WEBVTT - Cruel Intentions with Jackie Johnson

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<v Speaker 1>On the Beck dol Cast, the questions asked if movies

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<v Speaker 1>have women and um are all their discussions just boyfriends

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<v Speaker 1>and husbands or do they have individualism the patriarchy? Zef

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<v Speaker 1>and best start changing it with the beck del Cast. Hello,

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<v Speaker 1>and welcome to the Bechtel Cast. My name is Jamie

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<v Speaker 1>Loftus and my name is Caitlin Dronte, and this is

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<v Speaker 1>our podcast about the portrayal of women in movies. You

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<v Speaker 1>bet you, We talk you, Yeah, you bet you. Hey

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<v Speaker 1>quick plug at the top of the show. What I

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<v Speaker 1>know So not like crazy, but we have an important

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<v Speaker 1>announcement that you may or may not already know about.

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<v Speaker 1>But we're doing a bunch of live shows coming up. Yeah,

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<v Speaker 1>get used to it. We're and and and and here's

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<v Speaker 1>the twist. It's on both coasts, both coasts. Yes, we've

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<v Speaker 1>got our East Coast. Are three days super tour coming

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<v Speaker 1>up on the East Coast starting Saturday, November three in

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<v Speaker 1>Philadelphia at Good Good Comedy Theater, which by the way,

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<v Speaker 1>is run by past guest of the show, Kate Bamford.

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<v Speaker 1>Yes it is. We're covering Waiting to Exhale with guest

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<v Speaker 1>Aaron Whack at that show and then on Sunday, November four,

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<v Speaker 1>we're doing a show in Washington, d C. Surprise, we're

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<v Speaker 1>doing two shows, but one of them already sold out,

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<v Speaker 1>so what's the point of even plugging that one? But

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<v Speaker 1>there are still tickets left for the show that's on

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<v Speaker 1>Sunday November four at three thirty pm and afternoon show

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<v Speaker 1>after Bring Me a Mike's Baby. That one's at the

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<v Speaker 1>Drafthouse Comedy Theater in Washington, d C. Uh And we're

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<v Speaker 1>going to be covering The Nightmare Before Christmas with guest

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<v Speaker 1>Natalie McGill. And finally, Monday, November five, in New York City,

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<v Speaker 1>as part of the New York Comedy Festival, we are

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<v Speaker 1>covering The Princess Diaries with Marshall bell Ski at Baby's

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<v Speaker 1>all right, so we're stoked for that too. Yes. So

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<v Speaker 1>for for tickets and more details, you can go to

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<v Speaker 1>our website becktel Cats dot com, click on the live

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<v Speaker 1>appearances tab and everything you need to know. We'll be

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<v Speaker 1>there see there. Oh and then also the other coast,

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<v Speaker 1>the West coast. Oh yeah, okay, So we also have

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<v Speaker 1>a show on Saturday, November ten in Los Angeles at

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<v Speaker 1>the Ruby, where we'll be covering the fifth Elements. I've

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<v Speaker 1>never seen it with our guest and friend, Danielle Radford.

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<v Speaker 1>She's the best, So for tickets to that show. Also

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<v Speaker 1>got to bechtel cast dot com and click on live

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<v Speaker 1>appearances and if you live in the middle of the country,

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<v Speaker 1>let us know where we should be performing and we'd

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<v Speaker 1>love to see you. Yeah, all right, kisses, bring me

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<v Speaker 1>my hard lamon name. So we talk about the portrayal

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<v Speaker 1>of women in movies, we use the Bechtel test to

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<v Speaker 1>just give us a jumping off point. The Bechtel Test

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<v Speaker 1>for us is a test that you apply to movies.

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<v Speaker 1>It requires that there are two female identifying characters with names.

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<v Speaker 1>They have to speak to each other, and their conversation

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<v Speaker 1>cannot be about men. Sounds like a real boring movie.

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<v Speaker 1>I know women should not talk, and if they do talk,

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<v Speaker 1>they better. Men should be demo it really quick. Let's

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<v Speaker 1>demo it, Okay, Kaitlin, Hey Jamie, how's your soccer game? Yesterday?

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<v Speaker 1>My soccer game went well? We won. I know you

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<v Speaker 1>want to go again. I'm a fan. Thank you so much.

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<v Speaker 1>The one and also the one time I went, someone

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<v Speaker 1>got really very badly injured. So really a lot of

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<v Speaker 1>a lot of juicy stuff at the soccer game, speaking

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<v Speaker 1>of injuries that happened towards the end of something today's movie.

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<v Speaker 1>So we're talking about cruel intentions. And here to join

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<v Speaker 1>us in the conversation, we have a host of the

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<v Speaker 1>Makeup and Beauty podcast, Match Beaute, Jackie Johnson Hippy. I'm

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<v Speaker 1>so excited to discuss a movie that I'm embarrassed to

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<v Speaker 1>say used to be a really important movie to me

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<v Speaker 1>as a kid. I thought it was so good and funny.

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<v Speaker 1>Don't be embarrassed. This is truly the story of this podcast.

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<v Speaker 1>I mean, I'm ashamed rewatching this. I was just shaking

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<v Speaker 1>my what did the kids say, shake my damn head?

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<v Speaker 1>I was shaking my damn head. I couldn't believe this movie.

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<v Speaker 1>I cannot wait to discuss it. So, Jackie, what's your

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<v Speaker 1>history with this movie? I saw this movie in theaters.

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<v Speaker 1>I do believe my mom bought tickets for me, and

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<v Speaker 1>I want to say my best friend Lauren Marty, because

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<v Speaker 1>my mom's like cool like that kind of like the

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<v Speaker 1>cool mom. Yeah, so, you know, very open parenting style.

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<v Speaker 1>Because I wanted to see pacy ak Joshua Jackson. I

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<v Speaker 1>saw him on like MTV news, like Kurt Loder was like, Hey,

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<v Speaker 1>what's up. There's a new movie out. You know, Joshua

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<v Speaker 1>Jackson Star on the Rise, got this little part, and

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<v Speaker 1>I said, I'm seeing that one please. So I went

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<v Speaker 1>and saw it. I loved it. I thought it was hysterical.

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<v Speaker 1>I love the music. I loved all the hot actors

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<v Speaker 1>in it. I mean, I this movie up with a spoon.

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<v Speaker 1>I quoted it all throughout my youth. I still, unfortunately

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<v Speaker 1>have it memorized because long term memory it sticks. It

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<v Speaker 1>sticks with Jaggie Ja so m I but I hadn't

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<v Speaker 1>rewatched it in a while. And can I just say

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<v Speaker 1>that this movie is very problematic now in any ways,

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<v Speaker 1>and we're going to get into it, but damn, I'm

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<v Speaker 1>just I'm telling you this is what women are shown.

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<v Speaker 1>Of Course, we all have issues. Of course, we all

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<v Speaker 1>have problems in the pagriarchy taking us down. I mean,

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<v Speaker 1>this movie is complete garbage in terms of women and

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<v Speaker 1>treatment and the me too movement and just god, I'm

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<v Speaker 1>ashamed of everyone involved me I think, although I will

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<v Speaker 1>say soundtrack on fleek. Soundtrack, I mean, like the Placebo

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<v Speaker 1>song opening it up, color Blind, you know, coffee and

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<v Speaker 1>TV by Blur Love Me by the Card Against. I mean, damn,

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<v Speaker 1>the music is on point, but everything else it's upset down.

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<v Speaker 1>That's going to be my new favorite thing. Whenever something

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<v Speaker 1>completely baffling happens plot wise out of nowhere in a movie,

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<v Speaker 1>I'm just gonna be like, do do do do? Do? Do Do? Do? Do? Do?

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<v Speaker 1>The way it ends is so psycho. My My history

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<v Speaker 1>with this movie is um just for for all you

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<v Speaker 1>beg to land out there. Caitlin and Sammy and I

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<v Speaker 1>hung out after the live show the other night, the

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<v Speaker 1>Edward Scissorhands Show, and watched Cruel Intentions and Eight Chicken

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<v Speaker 1>Wings and boy, that was my first time seeing I

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<v Speaker 1>can't believe you wouldn't see it. Yeah, I don't know.

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<v Speaker 1>How did you not say that I hadn't seen it? Yeah?

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<v Speaker 1>And I saw it like away two days before our screening.

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<v Speaker 1>It's so weird. So it was a huge I mean

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<v Speaker 1>among my circle of friends and my culture, like growing

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<v Speaker 1>up in like the late nineties, early two thousands in Dallas,

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<v Speaker 1>suburb real Dallas, this movie was huge. We all quoted it,

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<v Speaker 1>we watched it. I mean, I remember, like, let's all

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<v Speaker 1>watch David Days and like we popp and Coral Intentions

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<v Speaker 1>and have a laugh. So the fact y'all hadn't seen this,

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<v Speaker 1>I'm sure I think we're the weird ones, though I

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<v Speaker 1>think for sure. Yeah, I don't know how I missed

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<v Speaker 1>it either, because in ninety nine I was thirteen, like

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<v Speaker 1>I was the age prime demo, because I think I

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<v Speaker 1>was like fourteen. Yeah, yeah, ninety nine is the year

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<v Speaker 1>of teens lying to each other and making bets to

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<v Speaker 1>have sex with other teens, because this is the year

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<v Speaker 1>that cool Intentions comes out, that ten Things I Hate

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<v Speaker 1>about You comes out, that She's All that comes out.

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<v Speaker 1>So it's just like, what a time to be a lot,

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<v Speaker 1>I know, and honestly a beautiful time. What a beautiful

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<v Speaker 1>I mean, looking back, there were some damn issues, but

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<v Speaker 1>I love that era. Being a kid of that era

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<v Speaker 1>was such a perfect time to me. It was fun

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<v Speaker 1>music day on the fashion, there was so so much

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<v Speaker 1>of a blank when Andy two was thriving. It was

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<v Speaker 1>SI to the movies. Though we're instanley problematic and influenced

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<v Speaker 1>our young brain hundred percent. But yeah, somehow I missed

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<v Speaker 1>Cruel Intentions. Didn't see it until last week, And this

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<v Speaker 1>is I think the most insane movie we've covered on

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<v Speaker 1>the podcast where it's like it's gets so problematic that

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<v Speaker 1>I just grew numb and was just enjoying the ride

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<v Speaker 1>because I was just like, this movie is a string

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<v Speaker 1>of like really pithy sexual assaults. The whole movie is

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<v Speaker 1>like quip quip, and now I'm coercing someone into sex

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<v Speaker 1>who doesn't actually mean Sebastian is a fuck boy to

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<v Speaker 1>a T. If you google funck boy, he'll come up,

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<v Speaker 1>you know with that rama noodle j T Hair, I

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<v Speaker 1>mean he This movie triggered me in so many ways,

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<v Speaker 1>and let's talk about it, because damn it, I'm fired

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<v Speaker 1>up Monday morning. I'm fired up for The one moment

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<v Speaker 1>in the movie that really absolutely destroyed me is because

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<v Speaker 1>a lot of the scenes that are supposed to be

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<v Speaker 1>sexy in this movie are not sexy at all. They're

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<v Speaker 1>completely like or for me. Anyways, There's that one scene

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<v Speaker 1>where Sarah Michelle Geller is supposed to be like teasing

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<v Speaker 1>Ryan Filippy, which is I love that. I'm just gonna

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<v Speaker 1>say his name like that. Yeah, my mom thinks Ryan

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<v Speaker 1>Phillippi's name was pronounced flippy like f l I P

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<v Speaker 1>p y so so Sarah Michelle Geller is teasing quote

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<v Speaker 1>unquote Ryan Philippe, and she's like laying on him sunny

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<v Speaker 1>side up and just sort of like moving her body

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<v Speaker 1>around on him like a limp noodle. And then he's

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<v Speaker 1>like looking almost to camera with this like very disturbing

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<v Speaker 1>erection phase. And it was the least sexy thing I've

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<v Speaker 1>ever seen, is like this sunny side up gyration, and

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<v Speaker 1>his hands on the body were like so like you

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<v Speaker 1>could see the pressure he was putting on her, like

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<v Speaker 1>palming her, like he wasn't groping her or even like

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<v Speaker 1>softly caressing her. It was like a wet fish, just

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<v Speaker 1>like slapping against her arm. It felt bad for both

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<v Speaker 1>of them in that scene because like that was the

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<v Speaker 1>kind of like supposed to be sexy scene where you're like, oh,

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<v Speaker 1>there are thirty people in the room with them, and

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<v Speaker 1>it shows she was America sweetheart at this moment. She

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<v Speaker 1>was buff, being homophobic, being sociopath narcissists. Dare I say cruel?

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<v Speaker 1>I mean this movie, let's tell Yeah, So let me

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<v Speaker 1>do the recap of the story, which, oh god, okay,

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<v Speaker 1>I'll do my best. So the story focuses on Catherine,

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<v Speaker 1>which is Sarah Michelle Geller's character and Sebastian, which is

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<v Speaker 1>Ryan Philippe. They are step siblings who lived together in

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<v Speaker 1>New York City and they are like rich kid private

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<v Speaker 1>school elites, and they are also the worst people in

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<v Speaker 1>the world old Throughout the movie we see them like

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<v Speaker 1>using people, they're manipulating people, and generally they have cruel intentions.

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<v Speaker 1>Stop it, I believe it or not, it's not an

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<v Speaker 1>ironic title. So Catherine meets uh cetile Selma Blair's character,

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<v Speaker 1>who's Cell Blair by the way, in this movie playing

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<v Speaker 1>a fifteen year old huh okay, had to get that

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<v Speaker 1>out there. Yeah, that's Hollywood baby, Yeah, I mean that's egregious,

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<v Speaker 1>that's wild yea. And in order to like compensate for

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<v Speaker 1>the fact that she's playing a character over ten years

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<v Speaker 1>and she actually is, but she's acting so obscenely childlike

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<v Speaker 1>that it's she like overdid it, and it's just very distracting.

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<v Speaker 1>Not to put some on blast, but really bad jobs.

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<v Speaker 1>I really liked her performance as a when I saw

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<v Speaker 1>it as a kid, I thought she was hyah paride.

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<v Speaker 1>I mean they directed her to act like that, so

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<v Speaker 1>it's really not on her. So Cecile is starting school

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<v Speaker 1>with Katherine in the Fall, and Katherine does not like

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<v Speaker 1>Cecil because she stole Katherine's boyfriend Court. So Katherine wants

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<v Speaker 1>to ruin Cecil's reputation so that Court won't like her anymore. Right,

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<v Speaker 1>boyfriend named after a place to play a sport. It's

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<v Speaker 1>a super like old money name Court. Yes, I'm so

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<v Speaker 1>lower middle class, but I had no idea. Never already

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<v Speaker 1>my fair share of courts. They were all Fiji's, okay,

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<v Speaker 1>all my Greeks out there. Oh boy. So now Katherine

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<v Speaker 1>asks her stepbrothers Sebastian to seduce Cecile so that it

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<v Speaker 1>ruins her goody goody reputation. Meanwhile, Sebastian is like, I'm

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<v Speaker 1>tired of having sex with all these debutantes. They're so boring,

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<v Speaker 1>So he wants more of a conquest and he learns

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<v Speaker 1>about a net, which is Reese Witherspoon's character, who is

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<v Speaker 1>also going to be starting at their school in the Fall.

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<v Speaker 1>Reese is still great in this movie, is even though

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<v Speaker 1>the dialogue is so cheesy and horrific at times, they

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<v Speaker 1>all sell it. They do. They're committing to sure. That's

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<v Speaker 1>why looking back at this movie, you're like, oh my gosh,

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<v Speaker 1>what happened. So a nets whole thing is that she's

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<v Speaker 1>a virgin and that she's waiting to have sex, presumably

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<v Speaker 1>till marriage, or like at least till she finds someone

0:13:31.040 --> 0:13:34.080
<v Speaker 1>who she's in love with. So Sebastian decides that he's

0:13:34.080 --> 0:13:37.600
<v Speaker 1>going to make a net his conquest and take her virginity.

