1
00:00:03,240 --> 00:00:09,960
Speaker 1: So I'm drenched. I'm soaked. I'm like soggy, sopping wet.

2
00:00:10,119 --> 00:00:14,640
Speaker 1: I am a puddle in there, and I'm sweating so

3
00:00:14,880 --> 00:00:19,520
Speaker 1: hard that I'm throwing up from the sweat like I'm

4
00:00:19,560 --> 00:00:21,919
Speaker 1: drinking the sweat and I'm throwing the sweat up and

5
00:00:21,960 --> 00:00:23,680
Speaker 1: it's just water really.

6
00:00:23,520 --> 00:00:25,360
Speaker 2: Too but still very nasty.

7
00:00:25,760 --> 00:00:29,760
Speaker 1: And I'm getting at this point hit with just a

8
00:00:29,800 --> 00:00:33,360
Speaker 1: lot of hockey pucks, like so many are hitting me

9
00:00:33,440 --> 00:00:37,920
Speaker 1: in the ass and the stomach and just really knocking

10
00:00:38,240 --> 00:00:41,320
Speaker 1: knocking my happy meal ass up and down the ice.

11
00:00:41,680 --> 00:00:44,120
Speaker 2: And I and people say, like, how okay, it's hitting

12
00:00:44,120 --> 00:00:46,800
Speaker 2: you in the ass and the stomach, like both at

13
00:00:46,800 --> 00:00:51,360
Speaker 2: the same time, both kinds. The way your but it's

14
00:00:51,440 --> 00:00:55,440
Speaker 2: kind of like shaped is that it doesn't like protrude

15
00:00:55,480 --> 00:00:58,320
Speaker 2: out behind you that far. No, have like the bubble shape,

16
00:00:58,320 --> 00:01:00,160
Speaker 2: but a little there is a little of a bull

17
00:01:00,200 --> 00:01:03,480
Speaker 2: effect like kind of on each side, so you see

18
00:01:03,560 --> 00:01:05,039
Speaker 2: your butt from the front.

19
00:01:05,319 --> 00:01:09,240
Speaker 1: It kind of goes up and around. It's like, what

20
00:01:09,280 --> 00:01:10,200
Speaker 1: am I thinking of that?

21
00:01:10,280 --> 00:01:10,759
Speaker 2: It's like.

22
00:01:12,400 --> 00:01:15,600
Speaker 1: Sort of like a diagonal wing, you know what I mean.

23
00:01:15,840 --> 00:01:19,759
Speaker 1: It's like coming off the hip. So it's anyway, it's

24
00:01:19,800 --> 00:01:22,000
Speaker 1: interesting and that and that is where the hockey pucks

25
00:01:22,000 --> 00:01:26,880
Speaker 1: are primarily sort of nailing me. And I'm starting at

26
00:01:26,880 --> 00:01:30,000
Speaker 1: this point to wonder, why did I ever volunteer for

27
00:01:30,040 --> 00:01:31,399
Speaker 1: this mm hm.

28
00:01:32,800 --> 00:01:36,119
Speaker 2: To be Gritty's nemesis?

29
00:01:37,120 --> 00:01:42,720
Speaker 1: Okay, shitty, you know, like, I'm thinking this was a

30
00:01:42,720 --> 00:01:46,160
Speaker 1: bad idea because people love Gritty. Yeah, and I can

31
00:01:46,200 --> 00:01:48,640
Speaker 1: tell now looking back just from the name of my

32
00:01:48,840 --> 00:01:50,880
Speaker 1: character that he's something of a villain.

33
00:01:52,520 --> 00:01:56,200
Speaker 2: And so that he will be disliked. Yeah, But I

34
00:01:56,200 --> 00:01:57,960
Speaker 2: show up, I go, hey, I'm game. Oh is that

35
00:01:57,960 --> 00:01:59,920
Speaker 2: the suit? Like cool? And I go, is it weird?

36
00:02:00,400 --> 00:02:03,200
Speaker 1: My ass will be partially exposed from the padding or whatever,

37
00:02:03,360 --> 00:02:05,360
Speaker 1: like right around my stomach here where it folds up,

38
00:02:05,840 --> 00:02:10,480
Speaker 1: and they're like, no, you're good, You're good. And as

39
00:02:10,560 --> 00:02:12,840
Speaker 1: I work back through the day, there were so many

40
00:02:12,919 --> 00:02:16,600
Speaker 1: points where I made a mistake and where I could

41
00:02:16,680 --> 00:02:19,239
Speaker 1: have said, hey, had really like an extra pad here,

42
00:02:19,680 --> 00:02:22,200
Speaker 1: he had really like my name to be something more

43
00:02:22,240 --> 00:02:25,440
Speaker 1: neutral so they can decide based on performance which one

44
00:02:25,480 --> 00:02:28,799
Speaker 1: of us they like better. Instead of what I did

45
00:02:28,919 --> 00:02:33,799
Speaker 1: was I stepped on a minefield, you know, willingly, and

46
00:02:34,639 --> 00:02:36,520
Speaker 1: I got blown up and I and I sweat, I

47
00:02:36,560 --> 00:02:42,639
Speaker 1: threw up Hi, Hi, whoa Welcome to Hollywood Handbook. It's

48
00:02:42,639 --> 00:02:45,040
Speaker 1: an insider's guide to kicking button dropping names. Let's get

49
00:02:45,120 --> 00:02:47,040
Speaker 1: right into it. We have a shit ton to get

50
00:02:47,040 --> 00:02:49,840
Speaker 1: through today. We have an absolute fuck load of insane

51
00:02:49,840 --> 00:02:51,239
Speaker 1: stuff to get and I love it.

52
00:02:51,160 --> 00:02:53,600
Speaker 2: And I love it. It's it's like, it's good work.

53
00:02:53,960 --> 00:02:58,120
Speaker 2: It's fulfilling work. I'm happy when I'm busy. When I

54
00:02:58,160 --> 00:03:01,320
Speaker 2: see the to do list with no check nothing checked off,

55
00:03:01,360 --> 00:03:05,280
Speaker 2: I go, oh, okay, good because I have an actual purpose.

56
00:03:05,639 --> 00:03:08,520
Speaker 2: Versus when I finished the list, now what.

57
00:03:09,600 --> 00:03:12,079
Speaker 1: Go talk to my wife, my kid. No, thank you,

58
00:03:13,200 --> 00:03:17,359
Speaker 1: So I am happy. We have a guest here, Langston.

59
00:03:17,400 --> 00:03:21,240
Speaker 1: Do you wanna talk a little bit about your whole

60
00:03:21,280 --> 00:03:21,919
Speaker 1: fucking deal?

61
00:03:22,400 --> 00:03:25,880
Speaker 3: Yeah? I mean yeah, I gotta be honest. I really

62
00:03:25,919 --> 00:03:29,640
Speaker 3: thought that was a Mighty Ducks two audition you were describing,

63
00:03:30,160 --> 00:03:33,520
Speaker 3: and then and then it turned into shitty, so that

64
00:03:34,040 --> 00:03:35,280
Speaker 3: I was on the edge of my seat.

65
00:03:35,280 --> 00:03:39,200
Speaker 1: Should he be gritty? H It went viral. You've probably

66
00:03:39,240 --> 00:03:41,360
Speaker 1: seen it. You probably see me getting my ass kicked

67
00:03:41,440 --> 00:03:42,880
Speaker 1: up and down the main part of the ice.

68
00:03:43,240 --> 00:03:45,600
Speaker 3: I had no idea it was you, but but truly

69
00:03:46,360 --> 00:03:49,600
Speaker 3: I laughed, and now I've seen the other side of

70
00:03:49,640 --> 00:03:52,000
Speaker 3: my laughter. And I guess I owe you an apology.

71
00:03:52,080 --> 00:03:54,640
Speaker 1: There's real people in there. No, it's okay. I'm sure

72
00:03:54,680 --> 00:03:56,480
Speaker 1: if I saw the video, I probably would have laughed too.

73
00:03:56,520 --> 00:03:58,640
Speaker 1: But now from now on, I'm gonna take a second.

74
00:03:58,760 --> 00:04:00,600
Speaker 2: I'm gonna pause. I'm gonna say, wait a minute, there's

75
00:04:00,600 --> 00:04:01,240
Speaker 2: somebody in there.

76
00:04:01,480 --> 00:04:04,800
Speaker 3: There's a human being underneath that that shitty costume.

77
00:04:05,400 --> 00:04:07,920
Speaker 2: And that's what I was thinking too. It was connecting

78
00:04:07,920 --> 00:04:13,640
Speaker 2: me back to being a nineties kid and watching Goldberg

79
00:04:13,720 --> 00:04:17,159
Speaker 2: the goalie get hit with all those hockey pucks. Yes,

80
00:04:18,640 --> 00:04:21,160
Speaker 2: and I thought that was funny as well. And now

81
00:04:21,200 --> 00:04:24,080
Speaker 2: I'm looking back at my former self as a nineties

82
00:04:24,120 --> 00:04:26,400
Speaker 2: kid and saying, hey, that's actually like a child, and

83
00:04:26,440 --> 00:04:27,720
Speaker 2: they're hurting him as a.

84
00:04:27,680 --> 00:04:30,679
Speaker 3: Boy who will someday become an alcoholic, and you gotta

85
00:04:30,760 --> 00:04:32,600
Speaker 3: not you gotta hold back those laughs.

86
00:04:32,880 --> 00:04:35,560
Speaker 2: Yeah. So maybe if we did like hurt him so

87
00:04:35,640 --> 00:04:38,240
Speaker 2: much and like shoot hockey pucks at him, maybe we

88
00:04:38,279 --> 00:04:41,360
Speaker 2: could produce maybe a little better outcome for the next time.

89
00:04:41,880 --> 00:04:44,479
Speaker 2: M hm, we are in this situation for the next

90
00:04:44,560 --> 00:04:47,960
Speaker 2: Mighty Ducks movie. He was getting bashed by both of

91
00:04:47,960 --> 00:04:52,640
Speaker 2: the Bash brothers, right, I think, honestly, think about that right,

92
00:04:52,800 --> 00:04:56,080
Speaker 2: and then they they Wilton and the other guy, they

93
00:04:56,080 --> 00:04:56,680
Speaker 2: would do that.

94
00:04:56,640 --> 00:05:00,599
Speaker 3: Intense high five afterwards, and we all rooted for them somehow.

95
00:05:00,640 --> 00:05:04,560
Speaker 2: And all of this being a nineties kid is so epic.

96
00:05:04,920 --> 00:05:07,200
Speaker 2: The shit we watched when we were kids. Man, if

97
00:05:07,200 --> 00:05:08,720
Speaker 2: you really look at it now.

98
00:05:09,240 --> 00:05:11,839
Speaker 3: And they were based on two guys who did steroids

99
00:05:12,160 --> 00:05:17,200
Speaker 3: famously did yeah, mm hmm. That's we celebrated that, we

100
00:05:17,320 --> 00:05:18,480
Speaker 3: cheered for those of all.

101
00:05:18,520 --> 00:05:23,479
Speaker 1: Those giant nineties that was something to sort of lift

102
00:05:23,600 --> 00:05:26,240
Speaker 1: up and show the children and say, this is what

103
00:05:26,279 --> 00:05:28,560
Speaker 1: you aspire to, you know, these.

104
00:05:28,760 --> 00:05:32,840
Speaker 3: These giant, juiced up eighteen year old men hanging out

105
00:05:32,880 --> 00:05:34,760
Speaker 3: with children. This is who you want to be.

106
00:05:35,520 --> 00:05:35,960
Speaker 2: Mm hmm.

107
00:05:36,680 --> 00:05:38,400
Speaker 1: But now I think they're going to correct a lot

108
00:05:38,400 --> 00:05:40,479
Speaker 1: of that with the Mighty Ducks TV show. They do

109
00:05:40,560 --> 00:05:44,039
Speaker 1: have Gordon Bombay Emilio Westavez will be starring in the

110
00:05:44,040 --> 00:05:48,000
Speaker 1: show on Disney Plus. And I can't help but believe

111
00:05:48,120 --> 00:05:51,920
Speaker 1: he's definitely still got his fastball. Amelia is somebody who's

112
00:05:51,960 --> 00:05:52,960
Speaker 1: been off out.

113
00:05:52,760 --> 00:05:57,159
Speaker 2: Of the spotlight for a little bit, but it's like

114
00:05:57,279 --> 00:05:58,479
Speaker 2: riding a bike for that guy.

115
00:05:58,800 --> 00:06:01,160
Speaker 3: I want to believe that the whole time he's been

116
00:06:01,200 --> 00:06:03,839
Speaker 3: out of the spotlight. He's just been working on that pitch.

117
00:06:04,200 --> 00:06:07,440
Speaker 3: You know, he's just been he's been tightening up that arm,

118
00:06:07,600 --> 00:06:08,120
Speaker 3: getting a man.

119
00:06:08,160 --> 00:06:11,000
Speaker 1: He's been doing push ups the entire time. When you

120
00:06:11,000 --> 00:06:13,359
Speaker 1: can't see him, that's because he's training.

121
00:06:13,240 --> 00:06:17,400
Speaker 3: Right, Emilio just comes back jacked, just just Mike Bibbie

122
00:06:17,520 --> 00:06:22,240
Speaker 3: jacked for the for the Mighty Ducks. Uh four, that'll all.

123
00:06:22,400 --> 00:06:23,080
Speaker 3: That'll be good.

124
00:06:23,440 --> 00:06:29,960
Speaker 2: Mm hmm. Langston, you were saying, just you're just let's run.

125
00:06:30,000 --> 00:06:33,719
Speaker 2: We always start with like the CV, the elevator pitch TV.

126
00:06:33,920 --> 00:06:36,839
Speaker 2: You've been blessing the fuck out of this mess. I've noticed.

127
00:06:36,960 --> 00:06:39,760
Speaker 3: Oh I I blessed the mess until they're the mess

128
00:06:39,839 --> 00:06:43,400
Speaker 3: was no more until ABC said, get that mess out

129
00:06:43,440 --> 00:06:46,560
Speaker 3: of here. It's too blessed. Is the way that they

130
00:06:46,560 --> 00:06:47,839
Speaker 3: wrote our pink slips.

