WEBVTT - TGI – Episode 405 “Shallow Boy”

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<v Speaker 1>So before we jump into today's episode, we have an email.

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<v Speaker 1>Lauren M writes in that she is a huge fan

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<v Speaker 1>of both the pod and the show after rewatching episode

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<v Speaker 1>four point two, in which Eric is dreaming about Spanish baseball.

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<v Speaker 1>And I'm sure other eagle eyed fans caught this before,

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<v Speaker 1>but I realize.

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<v Speaker 2>The boys constantly switch beds.

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<v Speaker 3>We've had this conversation, I think before. Do they actually

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<v Speaker 3>switch beds? Well?

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<v Speaker 1>Yes, because if you'll remember the episode when you were

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<v Speaker 1>with you had the Nancy Kerrigan episode, you were in

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<v Speaker 1>the upstage bed, right, and then also.

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<v Speaker 3>Corey, yeah, there's a box. Corey, there's a box on

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<v Speaker 3>your face. I think was in the other bed.

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<v Speaker 4>He do, yes.

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<v Speaker 1>And then in this one where you wake up with

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<v Speaker 1>the Spanish base bowl, you're in the other bed.

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<v Speaker 2>So you're in the downstage bed for that one.

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<v Speaker 1>So she said, we all know consistency is not a

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<v Speaker 1>Boy Meets World strong point, but would you guess this

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<v Speaker 1>was purely a camera blocking issue. The set design needed

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<v Speaker 1>to be updated as well, which means the bedroom set

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<v Speaker 1>was always evolving.

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<v Speaker 2>And yes, it's just a blocking thing.

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<v Speaker 3>I remember Ben and I having that conversation on set,

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<v Speaker 3>being like, wait, a second, weren't you in that bed

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<v Speaker 3>last time? I don't know, I think, and we couldn't remember.

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<v Speaker 3>I think I was in this bed. I think you

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<v Speaker 3>were in that bed. Yeah, it just kind of became

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<v Speaker 3>much like the Little Sisters on your show or whatever

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<v Speaker 3>we needed.

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<v Speaker 4>Are we going to see the bedroom that much more? Like?

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<v Speaker 4>I don't remember it.

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<v Speaker 3>I can think of two more scenes where we definitely

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<v Speaker 3>see the bedroom cellar.

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<v Speaker 4>Oh, chick like me, chicklick me into the bed, okay.

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<v Speaker 3>And I know there's one where Eric leaves and comes

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<v Speaker 3>back and kicks in the door when there's now one

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<v Speaker 3>bed in there. Corey thinks it's just his room. So

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<v Speaker 3>I remember that. But towards the end, I don't know

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<v Speaker 3>how much monaw the bedroom.

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<v Speaker 4>Why do you think Corey and Eric are switching beds?

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<v Speaker 3>I think it's just they were so drunk by that point.

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<v Speaker 3>Wherever they passed out, that's where they landed exactly. Corey

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<v Speaker 3>was a big drinker. A lot of people didn't know

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<v Speaker 3>that about not.

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<v Speaker 1>Ben, whoever had the most to drink that day, got

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<v Speaker 1>the bed closest.

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<v Speaker 3>To the bath, closest to the bath exactly. Now, it

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<v Speaker 3>was just the camera thing. It's like all right, Yeah,

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<v Speaker 3>this is your bed today.

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<v Speaker 1>Yeah, it's so funny because I am such a creature

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<v Speaker 1>of habit. Even when I'm in a hotel room by myself,

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<v Speaker 1>I have to sleep on my.

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<v Speaker 3>Same side of the absolutely right or not?

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<v Speaker 2>You you just don't care.

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<v Speaker 4>No, I don't think the middle. I definitely, like have noticed,

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<v Speaker 4>I still gravitate to us side, but there's no like regularity.

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<v Speaker 3>Have you ever dated a person who slept on your

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<v Speaker 3>side of the bed and after the first time you

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<v Speaker 3>shared a bed, you're like, this isn't gonna.

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<v Speaker 4>Work, not gonna work. So you have the same side

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<v Speaker 4>of the bed no matter who you're dating. Yeah, I

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<v Speaker 4>have my side side of the way since you were

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<v Speaker 4>a child or since like.

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<v Speaker 3>Oh, I didn't date that many people as a child,

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<v Speaker 3>But I don't understand how many.

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<v Speaker 2>I'm betting the night at your house when you were.

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<v Speaker 3>Seven, Well, yeah, exactly. I got around at seven, Okay,

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<v Speaker 3>I did.

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<v Speaker 4>At some point, At some point you were old enough

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<v Speaker 4>to have your own Queen's eye bed or whatever double

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<v Speaker 4>sized bed, and you picked a side at that point

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<v Speaker 4>and haven't adjusted no matter what.

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<v Speaker 2>Yeah, yeah, I think.

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<v Speaker 4>That's what if What if the person like your partner

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<v Speaker 4>what if Susan came into your life and was like,

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<v Speaker 4>well no, just as insistent that this is.

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<v Speaker 3>Her, So it'd never been been a great first and

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<v Speaker 3>second date and then and then we both would have

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<v Speaker 3>shook hands and.

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<v Speaker 4>Been on her way.

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<v Speaker 2>Too bad, this didn't work out, And sorry, this didn't.

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<v Speaker 3>Work out, Sarah.

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<v Speaker 2>I do.

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<v Speaker 1>I don't remember if I have ended up going back,

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<v Speaker 1>but I do, And it may have even been with Jensen.

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<v Speaker 1>I do know at one point there was a situation

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<v Speaker 1>where somebody was very much like, well, this is my

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<v Speaker 1>side of the bed, and I was kind of like, well,

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<v Speaker 1>that's also my the bed.

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<v Speaker 5>And so what are we gonna do here, and then

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<v Speaker 5>being like somebody's gonna be compromise. Yeah, being at the

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<v Speaker 5>beginning of a relationship like it's okay, I'll just I'll

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<v Speaker 5>just sleep on the side of the bed. And then

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<v Speaker 5>I don't I think I just got used to that

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<v Speaker 5>side and maybe now that's oh no, Jensen just wrote

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<v Speaker 5>I switched sides.

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<v Speaker 4>Somebody. I think both of you guys are just domineering

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<v Speaker 4>and you're very partners. Yeah, we're like, okay, I guess

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<v Speaker 4>we this is an argument I'm not gonna win. I'll

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<v Speaker 4>just go to the other side of the bed.

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<v Speaker 3>Yeah.

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<v Speaker 4>Yeah, that's the window into your lives.

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<v Speaker 3>Okay, it doesn't have to be my way. You just

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<v Speaker 3>don't have to do it.

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<v Speaker 4>Just worked out my life. It's always worked out everywhere.

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<v Speaker 4>There's always more right. I don't know what you're talking about.

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<v Speaker 4>Consider another person, guys, partner, I just can't.

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<v Speaker 3>I consider her from my left works.

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<v Speaker 2>Wow.

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<v Speaker 1>Will and I also have a no touching rule while sleeping.

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<v Speaker 2>You do stay on your side of the bed.

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<v Speaker 4>Just get married, just like get married, make a sick together,

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<v Speaker 4>make America happy.

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<v Speaker 3>We both be on the same side of the bed.

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<v Speaker 4>You're not touching each other. You'd each have their own

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<v Speaker 4>beds with one side you know sleep.

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<v Speaker 1>Will and I have a deal breaker. I already tell

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<v Speaker 1>you why our marriage doesn't work. I cannot and will

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<v Speaker 1>not sleep.

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<v Speaker 3>With a TV on, and I cannot and will not

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<v Speaker 3>sleep without the TV.

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<v Speaker 2>So nice knowing you will, yes, sir, exactly.

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<v Speaker 3>Great means Darnel's not gonna work out.

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<v Speaker 2>Welcome to Bond Meets World.

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<v Speaker 1>I'm Danielle Fischel, I'm rather strong, and I'm wil for do.

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<v Speaker 1>Today we are recapping season four, episode five, Shallow Boy.

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<v Speaker 1>It originally aired October eighteenth, nineteen ninety six. The synopsis

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<v Speaker 1>Eric starts dating a highly optimistic musician, but her constant

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<v Speaker 1>perkiness starts to annoy him. After it, Eric Dumpster, he

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<v Speaker 1>finds himself the topic of a scathing hit song on

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<v Speaker 1>the radio. Meanwhile, Topanga does not like Corey's habit of

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<v Speaker 1>being pals with kids instead of parenting them. It was

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<v Speaker 1>directed by Jeff McCracken. It was written by Jeff Sherman.

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<v Speaker 1>It's a musical episode, so we should be shocked there

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<v Speaker 1>before I jump into the guest stars. Do you guys

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<v Speaker 1>want to say any overall thoughts.

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<v Speaker 4>I mean, it's a classic episode. Yeah, pretty. You know,

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<v Speaker 4>my expectations were actually a little high. Really, I agree,

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<v Speaker 4>and because we had been talking about this one. And

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<v Speaker 4>here's what I'll say, Like, there are probably two I mean,

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<v Speaker 4>the Will's performance just takes her performance like there are

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<v Speaker 4>like two scenes with her and Chubby's where the two

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<v Speaker 4>of you just are so good. And then I would

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<v Speaker 4>say that the scene with Ben and the kid are

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<v Speaker 4>is hysteric like some of the best scenes. And but

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<v Speaker 4>then over overall it's actually a pretty It was more

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<v Speaker 4>predictable than I kind of remembered like that makes sense,

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<v Speaker 4>but maybe because I just I don't know, my expectations.

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<v Speaker 3>Were a little hot.

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<v Speaker 4>But it's it's very tidy. I guess it is my

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<v Speaker 4>only criticism.

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<v Speaker 3>It's a very sitcom episode. Yeah, but I kind of

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<v Speaker 3>like it. And for the first time though serious topanga

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<v Speaker 3>red flags, I know.

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<v Speaker 4>Yeah, the Pig episode two, Pig episode two.

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<v Speaker 2>Yeah, the episode was there and it was weird.

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<v Speaker 4>It was like, oh, we're playing on the like psychoanaggyman.

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<v Speaker 2>I know.

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<v Speaker 4>I was like, and then it doesn't. It changes kind

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<v Speaker 4>of for no reason, like you just show up.

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<v Speaker 2>And everything's open at the end. It's like I just

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<v Speaker 2>thought about it.

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<v Speaker 3>Yeah, but there's aapanga, some topanga red flags there. You know.

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<v Speaker 4>It's funny though, I imagine if you were sitting at

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<v Speaker 4>home on Friday night and you were just waiting for

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<v Speaker 4>a normal episode of Boy Meets World like this one

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<v Speaker 4>would blow your mind. Like the whole notion of a

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<v Speaker 4>girl singing and the song is because we knew what

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<v Speaker 4>to expect, we remembered the story. It did feel a

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<v Speaker 4>little like we could see the mechanics clicking in place

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<v Speaker 4>a little too. But I bet you if you didn't know.

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<v Speaker 4>If you just watched this blind, it's brilliant. It was great.

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<v Speaker 1>Yeah, I agree it I didn't remember the storyline.

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<v Speaker 2>I didn't.

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<v Speaker 1>I didn't remember. I didn't. I didn't remember it. I

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<v Speaker 1>still saw where it was going.

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<v Speaker 2>It was all I know. Yeah, yeah, I know exactly

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<v Speaker 2>what's gonna happen here. Yeah. But I loved it and

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<v Speaker 2>it was so fun.

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<v Speaker 1>And sometimes we have had issues when a major storyline

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<v Speaker 1>is given to a character we know we're never going

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<v Speaker 1>to see again. But in this case, I love it.

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<v Speaker 1>It's so it worked so well. It was really fun.

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<v Speaker 1>And Shesha Haley, she is just incredible.

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<v Speaker 4>How this episode without somebody of that talent. I mean, like,

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<v Speaker 4>this episode doesn't work unless.

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<v Speaker 2>You have her, like first TV job.

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<v Speaker 3>Ever, Yeah I remember that.

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<v Speaker 2>Ever, it was into unbelievable.

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<v Speaker 3>This was also one of the episodes for me, which

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<v Speaker 3>we've now had a couple, where I didn't realize that

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<v Speaker 3>two kind of famous storylines were in the same episode.

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<v Speaker 3>I didn't because the whole bend thing with them, they're

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<v Speaker 3>trying to kill it, They're trying to kill I didn't

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<v Speaker 3>know that was the shallow Boy episode.

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<v Speaker 4>But that's what you remember, is that one that okay,

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<v Speaker 4>that one exchange, which is like one of the best

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<v Speaker 4>meta exchanges boy Bets World has ever ever. I don't

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<v Speaker 4>remember why he was babysitting. I don't remember anything. I

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<v Speaker 4>just remember that exchange, and like so I didn't remember

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<v Speaker 4>the rest of the story.

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<v Speaker 2>I didn't know.

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<v Speaker 3>That any episode. I didn't know this was that was this?

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<v Speaker 3>E Now I have a question for you before we

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<v Speaker 3>jump in, So we now know the show is at

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<v Speaker 3>nine thirty instead of eight thirty, right, were there any

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<v Speaker 3>more because I looked for this and couldn't find any.

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<v Speaker 3>Were there any more quote unquote adult jokes that you

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<v Speaker 3>could find with the hour later in the in the I.

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<v Speaker 1>Mean only a lot of the stuff about having a baby,

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<v Speaker 1>yeah baby.

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<v Speaker 4>Yeah, like that we've only kissing.

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<v Speaker 3>So there was more sexual talk in this one, and

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<v Speaker 3>that's the only thing I noticed. But there was never

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<v Speaker 3>like a double entonjoorn innuendo. I was waiting for that, like, okay, let's.

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<v Speaker 4>See, well, but the show is going to get older,

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<v Speaker 4>because don't we talk about sex like from season on

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<v Speaker 4>the lines losing his virginity and yeah, so I think

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<v Speaker 4>we're just aging with our characters more than the time slot.

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<v Speaker 3>I wonder though if you can get I think you

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<v Speaker 3>could probably get away with more at nine thirty than

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<v Speaker 3>you candidate thirty. Right, not a thing.

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<v Speaker 4>Part of TG. I you don't think the whole point.

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<v Speaker 3>Wasn't hanging with mister Cooper just basically a porn. I

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<v Speaker 3>never saw it. I could be wrong.

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<v Speaker 2>I think you're wrong. I think you're wrong.

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<v Speaker 1>One now I feel awful, but I don't remember. How

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<v Speaker 1>is it Leisha or Leisha? I think it's Lisha, Lisha Haley,

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<v Speaker 1>Lisha Haley.

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<v Speaker 2>That's what I thought too, Okay, So I'm gonna say

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<v Speaker 2>Lesha Haley. And if we end up discovering.

0:10:26.400 --> 0:10:28.400
<v Speaker 1>It's the wrong way, yeah, go back in and we

0:10:28.440 --> 0:10:29.719
<v Speaker 1>can add it in Laisia.

0:10:32.960 --> 0:10:37.240
<v Speaker 2>Because because when I really liked exactly, we'll go back

0:10:37.280 --> 0:10:37.679
<v Speaker 2>and do that.

0:10:37.960 --> 0:10:42.440
<v Speaker 1>So guest starring Leisha Haley as Corina Collins, and I,

0:10:42.760 --> 0:10:44.640
<v Speaker 1>like I mentioned, I cannot believe this is her first

0:10:44.720 --> 0:10:46.920
<v Speaker 1>job on TV. She would go on to star in

0:10:46.960 --> 0:10:50.559
<v Speaker 1>the L Word and appear on Bosh, Silicon Valley and The.

0:10:50.559 --> 0:10:52.679
<v Speaker 2>L Word Reboot Generation Q.

0:10:54.120 --> 0:10:57.120
<v Speaker 3>We have also an awesome band, remember the ban you

0:10:57.160 --> 0:11:00.199
<v Speaker 3>bought me, You bought me the Murmurs album. He's in

0:11:00.240 --> 0:11:01.640
<v Speaker 3>a band called the Murmurs, and you bought me the

0:11:01.679 --> 0:11:04.920
<v Speaker 3>album one day and I still listen to it. Literally, yep.

0:11:05.040 --> 0:11:06.720
<v Speaker 1>I can't wait to talk to her about that. And

0:11:06.760 --> 0:11:09.920
<v Speaker 1>then we have Devin O'Brien as Missus Epperson. She appeared

0:11:09.920 --> 0:11:13.200
<v Speaker 1>in the nineteen eighty three film Terms of Endearment, and

0:11:13.200 --> 0:11:18.360
<v Speaker 1>then film Yes, Zach Pfeiffer as mister Epperson, who made

0:11:18.400 --> 0:11:21.400
<v Speaker 1>some interesting choices. He's a bit of a Hollywood journeyman,

0:11:21.520 --> 0:11:25.720
<v Speaker 1>having appeared on Moonlighting, Perfect Strangers, and Murphy Brown and

0:11:25.840 --> 0:11:29.559
<v Speaker 1>in movies like Get Shorty Adams, Family Values, and Romy

0:11:29.600 --> 0:11:33.679
<v Speaker 1>and Michelle's High School Reunion. And then Jonathan Ausser as

0:11:33.760 --> 0:11:36.560
<v Speaker 1>Billy Epperson. He played a young Adam Sandler in the

0:11:36.559 --> 0:11:40.800
<v Speaker 1>movie Anger Management and appeared in the very weird Todd

0:11:40.880 --> 0:11:46.400
<v Speaker 1>Solan's movie Storytelling He's So Good. And then Jack Grayman

0:11:46.559 --> 0:11:50.400
<v Speaker 1>as Bum. He only has three credits, and the only

0:11:50.440 --> 0:11:52.319
<v Speaker 1>other one I recognized.

0:11:51.840 --> 0:11:57.040
<v Speaker 2>Was as cop On Seinfeld. All right, so jumping into

0:11:57.240 --> 0:12:01.000
<v Speaker 2>our recap, we start in the wilderness outpost. We see

0:12:01.000 --> 0:12:05.160
<v Speaker 2>the exterior, some more money they threw our way, and

0:12:05.200 --> 0:12:07.000
<v Speaker 2>we see a girl in a large hat is playing

0:12:07.040 --> 0:12:09.720
<v Speaker 2>the guitar. And singing outside and Eric is intrigued.

0:12:09.840 --> 0:12:12.400
<v Speaker 4>Now, this exterior is clearly not linked to the interior,

0:12:12.520 --> 0:12:14.319
<v Speaker 4>right because they had the window covered. Because I was

0:12:14.320 --> 0:12:16.240
<v Speaker 4>trying to imagine, is like where was this on our set?

0:12:16.240 --> 0:12:17.800
<v Speaker 4>It was like, Oh, they just built this. And then

0:12:17.800 --> 0:12:19.599
<v Speaker 4>you have to like slide into the door so you

0:12:19.640 --> 0:12:21.839
<v Speaker 4>can't actually see inside.

0:12:22.200 --> 0:12:24.960
<v Speaker 3>And the sign actually says Matthews, which I liked. It

0:12:25.000 --> 0:12:28.920
<v Speaker 3>was the Matthews Wilderness Store, which is nice. Yep, but yeah,

0:12:28.960 --> 0:12:32.880
<v Speaker 3>it was certainly a swing set m M. And then

0:12:33.320 --> 0:12:35.439
<v Speaker 3>she has the fake kind of keeping her head down

0:12:35.679 --> 0:12:39.120
<v Speaker 3>down the entire time. Yeah, do you guys.

0:12:38.960 --> 0:12:41.160
<v Speaker 4>Remember when she showed up at the table read, yes,

0:12:41.320 --> 0:12:45.600
<v Speaker 4>with her absolutely, she don't know to every song this

0:12:45.640 --> 0:12:49.000
<v Speaker 4>week before the table read, so she had lyrics, so

0:12:49.040 --> 0:12:51.839
<v Speaker 4>they in the script Sherman had only written lyrics for her,

0:12:52.000 --> 0:12:54.319
<v Speaker 4>and she showed up with a guitar and wrote had

0:12:54.360 --> 0:12:57.120
<v Speaker 4>written every song, and I swear to god, it didn't change.

