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Speaker 1: It's with Jenny Garth and Tori Spelling. Okay, hi, you guys,

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Speaker 1: this is crazy. We're back for another episode of nine

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Speaker 1: O two. I O MG, but I don't know where

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Speaker 1: the Hectoria's amy where you're our producer? Where's she? So

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Speaker 1: weren't you just in a meeting with her? Like a zoo?

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Speaker 1: Literally just having been a based on my computer and

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Speaker 1: now I can't nobody can find her. So here, I'm

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Speaker 1: not a detective. But here's my thought. We've tried calling her,

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Speaker 1: it's going straight to voicemail. We're texting her and it's

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Speaker 1: going green. What if her power went out? Weird? Oh no?

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Speaker 1: Or yeah, like the internet? She had an Internet? Like,

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Speaker 1: I don't think she was like she just was in

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Speaker 1: a with you, so like she wasn't trying to get someone.

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Speaker 1: It happens. Though I was technology today, I was like

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Speaker 1: a real ci a criminal minds you know, agent, I'm

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Speaker 1: going power outage. Okay, that's your call. Well I hope

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Speaker 1: that's it, because you can get your power back. But

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Speaker 1: I can't find my friend. But but okay, so like

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Speaker 1: if she fell, let's just say she fell a meeting,

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Speaker 1: but her phone would be working, so like the fact

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Speaker 1: is she can't reach the phone. Maybe it's like those

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Speaker 1: commercials can't get up right, which is why everyone needs

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Speaker 1: that that device. I'm not joking when I get yep,

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Speaker 1: I'm getting that thing. But so I don't think it's

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Speaker 1: that because the phone wouldn't be going street to voicemail

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Speaker 1: and the text wouldn't be going green. Although does she

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Speaker 1: live in like a dicey cell service area? I don't know,

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Speaker 1: did she move? What else could it be? How can

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Speaker 1: we do nine or two and O MG? Without her?

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Speaker 1: It just doesn't three minutes. She's just gonna pop in

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Speaker 1: any second, magically. I shall have some good story to tell.

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Speaker 1: This is a big Donna episode, though we can't. We

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Speaker 1: can't talk about it without her. I actually thought Tori

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Speaker 1: was again particularly good in the episode. I thought you

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Speaker 1: were too no no, no, no no no. This was the

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Speaker 1: episode where I was like, oh my gosh, Donna is

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Speaker 1: really finding her stride. Totally agree and smoking hot. Tory

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Speaker 1: looked awesome with that hair. I love the big hair.

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Speaker 1: I tried to make my hair bigger today for this

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Speaker 1: podcast because I was inspired. I just won't poof, like

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Speaker 1: I can't get any more poof out of it. You

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Speaker 1: had great hair in this sort of sexy slipped back

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Speaker 1: all black. There's a lot of black. Yes that. My character,

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Speaker 1: Kelly was very seductress in this episode. I felt, what

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Speaker 1: is she doing? Oh? I loved it? Are you so? Yeah?

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Speaker 1: What's that like? To watch that? I was? I was like, wait, eight,

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Speaker 1: I don't know. This is the part where people are

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Speaker 1: either gonna love it or they're gonna hate Kelly. Oh god,

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Speaker 1: it's a million percent double thumbs up. Yes, you like

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Speaker 1: the you like the drama? Yeah, because it's not here's

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Speaker 1: what I love. They're not just bombarding me too much.

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Speaker 1: It's subtle, it's minimal. There's oh tories got Okay, let's

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Speaker 1: find out what's happened. Let's let her in, Let her in,

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Speaker 1: let her into the party. Oh god, if I'm right,

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Speaker 1: do I get a prize? You your call? As you

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Speaker 1: think she fell over and can't reach out? Power out,

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Speaker 1: power out? Okay, I don't think I'm gonna say the

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Speaker 1: dog got out and she was chasing it. Oh good one,

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Speaker 1: good one. Well, here's what's interesting. I know we'll talk

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Speaker 1: about this. There's also another title. Did you notice that?

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Speaker 1: So there's a then there's a parent title, right, It

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Speaker 1: was like they were there were two shows happening, but

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Speaker 1: that's always the case. There's always an A and a

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Speaker 1: B and a C storyline, So I know why. They're

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Speaker 1: definitely different writers. Really, yes, if you watch on the credits,

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Speaker 1: there's different writers. And then I looked it up. When

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Speaker 1: men look it up again, there's a total title for

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Speaker 1: the Paris part. Say something interesting while I look at us. Okay,

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Speaker 1: well I will do that. But I did feel like

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Speaker 1: this was the episode. The title of it, too Little

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Speaker 1: Too Late was more geared towards Andrea's storyline Andrea and Brandon,

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Speaker 1: because it right that reference too little too late. She's

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Speaker 1: going to go off with Peter Krause. You know, I

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Speaker 1: can't wait to talk about that too. Yeah. So then

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Speaker 1: the other part, the Paris part, was titled Paris seven

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Speaker 1: five zero zero one to Paris like nine two one.

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Speaker 1: Oh get it. It's cheeky, I get it. But is

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Speaker 1: that how it works in France? Is there is there

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Speaker 1: a zip code that's this like matching, But when you

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Speaker 1: mail a letter you write it in a different order. Yeah,

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Speaker 1: like you doesn't that Beverly Hills, California, nine o two.

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Speaker 1: But when you send a little there I think it's

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Speaker 1: all Yeah, I think you send it all out of order.

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Speaker 1: It's the postal code. But yes, you have to put

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Speaker 1: in oh one or something. There she is, she's there.

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Speaker 1: We have been looking everywhere for you. First of all, beautiful,

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Speaker 1: you saved our lives because we're bad without you. You

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Speaker 1: guys are just fine. Wait, we need to know what happened.

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Speaker 1: Did you did the dog get out? Did you fall

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Speaker 1: off your chair? We have We're trying to figure out

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Speaker 1: where you've been. I was sitting right here. Yeah, I

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Speaker 1: guess my wife I was out. I didn't realize. I

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Speaker 1: was just sitting here and I was like, how come

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Speaker 1: we're not starting. We were asking the same thing, I said,

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Speaker 1: power outage. But oh that's so funny. So you have

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Speaker 1: to turn it on, turn it off, turn it on,

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Speaker 1: Yeah I was. I don't know. Expect deep breast. We're

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Speaker 1: gonna have a good time because we will. Said you

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Speaker 1: were smoking hot in this episode. Smoking hot. Hey you guys,

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Speaker 1: we are back for another episode of nine O two one.

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Speaker 1: You got us. We're all here. There she is, We're here,

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Speaker 1: We're all accounted for and alive. It's a good day. Yeah,

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Speaker 1: I don't win the prize. Because I thought it was

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Speaker 1: power outage, but it was a WiFi average You know

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Speaker 1: what is that. It's kind of the same thing. Yeah,

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Speaker 1: it's like a life outage. Like if if you don't

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Speaker 1: have WiFi nowadays, like if it goes out, everything goes

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Speaker 1: to poop done, You're done. It's like, it's so crazy,

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Speaker 1: you can't live without it. It's like, what do you

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Speaker 1: do anymore? Is so true? I should have called you

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Speaker 1: on my landline because I do have one of those.

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Speaker 1: Still you still have a landline. She has a handheld

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Speaker 1: portable phone in her hand that is almost like a

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Speaker 1: museum quality artifact right there. Pretty much pretty much what

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Speaker 1: you missed was we talked about how this episode has

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Speaker 1: two titles too a little too late, and then it's

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Speaker 1: Paris zero one. I saw that. I kind of like that,

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Speaker 1: though I got two writers on one one on the other. Yeah,

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Speaker 1: that's the thing. So she Amy was saying that there

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Speaker 1: was a different writer for the Paris segment than I

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Speaker 1: don't know this, Karen Rosen, right, what is it? It was, Oh,

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Speaker 1: is that the zip code or the they don't have

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Speaker 1: zip codes? And that's what I said, Okay, okay, so

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Speaker 1: it's always it is Okay, okay, it's their postal code,

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Speaker 1: but it's the same thing as a ZIP code. But

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Speaker 1: I didn't think they looked the same. I didn't either,

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Speaker 1: and I was confused. I was what is that number?

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Speaker 1: It was like a mystery, like a code. This is

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Speaker 1: we're talking about. Season three, Episode three, Too Little, Too Late,

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Speaker 1: aired on July. Y'all synopsis Brendan Donnet just living in Paris.

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Speaker 1: Andrea Council is a deaf child who has difficulty adjusting

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Speaker 1: to summer camp. Dylan and Kelly flirt with each other,

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Speaker 1: and Brandon develops feelings for Andrea. What the directed by

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Speaker 1: Daniel addis written by Darren Starr, Jonathan Roberts, and Karen Rosen.

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Speaker 1: So maybe that's it. Maybe that's why we have three

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Speaker 1: writers listed. Interesting because if I'm not wrong, when I

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Speaker 1: watched it, I saw Maria's Simple listed as the writer

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Speaker 1: of one of the in the credits the opening. Yes, well,

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Speaker 1: that would be an inaccurate list of our writers there.

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Speaker 1: Then I think it's not correct here because I don't

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Speaker 1: think Darren wrote this episode either. Yeah, I think you're right.

