1 00:00:03,160 --> 00:00:13,880 Speaker 1: Transmitting, hello's good. What's happening? Everybody? Welcome to a new week. 2 00:00:14,000 --> 00:00:17,440 Speaker 1: Welcome to the Bobby Bone Show, Morning Studio. Morning, and 3 00:00:17,600 --> 00:00:19,560 Speaker 1: let's get going because we get a heavy hit or 4 00:00:19,600 --> 00:00:22,200 Speaker 1: to start it, I mean the most famous person to 5 00:00:22,200 --> 00:00:25,040 Speaker 1: ever come on the show, right, Dolly? Most famous person ever, 6 00:00:25,120 --> 00:00:28,680 Speaker 1: no doubt? Right? I mean who Garth? But Dolly still 7 00:00:28,760 --> 00:00:34,120 Speaker 1: more famous? Um like legendary status. Yeah, we've just missed 8 00:00:34,159 --> 00:00:38,440 Speaker 1: the booking on Johnny Cash. Yeah, so here we go. 9 00:00:38,600 --> 00:00:41,839 Speaker 1: If you're up early, good for you. Here is the 10 00:00:41,960 --> 00:00:47,559 Speaker 1: Great Dolly Pardon Show. Dolly, good to talk to you, 11 00:00:47,800 --> 00:00:49,880 Speaker 1: good to talk to you. How are you? I'm pretty 12 00:00:49,880 --> 00:00:52,040 Speaker 1: good to have your have your book right here? And 13 00:00:52,280 --> 00:00:54,520 Speaker 1: you were we were talking about the book. We were 14 00:00:54,520 --> 00:00:56,200 Speaker 1: talking about the album that came out with the book 15 00:00:56,280 --> 00:00:59,960 Speaker 1: last week. So this and you hosting the ACMs. See, 16 00:01:00,520 --> 00:01:02,320 Speaker 1: everybody gives you credit for being really smart, and I 17 00:01:02,320 --> 00:01:04,839 Speaker 1: think they should because you've you've packaged all this together. 18 00:01:04,959 --> 00:01:07,039 Speaker 1: You can do all this press at one time, and 19 00:01:07,160 --> 00:01:09,360 Speaker 1: you're knocking it all out. This this is amazing. So 20 00:01:09,440 --> 00:01:11,560 Speaker 1: let's talk about the book first that came out today, 21 00:01:11,959 --> 00:01:14,959 Speaker 1: Run Rose Run, because you wrote this with James Patterson. 22 00:01:15,560 --> 00:01:17,280 Speaker 1: How do you guys become friends? How do you guys 23 00:01:17,360 --> 00:01:20,319 Speaker 1: get in touch with each other? Well, actually, he called 24 00:01:20,440 --> 00:01:23,039 Speaker 1: me he was interested in writing a book with me. 25 00:01:23,120 --> 00:01:25,840 Speaker 1: I don't know why, but he was. I guess he 26 00:01:25,880 --> 00:01:28,560 Speaker 1: had written a couple of things with different celebrities for 27 00:01:28,720 --> 00:01:32,520 Speaker 1: different popular people, and so he called and asked if 28 00:01:32,520 --> 00:01:34,320 Speaker 1: I would be interested in writing a book with him. 29 00:01:34,360 --> 00:01:37,240 Speaker 1: I said, well, that that depends. I was shocked that 30 00:01:37,319 --> 00:01:39,920 Speaker 1: he called start with. I thought, why does he need me? 31 00:01:40,040 --> 00:01:43,319 Speaker 1: He's doing okay on his own. But he I said, 32 00:01:43,360 --> 00:01:45,560 Speaker 1: I would be interested if it was really something I 33 00:01:45,560 --> 00:01:49,080 Speaker 1: could really take part in and really be, you know, 34 00:01:49,600 --> 00:01:53,040 Speaker 1: able to really contribute to it. So I said, won't 35 00:01:53,080 --> 00:01:55,480 Speaker 1: you come to Nashville and we'll talk, And so he 36 00:01:55,560 --> 00:01:57,720 Speaker 1: flew down and we got together and he told me 37 00:01:57,760 --> 00:02:00,520 Speaker 1: that he'd like to write something about New Field and 38 00:02:00,560 --> 00:02:03,120 Speaker 1: I thought, well, that's certainly something I know about. So 39 00:02:03,160 --> 00:02:06,400 Speaker 1: it really worked out really well, and we just really clicked. 