 1: You know, I remember Simon Kinberg saying like he had us, well, 2 00:00:03,480 --> 00:00:06,840 Speaker 1: at least he had me watch different movies about civil 3 00:00:06,920 --> 00:00:10,640 Speaker 1: movements and how they began with two people meeting in 4 00:00:10,680 --> 00:00:13,800 Speaker 1: a room. Who are those two people? Well, maybe Ahsoka 5 00:00:13,840 --> 00:00:14,319 Speaker 1: and Harrow. 6 00:00:28,000 --> 00:00:30,640 Speaker 2: Hey, guys, what's up? You're listening to Potter Rebellion? Thank 7 00:00:30,640 --> 00:00:33,840 Speaker 2: you for coming. I'm Taylor Gray, Ezra Ridger Specter six, 8 00:00:34,000 --> 00:00:35,360 Speaker 2: and with me is Hey. 9 00:00:35,400 --> 00:00:38,800 Speaker 1: I'm Vanessa Marshall Spector one, voice of Harrison Doula, and 10 00:00:38,840 --> 00:00:40,440 Speaker 1: we also have Hi. 11 00:00:40,680 --> 00:00:45,559 Speaker 3: I'm t sur Car Spector five, Sabine Wren and. 12 00:00:44,840 --> 00:00:47,080 Speaker 4: And I am john Ley Brody. You're a nonspector but 13 00:00:47,159 --> 00:00:50,480 Speaker 4: full on moderator. And today we are going over season one, 14 00:00:50,600 --> 00:00:55,080 Speaker 4: episode twelve, Vision of Hope. Let's begin. All right, everybody, 15 00:00:55,120 --> 00:00:57,840 Speaker 4: how are we feeling? We are twelve episodes in, we 16 00:00:57,840 --> 00:01:00,640 Speaker 4: are almost at the end of season one of Star 17 00:01:00,680 --> 00:01:02,920 Speaker 4: Wars Rebels, and things are really ramping up. This is 18 00:01:02,920 --> 00:01:06,800 Speaker 4: a great, great episode in terms of action, in terms 19 00:01:06,840 --> 00:01:09,760 Speaker 4: of like character building, character layering on gravity more than 20 00:01:09,760 --> 00:01:14,040 Speaker 4: mister of Ezra uh. But also how are we all doing? Personally? 21 00:01:14,120 --> 00:01:16,800 Speaker 4: I missed you all. We we scatter our recording dates 22 00:01:16,800 --> 00:01:18,240 Speaker 4: so it's like, I don't get that it seems like 23 00:01:18,240 --> 00:01:19,640 Speaker 4: we see each other all the time, but we don't 24 00:01:19,640 --> 00:01:20,640 Speaker 4: see each other all the time. 25 00:01:21,200 --> 00:01:23,240 Speaker 3: I'm happy to see you guys. I was just thinking, 26 00:01:23,720 --> 00:01:26,800 Speaker 3: we're having such a good time doing this. I am 27 00:01:26,800 --> 00:01:28,800 Speaker 3: maybe I shouldn't speak for all of us, but I'm 28 00:01:28,800 --> 00:01:30,640 Speaker 3: heavy really give kind of a look. 29 00:01:30,680 --> 00:01:33,880 Speaker 4: But I think that that's just I appreciate it. 30 00:01:33,920 --> 00:01:36,240 Speaker 5: I was just a little confused. It's BENI second the intro. 31 00:01:36,319 --> 00:01:39,800 Speaker 2: I don't know what I just said, So I hope 32 00:01:39,800 --> 00:01:43,240 Speaker 2: that I said the name of the podcast correctly the 33 00:01:43,319 --> 00:01:45,640 Speaker 2: right things. But I am having a lot of fun, 34 00:01:46,000 --> 00:01:48,400 Speaker 2: is U. This is a gift that sort of keeps 35 00:01:48,400 --> 00:01:49,960 Speaker 2: on giving. I just love hanging out with you guys. 36 00:01:50,200 --> 00:01:53,560 Speaker 4: Yeah, same, Captain Vanessa. How are you feeling today. 37 00:01:53,480 --> 00:01:57,120 Speaker 1: All as well? I'm thrilled. I'm so happy that the 38 00:01:57,160 --> 00:02:01,800 Speaker 1: podcast is being received well and I just could not 39 00:02:01,920 --> 00:02:04,840 Speaker 1: be more excited about it. And it's a bit of 40 00:02:04,840 --> 00:02:07,600 Speaker 1: a dream come true. So if I had a mullet, 41 00:02:07,680 --> 00:02:11,720 Speaker 1: you might know the level of joy internally, because that's 42 00:02:11,760 --> 00:02:13,919 Speaker 1: the only thing that could externally express the level of 43 00:02:14,000 --> 00:02:17,480 Speaker 1: joy to feel. No nothing. 44 00:02:18,720 --> 00:02:21,239 Speaker 4: Well season two goals, I guess is we can shoot 45 00:02:21,240 --> 00:02:25,000 Speaker 4: for with us some hopefully I'll hold out hope for that. 46 00:02:25,160 --> 00:02:27,519 Speaker 4: All right, So let's get into this episode because I 47 00:02:27,560 --> 00:02:30,079 Speaker 4: think there's a lot to discuss. It's time for my recap. 48 00:02:30,240 --> 00:02:32,520 Speaker 4: This one was a fun one to put together, so everybody. 49 00:02:32,600 --> 00:02:36,040 Speaker 4: Vision of Hope Original air date January twenty sixth, twenty fifteen. 50 00:02:36,360 --> 00:02:38,720 Speaker 4: Ezra is in the midst of a lightsaber training session, 51 00:02:38,720 --> 00:02:40,800 Speaker 4: but much of the canans frustration. The young padawan is 52 00:02:40,800 --> 00:02:43,079 Speaker 4: distracted and unable to channel his inner eck Art Toll 53 00:02:43,160 --> 00:02:45,600 Speaker 4: and embrace the power of now. The training continues, but 54 00:02:45,639 --> 00:02:48,000 Speaker 4: Ezra's thrown off when he starts having a mysterious, lucid 55 00:02:48,040 --> 00:02:49,200 Speaker 4: vision of the possible future. 56 00:02:49,360 --> 00:02:49,520 Speaker 2: Well. 57 00:02:49,520 --> 00:02:51,680 Speaker 4: When Ezra tries to express this to the group, he's 58 00:02:51,720 --> 00:02:54,440 Speaker 4: treated more like a Sandra from Greek mythology as opposed 59 00:02:54,440 --> 00:02:57,000 Speaker 4: to its own prophetic Hera then calls everyone back to 60 00:02:57,040 --> 00:02:59,640 Speaker 4: the Ghost to tune into Senator Travis's latest Galactic Pirate 61 00:02:59,680 --> 00:03:03,079 Speaker 4: radio transmission. His decoding worthy message seemed to translate to 62 00:03:03,120 --> 00:03:05,119 Speaker 4: an invite for any rebels on the Fall to join 63 00:03:05,120 --> 00:03:07,240 Speaker 4: the rebel sympathizer at a secret meeting at the Old 64 00:03:07,240 --> 00:03:10,720 Speaker 4: Republic Building. Kingen is skeptical and worried the Empire may 65 00:03:10,720 --> 00:03:12,880 Speaker 4: have also been able to decode the message, which makes 66 00:03:12,880 --> 00:03:16,200 Speaker 4: Ezra think, so, you're telling me there's a chance to 67 00:03:16,320 --> 00:03:18,200 Speaker 4: keep their bases covered, as It gets intel from his 68 00:03:18,240 --> 00:03:20,320 Speaker 4: buddy's there from the Imperial Academy, who tells them that 69 00:03:20,400 --> 00:03:22,960 Speaker 4: Callous and the Empire do indeed have a concept of 70 00:03:23,000 --> 00:03:25,320 Speaker 4: a plan that involves the old Senate Building. As it 71 00:03:25,400 --> 00:03:27,840 Speaker 4: puts two and two together that and relays the message 72 00:03:27,880 --> 00:03:29,800 Speaker 4: back to the Ghost Crew, and this brings them into action. 73 00:03:30,120 --> 00:03:32,080 Speaker 4: The Ghost Creuse stakes out the Senate Building and sees 74 00:03:32,080 --> 00:03:34,200 Speaker 4: that it's guarded by Imperial troops, which leads to them 75 00:03:34,200 --> 00:03:36,480 Speaker 4: getting their goonies on by venturing through the sewers in 76 00:03:36,560 --> 00:03:39,000 Speaker 4: order to get inside. But upon arrival, the crew finds 77 00:03:39,000 --> 00:03:40,920 Speaker 4: that it's more than just the Senator waiting for them. 78 00:03:41,080 --> 00:03:43,360 Speaker 4: Callous and Imperial troopers are also there and ready for 79 00:03:43,360 --> 00:03:46,120 Speaker 4: a fight. A shootout ensues and a daring escape follows, 80 00:03:46,360 --> 00:03:47,960 Speaker 4: and just when it seems like they may have been 81 00:03:47,960 --> 00:03:49,880 Speaker 4: in the clear, it is revealed that Travis is not 82 00:03:49,960 --> 00:03:51,920 Speaker 4: part of the rebel alliance, but he is a trader. 83 00:03:52,200 --> 00:03:54,760 Speaker 4: Upon this revelation, Ezra is naturally shocked and like the 84 00:03:54,840 --> 00:03:56,840 Speaker 4: lyrics of a two thousand Battery Boys song, he wants 85 00:03:56,840 --> 00:03:59,720 Speaker 4: Travis to tell him why what. Instead of getting answers, 86 00:03:59,760 --> 00:04:02,640 Speaker 4: Trey has the gall to throw insults at Ezra regarding 87 00:04:02,640 --> 00:04:06,040 Speaker 4: his parents, but in response to Travis's treachery, Hara throws 88 00:04:06,040 --> 00:04:07,880 Speaker 4: a punch that rocks in more than a nineteen seventy 89 00:04:07,920 --> 00:04:10,600 Speaker 4: seven Queen song, It Goest Crew manages the once again 90 00:04:10,600 --> 00:04:12,800 Speaker 4: elude the Empire, and upon arriving back of the Ghost, 91 00:04:12,840 --> 00:04:16,040 Speaker 4: it's clear Ezra feels deflated from the latest experience, but 92 00:04:16,560 --> 00:04:19,960 Speaker 4: Hara offers encouraging words worthy of a Rocky Bibulo movie 93 00:04:20,000 --> 00:04:22,200 Speaker 4: and reminds Ezra that, like Bo Brady on Days of 94 00:04:22,240 --> 00:04:25,599 Speaker 4: Our Lives, he should do his best to never lose hope. 95 00:04:25,960 --> 00:04:32,120 Speaker 4: And that is the recaps one episode twelfth Vision of Hope? 96 00:04:33,400 --> 00:04:35,520 Speaker 3: Was that the best one yet? I don't know. I 97 00:04:35,560 --> 00:04:37,240 Speaker 3: think they're all the best one. 98 00:04:37,440 --> 00:04:38,960 Speaker 4: I'm always trying to one out myself. 99 00:04:39,480 --> 00:04:42,880 Speaker 5: Your pull from so many things, It's incredible. 100 00:04:43,440 --> 00:04:44,799 Speaker 4: Our Lives was a deep pull. 101 00:04:45,320 --> 00:04:49,040 Speaker 3: John the Eckhart toy and the and the and the 102 00:04:49,040 --> 00:04:54,599 Speaker 3: Greek mythology. I was already completely like just delighted, and 103 00:04:54,640 --> 00:04:57,160 Speaker 3: then you hit me with Bo and Hoe from Days. 104 00:04:56,960 --> 00:04:59,880 Speaker 4: Of our Lives. Come on, let's go. I mean we 105 00:05:00,000 --> 00:05:01,599 Speaker 4: we all grew up with. I mean, those are my 106 00:05:01,640 --> 00:05:03,800 Speaker 4: sick days from school prices already days of our lies? 107 00:05:03,920 --> 00:05:08,560 Speaker 2: Right. I have no idea who that is. 108 00:05:09,480 --> 00:05:14,680 Speaker 3: You You've missed out on a iconic couple in American 109 00:05:15,040 --> 00:05:19,599 Speaker 3: television and just like the Zeitgeist. But wow, that was 110 00:05:19,680 --> 00:05:21,080 Speaker 3: really hats off to you, John. 111 00:05:21,160 --> 00:05:24,480 Speaker 4: That was next cleberation. Well, it's like I've set the 112 00:05:24,480 --> 00:05:26,359 Speaker 4: bar and then I want to keep like surpassing that. 113 00:05:26,400 --> 00:05:27,440 Speaker 4: I don't want to let you all down. 114 00:05:27,480 --> 00:05:30,120 Speaker 3: More than anything, I don't think you could if you tried. 115 00:05:30,600 --> 00:05:33,080 Speaker 3: I try, I mean doing what you're doing. 116 00:05:34,200 --> 00:05:36,880 Speaker 4: I love the Yoda like adviser. There is no try 117 00:05:36,960 --> 00:05:38,640 Speaker 4: right there. I just got to do it. So what 118 00:05:38,680 --> 00:05:42,000 Speaker 4: are the initial thoughts after seeing this episode? Everybody? 119 00:05:42,839 --> 00:05:46,280 Speaker 3: I well, sorry, I don't know if I just jumped 120 00:05:46,320 --> 00:05:50,520 Speaker 3: in too quick there, but I had kind of forgotten 121 00:05:50,520 --> 00:05:54,960 Speaker 3: about this episode if I'm being honest, and I you know, 122 00:05:55,040 --> 00:05:57,120 Speaker 3: not to be not to get too specific, and we 123 00:05:57,120 --> 00:06:00,799 Speaker 3: don't have to talk about like socio politics, but watching 124 00:06:00,800 --> 00:06:04,159 Speaker 3: this episode right now, with whatever is happening in the world, 125 00:06:04,240 --> 00:06:08,240 Speaker 3: you can take up for what you want. But man, 126 00:06:08,440 --> 00:06:12,400 Speaker 3: it like hit me right in the fields, like citizens 127 00:06:12,800 --> 00:06:16,840 Speaker 3: having hope and doing everything that they can to fight 128 00:06:16,880 --> 00:06:20,680 Speaker 3: for their freedom. I mean, like how inspiring and moving 129 00:06:21,040 --> 00:06:25,799 Speaker 3: especially right now. It just I was I'm almost glad 130 00:06:25,800 --> 00:06:27,680 Speaker 3: I had kind of forgotten about this episode because it 131 00:06:27,720 --> 00:06:30,279 Speaker 3: was like a fresh almost like a fresh watch watch 132 00:06:30,360 --> 00:06:33,159 Speaker 3: for me, and I found it really moving. 133 00:06:34,279 --> 00:06:39,360 Speaker 2: Yeah, I think gol Travis is a punk. I mean 134 00:06:39,680 --> 00:06:42,280 Speaker 2: I then was like googling, like who is this deal? 135 00:06:43,000 --> 00:06:46,680 Speaker 2: That was ridiculous. But I loved Harah coming in because 136 00:06:46,880 --> 00:06:50,920 Speaker 2: I clogging in this yeah, and also just like duping him. 137 00:06:51,160 --> 00:06:54,520 Speaker 5: He's such a smug like yeah, I use some other words, 138 00:06:54,520 --> 00:06:55,680 Speaker 5: but yeah. 139 00:06:55,360 --> 00:06:57,960 Speaker 1: Yeah it was. First of all, there were some really 140 00:06:58,040 --> 00:07:01,480 Speaker 1: key moments that I loved, and Ezra's eye roll at 141 00:07:01,480 --> 00:07:03,599 Speaker 1: the beginning, you know when Caanaan tells you to stay 142 00:07:03,600 --> 00:07:04,320 Speaker 1: in and you're. 143 00:07:04,160 --> 00:07:06,000 Speaker 5: Like, yeah, I practiced a lot. 144 00:07:06,360 --> 00:07:06,680 Speaker 6: It was. 145 00:07:06,800 --> 00:07:09,520 Speaker 1: It was an epic work. And then also Caanaan returns 146 00:07:09,560 --> 00:07:14,520 Speaker 1: it with another eye roll that that was brilliant, and uh, 147 00:07:14,760 --> 00:07:16,640 Speaker 1: my favorite line you know what I smell like. 148 00:07:16,920 --> 00:07:19,440 Speaker 3: I might I wrote it down because I liked it. 149 00:07:19,440 --> 00:07:24,880 Speaker 1: It's it's so awesome. No, And like I remember I 150 00:07:24,920 --> 00:07:26,640 Speaker 1: know what you smell like, I'll find you. I mean, 151 00:07:26,640 --> 00:07:28,520 Speaker 1: it was just like a callback and the whole thing 152 00:07:28,600 --> 00:07:32,400 Speaker 1: was absolutely brilliant. But I didn't realize. When we go 153 00:07:32,440 --> 00:07:35,880 Speaker 1: to conventions, a lot of people ask me to write 154 00:07:36,160 --> 00:07:39,240 Speaker 1: on the hair pops we have hope, hope that things 155 00:07:39,280 --> 00:07:41,680 Speaker 1: can get better and they will. And I was like, 156 00:07:41,800 --> 00:07:45,080 Speaker 1: which episode is that from? I can't remember, And of 157 00:07:45,120 --> 00:07:48,160 Speaker 1: course it's the last line of this episode. And it's 158 00:07:48,160 --> 00:07:51,320 Speaker 1: funny because when people ask me, you can you can 159 00:07:51,360 --> 00:07:55,400 Speaker 1: you say the line? I don't say it now the 160 00:07:55,440 --> 00:07:59,480 Speaker 1: way I said it then, which I found interesting. She says, 161 00:08:00,080 --> 00:08:03,360 Speaker 1: we have hope, hope that things can get better and 162 00:08:03,400 --> 00:08:07,040 Speaker 1: they will. And now that to me sounds like really optimistic, 163 00:08:07,720 --> 00:08:10,080 Speaker 1: and I don't know if it's what's going on in 164 00:08:10,080 --> 00:08:14,920 Speaker 1: the world currently. When I do it now, it's like 165 00:08:15,240 --> 00:08:19,640 Speaker 1: my heart is full of so much, so much more 166 00:08:19,680 --> 00:08:22,600 Speaker 1: than hey, dude, we have hope. That's how it is, guys. 167 00:08:22,960 --> 00:08:25,360 Speaker 1: That to me, that's how it sounded. And when I've 168 00:08:25,400 --> 00:08:28,360 Speaker 1: done it since then, I've it's had more gravity, is 169 00:08:28,360 --> 00:08:31,520 Speaker 1: what I'm trying to say. I don't know if that's, 170 00:08:31,680 --> 00:08:36,040 Speaker 1: you know, because of social issues or I don't know, 171 00:08:36,120 --> 00:08:41,320 Speaker 1: but I loved how naive Harra sounded in a way, 172 00:08:42,320 --> 00:08:45,679 Speaker 1: but I also took a lot of strength from that 173 00:08:45,400 --> 00:08:48,760 Speaker 1: that it is best to be that light and hopeful 174 00:08:48,760 --> 00:08:51,520 Speaker 1: about it, otherwise you can't let it eat you alive. 