0:12:57.440 --> 0:13:00.760
<v Speaker 4>She showed up and had what eight eight nine different

0:13:00.800 --> 0:13:04.000
<v Speaker 4>songs written to the lyrics and it was perfect.

0:13:04.080 --> 0:13:07.000
<v Speaker 3>And the all acoustic act, you know.

0:13:06.960 --> 0:13:07.840
<v Speaker 2>What's even crazier.

0:13:08.000 --> 0:13:10.160
<v Speaker 1>One of the reasons she got this job, aside from

0:13:10.160 --> 0:13:12.600
<v Speaker 1>the fact that she's incredible is probably because by the

0:13:12.600 --> 0:13:15.640
<v Speaker 1>time she went into the audition, she had already written

0:13:15.679 --> 0:13:17.760
<v Speaker 1>the song to whatever those sides you must have.

0:13:18.040 --> 0:13:19.559
<v Speaker 4>Yeah, I don't know what this. I would love to

0:13:19.559 --> 0:13:21.520
<v Speaker 4>ask Sherman about this. I'm sure she showed up and

0:13:21.559 --> 0:13:24.120
<v Speaker 4>sang a cappella in the audition. I don't know. But

0:13:24.120 --> 0:13:26.040
<v Speaker 4>but when at the table head, I just remember we

0:13:26.040 --> 0:13:29.120
<v Speaker 4>were all like, oh, we have all on episode because

0:13:29.120 --> 0:13:32.120
<v Speaker 4>of her, because she just had taken these lyrics and

0:13:32.200 --> 0:13:34.880
<v Speaker 4>I mean it's not like super complicated, but it works perfect.

0:13:35.400 --> 0:13:38.280
<v Speaker 3>I wonder if she did audition because I remember distinctly

0:13:38.400 --> 0:13:40.520
<v Speaker 3>hearing a story that I think it was Sherman and

0:13:40.640 --> 0:13:43.760
<v Speaker 3>Nelson and Blutman might have been there too, went to

0:13:43.880 --> 0:13:47.760
<v Speaker 3>a Murmurs concert specifically to see her. I don't know

0:13:47.800 --> 0:13:49.839
<v Speaker 3>if this was before or after that.

0:13:49.880 --> 0:13:51.600
<v Speaker 4>You can't assume that somebody can ask based.

0:13:53.000 --> 0:13:55.120
<v Speaker 3>I don't know's hear the story.

0:13:55.440 --> 0:13:58.160
<v Speaker 4>Yeah, she must have auditioned because she was great well.

0:13:57.960 --> 0:14:00.840
<v Speaker 1>A panhandler and ragged closed next to her begs Eric

0:14:00.880 --> 0:14:01.320
<v Speaker 1>to make.

0:14:01.160 --> 0:14:02.679
<v Speaker 4>It stuck a bum.

0:14:02.720 --> 0:14:06.040
<v Speaker 1>Sorry, you're right, it's a bum. I was gonna say,

0:14:06.240 --> 0:14:07.720
<v Speaker 1>an unhoused human.

0:14:08.559 --> 0:14:12.360
<v Speaker 3>No, it's the nineties. They're a boom boom.

0:14:12.760 --> 0:14:15.440
<v Speaker 1>Eric finds the comment disturbing and throws some money into

0:14:15.440 --> 0:14:18.480
<v Speaker 1>the girl's guitar case. She continues singing that a handsome

0:14:18.520 --> 0:14:22.520
<v Speaker 1>passerby tosses me a twenty dollars bill. Eric smiles at

0:14:22.520 --> 0:14:25.720
<v Speaker 1>the handsome passerby compliment, but when he hears twenty dollars bill,

0:14:26.200 --> 0:14:29.280
<v Speaker 1>he realizes he's made a mistake and quickly takes the

0:14:29.360 --> 0:14:29.960
<v Speaker 1>money back.

0:14:32.080 --> 0:14:33.640
<v Speaker 2>I just love.

0:14:37.720 --> 0:14:39.720
<v Speaker 1>Eric walks into the store, and as the girl continues

0:14:39.720 --> 0:14:42.200
<v Speaker 1>to sing outside, Alan begs Eric to close the door.

0:14:42.400 --> 0:14:44.480
<v Speaker 1>Eric jokes, a little too perky for you out there

0:14:44.520 --> 0:14:46.400
<v Speaker 1>this morning we hear a new song.

0:14:46.640 --> 0:14:51.600
<v Speaker 2>It's a lollipop day, a jolly Wally Molly Dolly.

0:14:51.840 --> 0:14:54.960
<v Speaker 1>Eric finally closes the door and Alan complains, no one's

0:14:55.000 --> 0:14:55.600
<v Speaker 1>coming in here.

0:14:55.640 --> 0:14:57.120
<v Speaker 2>She's scaring all the customers away.

0:14:57.520 --> 0:14:59.440
<v Speaker 1>Eric asks, would you rather have the smelly old guy

0:14:59.480 --> 0:15:01.920
<v Speaker 1>who used to s spit on people? And without hesitation,

0:15:02.000 --> 0:15:04.160
<v Speaker 1>Alan says, yeah, get him and get rid of her.

0:15:05.960 --> 0:15:08.280
<v Speaker 1>Eric asks why he has to do this, and Alan responds,

0:15:08.280 --> 0:15:10.960
<v Speaker 1>because we're equal partners in this business, and I'm your father,

0:15:11.040 --> 0:15:13.040
<v Speaker 1>and you do what I tell you to do, which

0:15:13.080 --> 0:15:15.320
<v Speaker 1>I love. I love that now we're already like. I

0:15:15.360 --> 0:15:19.160
<v Speaker 1>love how this completely ties in, reminds the audience, Hey,

0:15:19.440 --> 0:15:23.200
<v Speaker 1>Eric's a partner in this, this is actually their business together.

0:15:24.000 --> 0:15:27.080
<v Speaker 1>But then I also love the very like just that's

0:15:27.120 --> 0:15:29.160
<v Speaker 1>exactly what happens with parents, is that at a certain

0:15:29.160 --> 0:15:31.040
<v Speaker 1>point they go, I don't care you're doing it because

0:15:31.040 --> 0:15:32.080
<v Speaker 1>I said so, I said.

0:15:32.240 --> 0:15:36.240
<v Speaker 3>This is so. I distinctly remember this was kind of

0:15:36.280 --> 0:15:40.560
<v Speaker 3>the start of Rusty and I bonding as actors and

0:15:40.600 --> 0:15:43.400
<v Speaker 3>as people. Was the Wilderness Store, because all of a

0:15:43.400 --> 0:15:46.960
<v Speaker 3>sudden we were together every week. We're in that Wilderness

0:15:46.960 --> 0:15:48.560
<v Speaker 3>Store for most of this season.

0:15:48.600 --> 0:15:51.520
<v Speaker 4>I mean, and you've said that before. I remember talking

0:15:51.560 --> 0:15:53.640
<v Speaker 4>about that when when we first started this podcast, that

0:15:53.680 --> 0:15:56.920
<v Speaker 4>you didn't connect with Rusty until the last seasons.

0:15:56.640 --> 0:15:58.480
<v Speaker 3>Until the later scenes, and this is where it really

0:15:58.520 --> 0:16:02.480
<v Speaker 3>started to happen. I don't think, and again I don't.

0:16:02.920 --> 0:16:04.600
<v Speaker 3>I don't blame him because I didn't really know what

0:16:04.640 --> 0:16:06.240
<v Speaker 3>I was doing. I don't think he respected me much

0:16:06.240 --> 0:16:08.320
<v Speaker 3>as an actor when we started, and again I was

0:16:08.360 --> 0:16:10.840
<v Speaker 3>the cardboard cutout prop where I'd walk in and Chris

0:16:11.000 --> 0:16:13.680
<v Speaker 3>I was very stiff and girls girls, and didn't do

0:16:13.720 --> 0:16:16.000
<v Speaker 3>anything with the with you know, to make it my own,

0:16:16.400 --> 0:16:18.040
<v Speaker 3>and I think he started to notice that I was

0:16:18.080 --> 0:16:20.120
<v Speaker 3>growing as an actor. And then we were together and

0:16:20.120 --> 0:16:21.720
<v Speaker 3>we were playing off of each other, and at that

0:16:21.800 --> 0:16:24.240
<v Speaker 3>point then it was just smooth sailing. But this is

0:16:24.240 --> 0:16:26.240
<v Speaker 3>really where it started, was all the Wilderness store stuff,

0:16:26.280 --> 0:16:27.280
<v Speaker 3>so this is important.

0:16:28.280 --> 0:16:30.480
<v Speaker 1>Eric walks outside to do the deed, but as he's

0:16:30.520 --> 0:16:32.680
<v Speaker 1>about to break the news, she looks up and he

0:16:32.760 --> 0:16:35.960
<v Speaker 1>sees her beautiful face. He immediately joins her in singing

0:16:36.000 --> 0:16:38.640
<v Speaker 1>the last line of her song and I feel good,

0:16:39.440 --> 0:16:42.320
<v Speaker 1>and he gives her all of his money. Eric walks

0:16:42.360 --> 0:16:44.280
<v Speaker 1>back into the store and Alan asks if it's done,

0:16:44.320 --> 0:16:46.160
<v Speaker 1>but Eric admits, of course it's not done.

0:16:46.200 --> 0:16:47.240
<v Speaker 2>I mean, do you know me at all?

0:16:47.600 --> 0:16:50.680
<v Speaker 1>Alan knowingly says she smiled at you, and Eric acts

0:16:50.720 --> 0:16:52.520
<v Speaker 1>out her smile, saying, geh.

0:16:53.640 --> 0:16:54.800
<v Speaker 3>Such a Michael Jacobs.

0:16:56.360 --> 0:16:59.200
<v Speaker 4>The few times I could see you doing a ready, yeah,

0:17:00.040 --> 0:17:03.840
<v Speaker 4>old joke, got it? Deliver it, yep, because you wouldn't

0:17:03.840 --> 0:17:04.439
<v Speaker 4>have done it that way.

0:17:04.480 --> 0:17:04.840
<v Speaker 3>You would have.

0:17:07.119 --> 0:17:09.760
<v Speaker 2>So get ahead, yeah, because you know I wrote in

0:17:09.800 --> 0:17:10.879
<v Speaker 2>the script and.

0:17:10.920 --> 0:17:12.000
<v Speaker 4>You were like, what am I supposed to?

0:17:12.720 --> 0:17:14.879
<v Speaker 3>Yeah? And Michael, just right when I saw it, I

0:17:14.960 --> 0:17:17.520
<v Speaker 3>was like, oh, yep, yep.

0:17:17.960 --> 0:17:20.000
<v Speaker 1>Alan size and tells Eric to take her to lunch

0:17:20.040 --> 0:17:22.320
<v Speaker 1>and ask her to take her act further down the road.

0:17:22.600 --> 0:17:26.000
<v Speaker 1>He questions, can you handle that? Eric scoffs cannot handle that? Yeah,

0:17:26.040 --> 0:17:28.960
<v Speaker 1>I can handle that or fail to do so. But

0:17:29.160 --> 0:17:31.080
<v Speaker 1>I'm gonna need some money, so can you give me some?

0:17:31.200 --> 0:17:33.760
<v Speaker 1>Because I gave her all of mine and it just

0:17:33.800 --> 0:17:36.560
<v Speaker 1>sets this whole episode up absolutely perfectly.

0:17:37.080 --> 0:17:39.879
<v Speaker 3>I want that scene back. As an actor, you know,

0:17:39.960 --> 0:17:41.200
<v Speaker 3>you watch and I don't think it was bad. But

0:17:41.240 --> 0:17:43.240
<v Speaker 3>as an actor, you watch and you're like, in my head,

0:17:43.480 --> 0:17:45.720
<v Speaker 3>I missed nine jokes. So I'm like, oh, I want

0:17:45.760 --> 0:17:47.679
<v Speaker 3>to go back and do that again. That's just how

0:17:47.720 --> 0:17:49.000
<v Speaker 3>I am. It's like I want to go back and

0:17:49.040 --> 0:17:49.440
<v Speaker 3>do it again.

0:17:49.560 --> 0:17:52.560
<v Speaker 4>So that's this episode bad. This is This is like

0:17:52.720 --> 0:17:57.080
<v Speaker 4>the Olympics of sitcom acting. Watching this this No, it's amazing.

0:17:57.640 --> 0:17:59.639
<v Speaker 4>I mean here, I was thinking about watching the episode, Like,

0:17:59.760 --> 0:18:04.520
<v Speaker 4>what what defines sitcom or I mean comedy acting in general.

0:18:04.560 --> 0:18:08.960
<v Speaker 4>With sitcom in particular, is the ability to commit and transition.

0:18:09.320 --> 0:18:12.000
<v Speaker 4>So like the ability to do commit to something one

0:18:12.080 --> 0:18:15.280
<v Speaker 4>hundred percent for like two lines one line, half the line,

0:18:15.520 --> 0:18:19.160
<v Speaker 4>and then transition to a completely different beat and commit

0:18:19.240 --> 0:18:21.720
<v Speaker 4>to that and to bring the audience along with you,

0:18:21.880 --> 0:18:24.520
<v Speaker 4>and you do that beat to beat line the line.

0:18:24.560 --> 0:18:27.720
<v Speaker 4>It's miraculous, It's like, and it's so hard to do

0:18:27.880 --> 0:18:30.600
<v Speaker 4>because as an actor like you know you, it's hard

0:18:30.640 --> 0:18:33.080
<v Speaker 4>to keep the energy level up that high and to

0:18:33.160 --> 0:18:36.000
<v Speaker 4>go from like happy to sad to singing to not

0:18:36.280 --> 0:18:38.920
<v Speaker 4>to you know, and you are doing that in every scene,

0:18:39.000 --> 0:18:43.040
<v Speaker 4>every line. It's it's remarkable, will it. So you've clearly

0:18:43.200 --> 0:18:46.160
<v Speaker 4>just achieved, you know, your status as a sitcom actor

0:18:46.480 --> 0:18:47.800
<v Speaker 4>by this point. It's so great.

0:18:48.000 --> 0:18:51.320
<v Speaker 3>We should do this every week. Great way to wake

0:18:51.400 --> 0:18:51.960
<v Speaker 3>up in the morning.

0:18:52.080 --> 0:18:55.840
<v Speaker 2>Geez. And then we're in Phoenie's classroom. Been a while

0:18:56.000 --> 0:18:57.040
<v Speaker 2>since Phoene.

0:18:59.600 --> 0:19:02.439
<v Speaker 4>Also, we reiterate all of our characters like in a row.

0:19:02.600 --> 0:19:05.880
<v Speaker 4>It's like literally like shawl.

0:19:06.040 --> 0:19:11.040
<v Speaker 2>You guys a little harder to Penga. But I know everything.

0:19:11.240 --> 0:19:11.560
<v Speaker 6>I know.

0:19:13.240 --> 0:19:16.040
<v Speaker 4>What is wrong with your voice, though, Danielle, I notice

0:19:16.520 --> 0:19:16.960
<v Speaker 4>I don't know.

0:19:18.680 --> 0:19:19.040
<v Speaker 3>What it was.

0:19:19.600 --> 0:19:22.160
<v Speaker 4>What it was if you sounded so different the second

0:19:22.200 --> 0:19:22.760
<v Speaker 4>you started talking.

0:19:22.840 --> 0:19:26.080
<v Speaker 2>I was like, well, it could have been. It could

0:19:26.119 --> 0:19:28.960
<v Speaker 2>have been particularly a week that I was told to

0:19:29.200 --> 0:19:33.439
<v Speaker 2>change my voice. Note, Oh, maybe it could have been.

0:19:33.480 --> 0:19:34.560
<v Speaker 2>It could have been one of the weeks.

0:19:34.600 --> 0:19:37.159
<v Speaker 1>That was very much like, Danielle, lower your voice, Danielle,

0:19:37.200 --> 0:19:40.560
<v Speaker 1>lower your voice. Because I don't actually sound sick to me.

0:19:41.320 --> 0:19:42.520
<v Speaker 1>You can usually tell when.

0:19:42.400 --> 0:19:46.359
<v Speaker 2>I sound like stuffed up. This didn't sound like that.

0:19:46.640 --> 0:19:49.399
<v Speaker 1>This sounded like it almost sounded like I was taking

0:19:49.440 --> 0:19:50.840
<v Speaker 1>on an affect and I'm not.

0:19:51.200 --> 0:19:52.160
<v Speaker 2>And I'm not sure why.

0:19:54.080 --> 0:19:56.040
<v Speaker 4>It really only bumped me in this scene. I guess

0:19:56.080 --> 0:19:57.800
<v Speaker 4>maybe I got used to it, but I don't know.

0:19:57.840 --> 0:19:59.639
<v Speaker 3>It was this. It was like, what happened?

0:20:00.040 --> 0:20:02.200
<v Speaker 1>That doesn't And I know it was so weird, but

0:20:02.320 --> 0:20:05.440
<v Speaker 1>it doesn't sound It doesn't sound stuffy. It sounded like

0:20:05.840 --> 0:20:08.200
<v Speaker 1>I was doing something weird with words like I was.

0:20:08.440 --> 0:20:12.080
<v Speaker 1>I was pronouncing things a little differently than I normally do.

0:20:12.280 --> 0:20:15.639
<v Speaker 1>And I'm not sure why, but I noticed it too

0:20:15.800 --> 0:20:17.800
<v Speaker 1>in this scene in particular, sure why.

0:20:17.920 --> 0:20:19.120
<v Speaker 2>I'm not sure what I was doing.

0:20:20.320 --> 0:20:22.040
<v Speaker 1>So Phoene tells the class since this will be the

0:20:22.119 --> 0:20:25.000
<v Speaker 1>last presidential election in which they aren't old enough to vote,

0:20:25.200 --> 0:20:27.200
<v Speaker 1>he wants the classroom to be an open forum to

0:20:27.280 --> 0:20:30.480
<v Speaker 1>discuss the issue issues which most concern their lives. Sean

0:20:30.560 --> 0:20:32.960
<v Speaker 1>is about to fall asleep as Phoene lectures, So, of course,

0:20:33.080 --> 0:20:35.919
<v Speaker 1>Phoene calls on him and asks, mister Hunter, what issue

0:20:35.960 --> 0:20:39.560
<v Speaker 1>most concerns your life. Sean doesn't hesitate the swimsuit issue.

0:20:40.720 --> 0:20:44.840
<v Speaker 1>Phoene just goes back and if it's so good, Sean asks,

0:20:44.920 --> 0:20:47.760
<v Speaker 1>how am I doing? Phoene responds baff o, mister Hunter.

0:20:49.680 --> 0:20:51.720
<v Speaker 1>Corey raises his hand and tells Phoene there is a

0:20:51.800 --> 0:20:54.000
<v Speaker 1>pressing social matter which I feel equipped to discuss with

0:20:54.080 --> 0:20:57.760
<v Speaker 1>confidence and alacrity. Phoene excitedly tells Corey he has the floor,

0:20:58.080 --> 0:21:00.320
<v Speaker 1>to which Corey tells him, Nah, that used me up.

0:21:01.240 --> 0:21:03.160
<v Speaker 1>Phoene asks to Panga to save them, and the smart

0:21:03.200 --> 0:21:05.840
<v Speaker 1>girl responds, First of all, I'd just like to say

0:21:05.960 --> 0:21:09.480
<v Speaker 1>I think Corey's really cute for trying Corey.

0:21:09.800 --> 0:21:14.920
<v Speaker 2>Corey giggles, thank you, sugar. Now I guess I do.

0:21:15.720 --> 0:21:17.520
<v Speaker 1>I'm just gonna chalk this up to because I don't

0:21:17.520 --> 0:21:19.320
<v Speaker 1>know what it is that Topega would find cute about it.

0:21:19.600 --> 0:21:21.720
<v Speaker 1>I don't know why she would think it's cute, except

0:21:21.760 --> 0:21:25.679
<v Speaker 1>for the fact that when you are a teenager, especially

0:21:26.760 --> 0:21:28.960
<v Speaker 1>everything that other person.