40 00:02:06,760 --> 00:02:09,440 Speaker 1: I liked him a lot. I thought, well, we'll be 41 00:02:09,480 --> 00:02:12,000 Speaker 1: able to work together, because it's very important when you 42 00:02:12,040 --> 00:02:13,960 Speaker 1: have to do a project that you like the people 43 00:02:14,000 --> 00:02:16,800 Speaker 1: you haven't spend that much time with. But he's really 44 00:02:16,840 --> 00:02:19,600 Speaker 1: a great guy and we just got along great. We 45 00:02:19,720 --> 00:02:22,160 Speaker 1: both were able to contribute a lot to each other, 46 00:02:22,200 --> 00:02:25,880 Speaker 1: and me being in country music all my life and 47 00:02:25,880 --> 00:02:29,280 Speaker 1: in Nashville for fifty seven years, I thought I knew 48 00:02:29,320 --> 00:02:32,840 Speaker 1: a little bit about it. James Patterson is so successful 49 00:02:32,840 --> 00:02:35,880 Speaker 1: in his line of work. Obviously you are in yours. 50 00:02:36,200 --> 00:02:39,040 Speaker 1: But is there ever anyone or has there been any 51 00:02:39,080 --> 00:02:41,079 Speaker 1: one in the last ten fifteen years that you've met 52 00:02:41,080 --> 00:02:45,600 Speaker 1: and you've been star struck by. Well, I'm star struck 53 00:02:45,639 --> 00:02:48,680 Speaker 1: by anybody that does really good work and tries to 54 00:02:48,720 --> 00:02:50,960 Speaker 1: make a difference in the world. And that was one 55 00:02:50,960 --> 00:02:54,200 Speaker 1: of the things I loved about James. He's really interested 56 00:02:54,240 --> 00:02:57,760 Speaker 1: in like making the world a better place as I am, 57 00:02:58,240 --> 00:03:02,320 Speaker 1: and you know, he very big on charity work for 58 00:03:02,400 --> 00:03:06,280 Speaker 1: children and all that. So we really clicked on many ways. 59 00:03:06,280 --> 00:03:09,959 Speaker 1: But I'm always impressed with people that do good things, 60 00:03:10,000 --> 00:03:12,760 Speaker 1: So I can't just necessarily name a bunch of people, 61 00:03:12,800 --> 00:03:15,840 Speaker 1: but I think it's all great when anybody steps up 62 00:03:15,919 --> 00:03:18,840 Speaker 1: to try to do better. The ACM Awards are tonight 63 00:03:18,919 --> 00:03:21,720 Speaker 1: on Amazon Prime Video and you're hosting, and I guess 64 00:03:21,760 --> 00:03:24,239 Speaker 1: it goes to again, you've done so many really cool things. 65 00:03:24,400 --> 00:03:28,280 Speaker 1: Do you get nervous to perform ever anymore. Well, you 66 00:03:28,400 --> 00:03:30,920 Speaker 1: always get nervous because you want it to go well. 67 00:03:31,000 --> 00:03:33,600 Speaker 1: You hope you don't mess up too bad. But that's 68 00:03:33,960 --> 00:03:36,400 Speaker 1: what they call those butterflies. I don't think you ever 69 00:03:36,920 --> 00:03:40,280 Speaker 1: outgrow that. I don't think it should because that's also 70 00:03:40,400 --> 00:03:44,160 Speaker 1: part of the excitement. But yeah, I'm always hoping to 71 00:03:44,280 --> 00:03:48,240 Speaker 1: do good and hoping I you know, don't disappoint anybody. 72 00:03:48,600 --> 00:03:51,520 Speaker 1: But just as soon as that light hits me, I'm 73 00:03:51,520 --> 00:03:55,080 Speaker 1: often running then it's too late now. So I always 74 00:03:55,200 --> 00:03:57,320 Speaker 1: look forward to it. I love the crowd, I love 75 00:03:57,400 --> 00:04:00,360 Speaker 1: doing that. I've been doing television on my life, so 76 00:04:01,360 --> 00:04:03,760 Speaker 1: I'm looking forward to it. I'm excited about it, really. 77 00:04:04,280 --> 00:04:05,720 Speaker 1: You know, I was just looking at some of the 78 00:04:05,720 --> 00:04:08,000 Speaker 1: stuff over the past since the last time we've spoken, 79 00:04:08,400 --> 00:04:11,800 Speaker 1: which was the baking line with Duncan Hines, the ice cream, 80 00:04:12,080 --> 00:04:13,880 Speaker 1: you know, the book that's out today, the music last 81 00:04:14,000 --> 00:04:16,640 Speaker 1: they came out last Friday, And you know, there's so 82 00:04:16,720 --> 00:04:19,599 Speaker 1: much that you're involved in. Do you have a person 83 00:04:19,640 --> 00:04:22,800 Speaker 1: that you trust where you sit and you go, Okay, 84 00:04:23,040 --> 00:04:26,039 Speaker 1: let's decide what