WEBVTT - THE EAGLES: IAN AND NOAH

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<v Speaker 1>Today, my guests are the Eagles and Noah together and

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<v Speaker 1>our first ever father son episode. Now, Iron Eagle has

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<v Speaker 1>been at the top tier of sports play by play

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<v Speaker 1>for the long run. Noah used to be the new

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<v Speaker 1>kid in town. Now he's living life in the fast lane,

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<v Speaker 1>not partying, of course, ascending the sportscasting ranks at warp speed. Okay,

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<v Speaker 1>those will be my last Eagles references. I know, low

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<v Speaker 1>hanging Fruit, but I am a fan of the band

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<v Speaker 1>for about fifty years, and also, of course a fan

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<v Speaker 1>of the broadcasting Eagles. I've admired iron superb work for decades.

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<v Speaker 1>Who hasn't calling the NFL, the Masters, and college hoops

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<v Speaker 1>for CBS. I will take over his play by play

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<v Speaker 1>voice of the Final Four next season. He's also worked

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<v Speaker 1>the NBA for TNT, he called Rolling Eras for Tennis Channel,

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<v Speaker 1>and he's been the TV voice of the Nets Brooklyn

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<v Speaker 1>and New Jersey since ninety five. Noah calls the LA

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<v Speaker 1>Clippers games on Radio, a gig he earned fresh out

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<v Speaker 1>of Syracuse, but is also called college football and NFL

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<v Speaker 1>on Fox and Nickelodeon. He'll work Big Ten Football for

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<v Speaker 1>NBC this fall, and also works for Tennis channel, and

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<v Speaker 1>I'm probably forgetting a few things all by the age

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<v Speaker 1>of twenty five. The gift for storytelling on and off

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<v Speaker 1>the air runs deep in the Eagle family. There's a

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<v Speaker 1>lot of laughs here and great behind the scenes stuff.

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<v Speaker 1>Just three sports guys shooting the breeze well, Iron Eagle,

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<v Speaker 1>Noah Eagle. Thank you guys for making time during busy

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<v Speaker 1>periods in your seasons. I am fans of both of

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<v Speaker 1>your work. Massive respect for you. I in no I

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<v Speaker 1>have less time to build up that massive respect, but

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<v Speaker 1>you're well on your way to being very high in

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<v Speaker 1>my books too, so we appreciate. Let's have some fun

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<v Speaker 1>with this. We will talk about the present in the past,

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<v Speaker 1>which is compelling for both of you, but I want

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<v Speaker 1>to just talk about the near future because you guys

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<v Speaker 1>both have very exciting assignments. Within the next twelve months.

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<v Speaker 1>You will take over as the game caller play by

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<v Speaker 1>play in the Final four, following in the footeps of

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<v Speaker 1>Jim Nantz so I believe called it. Since Adolph Rupp

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<v Speaker 1>was winning Championship Kentucky, it's been a long time. You

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<v Speaker 1>might be well deserved, and you've done obviously college hoops

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<v Speaker 1>and probes for a long time, and Noah, you'll be

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<v Speaker 1>diving into the fray in prime time college football with

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<v Speaker 1>NBC calling Big ten games. So while I wish I

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<v Speaker 1>in really close, compelling final fours, I wish you a

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<v Speaker 1>season of blowouts and first round knockouts as you go

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<v Speaker 1>head to head against our game on ABC. I hope

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<v Speaker 1>you have a bunch of six to three games in

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<v Speaker 1>West Lafayette, but you know.

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<v Speaker 2>You'd be surprised. I mean, the first college football game

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<v Speaker 2>I did this year on Fox, it was a seven

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<v Speaker 2>to three final with no touchdown, So your parents for anything, considering,

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<v Speaker 2>I got through that one and didn't cry myself to

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<v Speaker 2>sleep after, I think I'm good to go.

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<v Speaker 1>Well, it's awesome you're working with Todd Blackfatch, with whom

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<v Speaker 1>I worked. He's a friend, and Catherine Tappan has been

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<v Speaker 1>a neighbor of Jennifer of mine and two different New

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<v Speaker 1>York buildings, so I close close connections to your booth.

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<v Speaker 1>You'll have great fun. I seriously wish you the best.

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<v Speaker 1>It's a It's a very cool thing to go to

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<v Speaker 1>those big ten stadiums and call those games.

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<v Speaker 2>So I appreciate it now I'm looking forward to it.

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<v Speaker 1>You guys. Both from doing my my prep and listening

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<v Speaker 1>to numerous interviews, you both seem to be extremely comfortable

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<v Speaker 1>and confident performing, whether it was on stage or in

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<v Speaker 1>front of a camera a microphone at a really young age,

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<v Speaker 1>which I'm incredibly envious because I certainly was not. It's

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<v Speaker 1>took me a long time to get there. But but

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<v Speaker 1>I your parents were in show business. Your mom was

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<v Speaker 1>a singer, dad was a comedian, and you were thrust

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<v Speaker 1>out on stage. You said at eight, at age four

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<v Speaker 1>or five, to like entertain the crowd. But those crowds

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<v Speaker 1>could be tough, with those borsch belt rooms, right, I mean.

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<v Speaker 3>Yeah, child labor laws be damned. But basically I would

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<v Speaker 3>get a bagel and a milkshake, form my troubles at

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<v Speaker 3>the end of my shtick, and my mom would open

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<v Speaker 3>and would do a solid forty minutes of music and

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<v Speaker 3>a gifted singer. Really, I think because of the era

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<v Speaker 3>no YouTube and no videotapes to show for it. I

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<v Speaker 3>wish that I had the material to go back and listen.

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<v Speaker 3>I just remember in my experience just how talented she was.

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<v Speaker 3>And then my dad would come on. He would do

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<v Speaker 3>forty to forty five minutes of comedy, and then at

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<v Speaker 3>the end of it, they'd bring me out for about

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<v Speaker 3>five minutes of impressions where I did Howard Kosel and

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<v Speaker 3>Muhammad Ali and the always popular W. C. Fields, and

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<v Speaker 3>I would kill you. They put me in a handsome suit,

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<v Speaker 3>sometimes three piece suit, corduroy green, and they would just

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<v Speaker 3>wind me up, and I'd go out there and do it.

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<v Speaker 3>And I do think, Chris, you hit on something that

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<v Speaker 3>was from a very young age. So I was injected

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<v Speaker 3>with confidence before I even had an idea what confidence was.

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<v Speaker 3>So school plays or any kind of performances seemed very

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<v Speaker 3>much within the realm and within my sphere. So when

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<v Speaker 3>I went to college and I wanted to break into

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<v Speaker 3>TV and radio at Syracuse, it was not a big leap.

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<v Speaker 3>The camera was not intimidating, the mic was not intimidating.

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<v Speaker 3>Going in front of crowds or an audience not intimidating.

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<v Speaker 3>And I think to some degree, Noah felt that through

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<v Speaker 3>the generations and then just from watching me and being

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<v Speaker 3>around me and recognizing that this is pretty normal.

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<v Speaker 1>No you did the same thing, not Borschpelt comedy, but

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<v Speaker 1>obviously you felt complied. You said you were that kid

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<v Speaker 1>that would always be in front of the class, comfortable

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<v Speaker 1>with oral reports and stuff like that.

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<v Speaker 2>I mean, the one thing that you do need to

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<v Speaker 2>ask my dad Chris, is how is it that he

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<v Speaker 2>had more drip at seven.

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<v Speaker 1>Than he does?

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<v Speaker 2>Like, I've never seen him pack a handsome suit for

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<v Speaker 2>a trip. Where where's handsome suit in modern day?

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<v Speaker 3>Yes, it's the seventies. Noah, that's the that's the difference.

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<v Speaker 3>The seventies that had drip from every pore because you

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<v Speaker 3>were matching your your jacket to your tie. You were

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<v Speaker 3>going same material shirt and jacket. There was no shame,

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<v Speaker 3>so it all worked somehow. That's a great point.

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<v Speaker 2>I'm excited for your mushroom shirt. That mushroom shirt, it'll

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<v Speaker 2>be good. But now you're absolutely right, i'd say, young age,

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<v Speaker 2>I think that you know. It wasn't that I got

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<v Speaker 2>to push from the from them or anything, but it

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<v Speaker 2>was this this nudge of hey, you're good at this, naturally,

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<v Speaker 2>just keep doing it. It was encouragement. Every time I

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<v Speaker 2>went in front of the class, it felt right. It

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<v Speaker 2>just was easy God, And so yeah, I remember the

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<v Speaker 2>big one was in fifth grade we got to sign

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<v Speaker 2>biographies that we had to read. I got to sign

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<v Speaker 2>Bill Gates, and most kids just went and delivered their

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<v Speaker 2>speech and went on with their day. And my mom,

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<v Speaker 2>I think, convinced me you should dress up as Bill

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<v Speaker 2>Gates and go the whole nine yards. So sure enough,

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<v Speaker 2>here's little Noah, who was already smaller than everybody in

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<v Speaker 2>the class, in a suit that probably didn't fit them,

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<v Speaker 2>wearing glasses, and bringing in a poster board that was

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<v Speaker 2>a fake big check to the school that I gave.

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<v Speaker 2>So I went all out, and at the end of speech,

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<v Speaker 2>my teacher came up to me and said, whatever you

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<v Speaker 2>do one day, you're going to have public speaking in

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<v Speaker 2>your future. And I said to her, no, no, I'm

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<v Speaker 2>going to play in the NBA, because that was my

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<v Speaker 2>prerogative at the time. And I think I quickly realized

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<v Speaker 2>that was very unrealistic and my vertically challengedness and my

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<v Speaker 2>limited athletic ability would restrict that, and so I made

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<v Speaker 2>the pivot. But yeah, it was. It was just something

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<v Speaker 2>that it felt right every time I did it.

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<v Speaker 1>For me, I for more common in your generation than mine,

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<v Speaker 1>because I think a lot of kids have been looking

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<v Speaker 1>at a camera attached to their phone since they're toddlers,

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<v Speaker 1>and so it seems very normal to look into glass

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<v Speaker 1>and express yourself and kind of be yourself. Not so

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<v Speaker 1>for me. I was terrified of public speaking. I didn't

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<v Speaker 1>even like it in my early years of broadcasting. There

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<v Speaker 1>were just many good reasons to overcome that. When you

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<v Speaker 1>found out that the Talah Hassi Quarterback Club actually paid

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<v Speaker 1>you to go down there and talk about football better

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<v Speaker 1>damn well, get over your fear. But you know, I

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<v Speaker 1>and I can't even imagine. I mean, I guess you

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<v Speaker 1>don't know what you don't know at five years old,

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<v Speaker 1>but I was. My dad was a theater director, different

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<v Speaker 1>kind of show business in yours, but they were both theatrical.

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<v Speaker 1>And I could have played I don't know mcduff's son

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<v Speaker 1>on stage, and you know, I had a few cute lines,

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<v Speaker 1>and then he gets murdered by making baths, so it's

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<v Speaker 1>not a great part, but I would. I was just

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<v Speaker 1>terrified of the notion of standing in front of people,

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<v Speaker 1>looking into faces and doing anything. And it didn't translate

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<v Speaker 1>to being scared of being on a mic or a camera,

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<v Speaker 1>thank god. But I admire that you were calling nets

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<v Speaker 1>games and when Noah was born, fortunate they weren't on

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<v Speaker 1>the road. I guess that magical night back in ninety seven.

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<v Speaker 3>Was it? It was ninety six. Very good research on

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<v Speaker 3>your part. The Nets were indeed at home. They played

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<v Speaker 3>the Seattle SuperSonics that night. My wife Elisa went into

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<v Speaker 3>labor at the wee morning hours, so I was able

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<v Speaker 3>to get her to the hospital, watch Noah being born,

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<v Speaker 3>which was incredible, and then work the Net game. That

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<v Speaker 3>night they beat the Seattle SuperSonics. They had Sean Camp

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<v Speaker 3>Gary Payton. The Nets did not have Sean Camp and

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<v Speaker 3>Gary Payton, and yet found a way to win the way.

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<v Speaker 3>I remember we had just moved to New Jersey into

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<v Speaker 3>a townhouse and my wife overnight said something's a little

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<v Speaker 3>bit off, but I don't really think this is it.

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<v Speaker 3>So there was trepidation, and then finally at like three something,

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<v Speaker 3>she said, now this is it. It's happening. I said, okay,

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<v Speaker 3>I'm going to shower, and that threw her off, like

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<v Speaker 3>you what do you mean? I was like, well, you know,

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<v Speaker 3>I want to be fresh for this, So I start

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<v Speaker 3>plowing through lights because I want to get pulled over,

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<v Speaker 3>like this is the dream that a cop pulls you over.

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<v Speaker 3>And nobody pulled me over. I just kept plowing through

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<v Speaker 3>reds and Elisa says, hey, you know what, just park

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<v Speaker 3>in front in case this isn't it, in case it's

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<v Speaker 3>it's a false alarm. I was like, what, you don't

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<v Speaker 3>want me to pay for parking? What's what's your thought

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<v Speaker 3>process here? So I placated her and we walk in

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<v Speaker 3>and she explained what's going on in the nurse and

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<v Speaker 3>the nurse said, no, no, no, it's it's happening. It's real.

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<v Speaker 3>So Noah was born early in the morning. We were

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<v Speaker 3>watching Regis and Kathy Lee. I recall that, and then

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<v Speaker 3>I just assumed I was going to do the game.

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<v Speaker 3>I said, are you good? She's like, yeah, no, go

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<v Speaker 3>for it. So I ended up doing the game. And

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<v Speaker 3>that's God Is.

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<v Speaker 1>You have an amazing command of information and numbers, which

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<v Speaker 1>is important in the job. Do you know Noah's weighted

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<v Speaker 1>birth because I'm sure you know how many points Kendall

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<v Speaker 1>Gill had in that game that she called so.

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<v Speaker 3>Yeah, Kendall had fifteen. I know that. Noah. Noah, I

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<v Speaker 3>believe was was seven pounds three ounces somewhere.

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<v Speaker 2>And guessing now, I would never know. You're just guessing, Noah,

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<v Speaker 2>do you know do you know the number? How could

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<v Speaker 2>you forget seven pounds?

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<v Speaker 3>Five? Seven pounds?

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<v Speaker 1>Do you know your own weight? Is that?

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<v Speaker 3>Is that actually true?

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<v Speaker 2>I had a revelation when he was telling the story

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<v Speaker 2>because for all my life people always ask how are

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<v Speaker 2>you just so chill all the time? And now it's

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<v Speaker 2>maybe because my dad decided to shower when my mom

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<v Speaker 2>was in labor and then just leave the car front.

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<v Speaker 1>You're good?

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<v Speaker 3>Yeah, well that great point.

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<v Speaker 1>That was a hero because when you get this question,

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<v Speaker 1>are you good? I mean you just had a human

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<v Speaker 1>come out of you. Are you good? Like no? Do

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<v Speaker 1>you remember your first sports memory? I mean, I know

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<v Speaker 1>you were a fan from from almost day one.

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<v Speaker 3>What was it?

0:12:26.080 --> 0:12:28.360
<v Speaker 1>What was the first game you wouldall watching or or

0:12:28.400 --> 0:12:29.440
<v Speaker 1>watching your dad work?

0:12:30.440 --> 0:12:30.680
<v Speaker 3>Yeah?

