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Speaker 1: We're keeping it pretty dry?

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Speaker 2: Is that the sorry sorry sorry Hayes is starting keeping

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Speaker 2: what that?

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Speaker 3: No? No, no, you're keeping what dry? Yeah? I got.

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Speaker 4: The vibe is dry?

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Speaker 2: He comes why we had We didn't even get to start.

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Speaker 3: You just took a sip.

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Speaker 2: You heard a little bit of the song.

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Speaker 1: I didn't hear anything. And I'm are we even recording now?

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Speaker 5: Uh?

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Speaker 4: What we can know?

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Speaker 3: We can record, we can record. It's fine. The sloppy

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Speaker 3: boys are here.

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Speaker 1: My point is now, see now are we starting the show?

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Speaker 1: Is that's what I don't started?

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Speaker 4: Very dry? As per handfake?

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Speaker 1: Well, I don't know. I come on this show. I've

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Speaker 1: been on it a few times and it's like, what

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Speaker 1: is the vibe here?

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Speaker 3: What are we doing?

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Speaker 1: Mm hmm every time or just this time, all the

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Speaker 1: times I've been on this show, and okay, what do

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Speaker 1: you want.

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Speaker 4: The vibe to be?

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Speaker 2: Because I feel like.

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Speaker 1: I don't want to be this. I don't want it

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Speaker 1: to be this this combative? You know, I'm asking what

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Speaker 1: we're doing.

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Speaker 2: Who's combative? Who's combative? I'm asking a question I'm engaging.

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Speaker 3: With trying to accommodate you.

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Speaker 4: You're getting back exactly what you gave to me.

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Speaker 2: If if you don't want it to be combative, then

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Speaker 2: don't be combative, because I'm I'm but a mirror.

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Speaker 1: I don't think I was combative. And I will say

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Speaker 1: to uh people say, hey, I'm just trying to.

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Speaker 3: I'm trying to accommodate you.

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Speaker 1: Accommodate yes, thank you, And that just feels like therapy talk.

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Speaker 1: And we don't need to do that here. This is

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Speaker 1: just some guys hanging out.

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Speaker 3: The concept of accommodating you feels like therapy.

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Speaker 1: Into the talk. It's just that therapy talk.

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Speaker 6: Mike's boundaries are that he needs to be, you know, accommodated.

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Speaker 1: I just feel like I'm being talked down to. I

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Speaker 1: don't even know if we've started the show yet.

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Speaker 4: Toxic masculinity. It's like, hey, I want you to be comfortable.

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Speaker 4: None of this therapy talk.

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Speaker 1: That's I'm not right. I haven't I get enough of that.

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Speaker 1: I get enough of that out in the real world.

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Speaker 1: I just want to be here on the pod with

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Speaker 1: the guys.

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Speaker 2: Mm hmm, all right.

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Speaker 6: He lives in a whole building of therapists.

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Speaker 2: Okay, well, and that's and that's very interesting to me.

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Speaker 2: Am I allowed to ask more about that. Like you're

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Speaker 2: the only non therapist in the building.

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Speaker 3: I'd rather you didn't.

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Speaker 6: Okay, all right, that's a boundary.

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Speaker 1: Well, just because I'm I'm I've got this this pitch

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Speaker 1: with Hulu.

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Speaker 3: It's hasn't gone anywhere yet, but it's in the building,

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Speaker 3: trying to work on that.

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Speaker 4: Only non therapist in the building.

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Speaker 1: I guess it's just tough to work on it when

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Speaker 1: you know I got no great ideas.

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Speaker 3: Uh huh, right, that sucks when that happens.

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Speaker 2: Watch honestly, and I'm not saying to borrow from it,

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Speaker 2: and it's and I don't think it steps on your

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Speaker 2: idea at all.

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Speaker 4: But you know what you should watch? Shrinking?

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Speaker 1: I know, I know, plus shrinking, well yeah, plus.

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Speaker 3: The shrin king.

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Speaker 1: Okay, can I just say something?

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Speaker 4: All the shrinking?

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Speaker 6: Damn, I stand a shrinking.

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Speaker 1: I'm Bill guarding the mic, and I apologize. I'm going

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Speaker 1: to stop now so you can probably ask.

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Speaker 3: That ship it's the sloppy boys.

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Speaker 6: What is up?

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Speaker 3: It is up?

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Speaker 2: I love that is up, my good pimp.

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Speaker 3: Are there guys that rock harder? Sure? But they can't funny?

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Speaker 3: How do you find it they can't funny?

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Speaker 7: Are there are there guys that funny harder got I

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Speaker 7: mean yeah, I mean not that many, but they can't rock,

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Speaker 7: probably not. And they are on Patreon as well, and

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Speaker 7: we're enjoying the fruits of that.

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Speaker 3: The juice is running down our chin as we speak. Yes,

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Speaker 3: the seeds and our teeth.

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Speaker 6: This is behind a paywall, this.

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Speaker 2: One, it's this will be available outside the Patreon for

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Speaker 2: a small Patreon like fee.

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Speaker 4: Okay, okay, so it is.

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Speaker 2: It's in front of the world, separate a different paywall.

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Speaker 6: People like that when they have to pay different fees.

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Speaker 2: Well, just it's like gotta be available everywhere, you know

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Speaker 2: what I mean. Like you know, movies are available for

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Speaker 2: rental on these streaming services, just available on Voodoo. Right,

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Speaker 2: you may primarily watch it on Voodoo, but someone else

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Speaker 2: might watch it on and name another one, Jefferson, you

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Speaker 2: haven't said anything.

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Speaker 3: That's that's fast model? Is that that you don't rent

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Speaker 3: on it?

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Speaker 4: Okay?

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Speaker 8: See, really you're helping to monetize We don't know, we guys,

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Speaker 8: we should monetize our show.

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Speaker 3: We were just talking. Do you have a Patreon?

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Speaker 4: Yeah, mm hmm, but we have a lot of You didn't.

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Speaker 3: Monetize your patreon. You didn't monetize it. That's the the

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Speaker 3: snap of the skin fruit we have.

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Speaker 8: We have a Patreon with no tears.

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Speaker 4: That's the Crispy Kracklins. There's not one tee of the fruit.

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Speaker 3: Yeah, that's the risks you didn't do. We have to

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Speaker 3: do that.

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Speaker 2: Now we got to monetize.

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Speaker 3: We have to monetize your page. I don't feel comfortable

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Speaker 3: moving forward without that because then this comes out and

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Speaker 3: then it just like and then it just runs.

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Speaker 2: Through your for this long and then so now we

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Speaker 2: need to monetize it.

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Speaker 3: All right.

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Speaker 1: I do want to cut this joking off right now,

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Speaker 1: because we do want to make clear of the audience.

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Speaker 1: Yes we have a Patreon, and yes you can pay.

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Speaker 1: Paying us is the best way to get money to us.

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Speaker 3: Okay, So it's just doesn't want to know that, doesn't.

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Speaker 1: I just don't want to. I just don't want to

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Speaker 1: cloud the issue here.

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Speaker 3: And yeah, you can pay.

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Speaker 8: You can buy dollar money ten dollars, one hundred dollars

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Speaker 8: if you want.

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Speaker 3: Yeah wow, if you want to be a pay pig,

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Speaker 3: oh wow.

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Speaker 6: Yeah. We got people paying and getting no perks one

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Speaker 6: hundred dollars a month.

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Speaker 4: We under three of them.

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Speaker 1: They get off on it though, yeah, they get they

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Speaker 1: get well, that's the the sick gos.

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Speaker 3: Just the first of the month hits and they not

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Speaker 3: they don't know why they do.

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Speaker 6: The chair rest.

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Speaker 4: Knowing why it is a big part of it for people.

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Speaker 2: I gotta pay rent, but I get that, nut, Kevin,

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Speaker 2: let's write this down.

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Speaker 4: We should think about doing this.

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Speaker 2: Okay, furnishing our disgusting fans.

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Speaker 1: You get a little stay patreons. How many patreons do

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Speaker 1: you guys have patrons?

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Speaker 4: I guess patrons.

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Speaker 3: Yeah, on patreons.

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Speaker 2: Uh, let's see.

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Speaker 3: You don't have to disc.

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Speaker 2: Top of my head, back of the napkin math. Oh okay,

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Speaker 2: I've got it more than you.

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Speaker 3: Fuck.

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Speaker 6: Oh that sucks.

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Speaker 2: Don't worry about me on your own paper. Don't worry

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Speaker 2: about don'torry about how many patrons I got.

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Speaker 3: Don't yes, do not look up ours. Mind your business,

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Speaker 3: and then definitely do not look up how many we

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Speaker 3: had the month before? No, that and then the month

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Speaker 3: before that. That's not don't even start looking.

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Speaker 2: That's not a representation of how it's going.

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Speaker 9: Yeah, we don't have a documentary, though we need a documentary.

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Speaker 3: It's winter. People need to like heat their homes by

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Speaker 3: would in.

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Speaker 1: The summertime when people are out on their front line.

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Speaker 3: Yeah, exactly what are you doing? Like you can sell

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Speaker 3: the wood now you got like there's wood money.

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Speaker 6: We do have people that you guys probably deal with this.

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Speaker 6: People they sign up for the Patreon, they listen to

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Speaker 6: the whole catalog, and then first of the month comes,

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Speaker 6: they bail on us. A lot eighty people have every

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Speaker 6: month they're like gotta go.

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Speaker 3: Yeah, gotta get out of here.

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Speaker 4: Yeah, they chunk the deuce.

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Speaker 3: They tell their boss like, hey, I'm just going to

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Speaker 3: be I'm not going to show up to work for

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Speaker 3: a month, and the boss is like.

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Speaker 4: Pay you gotta make that, get your fiver work. The

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Speaker 4: Sloppy Boys are.

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Speaker 2: On a little bit of an album promotional tour. A

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Speaker 2: talk about some of these songs and some of what

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Speaker 2: inspires you because I'm so curious about where the music

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Speaker 2: comes from. It's outside of my experience, you.

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Speaker 4: Know, I do this.

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Speaker 2: I guess I record on a mic, you know, but

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Speaker 2: we're not making music, and talk about where some of

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Speaker 2: that comes.

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Speaker 1: From, definitely from like the music we listen to. We'll

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Speaker 1: listen to music and uh sort of think like, oh

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Speaker 1: maybe we could do something that is how I would

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Speaker 1: do it that I thought you were doing something different.

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Speaker 3: That is what I do. Has changed a few things. Well,

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Speaker 3: it all is basically the same.

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Speaker 1: Right, it's all the same chords and notes and yeah,

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Speaker 1: I mean I'll take up my.

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Speaker 6: Phone and I'll write down your guitar chord. Should have

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Speaker 6: one of those of myself?

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Speaker 3: Should have? Yeah?

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Speaker 4: Yeah, what f that sounds good? What's James Corden?

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Speaker 3: What does it sound like.

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Speaker 6: You around here?

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Speaker 3: Here?

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Speaker 1: Here here? Because it's with a chord, it's at least

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Speaker 1: three two to three strings, it's multiple multiple strings.

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Speaker 4: One thing, where would you call that one?

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Speaker 2: One thing I'll do to my teachers is I go, hm,

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Speaker 2: you and it's you. They don't you know, they don't.

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Speaker 4: I can't get in trouble for that.

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Speaker 1: Yeah, right, well if you went to music.

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Speaker 4: Music teacher, I was just saying you, Juli, Yeah.

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Speaker 2: Come on, what there's something so wrong with that?

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Speaker 4: It's a perfect f.

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Speaker 3: This that to me, this one that's the momy That's

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Speaker 3: what I'm feeling. That one is the mommy? Am I

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Speaker 3: correct about that?