massive projects we're going to take on next, 85 00:04:26,040 --> 00:04:27,880 Speaker 1: because I'm sure people are throwing ideas at you all 86 00:04:27,920 --> 00:04:31,159 Speaker 1: the time. How they do. I have been blessed to 87 00:04:31,279 --> 00:04:35,280 Speaker 1: be surrounded with wonderful people, and of course in the 88 00:04:35,360 --> 00:04:40,440 Speaker 1: marketing and management, Danny Nozell and his crew have done 89 00:04:40,480 --> 00:04:43,200 Speaker 1: a wonderful job working all that out. You've got to 90 00:04:43,240 --> 00:04:46,559 Speaker 1: have great press and Danny's always putting together a great group. 91 00:04:46,839 --> 00:04:48,760 Speaker 1: And of course it depends on what all you're working with. 92 00:04:48,839 --> 00:04:51,640 Speaker 1: That's what we do here in Nashville. Same with my 93 00:04:51,839 --> 00:04:56,040 Speaker 1: people in East Tennessee, with Dollywood and the management there. 94 00:04:56,320 --> 00:04:58,359 Speaker 1: You know, I just I am so blessed to have 95 00:04:58,440 --> 00:05:01,120 Speaker 1: all these smart, wonderful people to help me out with 96 00:05:01,160 --> 00:05:03,840 Speaker 1: all that. Of course I'm the creative force, but they 97 00:05:03,880 --> 00:05:05,640 Speaker 1: have to get out and do all the hard work 98 00:05:05,680 --> 00:05:09,159 Speaker 1: and make all these wonderful things happen. Do you have 99 00:05:09,279 --> 00:05:12,880 Speaker 1: a favorite song to sing live now? And has that 100 00:05:13,000 --> 00:05:15,279 Speaker 1: changed over the years where you have an affinity for 101 00:05:15,360 --> 00:05:19,640 Speaker 1: a different songs as you know, different years go by. Well, 102 00:05:19,640 --> 00:05:23,400 Speaker 1: it happens almost not just in years, but almost in 103 00:05:23,560 --> 00:05:26,600 Speaker 1: days or nights, because sometimes if there's a certain thing 104 00:05:26,680 --> 00:05:29,640 Speaker 1: going on that I relate to a certain song about, 105 00:05:29,680 --> 00:05:32,400 Speaker 1: like for instance, Code of Many Colors, I sing all 106 00:05:32,480 --> 00:05:35,359 Speaker 1: the time. But when my mother passed away, it was 107 00:05:35,440 --> 00:05:38,320 Speaker 1: just so hard for several months for me to be 108 00:05:38,360 --> 00:05:42,320 Speaker 1: able to sing that song without actually really breaking down 109 00:05:42,320 --> 00:05:44,320 Speaker 1: to where I couldn't even finish the song or even 110 00:05:44,360 --> 00:05:48,680 Speaker 1: that little set you know about family. But now you know, 111 00:05:48,720 --> 00:05:51,559 Speaker 1: I sing it and it takes on a different feel 112 00:05:51,640 --> 00:05:53,760 Speaker 1: than it did when Mama was living. It's more of 113 00:05:53,760 --> 00:05:57,440 Speaker 1: a precious memory kind of thing now. But sometimes, you know, 114 00:05:57,480 --> 00:05:59,520 Speaker 1: it depends on the mood I'm in. Some nights, I 115 00:05:59,560 --> 00:06:02,440 Speaker 1: love singing I Will Always Love You Best. I always 116 00:06:02,440 --> 00:06:05,080 Speaker 1: love singing that one because every singer loves to have 117 00:06:05,120 --> 00:06:07,839 Speaker 1: a song that where you can really sing low and 118 00:06:08,040 --> 00:06:10,400 Speaker 1: let the dynamics, you know, where you can go up 119 00:06:10,400 --> 00:06:13,080 Speaker 1: and down and then really let it go at the end. 120 00:06:13,440 --> 00:06:17,159 Speaker 1: So I always enjoy that one. But I enjoy singing 121 00:06:17,240 --> 00:06:19,960 Speaker 1: the songs that the audience responds to the most. Like 122 00:06:20,040 --> 00:06:23,039 Speaker 1: when I start into nine to five, the crowd just 123 00:06:23,160 --> 00:06:26,200 Speaker 1: goes crazy, start clapping even before I when they start 124 00:06:26,240 --> 00:06:28,559 Speaker 1: hearing the you know, just the rhythm of the song. 125 00:06:28,720 --> 00:06:31,599 Speaker 1: So it just depends on the night. But I'm thankful 126 00:06:31,640 --> 00:06:34,240 Speaker 1: that all of them are received so well. I have 127 00:06:34,480 --> 00:06:37,360 Speaker 1: two questions for you, and we'll wrap here. But there 128 00:06:37,400 --> 00:06:40,440 Speaker 1: was a story about Keith Urban being your dream duet partner. 