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Speaker 1: So before we jump into today's episode, we have an email.

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Speaker 1: Lauren M writes in that she is a huge fan

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Speaker 1: of both the pod and the show after rewatching episode

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Speaker 1: four point two, in which Eric is dreaming about Spanish baseball.

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Speaker 1: And I'm sure other eagle eyed fans caught this before,

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Speaker 1: but I realize.

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Speaker 2: The boys constantly switch beds.

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Speaker 3: We've had this conversation, I think before. Do they actually

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Speaker 3: switch beds? Well?

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Speaker 1: Yes, because if you'll remember the episode when you were

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Speaker 1: with you had the Nancy Kerrigan episode, you were in

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Speaker 1: the upstage bed, right, and then also.

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Speaker 3: Corey, yeah, there's a box. Corey, there's a box on

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Speaker 3: your face. I think was in the other bed.

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Speaker 4: He do, yes.

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Speaker 1: And then in this one where you wake up with

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Speaker 1: the Spanish base bowl, you're in the other bed.

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Speaker 2: So you're in the downstage bed for that one.

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Speaker 1: So she said, we all know consistency is not a

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Speaker 1: Boy Meets World strong point, but would you guess this

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Speaker 1: was purely a camera blocking issue. The set design needed

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Speaker 1: to be updated as well, which means the bedroom set

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Speaker 1: was always evolving.

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Speaker 2: And yes, it's just a blocking thing.

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Speaker 3: I remember Ben and I having that conversation on set,

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Speaker 3: being like, wait, a second, weren't you in that bed

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Speaker 3: last time? I don't know, I think, and we couldn't remember.

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Speaker 3: I think I was in this bed. I think you

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Speaker 3: were in that bed. Yeah, it just kind of became

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Speaker 3: much like the Little Sisters on your show or whatever

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Speaker 3: we needed.

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Speaker 4: Are we going to see the bedroom that much more? Like?

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Speaker 4: I don't remember it.

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Speaker 3: I can think of two more scenes where we definitely

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Speaker 3: see the bedroom cellar.

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Speaker 4: Oh, chick like me, chicklick me into the bed, okay.

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Speaker 3: And I know there's one where Eric leaves and comes

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Speaker 3: back and kicks in the door when there's now one

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Speaker 3: bed in there. Corey thinks it's just his room. So

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Speaker 3: I remember that. But towards the end, I don't know

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Speaker 3: how much monaw the bedroom.

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Speaker 4: Why do you think Corey and Eric are switching beds?

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Speaker 3: I think it's just they were so drunk by that point.

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Speaker 3: Wherever they passed out, that's where they landed exactly. Corey

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Speaker 3: was a big drinker. A lot of people didn't know

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Speaker 3: that about not.

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Speaker 1: Ben, whoever had the most to drink that day, got

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Speaker 1: the bed closest.

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Speaker 3: To the bath, closest to the bath exactly. Now, it

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Speaker 3: was just the camera thing. It's like all right, Yeah,

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Speaker 3: this is your bed today.

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Speaker 1: Yeah, it's so funny because I am such a creature

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Speaker 1: of habit. Even when I'm in a hotel room by myself,

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Speaker 1: I have to sleep on my.

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Speaker 3: Same side of the absolutely right or not?

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Speaker 2: You you just don't care.

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Speaker 4: No, I don't think the middle. I definitely, like have noticed,

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Speaker 4: I still gravitate to us side, but there's no like regularity.

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Speaker 3: Have you ever dated a person who slept on your

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Speaker 3: side of the bed and after the first time you

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Speaker 3: shared a bed, you're like, this isn't gonna.

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Speaker 4: Work, not gonna work. So you have the same side

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Speaker 4: of the bed no matter who you're dating. Yeah, I

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Speaker 4: have my side side of the way since you were

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Speaker 4: a child or since like.

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Speaker 3: Oh, I didn't date that many people as a child,

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Speaker 3: But I don't understand how many.

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Speaker 2: I'm betting the night at your house when you were.

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Speaker 3: Seven, Well, yeah, exactly. I got around at seven, Okay,

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Speaker 3: I did.

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Speaker 4: At some point, At some point you were old enough

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Speaker 4: to have your own Queen's eye bed or whatever double

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Speaker 4: sized bed, and you picked a side at that point

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Speaker 4: and haven't adjusted no matter what.

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Speaker 2: Yeah, yeah, I think.

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Speaker 4: That's what if What if the person like your partner

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Speaker 4: what if Susan came into your life and was like,

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Speaker 4: well no, just as insistent that this is.

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Speaker 3: Her, So it'd never been been a great first and

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Speaker 3: second date and then and then we both would have

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Speaker 3: shook hands and.

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Speaker 4: Been on her way.

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Speaker 2: Too bad, this didn't work out, And sorry, this didn't.

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Speaker 3: Work out, Sarah.

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Speaker 2: I do.

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Speaker 1: I don't remember if I have ended up going back,

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Speaker 1: but I do, And it may have even been with Jensen.

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Speaker 1: I do know at one point there was a situation

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Speaker 1: where somebody was very much like, well, this is my

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Speaker 1: side of the bed, and I was kind of like, well,

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Speaker 1: that's also my the bed.

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Speaker 5: And so what are we gonna do here, and then

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Speaker 5: being like somebody's gonna be compromise. Yeah, being at the

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Speaker 5: beginning of a relationship like it's okay, I'll just I'll

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Speaker 5: just sleep on the side of the bed. And then

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Speaker 5: I don't I think I just got used to that

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Speaker 5: side and maybe now that's oh no, Jensen just wrote

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Speaker 5: I switched sides.

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Speaker 4: Somebody. I think both of you guys are just domineering

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Speaker 4: and you're very partners. Yeah, we're like, okay, I guess

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Speaker 4: we this is an argument I'm not gonna win. I'll

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Speaker 4: just go to the other side of the bed.

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Speaker 3: Yeah.

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Speaker 4: Yeah, that's the window into your lives.

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Speaker 3: Okay, it doesn't have to be my way. You just

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Speaker 3: don't have to do it.

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Speaker 4: Just worked out my life. It's always worked out everywhere.

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Speaker 4: There's always more right. I don't know what you're talking about.

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Speaker 4: Consider another person, guys, partner, I just can't.

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Speaker 3: I consider her from my left works.

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Speaker 2: Wow.

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Speaker 1: Will and I also have a no touching rule while sleeping.

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Speaker 2: You do stay on your side of the bed.

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Speaker 4: Just get married, just like get married, make a sick together,

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Speaker 4: make America happy.

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Speaker 3: We both be on the same side of the bed.

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Speaker 4: You're not touching each other. You'd each have their own

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Speaker 4: beds with one side you know sleep.

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Speaker 1: Will and I have a deal breaker. I already tell

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Speaker 1: you why our marriage doesn't work. I cannot and will

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Speaker 1: not sleep.

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Speaker 3: With a TV on, and I cannot and will not

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Speaker 3: sleep without the TV.

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Speaker 2: So nice knowing you will, yes, sir, exactly.

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Speaker 3: Great means Darnel's not gonna work out.

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Speaker 2: Welcome to Bond Meets World.

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Speaker 1: I'm Danielle Fischel, I'm rather strong, and I'm wil for do.

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Speaker 1: Today we are recapping season four, episode five, Shallow Boy.

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Speaker 1: It originally aired October eighteenth, nineteen ninety six. The synopsis

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Speaker 1: Eric starts dating a highly optimistic musician, but her constant

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Speaker 1: perkiness starts to annoy him. After it, Eric Dumpster, he

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Speaker 1: finds himself the topic of a scathing hit song on

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Speaker 1: the radio. Meanwhile, Topanga does not like Corey's habit of

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Speaker 1: being pals with kids instead of parenting them. It was

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Speaker 1: directed by Jeff McCracken. It was written by Jeff Sherman.

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Speaker 1: It's a musical episode, so we should be shocked there

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Speaker 1: before I jump into the guest stars. Do you guys

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Speaker 1: want to say any overall thoughts.

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Speaker 4: I mean, it's a classic episode. Yeah, pretty. You know,

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Speaker 4: my expectations were actually a little high. Really, I agree,

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Speaker 4: and because we had been talking about this one. And

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Speaker 4: here's what I'll say, Like, there are probably two I mean,

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Speaker 4: the Will's performance just takes her performance like there are

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Speaker 4: like two scenes with her and Chubby's where the two

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Speaker 4: of you just are so good. And then I would

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Speaker 4: say that the scene with Ben and the kid are

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Speaker 4: is hysteric like some of the best scenes. And but

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Speaker 4: then over overall it's actually a pretty It was more

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Speaker 4: predictable than I kind of remembered like that makes sense,

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Speaker 4: but maybe because I just I don't know, my expectations.

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Speaker 3: Were a little hot.

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Speaker 4: But it's it's very tidy. I guess it is my

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Speaker 4: only criticism.

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Speaker 3: It's a very sitcom episode. Yeah, but I kind of

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Speaker 3: like it. And for the first time though serious topanga

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Speaker 3: red flags, I know.

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Speaker 4: Yeah, the Pig episode two, Pig episode two.

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Speaker 2: Yeah, the episode was there and it was weird.

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Speaker 4: It was like, oh, we're playing on the like psychoanaggyman.

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Speaker 2: I know.

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Speaker 4: I was like, and then it doesn't. It changes kind

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Speaker 4: of for no reason, like you just show up.

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Speaker 2: And everything's open at the end. It's like I just

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Speaker 2: thought about it.

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Speaker 3: Yeah, but there's aapanga, some topanga red flags there. You know.

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Speaker 4: It's funny though, I imagine if you were sitting at

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Speaker 4: home on Friday night and you were just waiting for

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Speaker 4: a normal episode of Boy Meets World like this one

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Speaker 4: would blow your mind. Like the whole notion of a

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Speaker 4: girl singing and the song is because we knew what

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Speaker 4: to expect, we remembered the story. It did feel a

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Speaker 4: little like we could see the mechanics clicking in place

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Speaker 4: a little too. But I bet you if you didn't know.

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Speaker 4: If you just watched this blind, it's brilliant. It was great.

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Speaker 1: Yeah, I agree it I didn't remember the storyline.

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Speaker 2: I didn't.

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Speaker 1: I didn't remember. I didn't. I didn't remember it. I

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Speaker 1: still saw where it was going.

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Speaker 2: It was all I know. Yeah, yeah, I know exactly

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Speaker 2: what's gonna happen here. Yeah. But I loved it and

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Speaker 2: it was so fun.

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Speaker 1: And sometimes we have had issues when a major storyline

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Speaker 1: is given to a character we know we're never going

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Speaker 1: to see again. But in this case, I love it.

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Speaker 1: It's so it worked so well. It was really fun.

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Speaker 1: And Shesha Haley, she is just incredible.

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Speaker 4: How this episode without somebody of that talent. I mean, like,

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Speaker 4: this episode doesn't work unless.

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Speaker 2: You have her, like first TV job.

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Speaker 3: Ever, Yeah I remember that.

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Speaker 2: Ever, it was into unbelievable.

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Speaker 3: This was also one of the episodes for me, which

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Speaker 3: we've now had a couple, where I didn't realize that

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Speaker 3: two kind of famous storylines were in the same episode.

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Speaker 3: I didn't because the whole bend thing with them, they're

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Speaker 3: trying to kill it, They're trying to kill I didn't

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Speaker 3: know that was the shallow Boy episode.

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Speaker 4: But that's what you remember, is that one that okay,

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Speaker 4: that one exchange, which is like one of the best

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Speaker 4: meta exchanges boy Bets World has ever ever. I don't

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Speaker 4: remember why he was babysitting. I don't remember anything. I

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Speaker 4: just remember that exchange, and like so I didn't remember

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Speaker 4: the rest of the story.

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Speaker 2: I didn't know.

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Speaker 3: That any episode. I didn't know this was that was this?

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Speaker 3: E Now I have a question for you before we

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Speaker 3: jump in, So we now know the show is at

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Speaker 3: nine thirty instead of eight thirty, right, were there any

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Speaker 3: more because I looked for this and couldn't find any.

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Speaker 3: Were there any more quote unquote adult jokes that you

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Speaker 3: could find with the hour later in the in the I.

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Speaker 1: Mean only a lot of the stuff about having a baby,

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Speaker 1: yeah baby.

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Speaker 4: Yeah, like that we've only kissing.

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Speaker 3: So there was more sexual talk in this one, and

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Speaker 3: that's the only thing I noticed. But there was never

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Speaker 3: like a double entonjoorn innuendo. I was waiting for that, like, okay, let's.

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Speaker 4: See, well, but the show is going to get older,

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Speaker 4: because don't we talk about sex like from season on

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Speaker 4: the lines losing his virginity and yeah, so I think

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Speaker 4: we're just aging with our characters more than the time slot.

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Speaker 3: I wonder though if you can get I think you

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Speaker 3: could probably get away with more at nine thirty than

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Speaker 3: you candidate thirty. Right, not a thing.

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Speaker 4: Part of TG. I you don't think the whole point.

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Speaker 3: Wasn't hanging with mister Cooper just basically a porn. I

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Speaker 3: never saw it. I could be wrong.

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Speaker 2: I think you're wrong. I think you're wrong.

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Speaker 1: One now I feel awful, but I don't remember. How

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Speaker 1: is it Leisha or Leisha? I think it's Lisha, Lisha Haley,

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Speaker 1: Lisha Haley.

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Speaker 2: That's what I thought too, Okay, So I'm gonna say

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Speaker 2: Lesha Haley. And if we end up discovering.

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Speaker 1: It's the wrong way, yeah, go back in and we

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Speaker 1: can add it in Laisia.

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Speaker 2: Because because when I really liked exactly, we'll go back

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Speaker 2: and do that.

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Speaker 1: So guest starring Leisha Haley as Corina Collins, and I,

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Speaker 1: like I mentioned, I cannot believe this is her first

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Speaker 1: job on TV. She would go on to star in

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Speaker 1: the L Word and appear on Bosh, Silicon Valley and The.

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Speaker 2: L Word Reboot Generation Q.

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Speaker 3: We have also an awesome band, remember the ban you

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Speaker 3: bought me, You bought me the Murmurs album. He's in

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Speaker 3: a band called the Murmurs, and you bought me the

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Speaker 3: album one day and I still listen to it. Literally, yep.

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Speaker 1: I can't wait to talk to her about that. And

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Speaker 1: then we have Devin O'Brien as Missus Epperson. She appeared

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Speaker 1: in the nineteen eighty three film Terms of Endearment, and

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Speaker 1: then film Yes, Zach Pfeiffer as mister Epperson, who made

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Speaker 1: some interesting choices. He's a bit of a Hollywood journeyman,

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Speaker 1: having appeared on Moonlighting, Perfect Strangers, and Murphy Brown and

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Speaker 1: in movies like Get Shorty Adams, Family Values, and Romy

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Speaker 1: and Michelle's High School Reunion. And then Jonathan Ausser as

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Speaker 1: Billy Epperson. He played a young Adam Sandler in the

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Speaker 1: movie Anger Management and appeared in the very weird Todd

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Speaker 1: Solan's movie Storytelling He's So Good. And then Jack Grayman

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Speaker 1: as Bum. He only has three credits, and the only

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Speaker 1: other one I recognized.

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Speaker 2: Was as cop On Seinfeld. All right, so jumping into

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Speaker 2: our recap, we start in the wilderness outpost. We see

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Speaker 2: the exterior, some more money they threw our way, and

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Speaker 2: we see a girl in a large hat is playing

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Speaker 2: the guitar. And singing outside and Eric is intrigued.

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Speaker 4: Now, this exterior is clearly not linked to the interior,

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Speaker 4: right because they had the window covered. Because I was

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Speaker 4: trying to imagine, is like where was this on our set?

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Speaker 4: It was like, Oh, they just built this. And then

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Speaker 4: you have to like slide into the door so you

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Speaker 4: can't actually see inside.

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Speaker 3: And the sign actually says Matthews, which I liked. It

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Speaker 3: was the Matthews Wilderness Store, which is nice. Yep, but yeah,

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Speaker 3: it was certainly a swing set m M. And then

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Speaker 3: she has the fake kind of keeping her head down

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Speaker 3: down the entire time. Yeah, do you guys.

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Speaker 4: Remember when she showed up at the table read, yes,

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Speaker 4: with her absolutely, she don't know to every song this

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Speaker 4: week before the table read, so she had lyrics, so

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Speaker 4: they in the script Sherman had only written lyrics for her,

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Speaker 4: and she showed up with a guitar and wrote had

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Speaker 4: written every song, and I swear to god, it didn't change.

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Speaker 4: She showed up and had what eight eight nine different

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Speaker 4: songs written to the lyrics and it was perfect.

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Speaker 3: And the all acoustic act, you know.

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Speaker 2: What's even crazier.

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Speaker 1: One of the reasons she got this job, aside from

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Speaker 1: the fact that she's incredible is probably because by the

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Speaker 1: time she went into the audition, she had already written

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Speaker 1: the song to whatever those sides you must have.

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Speaker 4: Yeah, I don't know what this. I would love to

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Speaker 4: ask Sherman about this. I'm sure she showed up and

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Speaker 4: sang a cappella in the audition. I don't know. But

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Speaker 4: but when at the table head, I just remember we

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Speaker 4: were all like, oh, we have all on episode because

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Speaker 4: of her, because she just had taken these lyrics and

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Speaker 4: I mean it's not like super complicated, but it works perfect.

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Speaker 3: I wonder if she did audition because I remember distinctly

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Speaker 3: hearing a story that I think it was Sherman and

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Speaker 3: Nelson and Blutman might have been there too, went to

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Speaker 3: a Murmurs concert specifically to see her. I don't know

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Speaker 3: if this was before or after that.

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Speaker 4: You can't assume that somebody can ask based.

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Speaker 3: I don't know's hear the story.

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Speaker 4: Yeah, she must have auditioned because she was great well.

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Speaker 1: A panhandler and ragged closed next to her begs Eric

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Speaker 1: to make.

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Speaker 4: It stuck a bum.

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Speaker 1: Sorry, you're right, it's a bum. I was gonna say,

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Speaker 1: an unhoused human.

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Speaker 3: No, it's the nineties. They're a boom boom.

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Speaker 1: Eric finds the comment disturbing and throws some money into

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Speaker 1: the girl's guitar case. She continues singing that a handsome

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Speaker 1: passerby tosses me a twenty dollars bill. Eric smiles at

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Speaker 1: the handsome passerby compliment, but when he hears twenty dollars bill,

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Speaker 1: he realizes he's made a mistake and quickly takes the

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Speaker 1: money back.

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Speaker 2: I just love.

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Speaker 1: Eric walks into the store, and as the girl continues

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Speaker 1: to sing outside, Alan begs Eric to close the door.

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Speaker 1: Eric jokes, a little too perky for you out there

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Speaker 1: this morning we hear a new song.

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Speaker 2: It's a lollipop day, a jolly Wally Molly Dolly.

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Speaker 1: Eric finally closes the door and Alan complains, no one's

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Speaker 1: coming in here.

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Speaker 2: She's scaring all the customers away.