175 00:08:52,200 --> 00:08:56,959 Speaker 1: But yeah, I love the teamwork. I also thought Chopper 176 00:08:57,320 --> 00:09:00,760 Speaker 1: did a great job of you know, I mean when 177 00:09:00,800 --> 00:09:05,440 Speaker 1: he throws that that other droid down the sewers, shoot, 178 00:09:05,520 --> 00:09:08,600 Speaker 1: I'm like this guy, yeah he was. He was pretty 179 00:09:08,880 --> 00:09:10,080 Speaker 1: intense this episode. 180 00:09:10,200 --> 00:09:14,600 Speaker 3: I thought he like this is Sparta. 181 00:09:16,080 --> 00:09:17,760 Speaker 5: Chopper gives the ghost some. 182 00:09:20,760 --> 00:09:24,840 Speaker 3: See this episode. I loved it when when when when 183 00:09:24,920 --> 00:09:27,920 Speaker 3: Canaan like when the lightsaber comes up and he's like whoa, whoa. 184 00:09:28,080 --> 00:09:29,840 Speaker 3: It's the only time I've ever heard him sound like 185 00:09:29,880 --> 00:09:30,880 Speaker 3: he's saying English words. 186 00:09:30,880 --> 00:09:33,560 Speaker 1: He's like whoa, whoa what? Yeah? 187 00:09:35,040 --> 00:09:37,480 Speaker 3: I I really liked this episode. I thought it was 188 00:09:38,559 --> 00:09:44,240 Speaker 3: also interesting because we haven't we haven't seen a trader yet, right, 189 00:09:44,559 --> 00:09:50,600 Speaker 3: like we this is our first uh well, like we 190 00:09:50,640 --> 00:09:54,480 Speaker 3: haven't discovered a trade area. And I was wondering, like 191 00:09:55,040 --> 00:09:57,560 Speaker 3: because again, because I had kind of forgotten about this. 192 00:09:57,640 --> 00:10:00,280 Speaker 3: It's like fallen out of my brain. I was like 193 00:10:01,559 --> 00:10:04,080 Speaker 3: watching it with fresh eyes and I was like, wait 194 00:10:04,160 --> 00:10:07,160 Speaker 3: a minute, like, at what point, I'm Taylor, I'm assuming 195 00:10:07,160 --> 00:10:08,760 Speaker 3: this was a first watch for you. 196 00:10:09,080 --> 00:10:10,480 Speaker 5: I mean, why do we have to help me every since? 197 00:10:10,480 --> 00:10:10,600 Speaker 7: No? 198 00:10:10,480 --> 00:10:13,200 Speaker 3: No, no, I'm just wondering, like, did you at what 199 00:10:13,320 --> 00:10:17,120 Speaker 3: point did you were you onto him? Because like I 200 00:10:17,360 --> 00:10:17,640 Speaker 3: I was. 201 00:10:19,200 --> 00:10:19,760 Speaker 1: Interesting. 202 00:10:20,040 --> 00:10:24,560 Speaker 3: I was like, wait a minute, Uh, there was like 203 00:10:24,600 --> 00:10:27,679 Speaker 3: a couple of it's so amazing because it's an animated show, 204 00:10:27,840 --> 00:10:31,440 Speaker 3: but there was like a couple of very subtle facial 205 00:10:31,520 --> 00:10:36,360 Speaker 3: expressions that you're like, hold on, what wait that seemed 206 00:10:36,440 --> 00:10:39,840 Speaker 3: disingenuous or whatever. And so when it when they learn 207 00:10:41,360 --> 00:10:43,680 Speaker 3: that he's he's a bad guy, I was like, Aha, 208 00:10:43,720 --> 00:10:47,880 Speaker 3: I knew it. And I love those watching any piece 209 00:10:47,880 --> 00:10:50,040 Speaker 3: of television or film where I feel like I like 210 00:10:50,200 --> 00:10:53,320 Speaker 3: was in on it before, you know, Like I was like, 211 00:10:53,840 --> 00:10:56,400 Speaker 3: I knew it. That's a really satisfying feeling. 212 00:10:56,480 --> 00:10:58,600 Speaker 4: It's almost like your hedgecock mom, like behind you, like 213 00:10:58,640 --> 00:11:00,920 Speaker 4: an hitchcockers you're always yelling behind you, but they can't. 214 00:11:00,960 --> 00:11:02,960 Speaker 4: It's the closest we get to talk into ghosts is 215 00:11:02,960 --> 00:11:05,840 Speaker 4: when we yell at the TV or like and stuff 216 00:11:05,880 --> 00:11:07,440 Speaker 4: like that. So I'm glad you brought that up to 217 00:11:07,480 --> 00:11:10,160 Speaker 4: you because I had a question about did you find 218 00:11:10,200 --> 00:11:12,720 Speaker 4: out about this Travis Trader Thiss and real time in 219 00:11:12,760 --> 00:11:15,040 Speaker 4: the booth? Like did Vanessa? Were you tipped off like 220 00:11:15,080 --> 00:11:16,760 Speaker 4: to say like, hey, you're probably gonna be on to them, 221 00:11:16,800 --> 00:11:19,600 Speaker 4: Like I'm curious, like were different direction given to you 222 00:11:19,720 --> 00:11:21,760 Speaker 4: or did you know it before the session and you 223 00:11:21,800 --> 00:11:26,120 Speaker 4: had to absorb it. I'm really curious about that. I recollection. 224 00:11:26,160 --> 00:11:27,760 Speaker 4: I know it's been over ten years so well. 225 00:11:27,760 --> 00:11:30,240 Speaker 2: From the script though, yeah, we would read. This was 226 00:11:30,280 --> 00:11:31,880 Speaker 2: early days they would send us the whole script. The 227 00:11:32,600 --> 00:11:35,440 Speaker 2: deeper they would not, but this they sent us everything. 228 00:11:36,200 --> 00:11:38,679 Speaker 3: Yeah, once we once we got further along and there 229 00:11:38,720 --> 00:11:42,960 Speaker 3: were like big old secrets that Dave didn't want everyone 230 00:11:43,000 --> 00:11:45,120 Speaker 3: to know, only on that need to know basis that 231 00:11:45,160 --> 00:11:47,640 Speaker 3: we've talked about. Then there were like parts of the 232 00:11:47,640 --> 00:11:51,760 Speaker 3: scripts that were that were uh not disseminated to everyone. 233 00:11:51,840 --> 00:11:53,680 Speaker 3: But this one we would have gotten the script. We 234 00:11:53,760 --> 00:11:56,120 Speaker 3: usually got the script what like twenty four to forty 235 00:11:56,160 --> 00:11:58,480 Speaker 3: eight hours before the recording session, so we would have 236 00:11:58,559 --> 00:12:00,800 Speaker 3: read it and then gotten into the booth and talked 237 00:12:00,800 --> 00:12:03,480 Speaker 3: about it before recording. 238 00:12:03,840 --> 00:12:07,560 Speaker 1: But things like a punch or an eye roll or 239 00:12:07,600 --> 00:12:10,319 Speaker 1: something where you know he's taking his sweet time. Oh, 240 00:12:10,320 --> 00:12:15,680 Speaker 1: I'm so exhausted, and Harri's going I didn't. That's the 241 00:12:15,760 --> 00:12:17,920 Speaker 1: kind of thing on a page. You're looking at your lines. 242 00:12:18,240 --> 00:12:20,640 Speaker 1: What comes? Okay, what's the action of the scene. Okay, wait, 243 00:12:20,679 --> 00:12:24,200 Speaker 1: what's going on? It might not hit you. Oh there's 244 00:12:24,200 --> 00:12:27,000 Speaker 1: going to be a gratifying punch by Harah here. You know, 245 00:12:27,400 --> 00:12:30,200 Speaker 1: we saw it written in black and white and whatever. 246 00:12:30,240 --> 00:12:33,600 Speaker 1: But nothing can prepare you for which she just hammers him. 247 00:12:33,640 --> 00:12:37,280 Speaker 1: I'm like, yeah, but that it wouldn't have been as 248 00:12:37,320 --> 00:12:40,720 Speaker 1: memorable per se on the page as it is, you know, 249 00:12:40,840 --> 00:12:43,559 Speaker 1: really lovely to see. 250 00:12:43,840 --> 00:12:45,360 Speaker 3: Yeah, so satisfying. 251 00:12:45,720 --> 00:12:49,240 Speaker 1: Oh he deserved it, man, but I didn't. It's funny 252 00:12:49,280 --> 00:12:52,600 Speaker 1: because we were going to talk about this episode, I believe, 253 00:12:52,640 --> 00:12:55,160 Speaker 1: the last time we all got together. So I watched 254 00:12:55,160 --> 00:12:58,760 Speaker 1: it yet again last night. The first time that I 255 00:12:58,760 --> 00:13:01,000 Speaker 1: watched it before I thought we were going to discuss it, 256 00:13:01,600 --> 00:13:04,320 Speaker 1: I did not see any of it, even in real time, 257 00:13:04,440 --> 00:13:07,280 Speaker 1: even though I had already read the script and we 258 00:13:07,360 --> 00:13:10,920 Speaker 1: did it when I didn't even catch Harrah's facial expressions. 259 00:13:11,160 --> 00:13:18,600 Speaker 1: The second time, which would be the third time overall, 260 00:13:17,840 --> 00:13:23,160 Speaker 1: I oh, yeah, Harod is onto this guy. And the 261 00:13:23,280 --> 00:13:25,120 Speaker 1: last time I was like, oh, she gave him his gun. 262 00:13:25,240 --> 00:13:28,319 Speaker 1: Oh that's nice, he's gonna watch over. Oh whoa, Okay, 263 00:13:28,559 --> 00:13:32,200 Speaker 1: he's not a friend. Uh oh you know whereas this 264 00:13:32,320 --> 00:13:36,319 Speaker 1: time when I clocked her looks, knowing that something's off 265 00:13:36,360 --> 00:13:38,280 Speaker 1: with it, I'm like, why would she give him the gun? 266 00:13:38,960 --> 00:13:41,559 Speaker 1: That's interesting? And then you know when she says like 267 00:13:41,600 --> 00:13:45,079 Speaker 1: a true rebel with no last or isn't charged. 268 00:13:45,720 --> 00:13:53,520 Speaker 7: So yeah, I've had several layers of enjoyment re experiencing 269 00:13:53,559 --> 00:13:56,440 Speaker 7: this one on the page, watching it a long time ago, 270 00:13:56,679 --> 00:13:59,160 Speaker 7: watching it a month ago, and then last night. 271 00:13:59,320 --> 00:14:01,640 Speaker 1: So you see, there's just endless joy. 272 00:14:03,120 --> 00:14:05,880 Speaker 3: I just love that Vanessa is Vanessa. Oh that might 273 00:14:05,880 --> 00:14:09,360 Speaker 3: have been a Fordian slipt i. Met Ara is always 274 00:14:09,360 --> 00:14:14,240 Speaker 3: playing chess when everyone else is playing checkers. You know, 275 00:14:14,440 --> 00:14:17,240 Speaker 3: she's like like you always you always are like oh 276 00:14:18,120 --> 00:14:21,400 Speaker 3: yeah she knew or like in the last well was 277 00:14:21,400 --> 00:14:24,000 Speaker 3: that the last episode or the episode before with what's 278 00:14:24,040 --> 00:14:28,400 Speaker 3: his face? LaMDA Morgan or yeah yeah, and you know 279 00:14:28,480 --> 00:14:31,560 Speaker 3: she she's like she's already like two, three, five steps ahead. 280 00:14:31,840 --> 00:14:35,240 Speaker 2: Love that something I put I wrote down that I 281 00:14:35,280 --> 00:14:37,880 Speaker 2: was like, I'm like, what did I mean by this? 282 00:14:38,080 --> 00:14:41,840 Speaker 2: Star Wars has some of the funniest and best, and 283 00:14:41,880 --> 00:14:44,400 Speaker 2: I'm sure like in fans will know way more of them, 284 00:14:44,680 --> 00:14:47,200 Speaker 2: but I pick up on it like one liner like 285 00:14:47,280 --> 00:14:49,080 Speaker 2: gotta go no, Like. 286 00:14:51,640 --> 00:14:53,600 Speaker 5: It's just like I don't. 287 00:14:53,280 --> 00:14:56,400 Speaker 2: Notice that in many other things as much as I 288 00:14:56,560 --> 00:15:00,920 Speaker 2: notice it in Star Wars of just like sing does 289 00:15:01,000 --> 00:15:03,040 Speaker 2: the job, but it's always like I don't know, it 290 00:15:03,080 --> 00:15:05,880 Speaker 2: makes me laugh every time, and maybe because I know 291 00:15:06,080 --> 00:15:08,760 Speaker 2: all of us so well, Like it's just funny that 292 00:15:09,160 --> 00:15:11,800 Speaker 2: like whoever has to say, he's like gotta go. 293 00:15:12,400 --> 00:15:16,000 Speaker 1: Yeah, yeah, like when when she when she says, yeah, 294 00:15:16,000 --> 00:15:18,280 Speaker 1: don't worry, I can smell you, and you're Ezra is 295 00:15:18,320 --> 00:15:21,680 Speaker 1: going and I'm like, think of something clever to say later, Yeah, yeah, 296 00:15:21,840 --> 00:15:24,560 Speaker 1: you know, we got that exactly. That just shuts you down. 297 00:15:25,920 --> 00:15:29,440 Speaker 3: I just love that even in the like moments of 298 00:15:29,720 --> 00:15:34,600 Speaker 3: absolute peril early on, like in this season maybe next 299 00:15:34,760 --> 00:15:37,800 Speaker 3: next season, well we'll see, but like Ezra is just 300 00:15:38,000 --> 00:15:42,440 Speaker 3: still like hanging on to any crumb that Sabine. You 301 00:15:42,480 --> 00:15:46,360 Speaker 3: know that he thinks Sabina is throwing him. Meanwhile, Sabine 302 00:15:46,360 --> 00:15:49,000 Speaker 3: couldn't you know, couldn't be bothered, but he's like, you 303 00:15:49,000 --> 00:15:50,680 Speaker 3: know what I smell Like, I'm like, dude, there is 304 00:15:50,920 --> 00:15:53,280 Speaker 3: there's there's action happened. We got to get out of here. 305 00:15:53,320 --> 00:15:53,960 Speaker 3: We gotta you know. 306 00:15:54,000 --> 00:15:55,480 Speaker 5: That is that is young people. 307 00:15:55,520 --> 00:15:58,440 Speaker 2: I remember I think Ian said this, Like I remember 308 00:15:58,440 --> 00:16:01,200 Speaker 2: in high school playing game, like in a sporting event, 309 00:16:01,320 --> 00:16:03,840 Speaker 2: while being in the middle of basketball game, like having 310 00:16:03,880 --> 00:16:05,880 Speaker 2: a dialogue with people who were sitting in the front 311 00:16:05,920 --> 00:16:08,520 Speaker 2: row during the game, the coach being like, shut up, dude, 312 00:16:09,080 --> 00:16:11,440 Speaker 2: Like it's fine when. 313 00:16:11,280 --> 00:16:13,760 Speaker 3: You say people in the front bro, you mean. 314 00:16:13,760 --> 00:16:16,880 Speaker 5: Yeah, yeah, but I don't like to discriminate it. 315 00:16:16,920 --> 00:16:20,400 Speaker 3: So you weren't talking to like your friend's parents that 316 00:16:20,440 --> 00:16:23,720 Speaker 3: were not no, no, but missus Ross probably looks great. 317 00:16:26,840 --> 00:16:30,480 Speaker 1: Another line I remember that I loved was Canaan saying, 318 00:16:30,600 --> 00:16:35,160 Speaker 1: I'm being optimistic. The way he says so. 319 00:16:34,920 --> 00:16:38,880 Speaker 4: Funny to me, it's finely funny because we know Freddy 320 00:16:39,000 --> 00:16:41,320 Speaker 4: and Freddy is not like a negative guy. But that's 321 00:16:41,360 --> 00:16:45,520 Speaker 4: also something Freddy would never say totally, you know he did. 322 00:16:45,520 --> 00:16:49,240 Speaker 1: He would mock it as much as Kanaan did, like yeah. 323 00:16:48,720 --> 00:16:50,280 Speaker 4: Which is pretty much what he likes to do. 324 00:16:50,520 --> 00:16:52,320 Speaker 1: And yeah, it was very funny. 325 00:16:52,680 --> 00:16:54,960 Speaker 4: You know what. Kanaan also says in this and this 326 00:16:55,000 --> 00:16:57,800 Speaker 4: will feed into her as I did at first. He says, guys, 327 00:16:57,800 --> 00:16:59,720 Speaker 4: it's a trap and I want to be Oh as 328 00:16:59,760 --> 00:17:02,680 Speaker 4: we said that first, can now you're just it's like 329 00:17:02,720 --> 00:17:05,600 Speaker 4: the student becomes the teacher, vice versus sort of thing. 330 00:17:06,800 --> 00:17:09,240 Speaker 4: Here's an interesting thought with Ezra because up to this 331 00:17:09,320 --> 00:17:13,240 Speaker 4: point he's having these sort of force blackouts where hits 332 00:17:13,240 --> 00:17:15,359 Speaker 4: his fight or flight thing and he's dabbled into the 333 00:17:15,400 --> 00:17:19,000 Speaker 4: dark side. We know how it ultimately ends up, because 334 00:17:19,040 --> 00:17:20,919 Speaker 4: you know, you all lived it. I've seen the series 335 00:17:20,960 --> 00:17:22,840 Speaker 4: a couple times over, but I remember this took me 336 00:17:22,920 --> 00:17:24,560 Speaker 4: back to when I first saw it. I'm like, oh, like, 337 00:17:24,760 --> 00:17:26,879 Speaker 4: is this going to be a tragic end? Like Anakin like, 338 00:17:27,400 --> 00:17:31,199 Speaker 4: because you know they're setting up Canaan for He's like, 339 00:17:31,280 --> 00:17:33,840 Speaker 4: I don't know if I'm worthy of being his master. 