0:12:30.720 --> 0:12:34.040
<v Speaker 2>I would say it goes back probably to the preseason

0:12:34.160 --> 0:12:36.520
<v Speaker 2>Jets times. You know when I was born. I was

0:12:36.559 --> 0:12:39.640
<v Speaker 2>born ninety six, as he said, and Keishon Johnson just

0:12:39.679 --> 0:12:41.719
<v Speaker 2>came to the league, was number one overall picked to

0:12:41.880 --> 0:12:44.360
<v Speaker 2>the Jets. I had a jersey. And those are the

0:12:44.360 --> 0:12:46.360
<v Speaker 2>photos all around the house of me in the in

0:12:46.440 --> 0:12:50.040
<v Speaker 2>the bright green nineteen looks good, still looks good, and

0:12:50.040 --> 0:12:52.280
<v Speaker 2>it's still I think hung up in my old room

0:12:52.320 --> 0:12:55.360
<v Speaker 2>that has now been turned into everything. But my old room.

0:12:55.400 --> 0:12:55.839
<v Speaker 2>It's funny.

0:12:55.880 --> 0:12:58.360
<v Speaker 3>I know it's a it's a yoga studio. Chris his

0:12:58.480 --> 0:13:00.480
<v Speaker 3>old group that's not existing. It's over.

0:13:00.559 --> 0:13:03.480
<v Speaker 2>But I do think Mike Key, Shawn Johnson still still

0:13:03.520 --> 0:13:06.160
<v Speaker 2>hung us. No, it's still there. Probably number one. But

0:13:06.200 --> 0:13:09.800
<v Speaker 2>in terms of games that were seminal to me at

0:13:09.800 --> 0:13:12.360
<v Speaker 2>that young age, there was a game I was early.

0:13:12.400 --> 0:13:14.720
<v Speaker 2>I went to all those finals games the Nets made

0:13:14.720 --> 0:13:17.240
<v Speaker 2>in two and three, and those stick with me. But

0:13:17.320 --> 0:13:19.160
<v Speaker 2>there was a game in the playoffs that the Nets

0:13:19.200 --> 0:13:22.600
<v Speaker 2>played the Pacers and Reggie Miller. You can go back,

0:13:22.679 --> 0:13:25.079
<v Speaker 2>game five, best of five series, so winner to the

0:13:25.200 --> 0:13:29.360
<v Speaker 2>ball at Continental Airlines Arena. Dad's doing the game. I

0:13:29.400 --> 0:13:33.040
<v Speaker 2>went with my mom. Reggie Miller hits a half court

0:13:33.120 --> 0:13:35.360
<v Speaker 2>heave to force overtime. Now, if you go back and

0:13:35.400 --> 0:13:38.400
<v Speaker 2>watch it, technically was late, but the clocks were off,

0:13:38.840 --> 0:13:40.760
<v Speaker 2>so they counted the bucket. He banked it in from

0:13:40.760 --> 0:13:43.400
<v Speaker 2>half court, go to overtime, and then he had a

0:13:43.520 --> 0:13:47.920
<v Speaker 2>dunk to force double overtime. The floor was shaking. It

0:13:48.000 --> 0:13:49.920
<v Speaker 2>was one of those where, yeah, the first time I

0:13:49.920 --> 0:13:52.760
<v Speaker 2>felt an arena actually, and it felt like an earthquake

0:13:52.800 --> 0:13:55.560
<v Speaker 2>around me, and there was something that stuck with me

0:13:55.640 --> 0:13:57.560
<v Speaker 2>of when the nets pulled away. Ron Mercer had a

0:13:57.600 --> 0:14:00.520
<v Speaker 2>big double ot, Jason Kidd had a couple of huge

0:14:00.559 --> 0:14:03.559
<v Speaker 2>rebounds and assists, and there was something that as always

0:14:03.559 --> 0:14:05.600
<v Speaker 2>walking away. It was like, I don't know if I'll

0:14:05.640 --> 0:14:08.240
<v Speaker 2>ever get this feeling again, this feeling of togetherness, this

0:14:08.280 --> 0:14:11.760
<v Speaker 2>feeling of we just went through a life changing out

0:14:11.800 --> 0:14:15.200
<v Speaker 2>of body experience with eighteen thousand of people that we

0:14:15.240 --> 0:14:17.800
<v Speaker 2>don't even know. And I think that was the first

0:14:17.880 --> 0:14:20.400
<v Speaker 2>time it shifted of Oh, this is awesome. I want

0:14:20.440 --> 0:14:21.000
<v Speaker 2>more of this.

0:14:21.960 --> 0:14:24.680
<v Speaker 1>I knew your answer would make me feel not quite young,

0:14:24.880 --> 0:14:30.120
<v Speaker 1>considering I covered Kishan destroying Northwestern in the Rose Bowl story. Jets,

0:14:30.120 --> 0:14:33.280
<v Speaker 1>that's a good first memory. You said something that made

0:14:33.280 --> 0:14:35.280
<v Speaker 1>me think of why I first wanted to do this.

0:14:35.360 --> 0:14:38.680
<v Speaker 1>You get that question a lot, right, And it took

0:14:38.760 --> 0:14:41.240
<v Speaker 1>me a while to figure this out in life. But

0:14:41.440 --> 0:14:45.120
<v Speaker 1>it was about witnessing and being a part of people

0:14:45.760 --> 0:14:49.200
<v Speaker 1>expressing joy together. It was the roar of the crowd

0:14:49.240 --> 0:14:52.200
<v Speaker 1>when the Blackhawks scored a goal and Lloyd Pettitt set

0:14:52.200 --> 0:14:54.320
<v Speaker 1>a shot and like, oh he drew it out and

0:14:54.640 --> 0:14:56.880
<v Speaker 1>there's the organ and the crowd and he laid out

0:14:56.960 --> 0:14:58.680
<v Speaker 1>because there was no choice but to lay out with

0:14:58.680 --> 0:15:01.080
<v Speaker 1>the kind of noise there, and I thought, I still

0:15:01.120 --> 0:15:03.240
<v Speaker 1>get chills that what could be better than that and

0:15:03.440 --> 0:15:07.240
<v Speaker 1>than having that many people so happy together. I don't

0:15:07.280 --> 0:15:10.800
<v Speaker 1>know if Ian, what sparked you to first figure out

0:15:10.800 --> 0:15:13.240
<v Speaker 1>that you got a passion for sports and be you

0:15:13.280 --> 0:15:15.000
<v Speaker 1>want to be involved some way in doing this.

0:15:15.560 --> 0:15:18.680
<v Speaker 3>Well, two things struck me from Noah's to him. One,

0:15:19.000 --> 0:15:22.960
<v Speaker 3>he's right. Keishawn Johnson was his guy. And it got

0:15:23.000 --> 0:15:26.120
<v Speaker 3>to the point, Chris where he was about two years

0:15:26.160 --> 0:15:29.120
<v Speaker 3>old and we would go to the grocery store and

0:15:29.240 --> 0:15:31.880
<v Speaker 3>Noah would wander off in front of us and would

0:15:31.960 --> 0:15:33.920
<v Speaker 3>keep an eye on him, and he'd go down the

0:15:33.960 --> 0:15:38.960
<v Speaker 3>aisle and he would not respond to the name Noah. Alisa,

0:15:39.000 --> 0:15:42.160
<v Speaker 3>my wife, had to call him Kishawn in order. He

0:15:42.320 --> 0:15:45.320
<v Speaker 3>was role playing to that level. So he's going down

0:15:45.320 --> 0:15:49.080
<v Speaker 3>the produce department and Alisa said, Noah, Noah will not

0:15:49.120 --> 0:15:53.320
<v Speaker 3>turn around Keishawan. And then people are like, you name

0:15:53.400 --> 0:15:56.680
<v Speaker 3>your kid Keishaan, you're that big a jet fan. So

0:15:57.080 --> 0:15:58.800
<v Speaker 3>he went through about a year and a half phase.

0:15:58.880 --> 0:16:01.880
<v Speaker 3>He only responded, gonna talk about the loudspeaker. We got

0:16:01.880 --> 0:16:03.080
<v Speaker 3>a toe tap in Aisle two.

0:16:05.280 --> 0:16:08.200
<v Speaker 1>What wasn't it? Was it just the name or was

0:16:08.240 --> 0:16:10.440
<v Speaker 1>the persona when you walking around? Just give me the

0:16:10.520 --> 0:16:15.120
<v Speaker 1>damn sereal? Was it like a whole angry Keishan vibe

0:16:15.200 --> 0:16:16.840
<v Speaker 1>or was it just call me Keishan?

0:16:17.320 --> 0:16:19.480
<v Speaker 2>It was everything. I had a little swat and it

0:16:19.560 --> 0:16:22.320
<v Speaker 2>felt good every day. Woke up and knew it was

0:16:22.320 --> 0:16:23.800
<v Speaker 2>gonna be a great day. Woke up and new I

0:16:23.800 --> 0:16:25.720
<v Speaker 2>had greatness pumping through my blood.

0:16:27.560 --> 0:16:29.880
<v Speaker 3>Yeah, so that's the first thing. Then the second thing

0:16:29.920 --> 0:16:32.080
<v Speaker 3>the game that Noah is talking about. That game five

0:16:32.800 --> 0:16:36.760
<v Speaker 3>of the first round series, Nets and Pacers the Nets

0:16:36.760 --> 0:16:39.880
<v Speaker 3>with a one seed. If they don't advance, the season

0:16:40.000 --> 0:16:42.440
<v Speaker 3>would have actually been considered a failure. They want a

0:16:42.480 --> 0:16:45.560
<v Speaker 3>record amount of games and franchise history. Jason Kidd turned

0:16:45.600 --> 0:16:47.640
<v Speaker 3>the team around, but it comes down to the final

0:16:47.680 --> 0:16:50.640
<v Speaker 3>game of that opening round series. They go to overtime

0:16:50.680 --> 0:16:52.760
<v Speaker 3>because of Miller, They go to the second overtime because

0:16:52.760 --> 0:16:55.760
<v Speaker 3>of Reggie Miller, and then Kid just takes over and

0:16:55.800 --> 0:16:58.320
<v Speaker 3>I'm doing the game with Bill Raftree. It ended up

0:16:58.360 --> 0:17:01.920
<v Speaker 3>being Bill's last year doing Nets games, and he had

0:17:01.960 --> 0:17:07.440
<v Speaker 3>done it twenty years, so it really was a cathartic experience.

0:17:08.080 --> 0:17:11.560
<v Speaker 3>If you could find these highlights. You think Bill has

0:17:11.680 --> 0:17:18.640
<v Speaker 3>high energy in general, this game, Bill was at another

0:17:19.119 --> 0:17:22.119
<v Speaker 3>level because there were so many emotions coming out of

0:17:22.200 --> 0:17:24.639
<v Speaker 3>him in that game. And to be sitting next to

0:17:24.720 --> 0:17:28.760
<v Speaker 3>him in that moment to feel what Noah described of

0:17:28.800 --> 0:17:32.520
<v Speaker 3>eighteen thousand people and Chris as you described the cacophony

0:17:32.520 --> 0:17:37.200
<v Speaker 3>of sound between the pa, between the crowd and the energy,

0:17:38.320 --> 0:17:40.719
<v Speaker 3>you're hooked. You're hooked in moments like that. I didn't

0:17:40.760 --> 0:17:45.720
<v Speaker 3>know Continental Airlines Arena could actually rock like that because

0:17:45.760 --> 0:17:48.159
<v Speaker 3>it had never really happened for a net game. For me,

0:17:49.040 --> 0:17:52.720
<v Speaker 3>baseball was everything for me as a kid. Anything was

0:17:52.760 --> 0:17:55.280
<v Speaker 3>a distant second. So I grew up in Queens. I

0:17:55.280 --> 0:17:58.120
<v Speaker 3>grew up a huge Mets fan. Being a Mets fan

0:17:58.160 --> 0:18:01.280
<v Speaker 3>in the mid seventies, it was not a good place

0:18:01.320 --> 0:18:04.239
<v Speaker 3>to be and you had to be pretty strong and

0:18:04.359 --> 0:18:07.800
<v Speaker 3>courageous to walk into school when the Yankees are winning

0:18:08.160 --> 0:18:11.640
<v Speaker 3>titles in nineteen seventy seven and Reggie Jackson hitting three

0:18:11.720 --> 0:18:14.480
<v Speaker 3>home runs in a pivotal game in the World Series

0:18:14.520 --> 0:18:17.919
<v Speaker 3>against the Dodgers, and Charlie Huff and Bert Houghton and

0:18:18.000 --> 0:18:22.879
<v Speaker 3>Elia Sosa and I'm walking in with a le Mozilli lunchbox,

0:18:23.080 --> 0:18:28.080
<v Speaker 3>just hoping not to get ridiculed. So I dug in

0:18:28.920 --> 0:18:32.439
<v Speaker 3>with my fandom, and it really was about baseball. It

0:18:32.480 --> 0:18:35.760
<v Speaker 3>was about Bob Murphy and Lindsay Nelson and Ralph Kiner

0:18:35.800 --> 0:18:38.600
<v Speaker 3>who were calling the games back then. Eventually Tim McCarver

0:18:38.800 --> 0:18:42.399
<v Speaker 3>and Steve Zabriski and other announcers that stepped in, and

0:18:42.440 --> 0:18:45.360
<v Speaker 3>I was just fascinated by that part of it, fascinated

0:18:45.680 --> 0:18:48.080
<v Speaker 3>by Marv Albert and the job he was doing in

0:18:48.119 --> 0:18:50.399
<v Speaker 3>New York as played by play Man for the Knicks

0:18:50.440 --> 0:18:53.119
<v Speaker 3>the Rangers, doing local news at six and eleven o'clock.

0:18:53.160 --> 0:18:57.000
<v Speaker 3>I just thought to myself, this is insane. This man

0:18:57.080 --> 0:18:59.439
<v Speaker 3>can do all these things, get paid for it, and

0:18:59.440 --> 0:19:01.600
<v Speaker 3>then do it the next night and the next night

0:19:01.640 --> 0:19:04.560
<v Speaker 3>and the next night, and this is a career. So

0:19:05.680 --> 0:19:07.840
<v Speaker 3>I decided very early on. I was eight years old

0:19:07.840 --> 0:19:09.760
<v Speaker 3>when I told my parents what I wanted to do,

0:19:10.440 --> 0:19:14.680
<v Speaker 3>and they were both so encouraging and resolute. Again, this

0:19:14.760 --> 0:19:21.920
<v Speaker 3>is almost like an irrational form of confidence that your

0:19:21.960 --> 0:19:25.600
<v Speaker 3>parents tell you can do it at eight years old,

0:19:25.880 --> 0:19:28.959
<v Speaker 3>so you believe them. And that was it. I just

0:19:29.000 --> 0:19:32.679
<v Speaker 3>believed I would do it, and that led me to

0:19:32.800 --> 0:19:35.080
<v Speaker 3>whatever stages it takes to do this for a living.

0:19:35.320 --> 0:19:36.679
<v Speaker 3>It was almost blind faith.

0:19:37.440 --> 0:19:39.440
<v Speaker 1>We were about the same age. I was a Cubs fans.

0:19:39.440 --> 0:19:41.000
<v Speaker 1>I don't want to hear about the Mets angst in

0:19:41.040 --> 0:19:44.639
<v Speaker 1>the seventies because the Cubs slow motion collapsed in sixty

0:19:44.720 --> 0:19:47.439
<v Speaker 1>nine at the hands of the miracle Mets was a

0:19:47.480 --> 0:19:52.000
<v Speaker 1>traumatic experience for a young seven year old, and I,

0:19:52.080 --> 0:19:54.320
<v Speaker 1>despite that, decided this is what I want to do,

0:19:54.400 --> 0:19:55.840
<v Speaker 1>even though none of the teams I writed for win

0:19:55.880 --> 0:19:59.160
<v Speaker 1>any championships when I was a kid. But yeah, that's

0:19:59.359 --> 0:20:03.800
<v Speaker 1>it's it is infectious. No, I would imagine, you know,

0:20:04.080 --> 0:20:07.040
<v Speaker 1>your dad doesn't suck at this profession, but also seems

0:20:07.040 --> 0:20:09.119
<v Speaker 1>to really have a passion for it. And that's not

0:20:09.160 --> 0:20:11.600
<v Speaker 1>a given. There's many people who do this job extremely well,

0:20:12.040 --> 0:20:14.359
<v Speaker 1>don't love it deeply, and certainly when they go home

0:20:15.160 --> 0:20:18.040
<v Speaker 1>away from the gig, don't express the love and the

0:20:18.040 --> 0:20:21.520
<v Speaker 1>gratitude for it that people expect. They might that not

0:20:21.640 --> 0:20:24.359
<v Speaker 1>being the case, I probably made it pretty easy for

0:20:24.440 --> 0:20:26.000
<v Speaker 1>you to jump in and embrace.