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Speaker 1: Eric asks, would you rather have the smelly old guy

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Speaker 1: who used to s spit on people? And without hesitation,

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Speaker 1: Alan says, yeah, get him and get rid of her.

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Speaker 1: Eric asks why he has to do this, and Alan responds,

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Speaker 1: because we're equal partners in this business, and I'm your father,

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Speaker 1: and you do what I tell you to do, which

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Speaker 1: I love. I love that now we're already like. I

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Speaker 1: love how this completely ties in, reminds the audience, Hey,

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Speaker 1: Eric's a partner in this, this is actually their business together.

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Speaker 1: But then I also love the very like just that's

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Speaker 1: exactly what happens with parents, is that at a certain

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Speaker 1: point they go, I don't care you're doing it because

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Speaker 1: I said so, I said.

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Speaker 3: This is so. I distinctly remember this was kind of

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Speaker 3: the start of Rusty and I bonding as actors and

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Speaker 3: as people. Was the Wilderness Store, because all of a

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Speaker 3: sudden we were together every week. We're in that Wilderness

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Speaker 3: Store for most of this season.

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Speaker 4: I mean, and you've said that before. I remember talking

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Speaker 4: about that when when we first started this podcast, that

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Speaker 4: you didn't connect with Rusty until the last seasons.

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Speaker 3: Until the later scenes, and this is where it really

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Speaker 3: started to happen. I don't think, and again I don't.

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Speaker 3: I don't blame him because I didn't really know what

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Speaker 3: I was doing. I don't think he respected me much

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Speaker 3: as an actor when we started, and again I was

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Speaker 3: the cardboard cutout prop where I'd walk in and Chris

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Speaker 3: I was very stiff and girls girls, and didn't do

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Speaker 3: anything with the with you know, to make it my own,

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Speaker 3: and I think he started to notice that I was

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Speaker 3: growing as an actor. And then we were together and

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Speaker 3: we were playing off of each other, and at that

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Speaker 3: point then it was just smooth sailing. But this is

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Speaker 3: really where it started, was all the Wilderness store stuff,

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Speaker 3: so this is important.

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Speaker 1: Eric walks outside to do the deed, but as he's

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Speaker 1: about to break the news, she looks up and he

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Speaker 1: sees her beautiful face. He immediately joins her in singing

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Speaker 1: the last line of her song and I feel good,

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Speaker 1: and he gives her all of his money. Eric walks

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Speaker 1: back into the store and Alan asks if it's done,

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Speaker 1: but Eric admits, of course it's not done.

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Speaker 2: I mean, do you know me at all?

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Speaker 1: Alan knowingly says she smiled at you, and Eric acts

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Speaker 1: out her smile, saying, geh.

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Speaker 3: Such a Michael Jacobs.

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Speaker 4: The few times I could see you doing a ready, yeah,

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Speaker 4: old joke, got it? Deliver it, yep, because you wouldn't

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Speaker 4: have done it that way.

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Speaker 3: You would have.

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Speaker 2: So get ahead, yeah, because you know I wrote in

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Speaker 2: the script and.

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Speaker 4: You were like, what am I supposed to?

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Speaker 3: Yeah? And Michael, just right when I saw it, I

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Speaker 3: was like, oh, yep, yep.

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Speaker 1: Alan size and tells Eric to take her to lunch

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Speaker 1: and ask her to take her act further down the road.

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Speaker 1: He questions, can you handle that? Eric scoffs cannot handle that? Yeah,

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Speaker 1: I can handle that or fail to do so. But

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Speaker 1: I'm gonna need some money, so can you give me some?

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Speaker 1: Because I gave her all of mine and it just

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Speaker 1: sets this whole episode up absolutely perfectly.

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Speaker 3: I want that scene back. As an actor, you know,

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Speaker 3: you watch and I don't think it was bad. But

390
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Speaker 3: as an actor, you watch and you're like, in my head,

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Speaker 3: I missed nine jokes. So I'm like, oh, I want

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Speaker 3: to go back and do that again. That's just how

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Speaker 3: I am. It's like I want to go back and

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Speaker 3: do it again.

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Speaker 4: So that's this episode bad. This is This is like

396
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Speaker 4: the Olympics of sitcom acting. Watching this this No, it's amazing.

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Speaker 4: I mean here, I was thinking about watching the episode, Like,

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Speaker 4: what what defines sitcom or I mean comedy acting in general.

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Speaker 4: With sitcom in particular, is the ability to commit and transition.

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Speaker 4: So like the ability to do commit to something one

401
00:18:12,080 --> 00:18:15,280
Speaker 4: hundred percent for like two lines one line, half the line,

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00:18:15,520 --> 00:18:19,160
Speaker 4: and then transition to a completely different beat and commit

403
00:18:19,240 --> 00:18:21,720
Speaker 4: to that and to bring the audience along with you,

404
00:18:21,880 --> 00:18:24,520
Speaker 4: and you do that beat to beat line the line.

405
00:18:24,560 --> 00:18:27,720
Speaker 4: It's miraculous, It's like, and it's so hard to do

406
00:18:27,880 --> 00:18:30,600
Speaker 4: because as an actor like you know you, it's hard

407
00:18:30,640 --> 00:18:33,080
Speaker 4: to keep the energy level up that high and to

408
00:18:33,160 --> 00:18:36,000
Speaker 4: go from like happy to sad to singing to not

409
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Speaker 4: to you know, and you are doing that in every scene,

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00:18:39,000 --> 00:18:43,040
Speaker 4: every line. It's it's remarkable, will it. So you've clearly

411
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Speaker 4: just achieved, you know, your status as a sitcom actor

412
00:18:46,480 --> 00:18:47,800
Speaker 4: by this point. It's so great.

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Speaker 3: We should do this every week. Great way to wake

414
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Speaker 3: up in the morning.

415
00:18:52,080 --> 00:18:55,840
Speaker 2: Geez. And then we're in Phoenie's classroom. Been a while

416
00:18:56,000 --> 00:18:57,040
Speaker 2: since Phoene.

417
00:18:59,600 --> 00:19:02,439
Speaker 4: Also, we reiterate all of our characters like in a row.

418
00:19:02,600 --> 00:19:05,880
Speaker 4: It's like literally like shawl.

419
00:19:06,040 --> 00:19:11,040
Speaker 2: You guys a little harder to Penga. But I know everything.

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Speaker 6: I know.

421
00:19:13,240 --> 00:19:16,040
Speaker 4: What is wrong with your voice, though, Danielle, I notice

422
00:19:16,520 --> 00:19:16,960
Speaker 4: I don't know.

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00:19:18,680 --> 00:19:19,040
Speaker 3: What it was.

424
00:19:19,600 --> 00:19:22,160
Speaker 4: What it was if you sounded so different the second

425
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Speaker 4: you started talking.

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Speaker 2: I was like, well, it could have been. It could

427
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Speaker 2: have been particularly a week that I was told to

428
00:19:29,200 --> 00:19:33,439
Speaker 2: change my voice. Note, Oh, maybe it could have been.

429
00:19:33,480 --> 00:19:34,560
Speaker 2: It could have been one of the weeks.

430
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Speaker 1: That was very much like, Danielle, lower your voice, Danielle,

431
00:19:37,200 --> 00:19:40,560
Speaker 1: lower your voice. Because I don't actually sound sick to me.

432
00:19:41,320 --> 00:19:42,520
Speaker 1: You can usually tell when.

433
00:19:42,400 --> 00:19:46,359
Speaker 2: I sound like stuffed up. This didn't sound like that.

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00:19:46,640 --> 00:19:49,399
Speaker 1: This sounded like it almost sounded like I was taking

435
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Speaker 1: on an affect and I'm not.

436
00:19:51,200 --> 00:19:52,160
Speaker 2: And I'm not sure why.

437
00:19:54,080 --> 00:19:56,040
Speaker 4: It really only bumped me in this scene. I guess

438
00:19:56,080 --> 00:19:57,800
Speaker 4: maybe I got used to it, but I don't know.

439
00:19:57,840 --> 00:19:59,639
Speaker 3: It was this. It was like, what happened?

440
00:20:00,040 --> 00:20:02,200
Speaker 1: That doesn't And I know it was so weird, but

441
00:20:02,320 --> 00:20:05,440
Speaker 1: it doesn't sound It doesn't sound stuffy. It sounded like

442
00:20:05,840 --> 00:20:08,200
Speaker 1: I was doing something weird with words like I was.

443
00:20:08,440 --> 00:20:12,080
Speaker 1: I was pronouncing things a little differently than I normally do.

444
00:20:12,280 --> 00:20:15,639
Speaker 1: And I'm not sure why, but I noticed it too

445
00:20:15,800 --> 00:20:17,800
Speaker 1: in this scene in particular, sure why.

446
00:20:17,920 --> 00:20:19,120
Speaker 2: I'm not sure what I was doing.

447
00:20:20,320 --> 00:20:22,040
Speaker 1: So Phoene tells the class since this will be the

448
00:20:22,119 --> 00:20:25,000
Speaker 1: last presidential election in which they aren't old enough to vote,

449
00:20:25,200 --> 00:20:27,200
Speaker 1: he wants the classroom to be an open forum to

450
00:20:27,280 --> 00:20:30,480
Speaker 1: discuss the issue issues which most concern their lives. Sean

451
00:20:30,560 --> 00:20:32,960
Speaker 1: is about to fall asleep as Phoene lectures, So, of course,

452
00:20:33,080 --> 00:20:35,919
Speaker 1: Phoene calls on him and asks, mister Hunter, what issue

453
00:20:35,960 --> 00:20:39,560
Speaker 1: most concerns your life. Sean doesn't hesitate the swimsuit issue.

454
00:20:40,720 --> 00:20:44,840
Speaker 1: Phoene just goes back and if it's so good, Sean asks,

455
00:20:44,920 --> 00:20:47,760
Speaker 1: how am I doing? Phoene responds baff o, mister Hunter.

456
00:20:49,680 --> 00:20:51,720
Speaker 1: Corey raises his hand and tells Phoene there is a

457
00:20:51,800 --> 00:20:54,000
Speaker 1: pressing social matter which I feel equipped to discuss with

458
00:20:54,080 --> 00:20:57,760
Speaker 1: confidence and alacrity. Phoene excitedly tells Corey he has the floor,

459
00:20:58,080 --> 00:21:00,320
Speaker 1: to which Corey tells him, Nah, that used me up.

460
00:21:01,240 --> 00:21:03,160
Speaker 1: Phoene asks to Panga to save them, and the smart

461
00:21:03,200 --> 00:21:05,840
Speaker 1: girl responds, First of all, I'd just like to say

462
00:21:05,960 --> 00:21:09,480
Speaker 1: I think Corey's really cute for trying Corey.

463
00:21:09,800 --> 00:21:14,920
Speaker 2: Corey giggles, thank you, sugar. Now I guess I do.

464
00:21:15,720 --> 00:21:17,520
Speaker 1: I'm just gonna chalk this up to because I don't

465
00:21:17,520 --> 00:21:19,320
Speaker 1: know what it is that Topega would find cute about it.

466
00:21:19,600 --> 00:21:21,720
Speaker 1: I don't know why she would think it's cute, except

467
00:21:21,760 --> 00:21:25,679
Speaker 1: for the fact that when you are a teenager, especially

468
00:21:26,760 --> 00:21:28,960
Speaker 1: everything that other person.

469
00:21:28,800 --> 00:21:31,680
Speaker 2: Does that you love is just adorable.

470
00:21:32,200 --> 00:21:34,840
Speaker 1: So I'm gonna say, you know what, I do remember

471
00:21:34,960 --> 00:21:37,160
Speaker 1: being a dumb, dumb teenager in love.

472
00:21:37,440 --> 00:21:39,879
Speaker 4: I mean, story wise, it's just to reiterate that they're together,

473
00:21:40,080 --> 00:21:42,639
Speaker 4: because the whole arc of the episode is they're together,

474
00:21:42,760 --> 00:21:44,359
Speaker 4: They're committing to each other. It's going to be strained,

475
00:21:44,359 --> 00:21:45,200
Speaker 4: and they're gonna come back together.

476
00:21:45,240 --> 00:21:47,440
Speaker 2: So we need to remind the audience, the audience where

477
00:21:47,480 --> 00:21:47,840
Speaker 2: we are in.

478
00:21:47,840 --> 00:21:50,880
Speaker 4: The timeline, because reruns we could be all over the place. Yeah.

479
00:21:51,160 --> 00:21:54,840
Speaker 3: Yeah, I will say this is the first classroom scene

480
00:21:55,160 --> 00:21:59,040
Speaker 3: maybe of the entire series, where I did not recognize

481
00:21:59,119 --> 00:22:03,040
Speaker 3: a single background oh one, not one.

482
00:22:03,960 --> 00:22:04,760
Speaker 4: It was so weird.

483
00:22:04,840 --> 00:22:06,560
Speaker 3: We're going around the class and I'm like, I don't

484
00:22:06,720 --> 00:22:07,720
Speaker 3: I don't recognize anybody.

485
00:22:07,800 --> 00:22:09,359
Speaker 4: Yeah, I'm trying to think. I mean, I can't believe

486
00:22:09,400 --> 00:22:11,640
Speaker 4: that we've already covered so many of the background extra

487
00:22:12,040 --> 00:22:14,880
Speaker 4: like that. I remember, you know, like seasons two and three,

488
00:22:15,040 --> 00:22:18,520
Speaker 4: I remember every you know Dusty obviously, Like now you're right,

489
00:22:18,720 --> 00:22:22,960
Speaker 4: because like Ricky's gone, he wasn't doing it. My brother's

490
00:22:23,480 --> 00:22:27,200
Speaker 4: girlfriend is going to be called Darcy. Darcy Darcy is

491
00:22:27,200 --> 00:22:28,960
Speaker 4: an extra in the later years, so she's going to

492
00:22:28,960 --> 00:22:30,920
Speaker 4: be in the background, so she might come up this season,

493
00:22:31,000 --> 00:22:33,440
Speaker 4: right were they already dating? And but yeah, I don't

494
00:22:33,480 --> 00:22:35,000
Speaker 4: know who else was around at this time.

495
00:22:35,320 --> 00:22:37,040
Speaker 3: That's I just didn't reckon it was weird. I didn't

496
00:22:37,040 --> 00:22:38,800
Speaker 3: recognize anybody. I even paused it. I was like, there's

497
00:22:38,800 --> 00:22:40,000
Speaker 3: got to be somebody I reckonize.

498
00:22:40,160 --> 00:22:41,560
Speaker 2: We'll see cal Pen soon.

499
00:22:42,160 --> 00:22:42,880
Speaker 3: Yes, that's.

500
00:22:44,720 --> 00:22:46,280
Speaker 2: Soh t.

501
00:22:46,440 --> 00:22:49,280
Speaker 1: Penga explains the biggest crisis facing the country is the

502
00:22:49,359 --> 00:22:52,440
Speaker 1: breakdown of the American family, or, as I say on

503
00:22:52,520 --> 00:22:55,600
Speaker 1: the show, the biggest crisis faming fame in the family is.

504
00:22:56,160 --> 00:22:58,200
Speaker 2: I don't know what I'm doing. I'm like a little British.

505
00:22:59,000 --> 00:22:59,960
Speaker 2: I'm a little British.

506
00:23:00,280 --> 00:23:01,760
Speaker 3: I'm a little I don't know.

507
00:23:01,960 --> 00:23:03,800
Speaker 2: It's a little not sure, not sure what.

508
00:23:05,480 --> 00:23:05,720
Speaker 3: Family.

509
00:23:05,760 --> 00:23:11,240
Speaker 2: I was trying something. I was taking a risk. Sean groans,

510
00:23:11,280 --> 00:23:12,840
Speaker 2: you always gotta go after Sean.

511
00:23:13,040 --> 00:23:16,040
Speaker 1: Tabanga argues that issues like crime in the decline and education,

512
00:23:16,200 --> 00:23:18,040
Speaker 1: but Sean interrupts, Hey lay off of me.

513
00:23:18,960 --> 00:23:21,399
Speaker 4: This is hysterical. But it also makes no sense that

514
00:23:21,440 --> 00:23:24,159
Speaker 4: Topanga would think the breakdown is the American family, like

515
00:23:24,960 --> 00:23:27,639
Speaker 4: she wants to break down traditional roles, like that's always

516
00:23:27,680 --> 00:23:29,520
Speaker 4: been her thing? Is that, like, you know, because the

517
00:23:29,880 --> 00:23:33,720
Speaker 4: traditional American family argument is very conservative and very like

518
00:23:34,240 --> 00:23:36,800
Speaker 4: female should be this way, male should be this way,

519
00:23:36,920 --> 00:23:39,000
Speaker 4: and they should kids this way and like, so this

520
00:23:39,160 --> 00:23:41,480
Speaker 4: is as much as I love this episode, when it

521
00:23:41,560 --> 00:23:43,720
Speaker 4: works for the conflict, it doesn't make any sense for

522
00:23:43,800 --> 00:23:44,520
Speaker 4: Tobanka's character.

523
00:23:44,840 --> 00:23:48,679
Speaker 3: She wants and she becomes really conservative exactly, it's very

524
00:23:48,760 --> 00:23:49,960
Speaker 3: weird especial.

525
00:23:51,440 --> 00:23:56,920
Speaker 1: This this talking point was a very conservative viewpoint. So yeah,

526
00:23:57,600 --> 00:24:00,320
Speaker 1: you're right. So Topega continues that it all has to

527
00:24:00,400 --> 00:24:03,200
Speaker 1: do with how we're brought up in our homes. Phoene agrees,

528
00:24:03,240 --> 00:24:04,760
Speaker 1: and Sean slams his book shut.

529
00:24:04,840 --> 00:24:06,080
Speaker 2: That's it. He walks to the door.

530
00:24:06,119 --> 00:24:08,800
Speaker 1: When Phoene asks mister Hunter, Sean smiles, points at the

531
00:24:08,800 --> 00:24:11,040
Speaker 1: clock and the bell rings right on time. Phoene throws

532
00:24:11,080 --> 00:24:12,960
Speaker 1: his arms in the air. The rest of the class

533
00:24:13,000 --> 00:24:16,639
Speaker 1: files out. I'm in an orange outfit with some I

534
00:24:16,720 --> 00:24:19,000
Speaker 1: don't know, platform sneakers or something. It goes along with

535
00:24:19,080 --> 00:24:23,920
Speaker 1: my new British British language horse yep, and Corey confirms

536
00:24:23,920 --> 00:24:26,359
Speaker 1: that Sean isn't actually upset. Sean asks what, I'm not

537
00:24:26,440 --> 00:24:27,480
Speaker 1: personally responsible for?

538
00:24:28,760 --> 00:24:29,000
Speaker 4: What that?

539
00:24:29,080 --> 00:24:31,720
Speaker 1: I'm personally responsible for the breakdown of American society.

540
00:24:32,000 --> 00:24:33,240
Speaker 2: Nah, I got bigger problems.

