1 00:00:10,240 --> 00:00:14,880 Speaker 1: Hey, guys, welcome to Monday Show, Morna studio morning. Everybody's here. 2 00:00:15,000 --> 00:00:17,520 Speaker 1: Hope good. I was reading this story before I came 3 00:00:17,520 --> 00:00:19,400 Speaker 1: in about a woman in Florida. Now her real name 4 00:00:19,480 --> 00:00:23,439 Speaker 1: is Lovely Butts. Now I'm gonna tell you what crime 5 00:00:23,520 --> 00:00:26,520 Speaker 1: she committed, but I just thought Lovely Butts. Yeah, it's 6 00:00:26,560 --> 00:00:29,360 Speaker 1: an interesting name because you're born with the last name Butts. 7 00:00:29,440 --> 00:00:32,400 Speaker 1: Unfortunate in some cases. Right, family name, you love it 8 00:00:32,440 --> 00:00:35,680 Speaker 1: great at him? But do you put something as a 9 00:00:35,680 --> 00:00:40,600 Speaker 1: first name that highlights the bit unfortunate that has happened 10 00:00:40,600 --> 00:00:42,320 Speaker 1: to you with the last name, because they definitely did 11 00:00:42,320 --> 00:00:45,120 Speaker 1: that on purpose. Right, your last name Butts. Let's just 12 00:00:45,159 --> 00:00:49,400 Speaker 1: go with Lovely. Let's name him flat right. Yeah. So, 13 00:00:50,040 --> 00:00:53,519 Speaker 1: but again, if her name were Cindy Butts, it wouldn't 14 00:00:53,560 --> 00:00:57,040 Speaker 1: even make the news. Really, Yeah, yeah, but Lovely Butts 15 00:00:57,120 --> 00:01:01,360 Speaker 1: is in the news. She poured bleach on an underage 16 00:01:01,400 --> 00:01:05,320 Speaker 1: relative during an argument. Fortunately the girl is okay. Well, 17 00:01:05,360 --> 00:01:08,360 Speaker 1: that's a tough weapon, Tom. Do you mean you just 18 00:01:08,440 --> 00:01:12,000 Speaker 1: grab it and turn it? That's not good. According to Coffs, 19 00:01:12,040 --> 00:01:13,920 Speaker 1: the sixty four year old Butts was arrest on a 20 00:01:13,959 --> 00:01:16,959 Speaker 1: pair of felonies aggravated assault and child abuse. She was 21 00:01:17,000 --> 00:01:19,399 Speaker 1: booking to the jail, which she was released on bond. Wow, 22 00:01:19,400 --> 00:01:22,160 Speaker 1: she's sixty four and did that. Yeah, maybe she's angry 23 00:01:22,160 --> 00:01:25,840 Speaker 1: because her name is Lovely Butts. Although just the name lovely. 24 00:01:26,160 --> 00:01:30,840 Speaker 1: Let's just remove butts. Be lovely looking or the kids 25 00:01:30,840 --> 00:01:34,640 Speaker 1: are gonna be mean or lovely. If your name is 26 00:01:34,680 --> 00:01:39,080 Speaker 1: lovely and you look like me, bad news. Saw that. 27 00:01:39,520 --> 00:01:43,280 Speaker 1: You know. Here's something else. By the way, don't google 28 00:01:43,319 --> 00:01:45,399 Speaker 1: Lovely Butts. I'm just letting you guys go right now 29 00:01:45,880 --> 00:01:49,280 Speaker 1: because she might not come up something else. Um, I 30 00:01:49,280 --> 00:01:53,160 Speaker 1: don't know. That's not what comes up. Um, something that's 31 00:01:53,200 --> 00:01:55,160 Speaker 1: gonna happen in my life recently. I'd like to take 32 00:01:55,200 --> 00:01:57,840 Speaker 1: a second and talk about is that my bed at 33 00:01:57,880 --> 00:02:00,960 Speaker 1: my house now is the most common placated thing. Well, 34 00:02:00,960 --> 00:02:03,880 Speaker 1: because we just lived with my bedding she moved in. 35 00:02:04,120 --> 00:02:06,000 Speaker 1: We just kept rolling with the bed and the goddess here, 36 00:02:06,040 --> 00:02:08,800 Speaker 1: oh boy, had a sheet sometimes I put a little 37 00:02:08,800 --> 00:02:11,919 Speaker 1: tight sheet on. Yeah, then we put another sheet over it, 38 00:02:11,960 --> 00:02:13,200 Speaker 1: and then it comfort her over and I was like, 39 00:02:13,240 --> 00:02:16,920 Speaker 1: we're just rocking. Had three pillows. Life was good, the 40 00:02:16,960 --> 00:02:20,080 Speaker 1: pillows you used to sleep on. Yeah, Yeah, life was good. 41 00:02:20,440 --> 00:02:24,519 Speaker 1: It was getting quality sleep. Well, she can comment she 42 00:02:24,520 --> 00:02:25,760 Speaker 1: can do anything with the house she wants, because I 43 00:02:25,800 --> 00:02:27,959 Speaker 1: don't care. That's not really anything. I really have a 44 00:02:28,000 --> 00:02:29,560 Speaker 1: lot of interest in, like make it look good. You 45 00:02:29,639 --> 00:02:31,760 Speaker 1: do whatever you want. So she's like, all right, I'm 46 00:02:31,760 --> 00:02:34,520 Speaker 1: doing the bed like great, have at it. I come 47 00:02:34,560 --> 00:02:38,120 Speaker 1: into this house. First of all, it's like pillow fest. 48 00:02:38,800 --> 00:02:42,480 Speaker 1: There's no need for all these pillows. There's like four 49 00:02:42,520 --> 00:02:49,400 Speaker 1: sleeping pillows, two big decorative white pillows, four brown pillows, 50 00:02:50,200 --> 00:02:52,240 Speaker 1: maybe two brown pillows, whatever the case. It's a lot 51 00:02:52,280 --> 00:02:54,480 Speaker 1: of pillows, to the point where every night you have 52 00:02:54,480 --> 00:02:55,840 Speaker 1: to take the pillows put them on the bottom of 53 00:02:55,840 --> 00:02:57,920 Speaker 1: the bed, like on the on the little We have 54 00:02:57,960 --> 00:03:00,160 Speaker 1: like a stool thing on the bottom of our bed, 55 00:03:00,200 --> 00:03:05,560 Speaker 1: a bench. Then the covers. There's the fitted sheet, there's 56 00:03:05,560 --> 00:03:08,520 Speaker 1: the sheet, there's another sheet. There's some sort of what 57 00:03:08,639 --> 00:03:11,920 Speaker 1: she calls a sheet ling or something or a it's 58 00:03:11,919 --> 00:03:15,000 Speaker 1: like a gray thing that's almost like a comforter, but 59 00:03:15,040 --> 00:03:17,679 Speaker 1: not quite a comforter. Okay. Then on top of that 60 00:03:18,200 --> 00:03:22,880 Speaker 1: there is a comforter inside of a duvet. We've gone 61 00:03:23,000 --> 00:03:26,400 Speaker 1: levels up in our bedding and it's so complicated, and 62 00:03:26,400 --> 00:03:27,680 Speaker 1: I can't find the remote and I'll be like, which 63 00:03:27,760 --> 00:03:30,480 Speaker 1: layer is it in? I'm dropping in all the layers, 64 00:03:30,480 --> 00:03:31,960 Speaker 1: like on doubled air back in the day when you'd 65 00:03:32,000 --> 00:03:35,440 Speaker 1: have to go into the food with your hands to 66 00:03:35,520 --> 00:03:38,280 Speaker 1: find the flag. That's what it feels like. The bed 67 00:03:38,320 --> 00:03:41,600 Speaker 1: does look great, though, all joking aside. It looks great. 68 00:03:42,200 --> 00:03:43,720 Speaker 1: And I told her, I said, how am I supposed 69 00:03:43,760 --> 00:03:45,760 Speaker 1: to make this bed with all this? She goes, when 70 00:03:45,800 --> 00:03:47,480 Speaker 1: do you ever make the bed? That's a good point. 71 00:03:47,680 --> 00:03:50,160 Speaker 1: That's a good point. I'll leave really early in the morning, 72 00:03:50,240 --> 00:03:55,120 Speaker 1: which you s'll handle it. Yeah, let's go over and 73 00:03:55,360 --> 00:04:05,040 Speaker 1: open up the mailbag. Something. Here we go morning studio. 74 00:04:05,080 --> 00:04:07,640 Speaker 1: They say, I'm emailing you this morning because I need 75 00:04:07,720 --> 00:04:10,880 Speaker 1: some advice. About a month ago, I was cleaning my 76 00:04:10,920 --> 00:04:14,120 Speaker 1: boyfriend's apartment for him when I came across a beautiful 77 00:04:14,160 --> 00:04:17,680 Speaker 1: diamond engagement ring in his night table, and I felt 78 00:04:17,720 --> 00:04:21,839 Speaker 1: my heart melt. I figured he'd proposed any moment because 79 00:04:21,839 --> 00:04:24,880 Speaker 1: I found the ring. But it's been over a month 80 00:04:25,360 --> 00:04:29,599 Speaker 1: and still no proposal. Every time we go out to dinner, 81 00:04:29,760 --> 00:04:34,240 Speaker 1: I think this is it. The anticipation is too much 82 00:04:34,240 --> 00:04:37,159 Speaker 1: for me to handle at this point. Should I confront 83 00:04:37,240 --> 00:04:40,600 Speaker 1: him about finding the ring? I'd really like to get 84 00:04:40,600 --> 00:04:46,080 Speaker 1: started planning the wedding. Signed with quotation marks. Sarah. Here's 85 00:04:46,080 --> 00:04:49,400 Speaker 1: the thing, Sarah. I know it's super important for you, 86 00:04:50,240 --> 00:04:53,719 Speaker 1: but if he's holding onto the ring, you don't want 87 00:04:53,720 --> 00:04:57,520 Speaker 1: to run a possible surprise that he's been planning for 88 00:04:57,560 --> 00:05:01,400 Speaker 1: you or the timing of something happening. Because he has 89 00:05:01,440 --> 00:05:04,800 Speaker 1: put so much thought into it. I can't imagine him 90 00:05:04,839 --> 00:05:07,600 Speaker 1: buying it, holding it for a month just to go. 91 00:05:08,480 --> 00:05:10,120 Speaker 1: You know, I'll do it when the wind hits just right, 92 00:05:10,960 --> 00:05:14,920 Speaker 1: something is spinning in his head. Ninety percent of me 93 00:05:15,040 --> 00:05:17,640 Speaker 1: goes he's planning something, waiting for the time is right 94 00:05:17,720 --> 00:05:19,320 Speaker 1: for something. Ten percent of me he says he don't 95 00:05:19,320 --> 00:05:24,800 Speaker 1: know yet, But that's only ten percent. And second of all, 96 00:05:25,320 --> 00:05:28,520 Speaker 1: let's be honest about you cleaning his place and getting 97 00:05:28,560 --> 00:05:31,800 Speaker 1: in his night table. You don't clean inside of a 98 00:05:31,920 --> 00:05:37,360 Speaker 1: night table. You were looking for that ring. Yeah, I'm 99 00:05:37,360 --> 00:05:41,960 Speaker 1: sending you eyeball Emogi's right now. But no, you don't 100 00:05:42,000 --> 00:05:45,080 Speaker 1: say anything to him. You don't even let him know. 101 00:05:45,440 --> 00:05:47,039 Speaker 1: You don't even let him know that you found it 102 00:05:47,120 --> 00:05:49,800 Speaker 1: until at least five years into the relationship, because if 103 00:05:49,880 --> 00:05:52,640 Speaker 1: he planned something for you, he wants it to be 104 00:05:52,680 --> 00:05:55,919 Speaker 1: so special. And you talk about peer pressure for a 105 00:05:56,000 --> 00:05:58,719 Speaker 1: guy to have to think about proposing now, because everything 106 00:05:58,720 --> 00:06:02,440 Speaker 1: on Instagram is crazy. People have big proposals, people crying. 