340 00:17:33,960 --> 00:17:35,840 Speaker 4: I don't know if I can do the job. And 341 00:17:35,880 --> 00:17:39,239 Speaker 4: it's almost like they're throwing hints at Ezra may not 342 00:17:39,320 --> 00:17:41,439 Speaker 4: make that choice. And also these little force visions. It 343 00:17:41,480 --> 00:17:44,359 Speaker 4: reminded me of episode three when Anakin's having visions of Padme. 344 00:17:44,880 --> 00:17:46,359 Speaker 4: So I don't know if that came to mind for 345 00:17:46,440 --> 00:17:47,959 Speaker 4: you at the time. I don't know if that came 346 00:17:48,040 --> 00:17:50,480 Speaker 4: to mind you here, because I forgot about that until 347 00:17:50,520 --> 00:17:52,040 Speaker 4: I watched it again. It took me back to twenty 348 00:17:52,119 --> 00:17:52,879 Speaker 4: fifteen watching it. 349 00:17:53,080 --> 00:17:54,840 Speaker 5: Yeah, that he might be coming. 350 00:17:54,680 --> 00:17:59,359 Speaker 1: Yeah, I definitely I've had that. I had that fear 351 00:17:59,480 --> 00:18:04,240 Speaker 1: throughout so much so that when Darth Maul joins us, 352 00:18:05,480 --> 00:18:09,560 Speaker 1: I was terrified. I mean I personally as a fan, 353 00:18:09,880 --> 00:18:15,560 Speaker 1: was freaking out. And also I could feel Freddy's control 354 00:18:15,840 --> 00:18:21,359 Speaker 1: trying to like no man, you know, argue for Jedi 355 00:18:21,480 --> 00:18:26,080 Speaker 1: versus Sith. And it was definitely I felt that struggle 356 00:18:26,080 --> 00:18:28,600 Speaker 1: and concern. But you know that's just me. 357 00:18:28,960 --> 00:18:30,199 Speaker 5: No, I did too. I did too. 358 00:18:33,200 --> 00:18:35,840 Speaker 2: I was I feel like I'm shooting off other kids 359 00:18:35,840 --> 00:18:38,679 Speaker 2: in class right now, Like I'm waiting for someone to 360 00:18:38,720 --> 00:18:41,800 Speaker 2: answer and raise their hand and go up to the whiteboard, 361 00:18:41,800 --> 00:18:43,760 Speaker 2: and then I can I can turn what someone else 362 00:18:43,800 --> 00:18:47,400 Speaker 2: writes on the whiteboard into an eloquence. Though, But right 363 00:18:47,440 --> 00:18:51,000 Speaker 2: now with the Tabula Rasa, I'm a little like, I mean, 364 00:18:51,040 --> 00:18:56,680 Speaker 2: I wasn't thinking that at all. I think there's both 365 00:18:56,720 --> 00:18:59,680 Speaker 2: the naivety that Ezra has I also had through it, 366 00:18:59,760 --> 00:19:02,800 Speaker 2: and so I wasn't thinking of like an end fate 367 00:19:02,920 --> 00:19:05,399 Speaker 2: as much as and I think you feel it with Ezra. 368 00:19:05,480 --> 00:19:08,200 Speaker 2: There's a beauty that he's so present, like he doesn't 369 00:19:08,240 --> 00:19:12,320 Speaker 2: even know how not to be, and so I think 370 00:19:12,560 --> 00:19:16,159 Speaker 2: everything is at a tend stakewise with whatever is going on. 371 00:19:16,240 --> 00:19:19,160 Speaker 2: So right now, it's the only thing that would creep 372 00:19:19,200 --> 00:19:21,840 Speaker 2: in is stuff with his parents that would be foreshadowed, 373 00:19:21,880 --> 00:19:24,359 Speaker 2: that might be on his mind, that is existing before 374 00:19:24,400 --> 00:19:24,800 Speaker 2: and after. 375 00:19:25,000 --> 00:19:27,879 Speaker 5: But like during these times, I think it's just like, 376 00:19:27,960 --> 00:19:29,680 Speaker 5: this is what's going on with cal Travis, and. 377 00:19:31,080 --> 00:19:34,840 Speaker 2: I don't know personally, I wasn't thinking how much further 378 00:19:35,119 --> 00:19:38,639 Speaker 2: ahead that would or tend to something like Anakin's faith. 379 00:19:40,080 --> 00:19:42,159 Speaker 4: Yeah, Okay, something else that Ezra did this episode, and 380 00:19:42,200 --> 00:19:44,359 Speaker 4: this is a mini side quest that jac will finish 381 00:19:44,400 --> 00:19:47,439 Speaker 4: in the fact check, But when Azar wakes up from 382 00:19:48,000 --> 00:19:51,000 Speaker 4: his lucid vision, he does the whole Wizard of Oz. 383 00:19:51,160 --> 00:19:53,359 Speaker 4: You were there, and you were there, and you were there, 384 00:19:53,840 --> 00:19:56,080 Speaker 4: and I went on this whole thing. Like, wait, when 385 00:19:56,080 --> 00:20:00,119 Speaker 4: I think about it, there's so many parallels between Star 386 00:20:00,119 --> 00:20:02,520 Speaker 4: Wars and Wizard of Oz. But like you take something 387 00:20:02,560 --> 00:20:05,240 Speaker 4: like Star Wars, it was a space Western with these 388 00:20:05,320 --> 00:20:08,040 Speaker 4: major orchestral pieces with epic brass sections, because that's how 389 00:20:08,119 --> 00:20:11,760 Speaker 4: John Williams does stuff, and with like the action series 390 00:20:11,760 --> 00:20:14,119 Speaker 4: of like a flash Gordon and Wizard of Oz was 391 00:20:14,200 --> 00:20:18,600 Speaker 4: this fairy tale with like Broadway numbers, but also a 392 00:20:18,600 --> 00:20:20,639 Speaker 4: story within the story, like they were both innovators in 393 00:20:20,680 --> 00:20:22,720 Speaker 4: terms of like how they told stories. But then you 394 00:20:22,760 --> 00:20:25,360 Speaker 4: look at three po three pos, like the ten man louse, 395 00:20:25,400 --> 00:20:27,800 Speaker 4: Skywalker is like Dorothy instead of over the rainbows, over 396 00:20:27,840 --> 00:20:30,960 Speaker 4: the two sons of Tito Win, and then Chewbacca's like 397 00:20:30,960 --> 00:20:33,760 Speaker 4: the cowardly lyon, especially in a New Hope. So it 398 00:20:33,800 --> 00:20:35,760 Speaker 4: got me thinking that I'm just planning to see because 399 00:20:36,000 --> 00:20:38,159 Speaker 4: jac and I talked about it yesterday. I'm like, hey, man, 400 00:20:38,200 --> 00:20:40,040 Speaker 4: I got a cool one for a fact check because 401 00:20:40,040 --> 00:20:42,000 Speaker 4: I know jac will go really really deep into that. 402 00:20:42,359 --> 00:20:46,240 Speaker 4: But I couldn't help but think that line in particular 403 00:20:46,440 --> 00:20:48,399 Speaker 4: was like a nod to George, because I know George 404 00:20:48,400 --> 00:20:51,119 Speaker 4: loves Wizard of Oz, he loves Kudasawa, he loves those movies. 405 00:20:52,280 --> 00:20:54,399 Speaker 4: And that was like day's version of Oh, I'm going 406 00:20:54,440 --> 00:20:58,119 Speaker 4: to honor my mentor, George, who honored the predecessors, and 407 00:20:58,160 --> 00:20:59,760 Speaker 4: I'm going to do it through Ezra and its fourth 408 00:20:59,840 --> 00:21:02,640 Speaker 4: visit and do it pulling the Dorothy from Wizard of Oz. 409 00:21:02,920 --> 00:21:06,280 Speaker 2: Wow, that's cool, really cool, and even into the vision 410 00:21:06,359 --> 00:21:11,359 Speaker 2: aspect of Dorothy going off into imagination or dream land. 411 00:21:11,480 --> 00:21:11,840 Speaker 6: It is. 412 00:21:12,240 --> 00:21:13,440 Speaker 5: It is really wild and cool. 413 00:21:13,440 --> 00:21:16,560 Speaker 2: And then also all the the sort of savory and 414 00:21:16,640 --> 00:21:19,200 Speaker 2: unsavory characters along the way too. I'm sure you could 415 00:21:19,240 --> 00:21:23,120 Speaker 2: drive even more parallels. Who are the Munchkins? Well, that's 416 00:21:23,160 --> 00:21:25,640 Speaker 2: the Java's the javas was on the monks? 417 00:21:26,600 --> 00:21:26,760 Speaker 1: Is it? 418 00:21:27,400 --> 00:21:30,280 Speaker 3: Pardon my ignorance, but is this like a thing that 419 00:21:30,320 --> 00:21:34,199 Speaker 3: people have discussed. It sounds like probably for like in 420 00:21:34,240 --> 00:21:36,440 Speaker 3: depth like that the parallels. 421 00:21:36,720 --> 00:21:39,680 Speaker 4: I'm sure, yeah, I you haven't. 422 00:21:40,200 --> 00:21:42,720 Speaker 3: Okay, I haven't either, but I just chalk that up 423 00:21:42,760 --> 00:21:46,040 Speaker 3: to my own like sort of not knowing enough about 424 00:21:46,040 --> 00:21:49,000 Speaker 3: this stuff. But that's really that's really fascinating. 425 00:21:49,400 --> 00:21:50,919 Speaker 4: Yeah, So stay tuned to the end of the episode 426 00:21:50,920 --> 00:21:53,520 Speaker 4: where jac will continue that thought. If I need to 427 00:21:53,560 --> 00:21:57,439 Speaker 4: incentivize you anymore, jac Uh, well, we'll get there. We'll 428 00:21:57,440 --> 00:21:58,840 Speaker 4: get But I wanted to bring that up because I 429 00:21:58,840 --> 00:22:01,320 Speaker 4: couldn't the first myself. I'm like, wait, that's Wizard of Oz. 430 00:22:01,359 --> 00:22:03,400 Speaker 4: And then when I watched it again, I was like, oh, 431 00:22:03,480 --> 00:22:06,040 Speaker 4: that is Wizard of Oz, Because like, when you know 432 00:22:06,160 --> 00:22:09,640 Speaker 4: who influenced who and what art inspired the other art, 433 00:22:10,240 --> 00:22:13,720 Speaker 4: you know that things just aren't accidental, especially in Star Wars, 434 00:22:13,720 --> 00:22:16,240 Speaker 4: you know, because you're part of such a big, bigger story, 435 00:22:16,720 --> 00:22:20,400 Speaker 4: and and that channel that through Ezra with that simple line, 436 00:22:20,400 --> 00:22:22,600 Speaker 4: which to someone who doesn't know Wizard of Oz, it's like, Okay, 437 00:22:22,640 --> 00:22:24,600 Speaker 4: he's saying you were there because they were there in 438 00:22:24,640 --> 00:22:27,080 Speaker 4: his vision. But when you look even deeper, it's like, oh, 439 00:22:27,080 --> 00:22:29,920 Speaker 4: there's a this is a callback to the golden age 440 00:22:29,960 --> 00:22:32,280 Speaker 4: of cinema. I thought that was really cool, And that's 441 00:22:32,280 --> 00:22:32,680 Speaker 4: one of. 442 00:22:32,560 --> 00:22:34,600 Speaker 2: My favorite things of art though, is in it like 443 00:22:35,080 --> 00:22:39,399 Speaker 2: almost everything is an inspired something because we how do 444 00:22:39,440 --> 00:22:41,440 Speaker 2: we learn anything. It's like what we see and hear 445 00:22:41,520 --> 00:22:44,679 Speaker 2: and are conditioned, like we come into a with nothing. 446 00:22:44,760 --> 00:22:47,199 Speaker 2: And it's I always find that so inching of like 447 00:22:47,520 --> 00:22:50,040 Speaker 2: one when you create art personally and you know where 448 00:22:50,080 --> 00:22:53,480 Speaker 2: you've stolen it or been inspired and someone points it 449 00:22:53,480 --> 00:22:55,960 Speaker 2: out like what a what a great idea, and you're like, sure, 450 00:22:56,000 --> 00:22:58,280 Speaker 2: I just like put it through my filter. But Star 451 00:22:58,320 --> 00:23:01,119 Speaker 2: Wars is that like everything I've and I'm sure Wizard 452 00:23:01,160 --> 00:23:04,639 Speaker 2: of Oz was inspired before, and the cycle sort of 453 00:23:04,920 --> 00:23:09,919 Speaker 2: forever continues that you're like repurposing everything through a new filter, 454 00:23:10,119 --> 00:23:12,320 Speaker 2: but and a new world. But I think that's one 455 00:23:12,320 --> 00:23:15,200 Speaker 2: of the coolest things with art, and I think something 456 00:23:15,280 --> 00:23:16,399 Speaker 2: very fun about Star Wars. 457 00:23:17,840 --> 00:23:20,720 Speaker 4: Absolutely, and that's what makes anything quote new. People looking 458 00:23:20,760 --> 00:23:22,920 Speaker 4: for original content, it's like, well, when you break it down, 459 00:23:22,960 --> 00:23:25,800 Speaker 4: there's there's seven eight kind of story archetypes. It's the 460 00:23:25,880 --> 00:23:28,360 Speaker 4: person and how they perceive it and how they want 461 00:23:28,400 --> 00:23:30,880 Speaker 4: to execute that story is what makes something new because 462 00:23:30,920 --> 00:23:33,840 Speaker 4: you break down, say the Lion King, Lion King's amazing 463 00:23:34,240 --> 00:23:36,800 Speaker 4: lin King's Hamlet, you know, when you really really break 464 00:23:36,800 --> 00:23:39,199 Speaker 4: it down, but it was through the lens of you know, 465 00:23:39,280 --> 00:23:42,080 Speaker 4: Pride Rock and Simba Mufasa, all this stuff who you know, 466 00:23:42,200 --> 00:23:44,360 Speaker 4: of course the Lake, Great James or Zones who Star Theater, 467 00:23:44,400 --> 00:23:46,280 Speaker 4: all this stuff. When you look at any story, you 468 00:23:46,320 --> 00:23:49,040 Speaker 4: can really a lot of times filtered down to Shakespeare, 469 00:23:49,200 --> 00:23:51,480 Speaker 4: but it always comes down to some sort of story archetype. 470 00:23:51,480 --> 00:23:54,560 Speaker 4: But it's you know, the innovators, the Spielberg's, the Coppola's, 471 00:23:54,680 --> 00:23:57,160 Speaker 4: Lucases of the world, who are gonna, you know, put 472 00:23:57,200 --> 00:23:58,879 Speaker 4: a new twist on it because that's just how they 473 00:23:58,920 --> 00:24:01,399 Speaker 4: see that world. And you know, I would hope any 474 00:24:01,440 --> 00:24:04,760 Speaker 4: of the younger creators listening to this when understanding you 475 00:24:04,800 --> 00:24:08,239 Speaker 4: don't have to reinvent anything. It's take what works, But 476 00:24:08,280 --> 00:24:09,960 Speaker 4: then how do you perceive this and how do you 477 00:24:09,960 --> 00:24:13,640 Speaker 4: want to express yourself through this archetype which is what rebels? Did? 478 00:24:14,040 --> 00:24:14,240 Speaker 2: You know? 479 00:24:14,440 --> 00:24:17,439 Speaker 4: Like it didn't try to like uproot and tear apart 480 00:24:17,480 --> 00:24:20,720 Speaker 4: what Star Wars was all the foundations there. But because 481 00:24:20,760 --> 00:24:22,920 Speaker 4: of these characters and because of what you all collectively 482 00:24:22,920 --> 00:24:26,199 Speaker 4: put together. This is why, like I can say this 483 00:24:26,200 --> 00:24:28,960 Speaker 4: because I'm the moderator and I'm a third neutral, third party. 484 00:24:28,960 --> 00:24:31,320 Speaker 4: You all don't have to do this, but this is 485 00:24:31,359 --> 00:24:34,159 Speaker 4: why a lot of people, including myself, considered this like 486 00:24:34,240 --> 00:24:37,640 Speaker 4: peak Star Wars because of that, because you took something 487 00:24:37,720 --> 00:24:41,240 Speaker 4: that's so well known that everybody can pick apart, but 488 00:24:41,359 --> 00:24:43,480 Speaker 4: it still made it its own thing but honored the 489 00:24:43,520 --> 00:24:45,760 Speaker 4: predecessors that came before it. So again, you don't have 490 00:24:45,800 --> 00:24:50,200 Speaker 4: to if you want to. I'm trying to protect you 491 00:24:50,280 --> 00:24:51,800 Speaker 4: all from that. 492 00:24:51,800 --> 00:24:56,040 Speaker 3: That's very kind. Yeah, thank you, thanks for that, of. 493 00:24:55,920 --> 00:24:57,960 Speaker 4: Course, of course, so that's also what I'm here for. 494 00:24:58,000 --> 00:24:59,560 Speaker 4: It's part of my contract. I have to get some 495 00:25:00,160 --> 00:25:07,639 Speaker 4: ted Lasso positive reinforcement. Another fun highlight in this episode 496 00:25:07,760 --> 00:25:10,640 Speaker 4: was we got to see zayre voiced by Brighton James again. 