0:21:28.800 --> 0:21:31.680
<v Speaker 2>Does that you love is just adorable.

0:21:32.200 --> 0:21:34.840
<v Speaker 1>So I'm gonna say, you know what, I do remember

0:21:34.960 --> 0:21:37.160
<v Speaker 1>being a dumb, dumb teenager in love.

0:21:37.440 --> 0:21:39.879
<v Speaker 4>I mean, story wise, it's just to reiterate that they're together,

0:21:40.080 --> 0:21:42.639
<v Speaker 4>because the whole arc of the episode is they're together,

0:21:42.760 --> 0:21:44.359
<v Speaker 4>They're committing to each other. It's going to be strained,

0:21:44.359 --> 0:21:45.200
<v Speaker 4>and they're gonna come back together.

0:21:45.240 --> 0:21:47.440
<v Speaker 2>So we need to remind the audience, the audience where

0:21:47.480 --> 0:21:47.840
<v Speaker 2>we are in.

0:21:47.840 --> 0:21:50.880
<v Speaker 4>The timeline, because reruns we could be all over the place. Yeah.

0:21:51.160 --> 0:21:54.840
<v Speaker 3>Yeah, I will say this is the first classroom scene

0:21:55.160 --> 0:21:59.040
<v Speaker 3>maybe of the entire series, where I did not recognize

0:21:59.119 --> 0:22:03.040
<v Speaker 3>a single background oh one, not one.

0:22:03.960 --> 0:22:04.760
<v Speaker 4>It was so weird.

0:22:04.840 --> 0:22:06.560
<v Speaker 3>We're going around the class and I'm like, I don't

0:22:06.720 --> 0:22:07.720
<v Speaker 3>I don't recognize anybody.

0:22:07.800 --> 0:22:09.359
<v Speaker 4>Yeah, I'm trying to think. I mean, I can't believe

0:22:09.400 --> 0:22:11.640
<v Speaker 4>that we've already covered so many of the background extra

0:22:12.040 --> 0:22:14.880
<v Speaker 4>like that. I remember, you know, like seasons two and three,

0:22:15.040 --> 0:22:18.520
<v Speaker 4>I remember every you know Dusty obviously, Like now you're right,

0:22:18.720 --> 0:22:22.960
<v Speaker 4>because like Ricky's gone, he wasn't doing it. My brother's

0:22:23.480 --> 0:22:27.200
<v Speaker 4>girlfriend is going to be called Darcy. Darcy Darcy is

0:22:27.200 --> 0:22:28.960
<v Speaker 4>an extra in the later years, so she's going to

0:22:28.960 --> 0:22:30.920
<v Speaker 4>be in the background, so she might come up this season,

0:22:31.000 --> 0:22:33.440
<v Speaker 4>right were they already dating? And but yeah, I don't

0:22:33.480 --> 0:22:35.000
<v Speaker 4>know who else was around at this time.

0:22:35.320 --> 0:22:37.040
<v Speaker 3>That's I just didn't reckon it was weird. I didn't

0:22:37.040 --> 0:22:38.800
<v Speaker 3>recognize anybody. I even paused it. I was like, there's

0:22:38.800 --> 0:22:40.000
<v Speaker 3>got to be somebody I reckonize.

0:22:40.160 --> 0:22:41.560
<v Speaker 2>We'll see cal Pen soon.

0:22:42.160 --> 0:22:42.880
<v Speaker 3>Yes, that's.

0:22:44.720 --> 0:22:46.280
<v Speaker 2>Soh t.

0:22:46.440 --> 0:22:49.280
<v Speaker 1>Penga explains the biggest crisis facing the country is the

0:22:49.359 --> 0:22:52.440
<v Speaker 1>breakdown of the American family, or, as I say on

0:22:52.520 --> 0:22:55.600
<v Speaker 1>the show, the biggest crisis faming fame in the family is.

0:22:56.160 --> 0:22:58.200
<v Speaker 2>I don't know what I'm doing. I'm like a little British.

0:22:59.000 --> 0:22:59.960
<v Speaker 2>I'm a little British.

0:23:00.280 --> 0:23:01.760
<v Speaker 3>I'm a little I don't know.

0:23:01.960 --> 0:23:03.800
<v Speaker 2>It's a little not sure, not sure what.

0:23:05.480 --> 0:23:05.720
<v Speaker 3>Family.

0:23:05.760 --> 0:23:11.240
<v Speaker 2>I was trying something. I was taking a risk. Sean groans,

0:23:11.280 --> 0:23:12.840
<v Speaker 2>you always gotta go after Sean.

0:23:13.040 --> 0:23:16.040
<v Speaker 1>Tabanga argues that issues like crime in the decline and education,

0:23:16.200 --> 0:23:18.040
<v Speaker 1>but Sean interrupts, Hey lay off of me.

0:23:18.960 --> 0:23:21.399
<v Speaker 4>This is hysterical. But it also makes no sense that

0:23:21.440 --> 0:23:24.159
<v Speaker 4>Topanga would think the breakdown is the American family, like

0:23:24.960 --> 0:23:27.639
<v Speaker 4>she wants to break down traditional roles, like that's always

0:23:27.680 --> 0:23:29.520
<v Speaker 4>been her thing? Is that, like, you know, because the

0:23:29.880 --> 0:23:33.720
<v Speaker 4>traditional American family argument is very conservative and very like

0:23:34.240 --> 0:23:36.800
<v Speaker 4>female should be this way, male should be this way,

0:23:36.920 --> 0:23:39.000
<v Speaker 4>and they should kids this way and like, so this

0:23:39.160 --> 0:23:41.480
<v Speaker 4>is as much as I love this episode, when it

0:23:41.560 --> 0:23:43.720
<v Speaker 4>works for the conflict, it doesn't make any sense for

0:23:43.800 --> 0:23:44.520
<v Speaker 4>Tobanka's character.

0:23:44.840 --> 0:23:48.679
<v Speaker 3>She wants and she becomes really conservative exactly, it's very

0:23:48.760 --> 0:23:49.960
<v Speaker 3>weird especial.

0:23:51.440 --> 0:23:56.920
<v Speaker 1>This this talking point was a very conservative viewpoint. So yeah,

0:23:57.600 --> 0:24:00.320
<v Speaker 1>you're right. So Topega continues that it all has to

0:24:00.400 --> 0:24:03.200
<v Speaker 1>do with how we're brought up in our homes. Phoene agrees,

0:24:03.240 --> 0:24:04.760
<v Speaker 1>and Sean slams his book shut.

0:24:04.840 --> 0:24:06.080
<v Speaker 2>That's it. He walks to the door.

0:24:06.119 --> 0:24:08.800
<v Speaker 1>When Phoene asks mister Hunter, Sean smiles, points at the

0:24:08.800 --> 0:24:11.040
<v Speaker 1>clock and the bell rings right on time. Phoene throws

0:24:11.080 --> 0:24:12.960
<v Speaker 1>his arms in the air. The rest of the class

0:24:13.000 --> 0:24:16.639
<v Speaker 1>files out. I'm in an orange outfit with some I

0:24:16.720 --> 0:24:19.000
<v Speaker 1>don't know, platform sneakers or something. It goes along with

0:24:19.080 --> 0:24:23.920
<v Speaker 1>my new British British language horse yep, and Corey confirms

0:24:23.920 --> 0:24:26.359
<v Speaker 1>that Sean isn't actually upset. Sean asks what, I'm not

0:24:26.440 --> 0:24:27.480
<v Speaker 1>personally responsible for?

0:24:28.760 --> 0:24:29.000
<v Speaker 4>What that?

0:24:29.080 --> 0:24:31.720
<v Speaker 1>I'm personally responsible for the breakdown of American society.

0:24:32.000 --> 0:24:33.240
<v Speaker 2>Nah, I got bigger problems.

0:24:33.600 --> 0:24:36.440
<v Speaker 1>Corey understands he's got problems too. He reveals that he

0:24:36.480 --> 0:24:38.080
<v Speaker 1>and Ta Panga. We're supposed to go out tonight, but

0:24:38.119 --> 0:24:40.399
<v Speaker 1>now it's not happening. Sean's glad to hear that. How

0:24:40.440 --> 0:24:42.879
<v Speaker 1>we can have a rare guy's night out. Corey's into that.

0:24:43.040 --> 0:24:45.280
<v Speaker 1>The boys together again. It's a pretty lucky thing to

0:24:45.320 --> 0:24:46.400
<v Speaker 1>Pega's babysitting tonight.

0:24:46.480 --> 0:24:46.640
<v Speaker 3>Huh.

0:24:46.840 --> 0:24:48.840
<v Speaker 1>Sean cuts him off and asks, you have a girlfriend

0:24:48.840 --> 0:24:51.480
<v Speaker 1>who's babysitting. Corey nuds, yeah, late into the night. So

0:24:51.640 --> 0:24:54.040
<v Speaker 1>burgers are a movie, Sean tells him there's no burger.

0:24:54.119 --> 0:24:56.080
<v Speaker 1>There's no movie. There's just you and your girlfriend at

0:24:56.119 --> 0:25:00.399
<v Speaker 1>a stranger's house, no interruptions, alone on a couch. And

0:25:00.520 --> 0:25:04.359
<v Speaker 1>I thought, no interruptions. Have you ever met a child?

0:25:05.200 --> 0:25:08.080
<v Speaker 4>My first house was when you're a babysitter, you just

0:25:08.119 --> 0:25:09.440
<v Speaker 4>put the kid to bed and then you're there.

0:25:09.720 --> 0:25:10.720
<v Speaker 2>Well, yes I did.

0:25:10.920 --> 0:25:14.560
<v Speaker 1>I did realize that that's that's what this that that

0:25:14.720 --> 0:25:16.160
<v Speaker 1>that's what this was gonna do. That they were gonna

0:25:16.160 --> 0:25:18.520
<v Speaker 1>have to Penga just there while he was sleeping. But like,

0:25:18.720 --> 0:25:20.960
<v Speaker 1>if I'm having a babysitter, I'm getting out of dinner

0:25:21.040 --> 0:25:24.080
<v Speaker 1>and bedtime duty. You're doing it like I'm if I'm

0:25:24.160 --> 0:25:26.600
<v Speaker 1>going out, I'm not gonna go out at nine nine.

0:25:26.880 --> 0:25:28.359
<v Speaker 2>I'm asleep by nine I.

0:25:28.400 --> 0:25:31.320
<v Speaker 1>Gotta so in my mind, I'm like, you're gonna have

0:25:31.400 --> 0:25:35.560
<v Speaker 1>your boyfriend over when you have literally nothing but NonStop

0:25:35.640 --> 0:25:37.560
<v Speaker 1>things to do. But it is if they go to bed.

0:25:37.680 --> 0:25:39.400
<v Speaker 1>Sure you're just sitting on a couch watching TV, Eat

0:25:39.400 --> 0:25:44.920
<v Speaker 1>and Bonbonds. So Corey's picking up what Sean is putting down.

0:25:45.040 --> 0:25:47.040
<v Speaker 1>Corey Matthews a parent's worst nightmare.

0:25:47.240 --> 0:25:49.399
<v Speaker 2>Lock up your daughters. The hormones will be a fly

0:25:49.560 --> 0:25:49.960
<v Speaker 2>in tonight.

0:25:50.359 --> 0:25:55.399
<v Speaker 1>The audience whoooooo at the idea of teens getting it on,

0:25:55.840 --> 0:25:59.159
<v Speaker 1>and Corey asked, Sean, you believe me? And Sean admits no,

0:25:59.359 --> 0:26:04.119
<v Speaker 1>but you're very And then nine thirty see what happens.

0:26:04.960 --> 0:26:07.760
<v Speaker 1>And then we're at Chubby's, because where else would you be.

0:26:08.760 --> 0:26:11.280
<v Speaker 1>Eric is on his date with the vagabond singer and

0:26:11.400 --> 0:26:14.280
<v Speaker 1>she's communicating with him solely through her guitar and song.

0:26:14.760 --> 0:26:16.920
<v Speaker 1>She sings, I got interested in music when I saw

0:26:17.000 --> 0:26:20.040
<v Speaker 1>my first Broadway show. Eric grabs her guitar. Corinna talk,

0:26:20.320 --> 0:26:23.280
<v Speaker 1>It's okay to just talk. She starts to talk normally.

0:26:23.520 --> 0:26:25.159
<v Speaker 1>She saw Annie as a kid and felt like it

0:26:25.200 --> 0:26:28.440
<v Speaker 1>spoke directly to her. Eric asks, did she maybe mention

0:26:28.600 --> 0:26:31.240
<v Speaker 1>that you should write something with a little more edge?

0:26:31.800 --> 0:26:34.040
<v Speaker 1>Coarina laughs and points out that he sounds just like

0:26:34.119 --> 0:26:36.760
<v Speaker 1>her uncle with the record company. Eric shocked, you have

0:26:36.840 --> 0:26:39.440
<v Speaker 1>a record deal and she tells him not yet. Uncle

0:26:39.520 --> 0:26:41.760
<v Speaker 1>David doesn't think she has enough edge. He seems to

0:26:41.840 --> 0:26:45.320
<v Speaker 1>think I don't have enough life experience yet. Eric pleads

0:26:45.359 --> 0:26:46.920
<v Speaker 1>with Earth, that must have really put you in a

0:26:47.080 --> 0:26:50.119
<v Speaker 1>bad mood, brought you down, put you in a dark place.

0:26:50.520 --> 0:26:53.879
<v Speaker 1>Karina laughs and Eric realizes she has no idea what

0:26:54.000 --> 0:26:56.640
<v Speaker 1>he's talking about. She doesn't have a dark place. She's

0:26:56.640 --> 0:26:58.680
<v Speaker 1>still laughing and admits, I just did what I always do.

0:26:58.880 --> 0:27:01.560
<v Speaker 1>I put my feelings in a song. Karina starts to

0:27:01.600 --> 0:27:04.600
<v Speaker 1>sing again, this time thanking her uncle David for refusing

0:27:04.680 --> 0:27:08.720
<v Speaker 1>to give her a record deal. As she continues her song,

0:27:08.840 --> 0:27:10.879
<v Speaker 1>everyone in Chubby starts to stare at her, which she

0:27:11.000 --> 0:27:14.560
<v Speaker 1>doesn't seem to notice, but Eric does. Will what do

0:27:14.600 --> 0:27:19.560
<v Speaker 1>you remember about doing this scene and everything this whole week.

0:27:20.880 --> 0:27:22.920
<v Speaker 3>The whole week with her? First of all, she could

0:27:23.000 --> 0:27:25.639
<v Speaker 3>not have been a nicer human being, so super easy

0:27:25.680 --> 0:27:27.920
<v Speaker 3>to work with, and you never would have known that

0:27:28.040 --> 0:27:30.720
<v Speaker 3>this was her first thing, not just because she was

0:27:30.760 --> 0:27:33.119
<v Speaker 3>so comfortable from again, as we were talking about from

0:27:33.160 --> 0:27:37.480
<v Speaker 3>the table read, you're sitting there with an established show.

0:27:38.359 --> 0:27:41.239
<v Speaker 3>Everybody our table reads were, especially by season four, were

0:27:41.480 --> 0:27:43.920
<v Speaker 3>big deals. I mean there was you know, fifty people there,

0:27:44.000 --> 0:27:46.720
<v Speaker 3>people from the network, everybody from all the producers. She

0:27:46.880 --> 0:27:51.040
<v Speaker 3>comes in with her guitar, she starts singing, immediately sings

0:27:51.160 --> 0:27:55.200
<v Speaker 3>every song is impeccable, dirt like it never like writer said,

0:27:55.200 --> 0:27:58.359
<v Speaker 3>it never changed impeccable during every runthrough, through every scene.

0:27:58.400 --> 0:27:59.920
<v Speaker 3>So we had these scenes and we just kind of

0:28:00.080 --> 0:28:03.720
<v Speaker 3>had this vibe going between the two of us, and

0:28:03.840 --> 0:28:05.960
<v Speaker 3>she was just so good. You know who else was great?

0:28:06.160 --> 0:28:09.480
<v Speaker 3>Shout out to all the background actors I know whose

0:28:09.800 --> 0:28:13.639
<v Speaker 3>responses to the songs going on were phenomenal and they

0:28:14.080 --> 0:28:19.240
<v Speaker 3>they do exactly everything.

0:28:19.000 --> 0:28:20.600
<v Speaker 4>How people feel about her music.

0:28:20.840 --> 0:28:26.080
<v Speaker 3>Yes, and then the waitress Jackie. Jackie was Jackie who

0:28:26.280 --> 0:28:29.159
<v Speaker 3>was our stand This must have been.

0:28:29.040 --> 0:28:31.520
<v Speaker 4>Her first season. I think it was so she get

0:28:31.800 --> 0:28:33.959
<v Speaker 4>there for the later years, So this must have been

0:28:34.000 --> 0:28:36.600
<v Speaker 4>her first season. She was before season.

0:28:36.359 --> 0:28:39.440
<v Speaker 3>Actually, yeah, I think she moved to like North Carolina.

0:28:39.520 --> 0:28:40.640
<v Speaker 4>North Carolina was an artist.

0:28:41.080 --> 0:28:43.600
<v Speaker 1>She's a mixed media artist. Yeah, she's actually if you

0:28:43.680 --> 0:28:46.560
<v Speaker 1>guys want to check her out. Her Instagram is at

0:28:47.160 --> 0:28:50.600
<v Speaker 1>j A c q U I f e h l

0:28:50.840 --> 0:28:54.680
<v Speaker 1>Jackie Fell f e h L. So yeah, she's I.

0:28:54.760 --> 0:28:57.400
<v Speaker 3>Know, wow, Yeah, a terrible joke.

0:28:57.400 --> 0:28:59.240
<v Speaker 2>I'm glad that I didn't hear you. I didn't hear

0:28:59.280 --> 0:29:00.240
<v Speaker 2>what you say said.

0:29:00.320 --> 0:29:02.200
<v Speaker 3>You spelled it out, Jackie Fell. I said, I'm glad

0:29:02.240 --> 0:29:02.680
<v Speaker 3>you got up.

0:29:04.400 --> 0:29:04.560
<v Speaker 2>Hey.

0:29:05.240 --> 0:29:06.920
<v Speaker 3>No wait, but the other thing that was really so

0:29:07.040 --> 0:29:10.400
<v Speaker 3>this this scene kind of took on a life of

0:29:10.480 --> 0:29:15.160
<v Speaker 3>its own even after Boy Meets World. So I had

0:29:15.200 --> 0:29:17.600
<v Speaker 3>signed a deal after Boy Meets Roll was done to

0:29:17.920 --> 0:29:20.280
<v Speaker 3>do you know, it's called they're called whole deals. It's

0:29:20.360 --> 0:29:23.080
<v Speaker 3>kind of like you're signed to the network, but they

0:29:23.120 --> 0:29:25.520
<v Speaker 3>don't have a specific project for you, but they might

0:29:25.600 --> 0:29:27.640
<v Speaker 3>want to put you with somebody, maybe you'll create something,

0:29:27.760 --> 0:29:31.320
<v Speaker 3>maybe they put you on another show. You can't go

0:29:31.400 --> 0:29:33.520
<v Speaker 3>on another network, but they pay and they pay well.

0:29:34.800 --> 0:29:39.040
<v Speaker 3>So I got a call from Phil Rosenthal, who did

0:29:39.200 --> 0:29:41.840
<v Speaker 3>Everybody Loves Raymond, and said, I'd like to sit down

0:29:41.880 --> 0:29:43.760
<v Speaker 3>and have a meeting with you about the possibility of

0:29:43.800 --> 0:29:45.640
<v Speaker 3>maybe doing your own show. So my agent and I

0:29:45.720 --> 0:29:47.560
<v Speaker 3>went in and sat down with him, and I said,

0:29:47.680 --> 0:29:49.760
<v Speaker 3>we started talking and I said, oh, are you a

0:29:49.880 --> 0:29:52.240
<v Speaker 3>Boy Meets World fan? And he said, I've never seen

0:29:52.320 --> 0:29:55.360
<v Speaker 3>Boy Meets World. I've only seen one scene you've ever done,

0:29:55.600 --> 0:29:58.800
<v Speaker 3>and this was the scene. Wow, so he that's why

0:29:58.840 --> 0:30:01.360
<v Speaker 3>he said, it's like the next one, No, this one,

0:30:01.680 --> 0:30:03.400
<v Speaker 3>this one with the check with the love of guy,

0:30:03.680 --> 0:30:05.000
<v Speaker 3>that's the next one. Oh is that the next one?