131
00:06:48,080 --> 00:06:50,680
Speaker 2: That's what I was hearing too, is that this uh,

132
00:06:50,839 --> 00:06:52,520
Speaker 2: it did just get to a point where the mess

133
00:06:52,720 --> 00:06:56,839
Speaker 2: was just too blessed for it to be like plausible

134
00:06:57,080 --> 00:06:58,240
Speaker 2: to the viewer anymore.

135
00:06:58,560 --> 00:07:00,840
Speaker 1: It was unrecognizable as a mess to me. Yeah, I

136
00:07:00,880 --> 00:07:02,600
Speaker 1: mean that was what I was noticing. In the final

137
00:07:02,640 --> 00:07:05,279
Speaker 1: few episodes. I was going, I'm sorry, this isn't a

138
00:07:05,320 --> 00:07:07,400
Speaker 1: mess anymore. This is more of a family.

139
00:07:07,720 --> 00:07:10,080
Speaker 3: I don't know, folks, it seems like this isn't a

140
00:07:10,120 --> 00:07:12,600
Speaker 3: mess at all. It seems like they've cleaned everything up

141
00:07:12,640 --> 00:07:14,920
Speaker 3: and we don't need to follow this anymore.

142
00:07:15,120 --> 00:07:18,080
Speaker 2: Yeah, they've blessed it said, that's a real danger with

143
00:07:18,120 --> 00:07:21,520
Speaker 2: your characters, Hayes, and I have encountered it when if

144
00:07:21,520 --> 00:07:23,960
Speaker 2: you teach them too many lessons, if they grow up

145
00:07:24,000 --> 00:07:29,080
Speaker 2: too fast, then you don't have anywhere to take them,

146
00:07:29,160 --> 00:07:31,320
Speaker 2: you know, and you just have to sort of hold

147
00:07:31,360 --> 00:07:35,160
Speaker 2: the Viking funeral that you guys did for Doxon Lake.

148
00:07:35,880 --> 00:07:38,760
Speaker 3: Well, that's one of my biggest regrets of playing a

149
00:07:39,160 --> 00:07:42,040
Speaker 3: nearly thirty year old man, is like, at that point,

150
00:07:42,080 --> 00:07:45,760
Speaker 3: you've learned all the lessons, so there's no more story

151
00:07:45,760 --> 00:07:48,360
Speaker 3: to tell, whereas if I would have played a child.

152
00:07:48,960 --> 00:07:50,960
Speaker 3: Now I've got a lot of lessons to get out

153
00:07:51,000 --> 00:07:53,239
Speaker 3: of this. Now I can keep growing as a person.

154
00:07:53,520 --> 00:07:53,720
Speaker 2: You know.

155
00:07:54,320 --> 00:07:56,360
Speaker 3: That's my mistake and that's on me, and that's the

156
00:07:56,400 --> 00:07:57,680
Speaker 3: reason that show didn't make it.

157
00:07:58,080 --> 00:08:00,720
Speaker 2: They said that it was your fault to use your

158
00:08:00,720 --> 00:08:02,480
Speaker 2: age of your character was the issue.

159
00:08:02,600 --> 00:08:06,480
Speaker 3: They They specifically pointed that out as they told me

160
00:08:06,520 --> 00:08:08,800
Speaker 3: they would not be paying me anymore. They said, if

161
00:08:08,880 --> 00:08:11,200
Speaker 3: if you would have made him younger, if only you

162
00:08:11,200 --> 00:08:13,600
Speaker 3: would have agreed to make him younger, we could have

163
00:08:13,640 --> 00:08:14,320
Speaker 3: avoided this.

164
00:08:14,960 --> 00:08:15,920
Speaker 2: That hurts to hear.

165
00:08:16,080 --> 00:08:19,520
Speaker 1: I'm sure, but I like, you know, I like when

166
00:08:19,560 --> 00:08:22,680
Speaker 1: I get a reason like I obviously I've done a

167
00:08:22,680 --> 00:08:26,040
Speaker 1: little acting myself, and when I when I go out there,

168
00:08:26,240 --> 00:08:30,640
Speaker 1: they'll say, you're too handsome for this role.

169
00:08:31,000 --> 00:08:36,080
Speaker 3: Sure, sure you know your hair, your hair. It's doing

170
00:08:36,160 --> 00:08:39,160
Speaker 3: all the right things, yeah, in the wrong way for us.

171
00:08:39,320 --> 00:08:43,439
Speaker 3: It's it's not it's doing too much. Yes, they would

172
00:08:43,440 --> 00:08:45,960
Speaker 3: need to do less, and I'll do less. That's non

173
00:08:45,960 --> 00:08:49,160
Speaker 3: negotiable from my end. Obviously, How do you expect us

174
00:08:49,200 --> 00:08:51,640
Speaker 3: to film you if we're so horny all the time

175
00:08:51,720 --> 00:08:52,960
Speaker 3: around you? We can't.

176
00:08:53,280 --> 00:08:57,600
Speaker 2: You're too handsome. Everyone is getting too horny a while

177
00:08:58,040 --> 00:08:59,800
Speaker 2: and they and they can't even do it in person.

178
00:08:59,840 --> 00:09:02,319
Speaker 2: They can't even tell him that in person. No, it's

179
00:09:02,400 --> 00:09:05,760
Speaker 2: usually an email from a third party, a lawyer.

180
00:09:05,840 --> 00:09:10,320
Speaker 4: They get a lawyer. Information has been passed. Yeah, and

181
00:09:10,400 --> 00:09:14,200
Speaker 4: there's a bunch of redacted sections. There's just like all

182
00:09:14,200 --> 00:09:17,640
Speaker 4: these solid black bars through the through the body of

183
00:09:17,679 --> 00:09:20,800
Speaker 4: the email. Just being like it made me want to

184
00:09:21,320 --> 00:09:24,320
Speaker 4: I felt like I was going to my seat was

185
00:09:24,320 --> 00:09:28,080
Speaker 4: covered in and then there's just these blanks, and I go,

186
00:09:28,600 --> 00:09:30,840
Speaker 4: I understand, you know, onto the next one?

187
00:09:31,320 --> 00:09:33,160
Speaker 3: Does a does a part of you ever want to

188
00:09:33,200 --> 00:09:36,400
Speaker 3: know what? What was? What's under those black bars? Do

189
00:09:36,440 --> 00:09:36,760
Speaker 3: you ever?

190
00:09:39,160 --> 00:09:41,880
Speaker 1: I have tasked Adam Driver with finding out what was

191
00:09:41,960 --> 00:09:44,960
Speaker 1: under there? So he is he is in a sort

192
00:09:45,000 --> 00:09:48,520
Speaker 1: of basement with a bunch of computers and files and

193
00:09:48,559 --> 00:09:50,640
Speaker 1: it's and I'll tell you it's gonna make one hell

194
00:09:50,679 --> 00:09:53,880
Speaker 1: of a movie screener that gets sent to people someday.

195
00:09:54,640 --> 00:09:57,120
Speaker 1: I don't know anyone who's who will watch it, but

196
00:09:57,200 --> 00:09:59,800
Speaker 1: I know a lot of people who will get it. Sure.

197
00:09:59,840 --> 00:10:03,480
Speaker 1: So yeah, so I'm I'm excited for that, you know

198
00:10:03,800 --> 00:10:07,040
Speaker 1: that era. But I I can't live my life like

199
00:10:07,800 --> 00:10:09,920
Speaker 1: oh what was under the thing? Or like what was

200
00:10:09,960 --> 00:10:12,200
Speaker 1: the seat covered in? And like I actually have to

201
00:10:13,000 --> 00:10:15,400
Speaker 1: do ship and get out there for sure.

202
00:10:15,480 --> 00:10:18,640
Speaker 3: Life is life is what what's happening above the black

203
00:10:18,679 --> 00:10:22,319
Speaker 3: bars and around them, not not beneath them.

204
00:10:22,440 --> 00:10:25,960
Speaker 2: Yeah, and I'm watching the poetry. Your your background in

205
00:10:26,040 --> 00:10:26,800
Speaker 2: this emerge?

206
00:10:27,160 --> 00:10:30,320
Speaker 3: Mm hmm. Yeah, So I I studied poetry. I have

207
00:10:30,320 --> 00:10:35,240
Speaker 3: a Masters of Fine Arts in Poetry, which obviously is

208
00:10:35,280 --> 00:10:37,880
Speaker 3: super useful in the work that I do now as

209
00:10:37,960 --> 00:10:39,400
Speaker 3: a actor and writer.

210
00:10:39,760 --> 00:10:42,640
Speaker 2: And I'm reminded of the poet Langston Hugs.

211
00:10:43,960 --> 00:10:47,120
Speaker 3: That that's that is a pronunciation of his name.

212
00:10:47,200 --> 00:10:51,240
Speaker 2: Sure he has been so so Langston Hugs, for people

213
00:10:51,280 --> 00:10:56,600
Speaker 2: who don't know, is a poet who does a lot

214
00:10:56,679 --> 00:11:01,600
Speaker 2: of my Actually, I have like these wood blocks around

215
00:11:01,600 --> 00:11:06,400
Speaker 2: my house with like little just like inspirational sayings that

216
00:11:06,559 --> 00:11:13,280
Speaker 2: are mostly drawn from the work of Langston Hugs, just

217
00:11:13,320 --> 00:11:19,280
Speaker 2: to say stuff like laughter is happening in my house.

218
00:11:20,080 --> 00:11:23,160
Speaker 3: Yes, I remember that piece from Langston.

219
00:11:23,760 --> 00:11:26,480
Speaker 2: Do you have any of the like those these like

220
00:11:26,559 --> 00:11:28,760
Speaker 2: wood blocks in like your kitchen or like you can

221
00:11:28,760 --> 00:11:30,360
Speaker 2: honestly put them anywhere.

222
00:11:29,960 --> 00:11:32,240
Speaker 1: These wooden signs, Yeah, they're good in the kitchen, but

223
00:11:32,240 --> 00:11:34,760
Speaker 1: they're really good right in the foyer or.

224
00:11:34,640 --> 00:11:35,720
Speaker 2: In the den as well.

225
00:11:36,640 --> 00:11:40,320
Speaker 3: I personally do not, but I have seen them quite

226
00:11:40,320 --> 00:11:43,280
Speaker 3: a bit and I know that they're they're quite popular

227
00:11:43,360 --> 00:11:45,880
Speaker 3: around town. So it's you know, I'm just glad to

228
00:11:45,880 --> 00:11:48,959
Speaker 3: see the work spreading. I'm glad to see poetry is still.

229
00:11:49,040 --> 00:11:51,679
Speaker 2: As I have one that says blessed this mess. Mm.

230
00:11:52,240 --> 00:11:55,640
Speaker 3: Yeah, now, now is that related to the show or.

231
00:11:55,559 --> 00:11:58,840
Speaker 1: Is that just they optioned his they option his sign.

232
00:11:59,640 --> 00:12:03,240
Speaker 1: Oh no, he was getting royalties on that.

233
00:12:04,000 --> 00:12:06,120
Speaker 3: Wow, that's pretty big.

234
00:12:06,320 --> 00:12:06,880
Speaker 2: I have one that.

235
00:12:06,840 --> 00:12:08,520
Speaker 1: Says this won't go to waste, but it will go

236
00:12:08,559 --> 00:12:10,840
Speaker 1: to my waist and it's and it's on the over

237
00:12:10,920 --> 00:12:11,920
Speaker 1: on my snack jar.

238
00:12:12,440 --> 00:12:16,000
Speaker 3: Oh that's fun. Well, that's just fun. That's yeah. You

239
00:12:16,040 --> 00:12:17,960
Speaker 3: don't want to option that. You just want to enjoy

240
00:12:18,000 --> 00:12:18,760
Speaker 3: that that one.

241
00:12:18,960 --> 00:12:22,199
Speaker 2: No, I wouldn't kid. I wouldn't sell that for anything.

242
00:12:24,400 --> 00:12:29,200
Speaker 1: So you're a poet, a scholar, something of a renaissance man.

243
00:12:30,640 --> 00:12:34,160
Speaker 1: You're also you know, you said that you you have

244
00:12:34,240 --> 00:12:37,520
Speaker 1: this fancy degree, right, and we don't get in all

245
00:12:37,520 --> 00:12:40,760
Speaker 1: this you know bullshit on the show. I went to Harvard.

246
00:12:40,760 --> 00:12:41,360
Speaker 1: Everybody knows that.

247
00:12:41,520 --> 00:12:42,880
Speaker 2: To Harvard really good college.

248
00:12:44,360 --> 00:12:47,800
Speaker 1: Uh just kicked ass at Harvard, went to school in

249
00:12:47,840 --> 00:12:51,480
Speaker 1: a big castle and wrote out my papers, just zooming

250
00:12:51,600 --> 00:12:52,840
Speaker 1: on freaking.

251
00:12:52,520 --> 00:12:55,320
Speaker 2: Speed balls, got straight a's.

252
00:12:55,600 --> 00:12:59,800
Speaker 1: But you know, as much as I've tried to put

253
00:12:59,800 --> 00:13:03,120
Speaker 1: that behind me and just be a regular Joe, Uh,

254
00:13:03,559 --> 00:13:06,480
Speaker 1: someone like yourself who's learned knows that, like that was

255
00:13:06,520 --> 00:13:08,640
Speaker 1: some of the best times of my life, just going

256
00:13:08,679 --> 00:13:09,600
Speaker 1: to school, and.

257
00:13:09,600 --> 00:13:13,319
Speaker 3: Goes hard to leave that behind It sort of creeps

258
00:13:13,400 --> 00:13:16,520
Speaker 3: up in all of your interactions and your conversations.

259
00:13:16,600 --> 00:13:17,200
Speaker 2: It shapes you.

260
00:13:17,240 --> 00:13:19,360
Speaker 1: It's it's where I learned to become a man, a

261
00:13:19,440 --> 00:13:22,800
Speaker 1: Harvard man, right, and you have to tell people that

262
00:13:22,800 --> 00:13:23,960
Speaker 1: that crimson man.