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Speaker 1: I think we have incorrect information from the internet. But

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Speaker 1: I'm going to the Yeah, the credits on TV were correct,

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Speaker 1: we should go with that. Nonetheless, it was a good

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Speaker 1: episode because this was where we see you guys go

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Speaker 1: to Paris. Now, my first and most important question is

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Speaker 1: was that filmed at Universal Studios? Where was that film? Paris?

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Speaker 1: Ding ding ding? Yeah? It was that's a back lot. Yeah,

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Speaker 1: you didn't get to go for real zes no, I know,

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Speaker 1: but it was fun because we got out of our routine,

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Speaker 1: got to go somewhere else and we were at Universal

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Speaker 1: and it felt like you're in Paris. It really did.

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Speaker 1: It looked real enough. It really did look like you

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Speaker 1: were there, and you were in all the best parts. Yeah, exactly,

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Speaker 1: except the obviously the apartment they stay in that was

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Speaker 1: on set. So yeah. The episode starts though on Chuck

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Speaker 1: Rosen's daughter. Chuck and Karen Rosen's daughter was one of

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Speaker 1: the little girls at the beach with Andrea. Did you

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Speaker 1: see how cute she was? Yes? What was her name?

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Speaker 1: Was it Lindsay or they've two daughters, Yeah, the oldest one,

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Speaker 1: I think though, the oldest one. She the one that's

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Speaker 1: a writer now I believe so, But yeah, that was

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Speaker 1: so fun to see her, like, yeah, so cute, sassy

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Speaker 1: she was. I wish she had buried Brandon a little

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Speaker 1: bit more. Wait, did you guys feel like something was

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Speaker 1: wrong with them? Your sound? And then when I realized,

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Speaker 1: I felt really bad it was for a second version. Yeah,

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Speaker 1: per second. I was like, where's the clicker, something's happening.

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Speaker 1: I gotta fix his I was like, yeah, I was.

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Speaker 1: I was watching on my phone and I was just

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Speaker 1: I kept going back because I'm like, oh god, I

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Speaker 1: thought that was very clever. I've seen other shows where

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Speaker 1: they do that, and I thought, whoa, that was a

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Speaker 1: little ahead of its time that they thought of doing

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Speaker 1: that to let the audience know what the little boy

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Speaker 1: was experiencing. Yeah, it got me, They got me. Yeah. Yeah,

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Speaker 1: it was good once we found out and then but

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Speaker 1: before that, it was weird. I wonder if people turned

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Speaker 1: the channel like that was a risk going over to

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Speaker 1: something else. I can't remember what was on the nineties

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Speaker 1: and other networks. Doesn't matter that little boy and his

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Speaker 1: mom both looked familiar. I think they've obviously both worked before,

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Speaker 1: and since that little boy was so cute, and I

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Speaker 1: felt like he could have played a young Steve Sanders

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Speaker 1: as well. Good call he could have if they had

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Speaker 1: just curled his hair a little bit and then made

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Speaker 1: it long in the back and poofy in the front too. Yep,

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Speaker 1: this episode had a lot happening because here's of things.

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Speaker 1: I want you guys to break down Kelly and Dylan

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Speaker 1: that much. There's just a coy little moments, girl moment everything. Yeah,

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Speaker 1: you stop, it's a slow build. I guess Brandon and Andrea,

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Speaker 1: Jack McKay and Dylan, right, Donna and Brenda in Paris,

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Speaker 1: Oh my gosh. And then I guess I would loop

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Speaker 1: in the other Andreas stuff with like the Peter Kraus

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Speaker 1: of stuff with the Brandons. Who knew he did so

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Speaker 1: many episodes? Yeah, he was way more prominent in this one.

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Speaker 1: So what do you all think? What was your favorite

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Speaker 1: of those storylines? I was just also like, Kelly stays behind,

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Speaker 1: it doesn't go to Paris so she can be with

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Speaker 1: baby Aaron. Where the heck is baby Aaron? Doesn't care

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Speaker 1: about that baby? Why did that? In one episode? That's done?

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Speaker 1: She just wants to work on her Tan and Steel boyfriends. Apparently.

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Speaker 1: What do you think of the sort of they're sprinkling

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Speaker 1: in the flirty flirt flirt which I like, couldn't be

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Speaker 1: I mean you guys, your chemistry is so like it

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Speaker 1: just explodes off the screen. So I feel like they

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Speaker 1: I don't know. I just it makes me uncomfortable that

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Speaker 1: she's talking to him like that with Brenda, just that

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Speaker 1: she just left. I feel very like conflicted as Brenda's

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Speaker 1: friend to see what happened because I didn't really see it.

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Speaker 1: I didn't think it was inappropriate or overt. I thought

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Speaker 1: it was just cute, and but as fans were like, oh,

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Speaker 1: this is happening again, here's the point is it? Because

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Speaker 1: we know, like if you didn't know, would you still

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Speaker 1: think she was flirty or would you be like she's

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Speaker 1: just adorable and like she's cute and this is how

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Speaker 1: girls talk to boys. Yeah, because like that scene where

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Speaker 1: they're talking at the at their having a drink at

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Speaker 1: the bar, you know, and you we remember we were

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Speaker 1: like have they known each other for a long time?

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Speaker 1: And then Kelly makes reference to, yeah, we were in

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Speaker 1: kindergarten together. So you do see their relationship is a

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Speaker 1: lot deeper and richer than you ever thought it was

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Speaker 1: because they just have that history and that similarity of

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Speaker 1: growing up in Beverly Hills together and growing up with

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Speaker 1: parents or dads specifically that are not really showing up

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Speaker 1: for them. Yeah, mm hmm. What is mineral water? Sparkling water?

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Speaker 1: What are you talking about? Is it like Perry A.

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Speaker 1: Dylan ordered mineral water? And I'm like, oh, because we

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Speaker 1: didn't say sparkling back then? What what what do you

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Speaker 1: would would Dylan say? Can I get a sparkling water?

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Speaker 1: Sounds what I say? Literal water sound weird too? That

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Speaker 1: does sound like some water you found under a rock?

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Speaker 1: Should we talk about When Steve says, come on, love birds,

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Speaker 1: so you are doing the tug of war, I think,

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Speaker 1: and then you fall. It happens like that in the

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Speaker 1: movies the fall. It always happens when the girl falls

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Speaker 1: on top of the boy, or the the folds on

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Speaker 1: top of the girl, just magically in place like that.

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Speaker 1: He does call them love birds, but I don't know

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Speaker 1: why he says that, because and it was so obvious, like, oh,

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Speaker 1: these two lovebirds. Now. He's not doing it to be

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Speaker 1: like an ass. He's not like being a jerk. He's

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Speaker 1: being cute, meaning Steve and and friendly with them. I did,

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Speaker 1: I did. I did remember a moment from that scene though,

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Speaker 1: when we were playing tug of war. Uh, on the beach.

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Speaker 1: I remember when we did actually fall, my entire boob

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Speaker 1: came out of that bathing suit, of the leopard bathing suit,

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Speaker 1: and I think that's where the whole I don't know

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Speaker 1: if it's where it originated, but I definitely got a

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Speaker 1: dose of Do you remember this is terribly um graphic.

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Speaker 1: They were always, I don't know who specifically would reference

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Speaker 1: nipples in the terms pink sucky or brown shoe. Oh,

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Speaker 1: oh my god, this is horrible that I can't not

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Speaker 1: talk about it though, because my boob came out in

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Speaker 1: that scene and uh, there was talk about a pink

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Speaker 1: sucky and I didn't understand what they meant, and they

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Speaker 1: had I had to have that explained to me. Oh

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Speaker 1: my god. That just gave me such flashbacks of the

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Speaker 1: boys being they were so dirty. This is yeah, probably

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Speaker 1: definitely not a conversation that would fly on a set today,

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Speaker 1: but let's keep having it. Referencing nipples. Remember being paranoid

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Speaker 1: because I was like, oh, what's better? Like I would

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Speaker 1: look in the mirror and be like, I think mine

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Speaker 1: somewhere in the middle of what is it? Pink sucky?

