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Speaker 1: I leave, then I you wanna way back home? Either way,

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Speaker 1: we want to be there. Doesn't matter how much baggage

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Speaker 1: you claim, and give us time and a terminol and

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Speaker 1: gay aid.

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Speaker 2: We want to send you off inside. We wanna welcome

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Speaker 2: you back home.

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Speaker 1: Tell us all about it.

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Speaker 3: We scared her? Was it fine? Now? Porn?

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Speaker 2: Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need to ride?

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Speaker 3: Ride with Karen and Chris?

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Speaker 2: Welcome to Do you need to ride? This is Chris Fairbanks.

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Speaker 1: And this is Karen Kilgear.

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Speaker 2: I thought i'd change it up a little.

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Speaker 1: I liked it. It was a little, uh, just lilty

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Speaker 1: at the end.

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Speaker 2: I've been waiting for someone to do an edit. I

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Speaker 2: don't want someone to do this. By the way, this

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Speaker 2: isn't a request, but I I feel like I say

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Speaker 2: it so identically every episode that a a mashup of

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Speaker 2: one hundred of them would be hilarious because I don't

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Speaker 2: change it up. Ever, so I thought.

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Speaker 1: That requesting that you're clearly just be honest.

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Speaker 2: I'd like to now officially make a request to not

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Speaker 2: have anyone do that.

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Speaker 1: This is what a fule assignment. Just could you please

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Speaker 1: assemble a hundred of the exact same intros of God book.

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Speaker 2: It's gonna happen because I said one hundred. I even

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Speaker 2: had stipulation.

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Speaker 1: Please don't not no, no, they won't. That's one hundred,

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Speaker 1: so many don't worry about that.

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Speaker 2: I ran today. I haven't run for a while, so

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Speaker 2: my legs are shaking. And uh, but this kid as

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Speaker 2: I was running, this kid, these kids were like throwing

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Speaker 2: rocks at a fire hydrant or something, and they said

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Speaker 2: run forrest, run, And it caught me off guard so

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Speaker 2: much that I laughed and I didn't. I'm mad that

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Speaker 2: they think that they said something funny. Not that that

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Speaker 2: isn't one of my favorite jokes. It's up there with

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Speaker 2: that's what she said as one of the all time

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Speaker 2: best jokes.

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Speaker 1: It's just should have turned back over your shoulder and

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Speaker 1: been like that laugh was sarcasm. You're all hacks.

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Speaker 2: I know. There's a million things just like, oh you

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Speaker 2: think of the thing to say. I even looked over

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Speaker 2: and didn't anything. But I looked over and one of

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Speaker 2: them even looked right away a little like Gary Sinise.

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Speaker 2: So I could have come up with a real good

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Speaker 2: Lieutenant Dan retort, But no, I just ran good.

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Speaker 1: I think that's best.

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Speaker 2: There's just a lot of teenage bullies in my neighborhood.

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Speaker 2: It's a rough area.

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Speaker 1: Sorry today, will back us up.

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Speaker 3: He grew up?

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Speaker 1: Sorry, Hold on really quick. How old were these people?

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Speaker 2: Thirteen maybe twelve? But they were confident and they were

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Speaker 2: pretty big for their age.

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Speaker 1: Yeah, and I was running children today.

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Speaker 2: I you know, I just think in this city they'd

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Speaker 2: be used to seeing a jogger. You don't need to

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Speaker 2: heckle people. It's just a rough neighborhood.

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Speaker 1: You got to put those earbuds in and just jog.

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Speaker 1: You could jog with the confidence of a thirteen year

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Speaker 1: old throwing rocks.

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Speaker 2: At a fire hydrat right, focus on my breathing, trying

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Speaker 2: to have fun with it. These kids got the best

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Speaker 2: of me today, and I wish that I just was

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Speaker 2: a faster thinker. I think I'm losing my bead with retorts,

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Speaker 2: but not with running, because man, was I going like

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Speaker 2: the wind.

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Speaker 1: Are you losing it with your intros?

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Speaker 3: Though?

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Speaker 1: Let's check it out right now.

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Speaker 2: I'm I'm very excited for our guests today. You've seen

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Speaker 2: him in clubs and colleges, across America. He's one of

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Speaker 2: our favorites, and it's been a while since we've seen him,

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Speaker 2: so we're very excited. Put your ears together for Eric

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Speaker 2: to Dorian.

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Speaker 3: Whoa, whoa, Hello, do I talk? You? Got you talk,

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Speaker 3: Chris Fairbanks, Ken Cogareth, thank you so much for having me.

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Speaker 1: Thank you, Dorian. I haven't seen you in ye literal

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Speaker 1: years and years ago.

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Speaker 3: I dropped out, I dropped out of college. I dropped

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Speaker 3: out of school cool, and I moved. I moved away

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Speaker 3: to a different country, bald timour, Oh yes, marry yes.

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Speaker 3: Uh so I don't live. I don't I don't live

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Speaker 3: in Land anymore. So I don't exist. So that's why

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Speaker 3: I mean I missed you. Guys. Karen, I saw you

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Speaker 3: in the movie Liquorice Pizza, and I yelled out loud

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Speaker 3: to myself in the dark, really stoned, yay nice.

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Speaker 2: Were you in a theater or just alone at home?

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Speaker 3: Alone at home, below at home. I almost pulled the

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Speaker 3: trigger on because we have a baby, and like who

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Speaker 3: was not vaccinated until recently, pretty recently, Liquoric Pizza was

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Speaker 3: one I really wanted to see the theater. I almost

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Speaker 3: pulled the movie theater trigger on it, but I didn't,

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Speaker 3: but I have recently Banchee's Banshee's got Me in the

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Speaker 3: multip one.

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Speaker 1: Oh yeah, I bet that was great. In a theater,

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Speaker 1: it's a big decision these days, it actually is a

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Speaker 1: kind of a decision.

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Speaker 3: Yeah. The theater here, there's like a small little indie

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Speaker 3: theater called the Charles Theater. And during the week it's

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Speaker 3: like week nights, it's just empty. And so I had

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Speaker 3: three weeks in a row I went and saw movie

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Speaker 3: by myself in the theater, ban Cheese, and she said,

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Speaker 3: and then what was the third one? Oh the Fablements.

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Speaker 3: I got to see by myself, and it was really nice.

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Speaker 3: It was just nice to be back in the theater.

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Speaker 3: But yeah, so that's my life. That's when. That's what

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Speaker 3: I do.

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Speaker 2: Once a week two pm, mattinee, no, no.

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Speaker 3: I gotta go after bedtime because the baby, Oh okay, dinner, bedtime.

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Speaker 3: And then I sneak away and come back quickly.

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Speaker 1: How old is this baby at this point?

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Speaker 3: The baby's going to be two next month. Oh, oh, toddler,

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Speaker 3: the little pandemic baby. His name is George Valentine do Dorian.

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Speaker 2: Nice Valentine Gigi for short, yeah, after your favorite comedian,

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Speaker 2: Gary Valentine.

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Speaker 3: That's him. Yeah, and wrestler. Yeah, Like I said, that's

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Speaker 3: my life with the baby. Drew works at the bakery.

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Speaker 3: She works at a breakround and I stay home with

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Speaker 3: the baby. And then so once week I get to

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Speaker 3: go out and it's like it I can't. I can't

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Speaker 3: overstate how much of a treat that first Banshee screening was.

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Speaker 3: It was amazing. I got like so stoned on a

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Speaker 3: doobie and I had like my perfect snacks. Oh the theater.

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Speaker 3: The theater is right next to the train station, so

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Speaker 3: where I smoke my doobies. I just watched the trains

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Speaker 3: coming into the train station. It's like, oh, very picturesque. Yeah,

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Speaker 3: oh it's gorgeous. And then uh yeah, and then I

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Speaker 3: just like snuck in and I just got in my

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Speaker 3: little seat and it was it was like and then

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Speaker 3: like this year, of course there's like a million movies

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Speaker 3: about like how cool movies are. Yeah, so it's like, yeah,

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Speaker 3: oh yeah, movies are cool.

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Speaker 2: It's funny that those were your theater choices, because when

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Speaker 2: I know when I pulled as to be like top

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Speaker 2: done or something, it's like.

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Speaker 3: Yeah, yeah, I know, I saw she said by myself,

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Speaker 3: you know, a movie about the New York Times off gole,

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Speaker 3: just the worst. I laughed at myself out loud in

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Speaker 3: the theater, going what am I doing? But it was

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Speaker 3: all that your new.

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Speaker 1: That's your new Baltimore personality is kind of your intelligentsia.

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Speaker 1: Are you one of those? Were you wearing kind of

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Speaker 1: like a beret?

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Speaker 3: Yeah? Yeah, And I just like I just like I

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Speaker 3: just wait outside for anyone to talk to the movie

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Speaker 3: about and like in real in real pontificating, like just

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Speaker 3: like I really liked the compositions words like that, you know,

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Speaker 3: composition and.

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Speaker 4: Uh thieves, oh my god, yeah, and like references to

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Speaker 4: movies that sound like movies that I should have watched

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Speaker 4: like this.

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Speaker 3: This reminds me of Bergman's Blue. Have you seen bergmann Blue? Blue?

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Speaker 3: Was so good?

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Speaker 2: Just to a passer by looking for where he parked

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Speaker 2: his car.

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Speaker 3: Yeah, I'm sorry. Yeah, in Baltimore or in the middle

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Speaker 3: of the night, it's really it goes, it goes off cute,

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Speaker 3: It's huge. I'm huge ye.

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Speaker 2: To give like a tour of Baltimore. Tell us about

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Speaker 2: the city, because I don't know much even though I've

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Speaker 2: been there.

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Speaker 3: It's a scrappy, scrappy city. We have a remarkable music

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Speaker 3: scene in like every anything you can ever think of

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Speaker 3: to listen to. There's like fifteen really great bands here

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Speaker 3: that just put it out and they just play shows

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Speaker 3: and they don't really I mean like not touring like

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Speaker 3: nationally known acts. But like there's a great, great jazz

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Speaker 3: scene that I wasn't really aware of, but like the

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Speaker 3: jazz history is huge. So music. You like skating, don't you, Chris?

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Speaker 2: I certainly do.

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Speaker 3: Oh my god, I don't. I don't really, but there's

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Speaker 3: so many good like skates spots here that I've noticed

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Speaker 3: that people are skating.

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Speaker 2: Do people skate? I think I've seen footage near that wharf. Yeah,

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Speaker 2: there is a wharf.

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Speaker 3: Yeah yeah. The water is the big like Forrest Straw

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Speaker 3: because the aquarium dreams a right on the water and

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Speaker 3: the quarrym was like incredible, it's the National Aquarium. It's

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Speaker 3: really really cool. It's really cool.

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Speaker 2: And that's where the War of eighteen twelve also, Yeah,

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Speaker 2: I was a battle there. That's all I know about Baltimore.

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Speaker 3: We yeah, we held it down the War of eighteen twelve.

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Speaker 3: And there's the tower yeah yeah, yeah, yeah, there's a tower,

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Speaker 3: and then there's and the people were behind in the tower,

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Speaker 3: and then behind a wall, and then the British were

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Speaker 3: like doing their fucking tho. It was the British date

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Speaker 3: War of eighteen twelve. Now I don't know.

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Speaker 2: That's all I know with Baltimore was part of that war.

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Speaker 1: This is the idea that the War of eighteen twelve

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Speaker 1: took place in Baltimore is absolutely new information to me.

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Speaker 2: That's all.

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Speaker 1: If I had to guess, I would have been like France.

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Speaker 3: I thought it was. I thought it was like New Orleans.

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Speaker 3: Wasn't that the War of eighteen twelve? That's what I

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Speaker 3: always thought before I moved to Baltimore.

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Speaker 2: If I'm wrong, I thought, probably, I know there's a

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Speaker 2: Baltimore battle of some kind, and I I was hoping.

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Speaker 3: No, no, no, it is, and they celebrate there's like

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Speaker 3: a day devoted to it. But I cannot remember what

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Speaker 3: it was.

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Speaker 1: Fourth of July.

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Speaker 3: It was a fourth of July. No, no, it was the

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Speaker 3: fourth of July. It was like it was that's what

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Speaker 3: it was.

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Speaker 2: Okay, So I'm confusing on that. Yeah, okay, I'm just

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Speaker 2: remembering not the War of eighteen twelve, but a fourth

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Speaker 2: of July in my youth.

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Speaker 3: That's what I'm not good at. I'm not good at

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Speaker 3: uh wrapping the city like Rob low is in the

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Speaker 3: California commercials. Have you seen them?

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Speaker 1: Yes? But Eric, what if you could become that? I

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Speaker 1: think you should.

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Speaker 3: Aim to be the Robb.

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Speaker 1: Blow of Baltimore's California and just get out there and

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Speaker 1: be like, we love it here. Yeah we have this tower. Also,

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Speaker 1: never forget the War of eighteen never ever it was

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Speaker 1: also with and then you explained.

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Speaker 3: Mexico, Mexico or Canada. Yeah yeah, John Waters.

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Speaker 2: And then take a step of your Atkins shake because

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Speaker 2: Rob Lo, there's so many things you can ye yeaheah.

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Speaker 3: I think that's what I think. I got to get

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Speaker 3: into Atkins first and then let that set the tone

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Speaker 3: and then just walk around the city, you know, trying

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Speaker 3: to sell people on the city, which I think I'd

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Speaker 3: be pretty good.

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Speaker 1: In this commercial. What if the last shot was you

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Speaker 1: shaving your mustache that you have now down to a

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Speaker 1: John Water's mustache.

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Speaker 3: Oh yeah, yeah, because I only shower and shaved at

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Speaker 3: the end of the day and I'm usually like really

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Speaker 3: high and tired, and it just it gets real wild

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Speaker 3: in there, especially if I have a lot of work

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Speaker 3: that I get a lot to work with. I'm like,

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Speaker 3: and last time I with this mustache, I tried. I

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Speaker 3: was like, let me go John, let me just do

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Speaker 3: a little bit of John and see what people say.

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Speaker 3: And I fucked it up. And then so it's too thick,

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Speaker 3: it's hard, it's hard to pull off. He's so it

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Speaker 3: really is. It looks it's so meticulous. Yeah, I think

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Speaker 3: I feel right now it's Waters, It's Waters, Watters ask Yeah.

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Speaker 3: I saw him twice. I saw him walking out of

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Speaker 3: Crazy rig Asians, which was amazing, with like twenty minutes left.

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Speaker 3: He just like shuffled out of there.

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Speaker 1: That's plenty.

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Speaker 3: Yeah, I feel it. And then uh, one time I know.

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Speaker 3: Then I saw him at like, uh the Maryland Film

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Speaker 3: Festival here, been trying a movie that he liked.

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Speaker 2: So I didn't know that John Waters is famously from Baltimore.

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Speaker 3: Yeah, big time, that's life time.

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Speaker 1: Yeah, films everything in Baltimore. And one of my favorite

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Speaker 1: and anything that's ever happened in cinema is in I

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Speaker 1: won't be able to remember. It may be Female Trouble,

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Speaker 1: but I can't remember which movie it is. But there

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Speaker 1: is a shot that they shot of Divine dancing down

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Speaker 1: the street and they did it. They just like put

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Speaker 1: her on a street corner, got into a car with

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Speaker 1: the camera and were like dance down the street. So

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Speaker 1: everybody else that's in the shot is has not agreed

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Speaker 1: to be in a movie. They don't know what's going on,

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Speaker 1: and this probably to their eye, just a very large

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Speaker 1: woman is just dancing her ass off down the street

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Speaker 1: to music that isn't playing, and it in the movie.

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Speaker 1: It's so fucking funny. Yeah, Like it is just one

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Speaker 1: It's one thing that delights me to no end. If

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Speaker 1: I was on a deathbed and someone came up with

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Speaker 1: the phone, I'd love to see that, like right before

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Speaker 1: I go, because it's one of my favorite things of

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Speaker 1: all time.

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Speaker 3: It was TikTok, like fifty years before TikTok. Now everywhere

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Speaker 3: you go people are just dancing in the street.

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Speaker 1: Yeah, fucking John Waters invented that, like street dancing, TikTok

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Speaker 1: move and Divine did it alone amongst like hostels.

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Speaker 3: Probably I got goosebumps. I got goosebumps thinking about Divine.

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Speaker 3: It's so good. I've actually and I'm good and I've

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Speaker 3: never seen any of John Water's movies. So this is good.

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Speaker 3: This is good.

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Speaker 1: That's a good one to start with.

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Speaker 3: It's a good Baltimore primeer too. I think it's like

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Speaker 3: we've been I've been here for five years now. I

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Speaker 3: think it's good time to get into some Baltimore stuff.

