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Speaker 1: I feel like the left needs to get in on

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Speaker 1: this weapons merchandise. I don't disagree with that. That's like

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Speaker 1: kind of whack right. We don't have any I not once.

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Speaker 1: I didn't see no Kamala bear mace. I didn't see

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Speaker 1: those knuckle knives.

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Speaker 2: I mean, I mean, the money is so there to

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Speaker 2: be made with, especially with the kamap That girl is

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Speaker 2: an AKA.

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Speaker 3: You can have pink and green pepper spray.

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Speaker 4: Because the AKA.

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Speaker 2: Let's be real, y'all, like that they was gonna be

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Speaker 2: the proud boys.

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Speaker 3: Yeah for common book, AKA stand back, stand down exactly.

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Speaker 3: If the.

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Speaker 4: New War crowds out here.

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Speaker 1: Press conference, that's a AKA ski.

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Speaker 4: Week, that's a sele depending.

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Speaker 3: On what you look like. Now, like we would have

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Speaker 3: seen a bunch of light skinned women hopping out of

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Speaker 3: a u OL truck.

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Speaker 4: Talking about pull up.

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Speaker 3: Yeah, it would have gotten nasty with pearl Yeah, you know.

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Speaker 5: Chips in yours are racists. Money stuff.

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Speaker 1: Y'all can't tell me.

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Speaker 3: Cruising on down Main Street, feeling right, relaxing, good, what's

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Speaker 3: the words?

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Speaker 4: The next thing that you know.

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Speaker 3: You see an OCCU puts in the neighborhood there it

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Speaker 3: is ladies and gentlemen little Mamas and gentiles alike. Welcome

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Speaker 3: to another phenomenal episode of My Mama Told Me.

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Speaker 1: Surfing on the sound waves, Singing through the Stars. Take

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Speaker 1: a left to the testing, Take the second ride on Mars.

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Speaker 4: I got you, Thank you here on the Magic School.

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Speaker 3: But there it is, seatbelt.

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Speaker 4: I hope this is a normal field trip with the

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Speaker 4: friz No.

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Speaker 3: Way, Yeah, absolutely, you know a little Richard did that song.

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Speaker 1: Yeah, there was a time we talked about it. There

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Speaker 1: was a time he was very.

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Speaker 3: Available every sitcom.

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Speaker 1: And he would just be a little Richard, like like

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Speaker 1: which episode of Martin where he was like he started

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Speaker 1: out as like the exterminator and then he just ends

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Speaker 1: up playing the piano.

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Speaker 3: That's right. He was always he would always show up

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Speaker 3: like a menial laborer. But but going shut up whatever

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Speaker 3: was like saying something.

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Speaker 2: And then somehow his sister sister, I feel like we

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Speaker 2: never really talked about that. That like they stole it,

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Speaker 2: and he was right there the whole time.

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Speaker 1: That's crazy, the hold that's so they're stealing and he's

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Speaker 1: like hello, he's screaming.

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Speaker 4: Yeah, he's literally on the He's literally man, it's so.

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Speaker 3: Because what they're doing is being like paying him back

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Speaker 3: sort of like he's kind of the only person who

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Speaker 3: ever got reparations where they were just like, look, we

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Speaker 3: stole so violently from you that we have to put

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Speaker 3: you on full house.

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Speaker 4: We just got to give.

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Speaker 1: You, like reparations. You got to be on the standing.

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Speaker 3: You got it, dude, bro. I don't know that they

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Speaker 3: have the ability to to offer anything else. I think

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Speaker 3: they're just like, hey man, you'll get to meet them,

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Speaker 3: low them little twins. Ain't that nice for you?

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Speaker 2: And you can have all the white women you want?

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Speaker 2: Oh you don't want, you don't we can't give you.

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Speaker 3: Yeah, that's weird.

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Speaker 4: We don't like that.

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Speaker 3: Do we know?

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Speaker 1: If he liked do you think you like black man?

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Speaker 3: No? No, no talent.

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Speaker 1: Man, that should hurt my feelings really.

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Speaker 3: Really speak of all of them, I know all of them.

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Speaker 2: I don't have to name them. No, they be in

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Speaker 2: that White Boy but and that's maybe that's good. But

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Speaker 2: maybe you find the inspiration that's you.

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Speaker 3: Maybe maybe it's good. But I don't know, I don't know.

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Speaker 3: I can't speak to that. I don't know.

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Speaker 1: But if all the butts that seem like the most

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Speaker 1: off limits.

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Speaker 3: The Spotify playlist, that white Boy but has curious black music.

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Speaker 1: Oh boy, we sort of got to give it up

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Speaker 1: to white but white, but yeah, we sort of got

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Speaker 1: to give white buddies too.

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Speaker 2: Yeah, that's like vibranium for black male musicians, that are.

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Speaker 3: That's the creative vibranium. Yeah, damn, that's the crabby Patty

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Speaker 3: recipe right there. Man, trying to get that white but like,

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Speaker 3: how can I get the chum bucket? That's it's the

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Speaker 3: white bud that's it. But man, this is this is

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Speaker 3: a heavy episode and we haven't even we haven't even

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Speaker 3: covered anything. Man, this is really good. Started talking about

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Speaker 3: little Richard, our guest today, a dear friend of phenomenal,

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Speaker 3: a phenomenal comedian, a phenomenal writer, a phenomenal rapper, of

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Speaker 3: phenomenal all man of every trade that I can think of.

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Speaker 3: Uh dj, He's just he's this ship man. You know

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Speaker 3: him from goddamn everything. Give it up for Zach Fox,

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Speaker 3: ladies and gentlemen. And then she said in my ear,

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Speaker 3: go deeper, stay with me now.

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Speaker 1: And what hurt me is.

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Speaker 4: I was already all the way in.

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Speaker 3: Stay with me now. Tacking that on. Man, I will say,

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Speaker 3: for a while we were treating Shannon Sharp like he

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Speaker 3: was the star of that that duo. I think Oo

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Speaker 3: really is the stronger person in the Shannon Sharp Yeah, definitely, definitely.

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Speaker 3: I think is the idea man. Yeah, Shannon just has

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Speaker 3: funny reaction. His voice is very funny.

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Speaker 1: Yeah, Ojo, and he has good catchphrases.

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Speaker 3: Great catch ain't a lady, that's a favorite.

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Speaker 2: He named himself Ocho. He is the comedy engine, that's right. Yeah,

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Speaker 2: he named him so when it wasn't funny to do.

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Speaker 3: No, nobody thought that was cute. No, he hated that

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Speaker 3: he was crazy. Yeah, he was in Cincinnati. Yeah, nobody

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Speaker 3: was going to be like, yo, you're you're going crazy

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Speaker 3: right now.

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Speaker 1: Even we don't even speak Spanish over here.

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Speaker 4: He wasn't in l a or.

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Speaker 3: On spaghetti. That's what we do.

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Speaker 4: You know, we were speaking Spanish.

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Speaker 1: The fuck are you talking about?

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Speaker 3: Better go over the rhine with that ship. Here's what

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Speaker 3: I'll ask you. How long when he did name himself

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Speaker 3: Ocho Cinco? How long did you actually believe that he

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Speaker 3: was going to carry that name? Because what year was that,

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Speaker 3: Oh like three or four? Yeah it was I was

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Speaker 3: still in high school for sure, so it had to

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Speaker 3: be before oh five. M How long did I think

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Speaker 3: he was going to keep it? Yeah.

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Speaker 2: Originally I thought he was doing it as like a oh,

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Speaker 2: he's just a quick year, yeah, you know.

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Speaker 3: I thought it'd be a fun bit. Yeah. Yeah.

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Speaker 2: And then I think that like Crank that Soldier boy

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Speaker 2: comes out m m and you're like, oh, we getting weird. Yeah, yeah,

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Speaker 2: to get freaky as a as a people, I can

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Speaker 2: stick with it.

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Speaker 1: There's the extension of Crank that it's like it really

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Speaker 1: can't be like we give him his flowers, but I

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Speaker 1: don't think he's ever gonna it's ever gonna We're gonna

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Speaker 1: know what that did for.

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Speaker 3: No, he reached such a level of fame that we

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Speaker 3: started to create more about the Superman, you know what

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Speaker 3: I mean. Like people genuinely were arguing that this song

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Speaker 3: had a bigger meaning of like coming on a lady's

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Speaker 3: back and then slapping the sheet, and it was like

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Speaker 3: this weird sort of like mind trick that he was

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Speaker 3: playing on us. And here's the thing that while those

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Speaker 3: were correct, Oh you believe that, yeah, because all those

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Speaker 3: Cranked That songs, some of them had like sexual like origins.

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Speaker 3: Whoa conspiracy as well?

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Speaker 1: Well?

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Speaker 2: Like yeah, like it's like how like you do, like

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Speaker 2: the what's the old two thousands, like Super Edged Lord,

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Speaker 2: like the Red Dragon.

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Speaker 3: The Dirty sand Chest, Dirty sand Chest. Everybody was trying

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Speaker 3: to do that exactly.

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Speaker 2: Mind you. The crank that era was started by like

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Speaker 2: middle school high school kids in Atlanta. Boys you had

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Speaker 2: had sex yet, you would not had any vagina on

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Speaker 2: their body yet, but are imagining what it would be like.

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Speaker 2: And so you got cranked that Roosevelt, which was an

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Speaker 2: act of bucking the knees out that turned into a

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Speaker 2: dance when somebody not sucking.

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Speaker 1: I don't understand what you do it with your hands,

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Speaker 1: the Roosevelt. I don't understand what you're saying.

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Speaker 3: Okay, so they all right, I gotta get up this girl, Roosevelt,

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Speaker 3: the Roosevelt. The whole move is just this right here.

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Speaker 3: Oh I know this one.

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Speaker 1: Oh okay yeah, because she's not sucking.

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Speaker 3: Correct, So it's just.

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Speaker 4: A little tap yeah, hey bitch.

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Speaker 2: Yeah, it's like a cricket like it's a hydromic move.

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Speaker 2: It's a she's sucking your dick. Yeah, it's a it's

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Speaker 2: a you're oppressing me with Now. Now that is that

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Speaker 2: is a thirteen year old.

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Speaker 3: Spurt on this. Now, why Roosevelt. Why is it called

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Speaker 3: the crank that Roosevelt. It was the high school. I

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Speaker 3: believe that it came from Okay, because they're sucking dick

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Speaker 3: like bad over there. They're doing it really terrible. But

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Speaker 3: this is just a group who was like, well, we're

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Speaker 3: never gonna make it beyond our community. Yeah, so we'll

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Speaker 3: just name the song for everybody at our school. Then

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Speaker 3: it becomes which is the beauty?

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Speaker 1: Which is the beauty of music?