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Speaker 1: Brown true? And then I was like so paranoid like,

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Speaker 1: but what better ye pink suck? What is it? What

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Speaker 1: is it like a pain? You either have a pink

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Speaker 1: it's just the tone of your or you have a

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Speaker 1: brown nip and it's you don't. You didn't You don't

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Speaker 1: ask for it. You don't get to decide which one

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Speaker 1: do you get? You just that's your boob kind of

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Speaker 1: nipple shaming almost. It really isn't like teaches you to

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Speaker 1: compare your even your nipples. Yeah, and then I always

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Speaker 1: would talk about if you if girls had small nipples

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Speaker 1: or big nipples, they called them some a dollar size

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Speaker 1: ones or dines. I don't know. I was just watching

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Speaker 1: though the scene right before it, and I was watching

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Speaker 1: them like have this like sweet moment, like a like

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Speaker 1: a moment, and I and I started to cry, and

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Speaker 1: I was like, this is going to be really really

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Speaker 1: hard for me to watch this whole Kelly Dylan thing

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Speaker 1: because this is, you know, my body just like instantly

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Speaker 1: recalled like the feelings of working with him and loving

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Speaker 1: and so much. And it was I was tearing up,

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Speaker 1: and then cut to the scene on the beach falls

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Speaker 1: out and I was like instantly just yanked right out

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Speaker 1: of that tender moment into the reality of like what

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Speaker 1: was you know on set chemistry and how it was

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Speaker 1: It seems like a good time to bring up. Obviously,

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Speaker 1: before we do these shows, our team does a lot

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Speaker 1: of you know, googling, And one of the things that

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Speaker 1: really comes up about this episode is that one of

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Speaker 1: the main reasons for the Dylan Kelly storyline is that

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Speaker 1: Luke Perry had asked to work with you, Jenny, and

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Speaker 1: I think we know that that is true. So can

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Speaker 1: you tell us about that? Well, you you're referencing something

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Speaker 1: I think that might have been on another podcast, Like

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Speaker 1: I think Chuck Um might have that heat that he

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Speaker 1: got a call from Luke saying that that's how this

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Speaker 1: whole thing started. That Luke said I want to work

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Speaker 1: with the Blonde. And when you guys gave us this info,

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Speaker 1: we were together last week and I was like, oh

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Speaker 1: my god, I freaked out, and Jen goes what because

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Speaker 1: we got that text and I was like, my mind's

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Speaker 1: blown and she was like that's true, and I was

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Speaker 1: like what As a fan, I was freaking out. I

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Speaker 1: didn't even know that. I knew that, but I didn't

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Speaker 1: want to say that, like like I would never want to.

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Speaker 1: I know, you feel like you're bragging, but that that's

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Speaker 1: the right word. But like, tell us what you know,

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Speaker 1: because that was so sweet and amazing and like he

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Speaker 1: just knew you guys would have great chemistry, like you

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Speaker 1: had a great friendship, had crushes on each other. Tell

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Speaker 1: us what you're comfortable telling us. I do know that

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Speaker 1: he did make that call and that he uh, you know,

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Speaker 1: it's what he wanted. And you know, at that point,

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Speaker 1: he was major, major, major part of the show. And

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Speaker 1: they did what Luke wanted, you know, And I don't

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Speaker 1: think they disagreed with him necessarily, and they thought that

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Speaker 1: it was probably open up a lot of like interesting

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Speaker 1: storylines that love triangle and Brenda going off to discover

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Speaker 1: herself and all the stuff. But yeah, I mean it's

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Speaker 1: no secret Luke and I had a you know, a

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Speaker 1: very strong bond and like sort of and requited love

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Speaker 1: for each other that was not just on screen, and um,

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Speaker 1: this was I think, you know, just a way for

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Speaker 1: us to work together and spend more time together. And

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Speaker 1: we enjoyed one another, and we enjoyed working with each other,

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Speaker 1: and I think that's where I came from. We never

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Speaker 1: really talked about it. It was just kind of like

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Speaker 1: a Okay, this is happening, and did he say I

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Speaker 1: made that call? Or no? I don't remember him ever

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Speaker 1: saying that to me, like because he's not He was

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Speaker 1: never the kind of guy that would be like, yeah,

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Speaker 1: I made that happen or that's what I wanted or

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Speaker 1: you know, it was just like it happened. And then

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Speaker 1: there was just like you know and a knowing. Do

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Speaker 1: you think they like checked in with your team? Like

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Speaker 1: is Jenny cool with that direction? Does she want to

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Speaker 1: do that? I don't know. I mean you have to

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Speaker 1: ask Randall James to ask Mr show is like that.

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Speaker 1: Remember he remembers everything. He will remember Randy, did you

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Speaker 1: is he listening? I am here. This is the voice

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Speaker 1: of my manager. Everyone. He's always on the last team, right, yes, yes,

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Speaker 1: and I actually do believe um Tor. I think your

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Speaker 1: dad called me personally, which which was rare and terrifying

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Speaker 1: when that happened getting fired. It was always either really

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Speaker 1: good news or really bad news. In this case, he

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Speaker 1: called me and told me that Luke had made that

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Speaker 1: request and he was assuming that that was okay with

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Speaker 1: Jen and Jen, I think you and I talked about it,

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Speaker 1: and obviously it was fine and then it was all

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Speaker 1: systems go. They have to literally have chills like me too,

355
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Speaker 1: me too, and like I'm totally like I'm weirdly fighting

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Speaker 1: back tears and wouldn't amazing, Like I just I'm almost

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Speaker 1: just like I can't speak. What does that mean to you, guys?

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Speaker 1: I mean, if that's just me feeling that, Tori, what

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Speaker 1: are you like feeling when you hear that? Well, the

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Speaker 1: other thing, I just want to jump in real quick

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Speaker 1: and say that that Aaron was always very very considerate

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Speaker 1: with letting Jenny approve um her love interests, and that

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00:22:40,080 --> 00:22:42,919
Speaker 1: was very important to him, and so he was he was,

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Speaker 1: which does not normally happen, uh in television series. You know,

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Speaker 1: all of a sudden someone shows up and that's who

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Speaker 1: you're working with. But um, that was something that he

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Speaker 1: was very very good about, and so that that was

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Speaker 1: that was something that was somewhat rare that your dad did,

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Speaker 1: which which always impressed me. Okay, I thank you. I

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Speaker 1: never got approval. There's there's some ones I would have

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Speaker 1: kicked to the curb if I if I had not

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Speaker 1: an approval. Um that makes me it's just it's like fate,

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Speaker 1: you know, It's like that soulmate fate because it's hard

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Speaker 1: for me to find the words because it's a gen's

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Speaker 1: story in real life and on camera, not mine. But

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Speaker 1: it's that knowing from a friend perspective, when two people

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00:23:32,920 --> 00:23:37,840
Speaker 1: are just meant to be together, and in real life

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Speaker 1: it kind of never they were always with other people

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Speaker 1: and just circumstances in life. So it makes me super

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Speaker 1: happy the two people that we're a version of soulmates

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Speaker 1: got to experience on camera, I guess, for lack of

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Speaker 1: better words, wow, gods, wow, yeah, yep. Why don't we

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Speaker 1: take a little break and then we'll come right back.

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Speaker 1: Thank you for sharing that you guys. Wow, it's amazing.

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Speaker 1: H Can you talk about Paris for a second, Yes, definitely.

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Speaker 1: Can we talk about the people used to At that point,

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00:24:32,520 --> 00:24:37,000
Speaker 1: we're still smoking on airplanes? What the heck d on

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Speaker 1: an airplane because you're you, Donna says, I can't handle it.

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Speaker 1: I've smelled so much smoke on the flight. Oh god,

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00:24:43,440 --> 00:24:49,040
Speaker 1: that happened. I can't remember, Jen, Like, I remember seeing

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Speaker 1: the things that said no smoking, but I was like

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Speaker 1: ashtrays in the arm room. But I was like, oh

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Speaker 1: it was gone before our time. It wasn't like only

394
00:25:00,200 --> 00:25:03,200
Speaker 1: remember seeing people smoke. Yeah, and then and it used

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00:25:03,200 --> 00:25:05,040
Speaker 1: to be you could smoke anywhere, and then there was

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00:25:05,240 --> 00:25:07,680
Speaker 1: then they developed like, oh a smoking section. You have

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Speaker 1: to sit in the smoking seats. But which makes because

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Speaker 1: you're all on a metal to plying shooting through this

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00:25:13,400 --> 00:25:16,600
Speaker 1: guy there's it's the smoke doesn't stay in the section people.

400
00:25:17,760 --> 00:25:20,800
Speaker 1: But yeah, and then thank god they stopped it all.

401
00:25:20,880 --> 00:25:23,000
Speaker 1: They thank god, you can't smoke on your plane anymore.

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Speaker 1: What I can't. I'm still floored by it. So as

403
00:25:26,440 --> 00:25:27,960
Speaker 1: we've talked about it, I didn't take my first flight

404
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Speaker 1: till I was eighteen. Wasn't done by then because I've

405
00:25:30,560 --> 00:25:32,920
Speaker 1: never seen it must have been. Yeah. But and then

406
00:25:32,920 --> 00:25:34,960
Speaker 1: for a long, long long time they still had the

407
00:25:35,040 --> 00:25:37,080
Speaker 1: arm rests with the ashtrays in them. And then remember

408
00:25:37,160 --> 00:25:39,359
Speaker 1: they never changed them out. I used to put my

409
00:25:39,400 --> 00:25:42,840
Speaker 1: gum in there. Yeah, Sid did your dad ever start

410
00:25:42,880 --> 00:25:47,320
Speaker 1: flying or was he always like no, no, no, because

411
00:25:47,359 --> 00:25:51,399
Speaker 1: obviously he could have had private planes. I know, God, No,

412
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Speaker 1: I just didn't never have that. I wish that had

413
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Speaker 1: been tang it and I wish you had a plane

414
00:25:55,680 --> 00:25:59,840
Speaker 1: named Tori that we could just jet off and himself.

