WEBVTT - Signature w/ Erika Christensen

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<v Speaker 1>Of the Law and Order franchises. SVU is considered especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies.

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<v Speaker 3>These episodes are based on. These are our stories, done done.

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<v Speaker 1>Hello, everybody, Welcome to That's Messed Up n SVU podcast.

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<v Speaker 3>I'm Kara Klang.

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<v Speaker 2>Hi, I'm Lisa Trigger and this is a sv podcast.

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<v Speaker 2>We talk about an episode of SVU, the true crime

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<v Speaker 2>it's based on. We talked to someone from the episode

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<v Speaker 2>today is a monumental moment in my life. So stay

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<v Speaker 2>tuned for everything. Great episodes. Yeah, whatever, let's talk Cara,

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<v Speaker 2>what's up? Even though I was in Chicago last week,

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<v Speaker 2>I never I didn't. I didn't get to talk about that.

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<v Speaker 2>Though I'm a white Sox fan. I went to a

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<v Speaker 2>Cubs game.

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<v Speaker 3>Oh.

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<v Speaker 2>I had the time of my life. I've never sat

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<v Speaker 2>this close to athletes before. We were second row behind

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<v Speaker 2>the Cubs dugout.

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<v Speaker 3>How'd you get these tickets?

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<v Speaker 2>I opened for my friend Jared, and he's treating me

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<v Speaker 2>like a queen. He's buying tickets. We went to the

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<v Speaker 2>Soho cool. He's taking me out for drinks and dinners.

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<v Speaker 2>It's you know, it's great. I don't even have to

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<v Speaker 2>put out. I just well because for my life, you know,

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<v Speaker 2>for doing stand up. I mean it's been like twelve years.

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<v Speaker 2>I do go on the tour on tour by myself,

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<v Speaker 2>and it has been an ego. I don't know, it's

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<v Speaker 2>been wild to like host for someone because I do

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<v Speaker 2>have to do announcements at the end of the show,

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<v Speaker 2>and it's truly humiliating. And my friend was like taunting

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<v Speaker 2>me and texting me being like, keep at it, you

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<v Speaker 2>don't quit. It seems like you got talent. Don't forget

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<v Speaker 2>to mention the comment cards so legit. After like decades

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<v Speaker 2>I've headlined this, but at the end of the show,

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<v Speaker 2>I have to be like, exit through the side door,

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<v Speaker 2>please wait for your server.

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<v Speaker 3>And it is hard. No matter how.

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<v Speaker 2>Confident and chill you are in who you are as

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<v Speaker 2>a performer. There is a moment where I'm like, oh

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<v Speaker 2>my god, this is humiliating. But then I'm in the

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<v Speaker 2>so hoo cool drinking opinion Colada and I go, yeah,

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<v Speaker 2>it's worth the announcements.

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<v Speaker 3>I'll say whatever you want me to fucking say.

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<v Speaker 1>Yeah, Like it's worth the announcements.

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<v Speaker 2>I'm totally fine with it. Let's go to the beach.

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<v Speaker 2>So I think he feels guilty. And so we got

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<v Speaker 2>to sit behind the dugout and he looked at me.

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<v Speaker 2>He goes, I've never seen you more in your element.

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<v Speaker 2>I didn't realize this is where you belong at a

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<v Speaker 2>baseball game. I go, I know this is where I shine.

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<v Speaker 3>I wow, Oh, it.

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<v Speaker 2>Was so cool to see them so close. I love

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<v Speaker 2>baseball bodies. I think they're the hottest of all the

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<v Speaker 2>sports bodies. I loved seeing them so close hit the ball.

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<v Speaker 2>I mean, I loved the singing. I loved it was honestly,

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<v Speaker 2>like so fun. It was so fun. We're and but

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<v Speaker 2>we're going to go to another We're gonna go to

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<v Speaker 2>the cub Socks game on Sunday too. You know I

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<v Speaker 2>said I was in Chicago. I'm just trying to protect

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<v Speaker 2>I don't know what you guys. You know, we're we're

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<v Speaker 2>we're recording. I'm in Chicago right now, but I'm pretending us.

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<v Speaker 1>I listened to another podcast where they used to talk

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<v Speaker 1>about being in the time machine. They'd be like, Okay,

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<v Speaker 1>we're in the time machine right now because we are listen.

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<v Speaker 1>We're not gonna lie like we recorded this a little

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<v Speaker 1>bit earlier. We've got a lot of things going on

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<v Speaker 1>in our lives, so this is not we're not recording

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<v Speaker 1>this like the day of that.

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<v Speaker 3>It's coming to your ears.

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<v Speaker 1>So Lisa is going to another baseball game, and it

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<v Speaker 1>sounds like it's gonna be awesome. I love baseball games.

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<v Speaker 1>I was thinking about what you said about baseball players

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<v Speaker 1>having the best bodies. Tell me what my favorite bodies

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<v Speaker 1>right in your in your opinion? Yeah, I like like

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<v Speaker 1>a thick like thick, thought like thick, maybe thick like

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<v Speaker 1>in shape, but thick.

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<v Speaker 3>Yeah. Interesting.

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<v Speaker 1>Interesting, I was because I always think of baseball guys

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<v Speaker 1>as having like a gut for some reason.

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<v Speaker 3>But that's probably my stereotype.

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<v Speaker 1>Well they get older, yeah, but yeah, I guess I'm

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<v Speaker 1>thinking of like Babe Ruth. I don't know, but I

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<v Speaker 1>like I was gonna say, and I don't even go

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<v Speaker 1>to these kind of games, but I like soccer players bodies.

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<v Speaker 1>I think they've got like they always have, like abs

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<v Speaker 1>and like good little butts and then big ass calves

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<v Speaker 1>and shit from kicking that ball around. Yeah, No, soccer's

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<v Speaker 1>are not for I love the baseball I love the

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<v Speaker 1>kind of laziness to it too, where it's like I'm

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<v Speaker 1>gonna stand in this field and I'll hit two balls.

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<v Speaker 3>Yeah, Like I like that.

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<v Speaker 1>I also like baseball because I feel and you'll probably

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<v Speaker 1>tell me, fuck you, I hate this, you do this,

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<v Speaker 1>But I like that. When I go to a baseball game,

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<v Speaker 1>I never sit in good seats like what you were at.

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<v Speaker 1>I'm always like nosebleed. The players look like ants to me.

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<v Speaker 1>I could just kind of talk and then when there's

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<v Speaker 1>a big when there's a big hit, I can go ooh,

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<v Speaker 1>you know, but like most of the time, I can

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<v Speaker 1>just chat with my friends and drink beer and have fun.

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<v Speaker 2>No, And I told Jerry, I was like, hey, I'm

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<v Speaker 2>we're going to talk, but if you want to like

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<v Speaker 2>focus and you want me to stop talking.

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<v Speaker 1>Let me know.

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<v Speaker 3>And he goes, no, that's the whole point of being

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<v Speaker 3>out a baseball Yeah, okay, good. I thought you were

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<v Speaker 3>going to do.

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<v Speaker 1>Like I don't talk at sports games because obviously at

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<v Speaker 1>like tennis you don't talk or like, you know, there's

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<v Speaker 1>certain things you don't talk, but baseball. But one time

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<v Speaker 1>I was at a baseball game with someone I didn't

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<v Speaker 1>really want to be with, and I did turn to

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<v Speaker 1>him and go.

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<v Speaker 2>You need to stop talking. I'm going to focus on

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<v Speaker 2>the game. But you know, it happens. But no, he

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<v Speaker 2>called it was like an outdoor picnic whatever. It was

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<v Speaker 2>just like a fantastic day. And like one of them,

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<v Speaker 2>like I talked to all the beer guys, like you

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<v Speaker 2>forget Chicago is nice, Like people are really nice. So

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<v Speaker 2>like Dorothy, like one of the workers was like, did

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<v Speaker 2>you bring sunblock? The seats get really hot here I go.

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<v Speaker 2>You know what, Dorothy, I did bring some bo Thank

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<v Speaker 2>you so much, and she goes, don't bother the players.

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<v Speaker 2>Maybe they'll wave at you, but like, you know, let

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<v Speaker 2>them concentrate. And I'm like, I'm just here to look.

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<v Speaker 2>I don't need to bother them.

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<v Speaker 3>I love the beer.

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<v Speaker 2>I mean my ex boyfriend played like baseball in college.

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<v Speaker 1>I don't know.

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<v Speaker 2>It is something that it brings fun out of me.

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<v Speaker 3>Oh wow, no, I do.

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<v Speaker 1>I do love watching baseball game and I would I

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<v Speaker 1>really would love when you come back, let's go to

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<v Speaker 1>a Dodgers game.

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<v Speaker 2>Oh absolutely, yeah, I've gone everywhere. I don't I just

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<v Speaker 2>love being in the sun. But so we're hanging out

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<v Speaker 2>at one of my favorite bars in Chicago, Old Town Alehouse.

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<v Speaker 3>Have you been with the.

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<v Speaker 1>Paintings across right by the condo. Yes, yeah, well you

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<v Speaker 1>don't have to tell everyone. I'm sorry, Gone, it's fine.

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<v Speaker 1>Everybody will find Lisa are threatening? Are threatening listeners that

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<v Speaker 1>are coming to kill you?

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<v Speaker 3>No, everyone's really shy.

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<v Speaker 2>Like someone will come to me after soul cycle and

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<v Speaker 2>be like I listened to the pot and then I'm

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<v Speaker 2>like down to talk and they run away from me

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<v Speaker 2>and I'm.

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<v Speaker 3>Like all right, like a peace.

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<v Speaker 2>But I my god, there was the most annoying dumb

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<v Speaker 2>bitch at the bar yesterday and I hate her so much,

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<v Speaker 2>and she was the most annoying person that I've ever

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<v Speaker 2>and I want to talk shit about her.

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<v Speaker 3>Oh I had.

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<v Speaker 1>I was at a wedding while I was gone on

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<v Speaker 1>my longer trip yes where I was with a person

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<v Speaker 1>that I've hated for a decade plus.

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<v Speaker 3>And you didn't tell me what happened at the wedding.

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<v Speaker 1>She just I just fucking can't stand her, and I

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<v Speaker 1>just don't, I like immediately immediately, like there was a

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<v Speaker 1>break in between the wedding and the reception, right, So

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<v Speaker 1>all of us are like, let's go back to the hotel,

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<v Speaker 1>and she's like, let's go to a different hotel, and

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<v Speaker 1>I'm like, stop, everybody's already going to this one hotel.

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<v Speaker 1>Why are you trying to move the whole freaking plan?

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<v Speaker 1>Like she's so annoying. And then she can tell I

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<v Speaker 1>don't like her. So when she got really drunk, she

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<v Speaker 1>started kissing my ass, and I just.

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<v Speaker 3>I just don't like her. Do I know who this is?

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<v Speaker 1>You, by extension, will know who this is. I'll tell

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<v Speaker 1>you who it is.

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<v Speaker 2>Okay, fantastic. Yeah, I didn't hear about that one. But

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<v Speaker 2>the wedding looks beautiful. Oh, the wedding was beautiful.

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<v Speaker 1>Yeah, yeah, it was beautiful, and I wanted to tell

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<v Speaker 1>you that. On my flight home, I watched Crazy Not Insane,

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<v Speaker 1>that documentary that you talked about that's on HBO Max

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<v Speaker 1>I think or a regular HBO two, and I loved it.

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<v Speaker 3>I was like I was wrapped. I had a baby

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<v Speaker 3>attached to me, like praying he didn't wake up.

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<v Speaker 1>I had like one headphone in just like, you know,

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<v Speaker 1>listening to this lady talk about fucking killers and it

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<v Speaker 1>was I didn't realize it was so much about multiple

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<v Speaker 1>personality disorder. It was so interesting. Anyway, people should watch that.

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<v Speaker 1>It's really good.

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<v Speaker 2>Yeah, she's here because we talk about doctor Michael Badens

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<v Speaker 2>so much, and you know, this girl, this woman gets

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<v Speaker 2>no attention. I've never heard of this sociologist before this video,

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<v Speaker 2>and it seems like, you know, I always love when

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<v Speaker 2>people are like a laughing stock.

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<v Speaker 3>And then they're right, you know, like the yeah, the

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<v Speaker 3>leo like.

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<v Speaker 2>Actually we're rotating the song or you know the song

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<v Speaker 2>I actually don't even remember.

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<v Speaker 1>I don't remember who wrote because of an Indigo Girls

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<v Speaker 1>song that explains it to me.

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<v Speaker 3>But it is wild science.

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<v Speaker 1>It's like everyone's like, fuck, you drink this poison. And

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<v Speaker 1>then it's like, I guess they're right. Yeah, but it

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<v Speaker 1>also like highlighted to me how like every single abuse

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<v Speaker 1>or every single serial killer, like they've all been so

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<v Speaker 1>horribly abused also.

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<v Speaker 3>In their past.

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<v Speaker 1>Pretty much like when she said evil is a religious

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<v Speaker 1>idea that was that really stuck with me. She was like,

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<v Speaker 1>evil is a religious concept, like these are people that

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<v Speaker 1>are like wired wrong or something is up.

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<v Speaker 2>You know, evil is a religious concept that is very interesting.

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<v Speaker 1>Like I think what her point was, there's not a

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<v Speaker 1>lot of people that are just upborn evil. I'm sure

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<v Speaker 1>it's it's possible, but like it's mostly you've been horribly

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<v Speaker 1>you've been exposed to horrible images, you've been horribly abused.

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<v Speaker 1>Like whatever, did you ever watch Freaks and Geeks? No,

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<v Speaker 1>that's a blind spot for me. Everybody's like, you know

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<v Speaker 1>so and so from Freaks and Geeks, and I'm just like.

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<v Speaker 3>It's it's only one season. Watch it.

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<v Speaker 1>But there's a moment where the nerd, one of the

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<v Speaker 1>nerd boys, finally gets to go on a date with

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<v Speaker 1>this girl he's had a crush on for a while,

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<v Speaker 1>and then mid date he figures out she hates like

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<v Speaker 1>homeless people and poor people and is a full un

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<v Speaker 1>Republican And it's this weird moment. And I had that recently,

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<v Speaker 1>not with the dumb bitch at the bar, but I

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<v Speaker 1>was like talking to someone and then all of a sudden,

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<v Speaker 1>they like hate homeless people, and I was like, oh,

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<v Speaker 1>you don't feel ashamed to say this out loud.

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<v Speaker 2>And then like when I when you figured out my

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<v Speaker 2>point of view, it was like, well, you know, you

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<v Speaker 2>just can't talk about this stuff. There's no to win,

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<v Speaker 2>And I go, no, there's a way to win. Yeah,

0:10:02.760 --> 0:10:05.520
<v Speaker 2>there's a way to not hate people that are living

0:10:05.559 --> 0:10:08.920
<v Speaker 2>in with nothing, Like yeah, I don't get that. But

0:10:09.240 --> 0:10:11.160
<v Speaker 2>he was like, well, some have problems, but some are

0:10:11.200 --> 0:10:13.280
<v Speaker 2>just on meth. And I'm like, so if it's a

0:10:13.400 --> 0:10:16.080
<v Speaker 2>veteran or someone those abused that then started doing myths,

0:10:16.120 --> 0:10:19.200
<v Speaker 2>suddenly you don't have any care for them. I don't understand,

0:10:19.320 --> 0:10:21.000
<v Speaker 2>and he goes, you know, it's just I don't think

0:10:21.000 --> 0:10:22.800
<v Speaker 2>we should be talking about this. I'm like, no, you

0:10:22.960 --> 0:10:25.840
<v Speaker 2>just you thought socially we were all going to be like, yeah,

0:10:25.920 --> 0:10:26.360
<v Speaker 2>fuck the.

0:10:26.360 --> 0:10:29.280
<v Speaker 3>Tents, Yeah, and then I'll take a shot. Yeah. No,

0:10:29.559 --> 0:10:30.680
<v Speaker 3>Like it was wow, No.

0:10:30.760 --> 0:10:36.280
<v Speaker 2>But this girl, so she you know, when you're trying

0:10:36.280 --> 0:10:38.439
<v Speaker 2>to act too cool, but you're also trying to get

0:10:38.440 --> 0:10:41.000
<v Speaker 2>into our circle. So are you cooler than us or

0:10:41.040 --> 0:10:42.560
<v Speaker 2>are you desperate to hang with us?

0:10:43.440 --> 0:10:45.920
<v Speaker 3>Which one is it? Because you can't act too.

0:10:45.720 --> 0:10:47.960
<v Speaker 2>Cool and then be in the corner being like so

0:10:48.320 --> 0:10:52.000
<v Speaker 2>and like jumping into the conversation. And this bitch from

0:10:52.120 --> 0:10:57.680
<v Speaker 2>Oklahoma started talking about how Chicago has no culture, and

0:10:57.720 --> 0:10:59.360
<v Speaker 2>I actually got up and I left. I go, I'm

0:10:59.679 --> 0:11:01.840
<v Speaker 2>done for the night, thank you. But that was the

0:11:01.880 --> 0:11:03.800
<v Speaker 2>final straw. And it's like, you come.

0:11:03.640 --> 0:11:06.960
<v Speaker 1>To Chicago and you say Chicago has no culture just

0:11:06.960 --> 0:11:09.800
<v Speaker 1>because you don't like that it's just the most insane thing.

0:11:09.920 --> 0:11:13.240
<v Speaker 3>House music. I mean, this city burnt to a crisp

0:11:13.280 --> 0:11:13.679
<v Speaker 3>and was.

0:11:13.720 --> 0:11:17.400
<v Speaker 1>Built the fuck back up Michael Jordan, the bulls, food,

0:11:17.760 --> 0:11:21.680
<v Speaker 1>the popatistics, canipop music, I mean, like it's insane. That's

0:11:21.720 --> 0:11:25.880
<v Speaker 1>a truly, truly unhinged comment to make it and thinking

0:11:26.000 --> 0:11:28.760
<v Speaker 1>she was like the Chicago Museum of Art whatever, that

0:11:28.960 --> 0:11:31.480
<v Speaker 1>museum is called the Art Institute, that is one of

0:11:31.520 --> 0:11:35.080
<v Speaker 1>the greatest places on this planet. As the fuck Like,

0:11:35.960 --> 0:11:38.240
<v Speaker 1>it was just how do you come to a city

0:11:38.280 --> 0:11:41.760
<v Speaker 1>that is like, I mean, everywhere has a culture, but

0:11:41.840 --> 0:11:43.840
<v Speaker 1>to be in this because she likes New York and

0:11:43.840 --> 0:11:46.160
<v Speaker 1>it's always like yeah, but it's different, and she goes

0:11:46.160 --> 0:11:47.960
<v Speaker 1>people aren't I'm like, what are you talking about?

0:11:47.960 --> 0:11:49.559
<v Speaker 2>There's are her our friend works at the Museum of

0:11:49.600 --> 0:11:54.079
<v Speaker 2>Contemporary Art doing amazing work there, Like I just couldn't

0:11:54.080 --> 0:11:56.360
<v Speaker 2>believe it. And then also she kept talking about the

0:11:56.360 --> 0:11:57.720
<v Speaker 2>white like, oh, you guys went to the Cubs, gave

0:11:57.760 --> 0:11:59.200
<v Speaker 2>me should to a White Sox game. It's like I've

0:11:59.200 --> 0:12:01.080
<v Speaker 2>been arrested at a White Sox game and kicked out

0:12:01.120 --> 0:12:02.640
<v Speaker 2>of others. I've been going to White Sox games for

0:12:02.679 --> 0:12:05.480
<v Speaker 2>my whole fucking life. Like, don't fucking talk to me, Like,

0:12:05.720 --> 0:12:08.200
<v Speaker 2>but I try to be chill. And I was like,

0:12:08.240 --> 0:12:09.800
<v Speaker 2>I don't know. I had a great time with the

0:12:09.800 --> 0:12:12.400
<v Speaker 2>Cubs game. She goes, it's cause it's kitsch. I go, no,

0:12:12.520 --> 0:12:14.800
<v Speaker 2>I had an amazing time. She goes, but it's just

0:12:14.840 --> 0:12:16.640
<v Speaker 2>the kitch factor. I go, are you trying to tell

0:12:16.640 --> 0:12:18.240
<v Speaker 2>me what I did at the Cubs game? I go,

0:12:18.280 --> 0:12:20.319
<v Speaker 2>I had a fucking great time because I was sitting

0:12:20.360 --> 0:12:21.760
<v Speaker 2>close and it was a great game, and I'm a

0:12:21.800 --> 0:12:22.520
<v Speaker 2>social person.

0:12:22.800 --> 0:12:25.160
<v Speaker 3>Why the fuck are you telling me what I like?

0:12:25.200 --> 0:12:25.600
<v Speaker 3>And why?

0:12:25.679 --> 0:12:28.640
<v Speaker 2>Like, I could not handle this girl. It was out

0:12:28.679 --> 0:12:31.200
<v Speaker 2>of control, the shit that was coming out of her mouth.

0:12:31.360 --> 0:12:35.560
<v Speaker 1>I Oh, I've been like, but you know, my friend

0:12:35.600 --> 0:12:36.800
<v Speaker 1>had sex with her, But.

0:12:38.520 --> 0:12:39.240
<v Speaker 3>What are you gonna do?

0:12:39.480 --> 0:12:41.920
<v Speaker 1>Like that always the way, That's always why we have

0:12:41.960 --> 0:12:43.920
<v Speaker 1>to deal We always have to deal with dumb bitches.

0:12:43.640 --> 0:12:45.840
<v Speaker 3>Because they're having sex with our friends. I know.

0:12:45.880 --> 0:12:47.760
<v Speaker 2>Wait, there was one other thing she said where I

0:12:47.880 --> 0:12:50.000
<v Speaker 2>was like, I what are you doing?

0:12:50.120 --> 0:12:52.440
<v Speaker 3>It was oh I said something.

0:12:52.480 --> 0:12:53.719
<v Speaker 2>I was like, oh, yeah, that crowd didn't liken me

0:12:53.720 --> 0:12:55.480
<v Speaker 2>because of this or that, like and she goes, you

0:12:55.480 --> 0:12:57.760
<v Speaker 2>shouldn't be so self deprecating on yourself.

0:12:57.760 --> 0:12:58.280
<v Speaker 3>I go, I'm not.

0:12:58.320 --> 0:13:02.240
<v Speaker 2>It's just like a fact, like I think I'm great.

0:13:02.440 --> 0:13:04.480
<v Speaker 3>I think I deserve to be a lot richer than

0:13:04.520 --> 0:13:07.080
<v Speaker 3>I am. You obviously don't know me. I'm very confident.

0:13:08.720 --> 0:13:10.680
<v Speaker 1>I'm like, but you're allowed to say if something didn't

0:13:10.720 --> 0:13:12.200
<v Speaker 1>go well or like, you know, like I'm.

0:13:12.040 --> 0:13:17.760
<v Speaker 3>A self laper. But she just was I just to sit.

0:13:17.559 --> 0:13:21.080
<v Speaker 2>From Oklahoma and tell me that Chicago has no culture.

0:13:20.920 --> 0:13:24.000
<v Speaker 1>And where do you think culture, bitch, where do you

0:13:24.040 --> 0:13:27.440
<v Speaker 1>think has culture? That's really nuts, because I also don't

0:13:27.480 --> 0:13:28.679
<v Speaker 1>want to shit on Oklahoma.

0:13:28.800 --> 0:13:30.079
<v Speaker 3>I'm sure there's great things there.

0:13:30.160 --> 0:13:32.880
<v Speaker 2>My friend, yeah, Marshabelski's from Oklahoma.

0:13:32.920 --> 0:13:35.240
<v Speaker 3>But oh, let's be real.

0:13:35.920 --> 0:13:37.720
<v Speaker 1>All right, we got to start because this is a

0:13:37.760 --> 0:13:40.000
<v Speaker 1>long one. But sometimes you guys are like, we love

0:13:40.040 --> 0:13:40.640
<v Speaker 1>a long.

0:13:40.440 --> 0:13:44.240
<v Speaker 3>App so maybe this is it. Let's get going fine,

0:13:44.640 --> 0:13:46.520
<v Speaker 3>But there was another reason why I hated her.

0:13:46.600 --> 0:13:55.160
<v Speaker 2>Oh all right, so we're doing one of the scariest

0:13:55.920 --> 0:14:01.480
<v Speaker 2>and like I wouldn't whatever, it's season nine, episode twelve.

0:14:01.800 --> 0:14:04.000
<v Speaker 3>I was gonna say it's the most movie like, like,

0:14:04.320 --> 0:14:05.600
<v Speaker 3>I know you're not gonna want me to say this,

0:14:05.880 --> 0:14:09.160
<v Speaker 3>but it's very Sunds of the Loombs. No I'm fine

0:14:09.200 --> 0:14:09.960
<v Speaker 3>with that. And it is.

0:14:10.080 --> 0:14:12.960
<v Speaker 2>Yeah, there's just like a law it's but I wouldn't

0:14:12.960 --> 0:14:16.439
<v Speaker 2>say it's against SVU type. It's within the SVU universe.

0:14:16.480 --> 0:14:20.120
<v Speaker 2>But there's something extra spicy about this one.

0:14:20.280 --> 0:14:20.480
<v Speaker 1>Yes.

0:14:21.200 --> 0:14:23.440
<v Speaker 3>It opens up in some woods.

0:14:23.640 --> 0:14:26.080
<v Speaker 2>There's a park ranger type guy with his son, and

0:14:26.120 --> 0:14:28.800
<v Speaker 2>the sun is like, man, it smells bad. And the

0:14:28.880 --> 0:14:31.960
<v Speaker 2>dad's like, all right, you know, tough enough. It's just

0:14:32.000 --> 0:14:34.080
<v Speaker 2>a dead animal. So he goes to scoop up this

0:14:34.160 --> 0:14:37.200
<v Speaker 2>dead animal and goes, son, just hold this bag, and

0:14:37.240 --> 0:14:40.040
<v Speaker 2>the man he makes a mustache look good, and then

0:14:40.080 --> 0:14:42.480
<v Speaker 2>he happens upon what the smell is. And then the

0:14:42.480 --> 0:14:45.560
<v Speaker 2>boy starts running directly to it, and the dad is like, no, no.

0:14:45.360 --> 0:14:48.080
<v Speaker 3>No, don't don't see it. And then there's dead bodies.

0:14:48.160 --> 0:14:51.440
<v Speaker 2>He sees the body, he faints, and then the dead

0:14:51.480 --> 0:14:53.600
<v Speaker 2>body has a bullet wound straight in the middle of

0:14:53.640 --> 0:14:57.000
<v Speaker 2>the forehead. The crime scene tape goes up and we're

0:14:57.040 --> 0:14:59.680
<v Speaker 2>ready for an SVU episode, But then all of a sudden,

0:14:59.760 --> 0:15:02.760
<v Speaker 2>chess Lake is there, and then we have Marishka.

0:15:02.880 --> 0:15:04.520
<v Speaker 3>So it's Marishka and Chester Lake.

0:15:04.600 --> 0:15:07.440
<v Speaker 2>They're walking classic walk and Talk and Marishka's in her

0:15:07.480 --> 0:15:12.200
<v Speaker 2>growing pains Leo DiCaprio hair phase, and then all of

0:15:12.240 --> 0:15:14.480
<v Speaker 2>a sudden they zoom in on the maggots and it's like,

0:15:14.600 --> 0:15:17.240
<v Speaker 2>thanks SVI, you I needed a zoom in maggots before

0:15:17.240 --> 0:15:18.240
<v Speaker 2>the credits that, like.

0:15:18.800 --> 0:15:22.040
<v Speaker 1>They never do that. It was really, really, really awful,

0:15:22.440 --> 0:15:23.560
<v Speaker 1>And maggots are gross.

0:15:23.640 --> 0:15:28.600
<v Speaker 2>There is a maggot base forensic files, and so I

0:15:28.680 --> 0:15:32.320
<v Speaker 2>understand the importance of maggots for evidence taking in life

0:15:32.320 --> 0:15:33.400
<v Speaker 2>time of death, but I.

0:15:33.320 --> 0:15:34.160
<v Speaker 3>Don't need a zoom in.

0:15:34.800 --> 0:15:38.120
<v Speaker 1>Yeah, another reason why medical examiner is off the list

0:15:38.240 --> 0:15:39.840
<v Speaker 1>for me for careers.

0:15:40.080 --> 0:15:43.440
<v Speaker 2>Yeah, I'm Melinda's, you know, scooping up these maggots. And

0:15:43.520 --> 0:15:47.800
<v Speaker 2>she tells Benson while dig in with these maggots, she says,

0:15:48.240 --> 0:15:52.640
<v Speaker 2>there's multiple ligature marks, bruising, electrical burns all over the

0:15:52.640 --> 0:15:56.880
<v Speaker 2>body on aerial and genitals, and she's been like turned

0:15:56.960 --> 0:16:00.400
<v Speaker 2>over after the death on the female.

0:16:01.120 --> 0:16:01.680
<v Speaker 3>Yeah.