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Speaker 3: You guys are getting to it. This is cool, this

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Speaker 3: is good. I'm glad now this is working out.

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Speaker 1: I'm really glad we did this. I think it's important.

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Speaker 2: I was there shooting a commercial and with Joe Flacco,

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Speaker 2: who I didn't even know was like the Ravens quarterback

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Speaker 2: or he was all the time, and he was really sweet.

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Speaker 2: But he immediately befriended me on the set of this

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Speaker 2: commercial because he knew I had no idea who he was.

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Speaker 2: He was made me like him.

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Speaker 3: Yeah, yeah, that's awesome.

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Speaker 2: There is one scene in the commercial where I had

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Speaker 2: to hike him a bag of Dorito's and then commercial

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Speaker 2: was surprised when you when he grabs it, like it

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Speaker 2: surprises you because you don't know he's gonna grab it,

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Speaker 2: And I'm like, well then why am I hiking it?

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Speaker 2: But I couldn't. I wasn't doing a good job summoning

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Speaker 2: the surprise and I swear to God, when I put

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Speaker 2: the bag down there, he tapped my balls kind of

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Speaker 2: hard to get the reaction from me. And then I

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Speaker 2: liked him even more.

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Speaker 3: So.

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Speaker 2: If you ever see Joe Flacco, that's any method actor.

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Speaker 3: He's a method quarter.

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Speaker 2: He gets it. Yeah, he really loved that slap. I

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Speaker 2: had a little bit of a belly ache after that,

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Speaker 2: I bet, yeah. But then I let we went back.

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Speaker 2: We ate at some seafood place on that wharf, and

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Speaker 2: when I got on a plane, and that's all I

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Speaker 2: saw of Baltimore.

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Speaker 3: I mean, that's pretty good. You saw it. You met

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Speaker 3: a football god and you had crabs on the water.

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Speaker 3: That's like, that's not bad. That's not bad.

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Speaker 1: If only Joe Flacco was an expert on the War

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Speaker 1: of eighteen twelve, and he could have just explained a

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Speaker 1: couple highlights that would have stuck in your mind, Chris,

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Speaker 1: because you were having like this, you know, like prime experience.

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Speaker 1: Then you would be able to tell us what all

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Speaker 1: that's about.

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Speaker 2: Yeah, I would have remembered everything in that moment. I

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Speaker 2: was thinking so clearly. Yeah, because he really gave me

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Speaker 2: a slap. I know I already mentioned that, but it

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Speaker 2: really I'm now remembering that it was actually kind of painful.

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Speaker 2: It's a bold move, it is, and I respect him

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Speaker 2: for it.

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Speaker 1: Yeah, it's very jock. It's such a jock move. It's

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Speaker 1: just like, your private area is my business. I am

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Speaker 1: going to alphay you. We're going to give this director

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Speaker 1: the results they want. Yeah, here's to you.

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Speaker 2: Dorito's right, but he did apologize profusely after. And I

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Speaker 2: also respect that he's a quarterback. And in another part

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Speaker 2: of the commercial, he's supposed to throw a pepsi. This

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Speaker 2: was for Doritos and Pepsi. By the way, I'm not

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Speaker 2: just making up these products and tostitos. Do you believe

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Speaker 2: he's supposed to throw the coke like a football, like

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Speaker 2: he's supposed to throw it like a spiral into a

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Speaker 2: sound blanket. These two guys were holding up a sound blanket.

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Speaker 2: We're in a rented house, and he threw it and

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Speaker 2: it just went straight up and hit the wall, burst open,

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Speaker 2: and there was just pepsis sprayed on this white wall

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Speaker 2: and we all just laughed. And God, I missed Joe Flack.

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Speaker 3: He seems great. He's great.

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Speaker 1: Yeah, we love him on this podcast.

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Speaker 3: He is and he's had his hands probably like under

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Speaker 3: so many people's balls as quarterback.

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Speaker 1: Yeah, no big deal to him.

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Speaker 2: No, And he treated me like I was a star

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Speaker 2: football player myself.

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Speaker 3: Yeah.

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Speaker 1: I think that's very Baltimore to be like of the

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Speaker 1: people and be like, hey, you can have a what

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Speaker 1: I believe you guys call tap it a nut tap

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Speaker 1: at sack taps.

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Speaker 2: Yeah, it's I think it's a sack tap.

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Speaker 3: But there's like, but there's so many variants the sack tap.

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Speaker 3: There's like I'm trying to hurt you sack tap, which

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Speaker 3: is like a high school sack tape. I got a

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Speaker 3: lot of those, but this sounds this sounds more like

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Speaker 3: a hey buddy, I'm here.

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Speaker 2: Yeah, like I'm inspirational checking it, just checking it.

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Speaker 3: I love that.

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Speaker 2: Lit a fire under my ass. I think I was

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Speaker 2: better in that commercial floor it.

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Speaker 3: Yeah, Joe, have you seen the thing online about how

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Speaker 3: dudes like to snuggle and it's always like they always

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Speaker 3: like to get snuggled from the back in a sitting position.

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Speaker 3: Maybe does this just pop up on my feet? Is

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Speaker 3: this just my feet thing? Oh?

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Speaker 2: I get a lot of little spoon stuff.

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Speaker 3: Yeah, what you do you do right?

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Speaker 1: Yes, it subscribes a little Spoon Monthly. Oh god, what

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00:19:29,760 --> 00:19:32,280
Speaker 1: do you when you say dudes? You mean are we

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Speaker 1: talking about frap boys?

379
00:19:33,760 --> 00:19:37,240
Speaker 3: Yeah? Ros, I mean like just like bros online bros.

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00:19:37,320 --> 00:19:41,800
Speaker 3: Yeah yeah, okay, like a like a royal bro that

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Speaker 3: is like online, Like dudes are like this and like

382
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Speaker 3: you know those kinds of guys Yeah, old spice bros.

383
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Speaker 3: You know what I mean?

384
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Speaker 2: Like yeah, Bible, yes, yes, a.

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Speaker 3: Lot of lads. Ye ladser than you broke? Yeah? Lad? Wait?

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Speaker 1: Sorry? Though? Are they snuggling like while they watch television

387
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Speaker 1: in their shared apartment?

388
00:20:05,160 --> 00:20:08,040
Speaker 3: So like the video, most of the it's like a trend.

389
00:20:08,160 --> 00:20:09,879
Speaker 3: So there's like I've seen like a million of the

390
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Speaker 3: same video essentially, or it's like a woman is like

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Speaker 3: in a guy's nook, right, and it's like guys don't

392
00:20:16,920 --> 00:20:19,359
Speaker 3: like to cuddle like this, This is how guys really

393
00:20:19,400 --> 00:20:22,959
Speaker 3: want to cuddle. And then like they'll like snuggle in

394
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Speaker 3: like in between their partner's legs and kind of like

395
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Speaker 3: you know, sit to Boggin style. Toboggan style is oh

396
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Speaker 3: really yeah.

397
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Speaker 2: We're like laying down, but essentially she's on his shoulder.

398
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Speaker 3: In a chair. Yeah, like in the couch, you know,

399
00:20:36,960 --> 00:20:40,479
Speaker 3: sitting up, but in the you know, birth canal.

400
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Speaker 2: I've never seen this.

401
00:20:41,800 --> 00:20:43,639
Speaker 3: Yeah, I don't know. Maybe it's just me.

402
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Speaker 1: I thought you meant this is how bro's like to

403
00:20:47,760 --> 00:20:49,000
Speaker 1: cuddle with each other.

404
00:20:49,280 --> 00:20:51,600
Speaker 3: Oh no, I.

405
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Speaker 1: I honestly thought that's what you know, We're like, Okay,

406
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Speaker 1: I wish.

407
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Speaker 3: It was that well. I was trying to tie that in.

408
00:20:56,720 --> 00:21:00,439
Speaker 3: I was trying to tie that into the Flacco Fairbank affair,

409
00:21:00,760 --> 00:21:04,080
Speaker 3: which is like, yeah, kind of what I like the

410
00:21:04,160 --> 00:21:06,720
Speaker 3: most about sports, what I like about by far the

411
00:21:06,800 --> 00:21:08,960
Speaker 3: most about sports. And I love sports and I know

412
00:21:09,040 --> 00:21:12,320
Speaker 3: they're so dumb, like so so dumb, but I love

413
00:21:12,400 --> 00:21:15,560
Speaker 3: them so much. Is that kind of dude on dude

414
00:21:15,640 --> 00:21:17,840
Speaker 3: love like that is always going to be there in

415
00:21:17,960 --> 00:21:21,480
Speaker 3: any sport, no matter what. And that's what that felt like.

416
00:21:21,640 --> 00:21:24,919
Speaker 3: I would be like, Yeah, if a dude, like a quarterback,

417
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Speaker 3: like a sports legend is he's a legend in Baltimore,

418
00:21:29,040 --> 00:21:32,639
Speaker 3: I'm not. And I don't throw that word around you

419
00:21:32,880 --> 00:21:36,960
Speaker 3: never have, never have. That's like eight time I've used

420
00:21:37,040 --> 00:21:40,800
Speaker 3: that word in my life. Like if a legend tapped

421
00:21:40,800 --> 00:21:42,399
Speaker 3: me on the balls and it kind of hurt, I

422
00:21:42,640 --> 00:21:46,000
Speaker 3: still I feel like I would be comforted by that,

423
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Speaker 3: which is what I feel like those videos are about

424
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Speaker 3: those dudes. They want to be comforted, have their backs watched,

425
00:21:52,119 --> 00:21:55,320
Speaker 3: you know what I mean secure, because usually, you know,

426
00:21:55,520 --> 00:21:58,119
Speaker 3: dudes are standing alone with their backs you know, to

427
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Speaker 3: the world.

428
00:21:59,480 --> 00:22:03,119
Speaker 2: Yeah, And I didn't know what a privilege I had

429
00:22:03,200 --> 00:22:06,120
Speaker 2: experienced until I called my dad. Of course, immediately to Britt,

430
00:22:06,160 --> 00:22:08,600
Speaker 2: because I knew my dad would care that I was

431
00:22:08,640 --> 00:22:11,840
Speaker 2: a commercial with Joe Flacco. Oh man, he's and he

432
00:22:12,080 --> 00:22:15,280
Speaker 2: just unsolicited said, did he give you a Diddy tap you?

433
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Speaker 3: He did? He said, that's a big no. I did.

434
00:22:19,160 --> 00:22:22,000
Speaker 2: I did describe it, and I did. I told him

435
00:22:22,000 --> 00:22:24,280
Speaker 2: about it, and he really seemed to appreciate it as

436
00:22:24,359 --> 00:22:26,800
Speaker 2: much as I did, And I'm like, good, That's that's

437
00:22:26,800 --> 00:22:27,560
Speaker 2: why I'm your son.

438
00:22:27,960 --> 00:22:31,399
Speaker 1: I was talking to somebody about how professional athletes of

439
00:22:31,440 --> 00:22:34,000
Speaker 1: every sport, in any sport, and I know what you mean, Eric,

440
00:22:34,040 --> 00:22:36,439
Speaker 1: where it's like when you feel like you like them

441
00:22:36,480 --> 00:22:39,080
Speaker 1: too much or but they really it really is. I

442
00:22:39,200 --> 00:22:41,520
Speaker 1: am forced to watch football with my dad every football

443
00:22:41,560 --> 00:22:44,040
Speaker 1: season when I go home to visit him, and I

444
00:22:44,640 --> 00:22:51,119
Speaker 1: absolutely revere and admire and appreciate the excellence it takes

445
00:22:51,200 --> 00:22:53,640
Speaker 1: to be one of those people that's playing that game.

446
00:22:53,800 --> 00:22:54,119
Speaker 3: It's not.

447
00:22:54,720 --> 00:22:57,120
Speaker 1: It is a big deal. It is a very difficult,

448
00:22:57,840 --> 00:23:02,359
Speaker 1: very specialized thing. I've watched so many thirty for thirties

449
00:23:02,359 --> 00:23:07,359
Speaker 1: about so good that kind of socialization. Like if Joe Flacco,

450
00:23:07,400 --> 00:23:09,879
Speaker 1: I would imagine has been playing football since he was

451
00:23:09,920 --> 00:23:13,680
Speaker 1: eight years old for his entire life, so that is

452
00:23:13,840 --> 00:23:16,639
Speaker 1: the world he's always lived in. Yeah, that was his

453
00:23:16,960 --> 00:23:20,280
Speaker 1: Like if someone could translate that to Chris, Yeah, like that.

454
00:23:20,480 --> 00:23:24,160
Speaker 3: Was his reaching out. That's like an alien reaching out.

455
00:23:24,240 --> 00:23:28,120
Speaker 3: Like that was touch and you were the boy.

456
00:23:28,720 --> 00:23:36,040
Speaker 1: Immediately turn on your heart light because Joe Flacco just

457
00:23:36,240 --> 00:23:39,120
Speaker 1: put a red hot finger onto the back of your ball.

458
00:23:41,400 --> 00:23:42,880
Speaker 2: Turn on your hot light.

459
00:23:43,400 --> 00:23:45,120
Speaker 1: Quite literally, it is about et.

460
00:23:45,320 --> 00:23:47,359
Speaker 3: Yeah, I don't know that song. That sounds awesome that.

461
00:23:49,040 --> 00:23:51,080
Speaker 1: Oh well Diamond, turn on your heart light.

462
00:23:51,440 --> 00:23:53,040
Speaker 2: Yeah yeah.

463
00:23:53,160 --> 00:23:57,520
Speaker 3: Sports legend in Boston Neil Diamond because they think sweet cat.

464
00:23:57,680 --> 00:24:00,560
Speaker 3: That's like the ninth time I've used it now legend

465
00:24:01,320 --> 00:24:04,239
Speaker 3: because they sing sweet Caroline instead of take me out

466
00:24:04,280 --> 00:24:07,000
Speaker 3: to the ballgame at Fenway Park. And it's awesome. It's

467
00:24:07,040 --> 00:24:08,480
Speaker 3: like one of the best things in sports.

468
00:24:08,600 --> 00:24:10,920
Speaker 1: Oh, it's one of the best because everyone does it.

469
00:24:11,200 --> 00:24:13,679
Speaker 3: Yeah, it's incredible and like I got goosebumps.

470
00:24:16,080 --> 00:24:19,480
Speaker 2: I feel like the yelling that dot dotta after that

471
00:24:19,760 --> 00:24:24,320
Speaker 2: is from the now kind of controversial movie Beautiful Girls.

472
00:24:24,680 --> 00:24:25,800
Speaker 2: Remember they're all in the bar.

473
00:24:26,680 --> 00:24:26,880
Speaker 3: Yeah?

474
00:24:27,880 --> 00:24:29,159
Speaker 2: Were people doing it before that?

475
00:24:29,760 --> 00:24:32,399
Speaker 3: Yeah? That's a good question because that's a Boston movie, right,

476
00:24:32,520 --> 00:24:33,840
Speaker 3: isn't it? Beautiful Girls?

477
00:24:34,520 --> 00:24:37,280
Speaker 1: It's an Ed Burns movie. So wherever he's from, I

478
00:24:37,359 --> 00:24:37,960
Speaker 1: think he's.

479
00:24:37,760 --> 00:24:40,439
Speaker 3: Like a Boston Oh there's so all his movies are.

480
00:24:41,320 --> 00:24:43,200
Speaker 3: Is he gonna be on this podcast?

481
00:24:44,440 --> 00:24:45,160
Speaker 1: He's next week.

482
00:24:46,800 --> 00:24:49,000
Speaker 3: That goes my that goes my burns cash. I just

483
00:24:49,080 --> 00:24:53,400
Speaker 3: burned up all my burns cash. That's what I call industry.

484
00:24:53,440 --> 00:24:55,480
Speaker 3: That's the industry term. When you want to get in

485
00:24:55,640 --> 00:24:56,760
Speaker 3: with someone, burns.

486
00:24:56,520 --> 00:25:00,520
Speaker 1: Cash, the burns catch, you need at least a hunt dollars.

487
00:25:00,560 --> 00:25:03,399
Speaker 1: Were the burns cash to get into any major party?

488
00:25:03,640 --> 00:25:06,479
Speaker 3: Yeah, I'm I'm never going to get into I'm never

489
00:25:06,560 --> 00:25:11,000
Speaker 3: going to be in Beautiful Girls too. Oh you never know,

490
00:25:12,400 --> 00:25:14,240
Speaker 3: I could. I could be sweet.

491
00:25:14,359 --> 00:25:18,639
Speaker 1: Caroline reminds me of like being drunk in college and

492
00:25:19,080 --> 00:25:20,840
Speaker 1: being at bars where people were doing that.