541
00:24:33,600 --> 00:24:36,440
Speaker 1: Corey understands he's got problems too. He reveals that he

542
00:24:36,480 --> 00:24:38,080
Speaker 1: and Ta Panga. We're supposed to go out tonight, but

543
00:24:38,119 --> 00:24:40,399
Speaker 1: now it's not happening. Sean's glad to hear that. How

544
00:24:40,440 --> 00:24:42,879
Speaker 1: we can have a rare guy's night out. Corey's into that.

545
00:24:43,040 --> 00:24:45,280
Speaker 1: The boys together again. It's a pretty lucky thing to

546
00:24:45,320 --> 00:24:46,400
Speaker 1: Pega's babysitting tonight.

547
00:24:46,480 --> 00:24:46,640
Speaker 3: Huh.

548
00:24:46,840 --> 00:24:48,840
Speaker 1: Sean cuts him off and asks, you have a girlfriend

549
00:24:48,840 --> 00:24:51,480
Speaker 1: who's babysitting. Corey nuds, yeah, late into the night. So

550
00:24:51,640 --> 00:24:54,040
Speaker 1: burgers are a movie, Sean tells him there's no burger.

551
00:24:54,119 --> 00:24:56,080
Speaker 1: There's no movie. There's just you and your girlfriend at

552
00:24:56,119 --> 00:25:00,399
Speaker 1: a stranger's house, no interruptions, alone on a couch. And

553
00:25:00,520 --> 00:25:04,359
Speaker 1: I thought, no interruptions. Have you ever met a child?

554
00:25:05,200 --> 00:25:08,080
Speaker 4: My first house was when you're a babysitter, you just

555
00:25:08,119 --> 00:25:09,440
Speaker 4: put the kid to bed and then you're there.

556
00:25:09,720 --> 00:25:10,720
Speaker 2: Well, yes I did.

557
00:25:10,920 --> 00:25:14,560
Speaker 1: I did realize that that's that's what this that that

558
00:25:14,720 --> 00:25:16,160
Speaker 1: that's what this was gonna do. That they were gonna

559
00:25:16,160 --> 00:25:18,520
Speaker 1: have to Penga just there while he was sleeping. But like,

560
00:25:18,720 --> 00:25:20,960
Speaker 1: if I'm having a babysitter, I'm getting out of dinner

561
00:25:21,040 --> 00:25:24,080
Speaker 1: and bedtime duty. You're doing it like I'm if I'm

562
00:25:24,160 --> 00:25:26,600
Speaker 1: going out, I'm not gonna go out at nine nine.

563
00:25:26,880 --> 00:25:28,359
Speaker 2: I'm asleep by nine I.

564
00:25:28,400 --> 00:25:31,320
Speaker 1: Gotta so in my mind, I'm like, you're gonna have

565
00:25:31,400 --> 00:25:35,560
Speaker 1: your boyfriend over when you have literally nothing but NonStop

566
00:25:35,640 --> 00:25:37,560
Speaker 1: things to do. But it is if they go to bed.

567
00:25:37,680 --> 00:25:39,400
Speaker 1: Sure you're just sitting on a couch watching TV, Eat

568
00:25:39,400 --> 00:25:44,920
Speaker 1: and Bonbonds. So Corey's picking up what Sean is putting down.

569
00:25:45,040 --> 00:25:47,040
Speaker 1: Corey Matthews a parent's worst nightmare.

570
00:25:47,240 --> 00:25:49,399
Speaker 2: Lock up your daughters. The hormones will be a fly

571
00:25:49,560 --> 00:25:49,960
Speaker 2: in tonight.

572
00:25:50,359 --> 00:25:55,399
Speaker 1: The audience whoooooo at the idea of teens getting it on,

573
00:25:55,840 --> 00:25:59,159
Speaker 1: and Corey asked, Sean, you believe me? And Sean admits no,

574
00:25:59,359 --> 00:26:04,119
Speaker 1: but you're very And then nine thirty see what happens.

575
00:26:04,960 --> 00:26:07,760
Speaker 1: And then we're at Chubby's, because where else would you be.

576
00:26:08,760 --> 00:26:11,280
Speaker 1: Eric is on his date with the vagabond singer and

577
00:26:11,400 --> 00:26:14,280
Speaker 1: she's communicating with him solely through her guitar and song.

578
00:26:14,760 --> 00:26:16,920
Speaker 1: She sings, I got interested in music when I saw

579
00:26:17,000 --> 00:26:20,040
Speaker 1: my first Broadway show. Eric grabs her guitar. Corinna talk,

580
00:26:20,320 --> 00:26:23,280
Speaker 1: It's okay to just talk. She starts to talk normally.

581
00:26:23,520 --> 00:26:25,159
Speaker 1: She saw Annie as a kid and felt like it

582
00:26:25,200 --> 00:26:28,440
Speaker 1: spoke directly to her. Eric asks, did she maybe mention

583
00:26:28,600 --> 00:26:31,240
Speaker 1: that you should write something with a little more edge?

584
00:26:31,800 --> 00:26:34,040
Speaker 1: Coarina laughs and points out that he sounds just like

585
00:26:34,119 --> 00:26:36,760
Speaker 1: her uncle with the record company. Eric shocked, you have

586
00:26:36,840 --> 00:26:39,440
Speaker 1: a record deal and she tells him not yet. Uncle

587
00:26:39,520 --> 00:26:41,760
Speaker 1: David doesn't think she has enough edge. He seems to

588
00:26:41,840 --> 00:26:45,320
Speaker 1: think I don't have enough life experience yet. Eric pleads

589
00:26:45,359 --> 00:26:46,920
Speaker 1: with Earth, that must have really put you in a

590
00:26:47,080 --> 00:26:50,119
Speaker 1: bad mood, brought you down, put you in a dark place.

591
00:26:50,520 --> 00:26:53,879
Speaker 1: Karina laughs and Eric realizes she has no idea what

592
00:26:54,000 --> 00:26:56,640
Speaker 1: he's talking about. She doesn't have a dark place. She's

593
00:26:56,640 --> 00:26:58,680
Speaker 1: still laughing and admits, I just did what I always do.

594
00:26:58,880 --> 00:27:01,560
Speaker 1: I put my feelings in a song. Karina starts to

595
00:27:01,600 --> 00:27:04,600
Speaker 1: sing again, this time thanking her uncle David for refusing

596
00:27:04,680 --> 00:27:08,720
Speaker 1: to give her a record deal. As she continues her song,

597
00:27:08,840 --> 00:27:10,879
Speaker 1: everyone in Chubby starts to stare at her, which she

598
00:27:11,000 --> 00:27:14,560
Speaker 1: doesn't seem to notice, but Eric does. Will what do

599
00:27:14,600 --> 00:27:19,560
Speaker 1: you remember about doing this scene and everything this whole week.

600
00:27:20,880 --> 00:27:22,920
Speaker 3: The whole week with her? First of all, she could

601
00:27:23,000 --> 00:27:25,639
Speaker 3: not have been a nicer human being, so super easy

602
00:27:25,680 --> 00:27:27,920
Speaker 3: to work with, and you never would have known that

603
00:27:28,040 --> 00:27:30,720
Speaker 3: this was her first thing, not just because she was

604
00:27:30,760 --> 00:27:33,119
Speaker 3: so comfortable from again, as we were talking about from

605
00:27:33,160 --> 00:27:37,480
Speaker 3: the table read, you're sitting there with an established show.

606
00:27:38,359 --> 00:27:41,239
Speaker 3: Everybody our table reads were, especially by season four, were

607
00:27:41,480 --> 00:27:43,920
Speaker 3: big deals. I mean there was you know, fifty people there,

608
00:27:44,000 --> 00:27:46,720
Speaker 3: people from the network, everybody from all the producers. She

609
00:27:46,880 --> 00:27:51,040
Speaker 3: comes in with her guitar, she starts singing, immediately sings

610
00:27:51,160 --> 00:27:55,200
Speaker 3: every song is impeccable, dirt like it never like writer said,

611
00:27:55,200 --> 00:27:58,359
Speaker 3: it never changed impeccable during every runthrough, through every scene.

612
00:27:58,400 --> 00:27:59,920
Speaker 3: So we had these scenes and we just kind of

613
00:28:00,080 --> 00:28:03,720
Speaker 3: had this vibe going between the two of us, and

614
00:28:03,840 --> 00:28:05,960
Speaker 3: she was just so good. You know who else was great?

615
00:28:06,160 --> 00:28:09,480
Speaker 3: Shout out to all the background actors I know whose

616
00:28:09,800 --> 00:28:13,639
Speaker 3: responses to the songs going on were phenomenal and they

617
00:28:14,080 --> 00:28:19,240
Speaker 3: they do exactly everything.

618
00:28:19,000 --> 00:28:20,600
Speaker 4: How people feel about her music.

619
00:28:20,840 --> 00:28:26,080
Speaker 3: Yes, and then the waitress Jackie. Jackie was Jackie who

620
00:28:26,280 --> 00:28:29,159
Speaker 3: was our stand This must have been.

621
00:28:29,040 --> 00:28:31,520
Speaker 4: Her first season. I think it was so she get

622
00:28:31,800 --> 00:28:33,959
Speaker 4: there for the later years, So this must have been

623
00:28:34,000 --> 00:28:36,600
Speaker 4: her first season. She was before season.

624
00:28:36,359 --> 00:28:39,440
Speaker 3: Actually, yeah, I think she moved to like North Carolina.

625
00:28:39,520 --> 00:28:40,640
Speaker 4: North Carolina was an artist.

626
00:28:41,080 --> 00:28:43,600
Speaker 1: She's a mixed media artist. Yeah, she's actually if you

627
00:28:43,680 --> 00:28:46,560
Speaker 1: guys want to check her out. Her Instagram is at

628
00:28:47,160 --> 00:28:50,600
Speaker 1: j A c q U I f e h l

629
00:28:50,840 --> 00:28:54,680
Speaker 1: Jackie Fell f e h L. So yeah, she's I.

630
00:28:54,760 --> 00:28:57,400
Speaker 3: Know, wow, Yeah, a terrible joke.

631
00:28:57,400 --> 00:28:59,240
Speaker 2: I'm glad that I didn't hear you. I didn't hear

632
00:28:59,280 --> 00:29:00,240
Speaker 2: what you say said.

633
00:29:00,320 --> 00:29:02,200
Speaker 3: You spelled it out, Jackie Fell. I said, I'm glad

634
00:29:02,240 --> 00:29:02,680
Speaker 3: you got up.

635
00:29:04,400 --> 00:29:04,560
Speaker 2: Hey.

636
00:29:05,240 --> 00:29:06,920
Speaker 3: No wait, but the other thing that was really so

637
00:29:07,040 --> 00:29:10,400
Speaker 3: this this scene kind of took on a life of

638
00:29:10,480 --> 00:29:15,160
Speaker 3: its own even after Boy Meets World. So I had

639
00:29:15,200 --> 00:29:17,600
Speaker 3: signed a deal after Boy Meets Roll was done to

640
00:29:17,920 --> 00:29:20,280
Speaker 3: do you know, it's called they're called whole deals. It's

641
00:29:20,360 --> 00:29:23,080
Speaker 3: kind of like you're signed to the network, but they

642
00:29:23,120 --> 00:29:25,520
Speaker 3: don't have a specific project for you, but they might

643
00:29:25,600 --> 00:29:27,640
Speaker 3: want to put you with somebody, maybe you'll create something,

644
00:29:27,760 --> 00:29:31,320
Speaker 3: maybe they put you on another show. You can't go

645
00:29:31,400 --> 00:29:33,520
Speaker 3: on another network, but they pay and they pay well.

646
00:29:34,800 --> 00:29:39,040
Speaker 3: So I got a call from Phil Rosenthal, who did

647
00:29:39,200 --> 00:29:41,840
Speaker 3: Everybody Loves Raymond, and said, I'd like to sit down

648
00:29:41,880 --> 00:29:43,760
Speaker 3: and have a meeting with you about the possibility of

649
00:29:43,800 --> 00:29:45,640
Speaker 3: maybe doing your own show. So my agent and I

650
00:29:45,720 --> 00:29:47,560
Speaker 3: went in and sat down with him, and I said,

651
00:29:47,680 --> 00:29:49,760
Speaker 3: we started talking and I said, oh, are you a

652
00:29:49,880 --> 00:29:52,240
Speaker 3: Boy Meets World fan? And he said, I've never seen

653
00:29:52,320 --> 00:29:55,360
Speaker 3: Boy Meets World. I've only seen one scene you've ever done,

654
00:29:55,600 --> 00:29:58,800
Speaker 3: and this was the scene. Wow, so he that's why

655
00:29:58,840 --> 00:30:01,360
Speaker 3: he said, it's like the next one, No, this one,

656
00:30:01,680 --> 00:30:03,400
Speaker 3: this one with the check with the love of guy,

657
00:30:03,680 --> 00:30:05,000
Speaker 3: that's the next one. Oh is that the next one?

658
00:30:05,240 --> 00:30:07,240
Speaker 3: I thought this was so that one with that was

659
00:30:07,320 --> 00:30:08,080
Speaker 3: the scene that he does.

660
00:30:08,160 --> 00:30:12,640
Speaker 4: It's perfect, Like it's just put that on like if

661
00:30:12,680 --> 00:30:14,040
Speaker 4: you put that on your reel.

662
00:30:14,200 --> 00:30:16,920
Speaker 3: Like that's essentially what he said that He's like, I

663
00:30:17,040 --> 00:30:18,680
Speaker 3: saw that and then you know, obviously you know you

664
00:30:18,760 --> 00:30:21,400
Speaker 3: can do anything, but it was just that one scene.

665
00:30:21,720 --> 00:30:26,720
Speaker 3: So yeah, it was great. But the writing is also

666
00:30:26,920 --> 00:30:28,320
Speaker 3: how do you know? I mean all that I didn't

667
00:30:28,320 --> 00:30:30,160
Speaker 3: Addlebenia And people always ask like, how much of it

668
00:30:30,280 --> 00:30:33,920
Speaker 3: was you? One hundred percent? The writing fluga part of

669
00:30:34,000 --> 00:30:36,920
Speaker 3: your brain removing it. It's your commitment and transitions, like

670
00:30:37,080 --> 00:30:40,000
Speaker 3: it's yes, you're able. There's a great scene though, but

671
00:30:40,840 --> 00:30:42,760
Speaker 3: let's stick with the scene we're in. Sorry, Yeah, but

672
00:30:42,880 --> 00:30:44,800
Speaker 3: I just remember it was a wonderful week working with her.

673
00:30:44,840 --> 00:30:48,280
Speaker 3: She's was just so good and yeah, yeah, became a

674
00:30:48,320 --> 00:30:48,880
Speaker 3: big fan of hers.

675
00:30:48,920 --> 00:31:02,480
Speaker 1: After this, we're at Tapanga's babysitting house. We get the

676
00:31:02,560 --> 00:31:06,280
Speaker 1: exterior of a new house, which leads to another new set.

677
00:31:07,000 --> 00:31:09,360
Speaker 1: The mom is quizzing Topanga on important things she needs

678
00:31:09,440 --> 00:31:12,400
Speaker 1: to know before leaving. Billy's bedtime, nine pm, emergency numbers

679
00:31:12,440 --> 00:31:15,520
Speaker 1: next to the fridge, most important rule, no boys at all.

680
00:31:15,920 --> 00:31:18,360
Speaker 1: Tapanga opens the door as the parents are leaving, and oops,

681
00:31:18,680 --> 00:31:21,200
Speaker 1: Corey is standing there. He quickly grabs a jug of

682
00:31:21,280 --> 00:31:23,840
Speaker 1: water and pretends to be the water boy, but Tapanga

683
00:31:23,880 --> 00:31:26,280
Speaker 1: assures the parents he won't be staying. But the mom

684
00:31:26,440 --> 00:31:29,080
Speaker 1: changes her tune. Oh, when I said no boys, I

685
00:31:29,120 --> 00:31:30,520
Speaker 1: didn't mean this kind of boy.

686
00:31:31,000 --> 00:31:34,560
Speaker 4: When you were talking about your accent. This woman is

687
00:31:35,280 --> 00:31:39,760
Speaker 4: she from She's doing like a Bill Daniels like it's

688
00:31:39,800 --> 00:31:42,400
Speaker 4: that proper American. But I just thought it was so fun.

689
00:31:42,560 --> 00:31:44,200
Speaker 4: It was like, this is such a boy meets world

690
00:31:44,280 --> 00:31:46,560
Speaker 4: and she's great, but it's such a boy meets world thing, right,

691
00:31:46,720 --> 00:31:49,480
Speaker 4: Like if you're poor, you have a Southern accent, if you're.

692
00:31:49,720 --> 00:31:50,080
Speaker 2: Rich, you.

693
00:31:52,800 --> 00:31:53,920
Speaker 3: Between exactly.

694
00:31:55,440 --> 00:31:57,720
Speaker 4: She's like, does she like literally have a pearl necklace on?

695
00:31:57,800 --> 00:32:03,880
Speaker 4: Tap just say this boy, this amy moth a British

696
00:32:03,880 --> 00:32:07,000
Speaker 4: accent it's like it's that Bill Daniels in between. You

697
00:32:07,120 --> 00:32:07,880
Speaker 4: can't quite do it.

698
00:32:08,000 --> 00:32:12,040
Speaker 3: Oh my gosh, so weird. Also, rookie move, Corey, you

699
00:32:12,200 --> 00:32:16,600
Speaker 3: wait till the parents on the door down there.

700
00:32:19,880 --> 00:32:22,000
Speaker 4: He's always going to be making rookie mistakes. That's the

701
00:32:22,080 --> 00:32:23,200
Speaker 4: definition exactly.

702
00:32:23,360 --> 00:32:27,440
Speaker 2: We love it on him to leave. So she tells

703
00:32:27,520 --> 00:32:33,000
Speaker 2: her husband, this is Amy and Allen's little boy boy.

704
00:32:33,600 --> 00:32:35,120
Speaker 2: The husband is unamused.

705
00:32:35,240 --> 00:32:38,640
Speaker 1: Corey corrects her, I'm Amy and Allen's dangerous little boy.

706
00:32:39,200 --> 00:32:42,280
Speaker 1: The husband, who might be on Kayludes, tells him.

707
00:32:42,400 --> 00:32:44,520
Speaker 2: We're all dangerous in the beginning.

708
00:32:45,320 --> 00:32:47,040
Speaker 1: The mother says they will be out late, so if

709
00:32:47,080 --> 00:32:50,040
Speaker 1: you two get dozy, just take a little nap on

710
00:32:50,160 --> 00:32:54,000
Speaker 1: the couch. The husband leans to Corey. Very comfortable couch.

711
00:32:54,040 --> 00:32:56,640
Speaker 1: You lie down on it, you'll think you're dead. It's wonderful,

712
00:32:57,200 --> 00:33:01,280
Speaker 1: and I truly feel like I know everything I need

713
00:33:01,400 --> 00:33:04,600
Speaker 1: to know about this man and how he feels about

714
00:33:04,680 --> 00:33:05,160
Speaker 1: his life.

715
00:33:05,280 --> 00:33:07,280
Speaker 2: And he has barely even opened his mouth.

