WEBVTT - Tyler Perry is the Devil!! (with Sydnee Washington) RE-RELEASE

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<v Speaker 1>Nicholas Cage has been been every version of a person

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<v Speaker 1>in Hollywood. He's been a joke, he's been a fraud,

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<v Speaker 1>he's been somebody we we treated like an idiot.

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<v Speaker 2>But he's always been white. We haven't seen him switching.

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<v Speaker 1>We haven't seen like So I would like that. I

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<v Speaker 1>would like that quite a bit.

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<v Speaker 3>I think Tyler Perry can make that happen. Nicholas Cage,

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<v Speaker 3>Tyler Perry, I think, and.

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<v Speaker 4>I think together for evil.

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<v Speaker 3>I think I think two we can make it happen anyway.

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<v Speaker 1>Racist money, actually many turn stuff.

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<v Speaker 4>I can't tell me, so I creep. Yeah, I just

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<v Speaker 4>keep it on the download because no one else is

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<v Speaker 4>supposed to know. Welcome to Mama's and gentiles alike to

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<v Speaker 4>another phenomenal episode of My Mama Told.

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<v Speaker 1>Me the podcast What We Died, deep deep into the

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<v Speaker 1>pockets of black conspiracy theories, and.

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<v Speaker 4>We finally worked to prove that Andre three thousand has

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<v Speaker 4>lost a couple of those numbers is Andre twenty six

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<v Speaker 4>forty two? After that flute ship, my name is David

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<v Speaker 4>ford Man.

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<v Speaker 1>I don't like hearing it, but I'm like stick German.

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<v Speaker 4>Yeah, I think that I exaggerated the number of the

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<v Speaker 4>amount of numbers he lost.

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<v Speaker 1>Because yeah, it's like it's like it's in like that twenty.

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<v Speaker 4>Three eighty nine. He's good, he's yeah, and I just

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<v Speaker 4>don't like flutes. That's nice.

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<v Speaker 1>I think he's I think he's still only lost a

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<v Speaker 1>few points.

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<v Speaker 4>But but it is you.

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<v Speaker 1>You just want that rap album, baby.

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<v Speaker 4>Yeah, someday, someday, I feel like a Trump presidency if

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<v Speaker 4>it pushes us to a new three thousand album. Finish

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<v Speaker 4>what I'm.

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<v Speaker 1>Saying, finish your sentence four days, four days. And you're like,

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<v Speaker 1>this ain't so bad.

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<v Speaker 4>Oh man, I've already resigned to it.

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<v Speaker 1>Man, this man's not even in the Oval office again yet.

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<v Speaker 4>And you're like, I will be all right, We'll call

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<v Speaker 4>the bright side.

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<v Speaker 1>We can't. We can't delete or dally anymore than we

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<v Speaker 1>already have. Our guest today is in studio with us.

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<v Speaker 1>She's phenomenal, a dear friend, an artist, a comedian, a

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<v Speaker 1>a a unit.

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<v Speaker 2>To do it, but so much more.

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<v Speaker 1>She she's a she's a dear friend. We're so happy

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<v Speaker 1>she's here. Give it up for Sydney washing to everybody.

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<v Speaker 2>You know black man won an intro.

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<v Speaker 3>I mean, no credits, just she's a person's funny.

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<v Speaker 2>Thank you. I appreciate y'all.

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<v Speaker 1>We love all vibes over here.

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<v Speaker 2>So I have So you don't like the fluke, I'm not. Uh,

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<v Speaker 2>you're not here for the flu.

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<v Speaker 4>I don't have discerning a taste enough to understand how

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<v Speaker 4>good it is.

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<v Speaker 2>I think, really, So that's a that's a that's a

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<v Speaker 2>you thing.

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<v Speaker 4>That's what I said. It's you know, I'm not a

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<v Speaker 4>flu guy. It doesn't mean he's not expanded.

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<v Speaker 2>No, he's already expanded. Baby, he did it.

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<v Speaker 4>So he left us, you know, And I'm hurt, and

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<v Speaker 4>I'm just a bitter a yeah.

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<v Speaker 2>A bitter ax. He's doing better than you, babe. He's

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<v Speaker 2>working hard.

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<v Speaker 1>The way you're going hard for this suggests to me

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<v Speaker 1>that you did like the flute album that.

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<v Speaker 3>You But it's all about elevation. You have to elevate.

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<v Speaker 3>You have to be a taste maker. You can't be

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<v Speaker 3>doing what everybody else is doing because they're doing it.

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<v Speaker 2>You understand.

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<v Speaker 3>If if everybody is on the train rapping for dollar bills,

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<v Speaker 3>Andre is like, no, no, no, I don't want to

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<v Speaker 3>be associated without flutes.

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<v Speaker 2>I don't see flutes everywhere.

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<v Speaker 4>It implies that he's not competitive liked he's still rapping

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<v Speaker 4>better than all the people for dollars.

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<v Speaker 2>We've moved on. We've done you moved on. Yes, I

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<v Speaker 2>don't like it because I don't have your ear for it.

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<v Speaker 4>That's what I said.

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<v Speaker 2>You know what, I just Christopher Columbus, your whole ship.

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<v Speaker 2>How does it feel feel a white man?

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<v Speaker 4>Yes, my shirt doesn't mean there's one in my world?

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<v Speaker 4>Why did you direct that? A means I was fired?

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<v Speaker 2>Was yere to dismantle this brotherhood?

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<v Speaker 1>And it's working.

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<v Speaker 4>In and of itself? What were united? We got pictures

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<v Speaker 4>on our shirt, stronger than we've ever been.

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<v Speaker 3>It hurts to see this like you Obviously, y'all are

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<v Speaker 3>really good at whatever you're doing, and.

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<v Speaker 2>I have to support it. So I think.

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<v Speaker 1>I think by whatever you're doing you mean talking to

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<v Speaker 1>niggas at the mall. Excuse me, man, you think you

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<v Speaker 1>could pull this off and he could shut out?

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<v Speaker 4>It looks good Je Romero and them all. I don't

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<v Speaker 4>know the name.

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<v Speaker 2>Of how much it cost enough.

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<v Speaker 1>This don't come cheap, sweetheart. You're gonna want that podcast

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<v Speaker 1>to get at least a few more episodes than clearly,

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<v Speaker 1>if I want to start buying shirts.

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<v Speaker 4>I'm a bill Will Ferrell for this.

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<v Speaker 2>This is absolutely invoice andre As Well.

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<v Speaker 4>It feels like you were on my side and then

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<v Speaker 4>I lost it for a little bit.

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<v Speaker 1>Okay, we enough, a goddamn enough. We have a conspiracy

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<v Speaker 1>that you brought. You brought to us. Uh no more

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<v Speaker 1>than than two hours ago. You said I have a conspiracy.

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<v Speaker 1>This is something I believe passionately. And we broadened that

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<v Speaker 1>conspiracy a little just to be able to open this

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<v Speaker 1>conversation up. But you said, my mama told.

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<v Speaker 2>Me Tyler Perry is the devil.

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<v Speaker 3>Absolutely, and specifically Cecily Tyson died to get out of

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<v Speaker 3>her contract with him.

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<v Speaker 2>Wow, the new death row.

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<v Speaker 5>Okay, if you don't want me all addressed, hidden people

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<v Speaker 5>with your Yeah, that has a gun in it.

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<v Speaker 1>Listen, niggas down the stairs and they wheel chair.

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<v Speaker 3>Got Janet Jackson in a curly, wet and wavy crying.

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<v Speaker 4>That a good cry though about her husband on the

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<v Speaker 4>down load.

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<v Speaker 2>So you're doing but that is another movie, that's all.

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<v Speaker 2>That's not.

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<v Speaker 1>Janet did multiple that's.

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<v Speaker 2>For that was for Colored Girls that I considered suicide.

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<v Speaker 1>That's but she did multiple Yes, Yeah, all the.

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<v Speaker 2>Day I think, why did I get married?

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<v Speaker 1>Well, I knew she did multiple. Why did I get married?

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<v Speaker 1>I didn't know that. She then also extended into like

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<v Speaker 1>the multi verse of Tyler Perry.

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<v Speaker 2>Yes, that's you know what I mean.

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<v Speaker 4>I think that's how you do it.

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<v Speaker 3>That's how you do You don't just do. If you

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<v Speaker 3>do one thing, you're bad. That means you're not useful.

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<v Speaker 2>You can't.

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<v Speaker 1>But some people sober up to it to some extent,

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<v Speaker 1>Like Taraji did one. She's not going back to talk.

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<v Speaker 4>Did you do more than one? Was it? Just like

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<v Speaker 4>I can do bad all by I.

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<v Speaker 1>Think she only did that. I can do bad, but

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<v Speaker 1>all by myself. I could be wrong. But even if

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<v Speaker 1>she did Idris it's another example. Yeah, I fucked around

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<v Speaker 1>over here for a second, but I'm not.

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<v Speaker 3>Do Daddy's Little Girl. Yeah, that wasn't That wasn't terrible.

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<v Speaker 4>That was The issue is not the quality of the movie.

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<v Speaker 4>Some of them I really like.

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<v Speaker 3>Really, that's it's not the quality. Yeah, I already I'm

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<v Speaker 3>gonna already say.

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<v Speaker 4>I consume some of those movies like junk Food. It's

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<v Speaker 4>just like it's not there's no yeah yeah yeah, in

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<v Speaker 4>small doses though, it feels good, you know what I mean,

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<v Speaker 4>Like it's just like there's no major problems. It's just

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<v Speaker 4>rich black people running around. Oh that's interesting. That's like

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<v Speaker 4>I like that.

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<v Speaker 3>You.

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<v Speaker 4>I'm cool with. You don't see them in the comedies,

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<v Speaker 4>not in the ones where it's like but you. You

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<v Speaker 4>don't see them in any way.

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<v Speaker 1>Like morally corrupt or sort of like harmful.

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<v Speaker 4>The characters within the movie. Yeah, not more so than

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<v Speaker 4>like I see anybody in any other movie, Like I

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<v Speaker 4>don't are.

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<v Speaker 2>You Are you? Are you all the way awake when

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<v Speaker 2>you're watching this?

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<v Speaker 4>Yeah?

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<v Speaker 2>Are you conscious?

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<v Speaker 4>It's like it's like, yeah, it's like, if you're feeling down,

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<v Speaker 4>you just watch like a funny, happy movie.

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<v Speaker 2>If you're feeling down, you put on Tyler Perry.