107 00:06:02,600 --> 00:06:05,280 Speaker 1: People will be like, there's pressure on a guy now, 108 00:06:06,160 --> 00:06:09,520 Speaker 1: so let him take the pressure. Hopefully that pressure and 109 00:06:09,600 --> 00:06:11,840 Speaker 1: his love for you will manifest into something that's that 110 00:06:11,839 --> 00:06:17,080 Speaker 1: that that you will always remember. Say nothing to him, 111 00:06:17,080 --> 00:06:20,039 Speaker 1: thank you. That's that's my advice. Amy. I agree, you 112 00:06:20,040 --> 00:06:22,480 Speaker 1: can't say anything. Nope, nope, nope. I don't even know 113 00:06:22,640 --> 00:06:25,840 Speaker 1: that you say five years in gosh, that would be 114 00:06:25,880 --> 00:06:27,480 Speaker 1: so hard. But I mean, it's not your fault. You 115 00:06:27,560 --> 00:06:30,480 Speaker 1: found it. It might mean snooping. I don't know that 116 00:06:30,520 --> 00:06:34,520 Speaker 1: she nobody. You can't prove that she was snooping. But yeah, 117 00:06:34,560 --> 00:06:38,119 Speaker 1: I would just be patient and it'll mean more too 118 00:06:38,200 --> 00:06:40,720 Speaker 1: when you're really surprised. So just trying not to think 119 00:06:40,720 --> 00:06:43,400 Speaker 1: about it. But keep your nails ready. M that's the 120 00:06:43,440 --> 00:06:50,440 Speaker 1: thing that is. But I don't know, but what the 121 00:06:50,480 --> 00:06:56,480 Speaker 1: whole showing the ring that close is a little It 122 00:06:56,680 --> 00:07:00,200 Speaker 1: makes me uncomfortable as a flex Okay, so I don't 123 00:07:00,000 --> 00:07:02,600 Speaker 1: don't think that it's just for that, but the girl 124 00:07:02,640 --> 00:07:05,680 Speaker 1: it's like, not for Instagram, but for family and friends. Oh, 125 00:07:05,760 --> 00:07:10,840 Speaker 1: WIT's for Ranst Graham. Sure, it's I get that you 126 00:07:10,960 --> 00:07:13,800 Speaker 1: want to send you and need a text message of 127 00:07:13,920 --> 00:07:17,640 Speaker 1: your ring. Yeah, but it's for Instagram. Everyone's also in person. 128 00:07:17,840 --> 00:07:20,960 Speaker 1: Forget the pictures. Once you get engaged, everyone is asking 129 00:07:21,080 --> 00:07:27,200 Speaker 1: to see your hand. And so you want your nails. Okay, 130 00:07:27,840 --> 00:07:29,480 Speaker 1: if he sends you to get your nails done, you 131 00:07:29,520 --> 00:07:32,040 Speaker 1: know what's coming. By the way, I don't do that. Yeah, 132 00:07:32,560 --> 00:07:35,960 Speaker 1: have her like a range for her friends. Even then 133 00:07:36,280 --> 00:07:39,200 Speaker 1: it's two you can't. You can't anybody that's coming to 134 00:07:39,200 --> 00:07:40,720 Speaker 1: her at this point going let's get your nails done. 135 00:07:40,720 --> 00:07:50,440 Speaker 1: She knows it's coming. We've got your That was Sometimes 136 00:07:50,480 --> 00:07:51,480 Speaker 1: you guys will come up to me and be like, 137 00:07:51,520 --> 00:07:53,120 Speaker 1: I want to do this segment on the show, and 138 00:07:53,360 --> 00:07:55,200 Speaker 1: a lot of times I'm like, that's great, let's find 139 00:07:55,240 --> 00:07:58,080 Speaker 1: a place and talk about it. But sometimes they just 140 00:07:58,320 --> 00:08:02,760 Speaker 1: get rejected. And that's why this is called rejected segments. 141 00:08:02,920 --> 00:08:07,040 Speaker 1: All right, this one's from Eddie. He rejected. It's a 142 00:08:07,160 --> 00:08:09,880 Speaker 1: game idea. I'll give you the celebrity. You tell me 143 00:08:09,920 --> 00:08:14,080 Speaker 1: if they're over under two d how hard would that be? 144 00:08:15,280 --> 00:08:24,320 Speaker 1: But celebrities are I started laughing. I understand why celebrity 145 00:08:24,760 --> 00:08:32,559 Speaker 1: you tell me they're over day. Let me give me 146 00:08:32,600 --> 00:08:36,000 Speaker 1: an example. No, I'm gonna give an example unless we 147 00:08:36,080 --> 00:08:41,760 Speaker 1: playing the game. No, we're not playing that game. Rejected segments. 148 00:08:42,000 --> 00:08:44,760 Speaker 1: In the Prank Call World, Lunchbox prank calls Amy's husband. 149 00:08:44,800 --> 00:08:47,840 Speaker 1: This is suggested by Lunchbox and says that he thinks 150 00:08:47,920 --> 00:08:50,000 Speaker 1: Amy backed into his car at the radio station but 151 00:08:50,160 --> 00:08:52,200 Speaker 1: left without saying anything, and he wants Ben to come 152 00:08:52,240 --> 00:08:54,959 Speaker 1: pay for the damages right now. He'd probably just pay 153 00:08:55,040 --> 00:09:02,600 Speaker 1: for us, all right, there you go. Rejected segments. Mike 154 00:09:02,679 --> 00:09:05,960 Speaker 1: d had this bit. We send Lunchbox to a mattress 155 00:09:06,000 --> 00:09:08,840 Speaker 1: store dressed in pajamas, saying he wants to test out 156 00:09:08,840 --> 00:09:10,560 Speaker 1: a mattress to make sure it's the right one for him, 157 00:09:10,840 --> 00:09:12,199 Speaker 1: but he also needs an employee to get in the 158 00:09:12,240 --> 00:09:14,199 Speaker 1: bed with him to stand in for his wife, just 159 00:09:14,320 --> 00:09:16,840 Speaker 1: to see how it feels. That's not bad, that's funny, 160 00:09:17,520 --> 00:09:24,280 Speaker 1: but no rejected segments. Raymundo sent this bit. I ate 161 00:09:24,360 --> 00:09:26,520 Speaker 1: something really hot and now I want to want to sue. 162 00:09:28,400 --> 00:09:31,240 Speaker 1: He ordered a burger called the five Alarm Burger. He 163 00:09:31,280 --> 00:09:33,080 Speaker 1: said it was legit the hottest burger I've ever eaten 164 00:09:33,120 --> 00:09:35,000 Speaker 1: in my life. After I ate it, I burned my 165 00:09:35,120 --> 00:09:38,760 Speaker 1: vocal cords. Why do you think you could sue if 166 00:09:38,800 --> 00:09:41,439 Speaker 1: it's labeled the hottest burger. That's what I'm saying. That's 167 00:09:41,480 --> 00:09:43,679 Speaker 1: the angle. I would say that I'm fully going to 168 00:09:43,720 --> 00:09:45,719 Speaker 1: go after this company, and you guys would say you're 169 00:09:45,800 --> 00:09:48,319 Speaker 1: an idiot because it's called the five alarm burger. Of 170 00:09:48,400 --> 00:09:52,480 Speaker 1: course you'd call the cops. It's so hot. Wow, that's bad. Yeah, 171 00:09:52,640 --> 00:09:54,560 Speaker 1: that's what I'm saying. That's why I didn't make a show. 172 00:09:56,240 --> 00:09:58,920 Speaker 1: There were some others a honorable mention for being bad Eddie, 173 00:09:59,240 --> 00:10:01,480 Speaker 1: I ever get in me because I would. I'm now 174 00:10:01,520 --> 00:10:03,800 Speaker 1: I'm going to start working hard to make this list. 175 00:10:03,840 --> 00:10:07,439 Speaker 1: No you trying to get good ones? And Daddy sent 176 00:10:07,480 --> 00:10:10,320 Speaker 1: a couple that were like no, like nicely rejected. They 177 00:10:10,360 --> 00:10:12,920 Speaker 1: were like, oh, we like a good job, but no, 178 00:10:13,160 --> 00:10:17,000 Speaker 1: I guess blush your hard. He wanted to talk about 179 00:10:17,040 --> 00:10:18,719 Speaker 1: how his son gets the royal treatment at a local 180 00:10:18,760 --> 00:10:21,720 Speaker 1: restaurant because he looks like the owner's son. This is true. Yeah, 181 00:10:21,760 --> 00:10:23,599 Speaker 1: every time we go in there, like he looks just 182 00:10:23,760 --> 00:10:27,160 Speaker 1: like my boy. Hey, good chips, so whatever you want. 183 00:10:27,240 --> 00:10:32,959 Speaker 1: And he's like cool t storks see that's what That 184 00:10:33,000 --> 00:10:34,360 Speaker 1: one wasn't that bad, right? That's how long do you 185 00:10:34,440 --> 00:10:39,079 Speaker 1: spend on that? Is right? We hit the image and 186 00:10:39,120 --> 00:10:41,560 Speaker 1: get out of there. Another one was Eddie's thinking about 187 00:10:41,559 --> 00:10:43,240 Speaker 1: buying a headset so he can use this phone when 188 00:10:43,280 --> 00:10:45,160 Speaker 1: he drives. Guys, I saw somebody driving with this the 189 00:10:45,200 --> 00:10:46,719 Speaker 1: other day because I have a jeep, you know, so 190 00:10:46,880 --> 00:10:49,600 Speaker 1: I can't do like a speaker or bluetooth whatever. It's 191 00:10:49,640 --> 00:10:52,439 Speaker 1: like the whole time this guy had like a trucker 192 00:10:52,559 --> 00:10:55,240 Speaker 1: Garth Brooks headset Mike, and I'm like, that's perfect. I 193 00:10:55,320 --> 00:10:57,040 Speaker 1: put it on my head I drive, talk to my 194 00:10:57,120 --> 00:11:03,360 Speaker 1: mom every day. Whatever. Okay, a bone the rejected segment. 195 00:11:04,880 --> 00:11:11,880 Speaker 1: It's time for the good news. So this guy, Robert 196 00:11:11,920 --> 00:11:14,520 Speaker 1: Smith was driving to work and he saw this apartment 197 00:11:14,559 --> 00:11:16,800 Speaker 1: building on fire, so he decided to pull in and 198 00:11:16,840 --> 00:11:19,199 Speaker 1: see if anybody was in there. He broke a window. 199 00:11:19,320 --> 00:11:21,839 Speaker 1: Sure enough, there was a woman asleep inside. So he 200 00:11:21,920 --> 00:11:24,760 Speaker 1: went through the window and brought her to safety, saved 201 00:11:24,760 --> 00:11:29,000 Speaker 1: her life. And she must have been sleeping hard and 202 00:11:29,120 --> 00:11:32,360 Speaker 1: she's conked out. Yeah, well, good friend. He risked his 203 00:11:32,400 --> 00:11:34,400 Speaker 1: own life too, even just to go up and check 204 00:11:34,440 --> 00:11:36,120 Speaker 1: out what's going on. I know, I don't know that 205 00:11:36,200 --> 00:11:37,959 Speaker 1: everyone would have done that. I don't know that I 206 00:11:38,000 --> 00:11:39,800 Speaker 1: would have done that, right, I mean it's you could 207 00:11:39,840 --> 00:11:41,320 Speaker 1: just call nine one one and say, hey, I see 208 00:11:41,320 --> 00:11:43,719 Speaker 1: an apartment on fire. I don't know that I'm a hero. 209 00:11:44,160 --> 00:11:46,400 Speaker 1: So good for this guy, he's a hero, Robert Smith. 