0:16:01.720 --> 0:16:06.160
<v Speaker 2>And so then we get another CSU person, you know,

0:16:06.240 --> 0:16:10.400
<v Speaker 2>Captain Judith, and it's wild to get both of them

0:16:10.480 --> 0:16:13.800
<v Speaker 2>together that you know doesn't happen very often. So then

0:16:13.840 --> 0:16:16.760
<v Speaker 2>someone asks the cause of death and the voice from

0:16:16.760 --> 0:16:20.560
<v Speaker 2>a distance narrowing in says dry drowning, which I didn't

0:16:20.560 --> 0:16:22.640
<v Speaker 2>even know that was a thing, and I wish it

0:16:22.680 --> 0:16:24.440
<v Speaker 2>wasn't to think or I wish I didn't know about it,

0:16:24.480 --> 0:16:26.840
<v Speaker 2>but dry drowning and so we're like, who's this voice,

0:16:26.880 --> 0:16:27.520
<v Speaker 2>what's happening?

0:16:27.560 --> 0:16:28.840
<v Speaker 3>What? Who else is there?

0:16:28.880 --> 0:16:33.200
<v Speaker 2>It's Erica Christiansen, who played a big part of my life.

0:16:33.280 --> 0:16:37.560
<v Speaker 2>I don't know if that is something that is important

0:16:37.560 --> 0:16:39.880
<v Speaker 2>to You're looking at me, you have nothing, You're not even.

0:16:39.760 --> 0:16:41.960
<v Speaker 1>Like, but no, I want to hear about I want

0:16:41.960 --> 0:16:44.480
<v Speaker 1>to hear about Erica Christiansen living in your life. I

0:16:44.560 --> 0:16:46.400
<v Speaker 1>just I don't know her in that much except for

0:16:46.480 --> 0:16:48.440
<v Speaker 1>like traffic and a couple of other things.

0:16:48.680 --> 0:16:51.400
<v Speaker 2>Traffic was a big moment. But swim fan to me, yeah,

0:16:51.440 --> 0:16:54.680
<v Speaker 2>still one of my faves. I love a stalker and

0:16:54.720 --> 0:16:57.880
<v Speaker 2>I was on the swim team. So to be a

0:16:57.920 --> 0:17:02.760
<v Speaker 2>swimmer and have suddenly a move movie about swimming was monumental.

0:17:02.880 --> 0:17:06.000
<v Speaker 2>It was like so huge and she played such a

0:17:06.040 --> 0:17:08.919
<v Speaker 2>fucking villain and was nuts, and Jesse Bradford was in

0:17:08.960 --> 0:17:12.600
<v Speaker 2>it from bringing On, so it was like Theseeen sensations

0:17:12.760 --> 0:17:15.439
<v Speaker 2>and it was like just such a huge moment. And

0:17:15.440 --> 0:17:18.399
<v Speaker 2>then I was a big Braverman fan. I love the

0:17:18.560 --> 0:17:22.480
<v Speaker 2>I loved parenthood on NBC. I watched Jason Katims.

0:17:23.280 --> 0:17:26.480
<v Speaker 1>So young Erica Christensen and more adult Erica Christensen have

0:17:26.520 --> 0:17:28.640
<v Speaker 1>both been there for you at various points of your life.

0:17:28.720 --> 0:17:30.600
<v Speaker 2>Yeah, she was a mom. She was like the tight end.

0:17:30.640 --> 0:17:32.520
<v Speaker 2>I think she plays a tight ass a lot. And

0:17:32.800 --> 0:17:34.720
<v Speaker 2>I'm here there is a tight as bun on her head,

0:17:34.760 --> 0:17:38.440
<v Speaker 2>so for sure, very tight, very tight bun. She's wearing

0:17:38.440 --> 0:17:40.600
<v Speaker 2>a baby blue dress shirt, which is a nightmare. I

0:17:40.600 --> 0:17:43.520
<v Speaker 2>can't think of a worse thing to like office attire

0:17:43.640 --> 0:17:45.800
<v Speaker 2>dress pants. I hope our thing of the past, like

0:17:46.200 --> 0:17:49.600
<v Speaker 2>professionalism and how we see it is just like why

0:17:49.680 --> 0:17:52.080
<v Speaker 2>did we let men come up with our work fashions?

0:17:52.280 --> 0:17:53.479
<v Speaker 3>It makes no sense?

0:17:53.760 --> 0:17:58.359
<v Speaker 2>Like what I just hate that that work fashion is

0:17:58.359 --> 0:18:01.280
<v Speaker 2>so disgusting. Actually talking to our friend and her friend

0:18:01.359 --> 0:18:03.600
<v Speaker 2>had to wear heels at work. It was like it

0:18:03.640 --> 0:18:05.320
<v Speaker 2>was in the role women had to.

0:18:05.280 --> 0:18:09.480
<v Speaker 3>Wear heels at work. It's like it's just fresh.

0:18:09.720 --> 0:18:13.360
<v Speaker 2>That's I actually read like a really cool quote recently

0:18:13.440 --> 0:18:16.679
<v Speaker 2>that I wrote down, and it's like success shouldn't be

0:18:16.720 --> 0:18:19.120
<v Speaker 2>measured by like love or money, but by time.

0:18:19.160 --> 0:18:20.000
<v Speaker 3>Oh for creatives.

0:18:20.040 --> 0:18:23.119
<v Speaker 2>It was a Jeffrey Saltz, what's the art critic for

0:18:23.160 --> 0:18:24.120
<v Speaker 2>the New York magazine.

0:18:25.119 --> 0:18:27.040
<v Speaker 3>He had a quote about like to be how to

0:18:27.040 --> 0:18:27.240
<v Speaker 3>be a.

0:18:27.240 --> 0:18:29.560
<v Speaker 2>Successful artist, and it's like work, work, work, do this,

0:18:29.720 --> 0:18:31.840
<v Speaker 2>do that, And then one of it was like see

0:18:31.840 --> 0:18:35.920
<v Speaker 2>your success in terms of time, right, And I thought

0:18:35.920 --> 0:18:39.080
<v Speaker 2>that was like so perfect, Like that's that's the dream

0:18:39.119 --> 0:18:41.440
<v Speaker 2>of being a stand up or an artist is the time.

0:18:41.520 --> 0:18:44.560
<v Speaker 3>It's not about money. It's like people hate their jobs.

0:18:44.640 --> 0:18:47.560
<v Speaker 2>People hate Aaron's they have to do people like you know,

0:18:48.400 --> 0:18:51.560
<v Speaker 2>like there everything is so scheduled, and especially if you

0:18:51.600 --> 0:18:53.720
<v Speaker 2>then have a family and it's all these things, and

0:18:53.840 --> 0:18:56.280
<v Speaker 2>it's like so cool to have time. Yeah, because I

0:18:56.280 --> 0:18:58.720
<v Speaker 2>always think about it because I think I'm very successful,

0:18:58.800 --> 0:19:01.400
<v Speaker 2>but I don't have that much money. And then I'm like, oh,

0:19:01.400 --> 0:19:03.639
<v Speaker 2>but I have more time than anyone I know. And

0:19:03.760 --> 0:19:07.600
<v Speaker 2>that is the best thing I could have hoped for myself.

0:19:07.880 --> 0:19:10.440
<v Speaker 2>I don't have to wear express day pants. I don't

0:19:10.440 --> 0:19:12.480
<v Speaker 2>have to wear a suit coat, I don't have to

0:19:12.520 --> 0:19:14.119
<v Speaker 2>wear heels or little loafers.

0:19:14.280 --> 0:19:17.639
<v Speaker 3>I don't express day pants. I don't have to do it.

0:19:17.720 --> 0:19:20.440
<v Speaker 3>I mean having to buy dress pants to work. It

0:19:20.520 --> 0:19:23.320
<v Speaker 3>as like a p No. I had jobs like that

0:19:23.359 --> 0:19:26.000
<v Speaker 3>in New York and I hated it.

0:19:26.119 --> 0:19:28.359
<v Speaker 2>Yeah, like, I don't understand why you can't be more

0:19:28.400 --> 0:19:31.240
<v Speaker 2>fashion forward in a job, but either way, it's just

0:19:31.280 --> 0:19:33.320
<v Speaker 2>a nightmare. And that quote, I just saw it this

0:19:33.359 --> 0:19:35.560
<v Speaker 2>week and it like really like I was like, oh, yeah,

0:19:35.600 --> 0:19:37.879
<v Speaker 2>I have so much time on my hands, this is heaven.

0:19:38.040 --> 0:19:40.480
<v Speaker 1>Well I also feel like, yeah, I feel like female

0:19:40.520 --> 0:19:43.040
<v Speaker 1>cops and female like FBI agents are going to be

0:19:43.080 --> 0:19:45.280
<v Speaker 1>like the last people to drop the dress shirts and

0:19:45.280 --> 0:19:47.320
<v Speaker 1>the gray slacks, Like they're going to be doing that

0:19:47.359 --> 0:19:48.320
<v Speaker 1>shit for a long time.

0:19:48.400 --> 0:19:51.160
<v Speaker 3>I feel like because that's what Olivia wears.

0:19:51.320 --> 0:19:55.400
<v Speaker 1>You know, Olivia rocks at the Olivia is fashion forward.

0:19:55.600 --> 0:19:58.120
<v Speaker 3>She's going to Zara, She's going to Jakres.

0:19:58.200 --> 0:19:59.960
<v Speaker 1>Yeah, and she's got like a little like ankle boot

0:20:00.480 --> 0:20:03.400
<v Speaker 1>and stuff like, yeah, she's with some skinny jeans. She's

0:20:03.440 --> 0:20:06.040
<v Speaker 1>doing You're right, she's doing different stuff. Yeah, we've got

0:20:06.040 --> 0:20:08.000
<v Speaker 1>some bad fashions from Olivia over the years too.

0:20:08.320 --> 0:20:11.640
<v Speaker 2>Anyways, back to this crime scene. Sorry about my Jeffrey

0:20:11.680 --> 0:20:12.359
<v Speaker 2>Saltz quotes.

0:20:12.480 --> 0:20:13.040
<v Speaker 4>I just.

0:20:15.040 --> 0:20:17.120
<v Speaker 3>So Erica Christensen type.

0:20:17.119 --> 0:20:20.480
<v Speaker 2>But and Olivia goes, excuse me, you know, we don't

0:20:20.520 --> 0:20:24.240
<v Speaker 2>like new people. Olivia is not a I am. I

0:20:24.280 --> 0:20:26.200
<v Speaker 2>do think Olivia was like a mean girl.

0:20:26.280 --> 0:20:26.720
<v Speaker 3>Jksh.

0:20:26.760 --> 0:20:28.600
<v Speaker 2>I know she had a lot going on as a teen,

0:20:28.720 --> 0:20:31.040
<v Speaker 2>but it's like she just hates any new woman that

0:20:31.080 --> 0:20:33.919
<v Speaker 2>ever shows up. But yes, she does, excuse me, and

0:20:33.960 --> 0:20:36.399
<v Speaker 2>then Erica explains the scoop. She goes, if this is

0:20:36.480 --> 0:20:38.800
<v Speaker 2>my guy, he puts a bag over their head and

0:20:38.800 --> 0:20:42.480
<v Speaker 2>pours a bucket buckets of water on it. I thought

0:20:42.480 --> 0:20:45.880
<v Speaker 2>that was waterboarding, but maybe dry drowning is waterboarding.

0:20:45.920 --> 0:20:46.679
<v Speaker 3>I don't know it is.

0:20:46.760 --> 0:20:48.480
<v Speaker 1>I think it's the same thing. I think it's just

0:20:48.520 --> 0:20:51.359
<v Speaker 1>that drowning is when that you kill them. Waterboarding is

0:20:51.400 --> 0:20:52.879
<v Speaker 1>just like a torture tactic, you know.

0:20:53.480 --> 0:20:56.440
<v Speaker 3>Oh God, Melinda.

0:20:57.440 --> 0:21:00.840
<v Speaker 2>Has two perfectly layered gold necklaces and she's just like,

0:21:00.960 --> 0:21:03.919
<v Speaker 2>and you are like, who are you growing? I'd just

0:21:04.320 --> 0:21:07.639
<v Speaker 2>run onto a crime scene? And who is Erica Christiansen?

0:21:07.800 --> 0:21:12.280
<v Speaker 2>She is FBI agent Laura Cooper in the Behavioral Analysis unit.

0:21:12.840 --> 0:21:19.280
<v Speaker 2>She hunts the woodsman that is her criminal and Benson goes, wait,

0:21:19.359 --> 0:21:21.040
<v Speaker 2>but I haven't filed the sixty one.

0:21:21.040 --> 0:21:22.399
<v Speaker 3>How did you get here so fast?

0:21:23.040 --> 0:21:25.920
<v Speaker 2>Melinda explains that she puts something on the Emmy bulletin

0:21:26.080 --> 0:21:29.119
<v Speaker 2>because the condition of the remains made her want to

0:21:29.160 --> 0:21:32.280
<v Speaker 2>call the FEDS. I kept rewinding and watching this like

0:21:32.359 --> 0:21:34.480
<v Speaker 2>eight times to get exactly what she posted.

0:21:35.040 --> 0:21:37.439
<v Speaker 3>It was too hard. This this is what I have.

0:21:38.200 --> 0:21:40.280
<v Speaker 1>Well, it's interesting to know. I didn't know that there

0:21:40.359 --> 0:21:43.399
<v Speaker 1>was like a separate Emmy network, like where the you

0:21:43.440 --> 0:21:45.159
<v Speaker 1>know what I mean. We're like the medical examiners like

0:21:45.200 --> 0:21:48.119
<v Speaker 1>talk to each other, like has anyone else seen a

0:21:48.160 --> 0:21:49.280
<v Speaker 1>body in this condition?

0:21:49.720 --> 0:21:51.000
<v Speaker 3>You know? Yeah, you know.

0:21:51.080 --> 0:21:55.440
<v Speaker 2>I'm sure the forensic people have like conferences like insurance agents.

0:21:55.480 --> 0:21:57.600
<v Speaker 3>You know, they all meet up and do creepy things together.

0:21:58.000 --> 0:22:00.640
<v Speaker 2>Yeah, I'm sure their parties are at like the freaky

0:22:00.720 --> 0:22:05.320
<v Speaker 2>museums with shrunk heads, you know, the Museum of Death.

0:22:05.640 --> 0:22:07.000
<v Speaker 3>Yeah. Yeah.

0:22:07.000 --> 0:22:08.520
<v Speaker 1>And I just want to point out that this is

0:22:08.640 --> 0:22:11.240
<v Speaker 1>FBI Agent Cooper and they just keep calling her agent Cooper.

0:22:11.240 --> 0:22:12.360
<v Speaker 3>And if you watch twin.

0:22:12.119 --> 0:22:15.320
<v Speaker 1>Peaks, it's a little it's a little reminiscent because his

0:22:15.400 --> 0:22:18.000
<v Speaker 1>name is Agent Deal Cooper. And it's funny that they

0:22:18.080 --> 0:22:19.399
<v Speaker 1>just call him that because I think he's one of

0:22:19.440 --> 0:22:22.200
<v Speaker 1>the most famous television FBI agents. And they're both FI

0:22:22.359 --> 0:22:23.480
<v Speaker 1>they're both Agent Cooper.

0:22:23.840 --> 0:22:25.640
<v Speaker 3>Go on, I wonder if that was on purpose.

0:22:25.920 --> 0:22:28.119
<v Speaker 2>So then there's also a male victim, So we have

0:22:28.160 --> 0:22:30.520
<v Speaker 2>the female victim and the male victim just a bullet

0:22:30.520 --> 0:22:33.040
<v Speaker 2>wound in the head, and that's not really like typical

0:22:33.119 --> 0:22:36.040
<v Speaker 2>to have a male victim with this killer, so they're confused.

0:22:36.640 --> 0:22:39.960
<v Speaker 2>So what we have is a tortured, dry drown body

0:22:40.080 --> 0:22:43.000
<v Speaker 2>and then a shot in the head man body, and

0:22:43.200 --> 0:22:46.720
<v Speaker 2>the body is dead less than twelve hours. The FBI

0:22:46.840 --> 0:22:49.119
<v Speaker 2>girl Boss says, the male probably walked in on the

0:22:49.119 --> 0:22:51.439
<v Speaker 2>Woodsman at work and he had to kill him and

0:22:51.480 --> 0:22:54.439
<v Speaker 2>had no choice. And her badge is attached to her

0:22:54.520 --> 0:22:56.800
<v Speaker 2>really cool. It's like a sideways clip thing on her

0:22:56.840 --> 0:22:59.040
<v Speaker 2>suit coat and I do love that, and I've never

0:22:59.080 --> 0:23:03.640
<v Speaker 2>really seen a badge attached to like that. And then

0:23:03.680 --> 0:23:05.800
<v Speaker 2>she talks. There's an accent. What is the accent?

0:23:06.000 --> 0:23:09.160
<v Speaker 3>Where is she like? It's such a she talks in such.

0:23:08.960 --> 0:23:12.760
<v Speaker 2>A specific way, but I don't even know what the way.

0:23:12.800 --> 0:23:15.640
<v Speaker 3>That is interesting. I don't know if I caught the accent.

0:23:16.440 --> 0:23:18.600
<v Speaker 2>But then so she says something like, you know, the

0:23:18.640 --> 0:23:21.280
<v Speaker 2>Woodsman thinks he's got and then they go to the credits.

0:23:22.280 --> 0:23:23.920
<v Speaker 2>So we get back from the credits and we're at

0:23:23.920 --> 0:23:26.440
<v Speaker 2>the precinct and Benson lets Craigan know that there is

0:23:26.560 --> 0:23:29.200
<v Speaker 2>DNA at the crime So that's good. And then Finn

0:23:29.240 --> 0:23:32.840
<v Speaker 2>and Stabler are in Montreal on an extradition.

0:23:33.720 --> 0:23:37.320
<v Speaker 3>Okay, sure, Like.

0:23:37.320 --> 0:23:40.760
<v Speaker 1>It's usually there's four detectives in your unit, and like

0:23:40.800 --> 0:23:43.240
<v Speaker 1>you send half of them away for this one extradition.

0:23:43.960 --> 0:23:45.480
<v Speaker 3>But what do you think really was going on?

0:23:45.520 --> 0:23:47.399
<v Speaker 1>Do you think Elliott was like making a movie and

0:23:47.440 --> 0:23:49.880
<v Speaker 1>Finn had like some body count concerts or something.

0:23:50.200 --> 0:23:52.280
<v Speaker 2>Yeah, I wonder why they weren't there or they asked,

0:23:52.400 --> 0:23:55.399
<v Speaker 2>Like for them both to be gone is pretty peculiar.

0:23:55.560 --> 0:23:58.879
<v Speaker 2>And maybe this is a Neil Bear question if he

0:23:59.200 --> 0:24:04.520
<v Speaker 2>because he would remain. Yeah, they took off because I

0:24:04.560 --> 0:24:08.080
<v Speaker 2>wonder if they both had whatever. So Agent Cooper is

0:24:08.080 --> 0:24:11.280
<v Speaker 2>giving a presentation to the SVU about the Woodsman. He's

0:24:11.280 --> 0:24:14.440
<v Speaker 2>a sexual sadis who keeps his victims alive after abduction

0:24:14.560 --> 0:24:17.400
<v Speaker 2>and then kills the body, then dumps it, then visits

0:24:17.440 --> 0:24:22.760
<v Speaker 2>and poses them. And he has twenty four victims. That

0:24:22.920 --> 0:24:26.359
<v Speaker 2>is so many. I actually right when I said that outloud,

0:24:26.400 --> 0:24:28.199
<v Speaker 2>I realized we're going to hear the true crime and

0:24:28.240 --> 0:24:33.479
<v Speaker 2>I got sad okay, So but great guest, Okay, So

0:24:34.359 --> 0:24:37.720
<v Speaker 2>he strangles and revives, that's the thing. He rapes with

0:24:37.800 --> 0:24:41.560
<v Speaker 2>foreign objects, burns Genitalia, and then the end is always

0:24:41.560 --> 0:24:45.119
<v Speaker 2>a dry drowning and the victims overlap because he likes

0:24:45.160 --> 0:24:49.080
<v Speaker 2>to have one victim listen as he tortures another victim.

0:24:49.320 --> 0:24:51.440
<v Speaker 3>This is the worst, it's the worst.

0:24:53.080 --> 0:24:55.800
<v Speaker 2>So but what's even worse is that means he might

0:24:55.840 --> 0:24:59.280
<v Speaker 2>have another victim out there right now, so like, you

0:24:59.320 --> 0:25:02.280
<v Speaker 2>know this dropped, there is another one that was watching

0:25:02.280 --> 0:25:04.600
<v Speaker 2>this torture. So someone's out there and they have to

0:25:04.640 --> 0:25:08.040
<v Speaker 2>move fast, and Benson's match. He goes, why wouldn't you

0:25:08.080 --> 0:25:08.919
<v Speaker 2>tell me this sooner?

0:25:08.960 --> 0:25:09.280
<v Speaker 3>Hello?

0:25:09.359 --> 0:25:12.840
<v Speaker 2>And Erica's like, he's unpredictable, like sometimes he travels through

0:25:12.880 --> 0:25:15.520
<v Speaker 2>state lines, he hunts in city, dumpson country like I'm

0:25:15.560 --> 0:25:16.560
<v Speaker 2>doing the best I can.

0:25:17.240 --> 0:25:18.840
<v Speaker 3>So Craigan reveals that.

0:25:18.800 --> 0:25:20.840
<v Speaker 2>The woodsy area we saw the bodies in is in

0:25:20.880 --> 0:25:23.560
<v Speaker 2>Central Park and it's not a highly populated area, so

0:25:23.600 --> 0:25:24.879
<v Speaker 2>he knows his way around the park.

0:25:25.320 --> 0:25:26.560
<v Speaker 3>So that is a clue.

0:25:26.720 --> 0:25:29.440
<v Speaker 2>So the reason the man up top of the episode

0:25:29.440 --> 0:25:32.120
<v Speaker 2>even went over to the area was because he got

0:25:32.119 --> 0:25:35.199
<v Speaker 2>an email about a dead dog. And Huang is like,

0:25:35.240 --> 0:25:38.919
<v Speaker 2>but that's not part of his signature, because giving directions

0:25:38.920 --> 0:25:42.080
<v Speaker 2>to a body shows empathy or remorse, and this guy

0:25:42.160 --> 0:25:44.719
<v Speaker 2>does not have that for these victims. He thinks his

0:25:44.840 --> 0:25:47.800
<v Speaker 2>victims are garbage. He would not email. So we have

0:25:47.880 --> 0:25:50.240
<v Speaker 2>to find out who sent this email saying that there

0:25:50.280 --> 0:25:52.760
<v Speaker 2>was a dead dog to send someone to find these bodies.

0:25:53.520 --> 0:25:56.680
<v Speaker 2>And then the other man, the man body that was

0:25:56.720 --> 0:26:00.040
<v Speaker 2>found had a jogging suit on keys no idea, and

0:26:00.040 --> 0:26:02.000
<v Speaker 2>so they're trying to find out who he is. For

0:26:02.119 --> 0:26:05.200
<v Speaker 2>Jane do there are two possible matches, and Benson thinks

0:26:05.200 --> 0:26:08.240
<v Speaker 2>it's one of the matches named Bunny Jones, an exotic dancer,

0:26:08.640 --> 0:26:11.680
<v Speaker 2>and a guy named Lavender reported her missing two weeks ago.

0:26:12.200 --> 0:26:16.640
<v Speaker 2>So now Erica and Olivia, agent Cooper whatever, swim fan,

0:26:16.760 --> 0:26:19.480
<v Speaker 2>they go the girls. I'm gonna call him the girls.

0:26:19.880 --> 0:26:22.000
<v Speaker 2>They go visit Lavender at the strip club and he

0:26:22.080 --> 0:26:25.479
<v Speaker 2>is wearing lavender, and then he goes, it's love van dirt.

0:26:25.480 --> 0:26:28.520
<v Speaker 2>Do I look like a fucking flower to you? Which

0:26:28.720 --> 0:26:31.919
<v Speaker 2>I love because he is wearing lavender, So it's like,

0:26:32.440 --> 0:26:35.040
<v Speaker 2>you don't want to be called lavin love Van der.

0:26:35.119 --> 0:26:37.200
<v Speaker 2>I mean, I'm naming my future dog that there's no

0:26:37.359 --> 0:26:42.439
<v Speaker 2>aner Lovander, but this is I mean, that's my new

0:26:42.480 --> 0:26:46.240
<v Speaker 2>drag name. Okay, but this is uh, I just this

0:26:46.280 --> 0:26:48.679
<v Speaker 2>is why we love SVU. It's such a you know,

0:26:48.720 --> 0:26:51.320
<v Speaker 2>a maggot up top and then a nice little gameplay

0:26:51.560 --> 0:26:55.160
<v Speaker 2>were at the in the middle. So they tell him

0:26:55.160 --> 0:26:58.040
<v Speaker 2>by Ony Jones is missing and he goes, no, she isn't.

0:26:58.160 --> 0:26:59.960
<v Speaker 2>And a woman comes over who has like a poof

0:27:00.080 --> 0:27:02.640
<v Speaker 2>in the front, which really like puts this in the

0:27:02.960 --> 0:27:06.399
<v Speaker 2>season nine time frame. She's wearing a belly chain, and

0:27:06.480 --> 0:27:08.359
<v Speaker 2>so we find out she was just shacking up with

0:27:08.359 --> 0:27:13.159
<v Speaker 2>some loser guy and LeVander was worried for his strippers

0:27:13.480 --> 0:27:16.560
<v Speaker 2>and reported her missing but never said she returned, and

0:27:16.600 --> 0:27:19.160
<v Speaker 2>it pisses Erica Christiansen off and they kind of fight

0:27:19.200 --> 0:27:21.000
<v Speaker 2>a little bit, and it you know, like how dare

0:27:21.000 --> 0:27:23.560
<v Speaker 2>you waste precious time in this investigation there could be

0:27:23.600 --> 0:27:26.919
<v Speaker 2>a live victim. Go fuck yourself, And so Lavander to

0:27:27.000 --> 0:27:28.880
<v Speaker 2>apologize like, well, I can give you one on one

0:27:28.880 --> 0:27:31.240
<v Speaker 2>time with the bunny you know, was the stripper, and

0:27:31.400 --> 0:27:33.680
<v Speaker 2>Erica like there's karate moves whatever.

0:27:34.119 --> 0:27:37.719
<v Speaker 3>She brings him to his knees, there's yell whatever.

0:27:38.080 --> 0:27:40.840
<v Speaker 2>So then he says cops come in all the time

0:27:40.920 --> 0:27:43.200
<v Speaker 2>and he gives them lap dances like this is I'm

0:27:43.240 --> 0:27:45.840
<v Speaker 2>not I'm not trying to do anything this is what

0:27:45.960 --> 0:27:47.680
<v Speaker 2>usually happens, and that's the thing.

0:27:47.720 --> 0:27:49.679
<v Speaker 3>Like they're pissed because they're moral detectives.

0:27:49.680 --> 0:27:52.760
<v Speaker 2>But then every other cop comes and expects free dances,

0:27:53.000 --> 0:27:55.440
<v Speaker 2>And then I'm like, are they getting paid.

0:27:55.119 --> 0:27:56.120
<v Speaker 3>For these free dances?

0:27:56.480 --> 0:27:59.480
<v Speaker 2>You know, like if during waitressing, if a boss's friend

0:27:59.480 --> 0:28:01.240
<v Speaker 2>came in and the thing was comped, you would still

0:28:01.240 --> 0:28:04.200
<v Speaker 2>get tips or you get compensated. So I'm just wondering

0:28:04.600 --> 0:28:08.240
<v Speaker 2>what these strippers get for dancing for all these back Yeah.

0:28:08.160 --> 0:28:10.960
<v Speaker 3>That's a good question. Or if the cops tip even

0:28:11.119 --> 0:28:12.320
<v Speaker 3>or if they're actually the most.

0:28:12.240 --> 0:28:14.680
<v Speaker 1>Violent and the worst people on earth, I bet they

0:28:14.760 --> 0:28:15.400
<v Speaker 1>do not tip.

0:28:15.440 --> 0:28:18.239
<v Speaker 3>I'd be willing to wager. So I felt like I

0:28:18.280 --> 0:28:19.040
<v Speaker 3>was being confusing.

0:28:19.080 --> 0:28:22.640
<v Speaker 2>But basically, Erica puts Lavander in some kind of wrestling

0:28:22.680 --> 0:28:24.359
<v Speaker 2>choke cold. He goes, stop it, I'll give you a

0:28:24.400 --> 0:28:26.280
<v Speaker 2>sexy dance. She goes, we don't have time. We have

0:28:26.280 --> 0:28:28.280
<v Speaker 2>a live victim. So they walk into the strip club

0:28:28.320 --> 0:28:30.600
<v Speaker 2>and they get a page that the waitress isn't missing anymore.

0:28:30.960 --> 0:28:33.240
<v Speaker 2>So they go to Kate's house the waitress to talk

0:28:33.320 --> 0:28:37.240
<v Speaker 2>to the parents, and basically she was in a foraging

0:28:37.320 --> 0:28:40.560
<v Speaker 2>club in Central Park looking for edible plans, and the

0:28:40.720 --> 0:28:42.960
<v Speaker 2>dad didn't like the guy who ran the program and

0:28:43.000 --> 0:28:45.000
<v Speaker 2>said that he was pushy and kept asking her out

0:28:45.040 --> 0:28:47.440
<v Speaker 2>on dates and was like controlling. So they have to

0:28:47.480 --> 0:28:52.040
<v Speaker 2>go talk to the other Jane Doe, like possible, Jane

0:28:52.240 --> 0:28:54.640
<v Speaker 2>Doe's guy from this foraging club.