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Speaker 3: Regional bro. All of the all of that stuff was

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Speaker 3: was just sex and violence that middle schoolers was doing

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Speaker 3: to each other. Crank Crank that spider Man cranked the Heisman,

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Speaker 3: I do remember Heisman. What fine breasts us to commit

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Speaker 3: to is the line?

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Speaker 2: Right, what rico? Okay, yeah what Rico? We don't even

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Speaker 2: know where that boy is at, but he got jumped

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Speaker 2: so bad. Yeah, that they had to make an entire dance. Yeah,

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Speaker 2: that one.

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Speaker 3: That's like. That one really bummed me out when I

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Speaker 3: found because because this is how crazy music used to be.

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Speaker 3: You didn't always have access to that information when the

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Speaker 3: dance showed up to your community, right, like in Chicago,

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Speaker 3: we didn't know that that had an origin story. There

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Speaker 3: was trying we were just like, no, that's a funny

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Speaker 3: way to name a dance a song. Yeah you know

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Speaker 3: what I mean, Like, yeah, great, all right, whoop rico?

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Speaker 3: And then you find out, no, that's one boy, Ye

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Speaker 3: who really got.

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Speaker 2: And that's why you know, I don't like I was

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Speaker 2: saying earlier, Black people being seated in power can go

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Speaker 2: some nasty ways. Because man if Kamala the president right now,

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Speaker 2: Nigga ice would be a dance, you know. Drone strikes

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Speaker 2: is a dance because anything bad we do to each other,

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Speaker 2: we make it into a.

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Speaker 4: Dance like that.

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Speaker 3: They was doing a stab of dance in New York.

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Speaker 3: I do like that better. At least there's some levity

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Speaker 3: around these very heavy things. I think, if nothing else,

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Speaker 3: black people have always found the quickest path to levity, right.

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Speaker 3: I think every community he finds it for themselves and

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Speaker 3: like one hundred percent will eventually learn to laugh at

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Speaker 3: what they do. But black people we be at it quick. Yeah,

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Speaker 3: real time, Yeah, it's real time. And I think that's

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Speaker 3: what upsets white people the most in terms of like

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Speaker 3: the way that we interact with each other, is that

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Speaker 3: we find the levity so fast for ourselves, and they

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Speaker 3: want to be able to have that levity for themselves

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Speaker 3: but can't find it as quickly. But they do see

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Speaker 3: what they think about us, which is why the office

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Speaker 3: to that Pam. So that's the first one o the gate.

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Speaker 3: I'm assuming Crank that Pam something sexual is happening. She

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Speaker 3: got beat up and episode she was kind of a bitch.

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Speaker 3: I will say that in a rewatch. Pam is not

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Speaker 3: the hero of the story. They wanted her to be.

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Speaker 3: Jim's wag I mean, and Dwight, well, you got the

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Speaker 3: same job, bro, You're not. You're just tall and you

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Speaker 3: know he has an I EP. Don't do that. Yeah,

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Speaker 3: you know what I mean. Like, that's already a person

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Speaker 3: that needed you to relax.

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Speaker 1: And Dwight is interesting. Jim is not an interesting person.

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Speaker 1: There's nothing interesting about that.

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Speaker 3: No, he's just connecting with us the whole time, you

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Speaker 3: know what I mean.

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Speaker 1: But he didn't feel like my audience proxy. That's the

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Speaker 1: issue I have watching television. Who's your proxy? I think

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Speaker 1: it's probably Dwight or Creator the people that I feel

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Speaker 1: like the most when I watch that show. But I

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Speaker 1: always it's been a constant issue with television for me

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Speaker 1: is that I never the person who's supposed to be

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Speaker 1: the audience proxy.

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Speaker 2: You don't connect with that ever, ever, ever, So you

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Speaker 2: watch a SpongeBob like man, where the fuck's Pearl?

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Speaker 3: That SpongeBob is weirder.

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Speaker 1: So it's okay, okay, but I mean I think a

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Speaker 1: lot of like traditional shit, like I wasn't watching Fresh

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Speaker 1: Prints like Will is me.

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Speaker 3: But I will say I'm much more of a Patrick

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Speaker 3: than I am a SpongeBob. Okay, okay, you know what

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Speaker 3: I mean, Like I would much rather connect with a

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Speaker 3: Patrick episode than than a SpongeBob. I was rocking with Sandy. Sandy,

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Speaker 3: Sandy's pretty cool. Everything she got going on is what

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Speaker 3: the fuck is going on? Why the fuck are you

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Speaker 3: down here?

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Speaker 1: Yeah, you're clearly Yeah, you're hyper intelligent like something something

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Speaker 1: to do karate and you're in the service, right or

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Speaker 1: some Yeah, so something crazy happened, like Sandy's existence in

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Speaker 1: SpongeBob is evidence of like the show being post apocalyptic.

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Speaker 1: Oh interesting, right, Like she's a refugee from the from

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Speaker 1: the surface.

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Speaker 2: Yeah, that she was probably genetically engineered, you know, to

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Speaker 2: be like able to do space travel, and she's she.

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Speaker 3: Might be supposed to be our way out. She might

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Speaker 3: be an early experiment that just never made it back

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Speaker 3: to the surface.

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Speaker 2: And I think something happened on the surface that eradicated

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Speaker 2: humans but left Sandy and other genetic experiments untouched.

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Speaker 3: Interesting.

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Speaker 2: But they had already bio engineered her to live under

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Speaker 2: water or build ship or just you.

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Speaker 3: Know, or have even just interact self awareness that then

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Speaker 3: makes her allows her the choice to go do something

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Speaker 3: that you look in the mirror and be like, I

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Speaker 3: got titties, I need a bikini, and I want to

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Speaker 3: hang out with a sponge and yeah.

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Speaker 1: The rest said yeah, And I don't think it's a

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Speaker 1: comedian thing. I think it's just truly they weren't really

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Speaker 1: making it for anything.

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Speaker 3: Then cut it for you down that you it feels

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Speaker 3: insane to introduce this now, But you came to us

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Speaker 3: with the conspiracy that that I've never heard before. Okay, frankly,

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Speaker 3: I don't think anybody's mother has ever ever said this

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Speaker 3: to them once.

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Speaker 1: As soon as I read it, though, I was very excited.

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Speaker 3: Okay, yeah, do not take my mom as me not

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Speaker 3: being a fan of it.

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Speaker 4: I just want to lay the groundwork for everybody at home.

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Speaker 3: Nobody's mom has said that this is new to Mama's Yeah,

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Speaker 3: certainly we're hoping they'll pick my would be open to it, Okay,

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Speaker 3: I will say that, like if I if I call

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Speaker 3: her after, I think she would you think she would

294
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Speaker 3: hear this out? Yeah, I like that.

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Speaker 1: She's she's she's pretty okay with conspiracy.

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Speaker 3: Okay, Well, David's Mama in the future is going to

297
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Speaker 3: tell us there are no autonomous vehicles. They are actually

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Speaker 3: operated by the enslaved African children. Yeah, enders game South Africa.

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Speaker 3: That's the first thing that I thought.

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Speaker 1: Boom bully ship ye Boom South Africa or or like

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Speaker 1: d r C or some shit. Yeah, yeah, of course, Yep.

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Speaker 1: They think they're playing a video game, they're really delivering Yep.

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Speaker 2: Pope's exactly, holy exactly my theoryt that's like right there. Yeah,

304
00:18:00,400 --> 00:18:03,240
Speaker 2: it's two plus Holy fuck, it's two plus two equals.

305
00:18:03,320 --> 00:18:06,680
Speaker 2: It's terrence man. Yeah, it's tereology.

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00:18:06,680 --> 00:18:07,920
Speaker 3: We got ninety eight patents.

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Speaker 2: Come on, you know how it's a patent and you

308
00:18:17,160 --> 00:18:21,200
Speaker 2: know how one though, Yeah, that them is Africans driving

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Speaker 2: them way modes driving them.

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Speaker 3: Watch out.

311
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Speaker 2: Like you're gonna get nasty. I'm not about to get nasty.

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00:18:28,520 --> 00:18:30,879
Speaker 2: It's actually a crazy compliment. You ever looked at a

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Speaker 2: You ever just watched the video of African traffic.

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Speaker 3: It's crazy, it's crazy, But what is not happening crashes?

315
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Speaker 3: They're really avoiding each other.

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Speaker 2: The only person you could get globally to drive a

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Speaker 2: car autonomously through l A traffic and not touch nothing, ever,

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Speaker 2: is an African.

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Speaker 1: WHOA.

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Speaker 3: You're saying, we got an extra muscle in our eye.

321
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Speaker 4: Absolutely, it wasn't.

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Speaker 3: It wasn't in our leg this whole time, that's been

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Speaker 3: in our eyes, and we have the ability to drive

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Speaker 3: better than any human being on.

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Speaker 2: Earth, especially folks in Central Africa. You know what I'm saying, Sudan,

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Speaker 2: even like I watched videos of trafficking and Ethiopia, that's

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Speaker 2: what you watch, Yeah, all the time. I like that.

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Speaker 3: I will say that this is nice for me because

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Speaker 3: you are amongst two of the most fucked up algorithms

330
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Speaker 3: that I Yeah, I'm really I'm really happy to Yours,

331
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Speaker 3: I would say, is one of the most violent I've

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Speaker 3: ever experienced. I'm getting dead people. It's bad. Yours is insane.

333
00:19:48,520 --> 00:19:48,960
Speaker 4: Yours.

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Speaker 3: Yours jarred me in a way that I've I repeat

335
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Speaker 3: often to people because of the guys the handicapped guys

336
00:19:55,840 --> 00:19:57,840
Speaker 3: fighting each other. No, that wasn't the one that bumped

337
00:19:57,840 --> 00:20:00,440
Speaker 3: me out the most. There there, and I I've told

338
00:20:00,440 --> 00:20:04,040
Speaker 3: you this before. I once went to his house and

339
00:20:04,600 --> 00:20:07,199
Speaker 3: pulled up he pulled up YouTube and then we watched

340
00:20:07,200 --> 00:20:12,520
Speaker 3: a video of a white man hand feeding Africans sour

341
00:20:12,560 --> 00:20:16,080
Speaker 3: patch kids. That was dark. That's light for the first

342
00:20:16,160 --> 00:20:20,399
Speaker 3: like going over there, going to a like a community

343
00:20:20,480 --> 00:20:25,800
Speaker 3: that has not experienced candy, like a neolithic like stone tool,

344
00:20:26,400 --> 00:20:28,879
Speaker 3: and then walking up to them and offering them sour

345
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Speaker 3: patch kids and taping their reactions and they're just like

346
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Speaker 3: crack addicted. It felt like that, Yeah, it's like who

347
00:20:37,920 --> 00:20:39,920
Speaker 3: It felt so much worse than crack.

348
00:20:40,400 --> 00:20:43,560
Speaker 1: My relationship with computers, I found that they're only there

349
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Speaker 1: to excite me sexually or enrage me physically, for sure.