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<v Speaker 4>There's a couple of movies. Yeah, there's a couple of

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<v Speaker 4>movies Watch.

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<v Speaker 2>Do You Have a Therapist? In between?

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<v Speaker 4>It's a movie.

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<v Speaker 2>Silent Perry Perry.

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<v Speaker 4>He says, Hello, I'm just saying it's a big there's

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<v Speaker 4>a big market for it. The reason I think He's

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<v Speaker 4>the Devil is not the actual movie. WHOA, Okay, I

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<v Speaker 4>think it's the U the labor practices to really kind

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<v Speaker 4>of get to me, okay, like not being union and

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<v Speaker 4>stuff like that in an industry where like the standard

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<v Speaker 4>is to work unions, so it's like you're already putting

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<v Speaker 4>the people work with you like a little bit of

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<v Speaker 4>a disadvantage, right, And then it's like so it's like

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<v Speaker 4>you build this thing that is massive and does give

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<v Speaker 4>a lot of jobs, and that's very important, but you

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<v Speaker 4>make it so that these people are tied to you

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<v Speaker 4>in a way. Yeah, if you were getting if you

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<v Speaker 4>were allowing people to bounce over here and here and

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<v Speaker 4>here and get money and that was cool, then it

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<v Speaker 4>makes sense. But now it feels like if you're keeping

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<v Speaker 4>a stable it feels like you're not allowing people to grow.

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<v Speaker 1>I know a few barbers who have like dipped in

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<v Speaker 1>and out of like the Tyler Perry space, and all

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<v Speaker 1>of them sort of like in a weird way, it

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<v Speaker 1>gets sort of like, uh, like, no, I'm not going

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<v Speaker 1>back over there or over there. I gotta really be

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<v Speaker 1>down to be over there, because that's you. You're working

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<v Speaker 1>crazy hours, you're sort of being manipulated in this space.

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<v Speaker 1>And then I think they're they're expecting a commitment that

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<v Speaker 1>you can't like back out of easy, you.

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<v Speaker 3>Know, because it's like again, it's that thing about like exposure.

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<v Speaker 3>You're like, well, I'm in this, so this is actually

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<v Speaker 3>going to help me. And then after a couple of

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<v Speaker 3>rounds of it, you're like, wait, I'm still a bartender.

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<v Speaker 2>Yeah, I mean I'm a well known bar.

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<v Speaker 3>People know me, but I still have to bartend on

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<v Speaker 3>the side because I can't.

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<v Speaker 2>I can't make everything ends me.

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<v Speaker 1>I also think where it gets complicated is to your point,

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<v Speaker 1>the stink that it puts on you once you do

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<v Speaker 1>become a little bit of a Tyler Perry person, you.

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<v Speaker 4>Know what I mean?

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<v Speaker 1>Like, did we see maximum Allen Payne potential?

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<v Speaker 4>Wow? This is you? You was just the third time,

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<v Speaker 4>second time we talked about Alan paid the week. You

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<v Speaker 4>know what I mean?

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<v Speaker 3>You mean you mean Jason's lyric, the Alan Paine. He

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<v Speaker 3>was a great He was in everything.

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<v Speaker 4>He was everything.

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<v Speaker 3>Yeah, he was in every six he was making. He

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<v Speaker 3>was lot that curl pattern. We don't see that kind

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<v Speaker 3>of curl pattern, and.

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<v Speaker 4>It was he was.

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<v Speaker 1>He was a clearly black man with a natural curl.

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<v Speaker 1>This nigga had it all.

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<v Speaker 4>You would have I would have bet the house. Yeah,

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<v Speaker 4>I would have bet the house.

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<v Speaker 1>And he and he sunk his fucking ship over there.

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<v Speaker 1>What happened. Do you know what I mean, give us

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<v Speaker 1>back Alan Payne, Tyler Perry or what.

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<v Speaker 2>Oh wait was it was it Tyler Perry?

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<v Speaker 3>Or that it was just like Alan Payne had got

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<v Speaker 3>type cast so many times were like we didn't seen

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<v Speaker 3>this song and dance.

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<v Speaker 4>But that is a difficult thing, right if you get

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<v Speaker 4>typecast that much. Yeah, but you don't grow to a

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<v Speaker 4>level where it's unanimous that people know you're that you

0:13:13.559 --> 0:13:15.679
<v Speaker 4>kind of can't work in that forever.

0:13:15.720 --> 0:13:19.000
<v Speaker 1>But I'll challenge you all. I will challenge you on

0:13:19.080 --> 0:13:22.679
<v Speaker 1>this because because on the flip look at bokem woodbind

0:13:23.200 --> 0:13:27.400
<v Speaker 1>who came who went through it had like this heightened

0:13:27.480 --> 0:13:30.440
<v Speaker 1>moment where he was sort of typecast as this like

0:13:30.920 --> 0:13:34.520
<v Speaker 1>crazy eyed villain and ship, but then took a break

0:13:34.600 --> 0:13:38.280
<v Speaker 1>and came back, came back chubby and now has had

0:13:38.320 --> 0:13:41.120
<v Speaker 1>a whole new career. Do you know what I mean?

0:13:41.160 --> 0:13:47.360
<v Speaker 1>As older he was, he did Fargo, which was amazing.

0:13:48.280 --> 0:13:50.720
<v Speaker 3>Yeah, they said, and they said that was the best

0:13:50.720 --> 0:13:51.520
<v Speaker 3>part of the movie.

0:13:51.679 --> 0:13:55.280
<v Speaker 1>Listen, bokem Woodbine is the best. But he never went

0:13:55.400 --> 0:13:58.360
<v Speaker 1>over there. And That's what I'm saying is that maybe

0:13:58.400 --> 0:14:02.400
<v Speaker 1>there's a world where Alan Payne finds his true detective moment.

0:14:04.640 --> 0:14:06.360
<v Speaker 2>We got to put him in the A twenty four.

0:14:09.120 --> 0:14:12.520
<v Speaker 3>I think some people, or once you get in mainstream,

0:14:12.800 --> 0:14:16.199
<v Speaker 3>you have that opportunity to do all things like bad

0:14:16.520 --> 0:14:19.960
<v Speaker 3>good things that you're like, why are you even a

0:14:20.000 --> 0:14:23.760
<v Speaker 3>part of this? But certain specifically black people, once you

0:14:23.880 --> 0:14:26.160
<v Speaker 3>get into that little corner, that's it.

0:14:26.200 --> 0:14:26.800
<v Speaker 2>That's all you have.

0:14:27.280 --> 0:14:33.320
<v Speaker 3>Like Glenn Close, she was in Deliverance. I'm coughing because

0:14:33.320 --> 0:14:35.960
<v Speaker 3>I can't even catch I can't even breathe. The work

0:14:36.000 --> 0:14:38.800
<v Speaker 3>that she did in that movie one, I was like, Oh,

0:14:38.960 --> 0:14:40.960
<v Speaker 3>She's like, I've done everything that I need to do.

0:14:41.800 --> 0:14:46.960
<v Speaker 3>I have ascended to the point of let's play, let's

0:14:46.960 --> 0:14:47.480
<v Speaker 3>have fun.

0:14:47.560 --> 0:14:49.360
<v Speaker 1>She's like, I'll learn some patois.

0:14:49.520 --> 0:14:54.440
<v Speaker 3>Yeah, now now the wigs. The wigs were not by

0:14:54.480 --> 0:14:57.920
<v Speaker 3>Tyler Perry in that movie. Glenn Close almost was like,

0:14:58.160 --> 0:15:01.680
<v Speaker 3>is she by Rachel? She was giving Rachel jose All

0:15:02.000 --> 0:15:06.040
<v Speaker 3>a run for her funness? I'm gonna say that on air.

0:15:06.000 --> 0:15:08.760
<v Speaker 1>As somebody who has not seen the movie, I assure

0:15:08.800 --> 0:15:09.560
<v Speaker 1>you she is not.

0:15:10.360 --> 0:15:10.800
<v Speaker 2>She is.

0:15:11.000 --> 0:15:14.040
<v Speaker 1>I looked at all them clips y'all were posting, and

0:15:14.240 --> 0:15:16.360
<v Speaker 1>I was sober when I you know what I mean.

0:15:16.200 --> 0:15:16.920
<v Speaker 4>Like y'all were.

0:15:17.000 --> 0:15:20.320
<v Speaker 1>Y'all were enthralled, so you were bought into the whole

0:15:20.360 --> 0:15:23.720
<v Speaker 1>experience as somebody who did not experience it. I was like,

0:15:24.160 --> 0:15:25.560
<v Speaker 1>this looks insane.

0:15:25.680 --> 0:15:30.400
<v Speaker 3>No, she said nappy pussy on in the movie, and

0:15:30.520 --> 0:15:33.880
<v Speaker 3>I said, We're gone.

0:15:33.960 --> 0:15:35.880
<v Speaker 2>She's gone, She's like, but they were.

0:15:35.920 --> 0:15:38.960
<v Speaker 3>Every everybody black was like, she's got to win a

0:15:39.080 --> 0:15:40.200
<v Speaker 3>Golden Globe for this.

0:15:40.760 --> 0:15:44.480
<v Speaker 1>And everybody white was like, what are you talking?

0:15:44.600 --> 0:15:45.800
<v Speaker 2>Is she unwell?

0:15:46.560 --> 0:15:46.880
<v Speaker 3>Is her?

0:15:47.360 --> 0:15:50.360
<v Speaker 2>Where is he? Is it the braids? Is it the braids?

0:15:50.600 --> 0:15:53.880
<v Speaker 2>That's what the white people were saying with Glenn.

0:15:53.400 --> 0:15:56.880
<v Speaker 3>But Glenn has done it all. She has proven herself,

0:15:56.920 --> 0:15:59.160
<v Speaker 3>so she can do it. But once you get into

0:15:59.160 --> 0:16:02.720
<v Speaker 3>the I feel like Tyler Perry Rome, it's kind of

0:16:02.760 --> 0:16:03.240
<v Speaker 3>wrapped up.

0:16:03.360 --> 0:16:05.760
<v Speaker 1>And I think that's the scary part, right is that?

0:16:06.120 --> 0:16:06.360
<v Speaker 4>Is that?

0:16:06.520 --> 0:16:09.200
<v Speaker 1>Even that movie? I don't it's not a Tyler Perry production.

0:16:09.400 --> 0:16:11.680
<v Speaker 2>It's Lee Daniels, which is the cousin the cousin of

0:16:11.720 --> 0:16:12.320
<v Speaker 2>Tyler Perry.