263
00:13:24,080 --> 00:13:26,920
Speaker 3: Yes, mm hmm, it would it would be wrong not

264
00:13:27,000 --> 00:13:28,720
Speaker 3: to share that with the people around you.

265
00:13:28,800 --> 00:13:31,720
Speaker 2: It's lying, Yes, it's the same as lying. It's a

266
00:13:31,760 --> 00:13:34,800
Speaker 2: sin of a mission, right, You're it is.

267
00:13:35,040 --> 00:13:37,280
Speaker 3: It is looking a person in their face and not

268
00:13:37,400 --> 00:13:41,200
Speaker 3: sharing the most vital information about you. And that's not

269
00:13:41,320 --> 00:13:42,360
Speaker 3: fair to either of you.

270
00:13:43,080 --> 00:13:46,439
Speaker 1: But that's an old school and and what's going to

271
00:13:46,520 --> 00:13:50,200
Speaker 1: be the next Harvard? What's gonna be the next you

272
00:13:50,240 --> 00:13:53,760
Speaker 1: know school college that people talk about and that kind

273
00:13:53,760 --> 00:13:57,360
Speaker 1: of signifies like, oh this this dude got.

274
00:13:57,520 --> 00:13:58,439
Speaker 2: A big ass brain.

275
00:14:00,640 --> 00:14:04,000
Speaker 3: Yeah, I'm seeing a lot of energy moving online.

276
00:14:04,720 --> 00:14:05,240
Speaker 2: Thank you.

277
00:14:05,640 --> 00:14:12,280
Speaker 3: Okay, we've seen a lot online. We're seeing a lot

278
00:14:12,320 --> 00:14:16,199
Speaker 3: of digital work. I know you've got your your Phoenix,

279
00:14:16,880 --> 00:14:22,960
Speaker 3: Sure you've got Apparently Harvard is competing now with Phoenix online.

280
00:14:23,040 --> 00:14:25,840
Speaker 3: There there. I don't know if that troubles you at

281
00:14:25,840 --> 00:14:29,520
Speaker 3: all to know that you could be a digital crimson man,

282
00:14:29,680 --> 00:14:31,440
Speaker 3: but it is now possible.

283
00:14:31,840 --> 00:14:36,920
Speaker 2: Well, let's think of the like the voids in this market. Right.

284
00:14:36,960 --> 00:14:43,360
Speaker 2: So Phoenix and Harvard Online College are teaching science class. Okay,

285
00:14:43,520 --> 00:14:48,880
Speaker 2: so that's taken care of. They're teaching English Shakespeare class. Okay,

286
00:14:49,040 --> 00:14:51,800
Speaker 2: so that is that's off the table. Okay, let's not

287
00:14:51,920 --> 00:14:55,280
Speaker 2: do that one. Okay, but let's look at something where

288
00:14:55,360 --> 00:14:58,840
Speaker 2: we actually are some of the most educated, most experienced,

289
00:14:58,840 --> 00:15:03,200
Speaker 2: and have been studied this for actually pretty close to

290
00:15:03,640 --> 00:15:06,760
Speaker 2: a million years now, just combined.

291
00:15:07,280 --> 00:15:08,880
Speaker 3: Mm hmmm, I'm listening.

292
00:15:09,600 --> 00:15:12,760
Speaker 2: Uh have we ever ever even been thought about doing

293
00:15:12,920 --> 00:15:17,280
Speaker 2: a podcast class and podcasts classes? And what we're talking

294
00:15:17,280 --> 00:15:21,760
Speaker 2: about is actually the future of media and it's where

295
00:15:21,880 --> 00:15:25,000
Speaker 2: every and it's actually now that it's the new television

296
00:15:25,000 --> 00:15:28,040
Speaker 2: and movies and and it's the new Oh.

297
00:15:28,120 --> 00:15:30,360
Speaker 1: And so when I see you nodding, and I see

298
00:15:30,360 --> 00:15:35,000
Speaker 1: the idea entering your brain and podcast university starting to form.

299
00:15:34,880 --> 00:15:38,120
Speaker 3: I'm liking this. This general meeting just got upgraded to

300
00:15:38,200 --> 00:15:41,600
Speaker 3: a follow up we this is I am liking where

301
00:15:41,600 --> 00:15:44,360
Speaker 3: you're taking this pot email afterwards.

302
00:15:44,440 --> 00:15:46,080
Speaker 2: So awesome meeting you today.

303
00:15:46,360 --> 00:15:48,360
Speaker 3: Would love got to do some page.

304
00:15:50,880 --> 00:15:53,880
Speaker 2: Here's that article I was telling you about. Mm you

305
00:15:54,000 --> 00:15:54,480
Speaker 2: love Oh.

306
00:15:54,560 --> 00:15:57,000
Speaker 3: When they send an article from a thing they read

307
00:15:57,120 --> 00:15:59,760
Speaker 3: just recently. That's when you know you've hit them in

308
00:15:59,760 --> 00:16:02,640
Speaker 3: this sweet spot. Do you think there's a show here

309
00:16:03,800 --> 00:16:07,080
Speaker 3: it's a dad who coaches Little League? Sure, there's one

310
00:16:07,120 --> 00:16:09,640
Speaker 3: hundred shows on television like that. But they like you

311
00:16:09,800 --> 00:16:12,760
Speaker 3: enough to let you write a pilot that fails with them.

312
00:16:12,920 --> 00:16:15,640
Speaker 2: Well, yeah, maybe not write the pilot, but you could.

313
00:16:15,680 --> 00:16:17,480
Speaker 1: What you could do is you could go out and

314
00:16:17,560 --> 00:16:21,520
Speaker 1: pitch it and then hey, if they make money, you

315
00:16:21,560 --> 00:16:22,480
Speaker 1: get a little bit of it.

316
00:16:22,760 --> 00:16:26,360
Speaker 2: Sure, I read this article and just forwarded it to

317
00:16:26,400 --> 00:16:30,000
Speaker 2: someone and we spent three hundred thousand dollars on optioning it.

318
00:16:30,160 --> 00:16:34,360
Speaker 2: And now we might pay you a small amount of that.

319
00:16:36,360 --> 00:16:38,880
Speaker 2: But if we just if we love.

320
00:16:38,760 --> 00:16:41,240
Speaker 1: You, and you're only competing with four other people for

321
00:16:41,280 --> 00:16:45,240
Speaker 1: the opportunity, so figure out your take, do that whatever

322
00:16:45,280 --> 00:16:46,760
Speaker 1: that amount of work means to you.

323
00:16:47,320 --> 00:16:49,840
Speaker 2: A couple of days, a couple of weeks, sort of

324
00:16:50,040 --> 00:16:50,600
Speaker 2: lay that out.

325
00:16:50,720 --> 00:16:52,640
Speaker 1: Then you all come in and present it, and then

326
00:16:52,680 --> 00:16:55,040
Speaker 1: the winner will then get to spend three or four

327
00:16:55,040 --> 00:16:56,400
Speaker 1: months hearing our take.

328
00:16:57,280 --> 00:17:00,720
Speaker 3: And don't worry, even if it doesn't go you, you

329
00:17:00,760 --> 00:17:04,520
Speaker 3: get those three or four months are completely consumed with

330
00:17:04,560 --> 00:17:08,240
Speaker 3: what we've now pitched to you. Over email via an

331
00:17:08,320 --> 00:17:09,160
Speaker 3: article we read.

332
00:17:09,840 --> 00:17:11,280
Speaker 2: You give your whole lot of the family.

333
00:17:11,520 --> 00:17:14,120
Speaker 3: You're a part of the family, a bond that will

334
00:17:14,119 --> 00:17:14,720
Speaker 3: never break.

335
00:17:15,480 --> 00:17:18,520
Speaker 2: Now, obviously, I mean we want to use your take.

336
00:17:18,600 --> 00:17:21,440
Speaker 1: You won't be like in charge if it can soult

337
00:17:22,160 --> 00:17:24,960
Speaker 1: we need someone experience to do that.

338
00:17:25,400 --> 00:17:29,520
Speaker 3: Sure, yeah, I will say that. I believe just the

339
00:17:29,760 --> 00:17:32,919
Speaker 3: of the million years of experience here in this situation,

340
00:17:33,080 --> 00:17:36,760
Speaker 3: you guys certainly have the bulk of the million.

341
00:17:36,680 --> 00:17:38,800
Speaker 2: If but you're getting in the game. Is that right?

342
00:17:39,080 --> 00:17:42,480
Speaker 3: That's right, I'm getting in the sirens hot game.

343
00:17:42,840 --> 00:17:46,399
Speaker 2: Yes, yeah, talk about many crashed against the rocks.

344
00:17:46,560 --> 00:17:49,160
Speaker 3: I've got I've got a a it's new. It's a

345
00:17:49,200 --> 00:17:52,000
Speaker 3: hot new podcast. All the kids are talking about it.

346
00:17:52,040 --> 00:17:53,240
Speaker 3: I don't know if you've heard.

347
00:17:53,240 --> 00:17:54,040
Speaker 2: I've been hearing this.

348
00:17:54,520 --> 00:17:56,920
Speaker 3: It's it's called my Mama Told Me. And it's about

349
00:17:56,960 --> 00:18:00,520
Speaker 3: black people in conspiracy theories. It's very fun.

350
00:18:01,000 --> 00:18:04,720
Speaker 2: Okay, And your mama is is she doing the show

351
00:18:04,800 --> 00:18:05,120
Speaker 2: with you?

352
00:18:05,720 --> 00:18:08,200
Speaker 3: I plan to have her on an episode or two, certainly,

353
00:18:08,240 --> 00:18:10,600
Speaker 3: gonna use her voice to manipulate stories.

354
00:18:11,000 --> 00:18:13,600
Speaker 2: That is a really smart idea. Just get her to

355
00:18:13,720 --> 00:18:16,960
Speaker 2: send you just whatever you want her to say. She'll

356
00:18:17,000 --> 00:18:18,600
Speaker 2: do what she loves you, she wants you to be

357
00:18:19,240 --> 00:18:22,359
Speaker 2: So she's a nice lads man exactly.

358
00:18:22,440 --> 00:18:24,840
Speaker 3: She's not tapped into the Hollywood at all, so she

359
00:18:24,920 --> 00:18:26,320
Speaker 3: has no idea where this stuff is.

360
00:18:26,440 --> 00:18:28,760
Speaker 2: But she's not gonna see it one one red scent

361
00:18:28,800 --> 00:18:29,280
Speaker 2: of this thing.

362
00:18:29,480 --> 00:18:32,719
Speaker 3: No, she's seeing even less than we see when someone

363
00:18:32,760 --> 00:18:34,639
Speaker 3: pitches us an article that they read.

364
00:18:36,080 --> 00:18:40,199
Speaker 2: Uh, we doing Are we network affiliated? What's the like,

365
00:18:40,280 --> 00:18:42,320
Speaker 2: what's the what's the story? Are we going independent?

366
00:18:42,600 --> 00:18:47,760
Speaker 3: Oh no, I'm I'm I've got an overseer. It's iHeartMedia

367
00:18:47,880 --> 00:18:53,280
Speaker 3: and money players with Will Ferrell's company. So that's very nice.

368
00:18:53,320 --> 00:18:54,359
Speaker 3: They're they're good people.

369
00:18:54,720 --> 00:18:55,639
Speaker 2: How's Bill doing?

370
00:18:56,840 --> 00:19:00,320
Speaker 3: He's doing fine, he says hello, He sends his his

371
00:19:00,359 --> 00:19:01,520
Speaker 3: wishes to you boys.

372
00:19:01,560 --> 00:19:08,000
Speaker 2: The big kiss for Bill Old Billy Ferrell. So let's

373
00:19:08,800 --> 00:19:13,560
Speaker 2: so obviously you have not gone to podcast University right now,

374
00:19:13,680 --> 00:19:17,840
Speaker 2: but maybe we can do a crash course and by

375
00:19:17,880 --> 00:19:21,320
Speaker 2: the time you're out of this, you can also be

376
00:19:21,320 --> 00:19:25,399
Speaker 2: be our first student and first faculty member as well

377
00:19:26,040 --> 00:19:29,679
Speaker 2: and get your degree. Because we can't do it like

378
00:19:29,720 --> 00:19:31,399
Speaker 2: we have. We can't do it the whole time.

379
00:19:31,880 --> 00:19:34,960
Speaker 1: But once you've been trained, kind of put you in

380
00:19:35,080 --> 00:19:37,720
Speaker 1: place and you can train the next you know.

381
00:19:38,320 --> 00:19:43,440
Speaker 2: Okay, I'm doing this thing. I'm eating six really tiny

382
00:19:43,520 --> 00:19:50,040
Speaker 2: little meals every day, but I'm taking longer to do

383
00:19:50,119 --> 00:19:53,760
Speaker 2: it to eat them. Yeah, yes, And so I'm just

384
00:19:53,880 --> 00:19:57,000
Speaker 2: kind of like doing these little nibblies all day long,

385
00:19:57,680 --> 00:20:01,040
Speaker 2: so I don't have time to run an entire college.

386
00:20:01,760 --> 00:20:05,000
Speaker 1: The meal will be like for me, the meal will

387
00:20:05,040 --> 00:20:11,560
Speaker 1: be like the bottom of a hamburger bun and.

388
00:20:11,840 --> 00:20:16,480
Speaker 2: Uh like just a little just a just a whisper.

389
00:20:17,600 --> 00:20:21,680
Speaker 1: Of a string cheese, just just you pull it off

390
00:20:21,720 --> 00:20:23,639
Speaker 1: almost like a spider web thread.

391
00:20:23,440 --> 00:20:25,960
Speaker 3: And a little a little shaving, just.

392
00:20:26,040 --> 00:20:32,000
Speaker 2: And I will eat that for two and a half hours,

393
00:20:32,040 --> 00:20:35,600
Speaker 2: six types a day, like sucking up the little string

394
00:20:35,640 --> 00:20:38,720
Speaker 2: cheese thing like a like a spaghetti, but it's not wet,

395
00:20:38,800 --> 00:20:40,240
Speaker 2: so it goes really slow.