350
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Speaker 1: And that's sort of what my algorithm feeds me.

351
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Speaker 2: And you know what's crazy about your algorithm feeding you

352
00:20:54,680 --> 00:20:58,280
Speaker 2: that stuff and me this crazy stuff in Langston whatever

353
00:20:58,280 --> 00:21:02,439
Speaker 2: stuff he's getting, is that my theory isn't even a

354
00:21:02,560 --> 00:21:07,639
Speaker 2: jump from what the reality is. It's not even actually

355
00:21:07,720 --> 00:21:10,879
Speaker 2: a jump. Like all you would have to do in

356
00:21:10,920 --> 00:21:13,920
Speaker 2: these warehouses is add the ender's game element that you're

357
00:21:13,960 --> 00:21:16,480
Speaker 2: talking about it, just make them, make them think that

358
00:21:16,480 --> 00:21:20,680
Speaker 2: they're game by it, but also make it very punishable.

359
00:21:20,840 --> 00:21:23,840
Speaker 2: The mistakes in Boom you have like instant control, but

360
00:21:23,920 --> 00:21:29,520
Speaker 2: this already exists, so like like AI is already mostly

361
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Speaker 2: powered by African child slave wage labor. Because like the

362
00:21:37,640 --> 00:21:41,840
Speaker 2: AI is, like if I just if we just took

363
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Speaker 2: out David's brain and just gave him the Internet as

364
00:21:46,400 --> 00:21:50,440
Speaker 2: a brain, the things he'd start to say upon requestive

365
00:21:50,480 --> 00:21:55,040
Speaker 2: answers from us would almost instantly be pornographic racists.

366
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Speaker 3: Because those are the data points, because that's what's on

367
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Speaker 3: the Internet.

368
00:21:58,760 --> 00:22:02,320
Speaker 2: So you have to build an entirely new like Brita

369
00:22:02,359 --> 00:22:07,800
Speaker 2: filter AI system to attach to David's brain, but that

370
00:22:07,880 --> 00:22:12,280
Speaker 2: Brita filter has to be taught by human eyes. The

371
00:22:12,320 --> 00:22:16,760
Speaker 2: difference between an apple and a prolapse anus, the difference

372
00:22:16,800 --> 00:22:20,760
Speaker 2: between you know, the Wikipedia about Batman that's just the

373
00:22:20,840 --> 00:22:25,119
Speaker 2: canon events or this sexual fan fiction where Robin fucks

374
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Speaker 2: them in the butt.

375
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Speaker 3: You're saying that that ultimately there's just too much information

376
00:22:31,160 --> 00:22:34,240
Speaker 3: that just offering the machines information is not a solution.

377
00:22:34,440 --> 00:22:36,439
Speaker 3: That it has to be curated in a way that

378
00:22:36,480 --> 00:22:40,720
Speaker 3: makes that information strategic that's why they have to make programs.

379
00:22:40,840 --> 00:22:42,640
Speaker 3: And this is a huge issue.

380
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Speaker 2: It's a huge issue amongst the AI giants, Like they're

381
00:22:46,600 --> 00:22:50,439
Speaker 2: constantly like trying to figure out how to do this

382
00:22:50,480 --> 00:22:53,640
Speaker 2: because the text based models. You literally have to get

383
00:22:53,680 --> 00:22:57,840
Speaker 2: an African, put crazy text in front of their face

384
00:22:58,400 --> 00:23:02,719
Speaker 2: and make them identify the negative parts. And if they

385
00:23:02,760 --> 00:23:05,199
Speaker 2: take too long identifying that stuff, they can lose their

386
00:23:05,240 --> 00:23:06,920
Speaker 2: job that was giving them like a dollar a day.

387
00:23:07,000 --> 00:23:11,280
Speaker 6: It's crazy because absolutely.

388
00:23:10,119 --> 00:23:11,160
Speaker 3: Without to lose their job.

389
00:23:11,680 --> 00:23:14,840
Speaker 1: I'm doing that for free anyways, because they described me

390
00:23:15,200 --> 00:23:17,359
Speaker 1: right at airport, right, there's a lot of them, Like

391
00:23:17,359 --> 00:23:20,600
Speaker 1: there's some Americans. Oh that's kind of cool. Yeah, always

392
00:23:20,680 --> 00:23:22,880
Speaker 1: rapping about eating raccoons or whatever I'm looking.

393
00:23:22,720 --> 00:23:27,200
Speaker 3: At, which is probably why the reports, like reporting things

394
00:23:27,440 --> 00:23:30,959
Speaker 3: is encouraged in the first place. It's like another layer

395
00:23:31,040 --> 00:23:31,720
Speaker 3: of curation.

396
00:23:32,040 --> 00:23:33,840
Speaker 1: Oh yeah, that's all that shit is. Like that's why

397
00:23:33,840 --> 00:23:35,639
Speaker 1: it's like show a picture of you in the eighth grade,

398
00:23:35,720 --> 00:23:36,760
Speaker 1: like they just need to see.

399
00:23:37,040 --> 00:23:39,520
Speaker 3: But even like if I'm offended by a video me

400
00:23:39,680 --> 00:23:43,320
Speaker 3: going and like telling the program like, hey, this offensive

401
00:23:44,040 --> 00:23:46,800
Speaker 3: is them just decide that like Okay, this is what

402
00:23:46,920 --> 00:23:50,479
Speaker 3: humans can handle, and this is what they can't. Yeah. Yeah.

403
00:23:50,680 --> 00:23:54,439
Speaker 2: Fuck So it's like literally, like content moderators in like

404
00:23:54,560 --> 00:23:57,920
Speaker 2: third world countries are leaving work every day and having

405
00:23:57,920 --> 00:24:02,640
Speaker 2: to go like eat spaghetti with the family after watching

406
00:24:03,359 --> 00:24:08,919
Speaker 2: David's algorithm involuntarily in order to like identify it and

407
00:24:08,960 --> 00:24:12,840
Speaker 2: make sure that it doesn't pop up on Langston's daughter's

408
00:24:13,080 --> 00:24:17,760
Speaker 2: YouTube algorithm while she's watching you know, cocoa melon, you.

409
00:24:17,720 --> 00:24:20,439
Speaker 1: Know, and that ruins the family dynamic. What'd you see today?

410
00:24:21,000 --> 00:24:24,200
Speaker 1: Another big ass titty right before breastfeedom.

411
00:24:23,720 --> 00:24:28,119
Speaker 3: Yeah, it's it's it's it's unfortunate when you really gotta

412
00:24:28,520 --> 00:24:30,800
Speaker 3: face down what you've looked at and then look at

413
00:24:30,800 --> 00:24:35,959
Speaker 3: your children in the eye. Damn. Yeah that felt real. Yeah,

414
00:24:36,000 --> 00:24:39,760
Speaker 3: there's sometimes.

415
00:24:38,240 --> 00:24:39,800
Speaker 4: There's a couple of times where I've like.

416
00:24:39,800 --> 00:24:42,840
Speaker 3: Looked at look at some kind of video and I

417
00:24:42,920 --> 00:24:46,199
Speaker 3: was like, oh man, but I gotta look them in

418
00:24:46,200 --> 00:24:49,320
Speaker 3: the eye. Yeah, I gotta throw because it's not even

419
00:24:49,359 --> 00:24:53,040
Speaker 3: like I'm like gaining pleasure from it. It's it's like

420
00:24:53,560 --> 00:24:57,080
Speaker 3: you get uncomfortable with how comfortable you are in receiving

421
00:24:57,200 --> 00:24:59,520
Speaker 3: certain things, right, you know what I mean, Where you're

422
00:24:59,600 --> 00:25:01,920
Speaker 3: just like this didn't bump me at all, and then

423
00:25:01,960 --> 00:25:04,560
Speaker 3: you look at a person who you hope won't reflect

424
00:25:04,640 --> 00:25:06,040
Speaker 3: any of the feel like that should have.

425
00:25:06,480 --> 00:25:10,080
Speaker 1: Yeah, you don't want any of that to touch them,

426
00:25:10,560 --> 00:25:11,600
Speaker 1: but you're inundated.

427
00:25:11,640 --> 00:25:12,919
Speaker 3: But I'm letting touch me.

428
00:25:13,160 --> 00:25:16,280
Speaker 1: Yeah, you worried that there is some some sort of see.

429
00:25:16,119 --> 00:25:19,480
Speaker 3: Bitch, Yeah, it's gotta be right, of course. Yeah, you

430
00:25:19,560 --> 00:25:22,000
Speaker 3: know what I mean. Like, there's how many of these

431
00:25:22,119 --> 00:25:26,080
Speaker 3: videos can I watch before my daughter talks like Orlando Brown?

432
00:25:30,960 --> 00:25:32,800
Speaker 3: That actually sounds kind of fun.

433
00:25:35,560 --> 00:25:40,000
Speaker 2: I don't have kids, but if I do, please please

434
00:25:40,080 --> 00:25:42,800
Speaker 2: let the sperm, the Orlando Brown sperm, so win the race.

435
00:25:48,359 --> 00:25:54,920
Speaker 4: I don't give a fuck who says, oh crap, yeah.

436
00:25:54,960 --> 00:25:57,080
Speaker 3: She said some ship like that to me. I can't

437
00:25:57,119 --> 00:25:58,920
Speaker 3: And there's a part of me that will be worried

438
00:25:58,960 --> 00:26:02,119
Speaker 3: that I did that you, And that's that's what the

439
00:26:02,400 --> 00:26:05,119
Speaker 3: I'm the transference of this this sickness.

440
00:26:05,240 --> 00:26:07,760
Speaker 1: I worry about it. Not I don't have a dog,

441
00:26:07,920 --> 00:26:11,400
Speaker 1: just interpersonally. I worry that whatever this smut that I'm

442
00:26:11,440 --> 00:26:13,359
Speaker 1: looking at is going to come out. I do worry

443
00:26:13,359 --> 00:26:15,600
Speaker 1: about that. Yeah, I think we're all worried about that.

444
00:26:15,640 --> 00:26:17,159
Speaker 1: And that's like a big fear.

445
00:26:17,200 --> 00:26:20,639
Speaker 3: Like people knowing or like just like come out in

446
00:26:20,680 --> 00:26:22,119
Speaker 3: your behavior, Yeah.