493
00:25:21,000 --> 00:25:25,440
Speaker 2: And they think at all, yeah they did dom Okay.

494
00:25:26,000 --> 00:25:28,399
Speaker 2: I had never heard of it until Beautiful Girls, and

495
00:25:28,480 --> 00:25:30,560
Speaker 2: I wish they would do a remake with an age

496
00:25:30,560 --> 00:25:31,959
Speaker 2: appropriate Natalie Portman.

497
00:25:33,040 --> 00:25:36,360
Speaker 3: They do it in Oh my God. She she had

498
00:25:36,400 --> 00:25:37,439
Speaker 3: a rough childhood with the.

499
00:25:37,600 --> 00:25:42,280
Speaker 2: With the that she was doing, I'm always twelve year old.

500
00:25:42,640 --> 00:25:46,600
Speaker 1: She was perfect looking, so of course that's what Hollywood does.

501
00:25:46,680 --> 00:25:49,040
Speaker 1: But I mean, I remember, well, wait, you go ahead,

502
00:25:49,040 --> 00:25:50,719
Speaker 1: because I think we might say the same thing.

503
00:25:51,320 --> 00:25:54,320
Speaker 3: I saw The Professional, not in the theaters. My dad

504
00:25:54,359 --> 00:25:56,720
Speaker 3: took me to see The Professional, and he should not have.

505
00:25:57,240 --> 00:26:00,800
Speaker 3: I was like, I was ten or eleven, and that movie.

506
00:26:00,920 --> 00:26:04,160
Speaker 3: Gary Oldman is so scary. In that movie, he's horrifying,

507
00:26:04,280 --> 00:26:07,320
Speaker 3: and he fucked me up for a long time, and

508
00:26:07,440 --> 00:26:10,719
Speaker 3: I remember thinking like, damn, that movie really fucked me up.

509
00:26:11,440 --> 00:26:13,560
Speaker 3: It really must have done something in Natalie tork me

510
00:26:13,720 --> 00:26:16,480
Speaker 3: like she was in it. She had to act with

511
00:26:16,600 --> 00:26:17,080
Speaker 3: that dude.

512
00:26:17,400 --> 00:26:21,200
Speaker 1: Well just it's just so it the movie itself, especially

513
00:26:21,280 --> 00:26:23,440
Speaker 1: through today's eyes, you look back and just go, yeah,

514
00:26:23,480 --> 00:26:25,800
Speaker 1: you know, it's if there were any adults in the room,

515
00:26:25,840 --> 00:26:29,480
Speaker 1: they should have spoken up because that's really gross and weird.

516
00:26:29,960 --> 00:26:31,199
Speaker 1: And she's ten and my.

517
00:26:31,359 --> 00:26:34,080
Speaker 3: Sister, my dad looks a lot like genre now, or

518
00:26:34,160 --> 00:26:35,960
Speaker 3: he did when I was a kid around that time,

519
00:26:36,359 --> 00:26:39,960
Speaker 3: and my sister had the same haircut in like war chokers,

520
00:26:40,640 --> 00:26:42,560
Speaker 3: and so they would just walk around like that all

521
00:26:42,600 --> 00:26:42,880
Speaker 3: the time.

522
00:26:43,359 --> 00:26:45,280
Speaker 2: People would not just talloween no.

523
00:26:45,720 --> 00:26:48,680
Speaker 3: But one time somebody on the plane commented on it

524
00:26:48,840 --> 00:26:53,600
Speaker 3: once and it was huge for family. They're like the professional. Yeah, yeah,

525
00:26:53,640 --> 00:26:55,440
Speaker 3: it's like, oh, you looked the professional, both of you.

526
00:26:56,400 --> 00:26:58,920
Speaker 3: I was like, I'm going to be I'm want to

527
00:26:58,920 --> 00:27:00,399
Speaker 3: be in the movies. I'm going to be part of that.

528
00:27:02,560 --> 00:27:04,760
Speaker 2: Eric, you and I we were in a music video

529
00:27:04,880 --> 00:27:05,840
Speaker 2: together that was fun.

530
00:27:06,200 --> 00:27:09,879
Speaker 3: Yeah it was not, uh it was.

531
00:27:10,440 --> 00:27:11,159
Speaker 1: I watched it was.

532
00:27:12,080 --> 00:27:13,000
Speaker 3: It was a really good song.

533
00:27:13,960 --> 00:27:15,159
Speaker 2: Yeah, you were great in it.

534
00:27:15,720 --> 00:27:18,680
Speaker 3: I got my ass kicks. It was like, uh, I

535
00:27:18,880 --> 00:27:21,119
Speaker 3: forget the director a little bit.

536
00:27:21,359 --> 00:27:26,760
Speaker 2: Yeah, it's uh. Which before that, it was a band

537
00:27:27,480 --> 00:27:30,920
Speaker 2: Parleled Harlem, like a punk band that I already liked

538
00:27:31,320 --> 00:27:33,840
Speaker 2: and I love that song and we all got to

539
00:27:33,960 --> 00:27:38,359
Speaker 2: be My role was like the ridiculous crossing his eyes

540
00:27:38,440 --> 00:27:39,119
Speaker 2: prop comic.

541
00:27:40,280 --> 00:27:44,560
Speaker 3: You and Lizzie Copan and yeah, it was like the rage.

542
00:27:44,359 --> 00:27:48,800
Speaker 2: Filled tell it like it is comic. And Lizzie Cooperman

543
00:27:49,080 --> 00:27:54,520
Speaker 2: was like she was just she was so ridiculous and

544
00:27:54,640 --> 00:27:57,960
Speaker 2: crossing her eyes and acting like a bird. And then

545
00:27:58,720 --> 00:28:01,520
Speaker 2: when you the the show, They're like, we got three

546
00:28:01,600 --> 00:28:04,120
Speaker 2: great comics and then another guy.

547
00:28:04,200 --> 00:28:06,680
Speaker 3: And that was that was me And I was like

548
00:28:06,760 --> 00:28:10,520
Speaker 3: the headliner and I felt so bad because you guys

549
00:28:10,520 --> 00:28:12,600
Speaker 3: were so good. And then I didn't know what to do.

550
00:28:12,680 --> 00:28:14,040
Speaker 3: And I was supposed to just go up there and

551
00:28:14,200 --> 00:28:16,000
Speaker 3: like act like I didn't know what I was doing,

552
00:28:16,080 --> 00:28:18,880
Speaker 3: and I thought that I was doing that pretty good

553
00:28:18,920 --> 00:28:20,280
Speaker 3: because I didn't know what I was doing.

554
00:28:21,440 --> 00:28:23,680
Speaker 2: It was that was what your character was supposed to do,

555
00:28:24,160 --> 00:28:25,639
Speaker 2: and you danced.

556
00:28:26,080 --> 00:28:28,639
Speaker 3: I did. I did. That was like that That was

557
00:28:28,720 --> 00:28:34,000
Speaker 3: one of my formative like acting on camera moments. I

558
00:28:34,160 --> 00:28:36,440
Speaker 3: like learned so much because I got my asking. She

559
00:28:36,760 --> 00:28:41,640
Speaker 3: like Wendy McCole is the director's name, and okay, she

560
00:28:42,040 --> 00:28:43,720
Speaker 3: just was like, you're not giving me what I want.

561
00:28:43,840 --> 00:28:48,400
Speaker 3: And we remember hours after everyone left. Everyone left, it

562
00:28:48,480 --> 00:28:51,160
Speaker 3: was just me and her at old at those under

563
00:28:51,240 --> 00:28:55,000
Speaker 3: sunset and I was like, I was like dancing. I'm like,

564
00:28:55,280 --> 00:28:58,040
Speaker 3: not a dancer. I mean we can get into that later.

565
00:29:00,040 --> 00:29:03,800
Speaker 2: It's here, You're a dancer the information we were given.

566
00:29:04,120 --> 00:29:07,760
Speaker 1: Wait a second, so she literally let everyone else go home.

567
00:29:08,040 --> 00:29:09,640
Speaker 2: Yeah, kept you after it was.

568
00:29:09,720 --> 00:29:12,000
Speaker 3: Like he was in table. I remember, it was just

569
00:29:12,080 --> 00:29:18,160
Speaker 3: the cinematographer, cinnamon photographer. She wasn't Ingra Bedsen was the director,

570
00:29:18,240 --> 00:29:19,840
Speaker 3: and he just fucking he just went home. It was

571
00:29:19,880 --> 00:29:22,040
Speaker 3: a Sunday. He's like, I'm gonna go to the movies

572
00:29:22,280 --> 00:29:25,320
Speaker 3: and I was like cool. And we were there for

573
00:29:25,480 --> 00:29:28,440
Speaker 3: hours and I remember, like, am getting get paid? But

574
00:29:28,560 --> 00:29:31,080
Speaker 3: that's okay because it was such a good experience. It

575
00:29:31,200 --> 00:29:33,200
Speaker 3: really was that. This is actually one of those times

576
00:29:33,200 --> 00:29:36,040
Speaker 3: where it actually was because I like, she kicked my

577
00:29:36,120 --> 00:29:38,760
Speaker 3: fucking ass. Man. It was awesome. It felt really good,

578
00:29:39,320 --> 00:29:39,720
Speaker 3: I thought.

579
00:29:40,200 --> 00:29:42,400
Speaker 1: And so you liked Did you like how it turned out?

580
00:29:42,840 --> 00:29:46,040
Speaker 3: Yes, yeah I did. It's a little cringey to watch hers.

581
00:29:46,280 --> 00:29:49,600
Speaker 3: I feel cringey to watch it myself, but yeah, it

582
00:29:49,720 --> 00:29:50,520
Speaker 3: was great. I loved it.

583
00:29:50,960 --> 00:29:52,360
Speaker 1: It's horrible to watch yourself.

584
00:29:52,680 --> 00:29:56,000
Speaker 2: Yeah, I was being so over the top that I

585
00:29:56,240 --> 00:29:59,320
Speaker 2: just can't watch myself trying to be normal. Yeah that's

586
00:29:59,360 --> 00:30:02,240
Speaker 2: what bothers me. But but if I'm allowed to act ridiculous,

587
00:30:02,320 --> 00:30:04,480
Speaker 2: then I can watch it. But that song is called

588
00:30:05,200 --> 00:30:06,560
Speaker 2: lace Curtains Pink and Gold.

589
00:30:06,720 --> 00:30:07,120
Speaker 3: It's great.

590
00:30:07,760 --> 00:30:08,600
Speaker 2: He were great in it.

591
00:30:09,320 --> 00:30:11,920
Speaker 3: I got lucky. I did a few music videos before

592
00:30:12,520 --> 00:30:16,360
Speaker 3: uh we left LA and all the songs were good

593
00:30:16,560 --> 00:30:18,320
Speaker 3: because if you like in the music video and the

594
00:30:18,400 --> 00:30:21,560
Speaker 3: song sucks, then you're listening to that song all day

595
00:30:21,720 --> 00:30:25,480
Speaker 3: and you're hungry. You're hungry, you're overtaffeinated, and that song

596
00:30:25,800 --> 00:30:29,360
Speaker 3: is lame. And but I was like, all the songs

597
00:30:29,400 --> 00:30:31,400
Speaker 3: that I do music videos for were really good.

598
00:30:31,600 --> 00:30:34,280
Speaker 2: I was like, yeah, I really do like that song.

599
00:30:34,440 --> 00:30:38,160
Speaker 2: It's in my Spotify liked songs. Yeah, it's good without

600
00:30:38,200 --> 00:30:38,600
Speaker 2: the video.

601
00:30:38,840 --> 00:30:40,160
Speaker 3: Yeah, his voice is really good.

602
00:30:40,440 --> 00:30:43,160
Speaker 2: I always thought it was that was the coolest thing

603
00:30:43,320 --> 00:30:46,120
Speaker 2: as a comic to be in a music video. I

604
00:30:46,200 --> 00:30:50,240
Speaker 2: think I saw like David Cross in a new pornographer's

605
00:30:51,120 --> 00:30:54,600
Speaker 2: video a band. I really like those two worlds colliding

606
00:30:54,760 --> 00:30:55,560
Speaker 2: is just it took.

607
00:30:55,600 --> 00:30:59,000
Speaker 3: It's so cool. It's so cool. Yeah. I love music videos,

608
00:30:59,240 --> 00:31:01,280
Speaker 3: I which I mean the go around, right, I mean

609
00:31:01,320 --> 00:31:03,440
Speaker 3: they're kind of like have weather does it?

610
00:31:03,800 --> 00:31:08,480
Speaker 1: Yeah, it feels like they're predominantly like rappers are the

611
00:31:08,520 --> 00:31:10,880
Speaker 1: ones that really make the rad ones that like you

612
00:31:11,040 --> 00:31:15,560
Speaker 1: talk about and pass around, which always it feels to me,

613
00:31:16,320 --> 00:31:19,040
Speaker 1: I don't know the last the last like mainstream rock

614
00:31:19,160 --> 00:31:21,680
Speaker 1: video I saw that. I was like, thank you, that

615
00:31:21,920 --> 00:31:25,480
Speaker 1: was great. Oh, sorry, that's incorrect now that I think

616
00:31:25,520 --> 00:31:28,840
Speaker 1: about it. It's because I personally don't watch like MTV

617
00:31:28,960 --> 00:31:31,760
Speaker 1: or V h oneyw But when I was home for

618
00:31:31,800 --> 00:31:35,440
Speaker 1: the holidays, we were all sitting around and somebody put

619
00:31:35,480 --> 00:31:37,680
Speaker 1: on Miley Cyrus's Flowers video.

620
00:31:37,960 --> 00:31:40,640
Speaker 2: Oh yeah, did you hear about that?

621
00:31:41,040 --> 00:31:45,800
Speaker 1: She shot this video in the house where her ex boyfriend,

622
00:31:46,680 --> 00:31:54,320
Speaker 1: uh not the yeah, not Thor, but his younger brother

623
00:31:54,800 --> 00:31:58,240
Speaker 1: cheated on her in this house, so she went and

624
00:31:58,320 --> 00:32:00,920
Speaker 1: shot the video in the house. Because the whole song

625
00:32:01,040 --> 00:32:02,920
Speaker 1: is about like I'll buy my own flowers, I'll do

626
00:32:03,000 --> 00:32:03,479
Speaker 1: my own thing.

627
00:32:04,920 --> 00:32:07,400
Speaker 3: She was wearing his suit, too, wasn't she Is that true?

628
00:32:09,000 --> 00:32:10,640
Speaker 1: Yeah, there's a part where she's wearing a suit and

629
00:32:10,720 --> 00:32:13,440
Speaker 1: she just looks amazing, and she's like, we're just so

630
00:32:13,640 --> 00:32:17,400
Speaker 1: proud of Hannah Montana, so good for truly being such

631
00:32:17,400 --> 00:32:21,200
Speaker 1: a legend at this point. Yeah, but we're literally so

632
00:32:21,360 --> 00:32:23,440
Speaker 1: it was either my sister or Adrian. They were like,

633
00:32:23,640 --> 00:32:25,680
Speaker 1: hold on, you need to see this, And then we

634
00:32:25,760 --> 00:32:28,320
Speaker 1: all sat around and watched it. We're like, yeah, during

635
00:32:28,800 --> 00:32:29,480
Speaker 1: it was so good.

636
00:32:29,920 --> 00:32:31,800
Speaker 2: Yeah, I can't believe I didn't watch it. The other

637
00:32:31,920 --> 00:32:34,560
Speaker 2: day when I went down a wormhole of watching she

638
00:32:34,760 --> 00:32:38,479
Speaker 2: sang with Metallica. She did a bunch of rock songs

639
00:32:38,560 --> 00:32:42,000
Speaker 2: at Taylor Hawkins's memorial concert.

640
00:32:42,360 --> 00:32:44,720
Speaker 3: Like with did you go to that? Like? Did you

641
00:32:44,800 --> 00:32:45,480
Speaker 3: go to that? No?

642
00:32:45,680 --> 00:32:48,640
Speaker 2: I just watched a bunch of them because she was

643
00:32:48,800 --> 00:32:52,680
Speaker 2: meant to sing like Leada Ford or Pat Benattar. She's

644
00:32:52,760 --> 00:32:57,240
Speaker 2: not the best gravelly rock voice that It's like, I

645
00:32:57,960 --> 00:33:01,120
Speaker 2: want her to be the singer for metalic Yeah, like

646
00:33:02,720 --> 00:33:03,880
Speaker 2: nothing else matters cover.

647
00:33:05,880 --> 00:33:08,200
Speaker 3: Yeah. During that.