0:20:25.680 --> 0:20:30.120
<v Speaker 2>This one thousand percent. One thousand percent. It's one thing

0:20:30.280 --> 0:20:33.840
<v Speaker 2>to watch a parent go through life and wake up

0:20:33.920 --> 0:20:35.359
<v Speaker 2>and say, all right, it's time to go to work

0:20:35.400 --> 0:20:38.520
<v Speaker 2>and just go through the routine, and that's that, and

0:20:39.080 --> 0:20:41.080
<v Speaker 2>that can still be a very good life. There's nothing

0:20:41.119 --> 0:20:43.920
<v Speaker 2>wrong with that. But to your point, when your parent

0:20:43.960 --> 0:20:46.480
<v Speaker 2>finds a passion and it's something that they wake up

0:20:46.760 --> 0:20:49.080
<v Speaker 2>with a smile on their face, no matter how many

0:20:49.119 --> 0:20:52.679
<v Speaker 2>hours of preparation is required, money, how many games in

0:20:52.720 --> 0:20:55.760
<v Speaker 2>one week can take you all across the country, and

0:20:55.840 --> 0:20:59.439
<v Speaker 2>red eye flights can maybe derail your sleep schedule. To

0:20:59.520 --> 0:21:01.800
<v Speaker 2>still have that smile on his face, to still have

0:21:01.920 --> 0:21:05.520
<v Speaker 2>that same level of enthusiasm as when he first started,

0:21:05.560 --> 0:21:08.120
<v Speaker 2>that was everything for me. For him to get home

0:21:08.160 --> 0:21:09.840
<v Speaker 2>and then watch him as he got ready for the

0:21:09.840 --> 0:21:12.400
<v Speaker 2>next game, to sit in his office and read through

0:21:12.440 --> 0:21:15.280
<v Speaker 2>media guides, which I don't even know if they exist anymore,

0:21:15.320 --> 0:21:20.080
<v Speaker 2>which is it's still upsetting as somebody legitimately sat in

0:21:20.119 --> 0:21:23.080
<v Speaker 2>his chair in his office and went page by page

0:21:23.160 --> 0:21:27.679
<v Speaker 2>learning ridiculous facts about Zadrenus Aldauskis for no reason. You know,

0:21:27.800 --> 0:21:30.000
<v Speaker 2>that just was what I enjoyed doing, and I was

0:21:30.640 --> 0:21:33.040
<v Speaker 2>I was somebody who loved the sport so much. Certainly

0:21:33.080 --> 0:21:36.080
<v Speaker 2>basketball was at the top of football and baseball and

0:21:36.080 --> 0:21:38.960
<v Speaker 2>everything that I really kind of took in as a kid.

0:21:39.320 --> 0:21:41.000
<v Speaker 2>I loved it all so much that I didn't mind

0:21:41.040 --> 0:21:44.120
<v Speaker 2>sitting there and just watch, you know, and just take in.

0:21:44.280 --> 0:21:47.040
<v Speaker 2>So everybody always asked me, what's the advice that you

0:21:47.119 --> 0:21:49.240
<v Speaker 2>got as a little kid from your dad, or what's

0:21:49.280 --> 0:21:51.359
<v Speaker 2>the one thing he told you that eventually led you

0:21:51.400 --> 0:21:53.880
<v Speaker 2>to this. It's nothing of what he said, it's everything

0:21:53.880 --> 0:21:56.000
<v Speaker 2>of what he did. And it was the example that

0:21:56.160 --> 0:21:59.760
<v Speaker 2>to your point, waking up and being very excited to

0:21:59.760 --> 0:22:02.600
<v Speaker 2>get to work and so have that relationship with him,

0:22:02.760 --> 0:22:04.399
<v Speaker 2>it's easy for that to rub off on you.

0:22:05.400 --> 0:22:09.920
<v Speaker 1>Despite the talent and the preparation, no matter what stage

0:22:09.920 --> 0:22:12.440
<v Speaker 1>we're at in your career, there are still those there's

0:22:12.560 --> 0:22:15.120
<v Speaker 1>sink or swim moments. And that's what fascinates me about

0:22:15.119 --> 0:22:17.760
<v Speaker 1>this business. Get asked about it a lot, and it

0:22:17.840 --> 0:22:19.920
<v Speaker 1>might be a sport you haven't done before, it might

0:22:19.960 --> 0:22:22.280
<v Speaker 1>be an unfamiliar situation that you're thrust upon. There was

0:22:22.320 --> 0:22:24.240
<v Speaker 1>no way to prepare for it. It's just in front

0:22:24.280 --> 0:22:27.760
<v Speaker 1>of you now. And how that is handled, I think

0:22:27.960 --> 0:22:30.200
<v Speaker 1>it is so important. And I've heard you tell stories.

0:22:30.600 --> 0:22:32.720
<v Speaker 1>You've never even been to a golf tournament. Now you're

0:22:32.760 --> 0:22:37.639
<v Speaker 1>covering the Masters for CBS Amen Corner. Yeah, that's like

0:22:37.800 --> 0:22:41.320
<v Speaker 1>having no basic training and just parachuting into a battlefield.

0:22:43.480 --> 0:22:45.880
<v Speaker 1>Good luck, son. I mean, I'm sure at that point

0:22:45.920 --> 0:22:48.640
<v Speaker 1>you're already a skill broadcaster, but stuff like that your

0:22:48.680 --> 0:22:51.280
<v Speaker 1>first ever tennis match experience, which I know is a

0:22:51.280 --> 0:22:55.560
<v Speaker 1>long story, but just being able to have the presence

0:22:55.760 --> 0:22:57.560
<v Speaker 1>and the instincts how to deal with that in the

0:22:57.560 --> 0:22:58.800
<v Speaker 1>moment is impressive. Man.

0:22:59.440 --> 0:23:03.280
<v Speaker 3>Yeah, and Chris, as you can relate to. Nobody tells

0:23:03.320 --> 0:23:05.760
<v Speaker 3>you that it's going to be a pivotal moment in

0:23:05.760 --> 0:23:10.080
<v Speaker 3>your career, so you have to have a sense of awareness,

0:23:10.480 --> 0:23:14.879
<v Speaker 3>but you can't be too aware that this might overwhelm you.

0:23:15.080 --> 0:23:17.919
<v Speaker 3>It's a very fine line of being in the moment

0:23:18.760 --> 0:23:22.280
<v Speaker 3>but also not allowing it to become too big or

0:23:22.320 --> 0:23:25.920
<v Speaker 3>too much or an avalanche as you're trying to fight

0:23:26.000 --> 0:23:29.320
<v Speaker 3>your way through it. Yeah, the golf thing, I think

0:23:29.359 --> 0:23:32.119
<v Speaker 3>it was really a case and I look back on

0:23:32.200 --> 0:23:36.120
<v Speaker 3>it now that CBS trusted me, and that's a huge

0:23:36.520 --> 0:23:39.720
<v Speaker 3>word in our business when your bosses start to trust you.

0:23:40.760 --> 0:23:44.199
<v Speaker 3>And that was probably pivotal as I look back on

0:23:44.240 --> 0:23:47.720
<v Speaker 3>my career of recognizing without them saying it, but based

0:23:47.720 --> 0:23:51.800
<v Speaker 3>on the assignment getting Army Navy in two thousand and two.

0:23:53.160 --> 0:23:54.840
<v Speaker 3>That came out of a left field. I had not

0:23:54.880 --> 0:23:58.159
<v Speaker 3>done college football for CBS. That was not something that

0:23:58.200 --> 0:24:01.600
<v Speaker 3>I assumed could happen. They gave it to me, and

0:24:01.640 --> 0:24:04.600
<v Speaker 3>I ended up doing it for nine years and with

0:24:04.680 --> 0:24:08.239
<v Speaker 3>boomersize and for most of those years, even though there

0:24:08.320 --> 0:24:09.520
<v Speaker 3>was a time we were trying to get into the

0:24:09.560 --> 0:24:13.280
<v Speaker 3>stadium and President Bush was attempting to get in as well,

0:24:14.160 --> 0:24:16.399
<v Speaker 3>and Boomer and I are now on the perimeter and

0:24:16.440 --> 0:24:20.440
<v Speaker 3>he makes eye contact with a security guard near the door.

0:24:20.520 --> 0:24:22.040
<v Speaker 3>We were not going to be able to get in.

0:24:22.119 --> 0:24:24.479
<v Speaker 3>They were not going to let us in, and clearly

0:24:24.520 --> 0:24:27.680
<v Speaker 3>the security guard recognized Boomer, so he gives him a

0:24:27.720 --> 0:24:30.040
<v Speaker 3>nod and we start walking over. He grabs my hand

0:24:30.240 --> 0:24:33.040
<v Speaker 3>as if I was his child, and he's dragging me

0:24:33.119 --> 0:24:35.840
<v Speaker 3>with him to get to the entrance. And now we

0:24:35.960 --> 0:24:38.840
<v Speaker 3>get there and the guy says, big fan, mister Simms,

0:24:39.880 --> 0:24:43.479
<v Speaker 3>and I turned a Boomer. He called you, Phil sent

0:24:43.800 --> 0:24:46.400
<v Speaker 3>you shut up, and he brought me in. He did

0:24:46.440 --> 0:24:49.159
<v Speaker 3>not want me to share that story, but it happened.

0:24:49.200 --> 0:24:50.000
<v Speaker 3>It happens.

0:24:50.119 --> 0:24:52.320
<v Speaker 1>You know, I could do a whole podcast on the

0:24:52.359 --> 0:24:55.840
<v Speaker 1>presence of a president's former and current who have ruined

0:24:55.840 --> 0:24:57.920
<v Speaker 1>the Vans, and it certainly killed some of the fun

0:24:58.040 --> 0:25:01.159
<v Speaker 1>by just showing up along with her secret service squad.

0:25:01.440 --> 0:25:03.680
<v Speaker 3>Yeah, so Boomer had to suck it up and be

0:25:03.760 --> 0:25:06.000
<v Speaker 3>Phil Simms for a moment just to get into the venue.

0:25:06.600 --> 0:25:09.960
<v Speaker 3>And the golf event that you mentioned, I did track

0:25:10.000 --> 0:25:11.639
<v Speaker 3>and field. I had never been to a track and

0:25:11.680 --> 0:25:14.680
<v Speaker 3>field event. I ended up doing eight straight NCAA Track

0:25:14.720 --> 0:25:19.919
<v Speaker 3>and Field Outdoor Championships and loved it. I thought the

0:25:20.000 --> 0:25:24.000
<v Speaker 3>whole vibe was a play by play man's dream. Every

0:25:24.200 --> 0:25:28.920
<v Speaker 3>race is good. If it's a lopsided race, it's exciting

0:25:29.000 --> 0:25:33.760
<v Speaker 3>that someone's dominating the field. If it's close, it's equally

0:25:33.800 --> 0:25:36.920
<v Speaker 3>exciting that it's coming right down to the wire and

0:25:36.960 --> 0:25:41.159
<v Speaker 3>someone's gonna win in the very last instant. So I

0:25:41.280 --> 0:25:44.919
<v Speaker 3>enjoyed it. I try to bring enthusiasm and energy to

0:25:45.000 --> 0:25:49.560
<v Speaker 3>whatever event that I'm calling, and ultimately those moments that

0:25:49.600 --> 0:25:51.879
<v Speaker 3>you're alluding to, Chris, that you've had a number throughout

0:25:51.920 --> 0:25:53.760
<v Speaker 3>your career on the hosting side and the play by

0:25:53.760 --> 0:25:59.360
<v Speaker 3>play side, it's about being in the moment and delivering

0:25:59.720 --> 0:26:03.199
<v Speaker 3>in the moment. And there's no guidebook there, there's no

0:26:03.400 --> 0:26:08.320
<v Speaker 3>how to, It's it's a personal navigation of how to

0:26:08.359 --> 0:26:11.119
<v Speaker 3>handle it and how to make it work.

0:26:11.400 --> 0:26:13.359
<v Speaker 1>Yeah, you just never know when a curveball is going

0:26:13.440 --> 0:26:15.200
<v Speaker 1>to be throwing your way. I had done a lot

0:26:15.240 --> 0:26:18.560
<v Speaker 1>of stuff, but my first year doing the ABC primetime booth,

0:26:18.760 --> 0:26:20.719
<v Speaker 1>succeeding Brent Musburger who had done it a long time,

0:26:20.760 --> 0:26:23.240
<v Speaker 1>and obviously with Ramon Keith Jackson's I've grown up watching

0:26:23.280 --> 0:26:26.119
<v Speaker 1>and listening with these guys, and now I'm calling it

0:26:26.440 --> 0:26:28.520
<v Speaker 1>after calling week one of the US Open Monday through

0:26:28.520 --> 0:26:31.040
<v Speaker 1>Thursday day and night, jumping a plane, doing a three

0:26:31.080 --> 0:26:34.520
<v Speaker 1>hour pregame show game day Saturday morning for at Worth.

0:26:34.520 --> 0:26:36.480
<v Speaker 1>Now I'm down in AT and T Stadium in Florida

0:26:36.520 --> 0:26:39.200
<v Speaker 1>State's playing, and you know, it's a very nice booth.

0:26:39.200 --> 0:26:42.440
<v Speaker 1>It's pretty close to the field. Out comes Florida State

0:26:43.240 --> 0:26:49.159
<v Speaker 1>in alternative uniforms, white jerseys, numbers that I would describe

0:26:49.200 --> 0:26:54.080
<v Speaker 1>as urine yellow and a light a light urine yellow,

0:26:54.480 --> 0:26:58.880
<v Speaker 1>and you can't see them. I couldn't see the numbers

0:26:59.040 --> 0:27:01.600
<v Speaker 1>from the booth in warm up, which is kind of

0:27:01.640 --> 0:27:05.920
<v Speaker 1>a problem. Yeah, and you know, I'm not I was prepared.

0:27:06.000 --> 0:27:08.840
<v Speaker 1>I wasn't nervous. But you see that and you're thinking,

0:27:08.960 --> 0:27:10.560
<v Speaker 1>oh shit, like you know, I am going to be

0:27:10.640 --> 0:27:12.239
<v Speaker 1>judged by this game. I want to do it well.

0:27:12.240 --> 0:27:14.080
<v Speaker 1>I want to meet my own standard. You just turn

0:27:14.119 --> 0:27:17.040
<v Speaker 1>to your spoder, buddy, have a good night. We're going

0:27:17.119 --> 0:27:19.480
<v Speaker 1>to call off the monitor. You're going to back end

0:27:19.520 --> 0:27:22.800
<v Speaker 1>the call. You can back end the player ID caught

0:27:22.880 --> 0:27:26.239
<v Speaker 1>first down thirty two and it's Isaac Sims. You know

0:27:26.480 --> 0:27:29.120
<v Speaker 1>what the things we do when you can't immediately identify

0:27:29.119 --> 0:27:31.840
<v Speaker 1>the player. But in college, I don't want to say

0:27:32.359 --> 0:27:34.879
<v Speaker 1>it's much more challenge. In the NFL. That's debatable, but

0:27:35.240 --> 0:27:37.919
<v Speaker 1>it is. No there's double the number of guys on

0:27:37.960 --> 0:27:40.080
<v Speaker 1>the field, and right, twelve guys will catch a pass

0:27:40.119 --> 0:27:42.400
<v Speaker 1>in a college game, half that in an NFL game,

0:27:42.640 --> 0:27:44.480
<v Speaker 1>And so it's kind of important to know the numbers.