716
00:33:07,520 --> 00:33:11,680
Speaker 4: Great performance, great writing, three or four lines. We have

717
00:33:11,760 --> 00:33:15,080
Speaker 4: the whole history of this relationship. Yep. It puts us

718
00:33:15,120 --> 00:33:18,720
Speaker 4: into the next scene. Perfect, It's great. It's poor man Sitcolm.

719
00:33:18,880 --> 00:33:24,640
Speaker 1: Greatness it's just very wonderful. So Ta Panga tells Corey,

720
00:33:24,680 --> 00:33:27,120
Speaker 1: I'm glad you came over, dangerous boy. She tells him

721
00:33:27,120 --> 00:33:28,959
Speaker 1: to get comfortable on the couch and she'll grab them

722
00:33:29,040 --> 00:33:32,120
Speaker 1: something to eat. Corey says to himself, all right, cozy couch,

723
00:33:32,160 --> 00:33:35,560
Speaker 1: empty house, dangerous guy. Everything is working out according to plan.

724
00:33:35,680 --> 00:33:36,800
Speaker 1: What could possibly go wrong?

725
00:33:37,240 --> 00:33:37,280
Speaker 6: On?

726
00:33:37,480 --> 00:33:39,960
Speaker 2: Cute Little Billy pops up from behind the couch and

727
00:33:40,080 --> 00:33:43,200
Speaker 2: gives Corey a wet willie. Cory asks, can I help

728
00:33:43,200 --> 00:33:43,680
Speaker 2: you with something?

729
00:33:43,720 --> 00:33:44,640
Speaker 4: I know disgusting?

730
00:33:45,560 --> 00:33:49,440
Speaker 2: Doesn't react, and I'm still reacting to it.

731
00:33:50,200 --> 00:33:55,160
Speaker 4: He really does. God, oh my god. If there are

732
00:33:55,200 --> 00:33:58,280
Speaker 4: certain things like my son cannot do like will It's

733
00:33:58,280 --> 00:34:00,200
Speaker 4: like no, no, no, dude, I'd rather you pick your

734
00:34:00,240 --> 00:34:01,680
Speaker 4: nose and eat it. But if you touch me with

735
00:34:01,760 --> 00:34:03,680
Speaker 4: your finger in my ear like I will lose it.

736
00:34:04,040 --> 00:34:06,640
Speaker 2: Oh oh, I shall tell you're not allowed to one

737
00:34:06,680 --> 00:34:07,000
Speaker 2: of those.

738
00:34:07,240 --> 00:34:09,440
Speaker 3: Oh yeah, oh yeah, I'm gonta wet willy's on the

739
00:34:09,440 --> 00:34:10,239
Speaker 3: plane the whole time.

740
00:34:10,280 --> 00:34:12,919
Speaker 2: Now, will it can even come near wet?

741
00:34:12,960 --> 00:34:13,200
Speaker 4: Really?

742
00:34:16,280 --> 00:34:19,319
Speaker 3: I'm away, yay, Yes, I'm gonna get you. I'm gonna

743
00:34:19,320 --> 00:34:21,600
Speaker 3: give you wet willies while wearing an I love liquorice

744
00:34:21,600 --> 00:34:27,560
Speaker 3: shirt giving me WILLI the worst?

745
00:34:28,040 --> 00:34:30,920
Speaker 1: Okay, I don't know how he doesn't react, It's just

746
00:34:31,360 --> 00:34:33,040
Speaker 1: I'm literally I'm still reacting.

747
00:34:34,560 --> 00:34:37,680
Speaker 2: So the boy giggles, you're Morgan's brother. Corey is unamused.

748
00:34:37,680 --> 00:34:39,000
Speaker 2: Aren't you supposed to be in bed?

749
00:34:39,320 --> 00:34:42,800
Speaker 1: Billy tells him, I got a Nintendo sixty four bit upstairs.

750
00:34:43,160 --> 00:34:46,239
Speaker 1: No one has ever called the Nintendo sixty four a

751
00:34:46,360 --> 00:34:47,960
Speaker 1: Nintendo sixty four bits.

752
00:34:48,680 --> 00:34:52,000
Speaker 4: A Nintendo sixty four bit sixty four bit.

753
00:34:54,000 --> 00:34:58,000
Speaker 3: Also, there is something with our writers, producers or just

754
00:34:58,120 --> 00:35:00,880
Speaker 3: wardrobe where if you're a little kid, you need to

755
00:35:00,960 --> 00:35:04,880
Speaker 3: be in full pajamas, pajamas like it's the seven.

756
00:35:04,760 --> 00:35:08,000
Speaker 4: And then and then Morgan with the big slippers later

757
00:35:08,080 --> 00:35:10,560
Speaker 4: like the big fuzzy animal slippers. Yeah, it's just gonna

758
00:35:10,560 --> 00:35:12,600
Speaker 4: make them a little kid like, it's so amazing.

759
00:35:12,960 --> 00:35:13,560
Speaker 3: They're all linked.

760
00:35:13,600 --> 00:35:16,279
Speaker 1: Twenty so Tapega walks in just as the boys are

761
00:35:16,320 --> 00:35:18,600
Speaker 1: about to run upstairs and asks Billy what he's doing up.

762
00:35:18,640 --> 00:35:23,520
Speaker 4: Okay, I watched this moment over and do you notice

763
00:35:23,920 --> 00:35:27,080
Speaker 4: how coordinated Ben and the kid are in this beat?

764
00:35:27,120 --> 00:35:29,000
Speaker 4: When you walk in the door. It is one of

765
00:35:29,000 --> 00:35:31,600
Speaker 4: the funnest but they match each other. They both have

766
00:35:31,719 --> 00:35:35,320
Speaker 4: their hands in the air like they're caught. I go

767
00:35:35,480 --> 00:35:37,640
Speaker 4: back our listeners to go back and watch it. You

768
00:35:37,800 --> 00:35:40,160
Speaker 4: come out of the kitchen and they both stop and

769
00:35:40,480 --> 00:35:43,360
Speaker 4: clearly the kid or Ben decided to do the exact

770
00:35:43,360 --> 00:35:45,160
Speaker 4: same thing at the same time. So they're both like

771
00:35:45,280 --> 00:35:47,840
Speaker 4: caught with their hands in the air and it is his.

772
00:35:48,280 --> 00:35:52,160
Speaker 4: They're just matching. It's so it's such a visual gag,

773
00:35:52,400 --> 00:35:55,120
Speaker 4: and I can't decide, like I'm assuming the kid is

774
00:35:55,200 --> 00:35:57,880
Speaker 4: imitating Ben because he has a standout for no reason.

775
00:35:58,120 --> 00:36:00,120
Speaker 4: But it is one of the funniest visual gags. It's

776
00:36:00,160 --> 00:36:02,640
Speaker 4: just like they're both like like literally hand in the

777
00:36:02,680 --> 00:36:06,319
Speaker 4: cookie jar, like they're both reaching like it is so funny. Oh,

778
00:36:07,440 --> 00:36:09,160
Speaker 4: I was like, well, I went back and watching like

779
00:36:09,200 --> 00:36:09,879
Speaker 4: three or four times.

780
00:36:09,920 --> 00:36:10,560
Speaker 2: I was dying.

781
00:36:11,400 --> 00:36:15,560
Speaker 4: It's such like an actory visual gag. It's so good. Uh.

782
00:36:16,400 --> 00:36:20,880
Speaker 1: Corey tells her he's got sixty four bits and to

783
00:36:21,040 --> 00:36:24,680
Speaker 1: Banka counters he's got nine o'clock bed. Corey asks for

784
00:36:24,760 --> 00:36:27,759
Speaker 1: five minutes, I really want to play Tapanga leans down

785
00:36:27,800 --> 00:36:30,320
Speaker 1: to Billy. I'm obligated to follow the rules your parents

786
00:36:30,360 --> 00:36:33,600
Speaker 1: have clearly laid out, and as she's speaking Corey's behind her,

787
00:36:33,880 --> 00:36:36,440
Speaker 1: mocking her. Tapanga whips her head around and asks what

788
00:36:36,520 --> 00:36:39,520
Speaker 1: he's doing. He carefully says, I love you, and Tapega

789
00:36:39,600 --> 00:36:41,920
Speaker 1: tells Billy to get to bed right now. He pleads,

790
00:36:41,960 --> 00:36:46,200
Speaker 1: can I watch TV? Corey answer sure, which I love sure?

791
00:36:46,960 --> 00:36:50,720
Speaker 1: Topanga tells him no, scolding Corey. Corey immediately blames Billy,

792
00:36:50,800 --> 00:36:54,640
Speaker 1: asking what were you thinking? Then we enter a very

793
00:36:55,040 --> 00:36:58,320
Speaker 1: meta little bit here where Billy tells them it's the

794
00:36:58,400 --> 00:37:01,200
Speaker 1: Friday night lineup. To Panga asks what does that have

795
00:37:01,320 --> 00:37:03,480
Speaker 1: to do with anything? And Corey explains the Friday night

796
00:37:03,560 --> 00:37:06,120
Speaker 1: lineup it's only the best shows on TV. You walk

797
00:37:06,160 --> 00:37:08,160
Speaker 1: into school Monday morning and you didn't see the Friday

798
00:37:08,239 --> 00:37:08,720
Speaker 1: night lineup?

799
00:37:08,800 --> 00:37:09,160
Speaker 2: Forget it?

800
00:37:09,239 --> 00:37:12,359
Speaker 1: You got nothing to say. Tapega's upset with Corey. He's

801
00:37:12,440 --> 00:37:16,000
Speaker 1: undermining her authority. I am this child's babysitter, and I

802
00:37:16,080 --> 00:37:19,720
Speaker 1: take my responsibilities very seriously. And as she's talking, Billy

803
00:37:19,840 --> 00:37:22,280
Speaker 1: is now mocking her behind her back to Panga whips

804
00:37:22,320 --> 00:37:24,239
Speaker 1: her head around and asks what were you doing? And

805
00:37:24,280 --> 00:37:26,719
Speaker 1: Billy repeats what he heard Corey say, I love you.

806
00:37:27,040 --> 00:37:27,440
Speaker 3: I love you.

807
00:37:28,080 --> 00:37:30,680
Speaker 1: Tapanga asks a giggling Corey, you think this is funny.

808
00:37:30,840 --> 00:37:33,279
Speaker 1: He stutters out, no mistress to Panga. I think it's

809
00:37:33,320 --> 00:37:36,560
Speaker 1: the opposite of funny. I think it's wood and.

810
00:37:39,600 --> 00:37:43,480
Speaker 4: It's so funny. So much the writing of this scene

811
00:37:43,520 --> 00:37:45,120
Speaker 4: start to finish, I mean, what is this like five

812
00:37:45,239 --> 00:37:47,719
Speaker 4: seven fifteen, and it's like, I don't think there's a

813
00:37:47,840 --> 00:37:51,719
Speaker 4: wasted beat. Now every it turns, it's so good.

814
00:37:52,320 --> 00:37:53,759
Speaker 2: It is so good.

815
00:37:54,560 --> 00:37:55,960
Speaker 4: Oh, I think it's wood.

816
00:37:56,320 --> 00:37:56,640
Speaker 6: O good.

817
00:37:56,840 --> 00:37:59,600
Speaker 1: I think it's wood. Billy pleads, at least let me

818
00:37:59,680 --> 00:38:02,279
Speaker 1: watch my favorite show. It's on right now. Depeanga tells

819
00:38:02,320 --> 00:38:05,319
Speaker 1: Billy it's nine thirty. She knows he doesn't stay up

820
00:38:05,360 --> 00:38:07,520
Speaker 1: past nine. Billy explains it used to be on at

821
00:38:07,560 --> 00:38:09,800
Speaker 1: eight thirty, but this year they moved it to nine thirty.

822
00:38:10,080 --> 00:38:11,040
Speaker 1: Those idiots.

823
00:38:12,600 --> 00:38:15,000
Speaker 4: So, I mean, our listeners probably know, but like our

824
00:38:15,040 --> 00:38:16,200
Speaker 4: show got moved to nine thirty.

825
00:38:16,239 --> 00:38:18,000
Speaker 3: This is all?

826
00:38:20,040 --> 00:38:22,480
Speaker 4: Is this our most meta reference since Bill Daniels did

827
00:38:22,520 --> 00:38:24,800
Speaker 4: the Like, I wouldn't know what it's, I wouldn't know

828
00:38:25,360 --> 00:38:26,279
Speaker 4: what the writers got it?

829
00:38:27,080 --> 00:38:30,920
Speaker 1: Sure, Yeah, this is also it's it's such a long

830
00:38:31,520 --> 00:38:34,000
Speaker 1: it's a whole meta scene from here on out basically,

831
00:38:34,080 --> 00:38:35,319
Speaker 1: and then it comes back a little later.

832
00:38:35,480 --> 00:38:38,280
Speaker 2: So yeah, it's a it's a it's a building.

833
00:38:38,760 --> 00:38:40,200
Speaker 4: Kid gets acquainted with the universe, like.

834
00:38:40,280 --> 00:38:42,000
Speaker 3: Yes, exactly, essentially.

835
00:38:42,160 --> 00:38:46,160
Speaker 1: Yeah, So Corey is shocked they moved it to nine thirty. Why,

836
00:38:46,440 --> 00:38:49,359
Speaker 1: Billy yells, no one knows. Kory asks, was it doing

837
00:38:49,520 --> 00:38:53,520
Speaker 1: badly at eight thirty? Billy tells him no. Kory asks,

838
00:38:53,560 --> 00:38:54,960
Speaker 1: then why didn't they leave it alone?

839
00:38:55,200 --> 00:38:59,200
Speaker 2: And then Billy shouts, they're trying to kill it. They're

840
00:38:59,280 --> 00:39:04,680
Speaker 2: trying to kill it. Corey shakes his head. Those are bad,

841
00:39:04,840 --> 00:39:05,520
Speaker 2: bad people.

842
00:39:05,960 --> 00:39:08,759
Speaker 1: So yeah, to explain even a little further, being on

843
00:39:08,920 --> 00:39:12,799
Speaker 1: at eight thirty is a more ideal time slot than

844
00:39:12,880 --> 00:39:15,520
Speaker 1: nine thirty, because even though eight to ten was a

845
00:39:15,600 --> 00:39:19,120
Speaker 1: block of family shows, the shows earlier in the evening,

846
00:39:19,360 --> 00:39:20,960
Speaker 1: when you're a kids show, at least when you have

847
00:39:21,040 --> 00:39:23,440
Speaker 1: younger kids, would get better numbers than the shows at

848
00:39:23,480 --> 00:39:26,640
Speaker 1: nine thirty. So this was all a reference to the

849
00:39:26,840 --> 00:39:31,359
Speaker 1: inner fears and explicitly stated fears of all of us

850
00:39:31,440 --> 00:39:32,279
Speaker 1: working on the show.

851
00:39:32,640 --> 00:39:33,400
Speaker 2: What's this is going to do?

852
00:39:33,520 --> 00:39:36,799
Speaker 4: So suddenly that it was. It was a brazen move

853
00:39:37,200 --> 00:39:39,520
Speaker 4: by Michael and the writers because this would have been

854
00:39:39,840 --> 00:39:43,560
Speaker 4: delivered out loud to the network at a table read

855
00:39:43,600 --> 00:39:45,800
Speaker 4: so at her label read, we would all gather and

856
00:39:45,840 --> 00:39:48,439
Speaker 4: it would be the first time that the network would

857
00:39:48,640 --> 00:39:50,719
Speaker 4: hear the script and actually probably read it. I don't

858
00:39:50,719 --> 00:39:52,360
Speaker 4: even know if they would have had it the night before,

859
00:39:52,400 --> 00:39:55,279
Speaker 4: because oftentimes the script would be finished that morning, right,

860
00:39:56,640 --> 00:39:59,319
Speaker 4: our scripts then, right, so we'd be sitting there at

861
00:39:59,360 --> 00:40:02,440
Speaker 4: a table read with network executives. There's usually three or

862
00:40:02,480 --> 00:40:04,479
Speaker 4: four that come to the table read, and they would

863
00:40:04,480 --> 00:40:08,280
Speaker 4: have been sort of forced to hear a kid actor

864
00:40:08,760 --> 00:40:12,200
Speaker 4: delivering lines that are basically mocking them, calling them idiots

865
00:40:12,280 --> 00:40:15,800
Speaker 4: to their face in the context idiots, and like you know,

866
00:40:15,960 --> 00:40:18,240
Speaker 4: I mean, this is the kind of stuff that Michael

867
00:40:18,280 --> 00:40:21,720
Speaker 4: would do, like you know, and it's kind of brilliant because,

868
00:40:22,080 --> 00:40:24,880
Speaker 4: you know, standing up for the show against network executives.

869
00:40:24,920 --> 00:40:26,520
Speaker 4: I mean it could be extreme, and you know, it

870
00:40:26,600 --> 00:40:29,719
Speaker 4: doesn't always have to be conflict based, but in our case,

871
00:40:29,800 --> 00:40:32,279
Speaker 4: it was very conflict based, and there was a lot

872
00:40:32,320 --> 00:40:34,440
Speaker 4: of challenges and there was a lot of pushback, and

873
00:40:34,560 --> 00:40:38,000
Speaker 4: so this was like kind of a brilliant chess move

874
00:40:38,760 --> 00:40:41,800
Speaker 4: writing wise, to like do this because it's too funny

875
00:40:41,840 --> 00:40:43,439
Speaker 4: to not put on the show.

876
00:40:43,840 --> 00:40:43,960
Speaker 6: Right.

877
00:40:44,160 --> 00:40:45,960
Speaker 4: Also, yeah, it's it's brilliant.

878
00:40:46,040 --> 00:40:47,400
Speaker 3: I just think it's one of the thing I remember that.

879
00:40:47,440 --> 00:40:49,239
Speaker 3: I remember the run through. I remember how we do

880
00:40:49,360 --> 00:40:51,360
Speaker 3: we would do well, no, but the run through I

881
00:40:51,440 --> 00:40:54,560
Speaker 3: remember specifically as a network run through, the the you know,

882
00:40:54,719 --> 00:40:57,960
Speaker 3: the run through for us, and then we would do

883
00:40:58,000 --> 00:41:00,200
Speaker 3: the network run through and the network run through our ever,

884
00:41:00,520 --> 00:41:02,560
Speaker 3: the network like putting their hands in their heads and shape.

885
00:41:02,560 --> 00:41:04,360
Speaker 3: I mean they were laughing. Yeah, and we knew it

886
00:41:04,480 --> 00:41:08,080
Speaker 3: was gonna exactly like they had to do it. So

887
00:41:08,440 --> 00:41:09,919
Speaker 3: it was. It was great to take.

888
00:41:10,000 --> 00:41:12,040
Speaker 4: And what's so great about it is it wasn't I mean,

889
00:41:12,160 --> 00:41:14,480
Speaker 4: our audience would have also gotten it, you know, because

890
00:41:14,680 --> 00:41:17,400
Speaker 4: our audience was also like, why is it nine thirty exactly?

891
00:41:17,680 --> 00:41:19,560
Speaker 2: And you have to change my schedule?