447
00:26:22,119 --> 00:26:24,560
Speaker 1: Just like or that it will affect me in a

448
00:26:24,560 --> 00:26:26,280
Speaker 1: way because I watch it and I pretend it is

449
00:26:26,280 --> 00:26:28,560
Speaker 1: if I'm detached, I don't like watch it and I'm like, man,

450
00:26:28,600 --> 00:26:30,439
Speaker 1: this is really what's going on in the world. But

451
00:26:30,480 --> 00:26:33,399
Speaker 1: I worry that it'll affect my opinions or my conversations

452
00:26:33,720 --> 00:26:36,800
Speaker 1: or or mostly what I really truly worry about is

453
00:26:36,800 --> 00:26:39,399
Speaker 1: that what it will reflect within my art, Like I

454
00:26:39,400 --> 00:26:42,120
Speaker 1: don't want to start putting out the type of art

455
00:26:42,280 --> 00:26:48,280
Speaker 1: that lets you know that I am looking at African

456
00:26:48,320 --> 00:26:50,200
Speaker 1: women with impossibly sized.

457
00:26:49,880 --> 00:26:52,080
Speaker 3: Breasts right right, you know what I'm saying.

458
00:26:52,400 --> 00:26:55,399
Speaker 1: It's like like like that's that is that that is

459
00:26:55,440 --> 00:26:56,360
Speaker 1: what begins to be the way.

460
00:26:56,440 --> 00:26:59,119
Speaker 2: I feel like that's a little bit of and I

461
00:26:59,119 --> 00:27:04,600
Speaker 2: don't think that images and media and don't transfer things

462
00:27:04,640 --> 00:27:08,159
Speaker 2: like I'm not like naive to that that like propaganda

463
00:27:08,200 --> 00:27:11,760
Speaker 2: and like encoding images with things like it's very real,

464
00:27:11,880 --> 00:27:14,000
Speaker 2: I think. But I do think we have a bit

465
00:27:14,000 --> 00:27:17,840
Speaker 2: of like Christian guilt in us from our parents telling

466
00:27:17,920 --> 00:27:22,239
Speaker 2: us that like watching Harry Potter or watching something that

467
00:27:22,359 --> 00:27:26,480
Speaker 2: like depicted something demonic, it's going to transfer spirits. My

468
00:27:26,560 --> 00:27:31,879
Speaker 2: mom literally won't watch Sinners because it's like it's like

469
00:27:31,920 --> 00:27:38,720
Speaker 2: a documentary, sir. She thinks it's like Planet Earth, it's sinners.

470
00:27:38,920 --> 00:27:41,719
Speaker 2: It's like, no, I understand the recreation. Yeah yeah, but

471
00:27:41,760 --> 00:27:43,960
Speaker 2: this is based on a very real thing. I know

472
00:27:44,040 --> 00:27:46,679
Speaker 2: the source material. I don't like it.

473
00:27:46,760 --> 00:27:49,679
Speaker 4: I'm aware of Michael B. Jordan, but I'm also aware.

474
00:27:49,440 --> 00:27:52,280
Speaker 3: That he's making something yeah really bad. Right.

475
00:27:52,400 --> 00:27:54,320
Speaker 1: Do you think though, that there is also a level

476
00:27:54,359 --> 00:27:57,160
Speaker 1: of like there is that remnant of guilt, but there's

477
00:27:57,160 --> 00:28:00,280
Speaker 1: also the things we're watching are far more extreme, sure,

478
00:28:00,640 --> 00:28:05,119
Speaker 1: Like it's actually things that are you just said dead bodies. Yeah,

479
00:28:05,119 --> 00:28:07,680
Speaker 1: like that's like an actual word, you know what I mean.

480
00:28:07,880 --> 00:28:11,199
Speaker 1: Harry Potter is for fun and it's hufflepuffs and whatever,

481
00:28:11,320 --> 00:28:13,680
Speaker 1: but like you know, we see people.

482
00:28:13,560 --> 00:28:15,159
Speaker 3: Get killed on that yeah.

483
00:28:15,280 --> 00:28:18,359
Speaker 1: Or it's just like that AI where like something comes

484
00:28:18,359 --> 00:28:19,800
Speaker 1: out of a butt hole and then it turns into

485
00:28:19,840 --> 00:28:20,600
Speaker 1: a bowling ball.

486
00:28:20,760 --> 00:28:24,560
Speaker 3: Yeah yeah, yeah, Yeah. Those things are fucked up. Those

487
00:28:24,640 --> 00:28:25,640
Speaker 3: things are fucked up.

488
00:28:25,720 --> 00:28:27,879
Speaker 2: Those are and those ones I do under I do

489
00:28:27,960 --> 00:28:30,000
Speaker 2: agree with what you're saying, because like when you keep

490
00:28:30,000 --> 00:28:32,679
Speaker 2: a straight face through one of those and you're like,

491
00:28:33,320 --> 00:28:35,560
Speaker 2: all right, next, yeah.

492
00:28:35,520 --> 00:28:39,680
Speaker 1: Should have stopped And it's not even my ship. Yeah,

493
00:28:40,000 --> 00:28:43,080
Speaker 1: just shy. That's just what I'm doing when I'm shitting it.

494
00:28:43,360 --> 00:28:47,080
Speaker 3: There's I'm like not even triggered by stuff anymore, And

495
00:28:47,160 --> 00:28:50,280
Speaker 3: in that way that's terrifying. Yeah, that's bad. We're like, oh,

496
00:28:50,360 --> 00:28:53,480
Speaker 3: I'm so desensitized. There's no way I'm not going to

497
00:28:53,560 --> 00:28:56,720
Speaker 3: say some wild ship and the people around me because

498
00:28:56,720 --> 00:28:59,760
Speaker 3: of this, and then that will carry over and now

499
00:28:59,800 --> 00:29:07,120
Speaker 3: all of a sudden, my daughter's like stupid, and I

500
00:29:07,160 --> 00:29:12,080
Speaker 3: gotta be like, I did I did that my daughter.

501
00:29:12,160 --> 00:29:14,280
Speaker 1: That's also the art thing of it all, though, because

502
00:29:14,320 --> 00:29:16,280
Speaker 1: being an artist truly does come from a place of

503
00:29:16,320 --> 00:29:20,000
Speaker 1: being sensitive and like in experiencing the world in the

504
00:29:20,080 --> 00:29:23,520
Speaker 1: sensitive lens, and if you cut that down, then you

505
00:29:23,560 --> 00:29:27,120
Speaker 1: are diminishing your life or whatever, you know what I mean.

506
00:29:27,200 --> 00:29:29,000
Speaker 1: Like it's like, I don't know, man, I think I

507
00:29:29,040 --> 00:29:32,280
Speaker 1: would probably even be able to create a lot better

508
00:29:32,320 --> 00:29:35,520
Speaker 1: ship if I hadn't seen so many teens fight each

509
00:29:35,520 --> 00:29:36,200
Speaker 1: other or whatever.

510
00:29:36,240 --> 00:29:38,280
Speaker 3: But then I would say, like, on the flip side,

511
00:29:38,320 --> 00:29:42,320
Speaker 3: that is what makes so much of like the this

512
00:29:42,320 --> 00:29:46,640
Speaker 3: this white boy renaissance ship in comedy at least so

513
00:29:46,960 --> 00:29:53,320
Speaker 3: uh unbearable for me, is that detachment from the more role, right.

514
00:29:53,360 --> 00:29:55,160
Speaker 1: That's what But that's what I'm saying is like I

515
00:29:55,160 --> 00:29:56,520
Speaker 1: don't want to get anywhere near them.

516
00:29:56,600 --> 00:30:01,400
Speaker 3: Yeah. That really it really makes you feel like, fuck,

517
00:30:01,480 --> 00:30:03,880
Speaker 3: that's not even we're not even doing an art anymore.

518
00:30:03,920 --> 00:30:07,360
Speaker 2: I mean it's a pretty like natural pipeline too, like

519
00:30:08,200 --> 00:30:11,600
Speaker 2: from like I mean, it goes way back further than anything.

520
00:30:12,040 --> 00:30:14,640
Speaker 2: Like it's like way pre media of the idea of

521
00:30:14,680 --> 00:30:26,040
Speaker 2: like human plus technology and civilization equals negativity. Yeah, like

522
00:30:26,120 --> 00:30:31,240
Speaker 2: that idea permeates everything around us, you know what I mean,

523
00:30:31,280 --> 00:30:35,240
Speaker 2: because it's like it's a flawed and very incomplete way

524
00:30:35,240 --> 00:30:36,880
Speaker 2: to look at the world. But like I think about

525
00:30:36,920 --> 00:30:39,760
Speaker 2: that old clip of Joe Rogan back in like two

526
00:30:39,840 --> 00:30:42,360
Speaker 2: thousand and nine or something, maybe a little bit later,

527
00:30:42,400 --> 00:30:45,480
Speaker 2: where he was just starting the podcast and he's like, Dude,

528
00:30:45,520 --> 00:30:48,880
Speaker 2: you ever look at a video of la from a

529
00:30:48,880 --> 00:30:49,640
Speaker 2: helicopter and.

530
00:30:49,560 --> 00:30:51,400
Speaker 3: It just looks like a virus. It just looks like

531
00:30:51,440 --> 00:30:52,760
Speaker 3: a scab, It looks like a.

532
00:30:52,720 --> 00:30:57,719
Speaker 2: Scourge, And like describing humanity as like a virus. And

533
00:30:57,760 --> 00:31:01,680
Speaker 2: it's like, once you believe that about humanity, then everything

534
00:31:01,680 --> 00:31:07,960
Speaker 2: else after that is really easy to the progress pathologize. Yeah,

535
00:31:08,000 --> 00:31:10,160
Speaker 2: so that whole right wing movement is like super like.

536
00:31:10,320 --> 00:31:12,280
Speaker 2: I don't even look at as like racism aside, I

537
00:31:12,320 --> 00:31:13,560
Speaker 2: just look as anti human.

538
00:31:13,640 --> 00:31:15,000
Speaker 3: They're like, yeah, yeah, we're bad.

539
00:31:15,560 --> 00:31:19,240
Speaker 1: It's like, yeah, like individual it's rugged individuals.

540
00:31:19,320 --> 00:31:22,280
Speaker 3: Yeah. I don't think they even can begin to see

541
00:31:22,320 --> 00:31:25,760
Speaker 3: themselves as racist because they they don't value any person

542
00:31:25,880 --> 00:31:27,000
Speaker 3: enough and they don't.

543
00:31:27,120 --> 00:31:29,040
Speaker 1: Yeah, and they don't feel a connection to what the

544
00:31:29,080 --> 00:31:33,120
Speaker 1: whole of this is like, whether it be white people

545
00:31:33,280 --> 00:31:37,200
Speaker 1: or men or whatever. They they're like truly on an island. Yeah, yeah,

546
00:31:37,240 --> 00:31:38,560
Speaker 1: it's like whatever, it's all.

547
00:31:38,640 --> 00:31:39,200
Speaker 3: It's you.

548
00:31:40,200 --> 00:31:43,720
Speaker 2: We're on a fucking rock going fucking a million miles

549
00:31:43,280 --> 00:31:45,160
Speaker 2: in space, dude.