0:13:37.679 --> 0:13:40.920
<v Speaker 1>And Katherine's all like, you can't do that. That's out

0:13:40.920 --> 0:13:44.600
<v Speaker 1>of your league, even for you. So she's like, let's

0:13:44.640 --> 0:13:49.040
<v Speaker 1>make a wager. If Katherine wins, she gets Sebastian's cool

0:13:49.080 --> 0:13:53.840
<v Speaker 1>convertible car. If he wins, he can fuck her in

0:13:53.960 --> 0:13:58.520
<v Speaker 1>any hole he wants. We need to, like every nineties

0:13:58.520 --> 0:14:02.040
<v Speaker 1>teen movie is made of an a very sinister assaulted

0:14:02.280 --> 0:14:06.000
<v Speaker 1>bet yes where it's she and then sings Sarah Michelle

0:14:06.000 --> 0:14:10.000
<v Speaker 1>Geller in that sinister shot where she's like, what is

0:14:10.160 --> 0:14:13.760
<v Speaker 1>what's the last? You like? Any She's like anyway, and

0:14:13.800 --> 0:14:16.760
<v Speaker 1>then you're just like, I hate this. I like that

0:14:16.800 --> 0:14:19.800
<v Speaker 1>she sex positive and confident in herself. Yes, and we'll

0:14:19.800 --> 0:14:23.080
<v Speaker 1>talk about she gives like a monologue that's it's worth

0:14:23.160 --> 0:14:29.000
<v Speaker 1>unpacking everywhere. Yes, yes for sure. Yeah, And then side note,

0:14:29.040 --> 0:14:32.920
<v Speaker 1>Sebastian has a journal that he's keeping where he details

0:14:32.960 --> 0:14:36.400
<v Speaker 1>all of his you know, like bets and lies and

0:14:36.440 --> 0:14:39.560
<v Speaker 1>conquests and stuff with all these women. So you were

0:14:39.560 --> 0:14:42.760
<v Speaker 1>saying it's an early incarnation of the mean Girls Burned,

0:14:42.760 --> 0:14:46.480
<v Speaker 1>but I also feel it's sort of like his zanga

0:14:46.600 --> 0:14:51.840
<v Speaker 1>or his tumbler. Yeah, analog or perhaps like journals, you know,

0:14:51.960 --> 0:14:55.880
<v Speaker 1>like what what would be our equivalent? Right? Yeah, So

0:14:55.920 --> 0:14:59.400
<v Speaker 1>now Sebastian, he's going, he's trying to seduce a net

0:14:59.520 --> 0:15:01.440
<v Speaker 1>and she it is not having it at first, and

0:15:01.440 --> 0:15:05.600
<v Speaker 1>then meanwhile, but wear her dad, don't worry, don't you

0:15:05.720 --> 0:15:11.240
<v Speaker 1>don't you worry? One group at a time, right, Meanwhile,

0:15:11.320 --> 0:15:16.320
<v Speaker 1>one nagging at a time, god, one monster. One just

0:15:16.440 --> 0:15:21.480
<v Speaker 1>being in a pool exposing himself. Yeah, he's like, me,

0:15:21.720 --> 0:15:25.720
<v Speaker 1>show you what we're implying is a horse's dick, but

0:15:25.840 --> 0:15:28.320
<v Speaker 1>we don't actually see it. So there's no receipts on

0:15:28.600 --> 0:15:33.120
<v Speaker 1>the size of Ryan Philippe's penis, but the butt is good. However,

0:15:33.600 --> 0:15:36.960
<v Speaker 1>he is fully exposing himself without her consent, and she's like,

0:15:37.000 --> 0:15:39.440
<v Speaker 1>oh this is and then he yells at her for

0:15:39.480 --> 0:15:43.320
<v Speaker 1>her to turn around because the owners this movie fucking

0:15:43.520 --> 0:15:47.600
<v Speaker 1>upset me. I no wonder I like had such an

0:15:47.640 --> 0:15:50.240
<v Speaker 1>issue with you know, like when you're at a party

0:15:50.240 --> 0:15:52.200
<v Speaker 1>and a guy like touches your lower back and you

0:15:52.280 --> 0:15:54.440
<v Speaker 1>just kind of go along with it because you're like, well,

0:15:54.480 --> 0:15:56.400
<v Speaker 1>I don't want to be rude. It's like, no wonder

0:15:56.440 --> 0:15:58.160
<v Speaker 1>that should happened to me in my twenties because of

0:15:58.240 --> 0:16:01.040
<v Speaker 1>this fucking movie. Right nowadays, if somebody did that, I go, hey,

0:16:01.040 --> 0:16:04.600
<v Speaker 1>get your fucking hand off me. Anyway, keep going clearly

0:16:04.960 --> 0:16:07.840
<v Speaker 1>sucking upset. This movie up set me. He's just going

0:16:07.880 --> 0:16:11.680
<v Speaker 1>to be a therapy sessions, just like the movie is

0:16:11.840 --> 0:16:14.160
<v Speaker 1>condescending to where did you know? It's in this scene

0:16:14.200 --> 0:16:19.000
<v Speaker 1>like right after where Sebastian takes Cecil's virginity, there's a

0:16:19.080 --> 0:16:21.920
<v Speaker 1>bowl of cherries next to the bed, and it's just like,

0:16:22.000 --> 0:16:25.240
<v Speaker 1>come on right, sorry, I wonder what they're trying to say.

0:16:25.280 --> 0:16:31.440
<v Speaker 1>They're okay. So meanwhile, Cecile, she's into her cellow teacher Ronald.

0:16:32.360 --> 0:16:35.400
<v Speaker 1>Catherine's teaching sectial how to kiss so she can be

0:16:35.440 --> 0:16:38.960
<v Speaker 1>good at kissing Ronald because we've got to please men, right,

0:16:39.160 --> 0:16:41.920
<v Speaker 1>got to get that kiss. I'm a great kiss also,

0:16:42.560 --> 0:16:47.560
<v Speaker 1>all of that a great kiss boy. Then Sebastian assaults Cecile,

0:16:47.680 --> 0:16:49.680
<v Speaker 1>but that is not what the movie would have you

0:16:49.960 --> 0:16:55.920
<v Speaker 1>believe happened. They think it's funny. Man, there's some goofy

0:16:56.000 --> 0:16:57.960
<v Speaker 1>music playing in the background. There's some we should make

0:16:57.960 --> 0:17:00.920
<v Speaker 1>a super good of, like assaults happening in movies with

0:17:01.000 --> 0:17:07.919
<v Speaker 1>a goofy soundtrack. Benny Hill like, no, no, he's so

0:17:08.000 --> 0:17:10.320
<v Speaker 1>this character that we are already supposed to be suspending

0:17:10.359 --> 0:17:13.840
<v Speaker 1>or disbelieved to be, like, oh, she's fifty. The way

0:17:13.880 --> 0:17:17.600
<v Speaker 1>that scene goes is he basically is like, you have

0:17:17.720 --> 0:17:21.440
<v Speaker 1>to kiss me. He's like he says like yeah. He's

0:17:21.520 --> 0:17:23.760
<v Speaker 1>like all I want is a kiss, and she's like, oh,

0:17:24.119 --> 0:17:28.320
<v Speaker 1>that's all. She essentially wants to leave. She's like, I'm uncomfortable.

0:17:28.760 --> 0:17:31.480
<v Speaker 1>I'm leaving because he's basically says, get naked. I want

0:17:31.480 --> 0:17:33.160
<v Speaker 1>to take your picture. She says, I want to leave.

0:17:33.200 --> 0:17:36.399
<v Speaker 1>He goes, you can't leave, traps her and blackmails her,

0:17:36.680 --> 0:17:38.600
<v Speaker 1>I'm going to call your mom and tell her. So

0:17:38.640 --> 0:17:40.800
<v Speaker 1>she's I'll do anything, Please don't tell my mom. Okay, well,

0:17:40.880 --> 0:17:43.359
<v Speaker 1>let me kiss you. She goes, okay, I guess, and

0:17:43.359 --> 0:17:45.480
<v Speaker 1>then he grabs the draw strong of her pants, pulls

0:17:45.480 --> 0:17:47.160
<v Speaker 1>her pants down, and she's like, what are you doing,

0:17:47.160 --> 0:17:48.960
<v Speaker 1>what are you doing? Clearly upset and he goes, you

0:17:49.000 --> 0:17:51.240
<v Speaker 1>said I could kiss you and just starts going down

0:17:51.280 --> 0:17:54.160
<v Speaker 1>and then a promise is a promise? Gilts her into

0:17:54.240 --> 0:17:57.440
<v Speaker 1>it will unpack this whole scene in a moment, but

0:17:58.400 --> 0:18:04.080
<v Speaker 1>it's upsetting up. Meanwhile, Annette and Sebastian are falling in love,

0:18:04.440 --> 0:18:08.679
<v Speaker 1>like what, And then Katherine has sex with Ronald the

0:18:08.720 --> 0:18:13.040
<v Speaker 1>cello teacher, and then Sebastian and finally have sex, which

0:18:13.080 --> 0:18:15.840
<v Speaker 1>makes Katherine jealous because she's like, I thought I was

0:18:15.880 --> 0:18:18.920
<v Speaker 1>going to have sex with my stepbrother, which she apparently

0:18:19.200 --> 0:18:24.800
<v Speaker 1>wanted to do anywhere. So Katherine's like, oh, your reputation

0:18:24.960 --> 0:18:27.320
<v Speaker 1>is going to be ruined Sebastian if you you know,

0:18:27.320 --> 0:18:31.200
<v Speaker 1>blah blah blah. So he's like, you're right, I am

0:18:31.240 --> 0:18:34.359
<v Speaker 1>going to tell Annette that I don't love her, and

0:18:34.400 --> 0:18:38.280
<v Speaker 1>then she's like, you eightyot, you ran away from love

0:18:38.359 --> 0:18:40.439
<v Speaker 1>the first chance you've got, just because you thought I

0:18:40.480 --> 0:18:43.040
<v Speaker 1>was going to ruin your reputation. And then he's like,

0:18:43.359 --> 0:18:45.679
<v Speaker 1>you're right, I'm an idiot. So he goes and tries

0:18:45.760 --> 0:18:50.480
<v Speaker 1>to make amends with Annette, and then there's a crazy

0:18:50.600 --> 0:18:53.720
<v Speaker 1>scene where he and Ronald get in a fist fight,

0:18:54.080 --> 0:18:58.080
<v Speaker 1>he's thrown into traffic. He gets hit by a cab

0:18:58.359 --> 0:19:01.680
<v Speaker 1>and not hard, and then in an accident that would

0:19:01.720 --> 0:19:04.000
<v Speaker 1>maybe break a couple of ribs but not kill him,

0:19:04.040 --> 0:19:10.000
<v Speaker 1>but he dies. The end of the movie is Catherine

0:19:10.160 --> 0:19:16.639
<v Speaker 1>at like the funeral service, and she's like, oh my god,

0:19:17.119 --> 0:19:20.639
<v Speaker 1>Oh how sad. And then there's something like bustling around

0:19:20.680 --> 0:19:23.040
<v Speaker 1>in the crowd. She's like, what's going on? And then

0:19:23.119 --> 0:19:28.520
<v Speaker 1>she goes outside and everyone has a copy of Sebastian's journal,

0:19:29.080 --> 0:19:36.439
<v Speaker 1>which outs her as this horrible, manipulative kid, cruel intentioned woman.

0:19:36.800 --> 0:19:41.440
<v Speaker 1>It also outs Sebastian as a horrible person, which no

0:19:41.480 --> 0:19:45.000
<v Speaker 1>one seems to care about. And then it ends with

0:19:45.160 --> 0:19:51.719
<v Speaker 1>Reese Witherspoon driving Ryan Phillippies creepy journal into the sunset

0:19:52.440 --> 0:19:56.760
<v Speaker 1>because they're still in love. Even in Ryan Phillippes death,

0:19:57.560 --> 0:20:01.359
<v Speaker 1>she still loves him. And somehow she got the pink

0:20:01.400 --> 0:20:04.760
<v Speaker 1>slip for the car, which y'all never understand. How did

0:20:04.760 --> 0:20:07.119
<v Speaker 1>he put that in his will knowing that he was

0:20:07.119 --> 0:20:10.040
<v Speaker 1>going to get it by a m after meeting her

0:20:10.080 --> 0:20:12.919
<v Speaker 1>a week ago, But somehow the bitch got the jag.

0:20:13.320 --> 0:20:15.800
<v Speaker 1>She drives away with it and that's the end. So

0:20:15.880 --> 0:20:22.280
<v Speaker 1>she won the bet. She actually I the fact that

0:20:22.320 --> 0:20:25.840
<v Speaker 1>it's they're supposed to be. She's insulted in the journal

0:20:25.960 --> 0:20:29.879
<v Speaker 1>we see it's like, stupid, bit, you won't fuck and

0:20:29.920 --> 0:20:32.720
<v Speaker 1>then she's like, I love him forever and then drives

0:20:32.760 --> 0:20:34.800
<v Speaker 1>away in his car. I was like, what the funk

0:20:34.920 --> 0:20:39.280
<v Speaker 1>is this movie? Like, usually, when I'm seeing one of

0:20:39.320 --> 0:20:43.520
<v Speaker 1>these movies for the first time, you can at least understand, like, oh,

0:20:43.600 --> 0:20:46.760
<v Speaker 1>I understand, even though I find it to be problematic

0:20:46.760 --> 0:20:49.320
<v Speaker 1>and fucked up, I can understand what this was supposed

0:20:49.359 --> 0:20:52.280
<v Speaker 1>to have been viewed when it came out that I

0:20:52.320 --> 0:20:55.000
<v Speaker 1>can't get there. I can't get to they're still in love.

0:20:55.200 --> 0:21:00.000
<v Speaker 1>I think you know too far away, because I'm telling

0:21:00.080 --> 0:21:03.359
<v Speaker 1>you I love this movie and I didn't see anything

0:21:03.359 --> 0:21:05.920
<v Speaker 1>wrong with it. I'm ashamed to say that, but that's

0:21:06.080 --> 0:21:09.720
<v Speaker 1>truly teenager truth. I mean, it's unfortunate that that's the

0:21:09.760 --> 0:21:12.200
<v Speaker 1>culture that I grew up in, but that's what we

0:21:12.200 --> 0:21:16.720
<v Speaker 1>were given to consume as media. And I thought this

0:21:16.760 --> 0:21:19.879
<v Speaker 1>movie was hilarious, funny, I thought I was great, and

0:21:19.920 --> 0:21:24.159
<v Speaker 1>I'm this movie sucks. It sucking, sucks, it sucks. And

0:21:24.200 --> 0:21:27.520
<v Speaker 1>with with that, let's take a quick break and then

0:21:27.600 --> 0:21:31.840
<v Speaker 1>we will be back to unpacked the intentions that are

0:21:32.000 --> 0:21:43.439
<v Speaker 1>cruel and we're back, all right. So yeah, I mean

0:21:43.720 --> 0:21:47.400
<v Speaker 1>where to jump in? How about within the first five

0:21:47.440 --> 0:21:51.359
<v Speaker 1>minutes of the movie, Sebastian has revenge porn an innocent person. Yes,

0:21:51.560 --> 0:21:54.840
<v Speaker 1>how about that, that's a good place to start. He assaults,

0:21:55.200 --> 0:22:00.240
<v Speaker 1>I would argue his therapist verbally, sexually, and then he

0:22:00.359 --> 0:22:04.879
<v Speaker 1>revenge points her daughter. Huh just because for no reason,

0:22:05.000 --> 0:22:09.359
<v Speaker 1>just her fun. He says later that she did that

0:22:09.520 --> 0:22:12.800
<v Speaker 1>because she was overcharging him for therapy, and so you know,

0:22:12.840 --> 0:22:16.040
<v Speaker 1>how do you compensate for that? Is with human body?

0:22:16.240 --> 0:22:19.720
<v Speaker 1>And it's oh, it's just horrible. So yeah, right away

0:22:19.720 --> 0:22:23.560
<v Speaker 1>we learn about what a cruel intentioned man Sebastian is.

0:22:23.760 --> 0:22:28.040
<v Speaker 1>And then the conversation that his therapist has with her daughter,

0:22:28.080 --> 0:22:31.320
<v Speaker 1>who is played by Terror Reid, Terry's are like, he

0:22:31.480 --> 0:22:34.640
<v Speaker 1>put nude pictures of me on the internet, And then

0:22:35.080 --> 0:22:38.480
<v Speaker 1>her mom says, how could you be so stupid? So

0:22:38.520 --> 0:22:42.960
<v Speaker 1>she's a victim blaming her own daughter. The Bechtel test

0:22:43.040 --> 0:22:48.479
<v Speaker 1>passing exchange what they like, you dumb slut, your dumb slut,

0:22:48.520 --> 0:22:52.280
<v Speaker 1>you dumb slut. And then Terry's like, Mom, are you there?

0:22:53.480 --> 0:22:59.840
<v Speaker 1>She like that does pass its test, So yeah, that's

0:23:00.000 --> 0:23:05.200
<v Speaker 1>gets up Sebastian's character pretty well. And then he continues

0:23:05.280 --> 0:23:07.720
<v Speaker 1>throughout the rest of the movie to keep doing heinous

0:23:07.760 --> 0:23:11.359
<v Speaker 1>things like this, except that he's the kind were rooting for.

0:23:12.119 --> 0:23:14.720
<v Speaker 1>He does nothing to redeem himself at all. I would

0:23:14.800 --> 0:23:17.040
<v Speaker 1>argue he gets hit by a car. That's the best

0:23:17.080 --> 0:23:19.560
<v Speaker 1>thing he does in the whole movie is die. And

0:23:19.600 --> 0:23:21.760
<v Speaker 1>this is one again one of those movies that it

0:23:22.440 --> 0:23:25.040
<v Speaker 1>seems very prevalent in the eighties and nineties and and

0:23:25.080 --> 0:23:28.320
<v Speaker 1>probably the two thousands as well, where it's like rich

0:23:28.480 --> 0:23:32.480
<v Speaker 1>kids saying, like, my parents who love me and give

0:23:32.520 --> 0:23:36.120
<v Speaker 1>me everything I want fuck them, like and and we're

0:23:36.119 --> 0:23:40.120
<v Speaker 1>supposed to be like my hero just so bizarre. Well,

0:23:40.160 --> 0:23:43.280
<v Speaker 1>we never meet their parents in this movie, so it's

0:23:43.320 --> 0:23:45.199
<v Speaker 1>kind of hard to tell what their relationship is like.