0:16:12.440 --> 0:16:15.000
<v Speaker 1>I think there, I think, and I don't disagree with you.

0:16:15.080 --> 0:16:17.800
<v Speaker 1>I think Lee Daniels is certainly Tyler Perry junior.

0:16:17.960 --> 0:16:19.280
<v Speaker 2>Yes, he would love to.

0:16:19.360 --> 0:16:23.320
<v Speaker 1>Be Tyler Perry in some former fashion that said, I

0:16:23.360 --> 0:16:27.680
<v Speaker 1>think Lee Daniels still they let Lee Daniels do too much,

0:16:28.760 --> 0:16:31.040
<v Speaker 1>you know what I mean, in the legitimate spaces where

0:16:31.040 --> 0:16:35.240
<v Speaker 1>they gave him oscars and nominations.

0:16:33.360 --> 0:16:36.640
<v Speaker 3>And he is first of all. We have to no,

0:16:36.800 --> 0:16:39.680
<v Speaker 3>let's not be anti black. These brothers have done.

0:16:39.480 --> 0:16:40.200
<v Speaker 2>Some good work.

0:16:40.320 --> 0:16:43.080
<v Speaker 3>There have been some things, I know, Dave, I'm sorry

0:16:43.080 --> 0:16:46.520
<v Speaker 3>they have done. Really, they've been some pieces where you're like,

0:16:46.600 --> 0:16:47.520
<v Speaker 3>you know what this is?

0:16:48.880 --> 0:16:51.600
<v Speaker 1>Give me uh and maybe we should take the break.

0:16:52.040 --> 0:16:54.320
<v Speaker 1>This is a good way for us to go on break.

0:16:54.440 --> 0:16:56.880
<v Speaker 1>I think this will be fun. When we come back.

0:16:57.240 --> 0:17:00.680
<v Speaker 1>We're gonna unpack some projects that we think are defendable

0:17:01.240 --> 0:17:05.560
<v Speaker 1>for Tyler Perry and or Lee Daniels. We'll talk through

0:17:05.600 --> 0:17:08.000
<v Speaker 1>the ones that we think are truly defendable, and we'll

0:17:08.000 --> 0:17:10.439
<v Speaker 1>talk about why. But we'll come back and we'll be

0:17:10.480 --> 0:17:12.120
<v Speaker 1>back with more Sydney Washington and more.

0:17:12.119 --> 0:17:24.920
<v Speaker 4>Ma Mama told me we are back discussing our favorite

0:17:24.960 --> 0:17:29.439
<v Speaker 4>Tyler Perry movies. Oh god, I don't know that that

0:17:29.600 --> 0:17:33.720
<v Speaker 4>was the assignment at all. Had to tweak it because

0:17:33.960 --> 0:17:35.400
<v Speaker 4>your parameters weren't working.

0:17:35.880 --> 0:17:40.879
<v Speaker 1>Okay, I think what it should be is more this question.

0:17:41.080 --> 0:17:45.000
<v Speaker 1>If we're talking about these figures as evil rights, as

0:17:45.119 --> 0:17:50.399
<v Speaker 1>sort of spawn of Satans, as is sort of implied here.

0:17:50.720 --> 0:17:55.440
<v Speaker 1>I think we should be careful to remind ourselves which

0:17:55.520 --> 0:18:00.800
<v Speaker 1>pieces at least hold some value for the greater good society,

0:18:01.520 --> 0:18:04.320
<v Speaker 1>that it's less about whether or not that we like them,

0:18:04.600 --> 0:18:08.080
<v Speaker 1>and more do they actually benefit the larger world around us?

0:18:09.400 --> 0:18:15.480
<v Speaker 3>And I'm gonna go first, Yeah, so precious that Okaylee Daniels.

0:18:15.520 --> 0:18:19.000
<v Speaker 2>That was probably the most controversial.

0:18:18.280 --> 0:18:19.600
<v Speaker 1>And that's Tyler Perry production.

0:18:20.480 --> 0:18:26.240
<v Speaker 3>Everybody was revolved, they had everybody, they had there.

0:18:26.880 --> 0:18:29.560
<v Speaker 1>Carrie showed up movie.

0:18:29.760 --> 0:18:33.159
<v Speaker 3>I watch it and I say, yes, this definitely gives

0:18:33.440 --> 0:18:34.680
<v Speaker 3>sun Dance this gift.

0:18:34.840 --> 0:18:35.680
<v Speaker 2>It's indie.

0:18:35.760 --> 0:18:39.560
<v Speaker 3>Yes, this is like it's it feels like low budget

0:18:39.600 --> 0:18:42.120
<v Speaker 3>but in such an artistic way that I'm like, I

0:18:42.160 --> 0:18:43.160
<v Speaker 3>can appreciate this.

0:18:43.680 --> 0:18:46.280
<v Speaker 2>Now. The masses, the.

0:18:46.119 --> 0:18:51.840
<v Speaker 3>Masses watching this, this this story from the book Push.

0:18:51.000 --> 0:18:55.159
<v Speaker 2>It was It was hard. It was so hard. And

0:18:55.200 --> 0:18:57.320
<v Speaker 2>that and Monique playing that.

0:18:57.400 --> 0:19:01.440
<v Speaker 3>Mother so well to the point where like, do like Monique?

0:19:01.680 --> 0:19:02.720
<v Speaker 2>Do we like her?

0:19:03.200 --> 0:19:05.280
<v Speaker 3>I almost think that people weren't on her side because

0:19:05.320 --> 0:19:07.840
<v Speaker 3>they almost thought you are that mother that was in

0:19:09.040 --> 0:19:10.280
<v Speaker 3>you were touching.

0:19:10.240 --> 0:19:15.720
<v Speaker 2>Your daughter like that. That's how That's how controversial the

0:19:15.800 --> 0:19:16.240
<v Speaker 2>movie was.

0:19:16.400 --> 0:19:19.840
<v Speaker 3>That everybody was playing the role so well that you're like,

0:19:20.440 --> 0:19:25.399
<v Speaker 3>this might be their real lives. Riah carry Riah carry

0:19:26.440 --> 0:19:28.679
<v Speaker 3>rough Draft, Mariah Carey.

0:19:28.800 --> 0:19:31.119
<v Speaker 2>That was alarming. It was alarming.

0:19:31.160 --> 0:19:35.120
<v Speaker 3>And they threw on the beauty supply wig and they said, go, yeah,

0:19:35.560 --> 0:19:37.080
<v Speaker 3>a little bit of concealer.

0:19:36.760 --> 0:19:38.280
<v Speaker 2>But she was great, incredible.

0:19:38.320 --> 0:19:41.520
<v Speaker 1>I love this as an answer because I similarly felt

0:19:41.600 --> 0:19:44.760
<v Speaker 1>all of those things in seeing the film in theaters.

0:19:45.400 --> 0:19:50.160
<v Speaker 1>You went in theater theater and I had my sisters

0:19:50.240 --> 0:19:53.080
<v Speaker 1>with me. I swear to God, because I was like,

0:19:53.160 --> 0:19:56.120
<v Speaker 1>this is gonna be like a beautiful film of empowerment

0:19:56.800 --> 0:20:00.280
<v Speaker 1>for for them to see, like this big girl who

0:20:00.359 --> 0:20:03.080
<v Speaker 1>overcomes and like figures out a way to move forward.

0:20:03.119 --> 0:20:10.680
<v Speaker 1>You didn't read the book and truly was just haunted

0:20:10.840 --> 0:20:14.359
<v Speaker 1>by the experience, And so I asked this because I

0:20:14.400 --> 0:20:17.080
<v Speaker 1>agree with you. I felt all those things. But how

0:20:17.160 --> 0:20:22.360
<v Speaker 1>much of that was just a weird stacking of awful

0:20:22.520 --> 0:20:26.400
<v Speaker 1>on top of awful and not really a human experience

0:20:26.480 --> 0:20:27.480
<v Speaker 1>to make us better?

0:20:28.800 --> 0:20:33.199
<v Speaker 3>Well, t I had a friend in it, Zosha, and

0:20:33.400 --> 0:20:33.840
<v Speaker 3>I think this.

0:20:33.920 --> 0:20:35.919
<v Speaker 2>Was her first big role. She killed it.

0:20:36.000 --> 0:20:42.280
<v Speaker 3>I was like, so there, I'm being honest, I'm there supporting,

0:20:43.880 --> 0:20:46.360
<v Speaker 3>I enjoy, right, But then.

0:20:47.520 --> 0:20:50.280
<v Speaker 2>It is somebody's story, so should we not?

0:20:51.200 --> 0:20:55.680
<v Speaker 1>But it's not somebody's story that, you know what I mean?

0:20:55.760 --> 0:20:59.520
<v Speaker 1>Like parts of this are somebody's story. The experience of

0:21:00.119 --> 0:21:03.360
<v Speaker 1>abuse is somebody's story. The experience of you know, being

0:21:03.400 --> 0:21:06.840
<v Speaker 1>overweight and like the challenges of being poor is somebody's story.

0:21:07.440 --> 0:21:10.760
<v Speaker 1>The experience of getting AIDS is somebody's story. But all

0:21:10.800 --> 0:21:14.320
<v Speaker 1>of those combined into this single person, you know what

0:21:14.320 --> 0:21:16.520
<v Speaker 1>I mean, Like it was just this shit.

0:21:16.720 --> 0:21:21.040
<v Speaker 2>You don't think all that stuff can happen. Yes, I'm sure.

0:21:21.040 --> 0:21:23.680
<v Speaker 3>This is somebody's story. If you're listening and this is

0:21:23.720 --> 0:21:24.879
<v Speaker 3>your story, I need you.

0:21:29.560 --> 0:21:33.720
<v Speaker 1>If if you're listening and this is your story, please

0:21:33.800 --> 0:21:39.480
<v Speaker 1>stop listening to this. Go seek help now, because you

0:21:39.600 --> 0:21:42.879
<v Speaker 1>have so much going on that you don't have time

0:21:42.960 --> 0:21:46.760
<v Speaker 1>to dilly or dally with podcasts. Truly, this is that's

0:21:47.560 --> 0:21:49.919
<v Speaker 1>She was pregnant and didn't know she was pregnant. She

0:21:50.000 --> 0:21:53.080
<v Speaker 1>was being assaulted by her mama and or daddy. She

0:21:53.240 --> 0:21:57.199
<v Speaker 1>was Mariah Carey was trying to or was trying to

0:21:57.240 --> 0:21:59.960
<v Speaker 1>save her, but then they had Yes, Yes.