396
00:20:41,160 --> 00:20:44,600
Speaker 3: Right. And and let me add, just as my new professors,

397
00:20:44,680 --> 00:20:47,720
Speaker 3: I I have to ask, and what what exactly is

398
00:20:47,760 --> 00:20:51,080
Speaker 3: this helping in? What does this help with the with

399
00:20:51,119 --> 00:20:53,800
Speaker 3: the process? How does this how does this really get

400
00:20:53,840 --> 00:20:54,200
Speaker 3: you there?

401
00:20:55,240 --> 00:20:58,600
Speaker 2: It's just I have to eat to just to be alive.

402
00:20:59,119 --> 00:21:01,400
Speaker 2: Oh okay, or the car, you know what I mean.

403
00:21:02,040 --> 00:21:07,520
Speaker 3: Just sustenance Okay, yeah, okay, okay, you learn something every day,

404
00:21:07,560 --> 00:21:09,560
Speaker 3: and this is one of those days.

405
00:21:10,240 --> 00:21:14,520
Speaker 2: One thing is and so like for me personally, you

406
00:21:14,640 --> 00:21:18,200
Speaker 2: gotta eat, but like I and I enjoy eating food,

407
00:21:18,240 --> 00:21:20,919
Speaker 2: but I'd only like to smell it, m hm. And

408
00:21:21,000 --> 00:21:23,920
Speaker 2: so the less of it there is, the less of it.

409
00:21:24,119 --> 00:21:25,960
Speaker 2: So you know how sometimes there's like a huge amount

410
00:21:25,960 --> 00:21:28,960
Speaker 2: of food, and that means there's even more smell. Sure,

411
00:21:29,200 --> 00:21:30,800
Speaker 2: but if there's just a tiny little bit of it,

412
00:21:30,840 --> 00:21:33,640
Speaker 2: there's actually not very much smell, right, And.

413
00:21:33,640 --> 00:21:35,840
Speaker 3: I have to assume that this also works on the

414
00:21:35,880 --> 00:21:40,520
Speaker 3: back end that when it's sure smaller dumps, less smell, we're.

415
00:21:40,400 --> 00:21:43,280
Speaker 2: Talking, we're talking choosers. Let's talk choosers. Man.

416
00:21:43,320 --> 00:21:46,320
Speaker 1: When I'm when I'm making a number two, the big,

417
00:21:46,440 --> 00:21:49,800
Speaker 1: the big chooser, I do want it to be somewhat controlled.

418
00:21:50,640 --> 00:21:55,760
Speaker 1: I've definitely been the victim of the working for the

419
00:21:55,800 --> 00:21:57,560
Speaker 1: tuoser rather than the choos are working for me.

420
00:21:58,160 --> 00:22:01,879
Speaker 3: Sure, let the twoes you make the twoser, don't let

421
00:22:01,920 --> 00:22:02,840
Speaker 3: the twoser make you.

422
00:22:03,160 --> 00:22:06,280
Speaker 1: Yes, exactly, and I would I would like to actually

423
00:22:06,280 --> 00:22:08,479
Speaker 1: be the boss in that situation moving forward.

424
00:22:09,440 --> 00:22:12,800
Speaker 2: And this has been very helpful in that regard. I

425
00:22:12,840 --> 00:22:18,200
Speaker 2: got I have actually seen the opposite result unexpectedly. Wow,

426
00:22:19,520 --> 00:22:25,119
Speaker 2: I am sinking battleships just like day after day, which

427
00:22:25,359 --> 00:22:28,679
Speaker 2: makes me think that like something else I guess was

428
00:22:28,720 --> 00:22:30,959
Speaker 2: in there. That's like coming loose now. I don't know

429
00:22:31,000 --> 00:22:32,680
Speaker 2: exactly how right your.

430
00:22:32,520 --> 00:22:37,360
Speaker 3: Body is finally getting to to clear house on everything

431
00:22:37,440 --> 00:22:39,560
Speaker 3: that's sort of been stored up in there.

432
00:22:40,400 --> 00:22:43,400
Speaker 2: It's giving. It has a little time now to take care,

433
00:22:43,520 --> 00:22:46,680
Speaker 2: to do a little spring cleaning, I think, is what's happening.

434
00:22:46,720 --> 00:22:52,280
Speaker 2: But it's a little gross. Let's go to school ball

435
00:22:52,840 --> 00:22:55,000
Speaker 2: and so you walk on to campus.

436
00:22:55,320 --> 00:22:57,880
Speaker 3: Am I before we go any further at this point,

437
00:22:57,920 --> 00:23:01,359
Speaker 3: I'm a freshman. I'm I'm the new kid in school.

438
00:23:01,400 --> 00:23:02,040
Speaker 3: I zoom.

439
00:23:02,320 --> 00:23:05,080
Speaker 2: You're a freshman, but you get to use I mean, yes,

440
00:23:05,160 --> 00:23:07,520
Speaker 2: you're a new kid on campus, but you do get

441
00:23:07,560 --> 00:23:11,440
Speaker 2: to use. Sorry, why are you bringing that up? Oh?

442
00:23:11,480 --> 00:23:13,640
Speaker 3: I just I you know, I like to place myself.

443
00:23:13,680 --> 00:23:16,960
Speaker 3: I just want to understand, you know, how how I

444
00:23:17,040 --> 00:23:17,960
Speaker 3: work in this world.

445
00:23:18,000 --> 00:23:20,720
Speaker 1: The Okay, but you're not gonna like you're not gonna

446
00:23:20,720 --> 00:23:22,920
Speaker 1: sing that verve pipe song freshman, right.

447
00:23:23,280 --> 00:23:24,159
Speaker 3: I wish I knew it.

448
00:23:24,280 --> 00:23:29,480
Speaker 1: I I okay, I'm just making sure because we're not

449
00:23:29,520 --> 00:23:32,560
Speaker 1: trying to have you sing that whole song on the podcast.

450
00:23:34,040 --> 00:23:37,040
Speaker 1: You know what I mean, Like, I'm happy to answer

451
00:23:37,080 --> 00:23:39,520
Speaker 1: a question if you're really just trying to locate yourself

452
00:23:39,560 --> 00:23:42,400
Speaker 1: in space. But if this is all a tea up

453
00:23:42,720 --> 00:23:47,320
Speaker 1: for some big performance of that verve pipe song Freshman, is, I.

454
00:23:48,320 --> 00:23:51,880
Speaker 3: Swear to you this is not a tea up for

455
00:23:51,880 --> 00:23:54,960
Speaker 3: for that song that I don't know, Freshman.

456
00:23:55,240 --> 00:23:58,600
Speaker 2: Well, back you up on the chorus. Man, if you start,

457
00:24:00,400 --> 00:24:01,359
Speaker 2: you're on your own.

458
00:24:01,960 --> 00:24:06,280
Speaker 3: Sure I assure you that it's not me on my own.

459
00:24:06,320 --> 00:24:08,879
Speaker 3: And I don't need any backup on the chorus. This

460
00:24:09,080 --> 00:24:13,080
Speaker 3: song doesn't need to be to be sung. I'm just we.

461
00:24:13,000 --> 00:24:13,679
Speaker 2: Just won't sing it.

462
00:24:14,119 --> 00:24:17,600
Speaker 1: We just won't sing it at all. And Kevin, don't

463
00:24:17,600 --> 00:24:19,800
Speaker 1: you start playing it? And let's not sing it, and

464
00:24:19,880 --> 00:24:23,720
Speaker 1: the and the Matthew Broderick Marlon Brando film The Freshman.

465
00:24:24,320 --> 00:24:26,200
Speaker 1: We're not even going to discuss that.

466
00:24:26,440 --> 00:24:29,640
Speaker 3: Kevin, don't bring it up. There's no reason to don't.

467
00:24:29,400 --> 00:24:32,320
Speaker 2: Play that trailer man, And certainly don't show me the poster.

468
00:24:33,000 --> 00:24:36,080
Speaker 3: Kevin put the poster down. There's no reason he doesn't

469
00:24:36,080 --> 00:24:36,359
Speaker 3: want to.

470
00:24:36,320 --> 00:24:40,920
Speaker 5: Say this one, this one, Kevin, are you brain dead?

471
00:24:41,400 --> 00:24:44,800
Speaker 3: He's clearly Kevin, he's clearly upset. I didn't mean to

472
00:24:44,840 --> 00:24:48,080
Speaker 3: trigger anything regarding the freshman, and I think you're making

473
00:24:48,119 --> 00:24:49,520
Speaker 3: it worse by pulling up the poster.

474
00:24:50,200 --> 00:24:53,160
Speaker 1: It's not on you. It was an innocent question. But

475
00:24:53,560 --> 00:24:58,439
Speaker 1: you know, look, let's just keep doing school.

476
00:24:58,880 --> 00:25:02,880
Speaker 2: Okay, we're at school and we're walking on to the

477
00:25:02,920 --> 00:25:06,840
Speaker 2: hallowed grass of Kevin Quad. Yeah. So the quad is

478
00:25:06,960 --> 00:25:13,080
Speaker 2: named after Kevin h It is spelled k wa d

479
00:25:14,119 --> 00:25:19,120
Speaker 2: uh and that you hear the big bell and it's like.

480
00:25:20,359 --> 00:25:22,720
Speaker 1: By the way, kwa d it's spelled that way because

481
00:25:22,720 --> 00:25:24,280
Speaker 1: it stands for Kevin's wet ass dick.

482
00:25:24,920 --> 00:25:29,840
Speaker 3: Oh hell yeah, Okay, this is a bad boy University.

483
00:25:29,880 --> 00:25:30,560
Speaker 3: I love that.

484
00:25:30,600 --> 00:25:34,000
Speaker 2: Well, you know, and there's the new song, there's the

485
00:25:34,720 --> 00:25:39,480
Speaker 2: pussy stuff and about how it's all and Kevin's like,

486
00:25:39,560 --> 00:25:41,600
Speaker 2: I actually had that idea first, and it's like, no,

487
00:25:41,720 --> 00:25:44,040
Speaker 2: you didn't. First of all, you didn't have an idea,

488
00:25:44,200 --> 00:25:47,800
Speaker 2: So your dick is very wet. We're not you having

489
00:25:47,800 --> 00:25:48,400
Speaker 2: an idea.

490
00:25:48,800 --> 00:25:53,719
Speaker 3: And it's also that's not the pitch, right, No, A

491
00:25:53,760 --> 00:25:56,920
Speaker 3: wet ass pussy that's an exciting pitch. That's something you

492
00:25:57,119 --> 00:25:58,639
Speaker 3: you sit down and you listen for.

493
00:25:59,000 --> 00:26:02,080
Speaker 1: That's something to aver ties. A wet ass dick requires

494
00:26:02,080 --> 00:26:06,600
Speaker 1: some explanation. Actually it begs more questions than it answers.

495
00:26:06,800 --> 00:26:11,320
Speaker 3: At best, it's an accident. At worst, it is something

496
00:26:12,160 --> 00:26:14,639
Speaker 3: something sinister I'd say mm hm.

497
00:26:15,119 --> 00:26:17,960
Speaker 2: And also you didn't do I mean like and I'm

498
00:26:18,000 --> 00:26:20,320
Speaker 2: glad you didn't. But it's like you, it's not like

499
00:26:20,400 --> 00:26:22,840
Speaker 2: you took this idea out there in any way. It's

500
00:26:22,880 --> 00:26:27,600
Speaker 2: just something that you had, So it's not actionable in

501
00:26:27,640 --> 00:26:30,120
Speaker 2: any way, And so is Kevin's like what do I do?

502
00:26:31,080 --> 00:26:35,400
Speaker 2: You know? Like like like how do I like make

503
00:26:35,480 --> 00:26:37,800
Speaker 2: this right? And it's like there is nothing to do,

504
00:26:38,000 --> 00:26:41,160
Speaker 2: like you just you see, Yes, your dick is extremely.

505
00:26:40,640 --> 00:26:43,800
Speaker 3: Wet, if anything, talk to a doctor. Are some sort of.

506
00:26:43,760 --> 00:26:46,960
Speaker 2: Profecsion, Yeah, but nothing like with this song, like it

507
00:26:47,119 --> 00:26:49,679
Speaker 2: just exists separately from.

508
00:26:49,200 --> 00:26:51,600
Speaker 1: I understand it's exciting when you first see the song

509
00:26:51,640 --> 00:26:53,760
Speaker 1: to be like, oh, other people have the same problem.

510
00:26:53,800 --> 00:26:57,480
Speaker 1: But that's a misunderstanding of like both sides of it

511
00:26:58,520 --> 00:26:59,760
Speaker 1: thinking of it as a problem.

512
00:27:00,760 --> 00:27:06,639
Speaker 3: They're celebrating you are terribly diseased, and one of you

513
00:27:06,760 --> 00:27:09,639
Speaker 3: has to compromise in this and recognize that this isn't

514
00:27:09,680 --> 00:27:10,320
Speaker 3: yours to have.

515
00:27:10,800 --> 00:27:13,919
Speaker 1: But that reminds me, Kevin, do you need to change

516
00:27:13,920 --> 00:27:16,360
Speaker 1: the towel. I know sometimes during the podcast.

517
00:27:17,240 --> 00:27:18,960
Speaker 5: Yep, I'll get a new towel.

518
00:27:19,160 --> 00:27:27,320
Speaker 2: It sound, Yeah, so it it just affects like how

519
00:27:27,480 --> 00:27:30,480
Speaker 2: sound is absorbed, Like honestly, when the towel gets so

520
00:27:30,560 --> 00:27:32,359
Speaker 2: wet at some point we can't even hear you.

521
00:27:32,840 --> 00:27:37,040
Speaker 3: Yeah, I've heard, and I apologize to put this out there, Kevin,

522
00:27:37,080 --> 00:27:39,800
Speaker 3: that you sometimes just put a bounty roll down there,

523
00:27:40,040 --> 00:27:42,280
Speaker 3: just like the entire role and sort of use it

524
00:27:42,320 --> 00:27:47,040
Speaker 3: as a as a cushion for the wet And that's okay.

