1 00:00:02,920 --> 00:00:05,800 Speaker 1: And welcome to episode to forty nine, where at the 2 00:00:05,880 --> 00:00:08,680 Speaker 1: end of this Eddie might e d and I will 3 00:00:08,720 --> 00:00:12,440 Speaker 1: review the movie Walk Card The Dewey Cox Story. It's 4 00:00:12,440 --> 00:00:15,319 Speaker 1: an old movie, but it's a music movie. I've never 5 00:00:15,360 --> 00:00:17,320 Speaker 1: seen it, thought it'd be funny. So if you haven't 6 00:00:17,320 --> 00:00:18,680 Speaker 1: seen the movie, you still might like listen to the 7 00:00:18,680 --> 00:00:20,639 Speaker 1: review because we're we're kind of dumb. But if you 8 00:00:20,680 --> 00:00:22,239 Speaker 1: haven't seen it and you want to watch it, maybe 9 00:00:22,239 --> 00:00:23,880 Speaker 1: go watch it then come back to the end of 10 00:00:23,920 --> 00:00:25,640 Speaker 1: this podcast. But we're gonna put it at the end 11 00:00:25,640 --> 00:00:27,560 Speaker 1: in case there are spoilers in there too, right, Mike 12 00:00:27,880 --> 00:00:29,960 Speaker 1: a little bit, But that's not a movie. It doesn't 13 00:00:30,000 --> 00:00:32,239 Speaker 1: matter if it's spoiled. It's not like some crazy ending. Yeah, 14 00:00:32,240 --> 00:00:34,839 Speaker 1: there's nothing you can really spoil it, So check that out. 15 00:00:34,960 --> 00:00:37,160 Speaker 1: Check the movie out. Um. Also, we'll talk to Billy 16 00:00:37,240 --> 00:00:39,159 Speaker 1: Duke's coming up from Taste Country on the top ten 17 00:00:39,200 --> 00:00:42,560 Speaker 1: Hottest Artist, kind of go through that. Billy Duke's smart 18 00:00:42,560 --> 00:00:44,519 Speaker 1: guy like him, have him on to talk about that 19 00:00:44,880 --> 00:00:47,400 Speaker 1: music Headlines of the Week Live Nation is trying to 20 00:00:47,400 --> 00:00:49,960 Speaker 1: get artists to take pay cuts for concerts and festivals 21 00:00:49,960 --> 00:00:53,120 Speaker 1: next year. In a memo obtained by rolling Stone, Live 22 00:00:53,200 --> 00:00:57,680 Speaker 1: Nation sites unprecedented times and quote the exponential release excuse me, 23 00:00:57,840 --> 00:01:01,360 Speaker 1: the exponential rise of certain costs as reasons for adjusting 24 00:01:01,400 --> 00:01:04,160 Speaker 1: payment policies. That's interesting because they're gonna have to pay 25 00:01:04,200 --> 00:01:07,399 Speaker 1: a lot more to make make sure things are safe 26 00:01:07,400 --> 00:01:11,640 Speaker 1: and clean. Then they thought they would let me read 27 00:01:11,640 --> 00:01:15,240 Speaker 1: more about this. Most of the new policies shift financial 28 00:01:15,240 --> 00:01:17,640 Speaker 1: burdens to the artists. For example, the company wants to 29 00:01:17,680 --> 00:01:20,600 Speaker 1: decrease the monetary guarantees promised to artists before an event. 30 00:01:21,120 --> 00:01:22,880 Speaker 1: Across the board. Live Nation also says that if a 31 00:01:22,880 --> 00:01:24,920 Speaker 1: concert is canceled due to poor ticket sales, it will 32 00:01:24,959 --> 00:01:30,240 Speaker 1: give the artist of the guarantee. Well, that's interesting, and 33 00:01:30,280 --> 00:01:32,520 Speaker 1: I think I'll speak on this as also a performer. 34 00:01:32,560 --> 00:01:35,440 Speaker 1: I work with these promotion companies, promoters all different ones. 35 00:01:36,040 --> 00:01:40,480 Speaker 1: I think as long as books are shown, people can 36 00:01:40,480 --> 00:01:43,960 Speaker 1: make wise decisions about business they're doing together. And it's 37 00:01:43,959 --> 00:01:46,399 Speaker 1: not that I don't trust Live Nation or an artist, 38 00:01:46,400 --> 00:01:48,760 Speaker 1: but I would like to see if I'm someone that's 39 00:01:48,840 --> 00:01:51,320 Speaker 1: has has agreed to a tour or agreed to you know, 40 00:01:51,440 --> 00:01:53,160 Speaker 1: three or four shows or even a show, I want 41 00:01:53,160 --> 00:01:56,600 Speaker 1: to see those costs and why I'm gonna take mine 42 00:01:56,600 --> 00:02:01,320 Speaker 1: down on the on the Cancel's great for an artist. 43 00:02:02,560 --> 00:02:04,440 Speaker 1: They still get paid even if they don't sell tickets 44 00:02:04,680 --> 00:02:07,120 Speaker 1: because people don't want to come. Let's say this twenty 45 00:02:07,120 --> 00:02:11,079 Speaker 1: they're they're guarantee twenty bucks. Um, they're probably a lower 46 00:02:11,120 --> 00:02:15,919 Speaker 1: act would be guaranteed about ten to fifteen thousand, unless 47 00:02:15,919 --> 00:02:17,640 Speaker 1: it's a baby act. On a big tour, they're about 48 00:02:17,639 --> 00:02:22,360 Speaker 1: five to five thousand and seventy. A lower act tend 49 00:02:22,440 --> 00:02:26,760 Speaker 1: that big acts or the hundreds of thousands dollars a night. 50 00:02:28,120 --> 00:02:31,679 Speaker 1: So you're talking about that's a nice little little give there. 51 00:02:33,320 --> 00:02:35,080 Speaker 1: But that's interesting. I never thought about the fact that 52 00:02:35,080 --> 00:02:39,040 Speaker 1: it's gonna cost more to put on shows, So I 53 00:02:39,040 --> 00:02:41,000 Speaker 1: think as long as they show their books a little bit. 54 00:02:41,000 --> 00:02:43,160 Speaker 1: I don't know why an artist would say no to that, 55 00:02:44,560 --> 00:02:49,080 Speaker 1: because everybody's gonna lose some money here. Everybody and no 56 00:02:49,320 --> 00:02:53,680 Speaker 1: party promoter or artist should benefit and the others should suffer. 57 00:02:54,080 --> 00:02:55,880 Speaker 1: You should kind of all be in this together in 58 00:02:55,919 --> 00:02:58,280 Speaker 1: a way. Interesting. Let me think about that some more. 59 00:02:58,280 --> 00:02:59,720 Speaker 1: Maybe do a whole podcast on that would be the 60 00:02:59,720 --> 00:03:03,359 Speaker 1: most worring podcast ever. Just open up a book. Now 61 00:03:03,360 --> 00:03:05,720 Speaker 1: that the whole country is protesting, raging against the Machine 62 00:03:05,720 --> 00:03:08,520 Speaker 1: is actually back on the charts. The band's self titled 63 00:03:08,600 --> 00:03:11,320 Speaker 1: debut album landed back on the Billboard two hundred. It 64 00:03:11,400 --> 00:03:14,600 Speaker 1: reached number eight on the iTunes Top Album charts as well. 65 00:03:15,280 --> 00:03:17,360 Speaker 1: Do we have any rage? I can put them up. 66 00:03:18,200 --> 00:03:21,959 Speaker 1: This is right in my gut from back in high 67 00:03:22,000 --> 00:03:25,080 Speaker 1: school more so than college. I guess it was like 68 00:03:25,560 --> 00:03:29,079 Speaker 1: ninth and tenth grade. I would have someone send me 69 00:03:29,120 --> 00:03:31,240 Speaker 1: a tape of the Edge in Dallas. They'd hit record 70 00:03:31,240 --> 00:03:32,679 Speaker 1: play and just tape like an hour, and the flip 71 00:03:32,720 --> 00:03:34,600 Speaker 1: to tape tape an hour, and I get a lot 72 00:03:34,639 --> 00:03:37,839 Speaker 1: of rage in that. Yeah, I was a big rage guy, 73 00:03:38,120 --> 00:03:40,520 Speaker 1: but I didn't really know why. I just like the sound. 74 00:03:40,640 --> 00:03:44,560 Speaker 1: I didn't really know what they were protesting at the time. 75 00:03:44,600 --> 00:03:46,000 Speaker 1: By the time I started to know, I started to 76 00:03:46,000 --> 00:03:47,600 Speaker 1: get older and getting college and they started to fall 77 00:03:47,680 --> 00:03:50,400 Speaker 1: off a little bit and do their own things. But 78 00:03:50,440 --> 00:03:55,320 Speaker 1: now I look back pretty cool. Uh, this is one 79 00:03:55,360 --> 00:03:57,520 Speaker 1: of my favorites. What else do you have? All right, 80 00:03:57,560 --> 00:04:00,720 Speaker 1: so we're limited in the rage music. Uh ACN has 81 00:04:00,760 --> 00:04:04,400 Speaker 1: secured a six billion dollar contract to build a con City, 82 00:04:04,920 --> 00:04:10,360 Speaker 1: a futuristic cryptocurrency theme city in Senegal. Along with having homes, malls, 83 00:04:10,400 --> 00:04:12,200 Speaker 1: and a power plant. Acon city will have all the 84 00:04:12,200 --> 00:04:14,960 Speaker 1: amenities of city needs, including schools and a police station. 85 00:04:15,160 --> 00:04:20,200 Speaker 1: Pretty baller. Some people have buildings, he has a whole city, 86 00:04:20,400 --> 00:04:24,040 Speaker 1: like super futuristic? Does this ever actually happen? Though? I 87 00:04:24,080 --> 00:04:26,400 Speaker 1: don't know the guy who did smack that now has 88 00:04:26,400 --> 00:04:28,359 Speaker 1: a city? And is he the king? Is he just 89 00:04:29,080 --> 00:04:31,760 Speaker 1: there's king? Yeah? What? Because if he's not, he's still 90 00:04:31,800 --> 00:04:34,279 Speaker 1: who the city is named after. And then if he 91 00:04:34,360 --> 00:04:37,480 Speaker 1: does something really bad in his older life, like commits 92 00:04:37,480 --> 00:04:38,800 Speaker 1: a bad crime, you have to change the name of 93 00:04:38,839 --> 00:04:40,200 Speaker 1: it because they don't want to name the city after. 94 00:04:40,520 --> 00:04:42,840 Speaker 1: Like you're not seeing anything Bill Cosby elementary schools. It's 95 00:04:42,839 --> 00:04:45,720 Speaker 1: still remaining in play. Not that he would do that, 96 00:04:45,760 --> 00:04:53,520 Speaker 1: but I'm saying, you know, he commits fraud Martha Stewart style. 97 00:04:55,440 --> 00:04:59,080 Speaker 1: Do you have to change the name of the city. Uh? Finally, 98 00:04:59,200 --> 00:05:02,080 Speaker 1: dashboard CONFESSI s old singer Chris Corraba suffered to be 99 00:05:02,120 --> 00:05:05,160 Speaker 1: her injuries in a motorcycle accident. Luckily they weren't life 100 00:05:05,160 --> 00:05:06,960 Speaker 1: threatening and he expects to make a full recovery. I 101 00:05:06,960 --> 00:05:08,520 Speaker 1: was watching the video of him in the hospital bed. 102 00:05:08,520 --> 00:05:10,920 Speaker 1: You see it. Yeah, that's sad looking. Yeah, it looks 103 00:05:10,920 --> 00:05:16,200 Speaker 1: pretty terrible motorcycles. Just never had the need to get 104 00:05:16,200 --> 00:05:20,920 Speaker 1: on a on a motorcycle. He's a motorcycle guy, though 105 00:05:20,920 --> 00:05:23,200 Speaker 1: he looks cool riding a motorcycle. He lives in town. 106 00:05:23,720 --> 00:05:27,400 Speaker 1: He lives here. Oh, I've never seen him riding, and 107 00:05:27,480 --> 00:05:28,720 Speaker 1: I just said, like he he's the kind of guy 108 00:05:28,720 --> 00:05:31,240 Speaker 1: that will look cool riding a motorcy like all the tattoos, 109 00:05:31,279 --> 00:05:33,400 Speaker 1: like the good looking face. If you have those two things, 110 00:05:33,440 --> 00:05:35,280 Speaker 1: the tattoos in the face, it's pretty good to go. 111 00:05:36,600 --> 00:05:38,480 Speaker 1: But he's what happened to him? Do you know? I 112 00:05:38,520 --> 00:05:40,520 Speaker 1: don't know he had a car car hit him. I 113 00:05:40,520 --> 00:05:42,200 Speaker 1: don't even think that he hit anybody. I think he 114 00:05:42,279 --> 00:05:45,440 Speaker 1: just fell Rookie. Here's the one thing. I've never wrecked 115 00:05:45,440 --> 00:05:48,120 Speaker 1: a motorcycle. I don't think I've ever been on while 116 00:05:48,200 --> 00:05:51,400 Speaker 1: driving it. Though I've never wrecked a motorcycle. Uh, let's 117 00:05:51,400 --> 00:05:55,040 Speaker 1: talk about new music before we get into this. I'm 118 00:05:55,080 --> 00:05:57,280 Speaker 1: just really it's really weird about even building statues after 119 00:05:57,320 --> 00:05:59,640 Speaker 1: people who are still alive. It's always a tricky thing 120 00:06:00,040 --> 00:06:01,960 Speaker 1: because they do something that's not so good. They could 121 00:06:02,279 --> 00:06:04,520 Speaker 1: they what do you do? Take the statue down? Wants 122 00:06:04,560 --> 00:06:08,120 Speaker 1: to wait on your statue. Then yeah, I personally don't, 123 00:06:08,560 --> 00:06:11,600 Speaker 1: but like I wondered in my town, there's a Sciences 124 00:06:11,600 --> 00:06:14,080 Speaker 1: boyhood home Bobby Bones. If I do something bad and 125 00:06:14,120 --> 00:06:15,920 Speaker 1: I go to jail today ripped that down. I don't 126 00:06:15,960 --> 00:06:18,960 Speaker 1: want that pressure. New music out today. We have five 127 00:06:19,000 --> 00:06:21,760 Speaker 1: songs we want to share with you. Here, m hmm, 128 00:06:22,360 --> 00:06:23,880 Speaker 1: I got like seven. Let me see what I put 129 00:06:23,880 --> 00:06:28,280 Speaker 1: in my top five. At number five, Nikita Carmen, who's 130 00:06:28,320 --> 00:06:31,480 Speaker 1: a fantastic new artist. She put out a new song 131 00:06:31,600 --> 00:06:51,160 Speaker 1: called Better. Here's a clip of that happy. At number four, 132 00:06:51,279 --> 00:06:54,320 Speaker 1: Josh Turner announce he's putting out a new country cover album. 