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Speaker 6: The mommy notes?

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Speaker 3: Of all the notes, that one that sounds like the

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Speaker 3: mommy to me.

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Speaker 6: If there's a mommy note, it would be middle C.

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Speaker 6: Do you guys think this is middle C? Middle sounds

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Speaker 6: a lot like.

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Speaker 2: But heyes, you think the f is the mommy. I

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Speaker 2: guess that makes you a mother effort.

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Speaker 1: Okay, we gotta be allowed.

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Speaker 3: I'm starting to where the teachers are coming from, because like,

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Speaker 3: it's like insanely rude.

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Speaker 1: School a long time. You've got the long hair. I

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Speaker 1: like it.

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Speaker 3: You look cool. Yeah, imagine me up there whipping it

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Speaker 3: around my god.

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Speaker 1: No shirt, those skin tight leather.

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Speaker 3: Yes, doing a like big circle. I'm not head bagging

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Speaker 3: like up and down.

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Speaker 1: Around circle right right, takes a long time.

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Speaker 3: They jump at the top of the circle, make it

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Speaker 3: even bigger.

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Speaker 1: People in the front row with their drinks, They're not

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Speaker 1: get this out of my drink.

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Speaker 3: I'm soaking, soaking up the drink as I go. I'm

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Speaker 3: sworbing out like ang.

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Speaker 2: His hair in his mouth and sucking the drink out

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Speaker 2: of his own hair, spitting it back into their cup.

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Speaker 2: This is real punk rock stuff.

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Speaker 6: Jeff, you've done when your hair was longer. I remember

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Speaker 6: you doing some like headbag with long hair, flinging sweat

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Speaker 6: into the crowd. No, yeah, I mean that's not the intention.

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Speaker 6: It just happens fine, it's a rocket roll show. But

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Speaker 6: but sweat like like, you know, like a good show,

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Speaker 6: like our Oakland show. There's sweat flopping on people's faces.

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Speaker 4: They're just taking it, but they like it.

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Speaker 8: That's part of the charm of the front row. It's

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Speaker 8: like seeing shamoo yeh, you're in the splash zone.

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Speaker 2: Mm hmm.

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Speaker 3: Think about that.

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Speaker 1: I mean I would if I was in the front

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Speaker 1: row of Matchbox twenty show, I'd be like, yeah, I

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Speaker 1: don't care.

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Speaker 3: How would I get these? This is what I paid for?

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Speaker 3: Mm hmm.

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Speaker 8: I'm here to get spritzed.

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Speaker 3: Here middle C again, mm hmmm. See was see Tim?

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Speaker 4: Tim is is mommy.

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Speaker 6: I don't have perfect pitch, but I'm saying, if there

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Speaker 6: were a note, you would call mommy. Middle C is

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Speaker 6: the middle piano.

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Speaker 3: And it's like the big that's like the music one

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Speaker 3: on one Mommy and the So you're you associate mommy

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Speaker 3: with just being in the middle.

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Speaker 6: Yeah, Like my mom starts in the middle of my house,

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Speaker 6: so I kind of kind of think of her as

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Speaker 6: the central figure in my life.

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Speaker 3: Your mom, mommy lives in one part of the house

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Speaker 3: and it's in the very middle.

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Speaker 2: Well, Tim lived in a circle house.

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Speaker 3: Okay, So all right, then what's af.

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Speaker 6: Father?

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Speaker 3: Okay, I guess that.

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Speaker 1: Yeah, the rest of them are just they begin with

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Speaker 1: the other letters be his brother.

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Speaker 3: Okay. See that's a very much more relationship to it.

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Speaker 3: Then over sees mommy again than I thought.

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Speaker 8: Now, Tim, you haven't mentioned your missing note.

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Speaker 3: You have somewhere in there.

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Speaker 6: Oh yeah, I something happened. Either I have a node

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Speaker 6: on my larynx or I talked too much Ganja. But

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Speaker 6: listen to there's a very a note that I use

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Speaker 6: a lot in my vocal range I've lost and it's

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Speaker 6: like do ray me far so loty do that one?

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Speaker 3: That one?

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Speaker 1: Yeah, if you're not a musician, that one is not

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Speaker 1: a really clear note.

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Speaker 6: And a lot of our songs are like two three

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Speaker 6: four man.

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Speaker 3: Good luck ever became mean, Homer Simpson, Best of luck

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Speaker 3: with your next job application for Homer Simpson.

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Speaker 6: Yeah, I've been waiting on Dan Castle Castelenetta to step down,

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Speaker 6: and then they just.

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Speaker 3: Look at he is stepping down. What's another one? What's

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Speaker 3: another note?

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Speaker 2: Let's go through the notes because we we we you

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Speaker 2: have a little bit of time to fill out the

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Speaker 2: show today, and we've only talked about a few of

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Speaker 2: the notes.

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Speaker 4: I know that they all have.

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Speaker 3: I mean because they all have their own little like personalities, right, I.

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Speaker 2: Have a like I have a little you know, is

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Speaker 2: it worth it? Is it not worth it?

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Speaker 4: I don't know.

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Speaker 2: But we're here. As Tim was telling that story about

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Speaker 2: his voice problems and inspired quick Johnny Carson impression from

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Speaker 2: me and.

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Speaker 3: I.

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Speaker 4: I did not know that.

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Speaker 6: Johnny was King of Late Night.

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Speaker 2: Yeah, when he was doing it, I thought he was

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Speaker 2: one of the best, one of the big I thought

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Speaker 2: it was.

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Speaker 4: It was him and Cordon were neck back.

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Speaker 1: In my mind, what's Cordon up to now that he retired?

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Speaker 6: I think we still had Balthazar?

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Speaker 4: Mm hm hmmm. Just waiting on this.

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Speaker 1: Yeah, where'd they land on that? Is he back in

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Speaker 1: or not.

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Speaker 3: Back in? Back in Balthazar?

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Speaker 1: Is he allowed back in?

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Speaker 3: I think they did work it out. Yes, yeah, they

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Speaker 3: kept it offline. Yeah, it's nice. But you're in New York.

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Speaker 3: I mean, like, like I made all this stuff.

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Speaker 1: I walked pet well, there's so much stuff going on,

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Speaker 1: I can't follow all it. I walked past Balthazar the

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Speaker 1: other day. I can't remember what neighborhood I was in.

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Speaker 3: I was like, oh, that's the they put uh, they

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Speaker 3: pulled blinds. They put a freaking gone fishing sign on

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Speaker 3: the door. Handford walks by. They don't want to know

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Speaker 3: that they're open.

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Speaker 1: Yeah yeah, yeah, yeah, we don't.

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Speaker 4: Just missed the food. You just missed it.

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Speaker 1: Cordon was just here. He was so nice to everyone,

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Speaker 1: and he ate it all up.

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Speaker 3: What's this one? What's that?

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Speaker 6: Which one is hunger?

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Speaker 1: That's the alice in chains?

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Speaker 3: Note? Which one is that? That's probably the.

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Speaker 6: Every band has their own signature.

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Speaker 2: Well I'm going hungry with Temple of the Dog, you.

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Speaker 1: Know, I know, but they they worked, they got a

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Speaker 1: lot of their influence from alson chains.

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Speaker 3: Yeah, that's the alice and chain they use. The alice

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Speaker 3: and chains was a guy.

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Speaker 4: From the Dog.

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Speaker 2: Yeah, they were, they were, and they were inspired by

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Speaker 2: alice and chain.

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Speaker 3: Yeah, that's what I'm to understand.

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Speaker 2: Well, I'm not a music historian, like I just that

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Speaker 2: that's what this is. Why we wanted to either my

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Speaker 2: either my who are your what's your family tree?

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Speaker 3: Me?

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00:17:13,840 --> 00:17:18,840
Speaker 10: Yeah, it's I got the Beanford he.

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Speaker 3: Did this last time and yours both start with D.

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Speaker 3: Hey yeah.

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Speaker 2: Yeah, but what like who?

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Speaker 4: Like?

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Speaker 3: Who were we were drawing influence from? Who were who's

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00:17:35,480 --> 00:17:36,760
Speaker 3: inspiration for.

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Speaker 1: You, Eliza Minellie certainly big for me and uh okay, yeah,

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Speaker 1: as my mother and my father.

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Speaker 3: Jason Bateman.

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Speaker 1: So I get a lot of.

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Speaker 3: The jasonate okay, and so there's the comedy and the Yeah, okay,

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Speaker 3: that's right.

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Speaker 6: Can I tell Jason Bateman anecdote?

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Speaker 3: Yeah, that would be a me. That's the best we

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Speaker 3: can do. Because David Cross has a show here now,

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Speaker 3: and of course he's like hitting the Bateman button, like,

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Speaker 3: you know, we're trying to get this thing off the ground.

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Speaker 3: You know, the takeoff takes like the most energy. Once

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00:18:12,760 --> 00:18:14,879
Speaker 3: you're up there, it kind of flies itself, but like

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Speaker 3: we're trying to watch this thing. So Bateman was in here.

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Speaker 3: I think he sat in that very chair.

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Speaker 2: I still feel I can still feel the energy.

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Speaker 6: The SmartLess buzz.

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Speaker 2: Yes, no, this chair is still vibrating.

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Speaker 4: It was.

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Speaker 2: It was really cool just knowing like, oh, I'm in

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Speaker 2: the presence of podcast royalties wise and uh OUs. There

387
00:18:45,760 --> 00:18:53,920
Speaker 2: have been big stars in here before, you know, the

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Speaker 2: women's soccer team.

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Speaker 4: Yeah, not her, I don't I think so.

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00:19:00,720 --> 00:19:05,920
Speaker 3: Yeah, Well I don't think so. Yeah, John Ham, No,

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Speaker 3: I don't think he was as necessarily you get those

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Speaker 3: two around.

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Speaker 1: You know, like if I walk into a party I

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Speaker 1: see those two, I say, well, now I'm starting to

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Speaker 1: get a little hungry.

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Speaker 3: Hungry, Yeah yeah, I'll go.

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00:19:17,880 --> 00:19:22,120
Speaker 2: Yeah yeah, John Ham bringing Richard cheese and now I'm

398
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Speaker 2: halfway to a sandwich and know what I mean.

399
00:19:25,680 --> 00:19:28,280
Speaker 3: So yeah, a Bateman story would be incredible because we

400
00:19:28,320 --> 00:19:33,280
Speaker 3: are never, ever, ever, ever going to get him on

401
00:19:33,320 --> 00:19:33,760
Speaker 3: the show.

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Speaker 1: Tim, is this is this uh anecdote gonna be less

403
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Speaker 1: than forty minutes because I see, we got about twenty

404
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Speaker 1: minutes in so far.

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Speaker 6: This is gonna be this runs for an hour, It's

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00:19:43,880 --> 00:19:46,639
Speaker 6: gonna be twenty three seconds, you know it.

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00:19:46,680 --> 00:19:48,920
Speaker 2: Whatever we feel, I call it right now.

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00:19:49,080 --> 00:19:52,200
Speaker 1: I'm good here, good, I'm good to hear. Yeah, maybe

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00:19:52,200 --> 00:19:55,360
Speaker 1: we maybe we do the story and then just pop.

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00:19:55,160 --> 00:19:58,600
Speaker 4: Out to the anecdote. Whether we're going to keep the show.

411
00:19:59,400 --> 00:20:02,480
Speaker 1: Yeah, it's a just so the listener knows it's Saturday.

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00:20:03,040 --> 00:20:06,560
Speaker 4: Saturday morning, no less h m hmm cartoon time.

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Speaker 3: Mm hm, Tim, what do you got? Is this a

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00:20:09,840 --> 00:20:11,160
Speaker 3: birthday party? Where?