892
00:41:19,800 --> 00:41:22,320
Speaker 4: Yeah, it's it's it's a it's a perfect medice.

893
00:41:22,760 --> 00:41:25,720
Speaker 3: I think that the shows after US got worse ratings

894
00:41:25,880 --> 00:41:30,120
Speaker 3: until Sabrina and then got better rating For sure beat us.

895
00:41:31,120 --> 00:41:33,880
Speaker 1: So Corey shakes his head. Those are bad, bad people.

896
00:41:34,280 --> 00:41:36,120
Speaker 1: To Panga tells Corey that they need to have a

897
00:41:36,160 --> 00:41:40,840
Speaker 1: little talk. Corey pleads right after the show honey to

898
00:41:40,960 --> 00:41:43,160
Speaker 1: Pega snatches the remote from his hand. There will be

899
00:41:43,400 --> 00:41:45,520
Speaker 1: no show. She tells Billy to get to bed, and

900
00:41:45,600 --> 00:41:48,640
Speaker 1: Billy obliges. Corey compliments her work and says, now it's

901
00:41:48,760 --> 00:41:51,680
Speaker 1: just you and dangerous me on a cozy couch. Tapega

902
00:41:51,719 --> 00:41:54,000
Speaker 1: starts pushing him to the door. He is going home.

903
00:41:54,440 --> 00:41:56,480
Speaker 1: Corey asks why she'd want to be there alone, and

904
00:41:56,560 --> 00:41:58,880
Speaker 1: to Panga yells, you have no idea what this is about?

905
00:41:59,000 --> 00:41:59,239
Speaker 3: Do you?

906
00:41:59,680 --> 00:42:01,880
Speaker 1: Corey argues, yes, I do, and it happens to be

907
00:42:01,960 --> 00:42:03,920
Speaker 1: a very important issue, not just to me and you,

908
00:42:04,080 --> 00:42:06,680
Speaker 1: but to all men and women in relationships both here

909
00:42:06,880 --> 00:42:09,800
Speaker 1: and abroad. To Penga reiterates the exact same way, you

910
00:42:09,960 --> 00:42:11,399
Speaker 1: have no idea what this is about?

911
00:42:11,520 --> 00:42:11,759
Speaker 3: Do you?

912
00:42:12,160 --> 00:42:13,600
Speaker 2: Corey groans, do I ever?

913
00:42:13,960 --> 00:42:14,520
Speaker 3: Do I ever?

914
00:42:15,719 --> 00:42:18,440
Speaker 1: Billy now runs back into the room, telling Cory you're

915
00:42:18,480 --> 00:42:21,000
Speaker 1: missing a real funny one. The curly headed kid keeps

916
00:42:21,040 --> 00:42:23,320
Speaker 1: on digging himself in deeper and deeper.

917
00:42:24,080 --> 00:42:28,200
Speaker 4: I mean, come on good. While Cory is digging himself

918
00:42:28,280 --> 00:42:31,200
Speaker 4: deeper and deeper. The kid calls it out as the show.

919
00:42:31,360 --> 00:42:34,720
Speaker 4: I mean, just brilliant writing. This is like post modern

920
00:42:35,360 --> 00:42:38,759
Speaker 4: self referential, like it's just layers. I love it so much.

921
00:42:39,200 --> 00:42:42,040
Speaker 2: And then to put the little cherry on top, Corey says,

922
00:42:42,200 --> 00:42:43,080
Speaker 2: I love that kid.

923
00:42:43,200 --> 00:42:46,200
Speaker 3: He's such a doufe, such a doof perfect word.

924
00:42:46,800 --> 00:42:51,839
Speaker 2: Perfect word. So then we are back at Chubby's. Eric

925
00:42:51,880 --> 00:42:53,399
Speaker 2: and Karina are still on their date.

926
00:42:53,680 --> 00:42:55,719
Speaker 1: Karina is going on and on about what her uncle

927
00:42:55,800 --> 00:42:58,600
Speaker 1: David could have possibly meant by life experience. Eric is

928
00:42:58,600 --> 00:43:01,520
Speaker 1: stacking his French fries into it Jenga tower from boredom.

929
00:43:01,760 --> 00:43:01,960
Speaker 2: Well.

930
00:43:02,000 --> 00:43:04,640
Speaker 1: Karina explains she's been to sleep away camp and she

931
00:43:04,719 --> 00:43:06,319
Speaker 1: once got on the wrong bus and.

932
00:43:06,680 --> 00:43:10,360
Speaker 2: She even had a goldfish who died. Eric guesses suicide

933
00:43:10,520 --> 00:43:13,440
Speaker 2: wasn't ken is such a funny line.

934
00:43:13,800 --> 00:43:15,759
Speaker 4: This is the scene. This is I would see the

935
00:43:15,840 --> 00:43:18,279
Speaker 4: babysitter scene and then into this scene are two of

936
00:43:18,320 --> 00:43:20,319
Speaker 4: our best scenes ever, back to back.

937
00:43:20,440 --> 00:43:26,200
Speaker 1: It's completely agree. Just nailed this huge chunk of the show.

938
00:43:26,440 --> 00:43:27,200
Speaker 2: It's so good.

939
00:43:28,040 --> 00:43:31,400
Speaker 1: Corona laughs, oh you. This inspires a new song and

940
00:43:31,480 --> 00:43:33,960
Speaker 1: people and Chubbies get up and leave. Once she starts,

941
00:43:34,560 --> 00:43:36,600
Speaker 1: Eric can't handle it anymore. He grabs her guitar and

942
00:43:36,680 --> 00:43:38,920
Speaker 1: he tells her okay okay, sh and he yells for

943
00:43:39,040 --> 00:43:41,719
Speaker 1: the check. Karina asks if something's wrong, and Eric says

944
00:43:41,760 --> 00:43:43,920
Speaker 1: he noticed all of these people were watching her and

945
00:43:44,080 --> 00:43:46,640
Speaker 1: listening to her song, and he's afraid they would steal

946
00:43:46,719 --> 00:43:48,879
Speaker 1: it and sell it to Andrew Lloyd Webber, who would

947
00:43:48,920 --> 00:43:51,400
Speaker 1: then write a three hour musical about her dead Goldfish.

948
00:43:51,719 --> 00:43:54,960
Speaker 2: Coarna gasps, what he call it, Goldie? Eric tells her, no,

949
00:43:55,280 --> 00:43:55,800
Speaker 2: he'd call it.

950
00:43:58,000 --> 00:44:01,120
Speaker 4: You would call it that Jackie like loses it in

951
00:44:01,200 --> 00:44:01,720
Speaker 4: the backround.

952
00:44:01,760 --> 00:44:05,240
Speaker 1: Yes, and that's where Jackie spins around. It's so great,

953
00:44:05,920 --> 00:44:08,399
Speaker 1: Karina explains. When I got up this morning, I had

954
00:44:08,520 --> 00:44:11,200
Speaker 1: no idea I meet someone I was going to spend

955
00:44:11,360 --> 00:44:14,400
Speaker 1: the rest of my life with and all our lives

956
00:44:14,560 --> 00:44:17,880
Speaker 1: to come. Eric admits he doesn't know how to say this,

957
00:44:18,040 --> 00:44:20,360
Speaker 1: so he's going to choose his words very carefully.

958
00:44:21,360 --> 00:44:22,520
Speaker 2: I think you're a psycho.

959
00:44:22,840 --> 00:44:30,040
Speaker 3: I think you're a psycho. Good men and women on

960
00:44:30,200 --> 00:44:33,640
Speaker 3: dates have wanted to say that so badly. I just

961
00:44:33,760 --> 00:44:35,439
Speaker 3: want to say I think you're a psych.

962
00:44:35,560 --> 00:44:38,120
Speaker 2: I think you're a psycho. And this is not going

963
00:44:38,200 --> 00:44:39,280
Speaker 2: to go any further.

964
00:44:40,160 --> 00:44:41,000
Speaker 3: It's so good.

965
00:44:41,200 --> 00:44:44,160
Speaker 1: Karina's confused. Eric continues, I'm just not the guy for you.

966
00:44:44,600 --> 00:44:46,919
Speaker 1: You need a guy who's happy and perky all the time.

967
00:44:47,200 --> 00:44:49,760
Speaker 1: Maybe a guy who's had part of his brain removed

968
00:44:49,800 --> 00:44:50,840
Speaker 1: and thinks he's a bunny.

969
00:44:52,040 --> 00:44:53,040
Speaker 2: And you guys can do it.

970
00:44:54,480 --> 00:44:55,239
Speaker 5: I really that was the.

971
00:44:55,360 --> 00:44:58,960
Speaker 4: Most nineties thing probably I don't think you do. I'm

972
00:44:59,080 --> 00:45:02,520
Speaker 4: not probably the most nineties thing. Yeah, I used to

973
00:45:02,520 --> 00:45:04,280
Speaker 4: say that all the time, right, like, oh he's.

974
00:45:04,680 --> 00:45:08,320
Speaker 6: So such a such a psycho, he's such a like

975
00:45:08,360 --> 00:45:10,200
Speaker 6: I feel like we used to always say that, I

976
00:45:10,239 --> 00:45:13,480
Speaker 6: mean never say in just this episode we can say

977
00:45:13,960 --> 00:45:15,399
Speaker 6: we some people push.

978
00:45:15,560 --> 00:45:18,600
Speaker 2: We don't say bum, we don't say psycho.

979
00:45:20,040 --> 00:45:23,920
Speaker 1: We we probably actually wouldn't even say supicide, we'd say unlive.

980
00:45:24,040 --> 00:45:27,759
Speaker 3: It's alive itself did it? And later down the line,

981
00:45:27,760 --> 00:45:30,480
Speaker 3: you wouldn't be making fun of a guy by just

982
00:45:30,560 --> 00:45:32,560
Speaker 3: assuming he was exactly.

983
00:45:32,239 --> 00:45:39,080
Speaker 2: That wouldn't in the nineties. Eric, That's that's the exactly.

984
00:45:38,880 --> 00:45:40,560
Speaker 3: Super such a guy thing.

985
00:45:40,960 --> 00:45:44,319
Speaker 4: Yeah, we very nineteen nineties six.

986
00:45:45,920 --> 00:45:48,919
Speaker 1: It's very ninety six, and we have for the most

987
00:45:49,000 --> 00:45:52,120
Speaker 1: part chosen to say we will mention when something doesn't

988
00:45:52,160 --> 00:45:55,600
Speaker 1: necessarily age well. But we also realized it was recorded

989
00:45:55,680 --> 00:45:58,279
Speaker 1: in ninety sixteen ninety and we we don't like to

990
00:45:58,520 --> 00:46:01,279
Speaker 1: we don't. That's how what you that was just unfortunately,

991
00:46:01,280 --> 00:46:02,680
Speaker 1: except for better or worse, that's what.

992
00:46:02,719 --> 00:46:03,960
Speaker 2: You did, and it is what it is.

993
00:46:04,080 --> 00:46:05,920
Speaker 3: So we're not we don't do on it. You are

994
00:46:05,920 --> 00:46:12,320
Speaker 3: a psycho bum, Yes, you were a cycle there's you

995
00:46:12,360 --> 00:46:15,160
Speaker 3: should alive yourself because you're a gay cycle bump in

996
00:46:15,200 --> 00:46:18,040
Speaker 3: the nineteen ninety six Wow a.

997
00:46:18,160 --> 00:46:20,279
Speaker 4: New T shirt, new merch psycle bomb.

998
00:46:24,800 --> 00:46:25,000
Speaker 3: Wow.

999
00:46:25,960 --> 00:46:26,680
Speaker 4: Oh my gosh.

1000
00:46:27,120 --> 00:46:29,279
Speaker 3: They're trying to kill it. They're trying to kill it.

1001
00:46:30,719 --> 00:46:31,600
Speaker 3: They're trying to kill it.

1002
00:46:34,120 --> 00:46:36,320
Speaker 2: Karina asks, you don't want to see me anymore?

1003
00:46:36,360 --> 00:46:36,640
Speaker 4: Do you?

1004
00:46:37,160 --> 00:46:39,880
Speaker 1: Eric swiftly replies, Oh see, it's not just that I

1005
00:46:40,000 --> 00:46:41,680
Speaker 1: want to put you on a rocket ship and send

1006
00:46:41,760 --> 00:46:42,520
Speaker 1: you to the planet.

1007
00:46:42,680 --> 00:46:44,600
Speaker 3: Fluf fluga, fuf fluga.

1008
00:46:44,960 --> 00:46:47,120
Speaker 4: Oh you already I missed it. But my one of

1009
00:46:47,200 --> 00:46:50,000
Speaker 4: my favorite, like I think the best way that it

1010
00:46:50,160 --> 00:46:53,080
Speaker 4: goes her songwriting and her saccharine misc goes over the

1011
00:46:53,120 --> 00:46:53,719
Speaker 4: top is when she.

1012
00:46:53,800 --> 00:46:56,839
Speaker 2: Goes chew chew che Oh my god.

1013
00:46:56,920 --> 00:46:59,360
Speaker 4: That is such a brilliant moment. It's like, because you

1014
00:46:59,400 --> 00:47:02,120
Speaker 4: can established she writes these songs from when she goes

1015
00:47:02,160 --> 00:47:06,680
Speaker 4: and we the book get the fluid goes stop like that.

1016
00:47:06,960 --> 00:47:09,200
Speaker 4: That's like, it's perfect, It's perfect.

1017
00:47:09,560 --> 00:47:13,200
Speaker 3: I remembered every single song, did you. That was the

1018
00:47:13,239 --> 00:47:17,960
Speaker 3: thing that made I couldn't along with every single song.

1019
00:47:18,040 --> 00:47:19,960
Speaker 3: I remember, yeah, oh man.

1020
00:47:20,400 --> 00:47:24,279
Speaker 1: And then she strums her guitar and Eric realizes she

1021
00:47:24,480 --> 00:47:26,879
Speaker 1: just played a minor chord. And again, when you talk

1022
00:47:26,880 --> 00:47:32,120
Speaker 1: about the transitions, writer, he this is exactly in this scene. Specifically,

1023
00:47:32,719 --> 00:47:36,560
Speaker 1: the way you go from like, oh, fla fluga to

1024
00:47:39,080 --> 00:47:42,240
Speaker 1: that's a minor chord is so good and it's so funny.

1025
00:47:43,719 --> 00:47:44,200
Speaker 4: This is all.

1026
00:47:44,120 --> 00:47:47,399
Speaker 3: Obviously based on Alanis Morissett was huge at the time. Yeah,

1027
00:47:47,560 --> 00:47:49,600
Speaker 3: so Jaggie Little Pill I think came out in ninety

1028
00:47:49,880 --> 00:47:53,279
Speaker 3: five or ninety six. So this was all based on

1029
00:47:53,560 --> 00:47:55,760
Speaker 3: Alanis Morissett, of course, of course.

1030
00:47:55,640 --> 00:47:59,919
Speaker 1: I mean she specifically mentions, yeah, her name is mentioned later,

1031
00:48:00,160 --> 00:48:00,799
Speaker 1: which is good that.

1032
00:48:00,840 --> 00:48:02,000
Speaker 2: There's at least a nod to.

1033
00:48:04,320 --> 00:48:07,720
Speaker 1: Karina starts to sing an edgy song channeling Alanis Morrisseid

1034
00:48:07,800 --> 00:48:10,879
Speaker 1: or Fiona Apple, with lyrics highlighting her heartbreak from Eric.

1035
00:48:11,200 --> 00:48:14,680
Speaker 1: She continuously calls him shallow boy. And those who are

1036
00:48:14,760 --> 00:48:17,600
Speaker 1: left in the restaurant, including Jackie, who is now dancing,

1037
00:48:17,840 --> 00:48:19,400
Speaker 1: she actually loves this song.

1038
00:48:19,400 --> 00:48:21,640
Speaker 3: Very happy with the dancing in the background. She's like

1039
00:48:21,719 --> 00:48:22,160
Speaker 3: going at it.

1040
00:48:22,400 --> 00:48:25,080
Speaker 1: Yeah, And then we're back in the school hallway. Corey

1041
00:48:25,160 --> 00:48:27,160
Speaker 1: walks up to Tapanga at her locker. He thought they

1042
00:48:27,160 --> 00:48:29,520
Speaker 1: could grab a bite ski at this charming little place

1043
00:48:29,600 --> 00:48:31,400
Speaker 1: called the Cafeteria bite.

1044
00:48:31,160 --> 00:48:33,120
Speaker 3: Ski bite Ski bite Ski.

1045
00:48:33,200 --> 00:48:40,440
Speaker 4: I just thought of Broski and bro Ham and Nosiski.

1046
00:48:38,239 --> 00:48:38,719
Speaker 3: A bite ski.

1047
00:48:39,920 --> 00:48:42,879
Speaker 1: Tpega harshly asks what would be the point Corey. Corey

1048
00:48:43,000 --> 00:48:45,480
Speaker 1: rattles off the three points he's hungry to Benga's girlfriend.

1049
00:48:45,520 --> 00:48:46,600
Speaker 1: It's taco bar Tuesday.

1050
00:48:46,840 --> 00:48:50,000
Speaker 2: Tapega worridly asks, you would feed tacos to our child?

1051
00:48:50,440 --> 00:48:51,760
Speaker 3: Red flag? Red flag?

1052
00:48:51,960 --> 00:48:55,839
Speaker 7: Yeah, this is where story is a little, of course,

1053
00:48:56,120 --> 00:48:59,799
Speaker 7: but I like knowing she's a little unbalanced.

1054
00:49:00,200 --> 00:49:01,000
Speaker 3: I'll be honest with you.

1055
00:49:01,360 --> 00:49:03,840
Speaker 1: Well, well, sure, at least at least they're both psycho.

1056
00:49:06,200 --> 00:49:08,960
Speaker 1: I have never I have never held back when I

1057
00:49:09,000 --> 00:49:12,080
Speaker 1: thought that Corey was unlikable. And so I'm just gonna

1058
00:49:12,080 --> 00:49:16,040
Speaker 1: say to Panga, sucks. In this scene, she is handling

1059
00:49:16,120 --> 00:49:20,719
Speaker 1: what could be a totally normal conversation in a psycho way.

1060
00:49:21,200 --> 00:49:24,440
Speaker 1: For no other term, she's just crazy. And for me,

1061
00:49:25,760 --> 00:49:28,560
Speaker 1: the issue, I can't even believe that there's actually a

1062
00:49:28,640 --> 00:49:30,920
Speaker 1: real issue, which is, like, Corey, you came over to

1063
00:49:31,040 --> 00:49:34,360
Speaker 1: my job that I get paid for and you completely

1064
00:49:34,480 --> 00:49:36,960
Speaker 1: undermined me. That made me, that didn't make me feel good.

1065
00:49:37,040 --> 00:49:39,400
Speaker 1: And if here's a version of conflict, there's a version

1066
00:49:40,719 --> 00:49:43,040
Speaker 1: about our future child and him being a parent, there's

1067
00:49:43,120 --> 00:49:44,840
Speaker 1: actually something real there to talk.