525
00:27:47,359 --> 00:27:49,840
Speaker 3: I have noticed that out there. I have noticed that

526
00:27:50,080 --> 00:27:53,080
Speaker 3: just it affects the sound quality of podcasts in a

527
00:27:53,080 --> 00:27:55,240
Speaker 3: little bit of podcasting I do, and again I'm here

528
00:27:55,240 --> 00:27:59,200
Speaker 3: to learn, but it does seem to hinder this sound quality.

529
00:27:59,400 --> 00:28:01,040
Speaker 5: It was something I was hoping was going to get

530
00:28:01,040 --> 00:28:03,760
Speaker 5: brought up in class, was like what kind of bouncy

531
00:28:03,840 --> 00:28:06,159
Speaker 5: roles should you bounce rolls? Should you put under minor

532
00:28:06,200 --> 00:28:11,919
Speaker 5: bouncy too underneath your bingus when it's wet? That was

533
00:28:11,960 --> 00:28:13,720
Speaker 5: my first question for podcast school.

534
00:28:15,200 --> 00:28:17,800
Speaker 2: Yeah, I probably won't cover that, Yeah.

535
00:28:17,400 --> 00:28:22,080
Speaker 5: Probably, Okay, it's more of an after class question if ever.

536
00:28:22,720 --> 00:28:34,200
Speaker 2: Sure, So you and you walk into class one and

537
00:28:34,240 --> 00:28:39,400
Speaker 2: it's and it's it's the earliest period of the day

538
00:28:40,040 --> 00:28:47,000
Speaker 2: and everyone's sitting down, and upfront is Coach Corolla and

539
00:28:47,040 --> 00:28:54,160
Speaker 2: he's like everyone, everyone sit down. Hi, I'm your professor

540
00:28:54,360 --> 00:28:57,200
Speaker 2: today for the rest of the year. And then this

541
00:28:57,320 --> 00:29:00,239
Speaker 2: class you get to say whatever you want. If this

542
00:29:00,280 --> 00:29:04,920
Speaker 2: isn't a safe space, you get to be and you

543
00:29:04,960 --> 00:29:10,680
Speaker 2: get to say, like the nastiest shit in here. Yeah,

544
00:29:10,720 --> 00:29:14,200
Speaker 2: And that is actually a really important part of podcasting,

545
00:29:14,960 --> 00:29:19,800
Speaker 2: is there is it is not. It is not a

546
00:29:19,840 --> 00:29:24,600
Speaker 2: safe space except for I guess one, which Sean can

547
00:29:24,640 --> 00:29:25,520
Speaker 2: speak to a little bit.

548
00:29:26,200 --> 00:29:29,200
Speaker 1: Yeah, there is a safe space for the millennials who

549
00:29:29,240 --> 00:29:33,600
Speaker 1: so desperately need one. That space is located six feet underground,

550
00:29:34,160 --> 00:29:35,280
Speaker 1: pretty safe down there.

551
00:29:36,120 --> 00:29:38,000
Speaker 2: So if you do elect to.

552
00:29:39,960 --> 00:29:43,080
Speaker 1: Request a safe space, I'll give you a safe space,

553
00:29:43,120 --> 00:29:43,520
Speaker 1: all right.

554
00:29:43,920 --> 00:29:45,640
Speaker 2: Put six feet underground, pretty safe.

555
00:29:45,480 --> 00:29:50,000
Speaker 1: Down there, damn burn. Yeah, and that'll be your new

556
00:29:51,080 --> 00:29:53,680
Speaker 1: dorm location. Rent's pretty good there as well.

557
00:29:55,120 --> 00:29:55,640
Speaker 3: I got you.

558
00:29:56,200 --> 00:29:57,800
Speaker 2: And so everybody wanted rent.

559
00:29:57,600 --> 00:30:02,080
Speaker 1: Forgiveness cancel n right, Well, there's no rent in your

560
00:30:02,120 --> 00:30:04,400
Speaker 1: safe space. Six feet of ground, pretty safe down there.

561
00:30:05,640 --> 00:30:07,760
Speaker 1: You should try, and also you should try living in

562
00:30:07,800 --> 00:30:09,880
Speaker 1: your own head. I'm in there, rent free and that's

563
00:30:09,920 --> 00:30:12,280
Speaker 1: pretty roomy because you don't have a brain.

564
00:30:13,120 --> 00:30:15,280
Speaker 3: This is helpful. All of this is very helpful.

565
00:30:15,560 --> 00:30:16,640
Speaker 2: That's to the millennials.

566
00:30:16,920 --> 00:30:20,240
Speaker 3: I got you. This isn't directly towards me unless I

567
00:30:20,360 --> 00:30:24,080
Speaker 3: so choose not to say the words that I know

568
00:30:25,680 --> 00:30:28,720
Speaker 3: I should say, which are the words other people tell

569
00:30:28,760 --> 00:30:29,520
Speaker 3: me not to say.

570
00:30:29,800 --> 00:30:32,600
Speaker 2: Yes, that's so, that's the stuff that you are supposed

571
00:30:32,640 --> 00:30:35,080
Speaker 2: to say. If people were like, hey, that really made

572
00:30:35,080 --> 00:30:40,040
Speaker 2: me sad, or that like that made me my feelings

573
00:30:40,080 --> 00:30:42,480
Speaker 2: be hurt, and that I felt like just kind of

574
00:30:42,480 --> 00:30:47,840
Speaker 2: an undesirable person in society from how you said that,

575
00:30:47,840 --> 00:30:53,280
Speaker 2: that's good because it means that you've, like you've touched

576
00:30:53,320 --> 00:30:58,920
Speaker 2: a nerve that other people were that made other people scared.

577
00:30:58,960 --> 00:30:59,840
Speaker 2: It means that you're brave.

578
00:31:00,240 --> 00:31:02,960
Speaker 3: I got you. There is bravery in saying shut the

579
00:31:03,000 --> 00:31:06,320
Speaker 3: fuck up. These are these are my words now, and

580
00:31:06,360 --> 00:31:09,560
Speaker 3: these are your feelings are mine to control?

581
00:31:09,840 --> 00:31:12,320
Speaker 2: Yes, that's brave as hell.

582
00:31:12,960 --> 00:31:13,160
Speaker 4: Uh.

583
00:31:13,200 --> 00:31:16,880
Speaker 2: And that means that you are just a free thinker

584
00:31:17,760 --> 00:31:24,320
Speaker 2: and uh and smart and uh and also you are rich.

585
00:31:24,560 --> 00:31:27,800
Speaker 2: You will we go so far as to call that

586
00:31:27,920 --> 00:31:28,920
Speaker 2: Maverick behavior.

587
00:31:28,960 --> 00:31:30,680
Speaker 3: It feels like Maverick behavior.

588
00:31:31,120 --> 00:31:32,960
Speaker 1: Now, are you bringing that up because you want to

589
00:31:33,000 --> 00:31:37,000
Speaker 1: talk about the James Garner Mel gibsonister vehicle.

590
00:31:38,160 --> 00:31:40,800
Speaker 3: Again, I didn't. That wasn't my intention.

591
00:31:41,000 --> 00:31:46,520
Speaker 2: I just speaking of Mal, speaking of Mal episode one,

592
00:31:47,480 --> 00:31:49,280
Speaker 2: that's your guest, Daddy's home.

593
00:31:49,760 --> 00:31:53,360
Speaker 1: Oh okay, Daddy is home, and it's and he's Mel.

594
00:31:53,840 --> 00:31:57,320
Speaker 1: So so we're getting right away, we're getting a guy

595
00:31:57,400 --> 00:32:01,240
Speaker 1: who's got a history, who's got some some stories to tell.

596
00:32:01,640 --> 00:32:02,520
Speaker 2: Yeah mm hmm.

597
00:32:02,840 --> 00:32:05,120
Speaker 3: And and some people don't like the stories he has

598
00:32:05,200 --> 00:32:08,479
Speaker 3: to tell. Yeah, some people are gonna say, hey, you

599
00:32:08,520 --> 00:32:10,800
Speaker 3: can't invite him on to tell the stories that he

600
00:32:10,880 --> 00:32:12,640
Speaker 3: wants to tell on account of the way that he

601
00:32:12,720 --> 00:32:13,760
Speaker 3: told them in the past.

602
00:32:13,960 --> 00:32:16,200
Speaker 2: A lot of people are going to say that, unfortunately.

603
00:32:16,280 --> 00:32:18,240
Speaker 1: And you know exactly where to send them, straight to

604
00:32:18,280 --> 00:32:20,120
Speaker 1: the safe space six feet under.

605
00:32:20,640 --> 00:32:24,320
Speaker 2: Uh, that's where it's located. And so so let's play

606
00:32:24,360 --> 00:32:29,160
Speaker 2: this out. I'll be Mel, You're you're the host, and

607
00:32:29,640 --> 00:32:32,720
Speaker 2: I just be like a sidekick or something. Huh. Well, yeah,

608
00:32:32,760 --> 00:32:35,920
Speaker 2: well let's develop this this character. Yeah, and also, so

609
00:32:35,960 --> 00:32:39,480
Speaker 2: I am the host of this show. Sean, is what's

610
00:32:39,560 --> 00:32:45,800
Speaker 2: your like kind of title? You're like the I'm like, uh,

611
00:32:46,280 --> 00:32:50,600
Speaker 2: the croc and so but in the like you're the

612
00:32:50,640 --> 00:32:53,760
Speaker 2: croc on this show. But what about on Langston show

613
00:32:53,800 --> 00:32:55,680
Speaker 2: where I'm the guest, Mel Gibson.

614
00:32:55,280 --> 00:32:58,520
Speaker 1: You're the guest, Mel Gibson. Oh yeah, on Lengthson's show,

615
00:32:58,600 --> 00:32:59,880
Speaker 1: I'm like the gate.

616
00:33:00,800 --> 00:33:03,960
Speaker 3: Yeah, okay, I was hoping you say something like that.

617
00:33:03,960 --> 00:33:07,200
Speaker 2: That's perfect, so you can just like welcome me and

618
00:33:07,320 --> 00:33:08,880
Speaker 2: ask about like that stuff.

619
00:33:08,880 --> 00:33:13,680
Speaker 3: I said, Okay, well today we've gotten a very exciting guest.

620
00:33:13,800 --> 00:33:16,000
Speaker 2: He chomp, chump, chomp chomp.

621
00:33:16,160 --> 00:33:19,240
Speaker 3: You know him from uh, you know him from What

622
00:33:19,400 --> 00:33:23,360
Speaker 3: Women Want? You know him from Braveheart. You know him

623
00:33:23,400 --> 00:33:25,080
Speaker 3: from that movie with the beaver.

624
00:33:26,600 --> 00:33:26,840
Speaker 2: Thing.

625
00:33:27,040 --> 00:33:31,920
Speaker 3: I think it was called the Beaver his name, Mel Gibson.

626
00:33:32,080 --> 00:33:33,600
Speaker 3: Give it up for Mel Gibson.

627
00:33:34,840 --> 00:33:38,479
Speaker 2: Thanks for having me. I didn't say any of that stuff.

628
00:33:39,720 --> 00:33:42,640
Speaker 3: Okay, you're coming in. You just want to address it right.

629
00:33:42,560 --> 00:33:46,040
Speaker 2: Away or I never said any of that. I knew

630
00:33:46,080 --> 00:33:51,120
Speaker 2: it nice and it was Fike, And if I had

631
00:33:51,200 --> 00:33:53,920
Speaker 2: said it, it was cool to say.

632
00:33:56,000 --> 00:33:56,080
Speaker 1: Now.

633
00:33:56,200 --> 00:34:00,600
Speaker 3: See, that's an interesting interpretation, Mel, because a lot of

634
00:34:00,640 --> 00:34:02,720
Speaker 3: people feel differently. A lot of people say that it

635
00:34:02,840 --> 00:34:04,160
Speaker 3: wasn't cool to say some.

636
00:34:04,320 --> 00:34:07,120
Speaker 1: Well, now, in case he didn't say it, I mean right,

637
00:34:07,960 --> 00:34:10,520
Speaker 1: he wouldn't have to answer for that.

638
00:34:09,840 --> 00:34:12,720
Speaker 3: That that makes sense because if you had said it

639
00:34:12,719 --> 00:34:15,520
Speaker 3: it was cool to say. If you if it wasn't

640
00:34:15,520 --> 00:34:17,040
Speaker 3: cool to say, you would never have said it.

641
00:34:17,280 --> 00:34:19,080
Speaker 2: Yep, but didn't.

642
00:34:19,160 --> 00:34:20,359
Speaker 3: What's Danny Glover like?

643
00:34:21,080 --> 00:34:22,680
Speaker 2: Danny is a dear friend?

644
00:34:23,440 --> 00:34:28,120
Speaker 3: Mmm? How do he feel about you, uh threatening your

645
00:34:28,280 --> 00:34:31,880
Speaker 3: your ex girlfriend by getting assaulted by a pack of

646
00:34:32,480 --> 00:34:33,440
Speaker 3: people his color?

647
00:34:33,719 --> 00:34:37,239
Speaker 2: He felt sort of neutral about it because it or

648
00:34:37,360 --> 00:34:38,000
Speaker 2: didn't see it.

649
00:34:39,239 --> 00:34:42,120
Speaker 3: Danny Glover? What just wasn't tapped in that day to

650
00:34:42,200 --> 00:34:42,720
Speaker 3: the internet.

651
00:34:42,920 --> 00:34:47,960
Speaker 2: And he's not he's not very online. Uh. He he

652
00:34:48,120 --> 00:34:55,000
Speaker 2: doesn't use a computer, which all all built my own computer. Oh, okay,

653
00:34:55,080 --> 00:34:56,960
Speaker 2: all can't get enough of being online?

654
00:34:57,520 --> 00:35:00,440
Speaker 3: That's this is fascinating stuff, mel Uh.

655
00:35:00,840 --> 00:35:02,080
Speaker 2: All of social media?

656
00:35:02,600 --> 00:35:06,760
Speaker 3: Okay, any any new socials you're you're really into?

657
00:35:06,880 --> 00:35:07,239
Speaker 4: Are you?

658
00:35:07,320 --> 00:35:09,640
Speaker 3: Are you doing any cool new social media?