0:23:45.240 --> 0:23:49.440
<v Speaker 1>But it's still like we have to assume perhaps not great,

0:23:49.800 --> 0:23:53.400
<v Speaker 1>perhaps not great. I think they're both seeking attention from

0:23:53.720 --> 0:23:56.560
<v Speaker 1>a really sad place due to the fact that your

0:23:56.600 --> 0:23:59.240
<v Speaker 1>parents can be rich and give you, you know, physically

0:23:59.280 --> 0:24:01.760
<v Speaker 1>anything you want aunt but if they're not giving you

0:24:01.800 --> 0:24:04.959
<v Speaker 1>attention and love, then you know, none of that matters,

0:24:05.000 --> 0:24:07.560
<v Speaker 1>and I think that's clearly what's happening. The parents are

0:24:07.600 --> 0:24:09.840
<v Speaker 1>off dealing with their own ship all the time, and

0:24:09.880 --> 0:24:14.320
<v Speaker 1>the kids are desperately seeking attention, right literally fucking each

0:24:14.359 --> 0:24:19.120
<v Speaker 1>other their sunny side up in each other. Like keep

0:24:19.119 --> 0:24:22.240
<v Speaker 1>an eye on these kids. So I want to talk

0:24:22.280 --> 0:24:27.320
<v Speaker 1>about the romantic pursuit, specifically of Sebastian pursuing a Net

0:24:27.600 --> 0:24:30.880
<v Speaker 1>because she's heard that he has a bad reputation and

0:24:30.960 --> 0:24:34.679
<v Speaker 1>she immediately doesn't like him. She says the line, it

0:24:34.680 --> 0:24:36.800
<v Speaker 1>amazes me that someone is charming as you could be

0:24:36.840 --> 0:24:41.840
<v Speaker 1>so manipulative, which they kind of go hand right, right.

0:24:41.920 --> 0:24:45.520
<v Speaker 1>It's like Reads is supposed to be a smart character, right.

0:24:45.840 --> 0:24:48.000
<v Speaker 1>And then in the first few scenes that we see

0:24:48.040 --> 0:24:52.439
<v Speaker 1>her in talking to Sebastian, she is like, she seems smart,

0:24:52.560 --> 0:24:56.320
<v Speaker 1>She is headstrong, She has like a value system that

0:24:56.600 --> 0:24:59.639
<v Speaker 1>she is not wavering from. She calls him out on

0:24:59.680 --> 0:25:02.960
<v Speaker 1>his book ship. You know. The first thing he does

0:25:03.240 --> 0:25:06.560
<v Speaker 1>is when he they meet, she's on a horse, he

0:25:06.680 --> 0:25:09.639
<v Speaker 1>literally grabs her body to get her off the horse

0:25:09.680 --> 0:25:13.280
<v Speaker 1>for no reason. And she doesn't call him out. She

0:25:13.359 --> 0:25:15.240
<v Speaker 1>kind of looks at him and goes thank you, which

0:25:15.640 --> 0:25:17.840
<v Speaker 1>again that's what I would have done in this situation

0:25:17.920 --> 0:25:21.960
<v Speaker 1>at her age, and I probably did, but pass me off.

0:25:21.960 --> 0:25:23.600
<v Speaker 1>I wish you would have gone, hey, why don't you

0:25:24.080 --> 0:25:26.199
<v Speaker 1>grab me? I can get off the horse on my own, right,

0:25:26.880 --> 0:25:30.720
<v Speaker 1>you take my hand. He literally grow us her body. Yeah,

0:25:30.760 --> 0:25:33.080
<v Speaker 1>oh do you need help. It's like he won't let

0:25:33.080 --> 0:25:36.280
<v Speaker 1>one thing go by without being a fucking creeper in

0:25:36.320 --> 0:25:40.320
<v Speaker 1>every way. It's awful. And then and characters like Reese's

0:25:40.359 --> 0:25:43.399
<v Speaker 1>almost sucked me even more because it sells that like

0:25:43.640 --> 0:25:47.440
<v Speaker 1>false idea of like, oh, this girl is smart, this

0:25:47.600 --> 0:25:50.400
<v Speaker 1>girl is capable, which which is true. But then the

0:25:50.480 --> 0:25:53.720
<v Speaker 1>second she can fall for a fucking psycho creep, she

0:25:53.800 --> 0:25:56.360
<v Speaker 1>does immediately, which just sells the idea to like young

0:25:56.480 --> 0:25:58.920
<v Speaker 1>smart girls of like, no, you should do this anyway.

0:25:58.960 --> 0:26:01.480
<v Speaker 1>It's like you, you know, you can be sure, yet

0:26:01.680 --> 0:26:03.680
<v Speaker 1>like girl power, you can be smart, but you still

0:26:03.720 --> 0:26:06.560
<v Speaker 1>have to funk every creep who hits on you. Like

0:26:06.640 --> 0:26:08.480
<v Speaker 1>it's just horrible. And part of the reason that she

0:26:08.520 --> 0:26:10.800
<v Speaker 1>falls for him is because he's lying to her and

0:26:10.840 --> 0:26:14.120
<v Speaker 1>he's having other people lie on his behalf about Oh,

0:26:14.240 --> 0:26:17.200
<v Speaker 1>his reputation, it's bullshit. You know, he's actually a pretty

0:26:17.280 --> 0:26:19.879
<v Speaker 1>nice guy. What do you think about his homophobic blackmail

0:26:20.560 --> 0:26:26.199
<v Speaker 1>who could forget we'll unpack that. But then he's you know,

0:26:26.240 --> 0:26:28.680
<v Speaker 1>pursuing her as a bet for most of the time,

0:26:28.760 --> 0:26:31.720
<v Speaker 1>but then he actually does start to develop feelings for her.

0:26:31.920 --> 0:26:34.919
<v Speaker 1>And then that's the movie asking us to be sympathetic

0:26:34.960 --> 0:26:37.320
<v Speaker 1>to him and root for him because he's sofening up.

0:26:37.400 --> 0:26:40.480
<v Speaker 1>He was a bad he was a cruel intentioned guy,

0:26:40.520 --> 0:26:44.119
<v Speaker 1>but now makes one goofy face and he's like, you

0:26:44.200 --> 0:26:47.480
<v Speaker 1>know what, I'm a changed man. But also he isn't. No,

0:26:47.720 --> 0:26:50.840
<v Speaker 1>he's not, and to the very end of the movie,

0:26:50.920 --> 0:26:54.119
<v Speaker 1>he's still being horrible to everyone around him. But again,

0:26:54.160 --> 0:26:56.480
<v Speaker 1>this is the movie, like we are, the movie is

0:26:56.520 --> 0:26:59.760
<v Speaker 1>asking us to root for him. He's our protagonists who

0:26:59.760 --> 0:27:01.879
<v Speaker 1>were like, oh, I hope he succeeds, and even though

0:27:01.920 --> 0:27:04.480
<v Speaker 1>he dies, we're supposed to feel something about it, or

0:27:04.520 --> 0:27:06.960
<v Speaker 1>that's what the movie wants us to feel. And I'm

0:27:07.000 --> 0:27:11.440
<v Speaker 1>sure you know, as a young teen who saw this movie,

0:27:11.840 --> 0:27:16.520
<v Speaker 1>uh yeah, everyone was like, oh no, he died, that's

0:27:16.560 --> 0:27:22.879
<v Speaker 1>so sad. Oh now the death is so weird. That

0:27:23.000 --> 0:27:26.119
<v Speaker 1>death is so it's like lazy writing. It's a d

0:27:26.320 --> 0:27:30.080
<v Speaker 1>sex market. Yeah, like, let's just kill him. And ever

0:27:30.160 --> 0:27:32.800
<v Speaker 1>they were like, Okay, here we are. We're backed into

0:27:32.800 --> 0:27:35.199
<v Speaker 1>a corner here, so we're gonna have him, you know,

0:27:35.320 --> 0:27:38.280
<v Speaker 1>give her the journal. She's gonna read it, change your mind.

0:27:38.640 --> 0:27:42.399
<v Speaker 1>She's on the street, she's looking for him. Uh what

0:27:42.440 --> 0:27:44.440
<v Speaker 1>do we do, guys? I don't know. We can't buy

0:27:44.440 --> 0:27:49.520
<v Speaker 1>a taxi cut in print. I mean, it's very lazy.

0:27:49.680 --> 0:27:54.359
<v Speaker 1>I also don't understand how her receiving his journal makes

0:27:54.400 --> 0:27:57.240
<v Speaker 1>her realize, oh, he does love me after all, because

0:27:57.280 --> 0:28:01.040
<v Speaker 1>in the journal he explains his plan to manipulate her

0:28:01.080 --> 0:28:05.840
<v Speaker 1>and steal her virginity. Yeah, and then she's like, cool, dude, dude,

0:28:07.000 --> 0:28:12.399
<v Speaker 1>you know, you know, she's obviously very easily manipulated. I

0:28:12.440 --> 0:28:15.919
<v Speaker 1>think he definitely added an addendum at the end that

0:28:16.000 --> 0:28:19.920
<v Speaker 1>was like, but throughout this process, I actually felt for her,

0:28:20.000 --> 0:28:22.960
<v Speaker 1>and I've changed and I feel terrible. And she accepted

0:28:22.960 --> 0:28:26.399
<v Speaker 1>the apology, you know, so that's why that happened. But

0:28:26.440 --> 0:28:28.919
<v Speaker 1>can I just say they showed a page of the

0:28:28.960 --> 0:28:32.400
<v Speaker 1>book of his journal at the end, the photo copies.

0:28:32.680 --> 0:28:36.119
<v Speaker 1>I paused TV. I couldn't read that ship. That was

0:28:36.160 --> 0:28:41.000
<v Speaker 1>the worst handwriting I ever. It was like a doctor prescription,

0:28:41.280 --> 0:28:44.840
<v Speaker 1>like scribble, and I was like, who fucking read this?

0:28:44.920 --> 0:28:47.720
<v Speaker 1>Can any of these kids read this ship? I couldn't

0:28:47.760 --> 0:28:50.240
<v Speaker 1>read a damn word of it, so who knows what

0:28:50.320 --> 0:28:52.960
<v Speaker 1>he even said. But the takeaway of that journal is

0:28:52.960 --> 0:28:58.240
<v Speaker 1>supposed to be Yah, Sarah Michelle Geller's a real bit

0:28:58.800 --> 0:29:02.280
<v Speaker 1>like he gets let off the hook essentially why yeah?

0:29:02.800 --> 0:29:05.080
<v Speaker 1>And then and then also there's like the teacher who

0:29:05.120 --> 0:29:09.560
<v Speaker 1>comes up behind her and like takes away her coke necklace, which, narratively,

0:29:09.800 --> 0:29:12.920
<v Speaker 1>how could he have seen that already? He hasn't come outside,

0:29:13.520 --> 0:29:16.160
<v Speaker 1>But sure, fine, they're good. Plan didn't think about that.

0:29:16.200 --> 0:29:17.920
<v Speaker 1>I mean when that happened in the theater, I remember

0:29:18.000 --> 0:29:21.720
<v Speaker 1>just being like, yaw, queen, Like I was like, damn,

0:29:21.760 --> 0:29:26.520
<v Speaker 1>revenge is a bitter fucking you know fish. I thought

0:29:26.520 --> 0:29:30.200
<v Speaker 1>that was like the coolest I'm telling you, I ate

0:29:30.280 --> 0:29:32.280
<v Speaker 1>that ship up. When he pulls out the scoop and

0:29:32.280 --> 0:29:34.720
<v Speaker 1>it flies in the air and the look on her face,

0:29:35.000 --> 0:29:38.040
<v Speaker 1>I was just like, yeah, drugs, look at you nowhere, man,

0:29:38.440 --> 0:29:41.960
<v Speaker 1>Like I love them. The one good message of the movie. Yeah,

0:29:44.560 --> 0:29:47.320
<v Speaker 1>although I did google, well, I didn't google, but I

0:29:47.360 --> 0:29:49.320
<v Speaker 1>was like I want one of those. Not that I

0:29:49.360 --> 0:29:50.920
<v Speaker 1>do coke, but I was like, I want like a

0:29:51.000 --> 0:29:55.320
<v Speaker 1>drug necklace. That to me was a really exciting idea.

0:29:56.240 --> 0:30:00.600
<v Speaker 1>Maybe I'll put my like my emergency powder in it. Yeah,

0:30:01.320 --> 0:30:04.600
<v Speaker 1>your vitamin B twelve supplements to give you energy. Well,

0:30:04.600 --> 0:30:08.040
<v Speaker 1>like Jamie, like you were saying, Sebastian has completely let

0:30:08.040 --> 0:30:11.640
<v Speaker 1>off the hook, like he he is just as complicit

0:30:11.760 --> 0:30:15.080
<v Speaker 1>and just as much of a villain. More. Yeah, I

0:30:15.120 --> 0:30:20.400
<v Speaker 1>didn't see Sarah Michelle Geller rape anybody, because he assaulted Ceceeal.

0:30:20.920 --> 0:30:24.800
<v Speaker 1>He is assaulted type yes, like and and and that's

0:30:24.920 --> 0:30:27.840
<v Speaker 1>just the movie what we saw, Like imagine the back

0:30:27.840 --> 0:30:31.320
<v Speaker 1>pages that book. A bunch of women at that school.

0:30:31.800 --> 0:30:33.760
<v Speaker 1>How do you think they're feeling right now, because you

0:30:33.800 --> 0:30:36.160
<v Speaker 1>know what I mean, like how horrible. Their whole lives

0:30:36.200 --> 0:30:40.959
<v Speaker 1>were just blasted on front of everybody, and he out everyone,

0:30:41.360 --> 0:30:44.320
<v Speaker 1>including himself. And this movie takes place over the course

0:30:44.360 --> 0:30:46.840
<v Speaker 1>of three or four days, and so it's like he's

0:30:46.840 --> 0:30:48.920
<v Speaker 1>been doing this for a little longer than that. But

0:30:49.000 --> 0:30:52.680
<v Speaker 1>even so, maybe a week or two crazy because because

0:30:52.800 --> 0:30:55.560
<v Speaker 1>he and rees haven't known each other for more than

0:30:55.960 --> 0:30:58.680
<v Speaker 1>a little more than a week, maybe it's hard. Well

0:30:58.720 --> 0:31:01.200
<v Speaker 1>that's I think this is other four School gets back.

0:31:01.600 --> 0:31:04.120
<v Speaker 1>But at the beginning of the movie that Cecil was like, oh,

0:31:04.440 --> 0:31:07.680
<v Speaker 1>Ronald's teaching me Cello over the summer, as if the

0:31:07.720 --> 0:31:09.719
<v Speaker 1>movie takes place over the course of a whole summer.

0:31:09.760 --> 0:31:12.840
<v Speaker 1>It's really it's unclear. It makes it seem like it's

0:31:12.840 --> 0:31:15.120
<v Speaker 1>a few days. It could be as much as a month,

0:31:15.200 --> 0:31:18.360
<v Speaker 1>or a couple of months, or right like a week.

0:31:18.520 --> 0:31:21.240
<v Speaker 1>It's it's hard to tell. Probably not thinking about it

0:31:21.320 --> 0:31:24.520
<v Speaker 1>that hard. In the people writing this movie, you're not

0:31:24.560 --> 0:31:29.040
<v Speaker 1>concerned about consistency, the value of a human life. There's

0:31:29.080 --> 0:31:32.360
<v Speaker 1>a lot of things they're not worried about. It's just

0:31:32.560 --> 0:31:37.320
<v Speaker 1>insane to me. The movie poises Sebastian is like, oh,

0:31:37.440 --> 0:31:42.520
<v Speaker 1>he redeemed himself, And I wonder if they made him

0:31:42.880 --> 0:31:47.280
<v Speaker 1>die just to make him seem more sympathetic, because otherwise

0:31:47.320 --> 0:31:50.720
<v Speaker 1>the story is Sebastian and a net ending up together.

0:31:50.840 --> 0:31:52.880
<v Speaker 1>And then it's like, well, what does that relationship look

0:31:52.920 --> 0:31:56.200
<v Speaker 1>like then, because like now she knows the truth, and

0:31:56.360 --> 0:31:59.160
<v Speaker 1>like where do you go from? How do you build?

0:31:59.280 --> 0:32:02.840
<v Speaker 1>I don't know the origin, I haven't read the source material,

0:32:02.920 --> 0:32:05.800
<v Speaker 1>but does that character get hit by a taxi and

0:32:06.520 --> 0:32:08.640
<v Speaker 1>they give their journal out or how? I don't know.