0:27:44.520 --> 0:27:46.560
<v Speaker 1>And I somehow got through it but did not meet

0:27:46.560 --> 0:27:49.400
<v Speaker 1>my standard. And it's just an example of just when

0:27:49.400 --> 0:27:52.480
<v Speaker 1>you think you've got this down, here comes the curveball.

0:27:52.560 --> 0:27:56.320
<v Speaker 3>Right Yeah, And you know, I think Noah obviously went

0:27:56.320 --> 0:27:58.640
<v Speaker 3>through it doing college. This here he got thrown into

0:27:58.640 --> 0:28:01.879
<v Speaker 3>a couple of NFL games. And I don't want to

0:28:01.880 --> 0:28:04.480
<v Speaker 3>speak for you, Noah, but I think it felt like

0:28:04.520 --> 0:28:06.320
<v Speaker 3>a vacation in many ways.

0:28:06.680 --> 0:28:08.840
<v Speaker 1>The Nickelodeon shows are amazing. I want to tell you this.

0:28:08.920 --> 0:28:13.000
<v Speaker 1>I mean, I I don't have a encyclopedic knowledge of

0:28:13.080 --> 0:28:15.639
<v Speaker 1>Nickelodeon's characters, but I did see part of that and

0:28:15.680 --> 0:28:18.000
<v Speaker 1>I look back at a piece of it. Man, you know,

0:28:18.119 --> 0:28:21.720
<v Speaker 1>you and Nate Olsen do no just a phenomenal job

0:28:21.840 --> 0:28:25.280
<v Speaker 1>with the slime coming at CG slime and here comes

0:28:25.320 --> 0:28:27.640
<v Speaker 1>the getting. I mean, what a cool thing to document

0:28:27.720 --> 0:28:30.520
<v Speaker 1>some pretty important and notewere the NFL games in this

0:28:30.640 --> 0:28:32.000
<v Speaker 1>Nickelodeon style.

0:28:32.720 --> 0:28:35.119
<v Speaker 2>Well, and that's that's one of the hardest parts about it,

0:28:35.160 --> 0:28:37.399
<v Speaker 2>is finding the right balance because to your point, our

0:28:37.440 --> 0:28:40.320
<v Speaker 2>first year doing it, it's a wild card game. And

0:28:40.400 --> 0:28:42.800
<v Speaker 2>sure you can go and you can watch the normal broadcast,

0:28:42.840 --> 0:28:45.120
<v Speaker 2>but we knew that because it was so new, a

0:28:45.160 --> 0:28:46.960
<v Speaker 2>lot of people were going to be tuning in. Whether

0:28:47.000 --> 0:28:49.880
<v Speaker 2>you were an eight year old kid from Des Moines, Iowa,

0:28:50.280 --> 0:28:54.040
<v Speaker 2>or you were a fifty five year old fan who's

0:28:54.160 --> 0:28:56.840
<v Speaker 2>just intrigued from New York City. We just knew we

0:28:56.840 --> 0:28:58.440
<v Speaker 2>were going to get all different types of people, and

0:28:58.520 --> 0:29:02.520
<v Speaker 2>so trying to invite the entire audience was seminal in

0:29:02.560 --> 0:29:05.560
<v Speaker 2>our minds. Now, the one thing, as you guys, spoke

0:29:05.560 --> 0:29:08.200
<v Speaker 2>about all these these pivotal moments in your careers and

0:29:08.240 --> 0:29:10.600
<v Speaker 2>those those proven moments and the first kind of big

0:29:10.640 --> 0:29:13.960
<v Speaker 2>breaks and maybe thrown into the fire, whether it was

0:29:14.000 --> 0:29:15.880
<v Speaker 2>a track and field or whether it was your first

0:29:15.960 --> 0:29:19.040
<v Speaker 2>play by play game. The one difference that I think

0:29:19.080 --> 0:29:22.200
<v Speaker 2>about with a lot of people today getting those first

0:29:22.240 --> 0:29:25.520
<v Speaker 2>moments is having this having the cell phone right next

0:29:25.560 --> 0:29:28.880
<v Speaker 2>to you all the time, and having social media, having

0:29:28.920 --> 0:29:31.800
<v Speaker 2>people constantly reaching out texting you in the middle of games.

0:29:32.120 --> 0:29:34.040
<v Speaker 2>And I think the best thing that Nate and I

0:29:34.120 --> 0:29:37.000
<v Speaker 2>did year one was before the game, we looked at

0:29:37.000 --> 0:29:40.120
<v Speaker 2>each other and we said, Okay, put it away, just

0:29:40.120 --> 0:29:41.920
<v Speaker 2>just put it to the side. We don't want to

0:29:41.960 --> 0:29:43.920
<v Speaker 2>We don't want to be impacted by anything. We didn't

0:29:43.960 --> 0:29:47.640
<v Speaker 2>want any words that anyone was saying, anything was texted

0:29:47.680 --> 0:29:50.160
<v Speaker 2>to us. We just didn't want anybody to impact us.

0:29:50.200 --> 0:29:52.120
<v Speaker 2>We said, if anyone used to get a message to us,

0:29:52.320 --> 0:29:54.480
<v Speaker 2>Ken Mack, our producer, can get in our ear and

0:29:54.560 --> 0:29:57.520
<v Speaker 2>let us know. And I remember at halftime, I had

0:29:57.560 --> 0:30:02.040
<v Speaker 2>had we had five seven minutes maybe to go to

0:30:02.080 --> 0:30:03.959
<v Speaker 2>the bathroom, get something to drink. Is then we had

0:30:03.960 --> 0:30:06.360
<v Speaker 2>to do a filler segment and make sure we could

0:30:06.360 --> 0:30:09.640
<v Speaker 2>bridge from the second quarter into the third quarter, and

0:30:09.760 --> 0:30:11.640
<v Speaker 2>a couple people came up to us. Because at the

0:30:11.640 --> 0:30:14.720
<v Speaker 2>time that was still heavily COVID, no real fans in

0:30:14.760 --> 0:30:17.280
<v Speaker 2>the building, A couple of thousand were there. So a

0:30:17.280 --> 0:30:19.320
<v Speaker 2>couple people came up to us and they said, have

0:30:19.440 --> 0:30:23.360
<v Speaker 2>you seen the reaction? You go, no, they go, I go,

0:30:23.520 --> 0:30:27.080
<v Speaker 2>is it good? They go, it's the most positive I've

0:30:27.120 --> 0:30:30.240
<v Speaker 2>ever seen. I goy, Okay, they go, just keep doing

0:30:30.280 --> 0:30:31.000
<v Speaker 2>whatever you're doing.

0:30:31.040 --> 0:30:31.640
<v Speaker 3>I was like, all right.

0:30:32.040 --> 0:30:34.200
<v Speaker 2>So I looked at my phone after It was the

0:30:34.240 --> 0:30:37.160
<v Speaker 2>most tweets, messages, et cetera that I had ever gotten.

0:30:37.560 --> 0:30:39.600
<v Speaker 2>But it was a good lesson for me, and I've

0:30:39.600 --> 0:30:41.280
<v Speaker 2>fod It's something I've passed along to a lot of

0:30:41.280 --> 0:30:44.000
<v Speaker 2>people who have asked of Sometimes it's better to just

0:30:44.120 --> 0:30:46.680
<v Speaker 2>shut it off and be completely present in that moment.

0:30:47.040 --> 0:30:49.680
<v Speaker 2>Just just stay with it, just be locked in as

0:30:49.760 --> 0:30:52.800
<v Speaker 2>much as you possibly can. And so doing those games

0:30:52.840 --> 0:30:54.719
<v Speaker 2>has taught me a lot of how to balance the

0:30:54.720 --> 0:30:56.600
<v Speaker 2>fun with the serious, how to get down to the

0:30:56.680 --> 0:30:58.640
<v Speaker 2>nitty gritty when you have to, how to take care

0:30:58.640 --> 0:31:01.160
<v Speaker 2>of the business that maybe network wants you to take

0:31:01.160 --> 0:31:03.280
<v Speaker 2>care of, or your producer wants you to take care of,

0:31:03.320 --> 0:31:05.520
<v Speaker 2>but at the same time not losing sight of that

0:31:05.640 --> 0:31:07.480
<v Speaker 2>kid in you. And I think I've taken a lot

0:31:07.480 --> 0:31:13.880
<v Speaker 2>of that to the not animated or different or adverse

0:31:13.960 --> 0:31:16.920
<v Speaker 2>broadcast that I've done just the normal stuff, let's say,

0:31:17.040 --> 0:31:19.280
<v Speaker 2>whether it's a Clipper game or those NFL or college

0:31:19.280 --> 0:31:21.480
<v Speaker 2>games I've did. It's just making sure that I still

0:31:21.520 --> 0:31:23.760
<v Speaker 2>have fun with it, and so I think doing it

0:31:23.760 --> 0:31:25.760
<v Speaker 2>has been a good practice in a lot of ways.

0:31:25.960 --> 0:31:27.880
<v Speaker 1>How about you keep your phone turned up these days.

0:31:27.920 --> 0:31:29.520
<v Speaker 1>I mean, that's a thing I don't know if I

0:31:29.720 --> 0:31:32.720
<v Speaker 1>don't know if if you do. But I mean, Tariko,

0:31:33.120 --> 0:31:35.360
<v Speaker 1>we have so many connected lines. There's so many different

0:31:35.360 --> 0:31:37.280
<v Speaker 1>people that we know and we're I mean, there's a

0:31:37.280 --> 0:31:39.600
<v Speaker 1>lot of texting going on in the announcer community. If

0:31:39.640 --> 0:31:42.320
<v Speaker 1>you have your phone open, if you're into that kind

0:31:42.360 --> 0:31:45.280
<v Speaker 1>of thing, and it's yeah, you can't let it destroy

0:31:45.320 --> 0:31:48.360
<v Speaker 1>your concentration. But it is amusing and breaks and sometimes

0:31:48.400 --> 0:31:51.480
<v Speaker 1>somebody might actually give you good input, not in your performance,

0:31:51.480 --> 0:31:53.240
<v Speaker 1>but on something that's gone on in the field. So

0:31:54.760 --> 0:31:57.560
<v Speaker 1>other coaches will text you watching another game, you know,

0:31:57.680 --> 0:32:00.280
<v Speaker 1>sometimes is valuable. But I get your point, but not

0:32:00.320 --> 0:32:02.880
<v Speaker 1>want to be distracted do you guys critique each other.

0:32:04.920 --> 0:32:07.040
<v Speaker 3>I don't know if critique is the word. I think

0:32:07.320 --> 0:32:12.240
<v Speaker 3>it's more back and forth input. I'm not what word.

0:32:12.160 --> 0:32:14.280
<v Speaker 1>Would you use. That critique is a broad term. It

0:32:14.280 --> 0:32:15.600
<v Speaker 1>could mean a lot of things.

0:32:16.120 --> 0:32:19.840
<v Speaker 3>Well, I would say critique is more negative connotation. Oh okay,

0:32:20.120 --> 0:32:23.160
<v Speaker 3>So I wouldn't call it like the great Santini where

0:32:23.960 --> 0:32:26.520
<v Speaker 3>I'm on top of Noah with every word that's coming

0:32:26.560 --> 0:32:28.040
<v Speaker 3>out of his mouth and do it.

0:32:28.000 --> 0:32:31.640
<v Speaker 1>Again, Basketball off the forehead exactly.

0:32:31.240 --> 0:32:34.960
<v Speaker 3>Basketball off the forehead with Danny Noonan. Yeah, it's not

0:32:35.600 --> 0:32:38.240
<v Speaker 3>happening like that. I got to hear the touchdown again.

0:32:38.360 --> 0:32:41.479
<v Speaker 3>Man again, Hey man.

0:32:41.560 --> 0:32:44.960
<v Speaker 1>I talked to Andres Cantour, the Great Andres Contour, who

0:32:45.280 --> 0:32:47.640
<v Speaker 1>was a guest of the podcast and and his son

0:32:47.720 --> 0:32:50.960
<v Speaker 1>Nico works for CBS and for Paramoutlus doing soccer, and

0:32:51.000 --> 0:32:54.840
<v Speaker 1>he said, hey, there, critiques or comments, whatever you want

0:32:54.880 --> 0:32:57.800
<v Speaker 1>to call it, go both ways. The sun is not

0:32:57.880 --> 0:33:00.000
<v Speaker 1>above saying in a dad, He's not going to criticize

0:33:00.040 --> 0:33:02.040
<v Speaker 1>as the goal call, but it might be. I don't

0:33:02.040 --> 0:33:03.200
<v Speaker 1>know if you read the game, I don't know if

0:33:03.200 --> 0:33:04.760
<v Speaker 1>you saw that you didn't you didn't pick up in

0:33:04.800 --> 0:33:07.080
<v Speaker 1>the Chaine of momentum and and and i'd risk would

0:33:07.080 --> 0:33:09.800
<v Speaker 1>accept it. I don't. I don't know if if you're accepting,

0:33:09.800 --> 0:33:11.520
<v Speaker 1>if that if Noah comes up with something.

0:33:11.520 --> 0:33:15.320
<v Speaker 3>I'm accepting, I'm very accepting. I would say our dynamic

0:33:15.760 --> 0:33:21.240
<v Speaker 3>is one of positivity, and then if there's something that

0:33:21.360 --> 0:33:24.720
<v Speaker 3>stands out to me, I'll mention it to him, but

0:33:24.920 --> 0:33:28.920
<v Speaker 3>not necessarily the day after the game. It might be

0:33:29.440 --> 0:33:32.680
<v Speaker 3>in a series of conversations we have a week later,

0:33:32.800 --> 0:33:37.040
<v Speaker 3>ten days later, and usually it will be in the

0:33:37.040 --> 0:33:42.920
<v Speaker 3>Oreo cookie realm, which would be positive, and then we'll

0:33:43.040 --> 0:33:50.560
<v Speaker 3>use the word critique positive. So chocolate cookie, vanilla filling,

0:33:51.600 --> 0:33:52.400
<v Speaker 3>chocolate cookie.

0:33:53.680 --> 0:33:56.200
<v Speaker 1>Is that how you see it? Noah?

0:33:56.280 --> 0:33:59.200
<v Speaker 2>It is I one of the best things that I

0:33:59.240 --> 0:34:01.080
<v Speaker 2>think he did for me growing up. And at the

0:34:01.120 --> 0:34:03.160
<v Speaker 2>time I hated it, and at the time my sister

0:34:03.240 --> 0:34:07.400
<v Speaker 2>hated it, and I think we both appreciate it as

0:34:07.440 --> 0:34:09.960
<v Speaker 2>we get into our adult lives. But when we were

0:34:10.000 --> 0:34:13.680
<v Speaker 2>speaking when we were kids, if we use the words

0:34:13.920 --> 0:34:18.000
<v Speaker 2>like or um in a sentence, it was what did

0:34:18.000 --> 0:34:21.239
<v Speaker 2>you just say? And we would repeat and said nope,

0:34:21.320 --> 0:34:25.799
<v Speaker 2>start the sentence over, restart, and it was really just

0:34:25.840 --> 0:34:29.759
<v Speaker 2>to eliminate the words. Would you agree I can see that.

0:34:29.840 --> 0:34:32.520
<v Speaker 1>It's I fully support that, by the way, yes.

