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Speaker 1: Hm.

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Speaker 2: Now you were still had a group for a.

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Speaker 3: Minute, man, and we have a whole and.

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Speaker 2: Y'all play. I don't both of you played me the album.

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Speaker 3: I played it for you. I'm sure I.

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Speaker 2: Came to the studio for you and you had me

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Speaker 2: come over and play on it. No, Jesse looking, let

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Speaker 2: me tell you the records listen. I don't listen to me, Ja.

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Speaker 2: I'm not just saying this because you're sitting here in

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Speaker 2: front of me, but new face. Let me tell you, bro,

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Speaker 2: this is just some records on that line. Yeah, record,

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Speaker 2: and let me tell you I have on there too.

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Speaker 2: I helped work what was the single? Yeah, you forget

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Speaker 2: I had worked the single?

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Speaker 3: What was it?

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Speaker 2: What was it on the SI that must have? What

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Speaker 2: was it? Was only one single that came out right, No, no, No,

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Speaker 2: happy Happy, But you know what, I don't know what

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Speaker 2: major release that because there was other records on the

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Speaker 2: album that was way strong.

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Speaker 1: I mean, Happy Hour was the name of the album.

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Speaker 1: So we just kind of it was like a really

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Speaker 1: an introduction. It wasn't really necessarily.

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Speaker 2: Let me tell you, I remember hearing that hearing records

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Speaker 2: off that project, and so it's just say, man, what

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Speaker 2: you're waiting on the right there. They had to cover ready.

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Speaker 2: I was using using a low twos right there to

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Speaker 2: you about to maybe too, Hey, he's about to.

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Speaker 3: We were doing a whole lot of you know, drawn butter.

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Speaker 2: About to fit too.

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Speaker 3: And you know, whenever you and label artists mode so

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Speaker 3: much drawn.

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Speaker 2: Butter, A lot of people don't understand that ship.

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Speaker 3: You drawn some butter too. You don't need that. But

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Speaker 3: you don't need nothing but a microwave.

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Speaker 2: That's it.

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Speaker 4: Speaking of people you work with, Man, how did shout

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Speaker 4: out to this brother out of New Orleans, Young Greatness?

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Speaker 5: I remember, great Man? How did that come together?

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Speaker 4: Because you weren't as the tagging part wasn't on Exclusive.

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Speaker 3: Game Exclusive game, shout out to T Man me and

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Speaker 3: T because TV like Man, you don't never be shouting

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Speaker 3: me out?

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Speaker 1: Uh T and and uh Also dirty Bird, what's what's

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Speaker 1: the boy name?

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Speaker 2: Michael Vick?

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Speaker 3: Now? Dirty bird? Dirty Bird, dirty bird, little kid.

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Speaker 2: The real I'm thinking you're telling me the foul I.

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Speaker 3: Mean forgetting the name. I always wanted to call him

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Speaker 3: dirty bird.

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Speaker 1: Anyway, Young Greatness, Young Greatness with T over there, I

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Speaker 1: was Exclusive game and we were freestyling over there, and

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Speaker 1: we were just kicking it and you know, we just

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Speaker 1: had a vibe.

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Speaker 3: So we went up to QC one day.

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Speaker 1: I was chopping it up with with uh coach K

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Speaker 1: and we went in there and recorded, we recorded the

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Speaker 1: records record and boom, yeah all my life get that

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Speaker 1: mulo Damn was that?

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Speaker 2: What year was that New Faith?

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Speaker 3: More than Yeah?

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Speaker 2: Two thousand nine, about a decade ago. You you did

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Speaker 2: a big, big song deal back in the day with all.

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Speaker 3: Money. Ye shout out to Greg Street.

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Speaker 2: But let we had Greg Street on the show Man.

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Speaker 2: Greg has put a lot of people. He didn't put

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Speaker 2: a lot of he didn't put oh we we we

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Speaker 2: we we We've had Street on the show. But he's

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Speaker 2: he's put a lot of people together to make a

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Speaker 2: lot of money. So when you did that song with

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Speaker 2: that was your first song there?

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Speaker 3: Okay, but I mean but there was there was the one.

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Speaker 3: It was that one?

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Speaker 2: What was that bread like?

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Speaker 3: What was that bread like? Yeah? I think it was

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Speaker 3: a ticket in now fifty songs ship Yeah, yeah.

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Speaker 5: I like when you do the bird Man I presentation,

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Speaker 5: how did he say? How did he say he wanted?

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Speaker 1: You say, I want to stump with you, bro, s Bro,

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Speaker 1: I don't want to stump with you, bron Fresh Fresh.

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Speaker 3: Gonna love working with you. Brouh. Now we love your music, bro.