0:30:05.240 --> 0:30:07.240
<v Speaker 3>I thought this was so that one with that was

0:30:07.320 --> 0:30:08.080
<v Speaker 3>the scene that he does.

0:30:08.160 --> 0:30:12.640
<v Speaker 4>It's perfect, Like it's just put that on like if

0:30:12.680 --> 0:30:14.040
<v Speaker 4>you put that on your reel.

0:30:14.200 --> 0:30:16.920
<v Speaker 3>Like that's essentially what he said that He's like, I

0:30:17.040 --> 0:30:18.680
<v Speaker 3>saw that and then you know, obviously you know you

0:30:18.760 --> 0:30:21.400
<v Speaker 3>can do anything, but it was just that one scene.

0:30:21.720 --> 0:30:26.720
<v Speaker 3>So yeah, it was great. But the writing is also

0:30:26.920 --> 0:30:28.320
<v Speaker 3>how do you know? I mean all that I didn't

0:30:28.320 --> 0:30:30.160
<v Speaker 3>Addlebenia And people always ask like, how much of it

0:30:30.280 --> 0:30:33.920
<v Speaker 3>was you? One hundred percent? The writing fluga part of

0:30:34.000 --> 0:30:36.920
<v Speaker 3>your brain removing it. It's your commitment and transitions, like

0:30:37.080 --> 0:30:40.000
<v Speaker 3>it's yes, you're able. There's a great scene though, but

0:30:40.840 --> 0:30:42.760
<v Speaker 3>let's stick with the scene we're in. Sorry, Yeah, but

0:30:42.880 --> 0:30:44.800
<v Speaker 3>I just remember it was a wonderful week working with her.

0:30:44.840 --> 0:30:48.280
<v Speaker 3>She's was just so good and yeah, yeah, became a

0:30:48.320 --> 0:30:48.880
<v Speaker 3>big fan of hers.

0:30:48.920 --> 0:31:02.480
<v Speaker 1>After this, we're at Tapanga's babysitting house. We get the

0:31:02.560 --> 0:31:06.280
<v Speaker 1>exterior of a new house, which leads to another new set.

0:31:07.000 --> 0:31:09.360
<v Speaker 1>The mom is quizzing Topanga on important things she needs

0:31:09.440 --> 0:31:12.400
<v Speaker 1>to know before leaving. Billy's bedtime, nine pm, emergency numbers

0:31:12.440 --> 0:31:15.520
<v Speaker 1>next to the fridge, most important rule, no boys at all.

0:31:15.920 --> 0:31:18.360
<v Speaker 1>Tapanga opens the door as the parents are leaving, and oops,

0:31:18.680 --> 0:31:21.200
<v Speaker 1>Corey is standing there. He quickly grabs a jug of

0:31:21.280 --> 0:31:23.840
<v Speaker 1>water and pretends to be the water boy, but Tapanga

0:31:23.880 --> 0:31:26.280
<v Speaker 1>assures the parents he won't be staying. But the mom

0:31:26.440 --> 0:31:29.080
<v Speaker 1>changes her tune. Oh, when I said no boys, I

0:31:29.120 --> 0:31:30.520
<v Speaker 1>didn't mean this kind of boy.

0:31:31.000 --> 0:31:34.560
<v Speaker 4>When you were talking about your accent. This woman is

0:31:35.280 --> 0:31:39.760
<v Speaker 4>she from She's doing like a Bill Daniels like it's

0:31:39.800 --> 0:31:42.400
<v Speaker 4>that proper American. But I just thought it was so fun.

0:31:42.560 --> 0:31:44.200
<v Speaker 4>It was like, this is such a boy meets world

0:31:44.280 --> 0:31:46.560
<v Speaker 4>and she's great, but it's such a boy meets world thing, right,

0:31:46.720 --> 0:31:49.480
<v Speaker 4>Like if you're poor, you have a Southern accent, if you're.

0:31:49.720 --> 0:31:50.080
<v Speaker 2>Rich, you.

0:31:52.800 --> 0:31:53.920
<v Speaker 3>Between exactly.

0:31:55.440 --> 0:31:57.720
<v Speaker 4>She's like, does she like literally have a pearl necklace on?

0:31:57.800 --> 0:32:03.880
<v Speaker 4>Tap just say this boy, this amy moth a British

0:32:03.880 --> 0:32:07.000
<v Speaker 4>accent it's like it's that Bill Daniels in between. You

0:32:07.120 --> 0:32:07.880
<v Speaker 4>can't quite do it.

0:32:08.000 --> 0:32:12.040
<v Speaker 3>Oh my gosh, so weird. Also, rookie move, Corey, you

0:32:12.200 --> 0:32:16.600
<v Speaker 3>wait till the parents on the door down there.

0:32:19.880 --> 0:32:22.000
<v Speaker 4>He's always going to be making rookie mistakes. That's the

0:32:22.080 --> 0:32:23.200
<v Speaker 4>definition exactly.

0:32:23.360 --> 0:32:27.440
<v Speaker 2>We love it on him to leave. So she tells

0:32:27.520 --> 0:32:33.000
<v Speaker 2>her husband, this is Amy and Allen's little boy boy.

0:32:33.600 --> 0:32:35.120
<v Speaker 2>The husband is unamused.

0:32:35.240 --> 0:32:38.640
<v Speaker 1>Corey corrects her, I'm Amy and Allen's dangerous little boy.

0:32:39.200 --> 0:32:42.280
<v Speaker 1>The husband, who might be on Kayludes, tells him.

0:32:42.400 --> 0:32:44.520
<v Speaker 2>We're all dangerous in the beginning.

0:32:45.320 --> 0:32:47.040
<v Speaker 1>The mother says they will be out late, so if

0:32:47.080 --> 0:32:50.040
<v Speaker 1>you two get dozy, just take a little nap on

0:32:50.160 --> 0:32:54.000
<v Speaker 1>the couch. The husband leans to Corey. Very comfortable couch.

0:32:54.040 --> 0:32:56.640
<v Speaker 1>You lie down on it, you'll think you're dead. It's wonderful,

0:32:57.200 --> 0:33:01.280
<v Speaker 1>and I truly feel like I know everything I need

0:33:01.400 --> 0:33:04.600
<v Speaker 1>to know about this man and how he feels about

0:33:04.680 --> 0:33:05.160
<v Speaker 1>his life.

0:33:05.280 --> 0:33:07.280
<v Speaker 2>And he has barely even opened his mouth.

0:33:07.520 --> 0:33:11.680
<v Speaker 4>Great performance, great writing, three or four lines. We have

0:33:11.760 --> 0:33:15.080
<v Speaker 4>the whole history of this relationship. Yep. It puts us

0:33:15.120 --> 0:33:18.720
<v Speaker 4>into the next scene. Perfect, It's great. It's poor man Sitcolm.

0:33:18.880 --> 0:33:24.640
<v Speaker 1>Greatness it's just very wonderful. So Ta Panga tells Corey,

0:33:24.680 --> 0:33:27.120
<v Speaker 1>I'm glad you came over, dangerous boy. She tells him

0:33:27.120 --> 0:33:28.959
<v Speaker 1>to get comfortable on the couch and she'll grab them

0:33:29.040 --> 0:33:32.120
<v Speaker 1>something to eat. Corey says to himself, all right, cozy couch,

0:33:32.160 --> 0:33:35.560
<v Speaker 1>empty house, dangerous guy. Everything is working out according to plan.

0:33:35.680 --> 0:33:36.800
<v Speaker 1>What could possibly go wrong?

0:33:37.240 --> 0:33:37.280
<v Speaker 6>On?

0:33:37.480 --> 0:33:39.960
<v Speaker 2>Cute Little Billy pops up from behind the couch and

0:33:40.080 --> 0:33:43.200
<v Speaker 2>gives Corey a wet willie. Cory asks, can I help

0:33:43.200 --> 0:33:43.680
<v Speaker 2>you with something?

0:33:43.720 --> 0:33:44.640
<v Speaker 4>I know disgusting?

0:33:45.560 --> 0:33:49.440
<v Speaker 2>Doesn't react, and I'm still reacting to it.

0:33:50.200 --> 0:33:55.160
<v Speaker 4>He really does. God, oh my god. If there are

0:33:55.200 --> 0:33:58.280
<v Speaker 4>certain things like my son cannot do like will It's

0:33:58.280 --> 0:34:00.200
<v Speaker 4>like no, no, no, dude, I'd rather you pick your

0:34:00.240 --> 0:34:01.680
<v Speaker 4>nose and eat it. But if you touch me with

0:34:01.760 --> 0:34:03.680
<v Speaker 4>your finger in my ear like I will lose it.

0:34:04.040 --> 0:34:06.640
<v Speaker 2>Oh oh, I shall tell you're not allowed to one

0:34:06.680 --> 0:34:07.000
<v Speaker 2>of those.

0:34:07.240 --> 0:34:09.440
<v Speaker 3>Oh yeah, oh yeah, I'm gonta wet willy's on the

0:34:09.440 --> 0:34:10.239
<v Speaker 3>plane the whole time.

0:34:10.280 --> 0:34:12.919
<v Speaker 2>Now, will it can even come near wet?

0:34:12.960 --> 0:34:13.200
<v Speaker 4>Really?

0:34:16.280 --> 0:34:19.319
<v Speaker 3>I'm away, yay, Yes, I'm gonna get you. I'm gonna

0:34:19.320 --> 0:34:21.600
<v Speaker 3>give you wet willies while wearing an I love liquorice

0:34:21.600 --> 0:34:27.560
<v Speaker 3>shirt giving me WILLI the worst?

0:34:28.040 --> 0:34:30.920
<v Speaker 1>Okay, I don't know how he doesn't react, It's just

0:34:31.360 --> 0:34:33.040
<v Speaker 1>I'm literally I'm still reacting.

0:34:34.560 --> 0:34:37.680
<v Speaker 2>So the boy giggles, you're Morgan's brother. Corey is unamused.

0:34:37.680 --> 0:34:39.000
<v Speaker 2>Aren't you supposed to be in bed?

0:34:39.320 --> 0:34:42.800
<v Speaker 1>Billy tells him, I got a Nintendo sixty four bit upstairs.

0:34:43.160 --> 0:34:46.239
<v Speaker 1>No one has ever called the Nintendo sixty four a

0:34:46.360 --> 0:34:47.960
<v Speaker 1>Nintendo sixty four bits.

0:34:48.680 --> 0:34:52.000
<v Speaker 4>A Nintendo sixty four bit sixty four bit.

0:34:54.000 --> 0:34:58.000
<v Speaker 3>Also, there is something with our writers, producers or just

0:34:58.120 --> 0:35:00.880
<v Speaker 3>wardrobe where if you're a little kid, you need to

0:35:00.960 --> 0:35:04.880
<v Speaker 3>be in full pajamas, pajamas like it's the seven.

0:35:04.760 --> 0:35:08.000
<v Speaker 4>And then and then Morgan with the big slippers later

0:35:08.080 --> 0:35:10.560
<v Speaker 4>like the big fuzzy animal slippers. Yeah, it's just gonna

0:35:10.560 --> 0:35:12.600
<v Speaker 4>make them a little kid like, it's so amazing.

0:35:12.960 --> 0:35:13.560
<v Speaker 3>They're all linked.

0:35:13.600 --> 0:35:16.279
<v Speaker 1>Twenty so Tapega walks in just as the boys are

0:35:16.320 --> 0:35:18.600
<v Speaker 1>about to run upstairs and asks Billy what he's doing up.

0:35:18.640 --> 0:35:23.520
<v Speaker 4>Okay, I watched this moment over and do you notice

0:35:23.920 --> 0:35:27.080
<v Speaker 4>how coordinated Ben and the kid are in this beat?

0:35:27.120 --> 0:35:29.000
<v Speaker 4>When you walk in the door. It is one of

0:35:29.000 --> 0:35:31.600
<v Speaker 4>the funnest but they match each other. They both have

0:35:31.719 --> 0:35:35.320
<v Speaker 4>their hands in the air like they're caught. I go

0:35:35.480 --> 0:35:37.640
<v Speaker 4>back our listeners to go back and watch it. You

0:35:37.800 --> 0:35:40.160
<v Speaker 4>come out of the kitchen and they both stop and

0:35:40.480 --> 0:35:43.360
<v Speaker 4>clearly the kid or Ben decided to do the exact

0:35:43.360 --> 0:35:45.160
<v Speaker 4>same thing at the same time. So they're both like

0:35:45.280 --> 0:35:47.840
<v Speaker 4>caught with their hands in the air and it is his.

0:35:48.280 --> 0:35:52.160
<v Speaker 4>They're just matching. It's so it's such a visual gag,

0:35:52.400 --> 0:35:55.120
<v Speaker 4>and I can't decide, like I'm assuming the kid is

0:35:55.200 --> 0:35:57.880
<v Speaker 4>imitating Ben because he has a standout for no reason.

0:35:58.120 --> 0:36:00.120
<v Speaker 4>But it is one of the funniest visual gags. It's

0:36:00.160 --> 0:36:02.640
<v Speaker 4>just like they're both like like literally hand in the

0:36:02.680 --> 0:36:06.319
<v Speaker 4>cookie jar, like they're both reaching like it is so funny. Oh,

0:36:07.440 --> 0:36:09.160
<v Speaker 4>I was like, well, I went back and watching like

0:36:09.200 --> 0:36:09.879
<v Speaker 4>three or four times.

0:36:09.920 --> 0:36:10.560
<v Speaker 2>I was dying.

0:36:11.400 --> 0:36:15.560
<v Speaker 4>It's such like an actory visual gag. It's so good. Uh.

0:36:16.400 --> 0:36:20.880
<v Speaker 1>Corey tells her he's got sixty four bits and to

0:36:21.040 --> 0:36:24.680
<v Speaker 1>Banka counters he's got nine o'clock bed. Corey asks for

0:36:24.760 --> 0:36:27.759
<v Speaker 1>five minutes, I really want to play Tapanga leans down

0:36:27.800 --> 0:36:30.320
<v Speaker 1>to Billy. I'm obligated to follow the rules your parents

0:36:30.360 --> 0:36:33.600
<v Speaker 1>have clearly laid out, and as she's speaking Corey's behind her,

0:36:33.880 --> 0:36:36.440
<v Speaker 1>mocking her. Tapanga whips her head around and asks what

0:36:36.520 --> 0:36:39.520
<v Speaker 1>he's doing. He carefully says, I love you, and Tapega

0:36:39.600 --> 0:36:41.920
<v Speaker 1>tells Billy to get to bed right now. He pleads,

0:36:41.960 --> 0:36:46.200
<v Speaker 1>can I watch TV? Corey answer sure, which I love sure?

0:36:46.960 --> 0:36:50.720
<v Speaker 1>Topanga tells him no, scolding Corey. Corey immediately blames Billy,

0:36:50.800 --> 0:36:54.640
<v Speaker 1>asking what were you thinking? Then we enter a very

0:36:55.040 --> 0:36:58.320
<v Speaker 1>meta little bit here where Billy tells them it's the

0:36:58.400 --> 0:37:01.200
<v Speaker 1>Friday night lineup. To Panga asks what does that have

0:37:01.320 --> 0:37:03.480
<v Speaker 1>to do with anything? And Corey explains the Friday night

0:37:03.560 --> 0:37:06.120
<v Speaker 1>lineup it's only the best shows on TV. You walk

0:37:06.160 --> 0:37:08.160
<v Speaker 1>into school Monday morning and you didn't see the Friday

0:37:08.239 --> 0:37:08.720
<v Speaker 1>night lineup?

0:37:08.800 --> 0:37:09.160
<v Speaker 2>Forget it?

0:37:09.239 --> 0:37:12.359
<v Speaker 1>You got nothing to say. Tapega's upset with Corey. He's

0:37:12.440 --> 0:37:16.000
<v Speaker 1>undermining her authority. I am this child's babysitter, and I

0:37:16.080 --> 0:37:19.720
<v Speaker 1>take my responsibilities very seriously. And as she's talking, Billy

0:37:19.840 --> 0:37:22.280
<v Speaker 1>is now mocking her behind her back to Panga whips

0:37:22.320 --> 0:37:24.239
<v Speaker 1>her head around and asks what were you doing? And

0:37:24.280 --> 0:37:26.719
<v Speaker 1>Billy repeats what he heard Corey say, I love you.

0:37:27.040 --> 0:37:27.440
<v Speaker 3>I love you.

0:37:28.080 --> 0:37:30.680
<v Speaker 1>Tapanga asks a giggling Corey, you think this is funny.

0:37:30.840 --> 0:37:33.279
<v Speaker 1>He stutters out, no mistress to Panga. I think it's

0:37:33.320 --> 0:37:36.560
<v Speaker 1>the opposite of funny. I think it's wood and.

0:37:39.600 --> 0:37:43.480
<v Speaker 4>It's so funny. So much the writing of this scene

0:37:43.520 --> 0:37:45.120
<v Speaker 4>start to finish, I mean, what is this like five

0:37:45.239 --> 0:37:47.719
<v Speaker 4>seven fifteen, and it's like, I don't think there's a

0:37:47.840 --> 0:37:51.719
<v Speaker 4>wasted beat. Now every it turns, it's so good.

0:37:52.320 --> 0:37:53.759
<v Speaker 2>It is so good.

0:37:54.560 --> 0:37:55.960
<v Speaker 4>Oh, I think it's wood.

0:37:56.320 --> 0:37:56.640
<v Speaker 6>O good.

0:37:56.840 --> 0:37:59.600
<v Speaker 1>I think it's wood. Billy pleads, at least let me

0:37:59.680 --> 0:38:02.279
<v Speaker 1>watch my favorite show. It's on right now. Depeanga tells

0:38:02.320 --> 0:38:05.319
<v Speaker 1>Billy it's nine thirty. She knows he doesn't stay up

0:38:05.360 --> 0:38:07.520
<v Speaker 1>past nine. Billy explains it used to be on at

0:38:07.560 --> 0:38:09.800
<v Speaker 1>eight thirty, but this year they moved it to nine thirty.

0:38:10.080 --> 0:38:11.040
<v Speaker 1>Those idiots.

0:38:12.600 --> 0:38:15.000
<v Speaker 4>So, I mean, our listeners probably know, but like our

0:38:15.040 --> 0:38:16.200
<v Speaker 4>show got moved to nine thirty.

0:38:16.239 --> 0:38:18.000
<v Speaker 3>This is all?

0:38:20.040 --> 0:38:22.480
<v Speaker 4>Is this our most meta reference since Bill Daniels did

0:38:22.520 --> 0:38:24.800
<v Speaker 4>the Like, I wouldn't know what it's, I wouldn't know

0:38:25.360 --> 0:38:26.279
<v Speaker 4>what the writers got it?

0:38:27.080 --> 0:38:30.920
<v Speaker 1>Sure, Yeah, this is also it's it's such a long

0:38:31.520 --> 0:38:34.000
<v Speaker 1>it's a whole meta scene from here on out basically,

0:38:34.080 --> 0:38:35.319
<v Speaker 1>and then it comes back a little later.

0:38:35.480 --> 0:38:38.280
<v Speaker 2>So yeah, it's a it's a it's a building.

0:38:38.760 --> 0:38:40.200
<v Speaker 4>Kid gets acquainted with the universe, like.

0:38:40.280 --> 0:38:42.000
<v Speaker 3>Yes, exactly, essentially.

0:38:42.160 --> 0:38:46.160
<v Speaker 1>Yeah, So Corey is shocked they moved it to nine thirty. Why,

0:38:46.440 --> 0:38:49.359
<v Speaker 1>Billy yells, no one knows. Kory asks, was it doing

0:38:49.520 --> 0:38:53.520
<v Speaker 1>badly at eight thirty? Billy tells him no. Kory asks,

0:38:53.560 --> 0:38:54.960
<v Speaker 1>then why didn't they leave it alone?