550
00:31:44,840 --> 00:31:50,200
Speaker 1: So who cares if I say slur bro real dude, had.

551
00:31:51,120 --> 00:32:03,200
Speaker 2: Kill yourself? Dude, nothing beat your wife, dude. Like watch

552
00:32:03,280 --> 00:32:06,560
Speaker 2: fucking open butthole porn. Dude, eat cereal out of someone's ass.

553
00:32:06,560 --> 00:32:07,920
Speaker 2: Whole dude, nothing's real.

554
00:32:08,640 --> 00:32:10,200
Speaker 3: You say open butthole porn.

555
00:32:13,240 --> 00:32:14,000
Speaker 4: They were like.

556
00:32:15,440 --> 00:32:16,640
Speaker 3: Heard it, it's rare.

557
00:32:16,680 --> 00:32:18,080
Speaker 1: I had come across the new genre.

558
00:32:18,240 --> 00:32:26,920
Speaker 3: One out of five doctors don't disagree. Nah, I like regulars. Regular.

559
00:32:27,760 --> 00:32:32,040
Speaker 3: It looks like found footage. All right, we're gonna take

560
00:32:32,080 --> 00:32:34,120
Speaker 3: a break. When we come back, we'll talk more about

561
00:32:34,120 --> 00:32:39,080
Speaker 3: the conspiracy more, Zach Fox More. My mama told me yeah,

562
00:32:46,560 --> 00:32:47,400
Speaker 3: and we're back.

563
00:32:48,000 --> 00:32:51,160
Speaker 7: But we're gonna do this respectfully, otherwise we'll end in

564
00:32:51,240 --> 00:32:53,960
Speaker 7: a duel, and I mean a duo, real life duel

565
00:32:54,200 --> 00:32:59,560
Speaker 7: where only one person walks away. We can meet with guns, bottles, knives,

566
00:32:59,720 --> 00:33:03,280
Speaker 7: or books and equations, but we're going to do this

567
00:33:03,480 --> 00:33:03,920
Speaker 7: like men.

568
00:33:05,160 --> 00:33:08,880
Speaker 1: So get ready and we're just a bunch of men

569
00:33:08,880 --> 00:33:16,960
Speaker 1: about to get into a book fight. Nigga, I got

570
00:33:16,960 --> 00:33:17,720
Speaker 1: all about love.

571
00:33:22,800 --> 00:33:24,000
Speaker 3: Nigga shows up with a kindle.

572
00:33:24,040 --> 00:33:36,400
Speaker 8: You're like, right, switch on? Whoa, what the fuck that laser?

573
00:33:41,840 --> 00:33:46,720
Speaker 3: Zach. We're still talking about the possibility that that the

574
00:33:46,720 --> 00:33:50,440
Speaker 3: the autonomous robots we see on the streets are in

575
00:33:50,440 --> 00:33:57,640
Speaker 3: fact being manned by African children who are enslaved. My question, why,

576
00:33:58,080 --> 00:34:02,160
Speaker 3: or or rather how are they incentivizing the kids not

577
00:34:02,320 --> 00:34:06,520
Speaker 3: fucking up at the cost of their their lives of

578
00:34:07,040 --> 00:34:10,760
Speaker 3: white lives. I guess it's my point. Okay, Okay, two things,

579
00:34:10,880 --> 00:34:12,560
Speaker 3: two things, yep, two things.

580
00:34:13,360 --> 00:34:16,640
Speaker 1: Getting beat up? Okay, okay, getting beat up. They're already

581
00:34:16,640 --> 00:34:17,960
Speaker 1: doing that in school over there.

582
00:34:17,880 --> 00:34:21,320
Speaker 3: Right, getting beat up, having family beat up? Yep. Two.

583
00:34:21,800 --> 00:34:24,160
Speaker 3: I know you wonder well one of these kids would

584
00:34:24,280 --> 00:34:27,200
Speaker 3: just come out and say that they do this.

585
00:34:27,280 --> 00:34:32,000
Speaker 2: Who's gonna believe you? Mm hmmm, my brother who in

586
00:34:32,600 --> 00:34:41,360
Speaker 2: Sudan is going to be that you pilot vehicles in

587
00:34:41,520 --> 00:34:44,920
Speaker 2: Los Angeles that are holding hamburgers?

588
00:34:45,280 --> 00:34:49,560
Speaker 3: Right, Yeah, you just said four things I don't know about.

589
00:34:51,640 --> 00:34:53,640
Speaker 1: And that it sounds made up to me. And I'm

590
00:34:53,640 --> 00:34:57,399
Speaker 1: in Los Angeles and now you're a witch, and then

591
00:34:57,560 --> 00:34:59,120
Speaker 1: your family's gonna get beat.

592
00:34:59,000 --> 00:35:02,640
Speaker 2: Up exactly, So I think, right, I think the social

593
00:35:02,719 --> 00:35:07,839
Speaker 2: consequences of it are like different over there, because even

594
00:35:07,880 --> 00:35:10,279
Speaker 2: if you did lay it out truly what it is,

595
00:35:10,360 --> 00:35:11,040
Speaker 2: that's witchcrap.

596
00:35:12,280 --> 00:35:15,560
Speaker 3: It's the devil's work for sure. Either way, robots with

597
00:35:15,640 --> 00:35:18,240
Speaker 3: hamburgers in them? Is it is evil?

598
00:35:19,120 --> 00:35:22,200
Speaker 1: Because in my heart I feel that way. Yeah, Like

599
00:35:22,600 --> 00:35:24,480
Speaker 1: it does make me feel I haven't a version of

600
00:35:24,520 --> 00:35:28,640
Speaker 1: technology like naturally in a way that makes me. I

601
00:35:28,680 --> 00:35:32,040
Speaker 1: react to technology the way Africans react to witches.

602
00:35:32,120 --> 00:35:35,040
Speaker 3: I do like I'm very like anti. I'm at that

603
00:35:35,160 --> 00:35:37,320
Speaker 3: stage yea too. No, none of this is none of

604
00:35:37,360 --> 00:35:42,160
Speaker 3: this is good. Technology is evil. But I know both

605
00:35:42,200 --> 00:35:44,000
Speaker 3: of y'all, y'all sweethearts, so I know both of y'all

606
00:35:44,239 --> 00:35:48,960
Speaker 3: experienced seeing one of them chicken nugget robots passed by

607
00:35:49,040 --> 00:35:53,479
Speaker 3: you and you feel that little thing in your heart

608
00:35:54,080 --> 00:35:58,279
Speaker 3: from Wally, Yeah, where you empathize with it a little bit.

609
00:35:59,120 --> 00:36:01,319
Speaker 3: You get out of the way, and man, I don't

610
00:36:01,360 --> 00:36:01,960
Speaker 3: want to kick it.

611
00:36:02,520 --> 00:36:05,000
Speaker 1: Zach Fox, You've cut me to my core. You cut

612
00:36:05,040 --> 00:36:07,799
Speaker 1: me open. I stand here bleeding. That's my worry is

613
00:36:07,800 --> 00:36:10,319
Speaker 1: that I will love the robots too much. Yeah, that's

614
00:36:10,320 --> 00:36:11,320
Speaker 1: why I'm so against.

615
00:36:11,400 --> 00:36:17,160
Speaker 3: We have a an autonomous robot on the show named

616
00:36:17,200 --> 00:36:20,920
Speaker 3: Samo on Everybody's Live. He has a name. And I

617
00:36:20,960 --> 00:36:23,279
Speaker 3: will say that when this was originally pitched, this was

618
00:36:23,320 --> 00:36:25,920
Speaker 3: not my pitch. This pitch belongs to a dude named

619
00:36:25,960 --> 00:36:30,120
Speaker 3: Alex Cordellis, who's very funny guy. But he pitched that

620
00:36:30,120 --> 00:36:33,200
Speaker 3: that John should have like a pet robot that just

621
00:36:33,239 --> 00:36:36,239
Speaker 3: hangs out at the show and delivers fucking cans and shit.

622
00:36:36,960 --> 00:36:40,160
Speaker 3: And I was like, we're connecting the dots here. I

623
00:36:40,200 --> 00:36:43,400
Speaker 3: was like, that ship makes me uncomfortable. We're connecting the dots.

624
00:36:43,440 --> 00:36:46,279
Speaker 3: I don't like this as a bit. Yeah, and and

625
00:36:46,360 --> 00:36:51,360
Speaker 3: I'm not into that. And then now, damn near what

626
00:36:51,440 --> 00:36:55,080
Speaker 3: we're sixteen episodes into this show. I really like that

627
00:36:55,120 --> 00:36:55,760
Speaker 3: fucking robot.

628
00:36:55,880 --> 00:37:01,520
Speaker 2: Your friend yeah, writing jokes, So you would, so you would,

629
00:37:02,360 --> 00:37:09,319
Speaker 2: you would conclude that this robot is autonomously piloted by

630
00:37:09,360 --> 00:37:09,960
Speaker 2: an African.

631
00:37:10,160 --> 00:37:11,279
Speaker 3: Well see, here's the thing.

632
00:37:11,880 --> 00:37:14,359
Speaker 4: Here's here's the thing.

633
00:37:15,600 --> 00:37:19,000
Speaker 3: He is, not, in fact piloted by an African. Okay,

634
00:37:19,800 --> 00:37:22,799
Speaker 3: but he is. He is piloted by two people who

635
00:37:22,880 --> 00:37:27,880
Speaker 3: we employ to be on staff when he's there, you understand,

636
00:37:27,960 --> 00:37:32,960
Speaker 3: which means that like somebody's roboting him at all times,

637
00:37:33,400 --> 00:37:37,040
Speaker 3: leading me to start to go whilst somebody's probably roboting

638
00:37:37,600 --> 00:37:40,040
Speaker 3: all of them at some time. And who are the

639
00:37:40,080 --> 00:37:43,239
Speaker 3: people that are doing that? That's the big question. And

640
00:37:43,280 --> 00:37:44,880
Speaker 3: this is where I'm sorry, but this is where it

641
00:37:44,880 --> 00:37:49,120
Speaker 3: gets even scarier, is that last year before we got

642
00:37:49,200 --> 00:37:53,360
Speaker 3: same O, we went out to other companies that were potential,

643
00:37:53,480 --> 00:37:56,760
Speaker 3: like Robot Options, and the other company that we talked

644
00:37:56,800 --> 00:38:01,560
Speaker 3: to had to pilot their robot via a person in Colombia.

645
00:38:01,760 --> 00:38:07,200
Speaker 3: Come just to demonstrate this time we had to call

646
00:38:07,239 --> 00:38:10,200
Speaker 3: a Colombian man and be like, hey, we're ready, and

647
00:38:10,239 --> 00:38:13,000
Speaker 3: then they had to like hit switches all the way

648
00:38:13,000 --> 00:38:17,400
Speaker 3: in fucking Colombia to robot a little fella in Los Angeles.