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Speaker 1: So you know you make that you make that music

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Speaker 1: that fan you make that record like five minutes bro.

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Speaker 1: So Man, I'm going to go in there and catch

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Speaker 1: a phone call right quick, bro, I said, I bet.

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Speaker 3: Street was like cook one. Street was like cook one

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Speaker 3: cook one. He came back.

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Speaker 1: I was like, kick kick kick boom. He was like

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Speaker 1: you just did that. I was like, yeah, He's like, hey,

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Speaker 1: say Broke, give me a give me a track.

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Speaker 3: Bro going there and start. I think him and.

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Speaker 1: Lack back then, yeah, remember Lack and kill a Stone. Yeah,

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Speaker 1: they we went in the booth and just start. I

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Speaker 1: think there was he was doing on the Rocks or something.

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Speaker 1: So so he was on the Big Timers album. I

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Speaker 1: think damn I got my on.

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Speaker 5: The the first one.

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Speaker 2: Oh on the Rocks.

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Speaker 3: It was on the album.

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Speaker 2: Actually, So what determined that you you work directly with Baby?

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Speaker 3: Yeah?

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Speaker 2: Bird Man? Yeah, you know there's people out here they say,

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Speaker 2: you know, you want to come to getting paid. You know,

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Speaker 2: of course we know about the you know, the beefs

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Speaker 2: with of the artists, right, but when you and bird

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Speaker 2: Man as far as business always stand up or.

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Speaker 3: It was good, it was good.

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Speaker 1: I mean, you know, you know when people want to

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Speaker 1: when you want to get that last that last part,

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Speaker 1: you know, man that.

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Speaker 3: I don't think nobody just just happy turning turning, turning,

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Speaker 3: you know, after the work is done.

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Speaker 2: And yeah, you know, it's such a back in, that's such.

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Speaker 1: A lucrative you know what I mean, friendship and relationship.

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Speaker 1: And they feel like they've given so much and they have.

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Speaker 2: But we still fifty songs.

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Speaker 1: Right, yeah, we still and we still have a deal

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Speaker 1: in place because because you know what I'm saying, it's

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Speaker 1: the fifty that bird Man pick or cash he pick. Yeah, yeah, yeah,

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Speaker 1: but whatever he picks, it ain't like whatever release is

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Speaker 1: what he picked.

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Speaker 3: So he say it was more than it was more

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Speaker 3: than song.

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Speaker 2: Yeah, I was gonna say. That's how you usually always said,

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Speaker 2: especially especially if you wanted to get that back.

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Speaker 3: And it was my pleasure, you know what I'm saying.

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Speaker 1: Yeah, And and shout out to bird, Shout out to Slim,

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Speaker 1: you know what I mean. They they really they we

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Speaker 1: helped put each other in the game far as Atlanta,

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Speaker 1: you know what I'm saying, because I.

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Speaker 3: Was really the one to bring cash money to Atlanta.

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Speaker 2: Like I thought it was Vietnam via Greg Street.

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Speaker 1: I mean when I'm talking about musically, I'm talking about

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Speaker 1: musically like kind of permeating them. They stay, you know

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Speaker 1: what I mean. They rocked out with Jazzy Fay and

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Speaker 1: through Street. Of course they ran Patchwork was patchwork. I

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Speaker 1: can't get in there. Yeah, Lil Wayne said, living that's

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Speaker 1: but yeah.

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Speaker 3: That's what me and Wayne did. I mean, I pulled

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Speaker 3: up I think one day.

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Speaker 2: Uh.

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Speaker 1: I was like, you know, uh, it's wrong my birthday

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Speaker 1: or something, and I said, man, I feel like stunning day.

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Speaker 2: Number one stunner.

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Speaker 1: Yeah, yeah, not the two. I said, let me go

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Speaker 1: over here to BMW and get this seven forty five.

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Speaker 3: Nurse came out.

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Speaker 2: You had the white white one.

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Speaker 3: You remember it. Everybody with the wheel.

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Speaker 2: I can't remember what face he can't pulling out there,

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Speaker 2: and you know Jay Scott.

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Speaker 1: Face shout out the scarface. But he was way in Houston.

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Speaker 1: But I seen he had his first Yeah, I seen

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Speaker 1: it online and I and I showed I can't remember

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Speaker 1: what rim shopping was. I said, I need these wheels, right,

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Speaker 1: I bet you face, I bet you bro. You know

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Speaker 1: we're talking about scarface. Come, ain't nobody going to see

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Speaker 1: his car?

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Speaker 3: I remember that.

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Speaker 2: I remember when you pulled that that mother to.

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Speaker 3: Hey, I put them wheels on there.