648
00:33:09,840 --> 00:33:14,560
Speaker 1: During Quarantine, they did that big like a benefit for

649
00:33:15,160 --> 00:33:18,320
Speaker 1: music venues that we're having to shut down because that

650
00:33:18,760 --> 00:33:22,000
Speaker 1: business was so rocked by quarantine and everything. And she

651
00:33:22,480 --> 00:33:24,360
Speaker 1: they did a thing I think either the Rocksy or

652
00:33:24,400 --> 00:33:27,960
Speaker 1: the Whiskey, and she came out and sang the Cranberrys

653
00:33:28,200 --> 00:33:33,480
Speaker 1: Zombie God, so fucking good. People were retweeted on Twitter,

654
00:33:34,080 --> 00:33:36,560
Speaker 1: and I was just like, I like, it was the

655
00:33:36,760 --> 00:33:38,200
Speaker 1: most exciting cover.

656
00:33:38,560 --> 00:33:39,800
Speaker 3: It was just so good. I love.

657
00:33:40,240 --> 00:33:43,200
Speaker 1: I already knew she was amazing, but then when somebody

658
00:33:43,360 --> 00:33:47,320
Speaker 1: does a hard song beautifully and perfectly, it's just like,

659
00:33:47,520 --> 00:33:48,240
Speaker 1: oh my god.

660
00:33:48,160 --> 00:33:50,880
Speaker 3: She's just so good. Rest in peace to the singer

661
00:33:51,200 --> 00:33:55,760
Speaker 3: from I Know, so Laura so weird and yeah, incredible

662
00:33:56,160 --> 00:33:59,400
Speaker 3: that any time anyone ever says that, like the name

663
00:33:59,480 --> 00:34:01,920
Speaker 3: of the title that song, I just get goosebumps.

664
00:34:02,160 --> 00:34:03,719
Speaker 1: There might be a draft in that basement.

665
00:34:03,760 --> 00:34:06,360
Speaker 3: You're, yeah, this is really cold.

666
00:34:06,800 --> 00:34:09,400
Speaker 2: Yeah this Baltimore wharf wind?

667
00:34:09,760 --> 00:34:13,640
Speaker 1: Yeah yeah, are you getting the wind of eighteen twelve

668
00:34:13,760 --> 00:34:14,520
Speaker 1: down in that face?

669
00:34:16,600 --> 00:34:17,960
Speaker 3: All right? Yeah?

670
00:34:18,080 --> 00:34:22,920
Speaker 2: She actually passed and my dad we we had some

671
00:34:23,040 --> 00:34:28,360
Speaker 2: moments remembering Dolores and yeah, we listened to Linger and

672
00:34:28,480 --> 00:34:32,480
Speaker 2: the other better songs. So good Dreams Dreams came on,

673
00:34:32,640 --> 00:34:34,440
Speaker 2: and it's so funny to have a dad say this.

674
00:34:35,040 --> 00:34:36,680
Speaker 2: He was like, this might be one of the best

675
00:34:36,800 --> 00:34:37,839
Speaker 2: rock songs of all time.

676
00:34:38,000 --> 00:34:41,120
Speaker 3: And I was like, yeah, your dad sounds amazing.

677
00:34:41,840 --> 00:34:44,719
Speaker 2: He just I was very surprised to hear him say that,

678
00:34:44,840 --> 00:34:48,000
Speaker 2: because as as your parents get older, they start going

679
00:34:48,120 --> 00:34:51,560
Speaker 2: back to all the fifties and sixties music they listened

680
00:34:51,560 --> 00:34:54,920
Speaker 2: to his kids. Yeah, like that's all he listens to now.

681
00:34:54,960 --> 00:34:56,960
Speaker 2: But I remember a brief period where he's like, have

682
00:34:57,080 --> 00:35:01,120
Speaker 2: you heard this new Cranberry's he'd call it.

683
00:35:04,200 --> 00:35:08,680
Speaker 3: Used to be DJ. You said, yeah, yeah, that's so sick.

684
00:35:09,239 --> 00:35:14,200
Speaker 3: Is that my catchphrase? I just heard the best? I

685
00:35:14,320 --> 00:35:16,960
Speaker 3: love covers. I think it's like I think I like

686
00:35:17,040 --> 00:35:20,399
Speaker 3: cover like a good bar cover band. Oh my God

687
00:35:21,160 --> 00:35:25,440
Speaker 3: the best. Pull up a chair and I'm there. Tenacious

688
00:35:25,520 --> 00:35:28,960
Speaker 3: D did a cover for like Serious XM of Wicked

689
00:35:29,080 --> 00:35:34,080
Speaker 3: Game and Jack and Jack Black sang the ship out

690
00:35:34,120 --> 00:35:36,279
Speaker 3: of that song. Have you have you heard it? Yeah?

691
00:35:36,440 --> 00:35:39,160
Speaker 1: Oh my, that's a video, Yeah, because I think it

692
00:35:39,239 --> 00:35:42,160
Speaker 1: was on tip I follow him on TikTok. He puts

693
00:35:42,160 --> 00:35:45,040
Speaker 1: out good content, but that thing, I mean, here's the thing.

694
00:35:45,200 --> 00:35:47,080
Speaker 1: And I think most people know this at this point,

695
00:35:47,120 --> 00:35:49,560
Speaker 1: but Jack Black has one of the best singing voices

696
00:35:49,960 --> 00:35:51,160
Speaker 1: really hands down.

697
00:35:52,000 --> 00:35:52,720
Speaker 3: That's just huge.

698
00:35:53,560 --> 00:35:55,960
Speaker 1: There's a really great video of him singing. I think

699
00:35:56,000 --> 00:35:57,160
Speaker 1: it's for a Clippers game.

700
00:35:59,239 --> 00:35:59,880
Speaker 3: Yeah, is it?

701
00:36:00,120 --> 00:36:04,560
Speaker 1: He's singing the Star Spangled bann or whatever. And it's hard, right, Yeah,

702
00:36:04,640 --> 00:36:07,160
Speaker 1: It's one of the hardest songs to sing, even if

703
00:36:07,200 --> 00:36:10,160
Speaker 1: you have range. It's hard to stay on key for

704
00:36:10,280 --> 00:36:13,160
Speaker 1: that song because it just gets a little wacky. I

705
00:36:13,200 --> 00:36:15,120
Speaker 1: think people have gotten much better at it now.

706
00:36:15,640 --> 00:36:16,080
Speaker 4: He is.

707
00:36:16,760 --> 00:36:19,680
Speaker 1: It's like he was born to sing that song, just

708
00:36:19,800 --> 00:36:22,439
Speaker 1: like he just is such a music band.

709
00:36:22,560 --> 00:36:24,800
Speaker 3: Wait, have you ever sang the national anthem in like

710
00:36:24,960 --> 00:36:28,719
Speaker 3: the official capet? Like yeah, yeah, caring?

711
00:36:29,239 --> 00:36:31,680
Speaker 1: You know what's funny about that? And this is one

712
00:36:31,719 --> 00:36:35,120
Speaker 1: of my great regrets. I was asked to sing the

713
00:36:35,239 --> 00:36:38,399
Speaker 1: national anthem at the beginning of a comedy show by

714
00:36:38,560 --> 00:36:40,200
Speaker 1: Jamal James.

715
00:36:40,040 --> 00:36:43,000
Speaker 3: Jamal Johnson, Jamel Jones, you know what I'm talking about. Yeah.

716
00:36:43,160 --> 00:36:44,880
Speaker 1: I don't know him that well, but he dm me.

717
00:36:45,000 --> 00:36:48,040
Speaker 1: I was like, hey, well you sing the national anthem

718
00:36:48,239 --> 00:36:50,640
Speaker 1: at the beginning of this, and I immediately was like, yes,

719
00:36:50,719 --> 00:36:54,240
Speaker 1: I will. Well, this was pre COVID but just before,

720
00:36:54,360 --> 00:36:56,640
Speaker 1: so it was like maybe six months before. I wanted

721
00:36:56,680 --> 00:36:59,359
Speaker 1: to do it so bad. But of course, like as

722
00:36:59,600 --> 00:37:02,399
Speaker 1: it leading up to it is like I work every

723
00:37:02,520 --> 00:37:05,680
Speaker 1: day for fucking sixteen hours or whatever leading up to it,

724
00:37:05,760 --> 00:37:07,440
Speaker 1: and then I was just like the day of where

725
00:37:07,880 --> 00:37:09,839
Speaker 1: every hour of that day I was like, you're going

726
00:37:09,960 --> 00:37:11,480
Speaker 1: to go do this, you have to go do it.

727
00:37:11,800 --> 00:37:13,840
Speaker 1: And then it was like seven o'clock and I was

728
00:37:13,920 --> 00:37:16,719
Speaker 1: still like still working, and then I was just like

729
00:37:16,920 --> 00:37:20,080
Speaker 1: I'm not fucking going to that show. And I just

730
00:37:20,320 --> 00:37:21,080
Speaker 1: flaked on it.

731
00:37:21,200 --> 00:37:23,040
Speaker 3: Yeah, I get and I have.

732
00:37:23,560 --> 00:37:26,480
Speaker 1: I always felt terrible, but I also was like, I

733
00:37:26,680 --> 00:37:29,120
Speaker 1: just don't want to go and be mediocre to start

734
00:37:29,200 --> 00:37:32,759
Speaker 1: their show, like suddenly the pressure was on. Yeah, It's

735
00:37:32,920 --> 00:37:34,920
Speaker 1: just like but it was the kind of thing is

736
00:37:35,000 --> 00:37:38,120
Speaker 1: that when you stop doing stand up, which I know

737
00:37:38,640 --> 00:37:42,000
Speaker 1: Eric you've you've sometimes taken a break, that feeling where

738
00:37:42,480 --> 00:37:45,680
Speaker 1: if you go back. Yeah, it's that kind of like

739
00:37:45,880 --> 00:37:48,640
Speaker 1: the intimidation factor. It's all in your head, so it

740
00:37:48,760 --> 00:37:51,239
Speaker 1: just comes out the window. But I really I knew

741
00:37:51,280 --> 00:37:53,440
Speaker 1: that if I did it, even if it was, you know,

742
00:37:53,880 --> 00:37:56,799
Speaker 1: not great near the Rockets Red Glare part, it still

743
00:37:56,840 --> 00:37:59,040
Speaker 1: would be funny. Like I could be funny about not

744
00:37:59,200 --> 00:38:02,359
Speaker 1: doing it perfect. But then I get so like when

745
00:38:02,400 --> 00:38:04,879
Speaker 1: it comes to singing them all, I'm like, I get

746
00:38:04,960 --> 00:38:06,279
Speaker 1: so in my head about it.

747
00:38:06,480 --> 00:38:09,560
Speaker 2: So, yeah, Rockets Red Glare part is the point in

748
00:38:09,640 --> 00:38:12,720
Speaker 2: over return. You better have started at the right octave.

749
00:38:13,120 --> 00:38:15,359
Speaker 3: Oh boy. And it's at the end of the song,

750
00:38:15,520 --> 00:38:18,680
Speaker 3: and it's it's all Baltimore written in Baltimore.

751
00:38:18,600 --> 00:38:20,520
Speaker 2: Uh, by Francis Jacky.

752
00:38:20,840 --> 00:38:23,799
Speaker 3: Yeah. Yeah. Off the wharf. It was a wharf win.

753
00:38:23,880 --> 00:38:26,840
Speaker 3: It's a wharf wind. So he was like, he was

754
00:38:26,880 --> 00:38:28,800
Speaker 3: like on a boat on the wharf and he was like,

755
00:38:28,840 --> 00:38:31,480
Speaker 3: look at those fucking rockets, Red Claire.

756
00:38:32,840 --> 00:38:35,040
Speaker 1: Please don't please, don't lie, because I'm going to record this.

757
00:38:35,920 --> 00:38:41,160
Speaker 3: I'm not it's true. Is that the dog of truth?

758
00:38:42,360 --> 00:38:45,040
Speaker 2: Yeah, that's every time the dog barks you know you

759
00:38:45,160 --> 00:38:45,640
Speaker 2: haven't lied.

760
00:38:46,320 --> 00:38:51,200
Speaker 1: Yeah, that's it's the final test.

761
00:38:51,440 --> 00:38:53,560
Speaker 3: I also care to want to hear you sing at

762
00:38:53,640 --> 00:38:56,600
Speaker 3: some point. I don't know if you have the new

763
00:38:56,680 --> 00:39:00,960
Speaker 3: Yer's song all Lang Sign Old Sign. Have you ever

764
00:39:01,040 --> 00:39:01,360
Speaker 3: seen that?

765
00:39:02,360 --> 00:39:08,160
Speaker 1: No, You're so good, dude, no quaint, that's like a

766
00:39:08,320 --> 00:39:11,800
Speaker 1: drunk song. Yeah, I love that line Sweet Caroline.

767
00:39:11,840 --> 00:39:14,120
Speaker 3: Yeah, it's one of my favorite old songs of all time.

768
00:39:14,440 --> 00:39:16,600
Speaker 2: It's so good a reason to fall off the wagon.

769
00:39:16,680 --> 00:39:18,640
Speaker 3: It's so sad and fun at the same time.

770
00:39:18,680 --> 00:39:19,479
Speaker 1: And it's sad.

771
00:39:19,760 --> 00:39:21,520
Speaker 3: Yeah, it gets you in the move and it's like

772
00:39:21,640 --> 00:39:22,400
Speaker 3: the best Christmas.

773
00:39:23,480 --> 00:39:27,439
Speaker 1: It feels like. It's also like the kind of song

774
00:39:27,480 --> 00:39:31,920
Speaker 1: where everybody hates New Year's. Everybody had a disappointing New

775
00:39:32,000 --> 00:39:35,400
Speaker 1: Year's in some way, usually every single year. Yeah, and

776
00:39:35,560 --> 00:39:37,920
Speaker 1: that song plays while you're looking around going like I

777
00:39:37,920 --> 00:39:40,600
Speaker 1: don't want to kiss it. I know it sucks. And

778
00:39:41,239 --> 00:39:42,239
Speaker 1: another New Year.

779
00:39:43,640 --> 00:39:46,440
Speaker 2: I guess it's this body pillow with an anime character

780
00:39:46,600 --> 00:39:46,800
Speaker 2: on it.

781
00:39:46,920 --> 00:39:47,200
Speaker 3: Again.

782
00:39:49,480 --> 00:39:52,000
Speaker 2: I and a lot of people have messaged because we've

783
00:39:52,000 --> 00:39:55,279
Speaker 2: talked about this before, but Eric, I want Karen to

784
00:39:55,360 --> 00:39:58,960
Speaker 2: do covers of Sundays songs. I feel like she could

785
00:39:59,480 --> 00:40:01,360
Speaker 2: do Harry Wheeler's way. I don't know if you're a

786
00:40:01,400 --> 00:40:04,239
Speaker 2: big fan. Karen and I both bonded on Sundays. It's

787
00:40:04,320 --> 00:40:08,880
Speaker 2: kind of Berries. It's like the original Cranberries and a

788
00:40:08,920 --> 00:40:12,120
Speaker 2: little more. They were, Yeah, they were like stream pop.

789
00:40:12,760 --> 00:40:15,320
Speaker 1: I think you're too young, Eric, but it when I

790
00:40:15,480 --> 00:40:17,400
Speaker 1: was in college and when Chris was in high school,

791
00:40:17,400 --> 00:40:20,960
Speaker 1: I think probably this band came out and they were

792
00:40:21,200 --> 00:40:25,319
Speaker 1: very like it was very like independent record store. That's

793
00:40:25,360 --> 00:40:27,160
Speaker 1: the first time I heard them. I walked in and

794
00:40:27,280 --> 00:40:29,399
Speaker 1: it was playing and I literally like ran to the front,

795
00:40:29,480 --> 00:40:32,160
Speaker 1: like who is this Yeah, and she just has one

796
00:40:32,200 --> 00:40:35,759
Speaker 1: of those like amazing voices. And so then later when

797
00:40:35,760 --> 00:40:38,200
Speaker 1: the Cranberries came out, I was like, I hate this

798
00:40:38,360 --> 00:40:40,040
Speaker 1: band because I love the Sundays.

799
00:40:41,840 --> 00:40:46,120
Speaker 2: It does have to nick one, yeah, very and I

800
00:40:46,239 --> 00:40:52,600
Speaker 2: love the Cranberries, but I didn't like the hey, hey, sorry.

801
00:40:52,360 --> 00:40:53,880
Speaker 3: That I had to do that. I want to go

802
00:40:53,960 --> 00:40:55,399
Speaker 3: to Ireland every time I hear.

803
00:40:55,400 --> 00:40:58,640
Speaker 2: That, I'm sorry. Now you know, Eric, I think you

804
00:40:58,719 --> 00:41:03,800
Speaker 2: would know who The Sundays were just a reminder of

805
00:41:04,440 --> 00:41:05,600
Speaker 2: here's where the story ends.