1068
00:49:44,760 --> 00:49:47,719
Speaker 4: About is pretty funny, like Corey's reactions, like, that's the

1069
00:49:47,760 --> 00:49:50,200
Speaker 4: thing is that I think the writers just loved watching

1070
00:49:50,239 --> 00:49:56,080
Speaker 4: poor Corey be likely kissing and unfortunately it's an echo

1071
00:49:56,520 --> 00:49:59,120
Speaker 4: of what Eric's going through, right like you have you

1072
00:49:59,200 --> 00:50:02,440
Speaker 4: have the the psycho woman trope being played out in

1073
00:50:02,600 --> 00:50:06,800
Speaker 4: both storylines, and unfortunately it's just really funny.

1074
00:50:06,920 --> 00:50:08,640
Speaker 2: It is, so it's just too good.

1075
00:50:08,760 --> 00:50:10,800
Speaker 4: You could see that they were like, maybe it doesn't

1076
00:50:10,800 --> 00:50:13,759
Speaker 4: make sense. And even the fact that Tapanga just resolves it,

1077
00:50:13,880 --> 00:50:16,080
Speaker 4: like she just comes back and says, I love you

1078
00:50:16,120 --> 00:50:18,560
Speaker 4: anyway Corey at the end of the episode indicates that

1079
00:50:18,719 --> 00:50:22,759
Speaker 4: they didn't really know how to write the situation so

1080
00:50:22,880 --> 00:50:24,919
Speaker 4: that it actually made sense. But it doesn't matter, because

1081
00:50:25,000 --> 00:50:26,680
Speaker 4: the experience of comedy.

1082
00:50:26,400 --> 00:50:28,200
Speaker 1: Is just I know, And so I would just like

1083
00:50:28,320 --> 00:50:30,480
Speaker 1: to say, it doesn't change the way I feel about

1084
00:50:30,520 --> 00:50:32,319
Speaker 1: the episode. It doesn't even change the way I feel

1085
00:50:32,320 --> 00:50:34,600
Speaker 1: about the scene. It's all very funny, and Corey is

1086
00:50:34,800 --> 00:50:37,880
Speaker 1: so funny in his reactions. But I didn't want to

1087
00:50:38,040 --> 00:50:42,200
Speaker 1: not mention that Topanga is acting like a psychopath because

1088
00:50:42,719 --> 00:50:45,279
Speaker 1: we have a few times mentioned when we have felt

1089
00:50:45,320 --> 00:50:47,600
Speaker 1: like Corey has done it, So I in We are

1090
00:50:47,680 --> 00:50:49,200
Speaker 1: a fair show, I would go.

1091
00:50:49,200 --> 00:50:51,200
Speaker 4: To the extreme. I would go to the opposite, which

1092
00:50:51,280 --> 00:50:55,759
Speaker 4: is people's ability to connect with children is more rare

1093
00:50:55,840 --> 00:50:58,280
Speaker 4: than their ability to be authoritarian as a father figure.

1094
00:50:58,560 --> 00:50:59,840
Speaker 2: So the fact that Corey.

1095
00:50:59,680 --> 00:51:02,560
Speaker 4: Could connect with this kid and and make him laugh

1096
00:51:02,800 --> 00:51:05,520
Speaker 4: is make him at the greatest skill that you could.

1097
00:51:05,520 --> 00:51:07,600
Speaker 4: You should look forward to partner and like for her

1098
00:51:07,719 --> 00:51:10,200
Speaker 4: not to recognize that, for the show not to recognize that, like,

1099
00:51:10,440 --> 00:51:13,239
Speaker 4: oh my god, Corey bonding with this little boy, that

1100
00:51:13,600 --> 00:51:16,280
Speaker 4: is rare, especially for men, you know, in the nineties,

1101
00:51:16,360 --> 00:51:18,640
Speaker 4: to like to like want to bond to a kid

1102
00:51:18,680 --> 00:51:20,239
Speaker 4: and hang out with him and play video like that

1103
00:51:20,480 --> 00:51:22,000
Speaker 4: school that's there.

1104
00:51:26,320 --> 00:51:28,400
Speaker 2: I know, I know, I you know what. I agree

1105
00:51:28,400 --> 00:51:30,400
Speaker 2: with you. So she's wrong, she's wrong, and she's.

1106
00:51:31,360 --> 00:51:33,240
Speaker 3: I just like to know, though that she's not perfect.

1107
00:51:33,360 --> 00:51:34,480
Speaker 3: I like knowing that she's all.

1108
00:51:35,160 --> 00:51:36,040
Speaker 2: I appreciate it.

1109
00:51:36,600 --> 00:51:40,239
Speaker 1: She isn't because truthfully, one of if I were to

1110
00:51:40,400 --> 00:51:41,960
Speaker 1: overall and we'll wait till we get to the end

1111
00:51:42,000 --> 00:51:43,560
Speaker 1: of the show, because I obviously have there's so many

1112
00:51:43,600 --> 00:51:45,399
Speaker 1: episodes coming up that I don't know what they entail.

1113
00:51:45,840 --> 00:51:48,000
Speaker 2: But if I had one criticism.

1114
00:51:48,480 --> 00:51:51,480
Speaker 1: I think thus far of Tapanga is she was written

1115
00:51:51,600 --> 00:51:56,400
Speaker 1: in such an idealistic way. She is, you know, except

1116
00:51:56,400 --> 00:51:59,920
Speaker 1: for these moments, kind of an unrealistic portrayal.

1117
00:51:59,600 --> 00:52:02,480
Speaker 2: Of the pert woman. So anyway, it doesn't change the

1118
00:52:02,520 --> 00:52:03,160
Speaker 2: way I feel about it.

1119
00:52:03,280 --> 00:52:05,600
Speaker 4: Love the scene, love it, but just I think the

1120
00:52:05,640 --> 00:52:08,239
Speaker 4: Penga does become overbearing and controlling, like that ends up

1121
00:52:08,280 --> 00:52:08,799
Speaker 4: being the thing.

1122
00:52:08,960 --> 00:52:09,279
Speaker 2: I think.

1123
00:52:09,400 --> 00:52:12,280
Speaker 4: Yeah, she's a perfectionist and she holds Corey to too high.

1124
00:52:12,160 --> 00:52:15,200
Speaker 1: Of a standard, right, But I feel like even in that,

1125
00:52:15,440 --> 00:52:17,279
Speaker 1: unless I'm wrong, and I might be because I have

1126
00:52:17,360 --> 00:52:19,879
Speaker 1: no idea what's coming. I have fully blocked out five

1127
00:52:19,960 --> 00:52:22,840
Speaker 1: through seven, seasons five through seven in my brain. But

1128
00:52:22,960 --> 00:52:26,200
Speaker 1: I think she recognizes it, Like I know she knows

1129
00:52:26,239 --> 00:52:28,400
Speaker 1: she has this, Like, oh, I know it's terrible that

1130
00:52:28,480 --> 00:52:30,719
Speaker 1: I'm obsessed with all a's but it's just who I am.

1131
00:52:31,120 --> 00:52:34,440
Speaker 1: So there's like a more self aware version of being unlikable.

1132
00:52:34,480 --> 00:52:35,920
Speaker 2: But maybe I'm wrong. I don't know.

1133
00:52:36,160 --> 00:52:37,799
Speaker 4: We actually already have seen that. Remember when you were

1134
00:52:37,840 --> 00:52:40,440
Speaker 4: like demanding with the tape recorder in Phoene's face, like

1135
00:52:40,520 --> 00:52:43,360
Speaker 4: tell me the answer, tell me, Yeah, I can't help myself.

1136
00:52:54,800 --> 00:52:57,600
Speaker 2: Okay, So Corey freaks out, are what you and I

1137
00:52:57,680 --> 00:52:59,719
Speaker 2: are going to have a child. We've only kissed. I mean,

1138
00:52:59,760 --> 00:53:02,640
Speaker 2: I know it was a good kisser, but wow, wow.

1139
00:53:04,360 --> 00:53:04,760
Speaker 3: Exactly.

1140
00:53:04,920 --> 00:53:07,799
Speaker 1: Tapanga explains our future child, the one we'd have if

1141
00:53:07,840 --> 00:53:11,000
Speaker 1: we got married. Oh, that kid, would I feed him tacos?

1142
00:53:11,120 --> 00:53:11,319
Speaker 3: Yeah?

1143
00:53:11,480 --> 00:53:12,479
Speaker 4: Four for ninety nine.

1144
00:53:12,440 --> 00:53:16,760
Speaker 1: Cents, It's gonna be Taco crazy, Taco crazy to Beanga

1145
00:53:16,840 --> 00:53:18,920
Speaker 1: explains she's really upset with him and asks if he

1146
00:53:19,000 --> 00:53:22,399
Speaker 1: knows why. Corey guesses something I've done or haven't done,

1147
00:53:22,600 --> 00:53:24,440
Speaker 1: or did do but didn't do properly.

1148
00:53:24,760 --> 00:53:27,880
Speaker 2: Now with that said, Taco, that's where that started.

1149
00:53:27,960 --> 00:53:32,120
Speaker 3: So Eron and Jack do that later on dates Taco really,

1150
00:53:32,120 --> 00:53:34,200
Speaker 3: and I thought it was an Eric thing. I did

1151
00:53:34,280 --> 00:53:35,560
Speaker 3: not know it started with Corey.

1152
00:53:35,840 --> 00:53:38,759
Speaker 2: That is a one hundred percent Michael Jacob's thing. Yeah,

1153
00:53:39,200 --> 00:53:40,840
Speaker 2: I remember, I remember.

1154
00:53:43,480 --> 00:53:48,000
Speaker 1: I can picture him right now doing it. Tanga doesn't

1155
00:53:48,040 --> 00:53:50,640
Speaker 1: budge you let Billy stay up last Friday night. You'd

1156
00:53:50,719 --> 00:53:53,600
Speaker 1: rather be pals with our kids than a strong, responsible

1157
00:53:53,719 --> 00:53:56,560
Speaker 1: role model. Corey, at the risk of being argumentative, reminds

1158
00:53:56,600 --> 00:53:59,520
Speaker 1: her they don't have any kids. Tapega says, and we're

1159
00:53:59,560 --> 00:54:02,040
Speaker 1: not gonna you know why, and Corey guesses because we're

1160
00:54:02,120 --> 00:54:07,520
Speaker 1: just kissing. She tells him a family falls apart if

1161
00:54:07,520 --> 00:54:10,200
Speaker 1: there are not strong, authoritative role models at home, but

1162
00:54:10,320 --> 00:54:12,960
Speaker 1: Corey retorts that it wasn't their home or their kid.

1163
00:54:13,280 --> 00:54:15,439
Speaker 1: I'm sure what you're saying probably makes a lot of sense,

1164
00:54:15,520 --> 00:54:17,200
Speaker 1: but right now my blood sugar level is.

1165
00:54:17,239 --> 00:54:19,160
Speaker 2: Dropping, and all I want is a little taco.

1166
00:54:19,920 --> 00:54:22,560
Speaker 1: Tapega says, if that taco is more important than their child,

1167
00:54:22,640 --> 00:54:25,440
Speaker 1: then this family has dysfunction written all over it. She

1168
00:54:25,560 --> 00:54:28,120
Speaker 1: storms off, and a giddy Sean appears, asking Corey if

1169
00:54:28,160 --> 00:54:31,640
Speaker 1: he wants a taco. Corey a defeated Corey size, I

1170
00:54:31,719 --> 00:54:33,440
Speaker 1: don't think I'm supposed to have one.

1171
00:54:33,760 --> 00:54:36,239
Speaker 3: Great read, He's like, looking around, like, I don't think

1172
00:54:36,280 --> 00:54:40,560
Speaker 3: I'm supposed to have so lost awesome. The curly head,

1173
00:54:40,840 --> 00:54:42,320
Speaker 3: curly haired kid keeps digging.

1174
00:54:42,040 --> 00:54:46,040
Speaker 2: It deeper and deeper and deeper. And then we're at

1175
00:54:46,080 --> 00:54:48,600
Speaker 2: the family Wilderness store. Eric is working in. Corey and

1176
00:54:48,640 --> 00:54:49,759
Speaker 2: Sean run in to ask him.

1177
00:54:49,640 --> 00:54:53,360
Speaker 3: A question, and I think, writer, this is probably the

1178
00:54:53,400 --> 00:54:56,000
Speaker 3: start of you and I not being able to work together.

1179
00:54:56,080 --> 00:54:56,960
Speaker 4: Because we're laughing at this.

1180
00:54:57,160 --> 00:54:59,360
Speaker 3: We look like we're you look like you're about to

1181
00:54:59,400 --> 00:55:03,400
Speaker 3: break most I'm I'm just not looking at you, like

1182
00:55:03,520 --> 00:55:05,560
Speaker 3: I literally I don't think I make eye contact with

1183
00:55:05,680 --> 00:55:07,560
Speaker 3: you once during this entire scene.

1184
00:55:08,000 --> 00:55:10,760
Speaker 1: This is another one of those scenes that like writer mentioned,

1185
00:55:10,760 --> 00:55:13,200
Speaker 1: which was such a brilliant point that sitcom acting is

1186
00:55:13,239 --> 00:55:15,960
Speaker 1: so much about committing and transitioning. This is another one

1187
00:55:16,040 --> 00:55:18,080
Speaker 1: of those scenes where they present you with thing after

1188
00:55:18,160 --> 00:55:20,640
Speaker 1: thing after thing, and you come up with a new

1189
00:55:20,680 --> 00:55:23,040
Speaker 1: one for everyone and someone. I mean at the end

1190
00:55:23,080 --> 00:55:25,360
Speaker 1: when you're just smiling and saying you're famous, when just

1191
00:55:25,480 --> 00:55:28,200
Speaker 1: before you had been arguing so committedly that it wasn't

1192
00:55:28,200 --> 00:55:28,799
Speaker 1: even about you.

1193
00:55:29,120 --> 00:55:30,560
Speaker 3: Is so great.

1194
00:55:30,960 --> 00:55:31,440
Speaker 2: Oh thank you?

1195
00:55:31,800 --> 00:55:33,880
Speaker 4: You were a whole scene is And the way it's

1196
00:55:33,920 --> 00:55:36,040
Speaker 4: blocked too, Like Corey and I come in, we're like

1197
00:55:36,120 --> 00:55:37,800
Speaker 4: one force. Alan's on the other side, and you're in

1198
00:55:37,840 --> 00:55:41,440
Speaker 4: the middle just bouncing, just bouncing between like what we

1199
00:55:41,600 --> 00:55:46,160
Speaker 4: talk about this opening though, I went back like three times,

1200
00:55:46,320 --> 00:55:48,560
Speaker 4: like what is going on with the noise? The sound

1201
00:55:48,680 --> 00:55:49,000
Speaker 4: do you guys?

1202
00:55:49,080 --> 00:55:53,200
Speaker 3: Do you guys hear It's terrible, It's no it's the whatever.

1203
00:55:55,239 --> 00:55:57,840
Speaker 4: I was like, what's going on? I literally sound in

1204
00:55:57,880 --> 00:55:59,320
Speaker 4: my room and I was like, is something.

1205
00:55:59,800 --> 00:56:02,440
Speaker 2: We paused it twice because I thought it was our

1206
00:56:02,640 --> 00:56:06,120
Speaker 2: baby monitor. Yes, I was like, the children are doing

1207
00:56:06,200 --> 00:56:09,680
Speaker 2: a weird thing. By the way, little critique not a

1208
00:56:09,680 --> 00:56:10,359
Speaker 2: good enough joke.

1209
00:56:10,960 --> 00:56:13,600
Speaker 4: No, no, it should have been set off. It should

1210
00:56:13,600 --> 00:56:16,640
Speaker 4: have been said. But because it happened, the sled dog

1211
00:56:16,760 --> 00:56:18,880
Speaker 4: reference was made after you'd already heard it for the

1212
00:56:18,920 --> 00:56:21,520
Speaker 4: first thirty seconds, so you're already like we would. But

1213
00:56:21,600 --> 00:56:24,080
Speaker 4: if you set it up as like, oh, we're listening

1214
00:56:24,160 --> 00:56:26,880
Speaker 4: to this crazy thing and then you hear the crazy thing,

1215
00:56:26,920 --> 00:56:28,520
Speaker 4: I don't know. Yeah it's a summer.

1216
00:56:28,520 --> 00:56:30,560
Speaker 2: It wasn't, and it was like not loud enough.

1217
00:56:30,719 --> 00:56:33,239
Speaker 1: Had it been louder where it was obviously coming from

1218
00:56:33,400 --> 00:56:35,640
Speaker 1: the set, you would be like, so eventually they're going

1219
00:56:35,719 --> 00:56:37,440
Speaker 1: to acknowledge what this is right or this is going

1220
00:56:37,480 --> 00:56:37,920
Speaker 1: to pay off.

1221
00:56:38,000 --> 00:56:41,439
Speaker 2: But it was like too low. It was mixed weird. Yeah, okay,

1222
00:56:41,520 --> 00:56:43,000
Speaker 2: so uh, Corey and Sean run in.

1223
00:56:43,040 --> 00:56:44,520
Speaker 1: They asked him a question, you know how you got

1224
00:56:44,560 --> 00:56:46,640
Speaker 1: this great new job with dad and your life's finally

1225
00:56:46,719 --> 00:56:49,840
Speaker 1: beginning to come together. Eric nods that's over. Sean asks

1226
00:56:49,920 --> 00:56:52,160
Speaker 1: CD player, you got one. Sean hands him a disc

1227
00:56:52,200 --> 00:56:54,080
Speaker 1: and Eric says he just has to pull out the

1228
00:56:54,160 --> 00:56:59,520
Speaker 1: sounds of the sleeping sled dogs. CD Sean explains, we

1229
00:56:59,600 --> 00:57:02,120
Speaker 1: were walking by Varsity Records and we saw them putting

1230
00:57:02,160 --> 00:57:02,759
Speaker 1: these in the window.

1231
00:57:02,960 --> 00:57:05,759
Speaker 2: Eric looks at the cover. Hey, this looks just like Corinna.

1232
00:57:05,600 --> 00:57:07,160
Speaker 3: Sean album like a day.

1233
00:57:08,920 --> 00:57:12,560
Speaker 4: Sean nods, actually, is I mean that is like the

1234
00:57:12,640 --> 00:57:15,840
Speaker 4: Insurgent that her uncle did it, which worked well, yeah earlier.

1235
00:57:17,040 --> 00:57:19,000
Speaker 2: Uh yeah, ain't that a hoot? Sean says.

1236
00:57:19,400 --> 00:57:21,320
Speaker 1: Eric's astonished that she was able to put out a

1237
00:57:21,400 --> 00:57:23,800
Speaker 1: record so fast, but then he sees the words Uncle

1238
00:57:23,920 --> 00:57:26,840
Speaker 1: David's Records and Tapes on the back. Alan notices the

1239
00:57:26,880 --> 00:57:30,680
Speaker 1: warning not suitable for children. Eric plays the first song

1240
00:57:30,760 --> 00:57:33,840
Speaker 1: and it's shallow Boy. Corey points out, wow, she sounds

1241
00:57:33,920 --> 00:57:36,720
Speaker 1: really angry. Sean nods, yeah, and that was the ballad.