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Speaker 2: I pulled up that said. Look, I said, look at

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Speaker 2: this suggar right here.

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Speaker 1: That's what that what fresh was outside when I pulled

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Speaker 1: up and and Wayne was outside. He was rolling one

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Speaker 1: up outside and back in the back patch works, and

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Speaker 1: I pulled up and I was playing.

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Speaker 2: So I'm so in love.

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Speaker 3: That's why.

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Speaker 5: That's why we did the song I'm way more.

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Speaker 3: Five and you.

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Speaker 2: Hit his mind.

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Speaker 5: He came up with that because of that.

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Speaker 1: That's how he That's how he felt when I came

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Speaker 1: up with with that going on. He felt like that

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Speaker 1: every time I seen when He'll tell you what I

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Speaker 1: put I put. I put some smoke in his hand.

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Speaker 1: Damn y'all hear this, brother, I want to smoke like you.

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Speaker 2: Jerry Clark. Story time of legend, your face. We're sitting

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Speaker 2: here with the legend himself, mister Jasey. These are type stories.

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Speaker 2: When you tune in the storytelling of legend, j you

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Speaker 2: go get you go get this type ship and the

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Speaker 2: speak to z Ago man.

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Speaker 5: I learned the story. I didn't I was new to

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Speaker 5: so we up and there and a kon had his

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Speaker 5: son in there, and it was a story you you

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Speaker 5: had a vehicle.

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Speaker 3: I was in that too, a com before he was

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Speaker 3: blowing up.

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Speaker 5: He was he was doing things around the city.

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Speaker 4: They weren't supposed to be TL Scoop type ship right,

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Speaker 4: breaking in the cars and he was about to get

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Speaker 4: into one of your cars apparently.

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Speaker 2: Oh wow, I know that.

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Speaker 3: I learned this year ago.

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Speaker 2: We was at the we was all at the sun

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Speaker 2: with the a Con event and he didn't know that. Yes,

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Speaker 2: he said, one of the cars he was about to steal.

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Speaker 3: Wow, yours one of my cars? Wow, that's what ship

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Speaker 3: the same dude, they gave you all them kicks and

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Speaker 3: snarees and ship. Yeah you know what I mean. We're

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Speaker 3: here now something now nothing now.

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Speaker 2: Life is all about growth. Yeah that was those were

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Speaker 2: Jesse face sounds. That's how beginning his carew face. That's

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Speaker 2: how we're able to see here right now. But that

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Speaker 2: I remember when he said that at that event.

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Speaker 3: Wow, man and me and Conda is like best friends.

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Speaker 2: Man. I love what what artist mind that you never

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Speaker 2: had a chance to work with? That? You want to

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Speaker 2: work with that?

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Speaker 3: I never had a chance to work that. I do

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Speaker 3: want to work with Bruno Mars. M go big, Okay, bru.

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Speaker 1: Mars, I want to work with We're gonna make it

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Speaker 1: happen to I can hear that. Yeah, I think we've

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Speaker 1: been talking about it. He knows me, we know each other,

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Speaker 1: and you know it's just like, you know, he respect

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Speaker 1: the funk. You know, you know about Barcays and he

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Speaker 1: was excited about all of that. So he just want

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Speaker 1: to you know what I mean, what what artists came

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Speaker 1: to you?

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Speaker 2: And I know a lot of folks I tell people

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Speaker 2: I have I don't have too many regrets from being

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Speaker 2: in this business almost thirty years. But there's there's a

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Speaker 2: couple who came to you. It was like, man, fuck

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Speaker 2: with your boy, fuck with your girl, and sign me.

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Speaker 2: And you passed on him, and you look back and

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Speaker 2: be like, damn, I should have signed Old Starr. Who

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Speaker 2: any artists that you have any regrets about about? Not

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Speaker 2: with Mmm? No, you got to work with who you

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Speaker 2: wanted to work with.

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Speaker 3: I just don't have I guess I don't have no regrets,

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Speaker 3: you know what I mean. I don't have regrets like that.

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Speaker 1: I don't I don't feel you know no kind of

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Speaker 1: way about somebody winning you know, without me, you know

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Speaker 1: what I mean. And if somebody is winning next to

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Speaker 1: me and I know you and I got your number

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Speaker 1: and we're friends, I feel like I've just gained you know,

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Speaker 1: as well as you because if we have a relationship,

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Speaker 1: then if I have something that you can use, then

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Speaker 1: you can get a cup of my sugar.

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Speaker 3: You know what I'm saying, Pauls. You know what I'm saying.

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Speaker 2: That's what.