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Speaker 4: Like I mean, I heard, well.

416
00:20:15,920 --> 00:20:18,000
Speaker 3: This is more of like a Shawn Hayes anecdote. I guess,

417
00:20:18,000 --> 00:20:20,919
Speaker 3: but heh, I guess Sean Hayes. I got some kids birthday,

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00:20:20,880 --> 00:20:23,080
Speaker 3: Sean Hayes, have you talked about that?

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00:20:23,080 --> 00:20:26,919
Speaker 2: That's that you got talking about us? Yeah? So so

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00:20:27,200 --> 00:20:28,080
Speaker 2: what will we say?

421
00:20:29,320 --> 00:20:30,800
Speaker 6: Uh?

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00:20:32,160 --> 00:20:33,840
Speaker 3: I guess that's what we've been struggling.

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00:20:34,119 --> 00:20:38,720
Speaker 4: Yeah, I guess it's it's it's a something there around it, and.

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00:20:39,119 --> 00:20:40,719
Speaker 6: You don't want to use it and have it not

425
00:20:40,800 --> 00:20:42,400
Speaker 6: be worth the sweet.

426
00:20:42,080 --> 00:20:43,600
Speaker 4: That you can only do it once.

427
00:20:43,960 --> 00:20:45,920
Speaker 1: So I'm just scheduling this out real quick. So we're

428
00:20:45,920 --> 00:20:47,840
Speaker 1: going to talk about the Sean Hayes thing for a second,

429
00:20:47,880 --> 00:20:49,119
Speaker 1: and then we're gonna go to Tim's.

430
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Speaker 2: Tim Tim's bat is locked and loaded unless it overlaps

431
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Speaker 2: with the Sean Hayes thing.

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Speaker 4: Hayes seems to think the same.

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Speaker 6: I like it if I want my anecdote to be

434
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Speaker 6: like in like the ten to one slot, like it's

435
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Speaker 6: kind of alt.

436
00:21:00,440 --> 00:21:03,800
Speaker 2: Yeah, yeah, that one's that. That's like for the writers. Yeah,

437
00:21:04,119 --> 00:21:07,919
Speaker 2: you know, it's for the comics. Comic the audience is like,

438
00:21:07,960 --> 00:21:10,200
Speaker 2: what the f this is weird? But have them fell

439
00:21:10,200 --> 00:21:12,680
Speaker 2: asleep anyway for their fucking.

440
00:21:12,480 --> 00:21:19,320
Speaker 3: Places for the Lama sketch. The writers, Yes, check this out.

441
00:21:20,440 --> 00:21:26,840
Speaker 3: It eats ship Okay, Yeah, the one Sean Hayes is

442
00:21:26,880 --> 00:21:28,439
Speaker 3: like a birthday party was like trying to get a

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00:21:28,480 --> 00:21:33,040
Speaker 3: phone from like being at a kid's birthday party. Okay, yeah, yeah,

444
00:21:33,200 --> 00:21:34,720
Speaker 3: Bateman is like following him there.

445
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Speaker 4: They did end up filming it for a commercial.

446
00:21:36,440 --> 00:21:39,520
Speaker 3: Yeah, like he like, I guess Bateman didn't know where

447
00:21:39,520 --> 00:21:41,359
Speaker 3: he was and he finds him at the birthday party

448
00:21:41,400 --> 00:21:44,320
Speaker 3: and he's like you okay, buddy, like that. He's that

449
00:21:44,400 --> 00:21:45,040
Speaker 3: type of voice.

450
00:21:45,119 --> 00:21:49,840
Speaker 2: Yeah, guns hot.

451
00:21:49,760 --> 00:21:53,720
Speaker 3: But that's not what it was. Nope, okay, well all right,

452
00:21:53,760 --> 00:21:54,600
Speaker 3: what is it?

453
00:21:55,760 --> 00:21:59,840
Speaker 6: I this is more than ten years ago. I was

454
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Speaker 6: a production assistant at Gracie Films working for James L. Brooks.

455
00:22:04,040 --> 00:22:06,080
Speaker 6: They were making a movie called how Do You Know?

456
00:22:06,400 --> 00:22:09,480
Speaker 6: Which was a huge giant flop of a film, but

457
00:22:10,000 --> 00:22:17,440
Speaker 6: because it's James L. Brooks Gray Films. Yes, yes, that

458
00:22:17,600 --> 00:22:19,919
Speaker 6: was my job at Gracy was the shish every at

459
00:22:19,960 --> 00:22:21,959
Speaker 6: the end of every reception.

460
00:22:23,840 --> 00:22:26,800
Speaker 3: The first couple of times, you're so nervous there you

461
00:22:26,840 --> 00:22:27,119
Speaker 3: go like.

462
00:22:35,000 --> 00:22:35,560
Speaker 6: A little.

463
00:22:39,080 --> 00:22:41,960
Speaker 4: So let me take it again.

464
00:22:43,480 --> 00:22:47,440
Speaker 6: You you stupor that's what it would be.

465
00:22:47,520 --> 00:22:54,440
Speaker 1: Now, how does it feel to be in a room

466
00:22:54,480 --> 00:22:56,560
Speaker 1: with those guys were Jeff and I are on zoom?

467
00:22:57,280 --> 00:22:59,639
Speaker 6: It feels it's cool. I feel like kind of like

468
00:22:59,680 --> 00:23:03,320
Speaker 6: I'm the main guy, which I'm here. And then also

469
00:23:03,480 --> 00:23:06,000
Speaker 6: you mentioned Stubert. I used to live right next to Komal,

470
00:23:06,359 --> 00:23:08,600
Speaker 6: so I was close to him too, So I'm sort

471
00:23:08,640 --> 00:23:12,760
Speaker 6: of the sloppy boy who has proximity to the people

472
00:23:12,840 --> 00:23:13,679
Speaker 6: we're talking about.

473
00:23:14,520 --> 00:23:16,480
Speaker 3: Do you not consider yourself? Who do you consider the

474
00:23:16,560 --> 00:23:18,720
Speaker 3: main guy in the in the band, like in the

475
00:23:19,440 --> 00:23:21,800
Speaker 3: because how you're like adapting to being the main guy.

476
00:23:22,040 --> 00:23:24,200
Speaker 6: I would say in the band, Mike's the main guy,

477
00:23:24,359 --> 00:23:26,280
Speaker 6: and I think Mike's the funniest. Everyone likes him.

478
00:23:26,280 --> 00:23:26,720
Speaker 11: But on our.

479
00:23:26,680 --> 00:23:30,160
Speaker 6: Podcast, I talked the whole time. Okay, I've been trying

480
00:23:30,200 --> 00:23:32,119
Speaker 6: to talk thirty three percent of the time, but I

481
00:23:32,160 --> 00:23:34,280
Speaker 6: would say I've never gone under fifty.

482
00:23:34,680 --> 00:23:38,760
Speaker 3: Got it. I feel like I'm hearing maybe Kevin. Kevin,

483
00:23:38,800 --> 00:23:39,440
Speaker 3: are you on the mic?

484
00:23:40,240 --> 00:23:40,359
Speaker 11: Uh?

485
00:23:40,440 --> 00:23:41,560
Speaker 10: Yeah, can you hear me, Mike?

486
00:23:42,600 --> 00:23:46,000
Speaker 3: Yeah? Okay, so ten ten years ago?

487
00:23:46,240 --> 00:23:46,359
Speaker 11: Right?

488
00:23:46,960 --> 00:23:52,280
Speaker 10: So, uh, celebrities typically this story for when Tim's.

489
00:23:52,000 --> 00:23:57,480
Speaker 2: Done, Okay, is it about about Jason Babon because we could.

490
00:23:57,359 --> 00:24:01,960
Speaker 6: Bump my story, Yeah, he wants Sometimes the digital short

491
00:24:02,000 --> 00:24:08,400
Speaker 6: gets bumped because but this cut sketches like its own

492
00:24:08,440 --> 00:24:08,920
Speaker 6: cool thing.

493
00:24:09,359 --> 00:24:11,440
Speaker 4: Oh yeah, well, it's like it was too edgy.

494
00:24:11,520 --> 00:24:15,120
Speaker 2: Maybe sometimes, but I'm interested in the fact that when

495
00:24:15,280 --> 00:24:17,560
Speaker 2: Kevin was non verbal, he just sort of did a

496
00:24:17,640 --> 00:24:20,880
Speaker 2: big breath, and Hanford went, is that Kevin on the mic?

497
00:24:21,160 --> 00:24:23,080
Speaker 2: And then Kevin talked later and said he had a

498
00:24:23,200 --> 00:24:26,080
Speaker 2: story seconds later, and Mike, what who is that.

499
00:24:27,600 --> 00:24:28,480
Speaker 5: He's talking about?

500
00:24:30,760 --> 00:24:33,360
Speaker 1: See him on the I want to see he's got

501
00:24:33,400 --> 00:24:35,800
Speaker 1: his thing on the zoom blacked out.

502
00:24:36,480 --> 00:24:38,359
Speaker 4: He's wearing a bowling shirt. He's wearing it.

503
00:24:38,480 --> 00:24:40,399
Speaker 2: He's wearing a Charlie from Two and a Half Men

504
00:24:40,520 --> 00:24:42,480
Speaker 2: bowling shirt, and he's looks like.

505
00:24:42,520 --> 00:24:43,600
Speaker 3: Freaking Chris Isaac.

506
00:24:44,880 --> 00:24:47,720
Speaker 10: Mike, I'm flesh against the webcams so you can't see me.

507
00:24:47,760 --> 00:24:53,480
Speaker 3: I'm against the wall. Okay, yeah, he's pressed against you.

508
00:24:53,560 --> 00:24:54,280
Speaker 1: Gotta get her.

509
00:24:54,160 --> 00:24:56,520
Speaker 3: Both accurate, both flesh or flushes.

510
00:24:57,520 --> 00:24:58,720
Speaker 10: I'm flesh against the wall.

511
00:24:58,840 --> 00:24:59,040
Speaker 3: Mike.

512
00:24:59,720 --> 00:25:02,720
Speaker 1: What I was going to tell you guys a anecdote

513
00:25:02,720 --> 00:25:04,800
Speaker 1: about no Tim was going to talk about Jason Bateman.

514
00:25:05,320 --> 00:25:11,360
Speaker 3: Tim. Yeah, we're scheduling that now because let's figure that out.

515
00:25:11,480 --> 00:25:15,040
Speaker 3: Tim was maybe hoping to, uh, you know, wait till

516
00:25:15,080 --> 00:25:18,760
Speaker 3: the the the kids are in bed before he does,

517
00:25:19,160 --> 00:25:19,760
Speaker 3: you know what I mean?

518
00:25:21,000 --> 00:25:25,320
Speaker 2: After hour so we could get second musical performances taking place.

519
00:25:25,480 --> 00:25:27,720
Speaker 3: We could get Kevin's off. But like, what kind of flip?

520
00:25:27,880 --> 00:25:29,280
Speaker 3: Is this a Bateman anecdote?

521
00:25:30,040 --> 00:25:33,160
Speaker 9: It could be, yes, I was just thinking we could

522
00:25:33,200 --> 00:25:35,680
Speaker 9: help the Sloppy Boys make a new documentary.

523
00:25:36,400 --> 00:25:37,320
Speaker 3: That's not a new one.

524
00:25:37,800 --> 00:25:40,879
Speaker 4: What do you talk He's mentioned the documentary twice.

525
00:25:42,280 --> 00:25:45,600
Speaker 9: We're trying to the old yet, well, you guys Slappy

526
00:25:45,680 --> 00:25:48,920
Speaker 9: Boys did a documentary and I was thinking we could help.