0:32:08.840 --> 0:32:13.800
<v Speaker 1>Cruel Intentions is adapted from a novel by a man

0:32:13.840 --> 0:32:17.360
<v Speaker 1>whose name is so French that I cannot beare something

0:32:18.120 --> 0:32:21.080
<v Speaker 1>it was written in seventeen eighty two or published then,

0:32:22.000 --> 0:32:25.400
<v Speaker 1>which absolutely tracks and and keeps with this at another

0:32:25.840 --> 0:32:29.120
<v Speaker 1>late nineties trend of like trying to adapt like old

0:32:29.160 --> 0:32:34.360
<v Speaker 1>ask books into movies for teenagers. Um, right, because she's

0:32:34.360 --> 0:32:38.880
<v Speaker 1>all that was an adaptation of Pygmalion, right, yes, and

0:32:39.080 --> 0:32:42.080
<v Speaker 1>Ten Things I Hate About You was a Shakespeare So yeah.

0:32:42.080 --> 0:32:45.800
<v Speaker 1>It's another another sinister media trend where everything is derivative.

0:32:45.840 --> 0:32:49.200
<v Speaker 1>You know. It's like, oh, the sexes ins in the

0:32:49.280 --> 0:32:52.880
<v Speaker 1>late seventeen hundred is still applicable today and apparently, I

0:32:52.960 --> 0:32:56.480
<v Speaker 1>mean no one proved them wrong. Um, and the book,

0:32:56.520 --> 0:33:00.760
<v Speaker 1>it looks like the Ryan Phillippe character dies in a duel,

0:33:00.920 --> 0:33:04.800
<v Speaker 1>like in the fight with Ronald, so I guess they're like, well,

0:33:04.840 --> 0:33:08.200
<v Speaker 1>we can't have Ronald kill him because that would be

0:33:08.240 --> 0:33:11.560
<v Speaker 1>out of nowhere, and they can't duel, so let's just

0:33:11.640 --> 0:33:16.640
<v Speaker 1>do the yark. He also died saving saving Annette. He

0:33:16.760 --> 0:33:19.880
<v Speaker 1>died a hero. Annette was trying to break up the

0:33:19.920 --> 0:33:23.560
<v Speaker 1>fight and she got flung into traffic and got up

0:33:23.800 --> 0:33:29.400
<v Speaker 1>very slowly, let's be honest, very very slowly, and She's like, oh,

0:33:29.520 --> 0:33:31.560
<v Speaker 1>I'm in the middle of the street. Oh a car

0:33:31.720 --> 0:33:35.320
<v Speaker 1>is coming what? And Sebastian pushes her out of the

0:33:35.360 --> 0:33:38.120
<v Speaker 1>way to save her and in turn gets hit. So

0:33:38.200 --> 0:33:42.400
<v Speaker 1>maybe that's another element to why everyone's forgiven him. Yeah,

0:33:42.480 --> 0:33:45.200
<v Speaker 1>I don't know the movie jumping in front of a

0:33:45.280 --> 0:33:51.040
<v Speaker 1>cab for somebody, that's very I don't people, I can

0:33:51.080 --> 0:33:52.640
<v Speaker 1>think of it like that. Would I guess I would

0:33:52.640 --> 0:33:55.760
<v Speaker 1>probably do it no matter what. Instinctively, sure, because I'm

0:33:55.760 --> 0:33:57.920
<v Speaker 1>such a people pleaser. But I hope I don't find

0:33:57.920 --> 0:34:00.320
<v Speaker 1>out if I'm being honest. But if we do die

0:34:00.400 --> 0:34:03.520
<v Speaker 1>is people pass just die in the pursuit of trying

0:34:03.520 --> 0:34:07.520
<v Speaker 1>not to give a perceiving Yeah, I mean the cab

0:34:07.640 --> 0:34:11.160
<v Speaker 1>was going what also like screeched on his brakes, like

0:34:11.200 --> 0:34:14.239
<v Speaker 1>you heard him screeched his break so by the decelerating

0:34:14.480 --> 0:34:19.000
<v Speaker 1>is slowed down where I know, right, we're not doctors.

0:34:19.600 --> 0:34:22.919
<v Speaker 1>Sebastian has some kind of like um autoimmune disease where

0:34:22.920 --> 0:34:25.400
<v Speaker 1>he was we you know, he bruises easily, and the

0:34:25.440 --> 0:34:28.840
<v Speaker 1>blood somewhere he would have been carrying bruises from the

0:34:28.880 --> 0:34:32.439
<v Speaker 1>sunny side up. Then then when it cuts to him

0:34:32.480 --> 0:34:34.520
<v Speaker 1>and his injuries, he has a few scratches on his

0:34:34.640 --> 0:34:37.600
<v Speaker 1>forehead and he has some bloody knuckles and that's it, like,

0:34:37.719 --> 0:34:42.000
<v Speaker 1>you know, unless he's got some like severe hemorrhagame or

0:34:42.040 --> 0:34:46.160
<v Speaker 1>like a traumatic brain injury. Like right when we're not

0:34:46.280 --> 0:34:50.200
<v Speaker 1>on the adaptation, this is not the only adaptation of

0:34:50.280 --> 0:34:54.920
<v Speaker 1>this French novel that came out, Dangerous Liaisons based on

0:34:54.960 --> 0:35:00.839
<v Speaker 1>the same fucking book. Yes, I can't remember it or not,

0:35:01.040 --> 0:35:03.640
<v Speaker 1>but I have not seen it. But I will watch

0:35:03.680 --> 0:35:05.520
<v Speaker 1>anything with Glenn Close in it, so I will wash

0:35:05.600 --> 0:35:09.200
<v Speaker 1>it or wait, dangerously that's not the one where she

0:35:09.280 --> 0:35:11.560
<v Speaker 1>cooks his bunny, right, That's what I was just thinking

0:35:11.920 --> 0:35:16.319
<v Speaker 1>that say attraction, Yes, I got it. I also, when

0:35:16.320 --> 0:35:18.520
<v Speaker 1>we were watching this movie, thought we were watching I

0:35:18.520 --> 0:35:20.960
<v Speaker 1>thought cruel Intentions. I was like, oh, that's the one

0:35:20.960 --> 0:35:24.240
<v Speaker 1>where Kathy Bates locks a guy in a house. That's misery.

0:35:24.440 --> 0:35:28.680
<v Speaker 1>So I was in for a full well, I thought

0:35:28.680 --> 0:35:31.640
<v Speaker 1>we were watching misery. We were not. We're watching something

0:35:31.800 --> 0:35:36.960
<v Speaker 1>way worse pretty much, but just as violent. And and

0:35:37.000 --> 0:35:39.279
<v Speaker 1>say which I mean really quick, say what you will

0:35:39.280 --> 0:35:41.800
<v Speaker 1>about this movie. But Christine Branski does play a character

0:35:41.880 --> 0:35:45.360
<v Speaker 1>named Bunny, so not all bad. Well, she's incredible in

0:35:45.400 --> 0:35:51.280
<v Speaker 1>the movie, although problematic in many ways. She slays Arsky,

0:35:51.560 --> 0:35:55.080
<v Speaker 1>I have no notes. Let's talk about that for a moment.

0:35:55.239 --> 0:35:59.600
<v Speaker 1>So there is an interracial romance between Cecile and Ronald.

0:36:00.160 --> 0:36:04.319
<v Speaker 1>Ronald is fooling. And also, if my daughter brought home

0:36:04.440 --> 0:36:10.640
<v Speaker 1>a Juilliard composer Chells, I'd be like, honey, thank you,

0:36:10.640 --> 0:36:13.239
<v Speaker 1>you did a good job. But he's not good enough.

0:36:13.520 --> 0:36:18.120
<v Speaker 1>So mainstream movies generally do not like to feature interracial

0:36:18.320 --> 0:36:23.680
<v Speaker 1>romances on screen. When they do, it's often a big

0:36:23.800 --> 0:36:26.880
<v Speaker 1>plot point of the movie, rather than just treating that

0:36:26.920 --> 0:36:29.320
<v Speaker 1>relationship like it's a normal thing that doesn't need to

0:36:29.360 --> 0:36:32.879
<v Speaker 1>be heavily commented on. So movies like Get Out, Guess

0:36:32.920 --> 0:36:36.680
<v Speaker 1>Who's Coming to Dinner, Save the Last Dance, Jungle Fever, Holes,

0:36:36.960 --> 0:36:41.839
<v Speaker 1>Our Favorite Loving Um, just to name a few, they

0:36:41.920 --> 0:36:46.200
<v Speaker 1>all have major plot points that derive like like that

0:36:46.200 --> 0:36:49.960
<v Speaker 1>that sounds like I never was anywhere. I mean this,

0:36:50.120 --> 0:36:52.399
<v Speaker 1>I can't believe I haven't seen it, being a huge fan,

0:36:53.000 --> 0:36:55.680
<v Speaker 1>I've read the book. Oh the movie is pretty good, Okay,

0:36:55.880 --> 0:36:59.200
<v Speaker 1>so um, these movies all have major plot points that

0:36:59.360 --> 0:37:03.520
<v Speaker 1>derive from two people of different races being together. I

0:37:03.520 --> 0:37:05.920
<v Speaker 1>would say a recent recent exception to this is to

0:37:06.000 --> 0:37:08.640
<v Speaker 1>all the boys I've loved before. Um, I still gotta

0:37:08.680 --> 0:37:11.320
<v Speaker 1>watch it. Oh it's good. Have you seen Greatest Showman? Yes,

0:37:11.480 --> 0:37:14.160
<v Speaker 1>that one has one too. Oh right, but oh god,

0:37:14.239 --> 0:37:17.839
<v Speaker 1>that movie was terrible. Um I cried twice. But that's fine.

0:37:17.840 --> 0:37:20.360
<v Speaker 1>Oh sure, sure I would probably cry. I would probably

0:37:20.360 --> 0:37:25.600
<v Speaker 1>hate it and cry. That's a really good Basically, I

0:37:25.640 --> 0:37:28.319
<v Speaker 1>just think that there should be more stories that normalize

0:37:28.440 --> 0:37:32.440
<v Speaker 1>an interracial relationship, rather than saying, like, oh my fucking god,

0:37:32.480 --> 0:37:35.400
<v Speaker 1>look how big of a freaking deal it is for

0:37:35.480 --> 0:37:38.520
<v Speaker 1>a white person to date a non white person, but

0:37:38.560 --> 0:37:43.279
<v Speaker 1>they really talk about it. So Cruel Intentions makes a

0:37:43.280 --> 0:37:47.600
<v Speaker 1>fairly big deal of an interracial relationship where uh Cecile

0:37:47.719 --> 0:37:50.400
<v Speaker 1>as a white woman and her cello teacher Ronald is

0:37:50.480 --> 0:37:54.680
<v Speaker 1>a black man, and they are in love, and Catherine

0:37:55.239 --> 0:37:59.799
<v Speaker 1>uses their interracial relationship as fuel to seek revenge on

0:38:00.120 --> 0:38:04.719
<v Speaker 1>Cecil by telling Cecil's disapproving racist mother. Well, it also

0:38:04.840 --> 0:38:08.600
<v Speaker 1>doesn't help that the only black man in this movie

0:38:09.040 --> 0:38:12.279
<v Speaker 1>is praying on a child. Right. We we don't know

0:38:12.360 --> 0:38:17.600
<v Speaker 1>how old he is, right, but he's attending pre Juilliard,

0:38:17.640 --> 0:38:19.560
<v Speaker 1>which I don't know what that means or what age

0:38:19.600 --> 0:38:22.960
<v Speaker 1>that would make it's possible he's also a child. I mean,

0:38:22.680 --> 0:38:25.719
<v Speaker 1>I guess because you know, I agree with all all that.

0:38:25.800 --> 0:38:29.120
<v Speaker 1>I will say, like when you are somebody's teacher, there's

0:38:29.160 --> 0:38:32.920
<v Speaker 1>a power dynamic and I'm not a fan of that.

0:38:33.000 --> 0:38:35.040
<v Speaker 1>I mean, have you y'all have taken improv classes in

0:38:35.040 --> 0:38:39.120
<v Speaker 1>this town? You know how it goes men teachers, you know,

0:38:39.880 --> 0:38:43.080
<v Speaker 1>So it's not cute. Sometimes totally agree. So like the

0:38:43.080 --> 0:38:46.160
<v Speaker 1>fact that the only man of color is abusing the

0:38:46.239 --> 0:38:48.880
<v Speaker 1>power dynamic, whether he's a child or not. Although I

0:38:48.920 --> 0:38:51.759
<v Speaker 1>will say he didn't touch her, but those letters are

0:38:51.760 --> 0:38:55.080
<v Speaker 1>a little creepy, the letters. He does get behind her

0:38:55.400 --> 0:38:59.239
<v Speaker 1>and like, yeah, that's the first thing you see him.

0:38:59.239 --> 0:39:01.959
<v Speaker 1>And where he's like he's behind her is his arms

0:39:01.960 --> 0:39:03.840
<v Speaker 1>are around her under the guys with like let me

0:39:03.840 --> 0:39:06.000
<v Speaker 1>teach you how to play cello, but it's really like,

0:39:06.080 --> 0:39:09.600
<v Speaker 1>let me put my crotch right up against your ass.

0:39:09.960 --> 0:39:16.080
<v Speaker 1>Ghost scene. Yeah, pottery getting made in this scene. No,

0:39:16.440 --> 0:39:20.200
<v Speaker 1>it's jest a guy hitting on a kid. But the

0:39:20.600 --> 0:39:24.360
<v Speaker 1>twist is the kids twenty seven. It's very confused. Anyone

0:39:24.360 --> 0:39:27.000
<v Speaker 1>could be any age in this movie. So I think

0:39:27.120 --> 0:39:30.239
<v Speaker 1>Zembe Blair gave birth to half the cast's it's hard

0:39:30.280 --> 0:39:33.239
<v Speaker 1>to know what's going on. And then we see that

0:39:33.280 --> 0:39:36.240
<v Speaker 1>same play out where like Mrs Caldwell is like Ronald,

0:39:36.239 --> 0:39:38.239
<v Speaker 1>how could you I got you off the streets and

0:39:38.239 --> 0:39:41.840
<v Speaker 1>he's like, I live at park what are you talking about?

0:39:42.239 --> 0:39:45.280
<v Speaker 1>And then he's saying like, I never touched your daughter,

0:39:45.600 --> 0:39:47.960
<v Speaker 1>and I thought someone of your stature would look beyond

0:39:48.040 --> 0:39:50.640
<v Speaker 1>racial lines. And she's like, oh, don't give me that

0:39:50.760 --> 0:39:56.280
<v Speaker 1>racist crap. I gave money to Colin Powell, which but there,

0:39:56.320 --> 0:39:59.040
<v Speaker 1>I mean, the bare minimum done here is that the

0:39:59.120 --> 0:40:03.560
<v Speaker 1>racist character is clearly wrong and silly, right, but the

0:40:03.600 --> 0:40:07.759
<v Speaker 1>subtext of everything is still extremely bad, right, because he's

0:40:07.800 --> 0:40:11.919
<v Speaker 1>still praying on the kid. And then again Catherine, who

0:40:12.040 --> 0:40:15.600
<v Speaker 1>is the villain of the movie, even though Sebastian is

0:40:15.640 --> 0:40:18.719
<v Speaker 1>actually the villain of the movie, but the movie wants

0:40:18.760 --> 0:40:22.440
<v Speaker 1>you to love him. But Catherine is like exploiting the

0:40:22.480 --> 0:40:24.960
<v Speaker 1>fact that two people love each other and because they

0:40:24.960 --> 0:40:27.279
<v Speaker 1>happen to be of a different race, She's like, oh,

0:40:27.320 --> 0:40:29.960
<v Speaker 1>I can like use this as fuel to get back

0:40:30.000 --> 0:40:35.960
<v Speaker 1>at Cecile, which, like Cecile literally did nothing to her, right, nothing, nothing, nothing.

0:40:36.200 --> 0:40:38.960
<v Speaker 1>She doesn't have enough brain power to do much. It's

0:40:39.000 --> 0:40:42.319
<v Speaker 1>like she you know, basically this is an ego thing.

0:40:42.640 --> 0:40:45.839
<v Speaker 1>Katherine dated a guy court and something happened. We don't

0:40:45.880 --> 0:40:48.040
<v Speaker 1>really know. There's a quick little scene of her like

0:40:48.120 --> 0:40:50.600
<v Speaker 1>going down on him while he's passed out, but it's

0:40:50.600 --> 0:40:54.200
<v Speaker 1>basically he started seeing Cecile and she her ego said,

0:40:54.400 --> 0:40:57.799
<v Speaker 1>you don't me for her? Oh buck her, which is

0:40:57.840 --> 0:41:02.200
<v Speaker 1>such an issue among women, like if listen, it's never

0:41:02.560 --> 0:41:06.240
<v Speaker 1>the other woman, it's the guy. It's never the other woman,

0:41:06.360 --> 0:41:08.680
<v Speaker 1>it's the guy. Do not hate on the other woman,

0:41:08.760 --> 0:41:12.279
<v Speaker 1>it's the guy. I'm telling you from experience. Yeah, And

0:41:12.320 --> 0:41:14.200
<v Speaker 1>we talked about this a lot on the podcast because

0:41:14.239 --> 0:41:18.360
<v Speaker 1>we come up upon many relationships between and it's often

0:41:18.840 --> 0:41:23.440
<v Speaker 1>teen girls, but in movies it shows two women just

0:41:23.520 --> 0:41:26.640
<v Speaker 1>like being in conflict with each other for reasons that

0:41:26.800 --> 0:41:31.480
<v Speaker 1>aren't fully explored, just because you know, the older white

0:41:31.480 --> 0:41:34.240
<v Speaker 1>men who are writing these movies are like, teen girls

0:41:34.280 --> 0:41:36.840
<v Speaker 1>can't get along, so let's just make sure that's in

0:41:36.840 --> 0:41:41.279
<v Speaker 1>the movie. So but that's why we all learn from it,

0:41:41.400 --> 0:41:44.359
<v Speaker 1>you know. I mean I've been in many, not many.