415
00:26:00,440 --> 00:26:03,720
Speaker 1: Where did he have a drive, get a driver. But yeah,

416
00:26:03,760 --> 00:26:06,520
Speaker 1: I mean, you know, I've told the story and you

417
00:26:06,560 --> 00:26:08,600
Speaker 1: can everyone can see the story online. But he had

418
00:26:08,600 --> 00:26:10,600
Speaker 1: the near death experience that the whole plane crash and

419
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Speaker 1: he was coming back from World War Two and and

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00:26:13,040 --> 00:26:14,919
Speaker 1: his mom thought he was dead. And by the time

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Speaker 1: he got home, she was like, promising me, you'll never

422
00:26:16,440 --> 00:26:22,920
Speaker 1: fly again. He was eighteen. He never flew again. Which, yeah,

423
00:26:23,200 --> 00:26:25,920
Speaker 1: so there's a lot of road trips. I feel like

424
00:26:26,119 --> 00:26:29,520
Speaker 1: that his whole stance on not flying trickled onto me

425
00:26:29,720 --> 00:26:31,800
Speaker 1: at a young age, just because I was like, wait,

426
00:26:31,880 --> 00:26:34,320
Speaker 1: you can I can say I'm not flying, and I

427
00:26:34,359 --> 00:26:36,200
Speaker 1: can be afraid of flying. I'm never gonna flag in Okay,

428
00:26:36,200 --> 00:26:37,920
Speaker 1: so I'm not gonna flag again. And then I remember

429
00:26:38,200 --> 00:26:40,280
Speaker 1: I wouldn't fly for a long time, and I would

430
00:26:40,320 --> 00:26:42,320
Speaker 1: take a train. I even took a train across the

431
00:26:42,320 --> 00:26:45,520
Speaker 1: whole entire country to get to New York. Oh my god,

432
00:26:45,560 --> 00:26:47,520
Speaker 1: because I just got scared. But then I had to

433
00:26:47,520 --> 00:26:50,480
Speaker 1: work through that because that wasn't very realistic because a

434
00:26:50,720 --> 00:26:54,080
Speaker 1: travel a lot, you know. Oh gosh, Yeah, if we

435
00:26:54,080 --> 00:26:56,320
Speaker 1: could just take a train everywhere, I would do that.

436
00:26:57,359 --> 00:26:59,200
Speaker 1: But yeah, if your dad ever go to New York

437
00:27:00,000 --> 00:27:04,720
Speaker 1: not right now. One time we took a train. Do

438
00:27:04,720 --> 00:27:08,959
Speaker 1: you remember that train ride? Do I do? Because we

439
00:27:08,960 --> 00:27:11,520
Speaker 1: were in a private car attached to the back of

440
00:27:11,560 --> 00:27:15,439
Speaker 1: the Amtrak train and we took we went to Europe.

441
00:27:15,440 --> 00:27:18,320
Speaker 1: So we took a train to New York, which took

442
00:27:18,359 --> 00:27:21,919
Speaker 1: I think three days, and then we got on the

443
00:27:22,000 --> 00:27:27,520
Speaker 1: Queui two, which is a boat. It was a cruise ship.

444
00:27:27,560 --> 00:27:30,320
Speaker 1: It was a huge, gigantic one movie theaters and had

445
00:27:30,320 --> 00:27:33,040
Speaker 1: everything on it um And this is back in the eighties.

446
00:27:33,400 --> 00:27:38,880
Speaker 1: And it took a week to get to Europe, days

447
00:27:38,920 --> 00:27:41,439
Speaker 1: to get there, in ten days to get home. And

448
00:27:41,480 --> 00:27:43,800
Speaker 1: how long were you there? I think we stayed like

449
00:27:44,400 --> 00:27:49,600
Speaker 1: two or three weeks. That's insane. That sounds fun though,

450
00:27:49,640 --> 00:27:54,080
Speaker 1: speaking of this was good memories. Speaking of the Spellings,

451
00:27:54,119 --> 00:27:56,800
Speaker 1: did I see a quick glimpse of Randy Spelling in

452
00:27:56,840 --> 00:28:01,200
Speaker 1: this episode? I saw him? I saw him, You saw him? No,

453
00:28:01,240 --> 00:28:05,280
Speaker 1: I missed it. Randy was he was working with Andrea

454
00:28:05,320 --> 00:28:07,720
Speaker 1: with the kids. He helps one of them, like off

455
00:28:07,760 --> 00:28:10,240
Speaker 1: the slide or something. I'm not going to allow you

456
00:28:10,280 --> 00:28:12,280
Speaker 1: guys that that story on board me. I skipped through

457
00:28:12,320 --> 00:28:18,119
Speaker 1: some of its, like and Brenda, I was like Kelly

458
00:28:18,119 --> 00:28:20,800
Speaker 1: and Dylan and then everything in between. I'm so sorry.

459
00:28:20,840 --> 00:28:22,159
Speaker 1: Oh my god, I missed my brother. Okay, now I

460
00:28:22,160 --> 00:28:25,399
Speaker 1: have to go back to did he play the character

461
00:28:25,480 --> 00:28:27,919
Speaker 1: he later played on the show, which was Steve stepbrother.

462
00:28:29,200 --> 00:28:31,640
Speaker 1: I don't think so. He was literally just a guy

463
00:28:31,720 --> 00:28:34,639
Speaker 1: in a uniform helping on you talk. He said he

464
00:28:35,240 --> 00:28:39,680
Speaker 1: had one line I remember. I'm pretty sure he's like,

465
00:28:39,760 --> 00:28:41,920
Speaker 1: let me move this pillow, and they're like, I remember

466
00:28:41,960 --> 00:28:44,080
Speaker 1: him kind of let me help you. It was like

467
00:28:44,120 --> 00:28:46,440
Speaker 1: a kid. I think it was a kid. It wasn't

468
00:28:46,440 --> 00:28:52,000
Speaker 1: moving a kid. I'm not a pillow that I would

469
00:28:52,000 --> 00:28:54,960
Speaker 1: be a terrible eye witness. But I mean, I guess

470
00:28:54,960 --> 00:28:57,160
Speaker 1: we should get into the Andrea brand. But wait, wait,

471
00:28:57,640 --> 00:29:02,040
Speaker 1: let's talk. I want to talk more about about ants. Okay, fine,

472
00:29:02,400 --> 00:29:06,600
Speaker 1: because I had the same question, doesn't everybody Does everybody

473
00:29:06,600 --> 00:29:09,720
Speaker 1: smoke in Paris? Is that still the case? Like is

474
00:29:09,720 --> 00:29:11,760
Speaker 1: it like that when you go to a place there

475
00:29:11,800 --> 00:29:14,720
Speaker 1: and they just cigarettes smoke everywhere? I feel like you're

476
00:29:15,120 --> 00:29:20,520
Speaker 1: so much more than in the States, right, Yeah, yeah,

477
00:29:20,600 --> 00:29:23,160
Speaker 1: maybe that's why when they ordered the veal and it

478
00:29:23,200 --> 00:29:26,480
Speaker 1: turned out to be okay that first of all, who

479
00:29:26,640 --> 00:29:32,600
Speaker 1: serves brains? What restaurant serves brains, a lot of them.

480
00:29:32,600 --> 00:29:37,960
Speaker 1: They're a k they're called sweetbreads. So, by the way,

481
00:29:38,080 --> 00:29:43,320
Speaker 1: seas was the balls of the of an animal. Nope,

482
00:29:43,520 --> 00:29:50,360
Speaker 1: it's the late labia. No, not that, it's No, it's brains.

483
00:29:50,440 --> 00:29:53,280
Speaker 1: And I always thought this story came from because when

484
00:29:53,280 --> 00:29:58,080
Speaker 1: we did go, when we did go, or one time

485
00:29:58,120 --> 00:30:01,720
Speaker 1: to Europe in Paris when I was twelve, my mother

486
00:30:01,840 --> 00:30:05,480
Speaker 1: did this to me. But she knew and sweet, oh,

487
00:30:05,520 --> 00:30:10,240
Speaker 1: sweetbreads are intestines. We're both sweetbreads. See, I knew sweetbreads

488
00:30:10,240 --> 00:30:13,360
Speaker 1: had something to do with another regions, not the brains.

489
00:30:14,080 --> 00:30:18,400
Speaker 1: So she did the thymus gland. Wait, isn't that in

490
00:30:18,440 --> 00:30:22,560
Speaker 1: your brain? No, I'm not gonna comment because they were

491
00:30:22,560 --> 00:30:25,920
Speaker 1: both gonna sound so stupid. Anyway, I just remember in

492
00:30:25,920 --> 00:30:29,520
Speaker 1: in in Paris eating something and it was mushy, and

493
00:30:29,560 --> 00:30:31,080
Speaker 1: I was like, I don't know about this, and then

494
00:30:31,120 --> 00:30:32,800
Speaker 1: my mom's like, well, I didn't think you would try it.