527
00:25:48,800 --> 00:25:52,320
Speaker 4: Them and then a mockumentary. No doc no sincere?

528
00:25:53,160 --> 00:25:56,440
Speaker 10: What if we help them make a mockumentary spinal tap

529
00:25:56,520 --> 00:25:58,760
Speaker 10: stylis that's your story?

530
00:25:59,640 --> 00:26:01,280
Speaker 4: I like Harmontown type.

531
00:26:03,200 --> 00:26:08,240
Speaker 6: It's not an anecdote. This isn't an it's it's a brainstorm.

532
00:26:08,560 --> 00:26:09,879
Speaker 4: What's the Bateman version of this?

533
00:26:10,240 --> 00:26:12,280
Speaker 3: You came in to pitch a whole new area where

534
00:26:12,280 --> 00:26:13,720
Speaker 3: he's trying to should.

535
00:26:13,440 --> 00:26:15,280
Speaker 6: We have a documentary? We all flopped the hair.

536
00:26:16,800 --> 00:26:19,960
Speaker 1: Song about the documentary, So this should have been scheduled

537
00:26:20,080 --> 00:26:22,879
Speaker 1: for after the anecdote or not even brought up around

538
00:26:22,880 --> 00:26:25,560
Speaker 1: the air. He did say after, But I know, but

539
00:26:25,640 --> 00:26:26,800
Speaker 1: then he can just should be.

540
00:26:26,880 --> 00:26:29,080
Speaker 6: Just like a little podbuster, like you know, you see

541
00:26:29,119 --> 00:26:31,000
Speaker 6: the stage and Louren is out there pointing around. But

542
00:26:31,040 --> 00:26:32,919
Speaker 6: it's not it's not its own segment.

543
00:26:32,960 --> 00:26:36,040
Speaker 2: It's just not a con commercial brain paid for the documentary.

544
00:26:38,080 --> 00:26:40,199
Speaker 3: Kevin talking about so damn much.

545
00:26:40,359 --> 00:26:43,600
Speaker 4: You guys, somebody wanted to make it the taxpayer.

546
00:26:43,760 --> 00:26:45,360
Speaker 6: You think they made it against their will?

547
00:26:49,680 --> 00:26:56,960
Speaker 5: Yes, answer is yes, I suspect they did.

548
00:26:57,960 --> 00:26:58,080
Speaker 3: Uh.

549
00:26:58,359 --> 00:27:01,120
Speaker 6: We're like, we're into and people love us and there's

550
00:27:01,160 --> 00:27:04,399
Speaker 6: a market for us in the media landscape.

551
00:27:06,400 --> 00:27:06,640
Speaker 9: Yeah.

552
00:27:08,000 --> 00:27:10,159
Speaker 3: Yeah, and then you go to Marfa or something.

553
00:27:11,119 --> 00:27:14,040
Speaker 6: Yeahs about Tornillo.

554
00:27:14,119 --> 00:27:21,000
Speaker 3: Yeah yeah, but kind of okay, it's very probably say Marfo, Yeah,

555
00:27:21,760 --> 00:27:23,960
Speaker 3: a little more, a little more juice there.

556
00:27:24,080 --> 00:27:26,399
Speaker 1: Now, then they still have that Gucci store in Marfa,

557
00:27:26,440 --> 00:27:27,800
Speaker 1: you know, the one that's way out in the middle

558
00:27:27,800 --> 00:27:28,840
Speaker 1: of no or Yeah.

559
00:27:29,280 --> 00:27:31,840
Speaker 3: Yeah, now you should you should act like you know.

560
00:27:32,160 --> 00:27:36,280
Speaker 6: Should we I had a sketch idea okay, mighty Marfa

561
00:27:36,480 --> 00:27:37,199
Speaker 6: power Rangers.

562
00:27:37,400 --> 00:27:41,920
Speaker 3: Yeah this could be documentary. Yeah, or big hat, say

563
00:27:42,000 --> 00:27:45,359
Speaker 3: power Ranger, but they have a big flat hat. I'm sorry,

564
00:27:45,359 --> 00:27:45,520
Speaker 3: I know.

565
00:27:45,600 --> 00:27:47,119
Speaker 1: The whole thing on this show is like, you're kind

566
00:27:47,160 --> 00:27:49,520
Speaker 1: of mean to Kevin or whatever. But Kevin, if you're

567
00:27:49,520 --> 00:27:52,240
Speaker 1: gonna talk, be on a microphone, because it just sounds

568
00:27:52,320 --> 00:27:54,520
Speaker 1: like mumbling something off camera.

569
00:27:55,080 --> 00:27:56,200
Speaker 4: Well, he's pressing against the wall.

570
00:27:56,880 --> 00:27:58,800
Speaker 3: I know, Mike.

571
00:28:00,240 --> 00:28:03,480
Speaker 10: I said The Mighty Morphine should be documentary.

572
00:28:05,440 --> 00:28:12,159
Speaker 3: SmartLess did one. SmartLess did all that a whole grayscale,

573
00:28:14,160 --> 00:28:14,880
Speaker 3: gray scale.

574
00:28:15,160 --> 00:28:15,520
Speaker 2: It was.

575
00:28:15,920 --> 00:28:20,240
Speaker 4: There was no that the images were beautiful.

576
00:28:22,320 --> 00:28:25,280
Speaker 6: It's amazing because I experienced them on their podcast. It's audio.

577
00:28:25,400 --> 00:28:27,840
Speaker 6: So then the movie you're saying it really took advantage

578
00:28:27,840 --> 00:28:29,360
Speaker 6: of the new medium for them.

579
00:28:30,000 --> 00:28:35,360
Speaker 2: Yes, the visual piece of it really added new dimension

580
00:28:38,680 --> 00:28:45,440
Speaker 2: to the SmartLess experience. I had the same thought because

581
00:28:45,480 --> 00:28:49,760
Speaker 2: I was so used to listening, and I found that

582
00:28:49,920 --> 00:28:52,200
Speaker 2: when I was watching it, I.

583
00:28:52,280 --> 00:28:53,880
Speaker 4: Couldn't can you speak thing?

584
00:28:54,120 --> 00:28:54,760
Speaker 6: Can you speak of?

585
00:28:55,080 --> 00:28:56,640
Speaker 4: I couldn't hear anything.

586
00:28:58,280 --> 00:29:02,280
Speaker 3: Yeah, you couldn't hear it when I was watching it.

587
00:29:03,160 --> 00:29:05,960
Speaker 8: Because so because the visuals are so powerful.

588
00:29:06,520 --> 00:29:12,600
Speaker 4: Yes, it's like it's like a sensory overload, where like only.

589
00:29:12,680 --> 00:29:15,840
Speaker 3: One is working overtime, one function could work at a time.

590
00:29:16,120 --> 00:29:17,640
Speaker 3: That's David Cross's new podcast.

591
00:29:17,840 --> 00:29:20,040
Speaker 4: He's yes, that's why Bayman was in this chair.

592
00:29:20,200 --> 00:29:20,320
Speaker 2: Right.

593
00:29:21,160 --> 00:29:22,160
Speaker 3: They had Bob on too.

594
00:29:23,840 --> 00:29:24,600
Speaker 6: I've met David.

595
00:29:26,560 --> 00:29:27,160
Speaker 3: Yeah, I don't.

596
00:29:27,200 --> 00:29:28,720
Speaker 6: You don't have to just give me Bob in order

597
00:29:28,800 --> 00:29:31,680
Speaker 6: to know who David Is I know, David.

598
00:29:32,000 --> 00:29:34,000
Speaker 3: Is it weird then that, like we were talking, that

599
00:29:34,280 --> 00:29:36,400
Speaker 3: you didn't offer up any anecdotes about him.

600
00:29:37,640 --> 00:29:38,920
Speaker 6: It's a close friend of mine.

601
00:29:38,960 --> 00:29:42,720
Speaker 3: I would never spill the Okay, have you had Bob

602
00:29:42,800 --> 00:29:43,760
Speaker 3: on Sloppy Boys?

603
00:29:44,640 --> 00:29:48,000
Speaker 6: No, we haven't, but I'll tell you what Bob drinks.

604
00:29:48,320 --> 00:29:50,920
Speaker 6: We have good guests if they have a signature drink. Okay,

605
00:29:51,680 --> 00:29:54,040
Speaker 6: you know, like Gabriis did Long Island Ized tea or something?

606
00:29:54,080 --> 00:29:55,000
Speaker 6: So it makes what.

607
00:29:58,360 --> 00:30:02,320
Speaker 4: Oh, okay, I guess that's Gabriel his drink. Now news

608
00:30:02,400 --> 00:30:02,600
Speaker 4: to me.

609
00:30:03,320 --> 00:30:05,680
Speaker 1: He has a Long Island tattoo on his arm, so

610
00:30:05,800 --> 00:30:07,320
Speaker 1: we we figured that should go to him.

611
00:30:07,680 --> 00:30:09,520
Speaker 4: Mm hmm, yeah, I.

612
00:30:09,560 --> 00:30:11,160
Speaker 6: Think he lived there at one point. It's not just

613
00:30:11,240 --> 00:30:13,040
Speaker 6: the tattoo, but Bob. If you go to a bar

614
00:30:13,160 --> 00:30:15,880
Speaker 6: with Bob, he says, gin and tonic, light on the gin.

615
00:30:16,840 --> 00:30:21,080
Speaker 6: Oh you ever, it's bartenders love that they're never told

616
00:30:21,080 --> 00:30:21,920
Speaker 6: to go light on the gin.

617
00:30:22,440 --> 00:30:24,920
Speaker 3: They love that they're so tired.

618
00:30:26,920 --> 00:30:29,960
Speaker 1: Gin alcohol is heavier than others because.

619
00:30:30,600 --> 00:30:34,920
Speaker 2: Than the gun shot, shin elbow from the fucking having

620
00:30:34,960 --> 00:30:37,560
Speaker 2: a hold the gin the whole time. Just the fact

621
00:30:37,600 --> 00:30:43,160
Speaker 2: that you're considering their their precious tendons. No that bartenders

622
00:30:43,240 --> 00:30:44,800
Speaker 2: go fucking ape ship for that.

623
00:30:45,840 --> 00:30:47,080
Speaker 3: Who else has David had on?

624
00:30:48,560 --> 00:30:48,680
Speaker 8: Uh?

625
00:30:49,240 --> 00:30:54,080
Speaker 9: Joe Firestone, Okay, we've had there might be a one

626
00:30:54,160 --> 00:30:58,000
Speaker 9: way cross over in the works he had.

627
00:31:00,000 --> 00:31:05,360
Speaker 3: He he he only does our show. Yeah, yeah, you guys, Yeah,

628
00:31:05,400 --> 00:31:07,520
Speaker 3: we're not allowed anywhere near the building when he's doing

629
00:31:07,600 --> 00:31:13,760
Speaker 3: a show. Okay, go ahead. Bateman story.

630
00:31:14,240 --> 00:31:18,680
Speaker 6: So I'm working years ago, I'm I'm in reception while

631
00:31:18,720 --> 00:31:22,480
Speaker 6: we're auditioning people to be in this film. And you

632
00:31:22,560 --> 00:31:23,640
Speaker 6: guys are industry guys.

633
00:31:23,520 --> 00:31:25,920
Speaker 3: So you know, you didn't know what we had. No,

634
00:31:26,840 --> 00:31:27,480
Speaker 3: you know what I mean.

635
00:31:28,320 --> 00:31:30,760
Speaker 4: No, you look at the industry now and they would never.

636
00:31:30,840 --> 00:31:33,240
Speaker 3: Even just the idea of like auditioning someone to be

637
00:31:33,320 --> 00:31:35,560
Speaker 3: in him. It was like, that doesn't happen anymore.