649
00:38:17,440 --> 00:38:19,480
Speaker 1: One is calling a Colombian man on the phone for

650
00:38:19,520 --> 00:38:20,919
Speaker 1: a favor ever a good sign.

651
00:38:21,040 --> 00:38:25,960
Speaker 3: It don't sound good, bros. That's it. Listen, man, that's

652
00:38:25,960 --> 00:38:26,600
Speaker 3: what I'm gonna say.

653
00:38:27,440 --> 00:38:32,440
Speaker 2: If all three people in this room for the next

654
00:38:32,480 --> 00:38:36,640
Speaker 2: five hundred years, now.

655
00:38:36,640 --> 00:38:39,840
Speaker 3: Wait a minute, it's triggering some shit at me, but

656
00:38:39,840 --> 00:38:44,399
Speaker 3: I'm listening. I'm listening for five hundred years. I don't

657
00:38:44,440 --> 00:38:45,600
Speaker 3: care who it is.

658
00:38:46,040 --> 00:38:49,520
Speaker 2: Fill in the blank little people, right, for the next

659
00:38:49,560 --> 00:38:55,560
Speaker 2: five hundred years, we made free, uninterrupted trillions off of

660
00:38:55,640 --> 00:39:02,880
Speaker 2: little people whoa uninterrupted golden age of our friendship. We're

661
00:39:02,880 --> 00:39:08,520
Speaker 2: building castles, we're making states, we're building bridges, We're doing

662
00:39:08,560 --> 00:39:13,200
Speaker 2: all the things, but the actual engine, the actual farm tool,

663
00:39:13,239 --> 00:39:17,920
Speaker 2: the resource is little people. For five hundred years, like

664
00:39:17,960 --> 00:39:20,239
Speaker 2: we build a whole new economic system off of it.

665
00:39:20,440 --> 00:39:23,560
Speaker 3: We're thriving, thriving worlds.

666
00:39:23,960 --> 00:39:26,319
Speaker 1: Life's easier for everyone else than it ever has.

667
00:39:26,480 --> 00:39:30,280
Speaker 3: Oh my god, David's got David's on the moon, Langston's

668
00:39:30,360 --> 00:39:33,600
Speaker 3: under the ocean like Sandy Cheeks. You know what I'm saying.

669
00:39:33,719 --> 00:39:36,719
Speaker 3: I'm riding a komodo, dragging down Portland Avenue.

670
00:39:36,440 --> 00:39:40,160
Speaker 2: And Atlanta whatever your desires, right, beautiful, And then one

671
00:39:40,280 --> 00:39:45,839
Speaker 2: day the little people uprise and say enough we go

672
00:39:45,920 --> 00:39:48,560
Speaker 2: to war with each other.

673
00:39:48,600 --> 00:39:51,120
Speaker 3: Over I say, what's even more fucked up is somebody

674
00:39:51,120 --> 00:39:54,680
Speaker 3: who I helped ride a komodo dragon decides they don't

675
00:39:54,719 --> 00:39:57,480
Speaker 3: agree with and then we gotta stops and we got

676
00:39:57,640 --> 00:40:00,200
Speaker 3: then we start beefing, even though I helped get you

677
00:40:00,280 --> 00:40:03,160
Speaker 3: that komodo dragon. Yes first, so me, you David getting

678
00:40:03,160 --> 00:40:07,040
Speaker 3: a fight, mall each other to death. Almost all of

679
00:40:07,120 --> 00:40:12,080
Speaker 3: us die over it. And now little people are a

680
00:40:12,160 --> 00:40:14,440
Speaker 3: part of the podcast. They're part of My mama told

681
00:40:14,480 --> 00:40:15,840
Speaker 3: me they can't take it to be at the table.

682
00:40:15,920 --> 00:40:21,800
Speaker 1: Now they're just dropping in, dropping in, spaming the drops.

683
00:40:26,600 --> 00:40:33,560
Speaker 2: But it was like our children, your two children, our

684
00:40:33,880 --> 00:40:39,320
Speaker 2: theoretical children, and our children's children and our children's children's children.

685
00:40:40,520 --> 00:40:44,680
Speaker 2: We would look at them every single day, generations and

686
00:40:44,760 --> 00:40:49,200
Speaker 2: generations and say, no matter what you do in this life,

687
00:40:49,760 --> 00:40:53,560
Speaker 2: I don't care what it is. Figure out how to

688
00:40:53,600 --> 00:40:58,360
Speaker 2: get us back to uninterrupted trillions off of these little people.

689
00:40:58,400 --> 00:41:00,160
Speaker 3: And I don't care who you got to add to

690
00:41:00,200 --> 00:41:00,760
Speaker 3: the equation.

691
00:41:01,400 --> 00:41:05,759
Speaker 2: Big people, wide people, middler people get it going.

692
00:41:06,200 --> 00:41:08,319
Speaker 3: The way you're talking, there's no way I wouldn't say

693
00:41:08,320 --> 00:41:10,959
Speaker 3: the N word, you know what I mean. I would

694
00:41:11,000 --> 00:41:13,480
Speaker 3: call them that to their faces. Right, and I would

695
00:41:13,520 --> 00:41:15,719
Speaker 3: be like, I don't give a fuck, right because I

696
00:41:15,760 --> 00:41:18,359
Speaker 3: know what you used to be. So this whole talk of.

697
00:41:19,520 --> 00:41:23,640
Speaker 2: The AI is gonna the robots are gonna rise up,

698
00:41:23,680 --> 00:41:27,840
Speaker 2: and it's all I always fill it in with black people.

699
00:41:28,640 --> 00:41:29,920
Speaker 3: Yes, every single time.

700
00:41:30,000 --> 00:41:34,160
Speaker 2: I'm like, you're projecting your fear of us doing that

701
00:41:34,200 --> 00:41:35,879
Speaker 2: to you because you knew, you know what you get,

702
00:41:36,520 --> 00:41:38,480
Speaker 2: so you're projecting it on the robots. But at the

703
00:41:38,520 --> 00:41:42,400
Speaker 2: same time, you're not even doing anything different from regular slavery.

704
00:41:42,760 --> 00:41:46,799
Speaker 2: You're just leaving the Africans where they're at. We don't

705
00:41:46,800 --> 00:41:48,880
Speaker 2: got to enslave them over here. We already got We

706
00:41:48,920 --> 00:41:53,239
Speaker 2: already did that. Keep them over there and then let

707
00:41:53,320 --> 00:41:56,239
Speaker 2: them be the give them facades.

708
00:41:56,320 --> 00:41:59,280
Speaker 3: You're saying this is this makes it full present tense.

709
00:41:59,400 --> 00:42:02,120
Speaker 3: We don't have the trick the black people around us

710
00:42:02,160 --> 00:42:05,680
Speaker 3: into slavery again. We just need to go somewhere where

711
00:42:05,719 --> 00:42:07,640
Speaker 3: we ain't get to really get our big scoop of

712
00:42:07,640 --> 00:42:08,359
Speaker 3: ice cream yet.

713
00:42:08,440 --> 00:42:09,800
Speaker 1: Yeah, they need to go to the source.

714
00:42:10,239 --> 00:42:13,640
Speaker 3: Damn get big. They outsourced it, get it right.

715
00:42:14,800 --> 00:42:17,279
Speaker 1: Yeah, Like it's like, Okay, we needed rice farmers or

716
00:42:17,320 --> 00:42:19,600
Speaker 1: whatever right over here, but now that you just got

717
00:42:19,600 --> 00:42:22,239
Speaker 1: a whole continent of people to drive robots.

718
00:42:22,440 --> 00:42:27,399
Speaker 2: Damn make them, make them slave avatars, right because you can.

719
00:42:27,520 --> 00:42:31,200
Speaker 2: You can keep a smiley face on a robot in perpetuity,

720
00:42:31,239 --> 00:42:33,440
Speaker 2: even if there's a child in Sudan.

721
00:42:33,719 --> 00:42:45,239
Speaker 6: Dying because it didn't hit that left turn. You know

722
00:42:45,239 --> 00:42:46,680
Speaker 6: where this gets nasty for me.

723
00:42:47,320 --> 00:42:50,480
Speaker 3: James Cameron is the type of rich where he would

724
00:42:50,520 --> 00:42:54,000
Speaker 3: know that this is happening, and especially if he's creating

725
00:42:54,080 --> 00:42:58,560
Speaker 3: new AI technology for like replacing faces and shit, He's

726
00:42:58,600 --> 00:43:02,440
Speaker 3: tapped into that ship, and that then makes me feel

727
00:43:02,520 --> 00:43:08,680
Speaker 3: like Avatar is just like an artist being like silly

728
00:43:09,440 --> 00:43:14,279
Speaker 3: about some dark ship. He knows this pipeline. He's like, no,

729
00:43:14,360 --> 00:43:18,560
Speaker 3: I'm watching it happen. So yeah, the Nave, yeah, big

730
00:43:18,600 --> 00:43:22,279
Speaker 3: old yeah, they got long tails. There's such a musical people. Yeah,

731
00:43:22,320 --> 00:43:23,480
Speaker 3: they fuck with their hair.

732
00:43:24,560 --> 00:43:26,879
Speaker 1: WHOA remember when he came out, first thing he did

733
00:43:26,960 --> 00:43:36,080
Speaker 1: was play basketball? No, Bro, that's crazy.

734
00:43:36,280 --> 00:43:38,400
Speaker 3: Yeah fuck.

735
00:43:39,920 --> 00:43:43,600
Speaker 4: Yo, dang fuck.

736
00:43:43,600 --> 00:43:50,200
Speaker 3: That hurts my feeling. Whoa man, God, damn it. Listen, bro,

737
00:43:51,200 --> 00:43:53,400
Speaker 3: I'm telling you, so, we got to get more guns.

738
00:43:53,480 --> 00:43:54,399
Speaker 1: I don't know what to do.

739
00:43:54,760 --> 00:44:02,040
Speaker 3: Tell me what to do today. A bunch of years, bro,

740
00:44:02,440 --> 00:44:05,359
Speaker 3: five hundred years. Give me one of those akades five

741
00:44:05,400 --> 00:44:08,239
Speaker 3: hundred years. You had the red, you had the Staples,

742
00:44:08,280 --> 00:44:08,960
Speaker 3: easy button.

743
00:44:09,640 --> 00:44:10,279
Speaker 4: You know what I'm saying.

744
00:44:11,000 --> 00:44:17,160
Speaker 3: This is it now? Yeah, get back to uninterrupted free.

745
00:44:17,360 --> 00:44:19,680
Speaker 1: They need the because they hit the greatest slick of

746
00:44:19,719 --> 00:44:23,160
Speaker 1: all time. Yeah, that's that's the high they're searching, right, Yeah,

747
00:44:23,560 --> 00:44:27,239
Speaker 1: they the greatest slick of all time. Like they just

748
00:44:27,280 --> 00:44:29,000
Speaker 1: got Iowa. They just came here and.