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Speaker 1: Yeah, yeah, yeah, Pauls. Yeah yeah, as a neighbor, you

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Speaker 1: might need to right, yeah, yeah, there's a neighbor. You

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Speaker 1: know what I'm saying. You might need something that.

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Speaker 2: I got the Cameron and Mace.

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Speaker 3: Yeah, Paul, But I said it though, so you know,

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Speaker 3: I'm goody Speaking of that, he was talking about the team.

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Speaker 4: One of my greatest stories I think hearing from you

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Speaker 4: is how he talks about the team and now that

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Speaker 4: it doesn't have to be about him, but letting Missy

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Speaker 4: produce for Sierra.

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Speaker 1: Oh yeah, shout out to Missy on because because Missy

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Speaker 1: hit me up and and and she brought to lights something.

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Speaker 1: She was like, you you ain't even you ain't tell

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Speaker 1: them that I that I played on the Bridge on

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Speaker 1: on one two step story time.

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Speaker 2: So so story time.

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Speaker 1: About to give you one of course. So so you

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Speaker 1: know when we were we were working on Sea Era's album,

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Speaker 1: and of course we got you know, Goodies is out

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Speaker 1: number one, number one record, Little John Sean Garrett. Uh,

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Speaker 1: you know what I'm saying. Jazzy Fizzle t I on

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Speaker 1: the remix, you know what I'm saying. Uh, that's what

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Speaker 1: me and t I got a verse. We got we

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Speaker 1: rapping together on that thing. We snapped too. But anyway,

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Speaker 1: so the label's going crazy about oh because we had

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Speaker 1: gave old to the label and let him hear it.

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Speaker 1: Well I didn't give it to him. That's another story.

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Speaker 1: But they got the record featuring Ludle Chris, and so

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Speaker 1: they ready to go. They're like, oh, we want to

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Speaker 1: put this old record out. So I'm like me, I'm

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Speaker 1: not ready to put my drink down. I still want

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Speaker 1: to party. Want and we need to go up. We

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Speaker 1: don't need to go down, We don't tempo wise. She

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Speaker 1: got she's a dancer. She needs to go up, you.

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Speaker 5: Know what I mean.

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Speaker 1: So they getting ready, they gearing up. They trying to

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Speaker 1: basically overpower me. And you know, dan't dropping the record,

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Speaker 1: you know what I mean? They about to drop the record.

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Speaker 3: So I called, uh, I think.

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Speaker 1: I talked to a friend of mine and said, man, listen,

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Speaker 1: they about to they about to They're about to force

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Speaker 1: this single.

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Speaker 3: Bro, say, man, listen, call Missy. Call Missy and get

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Speaker 3: them records. Man. So I'm like, I don't want to

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Speaker 3: pressure Missy.

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Speaker 2: Call her.

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Speaker 3: So I reached out to her. She said, I got

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Speaker 3: the records, about to send them to you. She sent

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Speaker 3: it to me.

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Speaker 1: It was like twenty five minutes. I was like, why

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Speaker 1: is the song twenty five minutes long? So I pop

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Speaker 1: in the CD and he.

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Speaker 3: Goes, oh shit, see heah, Chelsey Faye song comes on.

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Speaker 3: I'm like, okay, this jamming.

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Speaker 1: This boy all beasts that I made. Mind you, she

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Speaker 1: makes a whole mixtape out of all the beasts that

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Speaker 1: I made. So the second beat comes in, Ladies and gentlemen,

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Speaker 1: who wait, let's say, so she comes in. This beat

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Speaker 1: is automatic, supersonic.

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Speaker 3: Now. I was like, wait a minute, wait a minute.

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Speaker 1: Now when the bridge came in, don't matter of me

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Speaker 1: and you body, and so I'm thinking one of her

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Speaker 1: guys played.

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Speaker 2: The keys and Missy, Missy played it.

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Speaker 1: Missy actually, and I'm like, I ain't never seen you

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Speaker 1: in no keyboard, and how would I know you need

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Speaker 1: to be over you with me playing some of these keys?

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Speaker 3: Mm hmm.

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Speaker 1: Miss She's one of my heroes, but she's a personal

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Speaker 1: hero though, like my people. You know, she really delivered

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Speaker 1: my first, biggest, most important record in my career.

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Speaker 3: That's like the like the most pivotal record in my

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Speaker 3: career right there.

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Speaker 2: I would love to hear y'all do a whole album together.

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Speaker 3: Crazy damn, but god dog, Yeah.

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Speaker 2: Storytelling when you tune in a lot tuning in this show,

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Speaker 2: this is the type of stories you hear with the

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Speaker 2: great Jazzy Fay. I'm sitting here with my brother new face.

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Speaker 3: And you know what's crazy.