0:28:55.320 --> 0:28:58.000
<v Speaker 3>It's like, just join a softballed game. Okay.

0:28:58.280 --> 0:29:01.920
<v Speaker 2>So this guy Vest, we'll call him Vest Boy. He's

0:29:01.920 --> 0:29:04.520
<v Speaker 2>wearing three layers. Once I noticed this in SVU, I

0:29:04.560 --> 0:29:08.120
<v Speaker 2>can't stop noticing. But like so many people wear three layers.

0:29:08.440 --> 0:29:12.000
<v Speaker 2>It's like everyone is wearing three layers. It's really hard

0:29:12.040 --> 0:29:14.400
<v Speaker 2>not to see this anymore. And he has a beaded

0:29:14.480 --> 0:29:17.320
<v Speaker 2>necklace on and glasses, but he didn't have dirt on him,

0:29:17.320 --> 0:29:19.280
<v Speaker 2>which Erica didn't like, like how are you foraging?

0:29:19.320 --> 0:29:20.400
<v Speaker 3>And you're not dirty?

0:29:21.320 --> 0:29:23.880
<v Speaker 2>And so they do this like interrogation in the park

0:29:23.920 --> 0:29:26.680
<v Speaker 2>and it's very poorn like, like it is sexual like

0:29:26.720 --> 0:29:28.240
<v Speaker 2>that if this was the start of a porn I

0:29:28.240 --> 0:29:31.760
<v Speaker 2>would believe it. They're just like so kind of mean

0:29:31.800 --> 0:29:35.640
<v Speaker 2>to him and he I think he likes it, and

0:29:35.880 --> 0:29:37.400
<v Speaker 2>they think he did it, so of course they're going

0:29:37.440 --> 0:29:39.800
<v Speaker 2>to be aggressive to him. But like, I don't think

0:29:39.800 --> 0:29:43.200
<v Speaker 2>he did it. I there's no fucking way. I don't

0:29:43.200 --> 0:29:46.120
<v Speaker 2>think they that he is guilty of anything. He seems

0:29:46.160 --> 0:29:48.600
<v Speaker 2>way too dorky and anxious for this kind of crime,

0:29:49.080 --> 0:29:52.560
<v Speaker 2>and he gives all the addresses and all the names

0:29:52.560 --> 0:29:54.520
<v Speaker 2>of anyone in the group and is willing to help

0:29:54.520 --> 0:29:57.520
<v Speaker 2>in any way. Possibly he's like, I did nothing. I'm

0:29:57.560 --> 0:29:59.280
<v Speaker 2>just kind of a dork who wanted to, you know,

0:29:59.360 --> 0:30:01.720
<v Speaker 2>ask her out. But like, here is all the information,

0:30:03.480 --> 0:30:05.040
<v Speaker 2>so you know, he wasn't one of those that's like

0:30:05.040 --> 0:30:08.000
<v Speaker 2>I need a warrant, I'm protecting my civil liberties.

0:30:08.040 --> 0:30:10.680
<v Speaker 3>He's just like, whatever you need, ladies. Then it cuts

0:30:10.680 --> 0:30:10.840
<v Speaker 3>to B.

0:30:10.960 --> 0:30:14.680
<v Speaker 2>D Wong pontificating and recording into a tape recorder everything

0:30:14.720 --> 0:30:16.720
<v Speaker 2>he thinks that's happening with the Woodsman killer.

0:30:17.080 --> 0:30:19.440
<v Speaker 3>So the profile that BD Wong.

0:30:19.320 --> 0:30:22.320
<v Speaker 2>Aka Huang is thinking is white male, thirty five to

0:30:22.360 --> 0:30:27.040
<v Speaker 2>fifty five, normal intelligence, but street smart. He targets strangers,

0:30:27.200 --> 0:30:32.880
<v Speaker 2>depersonalizes victims, uses restraints, aggressive crime scene reflects control, and

0:30:33.040 --> 0:30:36.800
<v Speaker 2>high level of comfort of environment. Bodies are dumped in

0:30:36.840 --> 0:30:40.800
<v Speaker 2>the open, but in remote areas not mapped for tourists.

0:30:41.160 --> 0:30:44.480
<v Speaker 2>There's no witnesses, ever, which means he has surveillance of

0:30:44.520 --> 0:30:49.760
<v Speaker 2>the victims, and then we hear while we hear BD's voice,

0:30:50.080 --> 0:30:53.760
<v Speaker 2>we see Chester Lake standing outside of a busy New

0:30:53.840 --> 0:30:56.680
<v Speaker 2>York street thinking about something, putting all the pieces together.

0:30:57.200 --> 0:31:01.800
<v Speaker 2>So Huang is talking and Chester's figuring out like surveillance stuff.

0:31:01.800 --> 0:31:04.400
<v Speaker 2>His eyes go to like atm cameras and street cameras

0:31:04.400 --> 0:31:06.880
<v Speaker 2>and he's just looking at everything. And Wang says, but

0:31:06.960 --> 0:31:09.960
<v Speaker 2>this is strange because the emails were sent through some

0:31:10.040 --> 0:31:13.800
<v Speaker 2>weird wiring techs thing. This is against type, like this

0:31:13.880 --> 0:31:16.800
<v Speaker 2>guy's not a techie. And so then we see Chester's

0:31:16.840 --> 0:31:19.320
<v Speaker 2>at an internet cafe and an employee runs out and

0:31:19.320 --> 0:31:22.600
<v Speaker 2>tells Chester, hey, I can confirm these emails were sent

0:31:22.640 --> 0:31:25.640
<v Speaker 2>through this cafe in this like weird high tech way,

0:31:26.040 --> 0:31:28.360
<v Speaker 2>and he's going to try to track down what email

0:31:28.400 --> 0:31:31.239
<v Speaker 2>it came from and help track down the killer. So

0:31:32.200 --> 0:31:34.440
<v Speaker 2>we cut back to the office Holden. Huang is looking

0:31:34.480 --> 0:31:38.640
<v Speaker 2>at a photo of a doctor Tillman and agent Cooper

0:31:38.800 --> 0:31:43.400
<v Speaker 2>and so they're together, and basically he's con like, he

0:31:43.520 --> 0:31:48.520
<v Speaker 2>says that there's holes in the research because this doctor Tillman,

0:31:48.600 --> 0:31:51.720
<v Speaker 2>who you know, is a contemporary of agent Cooper or whatever.

0:31:51.800 --> 0:31:52.560
<v Speaker 3>They're working together.

0:31:52.600 --> 0:31:55.680
<v Speaker 2>He looks older, but he says, They're like the holes

0:31:55.720 --> 0:31:59.760
<v Speaker 2>in the research are because of doctor Tillman's mental deterioration

0:32:00.000 --> 0:32:02.800
<v Speaker 2>and then suicide. So now we understand that this is

0:32:02.840 --> 0:32:06.160
<v Speaker 2>a personal case for Agent Cooper because this doctor Tillman

0:32:06.440 --> 0:32:10.840
<v Speaker 2>killed himself because he went crazy researching this case. So

0:32:10.960 --> 0:32:14.000
<v Speaker 2>then we cut to another professional. We have Melinda Warner

0:32:14.080 --> 0:32:17.600
<v Speaker 2>explaining what happened to the victim. So, Kate died ten

0:32:17.720 --> 0:32:21.400
<v Speaker 2>days ago. Torture by waterboarding is how death happened, and

0:32:21.560 --> 0:32:25.640
<v Speaker 2>uterus punctured and her colon was punctured. And then Cooper's like, Okay,

0:32:25.680 --> 0:32:28.960
<v Speaker 2>we've heard enough, and this is like I love Melinda

0:32:29.000 --> 0:32:31.600
<v Speaker 2>at her best. She turns around very Michael Badden in

0:32:31.600 --> 0:32:34.920
<v Speaker 2>her spirit, like she's so badass, and she flips her

0:32:34.920 --> 0:32:36.920
<v Speaker 2>head straight to the camera and goes, I speak for

0:32:36.960 --> 0:32:39.440
<v Speaker 2>the dead, and I'm not done.

0:32:39.600 --> 0:32:42.600
<v Speaker 3>I love that. I loved it. I loved that.

0:32:43.240 --> 0:32:45.840
<v Speaker 2>Yeah, I mean, God, when will we meet Melinda? I'm

0:32:45.840 --> 0:32:49.960
<v Speaker 2>about to go watch my cameo again. Okay, So then

0:32:50.520 --> 0:32:53.760
<v Speaker 2>Erica responds being like, at least he didn't cut her

0:32:53.960 --> 0:32:56.880
<v Speaker 2>up into pieces and he let her keep her head.

0:32:57.920 --> 0:33:02.520
<v Speaker 1>What I think she's referring to ways he's disposed of

0:33:02.600 --> 0:33:05.880
<v Speaker 1>other victims, like this isn't the worst she's seen.

0:33:05.960 --> 0:33:08.280
<v Speaker 3>I guess, but I don't really know why. Yeah, but

0:33:08.320 --> 0:33:10.000
<v Speaker 3>this this weird point of view.

0:33:10.080 --> 0:33:12.640
<v Speaker 2>It's like, yeah, are you telling this dead body to

0:33:12.720 --> 0:33:15.040
<v Speaker 2>be grateful that her.

0:33:14.880 --> 0:33:18.720
<v Speaker 1>Head wasn't chopped off? Like I'm confused. Yeah, I'm confused.

0:33:18.720 --> 0:33:22.400
<v Speaker 2>While you're mad at Melinda for having like humanity towards

0:33:22.640 --> 0:33:25.719
<v Speaker 2>the dead and these victims, and you're just like she's lucky.

0:33:26.200 --> 0:33:27.080
<v Speaker 3>No, I think she's.

0:33:27.120 --> 0:33:29.160
<v Speaker 1>What she's trying to do is say I've seen so

0:33:29.280 --> 0:33:31.920
<v Speaker 1>much fucked up shit, and then like it gives Melinda

0:33:31.960 --> 0:33:33.760
<v Speaker 1>the idea like, oh, this bitch doesn't deal with what

0:33:33.800 --> 0:33:35.640
<v Speaker 1>I deal with every day, so maybe I'll go a

0:33:35.680 --> 0:33:37.120
<v Speaker 1>little easier on her, you know.

0:33:37.120 --> 0:33:40.880
<v Speaker 2>But also it's like, actually, doctor Agent Cooper, you haven't

0:33:40.920 --> 0:33:44.360
<v Speaker 2>seen this, That's the whole point. You're a behavioral person. Yeah,

0:33:44.400 --> 0:33:47.600
<v Speaker 2>you analyze. So then also like shut her down in

0:33:47.640 --> 0:33:50.880
<v Speaker 2>ways of I've seen worse, You've read worse, you've not

0:33:50.960 --> 0:33:54.760
<v Speaker 2>been on the case, like digging in these people's bodies,

0:33:54.840 --> 0:33:56.600
<v Speaker 2>Like I just don't fuck with my girl.

0:33:56.720 --> 0:33:59.400
<v Speaker 1>The thing is is that evidence is everything, and Melinda

0:33:59.440 --> 0:34:00.680
<v Speaker 1>has like all the evidence.

0:34:00.720 --> 0:34:02.720
<v Speaker 3>Basically, when a body is dumped.

0:34:02.400 --> 0:34:04.440
<v Speaker 1>Like that that it's all rust with the body, So

0:34:05.200 --> 0:34:06.960
<v Speaker 1>you need to shut up and listen to every single

0:34:07.000 --> 0:34:09.440
<v Speaker 1>thing she's saying, Like you don't need to go oh,

0:34:09.480 --> 0:34:11.480
<v Speaker 1>we get the GISTs, like no, she's gonna tell you

0:34:11.520 --> 0:34:13.440
<v Speaker 1>something like tell you everything you know.

0:34:14.040 --> 0:34:18.759
<v Speaker 2>Yeah, but Melinda says sorry, which again I know.

0:34:18.719 --> 0:34:19.680
<v Speaker 3>What you agree with.

0:34:20.200 --> 0:34:23.640
<v Speaker 2>Yeah, I understand the details are a lot, but like

0:34:23.760 --> 0:34:26.799
<v Speaker 2>that's her job and that's what you're there for. So

0:34:27.320 --> 0:34:30.279
<v Speaker 2>John Doe was shot once, but there's no slug at

0:34:30.280 --> 0:34:34.000
<v Speaker 2>like which is the leftover bullet piece? And since they

0:34:34.000 --> 0:34:36.719
<v Speaker 2>were not able to find a leftover bullet piece thing,

0:34:36.920 --> 0:34:39.680
<v Speaker 2>there's no way to connect the two killings, and so

0:34:39.719 --> 0:34:42.200
<v Speaker 2>there's no evidence that ties them together. That was killed

0:34:42.200 --> 0:34:45.240
<v Speaker 2>by the same person. So dun dund on, what's gonna happen?

0:34:46.480 --> 0:34:49.960
<v Speaker 2>Uh Chester is looking at internet cafe footage. That's what

0:34:50.040 --> 0:34:54.759
<v Speaker 2>he's decided to do. And then Huang asks swim fan Cooper, like, hey,

0:34:55.280 --> 0:34:58.080
<v Speaker 2>did you notice when Tilman lost his mind? Was it

0:34:58.120 --> 0:35:02.200
<v Speaker 2>a specific case? Because the profile has a lot of errors,

0:35:02.239 --> 0:35:05.480
<v Speaker 2>and if I can pinpoint what victim made him go nuts, like,

0:35:05.760 --> 0:35:09.919
<v Speaker 2>then I can go back and start making profiles from

0:35:10.120 --> 0:35:12.600
<v Speaker 2>then and she's like, I don't remember, and he's like

0:35:12.640 --> 0:35:16.120
<v Speaker 2>you need to try because he's torturing another victim right now,

0:35:16.200 --> 0:35:19.640
<v Speaker 2>and she loses it and goes like I don't fucking know,

0:35:19.800 --> 0:35:22.000
<v Speaker 2>which is true, Like she doesn't know what's happening. She

0:35:22.160 --> 0:35:24.600
<v Speaker 2>has been working in these cases, beatde like come on,

0:35:24.880 --> 0:35:26.920
<v Speaker 2>like disrespect all around, but.

0:35:26.920 --> 0:35:29.080
<v Speaker 3>Also she needs to figure this out. But she goes.

0:35:28.840 --> 0:35:31.160
<v Speaker 2>Wild and she's like, if I knew, I would have

0:35:31.239 --> 0:35:35.720
<v Speaker 2>stopped him from killing himself. Hello, he was my favorite person.

0:35:35.800 --> 0:35:37.680
<v Speaker 2>You think I would have just let him go nuts

0:35:38.080 --> 0:35:40.440
<v Speaker 2>slowly in mind in my own business, like I was

0:35:40.440 --> 0:35:41.400
<v Speaker 2>there to fucking help.

0:35:41.880 --> 0:35:44.600
<v Speaker 1>This is a weird line to go down that if

0:35:44.640 --> 0:35:48.560
<v Speaker 1>you have a mental illness or some kind of deterioration,

0:35:48.680 --> 0:35:51.520
<v Speaker 1>that's just happening. There's not a specific case that's making

0:35:51.560 --> 0:35:55.200
<v Speaker 1>you go nuts or making your mind deteriorate. You know.

0:35:56.040 --> 0:35:58.799
<v Speaker 2>Yeah, maybe that's like a crime show trope, but it

0:35:58.840 --> 0:36:02.080
<v Speaker 2>seems like the case end up taking over certain detectives'

0:36:02.120 --> 0:36:06.560
<v Speaker 2>lives and yeah, they spiral, so I mean, I don't know,

0:36:07.239 --> 0:36:09.080
<v Speaker 2>but she says like he was my mentor and I

0:36:09.080 --> 0:36:10.560
<v Speaker 2>didn't see it coming. And I'm sure she has a

0:36:10.600 --> 0:36:11.600
<v Speaker 2>lot of guilts like she is.

0:36:11.600 --> 0:36:15.759
<v Speaker 1>An agent and a behavioral analysis and like didn't see

0:36:15.760 --> 0:36:18.360
<v Speaker 1>it coming. Pick up on this right, They cut to

0:36:18.480 --> 0:36:21.359
<v Speaker 1>Chester Lake and he makes a puzzled, confused face when

0:36:21.440 --> 0:36:22.760
<v Speaker 1>she says that statement.

0:36:23.200 --> 0:36:26.440
<v Speaker 2>But we don't know much, but there is a confused face.

0:36:26.920 --> 0:36:29.279
<v Speaker 2>And then Daddy Craigan Waltz is in and he's like,

0:36:29.640 --> 0:36:33.160
<v Speaker 2>there's a problem. We found the Woodsman, which how is

0:36:33.160 --> 0:36:33.800
<v Speaker 2>that a problem?

0:36:33.880 --> 0:36:35.600
<v Speaker 3>Right? And people are like where, what?

0:36:35.600 --> 0:36:35.759
<v Speaker 5>What?

0:36:36.719 --> 0:36:38.200
<v Speaker 3>And he goes in the morgue.

0:36:38.760 --> 0:36:43.439
<v Speaker 2>What the DNA sample CSU found matches the John Doe

0:36:43.440 --> 0:36:47.440
<v Speaker 2>they found, so he's dead. So the dead male body

0:36:47.640 --> 0:36:51.000
<v Speaker 2>at the crime scene is the Woodsman killer, which is

0:36:51.040 --> 0:36:52.680
<v Speaker 2>awesome because this evil piece of.

0:36:52.680 --> 0:36:53.360
<v Speaker 3>Shit is dead.

0:36:53.640 --> 0:36:55.920
<v Speaker 2>But it's bad because they think that there's another live

0:36:56.000 --> 0:36:57.799
<v Speaker 2>victim and now he's dead and they can't get any

0:36:57.800 --> 0:37:03.200
<v Speaker 2>information about anybody. Yeah, Erica takes a deep breath. I'm

0:37:03.239 --> 0:37:06.239
<v Speaker 2>assuming there was a commercial right here. So then we

0:37:06.280 --> 0:37:08.520
<v Speaker 2>see a photo of the Woodsman. He's wearing a park

0:37:08.600 --> 0:37:11.319
<v Speaker 2>Ranger style hat. His name is Larry Moore and he

0:37:11.360 --> 0:37:14.239
<v Speaker 2>looks like he would be on CBS Survivor. I can't

0:37:14.280 --> 0:37:16.560
<v Speaker 2>tell you why, but if you watch Survivor and you

0:37:16.600 --> 0:37:17.320
<v Speaker 2>saw this photo.

0:37:17.400 --> 0:37:18.960
<v Speaker 3>You know exactly what I'm saying.

0:37:19.880 --> 0:37:23.880
<v Speaker 2>So he's a non commissioned park ranger but also a

0:37:23.960 --> 0:37:25.719
<v Speaker 2>cop maintenance ranger.

0:37:26.000 --> 0:37:29.239
<v Speaker 1>I'm confused. I'm confused so much in this episode, like

0:37:29.320 --> 0:37:32.840
<v Speaker 1>I don't know, And I kept rewinding and rewriting, and

0:37:32.880 --> 0:37:34.040
<v Speaker 1>I was like, how, I don't know?

0:37:34.320 --> 0:37:34.960
<v Speaker 3>Was he a cop?

0:37:35.080 --> 0:37:37.480
<v Speaker 1>Is he a park ranger? Is he a maintenance mountain

0:37:37.640 --> 0:37:40.880
<v Speaker 1>ranger cop? Like, I don't fucking know. Maybe I'm assuming

0:37:40.920 --> 0:37:42.920
<v Speaker 1>that if he's non commissioned park ranger, that he's like

0:37:42.920 --> 0:37:44.960
<v Speaker 1>a park ranger, but like you have to actually get

0:37:45.000 --> 0:37:47.239
<v Speaker 1>like licensed and ship to be a park ranger. So

0:37:47.239 --> 0:37:49.400
<v Speaker 1>maybe he's more just like a maintenance ranger where he

0:37:49.560 --> 0:37:52.480
<v Speaker 1>just like you know, does just for sure.

0:37:52.719 --> 0:37:55.200
<v Speaker 2>But then why did Craigan say that he was a

0:37:55.239 --> 0:37:58.520
<v Speaker 2>former cop or a cop? Like That's what I kept

0:37:58.520 --> 0:38:01.040
<v Speaker 2>not understanding. I kept watching and I was just like,

0:38:01.120 --> 0:38:04.880
<v Speaker 2>what is happening? But you know, yeah, you are totally

0:38:04.960 --> 0:38:06.880
<v Speaker 2>right on with the maintenance thing, like he opened and

0:38:06.920 --> 0:38:08.880
<v Speaker 2>closed the park in the season, Like when the season

0:38:08.920 --> 0:38:12.479
<v Speaker 2>opened and closed, he picked up trash. Okay, so yeah,

0:38:12.520 --> 0:38:15.439
<v Speaker 2>they're just gabbing trying to figure it out. But how

0:38:15.440 --> 0:38:17.839
<v Speaker 2>did nobody hear the torture, so she goes, well, maybe

0:38:17.840 --> 0:38:21.720
<v Speaker 2>the winter cabins, like, maybe he's there. Chester then finds

0:38:21.760 --> 0:38:23.920
<v Speaker 2>an apartment in the city that he was subleasing, so

0:38:23.920 --> 0:38:25.880
<v Speaker 2>they get moving to the apartment. They enter with all

0:38:25.880 --> 0:38:29.160
<v Speaker 2>these guns, searching for scoop, knocking down bookshelves, junk, junk, junk.

0:38:29.560 --> 0:38:32.240
<v Speaker 2>So while they're going through the evidence in the apartment,

0:38:32.440 --> 0:38:35.719
<v Speaker 2>she's like opening up to Benson and she reveals that

0:38:36.200 --> 0:38:38.080
<v Speaker 2>she grew up in a group home and that this

0:38:38.239 --> 0:38:41.040
<v Speaker 2>Tillman guy recruited her when she was a junior in

0:38:41.080 --> 0:38:44.200
<v Speaker 2>college and she felt like he was her dad. That

0:38:44.360 --> 0:38:47.880
<v Speaker 2>is the dream to be for the FBI to find

0:38:47.920 --> 0:38:50.759
<v Speaker 2>you and in college, we need you.

0:38:50.760 --> 0:38:51.400
<v Speaker 3>You're the one.

0:38:51.680 --> 0:38:55.880
<v Speaker 2>Yeah, like such a men in black like amazing moment,

0:38:56.040 --> 0:38:58.879
<v Speaker 2>Like that is just so cool. Obviously you obviously need

0:38:58.920 --> 0:39:01.360
<v Speaker 2>special skills, but also the FBI is watching all of

0:39:01.360 --> 0:39:06.359
<v Speaker 2>our grades, all of our skills. So Benson says, oh

0:39:06.400 --> 0:39:08.239
<v Speaker 2>my god, I think I got something and it's a

0:39:08.360 --> 0:39:10.880
<v Speaker 2>key and hopefully it's to the murder room. And then

0:39:10.880 --> 0:39:13.600
<v Speaker 2>there's one photo in the whole room and it says

0:39:13.680 --> 0:39:17.040
<v Speaker 2>Aunt Helen nineteen eighty. So they go to visit Aunt

0:39:17.120 --> 0:39:22.040
<v Speaker 2>Helen she's gardening. She has full glass bangs flowers, marble galore,

0:39:22.239 --> 0:39:24.879
<v Speaker 2>she's wearing a little apron. They tell her that her

0:39:24.920 --> 0:39:27.920
<v Speaker 2>nephew tortures and murders women, and she starts kind of crying,

0:39:27.960 --> 0:39:30.800
<v Speaker 2>not fully, but asks how many. They say over twenty,

0:39:30.880 --> 0:39:33.640
<v Speaker 2>and Erica's like, hey, girl, you don't seem surprised. And

0:39:33.680 --> 0:39:36.279
<v Speaker 2>the aunt says, I've known for a long time what

0:39:36.320 --> 0:39:39.560
<v Speaker 2>he's capable of, and she said she hasn't seen him

0:39:39.600 --> 0:39:42.359
<v Speaker 2>since he got out of jail, and Benson says, oh, well,

0:39:42.560 --> 0:39:45.200
<v Speaker 2>he doesn't have a record and he was a juvenile

0:39:45.280 --> 0:39:47.360
<v Speaker 2>so it was sealed and then a sponge. But he

0:39:47.480 --> 0:39:50.080
<v Speaker 2>was visiting her in the summer and volunteering to clean

0:39:50.160 --> 0:39:52.640
<v Speaker 2>up Central Park and a couple of girls said that

0:39:52.680 --> 0:39:55.200
<v Speaker 2>he touched them, and at first she believed that they

0:39:55.239 --> 0:39:57.440
<v Speaker 2>were lying, but then she knew he was bad at

0:39:57.440 --> 0:40:00.799
<v Speaker 2>a moment, and like she doesn't want to talk about it.

0:40:00.840 --> 0:40:02.879
<v Speaker 2>She's like, I mean, it makes me uncomfortable. I don't

0:40:02.880 --> 0:40:05.399
<v Speaker 2>want to say it out loud. But something happened either

0:40:05.440 --> 0:40:08.040
<v Speaker 2>to her or she witnessed that made her I'll be like, oh,

0:40:08.080 --> 0:40:11.759
<v Speaker 2>my nephew's a that, and I'm scared of him. So

0:40:11.800 --> 0:40:13.880
<v Speaker 2>the detectives explain, we're trying to find out where he

0:40:13.920 --> 0:40:16.760
<v Speaker 2>holds people, and she said, I mean he liked the docks,

0:40:16.800 --> 0:40:18.640
<v Speaker 2>he liked the ships going in and out, and he

0:40:18.800 --> 0:40:21.560
<v Speaker 2>liked the noise. So they cut to a busy precinct

0:40:21.560 --> 0:40:24.319
<v Speaker 2>and Benson says to Craigan, there's no connection to a

0:40:24.360 --> 0:40:27.680
<v Speaker 2>seaside thing according to his financials at all, and he

0:40:27.760 --> 0:40:30.520
<v Speaker 2>pays for most things in cash except for rent, and

0:40:30.560 --> 0:40:33.880
<v Speaker 2>that's a red flag obviously paying with cash everywhere.

0:40:34.520 --> 0:40:36.440
<v Speaker 3>Cooper said, yeah, don't you want the airline points?

0:40:36.520 --> 0:40:39.840
<v Speaker 2>Okay, So Cooper says, he gets off on the screaming

0:40:39.880 --> 0:40:42.000
<v Speaker 2>and the sheer terror, so it needs to be a

0:40:42.000 --> 0:40:43.840
<v Speaker 2>place where they can really scream.

0:40:43.880 --> 0:40:46.080
<v Speaker 3>He's a sadist and this is just so.

0:40:46.160 --> 0:40:51.600
<v Speaker 2>Scary, like to think someone wants this is the scariest.

0:40:52.800 --> 0:40:55.080
<v Speaker 2>So Benson goes, well, this key is to a storage

0:40:55.120 --> 0:40:57.280
<v Speaker 2>facility and that might give him a lot of freedom,

0:40:57.400 --> 0:41:00.000
<v Speaker 2>like someplace that's dead at night and busy in the daytime,

0:41:00.239 --> 0:41:01.799
<v Speaker 2>and then he could go there at night. But there's

0:41:01.840 --> 0:41:04.120
<v Speaker 2>so many places in the city, like what is it?

0:41:04.520 --> 0:41:08.200
<v Speaker 2>And then Benson finds the receipt for Augusta Cruises what

0:41:08.239 --> 0:41:11.200
<v Speaker 2>the fuck is that the phone number is no longer registered?

0:41:11.280 --> 0:41:15.000
<v Speaker 2>So Craigan knows that when cruise lines go under, they

0:41:15.040 --> 0:41:18.320
<v Speaker 2>sell their storage spaces to companies, and then that's the

0:41:18.400 --> 0:41:21.520
<v Speaker 2>lead we really need. So we know that the Augusta

0:41:21.560 --> 0:41:24.400
<v Speaker 2>Cruises sold their property. It's just some storage unit we

0:41:24.440 --> 0:41:28.040
<v Speaker 2>gotta go. So it's River Run Cruises peers and the

0:41:28.080 --> 0:41:31.120
<v Speaker 2>guy wants a warrant to search shit, and they're like,

0:41:31.239 --> 0:41:34.719
<v Speaker 2>are you fucking kidding me? There's dead women, someone was

0:41:34.760 --> 0:41:37.279
<v Speaker 2>torturing women here, and you're fucking gonna do what we

0:41:37.360 --> 0:41:39.759
<v Speaker 2>tell you, So he gives in. Of course, you don't

0:41:39.760 --> 0:41:42.799
<v Speaker 2>really turn down when both of them steer you down.

0:41:43.080 --> 0:41:45.840
<v Speaker 2>And it's a big squad team, lots of people, lots

0:41:45.840 --> 0:41:48.960
<v Speaker 2>of rounding up guns, bulletproof vests, like everyone is ready

0:41:49.000 --> 0:41:51.080
<v Speaker 2>to get in there. But I don't know why you

0:41:51.080 --> 0:41:53.080
<v Speaker 2>need all those guns and stuff, Like the guy's dead,

0:41:53.120 --> 0:41:55.080
<v Speaker 2>but maybe you know he had a partner.