210 00:11:46,440 --> 00:11:49,000 Speaker 1: There you go. That's what's all about. That was tell 211 00:11:49,080 --> 00:11:53,480 Speaker 1: me something good. I write your answers down. Guys, I'll 212 00:11:53,520 --> 00:11:55,480 Speaker 1: give you a famous country song. You just have to 213 00:11:55,480 --> 00:11:58,120 Speaker 1: tell me what movie that it's most known for being in? 214 00:11:58,400 --> 00:12:03,040 Speaker 1: Oh cool boy, so pens to paper. Here we go. 215 00:12:03,520 --> 00:12:16,199 Speaker 1: Life is a Highway from Rascal Flats? What movie is 216 00:12:16,240 --> 00:12:19,920 Speaker 1: that from? All Right, it's time to go on. When 217 00:12:20,000 --> 00:12:22,520 Speaker 1: we pull the music down, time to put your answer in. Okay, 218 00:12:23,200 --> 00:12:29,520 Speaker 1: got it? Amy Cars is correct? Lunchbox not correct? Eddie 219 00:12:29,720 --> 00:12:32,559 Speaker 1: Cars Cars is correct? Okay, good, Here we go. Song 220 00:12:32,679 --> 00:12:36,000 Speaker 1: number two. Here's a famous country song. What movie isn't known? 221 00:12:36,080 --> 00:12:40,120 Speaker 1: Mostly from? To Make You Feel My Love? Garth Brooks, 222 00:12:45,160 --> 00:12:57,200 Speaker 1: You're enough make you? I love that song so much? 223 00:12:57,440 --> 00:13:01,679 Speaker 1: A Bob Dylan song. Thanks's going Garth saying it here? 224 00:13:01,720 --> 00:13:08,440 Speaker 1: Adele does a great version of it. Okay, pins down, Amy, Lunchbox, 225 00:13:08,559 --> 00:13:15,360 Speaker 1: Princess Brian Eddie, hopeful, hopeless, describe I've never seen here 226 00:13:15,480 --> 00:13:19,200 Speaker 1: those movies names you can tell I Cross my Heart 227 00:13:19,320 --> 00:13:25,559 Speaker 1: from George Straits, I cross my heart. I'm promised to 228 00:13:26,880 --> 00:13:32,679 Speaker 1: so good. I've got to care to make you know. 229 00:13:33,880 --> 00:13:45,640 Speaker 1: I've no wonder you know the world you never as 230 00:13:47,080 --> 00:13:55,640 Speaker 1: Amy pure Country, Lunchbox, Varsity Blues, Eddie, Buddy Jackson pure 231 00:13:55,679 --> 00:13:59,640 Speaker 1: country country is alright? If you know this one name 232 00:13:59,800 --> 00:14:04,480 Speaker 1: the movie trishan Year would singing how Do I Live? 233 00:14:07,240 --> 00:14:15,640 Speaker 1: Amy looks confused for the first time. Come on, what 234 00:14:16,320 --> 00:14:19,040 Speaker 1: y'all know this? I think I do. I got it 235 00:14:21,640 --> 00:14:30,920 Speaker 1: for sure? Yeah? Is it? Old school days didn't confuse Amy? 236 00:14:30,920 --> 00:14:37,120 Speaker 1: Do you have an answer? Uh? Yeah? What's up? What's that? 237 00:14:37,480 --> 00:14:41,920 Speaker 1: Little time? You have no answer? Guys? Come on, Nick Cage, 238 00:14:41,960 --> 00:14:45,520 Speaker 1: con Air, let's go Eddie, Yeah, I put Cony. I 239 00:14:45,920 --> 00:14:48,160 Speaker 1: never thought that I was singing what's up? Bruce Willis one? 240 00:14:48,280 --> 00:14:52,080 Speaker 1: What's up? One? Yeah? I was singing doctor three three three? 241 00:14:52,600 --> 00:14:56,800 Speaker 1: All specific? Okay, here we go number five. We only 242 00:14:56,800 --> 00:14:59,520 Speaker 1: have seven of these. There's always going to be another. 243 00:15:00,000 --> 00:15:03,640 Speaker 1: I'm always gonna, you know, not really a country song, 244 00:15:03,720 --> 00:15:07,640 Speaker 1: but in my country songwriters b but Miley Cyrus to 245 00:15:07,800 --> 00:15:16,120 Speaker 1: climb at. What movie is this from? On the other side? 246 00:15:19,440 --> 00:15:20,840 Speaker 1: Lunch Box? You gotta have this to stay in the 247 00:15:20,920 --> 00:15:24,000 Speaker 1: game or you've been eliminated. You did there'n enough questions? 248 00:15:25,080 --> 00:15:33,560 Speaker 1: I know, I know, Amy, I walk to remember Lunchbox, 249 00:15:33,640 --> 00:15:39,360 Speaker 1: Remember the Titans, Eddie, I have the notebook, hannahm on 250 00:15:39,440 --> 00:15:44,040 Speaker 1: Tanna the movie. I didn't make the song up for 251 00:15:44,160 --> 00:15:47,720 Speaker 1: the movie. Trick question. Yeah, no, it was so easy 252 00:15:47,880 --> 00:15:51,160 Speaker 1: that you okay, never saw it. Next up to me 253 00:15:51,400 --> 00:15:56,800 Speaker 1: something shallow Bradley Cooper and Lady Gaga? Are you happy? 254 00:15:57,040 --> 00:16:08,040 Speaker 1: And mother? And is there something news you search? You? 255 00:16:08,360 --> 00:16:11,480 Speaker 1: You guys hit that for sure, Amy, A Star is Born, Lunchbox, 256 00:16:11,800 --> 00:16:14,480 Speaker 1: A broken Love. I couldn't think of the song. I 257 00:16:14,680 --> 00:16:17,760 Speaker 1: could think it was a lunch Eddie. I Have a 258 00:16:17,840 --> 00:16:24,880 Speaker 1: Star is Born? Nice all right? One left for the weird, 259 00:16:26,080 --> 00:16:32,560 Speaker 1: the weary kind, Ryan Bingham, A movie that's from New 260 00:16:32,800 --> 00:16:39,240 Speaker 1: Ain't no place to lose you man, It's a good movie. 261 00:16:41,240 --> 00:16:53,560 Speaker 1: What I'm gonna go? Tombstone? Is it another light the 262 00:16:53,680 --> 00:16:57,880 Speaker 1: live action Scooby Doo? You go with Sarah Michelle Geller. 263 00:16:59,360 --> 00:17:02,320 Speaker 1: It's a great move. Well they should have used it, 264 00:17:03,880 --> 00:17:07,439 Speaker 1: Amy Yellowstone. Ye, no, but but good. Ryan Bingham does 265 00:17:07,560 --> 00:17:11,280 Speaker 1: play Walker on Yellowstone Lunchbox. Iyban. This movie does have cowboys. 266 00:17:11,280 --> 00:17:17,400 Speaker 1: It's Brokeback Mountain. It is not that one Eddie. It's 267 00:17:17,520 --> 00:17:22,399 Speaker 1: crazy heart crazy so good. What is that? Is that 268 00:17:22,480 --> 00:17:25,320 Speaker 1: Jeff Daniels, Jeff Bridges? Yeff Bridges. Yeah, one of those Jeffs, 269 00:17:25,600 --> 00:17:30,720 Speaker 1: not the guy from Dumb and Dumb. All right, play 270 00:17:30,800 --> 00:17:35,119 Speaker 1: Eddie song there is? But this time you can promote 271 00:17:35,160 --> 00:17:40,040 Speaker 1: your Instagram, your podcast, your producer Eddie on Instagram. One thing, 272 00:17:40,119 --> 00:17:42,160 Speaker 1: hold you get one front? One thing? Did you say? 273 00:17:42,280 --> 00:17:46,760 Speaker 1: Your Instagram and your collish man Eddie? Promote producer Eddie 274 00:17:46,800 --> 00:17:49,879 Speaker 1: on Instagram. Come follow me. That's all I got so 275 00:17:50,119 --> 00:17:51,320 Speaker 1: you can say a little more about it. What do 276 00:17:51,359 --> 00:17:52,879 Speaker 1: you do on Instagram? That's so fun? Oh man, I 277 00:17:52,960 --> 00:17:54,840 Speaker 1: just post a lot about my life, you know me. 278 00:17:55,080 --> 00:17:57,120 Speaker 1: I got a little eye infection is probably the last 279 00:17:57,160 --> 00:17:59,639 Speaker 1: picture I have on there. Cool stuff. Go check it 280 00:17:59,720 --> 00:18:07,960 Speaker 1: out your Amy's pile of stories. So a new study 281 00:18:08,080 --> 00:18:10,119 Speaker 1: was done to find that there's a science behind the 282 00:18:10,200 --> 00:18:13,320 Speaker 1: way you sometimes stretch out words and a text. So 283 00:18:13,480 --> 00:18:15,000 Speaker 1: I'll say it and you tell me if you know 284 00:18:15,080 --> 00:18:19,359 Speaker 1: what it means or the tone. Sure, like if I 285 00:18:19,440 --> 00:18:21,880 Speaker 1: write that I'm like sure, with a bunch of rs. 286 00:18:22,560 --> 00:18:26,240 Speaker 1: It's like, um, yeah, you know, I'll agree to it, 287 00:18:26,359 --> 00:18:30,040 Speaker 1: but slightly reluctantly, Yeah it will. They say it indicates 288 00:18:30,080 --> 00:18:34,159 Speaker 1: sarcasm like sure, okay, okay, And then I use this 289 00:18:34,240 --> 00:18:37,080 Speaker 1: one all the time. What with a bunch of a's 290 00:18:37,400 --> 00:18:39,520 Speaker 1: that's like an a dramatic like I can't believe it, 291 00:18:39,680 --> 00:18:43,720 Speaker 1: like what shocked and confused? Yeah yeah, and then yes 292 00:18:44,200 --> 00:18:47,720 Speaker 1: with about five uses, I would say an extreme yes, 293 00:18:47,800 --> 00:18:50,440 Speaker 1: I'm very excited about this. Yes. Yeah, You're more excited 294 00:18:50,480 --> 00:18:54,840 Speaker 1: than just spelling yes. So there's just a new modern language. 