0:38:55.200 --> 0:38:59.200
<v Speaker 2>And then Billy shouts, they're trying to kill it. They're

0:38:59.280 --> 0:39:04.680
<v Speaker 2>trying to kill it. Corey shakes his head. Those are bad,

0:39:04.840 --> 0:39:05.520
<v Speaker 2>bad people.

0:39:05.960 --> 0:39:08.759
<v Speaker 1>So yeah, to explain even a little further, being on

0:39:08.920 --> 0:39:12.799
<v Speaker 1>at eight thirty is a more ideal time slot than

0:39:12.880 --> 0:39:15.520
<v Speaker 1>nine thirty, because even though eight to ten was a

0:39:15.600 --> 0:39:19.120
<v Speaker 1>block of family shows, the shows earlier in the evening,

0:39:19.360 --> 0:39:20.960
<v Speaker 1>when you're a kids show, at least when you have

0:39:21.040 --> 0:39:23.440
<v Speaker 1>younger kids, would get better numbers than the shows at

0:39:23.480 --> 0:39:26.640
<v Speaker 1>nine thirty. So this was all a reference to the

0:39:26.840 --> 0:39:31.359
<v Speaker 1>inner fears and explicitly stated fears of all of us

0:39:31.440 --> 0:39:32.279
<v Speaker 1>working on the show.

0:39:32.640 --> 0:39:33.400
<v Speaker 2>What's this is going to do?

0:39:33.520 --> 0:39:36.799
<v Speaker 4>So suddenly that it was. It was a brazen move

0:39:37.200 --> 0:39:39.520
<v Speaker 4>by Michael and the writers because this would have been

0:39:39.840 --> 0:39:43.560
<v Speaker 4>delivered out loud to the network at a table read

0:39:43.600 --> 0:39:45.800
<v Speaker 4>so at her label read, we would all gather and

0:39:45.840 --> 0:39:48.439
<v Speaker 4>it would be the first time that the network would

0:39:48.640 --> 0:39:50.719
<v Speaker 4>hear the script and actually probably read it. I don't

0:39:50.719 --> 0:39:52.360
<v Speaker 4>even know if they would have had it the night before,

0:39:52.400 --> 0:39:55.279
<v Speaker 4>because oftentimes the script would be finished that morning, right,

0:39:56.640 --> 0:39:59.319
<v Speaker 4>our scripts then, right, so we'd be sitting there at

0:39:59.360 --> 0:40:02.440
<v Speaker 4>a table read with network executives. There's usually three or

0:40:02.480 --> 0:40:04.479
<v Speaker 4>four that come to the table read, and they would

0:40:04.480 --> 0:40:08.280
<v Speaker 4>have been sort of forced to hear a kid actor

0:40:08.760 --> 0:40:12.200
<v Speaker 4>delivering lines that are basically mocking them, calling them idiots

0:40:12.280 --> 0:40:15.800
<v Speaker 4>to their face in the context idiots, and like you know,

0:40:15.960 --> 0:40:18.240
<v Speaker 4>I mean, this is the kind of stuff that Michael

0:40:18.280 --> 0:40:21.720
<v Speaker 4>would do, like you know, and it's kind of brilliant because,

0:40:22.080 --> 0:40:24.880
<v Speaker 4>you know, standing up for the show against network executives.

0:40:24.920 --> 0:40:26.520
<v Speaker 4>I mean it could be extreme, and you know, it

0:40:26.600 --> 0:40:29.719
<v Speaker 4>doesn't always have to be conflict based, but in our case,

0:40:29.800 --> 0:40:32.279
<v Speaker 4>it was very conflict based, and there was a lot

0:40:32.320 --> 0:40:34.440
<v Speaker 4>of challenges and there was a lot of pushback, and

0:40:34.560 --> 0:40:38.000
<v Speaker 4>so this was like kind of a brilliant chess move

0:40:38.760 --> 0:40:41.800
<v Speaker 4>writing wise, to like do this because it's too funny

0:40:41.840 --> 0:40:43.439
<v Speaker 4>to not put on the show.

0:40:43.840 --> 0:40:43.960
<v Speaker 6>Right.

0:40:44.160 --> 0:40:45.960
<v Speaker 4>Also, yeah, it's it's brilliant.

0:40:46.040 --> 0:40:47.400
<v Speaker 3>I just think it's one of the thing I remember that.

0:40:47.440 --> 0:40:49.239
<v Speaker 3>I remember the run through. I remember how we do

0:40:49.360 --> 0:40:51.360
<v Speaker 3>we would do well, no, but the run through I

0:40:51.440 --> 0:40:54.560
<v Speaker 3>remember specifically as a network run through, the the you know,

0:40:54.719 --> 0:40:57.960
<v Speaker 3>the run through for us, and then we would do

0:40:58.000 --> 0:41:00.200
<v Speaker 3>the network run through and the network run through our ever,

0:41:00.520 --> 0:41:02.560
<v Speaker 3>the network like putting their hands in their heads and shape.

0:41:02.560 --> 0:41:04.360
<v Speaker 3>I mean they were laughing. Yeah, and we knew it

0:41:04.480 --> 0:41:08.080
<v Speaker 3>was gonna exactly like they had to do it. So

0:41:08.440 --> 0:41:09.919
<v Speaker 3>it was. It was great to take.

0:41:10.000 --> 0:41:12.040
<v Speaker 4>And what's so great about it is it wasn't I mean,

0:41:12.160 --> 0:41:14.480
<v Speaker 4>our audience would have also gotten it, you know, because

0:41:14.680 --> 0:41:17.400
<v Speaker 4>our audience was also like, why is it nine thirty exactly?

0:41:17.680 --> 0:41:19.560
<v Speaker 2>And you have to change my schedule?

0:41:19.800 --> 0:41:22.320
<v Speaker 4>Yeah, it's it's it's a it's a perfect medice.

0:41:22.760 --> 0:41:25.720
<v Speaker 3>I think that the shows after US got worse ratings

0:41:25.880 --> 0:41:30.120
<v Speaker 3>until Sabrina and then got better rating For sure beat us.

0:41:31.120 --> 0:41:33.880
<v Speaker 1>So Corey shakes his head. Those are bad, bad people.

0:41:34.280 --> 0:41:36.120
<v Speaker 1>To Panga tells Corey that they need to have a

0:41:36.160 --> 0:41:40.840
<v Speaker 1>little talk. Corey pleads right after the show honey to

0:41:40.960 --> 0:41:43.160
<v Speaker 1>Pega snatches the remote from his hand. There will be

0:41:43.400 --> 0:41:45.520
<v Speaker 1>no show. She tells Billy to get to bed, and

0:41:45.600 --> 0:41:48.640
<v Speaker 1>Billy obliges. Corey compliments her work and says, now it's

0:41:48.760 --> 0:41:51.680
<v Speaker 1>just you and dangerous me on a cozy couch. Tapega

0:41:51.719 --> 0:41:54.000
<v Speaker 1>starts pushing him to the door. He is going home.

0:41:54.440 --> 0:41:56.480
<v Speaker 1>Corey asks why she'd want to be there alone, and

0:41:56.560 --> 0:41:58.880
<v Speaker 1>to Panga yells, you have no idea what this is about?

0:41:59.000 --> 0:41:59.239
<v Speaker 3>Do you?

0:41:59.680 --> 0:42:01.880
<v Speaker 1>Corey argues, yes, I do, and it happens to be

0:42:01.960 --> 0:42:03.920
<v Speaker 1>a very important issue, not just to me and you,

0:42:04.080 --> 0:42:06.680
<v Speaker 1>but to all men and women in relationships both here

0:42:06.880 --> 0:42:09.800
<v Speaker 1>and abroad. To Penga reiterates the exact same way, you

0:42:09.960 --> 0:42:11.399
<v Speaker 1>have no idea what this is about?

0:42:11.520 --> 0:42:11.759
<v Speaker 3>Do you?

0:42:12.160 --> 0:42:13.600
<v Speaker 2>Corey groans, do I ever?

0:42:13.960 --> 0:42:14.520
<v Speaker 3>Do I ever?

0:42:15.719 --> 0:42:18.440
<v Speaker 1>Billy now runs back into the room, telling Cory you're

0:42:18.480 --> 0:42:21.000
<v Speaker 1>missing a real funny one. The curly headed kid keeps

0:42:21.040 --> 0:42:23.320
<v Speaker 1>on digging himself in deeper and deeper.

0:42:24.080 --> 0:42:28.200
<v Speaker 4>I mean, come on good. While Cory is digging himself

0:42:28.280 --> 0:42:31.200
<v Speaker 4>deeper and deeper. The kid calls it out as the show.

0:42:31.360 --> 0:42:34.720
<v Speaker 4>I mean, just brilliant writing. This is like post modern

0:42:35.360 --> 0:42:38.759
<v Speaker 4>self referential, like it's just layers. I love it so much.

0:42:39.200 --> 0:42:42.040
<v Speaker 2>And then to put the little cherry on top, Corey says,

0:42:42.200 --> 0:42:43.080
<v Speaker 2>I love that kid.

0:42:43.200 --> 0:42:46.200
<v Speaker 3>He's such a doufe, such a doof perfect word.

0:42:46.800 --> 0:42:51.839
<v Speaker 2>Perfect word. So then we are back at Chubby's. Eric

0:42:51.880 --> 0:42:53.399
<v Speaker 2>and Karina are still on their date.

0:42:53.680 --> 0:42:55.719
<v Speaker 1>Karina is going on and on about what her uncle

0:42:55.800 --> 0:42:58.600
<v Speaker 1>David could have possibly meant by life experience. Eric is

0:42:58.600 --> 0:43:01.520
<v Speaker 1>stacking his French fries into it Jenga tower from boredom.

0:43:01.760 --> 0:43:01.960
<v Speaker 2>Well.

0:43:02.000 --> 0:43:04.640
<v Speaker 1>Karina explains she's been to sleep away camp and she

0:43:04.719 --> 0:43:06.319
<v Speaker 1>once got on the wrong bus and.

0:43:06.680 --> 0:43:10.360
<v Speaker 2>She even had a goldfish who died. Eric guesses suicide

0:43:10.520 --> 0:43:13.440
<v Speaker 2>wasn't ken is such a funny line.

0:43:13.800 --> 0:43:15.759
<v Speaker 4>This is the scene. This is I would see the

0:43:15.840 --> 0:43:18.279
<v Speaker 4>babysitter scene and then into this scene are two of

0:43:18.320 --> 0:43:20.319
<v Speaker 4>our best scenes ever, back to back.

0:43:20.440 --> 0:43:26.200
<v Speaker 1>It's completely agree. Just nailed this huge chunk of the show.

0:43:26.440 --> 0:43:27.200
<v Speaker 2>It's so good.

0:43:28.040 --> 0:43:31.400
<v Speaker 1>Corona laughs, oh you. This inspires a new song and

0:43:31.480 --> 0:43:33.960
<v Speaker 1>people and Chubbies get up and leave. Once she starts,

0:43:34.560 --> 0:43:36.600
<v Speaker 1>Eric can't handle it anymore. He grabs her guitar and

0:43:36.680 --> 0:43:38.920
<v Speaker 1>he tells her okay okay, sh and he yells for

0:43:39.040 --> 0:43:41.719
<v Speaker 1>the check. Karina asks if something's wrong, and Eric says

0:43:41.760 --> 0:43:43.920
<v Speaker 1>he noticed all of these people were watching her and

0:43:44.080 --> 0:43:46.640
<v Speaker 1>listening to her song, and he's afraid they would steal

0:43:46.719 --> 0:43:48.879
<v Speaker 1>it and sell it to Andrew Lloyd Webber, who would

0:43:48.920 --> 0:43:51.400
<v Speaker 1>then write a three hour musical about her dead Goldfish.

0:43:51.719 --> 0:43:54.960
<v Speaker 2>Coarna gasps, what he call it, Goldie? Eric tells her, no,

0:43:55.280 --> 0:43:55.800
<v Speaker 2>he'd call it.

0:43:58.000 --> 0:44:01.120
<v Speaker 4>You would call it that Jackie like loses it in

0:44:01.200 --> 0:44:01.720
<v Speaker 4>the backround.

0:44:01.760 --> 0:44:05.240
<v Speaker 1>Yes, and that's where Jackie spins around. It's so great,

0:44:05.920 --> 0:44:08.399
<v Speaker 1>Karina explains. When I got up this morning, I had

0:44:08.520 --> 0:44:11.200
<v Speaker 1>no idea I meet someone I was going to spend

0:44:11.360 --> 0:44:14.400
<v Speaker 1>the rest of my life with and all our lives

0:44:14.560 --> 0:44:17.880
<v Speaker 1>to come. Eric admits he doesn't know how to say this,

0:44:18.040 --> 0:44:20.360
<v Speaker 1>so he's going to choose his words very carefully.

0:44:21.360 --> 0:44:22.520
<v Speaker 2>I think you're a psycho.

0:44:22.840 --> 0:44:30.040
<v Speaker 3>I think you're a psycho. Good men and women on

0:44:30.200 --> 0:44:33.640
<v Speaker 3>dates have wanted to say that so badly. I just

0:44:33.760 --> 0:44:35.439
<v Speaker 3>want to say I think you're a psych.

0:44:35.560 --> 0:44:38.120
<v Speaker 2>I think you're a psycho. And this is not going

0:44:38.200 --> 0:44:39.280
<v Speaker 2>to go any further.

0:44:40.160 --> 0:44:41.000
<v Speaker 3>It's so good.

0:44:41.200 --> 0:44:44.160
<v Speaker 1>Karina's confused. Eric continues, I'm just not the guy for you.

0:44:44.600 --> 0:44:46.919
<v Speaker 1>You need a guy who's happy and perky all the time.

0:44:47.200 --> 0:44:49.760
<v Speaker 1>Maybe a guy who's had part of his brain removed

0:44:49.800 --> 0:44:50.840
<v Speaker 1>and thinks he's a bunny.

0:44:52.040 --> 0:44:53.040
<v Speaker 2>And you guys can do it.

0:44:54.480 --> 0:44:55.239
<v Speaker 5>I really that was the.

0:44:55.360 --> 0:44:58.960
<v Speaker 4>Most nineties thing probably I don't think you do. I'm

0:44:59.080 --> 0:45:02.520
<v Speaker 4>not probably the most nineties thing. Yeah, I used to

0:45:02.520 --> 0:45:04.280
<v Speaker 4>say that all the time, right, like, oh he's.

0:45:04.680 --> 0:45:08.320
<v Speaker 6>So such a such a psycho, he's such a like

0:45:08.360 --> 0:45:10.200
<v Speaker 6>I feel like we used to always say that, I

0:45:10.239 --> 0:45:13.480
<v Speaker 6>mean never say in just this episode we can say

0:45:13.960 --> 0:45:15.399
<v Speaker 6>we some people push.

0:45:15.560 --> 0:45:18.600
<v Speaker 2>We don't say bum, we don't say psycho.

0:45:20.040 --> 0:45:23.920
<v Speaker 1>We we probably actually wouldn't even say supicide, we'd say unlive.

0:45:24.040 --> 0:45:27.759
<v Speaker 3>It's alive itself did it? And later down the line,

0:45:27.760 --> 0:45:30.480
<v Speaker 3>you wouldn't be making fun of a guy by just

0:45:30.560 --> 0:45:32.560
<v Speaker 3>assuming he was exactly.

0:45:32.239 --> 0:45:39.080
<v Speaker 2>That wouldn't in the nineties. Eric, That's that's the exactly.

0:45:38.880 --> 0:45:40.560
<v Speaker 3>Super such a guy thing.

0:45:40.960 --> 0:45:44.319
<v Speaker 4>Yeah, we very nineteen nineties six.

0:45:45.920 --> 0:45:48.919
<v Speaker 1>It's very ninety six, and we have for the most

0:45:49.000 --> 0:45:52.120
<v Speaker 1>part chosen to say we will mention when something doesn't

0:45:52.160 --> 0:45:55.600
<v Speaker 1>necessarily age well. But we also realized it was recorded

0:45:55.680 --> 0:45:58.279
<v Speaker 1>in ninety sixteen ninety and we we don't like to

0:45:58.520 --> 0:46:01.279
<v Speaker 1>we don't. That's how what you that was just unfortunately,

0:46:01.280 --> 0:46:02.680
<v Speaker 1>except for better or worse, that's what.

0:46:02.719 --> 0:46:03.960
<v Speaker 2>You did, and it is what it is.

0:46:04.080 --> 0:46:05.920
<v Speaker 3>So we're not we don't do on it. You are

0:46:05.920 --> 0:46:12.320
<v Speaker 3>a psycho bum, Yes, you were a cycle there's you

0:46:12.360 --> 0:46:15.160
<v Speaker 3>should alive yourself because you're a gay cycle bump in

0:46:15.200 --> 0:46:18.040
<v Speaker 3>the nineteen ninety six Wow a.

0:46:18.160 --> 0:46:20.279
<v Speaker 4>New T shirt, new merch psycle bomb.

0:46:24.800 --> 0:46:25.000
<v Speaker 3>Wow.

0:46:25.960 --> 0:46:26.680
<v Speaker 4>Oh my gosh.

0:46:27.120 --> 0:46:29.279
<v Speaker 3>They're trying to kill it. They're trying to kill it.

0:46:30.719 --> 0:46:31.600
<v Speaker 3>They're trying to kill it.

0:46:34.120 --> 0:46:36.320
<v Speaker 2>Karina asks, you don't want to see me anymore?

0:46:36.360 --> 0:46:36.640
<v Speaker 4>Do you?

0:46:37.160 --> 0:46:39.880
<v Speaker 1>Eric swiftly replies, Oh see, it's not just that I

0:46:40.000 --> 0:46:41.680
<v Speaker 1>want to put you on a rocket ship and send

0:46:41.760 --> 0:46:42.520
<v Speaker 1>you to the planet.

0:46:42.680 --> 0:46:44.600
<v Speaker 3>Fluf fluga, fuf fluga.

0:46:44.960 --> 0:46:47.120
<v Speaker 4>Oh you already I missed it. But my one of

0:46:47.200 --> 0:46:50.000
<v Speaker 4>my favorite, like I think the best way that it

0:46:50.160 --> 0:46:53.080
<v Speaker 4>goes her songwriting and her saccharine misc goes over the

0:46:53.120 --> 0:46:53.719
<v Speaker 4>top is when she.

0:46:53.800 --> 0:46:56.839
<v Speaker 2>Goes chew chew che Oh my god.

0:46:56.920 --> 0:46:59.360
<v Speaker 4>That is such a brilliant moment. It's like, because you

0:46:59.400 --> 0:47:02.120
<v Speaker 4>can established she writes these songs from when she goes

0:47:02.160 --> 0:47:06.680
<v Speaker 4>and we the book get the fluid goes stop like that.

0:47:06.960 --> 0:47:09.200
<v Speaker 4>That's like, it's perfect, It's perfect.

0:47:09.560 --> 0:47:13.200
<v Speaker 3>I remembered every single song, did you. That was the

0:47:13.239 --> 0:47:17.960
<v Speaker 3>thing that made I couldn't along with every single song.

0:47:18.040 --> 0:47:19.960
<v Speaker 3>I remember, yeah, oh man.

0:47:20.400 --> 0:47:24.279
<v Speaker 1>And then she strums her guitar and Eric realizes she

0:47:24.480 --> 0:47:26.879
<v Speaker 1>just played a minor chord. And again, when you talk

0:47:26.880 --> 0:47:32.120
<v Speaker 1>about the transitions, writer, he this is exactly in this scene. Specifically,

0:47:32.719 --> 0:47:36.560
<v Speaker 1>the way you go from like, oh, fla fluga to

0:47:39.080 --> 0:47:42.240
<v Speaker 1>that's a minor chord is so good and it's so funny.

0:47:43.719 --> 0:47:44.200
<v Speaker 4>This is all.