495
00:30:32,760 --> 00:30:34,360
Speaker 1: And we always have that rule in our house. You

496
00:30:34,680 --> 00:30:37,640
Speaker 1: dry everything your kids one bite. And then she was

497
00:30:37,680 --> 00:30:42,560
Speaker 1: like their brains, but sweetbreads anyway. So but I love

498
00:30:42,640 --> 00:30:45,200
Speaker 1: this scene so much because it was like the scene

499
00:30:45,240 --> 00:30:47,200
Speaker 1: that you always talk about that You're like, this is

500
00:30:47,240 --> 00:30:49,640
Speaker 1: the scene that I that I got to, like, you

501
00:30:49,760 --> 00:30:53,239
Speaker 1: felt yourself in this scene, and I was scared. I

502
00:30:53,280 --> 00:30:57,440
Speaker 1: was scared because you know, Shannon was definitely the alpha

503
00:30:57,640 --> 00:31:01,640
Speaker 1: in our friendship on camera and in real life. Um

504
00:31:01,680 --> 00:31:04,320
Speaker 1: And I was even two years younger. I was just like,

505
00:31:04,320 --> 00:31:06,640
Speaker 1: oh my god, she's the cool girl like I was.

506
00:31:06,760 --> 00:31:08,960
Speaker 1: Just I was a follower back then, so I was

507
00:31:09,040 --> 00:31:10,920
Speaker 1: just whatever she said, whatever she did, I wanted to do.

508
00:31:11,600 --> 00:31:15,560
Speaker 1: Um And I remember being nervous in that scene, being like,

509
00:31:16,720 --> 00:31:19,120
Speaker 1: should I do this? And I added that where I

510
00:31:19,200 --> 00:31:25,959
Speaker 1: just like drop it out calves brains are considered brandy.

511
00:31:26,040 --> 00:31:29,040
Speaker 1: Jenny's manager is very on top of this. Harry into this.

512
00:31:29,200 --> 00:31:31,160
Speaker 1: He wants to talk about the brains, but go ahead.

513
00:31:32,000 --> 00:31:36,040
Speaker 1: Um And I remember doing it and like the crew

514
00:31:36,080 --> 00:31:38,720
Speaker 1: all laughed and the director was like, oh my god,

515
00:31:39,040 --> 00:31:42,240
Speaker 1: that was great. Do it again. And you're talking about

516
00:31:42,240 --> 00:31:44,000
Speaker 1: when you spit the brains out. I spit it out.

517
00:31:44,000 --> 00:31:46,320
Speaker 1: She's like, it's brains, Sanna wearing brains or whatever, and

518
00:31:46,320 --> 00:31:50,400
Speaker 1: I go, yeah, So I did that and everyone laughed.

519
00:31:50,800 --> 00:31:53,200
Speaker 1: But I felt nervous because I felt like I was

520
00:31:53,240 --> 00:31:56,440
Speaker 1: stepping on the stars toes. Does that make sense to me,

521
00:31:57,080 --> 00:32:01,200
Speaker 1: it doesn't because you're funny, like you got to you

522
00:32:01,200 --> 00:32:06,600
Speaker 1: were like the funny like fun character. Was she intimidating?

523
00:32:08,160 --> 00:32:13,560
Speaker 1: Is that maybe why Tory felt it? Um? Keep in

524
00:32:13,600 --> 00:32:16,560
Speaker 1: mind we were all teenagers back then, so sometimes you know,

525
00:32:16,640 --> 00:32:20,600
Speaker 1: and I was seen as lesser than at the time

526
00:32:20,600 --> 00:32:23,160
Speaker 1: because I was shy and I was quiet, and she

527
00:32:23,320 --> 00:32:25,880
Speaker 1: was the star, at least in my mind. I this

528
00:32:25,920 --> 00:32:28,560
Speaker 1: is the This episode is the most dialogue Donna has

529
00:32:28,600 --> 00:32:33,600
Speaker 1: ever had in three seasons. So um, I think getting

530
00:32:33,680 --> 00:32:35,920
Speaker 1: huge laughs. I just remember looking at her and I

531
00:32:35,920 --> 00:32:38,080
Speaker 1: couldn't tell if she thought it was funny or she

532
00:32:38,200 --> 00:32:41,600
Speaker 1: was like, what are you doing? And I got really nervous,

533
00:32:41,680 --> 00:32:44,920
Speaker 1: But then that little like I reached down real far

534
00:32:45,360 --> 00:32:47,239
Speaker 1: and I put my big girl pants on, and I

535
00:32:47,280 --> 00:32:49,840
Speaker 1: was like, keep doing it, keep doing It's funny, it's funny.

536
00:32:49,920 --> 00:32:52,080
Speaker 1: You just even if she's mad, even if she's like,

537
00:32:52,120 --> 00:32:54,560
Speaker 1: oh why you're the now you're a comic relief in

538
00:32:54,560 --> 00:32:57,000
Speaker 1: the scene. You just got to go with it. Again.

539
00:32:57,120 --> 00:32:59,600
Speaker 1: She never said anything, but it was that friendship thing.

540
00:32:59,600 --> 00:33:01,120
Speaker 1: I remember looking up and she was the only one

541
00:33:01,160 --> 00:33:03,280
Speaker 1: not laughing, and I was like, she mad at me

542
00:33:03,360 --> 00:33:05,760
Speaker 1: for doing that? She mad that people think I'm funny

543
00:33:05,760 --> 00:33:08,280
Speaker 1: in this Well, we were talking about this before you

544
00:33:08,320 --> 00:33:11,120
Speaker 1: came on, that this was the episode where your your

545
00:33:11,200 --> 00:33:14,320
Speaker 1: character really started to have a major definition and like

546
00:33:15,160 --> 00:33:17,840
Speaker 1: just like a real strong presence in the show. And

547
00:33:17,840 --> 00:33:21,520
Speaker 1: and and you're acting, and it too was like what

548
00:33:21,800 --> 00:33:24,240
Speaker 1: she's so good? Like why would it take this long

549
00:33:24,320 --> 00:33:27,560
Speaker 1: to get to this part of Donna, This you know,

550
00:33:27,880 --> 00:33:30,760
Speaker 1: part that's not afraid to be the center of attention

551
00:33:30,800 --> 00:33:34,640
Speaker 1: for a minute. You know, thank you. I could sit

552
00:33:34,680 --> 00:33:37,120
Speaker 1: and listen to you guys tell these stories all all

553
00:33:37,240 --> 00:33:40,920
Speaker 1: day long, like this is really like, Wow, what about those?

554
00:33:42,200 --> 00:33:45,680
Speaker 1: Donna does shine in Paris? Is what my takeaway is

555
00:33:45,760 --> 00:33:48,320
Speaker 1: like again, and I don't know if this is the

556
00:33:48,360 --> 00:33:56,840
Speaker 1: writer's Brenda Shannon, she she is more stoic, more yeah,

557
00:33:56,880 --> 00:33:59,960
Speaker 1: But also I did feel like she's maturing, like I will.

558
00:34:00,040 --> 00:34:05,880
Speaker 1: I enjoyed seeing Brenda like not be whiny and you know, reactive,

559
00:34:06,520 --> 00:34:09,239
Speaker 1: Like I felt like she was maturing a lot in

560
00:34:09,280 --> 00:34:15,319
Speaker 1: this episode, which is cool. And while Luke probably said

561
00:34:15,360 --> 00:34:18,560
Speaker 1: he wanted to work with Jen, I feel like Shannon

562
00:34:18,640 --> 00:34:20,680
Speaker 1: said to them like I just want to work with Tori,

563
00:34:20,800 --> 00:34:23,440
Speaker 1: like because we were like buddies off camera. M hm.

564
00:34:24,200 --> 00:34:29,120
Speaker 1: So I think that was a perfect pairing. So I

565
00:34:29,160 --> 00:34:31,840
Speaker 1: have a question that I hope you'll answer. Did Luke

566
00:34:32,000 --> 00:34:39,040
Speaker 1: and Shannon get along? Yeah? Off and on. Yeah, So

567
00:34:39,080 --> 00:34:41,200
Speaker 1: it wasn't like they had to end that relationship because

568
00:34:41,200 --> 00:34:43,520
Speaker 1: those two just were not getting along. Who knows, like,

569
00:34:44,000 --> 00:34:46,640
Speaker 1: you know, they worked very closely together for what is it,

570
00:34:46,719 --> 00:34:51,160
Speaker 1: two seasons now, and nobody really knows what went on

571
00:34:51,200 --> 00:34:54,000
Speaker 1: and unless you know, Shannon wants to come on and

572
00:34:54,040 --> 00:34:59,319
Speaker 1: talk about it, but like that, we'll never really know.

573
00:34:59,440 --> 00:35:02,040
Speaker 1: But we and we saw them getting along for sure,

574
00:35:02,120 --> 00:35:04,319
Speaker 1: and we saw them not getting along for sure. But

575
00:35:04,480 --> 00:35:07,640
Speaker 1: people saw us getting along for sure and not getting

576
00:35:07,640 --> 00:35:09,719
Speaker 1: along for sure. And when we were young and things

577
00:35:09,800 --> 00:35:12,960
Speaker 1: worked out and we were, you know, together all the time,

578
00:35:13,080 --> 00:35:16,680
Speaker 1: and sometimes you just couldn't hide the real what was

579
00:35:16,719 --> 00:35:19,520
Speaker 1: really happening. So to answer your question, yeah, they did

580
00:35:19,600 --> 00:35:24,879
Speaker 1: get along. But the boys had very distinct personalities, like

581
00:35:25,719 --> 00:35:28,480
Speaker 1: Aroy the time Jason, it describes him perfectly. He goes

582
00:35:28,480 --> 00:35:32,200
Speaker 1: on Switzerland, remember he told us that in the last

583
00:35:32,200 --> 00:35:34,799
Speaker 1: couple of years. He told us that, and it was like, yeah,

584
00:35:34,840 --> 00:35:38,040
Speaker 1: you always were like he just very you know, Jason

585
00:35:38,040 --> 00:35:41,440
Speaker 1: got along with everyone. You know, he never picked fights.