295 00:18:54,880 --> 00:18:56,119 Speaker 1: If you want to be in the note, that's how 296 00:18:56,160 --> 00:18:59,080 Speaker 1: you can text your friends. Also, hey with a bunch 297 00:18:59,119 --> 00:19:04,119 Speaker 1: of wise sexy Oh my gosh, Edie. Eddie's saying about 298 00:19:04,119 --> 00:19:06,200 Speaker 1: the hey you. You know that he brought up and 299 00:19:06,480 --> 00:19:11,000 Speaker 1: rejected segments that this woman and somebody in his life 300 00:19:11,040 --> 00:19:16,800 Speaker 1: he runs into says to him, hey you. And now 301 00:19:16,920 --> 00:19:19,560 Speaker 1: I'm all self conscious. I was texting someone about a 302 00:19:19,600 --> 00:19:22,000 Speaker 1: work thing and it happened to be a guy, and 303 00:19:22,119 --> 00:19:24,600 Speaker 1: I was typing out yo yo, but it autocracted and 304 00:19:24,640 --> 00:19:26,600 Speaker 1: it said yo you, and I felt like I had 305 00:19:26,600 --> 00:19:29,560 Speaker 1: to immediately say hey, I mean yo yo. I didn't 306 00:19:29,600 --> 00:19:31,359 Speaker 1: mean yo you. Why do you mean? Why do you 307 00:19:31,480 --> 00:19:34,600 Speaker 1: mean yo yo? Well, I clarified, I clarified, I'm not 308 00:19:34,720 --> 00:19:38,760 Speaker 1: flirting with you, So I'm good. Yeah. So there's a 309 00:19:38,840 --> 00:19:41,879 Speaker 1: twenty year old Tesla driver that was hit with a 310 00:19:42,000 --> 00:19:46,240 Speaker 1: reckless driving charge this week because he was caught asleep 311 00:19:46,280 --> 00:19:48,520 Speaker 1: behind the wheel going ninety three miles per hour in 312 00:19:48,720 --> 00:19:53,159 Speaker 1: his autopilot function. Did he crash the car? No, but 313 00:19:53,440 --> 00:19:56,960 Speaker 1: other drivers on the highway kept calling in to the 314 00:19:57,080 --> 00:20:00,119 Speaker 1: police saying that they had this. They could see the 315 00:20:00,240 --> 00:20:02,560 Speaker 1: driver's sleeping and the car was just zooming down the 316 00:20:02,640 --> 00:20:05,119 Speaker 1: highway going way too fast. How can they prove he 317 00:20:05,200 --> 00:20:07,040 Speaker 1: was sleeping if he was awake when they pulled him over, 318 00:20:07,240 --> 00:20:09,399 Speaker 1: because he could just go out. I wasn't sleeping. But 319 00:20:09,520 --> 00:20:12,120 Speaker 1: how crazy is that? Because I was squinning the whole time. 320 00:20:12,800 --> 00:20:14,400 Speaker 1: If this guy doesn't have a good lawyer that gets 321 00:20:14,480 --> 00:20:17,520 Speaker 1: him out of this, that's a dummy Testless autopilot function 322 00:20:17,720 --> 00:20:23,000 Speaker 1: can steer, accelerate and break on the driver. Yet it 323 00:20:23,160 --> 00:20:26,600 Speaker 1: is so incredibly nuts. So this guy Tom and his 324 00:20:26,680 --> 00:20:29,760 Speaker 1: wife Kristen, they're hosting one of those cool gender reveal 325 00:20:29,920 --> 00:20:33,520 Speaker 1: parties and he was doing a cannon cartridge where he 326 00:20:33,520 --> 00:20:36,920 Speaker 1: shoot it out in the colors like blue or pink. Well, 327 00:20:37,119 --> 00:20:39,840 Speaker 1: he shot it the wrong way and accidentally shot himself 328 00:20:40,080 --> 00:20:44,000 Speaker 1: in the crotch. But then there was blue stuff all 329 00:20:44,040 --> 00:20:46,200 Speaker 1: over him and then he was on the ground in pain. 330 00:20:46,520 --> 00:20:48,320 Speaker 1: But but if you got a boy out of it, 331 00:20:49,520 --> 00:20:51,520 Speaker 1: I'm sure he was fine. But just to we have 332 00:20:51,560 --> 00:21:02,399 Speaker 1: a clip of that too. That's what you didn't hear. Okay, 333 00:21:03,600 --> 00:21:08,040 Speaker 1: that's my pile. That was Amy's pile of stories. Kid's 334 00:21:08,119 --> 00:21:16,040 Speaker 1: time for the good news. These stories of when people 335 00:21:16,119 --> 00:21:19,840 Speaker 1: fight an alligator for their animal, their dog. Like like, 336 00:21:20,000 --> 00:21:22,120 Speaker 1: I root for them almost as hard as I root 337 00:21:22,160 --> 00:21:24,840 Speaker 1: for like the US Olympic soccer team. You know, I'm 338 00:21:24,840 --> 00:21:27,920 Speaker 1: just like, wow, let's go. And I don't see many alligators. 339 00:21:27,920 --> 00:21:30,080 Speaker 1: I don't see much soccer. I compare them because it's 340 00:21:30,119 --> 00:21:32,800 Speaker 1: they're both foreign to me. But I root for these 341 00:21:32,840 --> 00:21:35,280 Speaker 1: people because if some if an alligator bit my dog 342 00:21:35,320 --> 00:21:36,600 Speaker 1: and went after my dog, I think I would do 343 00:21:36,680 --> 00:21:39,560 Speaker 1: the same thing. Florida man got up close and personal 344 00:21:39,600 --> 00:21:42,520 Speaker 1: with an alligator after it attacked his dog. Mike McCoy 345 00:21:42,640 --> 00:21:45,880 Speaker 1: was walking his eight month old chocolate lab Jake, near 346 00:21:45,960 --> 00:21:48,600 Speaker 1: a pond in Florida, which, by the way, should you 347 00:21:48,640 --> 00:21:50,760 Speaker 1: be walking a tiny puppy near a pond or there 348 00:21:50,840 --> 00:21:52,879 Speaker 1: might be an alligator? I mean, but do you know 349 00:21:53,040 --> 00:21:56,680 Speaker 1: that of the Florida I probably know, maybe have like 350 00:21:56,880 --> 00:22:00,000 Speaker 1: thirty yards off the pond. Yeah, I guess. So alligator 351 00:22:00,160 --> 00:22:01,960 Speaker 1: jumped out of the water and grabbed his puppy, pulled 352 00:22:02,000 --> 00:22:04,960 Speaker 1: the puppy over the water, he says. Jake wasn't a 353 00:22:05,080 --> 00:22:07,600 Speaker 1: death roll with that gator, but he jumped in the water. 354 00:22:07,720 --> 00:22:12,000 Speaker 1: He thumbed him in the eye. Wow. He picked him 355 00:22:12,040 --> 00:22:14,040 Speaker 1: up out of the water so he couldn't get anywhere 356 00:22:14,080 --> 00:22:16,240 Speaker 1: until he let the dog go. He thumbed the thing 357 00:22:16,320 --> 00:22:19,479 Speaker 1: in the eye. You can do that to humans too, 358 00:22:19,560 --> 00:22:23,440 Speaker 1: you know, and get to it. Yeah, and sharks have heard. 359 00:22:27,359 --> 00:22:28,760 Speaker 1: They have to get stitches, both of them because they 360 00:22:28,760 --> 00:22:30,080 Speaker 1: did get bitten by the gator a little bit. But 361 00:22:30,080 --> 00:22:31,800 Speaker 1: they both are okay, They're gonna be fine. The gator 362 00:22:31,920 --> 00:22:34,040 Speaker 1: was estimated to be between seven and nine feet long. 363 00:22:34,520 --> 00:22:37,040 Speaker 1: They're working with a trapper to remove it from the pond. Wow, 364 00:22:37,240 --> 00:22:42,040 Speaker 1: that's an awesome story, Florida. Man, that's great. Mike McCoy, 365 00:22:42,400 --> 00:22:45,639 Speaker 1: Jake probad, you're alive. That's what it's all about. That 366 00:22:46,040 --> 00:22:49,600 Speaker 1: was tell me something good. Let's go over to Amy 367 00:22:49,680 --> 00:22:56,280 Speaker 1: now with the morning Corny, Morning Corny. What do you 368 00:22:56,359 --> 00:23:00,840 Speaker 1: call James Bond taking a bath? What you called James 369 00:23:01,000 --> 00:23:09,480 Speaker 1: Bond taking a bath? Bubbalo seven? Good? That was the 370 00:23:10,080 --> 00:23:14,440 Speaker 1: Morning Corning on the Bobby Bones Show. Now, Carol Baskin, 371 00:23:15,200 --> 00:23:21,440 Speaker 1: Carroll you there, I am as, I'm a big fan. 372 00:23:21,720 --> 00:23:23,520 Speaker 1: I love you. I feel like You've been waiting a 373 00:23:23,600 --> 00:23:26,480 Speaker 1: long time to hear that imaging. Yeah on the phone now, 374 00:23:26,960 --> 00:23:29,400 Speaker 1: Carol back, yeah, yeah, yeah. Hey. So at what point 375 00:23:29,480 --> 00:23:31,600 Speaker 1: did you decide I think I want to do Dancing 376 00:23:31,640 --> 00:23:33,880 Speaker 1: with the Stars, because I'm sure they approached you way early, 377 00:23:34,040 --> 00:23:35,080 Speaker 1: Like how long did it take you to get to 378 00:23:35,160 --> 00:23:37,919 Speaker 1: that point? Right after Tiger King air, we were hit 379 00:23:38,000 --> 00:23:40,840 Speaker 1: by over two hundred media outlets asking us to come 380 00:23:40,880 --> 00:23:42,800 Speaker 1: on and talk about Tiger King, and I declined all 381 00:23:42,840 --> 00:23:45,440 Speaker 1: of them, and one of them was Dancing with the Stars, 382 00:23:45,520 --> 00:23:48,200 Speaker 1: which was kind of weird. And so my daughter saw 383 00:23:48,280 --> 00:23:49,800 Speaker 1: the list and she said, well, you've got to do 384 00:23:49,920 --> 00:23:52,200 Speaker 1: Jimmy Fallon and you've got to do Dancing with the Stars. 385 00:23:52,240 --> 00:23:55,320 Speaker 1: I had never seen either show, and the Jimmy Fallon 386 00:23:55,359 --> 00:23:56,960 Speaker 1: thing turned out to be a prank because everybody know 387 00:23:56,960 --> 00:23:58,520 Speaker 1: it's a really funny one as it turns out. But 388 00:23:58,880 --> 00:24:00,760 Speaker 1: then what I called Dancing at the Stars back, I 389 00:24:00,840 --> 00:24:02,520 Speaker 1: was like, Okay, this is just going to be a prank, 390 00:24:02,600 --> 00:24:04,840 Speaker 1: because nobody in their right mind would call me and 391 00:24:04,880 --> 00:24:07,040 Speaker 1: ask me to be on a show about dancing, and 392 00:24:07,160 --> 00:24:09,080 Speaker 1: they did. And I love that you're doing the show. 393 00:24:10,560 --> 00:24:12,760 Speaker 1: I do because it's so vulnerable to get out there 394 00:24:12,760 --> 00:24:15,160 Speaker 1: in front of millions of people and compete in something 395 00:24:15,240 --> 00:24:18,119 Speaker 1: that you have never done. Have you ever had a 396 00:24:18,160 --> 00:24:20,840 Speaker 1: single dance lesson, Carol Baskin? No, I mean I didn't 397 00:24:20,840 --> 00:24:22,960 Speaker 1: even dance at my wedding because I just it was 398 00:24:23,040 --> 00:24:25,359 Speaker 1: a sin in my family, and so I never danced 399 00:24:25,359 --> 00:24:27,560 Speaker 1: as a child and never did as an adult. Was 400 00:24:27,600 --> 00:24:29,119 Speaker 1: a part of the reason that you went on the 401 00:24:29,160 --> 00:24:31,840 Speaker 1: show to promote Big Cat Rescue. It was the only 402 00:24:31,960 --> 00:24:34,440 Speaker 1: reason other than my daughter. Like I said, I didn't 403 00:24:34,440 --> 00:24:36,119 Speaker 1: even know what the show was. I thought when they 404 00:24:36,160 --> 00:24:37,760 Speaker 1: invited me that they were going to have me dance 405 00:24:37,800 --> 00:24:40,360 Speaker 1: with a star, because I didn't perceive myself as a star. 406 00:24:41,840 --> 00:24:44,359 Speaker 1: But I felt like, if this was something that a 407 00:24:44,400 --> 00:24:46,320 Speaker 1: lot of people watched, if my daughter watches it and 408 00:24:46,480 --> 00:24:48,600 Speaker 1: there's a lot of people watching this. I wanted people 409 00:24:48,680 --> 00:24:50,960 Speaker 1: to know about the big cats that were really left 410 00:24:51,000 --> 00:24:52,840 Speaker 1: out in Tiger Kane. They are the ones that are 411 00:24:52,880 --> 00:24:55,320 Speaker 1: suffering the abuse. And I hope every week that I 412 00:24:55,400 --> 00:24:58,200 Speaker 1: can stay in this. It keeps the spotlight on the cats. 413 00:24:58,640 --> 00:25:00,320 Speaker 1: I gotta tell you, Carol, I don't think I traded 414 00:25:00,359 --> 00:25:04,200 Speaker 1: your fare on that show. I don't at all. You 415 00:25:04,280 --> 00:25:09,240 Speaker 1: had to feel the same way. I felt