659
00:35:09,640 --> 00:35:11,879
Speaker 1: Hey, we gotta do an ad for cigarettes. I hate

660
00:35:11,920 --> 00:35:13,839
Speaker 1: to interrupt, but we do have to do an ad

661
00:35:13,840 --> 00:35:14,359
Speaker 1: for s So.

662
00:35:14,360 --> 00:35:16,479
Speaker 2: This is really important, Langston, do you have any ad

663
00:35:16,520 --> 00:35:17,759
Speaker 2: partnerships yet?

664
00:35:18,239 --> 00:35:21,000
Speaker 3: It sounds like I uh, it sounds like Paul mal

665
00:35:21,120 --> 00:35:24,560
Speaker 3: Read might uh might have already reached out. Uh if

666
00:35:24,680 --> 00:35:26,520
Speaker 3: if I'm correct, Sean, is that true?

667
00:35:26,800 --> 00:35:26,960
Speaker 2: Is it.

668
00:35:27,040 --> 00:35:29,440
Speaker 1: That's right, yeah, Paul Mall and it's I have the

669
00:35:29,480 --> 00:35:32,080
Speaker 1: copy here, and it's basically you can have fun with it.

670
00:35:32,120 --> 00:35:34,279
Speaker 1: But it's like it's not just your mean aunt who

671
00:35:34,280 --> 00:35:35,360
Speaker 1: smokes these anymore.

672
00:35:35,840 --> 00:35:40,160
Speaker 3: Okay, uh, well, we're gonna throw to a commercial and

673
00:35:40,480 --> 00:35:43,560
Speaker 3: we'll be right back with more Mel Gibson and more

674
00:35:44,400 --> 00:35:48,319
Speaker 3: of him talking about social media and Danny Glover. Hey,

675
00:35:48,440 --> 00:35:52,040
Speaker 3: do you do you like cigarettes? But have you felt

676
00:35:52,560 --> 00:35:55,759
Speaker 3: like some of the cigarettes aren't for you because they

677
00:35:55,920 --> 00:35:58,680
Speaker 3: your mean aunt wouldn't let you have them. Well, guess what,

678
00:35:58,880 --> 00:36:01,840
Speaker 3: Paul Mall he said, you could have some now and

679
00:36:01,880 --> 00:36:05,080
Speaker 3: they're red and you can smoke them and they taste good.

680
00:36:05,760 --> 00:36:08,560
Speaker 1: And here's a little spot for a personal testimonial. And

681
00:36:08,600 --> 00:36:13,080
Speaker 1: I'd just love to say that Paul Mall was the

682
00:36:13,200 --> 00:36:17,400
Speaker 1: kind of cigarettes they kept behind the desk at the

683
00:36:17,440 --> 00:36:21,400
Speaker 1: rehab that I lived at, and they they would just

684
00:36:21,520 --> 00:36:23,879
Speaker 1: they'd have, well you ran out, or if nobody came

685
00:36:23,960 --> 00:36:28,240
Speaker 1: to visit you a drop off a pack, then sometimes

686
00:36:28,239 --> 00:36:30,040
Speaker 1: you could get a Paul Mall away from the lady

687
00:36:30,080 --> 00:36:32,240
Speaker 1: at the desk. All these were sort of like lost

688
00:36:32,320 --> 00:36:35,840
Speaker 1: and found cigarettes, Like I lost my cigarettes.

689
00:36:35,880 --> 00:36:36,759
Speaker 3: Man, I have a pall Mall.

690
00:36:36,880 --> 00:36:38,800
Speaker 1: I hate to label them other than they were Paul

691
00:36:38,840 --> 00:36:42,640
Speaker 1: Mall's and they were available to you, and I certainly

692
00:36:42,640 --> 00:36:43,680
Speaker 1: took advantage of it.

693
00:36:44,400 --> 00:36:48,280
Speaker 3: And and no mean aunt can take that away from Sean.

694
00:36:48,440 --> 00:36:51,880
Speaker 3: He got those pall malls from behind that desk, and

695
00:36:52,400 --> 00:36:54,480
Speaker 3: you can get your own pall mall someday.

696
00:36:54,640 --> 00:37:02,080
Speaker 2: I cannot remember when made us think that we will important.

697
00:37:03,080 --> 00:37:07,319
Speaker 2: Is also the mascot of the cigarettes, p A U

698
00:37:07,480 --> 00:37:10,880
Speaker 2: L Mall, which was sort of it was the original

699
00:37:10,960 --> 00:37:15,320
Speaker 2: name of Paul Blart Mallcott, right, they just called him Paul.

700
00:37:15,160 --> 00:37:24,040
Speaker 6: Mall cousin death Mall, death Mall, Yes, from from the

701
00:37:24,080 --> 00:37:25,960
Speaker 6: Star from the Stars, was.

702
00:37:25,880 --> 00:37:27,839
Speaker 3: It death Mall ad e f Mall.

703
00:37:29,360 --> 00:37:30,000
Speaker 2: It fails me.

704
00:37:30,800 --> 00:37:33,840
Speaker 3: All of them love cigarettes and you should too. Paul Mall.

705
00:37:34,320 --> 00:37:36,920
Speaker 2: Yeah, death Mall looked like he smoked a lot of them,

706
00:37:37,680 --> 00:37:37,920
Speaker 2: and he.

707
00:37:38,360 --> 00:37:40,879
Speaker 3: Read he looked like the lungs that they hold up

708
00:37:40,920 --> 00:37:42,759
Speaker 3: and say this is what your lungs are going to

709
00:37:42,800 --> 00:37:44,960
Speaker 3: look like, and he said, fuck that, this is my face,

710
00:37:45,040 --> 00:37:45,959
Speaker 3: you idiot.

711
00:37:46,239 --> 00:37:52,000
Speaker 2: Death Mall And just like so scary and and honestly,

712
00:37:52,080 --> 00:37:59,759
Speaker 2: death Vader is like even scarier to me. Yes, And

713
00:38:00,080 --> 00:38:03,520
Speaker 2: then if you just want to play the mascot character

714
00:38:03,560 --> 00:38:08,000
Speaker 2: Paul Mall who is is is, of course the original

715
00:38:08,080 --> 00:38:10,120
Speaker 2: version of Paul Blart Mall cop. If you could just

716
00:38:10,160 --> 00:38:14,840
Speaker 2: get a couple of wildlines from you endorsing cigarettes, smoke

717
00:38:14,920 --> 00:38:19,800
Speaker 2: them if you got them nice and so that's really

718
00:38:19,840 --> 00:38:22,720
Speaker 2: that's really good. So now you have an ad partnership

719
00:38:23,040 --> 00:38:27,640
Speaker 2: and you have like put out there basically that you'll

720
00:38:27,640 --> 00:38:29,280
Speaker 2: do an ad for whatever.

721
00:38:29,040 --> 00:38:31,879
Speaker 3: What I listen, I'll sell cigarettes to kids. I don't

722
00:38:31,920 --> 00:38:35,200
Speaker 3: give a fuck, which I know the advertisers love, which

723
00:38:35,239 --> 00:38:36,600
Speaker 3: means that I'm more revenue.

724
00:38:36,680 --> 00:38:36,839
Speaker 4: Right.

725
00:38:37,480 --> 00:38:40,040
Speaker 2: Yeah, And even if you can say, even if you

726
00:38:40,080 --> 00:38:42,600
Speaker 2: say on the show like it's only for a certain

727
00:38:42,640 --> 00:38:48,680
Speaker 2: age or like only this like like anytime you read

728
00:38:48,719 --> 00:38:50,560
Speaker 2: like the fine print or whatever, they know that it's

729
00:38:50,600 --> 00:38:53,719
Speaker 2: all kids. Listen. They do this right, like they know

730
00:38:53,800 --> 00:38:57,720
Speaker 2: that like the right people are hearing this, and they'll

731
00:38:57,719 --> 00:39:01,719
Speaker 2: figure out how to Oh, actually you also have to

732
00:39:01,760 --> 00:39:05,800
Speaker 2: do a thing where so this is like a weird

733
00:39:05,840 --> 00:39:09,520
Speaker 2: new thing in podcasting. But as part of a lot

734
00:39:09,520 --> 00:39:14,640
Speaker 2: of podcasts, we say so we just like record wildlnes

735
00:39:14,760 --> 00:39:20,040
Speaker 2: like hello, sir, I'd like a pack of whatever that

736
00:39:20,280 --> 00:39:25,000
Speaker 2: is right there. Oh, and then little kids can go

737
00:39:25,120 --> 00:39:28,640
Speaker 2: into a store, play that part of this podcast and

738
00:39:28,680 --> 00:39:31,960
Speaker 2: like mouth along to it and sound like an adult,

739
00:39:32,040 --> 00:39:34,640
Speaker 2: a grown up. I got you. Yeah, And so now

740
00:39:34,680 --> 00:39:36,440
Speaker 2: we're really moving cigarettes.

741
00:39:36,560 --> 00:39:40,239
Speaker 3: So like a sup chief, let me get a let

742
00:39:40,239 --> 00:39:42,719
Speaker 3: me get a pack of squares that sells it.

743
00:39:42,840 --> 00:39:48,279
Speaker 2: Yep, yes, that's good. That's clearly like someone who's much

744
00:39:48,320 --> 00:39:49,240
Speaker 2: older than eighteen.

745
00:39:49,680 --> 00:39:52,360
Speaker 1: Yeah, he knows all the lingo. And as son of

746
00:39:52,360 --> 00:39:54,600
Speaker 1: a bitch, I left my ID in the truck. You're

747
00:39:54,600 --> 00:39:56,640
Speaker 1: not really gonna make me walk out there and get it,

748
00:39:56,680 --> 00:39:56,960
Speaker 1: are you?

749
00:39:59,160 --> 00:40:01,240
Speaker 2: This is kids? Are it was my only break?

750
00:40:02,040 --> 00:40:03,799
Speaker 3: What the fuck? What do you want from me?

751
00:40:04,760 --> 00:40:08,200
Speaker 2: And so kids are like mouthing that over and over again,

752
00:40:08,760 --> 00:40:12,000
Speaker 2: and they're they're doing like this, Sarah Cooper. You know

753
00:40:12,040 --> 00:40:12,920
Speaker 2: this Sarah Cooper.

754
00:40:14,000 --> 00:40:16,960
Speaker 1: Kids aren't doing it like she like no, no, no, but

755
00:40:17,040 --> 00:40:20,480
Speaker 1: look back up. She's not saying a word of that stuff.

756
00:40:20,920 --> 00:40:21,680
Speaker 2: That's all fake.

757
00:40:22,040 --> 00:40:25,759
Speaker 1: I'm telling you, she's tricking everybody. She's taking everybody for

758
00:40:25,800 --> 00:40:26,320
Speaker 1: a ride.

759
00:40:26,600 --> 00:40:29,600
Speaker 3: It blows my mind. I didn't. I didn't. I just

760
00:40:29,640 --> 00:40:32,560
Speaker 3: found out what her real voice sounds like. Nothing like

761
00:40:32,600 --> 00:40:33,680
Speaker 3: the video, right.

762
00:40:34,280 --> 00:40:36,800
Speaker 2: That's that's who all. That's what I'm walking on social

763
00:40:36,840 --> 00:40:38,080
Speaker 2: media all love Sarah Cooper.

764
00:40:38,719 --> 00:40:43,000
Speaker 3: Oh and we're back with mel and uh turns out

765
00:40:43,000 --> 00:40:46,040
Speaker 3: he's a big fan of Sarah Cooper. Mel, any chance

766
00:40:46,080 --> 00:40:48,760
Speaker 3: that you you like Sarah Cooper just because it's a

767
00:40:48,840 --> 00:40:51,879
Speaker 3: chance to revitalize your career. This is a strategy move.

768
00:40:52,520 --> 00:40:55,000
Speaker 2: The mall crea doesn't need to be revolt lost. I've

769
00:40:55,400 --> 00:40:59,279
Speaker 2: I've been welcomed back into Holy Wooden Society. Sure and

770
00:40:59,440 --> 00:41:03,600
Speaker 2: uh and that all it's logical makes sense because all

771
00:41:03,600 --> 00:41:05,760
Speaker 2: it did do and I didn't do. We'll say anything

772
00:41:06,000 --> 00:41:10,840
Speaker 2: that that they said all it did gotcha? So now

773
00:41:11,120 --> 00:41:14,359
Speaker 2: you're this episode is huge. You've got Mel Gibson going

774
00:41:14,400 --> 00:41:18,680
Speaker 2: on recording story. Yeah, yeah, massive story. The fact that

775
00:41:18,719 --> 00:41:20,720
Speaker 2: he didn't say any of that stuff.

776
00:41:20,560 --> 00:41:24,279
Speaker 3: That's crazy and it's believable because this is such an

777
00:41:24,360 --> 00:41:26,480
Speaker 3: intimate space. This is so yes.

778
00:41:27,080 --> 00:41:31,799
Speaker 1: Yeah, well this is your Carlos Bencia two parter. You know, yes,

779
00:41:32,440 --> 00:41:34,160
Speaker 1: I gotcha.

780
00:41:34,560 --> 00:41:37,760
Speaker 3: You're cracking. You're really cracking in to to the human

781
00:41:38,000 --> 00:41:40,200
Speaker 3: getting to the core of that nut.

782
00:41:40,520 --> 00:41:43,480
Speaker 5: Mm hmmm, yes, thanks to the nut. Can I do

783
00:41:43,560 --> 00:41:45,640
Speaker 5: another poll quote for Paul Blart?

784
00:41:46,360 --> 00:41:49,560
Speaker 3: Yep, yep, Paul Blart. We we're gonna We're gonna throw

785
00:41:49,680 --> 00:41:50,120
Speaker 3: to another.

786
00:41:50,400 --> 00:41:53,880
Speaker 2: Name is Paul mal for this.

787
00:41:54,520 --> 00:41:58,600
Speaker 5: Safety never takes a holiday, but you do with one

788
00:41:58,640 --> 00:41:59,920
Speaker 5: of our amazing cigarettes.

789
00:42:01,480 --> 00:42:06,920
Speaker 2: See you soon. You can't just say one of our cigarettes.

790
00:42:06,960 --> 00:42:10,040
Speaker 2: You have to say with like a hundred.