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Speaker 1: I don't think nobody's done an up tempo bridge like

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Speaker 1: that before, not sense.

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Speaker 3: Not like that. That was That was monumental.

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Speaker 5: The dream tries to the dream kind of break goes

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Speaker 5: fast to that, but not on that level.

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Speaker 3: Yeah, I mean dreamers legendary too.

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Speaker 2: What's what's what's coming up next? For? For for you?

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Speaker 3: Jazz?

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Speaker 2: I know you keep a man, you got a lot

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Speaker 2: on your plays.

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Speaker 1: Of course, Gervand one in the Trap Stars shout out

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Speaker 1: to my boy yep, Van and the Trap Stars. Got

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Speaker 1: this kid named Kasey from Dallas, Young Lady by k September.

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Speaker 3: Okay you hurd her?

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Speaker 2: No, these all artists. Well you on Vody all side

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Speaker 2: to your production, to your label.

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Speaker 3: Yeah, okay. Who else? We got this kid named uh

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Speaker 3: Molly okay, Molly Water chick named Molly Water. She's dope.

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Speaker 3: She's from Dallas, Okay. A couple other things bro and.

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Speaker 2: These and all jazzy fade. Oh your hands on these?

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Speaker 2: Are your hands on this?

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Speaker 3: Shout out to Havo somebody I'm working with. Chicken, I'm

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Speaker 3: working with outt Bomint Texas. She she's U.

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Speaker 1: Dangerous, MC boy, she's dangerous. Yeah yeah, we gas the artists.

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Speaker 1: It's a lot of people I know.

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Speaker 2: New Face just mentioned the dream mm hmm. And I'm

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Speaker 2: gonna ask you this before we get out of here.

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Speaker 2: Pick one songwriter all time for you to go in

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Speaker 2: the studio when it and do an album CHAZZI face

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Speaker 2: beats and a songwriter, who is it gonna be?

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Speaker 3: A songwriter? One? Who is it gonna be?

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Speaker 2: Missy? There you go?

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Speaker 1: I mean that's that was easy, Yeah, because I mean

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Speaker 1: music can write a rap, miss can sing R and B,

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Speaker 1: she can do pop, Chicken can and I can do

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Speaker 1: it all.

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Speaker 2: So you sure can.

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Speaker 3: Yeah, we can. We can together. We can go stupid

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Speaker 3: new face. We need that to happen, man, most we

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Speaker 3: can do it. We can do it.

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Speaker 1: And when she when she's gonna be turned, she's gonna

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Speaker 1: be like okay, yeah, okay, And we gotta get her

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Speaker 1: on the show because it's a lot to talk about.

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Speaker 2: I watched Missy in my career and his music business.

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Speaker 2: I just sat back and really watched her in all Yeah.

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Speaker 3: Yeah, she's amazing.

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Speaker 2: He's amazing. Man, She's amazing, man. And I just want

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Speaker 2: to tell you, jaz Fae, we could sit here for

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Speaker 2: hours and hour. Let's come back. Let's you know, we'll

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Speaker 2: talk about your one hundred and seventy million records. So

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Speaker 2: a lot of stories. There's a lot of stories, a

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Speaker 2: lot of stories. We just we just scammed the service.

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Speaker 3: Bob.

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Speaker 2: I'm glad. We've been talking about this for a couple

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Speaker 2: of years, about you coming on the show. And I

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Speaker 2: just want to tell you, man, I appreciate you. Man.

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Speaker 2: Like I said at the beginning, his energy is effectious.

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Speaker 3: Man.

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Speaker 2: You always when I see you as. It ain't none

381
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Speaker 2: of that phony industry shit in.

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Speaker 1: The industry dude. Yeah, I'm not an industry dude. I

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Speaker 1: grew up in the industry. So you know, people be like, no, no,

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Speaker 1: we are we are the industry. But that's just that's

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Speaker 1: just that's just who we are. But that's not who

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Speaker 1: we are, you know what I'm saying.

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Speaker 3: Yeah, you know what I mean.

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Speaker 2: We are.

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Speaker 1: There's a there's a separate there's a separate entity that

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Speaker 1: goes for that industry thing.

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Speaker 3: And when people give it, then you know, you just return.

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Speaker 2: It, you know, and then a lot of people aren't

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Speaker 2: rooting in no real shit. You know, a lot of

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Speaker 2: folks new face when they you know, they get a

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Speaker 2: little bread. They you know, they was laying before, so

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Speaker 2: they're gonna be even lamer.

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Speaker 3: Ain't gonna the first time.

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Speaker 4: Man, it was Ryan Cameron's anniversary of his morning show.