133 00:06:54,360 --> 00:06:57,360 Speaker 1: He released a cover of Country State of Mind featuring 134 00:06:57,440 --> 00:06:59,719 Speaker 1: Chris Jansen. By the way, this is a Hank Junior cover. 135 00:07:00,080 --> 00:07:10,520 Speaker 1: You know Country Spain, Kitchens fish Like They're going out 136 00:07:10,520 --> 00:07:17,320 Speaker 1: of style drinking Home. At number three, I'm a top five. 137 00:07:17,920 --> 00:07:21,120 Speaker 1: Gabby Barrett put out her record that's called gold Mine. 138 00:07:21,120 --> 00:07:22,720 Speaker 1: You can check out the whole record. Here's a song 139 00:07:22,760 --> 00:07:33,680 Speaker 1: called Write It on My Heart. Rascal Flats put out 140 00:07:33,680 --> 00:07:36,960 Speaker 1: a new song called how They Remember You, And here's 141 00:07:36,960 --> 00:07:42,640 Speaker 1: a clip of the Rascal Flats new song what You 142 00:07:42,840 --> 00:07:54,320 Speaker 1: Choose Remember Me? There it is in the number one 143 00:07:54,360 --> 00:07:57,200 Speaker 1: song this week. Garth Brooks has a new song called 144 00:07:57,240 --> 00:08:01,720 Speaker 1: we Belong to each Other. We been long to each Other, 145 00:08:03,920 --> 00:08:10,120 Speaker 1: were sister and brother like Hawaiian Garth Brooks. That's your 146 00:08:10,160 --> 00:08:12,640 Speaker 1: top five. I recommend checking out Eric church Tez to 147 00:08:12,640 --> 00:08:14,720 Speaker 1: have new music earlier this week to his fan club. 148 00:08:14,800 --> 00:08:18,080 Speaker 1: So there you go. New albums that aren't country. Black 149 00:08:18,120 --> 00:08:21,560 Speaker 1: Eyed Peas have translation Phoebe Bridgers. I don't know who 150 00:08:21,600 --> 00:08:23,560 Speaker 1: that is, do you? Yeah, she's like indie artist. Yeah, 151 00:08:23,560 --> 00:08:25,160 Speaker 1: I figured you would figure That's why I was on 152 00:08:25,200 --> 00:08:28,840 Speaker 1: the list. Punisher, Bob Dylan, Rough and Rowdy Ways, Michael 153 00:08:28,840 --> 00:08:31,720 Speaker 1: Fronti and Spearhead or Hard to Be Nice. Lamb of 154 00:08:31,760 --> 00:08:34,560 Speaker 1: God has an album. Switch Foot has an album Trapped. 155 00:08:34,600 --> 00:08:39,280 Speaker 1: Remember Trapped. They had one song Herd Strong, Herd Strong, 156 00:08:39,800 --> 00:08:46,040 Speaker 1: hurt Strong. Remember that? Oh yeah, there is It's jam. 157 00:08:46,160 --> 00:08:47,880 Speaker 1: They're a one hit wonder like crazy right and I 158 00:08:47,920 --> 00:08:50,680 Speaker 1: film song in here I forgot about and I forgot 159 00:08:50,679 --> 00:08:53,360 Speaker 1: her out him. But I mean that was a pop 160 00:08:53,400 --> 00:09:04,760 Speaker 1: song too. Mr Sommer, No, no, no. Then well they 161 00:09:04,760 --> 00:09:06,679 Speaker 1: have an album out trying to get that second hit, 162 00:09:06,960 --> 00:09:10,040 Speaker 1: that all elusive second hit, Headstrong too. That's what they 163 00:09:10,040 --> 00:09:14,600 Speaker 1: should do. Head strong again. All right, let's get into 164 00:09:14,600 --> 00:09:17,600 Speaker 1: this podcast. We'll talk about with Billy Dukes. We'll talk 165 00:09:17,600 --> 00:09:19,360 Speaker 1: about the big biggest country music artists the week, and 166 00:09:19,400 --> 00:09:21,280 Speaker 1: then we review a music movie at the end of this. 167 00:09:21,360 --> 00:09:26,400 Speaker 1: Thank you guys. All right on now is Billy Dukes 168 00:09:26,520 --> 00:09:29,200 Speaker 1: from Taste of Country. And I was looking at this article, Billy, 169 00:09:29,240 --> 00:09:30,800 Speaker 1: and I was gonna come on to talk about it, 170 00:09:30,800 --> 00:09:32,160 Speaker 1: but I thought, why not get you on since you're 171 00:09:32,600 --> 00:09:35,640 Speaker 1: you run the site and helped contribute to this article. 172 00:09:35,679 --> 00:09:38,800 Speaker 1: Is that right? Yeah? Yeah, so appreciate it. Um team, 173 00:09:39,160 --> 00:09:41,440 Speaker 1: you know, it's country team. But I was the one 174 00:09:41,480 --> 00:09:43,439 Speaker 1: who kind of headed it up, yeah, because I was 175 00:09:43,520 --> 00:09:44,959 Speaker 1: looking at it and I thought it was an interesting 176 00:09:45,040 --> 00:09:47,160 Speaker 1: article because you know, there isn't a right answer. It's 177 00:09:47,160 --> 00:09:49,959 Speaker 1: everybody kind of putting their opinion in. And I thought, well, 178 00:09:49,960 --> 00:09:52,360 Speaker 1: there's nobody that listed as a writer. So we came 179 00:09:52,400 --> 00:09:54,400 Speaker 1: to you. How does that work when you guys all collaborate, 180 00:09:54,440 --> 00:09:55,800 Speaker 1: You guys get in a room or I guess you 181 00:09:55,800 --> 00:09:57,680 Speaker 1: can't get in a room now though, with Corona, do 182 00:09:57,720 --> 00:09:59,240 Speaker 1: you just send out emails or take a poll of 183 00:09:59,320 --> 00:10:03,000 Speaker 1: what's going on? We're big on flack kind of all 184 00:10:03,080 --> 00:10:04,600 Speaker 1: day long. I mean, that's kind of how we worked 185 00:10:05,040 --> 00:10:08,520 Speaker 1: usually anyway. We have writers based in Texas and out 186 00:10:08,520 --> 00:10:11,559 Speaker 1: in the Western Tennessee, and until recently a writer in Buffalo, 187 00:10:11,600 --> 00:10:14,760 Speaker 1: So we've always sort of worked via Slack and emails 188 00:10:14,800 --> 00:10:16,600 Speaker 1: and occasionally we get on a conference call as well. 189 00:10:16,640 --> 00:10:19,600 Speaker 1: But the modern way, I suppose, Well, these are country 190 00:10:19,679 --> 00:10:23,560 Speaker 1: music's top ten artists. Now I may not agree with 191 00:10:23,600 --> 00:10:24,959 Speaker 1: all of them with you, but I think it's fun 192 00:10:25,000 --> 00:10:27,080 Speaker 1: to kind of talk through them. Number ten, you guys 193 00:10:27,080 --> 00:10:29,360 Speaker 1: have Sam Hunt. So talking about Sam Hunt while you 194 00:10:29,400 --> 00:10:31,840 Speaker 1: made the list, well, I mean this really could have 195 00:10:31,880 --> 00:10:33,880 Speaker 1: it and might still be sort of a comeback here 196 00:10:33,920 --> 00:10:35,679 Speaker 1: for Sam Hunt. I mean, it was a long time 197 00:10:35,720 --> 00:10:37,720 Speaker 1: ago that he released Montevello, and he had the new 198 00:10:37,760 --> 00:10:41,040 Speaker 1: south Side album which did debut at number one. Um, 199 00:10:41,120 --> 00:10:43,679 Speaker 1: he had a big tour planned and in some ways 200 00:10:43,720 --> 00:10:46,360 Speaker 1: this this whole year is kind of a theoretical year 201 00:10:46,400 --> 00:10:49,000 Speaker 1: since all the tours got canceled. But he was looking 202 00:10:49,000 --> 00:10:50,679 Speaker 1: to have a pretty good tour with Kit Moore and 203 00:10:51,000 --> 00:10:52,599 Speaker 1: Travis Denning that I think was going to sell a 204 00:10:52,640 --> 00:10:55,720 Speaker 1: lot of concert tickets. Um, I'll just forget I think 205 00:10:55,840 --> 00:10:57,480 Speaker 1: is the big thing for Sam. I just think that's 206 00:10:57,480 --> 00:11:00,840 Speaker 1: a monster of a song, and it's proven to be digitally, 207 00:11:00,880 --> 00:11:03,920 Speaker 1: had sold a lot of copies and it sounds really 208 00:11:03,960 --> 00:11:06,040 Speaker 1: really good on the radio. You know what's funny about 209 00:11:06,080 --> 00:11:09,840 Speaker 1: Sam is I think he and probably Ashley McBride got 210 00:11:09,920 --> 00:11:13,880 Speaker 1: screwed over the worst by Corona as far as it 211 00:11:13,960 --> 00:11:16,480 Speaker 1: was time for them to put their stomp down. Sam 212 00:11:16,520 --> 00:11:18,560 Speaker 1: again because he's been gone for so long, and Ashley 213 00:11:18,600 --> 00:11:21,360 Speaker 1: really for the first time with the general public like 214 00:11:21,480 --> 00:11:25,160 Speaker 1: people actually, uh, they're just country music sort of fans 215 00:11:25,240 --> 00:11:28,120 Speaker 1: knowing who she is. I felt like they both If 216 00:11:28,160 --> 00:11:30,080 Speaker 1: I were picking who got hurt the worst as far 217 00:11:30,120 --> 00:11:32,760 Speaker 1: as breakout years, it would be Sam to rebreak and 218 00:11:32,760 --> 00:11:35,439 Speaker 1: then Ashley McBride to really have our shot. But it 219 00:11:35,480 --> 00:11:37,960 Speaker 1: doesn't mean they're not going to break back anyway. But 220 00:11:38,080 --> 00:11:40,360 Speaker 1: I felt like they were both really poised. Number nine 221 00:11:40,360 --> 00:11:43,360 Speaker 1: you have Keith Urban. Yeah, Keith. I mean I really 222 00:11:43,640 --> 00:11:46,400 Speaker 1: kind of expected Keith to be higher going into this. 223 00:11:46,840 --> 00:11:50,439 Speaker 1: I didn't realize that he hasn't really toured in America anyway, 224 00:11:50,440 --> 00:11:54,400 Speaker 1: and um really since so that's certainly affected things. Uh 225 00:11:54,480 --> 00:11:56,480 Speaker 1: the Grassini U album. I would bi Keith Urban fan. 226 00:11:56,520 --> 00:11:58,800 Speaker 1: I think his albums are fantastic, but it didn't really 227 00:11:58,800 --> 00:12:00,880 Speaker 1: stick commercially like maybe some of his other ones have. 228 00:12:01,360 --> 00:12:03,040 Speaker 1: The new music he's working on, though, I think it 229 00:12:03,200 --> 00:12:06,040 Speaker 1: is doing really well. Um, when God Whispered Your Name 230 00:12:06,240 --> 00:12:08,240 Speaker 1: is one of my favorite songs of the year so far. 231 00:12:08,640 --> 00:12:11,800 Speaker 1: We were a pretty big hit and um and then 232 00:12:11,800 --> 00:12:13,360 Speaker 1: of course he's hosting the A c M. So I 233 00:12:13,400 --> 00:12:15,840 Speaker 1: think that's gonna lead to a really big fall into 234 00:12:15,840 --> 00:12:18,080 Speaker 1: winner for Keith. Yeah, this song is my favorite Keith 235 00:12:18,160 --> 00:12:21,360 Speaker 1: Urban song in a long time. I like like soft 236 00:12:21,480 --> 00:12:23,480 Speaker 1: Keith Urban. That's my favorite Keith Urban. When I can 237 00:12:23,480 --> 00:12:25,640 Speaker 1: like poke it and it feels soft and loving, that's 238 00:12:25,679 --> 00:12:28,760 Speaker 1: my that's my favorite Keith Yeah, you know, yeah, I'm 239 00:12:28,760 --> 00:12:30,439 Speaker 1: going with you. I like that. Like when he gets 240 00:12:30,440 --> 00:12:33,360 Speaker 1: pretty experimental as well, like the Pitball collaboration from a 241 00:12:33,360 --> 00:12:35,240 Speaker 1: couple of albums ago. I could get down with that 242 00:12:35,280 --> 00:12:38,400 Speaker 1: for a bit. My guess is that the A c 243 00:12:38,480 --> 00:12:41,120 Speaker 1: M s will not happen so he I think he'll 244 00:12:41,200 --> 00:12:44,480 Speaker 1: end up posting a thing like doing with c M 245 00:12:44,559 --> 00:12:46,680 Speaker 1: A Fest now because with c M A Fest the 246 00:12:46,679 --> 00:12:49,040 Speaker 1: actual show, but they were gonna have that, I was 247 00:12:49,040 --> 00:12:51,679 Speaker 1: gonna host it. It got ripped away because of obviously 248 00:12:51,679 --> 00:12:54,120 Speaker 1: they're not having the festival at all. So now there's 249 