497 00:25:11,080 --> 00:25:14,240 Speaker 4: So that's the cool thing about uh, these these these 498 00:25:14,240 --> 00:25:17,080 Speaker 4: series is like, we do see these characters again, and 499 00:25:18,000 --> 00:25:20,280 Speaker 4: this will be a fun fact check for JC as well. 500 00:25:20,320 --> 00:25:23,000 Speaker 4: He says he's being transferred to Arcanis. I know very 501 00:25:23,040 --> 00:25:25,920 Speaker 4: little about Arcanis. OI have been general hucks on the 502 00:25:25,960 --> 00:25:28,760 Speaker 4: first order from the the later the Aprams trilogy was 503 00:25:28,760 --> 00:25:33,399 Speaker 4: born there. Yeah, I know, I don't. It's a rainy 504 00:25:33,400 --> 00:25:35,760 Speaker 4: planet in the Outer Rim, That's all I know. But again, 505 00:25:37,119 --> 00:25:39,440 Speaker 4: yeah it is. It's a seattle of the Outer rims 506 00:25:40,800 --> 00:25:45,639 Speaker 4: in notes, which coincidentally enough, Taylor's shared on on my 507 00:25:45,680 --> 00:25:50,720 Speaker 4: Google notes right here, so that explains it. Another fun 508 00:25:50,760 --> 00:25:54,880 Speaker 4: thing here was more of Callous, and we saw that 509 00:25:54,920 --> 00:25:58,080 Speaker 4: he's a little more than just this hired gun who's 510 00:25:58,119 --> 00:25:59,880 Speaker 4: going out to the rebels. You kind of see how 511 00:26:00,080 --> 00:26:03,879 Speaker 4: calculating and smart he is. Because I'm gonna pronouncing a 512 00:26:03,960 --> 00:26:08,040 Speaker 4: cat Suki Suki because she voices Minister Tua and also 513 00:26:08,040 --> 00:26:13,080 Speaker 4: Mirra Bridger Kath, I'm so sorry if I yeah, that's it, 514 00:26:13,440 --> 00:26:16,840 Speaker 4: SUSI yeah, Because she's a recurring character. She comes in 515 00:26:16,880 --> 00:26:18,719 Speaker 4: and tells Callous like, hey, we need to do this, 516 00:26:18,800 --> 00:26:20,960 Speaker 4: and he basically says no, no, no, if you want to 517 00:26:20,960 --> 00:26:22,680 Speaker 4: catch one, you catch I go after the whole group, 518 00:26:23,119 --> 00:26:26,240 Speaker 4: and this is where we start to see Callous's initiative 519 00:26:26,359 --> 00:26:29,200 Speaker 4: and that, Okay, he's not just the guy who's taking orders. 520 00:26:29,240 --> 00:26:33,360 Speaker 4: He's someone who is very intelligent and calculated, and they're 521 00:26:33,480 --> 00:26:36,640 Speaker 4: slowly unraveling that, which makes him a scarier villain because 522 00:26:36,640 --> 00:26:38,840 Speaker 4: he's not just the big bat heavy. It's like, oh, 523 00:26:38,920 --> 00:26:41,560 Speaker 4: this guy he can he can also play chess along 524 00:26:41,600 --> 00:26:42,280 Speaker 4: with the others too. 525 00:26:43,080 --> 00:26:47,720 Speaker 1: I love that he refers to Ezra as Jaba. Yeah, Java, 526 00:26:48,119 --> 00:26:51,960 Speaker 1: what's up, Jeff? Yeah? But I mean it's again like 527 00:26:52,080 --> 00:26:56,040 Speaker 1: I think he said Jaba not Jaba. Did he say Java? 528 00:26:56,280 --> 00:27:00,200 Speaker 1: Is like to say you're pasta and text and Jaba. 529 00:27:01,080 --> 00:27:01,639 Speaker 3: That's funny. 530 00:27:02,760 --> 00:27:04,840 Speaker 1: I mean, it was funny just that he remembered him 531 00:27:05,240 --> 00:27:08,359 Speaker 1: saying like, what's your name? A Jaba? You know that 532 00:27:08,440 --> 00:27:12,000 Speaker 1: he remembered that's quote unquote his name, but also the 533 00:27:12,000 --> 00:27:14,480 Speaker 1: way he said it with the British accent. I don't 534 00:27:14,520 --> 00:27:16,720 Speaker 1: know why that moment for me was classic. 535 00:27:19,359 --> 00:27:24,520 Speaker 3: I was I remember David, you know, I was. I'm 536 00:27:24,560 --> 00:27:26,840 Speaker 3: such a fan of his and I remember when he 537 00:27:26,960 --> 00:27:31,560 Speaker 3: was cast as Callous. He did a few I know, 538 00:27:31,640 --> 00:27:33,600 Speaker 3: some of his stuff he recorded in London, but he 539 00:27:33,640 --> 00:27:36,399 Speaker 3: did a few sessions with us, yes, and I remember 540 00:27:36,440 --> 00:27:39,879 Speaker 3: being like super I mean not like I just I was. 541 00:27:39,960 --> 00:27:42,240 Speaker 3: I was like, oh, I'm a huge fan of this dudes, 542 00:27:42,240 --> 00:27:44,879 Speaker 3: and he's such he's such a classy dude and like 543 00:27:45,560 --> 00:27:48,199 Speaker 3: such an amazing actor. So I was like delighted that, 544 00:27:48,600 --> 00:27:50,439 Speaker 3: you know, we got to actually work with him in 545 00:27:50,480 --> 00:27:54,399 Speaker 3: the booth. And but then for some reason, maybe maybe 546 00:27:54,440 --> 00:27:56,520 Speaker 3: the reason is that I haven't watched these episodes in 547 00:27:56,560 --> 00:28:01,080 Speaker 3: ten years or longer, right, yeah, ten years. But I'm 548 00:28:01,080 --> 00:28:05,879 Speaker 3: having I'm really enjoying watching the Callous stuff a second 549 00:28:05,960 --> 00:28:12,080 Speaker 3: time now, Like he's such a cool, interesting, foreboding character, 550 00:28:12,320 --> 00:28:15,399 Speaker 3: you know, amin as like he's and and David's voice 551 00:28:15,440 --> 00:28:21,240 Speaker 3: is just like so rich and and and and just 552 00:28:21,520 --> 00:28:26,240 Speaker 3: it's just I'm having a really good time watching Callous 553 00:28:26,320 --> 00:28:29,439 Speaker 3: through these early episodes and knowing like where we get to. 554 00:28:30,400 --> 00:28:32,600 Speaker 3: I'm excited to keep, you know, to see that story 555 00:28:32,720 --> 00:28:33,320 Speaker 3: arc continued. 556 00:28:33,359 --> 00:28:36,119 Speaker 2: I thought for a second, you were calling Dave filon 557 00:28:36,720 --> 00:28:41,280 Speaker 2: and I was like, I've never heard that, Like, David 558 00:28:41,320 --> 00:28:44,520 Speaker 2: gave quite good I was like, what. 559 00:28:46,840 --> 00:28:51,320 Speaker 3: I see it, Yeah, David Yellow, But Steve Bloom does 560 00:28:51,400 --> 00:28:57,360 Speaker 3: call David David. Yeah, you know, I. 561 00:28:57,640 --> 00:29:05,320 Speaker 2: Spoke with David Yellow clarify because I went to the 562 00:29:05,320 --> 00:29:07,200 Speaker 2: same Druma schools him and he came and did stuff. 563 00:29:07,880 --> 00:29:08,160 Speaker 7: Wow. 564 00:29:10,240 --> 00:29:11,960 Speaker 5: After we had done. 565 00:29:11,720 --> 00:29:15,680 Speaker 1: Yeah, yeah, this yeah amazing. 566 00:29:15,960 --> 00:29:18,800 Speaker 3: Were you like yeah, Ezra Bridger and he was like, hey, no, no, 567 00:29:20,720 --> 00:29:21,560 Speaker 3: did you remember you? 568 00:29:21,720 --> 00:29:26,920 Speaker 2: I said king later, Uh no, okay, no, we I 569 00:29:26,920 --> 00:29:30,280 Speaker 2: mean we didn't. It was in a group setting that 570 00:29:30,320 --> 00:29:35,560 Speaker 2: I was like, I I the poetic nature of this 571 00:29:35,680 --> 00:29:36,320 Speaker 2: is for me to. 572 00:29:36,400 --> 00:29:39,400 Speaker 3: Not say anything. Yeah, sure, sure, sure, fair enough. 573 00:29:40,160 --> 00:29:43,360 Speaker 2: Yeah because everyone everyone knew, and everyone wanted me to 574 00:29:43,360 --> 00:29:43,840 Speaker 2: say something. 575 00:29:43,920 --> 00:29:46,000 Speaker 5: That's why I was like, of course, I was like, 576 00:29:46,080 --> 00:29:47,400 Speaker 5: I'm not gonna say. 577 00:29:47,360 --> 00:29:49,920 Speaker 3: So wait, let me get this straight. You made me 578 00:29:50,520 --> 00:29:52,960 Speaker 3: go tell James Hong that we had done a movie 579 00:29:53,000 --> 00:29:56,600 Speaker 3: together ten years or no, a few years prior, and 580 00:29:56,680 --> 00:30:00,040 Speaker 3: yet when you worked with David o'yello, oh yeah, I 581 00:30:00,080 --> 00:30:05,360 Speaker 3: don't take the advice I give. I really didn't want 582 00:30:05,400 --> 00:30:07,800 Speaker 3: to like debase myself and go and be like, hey 583 00:30:07,840 --> 00:30:10,880 Speaker 3: mister hang we would and he totally, I don't think, 584 00:30:10,960 --> 00:30:15,600 Speaker 3: remembered not a bit. And then you that's it. I'm 585 00:30:15,600 --> 00:30:18,520 Speaker 3: never taking advice from you again. Well that's that's unsure, 586 00:30:22,560 --> 00:30:24,400 Speaker 3: oh dear, okay as. 587 00:30:24,200 --> 00:30:25,680 Speaker 4: You were saying that to you, I was like, I 588 00:30:25,680 --> 00:30:27,080 Speaker 4: think I know what Taylor is going to say, and 589 00:30:27,120 --> 00:30:28,880 Speaker 4: then you said exactly what I hope. 590 00:30:32,800 --> 00:30:37,040 Speaker 3: Yeah, that's probably your that's probably your. I mean I 591 00:30:37,040 --> 00:30:39,400 Speaker 3: would say worst fear, but yeah, like I feel like 592 00:30:41,160 --> 00:30:44,560 Speaker 3: you would never want to be predictable. Yeah, I don't 593 00:30:44,560 --> 00:30:46,920 Speaker 3: want to be predictable to myself. Yeah. 594 00:30:46,720 --> 00:30:52,400 Speaker 5: Yeah, not a great quality. 595 00:30:51,840 --> 00:30:53,560 Speaker 3: That can get one into trouble real quick. 596 00:30:53,920 --> 00:30:54,440 Speaker 5: Yeah. 597 00:30:54,560 --> 00:30:56,400 Speaker 1: I gotta say, one of the things I really loved 598 00:30:56,480 --> 00:30:59,480 Speaker 1: about the episode is they were, you know, sprinting through 599 00:30:59,520 --> 00:31:05,080 Speaker 1: the sewer. I really love the camaraderie and the sense 600 00:31:05,080 --> 00:31:08,360 Speaker 1: of family, Like you know, Specter five, do you know 601 00:31:08,400 --> 00:31:09,680 Speaker 1: where we are? Sure? 602 00:31:09,760 --> 00:31:14,360 Speaker 8: I think I I like and I just loved the 603 00:31:14,440 --> 00:31:17,200 Speaker 8: characters so much, and I just remember where we were 604 00:31:18,080 --> 00:31:21,240 Speaker 8: back then in terms of our friendship building, and I 605 00:31:22,240 --> 00:31:24,280 Speaker 8: for me personally, I felt like I had a more 606 00:31:25,240 --> 00:31:28,800 Speaker 8: intense sense of that in this episode and rewatching it that. 607 00:31:28,920 --> 00:31:31,320 Speaker 1: Yeah, by this time, I think we were kind of 608 00:31:31,320 --> 00:31:34,280 Speaker 1: making fun of each other and you know whatever, that 609 00:31:34,320 --> 00:31:37,240 Speaker 1: we had sort of landed a bit by this episode, 610 00:31:37,440 --> 00:31:41,200 Speaker 1: and it was very very fun. It was fun to record, 611 00:31:41,240 --> 00:31:46,120 Speaker 1: it was fun to watch, and yeah, yeah, I don't know. 612 00:31:46,160 --> 00:31:47,040 Speaker 1: It was moving to me. 613 00:31:47,600 --> 00:31:50,880 Speaker 3: By this point. I feel like we'd moved past the formalities, 614 00:31:51,160 --> 00:31:54,600 Speaker 3: you know, and we like fully like we were. We 615 00:31:54,640 --> 00:31:57,560 Speaker 3: were past all the like now we can start like 616 00:31:58,560 --> 00:32:01,240 Speaker 3: ribbing each other and making fun of each other. 617 00:32:01,480 --> 00:32:03,280 Speaker 2: And yeah, it was this episode I was finally not 618 00:32:03,400 --> 00:32:06,520 Speaker 2: off book. You know, I can go in and I 619 00:32:06,520 --> 00:32:11,920 Speaker 2: can read this. I thought of the teenage mutant Ninja Turtles, 620 00:32:12,120 --> 00:32:13,000 Speaker 2: and I don't know why. 621 00:32:16,560 --> 00:32:17,640 Speaker 1: That's why. 622 00:32:19,320 --> 00:32:24,200 Speaker 3: It's a crazy parallel, I know, but through the sewers, 623 00:32:24,200 --> 00:32:26,240 Speaker 3: it's like it calls up for certain. 624 00:32:27,000 --> 00:32:29,080 Speaker 4: That was in my original recap. But I already made 625 00:32:29,080 --> 00:32:31,200 Speaker 4: a Ninja Turtles joke when Dante was on the podcast, 626 00:32:31,240 --> 00:32:32,840 Speaker 4: so I didn't want to repeat myself, but I did 627 00:32:33,320 --> 00:32:36,280 Speaker 4: originally as like, wait, this sounds really familiar, and I 628 00:32:36,320 --> 00:32:37,800 Speaker 4: was like, oh, yep, I did say that. So I 629 00:32:37,840 --> 00:32:40,240 Speaker 4: went with the Goonies because that's you know, that's perfect. 630 00:32:40,440 --> 00:32:42,240 Speaker 3: I can never fail with the Goonies. 631 00:32:42,400 --> 00:32:42,960 Speaker 1: This is true. 632 00:32:43,040 --> 00:32:46,080 Speaker 4: It's good enough as you if you want to go there, 633 00:32:46,400 --> 00:32:48,000 Speaker 4: like the Sidney Lapper song. You know, goonies are good 634 00:32:48,040 --> 00:32:49,800 Speaker 4: all right, right, we can cut that from the podcast. 635 00:32:49,800 --> 00:32:51,040 Speaker 4: No, no believe it, that's funny. 636 00:32:51,320 --> 00:32:52,480 Speaker 3: No, don't you dare. 637 00:32:54,560 --> 00:32:54,600 Speaker 9: You? 638 00:32:55,600 --> 00:32:58,560 Speaker 3: Fellow Cyndy Lapper fans listening to this podcast, I think 639 00:32:58,600 --> 00:33:00,000 Speaker 3: fellow because I'm a huge Cindypper. 640 00:33:00,480 --> 00:33:02,720 Speaker 4: One of the interesting underlying themes of this episode two, 641 00:33:02,720 --> 00:33:05,680 Speaker 4: which I feel like you three are so intelligent and 642 00:33:06,000 --> 00:33:09,200 Speaker 4: you know, very thoughtful with everything you do, is two 643 00:33:09,200 --> 00:33:11,240 Speaker 4: things stood out to me. Like one is like false idols, 644 00:33:11,360 --> 00:33:14,120 Speaker 4: because you were like idolizing this Travis guy, like, oh, 645 00:33:14,160 --> 00:33:15,720 Speaker 4: he's going to be the savior and he's going to 646 00:33:15,800 --> 00:33:18,720 Speaker 4: trail place for us and almost give us permission to 647 00:33:18,800 --> 00:33:21,560 Speaker 4: keep on doing this mission that we're doing. And also 648 00:33:21,600 --> 00:33:23,760 Speaker 4: the other one was like don't meet your heroes. Those 649 00:33:23,800 --> 00:33:25,800 Speaker 4: are the two things that really came to mind for me, 650 00:33:25,960 --> 00:33:28,720 Speaker 4: because you know, you do meet Travis and he lets 651 00:33:28,720 --> 00:33:31,880 Speaker 4: you down. And what I love about it is instead 652 00:33:31,920 --> 00:33:35,720 Speaker 4: of wallowing that and instead of Hara just flat out 653 00:33:35,720 --> 00:33:38,080 Speaker 4: saying hey, it's this, which is a great speech, she's like, hey, 654 00:33:38,120 --> 00:33:40,200 Speaker 4: you know, I wanted to believe in him too. So 655 00:33:40,440 --> 00:33:42,480 Speaker 4: it was almost like when adults tell a kid, hey, 656 00:33:42,480 --> 00:33:45,160 Speaker 4: you know, we're figuring things out too. Yeah, we don't 657 00:33:45,160 --> 00:33:47,520 Speaker 4: have all the answers, so don't feel like you're doing 658 00:33:47,520 --> 00:33:49,640 Speaker 4: anything wrong for going that route, and I wanted to 659 00:33:49,640 --> 00:33:51,200 Speaker 4: throw that to the three of you. I don't know 660 00:33:51,200 --> 00:33:53,240 Speaker 4: if that came to mind for you, but I feel 661 00:33:53,240 --> 00:33:54,959 Speaker 4: like it comes up a lot in Star Wars, but 662 00:33:55,240 --> 00:33:57,720 Speaker 4: this episode especially had a lot of these underlying themes, 663 00:33:57,760 --> 00:33:58,920 Speaker 4: and those two really stood out to me. 664 00:34:00,560 --> 00:34:04,000 Speaker 1: I definitely I agree, and that added to the sense 665 00:34:04,120 --> 00:34:08,600 Speaker 1: of family, and you know, I'm reminded of obviously later 666 00:34:09,120 --> 00:34:12,799 Speaker 1: when Canaan makes the ultimate sacrifice that we all got 667 00:34:12,880 --> 00:34:19,320 Speaker 1: to process that together. But I recently rewatched episode seven, 668 00:34:19,520 --> 00:34:23,160 Speaker 1: eight and nine, and particularly in the Rise of Skywalker, 669 00:34:23,840 --> 00:34:25,920 Speaker 1: you have a sense that the rebellion is ending, like 670 00:34:25,960 --> 00:34:29,600 Speaker 1: the spark, you know, the Spark of Rebellion was the 671 00:34:29,640 --> 00:34:34,600 Speaker 1: initial sort of vibe of this entire cartoon series, and 672 00:34:34,920 --> 00:34:39,360 Speaker 1: by episode nine, things are not looking good at the 673 00:34:39,480 --> 00:34:41,480 Speaker 1: end there and like the spark is out and I 674 00:34:41,480 --> 00:34:44,440 Speaker 1: thought we had a shot, and then you know, it's 675 00:34:46,000 --> 00:34:50,160 Speaker 1: It's amazing how they comfort each other and managed to 676 00:34:50,200 --> 00:34:52,040 Speaker 1: have the hope, like that line that I was saying 677 00:34:52,080 --> 00:34:58,000 Speaker 1: that Hara has knowing where the franchise ultimately goes. You know, 678 00:34:58,040 --> 00:35:01,960 Speaker 1: I remember Simon Kinberg saying, we want to know. You 679 00:35:02,000 --> 00:35:04,200 Speaker 1: know that he had us well at least, he had 680 00:35:04,200 --> 00:35:08,359 Speaker 1: me watch different movies about civil movements and how they 681 00:35:08,400 --> 00:35:11,359 Speaker 1: began with two people meeting in a room. Who are 682 00:35:11,360 --> 00:35:15,879 Speaker 1: those two people? Well maybe you know Ahsoka and Hera, 683 00:35:16,200 --> 00:35:20,120 Speaker 1: or you know, we want to know how those initial 684 00:35:20,160 --> 00:35:23,520 Speaker 1: meetings went that you know, ultimately when Princess Leah is like, 685 00:35:23,560 --> 00:35:25,880 Speaker 1: oh be wan Kenobi on my own new hope and 686 00:35:26,120 --> 00:35:28,680 Speaker 1: you know, puts the intel in that he said, that 687 00:35:28,800 --> 00:35:31,880 Speaker 1: is on the backs of these individuals that we're getting 688 00:35:31,920 --> 00:35:35,640 Speaker 1: to know. So I also had a sense of kind 689 00:35:35,640 --> 00:35:39,360 Speaker 1: of the magic carpet ride simultaneously the roller coaster ride 690 00:35:39,480 --> 00:35:42,480 Speaker 1: of hey we're up, Oh we have no fuel or 691 00:35:42,480 --> 00:35:44,759 Speaker 1: whatever it is. And in this case, you know, don't 692 00:35:44,800 --> 00:35:48,319 Speaker 1: meet your heroes. We've been let down and they do 693 00:35:48,480 --> 00:35:52,439 Speaker 1: kind of live on crumbs and then sometimes rarefied air. 694 00:35:53,560 --> 00:35:57,640 Speaker 1: But that sort of being in the moment with each 695 00:35:57,640 --> 00:36:02,360 Speaker 1: obstacle or victory is peek Star Wars, as you said. 696 00:36:02,960 --> 00:36:05,719 Speaker 1: But I definitely had a sense of once again, like 697 00:36:05,760 --> 00:36:08,160 Speaker 1: I said, the friendship that was actually going on in 698 00:36:08,160 --> 00:36:11,280 Speaker 1: the room, but also the different points in the narrative 699 00:36:11,280 --> 00:36:15,360 Speaker 1: gave us the opportunity to exhibit that and comforting Ezra, 700 00:36:15,600 --> 00:36:17,240 Speaker 1: I thought was one of those cool moments. 701 00:36:17,640 --> 00:36:19,960 Speaker 3: I agreed with everything you just said. I also was 702 00:36:20,000 --> 00:36:27,279 Speaker 3: just thinking that like, despite these like hardships or you know, 703 00:36:28,120 --> 00:36:34,279 Speaker 3: roadbumps or you know, disappointments, they always have each other, 704 00:36:34,880 --> 00:36:37,879 Speaker 3: which is kind of like the crux of this whole thing, right, 705 00:36:38,040 --> 00:36:42,960 Speaker 3: is that this found family and the ability to like 706 00:36:43,480 --> 00:36:46,719 Speaker 3: wholly and completely rely on each other and trust each other, 707 00:36:46,920 --> 00:36:52,480 Speaker 3: which is so nice to see. It's so refreshing to see. 708 00:36:52,800 --> 00:36:56,960 Speaker 3: So yeah, I think that, I genuinely I think that 709 00:36:57,960 --> 00:37:01,040 Speaker 3: people who do love the show and love the characters, 710 00:37:01,160 --> 00:37:05,760 Speaker 3: I think that that's kind of probably what I've been told, 711 00:37:05,800 --> 00:37:06,560 Speaker 3: and I would think. 712 00:37:06,520 --> 00:37:10,400 Speaker 10: That, like that's really what draws folks to our characters 713 00:37:10,400 --> 00:37:13,640 Speaker 10: and our show, is this like kind of unbreakable bond 714 00:37:13,920 --> 00:37:17,200 Speaker 10: and implicit trust. 715 00:37:17,920 --> 00:37:21,400 Speaker 3: And respect for each other. I mean, obviously there's like 716 00:37:21,520 --> 00:37:25,680 Speaker 3: the stuff between Sabine and Ezra and like and zeb 717 00:37:25,760 --> 00:37:28,560 Speaker 3: and Ezra and really just Ezra and all of the 718 00:37:28,680 --> 00:37:33,560 Speaker 3: characters and the Chopper and Shopper. Yeah, but beyond I 719 00:37:33,560 --> 00:37:36,000 Speaker 3: mean that's all sort of like fun, fun and games. 720 00:37:36,040 --> 00:37:38,120 Speaker 3: But then like when it comes down to it, like 721 00:37:38,920 --> 00:37:41,320 Speaker 3: that's that's really what I think makes this so special. 722 00:37:41,800 --> 00:37:46,359 Speaker 2: Yeah, it's cool to see the bond grow with all 723 00:37:46,400 --> 00:37:50,320 Speaker 2: of them, and as the bond grows, the vulnerability rises 724 00:37:50,480 --> 00:37:53,799 Speaker 2: that and that's also a beautiful thing, like you care 725 00:37:53,880 --> 00:37:55,760 Speaker 2: for each one of them more and more. Like I'm 726 00:37:55,880 --> 00:38:01,680 Speaker 2: now sort of craving the whole zeb storyline. I'm just 727 00:38:01,880 --> 00:38:04,239 Speaker 2: looking forward to it so much more, which is really 728 00:38:04,280 --> 00:38:08,240 Speaker 2: sweet knowing where we're going obviously. 729 00:38:08,920 --> 00:38:12,359 Speaker 1: Yeah, that speaks to I mean, his characters. That character 730 00:38:12,520 --> 00:38:15,680 Speaker 1: arc is is tremendous and you see the seeds of 731 00:38:15,719 --> 00:38:19,160 Speaker 1: it now, you know, Yeah, it's really beautiful. 732 00:38:19,000 --> 00:38:23,879 Speaker 3: And I know, like I'll I'm like the number one 733 00:38:24,200 --> 00:38:26,919 Speaker 3: Steve bloom fan, but like actually, I mean we all are. 734 00:38:26,920 --> 00:38:32,000 Speaker 3: But it's just a testament to like that guy's talent 735 00:38:32,239 --> 00:38:38,000 Speaker 3: and depth and complexity because like he's so funny as Zeb, 736 00:38:38,280 --> 00:38:42,880 Speaker 3: but then there's so much more and I think obviously 737 00:38:44,280 --> 00:38:47,280 Speaker 3: no shade to like our writers that wrote like that 738 00:38:47,280 --> 00:38:50,320 Speaker 3: that story arc for him, but just like Steve blue Man. 739 00:38:50,880 --> 00:38:55,439 Speaker 4: Yeah yeah, he also said, yeah, there's a reason why 740 00:38:55,440 --> 00:38:58,480 Speaker 4: he's the most prolific voice like voice actor inness Book 741 00:38:58,480 --> 00:38:59,200 Speaker 4: of World Records. 742 00:38:59,440 --> 00:39:03,760 Speaker 1: When when he drops down from above with his whatever 743 00:39:03,800 --> 00:39:07,520 Speaker 1: that weapon is, like, you know, don't worry, our friends 744 00:39:07,520 --> 00:39:10,680 Speaker 1: will be along and then he comes down. I'm like, 745 00:39:10,800 --> 00:39:14,000 Speaker 1: you go, Zeb, he just cracks him. I love it. 746 00:39:14,560 --> 00:39:19,360 Speaker 4: Yeah, the Zeb laugh gets me every time. That's a 747 00:39:19,400 --> 00:39:22,759 Speaker 4: horrible impression. But like the laugh that Steve was able 748 00:39:22,800 --> 00:39:26,320 Speaker 4: to do because it's it's so genuine, because you feel 749 00:39:26,320 --> 00:39:27,640 Speaker 4: a lot of state going into that. 750 00:39:27,760 --> 00:39:28,240 Speaker 5: Yeah. 751 00:39:28,360 --> 00:39:30,680 Speaker 4: Yeah, like he's having such a great time doing the lab, 752 00:39:30,760 --> 00:39:32,600 Speaker 4: but it's also very Zeb at the same time, like 753 00:39:32,640 --> 00:39:34,120 Speaker 4: he never loses himself with him. 754 00:39:34,640 --> 00:39:37,560 Speaker 2: It's funny you point that out. Actually, I love that observation. 755 00:39:37,680 --> 00:39:41,279 Speaker 2: That is like the most the part of Zeb. If 756 00:39:41,320 --> 00:39:44,560 Speaker 2: that makes sense, like if that laugh is so, he's 757 00:39:44,640 --> 00:39:47,360 Speaker 2: a very happy, joyful dude. 758 00:39:48,480 --> 00:39:50,560 Speaker 4: Yeah, as people saw when he was on a few 759 00:39:50,560 --> 00:39:52,120 Speaker 4: episodes ago, and we got to bring him back soon. 760 00:39:52,200 --> 00:39:54,959 Speaker 4: Hopefully he must be our recurring Yeah, I. 761 00:39:54,880 --> 00:39:56,800 Speaker 5: Really need him to weigh in on this light sayber 762 00:39:57,000 --> 00:39:57,560 Speaker 5: jet pack thing. 763 00:39:58,960 --> 00:40:03,880 Speaker 4: I'm not sure. I'm sure he'll have some thoughts. So 764 00:40:03,920 --> 00:40:07,120 Speaker 4: a couple more things. There was a brief mention after 765 00:40:07,200 --> 00:40:10,440 Speaker 4: Travis's transmission, which I don't know if this is a 766 00:40:10,480 --> 00:40:12,759 Speaker 4: direct not to the previous episode. I think it is. 767 00:40:13,040 --> 00:40:15,520 Speaker 4: They mentioned the Lathal minds, but then it cuts off. 768 00:40:15,719 --> 00:40:18,520 Speaker 4: I'm like, oh, is it's something that Lando, because Lando 769 00:40:18,560 --> 00:40:20,600 Speaker 4: had the puffer pig that was going to scull out 770 00:40:20,600 --> 00:40:22,799 Speaker 4: the mind and get stuff. So I was like, oh, 771 00:40:22,880 --> 00:40:24,879 Speaker 4: is that a subtle nod like, Oh, Lando's still out 772 00:40:24,880 --> 00:40:27,920 Speaker 4: there doing his thing. I don't know, Maybe j C'll know. 773 00:40:28,239 --> 00:40:30,600 Speaker 4: I just want to throw that little nugget. 774 00:40:30,280 --> 00:40:32,600 Speaker 1: At you that did not touch that either. 775 00:40:32,880 --> 00:40:35,240 Speaker 4: It was really quick. I'm like, wait with all minds 776 00:40:35,239 --> 00:40:38,520 Speaker 4: because the previous episode, Lando's literally talking about it. But again, 777 00:40:41,440 --> 00:40:43,919 Speaker 4: we'll have to fact check that. I know we're giving 778 00:40:44,000 --> 00:40:46,279 Speaker 4: him I see, I see in mind the scenes again, 779 00:40:46,360 --> 00:40:46,759 Speaker 4: it's like the. 780 00:40:48,640 --> 00:40:52,520 Speaker 3: JC. We give him so much work and then he 781 00:40:52,600 --> 00:40:53,520 Speaker 3: always brings it. 782 00:40:54,040 --> 00:40:54,919 Speaker 4: He does every time. 783 00:40:55,080 --> 00:40:55,279 Speaker 3: You know. 784 00:40:56,000 --> 00:40:59,279 Speaker 4: That's that's part of the fun though, you know. Of 785 00:40:59,680 --> 00:41:02,120 Speaker 4: when you get to Jac's segment, which we're almost there, 786 00:41:02,440 --> 00:41:05,520 Speaker 4: but before we get there, people will recall last week, 787 00:41:05,560 --> 00:41:08,200 Speaker 4: and you'll all recall last week we were talking about 788 00:41:08,640 --> 00:41:13,239 Speaker 4: basketball player equivalents for your characters. So I thought, this is. 789 00:41:13,160 --> 00:41:14,600 Speaker 3: The mild debate. 790 00:41:16,719 --> 00:41:18,719 Speaker 4: I concurred with your allan iverson, but we're going to 791 00:41:18,760 --> 00:41:21,160 Speaker 4: come up with new ones today, which if you want, 792 00:41:21,200 --> 00:41:22,960 Speaker 4: I can go first to kind of just like if 793 00:41:23,000 --> 00:41:24,439 Speaker 4: you all want to still think about it. I don't 794 00:41:24,440 --> 00:41:26,279 Speaker 4: mind going first. I put a little thought into this. 795 00:41:26,640 --> 00:41:28,600 Speaker 3: John, did you come up with one of yours for 796 00:41:28,719 --> 00:41:30,279 Speaker 3: yourself or one for each of us? 797 00:41:30,560 --> 00:41:31,279 Speaker 4: Just for the three of you. 798 00:41:31,560 --> 00:41:33,480 Speaker 3: Oh, well, then you've got to throw one in for 799 00:41:33,560 --> 00:41:35,799 Speaker 3: you too. Oh it's for our characters. 800 00:41:35,239 --> 00:41:37,239 Speaker 1: For your characters. Thanks. Ye got it. 801 00:41:37,680 --> 00:41:39,320 Speaker 5: So I just want to throw in that J. C. 802 00:41:39,640 --> 00:41:40,759 Speaker 5: Phil Jackson in my mind. 803 00:41:41,360 --> 00:41:44,040 Speaker 9: I love it. I love that. 804 00:41:44,480 --> 00:41:46,920 Speaker 5: I need to come up. Well, I'm just thinking now because. 805 00:41:46,719 --> 00:41:48,680 Speaker 3: John, we got to come up with one for John. 806 00:41:48,880 --> 00:41:49,719 Speaker 4: We'll figure that out. 807 00:41:50,040 --> 00:41:50,480 Speaker 6: I like that. 808 00:41:50,920 --> 00:41:53,719 Speaker 2: I'm getting I'm getting I'm getting John Stockton vibes. I'm 809 00:41:53,719 --> 00:41:54,520 Speaker 2: getting John Stone. 810 00:41:54,560 --> 00:41:56,719 Speaker 4: Okay, he was kind of a dirty player. But I 811 00:41:56,760 --> 00:41:58,560 Speaker 4: mean yeah, I mean. 812 00:41:58,160 --> 00:42:02,600 Speaker 5: I would show Steve. I mean he got the job 813 00:42:02,719 --> 00:42:06,359 Speaker 5: done and if I was gonna go ste. 814 00:42:06,760 --> 00:42:11,520 Speaker 4: But I but but I will say, all those players there, 815 00:42:13,080 --> 00:42:15,600 Speaker 4: he's a sneaky player. I shouldn't say dirty, but he'll he'll. 816 00:42:15,640 --> 00:42:19,600 Speaker 2: I don't mean for that for you, I'm. 817 00:42:18,719 --> 00:42:22,200 Speaker 5: At for general, keeps everything running, facilitating. 818 00:42:22,239 --> 00:42:23,360 Speaker 4: I'll take that. 819 00:42:22,880 --> 00:42:27,319 Speaker 3: I'll we're gonna go consensus. I like Steve Nash. I 820 00:42:27,400 --> 00:42:31,239 Speaker 3: like Steve Nash for you cool, just a classy dude, yeah, I. 821 00:42:31,200 --> 00:42:32,279 Speaker 5: Should I should have gone. 822 00:42:32,719 --> 00:42:35,640 Speaker 4: He's a nice Canadian former Laker, you know. Yeah, yeah, 823 00:42:35,680 --> 00:42:37,520 Speaker 4: I like that, and you know, okay, I'll take some 824 00:42:37,560 --> 00:42:40,680 Speaker 4: Steve Nash actually, okay, so I'm gonna start with one. 825 00:42:41,760 --> 00:42:45,360 Speaker 4: Let me tell you something. People talk magic, Okay, is 826 00:42:45,440 --> 00:42:49,480 Speaker 4: magic Oscar's Oscar pistol piece, pistol pete. People usually put 827 00:42:49,520 --> 00:42:51,719 Speaker 4: Isaiah right after Magic. And look, if you say that, 828 00:42:51,800 --> 00:42:53,160 Speaker 4: I'm not going to say you're wrong. But for me, 829 00:42:53,200 --> 00:42:56,360 Speaker 4: I would put Stockton. He was such a pure point guard, 830 00:42:57,040 --> 00:42:59,520 Speaker 4: always get it done. Yeah, and but just the way 831 00:42:59,560 --> 00:43:01,840 Speaker 4: he ran offenses to perfection, but also the way he 832 00:43:01,840 --> 00:43:04,080 Speaker 4: played defense. And that guy was one of the best 833 00:43:04,080 --> 00:43:06,239 Speaker 4: rebounding point guards at like six foot one. He's out 834 00:43:06,239 --> 00:43:11,200 Speaker 4: rebounding guys at the city. So I agree one hundred percent. Okay, yeah, 835 00:43:11,239 --> 00:43:14,440 Speaker 4: I'm with that. Okay, So miss are Ezra and I'm 836 00:43:14,520 --> 00:43:18,920 Speaker 4: using current NBA players for the three of you. I 837 00:43:18,960 --> 00:43:20,439 Speaker 4: put Anthony Edwards for. 838 00:43:20,400 --> 00:43:28,680 Speaker 2: A dude, no way, Look, that's all my notes. 839 00:43:29,080 --> 00:43:32,440 Speaker 5: Well there Anthony Edwards. 840 00:43:32,600 --> 00:43:34,760 Speaker 4: Because Anthony Edwards, I mean. 841 00:43:34,800 --> 00:43:39,080 Speaker 5: All of this other random wow, I have them already. 