399
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Speaker 4: So we are old national Crows nests at fire six

400
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Speaker 4: in the morning in the mornings, A young t I

401
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Speaker 4: a bone crush of young blood is in there with

402
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Speaker 4: a red, white and blue.

403
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Speaker 3: I was working at Red Furry Cap.

404
00:19:28,720 --> 00:19:31,200
Speaker 5: Yeah, can't damn.

405
00:19:32,520 --> 00:19:34,440
Speaker 4: Was in there and I had a disposable camera and

406
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Speaker 4: this is showing up all this was out and come on,

407
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Speaker 4: I got it, man, come on six in the morning,

408
00:19:45,440 --> 00:19:46,959
Speaker 4: little John, a little scrappy.

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Speaker 5: They had to sneak him in because he.

410
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Speaker 3: Was young, a little scrap scrappy. Camera was still hot.

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Speaker 2: So one O seven nine, I don't know what year

412
00:19:56,640 --> 00:20:00,360
Speaker 2: that was. That was, that was early two. Scrap there, man,

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Speaker 2: Damn well, that's that's what happened. When you so many

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Speaker 2: new face Jazzy Fay and Jerry here, this is what

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Speaker 2: you get. So I just want to say, hey, man,

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Speaker 2: Jesse Fay, we'll appreciate you. Man. Come on, man, all

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Speaker 2: the great things you've done. You contributed to this culture. Man,

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00:20:15,760 --> 00:20:17,040
Speaker 2: Like I said, you got to come back because we

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Speaker 2: gonna talk about more and more.

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Speaker 3: Absolutely, I am.

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Speaker 2: Jerry Clark a k A.

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Speaker 3: D legend Y Jerry.

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Speaker 2: This is my brother new face, and I am say look,

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Speaker 2: I can't say it for him.

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Speaker 1: Go ahead, ladies and gentlemen, I am yours, Julie, Jazzy

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Speaker 1: Fizzle a k A. Finzel a k A. Mister Burgundy

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00:20:34,200 --> 00:20:37,680
Speaker 1: aka Obama, Luther King Okay Jackson. Five the first, the

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Speaker 1: very first Quick Saturday, third, the first.

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Speaker 2: Chutch on Jerry Clark signing off Storytell with Legendary Jerry.

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Speaker 2: We are legendary Yary Jerry Clark. Here, New Face there,

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Speaker 2: New Face. Let me say y'all. New Face is always.

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Speaker 3: Here and there Jessie Face, he'd be everywhere.

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Speaker 2: This is story Time with Legendy Jerry and this is

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Speaker 2: your special segment with New Face and Jase. I want

435
00:21:20,320 --> 00:21:22,359
Speaker 2: to tell you before he gets started, he's about to blow.

436
00:21:23,040 --> 00:21:24,920
Speaker 2: I was about to say blow your mom. Then I

437
00:21:24,960 --> 00:21:27,360
Speaker 2: was gonna say pause. But he's about to bring out

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Speaker 2: some ship that really go that's what. But that's what

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00:21:30,840 --> 00:21:32,119
Speaker 2: New Face the I'm gonna let him do his.

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00:21:32,119 --> 00:21:34,720
Speaker 4: Story take you back already brought to Sierra in the

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00:21:34,760 --> 00:21:38,639
Speaker 4: one two step out. You know that's legend there in itself, right, Okay,

442
00:21:39,040 --> 00:21:40,960
Speaker 4: you know we talked about this brother right here, so

443
00:21:41,080 --> 00:21:41,760
Speaker 4: I brought out.

444
00:21:41,640 --> 00:21:43,840
Speaker 5: The you know the introduction right.

445
00:21:46,680 --> 00:21:47,120
Speaker 3: Signature.

446
00:21:47,440 --> 00:21:48,160
Speaker 5: Yeah that's Teela.

447
00:21:48,480 --> 00:21:50,760
Speaker 2: Yeah man, it ain't not phony about New Face. Man,

448
00:21:51,040 --> 00:21:51,840
Speaker 2: some respect on his.

449
00:21:52,560 --> 00:21:54,960
Speaker 4: And I brought this because this is teela second album.

450
00:21:55,000 --> 00:21:56,960
Speaker 4: And if you look on here, it's a song called

451
00:21:57,240 --> 00:21:58,240
Speaker 4: table Dance.

452
00:21:59,280 --> 00:22:00,840
Speaker 3: Pull your cheek stream could it?

453
00:22:00,960 --> 00:22:01,200
Speaker 2: Sigh?

454
00:22:01,600 --> 00:22:06,160
Speaker 3: Baby? Let me take the way you shake your baby

455
00:22:06,280 --> 00:22:09,480
Speaker 3: cap in the train and.