638
00:31:35,800 --> 00:31:38,680
Speaker 2: But in a way, he's literally just open TikTok and

639
00:31:38,720 --> 00:31:41,000
Speaker 2: whoever they see, they go, that's the movie now.

640
00:31:41,840 --> 00:31:44,800
Speaker 3: And you go out, yeah, where's the audition, and like

641
00:31:44,920 --> 00:31:48,440
Speaker 3: they're like, we don't, we aren't even doing this. It

642
00:31:48,640 --> 00:31:49,720
Speaker 3: sucks we don't have that.

643
00:31:50,960 --> 00:31:54,440
Speaker 4: We had no how good it was. Yeah, at the time,

644
00:31:54,480 --> 00:31:57,400
Speaker 4: we're like annoying all these movies.

645
00:31:57,600 --> 00:31:59,120
Speaker 3: We had no idea. It was so.

646
00:32:00,960 --> 00:32:04,280
Speaker 2: Precious and we squandered it and now I look back

647
00:32:04,400 --> 00:32:05,760
Speaker 2: and it's a fucking.

648
00:32:05,560 --> 00:32:06,560
Speaker 4: Wasteland out there.

649
00:32:06,640 --> 00:32:12,200
Speaker 2: Now, you know the three most popular movie stars in

650
00:32:12,320 --> 00:32:14,959
Speaker 2: the past year who have come out in movies now

651
00:32:14,960 --> 00:32:19,280
Speaker 2: that we don't audition anymore, the three most popular, and

652
00:32:19,400 --> 00:32:20,760
Speaker 2: the names will be familiar.

653
00:32:25,200 --> 00:32:27,800
Speaker 4: No, it's not even that. It's like, not even like that.

654
00:32:28,680 --> 00:32:31,640
Speaker 2: That would be a relief to me. What The only

655
00:32:31,840 --> 00:32:37,960
Speaker 2: actor on there is Harrison Ford from Shrinking, Yeah, he's

656
00:32:38,400 --> 00:32:44,080
Speaker 2: he's on it, and then the other two are spin

657
00:32:44,240 --> 00:32:46,480
Speaker 2: Doctors and sponge Man.

658
00:32:47,120 --> 00:32:49,520
Speaker 1: Yeah, sponge Now, so I don't know sponge Man.

659
00:32:51,000 --> 00:32:58,520
Speaker 11: Well, you you're alone there, third most popular movie star

660
00:32:58,720 --> 00:33:02,280
Speaker 11: in the industry today because they just don't make They

661
00:33:02,400 --> 00:33:03,560
Speaker 11: just don't audition anymore.

662
00:33:03,560 --> 00:33:04,800
Speaker 4: There's no act bunch anymore.

663
00:33:04,840 --> 00:33:06,760
Speaker 3: Sponge Man'spongepan. It's his fault name.

664
00:33:06,800 --> 00:33:08,640
Speaker 4: I don't know Spongeman's.

665
00:33:08,040 --> 00:33:12,520
Speaker 1: Pongepan, right right, Yeah, I don't, Yeah, I know him.

666
00:33:13,600 --> 00:33:15,920
Speaker 2: But you were talking, you were saying they used to audition.

667
00:33:16,040 --> 00:33:18,160
Speaker 4: No, it just got me off on this ran.

668
00:33:18,160 --> 00:33:20,880
Speaker 6: Now well because the media landscape change. But back in

669
00:33:20,960 --> 00:33:24,160
Speaker 6: those days, you auditioned people, but you didn't have a

670
00:33:24,240 --> 00:33:28,400
Speaker 6: big celebrity wouldn't audition, they would be offer only. But

671
00:33:28,800 --> 00:33:31,720
Speaker 6: it's a huge famous director like James L. Brooks, he

672
00:33:31,840 --> 00:33:33,960
Speaker 6: had the power to be like, hey, a list celeb,

673
00:33:34,000 --> 00:33:36,840
Speaker 6: you gotta come in and audition for me. So I

674
00:33:37,080 --> 00:33:37,440
Speaker 6: couch it.

675
00:33:37,560 --> 00:33:39,320
Speaker 1: You couch it as a chemistry test and they'll do

676
00:33:39,400 --> 00:33:41,280
Speaker 1: anything right celebrity.

677
00:33:42,000 --> 00:33:44,120
Speaker 6: Yeah, but then you have to have test tubes and

678
00:33:44,120 --> 00:33:45,680
Speaker 6: beakers and stuff all set up.

679
00:33:46,040 --> 00:33:46,680
Speaker 3: But you can get those.

680
00:33:46,720 --> 00:33:49,200
Speaker 1: I mean, if you're working on a Hollywood a lot,

681
00:33:49,320 --> 00:33:50,520
Speaker 1: you can get that stuff from prop.

682
00:33:50,640 --> 00:33:51,920
Speaker 3: So they have that stuff all over the place.

683
00:33:52,080 --> 00:33:54,400
Speaker 1: That's true, the prop department, especially if you're at Universal

684
00:33:54,440 --> 00:33:56,080
Speaker 1: with all the monster movies they used to make, they've

685
00:33:56,080 --> 00:33:57,000
Speaker 1: got old test tubes.

686
00:33:57,600 --> 00:33:59,360
Speaker 3: Yeah, you can just just about anywhere you look any

687
00:33:59,360 --> 00:34:00,960
Speaker 3: show that Okay.

688
00:34:01,040 --> 00:34:02,280
Speaker 4: Best lot, let's do this.

689
00:34:02,440 --> 00:34:05,840
Speaker 2: I wanted to do this anyway. Rank best lot for

690
00:34:06,040 --> 00:34:08,799
Speaker 2: finding test tubes? Universal is my number one?

691
00:34:09,040 --> 00:34:10,759
Speaker 1: I say, of course, Universal, And then it gets a

692
00:34:10,800 --> 00:34:12,040
Speaker 1: little like where do you go from there?

693
00:34:12,080 --> 00:34:14,120
Speaker 2: But then they're all tied it too for me.

694
00:34:16,120 --> 00:34:16,359
Speaker 3: Yeah.

695
00:34:18,000 --> 00:34:19,880
Speaker 1: So Timm, you were saying you were auditioning, you were

696
00:34:19,880 --> 00:34:20,920
Speaker 1: waiting for an audition?

697
00:34:21,080 --> 00:34:23,960
Speaker 6: Was I was? I was working reception all these different

698
00:34:24,040 --> 00:34:27,120
Speaker 6: celebs would be coming to audition for this role that

699
00:34:28,360 --> 00:34:30,839
Speaker 6: I actually went to Paul Rudd as like the sweet guy.

700
00:34:30,960 --> 00:34:33,520
Speaker 1: Okay, Paul Roll, they should call him. I bet he

701
00:34:33,560 --> 00:34:34,760
Speaker 1: doesn't audition much anymore.

702
00:34:35,880 --> 00:34:39,560
Speaker 4: How do you know the movie it wasn't called Things?

703
00:34:39,680 --> 00:34:43,560
Speaker 6: You know, just by looking at her, I wish I

704
00:34:43,600 --> 00:34:45,480
Speaker 6: would give anything to be a p A on that.

705
00:34:47,920 --> 00:34:48,840
Speaker 4: So they were always.

706
00:34:51,440 --> 00:34:53,279
Speaker 1: What about this for a movie? How about just the

707
00:34:53,400 --> 00:34:55,719
Speaker 1: way the way the light attaches to a girl and

708
00:34:55,800 --> 00:35:01,040
Speaker 1: it's a Adam Deraway, Adam, Adam, Adam Derway Durret's coun

709
00:35:01,160 --> 00:35:01,520
Speaker 1: and crows.

710
00:35:01,560 --> 00:35:01,800
Speaker 3: He's in.

711
00:35:02,360 --> 00:35:03,759
Speaker 2: He's the way that light attaches to grow.

712
00:35:03,840 --> 00:35:05,399
Speaker 4: Sure, Sure, Annam begins.

713
00:35:06,480 --> 00:35:10,000
Speaker 1: Adam begins, We open on everything, go ahead to him.

714
00:35:10,320 --> 00:35:12,560
Speaker 6: It was my job to make sure these celebrities didn't

715
00:35:12,600 --> 00:35:14,920
Speaker 6: see each other, because that would be very rude for

716
00:35:15,000 --> 00:35:17,920
Speaker 6: an A list celebrity to see normal actors. You let

717
00:35:18,000 --> 00:35:20,319
Speaker 6: them sit in in the holding area altogether, but.

718
00:35:20,600 --> 00:35:22,400
Speaker 1: You can't know when I come into work, and if

719
00:35:22,400 --> 00:35:24,680
Speaker 1: there's other writers around, I have the ps get writers

720
00:35:24,719 --> 00:35:26,640
Speaker 1: away from you so I can get to my office.

721
00:35:26,360 --> 00:35:29,080
Speaker 6: And right, because if you're like, well, I mean, what

722
00:35:29,239 --> 00:35:31,080
Speaker 6: if if Brooks Allison saw you?

723
00:35:31,840 --> 00:35:31,960
Speaker 1: Right?

724
00:35:32,160 --> 00:35:34,040
Speaker 6: In the office and be like, but we're both writers.

725
00:35:34,440 --> 00:35:37,120
Speaker 1: Yeah, yeah, yeah, how they hire both of us so

726
00:35:37,320 --> 00:35:38,800
Speaker 1: I'll write stuff during the day. They won't get on

727
00:35:38,880 --> 00:35:40,399
Speaker 1: and say, well, I guess we're not doing a show today.

728
00:35:40,400 --> 00:35:41,120
Speaker 3: Okay, I go home.

729
00:35:42,480 --> 00:35:44,520
Speaker 6: I've got Toby maguire walking in.

730
00:35:45,080 --> 00:35:51,239
Speaker 3: I've got Guiver almost almost almost Toby mcgruber. Yeah right,

731
00:35:52,680 --> 00:35:55,560
Speaker 3: that be even funnier. He's even funnier than macguiver.

732
00:35:55,760 --> 00:35:59,120
Speaker 4: We're talking about that the ten to one spot for SNL.

733
00:35:59,360 --> 00:36:00,239
Speaker 3: They should do that.

734
00:36:00,440 --> 00:36:05,319
Speaker 6: It's a par of mcgroober Toby mcgrooper. It's like, hey, everyone,

735
00:36:05,400 --> 00:36:06,720
Speaker 6: you know mcgroober.

736
00:36:06,280 --> 00:36:12,960
Speaker 3: That I wait a second, uh, Toby mcguy spider Man

737
00:36:13,520 --> 00:36:19,000
Speaker 3: and the Spider House rules as well. Yeah, I'm doing retail.

738
00:36:19,440 --> 00:36:22,680
Speaker 10: I'm doing refills. Does anyone need a refill of what

739
00:36:23,520 --> 00:36:24,000
Speaker 10: you name it?

740
00:36:24,640 --> 00:36:28,360
Speaker 1: It's so difficult because I don't want anything. But we

741
00:36:28,480 --> 00:36:29,799
Speaker 1: had a really a good flow going.

742
00:36:31,200 --> 00:36:32,279
Speaker 4: I finally felt like we were.

743
00:36:34,040 --> 00:36:37,480
Speaker 1: Two people who you certainly can't get liquid too.

744
00:36:38,239 --> 00:36:39,840
Speaker 10: I feel like you're at my throat tonight.

745
00:36:40,560 --> 00:36:41,360
Speaker 3: Well, I'll tell you this.

746
00:36:41,440 --> 00:36:43,759
Speaker 1: It's daytime, which I this is why I'm so uncomfortable

747
00:36:43,840 --> 00:36:47,759
Speaker 1: this Saturday daytime. And I've been trying so much to

748
00:36:48,480 --> 00:36:50,560
Speaker 1: sort of push down the rage.