0:41:44.400 --> 0:41:47.080
<v Speaker 1>I've been in a few squabbles with girls that are

0:41:47.120 --> 0:41:50.080
<v Speaker 1>currently with my ex or there I'm with their ex,

0:41:50.520 --> 0:41:53.840
<v Speaker 1>and all of them. Eventually I go, yeah, that was dumb.

0:41:54.880 --> 0:41:57.520
<v Speaker 1>This is silly. But movies like this reinforced the idea that, yeah,

0:41:57.600 --> 0:42:00.680
<v Speaker 1>I'm saying, gotta women against each other, go against all

0:42:00.800 --> 0:42:03.719
<v Speaker 1>this upbringing. I'm a fucking miracle sitting in front of

0:42:03.719 --> 0:42:07.920
<v Speaker 1>you right now. Evolved is a fucking miracle. Personally, I

0:42:08.000 --> 0:42:12.040
<v Speaker 1>recommend forming a league of exes. I have. I'm a

0:42:12.080 --> 0:42:15.919
<v Speaker 1>part of several leagues of exes where Scott Pilgrim there

0:42:16.520 --> 0:42:19.080
<v Speaker 1>to know because that movie Problemax but there. But you know,

0:42:19.160 --> 0:42:23.120
<v Speaker 1>sometimes I've dated a lot of losers, and uh, sometimes

0:42:23.239 --> 0:42:25.200
<v Speaker 1>losers get to have sex with a bunch of cool

0:42:25.280 --> 0:42:27.200
<v Speaker 1>ladies and then the cool has become friends, and then

0:42:27.239 --> 0:42:30.160
<v Speaker 1>the loser has to stop performing stand up comedy. It's great.

0:42:30.360 --> 0:42:34.840
<v Speaker 1>It's it's great. Did we I'm literally on a text

0:42:34.920 --> 0:42:41.520
<v Speaker 1>change of my X. It's great. It's real trauma bonding.

0:42:42.080 --> 0:42:47.040
<v Speaker 1>Uh guess it's the guy. Everybody break, That's all I

0:42:47.040 --> 0:42:49.879
<v Speaker 1>gotta say. Let's take a quick break and we will

0:42:49.920 --> 0:43:01.520
<v Speaker 1>be back for more cruel intentions. And we're back not

0:43:01.600 --> 0:43:04.680
<v Speaker 1>to keep. I know. The adaptation head in the room

0:43:04.760 --> 0:43:09.960
<v Speaker 1>love talking about adapting source material, but in the original book,

0:43:10.080 --> 0:43:13.480
<v Speaker 1>the way it ends is Sarah Michelle Gellar's character has

0:43:13.520 --> 0:43:17.160
<v Speaker 1>to move to the countryside, and then she contracts smallpox

0:43:17.920 --> 0:43:21.040
<v Speaker 1>and lives, but has scars on her face forever, so

0:43:21.120 --> 0:43:24.840
<v Speaker 1>she looks like sh and her punishment, her beauty is

0:43:24.880 --> 0:43:28.960
<v Speaker 1>taken away from her. And then also Cecil is disgraced

0:43:28.960 --> 0:43:31.800
<v Speaker 1>and can never be married. So you know, Sebastian dies

0:43:31.840 --> 0:43:34.480
<v Speaker 1>and you know, goes down the hero and then all

0:43:34.520 --> 0:43:37.200
<v Speaker 1>the women he affected suffer and are disgraced for life.

0:43:37.960 --> 0:43:44.600
<v Speaker 1>Very cool. I love history, but that is like what

0:43:45.200 --> 0:43:48.719
<v Speaker 1>writers of then and now's idea would be. Oh, how

0:43:48.719 --> 0:43:51.800
<v Speaker 1>do we punish a woman take away her beauty? Because

0:43:52.000 --> 0:43:56.400
<v Speaker 1>women's beauty is all that matter? My guy, Pierre not

0:43:56.560 --> 0:44:01.920
<v Speaker 1>very well, guy, No, do better. Pierre Decay's very h

0:44:02.120 --> 0:44:04.960
<v Speaker 1>Let's talk about how queerness is represented in this film.

0:44:05.000 --> 0:44:09.920
<v Speaker 1>Shall we have to? We have to? So there's a

0:44:09.960 --> 0:44:13.759
<v Speaker 1>subplot where Blaine, which is Joshua Jackson's character. Oh yeah,

0:44:13.840 --> 0:44:18.760
<v Speaker 1>Joshua Jackson's in this movie. He's fully bleached, frosty, tippy.

0:44:19.200 --> 0:44:22.879
<v Speaker 1>He's wearing a sweater vest for a large portion of it. Um,

0:44:22.920 --> 0:44:24.799
<v Speaker 1>I mean he's rocking the look. If I'm being on

0:44:26.440 --> 0:44:31.160
<v Speaker 1>I did like the sweater vest he is hooking up

0:44:31.200 --> 0:44:37.239
<v Speaker 1>with this football player dude, Greg Greg. I did I

0:44:38.000 --> 0:44:43.200
<v Speaker 1>stand a Gregster? Okay? And Greg is who Sebastian thinks

0:44:43.360 --> 0:44:45.640
<v Speaker 1>is bad mouthing him to a net because there's someone

0:44:45.640 --> 0:44:48.600
<v Speaker 1>who's like, Sebastian is bad, don't date him in it,

0:44:49.040 --> 0:44:53.839
<v Speaker 1>and Sebastian thinks it's Greg. So Sebastian uses Greg's queerness

0:44:53.960 --> 0:44:59.440
<v Speaker 1>to blackmail him. He basically threatens to out Greg unless

0:44:59.480 --> 0:45:02.960
<v Speaker 1>he admits to bad mouthing him. And we understand at

0:45:03.000 --> 0:45:05.000
<v Speaker 1>this point in the story that Sebastian is still a

0:45:05.040 --> 0:45:07.359
<v Speaker 1>bad guy and we've seen him do a bunch of really,

0:45:07.920 --> 0:45:12.319
<v Speaker 1>you know, morally reprehensible things to people already. But what

0:45:12.600 --> 0:45:15.879
<v Speaker 1>is really troubling to me about this scene is that

0:45:16.239 --> 0:45:19.080
<v Speaker 1>all of this is happening right in front of Blaine,

0:45:19.560 --> 0:45:24.120
<v Speaker 1>who is the other identifiably queer character in the movie,

0:45:24.440 --> 0:45:28.120
<v Speaker 1>and he is completely complicit and everything that Sebastian is doing,

0:45:28.239 --> 0:45:31.279
<v Speaker 1>he was participating in it like he was like, that's

0:45:31.320 --> 0:45:35.520
<v Speaker 1>an awesome idea where it's just like in the same

0:45:35.719 --> 0:45:39.160
<v Speaker 1>way that like Rehese's character is presented to us as

0:45:39.160 --> 0:45:41.920
<v Speaker 1>a smart, capable woman who will go along with whatever

0:45:42.960 --> 0:45:48.560
<v Speaker 1>Joshua Jackson's character is like a smart, funny, cool queer

0:45:48.600 --> 0:45:53.080
<v Speaker 1>man who is down for whatever sinister gay bashing plot.

0:45:53.760 --> 0:45:56.799
<v Speaker 1>Ryan Philippe's noodle Head can come up with. It's horrible. Well,

0:45:56.840 --> 0:45:59.560
<v Speaker 1>I think, you know, I look back on my my

0:45:59.640 --> 0:46:03.040
<v Speaker 1>high school experience and my queer friends, and I think

0:46:03.080 --> 0:46:05.839
<v Speaker 1>they were just trying to get by. Yeah. I think

0:46:05.840 --> 0:46:08.919
<v Speaker 1>this was a defense mechanism. It's like, yeah, that's right. Yeah,

0:46:09.040 --> 0:46:12.160
<v Speaker 1>call me a homophobic splore. I'm fine with it. He's

0:46:12.200 --> 0:46:14.640
<v Speaker 1>just trying to get through his damn day. He's just

0:46:14.719 --> 0:46:16.879
<v Speaker 1>waiting to graduate, to get the funk out of there

0:46:16.920 --> 0:46:19.560
<v Speaker 1>so we can find his tribe. But that just doesn't

0:46:19.560 --> 0:46:21.640
<v Speaker 1>come off in the movie at all, Like it just

0:46:21.719 --> 0:46:24.640
<v Speaker 1>comes off as like, oh, yeah, this is fine. And

0:46:24.680 --> 0:46:28.520
<v Speaker 1>I feel for the Gregster. This is to this movie,

0:46:28.840 --> 0:46:32.640
<v Speaker 1>like many of its era, did not acknowledge any gray area.

0:46:32.719 --> 0:46:37.919
<v Speaker 1>It's like you're gay or you're straight, and like that's it. Poor.

0:46:38.560 --> 0:46:40.680
<v Speaker 1>I feel for the Gregster. I really hope the Gregster

0:46:40.800 --> 0:46:44.040
<v Speaker 1>comes into his own later and that his dad accepts

0:46:44.080 --> 0:46:48.000
<v Speaker 1>him and then he goes on behind a powerful queer

0:46:48.000 --> 0:46:51.920
<v Speaker 1>football career. But then, but then poor Greg has to

0:46:52.040 --> 0:46:55.799
<v Speaker 1>do Sebastian's creepy. Errand yeah. And I would say of

0:46:55.880 --> 0:46:59.040
<v Speaker 1>the hundred or more movies we've covered on the podcast

0:46:59.040 --> 0:47:02.200
<v Speaker 1>so far, only a small handful of them, probably like

0:47:02.520 --> 0:47:08.640
<v Speaker 1>five or less even have had an identifiably queer character. Um,

0:47:08.680 --> 0:47:11.759
<v Speaker 1>a lot more have been queer coded, but that is

0:47:11.800 --> 0:47:15.080
<v Speaker 1>not the same. So there's such a lack of queer

0:47:15.160 --> 0:47:20.240
<v Speaker 1>visibility in mainstream Hollywood cinema and it's a huge problem.

0:47:20.280 --> 0:47:23.560
<v Speaker 1>So for one of like the few examples of a

0:47:23.640 --> 0:47:26.319
<v Speaker 1>queer character that we have to choose from to be

0:47:26.360 --> 0:47:30.880
<v Speaker 1>able to see on screen, he's really evil and cruel

0:47:30.960 --> 0:47:33.799
<v Speaker 1>and like willing to sell out his own people for

0:47:34.000 --> 0:47:38.600
<v Speaker 1>reasons that are not really established in the movie. And

0:47:38.760 --> 0:47:43.040
<v Speaker 1>it's so it's like even characters who are not coded queer,

0:47:43.239 --> 0:47:48.759
<v Speaker 1>who are identifiably queer, they're still villainous. Not that this

0:47:48.800 --> 0:47:51.200
<v Speaker 1>movie is was ever going to do any better, but

0:47:51.239 --> 0:47:53.080
<v Speaker 1>that was just like a punch in the mouth as well.

0:47:53.880 --> 0:47:56.560
<v Speaker 1>Um yeah, I mean he was. He was like a

0:47:56.560 --> 0:48:00.480
<v Speaker 1>comic relief for you know, yeah, yeah. And another I mean,

0:48:00.520 --> 0:48:02.399
<v Speaker 1>I don't even know if this trope applies as much

0:48:02.400 --> 0:48:04.920
<v Speaker 1>in this movie, because literally everyone is a horrendous villain.

0:48:05.280 --> 0:48:09.000
<v Speaker 1>But adding another queer villain to the roster certainly is

0:48:09.040 --> 0:48:12.239
<v Speaker 1>not hell not helping, not helpful. Well, and then the

0:48:12.280 --> 0:48:15.200
<v Speaker 1>other queer moment in this movie is between Selma Blair

0:48:15.360 --> 0:48:19.440
<v Speaker 1>and Sarah Michelle Geller, which is I mean, you can

0:48:19.440 --> 0:48:21.759
<v Speaker 1>come with this in a lot of different ways. I'm

0:48:21.800 --> 0:48:25.560
<v Speaker 1>interested in, like what our listeners think of this moment

0:48:25.800 --> 0:48:28.520
<v Speaker 1>because it is so like I feel like this. This

0:48:28.880 --> 0:48:31.640
<v Speaker 1>is used in movies a lot just to like get

0:48:31.680 --> 0:48:35.360
<v Speaker 1>butts and seeds. It's like, these two actresses are having

0:48:35.400 --> 0:48:38.120
<v Speaker 1>a kiss, but it sells the idea that it's like

0:48:38.200 --> 0:48:41.560
<v Speaker 1>it's just an experiment. It's just for fun, it's not serious,

0:48:41.840 --> 0:48:44.200
<v Speaker 1>and that's part of what makes it appealing or what's

0:48:44.239 --> 0:48:47.879
<v Speaker 1>supposed to make it appealing. Um is it's I think

0:48:48.760 --> 0:48:53.760
<v Speaker 1>the most effective kiss of the movie. It was like coonic.

0:48:54.239 --> 0:48:57.120
<v Speaker 1>It was I hadn't seen this movie, but I knew

0:48:57.200 --> 0:49:01.640
<v Speaker 1>that right. It got parody in many of film I think,

0:49:01.800 --> 0:49:05.040
<v Speaker 1>like not another team movie franchise. It one best kiss

0:49:05.040 --> 0:49:07.920
<v Speaker 1>at the MTV Movie Awards that year, which at the

0:49:08.000 --> 0:49:12.520
<v Speaker 1>time was fucking iconic, big and um you know the

0:49:12.560 --> 0:49:16.920
<v Speaker 1>little spit trail that was famous. I did like this,

0:49:17.719 --> 0:49:20.640
<v Speaker 1>I don't know. To me, it was the whole scene

0:49:20.760 --> 0:49:23.719
<v Speaker 1>was you have to learn how to be sexy for men,

0:49:23.960 --> 0:49:27.279
<v Speaker 1>you have to learn how to please your man. And

0:49:27.320 --> 0:49:31.239
<v Speaker 1>it was a very like male gaze moment. And you know,

0:49:31.960 --> 0:49:34.840
<v Speaker 1>I don't know. I grew up in a completely different place.

0:49:34.920 --> 0:49:38.279
<v Speaker 1>I was in you know, suburbial Texas, not like you know,

0:49:38.400 --> 0:49:41.759
<v Speaker 1>upper New York echelon. But I never made out my

0:49:41.840 --> 0:49:45.480
<v Speaker 1>fucking friends. I don't know, neither did I not until

0:49:45.560 --> 0:49:48.919
<v Speaker 1>college when I was like, oh, let's see what this

0:49:49.000 --> 0:49:52.440
<v Speaker 1>is like. But not and I don't even mean that

0:49:52.480 --> 0:49:55.279
<v Speaker 1>in a way of like you shouldn't experiment sexually with

0:49:55.320 --> 0:49:57.520
<v Speaker 1>your friends. I'm just saying it was. It was such

0:49:57.560 --> 0:49:59.239
<v Speaker 1>a like, well don't you want to be better for

0:49:59.480 --> 0:50:02.319
<v Speaker 1>men to like you? And that made me sad. I

0:50:02.320 --> 0:50:05.200
<v Speaker 1>think it would be really beautiful if they kissed, because

0:50:05.280 --> 0:50:07.759
<v Speaker 1>very experimenting, you know, figuring things out. But it was

0:50:07.880 --> 0:50:10.000
<v Speaker 1>very much like if you want to be sexy to

0:50:10.080 --> 0:50:12.600
<v Speaker 1>other men, if you want to know how to please

0:50:12.640 --> 0:50:15.719
<v Speaker 1>a man, because fuck him pleasing you, you know what

0:50:15.760 --> 0:50:17.920
<v Speaker 1>I mean, He's not making out with his friends, so

0:50:17.960 --> 0:50:20.880
<v Speaker 1>he knows how to please you better. So it's our job.

0:50:21.400 --> 0:50:26.240
<v Speaker 1>I mean it with your friends. My neighbor and I

0:50:26.360 --> 0:50:29.640
<v Speaker 1>used to practice kissing in each other to Madonna's two

0:50:29.520 --> 0:50:36.479
<v Speaker 1>thousand album music. There were some good songs on that CD. Yeah,

0:50:36.520 --> 0:50:41.200
<v Speaker 1>we were practice frenching. I think this scene is largely

0:50:41.280 --> 0:50:45.000
<v Speaker 1>there to satisfy a male gaze. I think it could

0:50:45.000 --> 0:50:49.239
<v Speaker 1>you argue that it's positive that it exists in this

0:50:49.280 --> 0:50:53.480
<v Speaker 1>film for you know, young queer girls to be able

0:50:53.480 --> 0:50:57.640
<v Speaker 1>to see themselves and say, oh, this is like yes,

0:50:57.960 --> 0:51:01.080
<v Speaker 1>but I think the movie was thinking about this at all.