586
00:35:41,480 --> 00:35:45,759
Speaker 1: He never he didn't go there. And you know, but Luke,

587
00:35:47,160 --> 00:35:49,960
Speaker 1: Luke loved you with all his might. But if he

588
00:35:50,040 --> 00:35:52,640
Speaker 1: was mad, he was very verbal, like you know, he

589
00:35:52,680 --> 00:35:56,879
Speaker 1: even he didn't just like take it. And they were

590
00:35:56,920 --> 00:36:01,040
Speaker 1: like oil and water, right like she Annan and Luke

591
00:36:01,280 --> 00:36:06,960
Speaker 1: like they were friends and loved each other. But if

592
00:36:07,000 --> 00:36:09,239
Speaker 1: she was having something and something was going on, he

593
00:36:09,239 --> 00:36:11,200
Speaker 1: wouldn't stand for it and he would just you know,

594
00:36:11,239 --> 00:36:17,919
Speaker 1: and they were like, rah, fascinating, what do we all

595
00:36:17,960 --> 00:36:24,680
Speaker 1: think of? Brandon and Andrea come over it? Oh? I

596
00:36:24,719 --> 00:36:27,360
Speaker 1: just feel like a yo yo you guys. I feel

597
00:36:27,600 --> 00:36:30,760
Speaker 1: I feel a little bit used, Like I'm as an audience,

598
00:36:30,800 --> 00:36:32,759
Speaker 1: I'm like back and forth and he likes her and

599
00:36:32,800 --> 00:36:36,399
Speaker 1: he doesn't like her, and he's liking some other other

600
00:36:36,480 --> 00:36:40,320
Speaker 1: girl every episode. And now finally she gets over and

601
00:36:40,440 --> 00:36:47,399
Speaker 1: she goes out with this adorable Republican. Of course, they

602
00:36:47,400 --> 00:36:49,400
Speaker 1: had to put like a political spin on it for

603
00:36:49,440 --> 00:36:53,600
Speaker 1: Andrea's storyline, um, which I'm sure our audience was like,

604
00:36:53,719 --> 00:36:56,560
Speaker 1: what's a Republican? What are they even talking? I was

605
00:36:56,560 --> 00:36:58,919
Speaker 1: trying to the timing. I think it was an election year.

606
00:36:59,040 --> 00:37:02,520
Speaker 1: So they did again and make a reference that was accurate,

607
00:37:02,560 --> 00:37:05,799
Speaker 1: like the Republican Convention probably was that summer, because I

608
00:37:05,840 --> 00:37:09,520
Speaker 1: think we have in the presidential election in November of two. Yeah,

609
00:37:09,520 --> 00:37:13,239
Speaker 1: but again I don't really think our audience was keen

610
00:37:13,320 --> 00:37:16,880
Speaker 1: to that in fact, but it did make for you know,

611
00:37:17,040 --> 00:37:20,160
Speaker 1: opposites attracting, which was fun. And he was so cute,

612
00:37:20,200 --> 00:37:22,440
Speaker 1: Peter Cross, and I was happy to see him like

613
00:37:22,480 --> 00:37:27,080
Speaker 1: acting and speaking and not just in the background. But

614
00:37:27,120 --> 00:37:29,320
Speaker 1: I just didn't get it. I didn't get like, what

615
00:37:29,480 --> 00:37:33,239
Speaker 1: my note is, why is Brandon now again pining for

616
00:37:33,280 --> 00:37:37,440
Speaker 1: Andrea when there's no through line, there's a no like consistency,

617
00:37:37,560 --> 00:37:41,919
Speaker 1: and there's no like lead up. But just don't get it. Well,

618
00:37:41,960 --> 00:37:44,719
Speaker 1: I mean, I said old thing like you want what

619
00:37:44,800 --> 00:37:47,719
Speaker 1: you can't have, and she's never really with anyone and

620
00:37:47,719 --> 00:37:49,640
Speaker 1: this is the first time she's kind of it's like

621
00:37:50,360 --> 00:37:53,000
Speaker 1: this could be something real and this guy's really cute

622
00:37:53,040 --> 00:37:57,919
Speaker 1: and she likes to kiss Andrea. What did you guys

623
00:37:57,960 --> 00:38:01,239
Speaker 1: think of those kisses? Like cute are kind of awkward,

624
00:38:01,600 --> 00:38:04,359
Speaker 1: kind of both. But I feel like I feel like

625
00:38:04,440 --> 00:38:11,319
Speaker 1: Andrew's got a sexy said she does. I wonder, like,

626
00:38:12,000 --> 00:38:15,080
Speaker 1: you know, we would always like predominantly here like boys,

627
00:38:15,239 --> 00:38:19,840
Speaker 1: like we're either like team Brenda or team Kelly. Um.

628
00:38:19,920 --> 00:38:21,920
Speaker 1: And then I don't know, Donna came somewhere along the

629
00:38:21,960 --> 00:38:24,719
Speaker 1: line there. But Andrea, you didn't hear much, right, there

630
00:38:24,760 --> 00:38:30,239
Speaker 1: had to be like an Andrea fetish right there. Of

631
00:38:30,280 --> 00:38:34,319
Speaker 1: course there's people that love that the brainiac. Right, but

632
00:38:34,520 --> 00:38:38,520
Speaker 1: take your glasses off kind of sexy. We're totally right.

633
00:38:38,600 --> 00:38:42,080
Speaker 1: She's not just like the sexy smart I mean, sorry,

634
00:38:42,120 --> 00:38:44,439
Speaker 1: she's not just like the smart girl and they're doing

635
00:38:44,440 --> 00:38:49,040
Speaker 1: the glasses off. She actually innately has a raw sexiness tour.

636
00:38:49,239 --> 00:38:52,160
Speaker 1: She just does. I don't know, but I was really

637
00:38:52,200 --> 00:38:55,440
Speaker 1: happy that I that she knew sign language and I

638
00:38:55,480 --> 00:38:57,400
Speaker 1: had to take away from this episode. I learned some

639
00:38:57,440 --> 00:39:00,880
Speaker 1: sign language, which was really fun. This means to like

640
00:39:01,040 --> 00:39:03,440
Speaker 1: that to me. He was like, I don't know, I

641
00:39:03,440 --> 00:39:05,040
Speaker 1: just want to keep doing that all day. I thought

642
00:39:05,200 --> 00:39:07,200
Speaker 1: character was cool too that she stood up to the

643
00:39:07,280 --> 00:39:11,400
Speaker 1: mom and was like, let this kid. She's a strong woman,

644
00:39:12,040 --> 00:39:14,360
Speaker 1: yeah you know where she's like, let this kid play

645
00:39:14,400 --> 00:39:16,880
Speaker 1: with us, Like he shouldn't be more more isolated than

646
00:39:16,920 --> 00:39:19,480
Speaker 1: he already is. Like she's like for like being the

647
00:39:19,600 --> 00:39:22,520
Speaker 1: employee at the Fancy Beach club and to like talk

648
00:39:22,640 --> 00:39:25,880
Speaker 1: to the club member like she had some balls, and

649
00:39:25,920 --> 00:39:29,719
Speaker 1: I was like, girl, I love that too. In the

650
00:39:29,880 --> 00:39:36,920
Speaker 1: end where she's like Brandon, what are you doing? Like, Nonrea,

651
00:39:37,840 --> 00:39:40,160
Speaker 1: you had your chance, you made your choice. What makes

652
00:39:40,160 --> 00:39:43,280
Speaker 1: you think you're so damn irresistible? And it's like, bamn,

653
00:39:43,560 --> 00:39:47,400
Speaker 1: there it is. I mean because he is. But aside

654
00:39:47,400 --> 00:39:51,920
Speaker 1: from that, I don't know. Like season one, all I

655
00:39:52,040 --> 00:39:54,200
Speaker 1: wanted was for them to be together. I just wanted

656
00:39:54,239 --> 00:39:56,680
Speaker 1: it so bad, And now season three, I'm kind of like,

657
00:39:58,280 --> 00:40:01,799
Speaker 1: I don't know, I'm not feeling it. I'm not feeling it. Yeah,

658
00:40:01,880 --> 00:40:05,600
Speaker 1: I have to agree with you, like the the chemistry,

659
00:40:05,800 --> 00:40:09,320
Speaker 1: that they waited too long or something to make it happen,

660
00:40:09,680 --> 00:40:11,759
Speaker 1: so the audience just kind of fell off with it

661
00:40:11,840 --> 00:40:14,279
Speaker 1: and moved on. Plus plus he had he had so

662
00:40:14,320 --> 00:40:17,880
Speaker 1: many other girls since then, and like, I don't know,

663
00:40:18,640 --> 00:40:21,799
Speaker 1: you're right. He got over it a bit quick, like

664
00:40:21,880 --> 00:40:23,680
Speaker 1: he really like went for it, went for the kiss,

665
00:40:23,719 --> 00:40:26,479
Speaker 1: which I thought was that kiss was cool because he's

666
00:40:26,520 --> 00:40:29,120
Speaker 1: so cool. But then when she's like I like this guy,

667
00:40:29,480 --> 00:40:31,919
Speaker 1: I'm over you, and he's just like, okay, good luck,

668
00:40:33,920 --> 00:40:36,920
Speaker 1: and then she stays, I don't I liked it. It

669
00:40:37,000 --> 00:40:39,600
Speaker 1: was a little it just moved quick, but I liked it.