1242
00:57:37,560 --> 00:57:39,720
Speaker 1: Eric says, there's two billion people in the world. She

1243
00:57:39,760 --> 00:57:42,120
Speaker 1: could be angry about anybody. Sean reads the back of

1244
00:57:42,160 --> 00:57:44,960
Speaker 1: the case, track number two. Eric matthews, you're so vain.

1245
00:57:45,080 --> 00:57:47,840
Speaker 1: You probably didn't know the song before this was about you,

1246
00:57:49,240 --> 00:57:52,439
Speaker 1: and Corey says, all signs point to you. Eric says

1247
00:57:52,560 --> 00:57:54,320
Speaker 1: this is just something her uncle put together in a

1248
00:57:54,360 --> 00:57:56,600
Speaker 1: booth somewhere. It's not like anybody's gonna hear it. Then

1249
00:57:56,640 --> 00:58:01,000
Speaker 1: Sean turns the radio on and perfectly timed DJ announces,

1250
00:58:01,240 --> 00:58:03,760
Speaker 1: if you thought Alana's held a grudge, you ain't heard

1251
00:58:03,920 --> 00:58:06,600
Speaker 1: nothing yet. Her name is Karina, and she's real mad

1252
00:58:06,640 --> 00:58:09,960
Speaker 1: at some pitiful creep named Eric Matthews. This one ought

1253
00:58:10,000 --> 00:58:12,720
Speaker 1: to be on the charts for twenty years. Eric smiles

1254
00:58:12,800 --> 00:58:15,160
Speaker 1: as the song plays. He finds the silver lining in

1255
00:58:15,240 --> 00:58:16,320
Speaker 1: a very Corina way.

1256
00:58:16,800 --> 00:58:18,160
Speaker 2: I'm famous, I'm famous.

1257
00:58:20,520 --> 00:58:24,040
Speaker 1: Such a brilliant scene. Uh so, I mean, will you

1258
00:58:24,240 --> 00:58:27,680
Speaker 1: just carry this whole episode so beautifully? And then we're

1259
00:58:27,720 --> 00:58:30,320
Speaker 1: in the Matthews living room and now I noticed, did

1260
00:58:30,360 --> 00:58:32,280
Speaker 1: you guys notice the family picture does have.

1261
00:58:32,360 --> 00:58:32,920
Speaker 2: Lindsay in it?

1262
00:58:33,240 --> 00:58:33,360
Speaker 3: Oh?

1263
00:58:33,520 --> 00:58:33,760
Speaker 1: Does it?

1264
00:58:34,040 --> 00:58:34,080
Speaker 3: No?

1265
00:58:34,320 --> 00:58:34,840
Speaker 4: I didn't know.

1266
00:58:35,160 --> 00:58:38,320
Speaker 1: We took a new one and Lindsay either it's a

1267
00:58:38,440 --> 00:58:41,480
Speaker 1: new one or they fote they put they put in

1268
00:58:42,960 --> 00:58:45,600
Speaker 1: a photo and it is lind Yeah.

1269
00:58:46,120 --> 00:58:47,520
Speaker 2: No, I meant, I didn't think it was photoshop.

1270
00:58:47,560 --> 00:58:49,960
Speaker 1: I literally thought maybe they cut her face out and

1271
00:58:50,280 --> 00:58:51,760
Speaker 1: literally just stuck it on there.

1272
00:58:52,880 --> 00:58:53,800
Speaker 3: Oh I didn't notice that.

1273
00:58:54,000 --> 00:58:56,439
Speaker 2: Yeah, so Lindsay is in the photo. Yes.

1274
00:58:56,880 --> 00:58:58,560
Speaker 1: So Corey is reading a book on the couch as

1275
00:58:58,560 --> 00:59:00,760
Speaker 1: Amy enters and says it's so good to see him studying,

1276
00:59:00,800 --> 00:59:03,400
Speaker 1: And then she reads the book's title, So you're going

1277
00:59:03,480 --> 00:59:04,320
Speaker 1: to be a daddy?

1278
00:59:04,720 --> 00:59:06,720
Speaker 2: Oh boy, suddenly I have no legs.

1279
00:59:08,920 --> 00:59:17,160
Speaker 4: The book who David Phddah?

1280
00:59:17,560 --> 00:59:18,480
Speaker 2: I love it so much.

1281
00:59:19,400 --> 00:59:22,280
Speaker 1: Cory says, it's not what she's thinking, miss dirty mind.

1282
00:59:22,640 --> 00:59:27,320
Speaker 1: Also else do you expect her to think, Miss dirty mind,

1283
00:59:27,480 --> 00:59:29,880
Speaker 1: you're reading a book about being a daddy. Is acting

1284
00:59:30,000 --> 00:59:34,440
Speaker 1: like she's crazy? Cory says, it's research. One day Tapega

1285
00:59:34,480 --> 00:59:35,960
Speaker 1: will be a mother and I'm going to be the

1286
00:59:36,000 --> 00:59:36,720
Speaker 1: father or.

1287
00:59:36,840 --> 00:59:41,200
Speaker 2: The uncle or the way I'm going the guy down

1288
00:59:41,280 --> 00:59:42,640
Speaker 2: the street with the monocular.

1289
00:59:43,640 --> 00:59:45,440
Speaker 1: I just want to be ready for whatever it is

1290
00:59:45,480 --> 00:59:48,240
Speaker 1: I'm going to be, and I want to know the uncle.

1291
00:59:48,800 --> 00:59:52,240
Speaker 1: What is happening here? Did he mean the same way

1292
00:59:52,400 --> 00:59:55,240
Speaker 1: you guys are Uncle Will and Uncle Wryder? Or does

1293
00:59:55,320 --> 00:59:57,360
Speaker 1: he mean he needs to again?

1294
00:59:57,640 --> 01:00:02,160
Speaker 3: Eric might have a stranger the world.

1295
01:00:02,840 --> 01:00:04,880
Speaker 4: Sean will have kids and he'll be like uncle.

1296
01:00:05,240 --> 01:00:09,520
Speaker 3: Then the funkle, the right, the funkle right, the knuckle

1297
01:00:09,560 --> 01:00:11,840
Speaker 3: funkle buncle flip flap knuckle.

1298
01:00:12,160 --> 01:00:13,880
Speaker 1: Guys, guys, I was reading I was reading some of

1299
01:00:13,960 --> 01:00:17,240
Speaker 1: our emails last night, and somebody wrote in there that

1300
01:00:18,160 --> 01:00:21,120
Speaker 1: all they could think of during our phil Leads story was.

1301
01:00:22,600 --> 01:00:29,840
Speaker 2: Nothing on your broccoli flaps, and I just I want

1302
01:00:29,880 --> 01:00:32,160
Speaker 2: you to know that is ruined my night.

1303
01:00:36,080 --> 01:00:37,920
Speaker 3: It also I ruined your broccoli.

1304
01:00:38,880 --> 01:00:44,960
Speaker 4: Your funkleun on your broccoli flaps.

1305
01:00:46,440 --> 01:00:55,680
Speaker 3: Oh god, oh that even hurt me with your broccoli flaps. Oh.

1306
01:00:58,040 --> 01:01:00,400
Speaker 1: I tell you you know, you really you have to

1307
01:01:00,560 --> 01:01:03,400
Speaker 1: You have to prepare yourself before you read our emails sometimes.

1308
01:01:03,080 --> 01:01:04,800
Speaker 4: So we listen to podcast or.

1309
01:01:08,280 --> 01:01:09,680
Speaker 3: Oh yikes.

1310
01:01:21,520 --> 01:01:23,680
Speaker 2: Amy assures him, you learn from experience.

1311
01:01:23,760 --> 01:01:25,760
Speaker 1: Your dad and I weren't prepared in advance, but we

1312
01:01:25,880 --> 01:01:28,040
Speaker 1: did the best we could and we ended up raising

1313
01:01:28,120 --> 01:01:31,800
Speaker 1: three wonderful, well adjusted children. Eric walks in right on

1314
01:01:31,880 --> 01:01:35,520
Speaker 1: Q announcing, now I'm a maladjusted woman, hating loser freak.

1315
01:01:35,760 --> 01:01:37,560
Speaker 2: Amy corrects herself. Okay, two.

1316
01:01:38,120 --> 01:01:40,160
Speaker 1: Corey asks if Karina came out with a new song,

1317
01:01:40,240 --> 01:01:43,560
Speaker 1: and again on cue, Morgan walks down the stairs singing

1318
01:01:43,640 --> 01:01:45,200
Speaker 1: the new Corina song about.

1319
01:01:45,120 --> 01:01:47,520
Speaker 3: Eric Ben and they couldn't hold it together when this

1320
01:01:47,600 --> 01:01:49,760
Speaker 3: is and we talked to her about this when she

1321
01:01:49,840 --> 01:01:52,320
Speaker 3: was on the podcast. We just every time she came

1322
01:01:52,360 --> 01:01:54,600
Speaker 3: down singing. We don't know if it's because she committed

1323
01:01:54,720 --> 01:01:57,760
Speaker 3: so hard and she's so it was so good, but

1324
01:01:57,920 --> 01:01:59,760
Speaker 3: it was like then she come right in our ear,

1325
01:01:59,840 --> 01:02:01,680
Speaker 3: and we just we couldn't hold it together. We could

1326
01:02:01,720 --> 01:02:02,360
Speaker 3: not hold it together.

1327
01:02:02,920 --> 01:02:04,439
Speaker 1: I could see it a little bit on your face,

1328
01:02:04,760 --> 01:02:06,920
Speaker 1: and I remember when you guys talk to her about it.

1329
01:02:08,080 --> 01:02:10,080
Speaker 1: And she then takes off her headphones to say, I

1330
01:02:10,120 --> 01:02:13,640
Speaker 1: can't believe you're my brother. Ew Eric explains that this

1331
01:02:13,800 --> 01:02:16,560
Speaker 1: is a very difficult situation. Karina is a sweet girl

1332
01:02:16,640 --> 01:02:18,720
Speaker 1: with a great artistic spirit, and it would be wrong

1333
01:02:18,800 --> 01:02:21,600
Speaker 1: to crush that. Morgan bursts back through the door, singing

1334
01:02:21,680 --> 01:02:24,800
Speaker 1: the song, suggesting Eric might be gay. Eric, here's this

1335
01:02:24,840 --> 01:02:28,120
Speaker 1: in yell's Okay, this chick is toast, and again, because

1336
01:02:28,160 --> 01:02:31,560
Speaker 1: in nineteen ninety six, this is the worst insult you

1337
01:02:31,640 --> 01:02:35,240
Speaker 1: could hurl at a teenage boy and also the most

1338
01:02:35,360 --> 01:02:35,960
Speaker 1: common one.

1339
01:02:36,320 --> 01:02:41,520
Speaker 4: Yeah right, everything about this is very ninety six.

1340
01:02:41,720 --> 01:02:44,840
Speaker 2: Yeah it's ninety chick is toasted.

1341
01:02:45,280 --> 01:02:46,680
Speaker 3: Yep, pretty much.

1342
01:02:49,040 --> 01:02:51,640
Speaker 1: Alan then walks in and innocently asks you remember that

1343
01:02:51,720 --> 01:02:53,400
Speaker 1: girl who was playing guitar in front of our store.

1344
01:02:53,760 --> 01:02:57,400
Speaker 2: Eric sarcastically says, no, and I love the way you do.

1345
01:02:57,640 --> 01:03:06,080
Speaker 4: Know you get away audience. Being this awful to Alan

1346
01:03:06,120 --> 01:03:08,000
Speaker 4: would have been like whoa, dude, whoa? But we are

1347
01:03:08,160 --> 01:03:09,080
Speaker 4: so on your side.

1348
01:03:09,200 --> 01:03:10,760
Speaker 2: It's so good.

1349
01:03:10,960 --> 01:03:11,000
Speaker 3: No.

1350
01:03:11,600 --> 01:03:13,760
Speaker 1: Alan hands Eric a piece of paper she's looking for you.

1351
01:03:14,120 --> 01:03:16,280
Speaker 1: Eric reads it and says she wants to meet me later.

1352
01:03:16,400 --> 01:03:19,640
Speaker 1: I bet she wants to apologize. However, as the viewer,

1353
01:03:19,760 --> 01:03:24,120
Speaker 1: we gather, I don't think this is the case. And

1354
01:03:24,280 --> 01:03:28,320
Speaker 1: then they're at Chubbies because where else would they meet?

1355
01:03:28,440 --> 01:03:29,080
Speaker 3: I ask you.

1356
01:03:30,920 --> 01:03:33,080
Speaker 1: Eric is sitting waiting for Karina when we see an

1357
01:03:33,200 --> 01:03:35,920
Speaker 1: edgy girl and all black walk down the stairs, and

1358
01:03:36,160 --> 01:03:41,000
Speaker 1: this is such a cool reveal of her that she's

1359
01:03:41,160 --> 01:03:47,280
Speaker 1: now just She looks at Eric with pure hatred. She

1360
01:03:47,400 --> 01:03:49,880
Speaker 1: tells him, I'm surprised you had the guts to show up.

1361
01:03:50,200 --> 01:03:52,560
Speaker 1: Eric snaps back, I'm surprised you're out when the sun

1362
01:03:52,720 --> 01:03:53,000
Speaker 1: is up.

1363
01:03:54,160 --> 01:03:54,760
Speaker 3: It's so good.

1364
01:03:55,200 --> 01:03:57,920
Speaker 4: You know, something just occurred to me. This is a

1365
01:03:58,000 --> 01:04:01,520
Speaker 4: great This is one of the like legendary Eric episode.

1366
01:04:01,600 --> 01:04:06,600
Speaker 4: And interestingly, Eric is very smart. Oh yeah, is very quick,

1367
01:04:07,040 --> 01:04:09,200
Speaker 4: very witty, Like that is a witty joke and like

1368
01:04:09,640 --> 01:04:12,480
Speaker 4: suicide was it? Like you actually have it's a it's

1369
01:04:12,480 --> 01:04:15,480
Speaker 4: a it's a It's a rare example of Eric working

1370
01:04:15,720 --> 01:04:18,840
Speaker 4: very well as a smart character. Yeah you know what

1371
01:04:18,880 --> 01:04:20,080
Speaker 4: I mean, Like I don't know.

1372
01:04:20,480 --> 01:04:23,560
Speaker 3: It made me think like sarcastic, witty, that kind of yeah,

1373
01:04:23,640 --> 01:04:26,480
Speaker 3: it's they we we hit this this tone for a

1374
01:04:26,520 --> 01:04:29,080
Speaker 3: little while, and then I think it just cause again

1375
01:04:29,120 --> 01:04:31,520
Speaker 3: I don't know where we're going. I kind of know

1376
01:04:31,600 --> 01:04:36,040
Speaker 3: where we're going. But randomly, on the Instagram machine a

1377
01:04:36,360 --> 01:04:39,200
Speaker 3: I was scrolling through and a clip popped up from

1378
01:04:39,280 --> 01:04:43,760
Speaker 3: season seven of the when the Brothers hold a uh

1379
01:04:43,920 --> 01:04:47,680
Speaker 3: uh garage sale, and I watched about ninety seconds of it,

1380
01:04:47,760 --> 01:04:51,720
Speaker 3: and I was like, wow, Eric, I mean, it's it's

1381
01:04:51,840 --> 01:04:52,680
Speaker 3: like cartoonish.

1382
01:04:52,920 --> 01:04:54,680
Speaker 4: Yeah, you becoming so it's it's.

1383
01:04:54,840 --> 01:04:57,880
Speaker 3: It's where where it's coming from here. To seeing that

1384
01:04:58,080 --> 01:05:00,600
Speaker 3: in the same day was like, oh, it's too completely,

1385
01:05:00,760 --> 01:05:02,360
Speaker 3: too completely different characters.

1386
01:05:02,360 --> 01:05:05,720
Speaker 4: And I think episode to episode that's understandable. I'm just yeah,

1387
01:05:05,720 --> 01:05:07,240
Speaker 4: I just wonder if we're going to be burned out

1388
01:05:07,520 --> 01:05:09,640
Speaker 4: on it by season seven, you know where I do

1389
01:05:09,760 --> 01:05:13,439
Speaker 4: think it becomes it becomes the like, especially once Jack

1390
01:05:13,600 --> 01:05:18,040
Speaker 4: enters the show, Eric really does just become the absurdist.

1391
01:05:19,160 --> 01:05:21,280
Speaker 3: I mean it's you know, YE was watching it. I

1392
01:05:21,400 --> 01:05:23,880
Speaker 3: was like, Oh, it's really is a living cartoon character.

1393
01:05:23,760 --> 01:05:25,560
Speaker 4: Right because right now we've been balancing it, you know,

1394
01:05:25,600 --> 01:05:27,920
Speaker 4: we have the like his brain activity is not as

1395
01:05:28,000 --> 01:05:31,560
Speaker 4: high as that mouth. And they have this episode and

1396
01:05:31,680 --> 01:05:33,200
Speaker 4: you're kind of like, all right, it's.

1397
01:05:33,160 --> 01:05:35,640
Speaker 3: You know, a moment to moment, but yeah, so much

1398
01:05:35,720 --> 01:05:37,960
Speaker 3: like we were talking about how this is peak Danielle

1399
01:05:38,320 --> 01:05:41,600
Speaker 3: but in her personal life as a character, this might

1400
01:05:41,680 --> 01:05:44,680
Speaker 3: be peak Eric, right, like where he's kind of the

1401
01:05:44,800 --> 01:05:48,120
Speaker 3: best will in a personal life that's down the line.

1402
01:05:48,160 --> 01:05:49,840
Speaker 3: I haven't even come close to that yet. We're I'm

1403
01:05:49,880 --> 01:05:52,320
Speaker 3: still attaining that because I've got so much growth to do,

1404
01:05:52,480 --> 01:05:55,320
Speaker 3: because I'm awesome but about to get even more awesome.

1405
01:05:57,000 --> 01:05:57,160
Speaker 4: Eric.

1406
01:05:58,120 --> 01:06:01,160
Speaker 3: This I think might be kind of of like the

1407
01:06:01,280 --> 01:06:02,720
Speaker 3: perfect wheelhouse.

1408
01:06:02,280 --> 01:06:04,640
Speaker 1: Fair right, Yeah, where you've got a job, you've got

1409
01:06:05,080 --> 01:06:06,360
Speaker 1: whip smart like wit.

1410
01:06:06,960 --> 01:06:07,160
Speaker 6: Yeah.

1411
01:06:07,480 --> 01:06:09,200
Speaker 4: I mean, I think we're just going to discover that

1412
01:06:09,240 --> 01:06:10,720
Speaker 4: season four is the best.

1413
01:06:12,200 --> 01:06:15,400
Speaker 7: I mean, so far, so good after another Like me,

1414
01:06:15,600 --> 01:06:17,680
Speaker 7: I mean we said so many legendary you still have

1415
01:06:17,720 --> 01:06:20,600
Speaker 7: the one. I think that the episode, all that stuff

1416
01:06:20,640 --> 01:06:24,160
Speaker 7: is season yeah, right, I think Singled Out I think

1417
01:06:24,240 --> 01:06:25,080
Speaker 7: is season four too.