0:51:01.120 --> 0:51:03.360
<v Speaker 1>I think the movie was like, wouldn't it be hot

0:51:04.080 --> 0:51:08.520
<v Speaker 1>if we had two hot women kissing each other? And

0:51:08.600 --> 0:51:11.440
<v Speaker 1>it was a very sensual moment. It was, I mean,

0:51:11.440 --> 0:51:14.319
<v Speaker 1>it was like it was well done and it's Yeah.

0:51:14.360 --> 0:51:16.320
<v Speaker 1>The reason I didn't want to come down too harder

0:51:16.440 --> 0:51:20.279
<v Speaker 1>because it's like, because there are so few moments for

0:51:20.320 --> 0:51:23.279
<v Speaker 1>like young queer people to attach themselves too, and so

0:51:23.520 --> 0:51:25.560
<v Speaker 1>I'm sure for many people this is like a scene

0:51:25.600 --> 0:51:27.279
<v Speaker 1>that's like, oh, this is like that was like some

0:51:27.360 --> 0:51:30.279
<v Speaker 1>sort of awakening or something like that and good to see.

0:51:30.400 --> 0:51:36.359
<v Speaker 1>But there's no, there's only cruel intentions behind what cruel intentions?

0:51:36.640 --> 0:51:40.560
<v Speaker 1>Whatever do you mean? But yeah, and then this happens

0:51:40.560 --> 0:51:42.080
<v Speaker 1>in movies all the time. Two examples, right, off the

0:51:42.120 --> 0:51:44.479
<v Speaker 1>top of my head are Jennifer's body at the Apple

0:51:44.560 --> 0:51:49.279
<v Speaker 1>Cody Joint, And there's just very like this didn't need

0:51:49.320 --> 0:51:52.279
<v Speaker 1>to happen, but you added it in because you wanted to,

0:51:52.520 --> 0:51:56.120
<v Speaker 1>because you're a guy, right, yeah, yeah, yeah. Another moment

0:51:56.160 --> 0:51:59.680
<v Speaker 1>happens where this is when Sebastian and a net are

0:51:59.760 --> 0:52:03.360
<v Speaker 1>for meeting on screen and Sebastians all like, oh, I

0:52:03.400 --> 0:52:05.880
<v Speaker 1>didn't like your manifesto. It's gross that you want to

0:52:05.880 --> 0:52:09.360
<v Speaker 1>be a virgin, and she's like, she's saying, you know,

0:52:09.440 --> 0:52:11.160
<v Speaker 1>I think that sex should be for people who are

0:52:11.160 --> 0:52:13.879
<v Speaker 1>in love, and that you should the act of love

0:52:13.920 --> 0:52:16.840
<v Speaker 1>shouldn't be done unless you love the person, which is

0:52:17.360 --> 0:52:22.319
<v Speaker 1>feist Trevor, which was Trevor. We don't meet him, but

0:52:23.000 --> 0:52:27.719
<v Speaker 1>her boyfriend respects for damn wishes. They use a homopholbic

0:52:27.800 --> 0:52:32.120
<v Speaker 1>slur him. Yeah, and she's like, I'm actually he's a

0:52:32.239 --> 0:52:35.240
<v Speaker 1>he's a feminist dot com right and and the Greg

0:52:35.280 --> 0:52:39.600
<v Speaker 1>Stir queer icon. Yeah, so and that's all like we like,

0:52:39.680 --> 0:52:42.800
<v Speaker 1>people are age are mature enough to experience those emotions,

0:52:42.840 --> 0:52:44.600
<v Speaker 1>So that's why I'm not having sex yet. And the

0:52:44.680 --> 0:52:48.600
<v Speaker 1>Sebastian immediately asks, are you a lesbian. And this is

0:52:48.760 --> 0:52:51.560
<v Speaker 1>this I think third movie that we've covered recently where

0:52:51.600 --> 0:52:54.080
<v Speaker 1>a woman either doesn't want a boyfriend or doesn't want

0:52:54.080 --> 0:52:57.799
<v Speaker 1>to have sex with a man, or is simply identifies

0:52:57.840 --> 0:53:01.880
<v Speaker 1>as a feminist. And then other aaracters, usually men, assume

0:53:01.960 --> 0:53:04.319
<v Speaker 1>that she's a lesbian because this happens in five days

0:53:04.320 --> 0:53:07.200
<v Speaker 1>of summer. How dare she not be attracted to me

0:53:07.360 --> 0:53:10.239
<v Speaker 1>instantly and want to fuck me? And then and then

0:53:10.239 --> 0:53:13.440
<v Speaker 1>backpad a little bit back to the virginity article, is like,

0:53:13.760 --> 0:53:15.520
<v Speaker 1>this is something that happens in movies all the time too,

0:53:15.719 --> 0:53:20.840
<v Speaker 1>Like implying that someone is like just waiting for a

0:53:20.920 --> 0:53:24.839
<v Speaker 1>manipulative dick to come along to lose a virginity too,

0:53:25.000 --> 0:53:28.160
<v Speaker 1>as opposed to like it's clearly stated in the Weird

0:53:28.200 --> 0:53:30.960
<v Speaker 1>teen magazine she somehow wrote editorial for for no reason

0:53:31.360 --> 0:53:34.239
<v Speaker 1>that this is what this is what she wants and

0:53:34.360 --> 0:53:37.319
<v Speaker 1>this is like and and she explains it clearly, and

0:53:37.360 --> 0:53:40.240
<v Speaker 1>the movie is like, yeah, but she doesn't actually mean

0:53:40.560 --> 0:53:48.719
<v Speaker 1>that she's just into submission. So, and I want to

0:53:48.719 --> 0:53:52.480
<v Speaker 1>talk about that scene where Catherine gives us like sort

0:53:52.480 --> 0:53:56.319
<v Speaker 1>of monologue where she's calling out a double standard that

0:53:56.360 --> 0:54:02.480
<v Speaker 1>we see in so soety where heard of it. She says,

0:54:02.960 --> 0:54:04.879
<v Speaker 1>it's all right for guys like you and Court. She's

0:54:04.880 --> 0:54:06.920
<v Speaker 1>talking to Sebastian, for guys like you in court to

0:54:06.960 --> 0:54:09.000
<v Speaker 1>funk everyone. But when I do it, I get dumped

0:54:09.040 --> 0:54:12.680
<v Speaker 1>for innocent little twits like Cecil. God forbid. I exude

0:54:12.680 --> 0:54:15.720
<v Speaker 1>confidence and enjoy sex. Do you think that I relish

0:54:15.800 --> 0:54:17.840
<v Speaker 1>the fact that I have to act like Mary Sunshine

0:54:18.360 --> 0:54:21.040
<v Speaker 1>seven so I can be considered a lady. So she's

0:54:21.080 --> 0:54:23.799
<v Speaker 1>basically saying, like, it's not fair that men can have

0:54:23.880 --> 0:54:26.520
<v Speaker 1>sex with a bunch of people, you know, their reputation

0:54:26.800 --> 0:54:31.279
<v Speaker 1>remains untarnished. They're cool, they're you know, awesome dudes. And

0:54:31.320 --> 0:54:34.360
<v Speaker 1>then whenever women have sex with more than one person,

0:54:35.000 --> 0:54:37.960
<v Speaker 1>they are labeled a slut. So she's calling this out.

0:54:38.560 --> 0:54:41.080
<v Speaker 1>She makes a good point, but she's also insulting another

0:54:41.120 --> 0:54:45.120
<v Speaker 1>woman while doing it. She's mad at people judging her,

0:54:45.160 --> 0:54:48.680
<v Speaker 1>but she's judging some another woman's sexual choices. Right. This

0:54:48.920 --> 0:54:52.960
<v Speaker 1>rang completely empty to me? Yes, Like I just if

0:54:53.000 --> 0:54:56.000
<v Speaker 1>she would have cut the first sentence, you know, or

0:54:56.040 --> 0:54:58.919
<v Speaker 1>the part the innocent twit like ceceal part, it would

0:54:58.920 --> 0:55:01.919
<v Speaker 1>have been fine. But clear Really she's just dealing through

0:55:01.920 --> 0:55:04.640
<v Speaker 1>her own ship. Yeah, and it's like the the whole

0:55:04.680 --> 0:55:08.640
<v Speaker 1>like Gillian Flynn argument, they're Jillian Flynn, don't know, we

0:55:08.680 --> 0:55:12.440
<v Speaker 1>never know, don't caret tired. But but the whole argument

0:55:12.440 --> 0:55:14.200
<v Speaker 1>there is like that like women should be allowed to

0:55:14.239 --> 0:55:17.800
<v Speaker 1>be villains and isn't that parody? And like I agree

0:55:17.840 --> 0:55:19.520
<v Speaker 1>with that to an extent, but this is this just

0:55:19.560 --> 0:55:22.240
<v Speaker 1>like falls squarely into a thing I fucking hate, which

0:55:22.280 --> 0:55:26.239
<v Speaker 1>is like the adding a few like this is a

0:55:26.280 --> 0:55:30.040
<v Speaker 1>moment for feminists that is totally empty because the character

0:55:30.080 --> 0:55:32.799
<v Speaker 1>is complicit and all these horrible things and they're means

0:55:32.880 --> 0:55:36.280
<v Speaker 1>women themselves, and it's just like it's it's it's empty,

0:55:36.800 --> 0:55:41.680
<v Speaker 1>like girl power, especially because like I think this monologue

0:55:41.719 --> 0:55:44.840
<v Speaker 1>could be way more meaningful and progressive if it was

0:55:44.920 --> 0:55:48.760
<v Speaker 1>coming from a character who wasn't completely evil, like because

0:55:49.280 --> 0:55:51.400
<v Speaker 1>this movie does what a lot of movies do, which

0:55:51.520 --> 0:55:54.200
<v Speaker 1>is to take a woman who is interested in sex

0:55:54.239 --> 0:55:56.680
<v Speaker 1>and who is open with her sexuality, but who's also

0:55:56.800 --> 0:56:00.200
<v Speaker 1>like really mean or has just some other neg of

0:56:00.520 --> 0:56:05.200
<v Speaker 1>characteristic like ascribed to her character, so it's almost villainizing

0:56:05.320 --> 0:56:08.480
<v Speaker 1>her sexuality where it's like, oh, yeah, she wants to

0:56:08.480 --> 0:56:10.520
<v Speaker 1>be open, she wants to be free to have sex,

0:56:10.560 --> 0:56:13.800
<v Speaker 1>with a number of different people. But also she's cruel,

0:56:14.040 --> 0:56:17.320
<v Speaker 1>she has cruel intentions, especially because this isn't the direct

0:56:17.400 --> 0:56:21.920
<v Speaker 1>lead up to her being squarely made the sole villain

0:56:21.960 --> 0:56:25.080
<v Speaker 1>of the movie by the end. Yeah, I just want

0:56:25.120 --> 0:56:28.120
<v Speaker 1>to say also, like, I was prude shamed, and that's

0:56:28.160 --> 0:56:30.160
<v Speaker 1>just a word I made up. It might be a term,

0:56:30.680 --> 0:56:34.000
<v Speaker 1>but that's an I was prude shamed in high school.

0:56:34.120 --> 0:56:37.719
<v Speaker 1>I graduated High School of virgin and uh, and I

0:56:37.760 --> 0:56:41.920
<v Speaker 1>was extremely prude shamed by a guy I was dating,

0:56:42.239 --> 0:56:47.200
<v Speaker 1>by all his friends, by literally everyone, and it's a

0:56:47.239 --> 0:56:50.279
<v Speaker 1>whole other coin. Yeah, And I struggled with a lot

0:56:50.320 --> 0:56:52.880
<v Speaker 1>of that myself because I saw, you know, friends of

0:56:52.920 --> 0:56:56.640
<v Speaker 1>mine having sex and and then I almost shamed them

0:56:56.640 --> 0:56:58.719
<v Speaker 1>out of insecurity and like, you know what I mean.

0:56:58.800 --> 0:57:01.799
<v Speaker 1>So I hate it, but I think it's important to

0:57:01.840 --> 0:57:04.560
<v Speaker 1>call out again. This is the ship that we were shown,

0:57:05.200 --> 0:57:11.000
<v Speaker 1>and this movie affected me and my sexuality subconsciously, how

0:57:11.080 --> 0:57:13.839
<v Speaker 1>I saw other women. And that's all I gotta say

0:57:13.840 --> 0:57:16.240
<v Speaker 1>about that shot. It's all the pruds, you know. I

0:57:16.280 --> 0:57:19.160
<v Speaker 1>was trying to get through the damn day. I was

0:57:19.240 --> 0:57:24.080
<v Speaker 1>trying to graduate and go to school. Prudes are productive people,

0:57:24.200 --> 0:57:27.280
<v Speaker 1>I mean, that's the point it's like, you want and

0:57:27.360 --> 0:57:31.480
<v Speaker 1>how about no women comment on other women's sexual preferences.

0:57:31.840 --> 0:57:34.120
<v Speaker 1>There's say, you know what, if you want to sex,

0:57:34.560 --> 0:57:38.040
<v Speaker 1>that's awesome. If you don't, that's awesome. We can all

0:57:38.080 --> 0:57:41.200
<v Speaker 1>co exist without judging each other, your body, your children

0:57:41.200 --> 0:57:44.040
<v Speaker 1>exactly because and that's another thing that bothers me about

0:57:44.040 --> 0:57:46.600
<v Speaker 1>the Reese character is like at the beginning, it's like

0:57:46.680 --> 0:57:49.920
<v Speaker 1>if I saw this movie when I was teen, prude,

0:57:50.000 --> 0:57:51.880
<v Speaker 1>same same thing, I would have been like, oh, this

0:57:51.920 --> 0:57:54.640
<v Speaker 1>is the character I attached myself too. And then immediately

0:57:54.800 --> 0:57:56.960
<v Speaker 1>it's like no, but she just has to funk Bryan

0:57:56.960 --> 0:57:59.360
<v Speaker 1>Philippie and then her life will be great, and it's like,

0:57:59.440 --> 0:58:03.520
<v Speaker 1>well he manipulated her. I mean, I would like to

0:58:03.560 --> 0:58:06.520
<v Speaker 1>think when she's thirty three, you know, doing a podcast,

0:58:08.160 --> 0:58:10.800
<v Speaker 1>that she would be like, fuck, I should not, you know,

0:58:11.320 --> 0:58:13.440
<v Speaker 1>I don't know. Maybe I do that a little differently

0:58:13.800 --> 0:58:16.080
<v Speaker 1>if I thought about it and a little more, I

0:58:16.120 --> 0:58:19.919
<v Speaker 1>had intentions not so nice where they cruel? Would you say,

0:58:20.880 --> 0:58:22.840
<v Speaker 1>I don't want to like throw anyone under the bus here.

0:58:23.640 --> 0:58:26.760
<v Speaker 1>But also his handwriting is really bad, but I got

0:58:26.760 --> 0:58:28.600
<v Speaker 1>a Jaguar out of it. I don't wish to speak

0:58:28.640 --> 0:58:32.360
<v Speaker 1>ill of the dead, but like perhaps his intentions were cruel. Well,

0:58:32.440 --> 0:58:36.480
<v Speaker 1>let's talk about another scene or series of scenes that

0:58:36.720 --> 0:58:41.800
<v Speaker 1>probably also negatively influenced you as a teen watching this movie,

0:58:41.880 --> 0:58:49.520
<v Speaker 1>which is the rape scene and the after So, so,

0:58:49.920 --> 0:58:53.560
<v Speaker 1>what happens here is that Sebastian invites over Cecil under

0:58:53.600 --> 0:58:56.000
<v Speaker 1>the pretense that he's going to help her with Ronald

0:58:56.120 --> 0:58:59.400
<v Speaker 1>to write, which he has no intention of doing. Actually,

0:59:00.000 --> 0:59:02.520
<v Speaker 1>Then he feeds her an alcoholic drink that she does

0:59:02.560 --> 0:59:06.360
<v Speaker 1>not know contains alcohol. He takes pictures of her without

0:59:06.400 --> 0:59:09.840
<v Speaker 1>her knowledge or permission. Then he negs her and says,

0:59:09.880 --> 0:59:13.480
<v Speaker 1>too bad, you're not sexy. Then he unzips her sweatshirt

0:59:13.520 --> 0:59:17.080
<v Speaker 1>and exposes her bra without her permission. Then he threatens

0:59:17.120 --> 0:59:20.240
<v Speaker 1>to call her mom and blackmails when she wants to leave.

0:59:20.360 --> 0:59:24.720
<v Speaker 1>When she wants to leave, explicitly says I'm uncomfortable. I

0:59:24.760 --> 0:59:28.479
<v Speaker 1>want to leave, and to which he says, you can't leave.

0:59:28.680 --> 0:59:30.640
<v Speaker 1>I will rat you out and ruin your life, so

0:59:30.680 --> 0:59:34.560
<v Speaker 1>he traps her. Then he says, all I want to

0:59:34.560 --> 0:59:38.320
<v Speaker 1>do is give you a kiss, which she the consent.