0:22:00.160 --> 0:22:04.639
<v Speaker 3>I be on TikTok all day all night, that is

0:22:04.720 --> 0:22:08.920
<v Speaker 3>somebody's story. The way people be just diarrhea of the mouth,

0:22:09.240 --> 0:22:12.320
<v Speaker 3>just telling their business, they mama business, they cousin's cousins,

0:22:12.680 --> 0:22:16.440
<v Speaker 3>and bad after bad after bad. I mean, I don't

0:22:16.440 --> 0:22:19.240
<v Speaker 3>even turn on the TV no more because people are

0:22:19.320 --> 0:22:21.000
<v Speaker 3>telling us our problems.

0:22:21.160 --> 0:22:24.600
<v Speaker 1>I guess, I guess less than me saying it's impossible

0:22:24.680 --> 0:22:28.280
<v Speaker 1>for anybody to experience this. I'm saying, there's a point

0:22:28.280 --> 0:22:31.600
<v Speaker 1>where it stops being any version of universal. Okay, it

0:22:31.880 --> 0:22:37.240
<v Speaker 1>just starts being a singular, fucked up story that nobody.

0:22:37.720 --> 0:22:40.840
<v Speaker 1>It doesn't belong to black people. It doesn't belong to

0:22:40.920 --> 0:22:51.119
<v Speaker 1>brown people. That bitch's life sucks, Peerish says. I'm just saying,

0:22:52.840 --> 0:22:55.199
<v Speaker 1>And there's some people in this building that also have

0:22:55.359 --> 0:22:58.919
<v Speaker 1>stories that are closer to like a universal experience. And

0:22:59.000 --> 0:23:02.440
<v Speaker 1>I wonder about the act de porn. Even though for

0:23:02.440 --> 0:23:05.320
<v Speaker 1>for me a person watching it, it worked, I was like,

0:23:05.359 --> 0:23:08.440
<v Speaker 1>Holy shit, this this motherfucker's crazy.

0:23:08.800 --> 0:23:10.920
<v Speaker 2>Okay, what about Monsters Ball?

0:23:11.240 --> 0:23:11.640
<v Speaker 1>WHOA?

0:23:12.400 --> 0:23:14.760
<v Speaker 2>What about that Holly.

0:23:14.560 --> 0:23:19.240
<v Speaker 3>Berry won it won, that won that award, won that

0:23:19.440 --> 0:23:21.119
<v Speaker 3>Golden Ticket?

0:23:20.680 --> 0:23:23.840
<v Speaker 1>And this movie, it's worth noting Monsters Ball, you said,

0:23:23.920 --> 0:23:29.000
<v Speaker 1>is a Lee Daniels production. Yes, right, Okay, thoughts.

0:23:29.359 --> 0:23:34.160
<v Speaker 3>I mean she is getting banged out by Billy Bob Thornton.

0:23:35.680 --> 0:23:38.880
<v Speaker 3>Not a drop of makeup, not a comb going through

0:23:38.880 --> 0:23:39.240
<v Speaker 3>the hair.

0:23:40.240 --> 0:23:42.640
<v Speaker 2>Did He's in it? He's in it.

0:23:42.640 --> 0:23:47.399
<v Speaker 1>It's actually, I think one of his first serious roles,

0:23:47.520 --> 0:23:48.639
<v Speaker 1>if I'm not mistaken.

0:23:48.800 --> 0:23:52.240
<v Speaker 2>Honestly, he ate he ate he was in jail.

0:23:52.440 --> 0:23:54.480
<v Speaker 1>He did.

0:23:55.480 --> 0:24:00.360
<v Speaker 2>He was on death row. Baby. The way the art work,

0:24:01.040 --> 0:24:02.359
<v Speaker 2>it's always like.

0:24:02.240 --> 0:24:03.199
<v Speaker 4>He was on death row.

0:24:03.280 --> 0:24:04.840
<v Speaker 1>And they never told us why either.

0:24:06.560 --> 0:24:09.040
<v Speaker 2>He did not know. They're just like, yeah, he.

0:24:09.080 --> 0:24:10.919
<v Speaker 4>Did, so he was.

0:24:11.080 --> 0:24:14.399
<v Speaker 1>He was acting up the leg it wa'.

0:24:14.840 --> 0:24:17.159
<v Speaker 2>Let was in it. Amazing.

0:24:17.400 --> 0:24:19.480
<v Speaker 3>Wow, alright, p shout out to him. I'm a him

0:24:19.520 --> 0:24:22.840
<v Speaker 3>in real life and sweet sweet sweet guy. Okay, yeah,

0:24:22.960 --> 0:24:26.040
<v Speaker 3>gave good tip to Okay, yeah, yeah, that's good.

0:24:26.359 --> 0:24:27.200
<v Speaker 4>That's good.

0:24:27.520 --> 0:24:29.639
<v Speaker 2>Some people like to speak ill of the dead, not me.

0:24:29.880 --> 0:24:32.720
<v Speaker 1>Sydney came on here and so far his only defended

0:24:32.760 --> 0:24:33.240
<v Speaker 1>white men.

0:24:33.359 --> 0:24:36.440
<v Speaker 4>But yo, whoa.

0:24:36.280 --> 0:24:37.320
<v Speaker 2>Cameras dead ass?

0:24:37.800 --> 0:24:42.080
<v Speaker 3>Couldn't be like, no, sare you? You've been dragging Bax

0:24:42.200 --> 0:24:43.560
<v Speaker 3>left and right, all.

0:24:43.480 --> 0:24:45.679
<v Speaker 2>Dark skinned mind you, that's my style.

0:24:46.359 --> 0:24:50.639
<v Speaker 1>You, on the other hand, are selling your people out.

0:24:51.040 --> 0:24:55.080
<v Speaker 3>I mean, I I enjoyed the rawness of it again,

0:24:55.480 --> 0:24:58.520
<v Speaker 3>Like if this was like an eight twenty four production,

0:24:58.640 --> 0:25:00.399
<v Speaker 3>we'd be like, yeah.

0:25:01.080 --> 0:25:04.400
<v Speaker 1>Well, I think it did get all the love, right.

0:25:04.840 --> 0:25:07.680
<v Speaker 1>It's another example of one I think it won. Well,

0:25:07.760 --> 0:25:10.560
<v Speaker 1>she won the Oscar for it, certainly. I think it's

0:25:10.680 --> 0:25:13.520
<v Speaker 1>just like a lot of films where we sober up

0:25:13.600 --> 0:25:16.960
<v Speaker 1>to what the fuck we watched three years ago?

0:25:17.400 --> 0:25:20.200
<v Speaker 3>Do you know what I mean saying it won then,

0:25:20.320 --> 0:25:22.600
<v Speaker 3>but it wouldn't It wouldn't hold up right now.

0:25:22.880 --> 0:25:26.680
<v Speaker 1>Crash won the Oscar for Best Picture and is now

0:25:26.880 --> 0:25:31.320
<v Speaker 1>like people laugh at the idea that Crash was now.

0:25:32.480 --> 0:25:36.119
<v Speaker 2>I didn't like the invisible cloak. He tried to cheat me.

0:25:36.240 --> 0:25:36.760
<v Speaker 4>You don't.

0:25:39.800 --> 0:25:43.520
<v Speaker 3>Wait a minute, hold up, they're dragging Crash.

0:25:43.640 --> 0:25:43.840
<v Speaker 4>Yeah.

0:25:43.880 --> 0:25:52.240
<v Speaker 1>The people don't like Crashing. Come because it starred Ludacris, that.

0:25:52.680 --> 0:25:54.000
<v Speaker 2>He was in Fast Furious.

0:25:54.040 --> 0:25:57.080
<v Speaker 4>They loved that, guys.

0:25:57.119 --> 0:25:59.560
<v Speaker 1>I'm not saying that Luda didn't do a fine job.

0:25:59.640 --> 0:26:02.960
<v Speaker 1>I'm saying that you don't give a Ludacris film best picture.

0:26:03.440 --> 0:26:05.040
<v Speaker 2>Then Tate was in it.

0:26:05.600 --> 0:26:08.760
<v Speaker 3>They had everybody your name Mama and Crash talking about

0:26:09.280 --> 0:26:18.680
<v Speaker 3>Sandra Bullock. Yeah, the patient queen, you know who, Samuel Bullock, you.

0:26:18.640 --> 0:26:21.479
<v Speaker 1>Know, the only other type of movie that does movies

0:26:21.560 --> 0:26:24.639
<v Speaker 1>like that where everybody's in it is like them shitty

0:26:24.680 --> 0:26:27.200
<v Speaker 1>movies where it's like Valentine's dad.

0:26:30.640 --> 0:26:30.960
<v Speaker 4>Came.

0:26:31.880 --> 0:26:36.440
<v Speaker 3>Ryan Philippe was in it. Yeah, it was too many.

0:26:36.400 --> 0:26:39.920
<v Speaker 1>Big names for you to be managing a good story,

0:26:40.520 --> 0:26:41.480
<v Speaker 1>so then you just play.

0:26:42.800 --> 0:26:46.400
<v Speaker 3>It was like in a in a cheesy way, they

0:26:46.440 --> 0:26:49.600
<v Speaker 3>were making their points. Yeah, but then we found out

0:26:49.640 --> 0:26:51.720
<v Speaker 3>that people who wrote it were white. So that's what

0:26:51.760 --> 0:26:54.240
<v Speaker 3>that's what fucked us up. That's what it was, which.

0:26:54.040 --> 0:26:57.040
<v Speaker 4>Is why you pick lud and then you look at

0:26:57.040 --> 0:27:00.840
<v Speaker 4>it as a whole. Yeah, it did just that, No,

0:27:01.200 --> 0:27:02.320
<v Speaker 4>just what you thought they would do.

0:27:02.560 --> 0:27:06.640
<v Speaker 1>Okay, So so Monsters Ball is a defendable for you.

0:27:07.080 --> 0:27:08.920
<v Speaker 1>Precious is a defendable.

0:27:08.400 --> 0:27:09.440
<v Speaker 2>For I wasn't.

0:27:09.760 --> 0:27:14.520
<v Speaker 3>I wasn't mad at the movie Holly Berry winning the

0:27:14.560 --> 0:27:17.760
<v Speaker 3>Oscar for it. I was like, damn, why we gotta

0:27:17.840 --> 0:27:19.960
<v Speaker 3>be down and out to win? But they do that

0:27:20.000 --> 0:27:21.320
<v Speaker 3>for everybody either you got it.