0:41:54.800 --> 0:41:56.840
<v Speaker 3>In compos Yeah.

0:41:56.880 --> 0:41:59.160
<v Speaker 2>So then Benson is told to stand back and she

0:41:59.239 --> 0:42:01.120
<v Speaker 2>takes my dad's approach and it is like, I'd rather

0:42:01.160 --> 0:42:02.800
<v Speaker 2>ask for forgiveness than permission.

0:42:02.920 --> 0:42:04.080
<v Speaker 3>Hell, yes, so she goes.

0:42:05.280 --> 0:42:09.480
<v Speaker 2>So then we hear torture like it's bad, and like

0:42:09.600 --> 0:42:12.759
<v Speaker 2>the set designer did a really good job, Like maybe

0:42:12.760 --> 0:42:15.640
<v Speaker 2>we should look into what they're up to because this

0:42:15.719 --> 0:42:18.200
<v Speaker 2>torture chamber, it seems very realistic.

0:42:18.480 --> 0:42:22.080
<v Speaker 1>It's so scary. It's a really scary murder drip drops also,

0:42:22.120 --> 0:42:24.319
<v Speaker 1>there are drip drops, like I said before.

0:42:24.520 --> 0:42:27.480
<v Speaker 3>A sure sign you're about to find like a murder den.

0:42:27.640 --> 0:42:30.279
<v Speaker 1>Wait what remember in another episode we did, I was

0:42:30.320 --> 0:42:33.479
<v Speaker 1>like there when there's the sound of like drip drip drip, Yeah,

0:42:33.560 --> 0:42:35.640
<v Speaker 1>like you always know you're about to see something really creepy.

0:42:36.280 --> 0:42:39.440
<v Speaker 2>Yeah, there's tubes and hooks and metal and chains and

0:42:39.480 --> 0:42:44.600
<v Speaker 2>sounds of screaming and like it's just really scary. And

0:42:44.640 --> 0:42:47.520
<v Speaker 2>then the sounds of the torture are coming from a

0:42:47.560 --> 0:42:50.240
<v Speaker 2>TV though, and it shows a video of a woman

0:42:50.280 --> 0:42:52.880
<v Speaker 2>in a tub being tortured and screaming, and there is

0:42:53.000 --> 0:42:55.920
<v Speaker 2>that version of the tub in the torture chamber, and

0:42:55.960 --> 0:42:58.880
<v Speaker 2>it's empty right now. So that video is to terrorize

0:42:58.880 --> 0:43:00.960
<v Speaker 2>a victim, so there's got be a victim. And so

0:43:01.000 --> 0:43:03.920
<v Speaker 2>they're slowly walking and looking at all these machines and

0:43:03.960 --> 0:43:04.920
<v Speaker 2>it is really scary.

0:43:05.239 --> 0:43:07.000
<v Speaker 3>And I have a personal story to add to this.

0:43:07.080 --> 0:43:08.959
<v Speaker 2>So this is obviously horrific, like when you think about

0:43:08.960 --> 0:43:10.600
<v Speaker 2>the worst things that can happen to you in the fear,

0:43:10.640 --> 0:43:12.880
<v Speaker 2>it's like, I don't want to get kidnapped and tortured

0:43:13.040 --> 0:43:16.280
<v Speaker 2>like that is the thing, like so many different crimes.

0:43:16.320 --> 0:43:18.719
<v Speaker 2>It's like to be changed to a thing knowing you'll

0:43:18.760 --> 0:43:21.879
<v Speaker 2>never escape torture. Watch it's I can't think of anything worse.

0:43:21.960 --> 0:43:25.279
<v Speaker 2>It is made of nightmares. So years ago, I would

0:43:25.280 --> 0:43:27.160
<v Speaker 2>say seventy eight years ago, I did DMT with a

0:43:27.200 --> 0:43:30.600
<v Speaker 2>group of friends and we one in, one at a time,

0:43:30.760 --> 0:43:33.920
<v Speaker 2>and one at a time, everyone did DMT, and everyone

0:43:34.080 --> 0:43:38.080
<v Speaker 2>I saw, I saw a rainbow civilization of people dancing

0:43:38.120 --> 0:43:39.880
<v Speaker 2>to algreen, and I saw outer space.

0:43:40.040 --> 0:43:43.600
<v Speaker 3>I saw like rainbow, like I saw God right, I.

0:43:43.560 --> 0:43:46.120
<v Speaker 2>Saw outer space and like the existence of like family,

0:43:46.160 --> 0:43:47.760
<v Speaker 2>Like it really was an amazing moment.

0:43:47.840 --> 0:43:49.440
<v Speaker 3>My body felt great, and we're all going in one

0:43:49.440 --> 0:43:51.440
<v Speaker 3>at a time. And then our friend.

0:43:51.239 --> 0:43:53.840
<v Speaker 2>Dave is reacting weird and we don't know why, but

0:43:53.880 --> 0:43:55.760
<v Speaker 2>he's not telling us because he's a good drug taker,

0:43:55.800 --> 0:43:57.480
<v Speaker 2>so he's not going to like say anything bad that

0:43:57.480 --> 0:44:00.160
<v Speaker 2>happened and fuck up someone else's high. So he's just

0:44:00.239 --> 0:44:02.960
<v Speaker 2>standing in the bathtub smoking cigarettes outside the window. And

0:44:02.960 --> 0:44:04.879
<v Speaker 2>we're like, what the fuck is going on? So then

0:44:04.920 --> 0:44:06.719
<v Speaker 2>after we all do drugs, he tells us he had

0:44:06.760 --> 0:44:09.320
<v Speaker 2>the worst trip of his life and that his DMT

0:44:09.480 --> 0:44:12.120
<v Speaker 2>trip was that he was chained down to a table,

0:44:12.520 --> 0:44:14.839
<v Speaker 2>knew he was about to be tortured, but couldn't do

0:44:14.880 --> 0:44:15.759
<v Speaker 2>anything about it.

0:44:16.000 --> 0:44:16.880
<v Speaker 3>Oh my god.

0:44:18.080 --> 0:44:20.319
<v Speaker 2>And so the good thing with DMT is it is

0:44:20.360 --> 0:44:24.320
<v Speaker 2>only like ten to fifteen minutes, but for ten fifteen

0:44:24.400 --> 0:44:27.760
<v Speaker 2>minutes he was in his brain chained to a table

0:44:27.800 --> 0:44:28.720
<v Speaker 2>and couldn't escape.

0:44:29.040 --> 0:44:30.560
<v Speaker 3>Wow, And do you think.

0:44:30.360 --> 0:44:33.839
<v Speaker 1>That that's like something that is in your mind that

0:44:33.960 --> 0:44:37.080
<v Speaker 1>like obviously right, Like isn't that the drugs just bringing

0:44:37.120 --> 0:44:39.400
<v Speaker 1>something that's deep in your subconscious to the surface?

0:44:39.520 --> 0:44:40.680
<v Speaker 3>Right? Yeah.

0:44:40.840 --> 0:44:42.960
<v Speaker 2>Our theory was like, our friend David is like kind

0:44:42.960 --> 0:44:45.320
<v Speaker 2>of a golden Retriever in a way. He's like a happy,

0:44:45.360 --> 0:44:48.799
<v Speaker 2>go lucky, positive, chill dude who's not really bothered. So

0:44:49.600 --> 0:44:52.799
<v Speaker 2>maybe the universe needed to instill fear in him or

0:44:52.840 --> 0:44:57.200
<v Speaker 2>something like I don't know, like I have no idea,

0:44:57.320 --> 0:45:00.600
<v Speaker 2>but it is the worst thing I can imagine, and

0:45:01.000 --> 0:45:02.680
<v Speaker 2>I guess the best way to imagine.

0:45:02.360 --> 0:45:04.879
<v Speaker 3>It is on a drug trip, because it's not real.

0:45:04.960 --> 0:45:07.919
<v Speaker 1>But yeah, but he's done DMT since and loved it,

0:45:08.000 --> 0:45:09.480
<v Speaker 1>so okay, well wow.

0:45:09.320 --> 0:45:11.640
<v Speaker 3>I'm glad he was able to give it another shot.

0:45:12.239 --> 0:45:15.600
<v Speaker 3>Well because we were like having the time of our lives.

0:45:15.760 --> 0:45:17.839
<v Speaker 3>He was so generous. It was such a short high.

0:45:18.080 --> 0:45:20.560
<v Speaker 3>That's it is, and it feels awesome.

0:45:20.640 --> 0:45:22.319
<v Speaker 2>And then we all did it again, but all at once,

0:45:22.480 --> 0:45:24.120
<v Speaker 2>and then I would open my eyes and people were

0:45:24.120 --> 0:45:27.320
<v Speaker 2>like it was like it was awesome if you get DMT.

0:45:27.600 --> 0:45:29.720
<v Speaker 3>Fuck. Yeah.

0:45:29.960 --> 0:45:34.160
<v Speaker 2>So there's like piles of VHS tapes and it's just

0:45:34.200 --> 0:45:37.319
<v Speaker 2>like really scary in there, and Chester says that there's

0:45:37.360 --> 0:45:40.640
<v Speaker 2>nobody in here, but thank god, there's better detectives in

0:45:40.680 --> 0:45:44.520
<v Speaker 2>the room. So Benson opens like this metal container that's

0:45:44.600 --> 0:45:47.400
<v Speaker 2>under the torture taber and there's a girl in there.

0:45:47.360 --> 0:45:50.040
<v Speaker 1>Which is like very reminiscent by the way of slaves.

0:45:50.200 --> 0:45:53.360
<v Speaker 1>When like there's that push pressure like thing under the bed,

0:45:54.320 --> 0:45:56.680
<v Speaker 1>you know, it's like not everything is what it seems.

0:45:57.040 --> 0:46:01.279
<v Speaker 2>Yeah, she's in braun underwear. She's she's scared and she's

0:46:01.320 --> 0:46:04.279
<v Speaker 2>screaming through the tape, like shuffling, twitching, screaming. Her hands

0:46:04.320 --> 0:46:07.520
<v Speaker 2>are black, so like maybe frozen or something like for

0:46:07.640 --> 0:46:09.520
<v Speaker 2>us to buy a torture electroc I don't know what

0:46:09.600 --> 0:46:12.960
<v Speaker 2>it is, but she's injured, and Erica keeps screaming on

0:46:13.160 --> 0:46:17.320
<v Speaker 2>educated suggestions. She was like move her, remove the tape,

0:46:17.360 --> 0:46:19.240
<v Speaker 2>and Benson's like, go away.

0:46:19.400 --> 0:46:20.239
<v Speaker 3>We cannot move her.

0:46:20.320 --> 0:46:23.000
<v Speaker 2>She might have a spinal injury, and we cannot rip

0:46:23.120 --> 0:46:25.520
<v Speaker 2>the tape off without a solution or a skin will rip.

0:46:25.560 --> 0:46:28.120
<v Speaker 2>Like you are not good at this, Shut the fuck up,

0:46:28.600 --> 0:46:32.759
<v Speaker 2>and then Cooper goes and grabs some torture knife and.

0:46:33.000 --> 0:46:37.280
<v Speaker 1>Starts heading towards the girl. What what was she thinking?

0:46:37.800 --> 0:46:41.160
<v Speaker 1>What was she thinking? Fucking nuts? So the girl of

0:46:41.239 --> 0:46:44.840
<v Speaker 1>course goes insane and Benson's like what are you doing?

0:46:45.320 --> 0:46:48.040
<v Speaker 1>And then Erica does this movement of like what do

0:46:48.040 --> 0:46:48.759
<v Speaker 1>you want me to do?

0:46:48.840 --> 0:46:51.000
<v Speaker 2>Like arms in the air, and it's like, don't take

0:46:51.040 --> 0:46:53.480
<v Speaker 2>a torture scalpel to a torture victim.

0:46:53.520 --> 0:46:55.759
<v Speaker 3>How about what were you gonna do? Cut her mouth open?

0:46:55.920 --> 0:47:01.399
<v Speaker 2>Like fuck god ough these behavior experts, they know nothing.

0:47:02.520 --> 0:47:05.520
<v Speaker 2>So the girls are in the hospital and Benson and

0:47:05.640 --> 0:47:08.720
<v Speaker 2>Eric are talking shop like how long has this victim

0:47:08.760 --> 0:47:12.480
<v Speaker 2>been there? The girl so the victim is in critical condition.

0:47:12.800 --> 0:47:17.000
<v Speaker 2>The docs says what happened to her? And they respond

0:47:17.160 --> 0:47:21.680
<v Speaker 2>everything So unfortunately, she's too weak for surgery. So even

0:47:21.880 --> 0:47:24.760
<v Speaker 2>like they can't even help her. She like, they can't

0:47:24.800 --> 0:47:27.560
<v Speaker 2>perform the surgery she needs because she's too weak for surgery.

0:47:27.920 --> 0:47:30.640
<v Speaker 2>But they're just pumping her up with fluids and antibiotics

0:47:30.680 --> 0:47:32.080
<v Speaker 2>and really trying to get her back.

0:47:32.880 --> 0:47:35.239
<v Speaker 3>And then this is like a scene they only do.

0:47:36.040 --> 0:47:38.600
<v Speaker 2>They don't do this very often, but it's a powerful

0:47:38.640 --> 0:47:41.600
<v Speaker 2>scene where Benson and Erica they get to work and

0:47:41.640 --> 0:47:43.840
<v Speaker 2>they take pictures of all the injuries and it's just

0:47:43.880 --> 0:47:48.200
<v Speaker 2>like really brutal, and then they fingerprint her black and

0:47:48.239 --> 0:47:52.840
<v Speaker 2>purple fingers and it's just it's a lot. Benson explains,

0:47:52.920 --> 0:47:55.359
<v Speaker 2>like we need to find her family and find out

0:47:55.400 --> 0:47:57.480
<v Speaker 2>who she is because if she's not gonna make it,

0:47:57.520 --> 0:48:02.080
<v Speaker 2>which is likely, we need the family here. And Agent

0:48:02.160 --> 0:48:05.080
<v Speaker 2>Cooper can't handle it, and she starts bawling and crying

0:48:05.120 --> 0:48:06.280
<v Speaker 2>and she's like, I'm not okay.

0:48:06.400 --> 0:48:07.759
<v Speaker 3>This is not what I'm used to.

0:48:07.800 --> 0:48:11.600
<v Speaker 2>I don't deal with victims, and so it just proves

0:48:11.719 --> 0:48:15.080
<v Speaker 2>the point that how important the Special Victims Unit really is.

0:48:16.080 --> 0:48:18.879
<v Speaker 2>So we're back at the station with Kragan and Lake

0:48:19.120 --> 0:48:22.319
<v Speaker 2>and you know, not a dynamic duo. We're like, what

0:48:22.560 --> 0:48:27.799
<v Speaker 2>is happening? The where are the other detectives? But basically

0:48:27.920 --> 0:48:31.279
<v Speaker 2>Jersey is playing hardball with the evidence, and it's like, what.

0:48:32.160 --> 0:48:33.239
<v Speaker 3>Why wouldn't you want what?

0:48:33.600 --> 0:48:36.440
<v Speaker 1>I don't understand playing big dick games when it comes

0:48:36.440 --> 0:48:38.280
<v Speaker 1>to torture and evidence.

0:48:37.920 --> 0:48:40.719
<v Speaker 3>Like, oh is Jersey where the Augusta Cruzes was?

0:48:41.560 --> 0:48:41.680
<v Speaker 6>Oh?

0:48:41.719 --> 0:48:42.480
<v Speaker 3>Okay, got it?

0:48:43.400 --> 0:48:48.160
<v Speaker 2>And it's like, just why are we playing jurisdiction games

0:48:48.200 --> 0:48:53.080
<v Speaker 2>when it's like full torture chambers. It's so angering and

0:48:53.120 --> 0:48:55.680
<v Speaker 2>it wouldn't be so angry if we didn't know this

0:48:55.760 --> 0:48:58.960
<v Speaker 2>happens all the time in real life, right, So basically

0:48:59.080 --> 0:49:00.600
<v Speaker 2>Chester is just one track mine.

0:49:00.640 --> 0:49:02.520
<v Speaker 3>He's like, we got to see who sent the email.

0:49:02.520 --> 0:49:04.000
<v Speaker 3>We got to see who sent the email?

0:49:04.239 --> 0:49:06.560
<v Speaker 2>And he says, taru enhance the footage, which we know

0:49:06.680 --> 0:49:08.760
<v Speaker 2>is not a thing that happens in real life.

0:49:08.680 --> 0:49:13.920
<v Speaker 3>No real but boom baby, who is it?

0:49:14.239 --> 0:49:19.720
<v Speaker 2>He sees who it is. It's Agent Cooper. Agent Cooper

0:49:20.120 --> 0:49:24.200
<v Speaker 2>sent the email. She is found on the security cam

0:49:24.239 --> 0:49:27.040
<v Speaker 2>footage in a baseball cap leaving the internet cafe.

0:49:27.120 --> 0:49:30.440
<v Speaker 3>It's like, you're a fucking FBI agent and a baseball.

0:49:30.040 --> 0:49:32.480
<v Speaker 1>Cap does not hide your identity? Like I can't believe

0:49:32.480 --> 0:49:34.680
<v Speaker 1>that she just didn't know that she would be caught

0:49:34.719 --> 0:49:37.960
<v Speaker 1>on like multiple CCTV cameras that are like all over

0:49:38.000 --> 0:49:38.960
<v Speaker 1>the sea the city.

0:49:39.320 --> 0:49:40.560
<v Speaker 3>Yeah, she's an idiot.

0:49:40.800 --> 0:49:43.160
<v Speaker 2>Maybe she didn't realize like, yeah, you knew they were

0:49:43.160 --> 0:49:44.560
<v Speaker 2>going to try to find who sent the email.

0:49:44.719 --> 0:49:46.040
<v Speaker 3>Yeah, it was bad.

0:49:46.760 --> 0:49:50.440
<v Speaker 2>Benson comes into Craigen's office novakas they're waiting, and they

0:49:50.440 --> 0:49:54.719
<v Speaker 2>tell Benson about the Internet cafe scoop and Benson is

0:49:54.760 --> 0:49:57.440
<v Speaker 2>like there must be a reason, like that's not her,

0:49:57.640 --> 0:49:59.680
<v Speaker 2>that's not her, And Benson goes, you don't know her

0:49:59.719 --> 0:50:02.960
<v Speaker 2>and no backs like neither do you, Like we just

0:50:03.080 --> 0:50:06.960
<v Speaker 2>met her a few days ago, be real girl. During

0:50:07.000 --> 0:50:11.400
<v Speaker 2>the talk, Craigan gets a call that Amy Doe died, which,

0:50:11.520 --> 0:50:15.399
<v Speaker 2>like hammers home, what like Erica did is bad because

0:50:15.400 --> 0:50:17.080
<v Speaker 2>if she just sent this email found the body, it

0:50:17.080 --> 0:50:17.919
<v Speaker 2>wouldn't be that bad.

0:50:17.960 --> 0:50:19.399
<v Speaker 3>But because of her not being.

0:50:19.360 --> 0:50:22.840
<v Speaker 2>Up front right away, you know, we could have saved

0:50:23.000 --> 0:50:26.400
<v Speaker 2>Amy Doe. Yeah, so Erica is now an interrogation and

0:50:26.440 --> 0:50:29.040
<v Speaker 2>Benson walks in and you know, we're about to have

0:50:29.040 --> 0:50:32.560
<v Speaker 2>an amazing scene. Benson does have like a weird gold

0:50:32.719 --> 0:50:35.000
<v Speaker 2>clasp right underneath her titties on her shirt.

0:50:35.040 --> 0:50:37.000
<v Speaker 3>Did you notice it? It was like I did not

0:50:37.160 --> 0:50:38.280
<v Speaker 3>a bell, but like right.

0:50:38.200 --> 0:50:40.840
<v Speaker 2>Under her boobs there was just like a gemstone silver

0:50:41.000 --> 0:50:42.600
<v Speaker 2>clasp and it's very real.

0:50:42.600 --> 0:50:46.000
<v Speaker 3>Housewives of OC Early Seasons does like to see that?

0:50:46.160 --> 0:50:49.960
<v Speaker 2>Yeah, Benson says she's waiting for an FBI officer to

0:50:50.080 --> 0:50:53.120
<v Speaker 2>like come, kind of like a union wrap, I would guess,

0:50:53.120 --> 0:50:54.560
<v Speaker 2>and Erica goes, no, I know what's up.

0:50:54.560 --> 0:50:56.360
<v Speaker 3>I don't care, I pass, I don't just talk to me.

0:50:57.000 --> 0:50:59.960
<v Speaker 2>Yeah, so she said, hey, so did you send an

0:51:00.040 --> 0:51:02.560
<v Speaker 2>email to the parks department about the dead dog? And

0:51:02.600 --> 0:51:04.520
<v Speaker 2>she responds, how do you want me to respond to that?

0:51:04.600 --> 0:51:06.640
<v Speaker 2>And Benson goes, well, I'd love for you to say no,

0:51:06.719 --> 0:51:11.239
<v Speaker 2>but you can't. CanYa Burn, She's like, wow, must be

0:51:11.280 --> 0:51:14.040
<v Speaker 2>so many confessions in this room, trying to free the

0:51:14.120 --> 0:51:16.920
<v Speaker 2>soul of a burden. And Benson says do you sleep

0:51:16.960 --> 0:51:19.759
<v Speaker 2>at night? And she goes, I sleep fine, And then

0:51:19.800 --> 0:51:22.200
<v Speaker 2>Benson says did you kill him? And she says, I

0:51:22.200 --> 0:51:24.759
<v Speaker 2>have the right to remain silent, and you know the

0:51:24.760 --> 0:51:25.520
<v Speaker 2>rest of the speech.

0:51:25.560 --> 0:51:26.200
<v Speaker 3>She doesn't know that.

0:51:27.200 --> 0:51:31.480
<v Speaker 2>So then Benson shows Agent Cooper the photo of her

0:51:31.600 --> 0:51:34.040
<v Speaker 2>leaving the cafe, and she tears up a little bit

0:51:34.080 --> 0:51:36.320
<v Speaker 2>and says, stop pretending you're on my side.

0:51:36.680 --> 0:51:39.480
<v Speaker 3>I know there's a search warrant on my apartment right now.

0:51:39.560 --> 0:51:42.880
<v Speaker 2>We're not friends, and it's like, you know the warrant process,

0:51:42.920 --> 0:51:44.760
<v Speaker 2>but you didn't know you'd be caught on every single

0:51:44.760 --> 0:51:49.400
<v Speaker 2>camera lead in a cafe. So we're at Agent Cooper's

0:51:49.440 --> 0:51:54.080
<v Speaker 2>apartment and there's a csu tech and Chester Lake and

0:51:54.160 --> 0:51:57.440
<v Speaker 2>Chester's in a leather jacket and he's looking for a trophy.

0:51:57.480 --> 0:51:59.759
<v Speaker 2>He knows, he knows there's a trophy this person would

0:51:59.760 --> 0:52:01.960
<v Speaker 2>want to look at it. He goes as soon as

0:52:02.000 --> 0:52:04.040
<v Speaker 2>they wake up and go to bed. He wants it.

0:52:04.080 --> 0:52:06.960
<v Speaker 2>And he's like staring and really like being annoying. If

0:52:07.000 --> 0:52:08.239
<v Speaker 2>you were there, you'd be annoyed with.

0:52:08.200 --> 0:52:09.479
<v Speaker 3>His personality for sure.

0:52:09.800 --> 0:52:12.000
<v Speaker 2>And he's like, where's the evidence. Where's the evidence? He

0:52:12.080 --> 0:52:14.520
<v Speaker 2>lays down in her bed and he sees it and

0:52:14.560 --> 0:52:17.080
<v Speaker 2>in a spice rack where all the spices are like

0:52:17.120 --> 0:52:20.320
<v Speaker 2>in test tubes. In one of them there's the bullet casing.

0:52:21.200 --> 0:52:26.239
<v Speaker 2>So Chester Lake comes through, Come through, Mama. So then

0:52:26.280 --> 0:52:29.480
<v Speaker 2>back at the precinct, the FBI like headperson like one

0:52:29.520 --> 0:52:32.279
<v Speaker 2>of the protectors comes and they're having a back and

0:52:32.320 --> 0:52:36.040
<v Speaker 2>forth and Benson implies she's fucking that she's fucked her

0:52:36.080 --> 0:52:39.080
<v Speaker 2>father figure Tolman, and she goes, how dare you? I

0:52:39.120 --> 0:52:42.640
<v Speaker 2>wouldn't And if you publicly malign him, the FBI building

0:52:42.680 --> 0:52:45.000
<v Speaker 2>will fall on you like a ton of bricks.

0:52:46.200 --> 0:52:46.520
<v Speaker 3>Okay.

0:52:46.560 --> 0:52:49.399
<v Speaker 2>But then Chester walks into the interrogation room. I guess

0:52:49.440 --> 0:52:53.759
<v Speaker 2>there was no traffic that day in Manhattan, and he

0:52:54.200 --> 0:52:55.439
<v Speaker 2>shows up with the test tube.

0:52:55.440 --> 0:52:55.760
<v Speaker 3>Baby.

0:52:55.800 --> 0:52:58.640
<v Speaker 2>He shows up with the trophy in a plastic bag

0:52:58.680 --> 0:52:59.799
<v Speaker 2>and goes got it.

0:53:00.200 --> 0:53:01.560
<v Speaker 3>And Benson is upset about this.

0:53:01.680 --> 0:53:03.719
<v Speaker 2>You know, she thought she really bonded with like this,

0:53:03.880 --> 0:53:08.400
<v Speaker 2>carrying other powerful female detective that it's so hungry for

0:53:08.480 --> 0:53:12.200
<v Speaker 2>the job and for justice. So she's pretty betrayed in

0:53:12.239 --> 0:53:15.600
<v Speaker 2>many ways. But Benson handcuffs her and takes her away,

0:53:16.239 --> 0:53:19.879
<v Speaker 2>and then her lawyer is Cleo Conrad, fantastic. The head

0:53:19.880 --> 0:53:23.320
<v Speaker 2>cops are marching in the precinct in between court scenes,

0:53:23.800 --> 0:53:25.960
<v Speaker 2>and Novak's wearing three layers again.

0:53:26.360 --> 0:53:28.640
<v Speaker 3>I will never be able to not see this.

0:53:30.600 --> 0:53:32.880
<v Speaker 2>So we have a woman I don't think i've ever

0:53:33.040 --> 0:53:35.960
<v Speaker 2>there's a woman eighty a Lydia Ramos for the people,

0:53:36.160 --> 0:53:39.680
<v Speaker 2>and she says, all the charges are dropped and let's

0:53:39.719 --> 0:53:41.799
<v Speaker 2>go drink pina coladas, Honey.

0:53:43.239 --> 0:53:44.239
<v Speaker 3>What is happening?

0:53:44.360 --> 0:53:47.200
<v Speaker 1>And the judges are free to go, and I don't

0:53:47.280 --> 0:53:49.600
<v Speaker 1>understand what's happening, And then we cut back in the

0:53:49.640 --> 0:53:52.640
<v Speaker 1>head cops are like filling Kragan in and they're like, listen,

0:53:52.680 --> 0:53:54.880
<v Speaker 1>the DA is arguing with the cops, and no vacuum

0:53:54.880 --> 0:53:55.960
<v Speaker 1>people are protecting her.

0:53:56.000 --> 0:53:59.120
<v Speaker 2>It's just like a fucking conniption fit. But basically, high

0:53:59.200 --> 0:54:02.080
<v Speaker 2>up governments are letting her go. And it's like but

0:54:02.200 --> 0:54:04.960
<v Speaker 2>also they're worried because it's like, what jury's ever even

0:54:04.960 --> 0:54:07.360
<v Speaker 2>going to find her guilty? She killed a fucking statist

0:54:07.440 --> 0:54:10.880
<v Speaker 2>who has twenty four victims America loves a rogue FBI

0:54:10.960 --> 0:54:13.400
<v Speaker 2>agent for justice, so it's like, why even do this?

0:54:13.760 --> 0:54:15.600
<v Speaker 3>And the head caught Marshall guy is like, don't you

0:54:15.680 --> 0:54:16.200
<v Speaker 3>have anything?

0:54:16.239 --> 0:54:18.640
<v Speaker 2>We need a final piece of evidence where she confesses

0:54:18.719 --> 0:54:21.919
<v Speaker 2>or there's no charges, and Benson wants her to walk

0:54:21.960 --> 0:54:26.000
<v Speaker 2>though Benson's like, who cares, Yeah, she.

0:54:26.040 --> 0:54:27.239
<v Speaker 3>Did it, like, let her go.

0:54:27.480 --> 0:54:30.920
<v Speaker 2>I'm on the whoever pulled the strings to let her go.

0:54:31.400 --> 0:54:32.080
<v Speaker 3>I'm fine with it.

0:54:32.120 --> 0:54:35.919
<v Speaker 2>I'm confused why the bullet casing isn't enough evidence though,

0:54:36.080 --> 0:54:38.280
<v Speaker 2>but maybe they need the gun. I have no idea,

0:54:38.840 --> 0:54:41.120
<v Speaker 2>but she wants to let her go. She yeah, she

0:54:41.160 --> 0:54:42.960
<v Speaker 2>wants a brunch friend. Like she's like, no, this is

0:54:43.000 --> 0:54:45.360
<v Speaker 2>my new best friend. You can't take her away from me.