456
00:22:12,200 --> 00:22:14,960
Speaker 2: Better Rock, take go Ahead Rock, Get the Money in your.

457
00:22:14,920 --> 00:22:21,560
Speaker 4: Hand babyfore a table days Yeah, yeah, my trip club.

458
00:22:21,640 --> 00:22:23,560
Speaker 5: So which club was that inspired by?

459
00:22:24,720 --> 00:22:26,800
Speaker 3: It might have been Pure Passion, Memphis, Tennessee.

460
00:22:27,320 --> 00:22:28,840
Speaker 2: Man, I used to love Pure Passion.

461
00:22:28,920 --> 00:22:30,240
Speaker 3: It was so rachet.

462
00:22:30,359 --> 00:22:34,120
Speaker 2: It was was right. No, boy, you could talk about

463
00:22:34,119 --> 00:22:39,200
Speaker 2: what you could you just could you can do it there?

464
00:22:39,760 --> 00:22:41,040
Speaker 2: I mean I wouldn't know just what I heard.

465
00:22:43,400 --> 00:22:47,840
Speaker 4: Allegedly, brother right here is celebrating twenty years of trap

466
00:22:47,960 --> 00:22:49,640
Speaker 4: music right here, So I got right here.

467
00:22:49,920 --> 00:22:51,120
Speaker 3: Oh wow, trap music.

468
00:22:51,280 --> 00:22:53,280
Speaker 4: That boy got the tape and see this one is

469
00:22:53,280 --> 00:22:56,399
Speaker 4: special because from that stuff from So this is special

470
00:22:56,480 --> 00:22:58,960
Speaker 4: because I put all the producers on here and I

471
00:22:59,119 --> 00:23:02,119
Speaker 4: have to because this is David Banner is DJ Toomed

472
00:23:02,640 --> 00:23:05,000
Speaker 4: and we got a uh that's David Banner, DJ.

473
00:23:05,320 --> 00:23:07,560
Speaker 3: You gotta sign that one, David, And you.

474
00:23:07,720 --> 00:23:10,120
Speaker 4: Have to sign that because yours is right there as well,

475
00:23:10,240 --> 00:23:13,040
Speaker 4: because you produced which song off of this album?

476
00:23:16,440 --> 00:23:17,320
Speaker 3: Remember Let's get Away.

477
00:23:17,440 --> 00:23:18,560
Speaker 2: Let's get Away.

478
00:23:19,320 --> 00:23:21,640
Speaker 4: Talk about being there in the beginning of trap music

479
00:23:21,720 --> 00:23:23,720
Speaker 4: and seeing his brother's evolution one time.

480
00:23:24,040 --> 00:23:27,280
Speaker 1: Man, Listen, I really didn't even know that it was

481
00:23:27,359 --> 00:23:31,200
Speaker 1: a trap music evolution because I'm just thinking like you know,

482
00:23:31,320 --> 00:23:32,960
Speaker 1: because you know Tip, you know what I mean? You

483
00:23:33,040 --> 00:23:36,000
Speaker 1: know Tip, So Tip is he was trapped, he was

484
00:23:36,080 --> 00:23:39,120
Speaker 1: trapped out, so you know it's him saying. Trap music

485
00:23:39,240 --> 00:23:42,440
Speaker 1: really didn't give me the iconic version of what trap

486
00:23:42,520 --> 00:23:46,240
Speaker 1: music is now today. So then it wasn't it wasn't

487
00:23:46,320 --> 00:23:49,639
Speaker 1: registering like that, you know what I mean, like like

488
00:23:49,880 --> 00:23:54,159
Speaker 1: like and now it's almost like you know, when BBD changed.

489
00:23:53,960 --> 00:23:56,320
Speaker 3: Up they sound, they was like, oh it's hip hop's

490
00:23:56,400 --> 00:24:00,240
Speaker 3: moved out on the R and B Tip with you

491
00:24:00,280 --> 00:24:00,760
Speaker 3: know what I'm saying.

492
00:24:01,520 --> 00:24:04,119
Speaker 1: You know it's mental, you know what I'm saying. So,

493
00:24:04,880 --> 00:24:09,159
Speaker 1: and it was so clever, it was so revolutionary.

494
00:24:09,240 --> 00:24:11,560
Speaker 2: And who you pulling out most stuff?

495
00:24:11,840 --> 00:24:14,040
Speaker 3: Yeah yeah, new face over here, just going through a

496
00:24:14,119 --> 00:24:15,520
Speaker 3: thing over here, ladies and gentlemen.

497
00:24:15,600 --> 00:24:17,760
Speaker 5: This is this young lady right here. I want you

498
00:24:17,800 --> 00:24:18,399
Speaker 5: to speak on.