0:27:22.359 --> 0:27:25.400
<v Speaker 2>What's her name? Charlista ron? She she had to get

0:27:25.480 --> 0:27:28.159
<v Speaker 2>ugly and murder niggas, like you know.

0:27:28.840 --> 0:27:32.320
<v Speaker 1>I think the only difference is they can also escape

0:27:32.480 --> 0:27:34.320
<v Speaker 1>through like musicals.

0:27:35.320 --> 0:27:36.119
<v Speaker 4>Do you know what I mean? That?

0:27:36.320 --> 0:27:41.800
<v Speaker 1>Like Chicago? What's the la one that they no no no.

0:27:42.240 --> 0:27:44.680
<v Speaker 1>Although A Star is Born is another good example. It's

0:27:44.720 --> 0:27:47.120
<v Speaker 1>not quite it is a musical to some extent, but

0:27:47.200 --> 0:27:52.880
<v Speaker 1>the one where they're la la land uh. Those they

0:27:52.920 --> 0:27:56.560
<v Speaker 1>can be joyful, they can be not like look like shit.

0:27:56.840 --> 0:27:59.960
<v Speaker 3>And when Leonardo DiCaprio was in Everything, they didn't give

0:28:00.080 --> 0:28:02.120
<v Speaker 3>him that award until he got raped by bear.

0:28:02.240 --> 0:28:04.360
<v Speaker 2>So you know what, maybe the Academy is just doing

0:28:04.359 --> 0:28:08.600
<v Speaker 2>everybody wrong. Actually it's one for one.

0:28:08.760 --> 0:28:10.200
<v Speaker 4>It's like that.

0:28:10.200 --> 0:28:12.040
<v Speaker 1>That's what you think happened with that bear.

0:28:12.680 --> 0:28:15.840
<v Speaker 2>That's what I saw what it looks.

0:28:16.040 --> 0:28:18.879
<v Speaker 3>Am I wrong? When they said when they said would

0:28:18.880 --> 0:28:21.200
<v Speaker 3>you rather be trapped in the forest with a bear

0:28:21.480 --> 0:28:22.320
<v Speaker 3>or a man?

0:28:22.359 --> 0:28:23.680
<v Speaker 2>I'm like, well, which bear?

0:28:23.760 --> 0:28:27.959
<v Speaker 3>Because I bear in the movie with you.

0:28:28.280 --> 0:28:29.160
<v Speaker 4>He's gonna take it.

0:28:29.720 --> 0:28:36.480
<v Speaker 1>That bear got him. I remember just learning what the

0:28:36.520 --> 0:28:39.640
<v Speaker 1>premise of that movie was and thinking, damn, this is

0:28:40.560 --> 0:28:42.680
<v Speaker 1>give this man the award, and.

0:28:42.720 --> 0:28:44.120
<v Speaker 2>They did, and they did.

0:28:44.240 --> 0:28:47.240
<v Speaker 3>He I think he he read the script and said,

0:28:47.720 --> 0:28:49.200
<v Speaker 3>you know what, it's time.

0:28:49.920 --> 0:28:50.360
<v Speaker 2>It's time.

0:28:51.880 --> 0:28:54.920
<v Speaker 3>Now I got a lock in. He said, Goro to

0:28:55.000 --> 0:28:57.880
<v Speaker 3>death in Titanic, right, this is a different it's a

0:28:57.880 --> 0:28:58.640
<v Speaker 3>different type of death.

0:28:58.680 --> 0:29:03.800
<v Speaker 2>I'm not dying I'm not dying, I'm living Jack Jack.

0:29:05.240 --> 0:29:13.720
<v Speaker 1>Her sweet voice.

0:29:15.200 --> 0:29:17.400
<v Speaker 4>Okay, here's what I said. Okay, here we go, and

0:29:17.520 --> 0:29:21.160
<v Speaker 4>looking at the full Tyler Perry filmography.

0:29:20.480 --> 0:29:24.400
<v Speaker 1>Well okay, and it's worth noting she only defended Lee, didn't. Yeah,

0:29:24.600 --> 0:29:27.000
<v Speaker 1>she brought nothing to the table for Tyler. Tyler so

0:29:27.080 --> 0:29:28.560
<v Speaker 1>far as indefensible for you?

0:29:29.200 --> 0:29:29.800
<v Speaker 4>Is that true?

0:29:31.320 --> 0:29:33.160
<v Speaker 3>Why did I get married? I fucked with that heavy.

0:29:33.320 --> 0:29:37.280
<v Speaker 3>I thought that was valid and into.

0:29:36.320 --> 0:29:38.280
<v Speaker 2>And mah two.

0:29:38.480 --> 0:29:40.000
<v Speaker 3>I said, I don't know if we need this, but

0:29:40.040 --> 0:29:41.960
<v Speaker 3>I heard it was doing a Why Why did I

0:29:42.000 --> 0:29:42.400
<v Speaker 3>get married?

0:29:42.440 --> 0:29:43.880
<v Speaker 2>Three? And that's why Sisily was like.

0:29:44.280 --> 0:29:45.080
<v Speaker 4>And then she died.

0:29:45.280 --> 0:29:45.440
<v Speaker 3>Oh.

0:29:46.400 --> 0:29:47.640
<v Speaker 4>She was like, I'm tired.

0:29:47.800 --> 0:29:52.520
<v Speaker 3>Because Tyler said I paid Cecily a million dollars for

0:29:52.640 --> 0:29:54.760
<v Speaker 3>one day of work, and she was like, wait, why

0:29:54.760 --> 0:29:57.120
<v Speaker 3>are you telling them about my business? Because he was

0:29:57.160 --> 0:29:59.240
<v Speaker 3>trying to let her know, Hey, you're gonna have to

0:29:59.240 --> 0:30:00.800
<v Speaker 3>work some other day.

0:30:01.440 --> 0:30:03.560
<v Speaker 2>We got more and we got for you.

0:30:03.720 --> 0:30:07.760
<v Speaker 1>That million was an advance. Yeah, you got work to do.

0:30:09.200 --> 0:30:13.040
<v Speaker 4>I dad, throw we gotta shoot season forty of Sisters?

0:30:17.480 --> 0:30:20.480
<v Speaker 2>Who are we going to hell? But Tyler, it's only

0:30:20.520 --> 0:30:27.880
<v Speaker 2>been out three years? Olena, how wish he was back? Yeah?

0:30:28.040 --> 0:30:31.200
<v Speaker 4>I think that, uh, I'll take why did I get married?

0:30:31.280 --> 0:30:33.920
<v Speaker 4>Just in the idea of just a romantic comedy. I

0:30:33.920 --> 0:30:38.400
<v Speaker 4>don't think it detracts anything from art or the conversation

0:30:38.520 --> 0:30:40.800
<v Speaker 4>or anything like that, Okay, because I do think that,

0:30:40.960 --> 0:30:43.320
<v Speaker 4>like when we're talking about him as a whole and

0:30:43.520 --> 0:30:46.160
<v Speaker 4>like his output, I don't think it needs to be

0:30:47.200 --> 0:30:49.720
<v Speaker 4>He doesn't have to be a twenty four to be

0:30:50.600 --> 0:30:53.040
<v Speaker 4>worthy of existing in the space, you know what I mean?

0:30:53.200 --> 0:30:56.200
<v Speaker 1>Yeah, I think that's always been my issue with it, right,

0:30:56.360 --> 0:30:59.400
<v Speaker 1>is it's not that I'm expecting him to be.

0:30:59.640 --> 0:31:01.520
<v Speaker 4>And we're he isn't even the right word. I just mean, like,

0:31:01.640 --> 0:31:04.280
<v Speaker 4>it doesn't have to be bad that style. But I

0:31:04.560 --> 0:31:06.680
<v Speaker 4>guess that's my point is I don't need it to

0:31:06.760 --> 0:31:10.040
<v Speaker 4>be some high art. I just needed to hold itself

0:31:10.080 --> 0:31:11.320
<v Speaker 4>to some standard.

0:31:11.760 --> 0:31:12.360
<v Speaker 1>Do you know what I mean?

0:31:12.400 --> 0:31:12.480
<v Speaker 3>That?

0:31:12.680 --> 0:31:17.640
<v Speaker 1>Like Adam Sandler movies. I don't like all of them.

0:31:17.920 --> 0:31:21.520
<v Speaker 1>I don't like honestly most of them, but every single

0:31:21.560 --> 0:31:24.520
<v Speaker 1>one of them, I go, Oh, Adam really thought this

0:31:24.720 --> 0:31:26.720
<v Speaker 1>was funny, do you know what I mean? He really

0:31:26.800 --> 0:31:31.440
<v Speaker 1>believed in like whatever this configuration of funny people and

0:31:31.680 --> 0:31:34.880
<v Speaker 1>jokes was, and he put it out believing that it

0:31:34.960 --> 0:31:37.840
<v Speaker 1>was going to serve an audience, whereas like Tyler, I

0:31:37.920 --> 0:31:40.400
<v Speaker 1>don't think gives a fuck, but it does.

0:31:43.920 --> 0:31:47.160
<v Speaker 4>Degrees in what he does. No, I don't. I don't

0:31:47.200 --> 0:31:49.760
<v Speaker 4>mean that. Some of the stuff is like definitely just

0:31:49.800 --> 0:31:51.520
<v Speaker 4>put together and rushed out. But some of them you

0:31:51.520 --> 0:31:53.760
<v Speaker 4>could tell. It's like he wanted this to be a

0:31:53.800 --> 0:31:57.920
<v Speaker 4>good film, right, Like he wanted to yeah, and it

0:31:58.000 --> 0:31:58.960
<v Speaker 4>served his audience.

0:31:59.040 --> 0:32:01.520
<v Speaker 1>But I'm saying that that that's the violence, is to

0:32:01.640 --> 0:32:05.040
<v Speaker 1>put out the rush shit knowing you had more potential

0:32:05.640 --> 0:32:09.640
<v Speaker 1>for a quality film even as you see it, right, like,

0:32:09.720 --> 0:32:13.320
<v Speaker 1>even if it's not objectively quality, you knew, like, all

0:32:13.400 --> 0:32:15.800
<v Speaker 1>right when I put this out, I stand on that.

0:32:16.800 --> 0:32:19.960
<v Speaker 3>If what if Tyler Perry is ahead of the curve

0:32:20.000 --> 0:32:24.160
<v Speaker 3>and he said, these audiences they're pretty bad, So what

0:32:24.200 --> 0:32:25.680
<v Speaker 3>are we spending.