1418
01:06:25,160 --> 01:06:26,080
Speaker 3: When Chris Hardwick comes on.

1419
01:06:26,120 --> 01:06:27,760
Speaker 1: I mean there's a lot that's I think the Nasir

1420
01:06:27,840 --> 01:06:34,440
Speaker 1: Broccoli Week is Yeah, Phill leads kid, I remember, Yeah, it's.

1421
01:06:36,200 --> 01:06:36,439
Speaker 3: Okay.

1422
01:06:36,480 --> 01:06:38,800
Speaker 1: So Corina flips open a small notebook and writes down

1423
01:06:38,880 --> 01:06:43,040
Speaker 1: mysterious vampire references from a pseudo angry man. Eric nervously

1424
01:06:43,080 --> 01:06:45,439
Speaker 1: asks what she's doing. She says, I just write things

1425
01:06:45,480 --> 01:06:47,960
Speaker 1: down from time to time. She says, so, uh, why

1426
01:06:48,000 --> 01:06:50,040
Speaker 1: else don't you like me? And Eric admits, well, you're

1427
01:06:50,080 --> 01:06:51,800
Speaker 1: making my life miserable. I just want you to cut

1428
01:06:51,840 --> 01:06:54,800
Speaker 1: it out. Korinna opens the notebook up again. Mew meow

1429
01:06:55,080 --> 01:06:57,280
Speaker 1: came the sound from the whining cat.

1430
01:06:57,880 --> 01:06:59,920
Speaker 2: What else you got up to you?

1431
01:07:00,280 --> 01:07:02,080
Speaker 4: It's it's a good choice to not have her with

1432
01:07:02,160 --> 01:07:03,960
Speaker 4: the guitar in this one. Yeah, it would have been

1433
01:07:04,000 --> 01:07:06,600
Speaker 4: too much, right, Yeah, it's like one because we already

1434
01:07:06,640 --> 01:07:09,720
Speaker 4: had that that scene, multiple scenes with her like playing everything.

1435
01:07:09,800 --> 01:07:11,920
Speaker 4: So to have her just writing it down very smart,

1436
01:07:12,240 --> 01:07:14,400
Speaker 4: very smart writers part because it would have just and

1437
01:07:14,480 --> 01:07:15,920
Speaker 4: you know, they had a draft where it had her

1438
01:07:16,000 --> 01:07:19,120
Speaker 4: doing the guitar thing. Again. Really, let's pull it back.

1439
01:07:19,240 --> 01:07:19,560
Speaker 2: It worked.

1440
01:07:19,640 --> 01:07:19,800
Speaker 4: Yeah.

1441
01:07:20,000 --> 01:07:20,200
Speaker 2: Yeah.

1442
01:07:20,680 --> 01:07:22,800
Speaker 1: So Eric gets up to leave. He said his piece.

1443
01:07:22,960 --> 01:07:24,640
Speaker 1: Karina jumps up to stop him. I know you've got

1444
01:07:24,680 --> 01:07:26,360
Speaker 1: lots of anger. Yell at me, dump me, make me

1445
01:07:26,440 --> 01:07:30,280
Speaker 1: feel bad. Eric pauses and realizes she's out of material.

1446
01:07:30,640 --> 01:07:32,880
Speaker 1: Karina denies it but Eric knows that's why she had

1447
01:07:32,920 --> 01:07:34,800
Speaker 1: to see him. She rolls her eyes. That's not true.

1448
01:07:35,160 --> 01:07:37,600
Speaker 1: Eric continues, Uncle Dave needs some more angry songs, and

1449
01:07:37,680 --> 01:07:39,880
Speaker 1: you don't have him. Karina assures him she's a very

1450
01:07:39,960 --> 01:07:42,760
Speaker 1: dark and edgy girl. She has tons of songs. Eric asks,

1451
01:07:42,920 --> 01:07:43,760
Speaker 1: you know what I see.

1452
01:07:43,560 --> 01:07:46,080
Speaker 2: When you when I look at you dandelions.

1453
01:07:46,600 --> 01:07:48,800
Speaker 1: Eric starts to push the tiny vase of dandelions on

1454
01:07:48,880 --> 01:07:50,320
Speaker 1: the table closer and closer.

1455
01:07:51,240 --> 01:07:54,160
Speaker 4: A little bigger. Even in the previous scene, I was like, wait,

1456
01:07:54,200 --> 01:07:56,320
Speaker 4: what are they referencing? It just needs a little cartoon.

1457
01:07:56,520 --> 01:07:58,240
Speaker 2: Must not have been dandelion's season.

1458
01:07:58,680 --> 01:08:02,480
Speaker 3: Correct, And it's nice that there's fresh dandelions at Chubbubbies

1459
01:08:02,960 --> 01:08:03,919
Speaker 3: on the table. Of course.

1460
01:08:04,240 --> 01:08:06,960
Speaker 4: Of course, also for the first time, Chubbies is not

1461
01:08:07,000 --> 01:08:13,160
Speaker 4: a counter service. Don't just check to trying something that week.

1462
01:08:13,040 --> 01:08:17,920
Speaker 1: Were so pretty dandelions and flowers on a sunny day.

1463
01:08:18,080 --> 01:08:20,440
Speaker 1: She stutters she doesn't want to look at the dandellions.

1464
01:08:20,479 --> 01:08:23,200
Speaker 1: She'll lose her edge. Eric encourages her, I know your

1465
01:08:23,280 --> 01:08:26,439
Speaker 1: true self. No, Karina insists, I'm a trouble twisted soul.

1466
01:08:26,520 --> 01:08:28,840
Speaker 1: You know nothing about me. Eric starts to sing the

1467
01:08:28,920 --> 01:08:31,680
Speaker 1: sun will come out tomorrow. Bet your bottom dollar that

1468
01:08:32,120 --> 01:08:36,639
Speaker 1: when and Karina finishes Tomorrow. Karina breaks into full song

1469
01:08:36,840 --> 01:08:39,080
Speaker 1: and Eric tries to leave, but she notices. He quickly

1470
01:08:39,160 --> 01:08:40,720
Speaker 1: runs back to her and they sing the rest of

1471
01:08:40,800 --> 01:08:45,160
Speaker 1: Tomorrow together, getting a loud applause from the audience. Lesha

1472
01:08:45,400 --> 01:08:49,400
Speaker 1: came in hot. She knew everything about this character. She

1473
01:08:49,720 --> 01:08:50,640
Speaker 1: totally nailed it.

1474
01:08:51,000 --> 01:08:54,519
Speaker 3: So s this scene though, so where we record it.

1475
01:08:54,600 --> 01:08:59,320
Speaker 3: We film it once and she like's kind of standing backstage.

1476
01:08:59,360 --> 01:09:00,800
Speaker 3: We're talking about it and she walks up to me

1477
01:09:00,840 --> 01:09:03,040
Speaker 3: and she's super serious and she's like, can I can

1478
01:09:03,080 --> 01:09:05,519
Speaker 3: I talk to you about something? I was like, of course,

1479
01:09:05,640 --> 01:09:09,560
Speaker 3: what what's going on? She's like, I didn't want to

1480
01:09:09,560 --> 01:09:13,680
Speaker 3: say this, but you're starting the song too high a

1481
01:09:13,800 --> 01:09:16,639
Speaker 3: pitch and I can't get there. Can you drop the note?

1482
01:09:16,800 --> 01:09:18,920
Speaker 3: I was like, oh god, of course, of course, but

1483
01:09:19,040 --> 01:09:21,280
Speaker 3: I thought i'd like done something raw. Like she was

1484
01:09:21,360 --> 01:09:23,679
Speaker 3: so serious about it. She's like, yeah, it's just you're

1485
01:09:23,760 --> 01:09:27,840
Speaker 3: you're starting a too high a note and I can't. Yeah,

1486
01:09:27,960 --> 01:09:29,760
Speaker 3: so she's like, can you please started him up? And

1487
01:09:29,840 --> 01:09:32,479
Speaker 3: it was like she felt bad about coming over and

1488
01:09:32,600 --> 01:09:34,479
Speaker 3: asking me. I was like, of course, of course, Like

1489
01:09:34,560 --> 01:09:41,559
Speaker 3: I seriously thought I'd done something stone face something.

1490
01:09:41,760 --> 01:09:44,320
Speaker 4: Yes was do you remember if Ray Colecourt was on

1491
01:09:44,479 --> 01:09:45,400
Speaker 4: set for any of this?

1492
01:09:46,200 --> 01:09:50,880
Speaker 3: I don't. I do remember it was Michael who because

1493
01:09:50,880 --> 01:09:53,519
Speaker 3: I think we both finished the song in one of

1494
01:09:53,560 --> 01:09:56,280
Speaker 3: the takes and Michael's like, no, become the conductor. Do this.

1495
01:09:58,200 --> 01:09:59,720
Speaker 3: He's like, you know, do something big like that.

1496
01:09:59,800 --> 01:10:02,519
Speaker 2: So that was another Michael joke, got joke that you

1497
01:10:02,640 --> 01:10:04,040
Speaker 2: doing that is so funny.

1498
01:10:03,960 --> 01:10:06,800
Speaker 3: It's great, And that was all Michael. But the yeah,

1499
01:10:07,040 --> 01:10:09,439
Speaker 3: I'll never forget that. I thought I'd done something so wrong.

1500
01:10:09,560 --> 01:10:11,479
Speaker 3: And she was like, can you can you start the

1501
01:10:11,560 --> 01:10:14,040
Speaker 3: note lower? Like, oh, God, of course, sorry, So that's

1502
01:10:14,040 --> 01:10:14,960
Speaker 3: why I start with the son.

1503
01:10:15,000 --> 01:10:17,040
Speaker 4: It'll come like down right, you're a little lower, right,

1504
01:10:17,120 --> 01:10:17,960
Speaker 4: so she can go high.

1505
01:10:19,120 --> 01:10:21,439
Speaker 1: Well, then we're back in the Matthews living room. Corey

1506
01:10:21,560 --> 01:10:23,840
Speaker 1: is reading a bedtime story to Morgan. As to Pega

1507
01:10:23,920 --> 01:10:27,080
Speaker 1: secretly walks in and observes he reads that night the

1508
01:10:27,160 --> 01:10:29,240
Speaker 1: Purple Duck taught all his little friends to go to

1509
01:10:29,280 --> 01:10:31,400
Speaker 1: bed early, to eat our green vegetables, and that there's

1510
01:10:31,479 --> 01:10:34,479
Speaker 1: no reason to be afraid of the potty. Morgan notes

1511
01:10:34,560 --> 01:10:36,920
Speaker 1: that little purple Duck is quite the overachiever, isn't he?

1512
01:10:37,280 --> 01:10:38,920
Speaker 1: Corey tells her it's time to go to bed. Now

1513
01:10:38,960 --> 01:10:41,800
Speaker 1: go brush your teeth. Morgan fights back, Billy Epperson said

1514
01:10:41,840 --> 01:10:43,400
Speaker 1: at his house, you let him stay up late and

1515
01:10:43,439 --> 01:10:46,240
Speaker 1: watch TV. Corey asks, have we learned nothing from the

1516
01:10:46,280 --> 01:10:48,439
Speaker 1: Purple Duck? Morgan pouts, You're just making me go to

1517
01:10:48,520 --> 01:10:50,960
Speaker 1: bed because i'm your sister. Corey tells her, no, I'm

1518
01:10:50,960 --> 01:10:52,760
Speaker 1: making you go to bed because i'm your brother and

1519
01:10:52,920 --> 01:10:55,360
Speaker 1: I love you. Morgan leans in and kisses Corey on

1520
01:10:55,400 --> 01:10:59,160
Speaker 1: the cheek before retreating upstairs to Panga, who's been watching

1521
01:10:59,320 --> 01:11:02,439
Speaker 1: like a creep the whole time, is smiling when Corey

1522
01:11:02,560 --> 01:11:05,000
Speaker 1: finally notices her, did you come over to yell at

1523
01:11:05,040 --> 01:11:07,600
Speaker 1: me some more? She says no, she heard he was babysitting,

1524
01:11:07,680 --> 01:11:10,639
Speaker 1: so she thought she'd bring him some tacos. Corey hesitantly

1525
01:11:10,680 --> 01:11:12,680
Speaker 1: asks if this is a trap to Pega says she

1526
01:11:12,760 --> 01:11:15,760
Speaker 1: just figured it. Empty house, cozy couch, dangerous me, and

1527
01:11:15,880 --> 01:11:18,840
Speaker 1: maybe you. Corey says, before he lowers his shields, he

1528
01:11:18,920 --> 01:11:21,240
Speaker 1: wants to know what made Topanga change her mind. She

1529
01:11:21,400 --> 01:11:25,040
Speaker 1: admits she just thought she just thought about it.

1530
01:11:25,880 --> 01:11:31,599
Speaker 2: On camera, that we're young, so we're not having kids

1531
01:11:31,680 --> 01:11:34,400
Speaker 2: for a while, and maybe by the time we do,

1532
01:11:35,120 --> 01:11:38,920
Speaker 2: you'll be a pretty good dad. So it's a novel process.

1533
01:11:39,240 --> 01:11:41,599
Speaker 2: She just thought about it. Off camera.

1534
01:11:42,280 --> 01:11:44,840
Speaker 1: Corey agrees he'll be a great dad because because kids

1535
01:11:44,920 --> 01:11:47,519
Speaker 1: respect him. As he's saying this, Morgan has made her

1536
01:11:47,560 --> 01:11:49,920
Speaker 1: way downstairs and is sneaking all of her little friends

1537
01:11:49,960 --> 01:11:52,880
Speaker 1: in through the front door. Corey continues his speech, oblivious

1538
01:11:52,880 --> 01:11:56,400
Speaker 1: to the kids. He calls himself mister discipline. As Topanga

1539
01:11:56,479 --> 01:11:59,280
Speaker 1: points toward the stairs, Corey sees what's happening and says,

1540
01:11:59,560 --> 01:12:00,519
Speaker 1: so we will have kids.

1541
01:12:02,640 --> 01:12:03,800
Speaker 2: And then we're in the.

1542
01:12:03,880 --> 01:12:07,200
Speaker 1: Tag at the Wilderness store. Eric is tagging items as

1543
01:12:07,240 --> 01:12:09,559
Speaker 1: the radio plays in the background, and then we hear tagging.

1544
01:12:09,640 --> 01:12:10,440
Speaker 3: In the tag.

1545
01:12:15,200 --> 01:12:17,880
Speaker 1: We hear announcer voice, We've got the latest single by

1546
01:12:17,920 --> 01:12:20,920
Speaker 1: that angry young lady, Corina Collins who's taken the country

1547
01:12:20,960 --> 01:12:23,360
Speaker 1: by storm. I haven't heard this one yet. It's called

1548
01:12:23,640 --> 01:12:28,719
Speaker 1: Fuzzy Wuzzy whoa. The song starts to play, and it's official.

1549
01:12:28,880 --> 01:12:32,679
Speaker 1: Coriina has completely lost her edge. She's singing about wanting

1550
01:12:32,720 --> 01:12:35,800
Speaker 1: to cuddle a boy. The DJ cuts it almost immediately. Wow,

1551
01:12:36,000 --> 01:12:36,559
Speaker 1: that's bad.

1552
01:12:36,840 --> 01:12:37,400
Speaker 3: She is over.

1553
01:12:38,000 --> 01:12:41,680
Speaker 1: Eric laughs maniacally as he finishes tagging his items.

1554
01:12:43,400 --> 01:12:45,479
Speaker 4: So great, it was great.

1555
01:12:45,840 --> 01:12:51,920
Speaker 3: It is season four, season hot way hot Yeah, Hot

1556
01:12:51,960 --> 01:12:53,000
Speaker 3: hot hot Yeah.

1557
01:12:54,000 --> 01:12:55,960
Speaker 1: Well, thank you all for joining us for this episode

1558
01:12:55,960 --> 01:12:59,120
Speaker 1: of podmets World. Please join us for our next episode recap,

1559
01:12:59,160 --> 01:13:02,960
Speaker 1: which will be season for episode six, Janitor Dad. It

1560
01:13:03,080 --> 01:13:06,479
Speaker 1: originally aired October twenty fifth, nineteen ninety six, on.

1561
01:13:06,600 --> 01:13:10,040
Speaker 4: Episode Yeah, and we just keep alternating Eric Sean, Eric,

1562
01:13:10,120 --> 01:13:11,120
Speaker 4: show Sean.

1563
01:13:11,600 --> 01:13:16,200
Speaker 1: It's really really good, And then little announcement. Pod Meets

1564
01:13:16,280 --> 01:13:20,040
Speaker 1: World now has an official TikTok account.

1565
01:13:20,560 --> 01:13:22,639
Speaker 3: You're welcome Rider, You're welcome writer.

1566
01:13:22,760 --> 01:13:28,280
Speaker 1: Our official TikTok account is pod meets World Show. There

1567
01:13:28,400 --> 01:13:33,439
Speaker 1: is another TikTok account that is maybe pretending to be official,

1568
01:13:33,520 --> 01:13:36,840
Speaker 1: but tis not ours is podmeets World Show. As always,

1569
01:13:36,880 --> 01:13:39,000
Speaker 1: you can follow us on Instagram pod Meets World Show.

1570
01:13:39,040 --> 01:13:41,120
Speaker 1: You can send us your emails pod meets World Show

1571
01:13:41,240 --> 01:13:42,240
Speaker 1: at gmail dot com.

1572
01:13:42,439 --> 01:13:44,759
Speaker 2: And we have merch merch.

1573
01:13:45,040 --> 01:13:47,080
Speaker 3: For the love of God, will someone bring me the merch.

1574
01:13:48,479 --> 01:13:51,519
Speaker 3: I was gonna do merch flap, but I figured that

1575
01:13:51,680 --> 01:13:54,800
Speaker 3: was good. Oh my.

1576
01:13:56,520 --> 01:13:59,880
Speaker 2: Podmeets Worldshow dot com will send us out.

1577
01:14:00,479 --> 01:14:04,559
Speaker 3: We love you all. Pod dismissed Podmets World is niheart

1578
01:14:04,640 --> 01:14:08,040
Speaker 3: podcast producer and hosted by Danielle Fischel, Wilfredell and Ryder

1579
01:14:08,080 --> 01:14:12,000
Speaker 3: Strong Executive producers, Jensen Carp and Amy Sugarman, Executive in

1580
01:14:12,080 --> 01:14:16,719
Speaker 3: charge of production, Danielle Romo, producer and editor, Tara sudbachsch producer,

1581
01:14:16,840 --> 01:14:20,040
Speaker 3: Maddy Moore, engineer and Boy Meets World super fan Easton Allen.

1582
01:14:20,280 --> 01:14:22,400
Speaker 3: Our theme song is by Kyle Morton of Typhoon and

1583
01:14:22,479 --> 01:14:24,880
Speaker 3: you can follow us on Instagram at Podmeats World Show

1584
01:14:25,200 --> 01:14:27,920
Speaker 3: or email us at Podmeats Worldshow at gmail dot com