670
00:40:41,160 --> 00:40:43,960
Speaker 1: And then Peter Kraus is worried, like, are you staying

671
00:40:44,040 --> 00:40:50,279
Speaker 1: for the kids or Brandon? How do you know the

672
00:40:50,440 --> 00:40:54,440
Speaker 1: full name? Was my question, like Peter crow because it

673
00:40:54,480 --> 00:40:58,040
Speaker 1: was written in the script. That's why his name was Jay. No,

674
00:40:58,400 --> 00:41:05,680
Speaker 1: he knew Brandon Walsh's full name. That's true. They ever interact,

675
00:41:06,120 --> 00:41:08,440
Speaker 1: I don't think so. They met once and I know

676
00:41:08,440 --> 00:41:09,960
Speaker 1: we're running out of time, but we need to talk

677
00:41:10,000 --> 00:41:14,520
Speaker 1: about Jack. You know, that's the new Jack, that's the

678
00:41:14,560 --> 00:41:16,440
Speaker 1: real Jack. Like this is the first time we see

679
00:41:16,600 --> 00:41:22,320
Speaker 1: Jack McKay, the real Jack. No second time, remember we

680
00:41:22,360 --> 00:41:25,160
Speaker 1: have him on I know, I couldn't remember. Yes one

681
00:41:25,200 --> 00:41:29,399
Speaker 1: more time one right in jail, and I was really

682
00:41:29,400 --> 00:41:32,040
Speaker 1: struck by how much they actually do look alike. They

683
00:41:32,120 --> 00:41:37,360
Speaker 1: really do, Luke, Yeah, they really good casting. Dad's hot.

684
00:41:38,200 --> 00:41:41,760
Speaker 1: I love that part though, in the in that scene

685
00:41:41,760 --> 00:41:43,880
Speaker 1: in the jail when he's like, how's that girlfriend of yours?

686
00:41:44,280 --> 00:41:47,680
Speaker 1: What's her name? And Dylan goes Brenda, her name is Brenda,

687
00:41:48,520 --> 00:41:50,239
Speaker 1: and then we cut to Brenda and I just I

688
00:41:50,239 --> 00:41:52,840
Speaker 1: thought that was kill. We got to Brenda and France.

689
00:41:55,120 --> 00:41:56,800
Speaker 1: It's one of my favorite things when you do a

690
00:41:56,880 --> 00:42:01,720
Speaker 1: Dylan impersonation. No, it's like, obviously it's a girl voice,

691
00:42:01,719 --> 00:42:04,839
Speaker 1: but like it's so spot on, like it is just

692
00:42:04,960 --> 00:42:08,839
Speaker 1: inhabits still in so much like you, you always nail it. Yeah,

693
00:42:08,880 --> 00:42:14,160
Speaker 1: it's cool. That's cool, dude. I thought it was kind

694
00:42:14,160 --> 00:42:17,880
Speaker 1: of hilarious when the frenchmen are talking to the girls

695
00:42:17,920 --> 00:42:21,000
Speaker 1: from Texas and they're like, do you know Ross Parro?

696
00:42:22,640 --> 00:42:25,440
Speaker 1: I couldn't understand a damn word anyone was saying. They

697
00:42:25,480 --> 00:42:27,719
Speaker 1: asked one other, which I couldn't understand it. Then I

698
00:42:27,760 --> 00:42:30,560
Speaker 1: did hear the guy go do you know Ross Perow?

699
00:42:31,040 --> 00:42:33,719
Speaker 1: And I'm just like, this is taking me back to

700
00:42:33,800 --> 00:42:37,879
Speaker 1: the night right. Young ones are like, who's Ross Perot're

701
00:42:37,880 --> 00:42:41,480
Speaker 1: gonna say Ross from Friends? That's really Ross, that's coming up,

702
00:42:41,920 --> 00:42:47,480
Speaker 1: that matters. I just was like, Brenda, Brenda, those shoes

703
00:42:47,520 --> 00:42:50,480
Speaker 1: are not very sensible, being a tourist shoes on the

704
00:42:50,680 --> 00:42:56,040
Speaker 1: cobblestone streets of France. She's wearing like wedge. Yeah, very dangerous,

705
00:42:56,120 --> 00:43:01,480
Speaker 1: very dangerous. And Brian had nothing to do in the

706
00:43:01,480 --> 00:43:09,239
Speaker 1: whole episode. He's got them. He was mixing. He was

707
00:43:09,360 --> 00:43:12,479
Speaker 1: mixing in the beach club. I even make that poor

708
00:43:12,480 --> 00:43:15,280
Speaker 1: guy come to set that day, like that's his whole

709
00:43:15,719 --> 00:43:17,319
Speaker 1: What do you mean he was super happy he got

710
00:43:17,360 --> 00:43:21,239
Speaker 1: paid listening to music. I'm sure he was happy. Yeah,

711
00:43:21,520 --> 00:43:24,640
Speaker 1: I just want to see any you do, like a

712
00:43:24,719 --> 00:43:28,480
Speaker 1: ten seconds impersonation of every character that would make me

713
00:43:28,960 --> 00:43:30,960
Speaker 1: from one to the other, that would make me really okay.

714
00:43:31,000 --> 00:43:37,600
Speaker 1: I will work on a one woman show. Everyone running

715
00:43:37,600 --> 00:43:40,040
Speaker 1: out of but I need to talk about ok let's

716
00:43:40,040 --> 00:43:41,440
Speaker 1: take a break and we'll come back and you can

717
00:43:41,480 --> 00:43:56,720
Speaker 1: talk about fashion all you want. Didn't happen? Was there any?

718
00:43:56,800 --> 00:44:00,000
Speaker 1: Was there any fashion like standout moments for you? Let's

719
00:44:00,040 --> 00:44:03,799
Speaker 1: oh my god, oh my god. I'll be quiet. I

720
00:44:03,840 --> 00:44:05,680
Speaker 1: want to know you're so excited. It's gotta be good.

721
00:44:05,680 --> 00:44:10,919
Speaker 1: Tell us the lip, the black lips dress with the hair.

722
00:44:11,400 --> 00:44:16,400
Speaker 1: First of all, the hair, Tori, that hair is iconic.

723
00:44:17,560 --> 00:44:20,080
Speaker 1: I wanted that hair. Now, that's like a hot roller

724
00:44:20,160 --> 00:44:26,319
Speaker 1: set right there. That was the tease. So it's like,

725
00:44:26,560 --> 00:44:29,320
Speaker 1: comes out a little. I think this was the most

726
00:44:29,360 --> 00:44:31,960
Speaker 1: gorgeous you've looked. And I think you look great. I

727
00:44:32,000 --> 00:44:34,759
Speaker 1: love your fashion, your hair all these episodes, but this

728
00:44:34,880 --> 00:44:40,319
Speaker 1: was like, oh ubb you guys know, I'm real hard

729
00:44:40,360 --> 00:44:43,840
Speaker 1: in myself. I gotta admit I was feeling foxy watching

730
00:44:43,880 --> 00:44:48,000
Speaker 1: myself back, You're like, damn, look good. I was like,

731
00:44:48,080 --> 00:44:50,840
Speaker 1: I wish I had, like could have gone back to

732
00:44:50,920 --> 00:44:53,200
Speaker 1: my like seventeen year old self then and been like

733
00:44:53,480 --> 00:44:59,000
Speaker 1: you're hot, um. But yeah, the lip dress, so I

734
00:44:59,160 --> 00:45:02,200
Speaker 1: have that lip s you guys haven't. Didn't We talk

735
00:45:02,239 --> 00:45:03,960
Speaker 1: about the lip dress already, like I feel like you

736
00:45:04,040 --> 00:45:08,320
Speaker 1: already wore it, or no, you couldn't have already worked? Okay,

737
00:45:08,360 --> 00:45:10,360
Speaker 1: So in b H nine O two one O, we

738
00:45:10,400 --> 00:45:13,200
Speaker 1: had to recreate it because we were in Canada and

739
00:45:13,239 --> 00:45:14,680
Speaker 1: we didn't have the lip dress and we tried to

740
00:45:14,680 --> 00:45:16,080
Speaker 1: find it at home to ship it and we couldn't

741
00:45:16,120 --> 00:45:20,279
Speaker 1: find it and somewhere in my vaults of storage. But

742
00:45:20,640 --> 00:45:22,120
Speaker 1: it was one of those things that I was doing

743
00:45:22,120 --> 00:45:24,040
Speaker 1: a book signing once and a fan came up and

744
00:45:24,080 --> 00:45:26,880
Speaker 1: she had the dress and she said, when they auctioned

745
00:45:26,880 --> 00:45:29,880
Speaker 1: off all the wardrobe, I bought it and I've had

746
00:45:29,920 --> 00:45:32,680
Speaker 1: it the whole time, and it should go back to you.