806
00:41:06,160 --> 00:41:11,480
Speaker 1: No place is like make me feel we can't do that?

807
00:41:11,600 --> 00:41:13,000
Speaker 1: There you sing on the show?

808
00:41:13,200 --> 00:41:16,560
Speaker 3: Yeah, why not why not, but you're so good? Oh,

809
00:41:16,600 --> 00:41:19,759
Speaker 3: because we have to pay for it. That's right, that's right,

810
00:41:19,880 --> 00:41:20,319
Speaker 3: that's right.

811
00:41:21,040 --> 00:41:23,680
Speaker 2: Well, only it's you did less than ten seconds.

812
00:41:25,760 --> 00:41:28,800
Speaker 1: It's three seconds. Yeah, oh really okay, I can do

813
00:41:28,880 --> 00:41:33,760
Speaker 1: it like this she sings like this. There's not a tune.

814
00:41:34,160 --> 00:41:38,239
Speaker 3: Yeah, you way? Can you just like, can you just

815
00:41:38,400 --> 00:41:41,800
Speaker 3: in your head in your music brain augment the melody

816
00:41:41,960 --> 00:41:43,759
Speaker 3: just a little bit like they do and like knock

817
00:41:43,800 --> 00:41:44,600
Speaker 3: off commercials.

818
00:41:45,120 --> 00:41:47,200
Speaker 1: That's what I just you just did came out is

819
00:41:47,360 --> 00:41:49,239
Speaker 1: not it's impossible.

820
00:41:48,760 --> 00:41:49,839
Speaker 3: To do that in your brain.

821
00:41:50,680 --> 00:41:53,160
Speaker 2: All you need to do. And I've done a little

822
00:41:53,200 --> 00:41:55,560
Speaker 2: research on this, and that's how weird All got away

823
00:41:55,600 --> 00:41:58,919
Speaker 2: with it. You have to change the genre of song

824
00:41:59,280 --> 00:42:03,120
Speaker 2: from drama comedy. So you just did a comedic version

825
00:42:03,400 --> 00:42:06,040
Speaker 2: of here's where this story ends. We are free and clear.

826
00:42:06,120 --> 00:42:09,880
Speaker 2: That's article ninety Yeah in the parody at laws.

827
00:42:11,320 --> 00:42:11,520
Speaker 3: Yeah.

828
00:42:11,680 --> 00:42:14,879
Speaker 1: Literally, there's there's a lawyer in our legal department, Jim,

829
00:42:14,920 --> 00:42:19,120
Speaker 1: who has to clear this show specifically. Yeah, and I

830
00:42:19,280 --> 00:42:20,640
Speaker 1: do this to him constantly.

831
00:42:22,200 --> 00:42:23,960
Speaker 3: You have one of the best voices of all time

832
00:42:24,080 --> 00:42:27,240
Speaker 3: and Christian your mouth, your mouth trumpet is like really

833
00:42:27,320 --> 00:42:30,520
Speaker 3: impressive as a cute I'm a novice mouth trumpet to here,

834
00:42:30,960 --> 00:42:33,080
Speaker 3: and I was like the first time I heard your

835
00:42:33,120 --> 00:42:35,040
Speaker 3: mouth tup, I was like, damn, he's going off right

836
00:42:35,120 --> 00:42:35,960
Speaker 3: now with the mouth.

837
00:42:36,120 --> 00:42:37,399
Speaker 2: Did you think it was a real horn?

838
00:42:38,000 --> 00:42:41,200
Speaker 3: Uh No, But but I don't. I don't like I

839
00:42:41,280 --> 00:42:43,160
Speaker 3: can't play a real horn to save my life. But

840
00:42:43,360 --> 00:42:46,400
Speaker 3: if I get nervous enough, I will pop off folks

841
00:42:46,400 --> 00:42:49,520
Speaker 3: of mouth trumpet. I get. I get when I get nervous,

842
00:42:49,600 --> 00:42:51,400
Speaker 3: it just comes out, and it's usually.

843
00:42:52,360 --> 00:42:53,040
Speaker 1: It's a good cover.

844
00:42:53,280 --> 00:42:55,239
Speaker 2: I was taught how to do it by my uh

845
00:42:55,520 --> 00:42:58,319
Speaker 2: my fireman brother in law when I was very young.

846
00:42:58,560 --> 00:43:01,280
Speaker 2: He was good at mouth horn and and I focused

847
00:43:01,320 --> 00:43:03,799
Speaker 2: on it, and that's how I learned.

848
00:43:04,239 --> 00:43:06,200
Speaker 3: It's beautiful. It's good to have in your back pocket

849
00:43:06,239 --> 00:43:07,000
Speaker 3: thing you can just pull.

850
00:43:07,480 --> 00:43:10,160
Speaker 2: Had an ear for music. That's why they threw trombone

851
00:43:10,239 --> 00:43:11,200
Speaker 2: my way in sixth grade.

852
00:43:11,520 --> 00:43:14,160
Speaker 3: It's sucks that music. So that's why I love all

853
00:43:14,239 --> 00:43:17,160
Speaker 3: that sign because it's what's it called? It's free. It's

854
00:43:17,280 --> 00:43:22,640
Speaker 3: a free uh property? No, what's itv? Yeah? Yeah?

855
00:43:23,160 --> 00:43:24,719
Speaker 2: Even the birthday song isn't that?

856
00:43:25,280 --> 00:43:25,480
Speaker 3: Yeah?

857
00:43:26,000 --> 00:43:28,520
Speaker 1: It is now? It is now, it went over one

858
00:43:28,560 --> 00:43:32,080
Speaker 1: hundred years. It's free, God damn it.

859
00:43:32,600 --> 00:43:34,680
Speaker 2: Public domain public domain.

860
00:43:34,760 --> 00:43:35,040
Speaker 3: That's it.

861
00:43:35,320 --> 00:43:38,200
Speaker 1: Yes, there it is the free free has nothing to

862
00:43:38,239 --> 00:43:40,600
Speaker 1: do with it. Yeah, domain nice one.

863
00:43:41,000 --> 00:43:43,320
Speaker 2: That's why. I guess when you go to a TGI

864
00:43:43,480 --> 00:43:46,040
Speaker 2: Fridays and they bring over your brownie with a candle

865
00:43:46,120 --> 00:43:49,160
Speaker 2: in it, they have to go barth day, birthday fun, fun, birthday,

866
00:43:49,200 --> 00:43:49,839
Speaker 2: barthday fun.

867
00:43:50,640 --> 00:43:54,200
Speaker 3: They just do their own like Mo that's Mo's and

868
00:43:54,239 --> 00:43:58,319
Speaker 3: the Simpsons. That was It was so weird to find

869
00:43:58,360 --> 00:44:02,040
Speaker 3: out as hardly. Yeah, yeah, that's good. That was pretty

870
00:44:02,040 --> 00:44:02,399
Speaker 3: good moment.

871
00:44:02,760 --> 00:44:04,960
Speaker 2: Thanks. I like impressions as much as I like.

872
00:44:05,080 --> 00:44:12,160
Speaker 1: So, Eric, what have you learned being especially a primary

873
00:44:12,320 --> 00:44:14,399
Speaker 1: caregiver of your now two year olds.

874
00:44:14,480 --> 00:44:15,480
Speaker 2: Yeah, let's talk about that.

875
00:44:16,040 --> 00:44:19,520
Speaker 1: Let's hear some life lessons, things that you've learned, because

876
00:44:19,520 --> 00:44:22,759
Speaker 1: that is a very difficult job, as many of us

877
00:44:22,880 --> 00:44:25,759
Speaker 1: know or at least have heard about. So let's hear

878
00:44:25,840 --> 00:44:28,439
Speaker 1: about some of the things you've learned by being a father.

879
00:44:28,760 --> 00:44:28,960
Speaker 2: Yeah.

880
00:44:29,280 --> 00:44:33,279
Speaker 3: The hardest part off the bat is just feeling bad

881
00:44:33,360 --> 00:44:36,880
Speaker 3: about yourself the whole time, like just thinking, like every

882
00:44:37,160 --> 00:44:40,880
Speaker 3: literally every action and every moment, oh my god, somebody

883
00:44:40,920 --> 00:44:43,480
Speaker 3: would do this so much better. Somebody is like I'm

884
00:44:43,760 --> 00:44:48,279
Speaker 3: and I'm and then that and then also the that's

885
00:44:48,360 --> 00:44:51,880
Speaker 3: the hardest part. And then there's never like maybe this

886
00:44:52,120 --> 00:44:55,520
Speaker 3: was just me. I think most regular adults probably know

887
00:44:55,680 --> 00:44:58,719
Speaker 3: this already, but there isn't like a moment of like

888
00:44:58,840 --> 00:45:02,359
Speaker 3: a switch I'm in on where you're like not a parent,

889
00:45:02,440 --> 00:45:04,200
Speaker 3: not a parent, not a parent, and then you see

890
00:45:04,239 --> 00:45:05,960
Speaker 3: the baby and then you're a parent all of a sudden,

891
00:45:06,440 --> 00:45:10,480
Speaker 3: like that never happened. I I literally lost my mom.

892
00:45:10,800 --> 00:45:12,880
Speaker 3: I mean it was like it was during the pandemic.

893
00:45:12,960 --> 00:45:14,840
Speaker 3: I was going through all this family stuff and I

894
00:45:14,920 --> 00:45:18,000
Speaker 3: was becoming a parent while like the family the family

895
00:45:18,000 --> 00:45:19,719
Speaker 3: stuff was bad, and like I stopped talking to my

896
00:45:19,800 --> 00:45:22,359
Speaker 3: family and was becoming a parent at the same time.

897
00:45:22,719 --> 00:45:25,080
Speaker 3: So I lost my mind. I lost my mind and

898
00:45:25,600 --> 00:45:28,040
Speaker 3: you know, stopped doing comedy and like stop talking to

899
00:45:28,080 --> 00:45:31,359
Speaker 3: all my comedy friends. And it became like really really bad.

900
00:45:31,640 --> 00:45:33,680
Speaker 3: But then it gets and then they got so good,

901
00:45:34,520 --> 00:45:36,719
Speaker 3: and then they got and then it got so good

902
00:45:36,960 --> 00:45:41,480
Speaker 3: and it's so uh it's really easy. It turns out

903
00:45:41,520 --> 00:45:44,120
Speaker 3: to like not hit your kid or yell at your kid.

904
00:45:44,480 --> 00:45:47,360
Speaker 3: So far. I thought that was gonna be hard because

905
00:45:47,360 --> 00:45:48,719
Speaker 3: I got yelled at and I got hit and I

906
00:45:48,840 --> 00:45:50,160
Speaker 3: was like, oh my god, am I gonna do this,

907
00:45:50,239 --> 00:45:52,840
Speaker 3: and it turns out it's super fucking easy to not

908
00:45:52,960 --> 00:45:55,720
Speaker 3: do that shit. Ye yeah, because that's a tiny baby.

909
00:45:57,400 --> 00:46:00,360
Speaker 2: But I all of madden, your problems don't mean anything

910
00:46:00,400 --> 00:46:02,279
Speaker 2: when there's all God human and.

911
00:46:02,320 --> 00:46:03,800
Speaker 3: That is that is the best problem, and that's the

912
00:46:03,840 --> 00:46:08,080
Speaker 3: best thing. But also is people reminding you of that

913
00:46:08,239 --> 00:46:10,239
Speaker 3: all the time. It's like kind of it was like

914
00:46:10,480 --> 00:46:12,320
Speaker 3: I was like, oh, do I talk? Do I complain

915
00:46:12,400 --> 00:46:15,839
Speaker 3: a lot? Like am I am? I just a hot,

916
00:46:15,960 --> 00:46:19,879
Speaker 3: hot mess this entire time, Like all these people came

917
00:46:19,920 --> 00:46:24,239
Speaker 3: out of the wood work with uh surprise, like being

918
00:46:24,320 --> 00:46:29,000
Speaker 3: surprised by how I was parenting, how easy it was mellow.

919
00:46:29,160 --> 00:46:31,600
Speaker 2: Now you're you're not so quick to anger. I didn't

920
00:46:31,640 --> 00:46:33,600
Speaker 2: know I was that way, But that's true.

921
00:46:33,880 --> 00:46:36,280
Speaker 3: It's true, and I knew, I knew. I like anger

922
00:46:36,400 --> 00:46:38,480
Speaker 3: was like a huge problem with me. It's ruined so

923
00:46:38,560 --> 00:46:42,440
Speaker 3: many relationships because of my past and stuff that I've

924
00:46:42,480 --> 00:46:43,800
Speaker 3: talked about it in therapy.

925
00:46:44,560 --> 00:46:47,960
Speaker 2: I was kidding, no, but it's true, it's true. Never seen.

926
00:46:48,360 --> 00:46:49,319
Speaker 2: You're the last person I.

927
00:46:51,719 --> 00:46:55,120
Speaker 3: Know. That's the scary part. That's why it's like, because

928
00:46:55,600 --> 00:46:58,440
Speaker 3: I'm a libra, it's like a two face. I'm a

929
00:46:58,480 --> 00:47:01,880
Speaker 3: two face. I'm a little two face and it just

930
00:47:02,000 --> 00:47:04,120
Speaker 3: like when I pop off, it pops off, because that's

931
00:47:04,160 --> 00:47:06,279
Speaker 3: the way it was grown up, like you never know

932
00:47:06,400 --> 00:47:08,000
Speaker 3: when it's gonna pop off, and then all of a

933
00:47:08,040 --> 00:47:12,640
Speaker 3: sudden you're like, oh shit, I have to defend myself. Yeah,

934
00:47:13,000 --> 00:47:16,040
Speaker 3: but with the baby is Oh my god, he's so

935
00:47:16,239 --> 00:47:20,080
Speaker 3: funny and he should I tell the story of how

936
00:47:20,239 --> 00:47:24,720
Speaker 3: we came up with George. Oh. Sure. So there's a hospital.

937
00:47:24,760 --> 00:47:28,000
Speaker 3: There's a school a college here called I think it's

938
00:47:28,080 --> 00:47:33,320
Speaker 3: Jimmy Hopkins, Jimmy Jimmy Hopkins. Is it can n Johns

939
00:47:33,440 --> 00:47:37,680
Speaker 3: Johns Hopkins Hopkins. Yes. So so that's where we had

940
00:47:37,719 --> 00:47:40,239
Speaker 3: the baby because Drew has the has the good insurance.

941
00:47:41,680 --> 00:47:45,600
Speaker 3: And we were driving there and it was driving to

942
00:47:45,760 --> 00:47:48,600
Speaker 3: the hospital and driving home from the hospital were two

943
00:47:48,640 --> 00:47:52,600
Speaker 3: of the most surreal moments. Like that was especially driving home,

944
00:47:53,280 --> 00:47:56,960
Speaker 3: but driving too, it was like a real there's so

945
00:47:57,120 --> 00:47:59,560
Speaker 3: much clarity in my head, like I just really felt

946
00:48:00,719 --> 00:48:04,239
Speaker 3: tight and but was like in a riffy but it

947
00:48:04,320 --> 00:48:06,680
Speaker 3: was like riff riffy tight and I was like, oh,

948
00:48:07,080 --> 00:48:10,000
Speaker 3: I wish I could do that, and I feel great.

949
00:48:11,760 --> 00:48:16,239
Speaker 1: Drew being the worst audience you could possibly find me,

950
00:48:16,400 --> 00:48:17,200
Speaker 1: give me none of this.

951
00:48:17,400 --> 00:48:19,960
Speaker 3: Yeah, she's she was shut. She was there was a yeah,

952
00:48:20,040 --> 00:48:20,920
Speaker 3: she was not listening to me.

953
00:48:21,120 --> 00:48:23,320
Speaker 5: But we pulled out next to there's a lot of

954
00:48:23,400 --> 00:48:28,200
Speaker 5: Greeks in uh Baltimore, big Greek population, and there's a

955
00:48:28,360 --> 00:48:30,239
Speaker 5: van that pulled up next to us right as we're

956
00:48:30,280 --> 00:48:31,520
Speaker 5: pulling into the hospital.

957
00:48:32,360 --> 00:48:35,279
Speaker 3: H and they said a cropolis construction. And as soon

958
00:48:35,320 --> 00:48:39,480
Speaker 3: as I read that, instantly I thought in my head

959
00:48:40,160 --> 00:48:43,160
Speaker 3: Rome wasn't built in a day, but the Acropolis was

960
00:48:43,640 --> 00:48:46,000
Speaker 3: a cropolis construction. I was like, oh my God, Like,

961
00:48:47,480 --> 00:48:49,799
Speaker 3: I gotta tell them, let's let's make a commercial, because

962
00:48:49,800 --> 00:48:50,960
Speaker 3: that's just a really good commercial.