842 00:43:39,360 --> 00:43:41,040 Speaker 5: It's one man. 843 00:43:41,080 --> 00:43:43,319 Speaker 4: And because you look at Anthony Edwards. He's got such 844 00:43:43,360 --> 00:43:45,640 Speaker 4: a gift and like, if he keeps on honing that, 845 00:43:45,960 --> 00:43:48,640 Speaker 4: there's no limits somebody can do. And that's Ezra. I 846 00:43:48,680 --> 00:43:51,360 Speaker 4: did a bonus. I used w NBA players too and 847 00:43:51,520 --> 00:43:55,399 Speaker 4: put w I would have done that, Dang. I put 848 00:43:55,440 --> 00:43:58,560 Speaker 4: Chelsea Gray, so people who don't know Chelsea Gray, Chelsea 849 00:43:59,360 --> 00:44:02,040 Speaker 4: is it. That'd be awesome. If it was very plot 850 00:44:02,080 --> 00:44:07,279 Speaker 4: to us, I could totally see the resemblance. Uh, Chelsea Gray. 851 00:44:07,480 --> 00:44:10,120 Speaker 4: You watched this woman play, and there's the reason why 852 00:44:10,160 --> 00:44:12,680 Speaker 4: Kobe like was like her mentor for a minute. Kobe 853 00:44:12,680 --> 00:44:15,360 Speaker 4: didn't just mentor anybody. But the way Chelsea Gray attacks 854 00:44:15,400 --> 00:44:18,080 Speaker 4: the game, she's also got this gift and she even 855 00:44:18,080 --> 00:44:19,920 Speaker 4: though she's not getting the credit, she's still going to 856 00:44:20,040 --> 00:44:21,799 Speaker 4: go in and give you everything she's got. Even when 857 00:44:21,840 --> 00:44:24,000 Speaker 4: she wasn't starting for Las Vegas. When she came off 858 00:44:24,040 --> 00:44:27,440 Speaker 4: the bench, she was such a spark, just like a 859 00:44:27,800 --> 00:44:29,120 Speaker 4: was a bit of a spark to the Ghost crew 860 00:44:29,200 --> 00:44:31,959 Speaker 4: once he joined and he started settling in. So that's 861 00:44:32,000 --> 00:44:36,040 Speaker 4: my ezra for Harah. I put Kevin Durant and dude, 862 00:44:36,120 --> 00:44:37,360 Speaker 4: get out of here. 863 00:44:37,040 --> 00:44:37,760 Speaker 6: Is really. 864 00:44:40,800 --> 00:44:44,080 Speaker 4: Dude, I'm not kidding, We're not colluding. I swear you 865 00:44:44,160 --> 00:44:44,960 Speaker 4: got like this. 866 00:44:45,000 --> 00:44:45,600 Speaker 6: We've been on the. 867 00:44:45,560 --> 00:44:49,520 Speaker 5: Same page with all I'm changing. I'm literally not changing. 868 00:44:51,160 --> 00:44:53,600 Speaker 5: I love that I wrote a second one for her. 869 00:44:53,680 --> 00:44:57,400 Speaker 4: Too, because Katie does everything. I would say Katie arguably 870 00:44:57,440 --> 00:44:59,279 Speaker 4: is probably one of the most if not the most 871 00:44:59,320 --> 00:45:03,319 Speaker 4: underrated superstar in NBA history. But he does everything, yet 872 00:45:03,360 --> 00:45:06,000 Speaker 4: he doesn't have all the hype around him, just like Harah. 873 00:45:06,400 --> 00:45:08,600 Speaker 4: You know, when you really look at what Harrah's done, 874 00:45:08,760 --> 00:45:12,080 Speaker 4: She's done everything and she's incredible, Like literally nothing she 875 00:45:12,080 --> 00:45:14,560 Speaker 4: can she can't do. So I was thinking of coming 876 00:45:14,600 --> 00:45:17,680 Speaker 4: to rant. For Harah WNBA equivalent, I put Sue Bird. 877 00:45:17,800 --> 00:45:19,680 Speaker 4: Sup Bird was like the same way superb was just 878 00:45:19,760 --> 00:45:23,120 Speaker 4: everywhere on the court, just like ultimate floor general, ultimate leader, 879 00:45:23,480 --> 00:45:26,280 Speaker 4: could do everything. So those are my two for Harah. 880 00:45:26,600 --> 00:45:30,560 Speaker 4: For Sabine, I put Russell Westbrook because. 881 00:45:31,120 --> 00:45:32,279 Speaker 5: That's good, that's actually good. 882 00:45:32,360 --> 00:45:40,960 Speaker 4: That's good about I put my hands up. 883 00:45:41,160 --> 00:45:42,640 Speaker 5: I love Russ. I love Russ. 884 00:45:43,680 --> 00:45:45,920 Speaker 4: Ross is another one who although. 885 00:45:45,640 --> 00:45:47,239 Speaker 2: He doesn't love me, when I did the move with 886 00:45:47,320 --> 00:45:50,799 Speaker 2: KD and we were in Oklahoma, he gave me no love. 887 00:45:50,960 --> 00:45:54,080 Speaker 2: This isn't calling out rus Russell's fantastic, but he I 888 00:45:54,120 --> 00:45:55,600 Speaker 2: remember he would just joke around me. 889 00:45:55,600 --> 00:45:57,040 Speaker 5: He's like, why aren't they making a movie about me? 890 00:45:57,200 --> 00:46:00,200 Speaker 5: And I was like, I don't know, dude, you it 891 00:46:00,280 --> 00:46:00,680 Speaker 5: was funny. 892 00:46:01,600 --> 00:46:04,359 Speaker 4: I love that he asked you, Yeah, let me make 893 00:46:04,400 --> 00:46:07,560 Speaker 4: some calls. Well, you have a you have a very 894 00:46:08,120 --> 00:46:11,120 Speaker 4: authoritative presence. That must be why he asks you. But Russ, 895 00:46:11,160 --> 00:46:13,000 Speaker 4: you know, averaged a triple double. Only other person to 896 00:46:13,000 --> 00:46:15,279 Speaker 4: do that is Oscar Robertson does everything on the court, 897 00:46:15,360 --> 00:46:17,319 Speaker 4: does what he needs to do on the court. And 898 00:46:17,360 --> 00:46:20,520 Speaker 4: also his artisticness when you look at his shoes, just 899 00:46:20,520 --> 00:46:22,920 Speaker 4: like when you look at Sabine's Mandalorian outfit. He's a 900 00:46:23,000 --> 00:46:25,800 Speaker 4: very artistic and fashionable person, which I feel like Sabine 901 00:46:25,880 --> 00:46:28,319 Speaker 4: is like a fashion icon within Star Wars. So that's 902 00:46:28,320 --> 00:46:30,880 Speaker 4: why I put Russell for your WNB equivalent. I put 903 00:46:30,880 --> 00:46:31,640 Speaker 4: Brionna Stewart. 904 00:46:32,360 --> 00:46:32,719 Speaker 2: You don't know. 905 00:46:32,719 --> 00:46:35,239 Speaker 4: Briona Stewart is everywhere, does everything, and also a bit 906 00:46:35,280 --> 00:46:38,200 Speaker 4: of a fashion icon Swiss army knife. So those are 907 00:46:38,239 --> 00:46:41,000 Speaker 4: my personal ones. Uh, And I will throw it to 908 00:46:41,080 --> 00:46:44,640 Speaker 4: the three of you now to think about yourself. 909 00:46:44,719 --> 00:46:47,680 Speaker 1: Yeah, Taylor would be the logical next. 910 00:46:48,400 --> 00:46:51,520 Speaker 2: Well, I mean, because they're the anti Edwards exact same. 911 00:46:51,920 --> 00:46:56,600 Speaker 2: There's a new documentary on Netflix. Court of Goal I 912 00:46:56,640 --> 00:47:00,320 Speaker 2: think it's called And they meet with Obama Obama to 913 00:47:00,360 --> 00:47:03,600 Speaker 2: speak with tam Usa before they go play in the 914 00:47:03,640 --> 00:47:08,880 Speaker 2: recent Parisian Olympics, and everyone's in reverence as in deference 915 00:47:08,920 --> 00:47:12,320 Speaker 2: to Obama, as you would think, not that Anthony Edwards isn't. 916 00:47:12,360 --> 00:47:14,520 Speaker 2: But he's just like, I don't know if you and 917 00:47:14,600 --> 00:47:16,440 Speaker 2: you guys have seen this, but he's like Josh and 918 00:47:16,480 --> 00:47:19,640 Speaker 2: Obama and Obama's like trying to send it back and 919 00:47:19,640 --> 00:47:21,640 Speaker 2: Anthey Edwards is like trash talking him like he's a 920 00:47:21,640 --> 00:47:22,200 Speaker 2: player on the. 921 00:47:22,120 --> 00:47:23,600 Speaker 5: Court and he's like, what are you talking about, bro? 922 00:47:24,960 --> 00:47:28,600 Speaker 2: And you're like, dude, that's Obama, what do you He. 923 00:47:28,440 --> 00:47:29,359 Speaker 5: Does not care. 924 00:47:29,440 --> 00:47:31,799 Speaker 2: And it's the beauty of Anthony Edwards and why he's 925 00:47:31,840 --> 00:47:35,480 Speaker 2: so incredible and he could be the best player in 926 00:47:35,520 --> 00:47:38,920 Speaker 2: the NBA and it looks like that might happen, but 927 00:47:39,239 --> 00:47:42,040 Speaker 2: there's still a lot of work to do. He's like 928 00:47:42,120 --> 00:47:44,280 Speaker 2: a diamond in the rough. But he has that sort 929 00:47:44,320 --> 00:47:47,360 Speaker 2: of nature that like why why not? Why not me? 930 00:47:47,600 --> 00:47:50,000 Speaker 2: Why can't we do it all? And so you nailed 931 00:47:50,040 --> 00:47:52,360 Speaker 2: it with that. I wrote Katie for Hara. I also 932 00:47:52,719 --> 00:47:59,800 Speaker 2: wrote for my second David Robinson the Admiral David is kad. 933 00:48:00,880 --> 00:48:05,040 Speaker 2: I love Kittie obviously, I I think he's incredible, but 934 00:48:05,160 --> 00:48:07,279 Speaker 2: I think he does get a little more love. Like 935 00:48:07,640 --> 00:48:10,560 Speaker 2: most conversations I have, I hear like he's the greatest 936 00:48:10,560 --> 00:48:13,160 Speaker 2: scorer in the NBA easily, Like if if he's hot, 937 00:48:13,320 --> 00:48:16,360 Speaker 2: nobody can stop me. And you can't say about every person, 938 00:48:16,760 --> 00:48:20,960 Speaker 2: but David Robinson just held it down and Haarrah holds 939 00:48:21,000 --> 00:48:25,480 Speaker 2: everything down like you. It doesn't function without Haarra. There's 940 00:48:25,520 --> 00:48:28,600 Speaker 2: a reason they called him the Admiral obviously his dad, 941 00:48:28,600 --> 00:48:30,919 Speaker 2: but also what he was on the floor. And yeah, 942 00:48:31,040 --> 00:48:33,560 Speaker 2: I think that works really well. And then for Sabine, 943 00:48:34,280 --> 00:48:37,800 Speaker 2: I like the Russell westbrookpole. We're losing everyone by the way, right, Yeah. 944 00:48:38,480 --> 00:48:46,640 Speaker 4: Feeling and so remember everybody, Jac's fact check is after this, 945 00:48:46,760 --> 00:48:48,239 Speaker 4: so don't love. We're not going to lose you yet. 946 00:48:48,320 --> 00:48:50,239 Speaker 3: Yeah, and we gave him a lot to do this time. 947 00:48:51,280 --> 00:48:52,440 Speaker 1: Fast, I'll be fast. 948 00:48:53,280 --> 00:48:56,680 Speaker 5: I go Dame Lillard for dans ability. 949 00:48:57,200 --> 00:49:03,920 Speaker 2: His uh, he was a he's clutch time Sabine shows 950 00:49:04,000 --> 00:49:04,760 Speaker 2: up in the clutch. 951 00:49:04,840 --> 00:49:06,920 Speaker 5: The only things that Damian Lillard can do and only 952 00:49:06,960 --> 00:49:07,880 Speaker 5: things that Sabine can do. 953 00:49:08,200 --> 00:49:11,479 Speaker 3: Oh, that might be the nicest thing you've ever said 954 00:49:11,480 --> 00:49:19,200 Speaker 3: to me, Taylor, And Okay, I didn't understand the assignment. 955 00:49:19,440 --> 00:49:22,680 Speaker 3: I only did picked one for Sabine. I didn't realize 956 00:49:22,680 --> 00:49:26,240 Speaker 3: we were picking ones for each other's character. I'm so sorry. 957 00:49:26,480 --> 00:49:29,120 Speaker 3: I apologize. Was that the assignment or did y'all just 958 00:49:29,120 --> 00:49:29,960 Speaker 3: go extra credit? 959 00:49:30,160 --> 00:49:30,760 Speaker 5: Extra credit? 960 00:49:30,880 --> 00:49:31,120 Speaker 1: Okay? 961 00:49:31,160 --> 00:49:35,680 Speaker 3: Okay, all right? So I like Damian Lillard. I like that, 962 00:49:35,880 --> 00:49:40,040 Speaker 3: you know his artistic side and the juxtaposition there. I'm 963 00:49:40,200 --> 00:49:44,239 Speaker 3: I'm I'm on, I'm in with that. I feel like 964 00:49:44,280 --> 00:49:46,440 Speaker 3: you guys are not going to agree with my choice 965 00:49:46,440 --> 00:49:49,759 Speaker 3: for Sabine, but I chose him because he is a 966 00:49:49,800 --> 00:49:53,360 Speaker 3: hero of mine. I'm going Steve Kerr. I think Steve 967 00:49:53,400 --> 00:49:57,120 Speaker 3: Kerr is I would vote for Steve Kerr for president. Frankly, 968 00:49:57,239 --> 00:50:02,239 Speaker 3: if I'm being honest, he is so inspiring. I mean 969 00:50:02,320 --> 00:50:04,839 Speaker 3: he was. First of all, if you know anything about 970 00:50:04,840 --> 00:50:11,880 Speaker 3: Steve Hurr's life, he overcame incredible like trauma, familial like 971 00:50:12,520 --> 00:50:15,360 Speaker 3: it's a really sad story. If you guys, if anyone 972 00:50:15,400 --> 00:50:19,360 Speaker 3: listening this is still listening, knows what I'm talking about. 973 00:50:19,360 --> 00:50:24,480 Speaker 3: He experienced some like really horrible stuff, tragedy in his family. 974 00:50:24,920 --> 00:50:28,600 Speaker 3: He was able to overcome that go on to be 975 00:50:28,640 --> 00:50:33,320 Speaker 3: an incredible player on the court leader off the court. 976 00:50:33,719 --> 00:50:38,120 Speaker 3: Now he's the cool I mean, he's like, he's so outspoken, 977 00:50:38,239 --> 00:50:44,640 Speaker 3: he's so strong in his convictions, and he isn't He 978 00:50:44,719 --> 00:50:48,280 Speaker 3: doesn't allow his position as like a head NBA coach 979 00:50:48,760 --> 00:50:52,240 Speaker 3: to keep him, like, to keep him from like speaking 980 00:50:52,239 --> 00:50:55,520 Speaker 3: out on what he thinks is important. He just d 981 00:50:55,600 --> 00:51:00,839 Speaker 3: gaf like he if he feels wrongly, and he does 982 00:51:00,920 --> 00:51:03,360 Speaker 3: feel strongly about a lot of socio political issues, he 983 00:51:03,640 --> 00:51:06,040 Speaker 3: is willing to go out there and speak on it 984 00:51:06,640 --> 00:51:13,160 Speaker 3: and doesn't let like, oh, oh, you know, I shouldn't 985 00:51:13,239 --> 00:51:16,160 Speaker 3: because that might upset people. He doesn't care. He's going 986 00:51:16,200 --> 00:51:18,520 Speaker 3: to talk about like injustices in the world. He's going 987 00:51:18,560 --> 00:51:21,800 Speaker 3: to call those things out and speak truth to power. 988 00:51:21,840 --> 00:51:25,440 Speaker 3: And I think that that kind of gives me sabine vibes. 989 00:51:26,040 --> 00:51:30,279 Speaker 4: I love that, and I love Steve Kerr. Stee fun fact. 990 00:51:30,280 --> 00:51:32,880 Speaker 4: Steve Kerr helped me perfect my free throw form when 991 00:51:32,920 --> 00:51:34,360 Speaker 4: I was in eighth grade because the Bulls used to 992 00:51:34,360 --> 00:51:37,960 Speaker 4: put all these basketball camps for US Chicago and he 993 00:51:38,040 --> 00:51:39,600 Speaker 4: saw me like I would make it. I was pretty 994 00:51:39,640 --> 00:51:42,560 Speaker 4: good at it, and he's like, hey, He's like bend 995 00:51:42,560 --> 00:51:44,520 Speaker 4: your knees a little more and bring your elbow up 996 00:51:44,560 --> 00:51:46,520 Speaker 4: this way, because he was getting me to get under 997 00:51:46,560 --> 00:51:49,319 Speaker 4: the ball more. The moment I did that, I was 998 00:51:49,360 --> 00:51:52,080 Speaker 4: like ninety percent from free throws, just from that one adjustment. 999 00:51:52,520 --> 00:51:54,680 Speaker 4: And I said, as an eighth creator. And I'm not 1000 00:51:54,719 --> 00:51:57,120 Speaker 4: taking credit for his coaching career, like you should be 1001 00:51:57,120 --> 00:52:01,719 Speaker 4: a coach someday. He's like he's like, oh no, like no, no, no, no, no, 1002 00:52:02,040 --> 00:52:05,120 Speaker 4: he was. He was very like, okay, no, no, I'm good. 1003 00:52:05,160 --> 00:52:07,160 Speaker 4: I'm good, and now look at him and now look 1004 00:52:07,200 --> 00:52:08,960 Speaker 4: at him, not look at him. So I love that. 1005 00:52:08,960 --> 00:52:09,680 Speaker 3: It's amazing. 1006 00:52:10,200 --> 00:52:15,920 Speaker 9: Yeah, all right, Vanessa, Well all right, so first off, 1007 00:52:16,080 --> 00:52:19,880 Speaker 9: I missed the whole thing that for me, Sabine is 1008 00:52:19,920 --> 00:52:23,480 Speaker 9: Alan Iverson, and I thank you so like I don't 1009 00:52:23,480 --> 00:52:25,880 Speaker 9: even know what to tell you, and you know I can't. 1010 00:52:25,960 --> 00:52:34,200 Speaker 1: Desmond Mason, uh he played for SuperSonics, Bucks and the Hornets, Milwaukee, 1011 00:52:34,360 --> 00:52:38,759 Speaker 1: Oklahoma City, Thunder, the Kings, and Sacramento. He was an 1012 00:52:38,840 --> 00:52:40,840 Speaker 1: artist and a painter. I don't know, guys, that's a 1013 00:52:40,880 --> 00:52:44,400 Speaker 1: reach I'm going with Alan Iverson and I just can't. 1014 00:52:44,560 --> 00:52:47,640 Speaker 1: But and I thank you for that sure, And I 1015 00:52:47,680 --> 00:52:51,080 Speaker 1: mean you've got your signature move and it's you're you're amazing. 