791
00:42:09,840 --> 00:42:13,560
Speaker 3: Yeah, they're not selling them like Lucy's. Yeah they're coming.

792
00:42:14,040 --> 00:42:17,120
Speaker 5: Never takes a holiday, but you do, and you can

793
00:42:17,320 --> 00:42:19,680
Speaker 5: with one pack of thirteen cigarettes.

794
00:42:19,960 --> 00:42:21,279
Speaker 2: No, it has to be more of those.

795
00:42:21,320 --> 00:42:21,640
Speaker 5: Good night.

796
00:42:23,000 --> 00:42:25,080
Speaker 2: Yeah, we're I think what happened to the other seven?

797
00:42:25,200 --> 00:42:26,160
Speaker 2: Don't say good night?

798
00:42:26,680 --> 00:42:29,640
Speaker 3: I think we're all we're trying to build an addictive

799
00:42:29,800 --> 00:42:30,799
Speaker 3: nature here.

800
00:42:30,560 --> 00:42:33,440
Speaker 1: And you're certainly not encouraging people to go to sleep

801
00:42:33,520 --> 00:42:34,040
Speaker 1: right now.

802
00:42:34,320 --> 00:42:35,760
Speaker 3: Yeah, good morning.

803
00:42:37,719 --> 00:42:38,320
Speaker 2: That's better.

804
00:42:38,680 --> 00:42:42,560
Speaker 5: Safety never takes a holiday, but you can with a

805
00:42:42,600 --> 00:42:45,320
Speaker 5: pack of our twenty one cigarettes. You get an extra

806
00:42:45,400 --> 00:42:48,840
Speaker 5: one from me, Paul, Talk to you soon. Enjoy breakfast.

807
00:42:49,320 --> 00:42:51,960
Speaker 3: I would say of the three that was that was

808
00:42:52,000 --> 00:42:52,759
Speaker 3: my favorite.

809
00:42:52,960 --> 00:42:55,880
Speaker 2: Thank you. That was the best and the best one.

810
00:42:56,040 --> 00:42:59,960
Speaker 2: We can sort of patch it together, so of course

811
00:43:00,120 --> 00:43:04,320
Speaker 2: us now it is time for lunch at the dining hall.

812
00:43:06,160 --> 00:43:10,360
Speaker 2: And so you're at podcast University, uh, and you go

813
00:43:10,440 --> 00:43:13,520
Speaker 2: down to the dining hall, and of course the entire

814
00:43:13,560 --> 00:43:17,680
Speaker 2: school is a podcast studio. So all the food is chips.

815
00:43:19,080 --> 00:43:24,040
Speaker 3: Uh, and it's served on that styrofoam turned upside down

816
00:43:24,120 --> 00:43:27,400
Speaker 3: the walls they insulate things. Huh.

817
00:43:27,760 --> 00:43:30,400
Speaker 2: Now, now walk me through this because.

818
00:43:31,640 --> 00:43:34,320
Speaker 1: It's such a This is why we want you to

819
00:43:34,360 --> 00:43:36,880
Speaker 1: be a teacher after this, because you have these really

820
00:43:37,680 --> 00:43:40,200
Speaker 1: uh creative ideas.

821
00:43:40,280 --> 00:43:43,839
Speaker 3: Buddy, I'm out there. I'm a I'm a wild guy

822
00:43:44,200 --> 00:43:47,640
Speaker 3: and uh, you know you imagine it and it can

823
00:43:47,680 --> 00:43:48,080
Speaker 3: be real.

824
00:43:48,360 --> 00:43:51,320
Speaker 1: Yeah, you're out there, but let me in there because

825
00:43:51,440 --> 00:43:55,359
Speaker 1: i'd like i'd like to I'd like to get that

826
00:43:55,640 --> 00:43:59,680
Speaker 1: sweet brainiers and start seeing some of what you're seeing

827
00:44:01,280 --> 00:44:04,879
Speaker 1: serving the ships. Now, the chips will all be from

828
00:44:04,880 --> 00:44:08,359
Speaker 1: a company that somehow the podcast University has like a

829
00:44:08,400 --> 00:44:12,160
Speaker 1: brand partnership with of some kind. So it's like it's

830
00:44:12,160 --> 00:44:15,839
Speaker 1: not chips you want, but it's chips you can have

831
00:44:17,040 --> 00:44:22,600
Speaker 1: and they'll and they'll be served on. Explain this again.

832
00:44:23,320 --> 00:44:26,560
Speaker 3: So the padding on the walls of a of a

833
00:44:26,640 --> 00:44:31,279
Speaker 3: podcast studio or to insulate the sound. Now, yeah, we're

834
00:44:31,280 --> 00:44:34,680
Speaker 3: gonna flip that over right. That's the plate flat part

835
00:44:34,760 --> 00:44:36,279
Speaker 3: and that's the plate for you.

836
00:44:36,320 --> 00:44:39,120
Speaker 2: Remove it from the wall and that's your plate for

837
00:44:39,400 --> 00:44:41,680
Speaker 2: chips or you just put them on the table. Then

838
00:44:41,719 --> 00:44:44,840
Speaker 2: you just eat them, eat them off the table, and

839
00:44:45,400 --> 00:44:48,759
Speaker 2: there's the big water bottle and the glasses sitting right

840
00:44:48,800 --> 00:44:52,560
Speaker 2: on the table of the dining hall, and there's of

841
00:44:52,560 --> 00:44:55,320
Speaker 2: course shelter. So you can be doing these wonderful little

842
00:44:55,320 --> 00:44:59,560
Speaker 2: burps all the way through the show that you're about

843
00:44:59,560 --> 00:45:02,400
Speaker 2: to record. Or sometimes you don't actually do the burp,

844
00:45:02,440 --> 00:45:04,520
Speaker 2: you just do the thing where you're like talking in

845
00:45:04,560 --> 00:45:07,319
Speaker 2: your like so Mel Gibson, like, what was it like

846
00:45:08,840 --> 00:45:09,959
Speaker 2: directing Apokalypto.

847
00:45:12,120 --> 00:45:15,240
Speaker 3: The key is, if I'm understanding correctly, is to interrupt

848
00:45:15,239 --> 00:45:18,560
Speaker 3: yourself at the height of your question, really at the

849
00:45:18,840 --> 00:45:22,920
Speaker 3: the almost crescendo of everything, that.

850
00:45:22,760 --> 00:45:24,799
Speaker 1: That's gonna leave the audience on the edge of their

851
00:45:24,880 --> 00:45:27,480
Speaker 1: seat just being like, I wonder what this podcaster is

852
00:45:27,520 --> 00:45:28,440
Speaker 1: about to ask.

853
00:45:28,920 --> 00:45:32,719
Speaker 2: Right, yes, but as long as you like, as long

854
00:45:32,800 --> 00:45:35,440
Speaker 2: as you're talking, and then you stop, and then you

855
00:45:35,440 --> 00:45:38,960
Speaker 2: continue talking like this, that means you successfully covered up

856
00:45:39,080 --> 00:45:41,640
Speaker 2: the burp, and no one is, No one is.

857
00:45:41,680 --> 00:45:44,520
Speaker 1: They don't have a fucking clue. They think it was

858
00:45:44,560 --> 00:45:46,839
Speaker 1: a pause for dramatic effect. I would like to say

859
00:45:46,840 --> 00:45:51,279
Speaker 1: the dining hall should also maybe have a couple like

860
00:45:51,520 --> 00:45:55,600
Speaker 1: quarter cupcakes, like like half like sort of taking apart

861
00:45:55,640 --> 00:45:58,360
Speaker 1: with the hands, like sprinkles cupcakes that.

862
00:45:58,280 --> 00:46:01,359
Speaker 2: You sort of look like, do I want this?

863
00:46:01,440 --> 00:46:05,920
Speaker 1: And then you are told that they are for someone else.

864
00:46:05,480 --> 00:46:09,319
Speaker 3: Because it's a shared space, they're not always for you,

865
00:46:09,480 --> 00:46:12,040
Speaker 3: and you you have to accept that that's on you.

866
00:46:12,520 --> 00:46:17,160
Speaker 2: They're either for someone else or they are somehow three

867
00:46:17,280 --> 00:46:20,360
Speaker 2: days old, even though you've you've been in here every

868
00:46:20,400 --> 00:46:24,120
Speaker 2: single day. Yeah, exactly, But like, why weren't they out

869
00:46:24,160 --> 00:46:27,880
Speaker 2: here when they were? Why do I never see these

870
00:46:28,280 --> 00:46:29,000
Speaker 2: when they're new?

871
00:46:29,239 --> 00:46:32,399
Speaker 3: It's almost as if someone brought them specifically to taunt you.

872
00:46:33,600 --> 00:46:38,000
Speaker 2: And just like that should be the impression. Yes, food

873
00:46:38,000 --> 00:46:42,880
Speaker 2: that is somehow already old when it shows up.

874
00:46:43,200 --> 00:46:46,760
Speaker 3: And this feels like and correct me, gentlemen, if you

875
00:46:46,760 --> 00:46:51,319
Speaker 3: you don't agree. I think it's motivation because you want

876
00:46:51,320 --> 00:46:53,759
Speaker 3: to be the recipient of those cupcakes. You want to

877
00:46:53,800 --> 00:46:56,920
Speaker 3: be the person who who those three day old cupcakes

878
00:46:56,920 --> 00:46:58,359
Speaker 3: were originally sent for.

879
00:46:59,320 --> 00:47:05,120
Speaker 1: Yeah, and we'll be doing this with everything, cardboard cutouts, motivation,

880
00:47:05,719 --> 00:47:10,640
Speaker 1: all this yes, merch, the displayed merch like you know,

881
00:47:10,719 --> 00:47:13,839
Speaker 1: show logos, little like logos up on the wall. All

882
00:47:13,960 --> 00:47:17,080
Speaker 1: this stuff will be used as motivation to drive you

883
00:47:18,719 --> 00:47:24,040
Speaker 1: to either be so successful that you get your own

884
00:47:24,120 --> 00:47:25,400
Speaker 1: cardboard cutout.

885
00:47:26,600 --> 00:47:28,719
Speaker 2: Or to leave.

886
00:47:32,320 --> 00:47:35,719
Speaker 5: You also have to step over other people's gifts from

887
00:47:35,800 --> 00:47:39,000
Speaker 5: like the p O box. It's like stacks and stacks

888
00:47:39,040 --> 00:47:40,040
Speaker 5: of fan mail.

889
00:47:39,920 --> 00:47:44,440
Speaker 2: Lots of toppling. They're toppling over, like potentially crushing you.

890
00:47:45,200 --> 00:47:47,439
Speaker 1: No one is allowed to collect or open their fan

891
00:47:47,520 --> 00:47:50,920
Speaker 1: mail because it has to be there as sort of

892
00:47:51,000 --> 00:47:56,880
Speaker 1: a temple to their success and a symbol.

893
00:47:56,760 --> 00:47:59,240
Speaker 3: If we if they read the fan mail, what would

894
00:47:59,239 --> 00:48:01,560
Speaker 3: block the path way? What would what would.

895
00:48:01,520 --> 00:48:03,120
Speaker 1: Yeah, then you just walk to the studio and do

896
00:48:03,160 --> 00:48:05,760
Speaker 1: your show right, there'd be no shrine.

897
00:48:06,280 --> 00:48:08,480
Speaker 2: And that's I mean, that's the thing for the other

898
00:48:08,480 --> 00:48:11,200
Speaker 2: people listening. All the shows that you like send fan

899
00:48:11,239 --> 00:48:14,160
Speaker 2: mail to that you like, they don't they don't open

900
00:48:14,200 --> 00:48:16,560
Speaker 2: it or like look at it, like they never touched it.

901
00:48:16,880 --> 00:48:21,200
Speaker 2: We look at it and we write their responses. Oh,

902
00:48:21,719 --> 00:48:22,560
Speaker 2: Sean and I do.

903
00:48:23,080 --> 00:48:26,080
Speaker 3: Yeah. Can you can you give an example of just

904
00:48:26,080 --> 00:48:29,319
Speaker 3: just one of the the recent letters you wrote back?

905
00:48:30,960 --> 00:48:33,480
Speaker 5: I have one too. If you need help, I know

906
00:48:33,560 --> 00:48:33,920
Speaker 5: you don't.

907
00:48:34,400 --> 00:48:37,480
Speaker 2: We go ahead, Yeah, let's hear Kevin's.

908
00:48:37,920 --> 00:48:42,560
Speaker 5: Hey, Timmy, sorry for the delay the live tour we

909
00:48:42,640 --> 00:48:48,600
Speaker 5: did took forever sounds good, dude, Thanks for the Amazon

910
00:48:48,680 --> 00:48:49,400
Speaker 5: gift cards.

911
00:48:50,360 --> 00:48:53,920
Speaker 2: I don't know that that's unusual, by the way, like

912
00:48:54,000 --> 00:48:56,719
Speaker 2: sometimes it is gift cards, but usually they just send

913
00:48:56,840 --> 00:49:01,120
Speaker 2: money so to like like like a Paul, like the

914
00:49:01,200 --> 00:49:03,680
Speaker 2: other like big shows on the network, like they are

915
00:49:03,719 --> 00:49:07,680
Speaker 2: just getting sent cash straight cash in the cash are

916
00:49:07,719 --> 00:49:08,920
Speaker 2: like cashier's checks.

917
00:49:09,840 --> 00:49:12,839
Speaker 3: And why And again I'm new to this, so I'm

918
00:49:12,880 --> 00:49:14,880
Speaker 3: just trying to gather as much information as I can.

919
00:49:14,960 --> 00:49:17,000
Speaker 3: I'm just trying to soak up from you guys. Right,

920
00:49:17,960 --> 00:49:20,320
Speaker 3: why do they not want the cash? Why not open

921
00:49:20,360 --> 00:49:20,759
Speaker 3: this mail?

922
00:49:20,920 --> 00:49:21,120
Speaker 1: Sorry?

923
00:49:21,160 --> 00:49:23,160
Speaker 2: Speaking of soak up, Kevin, do you need to change

924
00:49:23,160 --> 00:49:23,800
Speaker 2: your towel?