0:34:32.360 --> 0:34:35.080
<v Speaker 3>Oh no, no, I agree. But I'm just now realizing

0:34:35.120 --> 0:34:37.560
<v Speaker 3>maybe I am more like Robert Duval than I thought

0:34:37.560 --> 0:34:40.399
<v Speaker 3>I was. There is a great Santini thing here going

0:34:40.440 --> 0:34:44.319
<v Speaker 3>which Noah has seen almost every film. I don't believe

0:34:44.320 --> 0:34:45.040
<v Speaker 3>he's ever seen that.

0:34:45.160 --> 0:34:47.880
<v Speaker 2>So that reference not yeah, that one's not in my

0:34:48.120 --> 0:34:50.920
<v Speaker 2>one over your head, but the Noon and I got

0:34:51.000 --> 0:34:53.000
<v Speaker 2>Danny Newton right well, he was in it. Yeah, yeah, yeah,

0:34:53.200 --> 0:34:54.360
<v Speaker 2>Ny to knock down my pott.

0:34:54.520 --> 0:34:59.680
<v Speaker 3>But so what I what I would say about that

0:34:59.719 --> 0:35:04.640
<v Speaker 3>looking back on it, for myself is I took pride

0:35:04.960 --> 0:35:10.520
<v Speaker 3>in the fact that you guys were capable of interacting

0:35:10.600 --> 0:35:14.040
<v Speaker 3>with adults at a young age because I could, I

0:35:14.040 --> 0:35:16.880
<v Speaker 3>mean being around my parents. I was just placed in

0:35:16.960 --> 0:35:20.440
<v Speaker 3>situations where I was around adult a lot at a

0:35:20.640 --> 0:35:23.919
<v Speaker 3>very young age. And it wasn't the oh, the cute

0:35:23.960 --> 0:35:25.960
<v Speaker 3>kid in the corner. I could keep up. I could

0:35:26.040 --> 0:35:30.279
<v Speaker 3>have conversations. I was aware of sports and movies and

0:35:30.480 --> 0:35:34.000
<v Speaker 3>entertainment and music, so at a young age I could

0:35:34.040 --> 0:35:37.359
<v Speaker 3>hang And I know for you, looking back on it,

0:35:37.400 --> 0:35:39.840
<v Speaker 3>and for Aaron, it was important for you to be

0:35:39.920 --> 0:35:42.520
<v Speaker 3>able to carry yourself in a way and to be

0:35:42.600 --> 0:35:48.120
<v Speaker 3>taken seriously, because to me, credibility comes with how you

0:35:48.200 --> 0:35:50.960
<v Speaker 3>carry yourself in those moments. So I do think it

0:35:51.040 --> 0:35:54.160
<v Speaker 3>was important. Little did I know back then that it

0:35:54.200 --> 0:35:57.200
<v Speaker 3>would rub off into the adult years where you do

0:35:57.320 --> 0:36:03.399
<v Speaker 3>care how you speak and avoiding these crutches that we have.

0:36:03.719 --> 0:36:07.600
<v Speaker 3>That was always really important that both you and Aaron,

0:36:07.920 --> 0:36:12.920
<v Speaker 3>Noah's sister recognized that communication is the key to life.

0:36:13.960 --> 0:36:16.640
<v Speaker 1>You guys are competitive anyway, do you guys? Whether it's

0:36:16.680 --> 0:36:19.920
<v Speaker 1>tennis or one v one. I mean, I will not

0:36:20.000 --> 0:36:22.800
<v Speaker 1>know what that is like that the father's son competitive dynamic,

0:36:22.840 --> 0:36:24.400
<v Speaker 1>but it fascinates me. I mean, do you do you

0:36:24.400 --> 0:36:27.920
<v Speaker 1>guys go at it in any form of sport?

0:36:29.360 --> 0:36:29.600
<v Speaker 2>Yeah?

0:36:29.640 --> 0:36:32.279
<v Speaker 3>Interesting dynamic. I don't I don't think Noah and I

0:36:32.320 --> 0:36:36.320
<v Speaker 3>have ever been competitive in that way unless I'm misreading it. No,

0:36:36.480 --> 0:36:41.560
<v Speaker 3>and we did participate a lot. You suck, Yeah, Okay, Yeah,

0:36:41.560 --> 0:36:47.560
<v Speaker 3>he's right. I think we we saw ourselves as allies

0:36:48.200 --> 0:36:50.400
<v Speaker 3>more than competitor. Is that a fair assessment?

0:36:50.400 --> 0:36:52.560
<v Speaker 2>Do you think it is? It is? I think that

0:36:53.520 --> 0:36:55.879
<v Speaker 2>as I was getting into this more and more, and

0:36:56.719 --> 0:36:59.319
<v Speaker 2>I think it goes even back further for when I

0:36:59.360 --> 0:37:00.200
<v Speaker 2>was growing up like.

0:37:00.200 --> 0:37:03.719
<v Speaker 1>I didn't mean in broadcasting. I don't mean I'm talking

0:37:03.719 --> 0:37:06.319
<v Speaker 1>about a basketball cart.

0:37:06.719 --> 0:37:09.160
<v Speaker 2>I just we never we never had those battles in

0:37:09.200 --> 0:37:11.600
<v Speaker 2>the driveway. I think he knew I would win, so

0:37:11.760 --> 0:37:12.160
<v Speaker 2>I just.

0:37:12.360 --> 0:37:14.560
<v Speaker 3>That might have been it. Yeah, that's probably what it

0:37:14.600 --> 0:37:15.200
<v Speaker 3>came down to.

0:37:15.840 --> 0:37:19.280
<v Speaker 2>But no, it was never. We never had those those

0:37:19.600 --> 0:37:22.480
<v Speaker 2>hardcore back and forth battles of any sort. It was.

0:37:22.760 --> 0:37:26.200
<v Speaker 2>It was certainly uplifting on either side. And then definitely

0:37:26.200 --> 0:37:31.040
<v Speaker 2>as I got into this, he started giving me his thoughts.

0:37:31.200 --> 0:37:33.239
<v Speaker 2>As he said, in a very positive way and a

0:37:33.320 --> 0:37:36.479
<v Speaker 2>very easy going way. But sometimes he would say things

0:37:36.520 --> 0:37:38.160
<v Speaker 2>that didn't make a whole lot of sense to me

0:37:38.280 --> 0:37:40.560
<v Speaker 2>because it was and I think anybody can relate to this.

0:37:40.960 --> 0:37:43.640
<v Speaker 2>When you just have it in you innately, you just

0:37:43.680 --> 0:37:45.919
<v Speaker 2>can say it. So he would say all the time

0:37:45.960 --> 0:37:47.960
<v Speaker 2>when I'm trying to I would ask when I say, okay,

0:37:48.000 --> 0:37:49.400
<v Speaker 2>how do you how do you get the best command

0:37:49.440 --> 0:37:51.800
<v Speaker 2>of your voice? How do you get the best control

0:37:51.880 --> 0:37:54.920
<v Speaker 2>and big moments to cut through a big crowd if

0:37:54.920 --> 0:37:58.359
<v Speaker 2>there's a buzzer beater or a huge block or dunk

0:37:58.400 --> 0:38:00.359
<v Speaker 2>in a in a basketball game, or a touch down,

0:38:00.920 --> 0:38:05.399
<v Speaker 2>And he would say, you have to go above your

0:38:05.480 --> 0:38:09.920
<v Speaker 2>vocal course. You have to then go below your vocal core,

0:38:10.000 --> 0:38:12.760
<v Speaker 2>and I'm saying, what does that mean. I don't understand

0:38:12.800 --> 0:38:14.760
<v Speaker 2>what you're saying, because you have to go from the diaphragm,

0:38:14.920 --> 0:38:18.200
<v Speaker 2>go inside, and it's just feeling very technical and I

0:38:18.200 --> 0:38:20.600
<v Speaker 2>couldn't I couldn't quite grasp it until you do it.

0:38:20.760 --> 0:38:24.120
<v Speaker 2>And then once you actually get it, you go, oh, yes,

0:38:24.560 --> 0:38:26.560
<v Speaker 2>you know that. That's what he was talking about, that

0:38:26.680 --> 0:38:29.239
<v Speaker 2>feeling that you get. And so finally you just have

0:38:29.320 --> 0:38:30.840
<v Speaker 2>to you have to get the reps. And sometimes I

0:38:30.880 --> 0:38:33.239
<v Speaker 2>think and he knows this better than anybody, and that's why,

0:38:33.520 --> 0:38:35.600
<v Speaker 2>for the most part, especially as I got to college

0:38:35.600 --> 0:38:38.560
<v Speaker 2>and into the professional world, he just let me do

0:38:38.719 --> 0:38:41.120
<v Speaker 2>it and let me figure it out. And then when

0:38:41.160 --> 0:38:43.919
<v Speaker 2>I asked and wanted some of those critiques, he would

0:38:43.960 --> 0:38:45.759
<v Speaker 2>give them and you have them ready, but he let

0:38:45.840 --> 0:38:47.480
<v Speaker 2>me figure it out because he knew that was the

0:38:47.480 --> 0:38:48.200
<v Speaker 2>best way to learn.

0:38:49.760 --> 0:38:52.439
<v Speaker 1>I need some pointers know it from you on play

0:38:52.480 --> 0:38:55.239
<v Speaker 1>I play because you are far more experienced than I am.

0:38:56.320 --> 0:39:01.360
<v Speaker 1>And calling pickleball. Yes, for listeners who don't, no, televised

0:39:01.360 --> 0:39:05.919
<v Speaker 1>pickleball is a thing on Tennis channel. ESPN is televising

0:39:06.080 --> 0:39:08.880
<v Speaker 1>a pickleball slam. By the time this air is that

0:39:09.000 --> 0:39:12.279
<v Speaker 1>the match will have happened. But it's Andre Agassi, John McEnroe,

0:39:12.600 --> 0:39:16.919
<v Speaker 1>Andy Roddick and Michael Chang in a team events. Neither

0:39:16.960 --> 0:39:20.640
<v Speaker 1>of them have played pickleball before, and I'm announcing it

0:39:20.640 --> 0:39:23.040
<v Speaker 1>with Patrick McEnroe, another former colleague of yeers. I in,

0:39:23.160 --> 0:39:25.640
<v Speaker 1>so what do I need to know? And don't board

0:39:25.680 --> 0:39:29.400
<v Speaker 1>the people, so be concise in twenty five to thirty seconds.

0:39:29.440 --> 0:39:31.439
<v Speaker 1>What is a key thing in doing play by play

0:39:31.440 --> 0:39:32.120
<v Speaker 1>on pickleball?

0:39:32.800 --> 0:39:34.680
<v Speaker 2>Yeah? I think that you you've got to get the

0:39:34.760 --> 0:39:36.279
<v Speaker 2>rules down. It took me a while.

0:39:36.680 --> 0:39:39.720
<v Speaker 1>Its are hard, there's sneaky hard, It's hard.

0:39:39.800 --> 0:39:42.240
<v Speaker 2>I agree, it's hard. As someone who never played before

0:39:42.280 --> 0:39:45.520
<v Speaker 2>I got started learning what a dink was, learning what

0:39:45.560 --> 0:39:48.399
<v Speaker 2>the kitchen line is, learning what an ernie is, all

0:39:48.400 --> 0:39:51.120
<v Speaker 2>the technical terms that when you're doing tennis you don't

0:39:51.160 --> 0:39:53.400
<v Speaker 2>think about. Now, I will say, because you do so

0:39:53.480 --> 0:39:56.880
<v Speaker 2>much tennis, it will it's easier because you've got that

0:39:57.120 --> 0:40:00.520
<v Speaker 2>muscle that you work. But there are differences. The other

0:40:00.640 --> 0:40:02.560
<v Speaker 2>thing and the biggest thing, the best piece of advice

0:40:02.600 --> 0:40:05.120
<v Speaker 2>I can give you or anyone who does pick a ball,

0:40:06.239 --> 0:40:09.719
<v Speaker 2>don't drink too much water because the breaks, it's not

0:40:09.840 --> 0:40:11.600
<v Speaker 2>like tennis where you've got to change of ends that

0:40:11.600 --> 0:40:14.400
<v Speaker 2>could last two minutes. And certainly when someone leaves the court,

0:40:14.719 --> 0:40:17.600
<v Speaker 2>and if it's Stefano Sitsipas, he could take eight to

0:40:17.640 --> 0:40:19.920
<v Speaker 2>ten minutes and you might have some time to go

0:40:20.080 --> 0:40:21.919
<v Speaker 2>to the bathroom, get back to the boots in time.

0:40:22.560 --> 0:40:24.560
<v Speaker 2>The breaks and pick a ball are one minute.

0:40:24.960 --> 0:40:27.640
<v Speaker 1>One of these old guys, these guys are not young.

0:40:27.800 --> 0:40:29.960
<v Speaker 1>I bet there'll be some lengthy bathroom breaks here.

0:40:30.200 --> 0:40:33.279
<v Speaker 2>I know, one minute sixty seconds.

0:40:34.160 --> 0:40:36.560
<v Speaker 1>Are you honestly telling me that I did a five hour,

0:40:36.640 --> 0:40:40.640
<v Speaker 1>fifty three minute tennis match where the bathroom was down

0:40:40.760 --> 0:40:43.719
<v Speaker 1>the hall a rod laver arena. You know it's we

0:40:43.800 --> 0:40:45.799
<v Speaker 1>had to sprint down there and get back because at

0:40:45.840 --> 0:40:48.200
<v Speaker 1>any point in that joke, if it's an I'll match,

0:40:48.800 --> 0:40:51.479
<v Speaker 1>the crux could happen in the fifth set. So will

0:40:51.520 --> 0:40:55.040
<v Speaker 1>I will not overhydrate, and I will I will lay

0:40:55.080 --> 0:40:56.719
<v Speaker 1>out a lot because all four player is going to

0:40:56.760 --> 0:40:58.120
<v Speaker 1>be micd and that's where the fun is going to be.

0:40:58.520 --> 0:40:59.920
<v Speaker 1>It's one of those kind of things like like Ty

0:41:00.280 --> 0:41:03.000
<v Speaker 1>and Phil hopefully they're betting against each other and miked up,

0:41:03.200 --> 0:41:05.480
<v Speaker 1>so's it's not not that serious a game.

0:41:05.520 --> 0:41:07.560
<v Speaker 2>But thank you, that'll be good. It's gonna be a

0:41:07.560 --> 0:41:09.040
<v Speaker 2>lot of fun. I'm excited to tune in because I

0:41:09.120 --> 0:41:11.839
<v Speaker 2>keep seeing seeing the promos for it, and all four

0:41:11.880 --> 0:41:14.560
<v Speaker 2>of those guys obviously have great personalities to work with

0:41:14.600 --> 0:41:16.200
<v Speaker 2>the game, so it'll be it'll be a good one

0:41:16.200 --> 0:41:17.000
<v Speaker 2>for you.

0:41:16.800 --> 0:41:19.879
<v Speaker 1>I know you've done tennis spectacularly well over the years.

0:41:20.120 --> 0:41:24.080
<v Speaker 1>I think CBS early years, US Open, Yeah, obviously Roland

0:41:24.080 --> 0:41:26.760
<v Speaker 1>Garris for Tennis Channel. I mean those are two amazing events,

0:41:26.800 --> 0:41:31.000
<v Speaker 1>very distinct. But speaking of curveballs, as you know, when

0:41:31.040 --> 0:41:34.920
<v Speaker 1>you do this sport, you might get assigned to, you know,

0:41:34.960 --> 0:41:37.160
<v Speaker 1>a Djokovic for a Serena match, and then that goes

0:41:37.560 --> 0:41:40.520
<v Speaker 1>very quickly lopsided. And now all of a sudden you're

0:41:40.760 --> 0:41:44.759
<v Speaker 1>digging through your notes because Beshila's Velli and Barancas are

0:41:44.800 --> 0:41:47.480
<v Speaker 1>playing in a fifth set and on the court fifteen

0:41:48.000 --> 0:41:49.480
<v Speaker 1>and you need to go out there and they've been

0:41:49.480 --> 0:41:51.480
<v Speaker 1>playing four hours. You haven't seen a point of it.