963
00:48:52,719 --> 00:48:54,719
Speaker 2: You just start spray painting it on their vein.

964
00:48:54,880 --> 00:48:57,640
Speaker 3: Yeah. Can I just talk to these people really faster.

965
00:48:57,760 --> 00:49:00,239
Speaker 3: I'm gonna drop you off out front, and I'm just gonna.

966
00:49:02,080 --> 00:49:04,279
Speaker 2: Let me just get off a foundation right now.

967
00:49:05,080 --> 00:49:07,960
Speaker 3: Who is this guy? But then we got into the

968
00:49:08,160 --> 00:49:10,160
Speaker 3: room and we put on the Food Network, the most

969
00:49:10,200 --> 00:49:13,880
Speaker 3: comforting of all channels and the most comforting guy in

970
00:49:13,920 --> 00:49:17,520
Speaker 3: the whole world. Guy Fieri was just was just ripping

971
00:49:17,600 --> 00:49:20,640
Speaker 3: open a brand new Triple D. It's like, right at

972
00:49:20,640 --> 00:49:23,200
Speaker 3: the beginning, right we got settled in, turned the TV

973
00:49:23,440 --> 00:49:27,439
Speaker 3: on Boom Triple D starting and he goes, today we're

974
00:49:27,480 --> 00:49:30,440
Speaker 3: going to the Broadway Diner in Baltimore, Maryland, which was

975
00:49:30,520 --> 00:49:33,359
Speaker 3: like down the street from Jimmy's Hopkins.

976
00:49:33,000 --> 00:49:37,520
Speaker 2: Where we were, and a perfect first thing for your

977
00:49:37,640 --> 00:49:38,279
Speaker 2: son to see.

978
00:49:38,520 --> 00:49:40,800
Speaker 3: Yeah, because he's like the closest thing we have to

979
00:49:40,880 --> 00:49:44,160
Speaker 3: a religion in this house is this guy and what

980
00:49:44,320 --> 00:49:47,759
Speaker 3: he does. But we talked about nance. There's like a

981
00:49:47,880 --> 00:49:50,680
Speaker 3: short short list that was like none of them had

982
00:49:50,719 --> 00:49:53,360
Speaker 3: been like confirmed, you know, like and George was not

983
00:49:53,480 --> 00:49:55,920
Speaker 3: on it. And so I was like, okay, so this

984
00:49:56,080 --> 00:50:00,840
Speaker 3: is crazy that he's in Baltimore. Whatever this chef's name is,

985
00:50:01,440 --> 00:50:03,439
Speaker 3: that he's gonna talk to you right now, we're gonna

986
00:50:03,480 --> 00:50:06,880
Speaker 3: name our baby. Andrew was like okay. And then so

987
00:50:07,840 --> 00:50:11,800
Speaker 3: this like sweet, big, like Greek guy named George was

988
00:50:11,840 --> 00:50:14,280
Speaker 3: like the chef and this diner who basically said two words,

989
00:50:14,400 --> 00:50:15,799
Speaker 3: and I was like, that's all I want my baby

990
00:50:15,880 --> 00:50:19,040
Speaker 3: to be like. And and it turned out that Drew

991
00:50:19,160 --> 00:50:22,239
Speaker 3: had like like had had pitched that name a while

992
00:50:22,280 --> 00:50:24,960
Speaker 3: ago and I never never registered. She like always liked it,

993
00:50:25,800 --> 00:50:27,080
Speaker 3: and so George it was George.

994
00:50:27,360 --> 00:50:29,960
Speaker 2: That's so if if you don't mind me stealing your

995
00:50:30,000 --> 00:50:40,680
Speaker 2: phrase so sick. In my hometown. There's there's a kid

996
00:50:40,760 --> 00:50:46,120
Speaker 2: I remember, George Cudelaris. His family owned a crop the

997
00:50:46,239 --> 00:50:51,000
Speaker 2: list euro shop. Whoa, yeah, all the more reason to

998
00:50:51,120 --> 00:50:52,120
Speaker 2: name your baby George.

999
00:50:52,440 --> 00:50:55,439
Speaker 3: Yeah, that's perfect. That's like that's the whole world coming

1000
00:50:55,520 --> 00:50:59,040
Speaker 3: together and the Greeks just really really sticking to their

1001
00:50:59,480 --> 00:51:01,920
Speaker 3: to their ripped knowing what works for them.

1002
00:51:02,800 --> 00:51:05,640
Speaker 2: Did you do any research or did you just figure

1003
00:51:05,680 --> 00:51:08,440
Speaker 2: it out? Like did you get the doctor oz baby

1004
00:51:08,520 --> 00:51:10,480
Speaker 2: book with how prepared?

1005
00:51:11,040 --> 00:51:13,120
Speaker 3: I'm so bad with that. I feel like, well one

1006
00:51:13,120 --> 00:51:16,320
Speaker 3: of the main things was like I'm such a dummy,

1007
00:51:16,840 --> 00:51:21,040
Speaker 3: and all the all the books are written by like academics,

1008
00:51:21,120 --> 00:51:24,040
Speaker 3: and even the books that are like this is us

1009
00:51:24,239 --> 00:51:27,480
Speaker 3: like telling it to your plane. It's even those books

1010
00:51:27,520 --> 00:51:31,120
Speaker 3: are like written by these like doctors and like academics,

1011
00:51:31,160 --> 00:51:34,520
Speaker 3: and I just that ship just always is in one

1012
00:51:34,600 --> 00:51:38,000
Speaker 3: year out the other with me. It's really bad that

1013
00:51:38,120 --> 00:51:42,040
Speaker 3: I like have just been true so great, like she

1014
00:51:42,280 --> 00:51:44,879
Speaker 3: did all this research. We have the Mayo Clinic book,

1015
00:51:44,960 --> 00:51:46,440
Speaker 3: which is was a really good.

1016
00:51:46,920 --> 00:51:48,000
Speaker 2: Yeah that's probably better.

1017
00:51:48,360 --> 00:51:49,239
Speaker 3: Yeah that was good.

1018
00:51:51,520 --> 00:51:55,719
Speaker 1: Doctor, Sorry, but doctors Bok's the one that like here's

1019
00:51:55,760 --> 00:51:57,680
Speaker 1: the thing and I think the good part about it

1020
00:51:57,880 --> 00:52:02,920
Speaker 1: is that all of these things are trends, and as

1021
00:52:03,000 --> 00:52:09,440
Speaker 1: we all evolve as people, people learn better. So like doctor, uh,

1022
00:52:09,600 --> 00:52:13,879
Speaker 1: doctor sorry, that's my fault. Doctor Spock is the one

1023
00:52:13,960 --> 00:52:17,319
Speaker 1: who used to tell mothers when your baby's crying after

1024
00:52:17,400 --> 00:52:19,160
Speaker 1: you put your baby to bed, don't go pick the

1025
00:52:19,239 --> 00:52:21,759
Speaker 1: baby up. Let it cry itself out. And that is

1026
00:52:21,960 --> 00:52:24,920
Speaker 1: absolutely like these days they are like, oh, the damage

1027
00:52:24,960 --> 00:52:26,560
Speaker 1: that was done by those situations.

1028
00:52:28,520 --> 00:52:32,399
Speaker 3: Do that, do that, try that, try that and see

1029
00:52:32,440 --> 00:52:33,319
Speaker 3: how that works out for.

1030
00:52:33,719 --> 00:52:38,759
Speaker 1: Yeah, just loose baby crying. It set off. It's like, oh,

1031
00:52:39,600 --> 00:52:40,080
Speaker 1: so sad.

1032
00:52:40,320 --> 00:52:43,640
Speaker 3: Doctor Spas would be a really good name, like sboz.

1033
00:52:44,760 --> 00:52:45,760
Speaker 1: That's your new character.

1034
00:52:47,520 --> 00:52:50,440
Speaker 2: Just the face divided down the middle, just.

1035
00:52:50,680 --> 00:52:52,680
Speaker 1: Super weird pediatrician.

1036
00:52:52,800 --> 00:52:55,320
Speaker 3: Yeah, oh my god, look at that. No, I just

1037
00:52:55,360 --> 00:52:59,600
Speaker 3: thought of something else. What is this? What baby? What

1038
00:53:00,239 --> 00:53:02,680
Speaker 3: we're gonna do it? Guys, we're gonna do it. Hold on,

1039
00:53:02,800 --> 00:53:08,520
Speaker 3: hold on, let me finish my doctor pepper uh. That

1040
00:53:08,840 --> 00:53:11,080
Speaker 3: it was the baby. The baby, And then like the

1041
00:53:11,200 --> 00:53:13,239
Speaker 3: main thing with the baby is like they can't He

1042
00:53:13,360 --> 00:53:16,239
Speaker 3: came out knowing a bunch of ship already. He was

1043
00:53:16,400 --> 00:53:19,799
Speaker 3: just like so aware and like knew that I needed help,

1044
00:53:20,320 --> 00:53:23,719
Speaker 3: like changing diapers. Was like he's like, oh man, I

1045
00:53:23,800 --> 00:53:26,040
Speaker 3: better cool it with this guy just does not seem

1046
00:53:26,120 --> 00:53:27,759
Speaker 3: like you knows what he's doing. I'm just gonna be

1047
00:53:27,880 --> 00:53:29,759
Speaker 3: really good and just let him.

1048
00:53:29,800 --> 00:53:32,760
Speaker 2: His little hand goes down and where to put the flap?

1049
00:53:33,160 --> 00:53:37,120
Speaker 3: Yeah, flat, it's just gonna got it. You got it,

1050
00:53:37,160 --> 00:53:38,520
Speaker 3: you got it. Just leave it alone. You got it,

1051
00:53:38,600 --> 00:53:38,920
Speaker 3: you got it.

1052
00:53:39,000 --> 00:53:43,000
Speaker 2: You've got little fingers opening a perfect safety pin putting

1053
00:53:43,000 --> 00:53:45,719
Speaker 2: it in. I assume you use just knocking stuff out

1054
00:53:45,719 --> 00:53:46,120
Speaker 2: of my hand.

1055
00:53:46,160 --> 00:53:49,600
Speaker 3: Don't do that. Yes, yes, from cartoons, we use cloth

1056
00:53:49,719 --> 00:53:54,400
Speaker 3: diapers with a giant safety pins from the cartoon you

1057
00:53:54,480 --> 00:53:56,560
Speaker 3: get a ship from tiny tubs.

1058
00:53:57,600 --> 00:54:00,279
Speaker 1: I used to have one of those. My mom kept

1059
00:54:00,400 --> 00:54:03,000
Speaker 1: like two of our diaper pins and I used to

1060
00:54:03,320 --> 00:54:05,760
Speaker 1: play with it when I was you know, like seven

1061
00:54:05,880 --> 00:54:09,759
Speaker 1: or eight. Those things are so like they're they're like

1062
00:54:09,880 --> 00:54:10,759
Speaker 1: on spring action.

1063
00:54:11,000 --> 00:54:11,160
Speaker 3: Yeah.

1064
00:54:11,239 --> 00:54:13,280
Speaker 1: Yeah, if you get it out of the little safety

1065
00:54:13,360 --> 00:54:16,200
Speaker 1: area and it flicks like, I would injured myself.

1066
00:54:18,000 --> 00:54:21,280
Speaker 3: Yes, yeah, it's a huge.

1067
00:54:21,480 --> 00:54:24,600
Speaker 2: They still make me nervous the minute I try and operate.

1068
00:54:24,680 --> 00:54:27,800
Speaker 2: One man, let's get clammy and not make it easier.

1069
00:54:28,560 --> 00:54:32,920
Speaker 3: It's crazy how much dangerous stuff there is everywhere, and

1070
00:54:33,040 --> 00:54:35,160
Speaker 3: we don't like we live in a kind of old

1071
00:54:35,239 --> 00:54:37,839
Speaker 3: house and like the walls that went to row House,

1072
00:54:37,920 --> 00:54:43,160
Speaker 3: it's real Baltimore Rowhouse, and we like don't No. I

1073
00:54:43,320 --> 00:54:46,080
Speaker 3: just flashed into my head that people who are actually

1074
00:54:46,120 --> 00:54:47,640
Speaker 3: from Baltimore are going to listen to this and are

1075
00:54:47,760 --> 00:54:49,200
Speaker 3: going to be so mad at me because I didn't

1076
00:54:49,200 --> 00:54:51,759
Speaker 3: say anything like real about Baltimore. They're gonna be so

1077
00:54:51,840 --> 00:54:55,480
Speaker 3: many but like we can't, like we couldn't do the

1078
00:54:55,560 --> 00:54:58,000
Speaker 3: baby gates, and there was just a lot, like some

1079
00:54:58,120 --> 00:54:59,880
Speaker 3: stuff that we couldn't do because the house is so

1080
00:55:00,040 --> 00:55:02,719
Speaker 3: old and it's just terrifying all the time. But that's

1081
00:55:02,760 --> 00:55:06,160
Speaker 3: good to me, is good. It keeps me on my toes.

1082
00:55:07,080 --> 00:55:08,200
Speaker 3: It's good to be.

1083
00:55:09,560 --> 00:55:14,400
Speaker 2: Did you pad corners, padded corners, locked on?

1084
00:55:14,560 --> 00:55:17,359
Speaker 3: You had locked up drawers. The drawers are also very big.

1085
00:55:17,480 --> 00:55:18,759
Speaker 2: The switchblade drawer, the.

1086
00:55:18,800 --> 00:55:22,920
Speaker 3: Switch blade drawer, yeah yeah, yeah yeah, and uh, you

1087
00:55:23,000 --> 00:55:25,479
Speaker 3: know the poetry drawer.

1088
00:55:26,440 --> 00:55:27,240
Speaker 2: Keep that poetry.

1089
00:55:27,360 --> 00:55:29,320
Speaker 3: You will not really poetry.

1090
00:55:30,600 --> 00:55:34,480
Speaker 1: And you will not dance. My sister was a single mother,

1091
00:55:34,840 --> 00:55:37,400
Speaker 1: so she would have to like you know, she was

1092
00:55:37,520 --> 00:55:40,360
Speaker 1: trying to do laundry or anything. She just have to

1093
00:55:40,400 --> 00:55:44,000
Speaker 1: put my knees down, and so Nora started walking and

1094
00:55:44,120 --> 00:55:47,200
Speaker 1: talking so young because she just didn't want to be

1095
00:55:47,360 --> 00:55:49,640
Speaker 1: by herself in the front room. She wanted to be

1096
00:55:49,719 --> 00:55:52,359
Speaker 1: where my sister was, so she would pull herself down

1097
00:55:52,400 --> 00:55:55,200
Speaker 1: the hallway and eventually just get up and walk herself.

1098
00:55:55,400 --> 00:55:58,880
Speaker 1: And my sister was part partly like this is the

1099
00:55:59,440 --> 00:56:02,000
Speaker 1: time of her life where it should be slightly easier

1100
00:56:02,400 --> 00:56:04,320
Speaker 1: because I should be able to just put her somewhere,

1101
00:56:04,680 --> 00:56:06,640
Speaker 1: But because she's like, I'm not going to be out

1102
00:56:06,719 --> 00:56:09,880
Speaker 1: here by myself, so she just like would get her places,

1103
00:56:09,880 --> 00:56:12,200
Speaker 1: and I'm like, that's kind of genius because then like

1104
00:56:13,040 --> 00:56:15,719
Speaker 1: instead of a baby being like everything is done for you,

1105
00:56:15,920 --> 00:56:17,719
Speaker 1: it's like, hey, yeah you want to be back here,

1106
00:56:17,800 --> 00:56:19,880
Speaker 1: then you got to get up here.

1107
00:56:20,040 --> 00:56:22,120
Speaker 3: Yeah yeah, that's so sick.

1108
00:56:22,280 --> 00:56:23,040
Speaker 2: Light upstairs.

1109
00:56:23,520 --> 00:56:27,680
Speaker 3: Yeah, get up there, get up here, come on, get

1110
00:56:27,719 --> 00:56:30,120
Speaker 3: down there. That's what potrait is going to be like, right,

1111
00:56:30,200 --> 00:56:32,920
Speaker 3: because I was just going to be like just just

1112
00:56:33,000 --> 00:56:35,879
Speaker 3: sit sit down over here, sit down over.

1113
00:56:35,880 --> 00:56:37,920
Speaker 1: There, let it out, Yeah, take care of it over

1114
00:56:37,960 --> 00:56:39,080
Speaker 1: there in that other room.

1115
00:56:39,719 --> 00:56:42,680
Speaker 3: It's scary all that stuff is coming, but it's it's

1116
00:56:42,760 --> 00:56:45,360
Speaker 3: fun stuff. It's fun stuff. The pooping is going to

1117
00:56:45,400 --> 00:56:46,080
Speaker 3: be fun. Right.