749
00:36:50,600 --> 00:36:53,200
Speaker 2: I feel you wanted to do an Adam Durantz thing.

750
00:36:53,280 --> 00:36:55,560
Speaker 2: And then I said, Anna begins, and I feel like

751
00:36:55,640 --> 00:36:56,839
Speaker 2: you didn't react at all.

752
00:36:56,920 --> 00:36:59,120
Speaker 3: Do you know I didn't know what that means. I

753
00:36:59,160 --> 00:37:00,879
Speaker 3: didn't know that you know what that meant.

754
00:37:01,440 --> 00:37:05,960
Speaker 4: Oh, it's one of his tunes. Every time she sneezes.

755
00:37:06,000 --> 00:37:07,040
Speaker 2: I believe it's love.

756
00:37:08,880 --> 00:37:10,279
Speaker 4: I mean, isn't that beautiful?

757
00:37:12,040 --> 00:37:12,239
Speaker 3: You know?

758
00:37:12,360 --> 00:37:14,439
Speaker 4: It's these little moments that we share.

759
00:37:14,880 --> 00:37:21,200
Speaker 2: He really foibles these most human elements of us, these

760
00:37:21,280 --> 00:37:24,919
Speaker 2: most flawed, these foibles. The sneeze, you know, the big

761
00:37:25,160 --> 00:37:27,319
Speaker 2: sneeze that a woman does. Right.

762
00:37:28,280 --> 00:37:30,480
Speaker 4: Ever, Look, someone he didn't love would be huge.

763
00:37:30,480 --> 00:37:35,200
Speaker 2: It would be a complete boner killer to see a sneeze,

764
00:37:35,280 --> 00:37:38,480
Speaker 2: you know what I mean, someone you care about, right?

765
00:37:38,920 --> 00:37:40,000
Speaker 8: Was that Jennifer Aniston?

766
00:37:41,280 --> 00:37:45,320
Speaker 4: Was he singing about her? Yeah, an Aston begins.

767
00:37:46,160 --> 00:37:48,120
Speaker 3: You know, I think she had a nose job, So

768
00:37:48,200 --> 00:37:49,520
Speaker 3: maybe I know that's what I'm thinking.

769
00:37:49,600 --> 00:37:56,200
Speaker 6: Maybe it's shot off.

770
00:37:56,800 --> 00:37:59,080
Speaker 4: No, I'm saying that maybe when he's so hard that

771
00:37:59,160 --> 00:38:00,239
Speaker 4: it was a medical.

772
00:38:01,000 --> 00:38:03,719
Speaker 2: Emergency that required and knows that it was not a

773
00:38:04,440 --> 00:38:08,160
Speaker 2: and yes it happened over the Yes, yeah, yeah, but

774
00:38:08,280 --> 00:38:09,160
Speaker 2: she was great on Friends.

775
00:38:09,200 --> 00:38:10,120
Speaker 3: I loved her on Friends.

776
00:38:11,520 --> 00:38:12,000
Speaker 4: One of her.

777
00:38:15,600 --> 00:38:16,360
Speaker 3: Who else came in?

778
00:38:17,920 --> 00:38:20,279
Speaker 6: Jason Schwartzman, would it.

779
00:38:20,880 --> 00:38:22,600
Speaker 1: On the rebound? I mean, not on the rebound, but

780
00:38:22,680 --> 00:38:24,840
Speaker 1: coming back. Jason Schwartzman, He's been in some stuff.

781
00:38:24,840 --> 00:38:27,120
Speaker 3: I like, we love him, but I would say not

782
00:38:28,239 --> 00:38:28,919
Speaker 3: for this movie.

783
00:38:29,080 --> 00:38:31,200
Speaker 6: Here are your audition sides now here, go sit in

784
00:38:31,320 --> 00:38:33,640
Speaker 6: this little room over here so that the next guy

785
00:38:33,680 --> 00:38:36,040
Speaker 6: doesn't see. I had to keep all these people separate.

786
00:38:36,840 --> 00:38:40,720
Speaker 6: Then one day, guess who walks in debate?

787
00:38:40,920 --> 00:38:41,120
Speaker 2: Mom?

788
00:38:42,000 --> 00:38:44,040
Speaker 1: Right, this was a Jason Bateman story. We should we

789
00:38:44,080 --> 00:38:44,880
Speaker 1: should have jumped on that.

790
00:38:45,600 --> 00:38:46,880
Speaker 4: Uh, Jason Batman.

791
00:38:47,160 --> 00:38:51,120
Speaker 6: He walks in. I say, hey, Jason, Jason, here's the script.

792
00:38:51,680 --> 00:38:53,000
Speaker 6: Let me lead you to this little room.

793
00:38:53,840 --> 00:38:57,160
Speaker 3: I go better, say Jason than mister Bateman. Sounds like

794
00:38:57,280 --> 00:38:58,640
Speaker 3: almost sounds like masturbatement.

795
00:38:59,640 --> 00:39:05,160
Speaker 6: Yeah. Fuckid he all the time when people talk to him,

796
00:39:05,160 --> 00:39:07,080
Speaker 6: he's always like, did you say masturbate man? Did you

797
00:39:07,160 --> 00:39:09,560
Speaker 6: say masturbate man? He says he has to say that

798
00:39:09,640 --> 00:39:09,880
Speaker 6: so much.

799
00:39:11,719 --> 00:39:12,840
Speaker 3: I did, but not to you.

800
00:39:14,000 --> 00:39:17,400
Speaker 6: Yeah. Well, you know because sometimes people be asking like, hey,

801
00:39:17,440 --> 00:39:20,200
Speaker 6: what should I do after I watch a porno masturbate man?

802
00:39:20,400 --> 00:39:23,160
Speaker 5: Yeah afterwards, and it's after you're finished watching it.

803
00:39:23,280 --> 00:39:24,800
Speaker 4: You watch the tire.

804
00:39:24,920 --> 00:39:27,960
Speaker 8: After when the credit, when the final credit rolls, and

805
00:39:28,080 --> 00:39:28,560
Speaker 8: you're ready.

806
00:39:30,360 --> 00:39:34,320
Speaker 5: Song man, that's a song for y'all's.

807
00:39:36,920 --> 00:39:36,960
Speaker 2: You.

808
00:39:37,280 --> 00:39:39,360
Speaker 6: You have a Rick Ruben vibe. You might not be

809
00:39:39,400 --> 00:39:41,520
Speaker 6: a musician, but you know what makes you No.

810
00:39:41,719 --> 00:39:44,560
Speaker 2: I was like to be around creatives and kind of

811
00:39:44,680 --> 00:39:48,680
Speaker 2: foster the right energy. And I have a similar flaw,

812
00:39:48,880 --> 00:39:51,760
Speaker 2: Like when we start a podcast, I'm like, we should

813
00:39:51,760 --> 00:39:55,280
Speaker 2: try to finish that podcast in the same day, because

814
00:39:55,320 --> 00:39:59,040
Speaker 2: it's very hard to re access that same creative space

815
00:39:59,120 --> 00:40:00,239
Speaker 2: that you were in. You know.

816
00:40:00,440 --> 00:40:03,480
Speaker 6: Yeah, you're like, play me some reference. I'll get back

817
00:40:03,560 --> 00:40:04,880
Speaker 6: into that yeah voice.

818
00:40:05,200 --> 00:40:07,359
Speaker 2: But we tried to finish in this one obviously has

819
00:40:07,400 --> 00:40:10,040
Speaker 2: been we've been recording over the course of multiple weeks,

820
00:40:10,120 --> 00:40:13,040
Speaker 2: but in general, when it's not when schedules permit.

821
00:40:12,920 --> 00:40:14,040
Speaker 4: I try to do it all at once.

822
00:40:15,960 --> 00:40:16,840
Speaker 3: Bateman rolls in.

823
00:40:17,320 --> 00:40:22,400
Speaker 6: I say, mister Babson, I say, Jason Bateman, here's your script. Yea,

824
00:40:23,920 --> 00:40:26,040
Speaker 6: and here's a little room to go sit in. He's

825
00:40:26,040 --> 00:40:27,440
Speaker 6: like thanks. He takes the script and it's just like

826
00:40:27,440 --> 00:40:28,960
Speaker 6: a little office. He sits on the couch and he's

827
00:40:28,960 --> 00:40:29,680
Speaker 6: looking at his sides.

828
00:40:29,920 --> 00:40:32,839
Speaker 3: What was he what was he pushing around town at

829
00:40:32,840 --> 00:40:33,200
Speaker 3: that time?

830
00:40:33,560 --> 00:40:35,760
Speaker 4: M hmm is that a car on a wheels?

831
00:40:35,800 --> 00:40:36,120
Speaker 3: We got.

832
00:40:38,000 --> 00:40:40,600
Speaker 6: You got to talk to the valet at the Madison

833
00:40:40,640 --> 00:40:42,680
Speaker 6: gate of the Sony Lot. I was up in the building.

834
00:40:43,000 --> 00:40:45,200
Speaker 3: You weren't writing the drive on.

835
00:40:47,040 --> 00:40:48,880
Speaker 6: Yeah, but I would just know his name and I

836
00:40:48,920 --> 00:40:54,239
Speaker 6: would say, like, Master Bateman, Okay, Uh, let this jerk

837
00:40:54,280 --> 00:40:55,719
Speaker 6: off guy on the lot if you see him?

838
00:40:55,760 --> 00:41:00,880
Speaker 4: Okay, But no, I didn't know you're kidding. I would saw, uh,

839
00:41:02,080 --> 00:41:03,080
Speaker 4: he's kidding guys.

840
00:41:04,239 --> 00:41:06,640
Speaker 6: I was starting It's a comedy podcast, and I thought

841
00:41:06,640 --> 00:41:07,680
Speaker 6: I'd give the listeners a laugh.

842
00:41:09,760 --> 00:41:12,560
Speaker 2: So that's why he was joking around like that. But

843
00:41:12,760 --> 00:41:14,120
Speaker 2: go ahead, you one time saw.

844
00:41:15,520 --> 00:41:17,480
Speaker 6: I that was a tangent. I put Bateman in the

845
00:41:17,520 --> 00:41:19,680
Speaker 6: little room, and typically I would go to.

846
00:41:19,920 --> 00:41:20,720
Speaker 3: Who you see.

847
00:41:22,080 --> 00:41:23,600
Speaker 6: Steven Spielberg.

848
00:41:26,520 --> 00:41:27,240
Speaker 3: He saw.

849
00:41:29,840 --> 00:41:34,799
Speaker 6: Driving the rolls Royce Wow, sorry Bentley Bentley and.

850
00:41:34,840 --> 00:41:39,799
Speaker 3: He was driving it yeah, himself in the front seat. Yep.

851
00:41:41,120 --> 00:41:43,360
Speaker 1: Uh Kevin, it sounds like, what, Tim, do you have

852
00:41:43,360 --> 00:41:44,359
Speaker 1: any more of your story left?

853
00:41:45,239 --> 00:41:45,359
Speaker 3: Well?

854
00:41:45,400 --> 00:41:47,440
Speaker 4: Baby got put in a little room last night.

855
00:41:47,440 --> 00:41:47,800
Speaker 6: I heard it.

856
00:41:48,040 --> 00:41:49,120
Speaker 2: He doesn't get out of there.

857
00:41:49,160 --> 00:41:51,480
Speaker 1: I'm gonna I'm just thinking, Kevin, if you wanna this

858
00:41:51,560 --> 00:41:52,200
Speaker 1: might be a nice time.

859
00:41:52,239 --> 00:41:52,640
Speaker 6: I'm done.