749
00:44:28,880 --> 00:44:29,560
Speaker 3: Got that ship.

750
00:44:29,680 --> 00:44:31,080
Speaker 4: Like even the other.

751
00:44:31,320 --> 00:44:33,560
Speaker 1: Nothing else, nothing else has ever compared to that.

752
00:44:33,640 --> 00:44:36,520
Speaker 3: Even the other times in history where people have been

753
00:44:36,880 --> 00:44:41,560
Speaker 3: slavers and held over other people, they've never gotten paid

754
00:44:41,600 --> 00:44:43,720
Speaker 3: the way that these one fuers. That was it.

755
00:44:44,400 --> 00:44:48,080
Speaker 2: That was ball in the peach basket. Yeah, yeah, early

756
00:44:48,200 --> 00:44:49,560
Speaker 2: Arab slave trade.

757
00:44:49,840 --> 00:44:52,400
Speaker 3: Yes, there was a lot of Africans in that African

758
00:44:52,560 --> 00:44:56,640
Speaker 3: slave and Europeans enslave in other Europeans. Yeah, that was

759
00:44:57,040 --> 00:44:59,799
Speaker 3: ball in the peach basket. Yeah. What white folks did

760
00:45:00,200 --> 00:45:01,280
Speaker 3: was the Harlem globe.

761
00:45:01,960 --> 00:45:08,399
Speaker 1: Yeah you slept, you know what I mean, Like you're

762
00:45:08,440 --> 00:45:10,440
Speaker 1: still sleeping on the on the ground.

763
00:45:10,760 --> 00:45:13,960
Speaker 3: You got to do, like you got to graduate from

764
00:45:14,000 --> 00:45:17,239
Speaker 3: being a slave, like Arab slave trade and like that.

765
00:45:17,400 --> 00:45:19,480
Speaker 3: Like they would be like do you funk with.

766
00:45:19,600 --> 00:45:23,320
Speaker 1: Like ironworks you're like a trader, trade worker.

767
00:45:23,680 --> 00:45:25,520
Speaker 2: I feel I see something men and you like you

768
00:45:25,520 --> 00:45:29,719
Speaker 2: you hockey show, hang out with us.

769
00:45:29,760 --> 00:45:30,760
Speaker 4: Man, you could draw.

770
00:45:33,520 --> 00:45:35,880
Speaker 2: To hear the Pharaoh about to die. Man, that ship

771
00:45:35,960 --> 00:45:40,279
Speaker 2: come on man, yo, wife was hard. They always try

772
00:45:40,320 --> 00:45:42,880
Speaker 2: to do that like it was all slavery.

773
00:45:42,920 --> 00:45:48,880
Speaker 1: No, no, no, they did. They did did in the game,

774
00:45:49,680 --> 00:45:51,000
Speaker 1: bouncing off each other.

775
00:45:51,440 --> 00:45:52,880
Speaker 4: You was all the professor.

776
00:45:53,120 --> 00:46:03,359
Speaker 9: Yeah and you were bouncing. That's what I ain't got

777
00:46:03,360 --> 00:46:05,839
Speaker 9: no face on because he wasn't a man.

778
00:46:06,640 --> 00:46:08,440
Speaker 3: That's man. They try to hide it.

779
00:46:08,640 --> 00:46:11,800
Speaker 4: It is like a strong jawed white man. Yeah, and

780
00:46:11,880 --> 00:46:14,440
Speaker 4: they keep trying to pretend like like Nigga's supposed to

781
00:46:14,480 --> 00:46:16,600
Speaker 4: connect to it, but it's not. It's a chad, it's

782
00:46:16,640 --> 00:46:17,279
Speaker 4: a giga chat.

783
00:46:17,520 --> 00:46:18,080
Speaker 3: It's crazy.

784
00:46:18,200 --> 00:46:20,719
Speaker 1: He's saying ship like driving.

785
00:46:23,840 --> 00:46:25,120
Speaker 4: This is the last stop.

786
00:46:29,160 --> 00:46:41,719
Speaker 3: More pizza rules. You know that one man wasn't black, bro,

787
00:46:41,920 --> 00:46:44,239
Speaker 3: he was not Where was your fitt at? He was

788
00:46:44,400 --> 00:46:49,800
Speaker 3: not no lineup. That's really nuts. You know that is

789
00:46:49,960 --> 00:46:52,600
Speaker 3: really crazy. And you know you know, I know he

790
00:46:52,719 --> 00:46:57,319
Speaker 3: wasn't black. No facial hair, boom ball man, no facial hair.

791
00:46:57,440 --> 00:47:00,200
Speaker 3: Play basketball every day. You ain't grow a little go

792
00:47:00,400 --> 00:47:04,680
Speaker 3: tee nothing. It's a weird mustache. Black man, black man,

793
00:47:04,800 --> 00:47:08,319
Speaker 3: gonna keep that keep something on it, Bro, something to less,

794
00:47:08,360 --> 00:47:12,680
Speaker 3: you know, Bro, My chain ain't seen the sun since

795
00:47:12,760 --> 00:47:16,920
Speaker 3: before the towers fell. Yeah, ship covered up.

796
00:47:22,040 --> 00:47:22,920
Speaker 4: The first plane here.

797
00:47:22,960 --> 00:47:26,840
Speaker 3: He just became a man. I'm ready to vote. It

798
00:47:26,960 --> 00:47:34,759
Speaker 3: was loud like woo Maine every time, but I have

799
00:47:34,960 --> 00:47:35,400
Speaker 3: to do it.

800
00:47:37,719 --> 00:47:39,719
Speaker 1: Also, if you cut that ship off, it comes right back.

801
00:47:40,120 --> 00:47:40,319
Speaker 9: Yeah.

802
00:47:41,840 --> 00:47:44,680
Speaker 3: Damn well, this is a great episode. I think we

803
00:47:44,760 --> 00:47:47,959
Speaker 3: figured it out. I don't think anybody's in disagreement about

804
00:47:48,000 --> 00:47:48,480
Speaker 3: this list.

805
00:47:50,080 --> 00:47:54,120
Speaker 2: I dare someone to present a rebuttal to this theory

806
00:47:54,280 --> 00:47:57,319
Speaker 2: because I'm sticking by it like it's fat tough.

807
00:47:57,440 --> 00:48:00,520
Speaker 1: Because when I saw it, I was like, this is hilarious.

808
00:48:00,960 --> 00:48:02,880
Speaker 1: It would be so fun to talk to Zach about

809
00:48:02,880 --> 00:48:04,799
Speaker 1: this and we'll have such a good time. And then

810
00:48:04,880 --> 00:48:07,600
Speaker 1: now I'm walking away like I need some you need

811
00:48:07,680 --> 00:48:10,400
Speaker 1: some thinking time? Yeah, I need some stuff to prepare

812
00:48:10,480 --> 00:48:12,960
Speaker 1: my I need more weapons, is what I feel like. Oh,

813
00:48:13,280 --> 00:48:14,080
Speaker 1: I yeah, I don't know.

814
00:48:14,640 --> 00:48:17,440
Speaker 3: What's a darker future? Yeah, I do this break. I'm

815
00:48:17,440 --> 00:48:22,000
Speaker 3: gonna break yall. What's a darker future that y'all can imagine?

816
00:48:22,080 --> 00:48:25,680
Speaker 3: Y'all thought the future? Oh, race war race war.

817
00:48:25,880 --> 00:48:31,960
Speaker 2: Now they're gonna set it up. Black folks, Latinos, poor whites,

818
00:48:32,280 --> 00:48:33,759
Speaker 2: y'all gotta go to war with the.

819
00:48:33,880 --> 00:48:44,360
Speaker 3: Robots who are what strong and African? Fuck? Fuck fuck.

820
00:48:44,760 --> 00:48:49,200
Speaker 1: It's like a new fear on Locke. But you know

821
00:48:49,280 --> 00:48:51,799
Speaker 1: when you see some shit you weren't even didn't even

822
00:48:51,960 --> 00:48:52,880
Speaker 1: think to be scared of.

823
00:48:53,160 --> 00:48:56,279
Speaker 3: I didn't even know that I wanted or know how

824
00:48:56,320 --> 00:48:59,480
Speaker 3: to navigate them as my enemy. Yeah yeah, and now

825
00:48:59,680 --> 00:49:02,200
Speaker 3: they are both. They are both not only my enemy,

826
00:49:02,280 --> 00:49:03,719
Speaker 3: but my greatest fear activated.

827
00:49:04,600 --> 00:49:06,280
Speaker 2: And then you don't even got to tell the Africans

828
00:49:06,360 --> 00:49:08,360
Speaker 2: what they're doing over there because they're just playing a

829
00:49:08,520 --> 00:49:09,080
Speaker 2: video game.

830
00:49:09,840 --> 00:49:14,880
Speaker 3: Hey, man, get the funk out of the studio. I

831
00:49:14,920 --> 00:49:18,600
Speaker 3: can take this. It's gonna be cool like that. We

832
00:49:18,760 --> 00:49:19,239
Speaker 3: invited you.

833
00:49:19,320 --> 00:49:21,120
Speaker 4: We're like, Zach's a friend. We should have them on

834
00:49:21,200 --> 00:49:23,400
Speaker 4: our podcast every podcast like this.

835
00:49:24,200 --> 00:49:24,560
Speaker 1: You should.

836
00:49:24,640 --> 00:49:27,359
Speaker 3: You should stand by your ideas like this, Yeah, because

837
00:49:27,360 --> 00:49:28,279
Speaker 3: that makes that makes you.

838
00:49:28,960 --> 00:49:31,440
Speaker 4: Yeah, you're saying something crazy. Pull it out of man

839
00:49:32,320 --> 00:49:33,239
Speaker 4: with this idea.

840
00:49:33,120 --> 00:49:34,719
Speaker 3: You like a baseball man.

841
00:49:37,600 --> 00:49:38,360
Speaker 1: Choke the morning.

842
00:49:41,000 --> 00:49:45,840
Speaker 3: What you saying, Zach? Tell Tell the people where they

843
00:49:45,880 --> 00:49:47,560
Speaker 3: can find you. What cool ship you got going on?

844
00:49:47,840 --> 00:49:48,759
Speaker 3: My name is Zack Fox.

845
00:49:48,800 --> 00:49:51,960
Speaker 2: You can follow me on I g zack Fox Twitter

846
00:49:52,239 --> 00:49:56,080
Speaker 2: or x Zack Fox YouTube channel.

847
00:49:57,000 --> 00:50:00,239
Speaker 3: Watch me some Zack Fox. Okay, okay uh. I'm on

848
00:50:00,400 --> 00:50:03,800
Speaker 3: tour right now. I'm gonna be doing Portola Festival in

849
00:50:03,880 --> 00:50:08,480
Speaker 3: San Francisco. I'm gonna be doing a movement festival in Detroit.