0:41:51.880 --> 0:41:53.640
<v Speaker 1>You're trying to figure out how to get people up

0:41:53.680 --> 0:41:56.359
<v Speaker 1>to speed. Let's see, it's Lithuania, what's going on. He's

0:41:56.400 --> 0:42:01.040
<v Speaker 1>twenty nine, but no other sport that I couldn't think

0:42:01.080 --> 0:42:04.040
<v Speaker 1>of it. Kind of puts you in that situation, not

0:42:04.280 --> 0:42:05.520
<v Speaker 1>rarely but routinely.

0:42:06.640 --> 0:42:09.560
<v Speaker 3>Yeah, Chris, the one story that comes to mind for me.

0:42:10.040 --> 0:42:12.520
<v Speaker 3>It might have been my first year for CBS doing

0:42:12.520 --> 0:42:16.920
<v Speaker 3>the US Open, and basically we were assigned to the

0:42:16.960 --> 0:42:21.600
<v Speaker 3>outer courts. It was grandstand and then if something popped

0:42:21.680 --> 0:42:25.080
<v Speaker 3>up on an outer court. Rarely did this make air,

0:42:25.680 --> 0:42:29.919
<v Speaker 3>but Bob Monsbach, the producer at CBS, wanted to make

0:42:29.960 --> 0:42:35.360
<v Speaker 3>sure he was covered the Moonzie sends me and Pam

0:42:35.400 --> 0:42:39.239
<v Speaker 3>out to grandstand and I'm telling you, like, this is

0:42:39.400 --> 0:42:45.000
<v Speaker 3>pre smartphone. I may have literally brought a book because

0:42:45.040 --> 0:42:49.759
<v Speaker 3>I knew we were not touching it. And I'm out

0:42:49.800 --> 0:42:52.359
<v Speaker 3>there at grandstand and Pam's next to me and I

0:42:52.400 --> 0:42:55.319
<v Speaker 3>can hear through my headset. I'm not even sure our

0:42:55.320 --> 0:42:58.520
<v Speaker 3>stage manager was on headset because nobody expected that we

0:42:58.520 --> 0:42:59.759
<v Speaker 3>were going to be on And I can hear through

0:42:59.800 --> 0:43:06.200
<v Speaker 3>my headset Manzie's nasal voice, iron iron, Where's that coming from?

0:43:06.880 --> 0:43:08.520
<v Speaker 3>And I put the headset. I'm like, yeah, he goes,

0:43:08.680 --> 0:43:11.400
<v Speaker 3>we're coming to you. I go, there's no match in

0:43:11.440 --> 0:43:13.880
<v Speaker 3>front of us. There's no match at Grants And I go, okay,

0:43:14.200 --> 0:43:18.200
<v Speaker 3>what match quarter to eleven, and I'm now trying to

0:43:18.280 --> 0:43:20.400
<v Speaker 3>find on the screen. You have the one screen that

0:43:20.440 --> 0:43:25.160
<v Speaker 3>has every match, and I'm looking. I go, oh my goodness,

0:43:25.239 --> 0:43:31.600
<v Speaker 3>holy shit, it's anna check for Todsay and Elena Bovina.

0:43:33.239 --> 0:43:36.080
<v Speaker 3>And I said, well, how long? He goes forty seconds?

0:43:36.719 --> 0:43:41.640
<v Speaker 3>Forty second? What are you high? So Pam is like

0:43:41.760 --> 0:43:46.000
<v Speaker 3>not even in the boots. She's chatting with someone downstairs

0:43:46.040 --> 0:43:48.000
<v Speaker 3>and like, y, Pam. He's like, why I go, they're

0:43:48.040 --> 0:43:51.520
<v Speaker 3>coming to us. She's like what. She comes upstore fifteen

0:43:51.560 --> 0:43:54.040
<v Speaker 3>seconds she goes, what match? I go, it's a check

0:43:54.120 --> 0:44:01.200
<v Speaker 3>for Todsay Bovina And now it's four three to one

0:44:02.200 --> 0:44:06.600
<v Speaker 3>go and boom it pops on and he says, identify

0:44:06.640 --> 0:44:10.480
<v Speaker 3>them please. I'm like, I don't know which is which.

0:44:11.200 --> 0:44:13.440
<v Speaker 3>I don't know the difference between the two and that

0:44:13.600 --> 0:44:16.239
<v Speaker 3>moment and I turned to Pam, I go, do you

0:44:17.360 --> 0:44:22.200
<v Speaker 3>I don't know, So I just wait to see where

0:44:22.600 --> 0:44:25.960
<v Speaker 3>the marker is for the server and it's check for

0:44:26.120 --> 0:44:29.759
<v Speaker 3>Toadze and I just welcome everyone, and I checked for

0:44:29.840 --> 0:44:32.760
<v Speaker 3>Todsy serving bottom of your screen.

0:44:33.360 --> 0:44:35.160
<v Speaker 1>How dull was the rest of the tournament they would

0:44:35.160 --> 0:44:39.120
<v Speaker 1>actually go to that match? What kind of historically awful

0:44:39.200 --> 0:44:40.640
<v Speaker 1>moment was that in US Open history.

0:44:40.680 --> 0:44:43.520
<v Speaker 3>I think what happened is the matches went very quickly,

0:44:43.920 --> 0:44:47.480
<v Speaker 3>and then we had a bit of a chasm between

0:44:47.680 --> 0:44:52.440
<v Speaker 3>feature matches and Dick Enberg and Bill McAtee. I don't know.

0:44:52.719 --> 0:44:54.440
<v Speaker 3>I don't know what was going on. I just know

0:44:54.520 --> 0:44:59.080
<v Speaker 3>that that aired, and then I had another match with Robbie,

0:44:59.160 --> 0:45:03.719
<v Speaker 3>Jeanepri and David Nalbandian. That was last minute. It was

0:45:03.880 --> 0:45:06.759
<v Speaker 3>rain that week at US Open. So I'm just by

0:45:06.840 --> 0:45:11.840
<v Speaker 3>myself and Monzie again in my headset, and he says

0:45:12.480 --> 0:45:18.400
<v Speaker 3>I'm sending over McEnroe. I go, great, which one here? John, John?

0:45:21.000 --> 0:45:24.840
<v Speaker 3>Now we're twenty seconds from here, and I hit the

0:45:24.840 --> 0:45:26.600
<v Speaker 3>talk like, go hey, just let you know Monty he's

0:45:26.640 --> 0:45:30.080
<v Speaker 3>not here. He'll be there. And with like seconds for

0:45:30.160 --> 0:45:33.239
<v Speaker 3>many he comes in like the Tasmanian devil. He's got

0:45:33.280 --> 0:45:35.759
<v Speaker 3>a Knick's hat on to the side, he's got a

0:45:35.840 --> 0:45:39.279
<v Speaker 3>white shirt with a black tie, but it's undone and

0:45:39.320 --> 0:45:41.040
<v Speaker 3>he comes in. They're like ten second. I go, hey,

0:45:41.080 --> 0:45:44.080
<v Speaker 3>j I had not met John other than ball boying

0:45:44.080 --> 0:45:47.040
<v Speaker 3>for him. I had not met him. Chris, I know

0:45:47.120 --> 0:45:49.680
<v Speaker 3>this is shocking. John did not attend the production meetings.

0:45:50.000 --> 0:45:52.800
<v Speaker 1>No he does. Now I can report that he's now.

0:45:52.800 --> 0:45:56.080
<v Speaker 3>Back then, back then, no production meetings. So I stick

0:45:56.120 --> 0:45:57.960
<v Speaker 3>up my end. I go hey, John, I an eagerly goes, yeah,

0:45:57.960 --> 0:45:59.680
<v Speaker 3>I know who you are. I go, oh, all right, great,

0:46:00.480 --> 0:46:04.520
<v Speaker 3>four three two one away we go for Jeneffery and

0:46:04.640 --> 0:46:09.560
<v Speaker 3>Melt Bondian and within the first five minutes Chris he

0:46:09.719 --> 0:46:16.560
<v Speaker 3>mentions the new Jersey nets, Bob monsmack Hits talkback. Nobody

0:46:16.760 --> 0:46:24.080
<v Speaker 3>cares like this, And it was awesome, completely and it

0:46:24.160 --> 0:46:27.080
<v Speaker 3>was a great experience. But yes, you're right. Tennis, you

0:46:27.120 --> 0:46:31.200
<v Speaker 3>get thrown and Noah can absolutely relate to it. Having

0:46:31.239 --> 0:46:33.839
<v Speaker 3>done Roland Garros and a bunch of events, you get

0:46:33.880 --> 0:46:37.560
<v Speaker 3>thrown into some interesting situations. In tennis.

0:46:39.160 --> 0:46:41.040
<v Speaker 1>You had a rolling Garos story you'd wear. It was

0:46:41.080 --> 0:46:42.400
<v Speaker 1>hard to identify the players.

0:46:43.000 --> 0:46:45.200
<v Speaker 2>Roland Garros was tough because the year I went was

0:46:45.239 --> 0:46:50.440
<v Speaker 2>twenty twenty when it was bare. But my favorite thrown

0:46:50.480 --> 0:46:53.040
<v Speaker 2>into the moment story was I did a lot of

0:46:53.080 --> 0:46:56.879
<v Speaker 2>the return to tour action during COVID, so I came

0:46:56.920 --> 0:47:01.160
<v Speaker 2>back to la in June of twenty twenty and Novak

0:47:01.200 --> 0:47:03.680
<v Speaker 2>Djokovic was putting on his I think it was called

0:47:03.680 --> 0:47:06.640
<v Speaker 2>the Adria or Aria Tour, whatever it was. You probably remember, Chris,

0:47:06.680 --> 0:47:08.879
<v Speaker 2>and that did not go all that great.

0:47:08.960 --> 0:47:10.200
<v Speaker 1>No, it didn't go out, but that.

0:47:10.120 --> 0:47:12.080
<v Speaker 2>They still had other events they were doing. I know

0:47:12.239 --> 0:47:14.480
<v Speaker 2>Isner and a couple of Americans put on a grass

0:47:14.560 --> 0:47:17.440
<v Speaker 2>event back in the US and they were grabbing their

0:47:17.480 --> 0:47:20.560
<v Speaker 2>own ball, no ball boys or girls. Chris Ubanks had

0:47:20.560 --> 0:47:22.319
<v Speaker 2>a big win in it, now at a top one

0:47:22.360 --> 0:47:24.680
<v Speaker 2>hundred player, but at the time he's going to grab

0:47:24.840 --> 0:47:27.680
<v Speaker 2>and all that. So they're leaving balls on the court

0:47:27.880 --> 0:47:29.560
<v Speaker 2>and I'm doing all of it with Paul Anacone. And

0:47:29.600 --> 0:47:33.040
<v Speaker 2>one day we were there thirteen hours straight because the

0:47:33.080 --> 0:47:35.480
<v Speaker 2>matches take so much longer when you don't have someone

0:47:35.560 --> 0:47:38.200
<v Speaker 2>picking up their own loose balls at the net. So

0:47:38.239 --> 0:47:43.000
<v Speaker 2>we're already pretty fried. And then we get I can't remember,

0:47:43.040 --> 0:47:45.279
<v Speaker 2>I think we had Ian Dunn producing that day and

0:47:45.280 --> 0:47:48.279
<v Speaker 2>he gets an our ear goes, okay, we're going to Serbia.

0:47:48.680 --> 0:47:51.719
<v Speaker 2>I'm like, huh, you know, Janko Tipsarevich is putting on

0:47:51.880 --> 0:47:54.160
<v Speaker 2>more of a charity type of event. It's at a

0:47:54.200 --> 0:47:58.200
<v Speaker 2>park and we're going to the world number three, nine

0:47:58.360 --> 0:48:05.960
<v Speaker 2>hundred and seventy seven Spectaglia go and there's no info

0:48:06.000 --> 0:48:08.239
<v Speaker 2>on him. There's no ATP page on him. I look

0:48:08.280 --> 0:48:10.239
<v Speaker 2>to see if there's an Instagram page. He has one

0:48:10.320 --> 0:48:14.000
<v Speaker 2>post from twenty seventeen. He looked ironically and this is

0:48:14.040 --> 0:48:15.600
<v Speaker 2>not even a shock. You could look him up. He

0:48:15.719 --> 0:48:18.160
<v Speaker 2>did look like Danny Newton. And so the amount of

0:48:18.520 --> 0:48:22.200
<v Speaker 2>Aaddy Shack references made that was what was that?

0:48:22.320 --> 0:48:24.480
<v Speaker 1>Was that the super spread or invitational that they had

0:48:24.480 --> 0:48:24.799
<v Speaker 1>over there?

0:48:25.000 --> 0:48:26.520
<v Speaker 2>Was that that was? That was not that one.

0:48:26.600 --> 0:48:28.479
<v Speaker 1>It was Oh, that was not that one. Okay, go ahead,

0:48:28.520 --> 0:48:30.760
<v Speaker 1>that's sure. So it's happened.

0:48:30.760 --> 0:48:33.279
<v Speaker 2>First we did that one, Lindsay Davenport and I did that,

0:48:33.360 --> 0:48:36.239
<v Speaker 2>and in the couple weeks after Uncle Tip Sarvig said

0:48:36.400 --> 0:48:38.839
<v Speaker 2>we're gonna try again. And so that one was at

0:48:38.840 --> 0:48:41.400
<v Speaker 2>a park that kept panning to people doing power walks

0:48:41.440 --> 0:48:44.120
<v Speaker 2>around a track. Was definitely.

0:48:44.160 --> 0:48:46.360
<v Speaker 1>It's funny you don't control the cameras, which you rarely do.

0:48:46.400 --> 0:48:48.600
<v Speaker 1>Intendis is always some world feed guy that's got his

0:48:48.640 --> 0:48:51.239
<v Speaker 1>own agenda. The Rolling Garris directors loved to shoot the

0:48:51.280 --> 0:48:54.799
<v Speaker 1>match through the glass of reflection in the sunglass. If

0:48:54.800 --> 0:48:57.239
<v Speaker 1>it matches just a little bit less similating than they

0:48:57.239 --> 0:48:58.960
<v Speaker 1>hoped for, You never know what you're gonna get on

0:48:58.960 --> 0:49:00.399
<v Speaker 1>the screen and that that's all the fun.

0:49:00.600 --> 0:49:05.040
<v Speaker 3>They're true artists, Chris, the the European World Feed directors,

0:49:05.760 --> 0:49:10.080
<v Speaker 3>They're they're doing something that that we can't even understand.

0:49:10.080 --> 0:49:10.879
<v Speaker 3>They're doing it at a.

0:49:10.840 --> 0:49:14.000
<v Speaker 1>Level trufau spin on the match, which is, you know.

0:49:14.200 --> 0:49:19.480
<v Speaker 3>Completely completely, it's like a Fellini film and it's it's on,

0:49:20.360 --> 0:49:24.600
<v Speaker 3>it's on, you know, uh uh as Suzanne Longlan and

0:49:24.600 --> 0:49:27.000
<v Speaker 3>they're going, you're right, they're going to try to get

0:49:27.200 --> 0:49:29.279
<v Speaker 3>a shot from the other side. But if they can

0:49:29.360 --> 0:49:36.040
<v Speaker 3>do it through the reflection through the tennis canister around

0:49:36.320 --> 0:49:37.120
<v Speaker 3>and then an.