860
00:41:52,640 --> 00:41:54,400
Speaker 10: I'm ever gonna talk again, Okay.

861
00:41:55,280 --> 00:41:57,680
Speaker 6: I would typically after putting someone in a little room,

862
00:41:57,800 --> 00:42:00,759
Speaker 6: go over to James L. Brooks's assistant and say, you know, ja,

863
00:42:01,040 --> 00:42:02,759
Speaker 6: Jason Bateman's in that little room and he's ready to

864
00:42:02,800 --> 00:42:03,799
Speaker 6: audition when you're ready for him.

865
00:42:03,960 --> 00:42:05,400
Speaker 4: But you got to use the L when you just

866
00:42:05,520 --> 00:42:06,080
Speaker 4: talk to him.

867
00:42:08,680 --> 00:42:12,160
Speaker 3: Hold, that's what he says.

868
00:42:12,560 --> 00:42:16,920
Speaker 2: Yeah, what Yeah, you say, James L. Brooks every time

869
00:42:17,680 --> 00:42:19,279
Speaker 2: when you're just hanging with him, you got to use

870
00:42:19,320 --> 00:42:19,560
Speaker 2: the L.

871
00:42:19,760 --> 00:42:21,760
Speaker 6: There was another guy in the office named James Brooks.

872
00:42:22,280 --> 00:42:23,840
Speaker 3: Okay, is he the L?

873
00:42:23,920 --> 00:42:25,759
Speaker 1: You know that song that's like we get it on

874
00:42:25,880 --> 00:42:28,480
Speaker 1: tonight and there's that part where he's like, yo, L,

875
00:42:29,560 --> 00:42:30,440
Speaker 1: is that who he's talking to?

876
00:42:30,800 --> 00:42:33,160
Speaker 2: Hit? Yeah, he's talking to James L.

877
00:42:33,239 --> 00:42:33,919
Speaker 3: James Brooks.

878
00:42:34,080 --> 00:42:36,840
Speaker 8: At the end of the sixty year old James Old Brooks,

879
00:42:39,840 --> 00:42:42,480
Speaker 8: I put in the room. How many rooms are you

880
00:42:42,560 --> 00:42:44,359
Speaker 8: juggling them? By the way, Like when you bring him down,

881
00:42:44,400 --> 00:42:47,879
Speaker 8: you're like, hey, j h hey Bateman, here's your little room.

882
00:42:47,920 --> 00:42:49,600
Speaker 8: Don't look at any of these other little rooms.

883
00:42:50,160 --> 00:42:50,600
Speaker 6: I try not.

884
00:42:50,880 --> 00:42:52,600
Speaker 4: You forget who's in which room.

885
00:42:53,760 --> 00:43:02,640
Speaker 3: It's like a crazy it's almost probably signature curiosity. That's

886
00:43:02,640 --> 00:43:04,480
Speaker 3: why they did the show. You know, they don't need

887
00:43:04,600 --> 00:43:06,880
Speaker 3: to do they're famous actors. They don't need to do

888
00:43:07,040 --> 00:43:11,320
Speaker 3: a podcast. They're curious guys. What's in that room? M

889
00:43:12,520 --> 00:43:13,320
Speaker 3: Jason Schwartzman.

890
00:43:13,719 --> 00:43:16,640
Speaker 2: Yeah, Brie Larson, I'll tell you. Get Bree Larson and

891
00:43:16,800 --> 00:43:19,000
Speaker 2: John Hammon in the same room. I'm happily to be

892
00:43:19,040 --> 00:43:20,480
Speaker 2: get a fucking sandwich?

893
00:43:21,800 --> 00:43:25,480
Speaker 3: Right, does that? I mean now I am wondering now

894
00:43:25,560 --> 00:43:26,080
Speaker 3: what happened?

895
00:43:26,600 --> 00:43:30,360
Speaker 6: I put him in the room, and I was about

896
00:43:30,440 --> 00:43:33,919
Speaker 6: to go tell Jim Brooks you can call him.

897
00:43:33,840 --> 00:43:37,400
Speaker 3: J Yeah, for the same canyon, Jim, what's that about?

898
00:43:38,440 --> 00:43:40,280
Speaker 6: He lives in Benedica Canyon.

899
00:43:40,680 --> 00:43:43,880
Speaker 4: All right, that.

900
00:43:44,040 --> 00:43:46,080
Speaker 3: Helps distinguish him even more. I mean, now we have

901
00:43:46,200 --> 00:43:49,680
Speaker 3: all these there's the l there's the canyon.

902
00:43:50,000 --> 00:43:51,760
Speaker 4: Now I can listen to the rest of the story.

903
00:43:52,360 --> 00:43:56,360
Speaker 6: I was about to tell Jim's assistant the bateman was

904
00:43:56,400 --> 00:44:00,239
Speaker 6: in the little room, but a different person said, Tim,

905
00:44:00,320 --> 00:44:02,040
Speaker 6: can you go on a run for me? Bring this

906
00:44:02,239 --> 00:44:05,960
Speaker 6: to the accountants Jim's accounts office in Century City. So

907
00:44:06,200 --> 00:44:10,120
Speaker 6: I leave the office from where from from Culver City

908
00:44:10,160 --> 00:44:14,479
Speaker 6: to Century City Damn, I go and I'm getting the ick.

909
00:44:16,239 --> 00:44:19,160
Speaker 6: I specifically didn't want to give you the yick. I

910
00:44:20,920 --> 00:44:23,399
Speaker 6: I do all this stuff with the accountant. I come

911
00:44:23,800 --> 00:44:25,600
Speaker 6: back up in the.

912
00:44:25,640 --> 00:44:28,160
Speaker 3: Whole process, like last time he got the yi. Oh

913
00:44:28,239 --> 00:44:31,080
Speaker 3: really yeah, So it's really hard to.

914
00:44:31,200 --> 00:44:32,759
Speaker 6: You're trying to make it through a whole episode just

915
00:44:32,800 --> 00:44:33,400
Speaker 6: without again.

916
00:44:33,200 --> 00:44:34,399
Speaker 3: It's really hard to get it out.

917
00:44:35,200 --> 00:44:36,439
Speaker 4: I keep getting the ick.

918
00:44:39,000 --> 00:44:41,360
Speaker 3: It's physical, it's PT. It's like weeks of PT.

919
00:44:43,440 --> 00:44:45,680
Speaker 1: Did he so you left him? You left the whole

920
00:44:45,760 --> 00:44:46,279
Speaker 1: lot and he.

921
00:44:46,400 --> 00:44:47,080
Speaker 3: Was in the room.

922
00:44:47,640 --> 00:44:49,440
Speaker 4: He was just stuck in the room. Nobody knows he's

923
00:44:49,480 --> 00:44:49,759
Speaker 4: in there.

924
00:44:49,920 --> 00:44:52,920
Speaker 3: And it's little. It's like a just like a did

925
00:44:53,000 --> 00:44:54,600
Speaker 3: you get an update.

926
00:44:54,280 --> 00:44:56,319
Speaker 2: On like the B side of it? Like how long

927
00:44:56,400 --> 00:44:57,480
Speaker 2: before he walked out?

928
00:44:57,640 --> 00:45:01,880
Speaker 1: And I am full on picturing like Custodian's closet?

929
00:45:02,840 --> 00:45:03,759
Speaker 3: Is this all you have?

930
00:45:03,960 --> 00:45:05,080
Speaker 6: Imagine it of mine?

931
00:45:06,280 --> 00:45:10,120
Speaker 2: I mean, god, just one foot in each bucket, washing

932
00:45:10,280 --> 00:45:12,440
Speaker 2: around inside the sudsy.

933
00:45:12,080 --> 00:45:15,480
Speaker 1: Water, fucking like fucking turning on the light like just

934
00:45:15,560 --> 00:45:18,040
Speaker 1: fucking like pulling like a string in the one light bulb.

935
00:45:19,000 --> 00:45:21,440
Speaker 2: He thinking, bug flies around the bulb.

936
00:45:22,800 --> 00:45:24,200
Speaker 6: No flap, flap, bitch.

937
00:45:24,760 --> 00:45:28,160
Speaker 3: Yeah, I thought I was more a less than this,

938
00:45:28,320 --> 00:45:31,080
Speaker 3: you might think to himself, go ahead to he thinks

939
00:45:31,160 --> 00:45:35,160
Speaker 3: the tendrils of the mop are the lady. He's doing

940
00:45:35,239 --> 00:45:37,759
Speaker 3: his scene partner, right right.

941
00:45:37,800 --> 00:45:41,360
Speaker 4: Right, No, he didn't happen.

942
00:45:41,560 --> 00:45:43,920
Speaker 3: He starts to think they have a little bit of

943
00:45:44,000 --> 00:45:46,960
Speaker 3: a chemistry, chemistry.

944
00:45:48,120 --> 00:45:50,080
Speaker 4: They needed chemistry with whom whom was the.

945
00:45:51,760 --> 00:45:59,440
Speaker 6: Uh Reese witherspoon, Reese with her spoon and she and

946
00:45:59,520 --> 00:46:03,080
Speaker 6: she's there too, She's in with Jim And I'm bringing

947
00:46:03,160 --> 00:46:04,960
Speaker 6: these guys in one of the time. They're kind of coming.

948
00:46:05,080 --> 00:46:09,279
Speaker 3: You're not bringing them. This is very straight up not

949
00:46:09,440 --> 00:46:11,239
Speaker 3: doing it. I come back from the count going to

950
00:46:11,360 --> 00:46:12,360
Speaker 3: a different town.

951
00:46:13,480 --> 00:46:16,040
Speaker 1: Hey, who opened up all the ice cream? Who opened

952
00:46:16,120 --> 00:46:17,640
Speaker 1: up all this ice cream? And how are they going

953
00:46:17,680 --> 00:46:19,919
Speaker 1: to eat it? Is how probably you would talk about

954
00:46:19,960 --> 00:46:22,239
Speaker 1: her Reese with her spoon.

955
00:46:22,360 --> 00:46:24,680
Speaker 6: Mike, you joke. But while I worked there, they came

956
00:46:24,719 --> 00:46:26,480
Speaker 6: out with the Simpsons ice cream and it was Homer

957
00:46:27,200 --> 00:46:29,560
Speaker 6: Ben and Jerry's beer and Donuts ice cream.

958
00:46:29,880 --> 00:46:34,560
Speaker 3: That's comer Ben, Jerry's beer and Donuts ice cream, Ben

959
00:46:34,640 --> 00:46:35,919
Speaker 3: and Jerry's Homer's beer.

960
00:46:37,080 --> 00:46:38,800
Speaker 6: I'm just saying you're joking about ice cream, but that

961
00:46:39,160 --> 00:46:40,719
Speaker 6: literally happened while I was working there.

962
00:46:40,840 --> 00:46:42,440
Speaker 4: You don't joke, but this is.

963
00:46:44,520 --> 00:46:48,560
Speaker 2: I don't mean it was Homer Beer and donuts, Jim

964
00:46:48,640 --> 00:46:52,040
Speaker 2: and Brooks and ice cream, Jim and Pam ice cream.

965
00:46:52,400 --> 00:46:55,840
Speaker 3: Yo, l what up? I hit plus dome.

966
00:46:57,280 --> 00:46:58,120
Speaker 1: Plus dome.

967
00:46:58,320 --> 00:47:02,439
Speaker 3: No one says that anymore. We didn't know what we had.

968
00:47:02,880 --> 00:47:04,520
Speaker 1: How the how was the state night with the wife?

969
00:47:04,640 --> 00:47:08,239
Speaker 1: Pretty good? We went to a movie plus dome. I'm

970
00:47:08,239 --> 00:47:10,000
Speaker 1: sorry you saw they reopened the dome.