00:12:54,120 --> 00:12:57,800 Speaker 1: a virtual thing where they're playing old episodes. Um, but 250 00:12:57,960 --> 00:13:00,400 Speaker 1: a c M S are alive thing with a bunch 251 00:13:00,400 --> 00:13:02,120 Speaker 1: of folks in the room. What is that supposed to 252 00:13:02,120 --> 00:13:05,439 Speaker 1: happen in September October? Billy? Do you remember, uh, September 253 00:13:07,400 --> 00:13:10,080 Speaker 1: somewhere in their mid September. I can't see them getting 254 00:13:10,880 --> 00:13:13,559 Speaker 1: a thousand, five thousand, ten thousand people in a room 255 00:13:13,600 --> 00:13:17,000 Speaker 1: at that point, just just guessing. Can you agree? No, 256 00:13:17,200 --> 00:13:19,120 Speaker 1: I'm with you. I mean, I think they gotta do 257 00:13:19,200 --> 00:13:21,319 Speaker 1: something because they got to give out those trophies, don't they. 258 00:13:21,880 --> 00:13:23,440 Speaker 1: I think the trophy, you know, and it's a weird 259 00:13:23,559 --> 00:13:25,880 Speaker 1: year to give trophies. I mean with CMA is coming 260 00:13:25,920 --> 00:13:28,840 Speaker 1: up in November. Uh. We were talking on the show 261 00:13:28,880 --> 00:13:32,880 Speaker 1: Who's gonna be? Who would you consider for Entertainer of 262 00:13:32,920 --> 00:13:36,280 Speaker 1: the Year during and you know, I would say Entertainer 263 00:13:36,360 --> 00:13:39,560 Speaker 1: years never award that has actual guidelines on it. It 264 00:13:39,600 --> 00:13:42,840 Speaker 1: can be someone who tours or has hits or dust 265 00:13:42,840 --> 00:13:46,040 Speaker 1: things outside of uh of just music. And I think 266 00:13:46,080 --> 00:13:48,560 Speaker 1: when you look at that Keith Urban, who was one 267 00:13:48,559 --> 00:13:50,760 Speaker 1: of the first guys to go and play shows, doing 268 00:13:50,760 --> 00:13:53,640 Speaker 1: these these drive in shows for first for the you know, 269 00:13:53,679 --> 00:13:56,559 Speaker 1: frontline workers. I think Garth has to be considered at 270 00:13:56,600 --> 00:13:59,160 Speaker 1: how he's he's not doing the live shows, but he's 271 00:13:59,160 --> 00:14:02,080 Speaker 1: doing three drive in theaters at once. He's you know, 272 00:14:02,120 --> 00:14:04,520 Speaker 1: done a couple of TV shows. So I think Entertainer 273 00:14:04,520 --> 00:14:06,240 Speaker 1: of the Year as we're talking about a c M 274 00:14:06,320 --> 00:14:07,480 Speaker 1: S or c M AS, I think it's going to 275 00:14:07,520 --> 00:14:09,600 Speaker 1: be looked at a bit different this year when you 276 00:14:09,679 --> 00:14:12,040 Speaker 1: hear that, who would you put in that list of 277 00:14:12,160 --> 00:14:14,640 Speaker 1: Entertainer of the Year this year? Well, I would add 278 00:14:14,720 --> 00:14:18,240 Speaker 1: artists like maybe Thomas Rhett and Luke Combs only because 279 00:14:18,280 --> 00:14:22,240 Speaker 1: they've they've handled the digital elements so well, like they've 280 00:14:22,240 --> 00:14:27,280 Speaker 1: consistently released new songs on Instagram, TV or through YouTube 281 00:14:27,280 --> 00:14:30,120 Speaker 1: in the case of Luke Combs, and they've kind of 282 00:14:30,120 --> 00:14:33,600 Speaker 1: done that, whereas well Dark those digital pretty well too. 283 00:14:33,640 --> 00:14:35,960 Speaker 1: But you know that's sort of a new generation, is 284 00:14:36,000 --> 00:14:38,560 Speaker 1: the new version of the live show. At number eight 285 00:14:38,600 --> 00:14:41,360 Speaker 1: on the list, someone that I I almost put in 286 00:14:41,400 --> 00:14:44,480 Speaker 1: that Sam Hunt Ashley McBride is Dan and Ship because 287 00:14:44,920 --> 00:14:46,880 Speaker 1: it was and I'm you know, close to both those 288 00:14:46,880 --> 00:14:48,800 Speaker 1: guys that are like legitimate friends and I know for 289 00:14:48,960 --> 00:14:52,280 Speaker 1: them they were finally playing arenas this is two guys 290 00:14:52,480 --> 00:14:54,720 Speaker 1: who were never supposed to make it according to everyone, 291 00:14:54,960 --> 00:14:58,320 Speaker 1: who were to everything that wasn't country. They got together, 292 00:14:58,640 --> 00:15:01,080 Speaker 1: started writing, were always told no, no, no, and they 293 00:15:01,080 --> 00:15:03,880 Speaker 1: have just hit so hard and they were finally headlining 294 00:15:03,920 --> 00:15:06,560 Speaker 1: arenas and I remember seeing Dan's message. I think they 295 00:15:06,560 --> 00:15:08,640 Speaker 1: were outside of arena going we can't do it. We 296 00:15:08,720 --> 00:15:11,360 Speaker 1: got to call it off and they were just had 297 00:15:11,640 --> 00:15:15,160 Speaker 1: hit such an apex and now uh not able to go. 298 00:15:15,200 --> 00:15:17,200 Speaker 1: But they're at number eight on your list. Yeah, and 299 00:15:17,240 --> 00:15:19,080 Speaker 1: I'm with you. I I had Dan and Shay as 300 00:15:19,120 --> 00:15:21,880 Speaker 1: the artist probably hit hardist by the coronavirus for those 301 00:15:21,920 --> 00:15:25,000 Speaker 1: exact reasons. Um, I think that stadium or that arena 302 00:15:25,080 --> 00:15:27,520 Speaker 1: tour was gonna be huge, and I think we would 303 00:15:27,560 --> 00:15:30,600 Speaker 1: have had more music from them by now. Um, and 304 00:15:30,600 --> 00:15:33,320 Speaker 1: they've been so consistent with the quality of songs these 305 00:15:33,400 --> 00:15:36,120 Speaker 1: last few years. I think, uh, they we have had 306 00:15:36,120 --> 00:15:38,640 Speaker 1: some great new music from them from now to kind 307 00:15:38,640 --> 00:15:42,120 Speaker 1: of drive that tour, but also huge on Spotify, and 308 00:15:42,280 --> 00:15:45,000 Speaker 1: they got a ton of ATM nominations leading up in September, 309 00:15:45,040 --> 00:15:47,880 Speaker 1: So I think they arguably would have been top five 310 00:15:47,960 --> 00:15:51,200 Speaker 1: had we not had the COVID nineteam shutdown. Isn't it 311 00:15:51,200 --> 00:15:53,760 Speaker 1: a while to think that a lot of artists are 312 00:15:53,800 --> 00:15:56,560 Speaker 1: holding off a bit on putting out music. But when 313 00:15:56,600 --> 00:15:59,040 Speaker 1: things start to track back, which it could be next 314 00:15:59,120 --> 00:16:02,040 Speaker 1: year before we really get back into I mean, I 315 00:16:02,040 --> 00:16:04,960 Speaker 1: think it's gonna take a vaccine for people to just 316 00:16:05,040 --> 00:16:07,120 Speaker 1: rip and roll. You know, you're gonna see spots of 317 00:16:07,160 --> 00:16:09,400 Speaker 1: people touring in some place, and there are some parts 318 00:16:09,400 --> 00:16:11,280 Speaker 1: of the country where they said hey and told me, hey, 319 00:16:11,320 --> 00:16:13,080 Speaker 1: we can play shows at casinos, And for me, I 320 00:16:13,120 --> 00:16:15,520 Speaker 1: don't feel comfortable playing shows right now, um at all, 321 00:16:15,880 --> 00:16:17,920 Speaker 1: but some is gonna But I don't think it's all 322 00:16:17,960 --> 00:16:20,960 Speaker 1: happening everywhere until there's a vaccine for for COVID, for corona, 323 00:16:20,960 --> 00:16:22,880 Speaker 1: whatever you gonna call it. But at the same time, 324 00:16:22,920 --> 00:16:25,800 Speaker 1: you're gonna see everybody releasing new music at the same time. 325 00:16:25,880 --> 00:16:29,400 Speaker 1: That's wild to think about, could be really nuts. And 326 00:16:29,440 --> 00:16:31,960 Speaker 1: then leading into next year, my thought is that every artist. 327 00:16:32,080 --> 00:16:34,280 Speaker 1: Initially my thought was every artist who're gonna play one 328 00:16:34,440 --> 00:16:37,360 Speaker 1: venue sized down so that it's gonna be really hard 329 00:16:37,400 --> 00:16:39,960 Speaker 1: to play stadiums, and Kenny Chen he's going to try 330 00:16:40,000 --> 00:16:42,200 Speaker 1: next year. But then if you're arena artist, you're gonna 331 00:16:42,200 --> 00:16:45,200 Speaker 1: do maybe smaller arenas and then from there because people 332 00:16:45,240 --> 00:16:47,000 Speaker 1: they're not gonna be as eager to go to the shows. 333 00:16:47,480 --> 00:16:50,240 Speaker 1: And I think getting people to allow shows in certain 334 00:16:50,280 --> 00:16:51,840 Speaker 1: parts of the country, You're not gonna be able to 335 00:16:51,840 --> 00:16:54,800 Speaker 1: go into southern California or New York or Boston or 336 00:16:55,160 --> 00:16:58,840 Speaker 1: some of these major metropolitan areas because you're seeing COVID 337 00:16:58,880 --> 00:17:02,680 Speaker 1: go up and regard of how you believe people should 338 00:17:02,760 --> 00:17:04,600 Speaker 1: handle it, you know, there are certain rules that some 339 00:17:04,640 --> 00:17:08,040 Speaker 1: cities are just holding tight on um, you know, with 340 00:17:08,440 --> 00:17:09,879 Speaker 1: I don't think again, I don't think the cm are 341 00:17:09,880 --> 00:17:11,960 Speaker 1: gonna happen in Nashville. I don't have any inside knowledge. 342 00:17:11,960 --> 00:17:13,200 Speaker 1: I'm on the board of the a c MS, but 343 00:17:13,440 --> 00:17:15,320 Speaker 1: they don't tell us trap like that. But I can't 344 00:17:15,359 --> 00:17:17,680 Speaker 1: see them putting five thousand people in a room though, 345 00:17:17,720 --> 00:17:21,160 Speaker 1: do I mean for anything? Can you? No? No, I can't. 346 00:17:21,160 --> 00:17:23,200 Speaker 1: I know Nashville has open back up, and I'm watching 347 00:17:23,240 --> 00:17:24,840 Speaker 1: the number of cases every day, and I see him 348 00:17:24,880 --> 00:17:27,960 Speaker 1: going up and up in Tennessee, and it's a little scary. 349 00:17:28,359 --> 00:17:31,280 Speaker 1: Jason al Dean's at seven talk about Jason. Jason is 350 00:17:31,320 --> 00:17:33,800 Speaker 1: like the most consistent artist really of the last ten years. 351 00:17:33,840 --> 00:17:36,960 Speaker 1: I think he's probably been somewhere between uh three and 352 00:17:37,280 --> 00:17:40,080 Speaker 1: number seven on this list every year. This is the 353 00:17:40,080 --> 00:17:42,119 Speaker 1: first year we've done it, but he would have been. Um. 354 00:17:42,160 --> 00:17:44,679 Speaker 1: He continues to be one of the biggest live draws. 355 00:17:44,800 --> 00:17:47,679 Speaker 1: He sells I think over sixteen and seventeen thousand tickets 356 00:17:47,680 --> 00:17:52,120 Speaker 1: the show, and he plays a lot of shows um Spotify. 357 00:17:52,160 --> 00:17:54,000 Speaker 1: He's not a big streaming artist compared to like the 358 00:17:54,040 --> 00:17:56,000 Speaker 1: Dan and Chase and the Marion morris Is of the world. 359 00:17:56,480 --> 00:17:58,000 Speaker 1: But We Back and Got What I Got have both 360 00:17:58,000 --> 00:18:00,159 Speaker 1: been solid songs. I don't think the nine album has 361 00:18:00,200 --> 00:18:02,879 Speaker 1: produced maybe that sort of signature song in terms of 362 00:18:02,880 --> 00:18:05,479 Speaker 1: a radio single quite yet. Um, but they've both been 363 00:18:05,520 --> 00:18:08,800 Speaker 1: solid number one hits. And then of course he's kind 364 00:18:08,800 --> 00:18:12,040 Speaker 1: of become viral with his wife Brittany Aldan on Instagram. 