747
00:45:32,719 --> 00:45:34,120
Speaker 1: And I said, oh my god, no you you don't

748
00:45:34,160 --> 00:45:36,200
Speaker 1: have to do that, and she was like, no, it

749
00:45:36,200 --> 00:45:38,160
Speaker 1: would make me happy. I've loved it all these years.

750
00:45:38,200 --> 00:45:41,200
Speaker 1: I would love for you to have it. So yeah,

751
00:45:41,280 --> 00:45:43,600
Speaker 1: And then I remember going home and putting it back

752
00:45:43,719 --> 00:45:45,879
Speaker 1: on and being like, I mean, the boobs didn't really

753
00:45:45,920 --> 00:45:49,120
Speaker 1: fit because I had They used to so like little

754
00:45:49,160 --> 00:45:54,000
Speaker 1: squishy booby pads like chicklets, little chicken. Yeah, well they

755
00:45:54,000 --> 00:45:57,280
Speaker 1: weren't squishy back then. They were just literally like shoulder pads.

756
00:45:57,320 --> 00:46:01,120
Speaker 1: And they would so like open up the things and

757
00:46:01,160 --> 00:46:02,839
Speaker 1: put them in there so you couldn't even see it,

758
00:46:02,880 --> 00:46:07,439
Speaker 1: but it was there. Spilleth over now, but I got

759
00:46:07,440 --> 00:46:10,480
Speaker 1: my waist back in there. I'm so happy. I love

760
00:46:10,520 --> 00:46:14,880
Speaker 1: you eating just eating every French pastry and then eating

761
00:46:15,000 --> 00:46:20,680
Speaker 1: cake with your hand. I wanted to do that. Marie

762
00:46:20,680 --> 00:46:26,440
Speaker 1: Antoinette moment. It was good, You're acting was good. It

763
00:46:26,520 --> 00:46:31,440
Speaker 1: was all good. And then same with Jenny. The slicked

764
00:46:31,480 --> 00:46:35,600
Speaker 1: back hair curled up, but it was slicked back with

765
00:46:35,680 --> 00:46:41,320
Speaker 1: the black. There's such good black. Yeah. Kelly was Kelly

766
00:46:41,400 --> 00:46:48,560
Speaker 1: was like Vixenny. She was dressed very vixeny, like I'm

767
00:46:48,600 --> 00:46:52,400
Speaker 1: stealing your man wardrobe. I'm gonna wear my black and

768
00:46:52,520 --> 00:46:55,840
Speaker 1: my leopards and Kelly. Kelly didn't wear black, Mutch. She

769
00:46:55,920 --> 00:46:58,600
Speaker 1: was always in pops of color. You know. Brenda kind

770
00:46:58,600 --> 00:47:00,800
Speaker 1: of always wore black because I think that's probably what

771
00:47:00,840 --> 00:47:04,480
Speaker 1: Shannon dictated, but like, but seeing you in black, oh

772
00:47:04,760 --> 00:47:07,560
Speaker 1: so good. And I love your hair back. I mean,

773
00:47:07,640 --> 00:47:10,879
Speaker 1: you know, I'm very fond of your beings. But I

774
00:47:10,920 --> 00:47:14,399
Speaker 1: like that too. Yeah, that was good stuff. Steve still

775
00:47:14,440 --> 00:47:18,239
Speaker 1: looks horrendous. Just he's very tan, though he looks delightful.

776
00:47:18,320 --> 00:47:24,600
Speaker 1: His muscles are amazing and so good. Great face, awful shorts,

777
00:47:24,640 --> 00:47:28,759
Speaker 1: awful tank took awful. You you need to go to

778
00:47:28,840 --> 00:47:32,200
Speaker 1: some therapy. I think I totally love him. I mean

779
00:47:32,360 --> 00:47:37,400
Speaker 1: I love him. But remember dolphins shorts. I love them,

780
00:47:37,520 --> 00:47:39,319
Speaker 1: I love it. Remember they had like stripe ones where

781
00:47:39,360 --> 00:47:41,520
Speaker 1: they had that cut, like those cuts the god like

782
00:47:41,520 --> 00:47:46,359
Speaker 1: this on the sides, like they should bring dolphins back.

783
00:47:46,400 --> 00:47:50,080
Speaker 1: They were the best for girls. For girls. Yeah, well

784
00:47:50,239 --> 00:47:52,279
Speaker 1: that goes for a lot of Steve's wardrobe. You're like,

785
00:47:52,640 --> 00:47:54,560
Speaker 1: that kind of works if it was on a female.

786
00:47:54,880 --> 00:47:57,960
Speaker 1: What about favorite favorite line? Did you like? Can I

787
00:47:57,960 --> 00:47:59,799
Speaker 1: do one more outfit? So? Sorry, yes, yes do it.

788
00:48:00,960 --> 00:48:05,920
Speaker 1: Dylan's suit for the parole hearing with the star time

789
00:48:06,200 --> 00:48:11,800
Speaker 1: double breasted, not didn't fit him quite right. That was

790
00:48:11,840 --> 00:48:14,480
Speaker 1: a miss, But then he came back strong with the

791
00:48:14,560 --> 00:48:19,680
Speaker 1: cool pants with the white tank. I was like, hell, yeah, hello, Harry,

792
00:48:19,800 --> 00:48:25,800
Speaker 1: you are Hodd was really a suit guy. Mm hmmm

793
00:48:26,400 --> 00:48:31,640
Speaker 1: mm hmm, he's more he was more rugged. Yeah, well

794
00:48:31,680 --> 00:48:34,600
Speaker 1: we let's get to our favorite line. Um I once

795
00:48:34,680 --> 00:48:37,240
Speaker 1: stood out for me too. For Kelly was winning doubt

796
00:48:37,440 --> 00:48:42,120
Speaker 1: lie really words to live by. I don't know if

797
00:48:42,120 --> 00:48:47,360
Speaker 1: I had a favorite line. Come on, get off the room,

798
00:48:47,360 --> 00:48:50,279
Speaker 1: Oh Hurle. I was like, I'm gonna hurl. I was like,

799
00:48:50,640 --> 00:48:57,200
Speaker 1: who says hurl? Still you still say hr all? I'm

800
00:48:57,200 --> 00:48:59,839
Speaker 1: gonna hurll? I don't think so, but I just love it.

801
00:49:00,440 --> 00:49:03,600
Speaker 1: I don't love it. Well, were we? This was a

802
00:49:03,640 --> 00:49:06,840
Speaker 1: good episode, but it's again. Things are heating up, and

803
00:49:06,880 --> 00:49:09,360
Speaker 1: I'm loving the France and the and the beach club

804
00:49:09,520 --> 00:49:14,120
Speaker 1: like back and forth. Yeah, that's like sexiness, being able

805
00:49:14,120 --> 00:49:16,200
Speaker 1: to be in another country and then also be at

806
00:49:16,200 --> 00:49:20,040
Speaker 1: the beach. Those two go really nicely together. So everybody,

807
00:49:20,040 --> 00:49:24,239
Speaker 1: your homework for next week is episode four of season three,

808
00:49:24,320 --> 00:49:27,960
Speaker 1: sex Lies and Volleyball. I don't know, but just the

809
00:49:28,000 --> 00:49:31,799
Speaker 1: title alone, I'm in Oh my Gosh, which is a

810
00:49:31,880 --> 00:49:34,799
Speaker 1: takeoff of sex Lies and Videotape, which was one of

811
00:49:34,840 --> 00:49:38,320
Speaker 1: my favorite movies. Because I'm a huge James Spader fan.

812
00:49:38,800 --> 00:49:41,839
Speaker 1: I used to write Victoria's Spader, Um my whole name

813
00:49:42,000 --> 00:49:45,160
Speaker 1: on all of the school, on my papers, all of

814
00:49:45,239 --> 00:49:47,560
Speaker 1: my papers. It was all over my notebooks. That's all

815
00:49:47,600 --> 00:49:50,759
Speaker 1: I wrote was Victoria. How can you say that? Just

816
00:49:50,840 --> 00:49:52,200
Speaker 1: as we have to go, we're gonna have to talk

817
00:49:52,239 --> 00:49:56,760
Speaker 1: about the best because there's some James Spader shirtless scenes

818
00:49:56,840 --> 00:50:01,640
Speaker 1: in sex lies and videotape. It's I used to rewind it,

819
00:50:02,320 --> 00:50:04,759
Speaker 1: and I used to take my Polaroid camera and take

820
00:50:04,840 --> 00:50:07,719
Speaker 1: pictures of him frozen, of him looking great, and I

821
00:50:07,760 --> 00:50:09,879
Speaker 1: put them up in my wall. Okay, anyway, I've got

822
00:50:09,880 --> 00:50:15,759
Speaker 1: to watch this movie, this sex line before you got

823
00:50:15,800 --> 00:50:18,759
Speaker 1: a quick Jake mentioned in this episode he's done. He's out,

824
00:50:22,520 --> 00:50:27,120
Speaker 1: Thank goodness, as it should be. All right, everybody, that's

825
00:50:27,160 --> 00:50:29,239
Speaker 1: it for this week. I love you, guys,