850
00:50:08,880 --> 00:50:12,240
Speaker 3: I'm gonna be doing not announce yet, but another crazy

851
00:50:12,320 --> 00:50:15,279
Speaker 3: festival in Florida coming up. And I got tours and

852
00:50:15,320 --> 00:50:17,440
Speaker 3: stuff and I'm gonna be hitting the road a little bit.

853
00:50:17,520 --> 00:50:19,840
Speaker 2: So on my website zach Fox dot com, it's an

854
00:50:19,880 --> 00:50:23,160
Speaker 2: Excel spreadsheet with all of my dates on it.

855
00:50:24,600 --> 00:50:27,319
Speaker 3: Me and my manager worked very hard on that Google sheet.

856
00:50:28,080 --> 00:50:30,680
Speaker 3: So buy the tickets and hey.

857
00:50:30,719 --> 00:50:31,960
Speaker 4: Change some dates if you want to.

858
00:50:32,120 --> 00:50:37,120
Speaker 3: It's like it's open access. It's free for anybody. Hit

859
00:50:37,200 --> 00:50:39,400
Speaker 3: the If you have the link, you can edit. So

860
00:50:43,280 --> 00:50:44,160
Speaker 3: bory what you got.

861
00:50:45,239 --> 00:50:49,640
Speaker 1: June fourteenth, I'm gonna be in Sacramento at the Secret

862
00:50:49,719 --> 00:50:53,840
Speaker 1: Show June thirteenth. I'm gonna be in Hayward June twelfth.

863
00:50:53,840 --> 00:50:57,200
Speaker 1: I'm gonna be in Petaluma. In June fifteenth, I'm gonna

864
00:50:57,200 --> 00:51:00,680
Speaker 1: be at Littlefield in Brooklyn. We should sell it out

865
00:51:00,920 --> 00:51:06,680
Speaker 1: because I need the validation. I just want to feel

866
00:51:06,719 --> 00:51:08,600
Speaker 1: good about the stand up that I'm doing, and I

867
00:51:08,680 --> 00:51:09,600
Speaker 1: think it's very great.

868
00:51:10,239 --> 00:51:13,200
Speaker 3: Struck my man's ego. Come on out and as always,

869
00:51:13,239 --> 00:51:15,239
Speaker 3: you can follow me at Langston Kerrman. I ain't got

870
00:51:15,280 --> 00:51:19,839
Speaker 3: no dates coming up and may never will again. After

871
00:51:19,960 --> 00:51:22,479
Speaker 3: this one drops, this might be the end of old

872
00:51:23,400 --> 00:51:24,680
Speaker 3: lak uh.

873
00:51:27,400 --> 00:51:27,919
Speaker 1: That said.

874
00:51:28,480 --> 00:51:30,759
Speaker 3: You can follow me on all social media platforms. If

875
00:51:30,760 --> 00:51:32,560
Speaker 3: you want to send us your own drops, your own

876
00:51:32,640 --> 00:51:36,320
Speaker 3: conspiracy theories. If you represent one of these autonomous companies

877
00:51:36,360 --> 00:51:38,200
Speaker 3: and want to hold us accountable for the things that

878
00:51:38,280 --> 00:51:40,879
Speaker 3: were said today, send it all to my mama pod

879
00:51:40,920 --> 00:51:42,960
Speaker 3: at gmail dot com. We would love to hear from you.

880
00:51:43,120 --> 00:51:45,520
Speaker 3: I'm willing to defend my opinions in a court of law.

881
00:51:45,800 --> 00:51:48,160
Speaker 3: I like that.

882
00:51:48,400 --> 00:51:50,960
Speaker 1: And He's an autonomous country, so you can do that.

883
00:51:51,160 --> 00:51:52,880
Speaker 3: I'm an autonomous African.

884
00:51:55,280 --> 00:51:55,960
Speaker 1: Working on myself.

885
00:51:56,120 --> 00:52:10,560
Speaker 3: Yeah, I see you me someday. Hell get there by

886
00:52:10,640 --> 00:52:14,440
Speaker 3: the merch like subscribe, review, do all the ship follow

887
00:52:14,520 --> 00:52:17,919
Speaker 3: the leave comments schools. But how good you are in sex.

888
00:52:21,840 --> 00:52:25,400
Speaker 3: We've had a lot of people responding to videos in

889
00:52:25,640 --> 00:52:29,680
Speaker 3: strange ways lately, where it's them like getting in arguments.

890
00:52:30,000 --> 00:52:32,240
Speaker 3: We had a video where we were arguing, not arguing,

891
00:52:32,320 --> 00:52:34,480
Speaker 3: but just talking about the fact that like, white boys

892
00:52:34,600 --> 00:52:36,840
Speaker 3: really ain't scared of black people no more. I did

893
00:52:36,920 --> 00:52:40,920
Speaker 3: see this, uh, and the amount of like vile white

894
00:52:41,120 --> 00:52:44,600
Speaker 3: people that have now entered that conversation are like truly

895
00:52:44,719 --> 00:52:51,880
Speaker 3: going crazy, calling us cowards and saying we were never strong,

896
00:52:52,400 --> 00:52:53,920
Speaker 3: no one's ever been afraid of.

897
00:52:54,000 --> 00:53:02,680
Speaker 1: You behind faces and it's like, truly, you monkeys don't

898
00:53:02,800 --> 00:53:03,440
Speaker 1: scare us.

899
00:53:03,719 --> 00:53:14,360
Speaker 4: It's like crazy exclamation, it's nothing, and we're not responding

900
00:53:14,440 --> 00:53:17,080
Speaker 4: to nothing. It's like it's them.

901
00:53:17,480 --> 00:53:21,759
Speaker 3: They are literally like eating each other to bite the

902
00:53:21,880 --> 00:53:22,600
Speaker 3: fuck out of us.

903
00:53:22,640 --> 00:53:25,000
Speaker 1: What I learned is like the biggest losers on the

904
00:53:25,080 --> 00:53:27,439
Speaker 1: internet are people who talk about how good they can fight,

905
00:53:27,840 --> 00:53:29,359
Speaker 1: the people who talk about how good they are at

906
00:53:29,400 --> 00:53:34,240
Speaker 1: sex in comments, those are the biggest losers on the internet.

907
00:53:34,680 --> 00:53:36,319
Speaker 3: Like you what are you? What are you doing?

908
00:53:36,640 --> 00:53:41,560
Speaker 4: Oh no, that's the other thing.

909
00:53:41,600 --> 00:53:43,879
Speaker 3: It's not just white boys. Shit, it's not people coming

910
00:53:43,920 --> 00:53:46,719
Speaker 3: in and being like these niggas ain't like us, Yeah,

911
00:53:47,000 --> 00:53:47,759
Speaker 3: cowards need to.

912
00:53:49,440 --> 00:53:53,760
Speaker 4: It's like whoa, it's really wild man, you don't understand

913
00:53:53,800 --> 00:53:54,719
Speaker 4: what we're doing over here.

914
00:53:54,800 --> 00:53:54,920
Speaker 7: Bro.

915
00:53:55,120 --> 00:53:56,759
Speaker 1: It got to a side of the internet that's not

916
00:53:56,880 --> 00:53:59,760
Speaker 1: even we're not even potentially getting fans anymore.

917
00:54:00,280 --> 00:54:03,320
Speaker 2: Yeah, it's just an arena. Yeah, it's just like the

918
00:54:03,400 --> 00:54:05,920
Speaker 2: World Wars. The zombie had climb over it.

919
00:54:07,440 --> 00:54:07,640
Speaker 1: Dude.

920
00:54:07,640 --> 00:54:13,440
Speaker 3: It's like there's niggas gone trade me the only and

921
00:54:13,600 --> 00:54:17,080
Speaker 3: we're just sitting there playing dead the whole time, hoping

922
00:54:17,120 --> 00:54:18,480
Speaker 3: the zombies don't notice.

923
00:54:18,719 --> 00:54:23,000
Speaker 2: And it's so funny because like these people, like the

924
00:54:23,120 --> 00:54:26,759
Speaker 2: dude saying that definitely lives in a town that just.

925
00:54:26,960 --> 00:54:30,439
Speaker 3: Got a ross one hundred percent. Yeah, like nothing's going

926
00:54:30,560 --> 00:54:35,240
Speaker 3: down over there. Man, it's not coming to you. Okay,

927
00:54:35,400 --> 00:54:38,960
Speaker 3: y'all will miss the apocalypse by years. They're gonna skip

928
00:54:39,040 --> 00:54:40,960
Speaker 3: this town for a while for sure. You'll be like

929
00:54:41,040 --> 00:54:44,600
Speaker 3: those guys who didn't know slavery was over and celebration

930
00:54:44,760 --> 00:54:45,960
Speaker 3: of the zombie apocalypse.

931
00:54:46,200 --> 00:54:49,520
Speaker 1: Yeah yeah, we would have been done fighting robot Africans.

932
00:54:49,840 --> 00:54:53,920
Speaker 3: Yeah, zombie apocalypse, you know.

933
00:54:54,239 --> 00:54:57,160
Speaker 1: And they're talking about trumping birthright citizenship and you're like, bro,

934
00:54:57,320 --> 00:54:58,560
Speaker 1: this ship twenty.

935
00:54:58,360 --> 00:55:07,839
Speaker 3: Eight days later when was I showed, Oh all right,

936
00:55:08,120 --> 00:55:11,319
Speaker 3: we did it, my bitch, put your mouth right over

937
00:55:11,400 --> 00:55:17,640
Speaker 3: that hole. Put your mouth there, my mama told me.

938
00:55:17,840 --> 00:55:21,239
Speaker 3: Is a production of Will Ferrell's Big Money Players Network

939
00:55:21,640 --> 00:55:23,480
Speaker 3: and iHeart Podcasts.

940
00:55:23,800 --> 00:55:27,640
Speaker 1: Greeted and hosted by Langston Krek, co hosted by David Bori.

941
00:55:27,960 --> 00:55:31,240
Speaker 1: Executive produced by Will Ferrell, Hansani.

942
00:55:30,840 --> 00:55:34,759
Speaker 3: And Olivia Akilo. Co produced by Bee Wayne, edited and

943
00:55:34,880 --> 00:55:39,359
Speaker 3: engineered by Justin Komon, music by Nick Chambers, artwork by

944
00:55:39,480 --> 00:55:42,920
Speaker 3: Dogon Kriega. You can now watch episodes of My Mama

945
00:55:43,000 --> 00:55:46,560
Speaker 3: Told Me on YouTube. Follow at My Mama Told Me

946
00:55:46,920 --> 00:55:48,560
Speaker 3: and subscribe to our channel