0:59:38.480 --> 0:59:42.840
<v Speaker 1>Here in this in this isolated moment is still murky

0:59:42.960 --> 0:59:45.480
<v Speaker 1>because she's really only agreeing to it to sort of

0:59:45.520 --> 0:59:49.640
<v Speaker 1>placate him because he's been blackmailing I'll do anything, just

0:59:49.720 --> 0:59:54.000
<v Speaker 1>don't call my mom, right, which is so gross as

0:59:54.080 --> 0:59:59.120
<v Speaker 1>you know, she's a child. And then he's like, well,

0:59:59.160 --> 1:00:03.640
<v Speaker 1>I want to kiss you down there, and then she's like, no,

1:00:04.040 --> 1:00:07.240
<v Speaker 1>I don't want that. And then he's like, what promise

1:00:07.360 --> 1:00:09.920
<v Speaker 1>is a promise? I mean, I can't imagine, like I

1:00:10.000 --> 1:00:12.920
<v Speaker 1>put myself in that situation. And again, when I was

1:00:12.960 --> 1:00:15.720
<v Speaker 1>like a fifteen year old virgin, I mean, that would

1:00:15.720 --> 1:00:18.360
<v Speaker 1>have completely ruined my life. That would have completely changed

1:00:18.400 --> 1:00:22.080
<v Speaker 1>the course of my life, my sexuality, everything. Absolutely, It's

1:00:22.080 --> 1:00:25.880
<v Speaker 1>a very fucked up moment. Yeah. And the aftermath of this,

1:00:25.960 --> 1:00:29.680
<v Speaker 1>so then he takes advantage of her naivete pressures her

1:00:29.720 --> 1:00:32.440
<v Speaker 1>into oral sex, which she does not give consent to.

1:00:32.920 --> 1:00:37.600
<v Speaker 1>He rapes her. So the next day she is visibly traumatized.

1:00:38.920 --> 1:00:42.040
<v Speaker 1>And then I think maybe later that day or the

1:00:42.040 --> 1:00:44.919
<v Speaker 1>next day or something like that, Cecile and Catherine talk

1:00:45.000 --> 1:00:47.960
<v Speaker 1>about it. Cecile says, you know, something awful happened to

1:00:47.960 --> 1:00:50.320
<v Speaker 1>me last night and involves your brother. He took advantage

1:00:50.320 --> 1:00:52.880
<v Speaker 1>of me, and then straight up says, your brother fucking

1:00:52.920 --> 1:00:56.360
<v Speaker 1>rape me. Your brother fucking raped me. And what does

1:00:56.480 --> 1:01:00.640
<v Speaker 1>Catherine says? Well, first she says why didn't you do something, which,

1:01:00.680 --> 1:01:06.080
<v Speaker 1>again is victim horrible this. I literally felt throw up

1:01:06.360 --> 1:01:09.080
<v Speaker 1>rising my throat watching this. It made me so uncomfortable.

1:01:09.600 --> 1:01:12.439
<v Speaker 1>It's just like, gut, I loved it when I asking you, Yeah,

1:01:12.480 --> 1:01:17.560
<v Speaker 1>I thought this was funny. And we're so gas lady insane,

1:01:18.120 --> 1:01:21.160
<v Speaker 1>bad sending the message that like women cannot talk to

1:01:21.200 --> 1:01:23.840
<v Speaker 1>other women about this stuff, and it's just oh, it's

1:01:23.840 --> 1:01:27.320
<v Speaker 1>bad because it confiding in her. Yeah, she was terrified,

1:01:27.440 --> 1:01:29.000
<v Speaker 1>and she's like, oh, he forced in her course on

1:01:29.080 --> 1:01:30.920
<v Speaker 1>you know, oh he made you give him a blow up? No,

1:01:31.240 --> 1:01:34.840
<v Speaker 1>well then what and then she described what happens and

1:01:34.880 --> 1:01:37.360
<v Speaker 1>then she's like, oh, he went down on you, if

1:01:37.360 --> 1:01:39.520
<v Speaker 1>that's what you call it. And then she's asking did

1:01:39.520 --> 1:01:42.680
<v Speaker 1>you like it? No, and she's like no, and she's like, well,

1:01:42.720 --> 1:01:44.800
<v Speaker 1>I don't know. It was weird. And then Catherine's like, oh,

1:01:44.800 --> 1:01:47.240
<v Speaker 1>well you had an orgasm. You're becoming a lady. You

1:01:47.600 --> 1:01:52.760
<v Speaker 1>had your awakening right unless she's like, I'm so proud

1:01:52.800 --> 1:01:56.880
<v Speaker 1>of you. And then Cecile, who again is a victim

1:01:57.040 --> 1:02:00.880
<v Speaker 1>and is experiencing trauma, the movie has her say I am,

1:02:01.040 --> 1:02:05.080
<v Speaker 1>and then she's squealing with delight. She hugs Katherine and

1:02:05.120 --> 1:02:07.640
<v Speaker 1>then Katherine's like, it would be stupid of you to stop.

1:02:07.680 --> 1:02:10.360
<v Speaker 1>You should keep going, have Sebastian teach you all the

1:02:10.400 --> 1:02:13.400
<v Speaker 1>sex stuff, sleep with as many people as possible, and

1:02:13.440 --> 1:02:15.200
<v Speaker 1>she's like, well, wouldn't that make me a slut? And

1:02:15.320 --> 1:02:17.600
<v Speaker 1>Katherine's like, everybody does it, it's just that no one

1:02:17.680 --> 1:02:21.560
<v Speaker 1>talks about it. So, like, God, I hate this so much.

1:02:21.680 --> 1:02:25.280
<v Speaker 1>It's the worst possible way this could have unfolded. Where

1:02:25.640 --> 1:02:30.080
<v Speaker 1>she's a victim of rape, she is confiding in another woman.

1:02:30.480 --> 1:02:34.840
<v Speaker 1>That other woman gaslights her, victim blames her and then says, oh,

1:02:34.920 --> 1:02:37.000
<v Speaker 1>what happened to you wasn't bad. It was actually good

1:02:37.040 --> 1:02:39.360
<v Speaker 1>because you had an orgasm and you should keep doing it.

1:02:39.760 --> 1:02:44.920
<v Speaker 1>And then the scene after that is Cetile back at

1:02:44.960 --> 1:02:48.600
<v Speaker 1>Sebastian's place. She has now had sex with him, she

1:02:48.760 --> 1:02:56.600
<v Speaker 1>wants to keep having She's she's verywhere he throws her

1:02:56.640 --> 1:03:00.840
<v Speaker 1>off the bed because she's talking. I mean, he's really

1:03:00.920 --> 1:03:04.560
<v Speaker 1>setting her up for a healthy sexual identity, and you

1:03:04.600 --> 1:03:06.680
<v Speaker 1>know what I mean, Like, it's just my heart broke

1:03:06.800 --> 1:03:09.919
<v Speaker 1>in this scene, just imagining her again growing up in

1:03:09.960 --> 1:03:13.120
<v Speaker 1>her twenties. This is setting her up for just really

1:03:13.440 --> 1:03:18.360
<v Speaker 1>shitty emotions involving her sexuality. It bummed me out so hard.

1:03:18.520 --> 1:03:21.720
<v Speaker 1>I guess I'm like too old to enjoy movies anymore

1:03:21.760 --> 1:03:25.200
<v Speaker 1>because all I see are the sad things. I'm so

1:03:25.320 --> 1:03:27.640
<v Speaker 1>glad I didn't see this movie as a teenager, because

1:03:27.680 --> 1:03:29.800
<v Speaker 1>I really think I would have been so full of

1:03:29.840 --> 1:03:32.640
<v Speaker 1>this over all of this, and that says a lot

1:03:32.680 --> 1:03:36.360
<v Speaker 1>again about you know, my environment, the media I was consuming,

1:03:37.000 --> 1:03:40.680
<v Speaker 1>the lack of positive, helpful conversations. I was big given

1:03:40.920 --> 1:03:43.000
<v Speaker 1>So again, it's a miracle. And who I am today

1:03:43.200 --> 1:03:45.040
<v Speaker 1>and it's all I gotta say. Well, we've had to

1:03:45.040 --> 1:03:49.000
<v Speaker 1>reach we've all had to retrain our and it comes

1:03:49.000 --> 1:03:51.919
<v Speaker 1>with age. That's one, you know. I'll take that. Yeah,

1:03:52.040 --> 1:03:55.160
<v Speaker 1>And I'm happy with who I am today. And fortunately

1:03:55.240 --> 1:03:57.200
<v Speaker 1>this is not the sort of movie. It would be

1:03:57.280 --> 1:03:59.240
<v Speaker 1>very hard to make this movie in the same way

1:03:59.400 --> 1:04:06.880
<v Speaker 1>today because society, because we have a vault, we have

1:04:06.960 --> 1:04:11.080
<v Speaker 1>ad enough. Certainly not, that's why we do this. Every

1:04:11.120 --> 1:04:14.000
<v Speaker 1>movie from like, have you to talk about the wedding singer? No,

1:04:14.080 --> 1:04:16.720
<v Speaker 1>not yet, I'll leave it for that. It used to

1:04:16.720 --> 1:04:18.160
<v Speaker 1>be on favorite movie and I watched it and I

1:04:18.200 --> 1:04:20.160
<v Speaker 1>was just like, damn, there's so many things in this

1:04:20.200 --> 1:04:22.800
<v Speaker 1>movie that really are not okay anymore. I had to

1:04:22.800 --> 1:04:25.640
<v Speaker 1>give my favorite movie Back to the Future. On a

1:04:25.640 --> 1:04:29.040
<v Speaker 1>bonus episode. We did Zero Nipples because everything about it

1:04:29.080 --> 1:04:32.040
<v Speaker 1>is horribly problematic. There's some assault in that movie too

1:04:32.080 --> 1:04:38.240
<v Speaker 1>that everyone just hurt her. That was funny. Yeah, this

1:04:38.280 --> 1:04:44.520
<v Speaker 1>movie is horrible, but great soundtrack. Also, I love the

1:04:44.840 --> 1:04:47.240
<v Speaker 1>frost the tips. They're frosty and I'm here for him.

1:04:47.240 --> 1:04:50.680
<v Speaker 1>But like everything else is horrible. Ryan Phillippi says emails

1:04:50.720 --> 1:04:53.520
<v Speaker 1>for geeks and pedophiles, which is so great. I mean,

1:04:53.560 --> 1:04:58.000
<v Speaker 1>it's like, which you know, relatable. They didn't get everything wrong.

1:04:59.680 --> 1:05:02.760
<v Speaker 1>That's a l O L line. It is still email

1:05:02.920 --> 1:05:07.400
<v Speaker 1>is still chaotic, evil, and god. An email causes me

1:05:07.800 --> 1:05:10.680
<v Speaker 1>so much anxiety. It's not like a phone call where

1:05:10.680 --> 1:05:12.160
<v Speaker 1>you can talk to somebody and then it goes away

1:05:12.200 --> 1:05:14.840
<v Speaker 1>and you'll never really remember exactly what somebody says. It's

1:05:14.880 --> 1:05:16.760
<v Speaker 1>literally like, I remember, I broke up with this guy

1:05:16.760 --> 1:05:20.640
<v Speaker 1>and I sent him the worst, like embarrassing overshare email,

1:05:20.680 --> 1:05:24.200
<v Speaker 1>and I'm like, I'm married now he's married. Now that

1:05:24.320 --> 1:05:28.440
<v Speaker 1>email exists, It's like this, some day he could fucking

1:05:28.560 --> 1:05:31.080
<v Speaker 1>there's a paper trail, and I hate that makes me

1:05:31.160 --> 1:05:35.680
<v Speaker 1>so upset that that exists. Man, Sometimes when I'm feeling

1:05:35.680 --> 1:05:38.280
<v Speaker 1>like emotionally cutting, I'm like, let me just see see

1:05:38.440 --> 1:05:44.200
<v Speaker 1>an email. Is isn't at any point terrific psycho. Does

1:05:44.240 --> 1:05:47.400
<v Speaker 1>anyone have any other thoughts about cruel intentions? It's just

1:05:47.480 --> 1:05:50.680
<v Speaker 1>like if if you want, if you are an evolved

1:05:50.800 --> 1:05:53.040
<v Speaker 1>person who wants to get drunk with their friends and

1:05:53.080 --> 1:05:57.000
<v Speaker 1>really ugle a horrifying piece of media, this was a

1:05:57.040 --> 1:06:00.840
<v Speaker 1>fun party watch. Other than that, I mean, if you

1:06:00.840 --> 1:06:04.160
<v Speaker 1>haven't seen this movie and expect to get anything out

1:06:04.200 --> 1:06:07.000
<v Speaker 1>of it in terms of your life, you won't write

1:06:07.240 --> 1:06:09.960
<v Speaker 1>it's it's it's really a cursed piece of media. It's sure,

1:06:10.040 --> 1:06:12.760
<v Speaker 1>it's a little over an hour and a half long,

1:06:12.800 --> 1:06:14.880
<v Speaker 1>but it took me, I would say, four hours to

1:06:14.920 --> 1:06:17.560
<v Speaker 1>watch because I kept either having deposit to take a

1:06:17.600 --> 1:06:21.320
<v Speaker 1>string of notes, or I was just so emotionally exhausted

1:06:21.360 --> 1:06:23.360
<v Speaker 1>watching it that I just had to keep taking breaks.

1:06:24.000 --> 1:06:26.160
<v Speaker 1>I mean, one point we didn't even touch upon is

1:06:26.320 --> 1:06:31.480
<v Speaker 1>Catherine's wardrobe, which is literally like Grandmama. It was like,

1:06:31.720 --> 1:06:34.680
<v Speaker 1>so as they say on Project going Away, matronly, she

1:06:34.880 --> 1:06:38.040
<v Speaker 1>dressed like a you know, sixty seven year old like

1:06:38.200 --> 1:06:42.440
<v Speaker 1>rich lady in the clothing is crazy. And then a

1:06:42.560 --> 1:06:45.439
<v Speaker 1>Nette is dressed in like white, sells the whole movie

1:06:45.440 --> 1:06:48.720
<v Speaker 1>because she's like the virginal, she's paste. And then she

1:06:48.800 --> 1:06:50.960
<v Speaker 1>dres just pretty like that's what a mid two thousands

1:06:51.080 --> 1:06:53.640
<v Speaker 1>or late nineties, you know teen girl would wear. Sure,

1:06:53.680 --> 1:06:56.200
<v Speaker 1>but I think the color palette was very intention it was.

1:06:56.240 --> 1:07:00.920
<v Speaker 1>And then the and then Cecile is dressing in like cartoonish.

1:07:02.280 --> 1:07:06.760
<v Speaker 1>She's wearing a bit. Why didn't see the diaper the

1:07:06.880 --> 1:07:14.160
<v Speaker 1>fucking eyes saw dress. It's cost dot diaper with her

1:07:14.200 --> 1:07:18.200
<v Speaker 1>fucking barette. You know. She look Well, that's why I

1:07:18.240 --> 1:07:20.439
<v Speaker 1>carry backpack. I always say we're a backpack. It takes

1:07:20.480 --> 1:07:23.720
<v Speaker 1>ten years off of you instantly. Oh I'm late for

1:07:23.840 --> 1:07:28.680
<v Speaker 1>sucking stunny hallo. Tip for all the people out there,

1:07:28.760 --> 1:07:32.640
<v Speaker 1>that's actually a great tip. Thank you adition. They're gonna go, wow,

1:07:32.720 --> 1:07:38.439
<v Speaker 1>look at that ten best boss. Oh well, shall we

1:07:38.680 --> 1:07:41.000
<v Speaker 1>determine whether or not the movie passes the back to tests?

1:07:41.640 --> 1:07:45.360
<v Speaker 1>Somehow it does. There are quite a few scenes where

1:07:45.360 --> 1:07:49.080
<v Speaker 1>women interact in the movie. This passes it. Yeah, yeah,

1:07:49.080 --> 1:07:51.800
<v Speaker 1>a bunch of times. Unfortunately, like oh my god, by

1:07:51.800 --> 1:07:54.000
<v Speaker 1>our standard it only has to be a two line

1:07:54.000 --> 1:07:57.360
<v Speaker 1>exchange that passes. So there are quite a few conversations

1:07:57.400 --> 1:08:00.880
<v Speaker 1>that women will be talking. They will start off the

1:08:00.920 --> 1:08:03.880
<v Speaker 1>conversation about not men, and then they will start to

1:08:03.880 --> 1:08:06.040
<v Speaker 1>talk about men, but the first few lines of those

1:08:06.040 --> 1:08:09.280
<v Speaker 1>conversations will pass. For example, like even in the very

1:08:09.320 --> 1:08:13.480
<v Speaker 1>beginning with the therapist whose name we learn based on

1:08:13.520 --> 1:08:17.000
<v Speaker 1>the book Covers, Dr Regina Greenbaum, she's on the phone

1:08:17.000 --> 1:08:20.519
<v Speaker 1>with terror read. She's like, hi, honey, and then Marcy's like,

1:08:20.560 --> 1:08:23.240
<v Speaker 1>you kept me on hold, and the doctor is like,

1:08:23.280 --> 1:08:25.479
<v Speaker 1>I'm sorry, it's something wrong, and then they start talking

1:08:25.520 --> 1:08:29.400
<v Speaker 1>about that. But that count, I mean to us, which

1:08:29.560 --> 1:08:32.040
<v Speaker 1>the bar is so low. We talked about that all

1:08:32.080 --> 1:08:33.759
<v Speaker 1>the time. We talk about the fact that this test

1:08:33.880 --> 1:08:38.280
<v Speaker 1>is flawed. That is what we named the show, so

1:08:38.360 --> 1:08:41.080
<v Speaker 1>we have to I mean, I only found one conversation

1:08:41.280 --> 1:08:43.519
<v Speaker 1>where they didn't talk about men, and that was when

1:08:43.560 --> 1:08:46.519
<v Speaker 1>Aunt Helen and net are discussing her house while they're

1:08:46.560 --> 1:08:48.599
<v Speaker 1>riding the horses. It's like, oh, what a beautiful home.