0:49:37.120 --> 0:49:41.200
<v Speaker 1>Umbrella flowers, Yeah, I said, just shoot through the flower

0:49:41.360 --> 0:49:43.160
<v Speaker 1>bed and it's insane.

0:49:43.840 --> 0:49:47.000
<v Speaker 3>Yeah. I. I really enjoyed the French Open and Chris,

0:49:47.000 --> 0:49:48.560
<v Speaker 3>you and I were there at the same time when

0:49:48.880 --> 0:49:53.400
<v Speaker 3>Tennis Channel and ESPN crossed over for a stretch, and

0:49:53.440 --> 0:49:56.680
<v Speaker 3>then we also shared a green room. The facilities were

0:49:56.719 --> 0:50:00.000
<v Speaker 3>such early on, if you remember, Chris, there just wasn't

0:50:00.080 --> 0:50:03.919
<v Speaker 3>no room. So we would literally get the crossover where

0:50:03.920 --> 0:50:06.640
<v Speaker 3>there would be five guys from ESPN, five from Tennis

0:50:06.680 --> 0:50:07.640
<v Speaker 3>chown and we're just sitting there.

0:50:07.719 --> 0:50:10.000
<v Speaker 1>Announcers try to get along pretty well. Management I'm not

0:50:10.000 --> 0:50:11.480
<v Speaker 1>so sure. But the announcers.

0:50:11.000 --> 0:50:14.640
<v Speaker 3>Announcers was not a problem management. You're right, that might

0:50:14.680 --> 0:50:15.640
<v Speaker 3>have been a bit of an issue.

0:50:16.000 --> 0:50:18.279
<v Speaker 1>But you guys, you guys called the same basketball game,

0:50:18.360 --> 0:50:21.360
<v Speaker 1>right if it was was it a Syracuse Miami game

0:50:22.160 --> 0:50:22.680
<v Speaker 1>for CBS.

0:50:22.760 --> 0:50:26.120
<v Speaker 3>That was the first one. That was the first one that.

0:50:26.160 --> 0:50:28.479
<v Speaker 1>Was the NBA. It happens. But I mean, yeah, even

0:50:28.520 --> 0:50:30.680
<v Speaker 1>back then, I mean, how many was cool? How many

0:50:30.800 --> 0:50:34.400
<v Speaker 1>times have you have you simultaneously called the same game? No,

0:50:34.640 --> 0:50:36.000
<v Speaker 1>it would have been it would be a few times

0:50:36.000 --> 0:50:37.040
<v Speaker 1>now in the NBA, I guess right.

0:50:37.120 --> 0:50:39.160
<v Speaker 3>Plus yeah, we've had a few in the NBA. The

0:50:39.239 --> 0:50:43.040
<v Speaker 3>college game was noteworthy because Noah was only a junior

0:50:43.040 --> 0:50:47.279
<v Speaker 3>in college and he basically asked the sports director, Hey,

0:50:47.320 --> 0:50:48.759
<v Speaker 3>I know you were trying to get me a game,

0:50:49.440 --> 0:50:50.680
<v Speaker 3>just so you know, putting.

0:50:50.400 --> 0:50:51.040
<v Speaker 2>On your radar.

0:50:51.640 --> 0:50:53.680
<v Speaker 3>My dad's doing a game down in Miami, so if

0:50:53.680 --> 0:50:56.680
<v Speaker 3>that one's open, And he ended up doing the game.

0:50:56.760 --> 0:51:00.160
<v Speaker 3>So a Lisa was there and her parents, Gene and

0:51:00.239 --> 0:51:02.400
<v Speaker 3>Sue were there. It became a bit of a family

0:51:02.440 --> 0:51:04.360
<v Speaker 3>affair in raf. I was doing the game with Raf

0:51:04.520 --> 0:51:07.680
<v Speaker 3>who had known Noah literally since birth. I mean, he

0:51:07.760 --> 0:51:10.000
<v Speaker 3>wasn't in the room with Alisa when it happened, but

0:51:10.520 --> 0:51:13.160
<v Speaker 3>he does know or know him from a very young

0:51:13.680 --> 0:51:14.040
<v Speaker 3>I don't know.

0:51:16.600 --> 0:51:19.480
<v Speaker 2>Good to see a kid, yeah yeah, oh yeah yeah.

0:51:19.520 --> 0:51:22.920
<v Speaker 3>I mean look anything with Raf, like Noah is a kid,

0:51:22.960 --> 0:51:26.239
<v Speaker 3>as we know with Raff. But I've I've tried to

0:51:26.239 --> 0:51:29.880
<v Speaker 3>explain this. Everybody's a kid in Bill Raftery's life. No

0:51:29.920 --> 0:51:33.759
<v Speaker 3>matter who I mentioned, I'll say, like, oh hey, Bill,

0:51:33.840 --> 0:51:36.440
<v Speaker 3>I saw Jerry West. He sends its bestally, what a

0:51:36.520 --> 0:51:37.200
<v Speaker 3>nice kid?

0:51:39.600 --> 0:51:41.720
<v Speaker 2>What numbers?

0:51:41.800 --> 0:51:43.000
<v Speaker 3>The math doesn't work there.

0:51:43.040 --> 0:51:45.719
<v Speaker 1>But when you get to work with guys who were

0:51:46.160 --> 0:51:49.520
<v Speaker 1>older generations and you admired and you were young, it's

0:51:49.560 --> 0:51:51.880
<v Speaker 1>it's special. I mean, I'm sure you'll have that opportunity

0:51:51.960 --> 0:51:54.759
<v Speaker 1>quite a lot now. But you know, Jim McKay was

0:51:54.800 --> 0:51:57.759
<v Speaker 1>a guy who was an early idol of mind when

0:51:57.800 --> 0:52:00.680
<v Speaker 1>he hosted the Olympics the seventy ten year Games. His

0:52:01.440 --> 0:52:04.560
<v Speaker 1>handling of an awful situation with the Israeli athletes with

0:52:04.600 --> 0:52:07.600
<v Speaker 1>such humanity and grace and dignity, I was mesmerized. I

0:52:07.640 --> 0:52:09.360
<v Speaker 1>was about nine or ten years old, and I thought,

0:52:09.600 --> 0:52:11.440
<v Speaker 1>that's what I want to do. I want to try

0:52:11.480 --> 0:52:14.160
<v Speaker 1>to have that sense of storytelling and that humanity. So

0:52:14.320 --> 0:52:16.839
<v Speaker 1>to work with him near the end of his arc

0:52:17.200 --> 0:52:19.600
<v Speaker 1>on the Triple Crown Races was an enormous thrill. I'm

0:52:19.640 --> 0:52:22.440
<v Speaker 1>not comparing that to Raftery, but you knew him obviously,

0:52:22.719 --> 0:52:25.520
<v Speaker 1>You're a college kid when he's already a big figure

0:52:25.560 --> 0:52:28.520
<v Speaker 1>in broadcasting. Now you guys will be on the call

0:52:28.640 --> 0:52:30.840
<v Speaker 1>reunited for the final Fource. How cool is that?

0:52:31.400 --> 0:52:35.880
<v Speaker 3>Yeah? And I think Chris as you know, when you

0:52:35.920 --> 0:52:39.239
<v Speaker 3>have a real friendship with someone, it translates on the air.

0:52:39.239 --> 0:52:41.160
<v Speaker 3>It doesn't mean it has to be that way. You

0:52:41.160 --> 0:52:45.080
<v Speaker 3>can have very good chemistry and not necessarily be close

0:52:45.200 --> 0:52:50.640
<v Speaker 3>friends or socially connected. I've had it every which way,

0:52:51.239 --> 0:52:54.800
<v Speaker 3>and I've had about I shouldn't say about I recently

0:52:54.840 --> 0:52:57.239
<v Speaker 3>counted because I added Jay Wright to the list. I've

0:52:57.239 --> 0:53:01.799
<v Speaker 3>had one hundred and forty six different part within broadcasting.

0:53:02.640 --> 0:53:06.200
<v Speaker 3>And if I broke down number of games that I've

0:53:06.239 --> 0:53:10.680
<v Speaker 3>done with one individual, Raf might be number one. It's

0:53:10.719 --> 0:53:13.120
<v Speaker 3>either Raff or Spinarkle because it's going to be based

0:53:13.160 --> 0:53:16.600
<v Speaker 3>on volume and basketball, and both of them I've just

0:53:16.640 --> 0:53:19.040
<v Speaker 3>done a ton of games with. So I've done hundreds

0:53:19.040 --> 0:53:21.840
<v Speaker 3>of games with Bill. But there's a friendship there that

0:53:21.920 --> 0:53:27.680
<v Speaker 3>goes well beyond our broadcasting relationship, and it's all very

0:53:27.719 --> 0:53:32.319
<v Speaker 3>real and organic and you can bust chops because you

0:53:32.440 --> 0:53:36.000
<v Speaker 3>know at the end of it, it's all fun. And yes,

0:53:36.560 --> 0:53:38.960
<v Speaker 3>Noah got a chance to work a game with Bill

0:53:40.000 --> 0:53:42.960
<v Speaker 3>for Fox. Did a Big East game. Who was it

0:53:43.040 --> 0:53:44.480
<v Speaker 3>Saint John's or Seaton Hall?

0:53:44.600 --> 0:53:47.440
<v Speaker 2>Who was Hall? And fdu ah?

0:53:47.640 --> 0:53:51.560
<v Speaker 3>Oh yeah, so just to see that come Ba's cool.

0:53:51.880 --> 0:53:52.200
<v Speaker 2>Didn't know.

0:53:52.280 --> 0:53:54.279
<v Speaker 1>Didn't you work with Dan Fouts who was also I

0:53:54.480 --> 0:53:55.560
<v Speaker 1>worked with Dan Fouts years ago?

0:53:55.640 --> 0:53:55.759
<v Speaker 3>Right?

0:53:55.760 --> 0:53:58.480
<v Speaker 1>Didn't you do a was it a preseason game with

0:53:58.560 --> 0:54:00.640
<v Speaker 1>Dan Faust? How cool to have that connection?

0:54:00.960 --> 0:54:03.000
<v Speaker 2>Yeah, incredible. We did all three of the charge with

0:54:03.040 --> 0:54:06.840
<v Speaker 2>preseason games, which which hopefully will continue doing for several

0:54:06.920 --> 0:54:10.680
<v Speaker 2>years moving forward. But that both of those just because

0:54:10.840 --> 0:54:14.319
<v Speaker 2>again they saw me. I'm not saying that I'm a

0:54:14.360 --> 0:54:16.520
<v Speaker 2>great R and B singer, but they saw me boy

0:54:16.600 --> 0:54:20.480
<v Speaker 2>to men or man and so with them, I think

0:54:20.520 --> 0:54:25.040
<v Speaker 2>it was this step back, weird, crazy moment of they

0:54:25.080 --> 0:54:29.080
<v Speaker 2>saw younger version of my dad, especially for Raf who

0:54:29.120 --> 0:54:32.160
<v Speaker 2>works who began working with them at my age, and

0:54:32.239 --> 0:54:35.000
<v Speaker 2>so I think I posted on Instagram, but the photo

0:54:35.040 --> 0:54:37.760
<v Speaker 2>of the two of them when my dad is my age,

0:54:37.800 --> 0:54:39.759
<v Speaker 2>and then the photo of the two of us at

0:54:39.760 --> 0:54:43.000
<v Speaker 2>my age, it's freaky, it's freaky stuff. But for me,

0:54:43.280 --> 0:54:45.799
<v Speaker 2>there's nothing cooler than that. And again, for all the

0:54:45.800 --> 0:54:48.480
<v Speaker 2>reasons he said about rap especially, and all the true,

0:54:48.800 --> 0:54:52.600
<v Speaker 2>all the same is true for Dan. The friendship, the

0:54:52.640 --> 0:54:56.440
<v Speaker 2>ability to bust on each other and to say whatever

0:54:56.520 --> 0:54:59.399
<v Speaker 2>and joke and back and forth. That that's what makes

0:54:59.440 --> 0:55:01.279
<v Speaker 2>it experspect because you know, at the end of the

0:55:01.360 --> 0:55:04.000
<v Speaker 2>day there is that level of, oh, yeah, we're in

0:55:04.040 --> 0:55:06.400
<v Speaker 2>this together and we enjoy each other's company, and so

0:55:06.960 --> 0:55:08.200
<v Speaker 2>trade all of that for the world.

0:55:09.160 --> 0:55:12.480
<v Speaker 1>A second on risk canto reference because he's from Argentina,

0:55:12.840 --> 0:55:14.680
<v Speaker 1>he called the World Cup final one of the greatest,

0:55:14.719 --> 0:55:16.839
<v Speaker 1>if not the greatest ever played archers Uni beats France

0:55:16.880 --> 0:55:20.560
<v Speaker 1>and penalties. His son Nico was also working radio for

0:55:20.920 --> 0:55:24.320
<v Speaker 1>the same match and they had an incredible embrace afterwards.

0:55:24.560 --> 0:55:27.439
<v Speaker 1>In a World Cup is as powerful as it gets,

0:55:27.480 --> 0:55:29.879
<v Speaker 1>to my opinion, and to have that father son moment.

0:55:29.920 --> 0:55:32.919
<v Speaker 1>So I'm asking you, guys, is there the possibility of

0:55:33.000 --> 0:55:38.719
<v Speaker 1>some form of that If Syracuse were to cut down

0:55:38.719 --> 0:55:42.920
<v Speaker 1>the nets next year in Vegas and you're both somehow

0:55:43.080 --> 0:55:47.520
<v Speaker 1>involved in that, would there be a powerful emotionally experience.

0:55:47.520 --> 0:55:49.640
<v Speaker 1>I mean, it's been twenty years since Syracuse won a championship.

0:55:49.680 --> 0:55:52.160
<v Speaker 1>I think about twenty years, So I'm not saying that's likely,

0:55:52.320 --> 0:55:54.239
<v Speaker 1>But is there anything like that that could happen where

0:55:54.280 --> 0:55:57.840
<v Speaker 1>you'd father's son and broadcaster colleague that it kind of

0:55:57.840 --> 0:56:00.320
<v Speaker 1>all comes together in one big, sloppy hut at the

0:56:00.400 --> 0:56:01.200
<v Speaker 1>end of some result.

0:56:02.000 --> 0:56:07.640
<v Speaker 3>Yeah. Now, first of all, Syracuse winning a championship, that's

0:56:07.960 --> 0:56:10.120
<v Speaker 3>that's a tall order right now. They've got some work

0:56:10.160 --> 0:56:12.960
<v Speaker 3>to do. Red Autry's in there, he's in the lab.

0:56:13.440 --> 0:56:17.160
<v Speaker 3>I see good things developing, but that that might be

0:56:17.200 --> 0:56:20.040
<v Speaker 3>a bit of a leap to presume that twenty twenty four.

0:56:20.120 --> 0:56:23.560
<v Speaker 3>The other thing, I erroneously reported that it's going to

0:56:23.600 --> 0:56:26.000
<v Speaker 3>be in Vegas next year, So that's maybe where you got.

0:56:26.080 --> 0:56:29.600
<v Speaker 3>It's actually in Glendale, Arizona next Okay, it will be

0:56:29.640 --> 0:56:32.359
<v Speaker 3>in Vegas, but not the Super Bowls in Vegas. I

0:56:32.400 --> 0:56:33.360
<v Speaker 3>somehow crosswires.

0:56:33.360 --> 0:56:35.520
<v Speaker 1>That did come from my research, So damn no, it's

0:56:35.520 --> 0:56:35.799
<v Speaker 1>not you.

0:56:36.160 --> 0:56:41.759
<v Speaker 3>It's all on me. And I could absolutely see the

0:56:41.880 --> 0:56:48.120
<v Speaker 3>embrace that we're like good, strong huggers. We have that bond.