0:47:44.120 --> 0:47:47.399
<v Speaker 3>Obviously based on Alanis Morissett was huge at the time. Yeah,

0:47:47.560 --> 0:47:49.600
<v Speaker 3>so Jaggie Little Pill I think came out in ninety

0:47:49.880 --> 0:47:53.279
<v Speaker 3>five or ninety six. So this was all based on

0:47:53.560 --> 0:47:55.760
<v Speaker 3>Alanis Morissett, of course, of course.

0:47:55.640 --> 0:47:59.919
<v Speaker 1>I mean she specifically mentions, yeah, her name is mentioned later,

0:48:00.160 --> 0:48:00.799
<v Speaker 1>which is good that.

0:48:00.840 --> 0:48:02.000
<v Speaker 2>There's at least a nod to.

0:48:04.320 --> 0:48:07.720
<v Speaker 1>Karina starts to sing an edgy song channeling Alanis Morrisseid

0:48:07.800 --> 0:48:10.879
<v Speaker 1>or Fiona Apple, with lyrics highlighting her heartbreak from Eric.

0:48:11.200 --> 0:48:14.680
<v Speaker 1>She continuously calls him shallow boy. And those who are

0:48:14.760 --> 0:48:17.600
<v Speaker 1>left in the restaurant, including Jackie, who is now dancing,

0:48:17.840 --> 0:48:19.400
<v Speaker 1>she actually loves this song.

0:48:19.400 --> 0:48:21.640
<v Speaker 3>Very happy with the dancing in the background. She's like

0:48:21.719 --> 0:48:22.160
<v Speaker 3>going at it.

0:48:22.400 --> 0:48:25.080
<v Speaker 1>Yeah, And then we're back in the school hallway. Corey

0:48:25.160 --> 0:48:27.160
<v Speaker 1>walks up to Tapanga at her locker. He thought they

0:48:27.160 --> 0:48:29.520
<v Speaker 1>could grab a bite ski at this charming little place

0:48:29.600 --> 0:48:31.400
<v Speaker 1>called the Cafeteria bite.

0:48:31.160 --> 0:48:33.120
<v Speaker 3>Ski bite Ski bite Ski.

0:48:33.200 --> 0:48:40.440
<v Speaker 4>I just thought of Broski and bro Ham and Nosiski.

0:48:38.239 --> 0:48:38.719
<v Speaker 3>A bite ski.

0:48:39.920 --> 0:48:42.879
<v Speaker 1>Tpega harshly asks what would be the point Corey. Corey

0:48:43.000 --> 0:48:45.480
<v Speaker 1>rattles off the three points he's hungry to Benga's girlfriend.

0:48:45.520 --> 0:48:46.600
<v Speaker 1>It's taco bar Tuesday.

0:48:46.840 --> 0:48:50.000
<v Speaker 2>Tapega worridly asks, you would feed tacos to our child?

0:48:50.440 --> 0:48:51.760
<v Speaker 3>Red flag? Red flag?

0:48:51.960 --> 0:48:55.839
<v Speaker 7>Yeah, this is where story is a little, of course,

0:48:56.120 --> 0:48:59.799
<v Speaker 7>but I like knowing she's a little unbalanced.

0:49:00.200 --> 0:49:01.000
<v Speaker 3>I'll be honest with you.

0:49:01.360 --> 0:49:03.840
<v Speaker 1>Well, well, sure, at least at least they're both psycho.

0:49:06.200 --> 0:49:08.960
<v Speaker 1>I have never I have never held back when I

0:49:09.000 --> 0:49:12.080
<v Speaker 1>thought that Corey was unlikable. And so I'm just gonna

0:49:12.080 --> 0:49:16.040
<v Speaker 1>say to Panga, sucks. In this scene, she is handling

0:49:16.120 --> 0:49:20.719
<v Speaker 1>what could be a totally normal conversation in a psycho way.

0:49:21.200 --> 0:49:24.440
<v Speaker 1>For no other term, she's just crazy. And for me,

0:49:25.760 --> 0:49:28.560
<v Speaker 1>the issue, I can't even believe that there's actually a

0:49:28.640 --> 0:49:30.920
<v Speaker 1>real issue, which is, like, Corey, you came over to

0:49:31.040 --> 0:49:34.360
<v Speaker 1>my job that I get paid for and you completely

0:49:34.480 --> 0:49:36.960
<v Speaker 1>undermined me. That made me, that didn't make me feel good.

0:49:37.040 --> 0:49:39.400
<v Speaker 1>And if here's a version of conflict, there's a version

0:49:40.719 --> 0:49:43.040
<v Speaker 1>about our future child and him being a parent, there's

0:49:43.120 --> 0:49:44.840
<v Speaker 1>actually something real there to talk.

0:49:44.760 --> 0:49:47.719
<v Speaker 4>About is pretty funny, like Corey's reactions, like, that's the

0:49:47.760 --> 0:49:50.200
<v Speaker 4>thing is that I think the writers just loved watching

0:49:50.239 --> 0:49:56.080
<v Speaker 4>poor Corey be likely kissing and unfortunately it's an echo

0:49:56.520 --> 0:49:59.120
<v Speaker 4>of what Eric's going through, right like you have you

0:49:59.200 --> 0:50:02.440
<v Speaker 4>have the the psycho woman trope being played out in

0:50:02.600 --> 0:50:06.800
<v Speaker 4>both storylines, and unfortunately it's just really funny.

0:50:06.920 --> 0:50:08.640
<v Speaker 2>It is, so it's just too good.

0:50:08.760 --> 0:50:10.800
<v Speaker 4>You could see that they were like, maybe it doesn't

0:50:10.800 --> 0:50:13.759
<v Speaker 4>make sense. And even the fact that Tapanga just resolves it,

0:50:13.880 --> 0:50:16.080
<v Speaker 4>like she just comes back and says, I love you

0:50:16.120 --> 0:50:18.560
<v Speaker 4>anyway Corey at the end of the episode indicates that

0:50:18.719 --> 0:50:22.759
<v Speaker 4>they didn't really know how to write the situation so

0:50:22.880 --> 0:50:24.919
<v Speaker 4>that it actually made sense. But it doesn't matter, because

0:50:25.000 --> 0:50:26.680
<v Speaker 4>the experience of comedy.

0:50:26.400 --> 0:50:28.200
<v Speaker 1>Is just I know, And so I would just like

0:50:28.320 --> 0:50:30.480
<v Speaker 1>to say, it doesn't change the way I feel about

0:50:30.520 --> 0:50:32.319
<v Speaker 1>the episode. It doesn't even change the way I feel

0:50:32.320 --> 0:50:34.600
<v Speaker 1>about the scene. It's all very funny, and Corey is

0:50:34.800 --> 0:50:37.880
<v Speaker 1>so funny in his reactions. But I didn't want to

0:50:38.040 --> 0:50:42.200
<v Speaker 1>not mention that Topanga is acting like a psychopath because

0:50:42.719 --> 0:50:45.279
<v Speaker 1>we have a few times mentioned when we have felt

0:50:45.320 --> 0:50:47.600
<v Speaker 1>like Corey has done it, So I in We are

0:50:47.680 --> 0:50:49.200
<v Speaker 1>a fair show, I would go.

0:50:49.200 --> 0:50:51.200
<v Speaker 4>To the extreme. I would go to the opposite, which

0:50:51.280 --> 0:50:55.759
<v Speaker 4>is people's ability to connect with children is more rare

0:50:55.840 --> 0:50:58.280
<v Speaker 4>than their ability to be authoritarian as a father figure.

0:50:58.560 --> 0:50:59.840
<v Speaker 2>So the fact that Corey.

0:50:59.680 --> 0:51:02.560
<v Speaker 4>Could connect with this kid and and make him laugh

0:51:02.800 --> 0:51:05.520
<v Speaker 4>is make him at the greatest skill that you could.

0:51:05.520 --> 0:51:07.600
<v Speaker 4>You should look forward to partner and like for her

0:51:07.719 --> 0:51:10.200
<v Speaker 4>not to recognize that, for the show not to recognize that, like,

0:51:10.440 --> 0:51:13.239
<v Speaker 4>oh my god, Corey bonding with this little boy, that

0:51:13.600 --> 0:51:16.280
<v Speaker 4>is rare, especially for men, you know, in the nineties,

0:51:16.360 --> 0:51:18.640
<v Speaker 4>to like to like want to bond to a kid

0:51:18.680 --> 0:51:20.239
<v Speaker 4>and hang out with him and play video like that

0:51:20.480 --> 0:51:22.000
<v Speaker 4>school that's there.

0:51:26.320 --> 0:51:28.400
<v Speaker 2>I know, I know, I you know what. I agree

0:51:28.400 --> 0:51:30.400
<v Speaker 2>with you. So she's wrong, she's wrong, and she's.

0:51:31.360 --> 0:51:33.240
<v Speaker 3>I just like to know, though that she's not perfect.

0:51:33.360 --> 0:51:34.480
<v Speaker 3>I like knowing that she's all.

0:51:35.160 --> 0:51:36.040
<v Speaker 2>I appreciate it.

0:51:36.600 --> 0:51:40.239
<v Speaker 1>She isn't because truthfully, one of if I were to

0:51:40.400 --> 0:51:41.960
<v Speaker 1>overall and we'll wait till we get to the end

0:51:42.000 --> 0:51:43.560
<v Speaker 1>of the show, because I obviously have there's so many

0:51:43.600 --> 0:51:45.399
<v Speaker 1>episodes coming up that I don't know what they entail.

0:51:45.840 --> 0:51:48.000
<v Speaker 2>But if I had one criticism.

0:51:48.480 --> 0:51:51.480
<v Speaker 1>I think thus far of Tapanga is she was written

0:51:51.600 --> 0:51:56.400
<v Speaker 1>in such an idealistic way. She is, you know, except

0:51:56.400 --> 0:51:59.920
<v Speaker 1>for these moments, kind of an unrealistic portrayal.

0:51:59.600 --> 0:52:02.480
<v Speaker 2>Of the pert woman. So anyway, it doesn't change the

0:52:02.520 --> 0:52:03.160
<v Speaker 2>way I feel about it.

0:52:03.280 --> 0:52:05.600
<v Speaker 4>Love the scene, love it, but just I think the

0:52:05.640 --> 0:52:08.239
<v Speaker 4>Penga does become overbearing and controlling, like that ends up

0:52:08.280 --> 0:52:08.799
<v Speaker 4>being the thing.

0:52:08.960 --> 0:52:09.279
<v Speaker 2>I think.

0:52:09.400 --> 0:52:12.280
<v Speaker 4>Yeah, she's a perfectionist and she holds Corey to too high.

0:52:12.160 --> 0:52:15.200
<v Speaker 1>Of a standard, right, But I feel like even in that,

0:52:15.440 --> 0:52:17.279
<v Speaker 1>unless I'm wrong, and I might be because I have

0:52:17.360 --> 0:52:19.879
<v Speaker 1>no idea what's coming. I have fully blocked out five

0:52:19.960 --> 0:52:22.840
<v Speaker 1>through seven, seasons five through seven in my brain. But

0:52:22.960 --> 0:52:26.200
<v Speaker 1>I think she recognizes it, Like I know she knows

0:52:26.239 --> 0:52:28.400
<v Speaker 1>she has this, Like, oh, I know it's terrible that

0:52:28.480 --> 0:52:30.719
<v Speaker 1>I'm obsessed with all a's but it's just who I am.

0:52:31.120 --> 0:52:34.440
<v Speaker 1>So there's like a more self aware version of being unlikable.

0:52:34.480 --> 0:52:35.920
<v Speaker 2>But maybe I'm wrong. I don't know.

0:52:36.160 --> 0:52:37.799
<v Speaker 4>We actually already have seen that. Remember when you were

0:52:37.840 --> 0:52:40.440
<v Speaker 4>like demanding with the tape recorder in Phoene's face, like

0:52:40.520 --> 0:52:43.360
<v Speaker 4>tell me the answer, tell me, Yeah, I can't help myself.

0:52:54.800 --> 0:52:57.600
<v Speaker 2>Okay, So Corey freaks out, are what you and I

0:52:57.680 --> 0:52:59.719
<v Speaker 2>are going to have a child. We've only kissed. I mean,

0:52:59.760 --> 0:53:02.640
<v Speaker 2>I know it was a good kisser, but wow, wow.

0:53:04.360 --> 0:53:04.760
<v Speaker 3>Exactly.

0:53:04.920 --> 0:53:07.799
<v Speaker 1>Tapanga explains our future child, the one we'd have if

0:53:07.840 --> 0:53:11.000
<v Speaker 1>we got married. Oh, that kid, would I feed him tacos?

0:53:11.120 --> 0:53:11.319
<v Speaker 3>Yeah?

0:53:11.480 --> 0:53:12.479
<v Speaker 4>Four for ninety nine.

0:53:12.440 --> 0:53:16.760
<v Speaker 1>Cents, It's gonna be Taco crazy, Taco crazy to Beanga

0:53:16.840 --> 0:53:18.920
<v Speaker 1>explains she's really upset with him and asks if he

0:53:19.000 --> 0:53:22.399
<v Speaker 1>knows why. Corey guesses something I've done or haven't done,

0:53:22.600 --> 0:53:24.440
<v Speaker 1>or did do but didn't do properly.

0:53:24.760 --> 0:53:27.880
<v Speaker 2>Now with that said, Taco, that's where that started.

0:53:27.960 --> 0:53:32.120
<v Speaker 3>So Eron and Jack do that later on dates Taco really,

0:53:32.120 --> 0:53:34.200
<v Speaker 3>and I thought it was an Eric thing. I did

0:53:34.280 --> 0:53:35.560
<v Speaker 3>not know it started with Corey.

0:53:35.840 --> 0:53:38.759
<v Speaker 2>That is a one hundred percent Michael Jacob's thing. Yeah,

0:53:39.200 --> 0:53:40.840
<v Speaker 2>I remember, I remember.

0:53:43.480 --> 0:53:48.000
<v Speaker 1>I can picture him right now doing it. Tanga doesn't

0:53:48.040 --> 0:53:50.640
<v Speaker 1>budge you let Billy stay up last Friday night. You'd

0:53:50.719 --> 0:53:53.600
<v Speaker 1>rather be pals with our kids than a strong, responsible

0:53:53.719 --> 0:53:56.560
<v Speaker 1>role model. Corey, at the risk of being argumentative, reminds

0:53:56.600 --> 0:53:59.520
<v Speaker 1>her they don't have any kids. Tapega says, and we're

0:53:59.560 --> 0:54:02.040
<v Speaker 1>not gonna you know why, and Corey guesses because we're

0:54:02.120 --> 0:54:07.520
<v Speaker 1>just kissing. She tells him a family falls apart if

0:54:07.520 --> 0:54:10.200
<v Speaker 1>there are not strong, authoritative role models at home, but

0:54:10.320 --> 0:54:12.960
<v Speaker 1>Corey retorts that it wasn't their home or their kid.

0:54:13.280 --> 0:54:15.439
<v Speaker 1>I'm sure what you're saying probably makes a lot of sense,

0:54:15.520 --> 0:54:17.200
<v Speaker 1>but right now my blood sugar level is.

0:54:17.239 --> 0:54:19.160
<v Speaker 2>Dropping, and all I want is a little taco.

0:54:19.920 --> 0:54:22.560
<v Speaker 1>Tapega says, if that taco is more important than their child,

0:54:22.640 --> 0:54:25.440
<v Speaker 1>then this family has dysfunction written all over it. She

0:54:25.560 --> 0:54:28.120
<v Speaker 1>storms off, and a giddy Sean appears, asking Corey if

0:54:28.160 --> 0:54:31.640
<v Speaker 1>he wants a taco. Corey a defeated Corey size, I

0:54:31.719 --> 0:54:33.440
<v Speaker 1>don't think I'm supposed to have one.

0:54:33.760 --> 0:54:36.239
<v Speaker 3>Great read, He's like, looking around, like, I don't think

0:54:36.280 --> 0:54:40.560
<v Speaker 3>I'm supposed to have so lost awesome. The curly head,

0:54:40.840 --> 0:54:42.320
<v Speaker 3>curly haired kid keeps digging.

0:54:42.040 --> 0:54:46.040
<v Speaker 2>It deeper and deeper and deeper. And then we're at

0:54:46.080 --> 0:54:48.600
<v Speaker 2>the family Wilderness store. Eric is working in. Corey and

0:54:48.640 --> 0:54:49.759
<v Speaker 2>Sean run in to ask him.

0:54:49.640 --> 0:54:53.360
<v Speaker 3>A question, and I think, writer, this is probably the

0:54:53.400 --> 0:54:56.000
<v Speaker 3>start of you and I not being able to work together.

0:54:56.080 --> 0:54:56.960
<v Speaker 4>Because we're laughing at this.

0:54:57.160 --> 0:54:59.360
<v Speaker 3>We look like we're you look like you're about to

0:54:59.400 --> 0:55:03.400
<v Speaker 3>break most I'm I'm just not looking at you, like

0:55:03.520 --> 0:55:05.560
<v Speaker 3>I literally I don't think I make eye contact with

0:55:05.680 --> 0:55:07.560
<v Speaker 3>you once during this entire scene.

0:55:08.000 --> 0:55:10.760
<v Speaker 1>This is another one of those scenes that like writer mentioned,

0:55:10.760 --> 0:55:13.200
<v Speaker 1>which was such a brilliant point that sitcom acting is

0:55:13.239 --> 0:55:15.960
<v Speaker 1>so much about committing and transitioning. This is another one

0:55:16.040 --> 0:55:18.080
<v Speaker 1>of those scenes where they present you with thing after

0:55:18.160 --> 0:55:20.640
<v Speaker 1>thing after thing, and you come up with a new

0:55:20.680 --> 0:55:23.040
<v Speaker 1>one for everyone and someone. I mean at the end

0:55:23.080 --> 0:55:25.360
<v Speaker 1>when you're just smiling and saying you're famous, when just

0:55:25.480 --> 0:55:28.200
<v Speaker 1>before you had been arguing so committedly that it wasn't

0:55:28.200 --> 0:55:28.799
<v Speaker 1>even about you.

0:55:29.120 --> 0:55:30.560
<v Speaker 3>Is so great.

0:55:30.960 --> 0:55:31.440
<v Speaker 2>Oh thank you?

0:55:31.800 --> 0:55:33.880
<v Speaker 4>You were a whole scene is And the way it's

0:55:33.920 --> 0:55:36.040
<v Speaker 4>blocked too, Like Corey and I come in, we're like

0:55:36.120 --> 0:55:37.800
<v Speaker 4>one force. Alan's on the other side, and you're in

0:55:37.840 --> 0:55:41.440
<v Speaker 4>the middle just bouncing, just bouncing between like what we

0:55:41.600 --> 0:55:46.160
<v Speaker 4>talk about this opening though, I went back like three times,

0:55:46.320 --> 0:55:48.560
<v Speaker 4>like what is going on with the noise? The sound

0:55:48.680 --> 0:55:49.000
<v Speaker 4>do you guys?

0:55:49.080 --> 0:55:53.200
<v Speaker 3>Do you guys hear It's terrible, It's no it's the whatever.

0:55:55.239 --> 0:55:57.840
<v Speaker 4>I was like, what's going on? I literally sound in

0:55:57.880 --> 0:55:59.320
<v Speaker 4>my room and I was like, is something.

0:55:59.800 --> 0:56:02.440
<v Speaker 2>We paused it twice because I thought it was our

0:56:02.640 --> 0:56:06.120
<v Speaker 2>baby monitor. Yes, I was like, the children are doing

0:56:06.200 --> 0:56:09.680
<v Speaker 2>a weird thing. By the way, little critique not a

0:56:09.680 --> 0:56:10.359
<v Speaker 2>good enough joke.