0:54:45.960 --> 0:54:48.759
<v Speaker 2>So Craigan and Novak are fighting against her, and so

0:54:49.000 --> 0:54:52.080
<v Speaker 2>is Huang too, Like what is going to happen? They're

0:54:52.080 --> 0:54:54.320
<v Speaker 2>all fighting and Huang's like, she's not going to confess.

0:54:54.719 --> 0:54:58.040
<v Speaker 2>So profile the profiler, she staged the crime scene and

0:54:58.120 --> 0:55:01.640
<v Speaker 2>inserted herself in an investigation and kept a trophy. She

0:55:01.840 --> 0:55:06.359
<v Speaker 2>is bad, oh god? And also how did she even

0:55:06.360 --> 0:55:09.120
<v Speaker 2>find him? So Huang's like, she found more info about

0:55:09.200 --> 0:55:11.920
<v Speaker 2>him that she didn't put into the profile, and all

0:55:11.960 --> 0:55:14.759
<v Speaker 2>the jurisdictions didn't share info with each other. So it's

0:55:14.800 --> 0:55:19.160
<v Speaker 2>like so many secrets. It's so sad, like it's really appalling.

0:55:19.200 --> 0:55:21.680
<v Speaker 2>But yeah, so she was keeping all this information for

0:55:21.760 --> 0:55:24.359
<v Speaker 2>herself to like do some sort of revenge for her

0:55:24.400 --> 0:55:28.879
<v Speaker 2>Tillman guy, and was hindering the investigation and the long

0:55:29.200 --> 0:55:31.400
<v Speaker 2>and like the big picture because she didn't put the

0:55:31.400 --> 0:55:35.160
<v Speaker 2>info into the profile. Did she keep the gun? Question question?

0:55:35.280 --> 0:55:39.600
<v Speaker 2>Question Mark Benson goes, wait, does Tillman have guns? Maybe

0:55:39.640 --> 0:55:42.000
<v Speaker 2>there are more guns. So they show up to Tillman's

0:55:42.040 --> 0:55:45.160
<v Speaker 2>old place and the widower is there, so maybe she

0:55:45.239 --> 0:55:46.480
<v Speaker 2>knows something about the guns.

0:55:46.520 --> 0:55:47.520
<v Speaker 3>She right away when.

0:55:47.400 --> 0:55:50.160
<v Speaker 2>Asked about the gun, is like, what is this about

0:55:50.160 --> 0:55:51.200
<v Speaker 2>my girl, Lauren Cooper?

0:55:51.880 --> 0:55:52.040
<v Speaker 3>Yeah?

0:55:52.080 --> 0:55:53.759
<v Speaker 2>I gave the gun to Lauren as a keep skate,

0:55:54.080 --> 0:55:56.960
<v Speaker 2>as a keepsake because I don't like having guns in

0:55:57.000 --> 0:55:59.640
<v Speaker 2>the house. And they keep trying to get information out

0:55:59.640 --> 0:56:01.520
<v Speaker 2>of her, and she goes, I'm not giving a statement,

0:56:01.560 --> 0:56:05.200
<v Speaker 2>I'm not cooperating. I love Lauren, so go fuck yourself.

0:56:05.520 --> 0:56:08.319
<v Speaker 2>And she's not gonna lie, but she's not gonna help

0:56:08.320 --> 0:56:11.000
<v Speaker 2>put her away, so godspeed, get the fuck out of here,

0:56:11.080 --> 0:56:13.399
<v Speaker 2>keep it moving. Benson's like, oh, we need a hurry

0:56:13.520 --> 0:56:16.839
<v Speaker 2>up because obviously she's calling her right now and like

0:56:16.880 --> 0:56:20.200
<v Speaker 2>filling her in. So, since Tilman used the same gun

0:56:20.239 --> 0:56:24.359
<v Speaker 2>to kill himself, the casings are matched. So like the

0:56:24.600 --> 0:56:29.200
<v Speaker 2>casing from the bullet from the gun that Tillman committed

0:56:29.239 --> 0:56:32.760
<v Speaker 2>suicide matches the casings found on the crime scene.

0:56:32.840 --> 0:56:37.000
<v Speaker 1>So finally ballistics, right, Yeah, there's like a full ballistics report.

0:56:37.440 --> 0:56:40.160
<v Speaker 2>Well, yeah, that's what the case. Ballistics are the casings

0:56:40.160 --> 0:56:40.880
<v Speaker 2>about the bullets.

0:56:41.320 --> 0:56:43.600
<v Speaker 1>Yeah, but it's also like the striations that come out

0:56:43.640 --> 0:56:46.360
<v Speaker 1>of the gun and stuff. But yeah, I took forensics

0:56:46.640 --> 0:56:47.720
<v Speaker 1>chemistry in college.

0:56:47.800 --> 0:56:48.800
<v Speaker 3>So did you really?

0:56:48.840 --> 0:56:49.040
<v Speaker 5>I know?

0:56:49.160 --> 0:56:52.920
<v Speaker 3>Two things? Yeah, what else do you know? Nothing? Sublimination

0:56:53.000 --> 0:56:54.359
<v Speaker 3>of fingerprints? We did that.

0:56:54.440 --> 0:56:56.920
<v Speaker 1>We did a sublimination thing where you use this gas

0:56:56.920 --> 0:56:58.920
<v Speaker 1>to make fingerprints show up on soda cans.

0:56:59.000 --> 0:57:01.719
<v Speaker 2>I can't believe you've never met in our personal friendship

0:57:01.880 --> 0:57:04.520
<v Speaker 2>or on the show that you took up forensic psychology

0:57:04.560 --> 0:57:07.120
<v Speaker 2>class when we've been doing this podcast for months.

0:57:07.360 --> 0:57:07.759
<v Speaker 3>Do you know what?

0:57:07.800 --> 0:57:09.279
<v Speaker 1>I don't know why I haven't brought it up. And

0:57:09.320 --> 0:57:11.040
<v Speaker 1>it was really hard. It was a lot harder that

0:57:11.080 --> 0:57:12.520
<v Speaker 1>I thought it was going to be that class.

0:57:12.800 --> 0:57:18.120
<v Speaker 2>That's how I felt about food science, really hard pectans. Yeah,

0:57:18.280 --> 0:57:20.280
<v Speaker 2>I was like, I thought this was a nutrition like

0:57:20.400 --> 0:57:23.240
<v Speaker 2>I don't know what. I don't need to know how

0:57:23.880 --> 0:57:26.080
<v Speaker 2>molecule's form chicken, I know.

0:57:26.120 --> 0:57:27.880
<v Speaker 1>I was like, are we just going to watch CSI

0:57:28.040 --> 0:57:30.560
<v Speaker 1>And no, it was like a lot harder and involved experiments.

0:57:30.760 --> 0:57:31.560
<v Speaker 3>Well, see if.

0:57:31.480 --> 0:57:35.520
<v Speaker 1>You can find any of your old information, okay, any

0:57:35.640 --> 0:57:37.840
<v Speaker 1>old notebooks this is to say information.

0:57:39.240 --> 0:57:41.360
<v Speaker 3>Hopefully the listeners will let you know how pissed they are.

0:57:41.560 --> 0:57:44.640
<v Speaker 2>Hopefully there's pissed, as I am never mentioned it I.

0:57:45.400 --> 0:57:48.120
<v Speaker 1>Think it was sophomore year. Anyway, go on, are you

0:57:48.120 --> 0:57:50.480
<v Speaker 1>calling your own self old? Did you just read yourself?

0:57:54.560 --> 0:57:58.880
<v Speaker 2>So Benson and Lake enter the apartment and listen, baby girl, Erica,

0:57:59.000 --> 0:58:01.480
<v Speaker 2>she's sitting, she's ready, She's at a desk with her

0:58:01.520 --> 0:58:05.880
<v Speaker 2>hair pulled tight, pulled back forever, she'll never change. And

0:58:05.920 --> 0:58:08.640
<v Speaker 2>then on the desk, clean ass desk, there's a badge

0:58:08.760 --> 0:58:09.960
<v Speaker 2>and a gun on the table.

0:58:10.320 --> 0:58:10.520
<v Speaker 3>Yeah.

0:58:10.760 --> 0:58:15.200
<v Speaker 2>So Benson asks, where is Tilman's gun? And she says,

0:58:15.320 --> 0:58:17.600
<v Speaker 2>in many pieces all over the city.

0:58:17.840 --> 0:58:21.920
<v Speaker 3>Which I love. Why has no one else gotten rid

0:58:21.920 --> 0:58:22.680
<v Speaker 3>of a weapon like this?

0:58:23.160 --> 0:58:23.600
<v Speaker 5>Yeah?

0:58:23.720 --> 0:58:27.480
<v Speaker 3>There, I don't know, I've never seen it. Thought of

0:58:27.480 --> 0:58:28.040
<v Speaker 3>that before.

0:58:28.360 --> 0:58:30.760
<v Speaker 1>Because of this episode, I thought, if I ever, like

0:58:30.800 --> 0:58:32.960
<v Speaker 1>you know, when I'm constantly planning a crime in my head,

0:58:33.040 --> 0:58:36.000
<v Speaker 1>I'm like, I would leave evidence in pieces all over

0:58:36.000 --> 0:58:37.640
<v Speaker 1>the city, like if I had something.

0:58:38.080 --> 0:58:40.040
<v Speaker 2>Yeah, I just can't believe it, but it's like the

0:58:40.040 --> 0:58:42.840
<v Speaker 2>best way, Yes, stick one thing over here, over here,

0:58:42.880 --> 0:58:44.760
<v Speaker 2>over here, I mean the city is busy, Like, you

0:58:44.800 --> 0:58:47.640
<v Speaker 2>probably can't do this in you know, a tiny town

0:58:47.760 --> 0:58:48.480
<v Speaker 2>in Iowa.

0:58:48.600 --> 0:58:49.440
<v Speaker 3>But New York.

0:58:49.480 --> 0:58:52.120
<v Speaker 2>He can hide a gun everywhere. I bet you can

0:58:52.160 --> 0:58:55.760
<v Speaker 2>do it in eye one. My bad Okay, everyone could

0:58:55.840 --> 0:58:59.200
<v Speaker 2>hide their murder weapons. You can hide a gun too.

0:59:01.680 --> 0:59:04.040
<v Speaker 3>She said she didn't need it anymore. She's like, listen,

0:59:04.080 --> 0:59:05.440
<v Speaker 3>I'm going to jail. Are you happy?

0:59:05.440 --> 0:59:08.400
<v Speaker 1>And Benson goes, no, I would have been happy collaring

0:59:08.440 --> 0:59:10.680
<v Speaker 1>the son of a bitch with you that killed twenty

0:59:10.680 --> 0:59:12.600
<v Speaker 1>four women. I thought we were friends.

0:59:13.120 --> 0:59:16.280
<v Speaker 2>Yeah, but that wouldn't have satisfied her at all, Like

0:59:16.400 --> 0:59:18.560
<v Speaker 2>she needed to kill this guy for herself.

0:59:18.880 --> 0:59:20.400
<v Speaker 3>So, but Benson's great at police work.

0:59:20.480 --> 0:59:22.040
<v Speaker 2>She takes the gun from the desk, hands it to

0:59:22.120 --> 0:59:23.600
<v Speaker 2>Chester so they feel safe.

0:59:24.000 --> 0:59:25.880
<v Speaker 3>Cooper's like, okay, stop.

0:59:25.600 --> 0:59:27.280
<v Speaker 2>Doing this game, like you know you want to kill

0:59:27.320 --> 0:59:29.280
<v Speaker 2>all these assholes, and Benson goes, no, I have too

0:59:29.360 --> 0:59:32.919
<v Speaker 2>much to lose and we lost a victim, and Cooper goes,

0:59:33.000 --> 0:59:35.919
<v Speaker 2>I did everything I could to save her. Even after

0:59:35.960 --> 0:59:38.920
<v Speaker 2>she put the gun to like the woodsman's head, she

0:59:38.960 --> 0:59:41.040
<v Speaker 2>didn't give up, and like she tried and he wouldn't

0:59:41.040 --> 0:59:43.360
<v Speaker 2>give anything up. So she killed his dumbass and then

0:59:43.400 --> 0:59:45.600
<v Speaker 2>sent the email to help find her. She goes, you

0:59:45.680 --> 0:59:48.400
<v Speaker 2>have to believe me, you have to believe me. But

0:59:48.480 --> 0:59:51.160
<v Speaker 2>to me, it's like if she just said, listen, there

0:59:51.200 --> 0:59:54.960
<v Speaker 2>was a scuffle I caught him. I killed him. Let's

0:59:54.960 --> 0:59:57.480
<v Speaker 2>get to it. Would she have gotten in trouble? Like

0:59:57.520 --> 0:59:58.680
<v Speaker 2>if she came forward?

1:00:00.120 --> 1:00:02.080
<v Speaker 3>I think, well, I don't know.

1:00:02.160 --> 1:00:04.520
<v Speaker 1>I think because of the way that she shot him

1:00:04.520 --> 1:00:06.600
<v Speaker 1>in the back of the head, flushed to the head,

1:00:06.760 --> 1:00:09.040
<v Speaker 1>it's like clear that she executed him and she couldn't

1:00:09.080 --> 1:00:11.760
<v Speaker 1>really she couldn't really claim self defense.

1:00:12.840 --> 1:00:13.280
<v Speaker 3>I don't know.

1:00:13.680 --> 1:00:15.600
<v Speaker 1>I don't know, but yeah, like it seems like that

1:00:15.600 --> 1:00:16.600
<v Speaker 1>would have been the best thing to do.

1:00:16.640 --> 1:00:19.560
<v Speaker 3>Be like I tried. He came at me, I shot him,

1:00:19.640 --> 1:00:22.120
<v Speaker 3>you know. Yeah.

1:00:22.120 --> 1:00:25.480
<v Speaker 2>Benson says, listen, I can't condone what you did, but

1:00:25.560 --> 1:00:30.040
<v Speaker 2>I understand it. Twenty four women are dead, so the

1:00:30.120 --> 1:00:33.600
<v Speaker 2>DA is going to go easy on you, and Cooper responds,

1:00:33.640 --> 1:00:36.919
<v Speaker 2>I'm sorry, I can't, and Benson says, just take the deal,

1:00:37.680 --> 1:00:41.280
<v Speaker 2>and Cooper goes no, because those who fight monsters should

1:00:41.360 --> 1:00:44.960
<v Speaker 2>make damn sure they don't become one. Quickly gun from

1:00:45.000 --> 1:00:48.600
<v Speaker 2>behind her back, she kills herself, shoots herself in the

1:00:48.640 --> 1:00:49.280
<v Speaker 2>fucking head.

1:00:49.440 --> 1:00:54.439
<v Speaker 1>It's so fuck This scene is so crazy and fucked up.

1:00:54.480 --> 1:00:56.959
<v Speaker 3>And Benson fully crime screens.

1:00:57.040 --> 1:01:00.520
<v Speaker 2>This is a very intense performance, Like I I want

1:01:00.520 --> 1:01:03.720
<v Speaker 2>to know everything about this scene. They really bring the

1:01:03.720 --> 1:01:07.000
<v Speaker 2>best out of each other. But yeah, I've never seen Benson.

1:01:07.240 --> 1:01:10.680
<v Speaker 2>I have, but Benson really is emotional here. It's a

1:01:10.760 --> 1:01:14.919
<v Speaker 2>stellar performance. She walks away, she's breathing really hard, she's

1:01:15.000 --> 1:01:18.800
<v Speaker 2>crying and is so upset, and I think there's even

1:01:18.880 --> 1:01:20.960
<v Speaker 2>more deepness to it because she really thought that, like

1:01:21.040 --> 1:01:22.640
<v Speaker 2>this was going to be her girl, you know.

1:01:23.240 --> 1:01:24.160
<v Speaker 3>A best friend forever.

1:01:24.200 --> 1:01:26.200
<v Speaker 2>Yeah, and saw a lot of herself in it and

1:01:26.240 --> 1:01:28.400
<v Speaker 2>probably also is like, am I going to become a monster?

1:01:29.360 --> 1:01:31.240
<v Speaker 2>And we see, you know, pieces of that when she's

1:01:31.240 --> 1:01:33.320
<v Speaker 2>beating the shit out of William Lewis.

1:01:33.000 --> 1:01:36.240
<v Speaker 3>Even though he deserves everything that happens to him. But anyways,

1:01:36.320 --> 1:01:37.160
<v Speaker 3>YadA YadA, yah.

1:01:38.680 --> 1:01:44.120
<v Speaker 2>Yeah, So Cooper's dead, Benson's crying. Lake just looks back

1:01:44.200 --> 1:01:46.720
<v Speaker 2>and is just like, oh geez, Like he looks at

1:01:46.720 --> 1:01:50.760
<v Speaker 2>the blood like he's dexter, like he's really him in

1:01:50.760 --> 1:01:51.120
<v Speaker 2>the blood.

1:01:51.160 --> 1:01:51.640
<v Speaker 3>Have a moment.

1:01:52.800 --> 1:01:57.280
<v Speaker 2>There's a caution tape montage. Benson is sad, there's a stretcher.

1:01:57.840 --> 1:02:01.280
<v Speaker 2>Melinda walks in to console her and take evidence, and

1:02:01.280 --> 1:02:03.680
<v Speaker 2>then Benson has shook as hell and it zooms in

1:02:03.760 --> 1:02:06.920
<v Speaker 2>on her like in this Backstreet Boys style pose on

1:02:06.960 --> 1:02:10.480
<v Speaker 2>the ground, like she's about to sing a love song.

1:02:10.720 --> 1:02:16.160
<v Speaker 2>And if you know the Backstreet Boys music video catalog,

1:02:16.360 --> 1:02:17.960
<v Speaker 2>you know exactly what I'm talking about. If you know

1:02:18.080 --> 1:02:21.600
<v Speaker 2>you know, yeah, yeah, and then it's Dick Wolf.

1:02:22.080 --> 1:02:25.360
<v Speaker 1>Oh my gosh, that's scene though, that scene like Lake,

1:02:25.600 --> 1:02:27.720
<v Speaker 1>it's just like it's such a quiet scene of just

1:02:27.760 --> 1:02:30.880
<v Speaker 1>them talking and then suddenly Lake is like gone, and

1:02:30.960 --> 1:02:33.280
<v Speaker 1>like it's like and like it's so fast, and Olivia's

1:02:33.320 --> 1:02:35.240
<v Speaker 1>scream is like the editor, I have to give the

1:02:35.320 --> 1:02:38.040
<v Speaker 1>editor props there because it just goes so fast and

1:02:38.440 --> 1:02:41.360
<v Speaker 1>and oh well, I also wonder how much she had

1:02:41.400 --> 1:02:43.840
<v Speaker 1>to practice taking the gun out from behind her back

1:02:43.920 --> 1:02:44.880
<v Speaker 1>so faster if that.

1:02:44.880 --> 1:02:49.240
<v Speaker 2>Was a body double or something. But emotion that's like

1:02:49.280 --> 1:02:49.960
<v Speaker 2>pretty hard too.

1:02:50.880 --> 1:02:55.600
<v Speaker 3>So that's that. Yeah, well it's not getting any better.

1:02:55.640 --> 1:02:57.760
<v Speaker 1>I got to tell you what the real crime, So

1:02:58.120 --> 1:03:00.720
<v Speaker 1>stick around and we'll be back to try traumatize you,

1:03:12.200 --> 1:03:16.280
<v Speaker 1>all right. So yeah, not like you ever really need

1:03:16.280 --> 1:03:19.600
<v Speaker 1>a trigger warning, but this episode is this episode, sorry,

1:03:19.600 --> 1:03:22.760
<v Speaker 1>this episode of real life is very very graphic and

1:03:23.040 --> 1:03:25.760
<v Speaker 1>fucked up. So if you don't want to hear about it,

1:03:25.920 --> 1:03:28.200
<v Speaker 1>maybe you want to fast forward, skip around, have your

1:03:28.200 --> 1:03:30.240
<v Speaker 1>hand ready on that forward thirty button.

1:03:30.320 --> 1:03:30.640
<v Speaker 3>Whatever.

1:03:31.920 --> 1:03:35.480
<v Speaker 1>Okay, So this episode, as listed on some websites, is

1:03:35.600 --> 1:03:38.280
<v Speaker 1>kind of based on two crimes, but like the first

1:03:38.320 --> 1:03:40.600
<v Speaker 1>one's very not important. Like, so I'm just going to

1:03:40.640 --> 1:03:44.360
<v Speaker 1>really quickly tell you about one very tenuously connected crime

1:03:44.560 --> 1:03:47.200
<v Speaker 1>is the case of Todd Alan Reid, who was known

1:03:47.240 --> 1:03:49.240
<v Speaker 1>as the Forest Park Killer. So I think that's like

1:03:49.280 --> 1:03:52.840
<v Speaker 1>where the Woodsman, that's like the only kind of similarity,

1:03:52.960 --> 1:03:56.080
<v Speaker 1>and that this man he's called a serial killer because

1:03:56.080 --> 1:03:58.720
<v Speaker 1>he had three victims, but he raped and strangled three

1:03:58.760 --> 1:04:02.000
<v Speaker 1>homeless women in Portland or in between April and June

1:04:02.040 --> 1:04:04.880
<v Speaker 1>of ninety nine, dumped their bodies in a forest park preserve,

1:04:05.360 --> 1:04:08.480
<v Speaker 1>and then he was like found very quickly, convicted very quickly.

1:04:08.200 --> 1:04:09.560
<v Speaker 3>And received three terms of life.

1:04:10.040 --> 1:04:12.520
<v Speaker 1>And there's really not that much in common except the nicknames,

1:04:12.560 --> 1:04:14.880
<v Speaker 1>and like the dumping in a park is similar, I guess.

1:04:14.960 --> 1:04:17.919
<v Speaker 3>And then I did think one interesting thing.

1:04:17.840 --> 1:04:20.160
<v Speaker 1>About this crime that I thought you would like to Lisa,

1:04:20.320 --> 1:04:22.440
<v Speaker 1>is that one of the ways that he was caught

1:04:22.560 --> 1:04:25.000
<v Speaker 1>was a female cop went undercover as a sex worker

1:04:25.040 --> 1:04:26.840
<v Speaker 1>to draw him out. And we always love to see it,

1:04:27.400 --> 1:04:31.760
<v Speaker 1>you know, yes, an a fun little you know, one

1:04:31.760 --> 1:04:34.280
<v Speaker 1>of the things we talked about on Jensen and holes

1:04:34.280 --> 1:04:37.600
<v Speaker 1>is that we love an undercover female cop. So the

1:04:37.640 --> 1:04:41.320
<v Speaker 1>more closely linked case is the case of David Parker Ray,

1:04:41.440 --> 1:04:44.000
<v Speaker 1>who is known as the Toy Box Killer. And this

1:04:44.080 --> 1:04:48.760
<v Speaker 1>is a very very scary person no surprise. Ray had

1:04:48.760 --> 1:04:51.640
<v Speaker 1>a fucked up childhood. He and his younger sister Peggy

1:04:51.680 --> 1:04:57.439
<v Speaker 1>lived with their disciplinarian grandfather, and occasionally their father, who

1:04:57.480 --> 1:05:01.600
<v Speaker 1>was a violent alcoholic, would visit and would bring Ray

1:05:02.080 --> 1:05:07.640
<v Speaker 1>sadomasochistic pornography, so that obviously shaped his view of women

1:05:07.680 --> 1:05:10.240
<v Speaker 1>and sex from a young age. He was bullied in

1:05:10.280 --> 1:05:14.640
<v Speaker 1>school like everybody, he had sexual fantasies of raping, torturing,

1:05:14.680 --> 1:05:16.919
<v Speaker 1>and murdered murdering women that developed.

1:05:16.600 --> 1:05:17.680
<v Speaker 3>In his teenage years.

1:05:18.160 --> 1:05:20.959
<v Speaker 1>His sister would find these stato masochistic drawings that he did,

1:05:21.000 --> 1:05:24.920
<v Speaker 1>as well as pornographic photographs of bondage and stuff like

1:05:24.960 --> 1:05:28.680
<v Speaker 1>that which is not in and of itself like something

1:05:28.720 --> 1:05:32.760
<v Speaker 1>that denotes a serial killer. But I think all combine

1:05:32.800 --> 1:05:36.520
<v Speaker 1>these things contributed to a very very disturbed person. Ray

1:05:36.760 --> 1:05:39.720
<v Speaker 1>was married and divorced four times and had two children,

1:05:39.760 --> 1:05:43.120
<v Speaker 1>including a daughter named Jesse and we will find out

1:05:43.120 --> 1:05:47.560
<v Speaker 1>more about her later. Ray was living in Truther Consequences,

1:05:47.600 --> 1:05:49.479
<v Speaker 1>New Mexico. Have you ever heard of that place, Lisa,

1:05:49.520 --> 1:05:52.200
<v Speaker 1>It's a fun name. Truther or Consequences is one of

1:05:52.240 --> 1:05:53.640
<v Speaker 1>these places that has a strange name.

1:05:53.680 --> 1:05:54.480
<v Speaker 3>It's in New Mexico.

1:05:54.880 --> 1:05:57.640
<v Speaker 1>He was working as a mechanic and a park ranger.

1:05:58.560 --> 1:06:00.959
<v Speaker 1>Very well, I want to know who named like that's

1:06:01.000 --> 1:06:03.240
<v Speaker 1>not even a name. Those are just two things.

1:06:03.720 --> 1:06:04.200
<v Speaker 3>I don't know.

1:06:04.360 --> 1:06:06.480
<v Speaker 1>I don't know why it's called Truther Consequences, but it's

1:06:06.520 --> 1:06:09.480
<v Speaker 1>like it's on a list of interesting town names or whatever.

1:06:09.520 --> 1:06:10.120
<v Speaker 3>For the US.

1:06:11.640 --> 1:06:16.200
<v Speaker 1>Ray had a truck trailer that he outfitted as a

1:06:16.240 --> 1:06:19.680
<v Speaker 1>torture chamber. He soundproofed it and set it up with

1:06:19.840 --> 1:06:22.760
<v Speaker 1>a ton of devices used for sexual torture, and he

1:06:22.800 --> 1:06:26.880
<v Speaker 1>called it his toy box. So this is disturbing. But

1:06:26.960 --> 1:06:34.280
<v Speaker 1>some of the things found inside the toy box were whips, chains, pulleys, straps, clamps, legs,

1:06:34.280 --> 1:06:41.360
<v Speaker 1>spreader bars, surgical blades, electric shock machines, saws, sex toys, syringes,

1:06:41.800 --> 1:06:45.680
<v Speaker 1>and detailed diagrams showing ways of inflicting pain, as well

1:06:45.720 --> 1:06:49.960
<v Speaker 1>as a homemade electrical generator used for torture. A mirror

1:06:50.040 --> 1:06:52.919
<v Speaker 1>was mounted on the ceiling above the obstectric table where

1:06:52.920 --> 1:06:55.560
<v Speaker 1>he strapped his victims, because he wanted his victims to

1:06:55.640 --> 1:06:58.360
<v Speaker 1>see everything he was doing to them.

1:06:57.640 --> 1:06:59.280
<v Speaker 3>Oh, this is like.

1:06:59.280 --> 1:07:01.960
<v Speaker 1>How sometimes there's a mirror in the delivery room so

1:07:02.000 --> 1:07:04.480
<v Speaker 1>you can like see yourself giving birth. And I don't

1:07:04.480 --> 1:07:05.480
<v Speaker 1>know who would want to do that.

1:07:05.280 --> 1:07:06.120
<v Speaker 3>That's so funny.

1:07:06.120 --> 1:07:08.280
<v Speaker 2>That's where your brain wather' be, like, you know, sometimes

1:07:08.280 --> 1:07:10.200
<v Speaker 2>it's fine, there were a mirror on top of your

1:07:10.240 --> 1:07:11.520
<v Speaker 2>bed in a hotel room.

1:07:13.120 --> 1:07:14.480
<v Speaker 3>I went to giving birth.

1:07:14.680 --> 1:07:18.000
<v Speaker 1>Yeah, nature's torture, the closest Yeah, the closest form of

1:07:18.040 --> 1:07:19.000
<v Speaker 1>torture that's happened to me.

1:07:19.480 --> 1:07:23.160
<v Speaker 3>And this is so so fucked up.

1:07:23.240 --> 1:07:26.280
<v Speaker 1>But he had this wooden contraption he would put his

1:07:26.360 --> 1:07:29.360
<v Speaker 1>victims in that would bend him them over and immobilize

1:07:29.360 --> 1:07:31.160
<v Speaker 1>them so that he could rape them.

1:07:31.400 --> 1:07:33.400
<v Speaker 3>And he would have and it said, and have other

1:07:33.480 --> 1:07:36.040
<v Speaker 3>friends rape them and have dogs rape them.

1:07:36.120 --> 1:07:40.120
<v Speaker 1>It says as well, I'm so like horrified by this.

1:07:40.160 --> 1:07:42.680
<v Speaker 2>It's like they so he had friends come to the

1:07:42.680 --> 1:07:45.400
<v Speaker 2>torture chamber and think nothing of it.