365 00:18:12,119 --> 00:18:13,520 Speaker 1: I mean, she makes some kind of a really fun 366 00:18:13,520 --> 00:18:16,160 Speaker 1: celebrity to watch as well. You know, she actually makes 367 00:18:16,240 --> 00:18:20,160 Speaker 1: him a bit relatable because you see the human side 368 00:18:20,200 --> 00:18:23,000 Speaker 1: of Jason Aldean, who's kind of that country rocker with 369 00:18:23,040 --> 00:18:25,040 Speaker 1: this image that you don't get to peek behind the 370 00:18:25,040 --> 00:18:28,800 Speaker 1: curtain until Brittany kind of came into the picture. Yeah, 371 00:18:28,800 --> 00:18:31,080 Speaker 1: they're super fun to watch, I think on Instagram, I 372 00:18:31,160 --> 00:18:33,040 Speaker 1: think they're they're cute. I don't know if we would 373 00:18:33,040 --> 00:18:35,840 Speaker 1: have said Jason Aldean is cute to watch. I don't 374 00:18:35,840 --> 00:18:37,600 Speaker 1: know that still would say that, but yeah, you're right, 375 00:18:37,640 --> 00:18:40,520 Speaker 1: it does bring an extra element to Jason. That's funny. Uh. 376 00:18:41,040 --> 00:18:42,960 Speaker 1: Number six is Marion Morris on your list of the 377 00:18:43,720 --> 00:18:46,840 Speaker 1: Hottest Country Artists? Yeah, and I really hate that man 378 00:18:46,920 --> 00:18:50,080 Speaker 1: is the only female artists represented on this list. Um Miranda, 379 00:18:50,080 --> 00:18:51,880 Speaker 1: I think I could have argued to made the list 380 00:18:51,920 --> 00:18:55,280 Speaker 1: pretty easily. But Marin is just huge on Spotify. She's 381 00:18:55,280 --> 00:18:58,879 Speaker 1: a really successful artist streaming. Um. The Bones is a 382 00:18:58,960 --> 00:19:01,840 Speaker 1: much much bigger song that I think anybody could have 383 00:19:01,960 --> 00:19:05,080 Speaker 1: possibly imagined. It's held down number one, I think for 384 00:19:05,119 --> 00:19:08,320 Speaker 1: like fifteen weeks now. And she's also developed not only 385 00:19:08,359 --> 00:19:10,680 Speaker 1: a really big touring artist in terms of like being 386 00:19:10,680 --> 00:19:14,120 Speaker 1: able to sell tickets, she's really gotten good. I mean, 387 00:19:14,600 --> 00:19:16,600 Speaker 1: you've probably seen her a number of times over the 388 00:19:16,680 --> 00:19:19,320 Speaker 1: years like I have, and you know, she kind of 389 00:19:19,320 --> 00:19:21,000 Speaker 1: found her way on stage and she can kind of 390 00:19:21,040 --> 00:19:23,399 Speaker 1: filled up some of those bigger stages and she's just 391 00:19:23,560 --> 00:19:26,760 Speaker 1: a great live performer nowadays. And The Bones I'll flip 392 00:19:26,800 --> 00:19:29,040 Speaker 1: over sometimes on satellite and I can hear the one 393 00:19:29,119 --> 00:19:32,399 Speaker 1: hundred or I can hear the pop station and the 394 00:19:32,440 --> 00:19:35,000 Speaker 1: Bones is playing on pop radio too, which you know, 395 00:19:35,119 --> 00:19:37,160 Speaker 1: we haven't seen a lot of artists other than Dan 396 00:19:37,240 --> 00:19:41,120 Speaker 1: and Shay and a little bit Sam crossover. I don't 397 00:19:41,160 --> 00:19:42,399 Speaker 1: know if there's been a female Has there been a 398 00:19:42,440 --> 00:19:45,879 Speaker 1: female crossover really in the last five or six years, Um, 399 00:19:46,160 --> 00:19:49,160 Speaker 1: Kelsey hasn't really. I mean she was on a Chain 400 00:19:49,200 --> 00:19:51,639 Speaker 1: Smoker song, so you're right. I don't count Kelsey crossing 401 00:19:51,680 --> 00:19:53,800 Speaker 1: over because she was on one of their songs. But yeah, 402 00:19:53,880 --> 00:19:58,639 Speaker 1: Kelsey and Miranda hasn't. No, I mean maybe if you 403 00:19:58,720 --> 00:20:01,600 Speaker 1: if you want to count be Rexa because that song 404 00:20:01,640 --> 00:20:05,879 Speaker 1: crossed over country. Yeah, I don't know, but the country up. 405 00:20:06,240 --> 00:20:08,280 Speaker 1: So my point is good for Marion, like she's doing 406 00:20:08,280 --> 00:20:13,159 Speaker 1: it and I think she's, you know, still achieving so 407 00:20:13,280 --> 00:20:15,040 Speaker 1: much at a time where people are kind of chilling back. 408 00:20:15,040 --> 00:20:17,360 Speaker 1: I think we're having that baby was was was awesome. 409 00:20:17,520 --> 00:20:20,199 Speaker 1: The timing was like, you don't you never want a 410 00:20:20,280 --> 00:20:23,600 Speaker 1: pandemic to happen, But if I were gonna have a baby, 411 00:20:23,600 --> 00:20:25,080 Speaker 1: I'd have a baby at a pandemic when you're locked 412 00:20:25,080 --> 00:20:27,160 Speaker 1: in the house the whole time, you know, perfect. Yeah, 413 00:20:27,960 --> 00:20:31,440 Speaker 1: it was out perfectly for Kane Brown's at number five. Yeah, 414 00:20:31,440 --> 00:20:35,040 Speaker 1: I think Karen, Kane and Marion are really pretty close. Um, 415 00:20:35,119 --> 00:20:37,760 Speaker 1: Kane's got one more album that sort of sticks around 416 00:20:37,760 --> 00:20:40,320 Speaker 1: on that album chart. Homesick is all over the radio. 417 00:20:40,359 --> 00:20:42,440 Speaker 1: That song still sounds good and it's what a year old. 418 00:20:42,440 --> 00:20:44,800 Speaker 1: Two years old had a big tour this year, and 419 00:20:45,200 --> 00:20:47,560 Speaker 1: he has all that crossover success, I mean the my 420 00:20:47,680 --> 00:20:50,760 Speaker 1: Smallow song, John Legend song, and he's done a few more. 421 00:20:51,040 --> 00:20:53,080 Speaker 1: He continues to prove he's well on his way to 422 00:20:53,160 --> 00:20:56,119 Speaker 1: becoming a legit not only male Outists of the Year contender, 423 00:20:56,160 --> 00:20:58,160 Speaker 1: but Entertainer of the Year contender, and probably a few 424 00:20:58,240 --> 00:21:00,399 Speaker 1: years it's gonna be weird to watch kind of the 425 00:21:00,440 --> 00:21:03,439 Speaker 1: shift and Entertainer of the year because in country music, 426 00:21:03,640 --> 00:21:07,400 Speaker 1: the entertainers of the year don't go away, meaning as 427 00:21:07,440 --> 00:21:10,600 Speaker 1: they get older, they dig in and it's harder to 428 00:21:10,600 --> 00:21:12,639 Speaker 1: move them out. It's not like people retire over here. 429 00:21:12,640 --> 00:21:14,800 Speaker 1: You're not gonna see Luke Bryan and Al Dean retire. 430 00:21:15,080 --> 00:21:17,280 Speaker 1: But then you have the Kane Browns and the the 431 00:21:17,400 --> 00:21:20,120 Speaker 1: Luke Combs and the Thomas Rhets. They're just almost too 432 00:21:20,160 --> 00:21:23,440 Speaker 1: many superstars to have them all in that category, you know. Yeah, 433 00:21:23,480 --> 00:21:25,720 Speaker 1: and Kane's kind of been snubbed from the awards, so 434 00:21:25,760 --> 00:21:28,080 Speaker 1: who knows when he'll actually kind of get his shot. 435 00:21:28,160 --> 00:21:32,160 Speaker 1: But I see Luke and Luke Combs and and Thomas 436 00:21:32,240 --> 00:21:34,199 Speaker 1: rhet are both in the entertainer category for the A 437 00:21:34,280 --> 00:21:36,760 Speaker 1: c N S, So that's kind of a dramatic shift. 438 00:21:36,840 --> 00:21:39,600 Speaker 1: Two newbies in out of five, which rolls is over 439 00:21:39,600 --> 00:21:41,920 Speaker 1: to number four is Thomas Rhette talk about tr Yeah, 440 00:21:42,080 --> 00:21:44,040 Speaker 1: be a light Man. That's going to be one of 441 00:21:44,040 --> 00:21:45,720 Speaker 1: the songs of the year and not only kind of 442 00:21:45,720 --> 00:21:48,919 Speaker 1: defines this time, it's just a really great collaboration. And 443 00:21:48,960 --> 00:21:52,080 Speaker 1: that came Wow, Beer Camp Fix was nearing number one. 444 00:21:52,600 --> 00:21:55,600 Speaker 1: Um quietly he's become a really huge live artist. He 445 00:21:55,680 --> 00:21:58,639 Speaker 1: sold some seven hunds of thousand tickets last year, and 446 00:21:58,640 --> 00:22:00,680 Speaker 1: I think that Entertainer of the Year not really kind 447 00:22:00,680 --> 00:22:02,800 Speaker 1: of gave him a leg up maybe on the King 448 00:22:02,880 --> 00:22:04,720 Speaker 1: Browns of the world to give him them before in 449 00:22:04,800 --> 00:22:06,439 Speaker 1: this list, well, the A c M s are a 450 00:22:06,440 --> 00:22:10,159 Speaker 1: bit more progressive. I know Thomas one Thomas Routt one 451 00:22:10,400 --> 00:22:12,360 Speaker 1: Male Vocalist of the Year a couple of years ago, 452 00:22:12,640 --> 00:22:14,280 Speaker 1: and that was a big deal because that was the 453 00:22:14,320 --> 00:22:16,560 Speaker 1: first time that someone had broken through in that category 454 00:22:16,600 --> 00:22:18,960 Speaker 1: in a while. So it's always interesting to watch the 455 00:22:18,960 --> 00:22:20,440 Speaker 1: two award shows because the A c M s are 456 00:22:20,600 --> 00:22:24,040 Speaker 1: a few years ahead or a bit GUESSI and the 457 00:22:24,080 --> 00:22:26,080 Speaker 1: c M as or maybe a year or two behind. 458 00:22:26,119 --> 00:22:28,600 Speaker 1: At times when you see people like Dan and Shaye 459 00:22:28,680 --> 00:22:32,400 Speaker 1: miss and miss and then hit after they probably already 460 00:22:32,400 --> 00:22:36,120 Speaker 1: should have hit. H Jayson L. Deane, I mean kind 461 00:22:36,119 --> 00:22:37,720 Speaker 1: of defined that for a while he would win the 462 00:22:37,720 --> 00:22:39,320 Speaker 1: A c M Entertainer of the Year and he couldn't 463 00:22:39,320 --> 00:22:41,280 Speaker 1: sniff a nomination. Yeah, that's a good point to see. 464 00:22:42,160 --> 00:22:44,280 Speaker 1: Blake Shelton is the number three. What he got about Blake? 465 00:22:45,840 --> 00:22:48,040 Speaker 1: Blake seems to be making a comeback of his own. 466 00:22:48,080 --> 00:22:50,199 Speaker 1: I mean, he's never really left because he's been on 467 00:22:50,240 --> 00:22:53,080 Speaker 1: the Voice the whole time. But this God's Country sort 468 00:22:53,080 --> 00:22:56,200 Speaker 1: of mini album. God's Country obviously a great song. The 469 00:22:56,240 --> 00:23:00,320 Speaker 1: Gwen Stefani duett was obviously huge, but really some of 470 00:23:00,320 --> 00:23:03,600 Speaker 1: those more memorable songs over the last five or ten years. 471 00:23:04,200 --> 00:23:06,679 Speaker 1: My favorite story about Blake is that he retweeted a 472 00:23:06,720 --> 00:23:09,480 Speaker 1: woman or replied to him when on Twitter who had 473 00:23:09,480 --> 00:23:11,600 Speaker 1: a book inspired by her late daughter, and then that 474 00:23:11,640 --> 00:23:13,680 Speaker 1: book shot up to like top five on like three 475 00:23:13,680 --> 00:23:17,959 Speaker 1: Amazon book charts. He's just really really influential. Well then 476 00:23:18,040 --> 00:23:19,560 Speaker 1: we get to number one and number two and they're 477 00:23:19,560 --> 00:23:22,440 Speaker 1: both Luke's. Now I wonder was this close at all 478 00:23:22,600 --> 00:23:26,800 Speaker 1: or not? Yeah, I think we really debated between the 479 00:23:26,840 --> 00:23:28,480 Speaker 1: two of them, and it's kind of back to like 480 00:23:28,600 --> 00:23:31,160 Speaker 1: what you're talking about with regards the entertainer of the years, 481 00:23:31,160 --> 00:23:32,960 Speaker 1: you have sort of that old guard that sits in 482 00:23:33,000 --> 00:23:39,320 Speaker 1: those top spots. Um, Luke Combs I think analytically, if 483 00:23:39,320 --> 00:23:41,280 Speaker 1: you looked at the numbers, is just a little stronger. 484 00:23:41,320 --> 00:23:44,080 Speaker 1: His albums I think are in the top two or 485 00:23:44,119 --> 00:23:46,920 Speaker 1: three every single week in terms of the charts. Um, 486 00:23:47,000 --> 00:23:49,520 Speaker 1: every song he puts out as a hit and memorable, 487 00:23:49,560 --> 00:23:53,280 Speaker 1: and he's become a great touring artist. Luke Bryant has 488 00:23:53,560 --> 00:24:00,200 Speaker 1: American idol uh and probably draws more fans per show live. Um, 489 00:24:00,359 --> 00:24:02,000 Speaker 1: how do you choose between them? I think altimately we 490 00:24:02,080 --> 00:24:03,640 Speaker 1: kind of went with the numbers and this we try 491 00:24:03,680 --> 00:24:05,679 Speaker 1: to be analytical and objective, and that meant in some 492 00:24:05,720 --> 00:24:08,560 Speaker 1: cases maybe leaning more into the numbers. So that's how 493 00:24:08,560 --> 00:24:10,280 Speaker 1: we kind of add up with Luke Combs at number one. 494 00:24:10,400 --> 00:24:12,679 Speaker 1: So Luke Bryan's at number two, and I'm gonna read 495 00:24:12,720 --> 00:24:14,280 Speaker 1: some of what you wrote here what was written. No 496 00:24:14,359 --> 00:24:16,800 Speaker 1: one on this list sells more concert tickets than Luke Brian. 