0:32:25.880 --> 0:32:30.920
<v Speaker 2>Years together and throw it out there. They don't watch it.

0:32:30.960 --> 0:32:32.680
<v Speaker 2>They're gonna pay money, they're gonna go.

0:32:32.720 --> 0:32:37.040
<v Speaker 4>Well, you look at it that way, and honestly, Genie, right,

0:32:37.080 --> 0:32:39.640
<v Speaker 4>if you look at it that way, well.

0:32:41.840 --> 0:32:46.080
<v Speaker 3>It's just like comedians right now, stand up comedians posting clips.

0:32:46.440 --> 0:32:49.560
<v Speaker 2>You're like, that joke's not done, that needs some tags. Whatever.

0:32:49.760 --> 0:32:51.840
<v Speaker 3>It's like, what are we waiting for put it And

0:32:52.040 --> 0:32:55.800
<v Speaker 3>sometimes the stuff that's the most unfinished gets the most

0:32:55.880 --> 0:33:02.560
<v Speaker 3>viral moments. So that Tyler Perry is, oh.

0:33:01.920 --> 0:33:03.560
<v Speaker 1>Want to know you want to stand up while you

0:33:03.600 --> 0:33:06.080
<v Speaker 1>say it, let's go with your hand on your heart?

0:33:06.160 --> 0:33:10.200
<v Speaker 2>What the fuck is about that? Stand up?

0:33:10.200 --> 0:33:12.719
<v Speaker 3>Comedians took a note from Tyler Perry and they say

0:33:12.800 --> 0:33:13.240
<v Speaker 3>put it out.

0:33:13.280 --> 0:33:16.240
<v Speaker 1>But I think that's what where I start to go, like, yeah,

0:33:16.280 --> 0:33:19.960
<v Speaker 1>but that is a greater destruction of the world, right, yes,

0:33:20.040 --> 0:33:23.920
<v Speaker 1>because I do think the deterioration of art is like

0:33:24.000 --> 0:33:27.800
<v Speaker 1>a fundamental reflection of like what's happening in the larger

0:33:27.800 --> 0:33:28.840
<v Speaker 1>world around.

0:33:28.560 --> 0:33:32.240
<v Speaker 4>Us doesn't necessarily mean good.

0:33:32.320 --> 0:33:36.240
<v Speaker 1>Still, No, he's an innovator for sure, Like he really

0:33:36.320 --> 0:33:38.800
<v Speaker 1>broke ground on some vile, vile ship.

0:33:39.480 --> 0:33:45.680
<v Speaker 4>Like yeah, and that's.

0:33:46.760 --> 0:33:51.760
<v Speaker 3>Yet what we know how it's done. You're like, oh, sir,

0:33:51.840 --> 0:33:54.640
<v Speaker 3>how much? Tell me what the prescription is.

0:33:54.720 --> 0:33:57.320
<v Speaker 1>But but even even the idea that you have, like

0:33:57.640 --> 0:34:02.280
<v Speaker 1>all these shoots happening constantly on this large property that

0:34:02.320 --> 0:34:05.320
<v Speaker 1>you're not doing multiple takes on that you're not even

0:34:05.400 --> 0:34:09.200
<v Speaker 1>fucking like you know, you're not there, Sidney, what.

0:34:09.160 --> 0:34:14.000
<v Speaker 2>Do we what game are we playing? I just want

0:34:14.040 --> 0:34:14.680
<v Speaker 2>to hear a fact.

0:34:14.800 --> 0:34:15.560
<v Speaker 4>That's the whole boy.

0:34:15.640 --> 0:34:19.800
<v Speaker 1>Yeah, we're not allowed to see it because they're doing

0:34:19.880 --> 0:34:23.719
<v Speaker 1>crazy ship with these these people whose lives that will

0:34:23.760 --> 0:34:24.480
<v Speaker 1>never come.

0:34:24.360 --> 0:34:28.839
<v Speaker 3>Back, these people, black people. Don't you say, these people.

0:34:28.640 --> 0:34:32.080
<v Speaker 1>These dumb dumbs trapped in a cave.

0:34:35.640 --> 0:34:38.560
<v Speaker 2>I can't now. Your hairline is nice.

0:34:38.880 --> 0:34:42.040
<v Speaker 1>Don't push you back, Alan fucking Pain.

0:34:42.880 --> 0:34:47.920
<v Speaker 3>You don't mean if you If you love Alan so much,

0:34:47.920 --> 0:34:49.800
<v Speaker 3>I want you to get his tattoo, Get a tattoo,

0:34:49.880 --> 0:34:50.880
<v Speaker 3>Alan Allen.

0:34:51.640 --> 0:34:53.000
<v Speaker 1>I just miss him.

0:34:53.280 --> 0:34:56.760
<v Speaker 2>He's alive. Is he find him on Instagram?

0:34:58.520 --> 0:34:59.920
<v Speaker 1>I bet he got a different instrugra.

0:35:03.239 --> 0:35:05.239
<v Speaker 2>He said that Pain fucked him up.

0:35:05.440 --> 0:35:08.719
<v Speaker 1>I bet it's at Alan Tyler Payne dot.

0:35:09.960 --> 0:35:13.600
<v Speaker 3>There was a there was a new movie recently, not recently,

0:35:13.640 --> 0:35:17.719
<v Speaker 3>but like earlier this year that Tyler Perry made with

0:35:17.920 --> 0:35:19.920
<v Speaker 3>Kelly Rowland Mia Coppola.

0:35:20.880 --> 0:35:26.040
<v Speaker 2>And I watched it. Yeah, I watched it. Was it terrible?

0:35:27.200 --> 0:35:27.399
<v Speaker 4>No?

0:35:28.400 --> 0:35:29.160
<v Speaker 2>Was it amazing?

0:35:30.520 --> 0:35:30.719
<v Speaker 1>No?

0:35:31.560 --> 0:35:33.640
<v Speaker 2>But I enjoyed it.

0:35:34.120 --> 0:35:37.120
<v Speaker 3>I enjoyed it, and that sometimes we just need something

0:35:37.120 --> 0:35:39.279
<v Speaker 3>that we could put our eyes on, take us out

0:35:39.320 --> 0:35:39.840
<v Speaker 3>of the moment.

0:35:40.040 --> 0:35:42.799
<v Speaker 1>But again, I think the point is less that he

0:35:43.000 --> 0:35:47.000
<v Speaker 1>can't do it. I don't think my suggestion is everything

0:35:47.040 --> 0:35:51.840
<v Speaker 1>he's ever made has been a violent violation Daddy's little girls.

0:35:51.880 --> 0:35:54.160
<v Speaker 2>I like, I was like, oh, that's cool.

0:35:54.239 --> 0:35:56.040
<v Speaker 1>It's not I'm not offended by this.

0:35:56.160 --> 0:35:58.560
<v Speaker 3>It just is you just you want to do things

0:35:58.640 --> 0:36:00.920
<v Speaker 3>that you want things made that and offend you.

0:36:00.920 --> 0:36:03.520
<v Speaker 1>No, I'm saying, i want there to be a standard

0:36:03.600 --> 0:36:06.759
<v Speaker 1>of quality so that we're not getting clips of a

0:36:06.880 --> 0:36:09.480
<v Speaker 1>dude getting punched in the face and spinning a full

0:36:09.560 --> 0:36:14.240
<v Speaker 1>three sixty and saying as he falls down. I'm saying

0:36:14.280 --> 0:36:19.040
<v Speaker 1>I want the I want a billionaire who owns literally

0:36:19.120 --> 0:36:22.920
<v Speaker 1>half of Atlanta to invest in quality wigs and that

0:36:23.120 --> 0:36:26.960
<v Speaker 1>not to be part of the conversation. I want to

0:36:27.200 --> 0:36:29.640
<v Speaker 1>explore the world beyond mister Brown.

0:36:29.400 --> 0:36:35.439
<v Speaker 2>Cant everything that he's saying right now.

0:36:36.000 --> 0:36:40.160
<v Speaker 1>I want a real story that you believe in every time,

0:36:40.200 --> 0:36:43.400
<v Speaker 1>because you have the resources and frankly, you present to

0:36:43.480 --> 0:36:46.960
<v Speaker 1>us to be this healer of our community. So put

0:36:46.960 --> 0:36:49.600
<v Speaker 1>the effort in to show us that love every single time.

0:36:49.680 --> 0:36:52.200
<v Speaker 3>So once you say once all that done is Tyler

0:36:52.280 --> 0:36:53.960
<v Speaker 3>Langston will be right on that motherfucking lot.

0:36:54.040 --> 0:36:57.840
<v Speaker 2>That's what he's trying to tell you. Get your money.

0:36:58.120 --> 0:37:01.319
<v Speaker 1>When buddy, when I run out, I'll come be a slave.

0:37:06.360 --> 0:37:06.920
<v Speaker 2>A part of it.

0:37:07.280 --> 0:37:10.759
<v Speaker 1>Slave away with me.

0:37:11.800 --> 0:37:17.000
<v Speaker 2>This is really just it's ending pro Tyler Perry, which

0:37:17.080 --> 0:37:18.319
<v Speaker 2>is that's how you know it.

0:37:18.520 --> 0:37:20.880
<v Speaker 1>No, I want to be clear. I'm I could not

0:37:21.000 --> 0:37:26.360
<v Speaker 1>be more anti Tyler Perry. You too are pro Tyler Perry.

0:37:26.400 --> 0:37:29.399
<v Speaker 1>For me, I am the exact opposite. I think he's

0:37:29.440 --> 0:37:29.960
<v Speaker 1>the worst.

0:37:30.160 --> 0:37:30.720
<v Speaker 2>I'm pro.

0:37:31.600 --> 0:37:35.680
<v Speaker 3>You know, we should be able to be as messy

0:37:35.960 --> 0:37:39.920
<v Speaker 3>and ridiculous and unprofessional as everybody else in his business,

0:37:40.280 --> 0:37:42.560
<v Speaker 3>and we're not. We're not allowed to and Tyler Perry

0:37:42.600 --> 0:37:52.320
<v Speaker 3>is doing that and so therefore.

0:37:48.560 --> 0:37:50.120
<v Speaker 2>But he's what he But it.

0:37:50.040 --> 0:37:53.080
<v Speaker 3>Also is like bad because, like you said, there's so

0:37:53.080 --> 0:37:56.600
<v Speaker 3>many people who are trapped in this circle of Perry production.