so utterly 416 00:25:09,400 --> 00:25:12,520 Speaker 1: betrayed by what they did. But there's always I think 417 00:25:12,600 --> 00:25:16,000 Speaker 1: everything always happens the way it should and that it's 418 00:25:16,040 --> 00:25:18,919 Speaker 1: always for the best. And so even though my family 419 00:25:18,960 --> 00:25:21,920 Speaker 1: and I suffered greatly because of that, there's so much 420 00:25:22,000 --> 00:25:24,639 Speaker 1: good that we can turn this into. Have you trademarked? Hey, 421 00:25:24,680 --> 00:25:27,359 Speaker 1: all you cool cats and kittens? We're trying to Oh, 422 00:25:27,480 --> 00:25:29,920 Speaker 1: is that starting to be tough, because, I mean, have 423 00:25:30,040 --> 00:25:32,120 Speaker 1: other people trying to jump on it since the show? Yeah, 424 00:25:32,200 --> 00:25:34,760 Speaker 1: other people have. I've actually been using that phrase for 425 00:25:35,040 --> 00:25:37,680 Speaker 1: years on my little Big Cat briefing that I do, 426 00:25:38,240 --> 00:25:40,200 Speaker 1: and so I think we stand a good chance of 427 00:25:40,240 --> 00:25:42,560 Speaker 1: actually trademarking it. But it's like a year long process 428 00:25:42,680 --> 00:25:45,560 Speaker 1: to do it. Carol Baskin is on with us. I 429 00:25:45,640 --> 00:25:48,320 Speaker 1: think you're handling this beautifully to hear you say that 430 00:25:49,080 --> 00:25:52,320 Speaker 1: you were misrepresented and a lot of people could just 431 00:25:53,200 --> 00:25:55,360 Speaker 1: run the other direction with that, but instead you're trying 432 00:25:55,400 --> 00:25:57,920 Speaker 1: to turn it into something good and positive and what 433 00:25:58,080 --> 00:26:02,080 Speaker 1: you can do for your cat rescue center. And I 434 00:26:02,200 --> 00:26:04,480 Speaker 1: just love that. You know. I'll say this about Carol Baskin, 435 00:26:04,960 --> 00:26:07,159 Speaker 1: thank you. I've always believed in you, Carol Baskin. I 436 00:26:07,280 --> 00:26:09,399 Speaker 1: came on the show from episode one. I was like, 437 00:26:09,520 --> 00:26:11,399 Speaker 1: Carol Baskin is getting the send of the stick on 438 00:26:11,520 --> 00:26:16,880 Speaker 1: this show. That's why I said, thank you, welcome well 439 00:26:16,880 --> 00:26:19,000 Speaker 1: and thank you for putting up Scuba Steves and messaging 440 00:26:19,040 --> 00:26:20,480 Speaker 1: you a lot over the last few months. Right to 441 00:26:20,560 --> 00:26:22,840 Speaker 1: try to get you on the show is relentless. You 442 00:26:23,000 --> 00:26:28,040 Speaker 1: really have a gym in him. All right, yeah, alright, alright. 443 00:26:28,160 --> 00:26:31,360 Speaker 1: On Instagram you can follow her Carol Baskin Cat. Let 444 00:26:31,440 --> 00:26:33,960 Speaker 1: me just say, miss Carol Baskin, it has been a thrill, 445 00:26:34,440 --> 00:26:37,359 Speaker 1: Be healthy, be safe, Thank you so much. All right 446 00:26:37,400 --> 00:26:45,960 Speaker 1: by Carol Baskin. We finally got her. I did. I did, Hey, 447 00:26:46,080 --> 00:26:49,040 Speaker 1: Ray or week clear? Claire? Okay, cool? You just never 448 00:26:49,160 --> 00:26:53,360 Speaker 1: know she's still well. Sometimes that'll happen. I'll be like, well, 449 00:26:53,400 --> 00:26:58,240 Speaker 1: that was a good interview she hung up, or it'll happen. 450 00:26:58,280 --> 00:26:59,960 Speaker 1: I'll be like, yeah, that that was kind of crappy, 451 00:27:00,200 --> 00:27:05,880 Speaker 1: and then you're like still here, okay, what do you think? Well, 452 00:27:06,040 --> 00:27:09,399 Speaker 1: so that I'll give you my thoughts after perfect right, 453 00:27:09,480 --> 00:27:11,320 Speaker 1: let's hit a quick break and then i'll give you 454 00:27:11,440 --> 00:27:13,080 Speaker 1: my thoughts after this. And I want to ask you 455 00:27:13,200 --> 00:27:15,000 Speaker 1: the question I wanted to ask with then I didn't 456 00:27:15,000 --> 00:27:16,560 Speaker 1: know it was appropriate side, and so I was like 457 00:27:16,800 --> 00:27:21,560 Speaker 1: congratulation handling this so well, I find out what you 458 00:27:21,640 --> 00:27:24,480 Speaker 1: wanted to ask next, and I'll tell you what they 459 00:27:24,560 --> 00:27:27,240 Speaker 1: told me before the interview. Okay, okay, because I kind 460 00:27:27,280 --> 00:27:28,879 Speaker 1: of had to hybrid it what they told me what 461 00:27:28,960 --> 00:27:33,320 Speaker 1: I wanted to do. Angela and Virginia, you're on the 462 00:27:33,400 --> 00:27:36,359 Speaker 1: Bobby Bone Show. I just wanted to let you know 463 00:27:36,640 --> 00:27:39,359 Speaker 1: that you did an absolute amazing job on the interview 464 00:27:39,440 --> 00:27:42,280 Speaker 1: this morning. I was kind of excited. I don't have 465 00:27:42,480 --> 00:27:45,200 Speaker 1: a side. I don't go either way, and knowing that 466 00:27:45,280 --> 00:27:47,720 Speaker 1: you're her side and she hadn't want to talk for 467 00:27:48,119 --> 00:27:50,480 Speaker 1: six months, I just wanted to let you go that 468 00:27:50,680 --> 00:27:52,520 Speaker 1: it was an amazing interview and I think to learn 469 00:27:52,680 --> 00:27:54,800 Speaker 1: very well and you couldn't have done it any better. Wow, 470 00:27:54,880 --> 00:27:57,240 Speaker 1: thank you very much. Here's the thing with her, I 471 00:27:57,440 --> 00:28:01,359 Speaker 1: feel like that documentary head an agenda. They all do. 472 00:28:01,560 --> 00:28:04,879 Speaker 1: By the way, it's not just this documentary. They all 473 00:28:04,920 --> 00:28:07,840 Speaker 1: come in with a perspective, and I feel like they 474 00:28:07,960 --> 00:28:11,440 Speaker 1: needed a villain. But who's crazier. Joe Exotic was way 475 00:28:11,480 --> 00:28:15,320 Speaker 1: crazier than Carol Baskin. He just was. So if I 476 00:28:15,400 --> 00:28:17,960 Speaker 1: got to pick a side, I'm gonna pick the one 477 00:28:18,320 --> 00:28:21,440 Speaker 1: of the not absolutely nuts person who burned their own 478 00:28:21,480 --> 00:28:24,359 Speaker 1: shack down, who did Joe Exotics had too much crazy 479 00:28:24,400 --> 00:28:27,240 Speaker 1: crap going on? Aside from that, I just don't think 480 00:28:27,280 --> 00:28:29,360 Speaker 1: it's fair to say that someone murdered their husband when 481 00:28:29,359 --> 00:28:32,080 Speaker 1: you don't know anything you don't know. I just can't 482 00:28:32,160 --> 00:28:33,880 Speaker 1: get on that side. And she sound like a sweet person. 483 00:28:34,359 --> 00:28:37,359 Speaker 1: Here's what they told me before this interview. They walked 484 00:28:37,400 --> 00:28:41,600 Speaker 1: in or Scuba didn said, hey, Disney, ABC has asked 485 00:28:41,880 --> 00:28:43,720 Speaker 1: that you only talk about dancing with the stars. Now. 486 00:28:43,760 --> 00:28:45,280 Speaker 1: It wasn't my intention to only talk about dancing with 487 00:28:45,320 --> 00:28:47,120 Speaker 1: the stars, nor did I only talk about dancing with 488 00:28:47,200 --> 00:28:51,320 Speaker 1: the stars. But I did want to talk about it, 489 00:28:51,360 --> 00:28:53,520 Speaker 1: and I felt that she was going to be uncomfortable 490 00:28:53,520 --> 00:28:56,440 Speaker 1: when that interview started, just going what's about to happen. 491 00:28:56,760 --> 00:28:59,640 Speaker 1: So it's my job as a good interviewer sometimes to 492 00:29:00,000 --> 00:29:02,959 Speaker 1: asked the greatest questions first so I can warm them 493 00:29:03,040 --> 00:29:08,280 Speaker 1: up to answering better later. So it's on, it's like, hey, 494 00:29:08,400 --> 00:29:11,080 Speaker 1: how are you feeling, how's your health? Dancing with stars, Gooba, 495 00:29:11,120 --> 00:29:14,840 Speaker 1: gooble gooba, all that happens. And then as soon as 496 00:29:14,880 --> 00:29:18,440 Speaker 1: she gave me the outlet to go to Tiger King, 497 00:29:18,520 --> 00:29:20,680 Speaker 1: I did because I was waiting for her to mention 498 00:29:20,720 --> 00:29:22,360 Speaker 1: it one time, and then she was Tiger and I 499 00:29:22,440 --> 00:29:24,160 Speaker 1: was like, speaking of Tiger King, I'm glad you brought 500 00:29:24,280 --> 00:29:27,320 Speaker 1: that up. Since you brought that up, it now allows 501 00:29:27,440 --> 00:29:29,640 Speaker 1: me to walk over there. And I said, I don't 502 00:29:29,680 --> 00:29:31,680 Speaker 1: feel like you represented fairly on that show. How did 503 00:29:31,720 --> 00:29:35,240 Speaker 1: you feel? To what she answered, I felt so utterly 504 00:29:35,360 --> 00:29:38,480 Speaker 1: betrayed by what they did. But there's always I think 505 00:29:38,560 --> 00:29:42,320 Speaker 1: everything always happens away it should, and that it's always 506 00:29:42,320 --> 00:29:45,000 Speaker 1: for the best. And so even though my family and 507 00:29:45,080 --> 00:29:48,160 Speaker 1: I suffered greatly because of that, there's so much good 508 00:29:48,200 --> 00:29:50,880 Speaker 1: that we can turn this into. And in her mind, 509 00:29:51,200 --> 00:29:54,920 Speaker 1: she walked herself there. Really I waited for the right 510 00:29:55,000 --> 00:29:58,040 Speaker 1: Spots took it and that's where we went. But I 511 00:29:58,200 --> 00:30:00,560 Speaker 1: kind of had to be meticulous with my mo because 512 00:30:00,920 --> 00:30:03,160 Speaker 1: she could just hang up at any time. Yeah, it's 513 00:30:03,200 --> 00:30:07,320 Speaker 1: like walking up to a deer. Now, most deers a're 514 00:30:07,360 --> 00:30:08,840 Speaker 1: gonna let you walk up to him. Anyway, she hasn't 515 00:30:08,880 --> 00:30:10,880 Speaker 1: let us walk up to her. If you make any 516 00:30:10,880 --> 00:30:15,520 Speaker 1: sudden movements, that deer's out gone. However, every great once 517 00:30:15,560 --> 00:30:17,760 Speaker 1: in a while, if you got the right corn in 518 00:30:17,840 --> 00:30:21,880 Speaker 1: your hand, it's a great analogy, and you moved just 519 00:30:22,240 --> 00:30:25,280 Speaker 1: slow enough to