0:56:48.840 --> 0:56:54.359
<v Speaker 3>The broadcast side of it, I don't know. I don't don't.

0:56:54.680 --> 0:56:55.920
<v Speaker 3>I don't know how that's gonna.

0:56:55.680 --> 0:57:00.000
<v Speaker 1>Be Net's Clippers. That's also unlikely. But like Net's Clippers

0:57:00.239 --> 0:57:05.400
<v Speaker 1>NBA final Game seven overtime, somebody's crushed.

0:57:06.000 --> 0:57:08.000
<v Speaker 2>Yeah, I don't know. I feel like we've got more

0:57:08.040 --> 0:57:10.839
<v Speaker 2>of the breakfast club fist bump at the end. That's

0:57:10.880 --> 0:57:14.560
<v Speaker 2>that's really yeah. Yeah, I don't know.

0:57:14.600 --> 0:57:17.280
<v Speaker 1>But how deeply sad, No, how deeply sad it is

0:57:17.960 --> 0:57:19.000
<v Speaker 1>constrained to that?

0:57:20.240 --> 0:57:22.800
<v Speaker 2>I mean that. Listen, Chris. The first article written about

0:57:22.800 --> 0:57:24.520
<v Speaker 2>me when I got the Clipper job was he's twenty

0:57:24.520 --> 0:57:27.400
<v Speaker 2>two going on fifty two. I think that's that's where

0:57:27.440 --> 0:57:27.920
<v Speaker 2>the problem.

0:57:27.920 --> 0:57:31.800
<v Speaker 1>Why did it offend you?

0:57:31.920 --> 0:57:34.520
<v Speaker 2>I mean, oh no, Actually I took it as a compliment,

0:57:34.560 --> 0:57:35.400
<v Speaker 2>which it was. Context.

0:57:36.520 --> 0:57:39.160
<v Speaker 1>Hey, I was working at ESPN and I was mistaken

0:57:39.240 --> 0:57:41.920
<v Speaker 1>for a high school kid. We were covering high school

0:57:41.960 --> 0:57:43.280
<v Speaker 1>kids on the show I did, and I was asked

0:57:43.280 --> 0:57:46.200
<v Speaker 1>for a hall pass, to the humongous amusement of my

0:57:46.280 --> 0:57:48.880
<v Speaker 1>crew because I was dressed like this and in a

0:57:48.920 --> 0:57:50.880
<v Speaker 1>T shirt. And they did not believe me that I

0:57:50.960 --> 0:57:53.400
<v Speaker 1>was a college graduate in the professional world. They thought

0:57:53.400 --> 0:57:55.520
<v Speaker 1>it was a high school kids. I know what it's

0:57:55.600 --> 0:57:58.840
<v Speaker 1>like to be treated.

0:57:58.560 --> 0:58:01.960
<v Speaker 3>I had the same. I had the same exact thing

0:58:02.200 --> 0:58:05.400
<v Speaker 3>with the nets. They went practiced in a high school

0:58:05.440 --> 0:58:10.760
<v Speaker 3>gym my first year in Washington, and we had to

0:58:10.800 --> 0:58:13.160
<v Speaker 3>go because we're flying out to Phoenix after the game.

0:58:13.240 --> 0:58:15.400
<v Speaker 3>So we get off the bus. We now walk through

0:58:15.480 --> 0:58:18.600
<v Speaker 3>high school hallways and I'm the last guy off the bus.

0:58:18.680 --> 0:58:21.640
<v Speaker 3>They walk into the gym. Literally everybody in the high

0:58:21.680 --> 0:58:25.640
<v Speaker 3>school is lining the hallways to watch Benoit, Benjamin, Derek Coleman,

0:58:25.760 --> 0:58:31.280
<v Speaker 3>Kenny Anderson, Dwayne Schintz, is Rick Mohorn, Chris Childs, Kevin Edwards,

0:58:31.280 --> 0:58:34.320
<v Speaker 3>on and on and on and on. Yinka dar Jason Williams.

0:58:34.720 --> 0:58:37.960
<v Speaker 3>Walked through the school and I'm the last guy, and

0:58:38.000 --> 0:58:40.960
<v Speaker 3>the security guard goes, nowhere, where are you going? I said, no, no, no,

0:58:41.280 --> 0:58:43.560
<v Speaker 3>I'm with the team. He goes, get back to class.

0:58:44.320 --> 0:58:48.440
<v Speaker 3>Come on. So we tell the trainer, Ted Arzonica. I

0:58:48.480 --> 0:58:51.600
<v Speaker 3>go Ted Ted, and he ted was a funny dude.

0:58:51.880 --> 0:58:53.640
<v Speaker 3>He comes over. He goes, yeah, how can I help you?

0:58:53.640 --> 0:58:56.680
<v Speaker 3>The security goes, this guy says, he does your radio goes, now,

0:58:56.680 --> 0:58:58.840
<v Speaker 3>I've never seen him in my life. Just get out

0:58:58.880 --> 0:59:02.040
<v Speaker 3>of here and get the algebra. Uh it happens.

0:59:02.200 --> 0:59:06.480
<v Speaker 1>That tops my story. That's awesome. Uh, it's been a

0:59:06.520 --> 0:59:08.080
<v Speaker 1>lot of fun. I mean, preparing for this was a

0:59:08.080 --> 0:59:09.760
<v Speaker 1>lot of fun. Doing this was it was a whole

0:59:09.760 --> 0:59:12.680
<v Speaker 1>lot of fun. I'll share this. Jennifer is a co

0:59:12.760 --> 0:59:18.720
<v Speaker 1>executive producer, and yesterday she said, listen, I think we

0:59:18.840 --> 0:59:22.640
<v Speaker 1>need we need to listen to the Eagles. Now behind me,

0:59:22.720 --> 0:59:26.840
<v Speaker 1>we have a kick ass, high end vinyl collection and

0:59:26.920 --> 0:59:32.640
<v Speaker 1>a badass two bamp turntable set up. So I think, okay,

0:59:32.800 --> 0:59:36.280
<v Speaker 1>we're gonna go Desperado Hotel, California, tod we go the

0:59:36.280 --> 0:59:39.920
<v Speaker 1>long run now now now now? No, no, and I in,

0:59:41.120 --> 0:59:43.520
<v Speaker 1>I shouldn't have. She didn't say it that way. I'm sorry.

0:59:43.520 --> 0:59:45.560
<v Speaker 1>She did not say it that way, but she said

0:59:45.560 --> 0:59:49.320
<v Speaker 1>it stridently, and I was thinking, you know, Don and Glenn, No,

0:59:49.440 --> 0:59:51.480
<v Speaker 1>it was no. So we have listened to you guys

0:59:51.520 --> 0:59:54.080
<v Speaker 1>for for the week. So thank you for coming into

0:59:54.080 --> 0:59:57.840
<v Speaker 1>our homes day yesterday and and joining us, joining us

0:59:57.840 --> 0:59:58.320
<v Speaker 1>here today.

0:59:58.760 --> 1:00:02.080
<v Speaker 3>One last one last just to tag that Chris uh.

1:00:02.160 --> 1:00:04.680
<v Speaker 1>When Noah song, by the way, I meant to I

1:00:04.720 --> 1:00:08.200
<v Speaker 1>meant to segue to a music question because yeah, well.

1:00:08.040 --> 1:00:13.200
<v Speaker 3>It connects to this point when Noah was wrapping up

1:00:14.040 --> 1:00:17.640
<v Speaker 3>college and I was going to move to l A.

1:00:19.160 --> 1:00:22.200
<v Speaker 3>Alisa and I flew to LA to look for an

1:00:22.200 --> 1:00:23.800
<v Speaker 3>apartment for him. I think you were doing we were

1:00:23.800 --> 1:00:25.560
<v Speaker 3>work in summer league, maybe in Vegas.

1:00:26.000 --> 1:00:27.440
<v Speaker 2>So I was at summer league and then I was

1:00:27.440 --> 1:00:29.240
<v Speaker 2>going to meet you guys, and we're all going to

1:00:29.320 --> 1:00:30.400
<v Speaker 2>start looking at a few.

1:00:30.560 --> 1:00:33.680
<v Speaker 3>Yeah. So Alisa and I get on the plane. We're

1:00:33.680 --> 1:00:39.840
<v Speaker 3>flying Newark to LA and we're going about our business

1:00:39.880 --> 1:00:43.000
<v Speaker 3>and now we're on dissent and the woman next to us,

1:00:43.000 --> 1:00:47.920
<v Speaker 3>who looked familiar but I didn't say anything about it,

1:00:48.200 --> 1:00:51.520
<v Speaker 3>we make eye contact and she says Ian. I said, yeah,

1:00:51.880 --> 1:00:57.880
<v Speaker 3>said I'm Adrian woj Niowski's wife. Oh my gosh, yes, yes,

1:00:57.920 --> 1:01:02.440
<v Speaker 3>we've met, missus woj woj Bomb. So we're chatting and

1:01:02.480 --> 1:01:05.160
<v Speaker 3>she says, I happen to tell you something, and I

1:01:05.200 --> 1:01:07.360
<v Speaker 3>think you're going to find it humorous. I said, yeah, please.

1:01:07.880 --> 1:01:12.240
<v Speaker 3>She said, I texted Adrian during the flight. You're not

1:01:12.360 --> 1:01:15.280
<v Speaker 3>going to believe who I'm sitting next to. And he

1:01:15.320 --> 1:01:20.480
<v Speaker 3>wrote back who, and she wrote back the Eagles, And

1:01:20.520 --> 1:01:23.120
<v Speaker 3>then there was a long pause and Wog writes back,

1:01:23.600 --> 1:01:27.000
<v Speaker 3>oh my god, that's unbelievable, and she's like, I mean,

1:01:27.000 --> 1:01:30.600
<v Speaker 3>it's not that unbelievable. Okay, So some time goes by

1:01:30.680 --> 1:01:34.920
<v Speaker 3>and then he writes, what are they doing? Why are

1:01:35.240 --> 1:01:38.560
<v Speaker 3>there on that flight? And she said, I don't know.

1:01:38.640 --> 1:01:40.280
<v Speaker 3>I think they're just going to LA. And then he

1:01:40.320 --> 1:01:45.440
<v Speaker 3>writes are they touring together? And she's like, I mean

1:01:45.440 --> 1:01:52.120
<v Speaker 3>they're married. I think they're touring together. Obviously he thought

1:01:52.960 --> 1:01:56.960
<v Speaker 3>that she was sitting next to Don Henley and she was.

1:01:57.200 --> 1:01:59.200
<v Speaker 2>The thing is Woge came up to me and then

1:01:59.320 --> 1:02:02.040
<v Speaker 2>tells me this worry from his perspective. He goes, I'm

1:02:02.040 --> 1:02:05.760
<v Speaker 2>sitting here, I go, why would they be flying commercially.

1:02:07.160 --> 1:02:07.880
<v Speaker 3>United flight?

1:02:08.000 --> 1:02:09.600
<v Speaker 2>Right now, that's his first.

1:02:09.360 --> 1:02:11.960
<v Speaker 1>Thought, you know, banded dynamics, So wait, have been on

1:02:12.040 --> 1:02:15.960
<v Speaker 1>separate private planes? I think actually at that point, good point.

1:02:16.400 --> 1:02:17.240
<v Speaker 3>Sure, it's hard.

1:02:17.280 --> 1:02:19.880
<v Speaker 1>It's hard to follow our top that story, so well

1:02:19.880 --> 1:02:22.520
<v Speaker 1>we'll leave it there. Guys, thanks again, and I continue

1:02:22.560 --> 1:02:26.080
<v Speaker 1>to be just incredibly impressed by everything you've done for decades. No,

1:02:26.200 --> 1:02:29.480
<v Speaker 1>I could not be more impressed by by He was

1:02:29.520 --> 1:02:33.120
<v Speaker 1>a young broadcaster and a person, So decades decades of

1:02:33.320 --> 1:02:35.640
<v Speaker 1>utual success to you and and you guys have been

1:02:35.720 --> 1:02:38.360
<v Speaker 1>you guys have been great fun Chris.

1:02:38.160 --> 1:02:41.400
<v Speaker 3>Feelings, mutual great, great being with you and thanks for

1:02:41.480 --> 1:02:45.320
<v Speaker 3>allowing me to see my son. That was the highlight.

1:02:46.440 --> 1:02:49.640
<v Speaker 2>Chris. I appreciate you, appreciate you having us on. I'm

1:02:49.680 --> 1:02:52.440
<v Speaker 2>looking forward to catching as much of your calls as

1:02:52.440 --> 1:02:55.320
<v Speaker 2>I possibly can this year. Very much enjoyed following along

1:02:55.400 --> 1:02:58.120
<v Speaker 2>for the last several years, and I'm just glad to

1:02:58.160 --> 1:03:00.400
<v Speaker 2>know that my dad cared about my birth. When it's

1:03:00.400 --> 1:03:00.960
<v Speaker 2>all said and.

1:03:00.920 --> 1:03:05.080
<v Speaker 3>Done, Yeah I did. I cared enough to bathe That

1:03:05.200 --> 1:03:05.480
<v Speaker 3>was good.

1:03:05.800 --> 1:03:14.880
<v Speaker 2>One could be fresh, fresh.

1:03:07.600 --> 1:03:15.640
<v Speaker 1>And ending on a laugh just seems completely appropriate. That

1:03:15.760 --> 1:03:17.880
<v Speaker 1>was a lot of fun for me. You can't maybe

1:03:17.920 --> 1:03:23.520
<v Speaker 1>fully appreciate listening the facial expressions that reflect the mutual

1:03:23.880 --> 1:03:27.920
<v Speaker 1>pride and joy I in space when Noah's talking telling

1:03:27.960 --> 1:03:30.880
<v Speaker 1>a story, and Noah's face when his dad is relating

1:03:30.920 --> 1:03:34.240
<v Speaker 1>his career. I plan to post some video clips on

1:03:34.280 --> 1:03:36.240
<v Speaker 1>the website and on YouTube, and I think you'll also

1:03:36.360 --> 1:03:38.400
<v Speaker 1>enjoy that and be able to fully appreciate how loving

1:03:38.440 --> 1:03:42.000
<v Speaker 1>and support of this father son relationship is. If you

1:03:42.120 --> 1:03:45.840
<v Speaker 1>enjoy broadcasting stories and behind the scenes stuff from TV,

1:03:46.600 --> 1:03:49.080
<v Speaker 1>I invite you to check out a list of archived

1:03:49.120 --> 1:03:51.280
<v Speaker 1>episodes that we're really proud of. A lot of my

1:03:51.360 --> 1:03:54.080
<v Speaker 1>colleagues have joined me to tell their tales right back

1:03:54.080 --> 1:03:58.720
<v Speaker 1>from episode one, Willie Geist, Maria Taylor, Rich Eisen, Jeremy Shapp,

1:03:59.400 --> 1:04:02.960
<v Speaker 1>but also Mike Terrico and Kirk kurb Street, Dick Vital,

1:04:03.440 --> 1:04:08.440
<v Speaker 1>Charles Barkley, stephen A. Smith, Doris Burke, Holly Rowe, Andre's cantor,

1:04:08.680 --> 1:04:12.120
<v Speaker 1>Jay Billis check him out. There's a lot of great

1:04:12.120 --> 1:04:15.480
<v Speaker 1>stuff in there, as always, thanks to my co executive

1:04:15.520 --> 1:04:18.640
<v Speaker 1>producer Jennifer Dempster and to the folks at Octagon. I'll

1:04:18.680 --> 1:04:21.160
<v Speaker 1>talk to you soon with more of season six of Fowler.

1:04:21.200 --> 1:04:21.760
<v Speaker 1>Who You Got