1:08:48.640 --> 1:08:50.400
<v Speaker 1>Oh it's been my family for generations. Oh thank you

1:08:50.439 --> 1:08:54.120
<v Speaker 1>for letting me stay here. The only conversation between not

1:08:54.160 --> 1:08:57.040
<v Speaker 1>pass the back to time. But then Annette says, oh,

1:08:57.080 --> 1:08:59.639
<v Speaker 1>my grandpa used to read horses, so then she mentions

1:08:59.680 --> 1:09:08.559
<v Speaker 1>a man. There's a scene towards the beginning where Katherine,

1:09:08.560 --> 1:09:13.360
<v Speaker 1>Cecile and Bunny called well Christine brains scar. They're talking

1:09:13.360 --> 1:09:16.439
<v Speaker 1>about how Cecile is going to start school, and there's

1:09:16.520 --> 1:09:19.559
<v Speaker 1>there's quite a few lines that do pass. But then

1:09:19.560 --> 1:09:22.400
<v Speaker 1>but then Cecile says, what are the boys like? So

1:09:22.439 --> 1:09:26.760
<v Speaker 1>then that stopped. Soasian sexually harasses her and that looks

1:09:26.840 --> 1:09:30.840
<v Speaker 1>up her skirt, yeah, and nobody says anything, and then

1:09:31.280 --> 1:09:37.280
<v Speaker 1>mother shames her. Yeah, She's like, together, close your legs.

1:09:37.280 --> 1:09:40.679
<v Speaker 1>This isn't Jamaica. What the does that mean? First of all,

1:09:40.840 --> 1:09:43.200
<v Speaker 1>I don't know, but I don't like it. Whatever that

1:09:43.280 --> 1:09:47.040
<v Speaker 1>implication is. I hate it sound they're not saying, how

1:09:47.160 --> 1:09:51.160
<v Speaker 1>fucking dare you my fifteen year old daughter? You're disgusting.

1:09:52.160 --> 1:09:56.559
<v Speaker 1>I'm telling you. It's so much victim blaming and victim shaming.

1:09:56.680 --> 1:10:00.720
<v Speaker 1>So enraged. How dare they do this to Christine? Honestly,

1:10:01.000 --> 1:10:06.760
<v Speaker 1>Christine didn't God? Okay. So there's a few other scenes that,

1:10:06.960 --> 1:10:09.960
<v Speaker 1>like towards the end, whenever Katherine and a Nette are

1:10:10.000 --> 1:10:13.120
<v Speaker 1>in the bathroom, as Katherine snorting cocaine out of her

1:10:13.800 --> 1:10:16.840
<v Speaker 1>uh necklace and that comes out of the stall. Katherine's like,

1:10:16.920 --> 1:10:18.800
<v Speaker 1>I didn't know anyone else is in here. And then

1:10:18.800 --> 1:10:21.120
<v Speaker 1>it's like, I'm sorry, I'm Anette heargrove, and she's like,

1:10:21.120 --> 1:10:23.600
<v Speaker 1>I'm Katherine. Have we met? I don't think so. And

1:10:23.640 --> 1:10:25.559
<v Speaker 1>then they talk about they both act like they don't

1:10:25.560 --> 1:10:27.000
<v Speaker 1>know who each other is. Right, We're right they talk

1:10:27.040 --> 1:10:30.599
<v Speaker 1>about Sebastian. But yeah, those few first lines passed the test.

1:10:31.320 --> 1:10:35.720
<v Speaker 1>So this movie unfortunately does pass, even though most conversations

1:10:35.720 --> 1:10:39.519
<v Speaker 1>between women end up being about men. So yes, so

1:10:40.240 --> 1:10:45.120
<v Speaker 1>good job movie. Shall we rate the film on our

1:10:45.200 --> 1:10:49.519
<v Speaker 1>nipple scale? Can can do it? All? Right? Zero to

1:10:49.560 --> 1:10:52.639
<v Speaker 1>five nipples? Based on its portrayal and representation of women,

1:10:54.600 --> 1:11:00.200
<v Speaker 1>It's zero. I'm getting this is getting zero nipples. Every

1:11:00.240 --> 1:11:06.760
<v Speaker 1>Thing between the victim blaming, the assault that is not

1:11:06.920 --> 1:11:09.840
<v Speaker 1>considered assault by most of the characters in the movie

1:11:09.880 --> 1:11:13.599
<v Speaker 1>and the movie itself, the homophobia, the slurs that get

1:11:13.680 --> 1:11:20.080
<v Speaker 1>thrown around very freely, the fact that women hate each other.

1:11:20.280 --> 1:11:23.160
<v Speaker 1>There there isn't a woman that gets along with another

1:11:23.200 --> 1:11:27.320
<v Speaker 1>woman in the whole movie. Yeah, the fact that Catherine

1:11:27.600 --> 1:11:31.160
<v Speaker 1>is villainized at the very end, and she's the one

1:11:31.400 --> 1:11:35.240
<v Speaker 1>who gets her come up, and even though Sebastian is

1:11:35.840 --> 1:11:39.320
<v Speaker 1>the way more active villain and does way more horrible

1:11:39.360 --> 1:11:45.040
<v Speaker 1>things throughout the film, including assault, It's just I feel

1:11:45.080 --> 1:11:48.360
<v Speaker 1>really sorry for anyone who watched this as a young

1:11:48.400 --> 1:11:52.840
<v Speaker 1>and impressional person, because this movie almost certainly screwed you

1:11:52.920 --> 1:11:56.479
<v Speaker 1>up to some degree, and it's horrible that this movie

1:11:56.760 --> 1:12:09.919
<v Speaker 1>exists in the world. Soundtrack though there so yeah, zero nipples,

1:12:10.120 --> 1:12:12.360
<v Speaker 1>so I have no nipples to give to anybody. I'm

1:12:12.360 --> 1:12:14.240
<v Speaker 1>also going to give it zero nipples. I want to

1:12:14.240 --> 1:12:17.360
<v Speaker 1>give it negative nipples because this is a successful movie

1:12:17.400 --> 1:12:20.800
<v Speaker 1>to add a net negative impact on the culture. It

1:12:20.880 --> 1:12:24.759
<v Speaker 1>did harm to people. I'm giving it negative one nipples.

1:12:24.760 --> 1:12:28.960
<v Speaker 1>I'm giving in an inverted, cursed nipple because it did.

1:12:29.080 --> 1:12:31.960
<v Speaker 1>I mean, movies like this are so frustrating because there

1:12:32.000 --> 1:12:34.360
<v Speaker 1>I mean, this is a special case, because there's truly

1:12:34.560 --> 1:12:37.080
<v Speaker 1>nothing good to be taken away from it. Yeah, you're

1:12:37.080 --> 1:12:42.360
<v Speaker 1>totally right. There's not one positive not loaded with like malice.

1:12:42.560 --> 1:12:47.800
<v Speaker 1>Female interaction where at least there are male male relationships

1:12:47.800 --> 1:12:50.880
<v Speaker 1>in this movie that are friendships, but of course it's

1:12:50.920 --> 1:12:54.320
<v Speaker 1>because they do evil shipped together. They rape in packs.

1:12:55.200 --> 1:12:57.960
<v Speaker 1>But like no woman talking to another woman in this

1:12:58.000 --> 1:13:01.280
<v Speaker 1>movie is done without them lie to each other, manipulating.

1:13:01.320 --> 1:13:04.040
<v Speaker 1>It's just women and women when you say their intentions

1:13:04.080 --> 1:13:11.879
<v Speaker 1>are perhaps okay as they mean yeah, as they mean intentions, okay, okay,

1:13:12.320 --> 1:13:16.000
<v Speaker 1>I'm it gets an inverted nipple for violence against Christine Baranski.

1:13:16.240 --> 1:13:19.559
<v Speaker 1>It it just I don't like when my galasm is

1:13:19.680 --> 1:13:22.960
<v Speaker 1>saying things about Jamaica that make no sense. This movie

1:13:22.920 --> 1:13:27.600
<v Speaker 1>is like, sucks so hard that it is watching a

1:13:27.800 --> 1:13:32.599
<v Speaker 1>slow taxi crash that makes no sense. Yeah, it's bad,

1:13:32.800 --> 1:13:34.320
<v Speaker 1>it's bad. I don't I can't think of something I

1:13:34.320 --> 1:13:36.559
<v Speaker 1>could have done to make it worse. Right, they made

1:13:36.640 --> 1:13:39.720
<v Speaker 1>every bad choice, and that is an accomplishment in itself.

1:13:39.720 --> 1:13:42.600
<v Speaker 1>They made every single bad choice. They didn't let Sebashian

1:13:42.680 --> 1:13:45.920
<v Speaker 1>have one. I mean he even verbally assaults the old

1:13:46.000 --> 1:13:51.240
<v Speaker 1>woman in the retirement home. Yeah, he fucking verbally assaulted

1:13:51.360 --> 1:13:56.439
<v Speaker 1>the old lady in the retirement home. Character gets past him,

1:13:56.800 --> 1:14:00.920
<v Speaker 1>he gaslights hers like yeah we played backgammon, don fuck

1:14:01.040 --> 1:14:07.200
<v Speaker 1>your daughter? Like, who the fuck? But sick fuck I

1:14:07.320 --> 1:14:11.280
<v Speaker 1>also the fun runner of every time Sebastian walks into

1:14:11.280 --> 1:14:17.000
<v Speaker 1>a building, he abuses the working class doorman, class shaming people.

1:14:17.080 --> 1:14:20.000
<v Speaker 1>Oh he's just a night but he's the guy that

1:14:20.040 --> 1:14:22.439
<v Speaker 1>we're supposed to root for at the end because he

1:14:22.920 --> 1:14:26.760
<v Speaker 1>gets because not even any less evil because of this.

1:14:26.880 --> 1:14:30.400
<v Speaker 1>He does nothing because he had a sinister scrap book

1:14:30.560 --> 1:14:33.760
<v Speaker 1>that was published. Yeah, he went into a lot like

1:14:33.840 --> 1:14:39.240
<v Speaker 1>he like cut things out, amazing deca, getting crafty. Yeah,

1:14:39.320 --> 1:14:44.479
<v Speaker 1>I mean, you know whatever, fuck it negative one nipple, Yeah,

1:14:44.520 --> 1:14:46.519
<v Speaker 1>well what would you give it? I would give the

1:14:46.560 --> 1:14:51.679
<v Speaker 1>soundtrack five nipples with the movie zero. Yes, fuck this movie. Honestly,

1:14:51.800 --> 1:14:55.719
<v Speaker 1>shame on all these actors too, But again at the time,

1:14:55.880 --> 1:14:58.840
<v Speaker 1>we didn't know any it was. That's really depressing. But

1:14:58.880 --> 1:15:02.400
<v Speaker 1>that's true. And I to pull the ignorance card, but honestly,

1:15:02.400 --> 1:15:05.000
<v Speaker 1>but it's true. It is. It just makes me. I

1:15:05.040 --> 1:15:08.080
<v Speaker 1>wonder what they think now, you know, like Molly Ringwalld

1:15:08.080 --> 1:15:10.360
<v Speaker 1>talked about The Breakfast Club and like, looking back on it,

1:15:10.520 --> 1:15:12.639
<v Speaker 1>I would love to hear what SAA Michelle Gellar thinks

1:15:12.640 --> 1:15:16.000
<v Speaker 1>of this movie now. And Ryan Philippi. This movie almost

1:15:16.000 --> 1:15:18.400
<v Speaker 1>became a TV show two years ago and then it

1:15:18.439 --> 1:15:24.360
<v Speaker 1>was mindfully canceled. Um, I don't know, has like done

1:15:24.360 --> 1:15:26.760
<v Speaker 1>a lot of good things, it seems since she you know,

1:15:26.840 --> 1:15:31.120
<v Speaker 1>she has a production company where she's championing female led projects,

1:15:31.240 --> 1:15:35.120
<v Speaker 1>championing women of color, its rules, no doubt about it.

1:15:35.200 --> 1:15:37.800
<v Speaker 1>So at least she was funked up with that cop

1:15:37.840 --> 1:15:40.920
<v Speaker 1>at one time. But we all pretended, oh wait, what happened?

1:15:40.920 --> 1:15:44.280
<v Speaker 1>What she was driving drunk, got pulled over? It was like,

1:15:44.360 --> 1:15:47.040
<v Speaker 1>don't you know who I am? I mean the the

1:15:48.280 --> 1:15:51.960
<v Speaker 1>PR team skirted pass out. Everybody gets one shitty pass

1:15:52.120 --> 1:15:56.800
<v Speaker 1>you learn from it, you know, Okay, Hollywood forgives. I

1:15:56.800 --> 1:15:59.639
<v Speaker 1>think we all know that by now. Okay, unless you're

1:15:59.640 --> 1:16:03.880
<v Speaker 1>a woman older than four. But racist America's sweetheart. When

1:16:03.920 --> 1:16:07.439
<v Speaker 1>she won her oscar, I sobbed, I wept with joy. Yeah,

1:16:07.600 --> 1:16:10.439
<v Speaker 1>so call me Reest, love you and and l Woods.

1:16:11.080 --> 1:16:13.519
<v Speaker 1>I will defend her till my night. Yeah, like Reese

1:16:13.520 --> 1:16:19.920
<v Speaker 1>Weatherspoon is like white feminism, the person the better for works. Sure. Yeah, well, Jackie,

1:16:19.920 --> 1:16:21.800
<v Speaker 1>thank you so much for coming on the podcast and

1:16:21.840 --> 1:16:26.880
<v Speaker 1>discussing this life with us. Where can people find you online?

1:16:26.880 --> 1:16:28.800
<v Speaker 1>Do you have anything you'd like to plug? Well? I

1:16:28.840 --> 1:16:31.799
<v Speaker 1>host a show called Natch Beaute. It's a beauty show.

1:16:31.960 --> 1:16:34.200
<v Speaker 1>But what does beauty mean to you? You know, that's

1:16:34.200 --> 1:16:36.839
<v Speaker 1>really what we talk about. We we really love cruelty

1:16:36.920 --> 1:16:39.080
<v Speaker 1>free products, so we get into the kind of the

1:16:39.080 --> 1:16:42.000
<v Speaker 1>stuff nobody tells you about the beauty industry, makeup and skincare,

1:16:42.080 --> 1:16:44.760
<v Speaker 1>and we have fun on there. So maybe you two

1:16:44.840 --> 1:16:47.760
<v Speaker 1>can come on and we can talk about stuff like that.

1:16:47.920 --> 1:16:53.760
<v Speaker 1>It would be fun. I like cruelty free intentions wait

1:16:53.800 --> 1:17:00.080
<v Speaker 1>and direct DVD sequel, So yeah, check out natural You

1:17:00.520 --> 1:17:03.920
<v Speaker 1>and you can follow me on Instagram at an attribute

1:17:04.439 --> 1:17:08.200
<v Speaker 1>and then my I always plug my dog's account hello,

1:17:08.439 --> 1:17:10.479
<v Speaker 1>because my dog is the biggest star in my house.

1:17:10.520 --> 1:17:14.799
<v Speaker 1>So you like dog accounts? Follow Chucci love it Yeah awesome.

1:17:15.600 --> 1:17:18.479
<v Speaker 1>You can find us in all the usual places. We

1:17:18.560 --> 1:17:22.800
<v Speaker 1>are on Twitter and Facebook at battle cast. Please like,

1:17:23.000 --> 1:17:26.160
<v Speaker 1>please subscribe, please leave us some stars on iTunes is

1:17:26.200 --> 1:17:29.040
<v Speaker 1>a friendly review. You can buy our merch on Tea public.

1:17:29.400 --> 1:17:33.120
<v Speaker 1>You can oh sign up for our patreon ak Matreon

1:17:33.560 --> 1:17:36.559
<v Speaker 1>at patreon dot com. Slash the backtel cost five dollars

1:17:36.560 --> 1:17:42.240
<v Speaker 1>a month gets you to bonus episodes. Wow, and you know,

1:17:42.560 --> 1:17:47.080
<v Speaker 1>moving forward in your day, try to keep your intentions good.

1:17:48.920 --> 1:17:55.960
<v Speaker 1>Nice SI sign up by