where they don't see you as a threat, 520 00:30:25,680 --> 00:30:29,000 Speaker 1: but rather as someone that is providing them something, some nourishment, 521 00:30:30,240 --> 00:30:33,080 Speaker 1: that freaking deer will come to your hand and eat 522 00:30:33,680 --> 00:30:38,440 Speaker 1: the corn. Carol Baskin ate the corn. It's great. She 523 00:30:38,520 --> 00:30:40,200 Speaker 1: was great. She was great on the show. Well, when 524 00:30:40,240 --> 00:30:41,840 Speaker 1: she was eating corn, that's when I thought you were 525 00:30:41,880 --> 00:30:45,480 Speaker 1: gonna go for the also question, I'm also playing the 526 00:30:45,560 --> 00:30:48,640 Speaker 1: long game here. Yeah, oh good god, oh oh okay. 527 00:30:49,200 --> 00:30:51,440 Speaker 1: I don't want to disrespect her. First of all, she's 528 00:30:51,480 --> 00:30:54,360 Speaker 1: not doing any interviews and she came on our show. 529 00:30:55,160 --> 00:30:59,720 Speaker 1: How lucky are we? How grateful am I? Scuba Steve 530 00:30:59,800 --> 00:31:02,200 Speaker 1: has busted his butt for the last six months trying 531 00:31:02,200 --> 00:31:08,320 Speaker 1: to get her on I mean, basically harassed her up. Yeah. 532 00:31:09,080 --> 00:31:12,680 Speaker 1: So that being said, I felt like it went as 533 00:31:12,760 --> 00:31:14,640 Speaker 1: good as I could make it because I wasn't going 534 00:31:14,720 --> 00:31:17,000 Speaker 1: to go all right, you so you got eleven last week? 535 00:31:17,120 --> 00:31:19,960 Speaker 1: Go your husband. Wasn't going to do that because I'm 536 00:31:20,000 --> 00:31:22,600 Speaker 1: also investing in the long term relationship between myself and 537 00:31:22,680 --> 00:31:27,320 Speaker 1: Carol Baskin. Got it. Let's go over to Meghan and Georgia. Megan, 538 00:31:27,360 --> 00:31:30,640 Speaker 1: you're on the show. How are you? Good morning studio? 539 00:31:32,160 --> 00:31:34,360 Speaker 1: All right, I'm so excited to hear you guys, So 540 00:31:34,600 --> 00:31:37,200 Speaker 1: listen Carol Basking on there. I was so out, you know, 541 00:31:37,280 --> 00:31:40,040 Speaker 1: I sent her an email to get her on the show. 542 00:31:40,240 --> 00:31:44,040 Speaker 1: Oh nice, you're a booking her on the show for us? Yeah? 543 00:31:44,320 --> 00:31:46,320 Speaker 1: Let me grab one more call here. This is Jessica 544 00:31:46,480 --> 00:31:49,440 Speaker 1: in Oklahoma. Jessica, you're on the show. Hey, how are 545 00:31:49,480 --> 00:31:52,120 Speaker 1: you pretty good? What's going on? Um? I just port 546 00:31:52,160 --> 00:31:54,440 Speaker 1: of this day. I love the interview. I was not 547 00:31:54,720 --> 00:31:58,239 Speaker 1: a Carol Baskin fan before, but after listening to your 548 00:31:58,280 --> 00:32:02,240 Speaker 1: interview with her, you really have me out. And I 549 00:32:02,320 --> 00:32:06,480 Speaker 1: can't think of her name witho going Carol Baskins, Carol 550 00:32:06,520 --> 00:32:10,200 Speaker 1: Basking Okay, thank you for the call. Hey, Ray, let's 551 00:32:10,200 --> 00:32:12,920 Speaker 1: play voicemail number four from last night. Someone called and 552 00:32:12,960 --> 00:32:15,680 Speaker 1: said this whenever they heard we're having Carol Baskin on, Bobby, 553 00:32:15,720 --> 00:32:19,120 Speaker 1: Are you serious with Carol Baskin? Like? This is ridiculous. 554 00:32:19,160 --> 00:32:21,440 Speaker 1: I've listened to you for years and I'm going to 555 00:32:21,600 --> 00:32:25,760 Speaker 1: stop listening to you because of this, absolutely ridiculous. What 556 00:32:26,000 --> 00:32:29,120 Speaker 1: is he's like Joe exotic van? That was Joe Exotic 557 00:32:29,320 --> 00:32:36,480 Speaker 1: him prison? I don't care. Listen. This show is a 558 00:32:36,680 --> 00:32:40,960 Speaker 1: very inclusive show. You can be any age, any race, 559 00:32:41,320 --> 00:32:44,200 Speaker 1: any sex, and you can probably find one of us 560 00:32:44,320 --> 00:32:46,960 Speaker 1: that you're like, all right, I feel that like we 561 00:32:47,480 --> 00:32:50,400 Speaker 1: want everyone come on in, feel comfortable coming in. We're odd, 562 00:32:50,920 --> 00:32:54,000 Speaker 1: we're weird, we shouldn't be doing this show. We understand that. 563 00:32:54,560 --> 00:32:56,680 Speaker 1: That's where the B Team comes from. We feel like 564 00:32:56,760 --> 00:32:59,080 Speaker 1: we're not a team. We're B team. We're the second team, 565 00:32:59,600 --> 00:33:01,400 Speaker 1: and that's okay, and we're proud of that. And because 566 00:33:01,440 --> 00:33:03,600 Speaker 1: of that, we have each other's back. And so you 567 00:33:03,640 --> 00:33:05,640 Speaker 1: don't want to be part of the B Team, then 568 00:33:06,520 --> 00:33:11,560 Speaker 1: kick rocks. We don't need you. We might go so quick. 569 00:33:13,640 --> 00:33:16,120 Speaker 1: How ratings are on what city were end? Let me know, Hey, 570 00:33:16,160 --> 00:33:20,280 Speaker 1: what was that area code? Are you from? We're about 571 00:33:20,280 --> 00:33:25,680 Speaker 1: to play our game Never Gonna Get It. Let's bring 572 00:33:25,800 --> 00:33:28,360 Speaker 1: up Morgan, who's on the phone right now. Morgan is 573 00:33:28,440 --> 00:33:31,920 Speaker 1: in Oklahoma. Hey Morgan, how are you? I'm good? How 574 00:33:32,000 --> 00:33:34,080 Speaker 1: are you? I'm pretty good. What part of Oklahoma are 575 00:33:34,080 --> 00:33:38,960 Speaker 1: you inhom All right, well, I'm glad you're on. We're 576 00:33:39,000 --> 00:33:40,880 Speaker 1: gonna play this game called never Gonna Get It, where 577 00:33:40,880 --> 00:33:43,600 Speaker 1: I asked the show an impossible question. If they get it, 578 00:33:44,040 --> 00:33:46,440 Speaker 1: they win cash, and you win the same cash that 579 00:33:46,600 --> 00:33:51,360 Speaker 1: they win. Okay, all right, sounds good, So I'll ask 580 00:33:51,440 --> 00:33:54,360 Speaker 1: the question this time. Then you, Morgan, can decide who 581 00:33:54,400 --> 00:33:58,360 Speaker 1: you'd like to team up with. Okay, okay, They're never 582 00:33:58,480 --> 00:34:02,520 Speaker 1: gonna get a question. Third five percent of hiring managers 583 00:34:03,240 --> 00:34:07,280 Speaker 1: say this resume mistake has gotten a job seeker an 584 00:34:07,360 --> 00:34:13,760 Speaker 1: instant rejection. So they just did a big, big poll. 585 00:34:14,360 --> 00:34:17,040 Speaker 1: Thirty five percent of people, basically one thirty people said hey, 586 00:34:17,080 --> 00:34:18,360 Speaker 1: they got this on a resume, and they were like, 587 00:34:18,400 --> 00:34:21,200 Speaker 1: instantly rejected, not even gonna give it a second look. 588 00:34:21,800 --> 00:34:24,960 Speaker 1: So that's the question. What is it, Morgan? Which of 589 00:34:25,000 --> 00:34:26,520 Speaker 1: these these folks would you like to team with? Who 590 00:34:26,520 --> 00:34:28,480 Speaker 1: do you think it's gonna get it right, I have 591 00:34:28,760 --> 00:34:34,400 Speaker 1: no cline to take. Um, I'm gonna go with Amy. Okay, 592 00:34:35,360 --> 00:34:39,960 Speaker 1: fan favorite Amy for sure? Right, this is Morgan on 593 00:34:40,080 --> 00:34:42,520 Speaker 1: with us right now as we play never gonna get it. 594 00:34:43,960 --> 00:34:48,440 Speaker 1: Here's the question. Thirty five percent of hiring managers say 595 00:34:48,520 --> 00:34:52,319 Speaker 1: this resume mistake has gotten a job seeker an instant rejection. 596 00:34:52,760 --> 00:34:55,360 Speaker 1: Now there's twenty bucks up for grabs. If any of 597 00:34:55,440 --> 00:34:59,120 Speaker 1: you get it, you get twenty bucks. If your person 598 00:34:59,160 --> 00:35:02,640 Speaker 1: gets at Morgan, which is Amy, you also get twenty bucks. Yes, 599 00:35:03,960 --> 00:35:06,279 Speaker 1: let's go around the room. Amy, would you write down 600 00:35:06,440 --> 00:35:12,680 Speaker 1: typo okay, lunchbox spelling mistakes? Eddie, I put your first job. 601 00:35:12,800 --> 00:35:16,200 Speaker 1: Nobody cares about your first job? Morgan? I bet their 602 00:35:16,239 --> 00:35:20,320 Speaker 1: email name? What do you mean, like their email account? 603 00:35:20,400 --> 00:35:23,879 Speaker 1: The name of their email account, like Bobby Bone sixty nine? Yeah, 604 00:35:25,040 --> 00:35:28,200 Speaker 1: like a funny email account. Yeah, just an email account? Yeah? 605 00:35:28,520 --> 00:35:30,880 Speaker 1: Like whatever their email acc don't you want to contact 606 00:35:30,960 --> 00:35:33,120 Speaker 1: them on email? I would think if it's their email 607 00:35:33,200 --> 00:35:36,480 Speaker 1: is childish like Morgan two gets specific? You're onto it? 608 00:35:36,640 --> 00:35:42,080 Speaker 1: Well right, right? Right? What do you say grammatical? Okay, 609 00:35:42,320 --> 00:35:45,440 Speaker 1: everyone's wrong. Morgan might be right again? Wait, what I 610 00:35:45,560 --> 00:35:47,400 Speaker 1: need you to be more specific, Morgan, I do I 611 00:35:47,520 --> 00:35:50,279 Speaker 1: get so close? Why? Why I need you to be 612 00:35:50,360 --> 00:35:54,120 Speaker 1: so Thirty five percent of hiring managers say this is 613 00:35:54,320 --> 00:35:57,000 Speaker 1: an instant. No, I need you to need you to 614 00:35:57,080 --> 00:35:58,640 Speaker 1: hit me with it? Yeah? Can it be their email 615 00:35:58,760 --> 00:36:00,680 Speaker 1: user name? Is that specific enough? What do you mean? 616 00:36:00,800 --> 00:36:03,480 Speaker 1: I don't understand what you're saying. If I put on 617 00:36:04,040 --> 00:36:07,640 Speaker 1: jockey kid twenty five from high school, like that little 618 00:36:07,800 --> 00:36:09,799 Speaker 1: user name part is what I'm talking about? Like when 619 00:36:09,840 --> 00:36:12,560 Speaker 1: it shoot, I know it? Well, yeah, because she's already 620 00:36:12,560 --> 00:36:15,719 Speaker 1: got it right for you, I thought, Mike, do I 621 00:36:15,800 --> 00:36:19,080 Speaker 1: give it to her? No? I think it is too well, yeah, 622 00:36:19,320 --> 00:36:23,440 Speaker 1: it's an unprofessional email address. The biggest resume mistake is 623 00:36:24,080 --> 00:36:26,880 Speaker 1: the most often is grammar and typos. But people that 624 00:36:26,960 --> 00:36:30,120 Speaker 1: see an unprofessional email address cut him immediately. You know 625 00:36:30,320 --> 00:36:32,600 Speaker 1: I know this because you used to be bone or Girls. 