0:37:56.800 --> 0:37:59.520
<v Speaker 1>I just dream of a day when we don't have

0:37:59.600 --> 0:38:05.480
<v Speaker 1>to hold ourselves to the standard of the worst white person.

0:38:05.640 --> 0:38:09.160
<v Speaker 2>I didn't say white. Now you said white, Well it

0:38:09.200 --> 0:38:13.760
<v Speaker 2>was I said the industry. I said, I said the industry.

0:38:13.840 --> 0:38:16.160
<v Speaker 2>I feel like we are. You almost said Jewish.

0:38:20.360 --> 0:38:20.799
<v Speaker 4>With you.

0:38:21.400 --> 0:38:22.560
<v Speaker 2>I did not say that.

0:38:22.880 --> 0:38:26.400
<v Speaker 3>What I'm saying is we always have to do black excellence,

0:38:26.400 --> 0:38:28.960
<v Speaker 3>black excellence. We gotta have autocrests, we gotta we've got

0:38:29.000 --> 0:38:30.759
<v Speaker 3>to go to school for we have to be so

0:38:31.719 --> 0:38:34.040
<v Speaker 3>about this life and it's just like that's that's not

0:38:34.080 --> 0:38:35.120
<v Speaker 3>how art is made.

0:38:34.920 --> 0:38:36.719
<v Speaker 2>All the time. We didn't go to n y U,

0:38:36.760 --> 0:38:37.720
<v Speaker 2>we didn't go to Juilliard.

0:38:37.960 --> 0:38:41.120
<v Speaker 3>So that means that the way we conduct you know,

0:38:41.239 --> 0:38:44.240
<v Speaker 3>acting and comedy or whatever is not up to standard.

0:38:44.320 --> 0:38:47.840
<v Speaker 1>No, I think I'm not suggesting even for a second

0:38:47.880 --> 0:38:51.279
<v Speaker 1>that there needs to be a standardization of quality. I'm

0:38:51.320 --> 0:38:53.960
<v Speaker 1>not suggesting that there needs to be a standardization of

0:38:54.000 --> 0:38:58.120
<v Speaker 1>this industry. But I do think that like this breaks

0:38:58.160 --> 0:39:02.759
<v Speaker 1>down to questions of human decency. For me, this is

0:39:02.960 --> 0:39:06.440
<v Speaker 1>this is not just oh, I made the best movie

0:39:06.480 --> 0:39:09.279
<v Speaker 1>I could make, and if you like it, you like it.

0:39:09.320 --> 0:39:11.760
<v Speaker 1>If you don't, you don't. I've seen plenty of those movies,

0:39:12.000 --> 0:39:14.480
<v Speaker 1>and we can argue all day about which one souls are.

0:39:14.880 --> 0:39:20.840
<v Speaker 1>But there's nothing he's putting in on sisters. Do you

0:39:20.920 --> 0:39:21.600
<v Speaker 1>know what I'm saying?

0:39:21.800 --> 0:39:25.960
<v Speaker 2>Oh Yo, when I tell you the be Et Bandits.

0:39:25.560 --> 0:39:28.879
<v Speaker 3>Is gonna be a you, I want to be a part.

0:39:29.080 --> 0:39:30.040
<v Speaker 2>I don't want to be a party.

0:39:30.160 --> 0:39:30.640
<v Speaker 1>I get it.

0:39:30.760 --> 0:39:32.120
<v Speaker 2>Someone to make sure you untagged.

0:39:32.480 --> 0:39:33.560
<v Speaker 1>Somebody's gonna be mad.

0:39:34.760 --> 0:39:37.480
<v Speaker 2>They are, they will ride at down. But that's what

0:39:37.520 --> 0:39:38.000
<v Speaker 2>I'm saying.

0:39:38.080 --> 0:39:42.879
<v Speaker 1>I get it that I understand that.

0:39:44.520 --> 0:39:45.080
<v Speaker 2>Even better.

0:39:45.920 --> 0:39:48.440
<v Speaker 1>I don't think that he's trying his best on all

0:39:48.480 --> 0:39:50.720
<v Speaker 1>of these things. And I think we gotta be honest

0:39:50.800 --> 0:39:56.520
<v Speaker 1>about that, Dave. I think that what are we talking about?

0:39:56.600 --> 0:39:58.279
<v Speaker 1>Is it like a ratios thing, like what do you

0:39:58.360 --> 0:39:59.160
<v Speaker 1>think is good to bad?

0:39:59.280 --> 0:40:00.360
<v Speaker 4>Ratio is tell me?

0:40:00.880 --> 0:40:03.040
<v Speaker 2>Let us know what you right now, right now? Hold

0:40:03.120 --> 0:40:05.600
<v Speaker 2>on what is good for you movie? Right now?

0:40:05.920 --> 0:40:06.600
<v Speaker 4>Show? No?

0:40:06.600 --> 0:40:11.280
<v Speaker 1>No, no, that's that feels that that's complicating the conversation.

0:40:11.280 --> 0:40:13.120
<v Speaker 2>Okay, because you want to you want to keep your jobs.

0:40:13.239 --> 0:40:15.440
<v Speaker 1>Yeah, I'm not going to play this nasty little.

0:40:16.800 --> 0:40:19.120
<v Speaker 3>To hold me if I wouldn't do what I did

0:40:19.200 --> 0:40:19.600
<v Speaker 3>right now?

0:40:19.640 --> 0:40:22.200
<v Speaker 1>Who that's not the point of this conversation.

0:40:24.160 --> 0:40:29.719
<v Speaker 2>A good try, sister, I can't even. They won't even

0:40:29.719 --> 0:40:31.720
<v Speaker 2>see me a script. I can't even.

0:40:35.960 --> 0:40:38.600
<v Speaker 1>I think if we're talking ratio of what I think

0:40:38.600 --> 0:40:41.600
<v Speaker 1>he offers up good to bad, I think it's ninety

0:40:41.640 --> 0:40:45.040
<v Speaker 1>percent bad and ten percent good.

0:40:45.360 --> 0:40:47.680
<v Speaker 2>Let me ask you a question. Did you like Vampire

0:40:47.680 --> 0:40:48.160
<v Speaker 2>and Brooklyn?

0:40:49.400 --> 0:40:51.160
<v Speaker 1>I don't think it was a good movie.

0:40:52.480 --> 0:40:55.080
<v Speaker 2>It was a good movie. No, what is good?

0:40:55.440 --> 0:40:55.839
<v Speaker 4>Not that?

0:40:56.560 --> 0:40:58.759
<v Speaker 2>Why wasn't it good? Eddie Murphy was in it?

0:40:58.880 --> 0:41:06.480
<v Speaker 1>Angela basis, Yeah, Eddie Murphy is in a female It.

0:41:03.880 --> 0:41:08.000
<v Speaker 2>Was yo, yo, you think it's a good movie.

0:41:08.680 --> 0:41:09.879
<v Speaker 1>Excuse me, you think it's a.

0:41:09.800 --> 0:41:14.719
<v Speaker 2>Good movie, iconic, legendary, No no, no, boo boo.

0:41:14.840 --> 0:41:18.480
<v Speaker 1>I'm not gonna play this game where we swerve around

0:41:18.480 --> 0:41:20.200
<v Speaker 1>it because a bunch of people we like are.

0:41:20.120 --> 0:41:27.880
<v Speaker 2>In butter Scotch behavior. Boom off the stage. I love it.

0:41:28.600 --> 0:41:32.880
<v Speaker 2>I loved it. There's a lot of movie lynn context. Also,

0:41:33.400 --> 0:41:34.200
<v Speaker 2>it's bonsering.

0:41:34.239 --> 0:41:36.960
<v Speaker 4>That's crazy. But it's not a great movie, thank you.

0:41:37.040 --> 0:41:39.880
<v Speaker 4>And that's fine, that's okay. That's kind of how it

0:41:39.960 --> 0:41:41.400
<v Speaker 4>is with the Tyler Perry stuff.

0:41:41.640 --> 0:41:51.960
<v Speaker 2>That's a good evil good who what's in his coffee?

0:41:52.320 --> 0:41:52.560
<v Speaker 4>Myth?

0:41:54.520 --> 0:41:59.120
<v Speaker 1>This is myth like behavior. This whole episode has been

0:41:59.120 --> 0:42:00.080
<v Speaker 1>brought to you by.

0:42:00.880 --> 0:42:02.719
<v Speaker 2>How dare you here?

0:42:02.760 --> 0:42:04.799
<v Speaker 3>You text me an hour before the podcast and I

0:42:04.880 --> 0:42:08.400
<v Speaker 3>brought my my sisterly love here to save the pod.

0:42:08.880 --> 0:42:14.760
<v Speaker 3>And now you said, I'm on met brothers. Where's where brothers?

0:42:15.160 --> 0:42:19.840
<v Speaker 2>It is? He has that it literally exists sides.

0:42:19.960 --> 0:42:24.600
<v Speaker 1>Now that's the problem.

0:42:24.880 --> 0:42:28.560
<v Speaker 4>You don't even know how thorough this man is. There's

0:42:28.600 --> 0:42:29.280
<v Speaker 4>an auntie.

0:42:29.760 --> 0:42:31.719
<v Speaker 2>I'm hurting.

0:42:32.400 --> 0:42:37.240
<v Speaker 1>I'm hurting you have this man made all the stuff

0:42:37.760 --> 0:42:40.439
<v Speaker 1>and you I heard being like, it's already it could

0:42:40.440 --> 0:42:42.120
<v Speaker 1>be subjective, no.

0:42:42.600 --> 0:42:45.400
<v Speaker 4>Stop, how it is him being the devil to me

0:42:45.560 --> 0:42:49.040
<v Speaker 4>does come down to more than content or anything. I

0:42:49.080 --> 0:42:52.320
<v Speaker 4>think it's the way that he runs the ship that's

0:42:52.600 --> 0:42:54.880
<v Speaker 4>that is the thing that I think that regardless of

0:42:54.880 --> 0:42:57.719
<v Speaker 4>whether or not you enjoy it or you don't enjoy it,

0:42:57.800 --> 0:43:01.680
<v Speaker 4>that is the sinister read that we can all agree on, right,

0:43:02.200 --> 0:43:03.680
<v Speaker 4>And that's the problem with Tyler.