0:56:10.960 --> 0:56:13.600
<v Speaker 4>No, no, it should have been set off. It should

0:56:13.600 --> 0:56:16.640
<v Speaker 4>have been said. But because it happened, the sled dog

0:56:16.760 --> 0:56:18.880
<v Speaker 4>reference was made after you'd already heard it for the

0:56:18.920 --> 0:56:21.520
<v Speaker 4>first thirty seconds, so you're already like we would. But

0:56:21.600 --> 0:56:24.080
<v Speaker 4>if you set it up as like, oh, we're listening

0:56:24.160 --> 0:56:26.880
<v Speaker 4>to this crazy thing and then you hear the crazy thing,

0:56:26.920 --> 0:56:28.520
<v Speaker 4>I don't know. Yeah it's a summer.

0:56:28.520 --> 0:56:30.560
<v Speaker 2>It wasn't, and it was like not loud enough.

0:56:30.719 --> 0:56:33.239
<v Speaker 1>Had it been louder where it was obviously coming from

0:56:33.400 --> 0:56:35.640
<v Speaker 1>the set, you would be like, so eventually they're going

0:56:35.719 --> 0:56:37.440
<v Speaker 1>to acknowledge what this is right or this is going

0:56:37.480 --> 0:56:37.920
<v Speaker 1>to pay off.

0:56:38.000 --> 0:56:41.439
<v Speaker 2>But it was like too low. It was mixed weird. Yeah, okay,

0:56:41.520 --> 0:56:43.000
<v Speaker 2>so uh, Corey and Sean run in.

0:56:43.040 --> 0:56:44.520
<v Speaker 1>They asked him a question, you know how you got

0:56:44.560 --> 0:56:46.640
<v Speaker 1>this great new job with dad and your life's finally

0:56:46.719 --> 0:56:49.840
<v Speaker 1>beginning to come together. Eric nods that's over. Sean asks

0:56:49.920 --> 0:56:52.160
<v Speaker 1>CD player, you got one. Sean hands him a disc

0:56:52.200 --> 0:56:54.080
<v Speaker 1>and Eric says he just has to pull out the

0:56:54.160 --> 0:56:59.520
<v Speaker 1>sounds of the sleeping sled dogs. CD Sean explains, we

0:56:59.600 --> 0:57:02.120
<v Speaker 1>were walking by Varsity Records and we saw them putting

0:57:02.160 --> 0:57:02.759
<v Speaker 1>these in the window.

0:57:02.960 --> 0:57:05.759
<v Speaker 2>Eric looks at the cover. Hey, this looks just like Corinna.

0:57:05.600 --> 0:57:07.160
<v Speaker 3>Sean album like a day.

0:57:08.920 --> 0:57:12.560
<v Speaker 4>Sean nods, actually, is I mean that is like the

0:57:12.640 --> 0:57:15.840
<v Speaker 4>Insurgent that her uncle did it, which worked well, yeah earlier.

0:57:17.040 --> 0:57:19.000
<v Speaker 2>Uh yeah, ain't that a hoot? Sean says.

0:57:19.400 --> 0:57:21.320
<v Speaker 1>Eric's astonished that she was able to put out a

0:57:21.400 --> 0:57:23.800
<v Speaker 1>record so fast, but then he sees the words Uncle

0:57:23.920 --> 0:57:26.840
<v Speaker 1>David's Records and Tapes on the back. Alan notices the

0:57:26.880 --> 0:57:30.680
<v Speaker 1>warning not suitable for children. Eric plays the first song

0:57:30.760 --> 0:57:33.840
<v Speaker 1>and it's shallow Boy. Corey points out, wow, she sounds

0:57:33.920 --> 0:57:36.720
<v Speaker 1>really angry. Sean nods, yeah, and that was the ballad.

0:57:37.560 --> 0:57:39.720
<v Speaker 1>Eric says, there's two billion people in the world. She

0:57:39.760 --> 0:57:42.120
<v Speaker 1>could be angry about anybody. Sean reads the back of

0:57:42.160 --> 0:57:44.960
<v Speaker 1>the case, track number two. Eric matthews, you're so vain.

0:57:45.080 --> 0:57:47.840
<v Speaker 1>You probably didn't know the song before this was about you,

0:57:49.240 --> 0:57:52.439
<v Speaker 1>and Corey says, all signs point to you. Eric says

0:57:52.560 --> 0:57:54.320
<v Speaker 1>this is just something her uncle put together in a

0:57:54.360 --> 0:57:56.600
<v Speaker 1>booth somewhere. It's not like anybody's gonna hear it. Then

0:57:56.640 --> 0:58:01.000
<v Speaker 1>Sean turns the radio on and perfectly timed DJ announces,

0:58:01.240 --> 0:58:03.760
<v Speaker 1>if you thought Alana's held a grudge, you ain't heard

0:58:03.920 --> 0:58:06.600
<v Speaker 1>nothing yet. Her name is Karina, and she's real mad

0:58:06.640 --> 0:58:09.960
<v Speaker 1>at some pitiful creep named Eric Matthews. This one ought

0:58:10.000 --> 0:58:12.720
<v Speaker 1>to be on the charts for twenty years. Eric smiles

0:58:12.800 --> 0:58:15.160
<v Speaker 1>as the song plays. He finds the silver lining in

0:58:15.240 --> 0:58:16.320
<v Speaker 1>a very Corina way.

0:58:16.800 --> 0:58:18.160
<v Speaker 2>I'm famous, I'm famous.

0:58:20.520 --> 0:58:24.040
<v Speaker 1>Such a brilliant scene. Uh so, I mean, will you

0:58:24.240 --> 0:58:27.680
<v Speaker 1>just carry this whole episode so beautifully? And then we're

0:58:27.720 --> 0:58:30.320
<v Speaker 1>in the Matthews living room and now I noticed, did

0:58:30.360 --> 0:58:32.280
<v Speaker 1>you guys notice the family picture does have.

0:58:32.360 --> 0:58:32.920
<v Speaker 2>Lindsay in it?

0:58:33.240 --> 0:58:33.360
<v Speaker 3>Oh?

0:58:33.520 --> 0:58:33.760
<v Speaker 1>Does it?

0:58:34.040 --> 0:58:34.080
<v Speaker 3>No?

0:58:34.320 --> 0:58:34.840
<v Speaker 4>I didn't know.

0:58:35.160 --> 0:58:38.320
<v Speaker 1>We took a new one and Lindsay either it's a

0:58:38.440 --> 0:58:41.480
<v Speaker 1>new one or they fote they put they put in

0:58:42.960 --> 0:58:45.600
<v Speaker 1>a photo and it is lind Yeah.

0:58:46.120 --> 0:58:47.520
<v Speaker 2>No, I meant, I didn't think it was photoshop.

0:58:47.560 --> 0:58:49.960
<v Speaker 1>I literally thought maybe they cut her face out and

0:58:50.280 --> 0:58:51.760
<v Speaker 1>literally just stuck it on there.

0:58:52.880 --> 0:58:53.800
<v Speaker 3>Oh I didn't notice that.

0:58:54.000 --> 0:58:56.439
<v Speaker 2>Yeah, so Lindsay is in the photo. Yes.

0:58:56.880 --> 0:58:58.560
<v Speaker 1>So Corey is reading a book on the couch as

0:58:58.560 --> 0:59:00.760
<v Speaker 1>Amy enters and says it's so good to see him studying,

0:59:00.800 --> 0:59:03.400
<v Speaker 1>And then she reads the book's title, So you're going

0:59:03.480 --> 0:59:04.320
<v Speaker 1>to be a daddy?

0:59:04.720 --> 0:59:06.720
<v Speaker 2>Oh boy, suddenly I have no legs.

0:59:08.920 --> 0:59:17.160
<v Speaker 4>The book who David Phddah?

0:59:17.560 --> 0:59:18.480
<v Speaker 2>I love it so much.

0:59:19.400 --> 0:59:22.280
<v Speaker 1>Cory says, it's not what she's thinking, miss dirty mind.

0:59:22.640 --> 0:59:27.320
<v Speaker 1>Also else do you expect her to think, Miss dirty mind,

0:59:27.480 --> 0:59:29.880
<v Speaker 1>you're reading a book about being a daddy. Is acting

0:59:30.000 --> 0:59:34.440
<v Speaker 1>like she's crazy? Cory says, it's research. One day Tapega

0:59:34.480 --> 0:59:35.960
<v Speaker 1>will be a mother and I'm going to be the

0:59:36.000 --> 0:59:36.720
<v Speaker 1>father or.

0:59:36.840 --> 0:59:41.200
<v Speaker 2>The uncle or the way I'm going the guy down

0:59:41.280 --> 0:59:42.640
<v Speaker 2>the street with the monocular.

0:59:43.640 --> 0:59:45.440
<v Speaker 1>I just want to be ready for whatever it is

0:59:45.480 --> 0:59:48.240
<v Speaker 1>I'm going to be, and I want to know the uncle.

0:59:48.800 --> 0:59:52.240
<v Speaker 1>What is happening here? Did he mean the same way

0:59:52.400 --> 0:59:55.240
<v Speaker 1>you guys are Uncle Will and Uncle Wryder? Or does

0:59:55.320 --> 0:59:57.360
<v Speaker 1>he mean he needs to again?

0:59:57.640 --> 1:00:02.160
<v Speaker 3>Eric might have a stranger the world.

1:00:02.840 --> 1:00:04.880
<v Speaker 4>Sean will have kids and he'll be like uncle.

1:00:05.240 --> 1:00:09.520
<v Speaker 3>Then the funkle, the right, the funkle right, the knuckle

1:00:09.560 --> 1:00:11.840
<v Speaker 3>funkle buncle flip flap knuckle.

1:00:12.160 --> 1:00:13.880
<v Speaker 1>Guys, guys, I was reading I was reading some of

1:00:13.960 --> 1:00:17.240
<v Speaker 1>our emails last night, and somebody wrote in there that

1:00:18.160 --> 1:00:21.120
<v Speaker 1>all they could think of during our phil Leads story was.

1:00:22.600 --> 1:00:29.840
<v Speaker 2>Nothing on your broccoli flaps, and I just I want

1:00:29.880 --> 1:00:32.160
<v Speaker 2>you to know that is ruined my night.

1:00:36.080 --> 1:00:37.920
<v Speaker 3>It also I ruined your broccoli.

1:00:38.880 --> 1:00:44.960
<v Speaker 4>Your funkleun on your broccoli flaps.

1:00:46.440 --> 1:00:55.680
<v Speaker 3>Oh god, oh that even hurt me with your broccoli flaps. Oh.

1:00:58.040 --> 1:01:00.400
<v Speaker 1>I tell you you know, you really you have to

1:01:00.560 --> 1:01:03.400
<v Speaker 1>You have to prepare yourself before you read our emails sometimes.

1:01:03.080 --> 1:01:04.800
<v Speaker 4>So we listen to podcast or.

1:01:08.280 --> 1:01:09.680
<v Speaker 3>Oh yikes.

1:01:21.520 --> 1:01:23.680
<v Speaker 2>Amy assures him, you learn from experience.

1:01:23.760 --> 1:01:25.760
<v Speaker 1>Your dad and I weren't prepared in advance, but we

1:01:25.880 --> 1:01:28.040
<v Speaker 1>did the best we could and we ended up raising

1:01:28.120 --> 1:01:31.800
<v Speaker 1>three wonderful, well adjusted children. Eric walks in right on

1:01:31.880 --> 1:01:35.520
<v Speaker 1>Q announcing, now I'm a maladjusted woman, hating loser freak.

1:01:35.760 --> 1:01:37.560
<v Speaker 2>Amy corrects herself. Okay, two.

1:01:38.120 --> 1:01:40.160
<v Speaker 1>Corey asks if Karina came out with a new song,

1:01:40.240 --> 1:01:43.560
<v Speaker 1>and again on cue, Morgan walks down the stairs singing

1:01:43.640 --> 1:01:45.200
<v Speaker 1>the new Corina song about.

1:01:45.120 --> 1:01:47.520
<v Speaker 3>Eric Ben and they couldn't hold it together when this

1:01:47.600 --> 1:01:49.760
<v Speaker 3>is and we talked to her about this when she

1:01:49.840 --> 1:01:52.320
<v Speaker 3>was on the podcast. We just every time she came

1:01:52.360 --> 1:01:54.600
<v Speaker 3>down singing. We don't know if it's because she committed

1:01:54.720 --> 1:01:57.760
<v Speaker 3>so hard and she's so it was so good, but

1:01:57.920 --> 1:01:59.760
<v Speaker 3>it was like then she come right in our ear,

1:01:59.840 --> 1:02:01.680
<v Speaker 3>and we just we couldn't hold it together. We could

1:02:01.720 --> 1:02:02.360
<v Speaker 3>not hold it together.

1:02:02.920 --> 1:02:04.439
<v Speaker 1>I could see it a little bit on your face,

1:02:04.760 --> 1:02:06.920
<v Speaker 1>and I remember when you guys talk to her about it.

1:02:08.080 --> 1:02:10.080
<v Speaker 1>And she then takes off her headphones to say, I

1:02:10.120 --> 1:02:13.640
<v Speaker 1>can't believe you're my brother. Ew Eric explains that this

1:02:13.800 --> 1:02:16.560
<v Speaker 1>is a very difficult situation. Karina is a sweet girl

1:02:16.640 --> 1:02:18.720
<v Speaker 1>with a great artistic spirit, and it would be wrong

1:02:18.800 --> 1:02:21.600
<v Speaker 1>to crush that. Morgan bursts back through the door, singing

1:02:21.680 --> 1:02:24.800
<v Speaker 1>the song, suggesting Eric might be gay. Eric, here's this

1:02:24.840 --> 1:02:28.120
<v Speaker 1>in yell's Okay, this chick is toast, and again, because

1:02:28.160 --> 1:02:31.560
<v Speaker 1>in nineteen ninety six, this is the worst insult you

1:02:31.640 --> 1:02:35.240
<v Speaker 1>could hurl at a teenage boy and also the most

1:02:35.360 --> 1:02:35.960
<v Speaker 1>common one.

1:02:36.320 --> 1:02:41.520
<v Speaker 4>Yeah right, everything about this is very ninety six.

1:02:41.720 --> 1:02:44.840
<v Speaker 2>Yeah it's ninety chick is toasted.

1:02:45.280 --> 1:02:46.680
<v Speaker 3>Yep, pretty much.

1:02:49.040 --> 1:02:51.640
<v Speaker 1>Alan then walks in and innocently asks you remember that

1:02:51.720 --> 1:02:53.400
<v Speaker 1>girl who was playing guitar in front of our store.

1:02:53.760 --> 1:02:57.400
<v Speaker 2>Eric sarcastically says, no, and I love the way you do.

1:02:57.640 --> 1:03:06.080
<v Speaker 4>Know you get away audience. Being this awful to Alan

1:03:06.120 --> 1:03:08.000
<v Speaker 4>would have been like whoa, dude, whoa? But we are

1:03:08.160 --> 1:03:09.080
<v Speaker 4>so on your side.

1:03:09.200 --> 1:03:10.760
<v Speaker 2>It's so good.

1:03:10.960 --> 1:03:11.000
<v Speaker 3>No.

1:03:11.600 --> 1:03:13.760
<v Speaker 1>Alan hands Eric a piece of paper she's looking for you.

1:03:14.120 --> 1:03:16.280
<v Speaker 1>Eric reads it and says she wants to meet me later.

1:03:16.400 --> 1:03:19.640
<v Speaker 1>I bet she wants to apologize. However, as the viewer,

1:03:19.760 --> 1:03:24.120
<v Speaker 1>we gather, I don't think this is the case. And

1:03:24.280 --> 1:03:28.320
<v Speaker 1>then they're at Chubbies because where else would they meet?

1:03:28.440 --> 1:03:29.080
<v Speaker 3>I ask you.

1:03:30.920 --> 1:03:33.080
<v Speaker 1>Eric is sitting waiting for Karina when we see an

1:03:33.200 --> 1:03:35.920
<v Speaker 1>edgy girl and all black walk down the stairs, and

1:03:36.160 --> 1:03:41.000
<v Speaker 1>this is such a cool reveal of her that she's

1:03:41.160 --> 1:03:47.280
<v Speaker 1>now just She looks at Eric with pure hatred. She

1:03:47.400 --> 1:03:49.880
<v Speaker 1>tells him, I'm surprised you had the guts to show up.

1:03:50.200 --> 1:03:52.560
<v Speaker 1>Eric snaps back, I'm surprised you're out when the sun

1:03:52.720 --> 1:03:53.000
<v Speaker 1>is up.

1:03:54.160 --> 1:03:54.760
<v Speaker 3>It's so good.

1:03:55.200 --> 1:03:57.920
<v Speaker 4>You know, something just occurred to me. This is a

1:03:58.000 --> 1:04:01.520
<v Speaker 4>great This is one of the like legendary Eric episode.

1:04:01.600 --> 1:04:06.600
<v Speaker 4>And interestingly, Eric is very smart. Oh yeah, is very quick,

1:04:07.040 --> 1:04:09.200
<v Speaker 4>very witty, Like that is a witty joke and like

1:04:09.640 --> 1:04:12.480
<v Speaker 4>suicide was it? Like you actually have it's a it's

1:04:12.480 --> 1:04:15.480
<v Speaker 4>a it's a It's a rare example of Eric working

1:04:15.720 --> 1:04:18.840
<v Speaker 4>very well as a smart character. Yeah you know what

1:04:18.880 --> 1:04:20.080
<v Speaker 4>I mean, Like I don't know.

1:04:20.480 --> 1:04:23.560
<v Speaker 3>It made me think like sarcastic, witty, that kind of yeah,

1:04:23.640 --> 1:04:26.480
<v Speaker 3>it's they we we hit this this tone for a

1:04:26.520 --> 1:04:29.080
<v Speaker 3>little while, and then I think it just cause again

1:04:29.120 --> 1:04:31.520
<v Speaker 3>I don't know where we're going. I kind of know

1:04:31.600 --> 1:04:36.040
<v Speaker 3>where we're going. But randomly, on the Instagram machine a

1:04:36.360 --> 1:04:39.200
<v Speaker 3>I was scrolling through and a clip popped up from

1:04:39.280 --> 1:04:43.760
<v Speaker 3>season seven of the when the Brothers hold a uh

1:04:43.920 --> 1:04:47.680
<v Speaker 3>uh garage sale, and I watched about ninety seconds of it,

1:04:47.760 --> 1:04:51.720
<v Speaker 3>and I was like, wow, Eric, I mean, it's it's

1:04:51.840 --> 1:04:52.680
<v Speaker 3>like cartoonish.

1:04:52.920 --> 1:04:54.680
<v Speaker 4>Yeah, you becoming so it's it's.

1:04:54.840 --> 1:04:57.880
<v Speaker 3>It's where where it's coming from here. To seeing that

1:04:58.080 --> 1:05:00.600
<v Speaker 3>in the same day was like, oh, it's too completely,

1:05:00.760 --> 1:05:02.360
<v Speaker 3>too completely different characters.

1:05:02.360 --> 1:05:05.720
<v Speaker 4>And I think episode to episode that's understandable. I'm just yeah,

1:05:05.720 --> 1:05:07.240
<v Speaker 4>I just wonder if we're going to be burned out

1:05:07.520 --> 1:05:09.640
<v Speaker 4>on it by season seven, you know where I do

1:05:09.760 --> 1:05:13.439
<v Speaker 4>think it becomes it becomes the like, especially once Jack

1:05:13.600 --> 1:05:18.040
<v Speaker 4>enters the show, Eric really does just become the absurdist.

1:05:19.160 --> 1:05:21.280
<v Speaker 3>I mean it's you know, YE was watching it. I

1:05:21.400 --> 1:05:23.880
<v Speaker 3>was like, Oh, it's really is a living cartoon character.

1:05:23.760 --> 1:05:25.560
<v Speaker 4>Right because right now we've been balancing it, you know,

1:05:25.600 --> 1:05:27.920
<v Speaker 4>we have the like his brain activity is not as

1:05:28.000 --> 1:05:31.560
<v Speaker 4>high as that mouth. And they have this episode and

1:05:31.680 --> 1:05:33.200
<v Speaker 4>you're kind of like, all right, it's.