626 00:36:32,640 --> 00:36:38,000 Speaker 1: Six professor told me. He was like, I used to 627 00:36:38,200 --> 00:36:39,880 Speaker 1: do this to people, and I was like, okay, well 628 00:36:39,880 --> 00:36:41,480 Speaker 1: I'll make sure I have a good email address, and 629 00:36:41,520 --> 00:36:44,200 Speaker 1: it just always stuck with me. She's nailed these guys. 630 00:36:44,280 --> 00:36:48,600 Speaker 1: I think she's the queen of never gonna get it amos, 631 00:36:48,640 --> 00:36:52,560 Speaker 1: Like I won one broken clock right twice a day. 632 00:36:53,040 --> 00:36:57,120 Speaker 1: My grandma used to say, Oh, okay, tell my grandma 633 00:36:57,160 --> 00:37:03,279 Speaker 1: by Morgan, you did not win. I'm very sorry, but 634 00:37:03,400 --> 00:37:05,200 Speaker 1: I'm thankful that you called. Is there anything you'd like 635 00:37:05,280 --> 00:37:07,719 Speaker 1: to say while we're here? Yeah? Can I give a 636 00:37:07,760 --> 00:37:10,839 Speaker 1: shout out to my d thing? You got us? Shout 637 00:37:10,920 --> 00:37:16,120 Speaker 1: him out? All right? Hi, Mom, Kim, Hi, Angie, Hi, 638 00:37:16,320 --> 00:37:20,200 Speaker 1: Astley and r Nicolet up? All right, Thank you Morgan, 639 00:37:20,239 --> 00:37:21,960 Speaker 1: thanks for playing. Hopefully we'll talk to you again soon. 640 00:37:22,840 --> 00:37:24,880 Speaker 1: Thank you. You have a good day. And Morgan just 641 00:37:24,960 --> 00:37:26,680 Speaker 1: made twenty dollars. WHOA what are you gonna do with 642 00:37:26,719 --> 00:37:28,840 Speaker 1: that twenty bucks? Morgan? Now, I'm just gonna keep it 643 00:37:28,880 --> 00:37:30,360 Speaker 1: in there in case I keep losing, you know, So 644 00:37:30,480 --> 00:37:39,799 Speaker 1: that way, it's time for the good news. It's two 645 00:37:39,880 --> 00:37:43,160 Speaker 1: am and these two state troopers, Michael Allen and Pete Christie, 646 00:37:43,160 --> 00:37:47,000 Speaker 1: are sitting in the patrol car and an SUV goes, oh, 647 00:37:47,200 --> 00:37:50,520 Speaker 1: let's get him, turning the lights on. Boys. They followed 648 00:37:50,560 --> 00:37:53,680 Speaker 1: the suv. They quickly realize there's a guy putting his 649 00:37:53,760 --> 00:37:56,240 Speaker 1: hand outside the window like I can't stop, I can't stop. 650 00:37:56,320 --> 00:37:58,320 Speaker 1: Oh no. They finally get buy them. They say, you 651 00:37:58,400 --> 00:38:00,919 Speaker 1: have to pull over, so they got him to pull over. Well, 652 00:38:01,000 --> 00:38:03,440 Speaker 1: it was a dad taking his wife to the to 653 00:38:03,520 --> 00:38:06,040 Speaker 1: the hospital because she was going in labor, So like, well, 654 00:38:06,080 --> 00:38:07,960 Speaker 1: all right, scoot over, dad, let's see what we got here. 655 00:38:08,040 --> 00:38:11,040 Speaker 1: They see the baby's head coming out, they spring into action. 656 00:38:11,200 --> 00:38:13,920 Speaker 1: They deliver the baby on the spot, handed to the father, 657 00:38:14,239 --> 00:38:17,280 Speaker 1: and now the baby is healthy and the mom is healthy. 658 00:38:17,400 --> 00:38:18,800 Speaker 1: And they did it all there on the side of 659 00:38:18,800 --> 00:38:20,480 Speaker 1: the road. That's wild because you know how first that 660 00:38:20,520 --> 00:38:22,120 Speaker 1: are like we got somebody drunk running from the cops 661 00:38:22,640 --> 00:38:25,960 Speaker 1: or two am. You're thinking, like, of course, this guy's 662 00:38:26,760 --> 00:38:29,320 Speaker 1: definitely drunk. But no, what I think about one of 663 00:38:29,360 --> 00:38:31,960 Speaker 1: these people have babies in places that aren't a hospital. 664 00:38:33,040 --> 00:38:34,600 Speaker 1: How do they know where to cut the umbilical cord? 665 00:38:34,680 --> 00:38:36,759 Speaker 1: I think they train. I think they trained, But like, 666 00:38:36,880 --> 00:38:39,919 Speaker 1: what about somebody random? Can they just take the baby 667 00:38:39,960 --> 00:38:42,680 Speaker 1: and the moment accorded together? I mean, it seems like 668 00:38:42,719 --> 00:38:45,080 Speaker 1: when they see like the head coming out, it's pretty obvious. 669 00:38:45,160 --> 00:38:48,160 Speaker 1: You just almost like a quarterback takes the snap. I 670 00:38:48,320 --> 00:38:50,719 Speaker 1: get that, but I'm saying, there's an umbilical cord. Well, 671 00:38:50,760 --> 00:38:53,520 Speaker 1: they call the ambulance. Ambulance shows up and then does everything. 672 00:38:53,719 --> 00:38:55,400 Speaker 1: You know, the way they're supposed to, but I think 673 00:38:55,440 --> 00:38:58,879 Speaker 1: in the moment they just catch the baby. Yeah, that's awesome. Good. 674 00:38:58,960 --> 00:39:00,600 Speaker 1: Good for those costs. What it's all about? Right there? 675 00:39:01,360 --> 00:39:05,879 Speaker 1: That was tell me something good, Terry, Thanks for calling 676 00:39:05,920 --> 00:39:08,759 Speaker 1: the show. What's going on? Hi? I just wanted to 677 00:39:08,840 --> 00:39:12,120 Speaker 1: tell you guys. Guys are hilarious. You make me laugh 678 00:39:12,320 --> 00:39:14,800 Speaker 1: every morning. And I was hitting at a gas station, 679 00:39:15,080 --> 00:39:18,160 Speaker 1: just smiling and laughing, and for the first time in 680 00:39:18,280 --> 00:39:21,440 Speaker 1: my life, and I'm gonna be fifty next month, first 681 00:39:21,480 --> 00:39:23,360 Speaker 1: time in my life somebody came up to me and 682 00:39:23,520 --> 00:39:25,839 Speaker 1: hit on me. I was so excited. I'm like God. 683 00:39:27,280 --> 00:39:29,840 Speaker 1: As I was laughing and smiling at you guys with 684 00:39:29,960 --> 00:39:33,720 Speaker 1: the show, I was like, well, this time in my life, 685 00:39:34,360 --> 00:39:37,680 Speaker 1: what did the guy say as he approached you? He 686 00:39:37,840 --> 00:39:40,920 Speaker 1: come up and I was lucky that he hanstayed open 687 00:39:40,960 --> 00:39:42,839 Speaker 1: the window and I opened the window and he goes, 688 00:39:43,480 --> 00:39:48,239 Speaker 1: he goes, can I have your number? Wow? And he goes, 689 00:39:48,600 --> 00:39:53,920 Speaker 1: can you have mine? Oh? That pretty good? Wow? Not 690 00:39:54,080 --> 00:39:58,760 Speaker 1: as verst rodeo it this and did you I'm married? 691 00:39:58,840 --> 00:40:04,719 Speaker 1: And I'm like, going on, sorry, that's funny. Highlighted my 692 00:40:04,960 --> 00:40:10,600 Speaker 1: years that a next one. I'm like God, I'm gonna 693 00:40:10,640 --> 00:40:18,640 Speaker 1: be fifty next one. I'm almost a golden girl. That's what. 694 00:40:19,719 --> 00:40:21,880 Speaker 1: I just thought it was great because I was laughing. 695 00:40:21,960 --> 00:40:24,600 Speaker 1: It's filing so hard. I was like, you know, he 696 00:40:24,760 --> 00:40:26,640 Speaker 1: come up to me, and I thought that was great. Anyway, 697 00:40:26,719 --> 00:40:29,120 Speaker 1: Thank you guys so much for making me laugh every year. 698 00:40:29,200 --> 00:40:33,520 Speaker 1: All right, Terry, where do you live in Florida? Oh? Yeah, 699 00:40:35,120 --> 00:40:38,799 Speaker 1: know it well the summer there, yeah yeah, yeah, yeah, 700 00:40:39,160 --> 00:40:41,520 Speaker 1: but I just had to tell you guys, thank you 701 00:40:41,640 --> 00:40:45,800 Speaker 1: last every morning, and thank you very much. Congratulations, happy 702 00:40:45,800 --> 00:40:48,200 Speaker 1: fiftieth birthday when it comes up, and thanks for listening, 703 00:40:48,280 --> 00:40:50,960 Speaker 1: and good luck on your date. Thanks bobbing, thank you. 704 00:40:51,800 --> 00:40:55,680 Speaker 1: I'm married. All right, there she goes, that's funny though, Huh, 705 00:40:56,600 --> 00:41:00,480 Speaker 1: she's married. She had to decline. Oh, I tell you 706 00:41:00,840 --> 00:41:04,120 Speaker 1: I was. Caitlyn was with me in Seattle because she 707 00:41:04,200 --> 00:41:07,040 Speaker 1: she'll travel with me. She just works. So she's like, 708 00:41:07,120 --> 00:41:08,799 Speaker 1: heck if I'm gonna work all day Friday and half 709 00:41:08,800 --> 00:41:11,280 Speaker 1: the day Saturday because her job when she like internet 710 00:41:11,360 --> 00:41:17,200 Speaker 1: codes and does software sales for oil companies. I struggle 711 00:41:17,239 --> 00:41:18,719 Speaker 1: with knowing exactly what she does because I look over 712 00:41:18,760 --> 00:41:19,960 Speaker 1: at it and I'm like, I don't know what that means. 713 00:41:20,800 --> 00:41:22,960 Speaker 1: But so she we were at the hotel. I was 714 00:41:22,960 --> 00:41:23,920 Speaker 1: about to go off and shoot, and she goes, hey, 715 00:41:23,960 --> 00:41:25,800 Speaker 1: I'm gonna go to Starbucks and gets the coffee. So 716 00:41:25,960 --> 00:41:30,080 Speaker 1: she walks over. That's like next and this guy pulls 717 00:41:30,200 --> 00:41:33,960 Speaker 1: up to where she is walking, goes hey, rolls window 718 00:41:34,000 --> 00:41:36,080 Speaker 1: down and goes, hey, can I take you to lunch? 719 00:41:37,040 --> 00:41:39,279 Speaker 1: And she was like what. He goes canna take you 720 00:41:39,320 --> 00:41:41,600 Speaker 1: to lunch? And she was like, no, I have a boyfriend. 