1016 00:52:51,160 --> 00:52:55,080 Speaker 1: So for some reason, Harah to me reminds me of 1017 00:52:55,200 --> 00:53:00,919 Speaker 1: Kareem Abdul Jabbar. There's something, there's something in excessible with him, 1018 00:53:01,960 --> 00:53:05,120 Speaker 1: and it's it's greater than what many of us could 1019 00:53:05,160 --> 00:53:08,560 Speaker 1: possibly fathom. Somehow there's a vibe that there's something else 1020 00:53:08,640 --> 00:53:12,680 Speaker 1: going on, and uh, I think Kareem got it done. Now. Granted, 1021 00:53:12,719 --> 00:53:15,080 Speaker 1: I grew up in Los Angeles dealing with the Lakers 1022 00:53:15,080 --> 00:53:19,319 Speaker 1: my entire life, and then initially I thought Ezra was 1023 00:53:19,360 --> 00:53:22,839 Speaker 1: Magic Johnson because you know, he initially has that kind 1024 00:53:22,840 --> 00:53:26,359 Speaker 1: of uh, you know, jolly vibes and obviously he's an 1025 00:53:26,360 --> 00:53:29,680 Speaker 1: incredible player, but I think the swagger of Michael Jordan 1026 00:53:30,760 --> 00:53:39,880 Speaker 1: is more Ezra for me. Yeah, I think No, I 1027 00:53:39,920 --> 00:53:43,799 Speaker 1: think I think Ezra slays in a way that he 1028 00:53:43,800 --> 00:53:47,399 Speaker 1: would have his own sneaker line eventually. So that's where 1029 00:53:47,400 --> 00:53:51,560 Speaker 1: I was going with that, And yeah, I thought then 1030 00:53:51,600 --> 00:53:53,520 Speaker 1: I was like, no, you know who's Magic Johnson? Is 1031 00:53:53,600 --> 00:53:58,840 Speaker 1: zeb definitely a bit of a goofball but also amazing 1032 00:53:58,840 --> 00:54:04,319 Speaker 1: in his execution. And then for Freddy Lebron that's good. 1033 00:54:04,440 --> 00:54:07,720 Speaker 5: Oh yeah, yeah, I go Barkley on zeb. 1034 00:54:11,360 --> 00:54:14,320 Speaker 4: Yeah, I love bron Well, that's that's not terrible. 1035 00:54:14,400 --> 00:54:14,480 Speaker 2: Te. 1036 00:54:14,640 --> 00:54:18,200 Speaker 4: I appreciate that, that's not torible. I'll put you in 1037 00:54:18,239 --> 00:54:18,640 Speaker 4: my five. 1038 00:54:19,000 --> 00:54:21,480 Speaker 5: Let's see if we get two listeners still here. 1039 00:54:21,880 --> 00:54:26,160 Speaker 4: Yeah, if you guys, maybe God bless, I think, or 1040 00:54:26,239 --> 00:54:28,640 Speaker 4: maybe underestimating our audience. I feel like a lot of 1041 00:54:28,640 --> 00:54:30,600 Speaker 4: our audience are sports fans. I agree. 1042 00:54:30,920 --> 00:54:32,000 Speaker 1: Maybe I don't know. 1043 00:54:32,200 --> 00:54:34,880 Speaker 4: I mean, I love that, or we're just opening ourselves 1044 00:54:34,960 --> 00:54:37,000 Speaker 4: up to all demograph or sports fans. I mean I 1045 00:54:37,040 --> 00:54:38,680 Speaker 4: realized they're also Star Wars fans. 1046 00:54:38,800 --> 00:54:41,719 Speaker 3: There you go this then diagram. I think there's a 1047 00:54:41,719 --> 00:54:43,440 Speaker 3: lot of overlap, I believe. 1048 00:54:43,920 --> 00:54:46,200 Speaker 4: I think they just need to be there needs to be. Yeah, 1049 00:54:46,360 --> 00:54:48,040 Speaker 4: and there's just more in common. People might think I 1050 00:54:48,120 --> 00:54:51,799 Speaker 4: love those and I love Kareem because Kareem is such 1051 00:54:51,800 --> 00:54:54,200 Speaker 4: a fascinating person. Because you talk about somebody who at 1052 00:54:54,200 --> 00:54:56,640 Speaker 4: a very young age has two mentors were John Wooden 1053 00:54:57,200 --> 00:55:01,400 Speaker 4: and Bruce Lee, two of the greatest philosophical minds, and 1054 00:55:01,440 --> 00:55:05,319 Speaker 4: you see like you see that come out and what 1055 00:55:05,400 --> 00:55:07,680 Speaker 4: he talks about now he's he's also very much like 1056 00:55:07,680 --> 00:55:09,960 Speaker 4: I'm gonna say when needs to be said, and also 1057 00:55:10,280 --> 00:55:13,320 Speaker 4: arguably the most unstoppable shot in NBA history the skyhook, 1058 00:55:13,640 --> 00:55:16,680 Speaker 4: you know which I'm gonna say, If Webbin Yana can 1059 00:55:16,680 --> 00:55:18,719 Speaker 4: come up with like a skyhook, he's also going to 1060 00:55:18,800 --> 00:55:21,640 Speaker 4: be pretty nasty to deal with. So that'll be a 1061 00:55:21,680 --> 00:55:25,840 Speaker 4: little sports analysis there. This Segon was a lot of fun. Look, everybody, 1062 00:55:26,560 --> 00:55:28,760 Speaker 4: we love our sports here and we'd like to incorporate 1063 00:55:28,760 --> 00:55:30,799 Speaker 4: stuff and we like to be all inclusive. And look, 1064 00:55:31,120 --> 00:55:34,399 Speaker 4: was this directly related to the episode? No, but also 1065 00:55:34,480 --> 00:55:36,440 Speaker 4: it kind of was when you think about the qualities 1066 00:55:36,440 --> 00:55:38,840 Speaker 4: of these athletes, maybe you can take that into the 1067 00:55:38,840 --> 00:55:42,480 Speaker 4: future episodes that we're going to rewatch. So I think, 1068 00:55:42,560 --> 00:55:44,399 Speaker 4: I don't. I can't promise it will be the last 1069 00:55:44,400 --> 00:55:46,600 Speaker 4: time we'll do something like this, because it probably won't be, 1070 00:55:46,960 --> 00:55:47,720 Speaker 4: but uh. 1071 00:55:48,080 --> 00:55:48,400 Speaker 7: I would. 1072 00:55:48,600 --> 00:55:51,120 Speaker 1: I would love to have some athletes on. We'll get 1073 00:55:51,160 --> 00:55:51,600 Speaker 1: some but. 1074 00:55:51,880 --> 00:55:53,920 Speaker 4: Okay, we'll get some on. We'll get some on. I 1075 00:55:53,960 --> 00:55:56,280 Speaker 4: know Julian Edelman. I know you also have a podcast 1076 00:55:56,360 --> 00:55:58,319 Speaker 4: on the iHeart Network, So let's let's keep it all 1077 00:55:58,360 --> 00:56:00,560 Speaker 4: in the family. And I saw you when you won 1078 00:56:00,600 --> 00:56:03,640 Speaker 4: that Super Bowl. You posted this Rise of Edelman meme 1079 00:56:04,640 --> 00:56:06,400 Speaker 4: on your Twitter when I was still on Twitter, so 1080 00:56:06,440 --> 00:56:08,319 Speaker 4: I know you're a Star Wars fan, my man, So 1081 00:56:08,440 --> 00:56:10,120 Speaker 4: you are welcome you anytime, and we will come to 1082 00:56:10,160 --> 00:56:11,080 Speaker 4: our podcast as well. 1083 00:56:11,440 --> 00:56:14,920 Speaker 3: So I love that you just expect that Julian Edelman 1084 00:56:15,080 --> 00:56:20,719 Speaker 3: is listening to this. WoT of course, hey Julian, since 1085 00:56:20,760 --> 00:56:21,400 Speaker 3: you're listening. 1086 00:56:21,840 --> 00:56:27,719 Speaker 4: So AnyWho, Well, now, everybody, we come to the point 1087 00:56:27,719 --> 00:56:30,440 Speaker 4: of the show. We've come to the point that I 1088 00:56:30,520 --> 00:56:31,920 Speaker 4: think is our favorite part of the show. I know 1089 00:56:31,960 --> 00:56:33,359 Speaker 4: it's a lot of your favorite part of the show. 1090 00:56:33,600 --> 00:56:35,680 Speaker 4: It is time for fact check with our guy JC. 1091 00:56:35,920 --> 00:56:36,840 Speaker 4: What do we got today? 1092 00:56:37,280 --> 00:56:39,040 Speaker 6: Oh my gosh, you guys, I don't know. 1093 00:56:39,120 --> 00:56:41,480 Speaker 11: People behind the scenes don't realize we we had a 1094 00:56:41,480 --> 00:56:44,839 Speaker 11: little hiatus of recording and so you guys really came 1095 00:56:44,880 --> 00:56:51,200 Speaker 11: out and made me dust the uh just the cof today. 1096 00:56:51,520 --> 00:56:53,080 Speaker 11: So I'm going to try to get through this. I 1097 00:56:53,200 --> 00:56:57,160 Speaker 11: apologize if I missed anything. All of our listeners can 1098 00:56:57,200 --> 00:56:59,120 Speaker 11: be like, hey, they mentioned this and you did in 1099 00:56:59,160 --> 00:56:59,759 Speaker 11: fact check that. 1100 00:57:00,560 --> 00:57:01,600 Speaker 6: But I'm going to do my best here. 1101 00:57:01,760 --> 00:57:05,640 Speaker 11: Vanessa, you mentioned Chopper at the beginning, going after that droid. 1102 00:57:05,960 --> 00:57:07,600 Speaker 11: I just want to point out that is an R 1103 00:57:07,840 --> 00:57:12,040 Speaker 11: four droid that he goes after R two, R three, 1104 00:57:12,200 --> 00:57:14,720 Speaker 11: R four, R five. That is an R four droid. 1105 00:57:14,800 --> 00:57:17,520 Speaker 11: You can tell by the dome, the pointed dome on 1106 00:57:17,640 --> 00:57:21,000 Speaker 11: that Tia you mentioned the first time we discover a trader, 1107 00:57:21,080 --> 00:57:23,160 Speaker 11: the first time we have a trader in our midst 1108 00:57:23,160 --> 00:57:27,560 Speaker 11: and Star Wars rebels, I wasn't able to definitively confirm 1109 00:57:27,600 --> 00:57:30,160 Speaker 11: that that's the first time. I did want to point 1110 00:57:30,160 --> 00:57:35,040 Speaker 11: out that Brent Spiner from Data played Travis, which we 1111 00:57:35,120 --> 00:57:38,560 Speaker 11: mentioned the first time he showed up in an earlier episode, 1112 00:57:39,440 --> 00:57:42,840 Speaker 11: and Taylor, you were really upset by Travis because this 1113 00:57:42,880 --> 00:57:44,040 Speaker 11: is the first time you had watched this. 1114 00:57:44,320 --> 00:57:47,720 Speaker 6: I wanted to put your concerns. 1115 00:57:47,120 --> 00:57:52,160 Speaker 11: At ease that at the conclusion of the Galactic Civil War, 1116 00:57:52,320 --> 00:57:55,880 Speaker 11: after returning the Jedi, Travis was put on trial by 1117 00:57:55,920 --> 00:57:59,440 Speaker 11: the New Republic and found guilty. If you want to 1118 00:57:59,480 --> 00:58:02,320 Speaker 11: read more about that Star Wars Rise and Fall of 1119 00:58:02,360 --> 00:58:04,680 Speaker 11: the Galactic Republic, which is a book that came out 1120 00:58:04,960 --> 00:58:07,440 Speaker 11: in twenty twenty four. Anyway, he didn't get away with it, 1121 00:58:07,720 --> 00:58:11,000 Speaker 11: so we can all sleep well tonight knowing that he 1122 00:58:11,120 --> 00:58:14,640 Speaker 11: was punished for his misdeeds. John, you mentioned our Canis 1123 00:58:15,280 --> 00:58:20,280 Speaker 11: Arcanis is a system and kind of a planet. There's 1124 00:58:20,320 --> 00:58:24,280 Speaker 11: some ambiguity here and there's some retconning that happened. The 1125 00:58:24,480 --> 00:58:27,600 Speaker 11: consensus is it's along the Carillion Run, which is a 1126 00:58:27,680 --> 00:58:31,200 Speaker 11: hyperspace lane that people take from the core worlds out 1127 00:58:31,240 --> 00:58:35,600 Speaker 11: to the outer rim. It's close to Tattooin goes crosses 1128 00:58:35,640 --> 00:58:39,920 Speaker 11: by hut Space. There's also kind of two different spellings 1129 00:58:39,920 --> 00:58:42,000 Speaker 11: if you want to get into the nitty gritty, there's 1130 00:58:42,440 --> 00:58:49,440 Speaker 11: Arko Nis and Arka Nis. And this planet shows up 1131 00:58:49,480 --> 00:58:52,000 Speaker 11: all over the Clone Wars and different novels and comic 1132 00:58:52,040 --> 00:58:54,600 Speaker 11: books and all over the place. It's kind of a 1133 00:58:54,640 --> 00:58:58,120 Speaker 11: go to I think that they name drop here and there. 1134 00:58:58,200 --> 00:59:01,760 Speaker 11: Now here's the big one, Wizard of Oz and Star Wars. 1135 00:59:04,800 --> 00:59:08,880 Speaker 11: I want to preface this by saying, which we've mentioned 1136 00:59:08,880 --> 00:59:12,280 Speaker 11: in the past, Wizard of Oz and Star Wars are 1137 00:59:12,320 --> 00:59:16,320 Speaker 11: perfect examples of Joseph Campbell's heroes Journey, which I'll go 1138 00:59:16,360 --> 00:59:18,520 Speaker 11: into a little bit because I'm sure this is going 1139 00:59:18,600 --> 00:59:20,800 Speaker 11: to be something that comes up and comes up over 1140 00:59:20,840 --> 00:59:23,600 Speaker 11: and over throughout the podcast. But it's also just a 1141 00:59:23,640 --> 00:59:27,640 Speaker 11: great chance to show how stories that humans tell over 1142 00:59:27,680 --> 00:59:29,320 Speaker 11: the course of time interconnect. 1143 00:59:29,960 --> 00:59:31,360 Speaker 6: But first, Wizard of Oz. 1144 00:59:31,840 --> 00:59:34,360 Speaker 11: The main character in Wizard of Oz lives with her 1145 00:59:34,480 --> 00:59:38,080 Speaker 11: aunt and uncle on a farm that sounds a little 1146 00:59:38,120 --> 00:59:40,960 Speaker 11: bit familiar an orphan that lives on a farm. Dorothy 1147 00:59:41,000 --> 00:59:46,280 Speaker 11: and Luke goes on an otherworldly journey. Luke goes through 1148 00:59:46,840 --> 00:59:51,280 Speaker 11: mosse Iciley and Dorothy goes through a tornado. As John 1149 00:59:51,360 --> 00:59:54,400 Speaker 11: pointed out, Luke goes on a journey with a tin 1150 00:59:54,560 --> 00:59:59,480 Speaker 11: man C three po, a lion animal Chewbacca, and a 1151 00:59:59,560 --> 01:00:02,280 Speaker 11: man with very little brains on solo. 1152 01:00:03,640 --> 01:00:05,200 Speaker 6: Also a little. 1153 01:00:04,920 --> 01:00:08,680 Speaker 11: Companion that can't really communicate directly, but plays a large 1154 01:00:08,720 --> 01:00:12,480 Speaker 11: part R two D two. In Toto, they invade the 1155 01:00:12,560 --> 01:00:16,320 Speaker 11: castle of an evil witch aka the Death Star and 1156 01:00:16,440 --> 01:00:20,600 Speaker 11: Darth Vader who has magical powers. They dress up as 1157 01:00:20,760 --> 01:00:25,040 Speaker 11: palace guards. In Wizard of Oz, which you know, Han 1158 01:00:25,080 --> 01:00:27,680 Speaker 11: and Luke dress up as stormtroopers, there is a good 1159 01:00:27,720 --> 01:00:31,200 Speaker 11: witch that helps the main character on their journey Obi 1160 01:00:31,200 --> 01:00:37,200 Speaker 11: Wan Kenobi or Glinda, and the power rests within Dorothy 1161 01:00:37,240 --> 01:00:39,920 Speaker 11: the entire time. In the Ruby Step Slippers or the 1162 01:00:40,000 --> 01:00:43,880 Speaker 11: forest within Luke Skywalker. I also wanted to point out 1163 01:00:43,920 --> 01:00:48,120 Speaker 11: another connection to the Wizard of Oz, which isn't directly 1164 01:00:48,200 --> 01:00:52,080 Speaker 11: related to the hero's journey that the main characters take, 1165 01:00:52,360 --> 01:00:56,800 Speaker 11: but Walter Merch, who was mentioned last in an earlier 1166 01:00:57,160 --> 01:01:00,200 Speaker 11: episode of Pot of Rebellion when we were talking about 1167 01:01:00,320 --> 01:01:04,440 Speaker 11: Ben Burt in The Wilhelm Scream. Walter Merch directed the 1168 01:01:04,520 --> 01:01:08,440 Speaker 11: sequel in nineteen eighty five called Return to Oz. He 1169 01:01:08,680 --> 01:01:13,480 Speaker 11: was fired by Disney while directing that movie. George Lucas 1170 01:01:13,720 --> 01:01:18,280 Speaker 11: flew to London and vouched for Walter Murch, who was 1171 01:01:18,280 --> 01:01:22,160 Speaker 11: his old time friend, and said that they needed to 1172 01:01:22,200 --> 01:01:26,440 Speaker 11: rehire Walter, and George put himself up as collateral. If 1173 01:01:26,480 --> 01:01:28,240 Speaker 11: there was a problem with the movie, George would go 1174 01:01:28,320 --> 01:01:30,720 Speaker 11: in and finish the movie. Now, this is also nineteen 1175 01:01:30,760 --> 01:01:33,000 Speaker 11: eighty five, right after Return of the Jedi, so George 1176 01:01:33,080 --> 01:01:38,400 Speaker 11: Lucas was the guy. So there's another very direct connection 1177 01:01:38,880 --> 01:01:42,440 Speaker 11: from Star Wars and George Lucas directly to the Wizard 1178 01:01:42,480 --> 01:01:45,200 Speaker 11: of Oz. I'm going to go into this just a 1179 01:01:45,240 --> 01:01:49,040 Speaker 11: little bit. There's so much online and great YouTube videos, 1180 01:01:49,280 --> 01:01:51,720 Speaker 11: but just in case too long didn't read, I'm going 1181 01:01:51,760 --> 01:01:53,640 Speaker 11: to take you guys through the hero's journey just a 1182 01:01:53,680 --> 01:01:56,320 Speaker 11: little bit because I think it's something that's going to 1183 01:01:56,360 --> 01:01:59,240 Speaker 11: continue to come up as we talk about Star Wars 1184 01:01:59,280 --> 01:02:01,080 Speaker 11: and Inspas and things. 