497 00:24:17,320 --> 00:24:20,080 Speaker 1: He's the stadium act with a strong foothold of country radio, 498 00:24:20,440 --> 00:24:22,840 Speaker 1: even if his albums don't hold the same clout as 499 00:24:22,880 --> 00:24:26,359 Speaker 1: some others before or after him. And again, I'm assuming 500 00:24:26,359 --> 00:24:28,760 Speaker 1: you guys are adding in things like American Idol and 501 00:24:29,000 --> 00:24:31,040 Speaker 1: you know, just like Blake with the voice, like things 502 00:24:31,040 --> 00:24:33,480 Speaker 1: other than just songs on the radio or songs that 503 00:24:33,480 --> 00:24:37,080 Speaker 1: are streaming. Yeah. Absolutely, I mean I think that kind 504 00:24:37,080 --> 00:24:40,840 Speaker 1: of adds to their overall heat, if you will. Number one. 505 00:24:40,880 --> 00:24:43,679 Speaker 1: Luke Combs, boy, I tell you I haven't seen a 506 00:24:43,680 --> 00:24:47,199 Speaker 1: guy he's been. He has been the unicorn for me 507 00:24:47,280 --> 00:24:49,879 Speaker 1: and my seven eight years in town. Like you know, 508 00:24:49,960 --> 00:24:52,760 Speaker 1: Sam hit hard early and did what he did. But 509 00:24:52,800 --> 00:24:58,520 Speaker 1: Sam was a reluctant star. Um, Luke, I don't know screams. Hey, 510 00:24:58,560 --> 00:24:59,880 Speaker 1: I knew I was going to be a star, one 511 00:24:59,880 --> 00:25:01,720 Speaker 1: of be a star, but I haven't. He's just so 512 00:25:01,840 --> 00:25:04,119 Speaker 1: undeniable all the time and everything he does. I have 513 00:25:04,119 --> 00:25:07,959 Speaker 1: not seen anything like a Luke Combs trajectory, have you know, 514 00:25:08,520 --> 00:25:10,960 Speaker 1: especially in terms of how easy he makes it look 515 00:25:11,880 --> 00:25:14,720 Speaker 1: like all of his songs sounds so easy, and I 516 00:25:14,760 --> 00:25:18,000 Speaker 1: know they're not. They're well written songs, um, but he 517 00:25:18,040 --> 00:25:20,080 Speaker 1: does have sort of that swagger. I talked to one 518 00:25:20,119 --> 00:25:23,880 Speaker 1: of the writers of Beard Never Broke My Heart, and 519 00:25:23,920 --> 00:25:26,399 Speaker 1: he more or less admitted that Luke Combs knew it 520 00:25:26,480 --> 00:25:28,240 Speaker 1: was going to be kind of a career song song 521 00:25:28,359 --> 00:25:30,879 Speaker 1: for him when they wrote it, and that was well 522 00:25:30,920 --> 00:25:33,720 Speaker 1: before we've ever heard it on the radio. So he 523 00:25:33,760 --> 00:25:36,720 Speaker 1: does sort of have this swagger about him and no, 524 00:25:37,119 --> 00:25:39,040 Speaker 1: but he still comes off as a really kind of humble, 525 00:25:39,119 --> 00:25:41,800 Speaker 1: nice guy when you talk to him. And people that 526 00:25:41,920 --> 00:25:44,000 Speaker 1: do it really well always make it look really easy. 527 00:25:44,720 --> 00:25:47,440 Speaker 1: You know. Uh with Luke, you're like, man, he's writing songs. 528 00:25:47,480 --> 00:25:49,840 Speaker 1: I feel that way. Man, How does he do that? 529 00:25:49,880 --> 00:25:52,119 Speaker 1: It seems so easy? That's because he's so good, you know. 530 00:25:52,240 --> 00:25:54,679 Speaker 1: I think Sam is a guy too who writes songs 531 00:25:54,760 --> 00:25:57,400 Speaker 1: like that. Obviously Sam kind of checked out for a while, 532 00:25:57,440 --> 00:25:59,520 Speaker 1: but body like a back road. If I hear one 533 00:25:59,520 --> 00:26:01,280 Speaker 1: more person say, man, I could have written that song, 534 00:26:01,400 --> 00:26:03,520 Speaker 1: then why don't you freaking write it? You can't write 535 00:26:03,560 --> 00:26:07,000 Speaker 1: it because it just it sounds so easy. But how 536 00:26:07,119 --> 00:26:10,120 Speaker 1: Sam writes is Sam will take four days on a song. 537 00:26:10,160 --> 00:26:11,639 Speaker 1: He'll write a song for five or six hours and 538 00:26:11,640 --> 00:26:13,640 Speaker 1: then come back into it days and days and days after, 539 00:26:13,680 --> 00:26:16,280 Speaker 1: and it's the it's the minutia of a song that 540 00:26:16,560 --> 00:26:18,960 Speaker 1: especially like a song like that that really made it pop. 541 00:26:19,160 --> 00:26:20,800 Speaker 1: I think Luke and Samer are a lot of like 542 00:26:20,920 --> 00:26:25,399 Speaker 1: in that way. So who would have been your number one? 543 00:26:25,480 --> 00:26:27,679 Speaker 1: I agree with most of everything you wrote, maybe the 544 00:26:28,160 --> 00:26:29,920 Speaker 1: maybe the order is not the same, but I'd have 545 00:26:29,960 --> 00:26:32,639 Speaker 1: put Luke Combs at one with Luke it two. The 546 00:26:32,680 --> 00:26:35,440 Speaker 1: only person that I felt was honorable mention or maybe 547 00:26:35,440 --> 00:26:39,239 Speaker 1: you could have jumped in, was someone who doesn't have 548 00:26:39,280 --> 00:26:43,080 Speaker 1: the numbers but has so much momentum is Morrigan Wallen 549 00:26:44,160 --> 00:26:46,920 Speaker 1: like as far as far as like hits and momentum 550 00:26:46,960 --> 00:26:50,480 Speaker 1: and like undeniable, maybe just an honorable mention like that 551 00:26:50,520 --> 00:26:56,720 Speaker 1: guy is legit songwriter, singer, performer, like he has the 552 00:26:56,760 --> 00:26:59,200 Speaker 1: three things to be a country star, and he also 553 00:26:59,320 --> 00:27:02,840 Speaker 1: has that real you understand that who five minutes with 554 00:27:02,920 --> 00:27:05,240 Speaker 1: him or watching a clip you know who Morgan Walla did. 555 00:27:05,280 --> 00:27:09,000 Speaker 1: Wallon is instantly and it's not manufactured at all. So 556 00:27:09,240 --> 00:27:10,800 Speaker 1: I don't know if he makes top ten. I think 557 00:27:10,800 --> 00:27:12,160 Speaker 1: you guys did a great job on the list, which 558 00:27:12,160 --> 00:27:13,919 Speaker 1: is why I wanted to get you on. But I 559 00:27:13,960 --> 00:27:16,040 Speaker 1: think Morgan Wallon was the one that for me, I 560 00:27:16,119 --> 00:27:19,800 Speaker 1: was like, oh, that's a close one. Yeah. I think 561 00:27:19,800 --> 00:27:22,359 Speaker 1: early on we we decided to full kind of focus 562 00:27:22,359 --> 00:27:24,520 Speaker 1: on arena headliners, which was a tough choice all on 563 00:27:24,600 --> 00:27:26,879 Speaker 1: its own because there's so many kind of younger artists 564 00:27:26,880 --> 00:27:29,000 Speaker 1: that just have a lot of what you would call he. 565 00:27:29,160 --> 00:27:32,160 Speaker 1: I mean, Ashley McBride certainly does, and and some others 566 00:27:32,160 --> 00:27:35,040 Speaker 1: who are even newer. Morgan Wallen, it's certainly right there. 567 00:27:35,040 --> 00:27:36,600 Speaker 1: I mean he he kind of checks all the boxes 568 00:27:36,640 --> 00:27:38,040 Speaker 1: and I think with another album or two, he's going 569 00:27:38,080 --> 00:27:40,480 Speaker 1: to be a real headliner. All right there. He is 570 00:27:40,480 --> 00:27:42,440 Speaker 1: Billy Dukes from Tasting Country. Check out the site. I 571 00:27:42,520 --> 00:27:46,119 Speaker 1: love the site. Rate it constantly on Twitter at Billy 572 00:27:46,240 --> 00:27:50,119 Speaker 1: Dukes on Instagram at serious Journalist. Well that's the role. 573 00:27:50,160 --> 00:27:52,239 Speaker 1: Switch up a name, Billy, what what you don't want 574 00:27:52,240 --> 00:27:56,200 Speaker 1: to go? Billy Dukes on Instagram. So I didn't become 575 00:27:56,720 --> 00:28:00,440 Speaker 1: Instagram hip until kind of fairly recent me. I had 576 00:28:00,480 --> 00:28:03,320 Speaker 1: like my personal Instagram, which was just like family photos, 577 00:28:03,359 --> 00:28:05,159 Speaker 1: and I finally decided I need to get with it, 578 00:28:05,359 --> 00:28:08,520 Speaker 1: and I think there was already a Billy Dukes on Instagram. 579 00:28:08,560 --> 00:28:11,600 Speaker 1: So I used a hashtag that I often sees on Twitter, 580 00:28:11,680 --> 00:28:15,600 Speaker 1: and we was serious journalist, because often I'm not very serious. 581 00:28:16,440 --> 00:28:18,760 Speaker 1: Did you guys consider Chesney for this list because he's 582 00:28:18,760 --> 00:28:21,160 Speaker 1: had some radio hits, obviously he's doing the big old tour. 583 00:28:21,280 --> 00:28:24,680 Speaker 1: Did you consider him at all? Yeah? He was on. 584 00:28:25,080 --> 00:28:26,800 Speaker 1: Certainly one of the artists we talked about. I mean, 585 00:28:26,920 --> 00:28:30,320 Speaker 1: I know he's got a big stadium tour, but um, 586 00:28:30,920 --> 00:28:33,240 Speaker 1: you know that the album and the songs aren't quite 587 00:28:33,240 --> 00:28:35,480 Speaker 1: as iconic as they used to be. A debut at 588 00:28:35,560 --> 00:28:38,760 Speaker 1: Number one argued that was because a lot of those 589 00:28:38,800 --> 00:28:43,480 Speaker 1: albums were attached to the concert tickets. Um, I'm not 590 00:28:43,520 --> 00:28:46,440 Speaker 1: sure he's so much in the moment is maybe some 591 00:28:46,520 --> 00:28:48,880 Speaker 1: of the other artists. How are you feeling about artists 592 00:28:48,920 --> 00:28:51,400 Speaker 1: that do that where they go, Okay, you're gonna buy 593 00:28:51,440 --> 00:28:53,400 Speaker 1: tickets to the show. You're gonna get the record too, 594 00:28:53,440 --> 00:28:56,960 Speaker 1: we're gonna count that record towards the first week record play. 595 00:28:57,000 --> 00:29:00,680 Speaker 1: You think that's a tactic that they're using strategically in 596 00:29:00,720 --> 00:29:04,240 Speaker 1: a good way or it kind of sucks. If I 597 00:29:04,280 --> 00:29:07,080 Speaker 1: was an honest I might do it. I probably would 598 00:29:07,160 --> 00:29:09,080 Speaker 1: do it honestly. I mean, you want your music to 599 00:29:09,200 --> 00:29:13,520 Speaker 1: get in fans hands, now should the chart keepers? The 600 00:29:13,520 --> 00:29:16,840 Speaker 1: gatekeepers kind of allowed that calculation. I don't know. I 601 00:29:16,880 --> 00:29:18,560 Speaker 1: mean it kind of writes itself. He was number one 602 00:29:18,600 --> 00:29:20,080 Speaker 1: one week and then kind of fell off the charts 603 00:29:20,120 --> 00:29:24,280 Speaker 1: the next week, so people kind of knew what had happened. Um, 604 00:29:24,440 --> 00:29:26,720 Speaker 1: but you know, you want to get your music out there, 605 00:29:26,760 --> 00:29:28,480 Speaker 1: so that's that's a fairly good way to do it. 606 00:29:28,520 --> 00:29:29,920 Speaker 1: I don't have anything to goodst them for doing it. 607 00:29:29,920 --> 00:29:32,320 Speaker 1: I guess I would say that it's great if you 608 00:29:32,320 --> 00:29:34,160 Speaker 1: want to package it, but I don't think it should 609 00:29:34,200 --> 00:29:37,440 Speaker 1: count on the chart against people who are literally just 610 00:29:37,480 --> 00:29:39,200 Speaker 1: streaming or buying the record. And then this is not 611 00:29:39,240 --> 00:29:42,920 Speaker 1: towards Kenny in general. I've but again, you can do it. 612 00:29:42,920 --> 00:29:44,760 Speaker 1: It's not against any rules. So I would do it too. 613 00:29:44,760 --> 00:29:47,240 Speaker 1: Don't get me wrong, but I'm saying I don't like 614 00:29:47,400 --> 00:29:51,160 Speaker 1: the rule that it's if you you're launching a tour, 615 00:29:51,680 --> 00:29:53,680 Speaker 1: you have an advantage over someone coming out the same 616 00:29:53,720 --> 00:29:56,800 Speaker 1: week that's just launching a record simply because they're not 617 00:29:56,880 --> 00:30:01,120 Speaker 1: launching a tour. I think they do it to like 618 00:30:01,160 --> 00:30:03,440 Speaker 1: if you have like a three or four or five 619 00:30:03,520 --> 00:30:06,120 Speaker 1: disc box set coming out. Don't you get credit for 620 00:30:06,200 --> 00:30:11,200 Speaker 1: like five uh, like five records sold if someone buys 621 00:30:11,200 --> 00:30:13,320 Speaker 1: the whole box set. Like Garth was kind of the 622 00:30:13,400 --> 00:30:15,600 Speaker 1: king of that for a long time. Yeah, And Garth 623 00:30:15,640 --> 00:30:18,040 Speaker 1: releases an awesome box set like every week. So it's 624 00:30:18,040 --> 00:30:22,040 Speaker 1: like Garth the nineties, Garth. Well, okay, never mind, we 625 00:30:22,080 --> 00:30:24,760 Speaker 1: have new stuff from ninety two only Garth. Yeah. Yeah, um, 626 00:30:24,760 --> 00:30:27,440 Speaker 1: well listen, Billy. It's great to talk to you. Everybody. 