721 00:41:41,680 --> 00:41:44,840 Speaker 1: He's like, well, doesn't he want you fed? And I 722 00:41:45,080 --> 00:41:48,320 Speaker 1: was like, you know what, I'm mad line. Yeah, like, 723 00:41:48,400 --> 00:41:53,040 Speaker 1: if you're already in, it's not a bad one. Amy. 724 00:41:53,080 --> 00:41:56,319 Speaker 1: How are your kids? They're doing good, Eddie. I don't 725 00:41:56,400 --> 00:41:58,759 Speaker 1: know if you ever deal with this when your kids 726 00:41:58,840 --> 00:42:03,000 Speaker 1: have play dates, but I've noticed that with lots of parents, 727 00:42:03,520 --> 00:42:08,280 Speaker 1: when you're texting about kids getting together, there's a tango 728 00:42:08,760 --> 00:42:10,640 Speaker 1: of whose house it's going to be at? Oh, and 729 00:42:10,800 --> 00:42:15,040 Speaker 1: everyone seems real flexible and this fine, my house or 730 00:42:15,120 --> 00:42:17,480 Speaker 1: your house whatever you just say, but no parent wants 731 00:42:17,480 --> 00:42:19,320 Speaker 1: to commit to their house in case the other person's 732 00:42:19,360 --> 00:42:23,239 Speaker 1: willing to volunteers tribute first. This is so true. Yeah, 733 00:42:23,320 --> 00:42:24,800 Speaker 1: And so I kind of came up with an I 734 00:42:24,840 --> 00:42:26,440 Speaker 1: don't know if it has a name, but I'm starting 735 00:42:26,520 --> 00:42:29,400 Speaker 1: to call it the play date tango, where parents just 736 00:42:30,200 --> 00:42:32,680 Speaker 1: dance back and forth and dance around the fact that 737 00:42:33,160 --> 00:42:35,560 Speaker 1: they're open to a play date. But I mean, whatever 738 00:42:35,640 --> 00:42:38,280 Speaker 1: house is fine, and you just wait for the person 739 00:42:38,480 --> 00:42:41,680 Speaker 1: to commit, and then sometimes it's you, sometimes it's them. 740 00:42:42,239 --> 00:42:45,000 Speaker 1: You win some, you lose some. That's just to me. 741 00:42:45,120 --> 00:42:47,120 Speaker 1: I just thought it was comical because you sometimes end 742 00:42:47,239 --> 00:42:49,120 Speaker 1: up in a stalemate of like who's gonna text next? 743 00:42:49,200 --> 00:42:50,440 Speaker 1: Like what are we gonna do when the kids have 744 00:42:50,480 --> 00:42:52,400 Speaker 1: to get together? Who's gonna volunteer first? Do you ever 745 00:42:52,480 --> 00:42:54,560 Speaker 1: try to shove your kids with another kid that they 746 00:42:54,600 --> 00:42:57,640 Speaker 1: don't really like because your parents, you guys, parents get along? No, 747 00:42:58,360 --> 00:42:59,879 Speaker 1: I haven't yet, Well my kids don't. I don't even 748 00:42:59,880 --> 00:43:01,880 Speaker 1: have that many options to choose from them. So far. 749 00:43:02,000 --> 00:43:05,040 Speaker 1: My kids just play with people that they that they like. Eddie, 750 00:43:05,040 --> 00:43:07,320 Speaker 1: you have this problem at all? Well, the tango for 751 00:43:07,360 --> 00:43:10,160 Speaker 1: sure is a real thing, because you just I don't 752 00:43:10,200 --> 00:43:12,960 Speaker 1: think anyone wants to host kids at their house, and 753 00:43:13,120 --> 00:43:15,800 Speaker 1: like sometimes I think lately it's been our house just 754 00:43:15,880 --> 00:43:17,400 Speaker 1: because we're like, I don't want to play this game. 755 00:43:17,480 --> 00:43:18,800 Speaker 1: It's fine, you can do it at our house, and 756 00:43:18,840 --> 00:43:21,919 Speaker 1: we'll do it. But it's a real thing. Yeah, you're 757 00:43:22,040 --> 00:43:25,080 Speaker 1: thirteen year old is too old for play dates. He's twelve, 758 00:43:25,719 --> 00:43:29,399 Speaker 1: but I still play with I wouldn't say he's too old. Yeah, 759 00:43:29,480 --> 00:43:32,000 Speaker 1: Like like he has friends come come over and they 760 00:43:32,120 --> 00:43:34,480 Speaker 1: just kind of that's different than a play date that's 761 00:43:34,520 --> 00:43:38,719 Speaker 1: been organized by moms. Thirteen, I still organized with moms. Yeah, 762 00:43:38,800 --> 00:43:42,080 Speaker 1: but your daughter's thirteen, who hasn't been in America that long? Yeah? True. 763 00:43:42,719 --> 00:43:46,960 Speaker 1: Eddie's kids like from the streets. Yeah, yeah, So I 764 00:43:47,040 --> 00:43:50,720 Speaker 1: just thought other parents might be able to relate. Lunchbox, 765 00:43:50,760 --> 00:43:53,279 Speaker 1: what'd you do? I called the Museum of Nature and 766 00:43:53,440 --> 00:43:55,960 Speaker 1: Science because they have a zombie, not a zombie, they 767 00:43:56,000 --> 00:43:59,600 Speaker 1: have a mummy exhibit, and I like a fifth grade 768 00:43:59,640 --> 00:44:01,640 Speaker 1: teacher and I wanted to bring my students to see 769 00:44:01,680 --> 00:44:05,360 Speaker 1: the zombies. So he's supposed to be a teacher, but 770 00:44:05,520 --> 00:44:08,200 Speaker 1: he thinks the mummies a zombie. Okay, here we go 771 00:44:09,600 --> 00:44:12,879 Speaker 1: to services. How can I help you? Yes, ma'am, I'm 772 00:44:12,920 --> 00:44:15,440 Speaker 1: a fifth grade science teacher and we've been doing a 773 00:44:15,640 --> 00:44:18,520 Speaker 1: whole month on zombies and I want to bring the 774 00:44:18,640 --> 00:44:23,920 Speaker 1: kids to see some zombies in the flesh. Well that 775 00:44:24,000 --> 00:44:26,680 Speaker 1: sounds cool. Yeah, I mean, I know you guys are 776 00:44:26,719 --> 00:44:28,680 Speaker 1: doing the zombie exhibit. I'm just trying to get some 777 00:44:28,760 --> 00:44:32,880 Speaker 1: more information. We have like Egyptian mummies here at the museum. 778 00:44:33,360 --> 00:44:37,919 Speaker 1: You said you have Egyptian zombies, Egyptian mummies. We don't 779 00:44:37,960 --> 00:44:41,080 Speaker 1: have the zombies exhibit. Man, do you do you have 780 00:44:41,200 --> 00:44:43,880 Speaker 1: any zombies that were on The Walking Dead? We do 781 00:44:44,040 --> 00:44:46,960 Speaker 1: not know. You probably have to go to some Hollywood 782 00:44:47,000 --> 00:44:50,319 Speaker 1: lot to see something like that. So some of the kids, 783 00:44:50,400 --> 00:44:52,640 Speaker 1: you know, like they're kind of scared. Is there a 784 00:44:52,719 --> 00:44:54,400 Speaker 1: way they can see them through the glass or the 785 00:44:54,560 --> 00:44:57,120 Speaker 1: zombie won't They're worried the zombies are going to come 786 00:44:57,160 --> 00:44:59,880 Speaker 1: back to life when we're there. Sure. Again, we do 787 00:45:00,000 --> 00:45:02,600 Speaker 1: don't have the zombie thing, so you can't really answer 788 00:45:02,680 --> 00:45:06,320 Speaker 1: that question. Yeah, do you have any famous zombies? We 789 00:45:06,440 --> 00:45:12,080 Speaker 1: don't have any zombies period. We must be thinking like 790 00:45:14,360 --> 00:45:21,399 Speaker 1: this is what's wrong with America to day. This story 791 00:45:21,480 --> 00:45:24,759 Speaker 1: comes to us from Vermont. A man was driving an 792 00:45:24,800 --> 00:45:27,719 Speaker 1: ATV trying to escape police because he had not paid 793 00:45:27,800 --> 00:45:30,799 Speaker 1: his bar tab. He's driving, he crashes into a pole 794 00:45:30,840 --> 00:45:32,279 Speaker 1: and he's like, I gotta get out of here, and 795 00:45:32,360 --> 00:45:35,080 Speaker 1: there's a truck sitting at the red light light turns green, 796 00:45:35,200 --> 00:45:36,839 Speaker 1: starts to pull off, so he jumps in the bed 797 00:45:36,920 --> 00:45:40,120 Speaker 1: of the truck. Guy in the truck pulls over, throws 798 00:45:40,200 --> 00:45:42,239 Speaker 1: him out of the truck so police can apprehend him. 799 00:45:43,000 --> 00:45:44,560 Speaker 1: That seems like a lot of running and a lot 800 00:45:44,640 --> 00:45:46,279 Speaker 1: of work for running out of a bar tab. Yeah, 801 00:45:46,280 --> 00:45:49,240 Speaker 1: I should have just paid that. And he was driving 802 00:45:49,320 --> 00:45:52,600 Speaker 1: the thing he was drunk. Yeah, obviously I'm much blocked 803 00:45:52,600 --> 00:45:56,080 Speaker 1: out your bone head story of the day. This woman 804 00:45:56,120 --> 00:45:59,640 Speaker 1: has food poisoning, and that is an awful feeling that 805 00:45:59,840 --> 00:46:03,440 Speaker 1: you can do. Head hurts, stomach hurts, and she's like, 806 00:46:03,440 --> 00:46:08,600 Speaker 1: I have terrible food poisoning. Until she gave birth. Oh wow, 807 00:46:08,680 --> 00:46:13,040 Speaker 1: so she was pregnant. Patricia Crawford, a New Jersey woman, 808 00:46:13,120 --> 00:46:15,080 Speaker 1: thought she had food poisoning, spent the night in the 809 00:46:15,160 --> 00:46:17,600 Speaker 1: bathroom with tummy troubles, and then at five am her 810 00:46:17,640 --> 00:46:22,640 Speaker 1: son was born. Golly, this happens and so crazy. Every 811 00:46:22,680 --> 00:46:25,160 Speaker 1: time it happens is so bizarre. She said she didn't 812 00:46:25,160 --> 00:46:27,839 Speaker 1: have any pregnant symptoms over the nine months, aside from 813 00:46:27,880 --> 00:46:31,000 Speaker 1: the occasional stomach pain. She may have felt a flutter, 814 00:46:31,320 --> 00:46:34,239 Speaker 1: but it was like I thought it was gas, But 815 00:46:34,360 --> 00:46:38,239 Speaker 1: I mean I just see how big bellies get something 816 00:46:38,360 --> 00:46:41,160 Speaker 1: like the baby, like, there's no denying that someone is 817 00:46:41,400 --> 00:46:44,279 Speaker 1: like nine months pregnant. And then and I wonder that 818 00:46:44,400 --> 00:46:46,600 Speaker 1: moment too, where it goes from am I about to 819 00:46:46,640 --> 00:46:50,080 Speaker 1: do number two? Dude? There's a baby head, probably a 820 00:46:50,080 --> 00:46:57,759 Speaker 1: different feeling, but it's like, oh my, that's what she 821 00:46:57,840 --> 00:46:59,600 Speaker 1: would be willing. I mean I haven't talked to her 822 00:46:59,640 --> 00:47:02,560 Speaker 1: in years. I mean I would have chuck her down. 823 00:47:02,640 --> 00:47:05,040 Speaker 1: She's my friend from college. This legit happened to her 824 00:47:05,800 --> 00:47:08,600 Speaker 1: and she was in the bathroom, didn't know she was pregnant. 825 00:47:08,680 --> 00:47:12,279 Speaker 1: Next thing, no baby came out, but her uterus is 826 00:47:12,320 --> 00:47:17,719 Speaker 1: really set far back. Yeah, thank you, see you tomorrow 827 00:47:17,760 --> 00:47:23,520 Speaker 1: by everybody. Yeah, yeah, yeah, yeah. It's a Bobby Bone show.