1185 01:02:01,520 --> 01:02:03,320 Speaker 6: Because again, if you google. 1186 01:02:03,040 --> 01:02:05,160 Speaker 11: Star Wars Wizard of Oz, there's a lot of articles 1187 01:02:05,160 --> 01:02:08,600 Speaker 11: that say, oh, George Lucas ripped off Wizard of Oz, 1188 01:02:09,040 --> 01:02:13,520 Speaker 11: You can say that about anything. The collect term is inspirational, right, 1189 01:02:13,880 --> 01:02:18,960 Speaker 11: So stories The first example of the hero's journey is 1190 01:02:19,880 --> 01:02:23,920 Speaker 11: the Epic of Gilgamesh, which is a Mesopotamian story, is 1191 01:02:24,000 --> 01:02:27,920 Speaker 11: kind of the first credited thing to that. But also 1192 01:02:28,120 --> 01:02:32,320 Speaker 11: there is stuff in Greek mythology, be Wolf, the Odyssey. 1193 01:02:32,360 --> 01:02:35,680 Speaker 11: These are all examples of basically the same plot points 1194 01:02:35,680 --> 01:02:38,520 Speaker 11: happening again and again and again. Hero's journey was first 1195 01:02:38,600 --> 01:02:41,760 Speaker 11: kind of defined by Joseph Campbell in Hero with a 1196 01:02:41,840 --> 01:02:45,360 Speaker 11: Thousand Faces, which we've talked about in the past. One 1197 01:02:45,360 --> 01:02:48,680 Speaker 11: of the kind of backgrounds is Joseph Campbell wanted to 1198 01:02:48,760 --> 01:02:54,479 Speaker 11: study the similarities behind different cultures. Typically, when you would 1199 01:02:54,520 --> 01:02:58,880 Speaker 11: look at something from a sociological or an anthropological perspective, 1200 01:02:59,160 --> 01:03:02,880 Speaker 11: you would always stuy the differences, right, What makes the 1201 01:03:02,920 --> 01:03:06,120 Speaker 11: person from here different from the person from here is 1202 01:03:06,240 --> 01:03:10,280 Speaker 11: these things right? Their composition of you know, these guys 1203 01:03:10,280 --> 01:03:13,080 Speaker 11: were bigger, these guys were skinnier. Because of this and this, 1204 01:03:13,400 --> 01:03:16,840 Speaker 11: Joseph Campbell wanted to study similarities, and so he looked 1205 01:03:16,840 --> 01:03:21,200 Speaker 11: at the stories that different cultures told that were seemingly 1206 01:03:22,240 --> 01:03:26,600 Speaker 11: not in connection with each other. So again, another Star 1207 01:03:26,640 --> 01:03:31,080 Speaker 11: Wars connection is the virgin birth, which appears for Anakin 1208 01:03:31,120 --> 01:03:34,560 Speaker 11: Skywalker and Star Wars episode one. When you see that, 1209 01:03:34,800 --> 01:03:37,760 Speaker 11: immediately as we're watching that in the United States, we're 1210 01:03:37,760 --> 01:03:40,640 Speaker 11: all like, oh, it's like Jesus and Christianity. But there 1211 01:03:40,640 --> 01:03:43,840 Speaker 11: are examples of virgin births in Aztec and Egyptian and 1212 01:03:43,920 --> 01:03:47,200 Speaker 11: all of these other cultures that were not necessarily connected 1213 01:03:47,240 --> 01:03:51,000 Speaker 11: to Christianity at the time that that was happening. So 1214 01:03:51,000 --> 01:03:54,760 Speaker 11: that's how communicate, and they couldn't communicate. Yeah, there's oceans 1215 01:03:54,800 --> 01:03:59,000 Speaker 11: dividing these people. So at similar times humans were telling 1216 01:03:59,080 --> 01:04:05,680 Speaker 11: similar stories. And the hero's journey is basically the pattern 1217 01:04:05,840 --> 01:04:11,120 Speaker 11: in which Joseph Campbell found that people told these heroic stories, 1218 01:04:11,440 --> 01:04:14,240 Speaker 11: which is a twelve kind of a twelve step thing 1219 01:04:14,280 --> 01:04:16,240 Speaker 11: that I'm going to try to go through so quickly 1220 01:04:16,760 --> 01:04:21,800 Speaker 11: because just in case going forward on this podcast, the 1221 01:04:21,840 --> 01:04:25,640 Speaker 11: hero always goes lives in the ordinary world, gets a 1222 01:04:25,680 --> 01:04:28,840 Speaker 11: call to adventure, refuses the call. So if we're looking 1223 01:04:28,840 --> 01:04:33,240 Speaker 11: at Star Wars, call lives on this terrible farm that 1224 01:04:33,320 --> 01:04:36,200 Speaker 11: he can't stand, gets a call to adventure. You know, 1225 01:04:36,400 --> 01:04:39,240 Speaker 11: you must take the droids to Alderon. No, I can't 1226 01:04:39,280 --> 01:04:43,640 Speaker 11: go to Alderon. I need to work here the farm. 1227 01:04:43,720 --> 01:04:47,040 Speaker 11: And you know next season when he meets Obi meeting 1228 01:04:47,080 --> 01:04:49,880 Speaker 11: the mentor, it's when he meets Obi Wan Kenobi crossing 1229 01:04:49,920 --> 01:04:53,200 Speaker 11: the threshold. The famous example of that is when Luke 1230 01:04:53,240 --> 01:04:56,840 Speaker 11: goes to the Cantina and sees this new magical world 1231 01:04:56,920 --> 01:05:00,440 Speaker 11: for the first time, tests allies and enemies. That's the 1232 01:05:00,520 --> 01:05:03,720 Speaker 11: trip to the Death Star where he and Han Solo bond, 1233 01:05:03,760 --> 01:05:07,320 Speaker 11: they meet Princess Leah. That whole thing approach to the 1234 01:05:07,360 --> 01:05:11,480 Speaker 11: innermost cave that is the most dangerous part of the journey. 1235 01:05:11,760 --> 01:05:15,800 Speaker 11: You can point to the trash compactor scene there in 1236 01:05:16,080 --> 01:05:18,480 Speaker 11: a New Hope, the Ordeal the hero face is a 1237 01:05:18,520 --> 01:05:20,920 Speaker 11: major crisis or test. It forces them to confront their 1238 01:05:20,960 --> 01:05:23,400 Speaker 11: deepest fears and weaknesses that can be looked at when 1239 01:05:23,440 --> 01:05:25,440 Speaker 11: Obi Wan Kenobi dies and they have to battle the 1240 01:05:25,480 --> 01:05:29,760 Speaker 11: tie fighters. Then there's reward. The hero overcorns the ordeal 1241 01:05:29,800 --> 01:05:33,400 Speaker 11: and receives the award or gains valuable insight. That's where 1242 01:05:33,920 --> 01:05:37,400 Speaker 11: kind of like Luke decides to go and is given 1243 01:05:37,440 --> 01:05:40,440 Speaker 11: an X waying to battle against the Death Star, and 1244 01:05:40,480 --> 01:05:42,320 Speaker 11: you see the Han bails on. 1245 01:05:42,320 --> 01:05:44,120 Speaker 6: Them at that point the road back. 1246 01:05:44,160 --> 01:05:46,720 Speaker 11: The hero begins their journey back to the ordinary world, 1247 01:05:46,800 --> 01:05:49,760 Speaker 11: often facing new challenges. That's the attack on the Death Star, 1248 01:05:49,840 --> 01:05:52,680 Speaker 11: Big Stark Lighter, his best friend from back home, dies 1249 01:05:53,520 --> 01:05:56,400 Speaker 11: right then and there Resurrection. The hero faces the final 1250 01:05:56,400 --> 01:05:59,680 Speaker 11: test challenge that tests their transformation and growth. Put the 1251 01:05:59,720 --> 01:06:04,720 Speaker 11: target getting computer away, and then you know, learns like Dorothy, 1252 01:06:04,840 --> 01:06:08,040 Speaker 11: the power to win the day is within use the 1253 01:06:08,120 --> 01:06:11,200 Speaker 11: force Luke. The hero returns to the ordinary world carrying 1254 01:06:11,240 --> 01:06:14,800 Speaker 11: a transport formative change. He knows he's going to become 1255 01:06:14,800 --> 01:06:18,360 Speaker 11: a Jedi or knowledge it benefits them and others. So 1256 01:06:18,480 --> 01:06:21,440 Speaker 11: you can apply those twelve steps almost. I mean, you 1257 01:06:21,440 --> 01:06:24,880 Speaker 11: can apply those steps to Toy Story and Woody and 1258 01:06:24,920 --> 01:06:27,640 Speaker 11: Buzz in a lot of ways, you know. So that's 1259 01:06:27,680 --> 01:06:29,960 Speaker 11: going to happen over and over and over as we 1260 01:06:30,040 --> 01:06:33,520 Speaker 11: talk about the things that were inspired by our similarities 1261 01:06:33,520 --> 01:06:37,800 Speaker 11: to Star Wars. That was really long. If you're still 1262 01:06:37,840 --> 01:06:41,560 Speaker 11: with me, Vanessa, you mentioned excuse me, Vanessa, you mentioned 1263 01:06:41,640 --> 01:06:46,200 Speaker 11: Zeb's weapon. It's a bow rifle eighty seventy five. Part 1264 01:06:46,240 --> 01:06:50,600 Speaker 11: of Lisok culture that is an electro staff and a blaster. 1265 01:06:51,640 --> 01:06:54,840 Speaker 11: I was able to find no direct confirmation between Lander, 1266 01:06:55,200 --> 01:06:58,120 Speaker 11: Lando the Puffer Pigs and the minds of Lothal. But 1267 01:06:58,200 --> 01:07:02,920 Speaker 11: I don't think you know, Henry Gilroy and Dave Filoni 1268 01:07:03,040 --> 01:07:05,280 Speaker 11: when they were writing this, I don't think there's any 1269 01:07:05,360 --> 01:07:08,760 Speaker 11: such thing as coincidence. I think that there's probably intent there. 1270 01:07:09,160 --> 01:07:12,480 Speaker 11: The amazing basketball discussion. I don't go deep on basketball 1271 01:07:12,640 --> 01:07:15,000 Speaker 11: like you guys do, but when we took football or baseball, 1272 01:07:15,240 --> 01:07:18,920 Speaker 11: I will be one hundred percent in on that. But 1273 01:07:19,200 --> 01:07:22,320 Speaker 11: one thing that came up in that discussion is Taylor, 1274 01:07:22,560 --> 01:07:27,760 Speaker 11: you called Harah the admiral or David Robinson, and I 1275 01:07:27,880 --> 01:07:30,640 Speaker 11: left me thinking, why is Hara not an admiral? Like 1276 01:07:30,680 --> 01:07:33,080 Speaker 11: she has been part of the rebellion since the inception, 1277 01:07:33,520 --> 01:07:36,960 Speaker 11: but she's still a general even you know, post returned 1278 01:07:37,000 --> 01:07:39,040 Speaker 11: to the Jedi, And what's the deal with that? It 1279 01:07:39,160 --> 01:07:42,000 Speaker 11: seems a little messed up. So I did a little 1280 01:07:42,040 --> 01:07:47,360 Speaker 11: looking into that, and apparently Haarrah commands a specific type 1281 01:07:47,400 --> 01:07:51,800 Speaker 11: of craft. So Harah always stated general because she always 1282 01:07:52,160 --> 01:07:56,840 Speaker 11: commanded a specific type of craft, so starfighters or something 1283 01:07:56,920 --> 01:08:03,080 Speaker 11: like that. Admirals command a group of different types of craft, 1284 01:08:03,480 --> 01:08:07,600 Speaker 11: So Harah probably wanted to stick with her crew and 1285 01:08:07,640 --> 01:08:10,120 Speaker 11: get into the nitty gritty and keep her hands dirty 1286 01:08:10,120 --> 01:08:12,080 Speaker 11: in a way that an admiral kind of has to 1287 01:08:12,120 --> 01:08:17,519 Speaker 11: take one thousand mile macro view on everything. So Harra 1288 01:08:17,640 --> 01:08:19,559 Speaker 11: doesn't need to be or people don't need to be 1289 01:08:19,560 --> 01:08:24,639 Speaker 11: offended on Harr's behalf because it obviously was a personal 1290 01:08:24,720 --> 01:08:25,760 Speaker 11: choice from Harah. 1291 01:08:26,160 --> 01:08:31,439 Speaker 2: That's exactly why I want to bring that up. JS 1292 01:08:32,040 --> 01:08:34,320 Speaker 2: also going to go back and watch Wicked immediately. 1293 01:08:36,040 --> 01:08:39,719 Speaker 3: It's all amazing, well done. 1294 01:08:40,080 --> 01:08:42,280 Speaker 4: I feel like you almost opened up a whole that discussion, 1295 01:08:42,280 --> 01:08:45,240 Speaker 4: like a is someone keeping Harah from being an admiral? 1296 01:08:45,280 --> 01:08:47,760 Speaker 4: Like do we need to get like Isabelle Wilkerson about 1297 01:08:47,800 --> 01:08:50,439 Speaker 4: cass and hierarchy, Like maybe maybe you might have a 1298 01:08:50,439 --> 01:08:53,120 Speaker 4: whole other sociological study. That was awesome As always, JC, 1299 01:08:53,640 --> 01:08:56,080 Speaker 4: there's a reason why people gravitate towards the fact check, 1300 01:08:56,120 --> 01:08:59,280 Speaker 4: including everybody here, and you never let us down. Thank 1301 01:08:59,320 --> 01:09:01,200 Speaker 4: everybody for listen. If you're still with us, I think 1302 01:09:01,200 --> 01:09:03,080 Speaker 4: you're still with us. And if it's only sports fans, 1303 01:09:03,120 --> 01:09:05,320 Speaker 4: now you're gonna realize how big of Star Wars fans 1304 01:09:05,360 --> 01:09:08,080 Speaker 4: you are. And if everybody stuck around then now, as 1305 01:09:08,200 --> 01:09:10,439 Speaker 4: t allude to before, the ven diagram just became a 1306 01:09:10,560 --> 01:09:13,080 Speaker 4: much much bigger circle. We're gonna be back next week 1307 01:09:13,120 --> 01:09:16,360 Speaker 4: to talk about season one, Episode thirteen, Call to Action Again. 1308 01:09:16,439 --> 01:09:19,040 Speaker 4: Three episodes left to season one. Things are really ramping 1309 01:09:19,120 --> 01:09:22,000 Speaker 4: up and we are going to see a lot of action, 1310 01:09:22,080 --> 01:09:23,960 Speaker 4: a lot of cool things, a lot of character expansion 1311 01:09:24,400 --> 01:09:26,320 Speaker 4: as we get towards the end of the season, and 1312 01:09:26,360 --> 01:09:29,280 Speaker 4: we got some other special guests. We're planning to cap 1313 01:09:29,320 --> 01:09:32,360 Speaker 4: off season one, so stay tuned for that. In the meantime, 1314 01:09:32,680 --> 01:09:35,800 Speaker 4: follow us on Instagram Potter Rebellion, Write to us Potter 1315 01:09:35,760 --> 01:09:37,960 Speaker 4: Rebellion Podcast at gmail dot com. We've gotten a lot 1316 01:09:37,960 --> 01:09:42,240 Speaker 4: of great emails of cosplay fan art and questions, which 1317 01:09:42,360 --> 01:09:44,559 Speaker 4: we're gonna address as bonus episodes on here as much 1318 01:09:44,560 --> 01:09:48,360 Speaker 4: as we can and five star ratings. Subscribe, tell your mother, 1319 01:09:48,400 --> 01:09:51,760 Speaker 4: tell your friends, Hello, everybody. In the meantime, Send us away, 1320 01:09:51,760 --> 01:09:53,000 Speaker 4: Taylor here. 1321 01:09:53,040 --> 01:09:53,800 Speaker 5: The music. 1322 01:09:57,680 --> 01:10:01,080 Speaker 4: Potter Rebellion is produced in partnership with iHeart Podcast producer, 1323 01:10:01,120 --> 01:10:04,519 Speaker 4: hosted by Vanessa Marshall, Tia Surkar, Taylor Gray, and John 1324 01:10:04,560 --> 01:10:07,400 Speaker 4: Ley Brody executive producer and in house Star Wars guru 1325 01:10:07,439 --> 01:10:08,560 Speaker 4: slash factchecker J. C. 1326 01:10:08,680 --> 01:10:09,240 Speaker 6: Reifenberg. 1327 01:10:09,320 --> 01:10:12,200 Speaker 4: Our music was composed by Mikey Flash. Our cover art 1328 01:10:12,280 --> 01:10:15,240 Speaker 4: was created by Neil Fraser of Neil Fraser Designs. Special 1329 01:10:15,240 --> 01:10:18,240 Speaker 4: thanks to Holly Frean, Aaronkauffman over at iHeart, Evan krasgoor 1330 01:10:18,240 --> 01:10:21,679 Speaker 4: at William Morris Endeavor, Tresa Canobio, George Lucas for creating 1331 01:10:21,680 --> 01:10:24,360 Speaker 4: this universe we love so much, and of course all 1332 01:10:24,360 --> 01:10:27,200 Speaker 4: of our amazing listeners. Follow us on Instagram at Potter 1333 01:10:27,240 --> 01:10:30,639 Speaker 4: Rebellion and email us at Potter Rebellion Podcasts at gmail 1334 01:10:30,840 --> 01:10:41,519 Speaker 4: dot com