499
00:24:21,480 --> 00:24:24,240
Speaker 3: I love you, Lola, man, we love you, We love

500
00:24:24,320 --> 00:24:25,680
Speaker 3: you so much.

501
00:24:26,359 --> 00:24:29,280
Speaker 5: And so I got that's funny thing about about.

502
00:24:29,840 --> 00:24:34,200
Speaker 3: Where them dollars at the dollars it's a shore enough

503
00:24:34,240 --> 00:24:35,440
Speaker 3: sampling there, Yeah.

504
00:24:37,160 --> 00:24:39,760
Speaker 2: Yeah, well the dollars actually yeah.

505
00:24:40,800 --> 00:24:43,720
Speaker 3: I know, but we ain't gonna get all into that. Yeah, yeah,

506
00:24:44,000 --> 00:24:47,080
Speaker 3: we do, we do.

507
00:24:47,200 --> 00:24:50,159
Speaker 5: Miss Lola, and what we got here is the promotional

508
00:24:50,280 --> 00:24:52,280
Speaker 5: sticker for Oh Boy.

509
00:24:53,880 --> 00:24:57,960
Speaker 2: Yeah yes, Bigxac, oh wow exactly.

510
00:24:58,080 --> 00:24:58,399
Speaker 3: Listen.

511
00:24:58,680 --> 00:25:01,840
Speaker 2: That's the original shout out the local Green Air Lina,

512
00:25:01,880 --> 00:25:02,560
Speaker 2: Big Zach.

513
00:25:02,880 --> 00:25:04,000
Speaker 3: And I remember we had that.

514
00:25:04,119 --> 00:25:07,000
Speaker 1: We had cleaned up that that sticker because I felt

515
00:25:07,040 --> 00:25:09,480
Speaker 1: like back then and that was too to want you.

516
00:25:09,680 --> 00:25:11,879
Speaker 1: Yeah yeah, because we were doing things with kids, you

517
00:25:11,880 --> 00:25:13,680
Speaker 1: know what I'm saying. So I didn't want to, you know,

518
00:25:14,000 --> 00:25:16,320
Speaker 1: the sexy silhouette, but I did love that.

519
00:25:16,680 --> 00:25:19,240
Speaker 4: Shout out to mister Soul who did this logo. He

520
00:25:19,359 --> 00:25:22,320
Speaker 4: also did Goodie Mind d did logo.

521
00:25:22,520 --> 00:25:23,240
Speaker 3: Just know too much.

522
00:25:25,480 --> 00:25:27,160
Speaker 2: New Face is a hip hop history.

523
00:25:27,320 --> 00:25:29,360
Speaker 3: He like a he like the black Nard.

524
00:25:29,240 --> 00:25:35,360
Speaker 2: War Hey right here, Hey man, like tell you something, man,

525
00:25:37,000 --> 00:25:39,880
Speaker 2: this this is what this is what New Face does

526
00:25:40,240 --> 00:25:42,320
Speaker 2: and that's why story Time of Legend Jerry, we have

527
00:25:42,480 --> 00:25:45,800
Speaker 2: this second of Jazzy. So thank you New Face man,

528
00:25:45,920 --> 00:25:48,760
Speaker 2: Thank you. Uh We'll see you next week with another

529
00:25:48,880 --> 00:25:52,200
Speaker 2: legend like this. Brother right here, Jerry Clark. Story Time

530
00:25:52,200 --> 00:25:56,600
Speaker 2: of Legend Jerry, New Face. Faith Gentlemen, we out Oh Boy.

531
00:26:02,680 --> 00:26:06,280
Speaker 2: Storytime with the Legendary Jerry's hosted by me, the one

532
00:26:06,320 --> 00:26:11,840
Speaker 2: and Only Jerry Clark Music has been provided by July,

533
00:26:12,200 --> 00:26:16,840
Speaker 2: the producer. If you haven't already, please please make sure

534
00:26:16,880 --> 00:26:20,680
Speaker 2: you subscribe to Storytime with the Legendary Jerry on YouTube

535
00:26:21,080 --> 00:26:23,840
Speaker 2: and wherever you listen to podcasts, and make sure you

536
00:26:24,000 --> 00:26:28,040
Speaker 2: follow us on all social media platforms at the Legendary

537
00:26:28,119 --> 00:26:31,400
Speaker 2: Jerry podcast. For more podcasts on my iHeart Media, visit

538
00:26:31,480 --> 00:26:34,119
Speaker 2: the iHeartRadio app, Apple Podcasts, or wherever you listen to

539
00:26:34,160 --> 00:26:35,040
Speaker 2: your favorite shows.