925
00:49:24,200 --> 00:49:26,360
Speaker 5: Do any of you guys have bounce rolls?

926
00:49:26,840 --> 00:49:27,120
Speaker 3: No?

927
00:49:27,440 --> 00:49:30,600
Speaker 1: I not me, So, so what do you think a

928
00:49:30,680 --> 00:49:33,919
Speaker 1: bounce roll is? Like I think that originally.

929
00:49:33,800 --> 00:49:38,319
Speaker 2: No paper towels. In this case, it is a bounce roll,

930
00:49:38,400 --> 00:49:40,799
Speaker 2: so there's bounty and then he said bouncy. But now

931
00:49:40,840 --> 00:49:43,920
Speaker 2: it is a bounce roll, which is a roll of

932
00:49:44,080 --> 00:49:46,960
Speaker 2: bounce fabric so softener that is as big as a

933
00:49:47,040 --> 00:49:48,240
Speaker 2: roll of paper towels.

934
00:49:48,600 --> 00:49:50,880
Speaker 5: So I want my paper towels smelling good.

935
00:49:51,560 --> 00:49:53,759
Speaker 2: So to answer your question, lanks and why don't they

936
00:49:54,400 --> 00:49:59,520
Speaker 2: accept this cash. Why it actually would cost Paul Sheer

937
00:49:59,640 --> 00:50:02,240
Speaker 2: more to spend the time it would take to open

938
00:50:02,280 --> 00:50:07,040
Speaker 2: an envelope and to deposit the cash, uh, than it

939
00:50:07,120 --> 00:50:10,960
Speaker 2: would to actually like to do the work and to

940
00:50:11,160 --> 00:50:14,359
Speaker 2: make that much more money by speaking into a microphone.

941
00:50:14,440 --> 00:50:19,000
Speaker 3: Wow, capitalism is complicated, but I hear you. It's it's

942
00:50:19,000 --> 00:50:22,400
Speaker 3: a it's a crazy dance this podcast world, it's.

943
00:50:22,200 --> 00:50:26,759
Speaker 2: Actually very simple capitalism. And uh, what it says is

944
00:50:27,120 --> 00:50:28,560
Speaker 2: the cream rises to the top.

945
00:50:29,040 --> 00:50:29,480
Speaker 3: I got you.

946
00:50:30,000 --> 00:50:34,879
Speaker 2: And except in the case of Kevin.

947
00:50:36,880 --> 00:50:41,359
Speaker 1: Where it's out, it leaks underneath chair, it soaks through

948
00:50:42,200 --> 00:50:45,719
Speaker 1: to the bottom. But but and Joe, I understand your idea.

949
00:50:45,760 --> 00:50:49,200
Speaker 1: It's just like, yeah, it is.

950
00:50:50,600 --> 00:50:54,759
Speaker 2: Cool. What I like is just like that it kicks us.

951
00:50:55,800 --> 00:50:56,880
Speaker 2: I like that it's fair.

952
00:50:57,520 --> 00:51:00,480
Speaker 1: So so in the interest of fairness, I would love

953
00:51:00,520 --> 00:51:03,480
Speaker 1: to give you an opportunity, because we are close to

954
00:51:03,480 --> 00:51:07,719
Speaker 1: wrapping up, to talk about like what your classes might

955
00:51:07,840 --> 00:51:11,160
Speaker 1: entailor how you're going to kind of change the curriculum

956
00:51:11,160 --> 00:51:13,920
Speaker 1: to make it your own. Look, what's your syllabus? Because

957
00:51:14,000 --> 00:51:16,000
Speaker 1: you are now the teacher. You've finished the universe.

958
00:51:16,120 --> 00:51:18,879
Speaker 2: Yeah, you're the teacher now, Okay, Well, and I would

959
00:51:18,960 --> 00:51:22,120
Speaker 2: say and just to like what Sean was saying before,

960
00:51:22,480 --> 00:51:24,200
Speaker 2: So he was being a little funny when he said

961
00:51:24,200 --> 00:51:29,480
Speaker 2: that it's fair for someone like Paul Shecher, who is

962
00:51:30,760 --> 00:51:35,280
Speaker 2: an incredibly kind person and also makes a show about

963
00:51:35,400 --> 00:51:39,560
Speaker 2: something that people really want to hear and is like

964
00:51:39,760 --> 00:51:42,960
Speaker 2: consistently very entertaining and like he gets good guests and

965
00:51:43,000 --> 00:51:45,160
Speaker 2: like puts a lot of time into it. Mm hmm.

966
00:51:46,560 --> 00:51:50,120
Speaker 2: For that to be also the most successful show on

967
00:51:50,160 --> 00:51:52,319
Speaker 2: the network just goes to show you like there's no

968
00:51:52,440 --> 00:51:53,720
Speaker 2: predicting what will work.

969
00:51:54,480 --> 00:51:57,720
Speaker 3: Sure, it's really you know what I mean in any direction.

970
00:51:58,440 --> 00:52:00,799
Speaker 1: No, it's a you can't predict the market place, Like

971
00:52:00,840 --> 00:52:03,880
Speaker 1: it's just gonna take these wild left turns. Whereas like,

972
00:52:04,000 --> 00:52:05,560
Speaker 1: for instance, that there was a show where it was

973
00:52:05,640 --> 00:52:14,359
Speaker 1: like too full blown unknowns just basically being mean mm hmm,

974
00:52:14,360 --> 00:52:18,200
Speaker 1: and like put mean in a way where like they're

975
00:52:18,440 --> 00:52:26,719
Speaker 1: really happy about it to no one else is. And

976
00:52:26,760 --> 00:52:33,200
Speaker 1: then and then also putting all these barriers up around

977
00:52:33,239 --> 00:52:36,040
Speaker 1: the meanness where it's like so specific that there's no

978
00:52:36,120 --> 00:52:40,800
Speaker 1: way to even access it and feel like you're participating

979
00:52:40,840 --> 00:52:42,640
Speaker 1: with them, not that you would want to because it

980
00:52:42,680 --> 00:52:51,720
Speaker 1: appears kind of unpleasant and ghoulish, but that yeah, you couldn't.

981
00:52:52,320 --> 00:52:55,480
Speaker 1: That sounds like right, people like that's they essentially created

982
00:52:55,480 --> 00:52:58,719
Speaker 1: a pretty exclusive club, right, there must be the most

983
00:52:58,719 --> 00:53:00,200
Speaker 1: popular thing that's been made.

984
00:53:00,440 --> 00:53:03,120
Speaker 2: Run and something like that actually might not work. So

985
00:53:03,239 --> 00:53:05,560
Speaker 2: that's how crazy this, you know, that's how kind of

986
00:53:05,640 --> 00:53:09,120
Speaker 2: random this whole process is. So that's less than one

987
00:53:09,520 --> 00:53:12,560
Speaker 2: to one hundred and one, you know. That's that's the

988
00:53:12,560 --> 00:53:15,680
Speaker 2: big one. So now you are the professor congratulations of

989
00:53:15,719 --> 00:53:20,840
Speaker 2: the school. Yeah and uh so, uh what were you

990
00:53:20,880 --> 00:53:23,799
Speaker 2: asking him Sean about being professor? Well, just like what's

991
00:53:23,960 --> 00:53:26,680
Speaker 2: you know, obviously, we want you to make it your own,

992
00:53:26,800 --> 00:53:29,680
Speaker 2: just like the ad reads. What are you going to

993
00:53:29,760 --> 00:53:32,040
Speaker 2: do with the curriculum? How would you kind of approach it? Poton,

994
00:53:32,040 --> 00:53:33,960
Speaker 2: I'm a student, you know what's my class?

995
00:53:34,000 --> 00:53:34,200
Speaker 4: Now?

996
00:53:34,920 --> 00:53:35,200
Speaker 2: Sure?

997
00:53:35,440 --> 00:53:39,279
Speaker 3: Okay, Uh well we're I obviously want to utilize some

998
00:53:39,360 --> 00:53:43,520
Speaker 3: of the learnings that I've gathered from you, but I

999
00:53:43,600 --> 00:53:45,520
Speaker 3: also I got to make it my own. I've got

1000
00:53:45,560 --> 00:53:47,800
Speaker 3: to make it something new. And one of the things

1001
00:53:47,840 --> 00:53:52,200
Speaker 3: that I think is important for podcasting is is, uh

1002
00:53:52,760 --> 00:53:58,399
Speaker 3: is we've covered ad breaks, We've covered we've covered we've

1003
00:53:58,440 --> 00:54:01,719
Speaker 3: covered upsetting, deceptively simple huh mm hmm.

1004
00:54:02,239 --> 00:54:05,040
Speaker 2: I one of the things. What happens at the end, Langston,

1005
00:54:05,080 --> 00:54:08,000
Speaker 2: what's a big there? We're missing one thing. There's one

1006
00:54:08,040 --> 00:54:09,920
Speaker 2: thing we haven't covered one thing.

1007
00:54:09,960 --> 00:54:13,080
Speaker 3: We you gotta close. You got Oh, we need a

1008
00:54:13,120 --> 00:54:15,399
Speaker 3: theme song, we need a theme song.

1009
00:54:15,440 --> 00:54:17,560
Speaker 2: You do use it, but you just like you never

1010
00:54:17,600 --> 00:54:19,640
Speaker 2: even hear that, you firm that out to someone else

1011
00:54:19,680 --> 00:54:20,720
Speaker 2: and like you aren't involved.

1012
00:54:20,840 --> 00:54:22,319
Speaker 3: You're just gonna speed past that.

1013
00:54:22,719 --> 00:54:29,560
Speaker 2: Uh it rhymes with Langston hugs and it is the plugs. Oh,

1014
00:54:29,600 --> 00:54:30,160
Speaker 2: the plugs.

1015
00:54:30,360 --> 00:54:33,400
Speaker 3: We gotta drop. You got to drop the plugs. You

1016
00:54:33,440 --> 00:54:36,879
Speaker 3: gotta you gotta let people tell the world what they're

1017
00:54:36,960 --> 00:54:37,239
Speaker 3: up to.

1018
00:54:37,800 --> 00:54:40,200
Speaker 2: Yes, So how would that what would that sound like

1019
00:54:40,440 --> 00:54:42,640
Speaker 2: for you? To do it? Right now? For me?

1020
00:54:43,080 --> 00:54:45,840
Speaker 3: Uh so, as the professor, if I were to plug

1021
00:54:45,920 --> 00:54:48,319
Speaker 3: the things that are happening in my world personally, I

1022
00:54:48,320 --> 00:54:51,120
Speaker 3: would say that, Uh, I have a brand new podcast.

1023
00:54:51,200 --> 00:54:55,239
Speaker 3: It's called My Mama told me it's it's coming out,

1024
00:54:55,320 --> 00:54:59,720
Speaker 3: uh next Tuesday, or maybe it won't be next Tuesday.

1025
00:54:59,360 --> 00:54:59,920
Speaker 2: August day.

1026
00:55:00,000 --> 00:55:00,680
Speaker 5: It's spent out.

1027
00:55:00,960 --> 00:55:03,600
Speaker 3: It's out, it's out and surprise everyone.

1028
00:55:03,680 --> 00:55:08,319
Speaker 2: Even come on, let it please let them let him

1029
00:55:08,440 --> 00:55:12,120
Speaker 2: do that, like, let the show come out tomorrow, this episode.

1030
00:55:12,360 --> 00:55:14,920
Speaker 5: Just drop it, right already promise someone else we were

1031
00:55:14,960 --> 00:55:19,120
Speaker 5: going to do that. We can't keep promising people things unbelievable.

1032
00:55:20,040 --> 00:55:21,359
Speaker 2: How long will it have been out?

1033
00:55:21,400 --> 00:55:25,520
Speaker 3: At least a week, a whole week, So you guys

1034
00:55:25,560 --> 00:55:29,120
Speaker 3: are tired of it already. But but that's okay. You

1035
00:55:29,160 --> 00:55:30,800
Speaker 3: can listen to more of it because there will be

1036
00:55:30,840 --> 00:55:34,520
Speaker 3: a lot of episodes of my mama told me, uh

1037
00:55:34,560 --> 00:55:37,120
Speaker 3: in streaming it, and you can. You could review it

1038
00:55:37,160 --> 00:55:40,200
Speaker 3: and say nice things, and that would be that would

1039
00:55:40,200 --> 00:55:40,560
Speaker 3: be great.

1040
00:55:41,000 --> 00:55:44,480
Speaker 2: It's a dollar a stream, it's all. That's a big thing.

1041
00:55:44,560 --> 00:55:46,880
Speaker 2: You got to know. For all podcasts. That's not necessarily

1042
00:55:46,920 --> 00:55:48,799
Speaker 2: what it costs, but that's what we make it.

1043
00:55:49,120 --> 00:55:53,120
Speaker 3: And that's why we really count those streams we because

1044
00:55:53,120 --> 00:55:56,080
Speaker 3: that's just that's money in the bank, baby. That's what

1045
00:55:56,120 --> 00:55:58,600
Speaker 3: we say every time a stream comes in. Money in

1046
00:55:58,640 --> 00:55:59,440
Speaker 3: the bank, baby.

1047
00:55:59,800 --> 00:56:01,759
Speaker 2: And then you just need a one word sign off

1048
00:56:01,800 --> 00:56:04,000
Speaker 2: for like the end of an episode, like what you said,

1049
00:56:04,080 --> 00:56:06,000
Speaker 2: we we just say bye, But like what will you

1050
00:56:06,040 --> 00:56:08,440
Speaker 2: say at the end of your podcast episode.

1051
00:56:08,800 --> 00:56:14,080
Speaker 3: I'm gonna say Charleston chew and I'll do this this

1052
00:56:14,280 --> 00:56:15,680
Speaker 3: hand motion. They won't see it, but that.

1053
00:56:15,680 --> 00:56:18,320
Speaker 2: Will they won't see it. But it's really fun signature.

1054
00:56:18,640 --> 00:56:20,960
Speaker 1: Yeah, debatable whether it's one word, but I give you

1055
00:56:21,040 --> 00:56:22,760
Speaker 1: a name plus bye.

1056
00:56:22,840 --> 00:56:24,759
Speaker 3: All right, well great, that that's sound.