627 00:30:27,520 --> 00:30:30,000 Speaker 1: Check out Taste Country. It's a fantastic site if you 628 00:30:30,080 --> 00:30:33,320 Speaker 1: love country music. Have a stay safe, have a good week. 629 00:30:33,320 --> 00:30:35,400 Speaker 1: We'll talk to you soon, Billy. I really appreciate it, 630 00:30:35,440 --> 00:30:44,480 Speaker 1: all right, see you later. So this is a music podcast. 631 00:30:44,560 --> 00:30:46,960 Speaker 1: If you're listening on the Bobby Cast and you're listening 632 00:30:46,960 --> 00:30:50,720 Speaker 1: on Mike D's podcast, it's a movie podcast. So it's 633 00:30:50,720 --> 00:30:52,600 Speaker 1: a music movie. We're doing so both. This will go 634 00:30:52,640 --> 00:30:54,880 Speaker 1: on to both of the podcast. Eddie's also here to 635 00:30:54,920 --> 00:30:56,719 Speaker 1: to talk with us. This is great. Well, what happened 636 00:30:56,720 --> 00:30:59,960 Speaker 1: was I was listening to a jutt Apataw interview because 637 00:31:00,040 --> 00:31:03,200 Speaker 1: he's promoting the King of Staten Island and he did 638 00:31:03,200 --> 00:31:06,560 Speaker 1: that movie, and he was talking about movies that he 639 00:31:07,440 --> 00:31:09,840 Speaker 1: did that didn't do so well as far as making 640 00:31:09,880 --> 00:31:11,720 Speaker 1: a bunch of money. And he said, Hey, I loved 641 00:31:12,280 --> 00:31:14,320 Speaker 1: Walk Hard, the Dewey Cox story, and I though, I've 642 00:31:14,320 --> 00:31:17,200 Speaker 1: never seen that before. So I hit Mike up and said, 643 00:31:17,200 --> 00:31:19,240 Speaker 1: he you don't do a podcast MultiMate podcasts. Well, since 644 00:31:19,240 --> 00:31:21,520 Speaker 1: it's music, I'll review it, and you're blah blah blah. 645 00:31:21,520 --> 00:31:23,760 Speaker 1: Here we are. Had Mike seen it, I've seen it 646 00:31:23,800 --> 00:31:25,680 Speaker 1: when it first came out. I had to rewatch it. 647 00:31:25,720 --> 00:31:27,360 Speaker 1: What was your thought of it before you went into 648 00:31:27,400 --> 00:31:29,360 Speaker 1: it that the second time. Did you remember liking it 649 00:31:29,440 --> 00:31:31,440 Speaker 1: or no. I remember liking it and thinking it was funny, 650 00:31:31,520 --> 00:31:33,200 Speaker 1: but I think I had kind of had a different 651 00:31:33,440 --> 00:31:36,480 Speaker 1: outlook on it this time around. Well, so it's a 652 00:31:36,600 --> 00:31:42,920 Speaker 1: music parody movie. It's parodying two things. One these bio 653 00:31:43,000 --> 00:31:46,200 Speaker 1: pics and music. It's a whole movie parody parodying how 654 00:31:46,200 --> 00:31:49,840 Speaker 1: biopics are made, and then two walk to Line Johnny Cash. 655 00:31:49,920 --> 00:31:53,160 Speaker 1: It's like two parodies happening at the same time. So 656 00:31:54,400 --> 00:31:56,360 Speaker 1: if you haven't seen it first, let's say if we 657 00:31:56,440 --> 00:31:59,040 Speaker 1: liked it or not. I thought it was really funny 658 00:31:59,080 --> 00:32:01,960 Speaker 1: because I'd see all the movies that was parodying which 659 00:32:02,000 --> 00:32:05,000 Speaker 1: is ray, which is the drug stuff A lot, a lot. 660 00:32:05,040 --> 00:32:07,280 Speaker 1: It was a lot of the Ray stuff because they're like, ray, 661 00:32:07,320 --> 00:32:10,920 Speaker 1: you don't want to heroin and and the Dewey Cox 662 00:32:11,640 --> 00:32:14,000 Speaker 1: he walks in the first time and he's young and 663 00:32:14,040 --> 00:32:18,120 Speaker 1: they're he's smoking, they're smoking weeds and uh, tim to 664 00:32:18,160 --> 00:32:20,840 Speaker 1: meadows to meadows like, man, you don't want this week 665 00:32:20,840 --> 00:32:23,760 Speaker 1: walk away and was like it was like, what's weed? 666 00:32:24,160 --> 00:32:27,040 Speaker 1: And he's like, well, it makes you feel good and 667 00:32:27,080 --> 00:32:30,800 Speaker 1: he's like yeah, he goes and it's not addictive at all, 668 00:32:31,200 --> 00:32:34,360 Speaker 1: and he goes really and he goes, yeah, and it's 669 00:32:34,360 --> 00:32:39,480 Speaker 1: actually not that expensive either, do it though? And so 670 00:32:39,600 --> 00:32:41,400 Speaker 1: and that was a recurring thing to where the drugs 671 00:32:41,400 --> 00:32:43,480 Speaker 1: got bigger and harder every time. And it was because 672 00:32:43,520 --> 00:32:45,760 Speaker 1: that's kind of what Johnny Cash happened, like and walk 673 00:32:45,800 --> 00:32:47,360 Speaker 1: the line, you know, you walk in, they'd be doing 674 00:32:47,440 --> 00:32:49,360 Speaker 1: drugs like home, let me try some of that. Um, 675 00:32:50,040 --> 00:32:52,480 Speaker 1: you know. The funny part of it too, was, you know, 676 00:32:52,480 --> 00:32:55,320 Speaker 1: because a lot of these even Bohemian Rhapsody, which happened 677 00:32:55,320 --> 00:32:58,080 Speaker 1: way after the fact, Queen just goes boom boom boom 678 00:32:58,120 --> 00:33:00,920 Speaker 1: their superstars in the movie because you don't have four, five, six, 679 00:33:00,960 --> 00:33:03,640 Speaker 1: seven hours to do the actual Queen bio pick. But 680 00:33:03,760 --> 00:33:07,240 Speaker 1: in walk Hard Dewey, who um is trying to make music. 681 00:33:07,720 --> 00:33:09,520 Speaker 1: He starts playing and this first song he ever plays 682 00:33:09,520 --> 00:33:11,400 Speaker 1: at a school talent show, the kid just get up 683 00:33:11,440 --> 00:33:13,560 Speaker 1: and start dancing, like five seconds into the first song, 684 00:33:13,720 --> 00:33:15,800 Speaker 1: and then a big rioter rubts like that music. The 685 00:33:15,840 --> 00:33:20,120 Speaker 1: priest is upgoing that's double music. So you know, I 686 00:33:20,120 --> 00:33:22,320 Speaker 1: thought the whole famale was pretty funny. I would I 687 00:33:22,320 --> 00:33:25,360 Speaker 1: would give it three and a half out of five guitars. 688 00:33:26,440 --> 00:33:29,680 Speaker 1: The second time around, I gave it four. Yeah, yeah, Eddie, listen, man, 689 00:33:29,720 --> 00:33:31,440 Speaker 1: It's been a while since I've seen it, but I'd 690 00:33:31,480 --> 00:33:33,000 Speaker 1: give it four and a half out of five because 691 00:33:33,080 --> 00:33:35,960 Speaker 1: I remember loving it so much. I wonder if John 692 00:33:35,960 --> 00:33:37,840 Speaker 1: c Riley was a person that they wanted to do 693 00:33:37,880 --> 00:33:41,400 Speaker 1: that movie originally, because I could see Will Ferrell doing 694 00:33:41,440 --> 00:33:45,479 Speaker 1: that movie, you know, and a lot of movies they 695 00:33:45,480 --> 00:33:47,440 Speaker 1: don't get the main guy if they didn't write it 696 00:33:47,480 --> 00:33:49,240 Speaker 1: for the main guy, or if the main guy didn't 697 00:33:49,240 --> 00:33:52,120 Speaker 1: write it. So I thought John Cerley was awesome, and 698 00:33:52,520 --> 00:33:54,880 Speaker 1: I think he was really singing to That's really yeah, 699 00:33:54,880 --> 00:33:59,000 Speaker 1: because it sounded like his voice. It starts off and 700 00:33:59,120 --> 00:34:01,080 Speaker 1: John c Riley's a kid and his little brother is 701 00:34:01,120 --> 00:34:04,200 Speaker 1: there too, and this is very Johnny Cash because Johnny 702 00:34:04,200 --> 00:34:07,280 Speaker 1: Cash all brother died, his brother died, was a kid, 703 00:34:07,960 --> 00:34:10,360 Speaker 1: and Johnson really actually cuts him in half with the machete. 704 00:34:10,400 --> 00:34:12,960 Speaker 1: He gets having fun, but they're doing all these things 705 00:34:13,000 --> 00:34:14,799 Speaker 1: where they should die at the beginning of it, and 706 00:34:14,840 --> 00:34:17,359 Speaker 1: they get out of it unscathed. And then they're having 707 00:34:17,400 --> 00:34:19,760 Speaker 1: a machete fight at the end, and they're the covers 708 00:34:19,760 --> 00:34:22,239 Speaker 1: are on a little sword fight, and then he cuts 709 00:34:22,280 --> 00:34:24,840 Speaker 1: his brother in half. And then then he do like 710 00:34:24,880 --> 00:34:28,640 Speaker 1: a blue song like brother Well, he goes over to 711 00:34:28,800 --> 00:34:30,920 Speaker 1: the it's fresh to me, I just thought it. He 712 00:34:30,960 --> 00:34:33,880 Speaker 1: goes over to the blue he goes like the gas station, 713 00:34:33,960 --> 00:34:36,040 Speaker 1: like the general store, and there's a blues go over 714 00:34:36,040 --> 00:34:39,120 Speaker 1: there playing in the corner, and he's like, I'm curious 715 00:34:39,160 --> 00:34:41,239 Speaker 1: about that music. And the guy goes, you don't live 716 00:34:41,239 --> 00:34:42,680 Speaker 1: a life you have to but to have the blues, 717 00:34:43,120 --> 00:34:44,640 Speaker 1: And so he takes the guitar and he goes, well, 718 00:34:44,640 --> 00:34:46,640 Speaker 1: I no, I never played guitar, but and then all 719 00:34:46,680 --> 00:34:48,479 Speaker 1: of a sudden he's it's a He hits one chord 720 00:34:48,480 --> 00:34:50,239 Speaker 1: and it's terrible and the guy goes, well, do you 721 00:34:50,280 --> 00:34:51,920 Speaker 1: think do you fingure like this? So he puts his 722 00:34:51,960 --> 00:34:54,799 Speaker 1: finger down and he goes and he's like a kid 723 00:34:54,880 --> 00:34:57,400 Speaker 1: right at this he's like six, And then he starts 724 00:34:57,440 --> 00:34:59,600 Speaker 1: singing a perfectly played blue song and he's like, I 725 00:34:59,600 --> 00:35:01,360 Speaker 1: think I got at it. I got the blues. I 726 00:35:01,440 --> 00:35:05,279 Speaker 1: killed my Brother's pretty good for your first So and 727 00:35:05,360 --> 00:35:08,520 Speaker 1: the whole story is him trying to not avenge his 728 00:35:08,560 --> 00:35:10,759 Speaker 1: brother's death. But he told his brother before he died 729 00:35:10,800 --> 00:35:12,080 Speaker 1: he would try to be a lot because his brother 730 00:35:12,160 --> 00:35:15,719 Speaker 1: was super talented as a kid. Um. And so then 731 00:35:15,760 --> 00:35:18,359 Speaker 1: you follow Dewey. But except for the tiny first part. 732 00:35:18,440 --> 00:35:20,879 Speaker 1: Kid John c Roley's playing every age of the kid 733 00:35:21,320 --> 00:35:27,279 Speaker 1: from like fifteen he's but he says his age, well, 734 00:35:27,320 --> 00:35:31,680 Speaker 1: I'm only fifteen, even though he's an adult man. That's 735 00:35:31,719 --> 00:35:35,000 Speaker 1: so funny to me, the funny if you're way inside, 736 00:35:35,080 --> 00:35:37,600 Speaker 1: I could see where this movie will be hilarious. I 737 00:35:37,640 --> 00:35:39,280 Speaker 1: was laughing out loud on a lot of parts of Kaitlin. 738 00:35:39,360 --> 00:35:42,080 Speaker 1: My girlfriend did not love it. She thought it was okay, 739 00:35:42,200 --> 00:35:44,399 Speaker 1: maybe a blow okay, because she how many times she's 740 00:35:44,400 --> 00:35:47,799 Speaker 1: saying this is stupid. Um, I don't think she would 741 00:35:47,840 --> 00:35:50,319 Speaker 1: want to take away my joy. So at the end 742 00:35:50,320 --> 00:35:52,000 Speaker 1: when it was over, she was like, that's kind of doubt. 