1:07:45.920 --> 1:07:48.720
<v Speaker 1>I think it's people that like you'll find out I'll

1:07:48.720 --> 1:07:50.080
<v Speaker 1>tell you in a second. But he had a mail

1:07:50.120 --> 1:07:52.560
<v Speaker 1>accomplice at one point got it so that man was

1:07:52.560 --> 1:07:55.680
<v Speaker 1>probably helping too, and I don't know. Yeah, I think

1:07:55.720 --> 1:07:58.920
<v Speaker 1>that it's possible. He had friends that were like, oh,

1:07:58.920 --> 1:08:00.840
<v Speaker 1>this is a sex worker. He's paying her for this

1:08:01.000 --> 1:08:05.000
<v Speaker 1>or something like that. I have no idea she's screaming

1:08:05.040 --> 1:08:08.960
<v Speaker 1>in torture like that. Yeah, no, it's beyond fucked it's

1:08:09.000 --> 1:08:13.600
<v Speaker 1>so it's awful. He had an audio tape recording of

1:08:13.640 --> 1:08:17.040
<v Speaker 1>his voice that he played for victims whenever they regained consciousness,

1:08:17.160 --> 1:08:19.360
<v Speaker 1>detailing all the fucked up shit he was going to

1:08:19.400 --> 1:08:20.160
<v Speaker 1>do to them.

1:08:20.640 --> 1:08:21.240
<v Speaker 3>When he was.

1:08:21.200 --> 1:08:25.040
<v Speaker 1>Eventually captured, authorities found his journal where he kept meticulous

1:08:25.080 --> 1:08:27.680
<v Speaker 1>records detailing the victims that he had abducted.

1:08:27.240 --> 1:08:28.200
<v Speaker 3>And what he had done to them.

1:08:28.200 --> 1:08:30.639
<v Speaker 1>And there were dozens of entries, but there were no names,

1:08:31.120 --> 1:08:33.560
<v Speaker 1>only dates and the numbers of times he tortured the

1:08:33.600 --> 1:08:36.839
<v Speaker 1>victims and like what he did. Basically, he would kidnap

1:08:36.920 --> 1:08:39.479
<v Speaker 1>five to six women a year, hold them captive for

1:08:39.560 --> 1:08:43.679
<v Speaker 1>around three to four months. He often had accomplices, such

1:08:43.720 --> 1:08:46.360
<v Speaker 1>as women he was dating and even his own.

1:08:46.240 --> 1:08:47.040
<v Speaker 3>Daughter, Jesse.

1:08:47.320 --> 1:08:49.320
<v Speaker 1>She was one of his accomplices that would help him

1:08:49.320 --> 1:08:52.960
<v Speaker 1>actually lure victims. He also had an accomplice named Dennis

1:08:53.040 --> 1:08:56.400
<v Speaker 1>Roy Yancy, so when he was finished with a victim,

1:08:56.720 --> 1:08:59.680
<v Speaker 1>he would either kill them or drug them with barbituates

1:08:59.720 --> 1:09:02.800
<v Speaker 1>to induce amnesia, and then just like abandon them on

1:09:02.840 --> 1:09:05.360
<v Speaker 1>the side of the road. So in one of the

1:09:05.400 --> 1:09:08.759
<v Speaker 1>tape recordings of him that they found, he is telling

1:09:08.760 --> 1:09:11.680
<v Speaker 1>one of his victims that the drugs are sodium pentathol

1:09:11.920 --> 1:09:15.599
<v Speaker 1>and phenobarbital. So he was basically just trying to induce

1:09:16.040 --> 1:09:18.680
<v Speaker 1>amnesia or like make people think that they dreamed what

1:09:18.680 --> 1:09:21.439
<v Speaker 1>happens to them, or I don't even know. So in

1:09:21.479 --> 1:09:24.320
<v Speaker 1>March of nineteen ninety nine, Cynthia Vigil, a sex worker,

1:09:24.400 --> 1:09:26.880
<v Speaker 1>was in a parking lot in Albuquerque, which is hours

1:09:26.920 --> 1:09:30.360
<v Speaker 1>away from Truth or Consequences, when she was approached by

1:09:30.439 --> 1:09:33.479
<v Speaker 1>Ray posing as an undercover police officer and he told

1:09:33.560 --> 1:09:37.000
<v Speaker 1>her that she was under arrest and handcuffed her. She

1:09:37.160 --> 1:09:39.920
<v Speaker 1>tried to fight back and out of nowhere, his girlfriend

1:09:40.040 --> 1:09:43.519
<v Speaker 1>named Cindy Hendy, which actually Cindy is short for Cynthia.

1:09:43.520 --> 1:09:44.920
<v Speaker 3>They had the same name, which is creepy.

1:09:45.640 --> 1:09:48.920
<v Speaker 1>Cindy Hendy showed up and shocked Cynthia with a cattle

1:09:48.960 --> 1:09:52.759
<v Speaker 1>prod and that's when they got her into the car,

1:09:53.240 --> 1:09:55.840
<v Speaker 1>drove her to this trailer, this toy box, where she

1:09:56.000 --> 1:09:59.439
<v Speaker 1>was tasered, drug blindfolded, and chained to a bed. Then

1:09:59.479 --> 1:10:03.000
<v Speaker 1>he played his instruction tape, which is his voice saying,

1:10:03.120 --> 1:10:06.640
<v Speaker 1>quote unquote, Okay, bitch, we both know what you've been

1:10:06.640 --> 1:10:08.439
<v Speaker 1>brought here for. I'm going to use you for a

1:10:08.520 --> 1:10:10.519
<v Speaker 1>sex slave, and it's going to be painful as hell.

1:10:10.640 --> 1:10:11.800
<v Speaker 1>That's the way I want it to be.

1:10:12.120 --> 1:10:14.479
<v Speaker 3>End quote. So so scary.

1:10:15.400 --> 1:10:19.120
<v Speaker 1>Three days later, she waited until Ray had gone to work,

1:10:19.240 --> 1:10:21.920
<v Speaker 1>and then she found the keys. The keys were just

1:10:21.960 --> 1:10:24.400
<v Speaker 1>like left on a table that she could reach, and

1:10:24.560 --> 1:10:28.680
<v Speaker 1>she unlocked her chains. Out why she sounds like, well,

1:10:28.720 --> 1:10:31.240
<v Speaker 1>she was there with Cindy. Cindy Hendy, this girlfriend was

1:10:31.280 --> 1:10:33.519
<v Speaker 1>supposed to be watching her, so I don't know if

1:10:33.520 --> 1:10:35.439
<v Speaker 1>he paid attention to where he left the keys, because

1:10:35.439 --> 1:10:36.720
<v Speaker 1>he's like, oh, I've got someone watching her.

1:10:36.760 --> 1:10:37.880
<v Speaker 3>I don't know. It seems nuts.

1:10:37.880 --> 1:10:39.640
<v Speaker 1>Maybe she figured out a way to like move a

1:10:39.680 --> 1:10:42.600
<v Speaker 1>table closer when Cindy wasn't watching. I don't know, but

1:10:43.479 --> 1:10:46.439
<v Speaker 1>she noticed Vigil trying to escape, and a fight ensued.

1:10:47.280 --> 1:10:50.920
<v Speaker 1>Hendy tried to stab She broke a lamp over Cynthia

1:10:51.000 --> 1:10:55.720
<v Speaker 1>Vigil's head, and she stabbed her with an ice pick,

1:10:55.720 --> 1:10:57.679
<v Speaker 1>but then Vigil got the ice pick back from her

1:10:57.760 --> 1:10:59.760
<v Speaker 1>and stabbed her in the neck with an ice pick.

1:11:00.240 --> 1:11:01.599
<v Speaker 3>Fucking yeah, and she escaped.

1:11:01.880 --> 1:11:05.559
<v Speaker 1>She escaped completely naked, wearing only the iron slave collar

1:11:05.640 --> 1:11:08.519
<v Speaker 1>and padlocked chains that were like around her, and she

1:11:08.720 --> 1:11:11.360
<v Speaker 1>ran to the road looking for help, which she got

1:11:11.400 --> 1:11:14.000
<v Speaker 1>from a nearby homeowner who took her in, comforted her,

1:11:14.040 --> 1:11:18.080
<v Speaker 1>called the police, and her escape obviously led officials to

1:11:18.120 --> 1:11:21.840
<v Speaker 1>the trailer and instigated the capture of Ray and his accomplices.

1:11:22.600 --> 1:11:26.040
<v Speaker 1>Police stopped Ray and Hendy, they found them. Ray was

1:11:26.080 --> 1:11:30.040
<v Speaker 1>taken to jail, and after the publicity surrounding the arrest,

1:11:30.240 --> 1:11:35.200
<v Speaker 1>another victim, Angelica Montano, came forward. Angelica said that Cindy Hendy,

1:11:35.240 --> 1:11:37.599
<v Speaker 1>the same woman girlfriend of Ray's, had invited her over

1:11:37.640 --> 1:11:40.439
<v Speaker 1>to Ray's house, where the couple then repeatedly raped and

1:11:40.479 --> 1:11:43.519
<v Speaker 1>tortured her over the course of four days. She was

1:11:43.560 --> 1:11:45.280
<v Speaker 1>convinced they were going to kill her, and she begged

1:11:45.320 --> 1:11:47.160
<v Speaker 1>for her life and told them she had a young child,

1:11:47.400 --> 1:11:50.320
<v Speaker 1>which seemed to touch the woman, So I guess that's

1:11:50.320 --> 1:11:52.400
<v Speaker 1>how they let her go. And she was picked up

1:11:52.400 --> 1:11:55.519
<v Speaker 1>while hitchhiking by an off duty deputy and he thought

1:11:55.520 --> 1:11:58.080
<v Speaker 1>her story was so nuts that he didn't believe her,

1:11:58.600 --> 1:12:04.160
<v Speaker 1>So there's another police officer not believing someone.

1:12:04.360 --> 1:12:05.800
<v Speaker 3>Ray had a.

1:12:05.800 --> 1:12:09.320
<v Speaker 1>Video that they found when they searched his place of

1:12:09.360 --> 1:12:12.519
<v Speaker 1>a woman named Kelly Garrett, which dated from nineteen ninety six.

1:12:13.120 --> 1:12:14.000
<v Speaker 3>This is nuts.

1:12:14.439 --> 1:12:17.720
<v Speaker 1>Garrett was found alive in Colorado after police identified a

1:12:17.760 --> 1:12:20.920
<v Speaker 1>tattoo on her ankle. She testified that she'd gotten too

1:12:20.960 --> 1:12:22.680
<v Speaker 1>a fight with her husband and decided to spend the

1:12:22.760 --> 1:12:26.080
<v Speaker 1>night playing pool with friends. When she's out playing pool,

1:12:26.360 --> 1:12:30.400
<v Speaker 1>she meets Jesse Ray's daughter, who knew Garrett. They meet up,

1:12:30.720 --> 1:12:32.760
<v Speaker 1>then she takes her to the Blue Water Saloon and

1:12:32.800 --> 1:12:38.240
<v Speaker 1>true her consequences, then drugs the beer she's drinking, and

1:12:38.360 --> 1:12:41.639
<v Speaker 1>Garrett remembers walking out to the parking lot and suffered

1:12:42.200 --> 1:12:45.720
<v Speaker 1>a blow from behind which knocked her unconscious. Then Ray

1:12:45.760 --> 1:12:47.840
<v Speaker 1>took her back to the trailer, attached a dog collar

1:12:47.880 --> 1:12:50.519
<v Speaker 1>and a leash to her neck, and she woke up

1:12:50.560 --> 1:12:52.720
<v Speaker 1>and blacked out several times during the two days of

1:12:52.760 --> 1:12:56.360
<v Speaker 1>torture and drugging. So then when he was getting rid

1:12:56.439 --> 1:12:59.360
<v Speaker 1>of Kelly, he slashed her throat open and thought that

1:12:59.400 --> 1:13:01.000
<v Speaker 1>he had killed her, and then dumped her on the

1:13:01.000 --> 1:13:04.600
<v Speaker 1>side of the road, and she actually survived and she

1:13:04.680 --> 1:13:07.280
<v Speaker 1>was treated for her injuries at a local clinic. Her

1:13:07.400 --> 1:13:09.920
<v Speaker 1>husband didn't believe her story, The police did not believe

1:13:09.920 --> 1:13:12.519
<v Speaker 1>her story. Her husband thought that she had just been

1:13:12.560 --> 1:13:14.479
<v Speaker 1>cheating on him the night she was attacked, and he

1:13:14.600 --> 1:13:17.439
<v Speaker 1>ended up like divorcing her, And since she was completely

1:13:17.479 --> 1:13:19.439
<v Speaker 1>unable to remember what happened to her, I think because

1:13:19.479 --> 1:13:22.120
<v Speaker 1>of all the drugging, she never reported the incident.

1:13:22.439 --> 1:13:23.880
<v Speaker 3>And that happened to nineteen ninety six.

1:13:23.800 --> 1:13:26.160
<v Speaker 1>Which was three years before Vigil was abducted, and who

1:13:26.200 --> 1:13:29.160
<v Speaker 1>knows how many girls in between. It's just like, when

1:13:29.160 --> 1:13:31.920
<v Speaker 1>the story is so crazy, wouldn't that be reason to

1:13:31.920 --> 1:13:34.880
<v Speaker 1>be like, oh, no, one could make this up, Like

1:13:35.000 --> 1:13:40.240
<v Speaker 1>I the fuck everybody? Yeah, it's so Yeah, it's infuriating,

1:13:40.400 --> 1:13:44.439
<v Speaker 1>and Jesus, I don't know why there wouldn't be at

1:13:44.479 --> 1:13:48.200
<v Speaker 1>least an investigation. But I mean maybe because I'm not

1:13:48.200 --> 1:13:50.040
<v Speaker 1>trying to play devil's advocate for the cops at all.

1:13:50.120 --> 1:13:53.040
<v Speaker 1>But I'm like, maybe because they're drugged that their details

1:13:53.080 --> 1:13:55.080
<v Speaker 1>don't make as much sense or something, and yeah, but

1:13:55.120 --> 1:13:57.240
<v Speaker 1>that's the points. Girls on fucking drugs.

1:13:57.520 --> 1:13:58.160
<v Speaker 3>Yeah, I don't know.

1:13:58.600 --> 1:14:01.080
<v Speaker 2>Yeah, if someone is drugged or they're on drugs, it

1:14:01.120 --> 1:14:04.160
<v Speaker 2>does not negate what happens to me there is nurse. Yeah,

1:14:04.200 --> 1:14:07.240
<v Speaker 2>I just don't think there's any sort of excuse or

1:14:07.320 --> 1:14:11.599
<v Speaker 2>reasoning for a cop not to investigate an active like.

1:14:12.160 --> 1:14:15.479
<v Speaker 1>Complaint and something so fucked up like someone kept you

1:14:15.560 --> 1:14:18.080
<v Speaker 1>hostage for days, Like, I just don't think.

1:14:18.360 --> 1:14:21.639
<v Speaker 2>Like, wouldn't it be better to just make sure it's fake, Like, oh,

1:14:21.680 --> 1:14:24.320
<v Speaker 2>you know what, I'm gonna dot my eyes, cross my

1:14:24.400 --> 1:14:27.519
<v Speaker 2>t's and make sure there's not a torture fucking trailer

1:14:27.560 --> 1:14:28.120
<v Speaker 2>in my town.

1:14:28.680 --> 1:14:32.640
<v Speaker 3>Right. Oh, this bitches on drugs? Okay, what? Yeah, I

1:14:32.680 --> 1:14:34.759
<v Speaker 3>guess why a lot of victims are on drugs.

1:14:35.000 --> 1:14:38.080
<v Speaker 2>I don't think like cop people are listening to us anymore.

1:14:38.200 --> 1:14:40.519
<v Speaker 2>They've made it clear they're not a fan of what

1:14:40.560 --> 1:14:43.439
<v Speaker 2>we say. But it's like, if you are someone that

1:14:43.520 --> 1:14:45.519
<v Speaker 2>it does not see what's happening, Like, how do you

1:14:45.560 --> 1:14:49.719
<v Speaker 2>listen to our podcast case after case hear how terrible

1:14:49.760 --> 1:14:52.240
<v Speaker 2>police are from state to state in Canada.

1:14:52.400 --> 1:14:55.800
<v Speaker 3>We've done crimes all over and it's just like, yeah,

1:14:55.840 --> 1:14:57.400
<v Speaker 3>they don't investigate.

1:14:58.160 --> 1:15:01.960
<v Speaker 1>Yeah, it's it's it's while that multiple of these women

1:15:02.080 --> 1:15:07.120
<v Speaker 1>were just basically denied by the cops, not even just

1:15:07.120 --> 1:15:10.080
<v Speaker 1>just one woman Kelly, Like they didn't believe Angelica Montano either,

1:15:10.280 --> 1:15:13.320
<v Speaker 1>Like luckily they believed fucking Cynthia because she wandered into

1:15:13.400 --> 1:15:17.640
<v Speaker 1>traffic and fucking with a slave caller on her And

1:15:17.680 --> 1:15:20.439
<v Speaker 1>then there you can kind of deduce that she's telling

1:15:20.479 --> 1:15:21.400
<v Speaker 1>the truth, that something.

1:15:21.200 --> 1:15:22.160
<v Speaker 3>Fucked up happened to her.

1:15:22.240 --> 1:15:25.400
<v Speaker 2>I'm sure they even talked about like maybe she liked that, yeah,

1:15:25.439 --> 1:15:27.599
<v Speaker 2>and now she's just regretting it, yeah.

1:15:27.439 --> 1:15:30.479
<v Speaker 1>Because she's a sex worker. So there's like, you know,

1:15:30.520 --> 1:15:32.120
<v Speaker 1>they love to deny sex workers.

1:15:32.120 --> 1:15:33.000
<v Speaker 3>There's truth.

1:15:34.200 --> 1:15:38.880
<v Speaker 1>Now aside from Cindy Hendy and the daughter Jesse. That's

1:15:38.880 --> 1:15:43.400
<v Speaker 1>when they discover Dennis Yancey as an accomplice. Yancey admitted

1:15:43.439 --> 1:15:47.880
<v Speaker 1>to strangling his former girlfriend Marie Parker after Ray had

1:15:47.960 --> 1:15:50.960
<v Speaker 1>kidnapped and tortured her, but he claimed Ray made him

1:15:51.000 --> 1:15:54.840
<v Speaker 1>do it and after that murder. Ray also admitted to

1:15:54.880 --> 1:15:58.960
<v Speaker 1>having accomplice, allegedly having accomplice named Billy Bowers, a previous

1:15:59.000 --> 1:16:03.040
<v Speaker 1>business partner who murdered but the FBI sent hundreds of

1:16:03.080 --> 1:16:07.760
<v Speaker 1>agents to examine raised property and surroundings, and no identifiable

1:16:07.840 --> 1:16:10.960
<v Speaker 1>human remains were found, but it's thought commonly that he

1:16:11.120 --> 1:16:14.240
<v Speaker 1>killed at least fourteen women, but like I also read

1:16:14.320 --> 1:16:17.519
<v Speaker 1>in an article that he knew how to sort of.

1:16:18.040 --> 1:16:20.600
<v Speaker 1>I read it as evisceraate a body so that it

1:16:20.640 --> 1:16:22.479
<v Speaker 1>would sink to the bottom of a lake, like so

1:16:22.520 --> 1:16:24.360
<v Speaker 1>that there's ways that you can make it so that

1:16:24.400 --> 1:16:27.000
<v Speaker 1>the body won't pop back up and stuff. And the

1:16:27.120 --> 1:16:29.920
<v Speaker 1>lake that was near where he lived was like very

1:16:30.000 --> 1:16:32.240
<v Speaker 1>very deep, so it's possible that they were there. I mean,

1:16:32.240 --> 1:16:35.160
<v Speaker 1>they did drown. They did like search to lake at

1:16:35.200 --> 1:16:37.240
<v Speaker 1>one point, but there's parts where it's super super deep.

1:16:37.320 --> 1:16:39.200
<v Speaker 1>So I don't know how he got rid of these bodies,

1:16:39.200 --> 1:16:40.320
<v Speaker 1>but there's no fucking way.

1:16:40.320 --> 1:16:42.960
<v Speaker 3>This guy is not a murderer and has not murdered people.

1:16:43.560 --> 1:16:48.400
<v Speaker 1>And they said one woman remained uncertain that her recollections

1:16:48.400 --> 1:16:51.120
<v Speaker 1>of abuse were anything but nightmares until she was contacted

1:16:51.160 --> 1:16:53.320
<v Speaker 1>by the FBI, and after questioning.

1:16:52.920 --> 1:16:56.000
<v Speaker 3>She remembered more and more, which is crazy.

1:16:56.680 --> 1:17:00.759
<v Speaker 1>That's kind of like what happened in uh smut, where

1:17:00.800 --> 1:17:03.320
<v Speaker 1>like I kind of remember that this man raped me,

1:17:03.360 --> 1:17:07.879
<v Speaker 1>but the scopolamine situation stopped them from creating new memories.

1:17:08.439 --> 1:17:12.240
<v Speaker 1>So basically Ray's attacks were separated into three trials. I

1:17:12.240 --> 1:17:15.280
<v Speaker 1>don't really understand why it's not clear why they separated

1:17:15.360 --> 1:17:17.640
<v Speaker 1>him into the into all these trials instead of just

1:17:17.680 --> 1:17:20.160
<v Speaker 1>trying him for all three at once. But for Cynthia

1:17:20.240 --> 1:17:23.200
<v Speaker 1>Vigil the woman who escaped, at first there was a

1:17:23.240 --> 1:17:25.599
<v Speaker 1>mistrial and then there was a retrial, and with the

1:17:25.600 --> 1:17:29.720
<v Speaker 1>retrial he was convicted on all twelve counts. Angelica Montano

1:17:29.920 --> 1:17:32.599
<v Speaker 1>sadly died before her trial and there was no conviction,

1:17:33.160 --> 1:17:36.719
<v Speaker 1>and then Kelly Garrett Ray agreed to a plea bargain

1:17:36.960 --> 1:17:39.719
<v Speaker 1>so that actually didn't have to go to trial either way.

1:17:39.960 --> 1:17:42.120
<v Speaker 1>Ray was sentenced in two thousand and one to two

1:17:42.240 --> 1:17:44.920
<v Speaker 1>hundred and twenty four years in prison in two thousand

1:17:44.920 --> 1:17:48.000
<v Speaker 1>and one. In two thousand and two, he told the

1:17:48.080 --> 1:17:51.080
<v Speaker 1>FBI he wanted to cooperate and claimed to have abducted

1:17:51.120 --> 1:17:54.320
<v Speaker 1>about forty women and was like, come, come question me,

1:17:54.360 --> 1:17:56.720
<v Speaker 1>I'll tell you everything. So they arranged to have him

1:17:56.800 --> 1:18:00.000
<v Speaker 1>questioned by the state police on May twenty eight and two.

1:18:00.080 --> 1:18:03.479
<v Speaker 1>He was taken to Lee County Correctional Facility in Hobbes,

1:18:03.520 --> 1:18:06.200
<v Speaker 1>New Mexico, but died of a heart attack before the

1:18:06.200 --> 1:18:10.519
<v Speaker 1>interrogation took place. So this motherfucker only was in jail

1:18:10.640 --> 1:18:13.360
<v Speaker 1>for one year for all these crimes and then died

1:18:13.400 --> 1:18:15.400
<v Speaker 1>of a heart attack before he could give them all

1:18:15.439 --> 1:18:18.719
<v Speaker 1>this information that would have given closure to probably tons

1:18:18.720 --> 1:18:20.640
<v Speaker 1>of people that are missing their loved ones that have

1:18:20.680 --> 1:18:26.360
<v Speaker 1>gone missing. So so fucked up and unfair. His daughter,

1:18:26.520 --> 1:18:28.960
<v Speaker 1>Jesse Ray, was tried for kidnapping, got two and a

1:18:29.000 --> 1:18:31.320
<v Speaker 1>half years in prison in five years of probation. That

1:18:32.000 --> 1:18:34.640
<v Speaker 1>I think that's sort of nuts that that's what she

1:18:34.720 --> 1:18:37.880
<v Speaker 1>got when she lured people. Maybe she was able to prove,

1:18:38.479 --> 1:18:41.120
<v Speaker 1>like prove that she was abused and under his control too,

1:18:41.200 --> 1:18:41.720
<v Speaker 1>or something like.

1:18:41.760 --> 1:18:44.240
<v Speaker 3>I don't know. This seems like so fucking not a

1:18:44.240 --> 1:18:46.519
<v Speaker 3>long time in prison for sure.

1:18:47.240 --> 1:18:50.800
<v Speaker 1>Dennis Roy Yancey was convicted of the strangulation murder of

1:18:50.840 --> 1:18:53.960
<v Speaker 1>Marie Parker. He served eleven years in prison and then

1:18:54.080 --> 1:18:55.040
<v Speaker 1>was released on parole.

1:18:55.120 --> 1:18:55.880
<v Speaker 3>I don't know why.

1:18:56.400 --> 1:18:58.639
<v Speaker 1>And he violated his parol and went back to serve

1:18:58.680 --> 1:19:01.599
<v Speaker 1>the rest of his original scent until this year twenty

1:19:01.600 --> 1:19:04.720
<v Speaker 1>twenty one. So I think Dennis Yancy is either out

1:19:04.840 --> 1:19:07.839
<v Speaker 1>or about to be out. In two thousand, Cindy Hendy,

1:19:07.880 --> 1:19:12.599
<v Speaker 1>who was his accomplished girlfriend, testified against him and received

1:19:12.640 --> 1:19:15.320
<v Speaker 1>a sentence of thirty six years for her crimes. She

1:19:15.479 --> 1:19:19.120
<v Speaker 1>was scheduled to get parole in twenty seventeen, and she

1:19:19.280 --> 1:19:22.080
<v Speaker 1>actually was kept an extra two years in jail and

1:19:22.160 --> 1:19:24.720
<v Speaker 1>was released in twenty nineteen after serving two years of

1:19:24.760 --> 1:19:26.720
<v Speaker 1>her parole in prison. I didn't know you could serve

1:19:26.760 --> 1:19:27.880
<v Speaker 1>parole in prison, but.

1:19:28.520 --> 1:19:31.600
<v Speaker 2>This is this kind of sentencing and what's going on

1:19:31.720 --> 1:19:34.320
<v Speaker 2>here is what makes me so mad about the Nashawn

1:19:34.360 --> 1:19:35.080
<v Speaker 2>Williams case.

1:19:35.120 --> 1:19:35.400
<v Speaker 3>Again.

1:19:35.439 --> 1:19:38.080
<v Speaker 2>You know, like we have this person who did bad

1:19:38.120 --> 1:19:42.519
<v Speaker 2>things obviously stats stray, rape and like not telling me.

1:19:42.720 --> 1:19:46.280
<v Speaker 2>But it's like this man strangled his girlfriend to death

1:19:46.479 --> 1:19:48.000
<v Speaker 2>and got eleven years.

1:19:48.000 --> 1:19:50.160
<v Speaker 3>And then was allowed back out onto those streets. But

1:19:50.280 --> 1:19:52.560
<v Speaker 3>Nashawn Williams is being held indefinitely.

1:19:53.240 --> 1:19:57.680
<v Speaker 2>Yeah, so that's why that case, Like, it's so fucked up.

1:19:58.080 --> 1:20:01.600
<v Speaker 1>This is horrifying. Yeah, this case is super super fucked up.

1:20:01.640 --> 1:20:04.120
<v Speaker 1>But it's clear that the episode got like a lot

1:20:04.120 --> 1:20:07.960
<v Speaker 1>of the ideas for this, like torture room of the Woodsman,

1:20:08.120 --> 1:20:10.679
<v Speaker 1>from this killer, the toy box killer.

1:20:10.840 --> 1:20:13.719
<v Speaker 2>And yeah, I'm glad they didn't get their police work

1:20:13.760 --> 1:20:20.080
<v Speaker 2>ideas from here because they just would have said, nah, no, thanks, well,

1:20:20.400 --> 1:20:25.519
<v Speaker 2>stay fund. We do have a palette cleaning cleansing. We

1:20:25.600 --> 1:20:26.599
<v Speaker 2>have an amazing guest.

1:20:26.640 --> 1:20:31.479
<v Speaker 1>I would say, a huge get I'm excited, so stay tuned.

1:20:39.400 --> 1:20:42.800
<v Speaker 2>Today's guest is a really huge moment in my life.

1:20:42.800 --> 1:20:47.360
<v Speaker 2>I would say, I was really excited that we got her.

1:20:47.760 --> 1:20:49.920
<v Speaker 3>That's a clue. Yeah.

1:20:50.240 --> 1:20:53.320
<v Speaker 1>You guys, though, may know her from the movie Traffic

1:20:53.520 --> 1:20:58.040
<v Speaker 1>Swim Fan, the Banger Sisters, or as Julia Braverman Graham

1:20:58.120 --> 1:21:00.760
<v Speaker 1>on the show Parenthood. You can catch her coming up

1:21:00.800 --> 1:21:03.840
<v Speaker 1>on the Disney Plus movie Cheaper by the Dozen coming

1:21:03.840 --> 1:21:06.840
<v Speaker 1>out next year. It's a remake, but if you watch

1:21:06.880 --> 1:21:09.439
<v Speaker 1>today's episode, you know her as special Agent Lauren Cooper.

1:21:10.080 --> 1:21:13.840
<v Speaker 1>Please dive into our chat with the legendary Erica Christensen.