1118
00:56:47,160 --> 00:56:49,919
Speaker 2: Oh yeah, once it gets solid and smelly, you're gonna

1119
00:56:50,000 --> 00:56:54,080
Speaker 2: love it. Yeah, you're gonna is George talking and all

1120
00:56:54,160 --> 00:56:55,560
Speaker 2: yet probably not or yeah.

1121
00:56:55,880 --> 00:56:58,200
Speaker 3: He says a lot of words. He's starting to like

1122
00:56:58,520 --> 00:56:59,440
Speaker 3: put words together.

1123
00:56:59,719 --> 00:57:00,439
Speaker 2: Yeah for sure.

1124
00:57:00,680 --> 00:57:08,160
Speaker 3: Yeah, and verbs. He says no really well no no no, no, no, no,

1125
00:57:08,400 --> 00:57:13,120
Speaker 3: no no, that's his thing. No, no, no, stop it.

1126
00:57:13,560 --> 00:57:18,440
Speaker 3: He like really hits. He hits key's really hard, like

1127
00:57:18,560 --> 00:57:23,919
Speaker 3: he'll stay stop it, stop it, daddy. Yeah, he tells

1128
00:57:23,960 --> 00:57:26,040
Speaker 3: me to stop it all the time because he's like,

1129
00:57:26,760 --> 00:57:29,000
Speaker 3: I'm like his like day to day parent. He gets

1130
00:57:29,080 --> 00:57:31,440
Speaker 3: so stick of me, and you know, by the time

1131
00:57:31,560 --> 00:57:36,640
Speaker 3: Drew gets home, it's like, oh, dude, just leave me alone. Honestly,

1132
00:57:37,120 --> 00:57:39,160
Speaker 3: you go take a ship. Why don't you go take

1133
00:57:39,200 --> 00:57:42,280
Speaker 3: a ship and smoke and it smokes some weed. Please

1134
00:57:42,880 --> 00:57:45,560
Speaker 3: and come back and get out of here and get

1135
00:57:45,600 --> 00:57:48,120
Speaker 3: it out of here. He says a lot of words.

1136
00:57:48,440 --> 00:57:50,520
Speaker 2: Has he ever hurt your feelings? Has he ever said

1137
00:57:50,640 --> 00:57:52,240
Speaker 2: all the time, Oh my god.

1138
00:57:52,720 --> 00:57:58,080
Speaker 3: Oh my god. Well, I mean just just that whole

1139
00:57:58,520 --> 00:58:01,600
Speaker 3: the whole thing of like I'm him every day and

1140
00:58:01,760 --> 00:58:04,080
Speaker 3: that moment of like when Drue walks in the door,

1141
00:58:04,200 --> 00:58:06,920
Speaker 3: I don't exist that's really real and it hurts him

1142
00:58:08,160 --> 00:58:11,400
Speaker 3: every time. But then it's also so funny because it

1143
00:58:11,640 --> 00:58:15,160
Speaker 3: just like he'll just give me like one kernel of

1144
00:58:15,320 --> 00:58:18,120
Speaker 3: love and it's like it never happened. I'm living.

1145
00:58:18,200 --> 00:58:20,880
Speaker 2: Like, wait until the rolls when he's fifteen and you're

1146
00:58:21,000 --> 00:58:21,640
Speaker 2: cool as shit.

1147
00:58:22,200 --> 00:58:26,000
Speaker 3: Oh you just wait, he's gonna be She's like in

1148
00:58:26,080 --> 00:58:29,000
Speaker 3: the trucks and cars, which is not something I'm really into,

1149
00:58:30,600 --> 00:58:32,800
Speaker 3: but that stuff is I'm getting into. I'm like, no,

1150
00:58:32,960 --> 00:58:38,240
Speaker 3: I'm a sports music, you know, dance guy. Uh, poetry.

1151
00:58:38,440 --> 00:58:40,960
Speaker 3: But he's like a huge gearhead. He's always trying to

1152
00:58:41,000 --> 00:58:44,880
Speaker 3: fix stuff. Uh. He'll grab stuff out of your hand

1153
00:58:45,000 --> 00:58:46,880
Speaker 3: and he'll like get to the bottom of it. He's

1154
00:58:46,880 --> 00:58:50,960
Speaker 3: always trying to get to the bottom of stuff. That's great, Yeah,

1155
00:58:51,040 --> 00:58:51,520
Speaker 3: it's great.

1156
00:58:52,720 --> 00:58:54,000
Speaker 2: On his head, he talks.

1157
00:58:54,320 --> 00:58:56,680
Speaker 3: He did the other day actually, because there's a big

1158
00:58:56,840 --> 00:58:59,880
Speaker 3: warehouse by the park that we go to and they

1159
00:59:00,280 --> 00:59:02,680
Speaker 3: over there. We went over there. You know. He goes

1160
00:59:02,720 --> 00:59:06,480
Speaker 3: like he doesn't want to do anything, but he just trucks, trucks, trucks,

1161
00:59:06,760 --> 00:59:10,439
Speaker 3: and he does this thing where he just repeats trucks, truck, truck, truck,

1162
00:59:10,520 --> 00:59:12,439
Speaker 3: and then you're like, okay, so we go over there

1163
00:59:12,600 --> 00:59:15,080
Speaker 3: and they're like huge mac trucks and he just like

1164
00:59:15,240 --> 00:59:18,360
Speaker 3: gets in the wheels. He's so tiny, so the wheels

1165
00:59:18,400 --> 00:59:20,280
Speaker 3: like twice the size of them, and he'll just like

1166
00:59:20,840 --> 00:59:22,920
Speaker 3: climb in there with his hands and he had grease

1167
00:59:23,000 --> 00:59:29,280
Speaker 3: Oliver his hands like a tiny mechanic. Yeah, he's just yeah,

1168
00:59:29,320 --> 00:59:30,800
Speaker 3: he gets on the back. He has like a little

1169
00:59:31,120 --> 00:59:32,800
Speaker 3: he has one of those dollies on wheels.

1170
00:59:32,840 --> 00:59:35,200
Speaker 1: He gets an that God, that would be you should

1171
00:59:35,240 --> 00:59:36,440
Speaker 1: give that to him for Christmas.

1172
00:59:36,520 --> 00:59:38,640
Speaker 3: That's a really good idea. That's a really good itea.

1173
00:59:38,880 --> 00:59:41,160
Speaker 1: Yeah, that'd be the greatest.

1174
00:59:41,600 --> 00:59:43,960
Speaker 3: He likes that. I think this year his birthdays next month,

1175
00:59:44,000 --> 00:59:46,560
Speaker 3: and I think a toy vacuum cleaner is going to

1176
00:59:46,600 --> 00:59:49,040
Speaker 3: be the move because it's like, oh yeah, he loves

1177
00:59:49,080 --> 00:59:52,320
Speaker 3: the vacuum. He's terrified of it, but he's also intrigued

1178
00:59:52,360 --> 00:59:54,840
Speaker 3: by it, and so he always talked about it. So

1179
00:59:55,000 --> 00:59:56,320
Speaker 3: the vacuum is going to be the move.

1180
00:59:56,440 --> 01:00:00,560
Speaker 2: That's I just mentioned. Yes, he's a but yeah, I

1181
01:00:00,960 --> 01:00:03,480
Speaker 2: have a cousin who was so in vacuums as a kid,

1182
01:00:03,760 --> 01:00:06,720
Speaker 2: and he wanted a vacuum for Christmas when he's like five,

1183
01:00:07,000 --> 01:00:09,120
Speaker 2: and he got it and he took it apart, put

1184
01:00:09,160 --> 01:00:11,880
Speaker 2: it back together into this. He is now a guy

1185
01:00:11,960 --> 01:00:16,080
Speaker 2: that owns a vacuum store. Really, it's just he knew

1186
01:00:16,080 --> 01:00:18,000
Speaker 2: it's Yes, I'm not none of that as a joke.

1187
01:00:19,520 --> 01:00:19,720
Speaker 3: Yeah.

1188
01:00:19,800 --> 01:00:24,840
Speaker 2: Yeah, maybe like vacuums because they they do immediate results.

1189
01:00:25,040 --> 01:00:28,520
Speaker 2: There's a loud engine, yeah, and they shut off really

1190
01:00:28,600 --> 01:00:31,880
Speaker 2: quickly once you're like, once you're done with it, you're

1191
01:00:31,920 --> 01:00:35,920
Speaker 2: done with it. I never I'm a kid that hated

1192
01:00:36,040 --> 01:00:39,640
Speaker 2: vacuums because it meant no more partying between the hours

1193
01:00:39,680 --> 01:00:41,520
Speaker 2: of three and five. My parents are home and my

1194
01:00:41,560 --> 01:00:44,040
Speaker 2: mom's going to vacuum outside my door and slam the

1195
01:00:44,080 --> 01:00:47,720
Speaker 2: door with the vacuum. And I've always to this day

1196
01:00:47,800 --> 01:00:48,800
Speaker 2: my place is filthy.

1197
01:00:49,520 --> 01:00:53,880
Speaker 3: Yeah good good Mine too, Mine too, just for that

1198
01:00:54,120 --> 01:00:57,640
Speaker 3: same reason and only that reason, because I vacuum.

1199
01:00:57,880 --> 01:01:01,880
Speaker 2: Yeah, no, wonder, I wonder there's smudges on your baby's head.

1200
01:01:02,280 --> 01:01:04,640
Speaker 3: There's oh, just so darty. Oh and then bad time

1201
01:01:04,800 --> 01:01:08,440
Speaker 3: and he has like this huge mop of curly hair.

1202
01:01:09,160 --> 01:01:13,160
Speaker 3: So my favorite line. I have two lines that are

1203
01:01:13,200 --> 01:01:15,920
Speaker 3: my favorite lines. When people are like, oh my god,

1204
01:01:16,040 --> 01:01:18,040
Speaker 3: his hair is amazing and it's so curly, it's so

1205
01:01:19,480 --> 01:01:21,160
Speaker 3: I say, yeah, it takes a lot of time in

1206
01:01:21,200 --> 01:01:26,680
Speaker 3: the mornings, but it's worth it. That's usually their action too,

1207
01:01:26,760 --> 01:01:28,040
Speaker 3: there's a pause, there's.

1208
01:01:27,800 --> 01:01:31,960
Speaker 2: A solid it's great. Yeah, about a while to actually

1209
01:01:32,080 --> 01:01:35,400
Speaker 2: visualize your baby in a tiny robe with curlers.

1210
01:01:35,840 --> 01:01:38,680
Speaker 3: Yeah, because I'm if they usually have to take me

1211
01:01:38,920 --> 01:01:41,360
Speaker 3: in like, what is this dude doing with this baby?

1212
01:01:43,000 --> 01:01:44,920
Speaker 3: Why is he not dancing with this baby?

1213
01:01:47,280 --> 01:01:49,960
Speaker 1: I bet you're the best dad, though, Eric, because you

1214
01:01:50,160 --> 01:01:53,880
Speaker 1: are a good at improv. B you have a Juan

1215
01:01:53,960 --> 01:01:57,800
Speaker 1: de Vive and you have a I was just describing

1216
01:01:57,920 --> 01:02:01,600
Speaker 1: you earlier because I was on a me with Danielle Kramer. Yeah,

1217
01:02:01,640 --> 01:02:05,720
Speaker 1: I probably remember from Meltdown, and she was like, I

1218
01:02:06,080 --> 01:02:09,120
Speaker 1: love I saw his name and I love him so much,

1219
01:02:10,000 --> 01:02:14,080
Speaker 1: and we were talking about I was describing the character

1220
01:02:14,200 --> 01:02:19,960
Speaker 1: you played once when I did someone's talk show Travis Travis. Yes,

1221
01:02:20,120 --> 01:02:23,920
Speaker 1: and you were you just played a like a teenager

1222
01:02:24,120 --> 01:02:27,600
Speaker 1: that was just hanging around on the show for no reason, right,

1223
01:02:28,480 --> 01:02:31,600
Speaker 1: and it was so funny and so ridiculous, and you

1224
01:02:31,720 --> 01:02:35,400
Speaker 1: did it perfectly the entire time. I just kept going like, oh,

1225
01:02:35,440 --> 01:02:36,240
Speaker 1: he's still doing it.

1226
01:02:37,120 --> 01:02:39,800
Speaker 3: I mean, you're so You're so fun to play with,

1227
01:02:40,120 --> 01:02:43,560
Speaker 3: you know, in theater, in that way. And also that

1228
01:02:43,720 --> 01:02:45,560
Speaker 3: was that was the most fun. And that was just

1229
01:02:45,640 --> 01:02:47,600
Speaker 3: like a dude that I grew up with and like

1230
01:02:47,880 --> 01:02:51,400
Speaker 3: so cal to the to the end, so so cow

1231
01:02:51,480 --> 01:02:54,000
Speaker 3: that his name is Travis, his last name is Travis,

1232
01:02:54,040 --> 01:02:55,240
Speaker 3: and his first name is Travis.

1233
01:02:56,560 --> 01:03:02,320
Speaker 1: That's like perfection. I just yeah, it's only good news

1234
01:03:02,400 --> 01:03:04,960
Speaker 1: for that baby. You have to know that job inside.

1235
01:03:05,560 --> 01:03:08,480
Speaker 3: Yeah he did. He does. Like I said, I'd lost

1236
01:03:08,560 --> 01:03:11,000
Speaker 3: my mind so uh and like a part of that

1237
01:03:11,120 --> 01:03:13,600
Speaker 3: was like not doing comedy and stuff and like going

1238
01:03:13,720 --> 01:03:15,480
Speaker 3: like what, Okay, I guess I'll be a plumber now

1239
01:03:15,600 --> 01:03:18,240
Speaker 3: I don't know what to do. I wasn't even doing

1240
01:03:18,520 --> 01:03:20,640
Speaker 3: comedy that well, Like I mean the business I went

1241
01:03:20,760 --> 01:03:23,920
Speaker 3: that well, but like, uh, he does make me feel

1242
01:03:24,440 --> 01:03:26,680
Speaker 3: like the best version of myself and the version of

1243
01:03:26,760 --> 01:03:29,880
Speaker 3: my stuff that I like miss, you know, because they're

1244
01:03:29,880 --> 01:03:34,080
Speaker 3: like because I started. When you do therapy, you like excavate, excavate.

1245
01:03:34,560 --> 01:03:37,080
Speaker 3: He loves excavators. He loves diggers. Oh my god, he

1246
01:03:37,160 --> 01:03:40,640
Speaker 3: loves diggers. You dig up a lot of shit. And

1247
01:03:40,720 --> 01:03:42,640
Speaker 3: I was like digging up all the ship while the

1248
01:03:42,720 --> 01:03:47,120
Speaker 3: baby was on the way. And then he yeah, it's

1249
01:03:47,200 --> 01:03:48,920
Speaker 3: just it was good in that way where I was like,

1250
01:03:49,520 --> 01:03:52,840
Speaker 3: I feel like myself like I did in high school,

1251
01:03:53,000 --> 01:03:56,040
Speaker 3: or like when I like because I don't like myself

1252
01:03:56,120 --> 01:03:58,840
Speaker 3: that much most of the time, or I don't feel

1253
01:03:58,880 --> 01:04:02,840
Speaker 3: like I have a strong sense of soul. And there's

1254
01:04:02,880 --> 01:04:07,720
Speaker 3: nothing like that kid to fucking really make you feel

1255
01:04:07,800 --> 01:04:11,280
Speaker 3: solid about yourself. So yeah, it is the best. So

1256
01:04:11,400 --> 01:04:15,320
Speaker 3: I guess it's good. Yeah, I like you. I like

1257
01:04:15,400 --> 01:04:15,720
Speaker 3: you too.

1258
01:04:16,040 --> 01:04:21,440
Speaker 2: I remember you I at meltdown. I'm you did. I

1259
01:04:21,960 --> 01:04:24,280
Speaker 2: always do this. I'd tell someone's jokes to them, but

1260
01:04:24,360 --> 01:04:26,320
Speaker 2: it's one of my favorite things to do. So here

1261
01:04:26,400 --> 01:04:29,440
Speaker 2: we go. You were talking about wanting to get at

1262
01:04:29,520 --> 01:04:32,840
Speaker 2: to pay a blonde to pay of just a few

1263
01:04:33,360 --> 01:04:37,240
Speaker 2: two fingers, wispy hairs, just a careless whisper.

1264
01:04:37,480 --> 01:04:40,520
Speaker 3: Yeah, called it a careless whisper. Yeah.