743 00:35:53,680 --> 00:35:56,480 Speaker 1: But I don't think that she you know, she doesn't 744 00:35:56,520 --> 00:35:58,640 Speaker 1: work in music. She's not a big Johnny Cash fan. 745 00:35:58,719 --> 00:36:00,799 Speaker 1: She hasn't seen all those biopicks, so I wasn't really 746 00:36:00,840 --> 00:36:03,239 Speaker 1: meant for her. Um, what was your favorite part of 747 00:36:03,239 --> 00:36:07,080 Speaker 1: the movie? Might I really thought the Bob Dylan parody 748 00:36:07,120 --> 00:36:09,440 Speaker 1: stuff was pretty funny. When he like starts changing his 749 00:36:09,520 --> 00:36:12,279 Speaker 1: style and start doing Bob Dylan, He's like, maybe Bob 750 00:36:12,320 --> 00:36:14,479 Speaker 1: Dylan sounds like me. Yeah, you guys to a press 751 00:36:14,520 --> 00:36:16,759 Speaker 1: conference because he's trying to find out who he is 752 00:36:16,800 --> 00:36:19,040 Speaker 1: as an artist, and then goes to a press conference 753 00:36:19,040 --> 00:36:20,600 Speaker 1: and they're they're like, hey, man, what do you say 754 00:36:20,600 --> 00:36:21,919 Speaker 1: to people? Just say you just sound like Bob Dylan. 755 00:36:21,920 --> 00:36:23,759 Speaker 1: He goes, what do you said? Bob Dylan wan to say, 756 00:36:23,760 --> 00:36:26,000 Speaker 1: he sounds like me, and then it cuts to him 757 00:36:26,000 --> 00:36:30,040 Speaker 1: and he's doing a terrible Bob Dylan impression. Obit reference 758 00:36:30,360 --> 00:36:32,200 Speaker 1: things and he's like the three odd monkey and he 759 00:36:32,280 --> 00:36:38,399 Speaker 1: sounds like Dylan. I don't look out the doaster. Yeah, Eddy, 760 00:36:38,440 --> 00:36:39,960 Speaker 1: how long did you watch that movie when it first 761 00:36:40,040 --> 00:36:42,319 Speaker 1: came out? I remember I'm such a Pearl Jam fan, 762 00:36:42,400 --> 00:36:45,359 Speaker 1: and I remember that he's in it. So that's why 763 00:36:45,360 --> 00:36:46,719 Speaker 1: I was like, oh, well, I have to watch this 764 00:36:46,760 --> 00:36:48,560 Speaker 1: and so, I mean I watched it when it came out. 765 00:36:48,640 --> 00:36:51,120 Speaker 1: But the part that always comes up but that I 766 00:36:51,160 --> 00:36:54,040 Speaker 1: remember is the drug scene. I'm just like, it starts 767 00:36:54,080 --> 00:36:55,880 Speaker 1: with weed and then cocaine and all it's like, you 768 00:36:55,920 --> 00:36:59,759 Speaker 1: don't want this do it? At the end, they're there, 769 00:37:00,040 --> 00:37:01,759 Speaker 1: what are they taking? At the very very end, he goes, no, 770 00:37:01,880 --> 00:37:07,399 Speaker 1: I'm not gonna. He goes, oh viag because he's old, 771 00:37:07,680 --> 00:37:11,080 Speaker 1: and he goes, you know, no temptations for me, and 772 00:37:11,080 --> 00:37:13,680 Speaker 1: he walks out and the temptations are literally sinking in 773 00:37:13,680 --> 00:37:16,520 Speaker 1: the hallway and they're like, I guess you, and he's 774 00:37:16,520 --> 00:37:21,000 Speaker 1: like no. But that The other recurring thing is he 775 00:37:21,000 --> 00:37:25,040 Speaker 1: always grabs sinks and right he pulls them off and 776 00:37:25,120 --> 00:37:28,360 Speaker 1: slams it down. Right, Um, did Johnny Cash do that? 777 00:37:28,360 --> 00:37:30,120 Speaker 1: And I walked the line. I think that's why they 778 00:37:30,160 --> 00:37:34,680 Speaker 1: do that, right, I don't know that joke over. It's 779 00:37:34,719 --> 00:37:36,680 Speaker 1: like every bathroom he goes into it, he gets manages 780 00:37:36,719 --> 00:37:38,359 Speaker 1: rips to sink off the wall, and then don't they 781 00:37:38,360 --> 00:37:41,360 Speaker 1: do the like, what's he doing? He's like he stakes 782 00:37:41,360 --> 00:37:43,040 Speaker 1: that time to be quiet with his hands up against 783 00:37:43,040 --> 00:37:45,000 Speaker 1: the wall. At the very beginning, it starts and ends 784 00:37:45,000 --> 00:37:46,600 Speaker 1: like that's right, that's before he plays the show. He 785 00:37:46,640 --> 00:37:49,399 Speaker 1: hads to think about his entire life. They're like Mr 786 00:37:49,440 --> 00:37:52,200 Speaker 1: Cash one minute and the guy goes, I get him second. 787 00:37:52,239 --> 00:37:53,440 Speaker 1: You got thinking out of life here, And that's how 788 00:37:53,440 --> 00:37:56,080 Speaker 1: the whole movie starts. And it starts beginning all the 789 00:37:56,080 --> 00:37:58,160 Speaker 1: way up to that moment. Before every show he's thinking 790 00:37:58,160 --> 00:38:03,959 Speaker 1: about his whole life. It's even funnier talking about because 791 00:38:04,000 --> 00:38:06,319 Speaker 1: you think about the great comedies of our day. It's 792 00:38:06,360 --> 00:38:08,120 Speaker 1: funny you're the second, third, and fourth time because you 793 00:38:08,120 --> 00:38:09,960 Speaker 1: can laugh about all the funny things with your friends. 794 00:38:10,239 --> 00:38:11,960 Speaker 1: And it's probably I probably watch it again now. I 795 00:38:12,000 --> 00:38:15,040 Speaker 1: think it was even funny because I would catch things. Um. 796 00:38:15,160 --> 00:38:18,640 Speaker 1: Kristen Wigg is in it playing his wife, playing Johnny 797 00:38:18,640 --> 00:38:22,920 Speaker 1: Cash's first wife. Basically they had all the kids. Um. 798 00:38:23,000 --> 00:38:25,120 Speaker 1: And then Jenna Fisher, who plays Pham on the Office, 799 00:38:25,200 --> 00:38:27,960 Speaker 1: ends up being June Carter. I don't think that was 800 00:38:28,000 --> 00:38:30,439 Speaker 1: her singing though. I don't think so, because that person 801 00:38:30,480 --> 00:38:32,040 Speaker 1: had a really great voice, like it really and it 802 00:38:32,080 --> 00:38:35,239 Speaker 1: sounded a little different than than Jenni Fisher, Um and 803 00:38:35,480 --> 00:38:36,560 Speaker 1: what was your favorite part of the movie that you 804 00:38:36,600 --> 00:38:41,960 Speaker 1: can remember. My tears was to Bob Dylan. My favorite 805 00:38:41,960 --> 00:38:45,160 Speaker 1: part of the movie. There were just so many parts 806 00:38:45,160 --> 00:38:47,759 Speaker 1: that I would like because she would fall asleep and 807 00:38:47,800 --> 00:38:52,400 Speaker 1: I would be laughing. My body could be shaking. Um. 808 00:38:52,440 --> 00:38:54,759 Speaker 1: When he was trying to make the perfect song and 809 00:38:54,800 --> 00:38:59,240 Speaker 1: he had hired people from every country, it's it sounds 810 00:38:59,239 --> 00:39:01,320 Speaker 1: like five songs that wants being made in the recording studio. 811 00:39:01,360 --> 00:39:02,920 Speaker 1: It's like the seventies. He's trying to make the perfect 812 00:39:02,920 --> 00:39:06,879 Speaker 1: anthem for life, and it's like aborigines, it's like surfers, 813 00:39:07,000 --> 00:39:09,560 Speaker 1: it's like a goat is doing an instrument. He's like, 814 00:39:09,600 --> 00:39:11,399 Speaker 1: I'm trying to make the perfect song. He's spending all 815 00:39:11,440 --> 00:39:13,480 Speaker 1: this money and he can't make the perfect song. That 816 00:39:13,600 --> 00:39:15,880 Speaker 1: to me is funny because that's every artist before they 817 00:39:15,920 --> 00:39:17,879 Speaker 1: get old, but after they've been young, that's right, trying 818 00:39:17,920 --> 00:39:19,799 Speaker 1: to change it, trying to change it and find that 819 00:39:19,920 --> 00:39:21,719 Speaker 1: right thing to get back on the map because they're 820 00:39:21,760 --> 00:39:24,040 Speaker 1: not all the way off. I think there's good has 821 00:39:24,080 --> 00:39:27,000 Speaker 1: more vocals on this song than I do. Man and 822 00:39:27,040 --> 00:39:29,440 Speaker 1: he goes back to reunite the band at the end um. 823 00:39:29,480 --> 00:39:31,680 Speaker 1: Then they go because he's getting a Lifetime Achievement award, 824 00:39:32,160 --> 00:39:34,600 Speaker 1: which is why they all get back together. Um. And 825 00:39:34,680 --> 00:39:38,600 Speaker 1: so he gets the part where I laughed out lot. 826 00:39:38,719 --> 00:39:42,239 Speaker 1: Maybe the most was it's a very end because he's 827 00:39:42,360 --> 00:39:46,040 Speaker 1: playing and then the crowd loves the song. His manager 828 00:39:46,120 --> 00:39:48,440 Speaker 1: dies in the middle of the song, and then his 829 00:39:48,520 --> 00:39:50,959 Speaker 1: back as a ghost on side stage with his dad 830 00:39:51,000 --> 00:39:54,279 Speaker 1: and his brother. He dies, he comes back as it 831 00:39:54,320 --> 00:39:56,960 Speaker 1: goes that quick you see him go. He died, and 832 00:39:56,960 --> 00:39:58,520 Speaker 1: I'll said, He's like, what the crowd and he's on 833 00:39:58,560 --> 00:40:02,319 Speaker 1: side stage as it goes. That was funny. And then 834 00:40:02,680 --> 00:40:07,160 Speaker 1: Johnny Sorry does his song at the Lifetime achieve An 835 00:40:07,160 --> 00:40:08,840 Speaker 1: award and plays in the crowd loves it and he's like, 836 00:40:08,840 --> 00:40:11,000 Speaker 1: this is what life's about. Boom boom boom, and then 837 00:40:11,040 --> 00:40:12,560 Speaker 1: on the bottom of the screen of freeze and goes 838 00:40:12,760 --> 00:40:18,239 Speaker 1: Dewey Cox died three minutes later. That's too funny, man, 839 00:40:18,719 --> 00:40:20,840 Speaker 1: it was, And then talking about it, it's even funnier 840 00:40:20,840 --> 00:40:22,120 Speaker 1: to me. Did he hang out with the Beatles at 841 00:40:22,120 --> 00:40:24,640 Speaker 1: one point in time? So here Elvis. First of all, 842 00:40:25,000 --> 00:40:27,319 Speaker 1: Elvis was coming off the stage and like Elvis like 843 00:40:27,480 --> 00:40:32,960 Speaker 1: kept karate chopping on that was a side stage funny 844 00:40:32,960 --> 00:40:36,239 Speaker 1: part that. Another part was when they were coming off 845 00:40:36,280 --> 00:40:38,920 Speaker 1: side stage him and as a guitar player, he was like, hey, man, 846 00:40:39,000 --> 00:40:40,880 Speaker 1: let's try let's try girls tonight. Let gonna take that 847 00:40:40,880 --> 00:40:42,960 Speaker 1: one do He did, and he goes, but this is 848 00:40:42,960 --> 00:40:44,560 Speaker 1: my wife. He goes, Yeah, like I said, he take 849 00:40:44,640 --> 00:40:49,000 Speaker 1: his wife. So that happened. But then the Beatles they're 850 00:40:49,040 --> 00:40:50,839 Speaker 1: in India. Yeah, yeah, yeah, he went like on one 851 00:40:50,840 --> 00:40:52,400 Speaker 1: of those trips with him and it was him and 852 00:40:52,440 --> 00:40:54,360 Speaker 1: his band and the Beatles are played by If I 853 00:40:54,360 --> 00:40:57,799 Speaker 1: can remember this right, Jason Schwartzman, is he one of them? 854 00:40:57,840 --> 00:41:02,359 Speaker 1: He is? Hold on mean care. Paul Rudd was one 855 00:41:02,360 --> 00:41:09,280 Speaker 1: of the Beatles. Jason Jason Schwartzman. Um Jack Black played 856 00:41:09,360 --> 00:41:15,240 Speaker 1: Paul McCartney. Uh huh, Paul Rudd played John Lennon. Jason 857 00:41:15,320 --> 00:41:19,279 Speaker 1: Schwartzman and I'm forgetting they're all known actors. Here's the 858 00:41:19,280 --> 00:41:21,759 Speaker 1: other one, Justin Long, Oh, justin Long, that's right. And 859 00:41:21,760 --> 00:41:25,320 Speaker 1: then Jack White was Elvis. Oh, Jack White was Elvis. 860 00:41:25,520 --> 00:41:28,239 Speaker 1: Oh I didn't catch this, Hey, I didn't catch that. 861 00:41:28,680 --> 00:41:32,239 Speaker 1: Oh wow, Well you know, if I'm gonna bump mine 862 00:41:32,280 --> 00:41:34,200 Speaker 1: from three and a half to three and three quarters 863 00:41:35,080 --> 00:41:37,840 Speaker 1: from the conversation because I'm laughing now thinking about it, 864 00:41:37,880 --> 00:41:39,600 Speaker 1: and if we talked about it again, you'd probably bump 865 00:41:39,640 --> 00:41:42,120 Speaker 1: it up another half. Probably I'd probably watch it again. 866 00:41:42,120 --> 00:41:43,880 Speaker 1: I think it was even funnier when he's buying all 867 00:41:43,920 --> 00:41:47,200 Speaker 1: the animals he's buying, you know, he buys a giraffe. 