1:21:14.920 --> 1:21:18.480
<v Speaker 2>So I'm a huge parent her person. I'm a Braverman fanatic.

1:21:18.520 --> 1:21:20.160
<v Speaker 2>I watched it all well, I didn't watch the last

1:21:20.200 --> 1:21:21.960
<v Speaker 2>few episodes because I knew what was going to happen

1:21:22.000 --> 1:21:23.000
<v Speaker 2>and I wasn't ready for it.

1:21:23.040 --> 1:21:25.120
<v Speaker 1>So I still think it and yeah, I couldn't take it.

1:21:26.040 --> 1:21:28.040
<v Speaker 1>And so I just can't believe we're talking to you.

1:21:28.880 --> 1:21:31.559
<v Speaker 2>But in terms of Parenthood, you know, Mae Whitman also

1:21:31.600 --> 1:21:32.400
<v Speaker 2>did an svo.

1:21:32.840 --> 1:21:35.040
<v Speaker 4>Yes, I heard about that, you know what.

1:21:35.080 --> 1:21:37.679
<v Speaker 5>I haven't seen that one either, but they I feel

1:21:37.680 --> 1:21:41.479
<v Speaker 5>like mine and hers always replay at the same time,

1:21:42.640 --> 1:21:43.559
<v Speaker 5>like the same night.

1:21:44.640 --> 1:21:47.880
<v Speaker 1>Maybe they're doing a Parenthood marathon. People do they do that?

1:21:48.160 --> 1:21:52.519
<v Speaker 5>Yeah, maybe they're doing like cheeky little ludge to us.

1:21:53.040 --> 1:21:55.360
<v Speaker 2>Yes, So I guess we'll start from the beginning. We're

1:21:55.400 --> 1:21:58.680
<v Speaker 2>assuming this was an offer only, no auditions.

1:21:59.280 --> 1:22:04.200
<v Speaker 4>Wait, that's so funny, because yes it was.

1:22:05.479 --> 1:22:08.520
<v Speaker 5>But I have like a weird thing about that because

1:22:10.320 --> 1:22:14.280
<v Speaker 5>when I audition and I get a job, then I like,

1:22:15.560 --> 1:22:18.000
<v Speaker 5>I feel like I've earned it, you know, obviously they

1:22:18.080 --> 1:22:19.760
<v Speaker 5>hired me for a reason, and I know what I'm

1:22:19.800 --> 1:22:22.720
<v Speaker 5>doing with this character and everything, and we're good to go.

1:22:23.280 --> 1:22:28.400
<v Speaker 5>And sometimes when it's an offer only. I've talked to

1:22:28.479 --> 1:22:31.719
<v Speaker 5>Michael Rosenbaum about this two on his podcast, where we're like, yeah,

1:22:31.720 --> 1:22:34.160
<v Speaker 5>sometimes it takes you a second to be like, wait,

1:22:34.600 --> 1:22:36.960
<v Speaker 5>what am I do? I know what I'm doing here,

1:22:37.439 --> 1:22:40.160
<v Speaker 5>and it's not like you can just play yourself or

1:22:40.160 --> 1:22:42.559
<v Speaker 5>some idea like no, okay, so this chick is an

1:22:42.640 --> 1:22:43.439
<v Speaker 5>FBI agent.

1:22:43.520 --> 1:22:47.320
<v Speaker 4>I'm like cool. I'm literally like, how many years of school.

1:22:47.080 --> 1:22:48.040
<v Speaker 3>Do you have to do?

1:22:48.680 --> 1:22:48.800
<v Speaker 6>Like?

1:22:50.640 --> 1:22:51.680
<v Speaker 4>And and when I.

1:22:51.680 --> 1:22:54.840
<v Speaker 5>Got to set too, they were like, oh, yeah, you're fourteen,

1:22:55.800 --> 1:22:58.160
<v Speaker 5>And I was like torn between the.

1:22:58.120 --> 1:23:01.719
<v Speaker 4>Fact that that is, I think a compliment, but also

1:23:02.640 --> 1:23:05.400
<v Speaker 4>what am I? Am I right for this role? You know,

1:23:05.479 --> 1:23:06.559
<v Speaker 4>like can I pull this off?

1:23:07.120 --> 1:23:09.160
<v Speaker 3>You pulled it off, you definitely did.

1:23:10.000 --> 1:23:13.439
<v Speaker 5>I remember. I remember also getting getting shit like on

1:23:13.479 --> 1:23:15.880
<v Speaker 5>the first day, like are you chewing gum? And I

1:23:15.880 --> 1:23:19.559
<v Speaker 5>was like no, I'm uh no, I guess I'm like

1:23:19.680 --> 1:23:21.280
<v Speaker 5>nervously like cheering on my tongue.

1:23:21.280 --> 1:23:25.880
<v Speaker 4>Okay, don't do that. Okay, that actually was the character.

1:23:25.600 --> 1:23:28.880
<v Speaker 5>Choice, but that one's gonna go cool cool.

1:23:29.960 --> 1:23:33.040
<v Speaker 2>And I'm sure like the severe ponytail and the type

1:23:33.040 --> 1:23:35.639
<v Speaker 2>thing got you more into character, and like the outfits too,

1:23:35.720 --> 1:23:38.040
<v Speaker 2>because those are some like pulled back butns.

1:23:38.439 --> 1:23:43.960
<v Speaker 5>Yes, and the weight of like having a gun and

1:23:44.080 --> 1:23:46.839
<v Speaker 5>even just a badge on my belt was different.

1:23:46.880 --> 1:23:49.160
<v Speaker 3>I was like, whoa, now your badge was so cool.

1:23:49.360 --> 1:23:51.720
<v Speaker 2>It was we talked about it because it was I've

1:23:51.720 --> 1:23:53.400
<v Speaker 2>never seen a badge on an outfeel like that was

1:23:53.400 --> 1:23:55.880
<v Speaker 2>like sideways, it was like slipped on in a really

1:23:55.960 --> 1:23:59.479
<v Speaker 2>cool way. So, yeah, you were the only one who

1:23:59.560 --> 1:24:04.400
<v Speaker 2>had a side badge. And did you know Marishka anyone

1:24:04.560 --> 1:24:06.840
<v Speaker 2>from the the crew.

1:24:07.640 --> 1:24:09.479
<v Speaker 4>No, I've never met anyone.

1:24:09.880 --> 1:24:10.680
<v Speaker 3>Wow. Wow.

1:24:11.000 --> 1:24:11.960
<v Speaker 4>She was so.

1:24:14.360 --> 1:24:19.160
<v Speaker 5>Comfortable there obviously, and she knew what she was doing,

1:24:19.280 --> 1:24:22.600
<v Speaker 5>so she was so stable, you know, and she I

1:24:22.640 --> 1:24:27.439
<v Speaker 5>think saw me kind of having these moments of like what, okay,

1:24:27.479 --> 1:24:28.519
<v Speaker 5>abandoned my character.

1:24:28.600 --> 1:24:31.479
<v Speaker 4>Note cool, I'm too young for this role. Okay, awesome,

1:24:31.680 --> 1:24:32.320
<v Speaker 4>let's do this.

1:24:32.479 --> 1:24:36.080
<v Speaker 5>You know, like found me being like wow, all right,

1:24:36.439 --> 1:24:39.720
<v Speaker 5>new to the show, and she just like invited me, like, oh,

1:24:39.760 --> 1:24:42.200
<v Speaker 5>come to my come to my room at lunch or something,

1:24:42.240 --> 1:24:45.840
<v Speaker 5>and we sat and chatted and she was so kind

1:24:45.960 --> 1:24:46.439
<v Speaker 5>and so.

1:24:48.200 --> 1:24:51.680
<v Speaker 4>Just gracious about about having me there and helped me

1:24:52.439 --> 1:24:54.599
<v Speaker 4>feel more comfortable. It was awesome.

1:24:55.000 --> 1:24:58.040
<v Speaker 2>You brought out really good performances in each other. It

1:24:58.120 --> 1:25:01.599
<v Speaker 2>seems like, I mean, you guys really had an awesome

1:25:01.640 --> 1:25:02.280
<v Speaker 2>back and forth.

1:25:03.080 --> 1:25:09.920
<v Speaker 5>Yeah, and obviously with the final the the climax of

1:25:10.080 --> 1:25:14.360
<v Speaker 5>the show there it was. It was so cool and

1:25:14.479 --> 1:25:18.640
<v Speaker 5>so and so emotionally charged for us.

1:25:19.280 --> 1:25:20.920
<v Speaker 2>Did you have to train how to get the gun

1:25:20.920 --> 1:25:23.519
<v Speaker 2>from behind that fast or was that a double or what?

1:25:23.680 --> 1:25:23.800
<v Speaker 5>Like?

1:25:23.840 --> 1:25:25.240
<v Speaker 3>That was fast fast move?

1:25:25.400 --> 1:25:25.439
<v Speaker 4>No?

1:25:26.040 --> 1:25:28.719
<v Speaker 5>Oh, it was that was just me I think because

1:25:28.760 --> 1:25:32.519
<v Speaker 5>that since that was all you were really going to

1:25:32.640 --> 1:25:36.599
<v Speaker 5>see was the gun coming up, they were just like, great,

1:25:36.720 --> 1:25:37.599
<v Speaker 5>just get the gun up.

1:25:38.080 --> 1:25:42.320
<v Speaker 1>Well, that whole episode honestly was very felt a little

1:25:42.360 --> 1:25:45.120
<v Speaker 1>bit more like a movie than the regular, like inn

1:25:45.160 --> 1:25:47.080
<v Speaker 1>a regular episode of the show. Like, I mean, I'm

1:25:47.080 --> 1:25:48.920
<v Speaker 1>obsessed with Silence of the Lambs, so I draw a

1:25:48.920 --> 1:25:51.080
<v Speaker 1>lot of parallels. But I felt like obviously the young

1:25:51.200 --> 1:25:54.800
<v Speaker 1>FBI agent and the serial killer and all this was,

1:25:54.960 --> 1:25:57.519
<v Speaker 1>you know, it definitely gave me the Silence of the

1:25:57.560 --> 1:26:00.840
<v Speaker 1>Lamb's vibe, and I was, yeah, I don't know what

1:26:00.960 --> 1:26:03.320
<v Speaker 1>made it such a different feel to the episode, Maybe

1:26:03.400 --> 1:26:05.120
<v Speaker 1>just because there was this like second, you were the

1:26:05.120 --> 1:26:08.120
<v Speaker 1>secondary character that was just alongside Mersca the whole time,

1:26:08.600 --> 1:26:09.599
<v Speaker 1>But how did you.

1:26:09.560 --> 1:26:10.840
<v Speaker 3>Get Like how did what?

1:26:11.040 --> 1:26:12.360
<v Speaker 1>I mean, I know you said you like looked up

1:26:12.360 --> 1:26:13.920
<v Speaker 1>how long it takes to like go to school to

1:26:13.920 --> 1:26:15.639
<v Speaker 1>be an FBI egent and stuff like that. But like

1:26:16.280 --> 1:26:18.960
<v Speaker 1>she was so intense and she's like from the foster

1:26:19.080 --> 1:26:21.760
<v Speaker 1>care system and has this like hard exterior like how

1:26:21.760 --> 1:26:24.640
<v Speaker 1>did you? But then also is very emotionally moved by

1:26:24.680 --> 1:26:27.840
<v Speaker 1>all the torture that she's seeing, So like, how did you?

1:26:28.080 --> 1:26:30.839
<v Speaker 3>I don't know, how'd you do that? What's my question?

1:26:33.320 --> 1:26:33.880
<v Speaker 4>Good question?

1:26:34.680 --> 1:26:38.800
<v Speaker 5>I It's funny because from the moment you meet her,

1:26:38.920 --> 1:26:45.519
<v Speaker 5>she's already having to put up this deceitful front, yes,

1:26:46.200 --> 1:26:49.439
<v Speaker 5>but at the same time, all of her emotions are

1:26:49.720 --> 1:26:53.479
<v Speaker 5>so raw and so real, and but she's like trying

1:26:53.479 --> 1:26:56.280
<v Speaker 5>to be a hard ass about it, right, I felt

1:26:56.280 --> 1:26:59.479
<v Speaker 5>like the deceit of her just kind of being like,

1:26:59.600 --> 1:27:02.800
<v Speaker 5>I need everybody to be on my team right now,

1:27:02.840 --> 1:27:06.240
<v Speaker 5>just so we can get my mission done, even though

1:27:06.240 --> 1:27:09.800
<v Speaker 5>it's not exactly they think they're kind of solving one

1:27:09.840 --> 1:27:13.559
<v Speaker 5>aspect of it and I'm interested in another aspect of

1:27:13.600 --> 1:27:15.560
<v Speaker 5>it because they don't know that I actually off to

1:27:15.640 --> 1:27:19.360
<v Speaker 5>this guy. You know. That whole thing, I think is

1:27:20.320 --> 1:27:24.040
<v Speaker 5>what was playing off of her feeling like, yes, I

1:27:24.120 --> 1:27:27.360
<v Speaker 5>may look like I'm fourteen, but I have legitimate authority

1:27:27.880 --> 1:27:33.520
<v Speaker 5>and I'm educated as hell, and so just don't mess.

1:27:33.280 --> 1:27:35.759
<v Speaker 4>With me, like I actually know what the fuck I'm doing.

1:27:36.360 --> 1:27:37.240
<v Speaker 4>And that was where.

1:27:37.120 --> 1:27:40.439
<v Speaker 5>Marishka actually gave me an amazing piece of advice too.

1:27:41.439 --> 1:27:44.639
<v Speaker 5>You know, sometimes you know something, but it takes someone

1:27:44.800 --> 1:27:48.640
<v Speaker 5>expressing it, like when they actually articulate it in words.

1:27:48.280 --> 1:27:50.320
<v Speaker 4>And you're like, yes, okay.

1:27:51.320 --> 1:27:55.040
<v Speaker 5>And it was an acting tip with regards to this

1:27:55.200 --> 1:28:00.960
<v Speaker 5>character who is a person of authority. She said, you know,

1:28:01.040 --> 1:28:03.439
<v Speaker 5>when we're like questioning somebody and I've got a picture

1:28:03.520 --> 1:28:05.759
<v Speaker 5>like have you seen this person? I was like shaking

1:28:05.800 --> 1:28:10.320
<v Speaker 5>the photo because I was getting upset, and she was like,

1:28:11.920 --> 1:28:14.680
<v Speaker 5>the power is in the stillness, and I was like,

1:28:15.280 --> 1:28:19.200
<v Speaker 5>of course it is okay, So just literally don't be

1:28:19.400 --> 1:28:23.200
<v Speaker 5>shaking the paper in the face of this person, hold

1:28:23.320 --> 1:28:25.280
<v Speaker 5>up the picture and keep it there.

1:28:26.000 --> 1:28:29.200
<v Speaker 4>And it was just like click. You know, it all

1:28:29.240 --> 1:28:29.840
<v Speaker 4>makes sense.

1:28:31.400 --> 1:28:33.599
<v Speaker 2>Were you ever scared on set, Like did that torture

1:28:33.680 --> 1:28:35.320
<v Speaker 2>room look as scary as it does on the show

1:28:35.439 --> 1:28:37.160
<v Speaker 2>or is it really much like this is a set

1:28:37.200 --> 1:28:40.720
<v Speaker 2>and I know it, or was it scary and the

1:28:40.800 --> 1:28:43.320
<v Speaker 2>video playing with the girl like did it bring up

1:28:43.320 --> 1:28:45.479
<v Speaker 2>any scary feelings when you would leave set or being

1:28:45.520 --> 1:28:46.600
<v Speaker 2>on that set?

1:28:46.920 --> 1:28:47.519
<v Speaker 4>I don't think so.

1:28:47.720 --> 1:28:51.400
<v Speaker 5>I think it's that's the benefit of like being on

1:28:51.439 --> 1:28:53.559
<v Speaker 5>a set is you can look at something that would

1:28:53.560 --> 1:28:57.479
<v Speaker 5>otherwise be terrifying and just like I guess you.

1:28:57.520 --> 1:28:58.360
<v Speaker 4>Just know it's fake.

1:28:58.640 --> 1:29:01.800
<v Speaker 6>It's like, you know, can you imagine if you had

1:29:01.800 --> 1:29:06.520
<v Speaker 6>seen that footage that's on SVU and it was a documentary,

1:29:06.560 --> 1:29:08.920
<v Speaker 6>it'll be so traumatic.

1:29:09.040 --> 1:29:11.479
<v Speaker 4>Yeah, But just to have.

1:29:11.560 --> 1:29:13.280
<v Speaker 5>That little bit like in the back of your mind

1:29:13.280 --> 1:29:14.760
<v Speaker 5>of the context of like, oh, yeah, this is a

1:29:14.800 --> 1:29:17.479
<v Speaker 5>show that I love and it's clearly done by actors,

1:29:17.520 --> 1:29:21.080
<v Speaker 5>and it's it's based on true stories, but it's this

1:29:21.120 --> 1:29:23.960
<v Speaker 5>is not really happening right now. That was my feeling.

1:29:24.000 --> 1:29:27.400
<v Speaker 5>I was like, yeah, thisiss is fucked up, but I

1:29:27.400 --> 1:29:28.320
<v Speaker 5>don't know a good story.

1:29:28.560 --> 1:29:32.840
<v Speaker 1>Yeah, yeah, I have a question about that scene where

1:29:32.840 --> 1:29:36.519
<v Speaker 1>like Marishka is gonna first's first confronting you sort of

1:29:36.560 --> 1:29:39.160
<v Speaker 1>with like the photos of you that kind of prove that.

1:29:39.240 --> 1:29:40.320
<v Speaker 3>You're behind all of this.

1:29:41.360 --> 1:29:45.320
<v Speaker 1>You're I don't know, the character's just so like playing chess,

1:29:45.360 --> 1:29:47.080
<v Speaker 1>like okay, your move, Like what are you going to

1:29:47.120 --> 1:29:47.519
<v Speaker 1>ask me?

1:29:47.560 --> 1:29:49.880
<v Speaker 3>And I just like, did you guys like.

1:29:49.880 --> 1:29:52.559
<v Speaker 1>Talk about that in advance or like what the vibe

1:29:52.600 --> 1:29:54.280
<v Speaker 1>was going to be because it was really intense because

1:29:54.280 --> 1:29:56.240
<v Speaker 1>you guys had had this like kind of like sweet

1:29:56.280 --> 1:29:59.920
<v Speaker 1>like friendship almost like where even though you're an f

1:30:00.360 --> 1:30:02.599
<v Speaker 1>agent and she's a cop, she's teaching you all these

1:30:02.600 --> 1:30:03.040
<v Speaker 1>ways to.

1:30:03.000 --> 1:30:05.760
<v Speaker 3>Deal with victims and stuff because you don't really do that.

1:30:06.520 --> 1:30:09.280
<v Speaker 1>And then in that scene it was kind of like

1:30:09.360 --> 1:30:12.600
<v Speaker 1>she's bummed because she really liked you, so like I

1:30:13.560 --> 1:30:15.360
<v Speaker 1>kind of love that scene and I was just.

1:30:15.680 --> 1:30:19.200
<v Speaker 2>Yeah, like thought that they were I feel like Olivia

1:30:19.200 --> 1:30:21.600
<v Speaker 2>Benson was like, Oh, I've met my a friend. This

1:30:21.720 --> 1:30:23.920
<v Speaker 2>is gonna be my bitch and the FBI and we're

1:30:23.920 --> 1:30:27.080
<v Speaker 2>gonna like solve crimes together. Like that's part of the

1:30:27.120 --> 1:30:28.200
<v Speaker 2>heartache I think at the.

1:30:28.240 --> 1:30:30.679
<v Speaker 1>End too, where she was just like that's me or

1:30:30.760 --> 1:30:33.120
<v Speaker 1>like that, yeah, they were the same.

1:30:33.320 --> 1:30:35.559
<v Speaker 5>I don't know for real, And that's well, that's the

1:30:35.640 --> 1:30:40.080
<v Speaker 5>whole that's ultimately the whole point is like, don't let

1:30:40.120 --> 1:30:44.080
<v Speaker 5>this happen to you, because you live in this world

1:30:44.120 --> 1:30:47.200
<v Speaker 5>and it can happen to you because when you're just

1:30:47.240 --> 1:30:48.120
<v Speaker 5>too close to it.

1:30:48.200 --> 1:30:48.439
<v Speaker 4>You know.

1:30:49.280 --> 1:30:52.840
<v Speaker 5>As far as that interrogation scene, what's interesting is that

1:30:52.880 --> 1:30:57.920
<v Speaker 5>they both aside from what was really happening, they both

1:30:58.880 --> 1:31:04.280
<v Speaker 5>genuinely connect and had hopes for the future of this friendship.

1:31:04.320 --> 1:31:08.960
<v Speaker 5>You know, had she gotten away with it, that might

1:31:09.000 --> 1:31:12.679
<v Speaker 5>have just been a nice friendship. You know, she's too

1:31:12.920 --> 1:31:16.880
<v Speaker 5>Benson's too smart. You can't you can't actually like be

1:31:16.960 --> 1:31:19.960
<v Speaker 5>friends with somebody that's going to discover what you've done.

1:31:20.920 --> 1:31:22.880
<v Speaker 5>But yeah, but in the meantime for them to have

1:31:22.920 --> 1:31:26.400
<v Speaker 5>really connected it and like, oh, here's here's a young

1:31:26.479 --> 1:31:30.080
<v Speaker 5>smart girl. I see something of myself and her, and

1:31:30.120 --> 1:31:34.479
<v Speaker 5>we're passionate and but she doesn't have the real you know,

1:31:34.760 --> 1:31:39.360
<v Speaker 5>the like the street experience, and so all of.

1:31:39.360 --> 1:31:40.120
<v Speaker 3>That was so nice.

1:31:40.320 --> 1:31:44.439
<v Speaker 5>But I think I think what's interesting is just like

1:31:45.240 --> 1:31:46.960
<v Speaker 5>the arrogance.

1:31:46.720 --> 1:31:50.360
<v Speaker 4>Of all right, you caught me, but like prove it,

1:31:50.640 --> 1:31:53.599
<v Speaker 4>you know, and yeah.

1:31:53.240 --> 1:31:57.519
<v Speaker 5>You know what what what really happens now? Because I

1:31:57.560 --> 1:32:01.519
<v Speaker 5>did what I thought was to justify thing, and then

1:32:02.200 --> 1:32:04.920
<v Speaker 5>her conscience catches up with her clearly. But like they

1:32:05.120 --> 1:32:08.120
<v Speaker 5>just that just you know when somebody, when somebody first

1:32:08.560 --> 1:32:11.240
<v Speaker 5>starts to get caught, and they just dig their heels

1:32:11.240 --> 1:32:13.080
<v Speaker 5>in and they.

1:32:13.080 --> 1:32:14.639
<v Speaker 4>Like lie even harder.

1:32:15.479 --> 1:32:18.960
<v Speaker 1>Oh yeah, that's like yeah in real life when you

1:32:18.960 --> 1:32:21.280
<v Speaker 1>watch interrogation, and yeah, they just dig in.

1:32:21.400 --> 1:32:23.439
<v Speaker 3>You're right, They just at first they are like whoa,

1:32:23.479 --> 1:32:25.160
<v Speaker 3>what are you talking about? And then within the hour

1:32:25.240 --> 1:32:26.880
<v Speaker 3>they're like, okay, here's how I did it.

1:32:27.320 --> 1:32:32.000
<v Speaker 5>Yeah yeah, but it's all yeah, it's like you know,

1:32:32.040 --> 1:32:34.120
<v Speaker 5>as far as the chess game, right, it's like prove

1:32:34.240 --> 1:32:38.720
<v Speaker 5>that you're worthy, You're you're a worthy opponent here. Yeah,

1:32:38.720 --> 1:32:41.040
<v Speaker 5>I'm not just gonna give it to you, like I'm

1:32:41.160 --> 1:32:43.040
<v Speaker 5>smarter than you.

1:32:43.040 --> 1:32:44.400
<v Speaker 4>You need to earn it here.

1:32:45.200 --> 1:32:45.840
<v Speaker 3>That's so true.

1:32:45.920 --> 1:32:47.720
<v Speaker 1>Yeah, because an FBI is not going to come in

1:32:47.720 --> 1:32:50.320
<v Speaker 1>and be like you got me? Like she is like,

1:32:50.360 --> 1:32:52.440
<v Speaker 1>all right, show me what you got, like, lay your cards.

1:32:52.160 --> 1:32:52.920
<v Speaker 3>Out on the table.

1:32:53.520 --> 1:32:55.679
<v Speaker 2>Yeah, and what do you get recognized the most from?

1:32:55.680 --> 1:32:58.200
<v Speaker 2>Do people yell swim fan at you in the streets

1:32:58.280 --> 1:32:58.519
<v Speaker 2>or what?

1:33:01.520 --> 1:33:01.880
<v Speaker 3>Before?

1:33:01.920 --> 1:33:05.160
<v Speaker 5>I think before Parenthood it was swim fan the most,

1:33:05.200 --> 1:33:06.840
<v Speaker 5>and people would like.

1:33:07.040 --> 1:33:09.080
<v Speaker 4>Across the boards. I don't know where.

1:33:08.800 --> 1:33:11.120
<v Speaker 5>This phrasing came from, but people would be like, you're

1:33:11.160 --> 1:33:17.919
<v Speaker 5>a bad girl. Okay, clearly that's that's thing with regards

1:33:17.920 --> 1:33:20.720
<v Speaker 5>to Madison Bell, I guess, but cool.

1:33:21.840 --> 1:33:22.759
<v Speaker 4>Nice to meet you.

1:33:22.760 --> 1:33:27.040
<v Speaker 3>You're a bad girl. Yikes. Yeah, it does also sound

1:33:27.120 --> 1:33:28.560
<v Speaker 3>like a little creepy.

1:33:28.880 --> 1:33:33.680
<v Speaker 5>Yeah, like like a come on, yeah.

1:33:33.720 --> 1:33:36.800
<v Speaker 4>I think Parenthood now would be the biggest thing.

1:33:37.560 --> 1:33:41.920
<v Speaker 2>Swim fan changed everything because now that's that, like, that's

1:33:41.960 --> 1:33:42.439
<v Speaker 2>a genre.

1:33:42.520 --> 1:33:42.680
<v Speaker 4>To me.

1:33:42.760 --> 1:33:44.360
<v Speaker 2>If I see something like it, I'm like, oh, it's

1:33:44.360 --> 1:33:45.320
<v Speaker 2>a swim fan moment.

1:33:46.000 --> 1:33:46.479
<v Speaker 4>Amazing.

1:33:48.080 --> 1:33:54.200
<v Speaker 5>I didn't I didn't know that until recently. At that time,

1:33:55.320 --> 1:34:00.400
<v Speaker 5>all teen movies were like romantic comedies or just kind

1:34:00.439 --> 1:34:03.120
<v Speaker 5>of like straight up kookie comedies like American Pie.

1:34:03.439 --> 1:34:07.280
<v Speaker 4>Yeah, and what's what's that movie with Rachel Lee Cook

1:34:07.320 --> 1:34:08.360
<v Speaker 4>and Freddie Prince.

1:34:08.160 --> 1:34:10.639
<v Speaker 3>You and she's all that yeah, I can't.

1:34:12.000 --> 1:34:14.479
<v Speaker 4>Yeah, I feel like American Pie can't hardly wait. She's

1:34:14.520 --> 1:34:17.200
<v Speaker 4>all that was like, it was really the vibe.

1:34:17.680 --> 1:34:21.439
<v Speaker 5>And so to change things up so dramatically and be

1:34:21.520 --> 1:34:26.479
<v Speaker 5>like this is now teen movies, Territory, Smith Fan and.

1:34:26.880 --> 1:34:29.759
<v Speaker 6>A heist movie.

1:34:30.120 --> 1:34:34.880
<v Speaker 5>I actually didn't realize how out of the box they

1:34:34.920 --> 1:34:37.560
<v Speaker 5>were for the time, and I'm like, I'm newly appreciating

1:34:37.600 --> 1:34:38.200
<v Speaker 5>them myself.

1:34:38.240 --> 1:34:41.320
<v Speaker 4>I'm like, that's that's really cool. Yeah we did something.

1:34:42.160 --> 1:34:44.960
<v Speaker 1>Well, I have one more, really really inane question that

1:34:45.000 --> 1:34:47.160
<v Speaker 1>has nothing to do with anything, but I was looking

1:34:47.200 --> 1:34:48.840
<v Speaker 1>you up and I was like, oh, her Twitter is

1:34:48.960 --> 1:34:50.599
<v Speaker 1>Erica Jane, And I was like, do you know about

1:34:50.680 --> 1:34:53.200
<v Speaker 1>Erica Jane Girre already the housewife of Beverly Hills.

1:34:53.400 --> 1:34:55.000
<v Speaker 4>Oh no, I thought you were gonna ask me about

1:34:55.080 --> 1:34:56.160
<v Speaker 4>Erica Jane the porn star.

1:34:56.320 --> 1:34:58.960
<v Speaker 3>Oh okay, Well, look there's a couple of people.

1:35:00.160 --> 1:35:03.320
<v Speaker 5>I did not know about, the real housewife of Beverly Hills.

1:35:03.479 --> 1:35:05.320
<v Speaker 4>I a, maybe you should change my handle.