1:05:33.160 --> 1:05:35.640
<v Speaker 3>You know, a moment to moment, but yeah, so much

1:05:35.720 --> 1:05:37.960
<v Speaker 3>like we were talking about how this is peak Danielle

1:05:38.320 --> 1:05:41.600
<v Speaker 3>but in her personal life as a character, this might

1:05:41.680 --> 1:05:44.680
<v Speaker 3>be peak Eric, right, like where he's kind of the

1:05:44.800 --> 1:05:48.120
<v Speaker 3>best will in a personal life that's down the line.

1:05:48.160 --> 1:05:49.840
<v Speaker 3>I haven't even come close to that yet. We're I'm

1:05:49.880 --> 1:05:52.320
<v Speaker 3>still attaining that because I've got so much growth to do,

1:05:52.480 --> 1:05:55.320
<v Speaker 3>because I'm awesome but about to get even more awesome.

1:05:57.000 --> 1:05:57.160
<v Speaker 4>Eric.

1:05:58.120 --> 1:06:01.160
<v Speaker 3>This I think might be kind of of like the

1:06:01.280 --> 1:06:02.720
<v Speaker 3>perfect wheelhouse.

1:06:02.280 --> 1:06:04.640
<v Speaker 1>Fair right, Yeah, where you've got a job, you've got

1:06:05.080 --> 1:06:06.360
<v Speaker 1>whip smart like wit.

1:06:06.960 --> 1:06:07.160
<v Speaker 6>Yeah.

1:06:07.480 --> 1:06:09.200
<v Speaker 4>I mean, I think we're just going to discover that

1:06:09.240 --> 1:06:10.720
<v Speaker 4>season four is the best.

1:06:12.200 --> 1:06:15.400
<v Speaker 7>I mean, so far, so good after another Like me,

1:06:15.600 --> 1:06:17.680
<v Speaker 7>I mean we said so many legendary you still have

1:06:17.720 --> 1:06:20.600
<v Speaker 7>the one. I think that the episode, all that stuff

1:06:20.640 --> 1:06:24.160
<v Speaker 7>is season yeah, right, I think Singled Out I think

1:06:24.240 --> 1:06:25.080
<v Speaker 7>is season four too.

1:06:25.160 --> 1:06:26.080
<v Speaker 3>When Chris Hardwick comes on.

1:06:26.120 --> 1:06:27.760
<v Speaker 1>I mean there's a lot that's I think the Nasir

1:06:27.840 --> 1:06:34.440
<v Speaker 1>Broccoli Week is Yeah, Phill leads kid, I remember, Yeah, it's.

1:06:36.200 --> 1:06:36.439
<v Speaker 3>Okay.

1:06:36.480 --> 1:06:38.800
<v Speaker 1>So Corina flips open a small notebook and writes down

1:06:38.880 --> 1:06:43.040
<v Speaker 1>mysterious vampire references from a pseudo angry man. Eric nervously

1:06:43.080 --> 1:06:45.439
<v Speaker 1>asks what she's doing. She says, I just write things

1:06:45.480 --> 1:06:47.960
<v Speaker 1>down from time to time. She says, so, uh, why

1:06:48.000 --> 1:06:50.040
<v Speaker 1>else don't you like me? And Eric admits, well, you're

1:06:50.080 --> 1:06:51.800
<v Speaker 1>making my life miserable. I just want you to cut

1:06:51.840 --> 1:06:54.800
<v Speaker 1>it out. Korinna opens the notebook up again. Mew meow

1:06:55.080 --> 1:06:57.280
<v Speaker 1>came the sound from the whining cat.

1:06:57.880 --> 1:06:59.920
<v Speaker 2>What else you got up to you?

1:07:00.280 --> 1:07:02.080
<v Speaker 4>It's it's a good choice to not have her with

1:07:02.160 --> 1:07:03.960
<v Speaker 4>the guitar in this one. Yeah, it would have been

1:07:04.000 --> 1:07:06.600
<v Speaker 4>too much, right, Yeah, it's like one because we already

1:07:06.640 --> 1:07:09.720
<v Speaker 4>had that that scene, multiple scenes with her like playing everything.

1:07:09.800 --> 1:07:11.920
<v Speaker 4>So to have her just writing it down very smart,

1:07:12.240 --> 1:07:14.400
<v Speaker 4>very smart writers part because it would have just and

1:07:14.480 --> 1:07:15.920
<v Speaker 4>you know, they had a draft where it had her

1:07:16.000 --> 1:07:19.120
<v Speaker 4>doing the guitar thing. Again. Really, let's pull it back.

1:07:19.240 --> 1:07:19.560
<v Speaker 2>It worked.

1:07:19.640 --> 1:07:19.800
<v Speaker 4>Yeah.

1:07:20.000 --> 1:07:20.200
<v Speaker 2>Yeah.

1:07:20.680 --> 1:07:22.800
<v Speaker 1>So Eric gets up to leave. He said his piece.

1:07:22.960 --> 1:07:24.640
<v Speaker 1>Karina jumps up to stop him. I know you've got

1:07:24.680 --> 1:07:26.360
<v Speaker 1>lots of anger. Yell at me, dump me, make me

1:07:26.440 --> 1:07:30.280
<v Speaker 1>feel bad. Eric pauses and realizes she's out of material.

1:07:30.640 --> 1:07:32.880
<v Speaker 1>Karina denies it but Eric knows that's why she had

1:07:32.920 --> 1:07:34.800
<v Speaker 1>to see him. She rolls her eyes. That's not true.

1:07:35.160 --> 1:07:37.600
<v Speaker 1>Eric continues, Uncle Dave needs some more angry songs, and

1:07:37.680 --> 1:07:39.880
<v Speaker 1>you don't have him. Karina assures him she's a very

1:07:39.960 --> 1:07:42.760
<v Speaker 1>dark and edgy girl. She has tons of songs. Eric asks,

1:07:42.920 --> 1:07:43.760
<v Speaker 1>you know what I see.

1:07:43.560 --> 1:07:46.080
<v Speaker 2>When you when I look at you dandelions.

1:07:46.600 --> 1:07:48.800
<v Speaker 1>Eric starts to push the tiny vase of dandelions on

1:07:48.880 --> 1:07:50.320
<v Speaker 1>the table closer and closer.

1:07:51.240 --> 1:07:54.160
<v Speaker 4>A little bigger. Even in the previous scene, I was like, wait,

1:07:54.200 --> 1:07:56.320
<v Speaker 4>what are they referencing? It just needs a little cartoon.

1:07:56.520 --> 1:07:58.240
<v Speaker 2>Must not have been dandelion's season.

1:07:58.680 --> 1:08:02.480
<v Speaker 3>Correct, And it's nice that there's fresh dandelions at Chubbubbies

1:08:02.960 --> 1:08:03.919
<v Speaker 3>on the table. Of course.

1:08:04.240 --> 1:08:06.960
<v Speaker 4>Of course, also for the first time, Chubbies is not

1:08:07.000 --> 1:08:13.160
<v Speaker 4>a counter service. Don't just check to trying something that week.

1:08:13.040 --> 1:08:17.920
<v Speaker 1>Were so pretty dandelions and flowers on a sunny day.

1:08:18.080 --> 1:08:20.440
<v Speaker 1>She stutters she doesn't want to look at the dandellions.

1:08:20.479 --> 1:08:23.200
<v Speaker 1>She'll lose her edge. Eric encourages her, I know your

1:08:23.280 --> 1:08:26.439
<v Speaker 1>true self. No, Karina insists, I'm a trouble twisted soul.

1:08:26.520 --> 1:08:28.840
<v Speaker 1>You know nothing about me. Eric starts to sing the

1:08:28.920 --> 1:08:31.680
<v Speaker 1>sun will come out tomorrow. Bet your bottom dollar that

1:08:32.120 --> 1:08:36.639
<v Speaker 1>when and Karina finishes Tomorrow. Karina breaks into full song

1:08:36.840 --> 1:08:39.080
<v Speaker 1>and Eric tries to leave, but she notices. He quickly

1:08:39.160 --> 1:08:40.720
<v Speaker 1>runs back to her and they sing the rest of

1:08:40.800 --> 1:08:45.160
<v Speaker 1>Tomorrow together, getting a loud applause from the audience. Lesha

1:08:45.400 --> 1:08:49.400
<v Speaker 1>came in hot. She knew everything about this character. She

1:08:49.720 --> 1:08:50.640
<v Speaker 1>totally nailed it.

1:08:51.000 --> 1:08:54.519
<v Speaker 3>So s this scene though, so where we record it.

1:08:54.600 --> 1:08:59.320
<v Speaker 3>We film it once and she like's kind of standing backstage.

1:08:59.360 --> 1:09:00.800
<v Speaker 3>We're talking about it and she walks up to me

1:09:00.840 --> 1:09:03.040
<v Speaker 3>and she's super serious and she's like, can I can

1:09:03.080 --> 1:09:05.519
<v Speaker 3>I talk to you about something? I was like, of course,

1:09:05.640 --> 1:09:09.560
<v Speaker 3>what what's going on? She's like, I didn't want to

1:09:09.560 --> 1:09:13.680
<v Speaker 3>say this, but you're starting the song too high a

1:09:13.800 --> 1:09:16.639
<v Speaker 3>pitch and I can't get there. Can you drop the note?

1:09:16.800 --> 1:09:18.920
<v Speaker 3>I was like, oh god, of course, of course, but

1:09:19.040 --> 1:09:21.280
<v Speaker 3>I thought i'd like done something raw. Like she was

1:09:21.360 --> 1:09:23.679
<v Speaker 3>so serious about it. She's like, yeah, it's just you're

1:09:23.760 --> 1:09:27.840
<v Speaker 3>you're starting a too high a note and I can't. Yeah,

1:09:27.960 --> 1:09:29.760
<v Speaker 3>so she's like, can you please started him up? And

1:09:29.840 --> 1:09:32.479
<v Speaker 3>it was like she felt bad about coming over and

1:09:32.600 --> 1:09:34.479
<v Speaker 3>asking me. I was like, of course, of course, Like

1:09:34.560 --> 1:09:41.559
<v Speaker 3>I seriously thought I'd done something stone face something.

1:09:41.760 --> 1:09:44.320
<v Speaker 4>Yes was do you remember if Ray Colecourt was on

1:09:44.479 --> 1:09:45.400
<v Speaker 4>set for any of this?

1:09:46.200 --> 1:09:50.880
<v Speaker 3>I don't. I do remember it was Michael who because

1:09:50.880 --> 1:09:53.519
<v Speaker 3>I think we both finished the song in one of

1:09:53.560 --> 1:09:56.280
<v Speaker 3>the takes and Michael's like, no, become the conductor. Do this.

1:09:58.200 --> 1:09:59.720
<v Speaker 3>He's like, you know, do something big like that.

1:09:59.800 --> 1:10:02.519
<v Speaker 2>So that was another Michael joke, got joke that you

1:10:02.640 --> 1:10:04.040
<v Speaker 2>doing that is so funny.

1:10:03.960 --> 1:10:06.800
<v Speaker 3>It's great, And that was all Michael. But the yeah,

1:10:07.040 --> 1:10:09.439
<v Speaker 3>I'll never forget that. I thought I'd done something so wrong.

1:10:09.560 --> 1:10:11.479
<v Speaker 3>And she was like, can you can you start the

1:10:11.560 --> 1:10:14.040
<v Speaker 3>note lower? Like, oh, God, of course, sorry, So that's

1:10:14.040 --> 1:10:14.960
<v Speaker 3>why I start with the son.

1:10:15.000 --> 1:10:17.040
<v Speaker 4>It'll come like down right, you're a little lower, right,

1:10:17.120 --> 1:10:17.960
<v Speaker 4>so she can go high.

1:10:19.120 --> 1:10:21.439
<v Speaker 1>Well, then we're back in the Matthews living room. Corey

1:10:21.560 --> 1:10:23.840
<v Speaker 1>is reading a bedtime story to Morgan. As to Pega

1:10:23.920 --> 1:10:27.080
<v Speaker 1>secretly walks in and observes he reads that night the

1:10:27.160 --> 1:10:29.240
<v Speaker 1>Purple Duck taught all his little friends to go to

1:10:29.280 --> 1:10:31.400
<v Speaker 1>bed early, to eat our green vegetables, and that there's

1:10:31.479 --> 1:10:34.479
<v Speaker 1>no reason to be afraid of the potty. Morgan notes

1:10:34.560 --> 1:10:36.920
<v Speaker 1>that little purple Duck is quite the overachiever, isn't he?

1:10:37.280 --> 1:10:38.920
<v Speaker 1>Corey tells her it's time to go to bed. Now

1:10:38.960 --> 1:10:41.800
<v Speaker 1>go brush your teeth. Morgan fights back, Billy Epperson said

1:10:41.840 --> 1:10:43.400
<v Speaker 1>at his house, you let him stay up late and

1:10:43.439 --> 1:10:46.240
<v Speaker 1>watch TV. Corey asks, have we learned nothing from the

1:10:46.280 --> 1:10:48.439
<v Speaker 1>Purple Duck? Morgan pouts, You're just making me go to

1:10:48.520 --> 1:10:50.960
<v Speaker 1>bed because i'm your sister. Corey tells her, no, I'm

1:10:50.960 --> 1:10:52.760
<v Speaker 1>making you go to bed because i'm your brother and

1:10:52.920 --> 1:10:55.360
<v Speaker 1>I love you. Morgan leans in and kisses Corey on

1:10:55.400 --> 1:10:59.160
<v Speaker 1>the cheek before retreating upstairs to Panga, who's been watching

1:10:59.320 --> 1:11:02.439
<v Speaker 1>like a creep the whole time, is smiling when Corey

1:11:02.560 --> 1:11:05.000
<v Speaker 1>finally notices her, did you come over to yell at

1:11:05.040 --> 1:11:07.600
<v Speaker 1>me some more? She says no, she heard he was babysitting,

1:11:07.680 --> 1:11:10.639
<v Speaker 1>so she thought she'd bring him some tacos. Corey hesitantly

1:11:10.680 --> 1:11:12.680
<v Speaker 1>asks if this is a trap to Pega says she

1:11:12.760 --> 1:11:15.760
<v Speaker 1>just figured it. Empty house, cozy couch, dangerous me, and

1:11:15.880 --> 1:11:18.840
<v Speaker 1>maybe you. Corey says, before he lowers his shields, he

1:11:18.920 --> 1:11:21.240
<v Speaker 1>wants to know what made Topanga change her mind. She

1:11:21.400 --> 1:11:25.040
<v Speaker 1>admits she just thought she just thought about it.

1:11:25.880 --> 1:11:31.599
<v Speaker 2>On camera, that we're young, so we're not having kids

1:11:31.680 --> 1:11:34.400
<v Speaker 2>for a while, and maybe by the time we do,

1:11:35.120 --> 1:11:38.920
<v Speaker 2>you'll be a pretty good dad. So it's a novel process.

1:11:39.240 --> 1:11:41.599
<v Speaker 2>She just thought about it. Off camera.

1:11:42.280 --> 1:11:44.840
<v Speaker 1>Corey agrees he'll be a great dad because because kids

1:11:44.920 --> 1:11:47.519
<v Speaker 1>respect him. As he's saying this, Morgan has made her

1:11:47.560 --> 1:11:49.920
<v Speaker 1>way downstairs and is sneaking all of her little friends

1:11:49.960 --> 1:11:52.880
<v Speaker 1>in through the front door. Corey continues his speech, oblivious

1:11:52.880 --> 1:11:56.400
<v Speaker 1>to the kids. He calls himself mister discipline. As Topanga

1:11:56.479 --> 1:11:59.280
<v Speaker 1>points toward the stairs, Corey sees what's happening and says,

1:11:59.560 --> 1:12:00.519
<v Speaker 1>so we will have kids.

1:12:02.640 --> 1:12:03.800
<v Speaker 2>And then we're in the.

1:12:03.880 --> 1:12:07.200
<v Speaker 1>Tag at the Wilderness store. Eric is tagging items as

1:12:07.240 --> 1:12:09.559
<v Speaker 1>the radio plays in the background, and then we hear tagging.

1:12:09.640 --> 1:12:10.440
<v Speaker 3>In the tag.

1:12:15.200 --> 1:12:17.880
<v Speaker 1>We hear announcer voice, We've got the latest single by

1:12:17.920 --> 1:12:20.920
<v Speaker 1>that angry young lady, Corina Collins who's taken the country

1:12:20.960 --> 1:12:23.360
<v Speaker 1>by storm. I haven't heard this one yet. It's called

1:12:23.640 --> 1:12:28.719
<v Speaker 1>Fuzzy Wuzzy whoa. The song starts to play, and it's official.

1:12:28.880 --> 1:12:32.679
<v Speaker 1>Coriina has completely lost her edge. She's singing about wanting

1:12:32.720 --> 1:12:35.800
<v Speaker 1>to cuddle a boy. The DJ cuts it almost immediately. Wow,

1:12:36.000 --> 1:12:36.559
<v Speaker 1>that's bad.

1:12:36.840 --> 1:12:37.400
<v Speaker 3>She is over.

1:12:38.000 --> 1:12:41.680
<v Speaker 1>Eric laughs maniacally as he finishes tagging his items.

1:12:43.400 --> 1:12:45.479
<v Speaker 4>So great, it was great.

1:12:45.840 --> 1:12:51.920
<v Speaker 3>It is season four, season hot way hot Yeah, Hot

1:12:51.960 --> 1:12:53.000
<v Speaker 3>hot hot Yeah.

1:12:54.000 --> 1:12:55.960
<v Speaker 1>Well, thank you all for joining us for this episode

1:12:55.960 --> 1:12:59.120
<v Speaker 1>of podmets World. Please join us for our next episode recap,

1:12:59.160 --> 1:13:02.960
<v Speaker 1>which will be season for episode six, Janitor Dad. It

1:13:03.080 --> 1:13:06.479
<v Speaker 1>originally aired October twenty fifth, nineteen ninety six, on.

1:13:06.600 --> 1:13:10.040
<v Speaker 4>Episode Yeah, and we just keep alternating Eric Sean, Eric,

1:13:10.120 --> 1:13:11.120
<v Speaker 4>show Sean.

1:13:11.600 --> 1:13:16.200
<v Speaker 1>It's really really good, And then little announcement. Pod Meets

1:13:16.280 --> 1:13:20.040
<v Speaker 1>World now has an official TikTok account.

1:13:20.560 --> 1:13:22.639
<v Speaker 3>You're welcome Rider, You're welcome writer.

1:13:22.760 --> 1:13:28.280
<v Speaker 1>Our official TikTok account is pod meets World Show. There

1:13:28.400 --> 1:13:33.439
<v Speaker 1>is another TikTok account that is maybe pretending to be official,

1:13:33.520 --> 1:13:36.840
<v Speaker 1>but tis not ours is podmeets World Show. As always,

1:13:36.880 --> 1:13:39.000
<v Speaker 1>you can follow us on Instagram pod Meets World Show.

1:13:39.040 --> 1:13:41.120
<v Speaker 1>You can send us your emails pod meets World Show

1:13:41.240 --> 1:13:42.240
<v Speaker 1>at gmail dot com.

1:13:42.439 --> 1:13:44.759
<v Speaker 2>And we have merch merch.

1:13:45.040 --> 1:13:47.080
<v Speaker 3>For the love of God, will someone bring me the merch.

1:13:48.479 --> 1:13:51.519
<v Speaker 3>I was gonna do merch flap, but I figured that

1:13:51.680 --> 1:13:54.800
<v Speaker 3>was good. Oh my.

1:13:56.520 --> 1:13:59.880
<v Speaker 2>Podmeets Worldshow dot com will send us out.

1:14:00.479 --> 1:14:04.559
<v Speaker 3>We love you all. Pod dismissed Podmets World is niheart

1:14:04.640 --> 1:14:08.040
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1:14:08.080 --> 1:14:12.000
<v Speaker 3>Strong Executive producers, Jensen Carp and Amy Sugarman, Executive in

1:14:12.080 --> 1:14:16.719
<v Speaker 3>charge of production, Danielle Romo, producer and editor, Tara sudbachsch producer,

1:14:16.840 --> 1:14:20.040
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1:14:20.280 --> 1:14:22.400
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1:14:22.479 --> 1:14:24.880
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