971
00:47:10,080 --> 00:47:10,600
Speaker 4: No no, no, no no.

972
00:47:11,400 --> 00:47:13,320
Speaker 1: On the ride home and at home, I got a

973
00:47:13,360 --> 00:47:14,400
Speaker 1: blowjob for my wife.

974
00:47:14,640 --> 00:47:23,160
Speaker 6: My wife sucketh. Yes, yes, my lady, I know that

975
00:47:23,320 --> 00:47:24,160
Speaker 6: when guys are.

976
00:47:25,719 --> 00:47:28,320
Speaker 1: Yeah, you see these you see these little simp dudes

977
00:47:28,360 --> 00:47:30,160
Speaker 1: with girls out in the street, you know, on like

978
00:47:30,280 --> 00:47:33,000
Speaker 1: a date, and they'll put their coat down over some mud,

979
00:47:33,440 --> 00:47:34,560
Speaker 1: puddle of mud or something.

980
00:47:35,800 --> 00:47:38,720
Speaker 4: You're jogging.

981
00:47:38,800 --> 00:47:41,440
Speaker 3: But that's his actual, like lived experience. And they made

982
00:47:41,480 --> 00:47:42,359
Speaker 3: an ice cream ut.

983
00:47:42,280 --> 00:47:43,600
Speaker 6: Ait, right, Homer Simpson.

984
00:47:43,840 --> 00:47:47,400
Speaker 1: Yeah, yeah, it's mud is coat covered mud, and I

985
00:47:47,520 --> 00:47:50,080
Speaker 1: obviously chocolate and fudge and that type of stuff coated

986
00:47:50,560 --> 00:47:54,640
Speaker 1: pieces of coat, cook pieces of edible coat.

987
00:47:55,280 --> 00:47:59,600
Speaker 3: Coated coat. So you are now in it like a

988
00:47:59,719 --> 00:48:02,319
Speaker 3: totally different city city.

989
00:48:02,160 --> 00:48:03,319
Speaker 4: A whole other Yeah.

990
00:48:03,719 --> 00:48:06,200
Speaker 6: And then upon my return. It's sort of a tale

991
00:48:06,200 --> 00:48:09,319
Speaker 6: of two cities in a way, but it was one

992
00:48:09,320 --> 00:48:11,440
Speaker 6: of the best. It was the Brooks of Times.

993
00:48:12,040 --> 00:48:16,239
Speaker 3: Mm hmm. It was the right best of.

994
00:48:16,360 --> 00:48:19,880
Speaker 6: Jerry McGuire of times. We also produced Jerry maguire at

995
00:48:19,960 --> 00:48:21,239
Speaker 6: Gracie Films before my time.

996
00:48:22,920 --> 00:48:26,000
Speaker 1: I loved him in Seabiscuit. I know he did Spider Man,

997
00:48:26,040 --> 00:48:26,520
Speaker 1: but yeah.

998
00:48:26,680 --> 00:48:28,360
Speaker 4: Jerry maguire, you can come.

999
00:48:28,600 --> 00:48:29,800
Speaker 3: Jerry Maguire was amazing.

1000
00:48:31,800 --> 00:48:33,040
Speaker 4: Yeah, he stole the movie.

1001
00:48:33,920 --> 00:48:37,200
Speaker 6: I come back in and with the PA supervisor said, says,

1002
00:48:37,560 --> 00:48:38,320
Speaker 6: Tim kind of talked to you.

1003
00:48:38,960 --> 00:48:42,600
Speaker 3: There's a decaying skeleton in the little room.

1004
00:48:46,000 --> 00:48:48,440
Speaker 6: I got yelled at. I got and I was very embarrassed.

1005
00:48:48,480 --> 00:48:51,120
Speaker 6: It was he sat there by himself in a little

1006
00:48:51,200 --> 00:48:54,520
Speaker 6: room for what was they said, forty five minutes to

1007
00:48:54,600 --> 00:48:57,000
Speaker 6: an hour. Yeah, and then he came out kind of

1008
00:48:57,520 --> 00:49:00,160
Speaker 6: sad and mad, and that was a whole thing. I

1009
00:49:00,320 --> 00:49:01,880
Speaker 6: wasn't there for it to be like, oh the p

1010
00:49:02,040 --> 00:49:03,560
Speaker 6: a he put you in there, but he didn't tend

1011
00:49:03,640 --> 00:49:05,200
Speaker 6: We're so sorry. And then he and he sees the

1012
00:49:05,239 --> 00:49:07,200
Speaker 6: other people the round and the whole fucking thing is

1013
00:49:07,600 --> 00:49:10,319
Speaker 6: and Jason Bateman was lonely in the room. I bet

1014
00:49:10,360 --> 00:49:11,760
Speaker 6: he on like Breede Larson.

1015
00:49:12,520 --> 00:49:14,160
Speaker 4: Yeah, yeah, nice about it.

1016
00:49:14,719 --> 00:49:17,640
Speaker 1: Dang, So did you ever get did you get reprimanded for?

1017
00:49:17,760 --> 00:49:18,160
Speaker 2: It? Was just?

1018
00:49:18,239 --> 00:49:21,280
Speaker 3: Hey, don't you got yelled at? I got reamed, James yell.

1019
00:49:21,640 --> 00:49:23,840
Speaker 1: Reamed, dreamed. I missed that part of it.

1020
00:49:23,960 --> 00:49:25,839
Speaker 4: So why is it? Why is his whereabouts?

1021
00:49:26,200 --> 00:49:28,400
Speaker 3: Why is that falled out to you the PA? I

1022
00:49:28,480 --> 00:49:31,520
Speaker 3: wonder because the casting that that would have been a

1023
00:49:31,560 --> 00:49:32,600
Speaker 3: good question for James.

1024
00:49:32,640 --> 00:49:36,000
Speaker 8: That's the sole the sole responsibility comes down to Tim Kelpatice.

1025
00:49:36,120 --> 00:49:42,200
Speaker 3: Yeah you got you got shoes, Jim, They're they're raver walking. Honestly,

1026
00:49:42,800 --> 00:49:48,280
Speaker 3: you amble over like my friend he's ambling.

1027
00:49:51,680 --> 00:49:53,160
Speaker 6: You know, I saw Steven Spielberg.

1028
00:49:54,360 --> 00:49:58,520
Speaker 3: Oh you did. Oh that's so crazy, you know.

1029
00:49:58,800 --> 00:50:02,440
Speaker 2: I gotta sat. It's so nice having those sloppy boys here.

1030
00:50:04,280 --> 00:50:06,279
Speaker 1: Et never really did phone home. I think I'm on

1031
00:50:06,360 --> 00:50:07,520
Speaker 1: a lag here with you guys.

1032
00:50:07,560 --> 00:50:07,799
Speaker 3: Sorry.

1033
00:50:09,680 --> 00:50:12,960
Speaker 1: Ets never got on the phone, actually, but I think

1034
00:50:13,120 --> 00:50:14,240
Speaker 1: you were about to say something.

1035
00:50:14,400 --> 00:50:16,560
Speaker 3: Uh, somebody was saying some I see.

1036
00:50:16,719 --> 00:50:20,520
Speaker 2: I just I see how you end up cresting thirty

1037
00:50:20,600 --> 00:50:25,080
Speaker 2: three percent on those episodes. That guy's got a million stories.

1038
00:50:26,280 --> 00:50:28,920
Speaker 1: He's got a lot of stories within stories because he

1039
00:50:29,040 --> 00:50:29,680
Speaker 1: remembers him.

1040
00:50:29,719 --> 00:50:31,880
Speaker 3: I do things. I don't remember anything right.

1041
00:50:33,520 --> 00:50:36,239
Speaker 9: I hate to cut off, but I promised Mike I

1042
00:50:36,280 --> 00:50:38,680
Speaker 9: would never talk again. But this hard drive is going

1043
00:50:38,760 --> 00:50:41,840
Speaker 9: to run out of storage in ninety seconds, so just

1044
00:50:41,960 --> 00:50:43,200
Speaker 9: giving everyone a heads up.

1045
00:50:43,400 --> 00:50:45,120
Speaker 4: Great, real quick, I just make it count.

1046
00:50:45,440 --> 00:50:46,080
Speaker 3: I just want to cover.

1047
00:50:46,160 --> 00:50:47,920
Speaker 1: When do we get those hats? I really like those

1048
00:50:47,960 --> 00:50:48,799
Speaker 1: hats you guys got.

1049
00:50:49,400 --> 00:50:51,319
Speaker 2: Oh, we'd love to see you in one of those hats.

1050
00:50:51,360 --> 00:50:54,400
Speaker 1: Yeah, send one out because I hat. Yeah, that's that

1051
00:50:54,520 --> 00:50:55,800
Speaker 1: is the mission.

1052
00:50:55,840 --> 00:51:00,320
Speaker 3: In the back, there's plenty of room for all the

1053
00:51:00,440 --> 00:51:03,040
Speaker 3: little droplets and air to come out. Yeah.

1054
00:51:03,080 --> 00:51:05,680
Speaker 1: Sorry, sorry, it took me fifty fifty minutes into to

1055
00:51:05,800 --> 00:51:07,160
Speaker 1: ask about the hat. I meant to do that right

1056
00:51:07,200 --> 00:51:07,640
Speaker 1: at the top.

1057
00:51:07,920 --> 00:51:08,560
Speaker 4: No, it's great.

1058
00:51:08,600 --> 00:51:10,440
Speaker 2: It's great because we're about to run on time anyway.

1059
00:51:10,520 --> 00:51:14,760
Speaker 3: Yeah, that's what I'm saying. Yeah, Dust, you want one too? Yeah, man, awesome,

1060
00:51:14,840 --> 00:51:15,279
Speaker 3: you can all have.

1061
00:51:15,480 --> 00:51:15,799
Speaker 4: He didn't.

1062
00:51:16,920 --> 00:51:18,560
Speaker 2: Sorry, we have to go somewhere.

1063
00:51:18,719 --> 00:51:20,360
Speaker 4: That's nice guy. He didn't.

1064
00:51:21,800 --> 00:51:22,600
Speaker 2: Have to say yes.

1065
00:51:23,000 --> 00:51:24,040
Speaker 3: Don't sound so excited.

1066
00:51:24,160 --> 00:51:26,920
Speaker 2: You bullied him into it. Hamford's like came in on

1067
00:51:27,040 --> 00:51:27,480
Speaker 2: a mission.

1068
00:51:27,520 --> 00:51:29,879
Speaker 3: He wants the hat, that's all I wanted. Yeah, yea

1069
00:51:30,120 --> 00:51:30,879
Speaker 3: not only the hat.

1070
00:51:31,680 --> 00:51:33,919
Speaker 2: I have a stack in my car and nobody's even

1071
00:51:33,960 --> 00:51:34,520
Speaker 2: talked to Tim.

1072
00:51:34,600 --> 00:51:36,200
Speaker 1: I know what those in the car. Those brims are

1073
00:51:36,239 --> 00:51:39,080
Speaker 1: gonna be melted. I want mine that's been kept on

1074
00:51:39,160 --> 00:51:40,960
Speaker 1: the stocks in a climate control area.

1075
00:51:43,000 --> 00:51:44,759
Speaker 6: Is it these wax brim or sugar brim hats?

1076
00:51:44,800 --> 00:51:47,719
Speaker 4: What's going on, Kevin? Send it with dry ice sugar brim.

1077
00:51:48,160 --> 00:51:51,480
Speaker 6: No water would melt sugar not sick sitting.

1078
00:51:51,280 --> 00:51:55,759
Speaker 3: In a clive for thanks by by by folks. Check

1079
00:51:55,800 --> 00:51:57,000
Speaker 3: out the check out this