1:35:05.479 --> 1:35:07.280
<v Speaker 3>Well, she's in the news right now.

1:35:07.280 --> 1:35:08.960
<v Speaker 1>She's in the news right now because she's married to

1:35:08.960 --> 1:35:11.880
<v Speaker 1>a huge lawyer and he's getting busted for embezzling. All

1:35:11.880 --> 1:35:15.200
<v Speaker 1>these funds from like widows and orphan children and sit

1:35:15.280 --> 1:35:18.080
<v Speaker 1>and stuff, and she is being like kind of dragged

1:35:18.080 --> 1:35:20.080
<v Speaker 1>into it that maybe she knew, And I was like,

1:35:20.120 --> 1:35:22.800
<v Speaker 1>people are so stupid on Twitter, Like people came for

1:35:23.160 --> 1:35:25.240
<v Speaker 1>Rachel Ray when they meant to come for Rachel Roy

1:35:25.320 --> 1:35:27.160
<v Speaker 1>after Beyonce made that song. So I was like, I

1:35:27.200 --> 1:35:29.760
<v Speaker 1>wonder if people are coming for Erica Christiansen being like.

1:35:29.920 --> 1:35:32.800
<v Speaker 3>You dumb bitch, you stole money from orphans and You're like,

1:35:32.880 --> 1:35:33.800
<v Speaker 3>I'm in parenthood.

1:35:34.200 --> 1:35:37.800
<v Speaker 1>Like I was just wondering, but clearly it hasn't been

1:35:37.840 --> 1:35:38.800
<v Speaker 1>a problem for you on Twitter.

1:35:38.840 --> 1:35:40.720
<v Speaker 3>I just thought it would be a fun nation with

1:35:40.800 --> 1:35:44.080
<v Speaker 3>this porn star. It seems like, yeah, well listen.

1:35:44.160 --> 1:35:46.320
<v Speaker 4>I mean I don't have my notifications on, but I

1:35:46.320 --> 1:35:48.000
<v Speaker 4>mean I could do it.

1:35:49.160 --> 1:35:51.200
<v Speaker 2>No, if you want to get into true crime on Hulu,

1:35:51.360 --> 1:35:54.760
<v Speaker 2>there's a special on this housewife and lawyer the guy

1:35:54.840 --> 1:35:58.639
<v Speaker 2>lawyer her well now ex husband. He is the lawyer

1:35:58.640 --> 1:36:01.840
<v Speaker 2>that Aaron Brockovich works for. Like that's who it's based on,

1:36:01.960 --> 1:36:05.400
<v Speaker 2>is this guy. And so he does these giant claim

1:36:05.560 --> 1:36:08.840
<v Speaker 2>like a class slash. Yeah, and so it's like plain

1:36:08.960 --> 1:36:12.360
<v Speaker 2>victims and burn victim and he stole like millions of

1:36:12.400 --> 1:36:16.280
<v Speaker 2>dollars and then on the Housewives though she's buying chagalls

1:36:16.479 --> 1:36:19.760
<v Speaker 2>and spends fifty thousand dollars a month on glam and

1:36:19.840 --> 1:36:22.800
<v Speaker 2>so we are seeing the spending and the FBI took

1:36:22.840 --> 1:36:24.920
<v Speaker 2>her shit and she's in a small house now and like,

1:36:25.080 --> 1:36:26.160
<v Speaker 2>we don't know what's going to happen.

1:36:26.800 --> 1:36:30.400
<v Speaker 5>But oh my god, that's so wild because at what

1:36:30.520 --> 1:36:33.600
<v Speaker 5>point did she become complicit or was she super.

1:36:33.360 --> 1:36:36.559
<v Speaker 4>Naive or like, you know, in the when when.

1:36:36.360 --> 1:36:39.679
<v Speaker 5>The relationship started, were they young and she was just like, oh,

1:36:39.720 --> 1:36:40.800
<v Speaker 5>he's or you know, she.

1:36:40.880 --> 1:36:43.000
<v Speaker 4>Was super young and she was like he's so you know,

1:36:43.479 --> 1:36:47.320
<v Speaker 4>grown and self made. Man, I don't know.

1:36:47.600 --> 1:36:48.919
<v Speaker 3>That's so awful.

1:36:49.120 --> 1:36:50.040
<v Speaker 4>It's just like.

1:36:50.160 --> 1:36:53.600
<v Speaker 1>The brazenness, like you know that you're embezzling all this

1:36:53.640 --> 1:36:55.479
<v Speaker 1>money and then you're like allowing your wife to go

1:36:55.560 --> 1:36:58.400
<v Speaker 1>on reality television where you're going to be under a microscope.

1:36:58.600 --> 1:37:00.360
<v Speaker 1>You're so confident you're not going to get caught that

1:37:00.400 --> 1:37:03.120
<v Speaker 1>you're like, yeah, go parade our wealth on television. That's

1:37:03.160 --> 1:37:06.719
<v Speaker 1>just like, to me, that's the audacity to the highest

1:37:06.800 --> 1:37:08.599
<v Speaker 1>level that I can't even like believe.

1:37:09.320 --> 1:37:11.599
<v Speaker 4>Did you did you? Did you see the last season

1:37:11.600 --> 1:37:12.360
<v Speaker 4>of Bosh.

1:37:12.600 --> 1:37:17.200
<v Speaker 1>Yes, she loves I love Bosh, thank you.

1:37:17.320 --> 1:37:19.679
<v Speaker 4>I love we love La Stories too.

1:37:20.240 --> 1:37:22.680
<v Speaker 3>Yeah, I love Bosh because it's in La. I mean

1:37:22.760 --> 1:37:24.479
<v Speaker 3>I should watch La Stories. What is that?

1:37:25.200 --> 1:37:25.360
<v Speaker 4>No?

1:37:25.360 --> 1:37:31.360
<v Speaker 5>No, I just mean it as as draups like La Stories. Yeah,

1:37:31.400 --> 1:37:32.639
<v Speaker 5>that's probably a thing too.

1:37:33.400 --> 1:37:36.920
<v Speaker 4>But what's the other show? There's another? Is it another

1:37:37.000 --> 1:37:41.440
<v Speaker 4>David Kelly show that's set in La? Oh? Oh oh Goliath?

1:37:41.760 --> 1:37:43.040
<v Speaker 3>Oh I've never seen that.

1:37:43.640 --> 1:37:46.200
<v Speaker 5>Now that that's the whole joke of that series is like,

1:37:46.400 --> 1:37:48.200
<v Speaker 5>how is it winning Emmy's when no one has ever

1:37:48.240 --> 1:37:53.720
<v Speaker 5>heard of this show that is the same source material,

1:37:53.960 --> 1:37:55.960
<v Speaker 5>the same writers, source.

1:37:55.720 --> 1:37:57.960
<v Speaker 4>Material as Bosh.

1:37:58.160 --> 1:37:58.479
<v Speaker 3>Wow.

1:37:59.600 --> 1:38:00.000
<v Speaker 4>You right.

1:38:00.400 --> 1:38:04.559
<v Speaker 5>Those characters are half brothers and one's a cop and

1:38:04.600 --> 1:38:09.520
<v Speaker 5>one's a lawyer before Bosh becomes ultimately a private investigator.

1:38:09.760 --> 1:38:11.600
<v Speaker 5>But yeah, it's just it's just cool, kind of like

1:38:11.720 --> 1:38:14.519
<v Speaker 5>underbelly of Hollywood, not Hollywood the industry lore.

1:38:14.840 --> 1:38:16.200
<v Speaker 3>Yeah, Hollywood the place.

1:38:17.040 --> 1:38:17.800
<v Speaker 4>Yeah.

1:38:17.840 --> 1:38:20.200
<v Speaker 1>And yes it is on Amazon. I'm gonna watch it.

1:38:20.400 --> 1:38:24.080
<v Speaker 1>You did it? Yes, yes, no, and then I'm going

1:38:24.120 --> 1:38:27.120
<v Speaker 1>to be searching for La Stories for like ten days.

1:38:31.360 --> 1:38:34.320
<v Speaker 3>That was incredible, Thank you, Erica.

1:38:34.680 --> 1:38:36.479
<v Speaker 1>She was so cool and I wish you guys could

1:38:36.479 --> 1:38:40.040
<v Speaker 1>have seen her. She's not aged since she was discovered,

1:38:40.200 --> 1:38:41.520
<v Speaker 1>and she's so beautiful.

1:38:43.120 --> 1:38:46.160
<v Speaker 3>But yeah, an amazing interview and I love her. I

1:38:46.160 --> 1:38:48.639
<v Speaker 3>want to be friends. No, life is wild.

1:38:48.760 --> 1:38:50.600
<v Speaker 2>I don't know when you think of these moments to

1:38:50.640 --> 1:38:54.360
<v Speaker 2>be talking to her, it's like, really nuts.

1:38:55.479 --> 1:38:57.120
<v Speaker 3>But let's get into our post worn.

1:38:57.320 --> 1:38:59.280
<v Speaker 1>I don't know what we can say we fucking learned

1:38:59.320 --> 1:39:01.840
<v Speaker 1>from this queer episode, because how many times are we

1:39:01.880 --> 1:39:04.559
<v Speaker 1>going to be in a situation involving a serial?

1:39:04.600 --> 1:39:05.519
<v Speaker 3>Do you know what I learned?

1:39:06.200 --> 1:39:09.439
<v Speaker 2>Even if you escape a torture killer with bruises and

1:39:09.479 --> 1:39:11.519
<v Speaker 2>marks and blood all over you, the cops still might

1:39:11.560 --> 1:39:12.120
<v Speaker 2>not believe you.

1:39:12.360 --> 1:39:13.840
<v Speaker 3>Right, So I learned that.

1:39:14.320 --> 1:39:16.479
<v Speaker 2>I learned you could be fully naked and chained up

1:39:16.520 --> 1:39:18.240
<v Speaker 2>and escape and the cops are like, are you sure

1:39:18.280 --> 1:39:19.520
<v Speaker 2>you didn't do this to yourself?

1:39:19.800 --> 1:39:20.000
<v Speaker 1>Right?

1:39:20.600 --> 1:39:23.000
<v Speaker 3>Are you sure you didn't got too drunk at a

1:39:23.000 --> 1:39:25.799
<v Speaker 3>costume party? Yeah?

1:39:26.000 --> 1:39:28.880
<v Speaker 1>I am not happy with some of the police work

1:39:28.920 --> 1:39:32.679
<v Speaker 1>in this case, but I, you know, love this woman

1:39:32.760 --> 1:39:35.479
<v Speaker 1>for fucking stabbing someone with an ice pick and escaping,

1:39:35.600 --> 1:39:38.919
<v Speaker 1>Like women are so strong and resilient and can escape.

1:39:40.200 --> 1:39:41.040
<v Speaker 3>What else? Yeah?

1:39:41.040 --> 1:39:43.559
<v Speaker 2>I guess maybe escape rooms are more important than we

1:39:43.600 --> 1:39:46.360
<v Speaker 2>thought they should rebrand instead of for fun. It's like, well,

1:39:46.439 --> 1:39:50.400
<v Speaker 2>you can you survive? It's like training. Maybe I need

1:39:50.400 --> 1:39:53.479
<v Speaker 2>some escape room training. I don't know what's going to happen.

1:39:53.760 --> 1:39:55.800
<v Speaker 1>Yeah, oh, I just tried to joke about escape rooms

1:39:55.840 --> 1:39:56.719
<v Speaker 1>last night at my show.

1:39:57.240 --> 1:39:58.639
<v Speaker 3>Was it a fun night at the show?

1:39:58.760 --> 1:39:59.120
<v Speaker 6>Yeah?

1:39:59.200 --> 1:40:01.200
<v Speaker 1>Oh my gosh, it was really good. When I first

1:40:01.200 --> 1:40:02.960
<v Speaker 1>pulled up, there was only a few people there, and I.

1:40:02.880 --> 1:40:04.880
<v Speaker 3>Was like, what happened in my show while I was away?

1:40:05.479 --> 1:40:05.679
<v Speaker 4>Now?

1:40:05.760 --> 1:40:07.880
<v Speaker 1>And then like by the end there was like seventy

1:40:07.920 --> 1:40:09.080
<v Speaker 1>five people or it was great.

1:40:09.320 --> 1:40:10.639
<v Speaker 3>There was a lot of people. It was really good.

1:40:11.120 --> 1:40:14.920
<v Speaker 1>But I learned that even FBI agents think that they

1:40:15.000 --> 1:40:17.639
<v Speaker 1>are too smart to be caught, Like I mean going

1:40:17.680 --> 1:40:20.120
<v Speaker 1>into an internet cafe. First of all, are there still

1:40:20.160 --> 1:40:21.000
<v Speaker 1>internet cafes?

1:40:21.360 --> 1:40:25.599
<v Speaker 2>Oh there's gotta be Yeah, people need to be committing crimes.

1:40:25.760 --> 1:40:27.519
<v Speaker 3>When I lived in Italy, this is how long ago

1:40:27.560 --> 1:40:28.800
<v Speaker 3>it was, like there was no Wi Fi.

1:40:28.960 --> 1:40:30.560
<v Speaker 1>I had to go to an internet cafe down the

1:40:30.560 --> 1:40:33.240
<v Speaker 1>street to check my fucking email every week and just

1:40:33.320 --> 1:40:36.040
<v Speaker 1>respond to my family and be like what's going on.

1:40:36.280 --> 1:40:37.640
<v Speaker 1>I remember I was like in a fight with one

1:40:37.680 --> 1:40:40.400
<v Speaker 1>of my Italian friends. We were just corresponding over email,

1:40:40.800 --> 1:40:43.160
<v Speaker 1>and I was like, gotta go check and see if

1:40:43.160 --> 1:40:47.200
<v Speaker 1>she's responded, like paying money to check my email. Can

1:40:47.240 --> 1:40:49.920
<v Speaker 1>you guys imagine this was? Of course, back in nineteen

1:40:49.960 --> 1:40:51.679
<v Speaker 1>seventy five, life was better.

1:40:52.120 --> 1:40:55.800
<v Speaker 2>I hate being CONTs because, like you said, when I'm

1:40:55.880 --> 1:40:58.559
<v Speaker 2>on my vacation mode, when I'm out and about, I'm

1:40:58.600 --> 1:41:01.240
<v Speaker 2>not responding to anything, like I don't want to look,

1:41:01.640 --> 1:41:04.000
<v Speaker 2>but it makes it see it's like, what the why

1:41:04.000 --> 1:41:05.200
<v Speaker 2>didn't you respond to stuff?

1:41:05.200 --> 1:41:07.400
<v Speaker 3>And it's like I don't like the expectation.

1:41:06.960 --> 1:41:09.280
<v Speaker 1>That I have to I don't think anybody has that

1:41:09.360 --> 1:41:10.160
<v Speaker 1>expectation of you.

1:41:12.360 --> 1:41:15.479
<v Speaker 3>Good to know I feel about you're writing back. I

1:41:15.479 --> 1:41:17.600
<v Speaker 3>don't think you're dead. I think you're enjoying yourself and

1:41:17.640 --> 1:41:18.920
<v Speaker 3>you'll get back to me when you get back to me.

1:41:19.439 --> 1:41:23.360
<v Speaker 2>Yeah, my cousin was her daughter's birthday, and then you know,

1:41:23.439 --> 1:41:25.040
<v Speaker 2>I sent her a text and she sent me all

1:41:25.040 --> 1:41:27.639
<v Speaker 2>these photos of the child and I didn't respond for days,

1:41:27.640 --> 1:41:29.160
<v Speaker 2>and then I was like, oh my god, she loves

1:41:29.160 --> 1:41:32.040
<v Speaker 2>polar bears. But like I did like seeing the pictures.

1:41:32.080 --> 1:41:34.479
<v Speaker 2>But it's the drunk element too. When you're drunk, you're

1:41:34.520 --> 1:41:38.160
<v Speaker 2>just not remembering what you responded to, what's going on?

1:41:38.280 --> 1:41:40.800
<v Speaker 3>Who's texting and speaking of drunk?

1:41:40.880 --> 1:41:43.000
<v Speaker 1>Get back to we had to stop the intro, but

1:41:43.040 --> 1:41:44.760
<v Speaker 1>I want to know why you the other story about

1:41:44.760 --> 1:41:45.599
<v Speaker 1>why you hate that girl?

1:41:46.680 --> 1:41:51.080
<v Speaker 2>She oh, so then she said something, so there was

1:41:51.080 --> 1:41:55.000
<v Speaker 2>like another whatever whatever led to this conversation. But she goes,

1:41:55.400 --> 1:41:59.320
<v Speaker 2>I'm very observant, Like I notice things, and I'm people

1:41:59.400 --> 1:42:02.240
<v Speaker 2>watching all the time, and I just like get people.

1:42:02.800 --> 1:42:04.960
<v Speaker 2>And in my head, it's like you think you're the

1:42:04.960 --> 1:42:07.760
<v Speaker 2>only person people watching. You think you're special. It's like

1:42:07.800 --> 1:42:09.759
<v Speaker 2>someone thing that only one who has thoughts or something,

1:42:09.840 --> 1:42:12.360
<v Speaker 2>or like I used to do a joke where I

1:42:12.360 --> 1:42:14.080
<v Speaker 2>had a roommate who thought she was like a witch

1:42:14.080 --> 1:42:17.320
<v Speaker 2>because she had deja vu, and it's like, no, no, no,

1:42:17.360 --> 1:42:18.440
<v Speaker 2>we're all.

1:42:18.280 --> 1:42:19.120
<v Speaker 3>In deja vu.

1:42:19.320 --> 1:42:21.920
<v Speaker 2>We all like feel like, oh I made the right

1:42:21.960 --> 1:42:24.840
<v Speaker 2>decision because of energy, Like we're all trying to be

1:42:24.920 --> 1:42:27.960
<v Speaker 2>connected to the universe. But to also think that you

1:42:28.000 --> 1:42:32.439
<v Speaker 2>are extra observant. While two comedians who truly communicate to

1:42:32.520 --> 1:42:35.920
<v Speaker 2>strangers nightly and connect with human beings that you do

1:42:36.000 --> 1:42:39.160
<v Speaker 2>not know and make them have an involuntary response, you're

1:42:39.200 --> 1:42:41.080
<v Speaker 2>trying to tell me that you.

1:42:40.920 --> 1:42:45.360
<v Speaker 3>Just know about people it's like it just it was wild. Also,

1:42:45.439 --> 1:42:47.000
<v Speaker 3>are you observing that I hate you?

1:42:47.240 --> 1:42:50.800
<v Speaker 1>Like she was she observing that you were like disdainful

1:42:50.840 --> 1:42:52.360
<v Speaker 1>of her, Like clearly not.

1:42:53.800 --> 1:42:54.040
<v Speaker 3>Yeah.

1:42:54.040 --> 1:42:55.960
<v Speaker 2>She just kept trying to talk well because she was

1:42:56.000 --> 1:42:58.360
<v Speaker 2>someone that couldn't get tickets to the show because it

1:42:58.400 --> 1:43:00.960
<v Speaker 2>was sold out, but came to the bar next door

1:43:01.000 --> 1:43:04.639
<v Speaker 2>anyways to get a bite of him right to get

1:43:04.680 --> 1:43:07.479
<v Speaker 2>but was judging and making fun of all the people

1:43:07.479 --> 1:43:09.920
<v Speaker 2>that came to the show, but still trying to hang

1:43:09.920 --> 1:43:11.760
<v Speaker 2>out with him. So she was very much like, I

1:43:11.800 --> 1:43:14.559
<v Speaker 2>didn't go to the show, but it's like, no, you

1:43:14.680 --> 1:43:16.640
<v Speaker 2>just sat at the bar next door waiting.

1:43:16.400 --> 1:43:18.439
<v Speaker 1>For waiting for the show to let out, like a

1:43:18.560 --> 1:43:21.639
<v Speaker 1>full desperado, okay, judging all these people.

1:43:21.680 --> 1:43:23.400
<v Speaker 2>And then there was just like a situation where I

1:43:23.439 --> 1:43:25.759
<v Speaker 2>was like, oh, I didn't get that vibe from that person.

1:43:25.840 --> 1:43:26.880
<v Speaker 3>I felt a different thing.

1:43:26.880 --> 1:43:30.000
<v Speaker 2>And she was like, well, I'm like really observant and

1:43:30.080 --> 1:43:35.240
<v Speaker 2>I just really understand people in situations. And I was like, okay, yeah,

1:43:35.560 --> 1:43:36.880
<v Speaker 2>now you're I bet you can't.

1:43:36.960 --> 1:43:39.160
<v Speaker 1>I'm honestly dying for you to see her again on

1:43:39.160 --> 1:43:40.280
<v Speaker 1>this trip because I want more.

1:43:40.600 --> 1:43:43.040
<v Speaker 3>I want more of this. Oh, I bet you I

1:43:43.040 --> 1:43:44.639
<v Speaker 3>mean it is.

1:43:44.840 --> 1:43:48.479
<v Speaker 2>It is funny being a nop, Like you just see

1:43:48.600 --> 1:43:52.120
<v Speaker 2>humanity in like a really funny way. Like that's why

1:43:52.120 --> 1:43:56.120
<v Speaker 2>famous people are so fucked. People are frauds. Like we

1:43:56.160 --> 1:43:58.519
<v Speaker 2>met this girl at the pool and like she didn't

1:43:58.520 --> 1:44:00.800
<v Speaker 2>care and then suddenly started following me in Instagram and

1:44:00.880 --> 1:44:03.920
<v Speaker 2>change the way she treated me fully, right, you know

1:44:03.960 --> 1:44:06.200
<v Speaker 2>what I mean, all of a sudden it was like, oh,

1:44:06.320 --> 1:44:09.200
<v Speaker 2>what's you know? And it's like, oh, but you weren't

1:44:09.240 --> 1:44:12.400
<v Speaker 2>going to treat me like this until you saw check Mark.

1:44:12.479 --> 1:44:15.720
<v Speaker 2>Like that's pretty pathetic for you. Yeah, And just being

1:44:15.720 --> 1:44:18.280
<v Speaker 2>at a SOO house is tough because everyone's trying to

1:44:18.280 --> 1:44:20.160
<v Speaker 2>impress each other and I don't know how much of

1:44:20.200 --> 1:44:22.320
<v Speaker 2>it's real. Like I smoked weed with some guy up

1:44:22.360 --> 1:44:25.400
<v Speaker 2>on the roof and he I was I mentioned Austin.

1:44:25.439 --> 1:44:27.080
<v Speaker 2>He's like, I own a house there, and it's like,

1:44:27.240 --> 1:44:28.000
<v Speaker 2>I don't think you do.

1:44:29.040 --> 1:44:30.840
<v Speaker 3>Wait, this is what I was just going to say. Though.

1:44:30.840 --> 1:44:33.120
<v Speaker 3>We forgot to mention that we're going to be in Austin.

1:44:33.680 --> 1:44:35.840
<v Speaker 3>Oh yeah we are. We're going to be at Moontower.

1:44:35.880 --> 1:44:36.920
<v Speaker 3>We mentioned, We've said it before.

1:44:36.960 --> 1:44:38.519
<v Speaker 1>We don't know our schedule quite yet, but just go

1:44:38.560 --> 1:44:41.920
<v Speaker 1>to the moon Tower websites the Moontower Comedy Festival in Austin, Texas.

1:44:42.160 --> 1:44:44.879
<v Speaker 1>It'll say when we're performing, we're both doing stand up separately.

1:44:44.920 --> 1:44:47.519
<v Speaker 1>We're doing a lot that's messed up. Live show. It's

1:44:47.520 --> 1:44:50.479
<v Speaker 1>going to be amazing. Please, if you don't live in Texas,

1:44:50.479 --> 1:44:53.880
<v Speaker 1>tell your friends. We don't want to be We want

1:44:53.880 --> 1:44:55.720
<v Speaker 1>to have people. We want to have you know, we're

1:44:55.720 --> 1:44:57.759
<v Speaker 1>gonna have a great show. We want people in those seats.

1:44:57.800 --> 1:45:00.000
<v Speaker 1>So tell your friends to come to Moontower please.

1:45:00.280 --> 1:45:02.800
<v Speaker 2>But yeah, this guy I was smoking. He was something

1:45:02.800 --> 1:45:04.040
<v Speaker 2>New York. He was Yeah, I own a bunch of

1:45:04.080 --> 1:45:09.040
<v Speaker 2>galleries in New York. And it's like, do you Yeah,

1:45:09.080 --> 1:45:10.000
<v Speaker 2>what's the name of it?

1:45:11.280 --> 1:45:15.320
<v Speaker 1>People are wild? People are wild? And yeah, I mean

1:45:15.360 --> 1:45:17.840
<v Speaker 1>I'm sure I've been wild at times too. But it's

1:45:18.000 --> 1:45:21.760
<v Speaker 1>just I love, you know, I love observing people. I

1:45:21.800 --> 1:45:29.640
<v Speaker 1>love being judgmental and figuring stuff out. Okay, let's observe ourselves.

1:45:29.640 --> 1:45:33.160
<v Speaker 1>Getting into the what would Sister Peg do segment? This

1:45:33.240 --> 1:45:37.360
<v Speaker 1>is our weekly segment where we give you guys resources

1:45:37.479 --> 1:45:40.920
<v Speaker 1>organizations that you can head to to learn more about

1:45:40.960 --> 1:45:43.040
<v Speaker 1>what we talked about in today's episode. I don't know

1:45:43.080 --> 1:45:46.120
<v Speaker 1>I didn't really feel like an organization was that like

1:45:46.160 --> 1:45:48.320
<v Speaker 1>fit super well with this week's episode. So I just

1:45:48.400 --> 1:45:51.240
<v Speaker 1>kind of wanted to give you a resource in case

1:45:51.280 --> 1:45:54.759
<v Speaker 1>you're interested in the toy box Killer. If you're super

1:45:54.800 --> 1:45:58.080
<v Speaker 1>into the nitty gritty of horrific serial killings, there's a

1:45:58.080 --> 1:46:01.040
<v Speaker 1>book called Cries in the Desert, The Shocking True Story

1:46:01.040 --> 1:46:04.479
<v Speaker 1>of a Statistic Torturer by John Glatt and that we

1:46:04.560 --> 1:46:06.160
<v Speaker 1>have a link to that in our show notes.

1:46:06.720 --> 1:46:11.960
<v Speaker 2>Beautiful and next week's episode will be Mother season five,

1:46:12.160 --> 1:46:15.280
<v Speaker 2>episode three, and we hope you join along watch it

1:46:15.320 --> 1:46:19.360
<v Speaker 2>with us. You know, do your homework, peacock, Hulu, VPN, stick,

1:46:19.520 --> 1:46:21.280
<v Speaker 2>you know the drill, go to the library. If you

1:46:21.360 --> 1:46:24.680
<v Speaker 2>have to get on board and I don't know, right

1:46:24.720 --> 1:46:25.760
<v Speaker 2>to us on Instagram.

1:46:25.880 --> 1:46:34.480
<v Speaker 3>We'll see you next time. Yeah, right to us. Bye.

1:46:37.880 --> 1:46:39.960
<v Speaker 3>That's Messed Up as an exactly right production.

1:46:40.160 --> 1:46:42.040
<v Speaker 1>If you have compliments you'd like to give us, or

1:46:42.080 --> 1:46:44.280
<v Speaker 1>episodes you'd like us to cover, shoot us an email

1:46:44.280 --> 1:46:46.719
<v Speaker 1>at That's messed uppod at gmail dot com.

1:46:46.760 --> 1:46:49.439
<v Speaker 2>Follow the podcast on Instagram at That's Messed Up Pod

1:46:49.560 --> 1:46:52.120
<v Speaker 2>and on Twitter at messed Up Pod, and follow us

1:46:52.160 --> 1:46:55.080
<v Speaker 2>personally at Kara Clank and at glittercheese.

1:46:55.240 --> 1:46:57.960
<v Speaker 1>As always, please see our show notes for sources and

1:46:58.040 --> 1:46:58.719
<v Speaker 1>more information.

1:46:59.080 --> 1:47:02.320
<v Speaker 2>Thank you so much to SPU super fan and our

1:47:02.600 --> 1:47:05.480
<v Speaker 2>incredible producer, Hannah Kyle Kraton.

1:47:05.360 --> 1:47:08.439
<v Speaker 1>And to our sound engineer and personal hero Analis Nilsson,

1:47:08.600 --> 1:47:11.759
<v Speaker 1>and to Henry Koperski for our theme song, to Carly

1:47:11.840 --> 1:47:15.160
<v Speaker 1>Jean Andrews for our artwork. Thanks to our executive producers

1:47:15.240 --> 1:47:19.080
<v Speaker 1>Georgia Hardstar, Karen Kilgarriff, Daniel Kramer, and everybody at exactly

1:47:19.120 --> 1:47:19.719
<v Speaker 1>Right Media.

1:47:19.840 --> 1:47:23.839
<v Speaker 2>Listen, subscribe, leave us a review on Apple Podcasts, Stitcher,

1:47:24.040 --> 1:47:27.240
<v Speaker 2>or wherever you get your podcasts. If you're an advertiser

1:47:27.280 --> 1:47:30.599
<v Speaker 2>interested in advertising on our show, go to midroll dot

1:47:30.600 --> 1:47:33.080
<v Speaker 2>com slash ads Done.

1:47:33.160 --> 1:47:33.960
<v Speaker 3>Done