868 00:41:47,680 --> 00:41:49,680 Speaker 1: I don't remember this well. He brings it. He gets 869 00:41:49,680 --> 00:41:51,880 Speaker 1: a giraffe from playing it like the zoo as a gift, 870 00:41:52,280 --> 00:41:54,040 Speaker 1: and so he's like, I don't want five thousands, said 871 00:41:54,040 --> 00:41:57,400 Speaker 1: how much that draft? The drafts eating they have a 872 00:41:57,440 --> 00:42:00,239 Speaker 1: giraffe to have a monkey because they're doing custody and 873 00:42:00,320 --> 00:42:03,399 Speaker 1: only wants a monkey, and he's like, you can take 874 00:42:03,440 --> 00:42:08,040 Speaker 1: the children, leave my money. The funniest part and I 875 00:42:08,080 --> 00:42:10,440 Speaker 1: forgot the funniest part to me at the end. He's old, 876 00:42:10,640 --> 00:42:16,000 Speaker 1: as in out of prime. He's probably fifty or so, 877 00:42:16,480 --> 00:42:19,480 Speaker 1: and he's sitting there and he's broken everything in his 878 00:42:19,520 --> 00:42:22,279 Speaker 1: house and he turned over the piano, he smashed, all 879 00:42:22,320 --> 00:42:27,520 Speaker 1: the sinks all broken, and a kid comes up and goes, hey, Dad, 880 00:42:28,239 --> 00:42:29,960 Speaker 1: because he got a bunch of kids. He goes, can 881 00:42:30,000 --> 00:42:33,799 Speaker 1: we have a catch? And he's like, man, I think 882 00:42:33,840 --> 00:42:35,799 Speaker 1: i'd really like to have a catch right now, and 883 00:42:35,840 --> 00:42:37,799 Speaker 1: he goes, great, Dad, he goes, but if you don't, 884 00:42:37,800 --> 00:42:40,319 Speaker 1: mommy ask and I hope this isn't inappropriate. What's your 885 00:42:40,400 --> 00:42:44,279 Speaker 1: name again? He goes, I'm Dewey Cox Jr. They called 886 00:42:44,320 --> 00:42:47,800 Speaker 1: me so uh. It was funny. It's really funny. It 887 00:42:49,239 --> 00:42:52,840 Speaker 1: had small parts of really funny and a string of 888 00:42:52,880 --> 00:42:56,680 Speaker 1: pretty funny. You're right and and now thinking back at it, 889 00:42:56,719 --> 00:42:58,600 Speaker 1: I didn't realize that they were making fun of a 890 00:42:58,600 --> 00:43:03,239 Speaker 1: bunch of different pairs or biopics and just how they work. Yes, yes, 891 00:43:03,280 --> 00:43:06,480 Speaker 1: because they have to speak because they were like olways 892 00:43:06,480 --> 00:43:08,200 Speaker 1: play and he isn't the one note of the song 893 00:43:08,280 --> 00:43:12,759 Speaker 1: and the kids are like just the greatest song. So um, yeah, 894 00:43:12,760 --> 00:43:18,399 Speaker 1: Dewey Cox Walk Hard was good. I would watch walk 895 00:43:18,440 --> 00:43:21,279 Speaker 1: the Line first, Yeah, for sure, to get some reference. Yes, 896 00:43:21,520 --> 00:43:23,880 Speaker 1: where does this rank on like your favorite parody movies? 897 00:43:24,600 --> 00:43:26,480 Speaker 1: Because it's kind of a weird. I don't know, another 898 00:43:26,560 --> 00:43:30,279 Speaker 1: parody movie like scary movie, another teen movie, stuff like that, 899 00:43:30,280 --> 00:43:32,200 Speaker 1: because I mean there was like a whole series of 900 00:43:32,200 --> 00:43:34,560 Speaker 1: them probably around when when the time this movie came out. 901 00:43:34,560 --> 00:43:35,920 Speaker 1: I think it's kind of why I didn't do so 902 00:43:35,960 --> 00:43:38,600 Speaker 1: well is because a bunch of parody movies were like 903 00:43:38,680 --> 00:43:41,680 Speaker 1: trying to be like it's trying to be like scary movie, 904 00:43:41,920 --> 00:43:44,520 Speaker 1: and scary movie was a parody of what scream of scream? 905 00:43:44,719 --> 00:43:46,560 Speaker 1: And then they came out with like a parody of 906 00:43:46,560 --> 00:43:49,080 Speaker 1: like Twilight and epic movies and all never saw any 907 00:43:49,080 --> 00:43:52,600 Speaker 1: of the strings, And you're trying to make fun of them, 908 00:43:52,640 --> 00:43:55,440 Speaker 1: but you're also trying to kind of return making a 909 00:43:55,440 --> 00:43:57,799 Speaker 1: bad movie essentially. I think that's why it's hard for 910 00:43:57,840 --> 00:43:59,759 Speaker 1: them to be successful. Sometimes the best has to be 911 00:44:00,000 --> 00:44:03,000 Speaker 1: Baseball's right. I don't remember it, but it was a parody. 912 00:44:03,080 --> 00:44:04,640 Speaker 1: I mean I remember a scene where they're having a 913 00:44:04,640 --> 00:44:06,800 Speaker 1: sword fight to them and they're holding about their crotch 914 00:44:09,600 --> 00:44:13,080 Speaker 1: whatever it is about airplane, airplane airplanes. Good never saw it. 915 00:44:14,640 --> 00:44:17,640 Speaker 1: I maybe this and we can. I don't consider spinal tap, though, 916 00:44:17,719 --> 00:44:20,960 Speaker 1: a parody of movies, a parody of the music at 917 00:44:20,960 --> 00:44:24,520 Speaker 1: the time, which is another great one. So Mike number one, 918 00:44:24,520 --> 00:44:26,719 Speaker 1: that's what's my number one? Your favorite parody of my 919 00:44:26,760 --> 00:44:28,359 Speaker 1: favorite one? Just because you don't watch a lot of them, 920 00:44:28,400 --> 00:44:30,759 Speaker 1: we should do like one of these a month and 921 00:44:30,840 --> 00:44:33,400 Speaker 1: review a music movie. Yeah, and like, but we just 922 00:44:33,440 --> 00:44:36,879 Speaker 1: get there. There are spoilers, but the movie. The movie 923 00:44:36,920 --> 00:44:38,520 Speaker 1: is pretty old, but no, no, but that the whole 924 00:44:38,520 --> 00:44:39,799 Speaker 1: point of it is that we're not going to try 925 00:44:39,800 --> 00:44:40,960 Speaker 1: to get you to watch it. We're just kind of 926 00:44:40,960 --> 00:44:43,000 Speaker 1: talking about it. Yeah, you can watch it on Netflix. 927 00:44:43,360 --> 00:44:46,440 Speaker 1: It's yeah, that's where I watch it now. I saw also, 928 00:44:46,600 --> 00:44:49,200 Speaker 1: is Rocketman on Netflix or something? Now? I think it's 929 00:44:49,239 --> 00:44:52,400 Speaker 1: on Amazon on Amazon for free, I mean me, I 930 00:44:52,400 --> 00:44:54,360 Speaker 1: mean if you have Amazon Prime. But I've never seen it, 931 00:44:54,440 --> 00:44:57,799 Speaker 1: so that's definitely on my list. Pop Star, I haven't 932 00:44:57,800 --> 00:45:00,000 Speaker 1: seen it. Pop Stars another one of those they say 933 00:45:00,000 --> 00:45:01,920 Speaker 1: it was really good that didn't get the love it 934 00:45:01,920 --> 00:45:04,080 Speaker 1: should have got then, but has become a cult classic. 935 00:45:04,080 --> 00:45:06,319 Speaker 1: It's Lonely Island and it's basically a parody of Justin 936 00:45:06,320 --> 00:45:08,800 Speaker 1: Bieber's life. Oh, I didn't know that supposed to be funny, 937 00:45:08,880 --> 00:45:11,360 Speaker 1: I think, so, I'll google. But John c Riley, I 938 00:45:11,400 --> 00:45:14,080 Speaker 1: was looking at movies from him real quick because he's 939 00:45:14,080 --> 00:45:17,560 Speaker 1: really funny. But he's also done serious stuff, right, Yeah, 940 00:45:17,640 --> 00:45:19,120 Speaker 1: he's not a bunch of serious. The first time I 941 00:45:19,120 --> 00:45:21,200 Speaker 1: ever saw him was Days of Thunder? What was it? 942 00:45:21,239 --> 00:45:22,319 Speaker 1: What was he? I saw he was in that? He 943 00:45:22,400 --> 00:45:25,600 Speaker 1: was like I think in in Cold Trickles Pit Team 944 00:45:25,840 --> 00:45:29,400 Speaker 1: step Brothers amazing. Yeah, it's good. Did you ever see 945 00:45:29,280 --> 00:45:34,560 Speaker 1: step brother Yeah? Standing Alie was great with John c Riley, 946 00:45:35,320 --> 00:45:37,600 Speaker 1: Laurel and Hardy. What it's about. It's sad and it's 947 00:45:37,600 --> 00:45:40,200 Speaker 1: about their story, their life story, like a biopic of 948 00:45:40,600 --> 00:45:44,759 Speaker 1: Um Laurelan, Hardy, Um Talladegan Knights obviously, Shake and Bake. 949 00:45:44,920 --> 00:45:49,640 Speaker 1: I never saw that. You never saw Talent Nights, Wow, 950 00:45:50,960 --> 00:45:54,080 Speaker 1: Walk Hard obviously, Wreck At Ralph? Was he Ralph? And 951 00:45:56,440 --> 00:45:57,800 Speaker 1: Is it's a big movie, Guard into the Galaxy. I 952 00:45:57,800 --> 00:46:00,560 Speaker 1: don't know what he was in. Then it's a hide 953 00:46:00,600 --> 00:46:05,960 Speaker 1: character Chicago the Musical, but yeah, the movie, the musical, 954 00:46:06,080 --> 00:46:10,839 Speaker 1: Boogie Nights, The Perfect Storm, Days of Thunder, Magnolia. He's 955 00:46:10,880 --> 00:46:12,200 Speaker 1: but he's done a bunch of stuff that's just not 956 00:46:12,200 --> 00:46:18,279 Speaker 1: straight ahead comedy. But I've never been kissed. Aviator the promotion. 957 00:46:19,600 --> 00:46:23,319 Speaker 1: Do you know any of these movies? Aviator? Yeah? Aviator yeah, Yeah. 958 00:46:23,840 --> 00:46:27,040 Speaker 1: And then Perfect Storm was good. Yeah. Jimmy Hoffa, he's 959 00:46:27,040 --> 00:46:29,680 Speaker 1: bere in a bunch of freaking movies. But he's not elite. 960 00:46:29,760 --> 00:46:31,279 Speaker 1: I mean, he wasn't a lead for a long time. 961 00:46:33,200 --> 00:46:35,680 Speaker 1: Walk Carlo, Yeah, this was the first one. Yeah, it 962 00:46:35,719 --> 00:46:38,600 Speaker 1: was great. I thought he was great, did it all? Right? Well, 963 00:46:38,640 --> 00:46:40,640 Speaker 1: we just did fifteen minutes talking about a movie. What's 964 00:46:40,640 --> 00:46:45,080 Speaker 1: the next one we could do? We don't have to 965 00:46:45,120 --> 00:46:46,520 Speaker 1: do one a month, but I'm I want to watch 966 00:46:46,560 --> 00:46:49,480 Speaker 1: pop Star. Yeah, okay, I write that down too. Just 967 00:46:49,600 --> 00:46:53,920 Speaker 1: the next week, two weeks or so. Just just come 968 00:46:53,960 --> 00:46:55,040 Speaker 1: to me, let me know if you finished it. And 969 00:46:55,160 --> 00:46:56,759 Speaker 1: when we've all finished it, we'll talk. And you haven't 970 00:46:56,760 --> 00:47:00,239 Speaker 1: seen rocket Man either, right? Oh that's interesting. Yeah, watch 971 00:47:00,280 --> 00:47:05,840 Speaker 1: rocket Man. I just let's see pop Star. Pop Star. 972 00:47:09,080 --> 00:47:14,319 Speaker 1: Pop Star movie says, never stop stopping. Okay, all right, 973 00:47:14,440 --> 00:47:20,120 Speaker 1: it's got seventy and rotten tomatoes. Childhood friends Connor, Owen 974 00:47:20,160 --> 00:47:22,680 Speaker 1: and Lawrence found fame and fortune after forming the hip 975 00:47:22,719 --> 00:47:25,480 Speaker 1: hop group The Style Boys. Owen and Lawrence faded in 976 00:47:25,480 --> 00:47:27,480 Speaker 1: the background when frontman Connor left the band to launch 977 00:47:27,520 --> 00:47:30,799 Speaker 1: a successful solo career. Now, the egotistical singer decides to 978 00:47:30,800 --> 00:47:32,719 Speaker 1: film a documentary about his life when he's still on top. 979 00:47:32,880 --> 00:47:34,920 Speaker 1: When a second album flops, the cameras are to capture 980 00:47:34,920 --> 00:47:37,560 Speaker 1: his whole world crashing down. Andy sam berks, that looks 981 00:47:37,560 --> 00:47:40,720 Speaker 1: like could be pretty funny. It sounds it lost money, 982 00:47:41,120 --> 00:47:43,440 Speaker 1: but Lonely Island's funny to me and that it is 983 00:47:43,520 --> 00:47:46,719 Speaker 1: unofficially like justin Bieber. I don't know. I guess it 984 00:47:46,760 --> 00:47:48,760 Speaker 1: could be all of them. I think Bieber was blowing 985 00:47:48,800 --> 00:47:50,719 Speaker 1: up at this time. So you know which one I 986 00:47:50,760 --> 00:47:52,560 Speaker 1: thought was really good? It came out well back with 987 00:47:52,640 --> 00:47:57,120 Speaker 1: Jersey Boys. Do you ever watched Jersey Boys? Yeah? The 988 00:47:57,160 --> 00:48:00,200 Speaker 1: movie is really good too, Frankie Valley, Yeah, yeah, yeah, 989 00:48:00,400 --> 00:48:02,600 Speaker 1: I saw that. I saw it. Um, I'm not it's 990 00:48:02,719 --> 00:48:03,960 Speaker 1: it was a Broadway play, but I saw it in 991 00:48:04,040 --> 00:48:07,000 Speaker 1: Las Vegas. Is that good? Like plays like a great 992 00:48:07,800 --> 00:48:10,560 Speaker 1: it's live you know all the songs. Yeah, that's what 993 00:48:10,640 --> 00:48:13,319 Speaker 1: makes the movie really good too. All right, that's it. Um. 994 00:48:13,400 --> 00:48:14,799 Speaker 1: I hope you enjoyed this. Probably didn't, but