1265
01:04:40,520 --> 01:04:45,840
Speaker 2: And I know you were improvising and having light hazel contacts,

1266
01:04:46,520 --> 01:04:49,240
Speaker 2: just describing all the ways you wanted to modify your

1267
01:04:49,280 --> 01:04:53,120
Speaker 2: body because and the audience was so with you, and

1268
01:04:53,280 --> 01:04:56,000
Speaker 2: it was so weird, and you were in full control

1269
01:04:57,200 --> 01:04:59,520
Speaker 2: and you knew who you were, but you weren't. It's

1270
01:04:59,560 --> 01:05:01,960
Speaker 2: all prov It was just great, great.

1271
01:05:02,000 --> 01:05:04,760
Speaker 3: Can I just I'm not saying this because you were

1272
01:05:04,880 --> 01:05:08,400
Speaker 3: just like it. No, you did it perfect, Okay you

1273
01:05:09,040 --> 01:05:11,720
Speaker 3: but you the first time I saw you was like

1274
01:05:11,880 --> 01:05:14,440
Speaker 3: seeing like I was like, oh fuck, you could just

1275
01:05:14,520 --> 01:05:16,560
Speaker 3: do that, Like I remember it was like really early on.

1276
01:05:16,680 --> 01:05:19,160
Speaker 3: I think it was like and I was like trying

1277
01:05:19,200 --> 01:05:21,120
Speaker 3: to write jokes and it really wasn't working for me

1278
01:05:21,160 --> 01:05:23,200
Speaker 3: because it was like not really my thing, Like I'm

1279
01:05:23,240 --> 01:05:27,080
Speaker 3: not like a joke writer writer. I love being on

1280
01:05:27,200 --> 01:05:29,920
Speaker 3: stage and I love getting to some place with a

1281
01:05:30,040 --> 01:05:32,520
Speaker 3: with a group of people. And that's what you were doing,

1282
01:05:32,560 --> 01:05:35,680
Speaker 3: and you were so locked in and I couldn't tell

1283
01:05:35,720 --> 01:05:38,400
Speaker 3: I for you if they were jokes or improv which

1284
01:05:38,480 --> 01:05:40,520
Speaker 3: like that is that's a joke that I always do,

1285
01:05:40,680 --> 01:05:43,120
Speaker 3: the two paved peece. Oh is it ye?

1286
01:05:43,360 --> 01:05:45,760
Speaker 2: That you pulled the trick that I've been pulling my

1287
01:05:45,880 --> 01:05:47,000
Speaker 2: whole life because.

1288
01:05:47,000 --> 01:05:50,120
Speaker 3: I because I stole that from you. I stole that.

1289
01:05:52,080 --> 01:05:54,920
Speaker 2: No, I saw other people do it my first time,

1290
01:05:55,040 --> 01:05:58,200
Speaker 2: seeing like Jimmy Pardo, I saw ye, oh my god.

1291
01:05:58,080 --> 01:05:58,800
Speaker 3: He's so good at that.

1292
01:05:58,960 --> 01:05:59,479
Speaker 2: He's the best.

1293
01:05:59,560 --> 01:06:00,600
Speaker 3: Some people, Yeah, I.

1294
01:06:00,760 --> 01:06:05,600
Speaker 2: Feel like they're almost disappointed when not other comics though,

1295
01:06:05,680 --> 01:06:07,960
Speaker 2: when they find out, Oh he says that every time,

1296
01:06:08,040 --> 01:06:10,240
Speaker 2: I thought that was really good improv. Yeah, it was

1297
01:06:10,320 --> 01:06:12,320
Speaker 2: at one point and it got to laugh, So you

1298
01:06:12,400 --> 01:06:14,760
Speaker 2: do it again. But the first time you talked about

1299
01:06:14,800 --> 01:06:19,960
Speaker 2: Golden Careless whispered tiny blonde tupe, that was probably just

1300
01:06:20,560 --> 01:06:21,960
Speaker 2: you know, talking on stage.

1301
01:06:22,040 --> 01:06:24,600
Speaker 3: Yeah, I can't remember where. I'm sure it was like

1302
01:06:24,880 --> 01:06:27,680
Speaker 3: it was just because I don't really remember. Sometimes I

1303
01:06:27,760 --> 01:06:30,240
Speaker 3: don't record because I can't. I can't stay the sun

1304
01:06:30,320 --> 01:06:32,800
Speaker 3: of my own voice. But but I do like and

1305
01:06:32,960 --> 01:06:36,000
Speaker 3: Rory's really good at it, Like you and Rory were like.

1306
01:06:36,400 --> 01:06:37,800
Speaker 3: I was like, Oh, you could just do that. That

1307
01:06:37,880 --> 01:06:40,480
Speaker 3: sounds like that looks like so much more fun than

1308
01:06:40,560 --> 01:06:43,080
Speaker 3: try that to write a punchline, which I can't do

1309
01:06:43,560 --> 01:06:46,240
Speaker 3: if you had to, which I did have to and

1310
01:06:46,360 --> 01:06:46,600
Speaker 3: I did.

1311
01:06:48,720 --> 01:06:52,160
Speaker 2: Yeah, you also had it where during the weekdays, your

1312
01:06:52,240 --> 01:06:56,320
Speaker 2: name is spelled er, I see, but come weekend it's

1313
01:06:56,520 --> 01:07:01,840
Speaker 2: E R i Q weekend Derek Baby.

1314
01:07:02,520 --> 01:07:05,480
Speaker 3: I didn't look at weekend because here I come that song.

1315
01:07:06,160 --> 01:07:11,400
Speaker 3: Oh look at weekend because here I come. Second.

1316
01:07:12,920 --> 01:07:15,120
Speaker 1: No, I've talked about this.

1317
01:07:17,640 --> 01:07:19,240
Speaker 3: Sorry we'll bleep it.

1318
01:07:19,320 --> 01:07:20,680
Speaker 2: And people are like, why did he just.

1319
01:07:20,760 --> 01:07:24,120
Speaker 3: Sware so much? He really let loose, He really wet.

1320
01:07:24,760 --> 01:07:25,800
Speaker 2: That was a long beat.

1321
01:07:26,080 --> 01:07:31,680
Speaker 1: Yeah, is there anything you want our audience to watch

1322
01:07:31,800 --> 01:07:34,280
Speaker 1: that you've done, or to watch in general, like a

1323
01:07:34,360 --> 01:07:38,240
Speaker 1: documentary or anything at all that you want to like

1324
01:07:38,360 --> 01:07:40,480
Speaker 1: button this conversation.

1325
01:07:40,120 --> 01:07:42,760
Speaker 3: With, well, we're okay, this is great. So because we're talking,

1326
01:07:43,120 --> 01:07:45,840
Speaker 3: we're talking about sports, right, and like the thirty for

1327
01:07:45,960 --> 01:07:51,600
Speaker 3: thirties and I think the best sports documentary thing even

1328
01:07:51,680 --> 01:07:54,640
Speaker 3: for even if you honestly truly if you don't like sports.

1329
01:07:54,640 --> 01:07:57,280
Speaker 3: I think it's just interesting on a human level. Is

1330
01:07:57,400 --> 01:08:01,600
Speaker 3: the Last Dance about Michael Michael Jordan and the Bulls,

1331
01:08:02,040 --> 01:08:04,680
Speaker 3: Like he's just an interesting He's such an interesting human

1332
01:08:04,760 --> 01:08:08,480
Speaker 3: being outside of sports, Like I can't believe we're all

1333
01:08:08,560 --> 01:08:13,360
Speaker 3: the same like humans, because he is just like such Aul. Yeah,

1334
01:08:13,520 --> 01:08:17,720
Speaker 3: like just such a focused, interesting, incredible person. To watch

1335
01:08:17,760 --> 01:08:19,439
Speaker 3: The Last Dan some Netflix. I had nothing to do.

1336
01:08:19,520 --> 01:08:21,720
Speaker 2: They don't they don't pay him to be likable all

1337
01:08:21,800 --> 01:08:23,920
Speaker 2: that time. Either he's like no, he's not, and he's

1338
01:08:23,960 --> 01:08:24,519
Speaker 2: open about it.

1339
01:08:24,640 --> 01:08:27,560
Speaker 3: And then like and just the personalities on it, like

1340
01:08:27,640 --> 01:08:31,960
Speaker 3: Phil Jackson is this like shaman dude, and like Steve Kerr.

1341
01:08:32,080 --> 01:08:36,280
Speaker 3: The Steve Kerr part is like, h really interesting because

1342
01:08:36,320 --> 01:08:40,519
Speaker 3: he his family the curves are like really big into uh,

1343
01:08:41,240 --> 01:08:45,439
Speaker 3: saving people during the Armenian genocide and they yeah, they

1344
01:08:45,520 --> 01:08:48,800
Speaker 3: opened up this orphanage in Beirut and they saved over

1345
01:08:48,920 --> 01:08:53,960
Speaker 3: ten thousand Armenian babies during the genocide. But it's incredible. Yeah, totally.

1346
01:08:54,000 --> 01:08:57,479
Speaker 3: And so I was born in Bearroot, yeah, and I'm

1347
01:08:57,600 --> 01:09:01,040
Speaker 3: Armenian eleven one right, yeah, yeah, Okay, God, thank God.

1348
01:09:01,600 --> 01:09:02,720
Speaker 2: Have you been back there ever?

1349
01:09:02,840 --> 01:09:03,200
Speaker 3: Have you? No?

1350
01:09:04,120 --> 01:09:06,360
Speaker 2: No, it's kind of a hard place to.

1351
01:09:06,560 --> 01:09:09,040
Speaker 3: I've been to Dubai. Yeah, I really really want to.

1352
01:09:09,120 --> 01:09:12,760
Speaker 3: I want to go to Beirut in Palestine. And then

1353
01:09:12,880 --> 01:09:16,559
Speaker 3: for me myself, I have an album. It's okay, it's okay.

1354
01:09:16,640 --> 01:09:22,040
Speaker 3: It's called Nebraska Tuo. Wait, what's it called Nebraska Too.

1355
01:09:22,120 --> 01:09:29,080
Speaker 3: It's a spiritual sequel to Bruce Bristeen's Nebraska because because

1356
01:09:29,080 --> 01:09:31,720
Speaker 3: if you if you listen to that album Nebraska, it's

1357
01:09:31,720 --> 01:09:32,719
Speaker 3: all about New Jersey.

1358
01:09:33,320 --> 01:09:33,439
Speaker 1: Uh.

1359
01:09:33,680 --> 01:09:35,960
Speaker 3: So I wanted to. I wanted to record an album

1360
01:09:36,080 --> 01:09:43,160
Speaker 3: in Nebraska called Nebraska Too. And it's on uh Special.

1361
01:09:42,840 --> 01:09:46,960
Speaker 1: Thing, Special Thing Records, Apple, Apple.

1362
01:09:47,120 --> 01:09:51,280
Speaker 3: Anywhere, Yeah, Spotify Apple and you're still listened.

1363
01:09:51,640 --> 01:09:51,760
Speaker 1: Uh?

1364
01:09:52,160 --> 01:09:54,679
Speaker 2: Is it a an album or as special?

1365
01:09:54,800 --> 01:09:57,040
Speaker 3: Like? Is it it's an album? It's album? I want

1366
01:09:57,080 --> 01:09:57,920
Speaker 3: to do specials.

1367
01:09:58,520 --> 01:10:01,800
Speaker 2: I don't listen to and listen to his thirty for

1368
01:10:01,960 --> 01:10:03,479
Speaker 2: thirty about Michael Jordan.

1369
01:10:03,840 --> 01:10:07,960
Speaker 1: Yeah, listen to Nebraska Too, not the Bruce Bengstein.

1370
01:10:08,600 --> 01:10:10,519
Speaker 3: Right, you can do it. You could do it after

1371
01:10:10,680 --> 01:10:12,080
Speaker 3: maybe well you could.

1372
01:10:11,920 --> 01:10:14,600
Speaker 1: Do it before or after a reflection. But Eric de

1373
01:10:14,680 --> 01:10:17,200
Speaker 1: Duran's Nebraska Too is what you're looking for.

1374
01:10:17,680 --> 01:10:20,200
Speaker 2: Yeah, it's uh, it was great talking to you. Oh

1375
01:10:20,240 --> 01:10:24,000
Speaker 2: my god, no U without knowing that you're a great father.

1376
01:10:24,439 --> 01:10:27,839
Speaker 2: And uh, it'd be nice if you visited your hometown.

1377
01:10:28,640 --> 01:10:31,040
Speaker 3: I know, I can't believe. It's so weird that George

1378
01:10:31,080 --> 01:10:34,880
Speaker 3: has never been to California. Like ruins, my fucking ruins.

1379
01:10:35,280 --> 01:10:39,160
Speaker 1: You'll come, yea. But you should know you are one

1380
01:10:39,200 --> 01:10:41,519
Speaker 1: of the people, and lots of people have moved away.

1381
01:10:41,600 --> 01:10:44,280
Speaker 1: By the way, it's not you know totally. You don't

1382
01:10:44,320 --> 01:10:47,760
Speaker 1: feel isolated by that, and also know of all the

1383
01:10:47,800 --> 01:10:51,200
Speaker 1: people who have I would say easily and hands down,

1384
01:10:51,280 --> 01:10:55,639
Speaker 1: you're the number one missed person in the LA comedy community.

1385
01:10:55,800 --> 01:10:56,280
Speaker 2: It's true.

1386
01:10:56,600 --> 01:11:04,040
Speaker 1: You're truly special, hell hilarious individual who is always a

1387
01:11:05,400 --> 01:11:10,360
Speaker 1: just You're insanely talented, You're hilariously funny, great on Twitter.

1388
01:11:10,760 --> 01:11:12,160
Speaker 1: I don't know if you're on there as much as.

1389
01:11:14,080 --> 01:11:16,760
Speaker 3: It was ruining. It was ruining my brain. I was like, really,

1390
01:11:16,880 --> 01:11:18,320
Speaker 3: it put me in a bad mood every day.

1391
01:11:19,200 --> 01:11:22,160
Speaker 1: It's pretty bad. But you were great on it, and

1392
01:11:22,360 --> 01:11:26,640
Speaker 1: just you're just a superior individual that I was genuinely

1393
01:11:26,920 --> 01:11:29,960
Speaker 1: elated to see your name on the email. I just

1394
01:11:30,040 --> 01:11:32,040
Speaker 1: love seeing you. You're one of my favorite people.

1395
01:11:32,400 --> 01:11:34,800
Speaker 2: You are and all these other people that left ninety

1396
01:11:36,000 --> 01:11:38,960
Speaker 2: stay out, that's what we say. But we're coming to

1397
01:11:39,040 --> 01:11:41,920
Speaker 2: night when we're alone, stay out. Except for Eric, We've said.

1398
01:11:42,960 --> 01:11:48,960
Speaker 3: Sneaking, sneaking. I'm a great me in schedule. Oh my god,

1399
01:11:49,040 --> 01:11:50,720
Speaker 3: you guys are so nice to me. Thank you so much.

1400
01:11:50,760 --> 01:11:54,000
Speaker 2: I love you, of course, we love you. Yeah, and

1401
01:11:54,240 --> 01:11:56,559
Speaker 2: I go check on your baby before you climbs under.

1402
01:12:00,600 --> 01:12:02,960
Speaker 3: That's also my favorite joke. Oh, Drew loves it. People

1403
01:12:03,080 --> 01:12:06,000
Speaker 3: love that. Yeah, they love so good.

1404
01:12:06,200 --> 01:12:11,880
Speaker 2: Oh it's everyone's favorite humor. Uh, you've been listening to

1405
01:12:12,000 --> 01:12:15,680
Speaker 2: Do You Need a Ride? D Y N A R.

1406
01:12:23,160 --> 01:12:25,559
Speaker 2: This has been an exactly right production.

1407
01:12:26,080 --> 01:12:27,920
Speaker 1: Produced by Annalise Nelson.

1408
01:12:27,920 --> 01:12:29,360
Speaker 2: Mixed by Edson Chroi.

1409
01:12:29,760 --> 01:12:31,639
Speaker 1: Our talent booker is Patrick Coottner.

1410
01:12:31,920 --> 01:12:33,880
Speaker 2: Theme song by Karen Kilgarriff.

1411
01:12:34,320 --> 01:12:37,800
Speaker 1: Artwork by Chris Fairbanks. Follow the show on Instagram, Twitter,

1412
01:12:37,880 --> 01:12:42,200
Speaker 1: and Facebook at dinar podcast That's d y n ar podcast.

1413
01:12:42,680 --> 01:12:45,880
Speaker 2: For more information, go to exactly rightmedia dot com.

1414
01:12:46,280 --> 01:12:48,479
Speaker 1: Thank you, Oh, you're welcome.