0:43:03.760 --> 0:43:06.600
<v Speaker 1>He's saving insane amounts of money it's fit to hoard

0:43:06.719 --> 0:43:10.000
<v Speaker 1>for himself by not paying people what they're worth and

0:43:10.080 --> 0:43:13.800
<v Speaker 1>not unionizing. And more than that, he then even saves

0:43:14.400 --> 0:43:18.120
<v Speaker 1>more and more money by forcing people to work hours

0:43:18.160 --> 0:43:21.680
<v Speaker 1>that are far beyond reason to stay sort of like

0:43:21.800 --> 0:43:28.239
<v Speaker 1>insular inside of this fucking dome that it's It feels

0:43:28.280 --> 0:43:32.000
<v Speaker 1>like we would be irresponsible to walk away from this

0:43:32.160 --> 0:43:35.960
<v Speaker 1>episode and say that Tyler Perry is like a good guy.

0:43:36.160 --> 0:43:39.080
<v Speaker 3>I just want to say, if we if Dave Langston

0:43:39.400 --> 0:43:42.960
<v Speaker 3>and me die, we did not commit.

0:43:47.200 --> 0:43:50.960
<v Speaker 2>We did not kill ourselves. We did on his podcast.

0:43:51.960 --> 0:43:55.359
<v Speaker 1>If they find my body on Tyler Perry's studios, I

0:43:55.360 --> 0:43:56.800
<v Speaker 1>did kill myself.

0:43:57.880 --> 0:44:01.000
<v Speaker 4>Anywhere else?

0:44:02.520 --> 0:44:05.719
<v Speaker 2>How is this show down?

0:44:06.360 --> 0:44:08.359
<v Speaker 4>I don't think anybody's paid attention.

0:44:08.239 --> 0:44:11.600
<v Speaker 2>Because everybody.

0:44:13.560 --> 0:44:15.960
<v Speaker 4>Going crazy were just saying.

0:44:18.880 --> 0:44:24.200
<v Speaker 1>No, they've never listened to a single episode, mister James,

0:44:24.280 --> 0:44:31.600
<v Speaker 1>iHeart is never plugged in the end phones. Well, I

0:44:31.640 --> 0:44:33.720
<v Speaker 1>think we did it. I think we're I think we've

0:44:33.840 --> 0:44:37.040
<v Speaker 1>concluded our all our positions on Tyler Perry, and they

0:44:37.080 --> 0:44:40.160
<v Speaker 1>do seem vast and in a little diverse. We we

0:44:40.239 --> 0:44:43.040
<v Speaker 1>have varying sort of scales of what we considered to

0:44:43.080 --> 0:44:44.160
<v Speaker 1>be evil about him.

0:44:44.239 --> 0:44:45.920
<v Speaker 2>Is that Yeah, it's just crazy.

0:44:46.040 --> 0:44:47.440
<v Speaker 3>We said all this stuff, and it's like we in

0:44:47.440 --> 0:44:49.040
<v Speaker 3>this industry do we want to work?

0:44:49.239 --> 0:44:53.480
<v Speaker 1>Like, Yeah, I got a good feeling, I'll be okay.

0:44:53.880 --> 0:44:57.719
<v Speaker 2>Well, I mean our good brother here English teacher abbit.

0:44:57.520 --> 0:45:00.440
<v Speaker 3>I mean you you like doings on ab before me,

0:45:00.560 --> 0:45:03.960
<v Speaker 3>light skin, sweet, I don't know what we.

0:45:07.560 --> 0:45:10.480
<v Speaker 4>Don't worry about.

0:45:11.040 --> 0:45:20.120
<v Speaker 2>That's true. There leaving woman to find for herself, holding

0:45:20.160 --> 0:45:21.880
<v Speaker 2>on his legs as he's trying.

0:45:21.680 --> 0:45:22.400
<v Speaker 1>To leave the house.

0:45:22.480 --> 0:45:25.000
<v Speaker 2>You know what, I'm ready, tell me.

0:45:26.480 --> 0:45:29.319
<v Speaker 1>Give her a call Sydney. Before you, before you go

0:45:29.360 --> 0:45:32.200
<v Speaker 1>on down to the compound, will you tell us, uh,

0:45:32.719 --> 0:45:34.960
<v Speaker 1>will you tell us some cool ship you got.

0:45:34.760 --> 0:45:39.640
<v Speaker 3>Going on new, brand new podcast. Well it's remixed, but

0:45:40.280 --> 0:45:43.600
<v Speaker 3>it's called mess. It's with me and your fabe Marie

0:45:43.600 --> 0:45:49.319
<v Speaker 3>Foston on my Heart Big Money Players Network, and we

0:45:49.440 --> 0:45:51.480
<v Speaker 3>just came out and I'm very excited to be a

0:45:51.520 --> 0:45:54.759
<v Speaker 3>part of the family. And obviously I'm on Instagram. Please

0:45:54.760 --> 0:45:57.400
<v Speaker 3>follow me. In order for me to get the promo

0:45:57.800 --> 0:45:59.520
<v Speaker 3>and the brand deals that I deserve, I.

0:45:59.440 --> 0:46:00.960
<v Speaker 2>Need more follow so follow me.

0:46:01.040 --> 0:46:03.520
<v Speaker 3>I think that's just did I should be doing something

0:46:03.520 --> 0:46:07.520
<v Speaker 3>with hair or makeup or you know. If the lesbians

0:46:07.560 --> 0:46:09.680
<v Speaker 3>follow this, I'm sure they don't, but if you do,

0:46:09.960 --> 0:46:10.719
<v Speaker 3>please follow me.

0:46:11.080 --> 0:46:12.200
<v Speaker 2>Just sid b W.

0:46:12.880 --> 0:46:14.719
<v Speaker 4>We have some lesbians to come out.

0:46:14.800 --> 0:46:15.439
<v Speaker 1>We've had a few.

0:46:16.320 --> 0:46:16.640
<v Speaker 4>Three.

0:46:17.320 --> 0:46:17.560
<v Speaker 2>Yeah.

0:46:17.600 --> 0:46:21.239
<v Speaker 1>It's always uh, it's a girl and then her her

0:46:21.360 --> 0:46:23.919
<v Speaker 1>much more more masculine.

0:46:24.239 --> 0:46:26.920
<v Speaker 2>Watch your mouth, friend, watch your.

0:46:26.800 --> 0:46:31.279
<v Speaker 1>Mouth, masculine presenting girlfriend who who is less happy to

0:46:31.320 --> 0:46:35.520
<v Speaker 1>be there. It's usually the Yeah, it's like a small

0:46:35.560 --> 0:46:38.520
<v Speaker 1>girl with glasses and he was very nice, very nice,

0:46:38.680 --> 0:46:43.120
<v Speaker 1>very excited, and then a masculine presenting lady behind the

0:46:43.160 --> 0:46:45.360
<v Speaker 1>camera being like, y'all was y'all was cool.

0:46:45.360 --> 0:46:47.080
<v Speaker 4>But I have seen a couple of times where it

0:46:47.120 --> 0:46:49.960
<v Speaker 4>was a masculine lady and she put her small lady

0:46:50.040 --> 0:46:52.439
<v Speaker 4>on oh nice, Oh yeah, I don't remember the shot

0:46:52.520 --> 0:46:53.440
<v Speaker 4>to that couple in d C.

0:46:53.920 --> 0:46:56.840
<v Speaker 2>So it's only so it's only one couple of show coming.

0:46:57.440 --> 0:46:58.840
<v Speaker 1>Yeah, usually do better.

0:47:00.320 --> 0:47:01.080
<v Speaker 4>What can we do?

0:47:02.320 --> 0:47:05.200
<v Speaker 2>What we talk about saved the podcast.

0:47:05.239 --> 0:47:08.240
<v Speaker 3>I don't think you know, you understand they were looking

0:47:08.280 --> 0:47:10.400
<v Speaker 3>for to be seen and that was me.

0:47:10.600 --> 0:47:14.080
<v Speaker 1>Oh thank god, good job. Hell yeah, And uh, you

0:47:14.120 --> 0:47:16.120
<v Speaker 1>can follow me at Langston Kerman and we're still on

0:47:16.160 --> 0:47:18.440
<v Speaker 1>the start to Steal tour. We want you to come

0:47:18.480 --> 0:47:19.840
<v Speaker 1>out to the next couple of shows.

0:47:20.239 --> 0:47:20.399
<v Speaker 4>Uh.

0:47:20.480 --> 0:47:27.960
<v Speaker 1>We We've got uh Seattle, We've got Portland. We and Okay,

0:47:28.040 --> 0:47:30.520
<v Speaker 1>that's all the ones that I think we're probably gonna have.

0:47:30.920 --> 0:47:33.160
<v Speaker 4>I think that's it should be all right.

0:47:33.280 --> 0:47:35.400
<v Speaker 1>Well, yeah, anyway, and if you want to send us

0:47:35.440 --> 0:47:38.120
<v Speaker 1>your own drops, your own conspiracy theories, if you want

0:47:38.120 --> 0:47:41.239
<v Speaker 1>to tell us what Tyler Perry does for you, send

0:47:41.280 --> 0:47:43.799
<v Speaker 1>it all to my Mama pod at gmail dot com.

0:47:43.800 --> 0:47:45.560
<v Speaker 1>We would love to hear from you. By the merch

0:47:46.680 --> 0:47:53.319
<v Speaker 1>Call your mother, Sucker, dick, my bitch. My Mama Told

0:47:53.360 --> 0:47:56.120
<v Speaker 1>Me is a production of Will Ferrell's Big Money Players

0:47:56.480 --> 0:48:00.000
<v Speaker 1>Network and iHeart Podcasts.

0:47:59.520 --> 0:48:02.000
<v Speaker 4>Created and hosted by Langston Krekin.

0:48:01.840 --> 0:48:03.640
<v Speaker 1>Co hosted by David Bori.

0:48:03.680 --> 0:48:08.239
<v Speaker 4>Executive produced by Will Farrell Hansani and Olivia Akilon. Co

0:48:08.320 --> 0:48:12.120
<v Speaker 4>produced by Bee Wayne, edited and engineered by Justin.

0:48:11.960 --> 0:48:14.719
<v Speaker 1>Kopfon, music by Nick Chambers.

0:48:14.520 --> 0:48:16.120
<v Speaker 4>Artwork by Jegon Kriega.

0:48:16.400 --> 0:48:19.120
<v Speaker 1>You can now watch episodes of My Mama Told Me

0:48:19.239 --> 0:48:23.520
<v Speaker 1>on YouTube. Follow at My Mama Told Me and subscribe

0:48:23.560 --> 0:48:24.320
<v Speaker 1>to our channel