129 00:06:40,560 --> 00:06:42,760 Speaker 1: Are you guys actually working on that now, because once 130 00:06:42,800 --> 00:06:45,080 Speaker 1: that becomes a story, I think Keith probably reaches out like, 131 00:06:45,240 --> 00:06:49,080 Speaker 1: is that is the thing? Well? Actually I did a 132 00:06:49,200 --> 00:06:53,880 Speaker 1: do it with him many many years ago with him, 133 00:06:53,880 --> 00:06:56,800 Speaker 1: But I would love to actually have something else with him, 134 00:06:56,800 --> 00:06:59,240 Speaker 1: because I think our voice is fit. I've always loved 135 00:06:59,320 --> 00:07:01,600 Speaker 1: him to death. He just feels like a member of 136 00:07:01,640 --> 00:07:04,000 Speaker 1: my family who reminds me so much of my brothers 137 00:07:04,360 --> 00:07:06,920 Speaker 1: Randy and Floyd, who I used to sing with all 138 00:07:06,920 --> 00:07:09,720 Speaker 1: the time. So I would love to do something else 139 00:07:09,920 --> 00:07:12,320 Speaker 1: with Keith and have a real single and have a 140 00:07:12,360 --> 00:07:15,320 Speaker 1: big hit. But he's got, you know, he's got so 141 00:07:15,400 --> 00:07:18,920 Speaker 1: many people are running after him. But anyhow, someday that'll 142 00:07:18,960 --> 00:07:22,200 Speaker 1: happen again. I hope He's so talented. I love him. 143 00:07:22,520 --> 00:07:26,120 Speaker 1: Final question is after you do a performance of any kind, 144 00:07:26,360 --> 00:07:28,920 Speaker 1: does someone then grab your clothes and go, Okay, we 145 00:07:28,960 --> 00:07:31,119 Speaker 1: have to say this because this will we will donate 146 00:07:31,160 --> 00:07:32,560 Speaker 1: it or we will put it on display, like every 147 00:07:32,560 --> 00:07:36,160 Speaker 1: single thing you wear, is that a thing? Well, actually, 148 00:07:36,360 --> 00:07:38,440 Speaker 1: everything I wear. If I really love it, I'll wear 149 00:07:38,520 --> 00:07:41,320 Speaker 1: that again, especially if I'm on tour and after a 150 00:07:41,320 --> 00:07:45,280 Speaker 1: few weeks. Somebody asked me if I only wear clothes wants. No, 151 00:07:45,720 --> 00:07:48,000 Speaker 1: there are some things I only wear ones, like if 152 00:07:48,000 --> 00:07:51,480 Speaker 1: it's a really big event, and then we put that 153 00:07:51,560 --> 00:07:54,600 Speaker 1: in the museum. But that's rare because usually I'll wear 154 00:07:54,680 --> 00:07:57,520 Speaker 1: things different times until I'm finished with that, and sometimes 155 00:07:57,520 --> 00:08:00,680 Speaker 1: we even remake them, like if her a long gown, 156 00:08:00,760 --> 00:08:02,720 Speaker 1: we might shorten it and then I'll work like that 157 00:08:02,840 --> 00:08:05,080 Speaker 1: for a while, and then if it's done so many 158 00:08:05,120 --> 00:08:07,960 Speaker 1: important things, it goes in the museum or we auctioned 159 00:08:08,000 --> 00:08:10,680 Speaker 1: it off at some charity events. You guys can go 160 00:08:10,760 --> 00:08:14,960 Speaker 1: to shop dot Dolly parton dot com. Get Run Rose Run. 161 00:08:15,280 --> 00:08:18,360 Speaker 1: The music came out last Friday, and then also tonight 162 00:08:18,400 --> 00:08:21,840 Speaker 1: on Amazon Prime Video, Dolly is hosting the ACMs. Dolly, 163 00:08:21,920 --> 00:08:24,120 Speaker 1: thank you, great to see you and hopefully I will 164 00:08:24,120 --> 00:08:27,200 Speaker 1: see you soon. Good luck tonight, Okay, thank you, looking 165 00:08:27,200 --> 00:08:30,520 Speaker 1: forward to it. All right, bye, bye bye. I think 166 00:08:30,840 --> 00:08:32,480 Speaker 1: Dolly really needed me to say good luck because she 167 00:08:33,920 --> 00:08:36,440 Speaker 1: probably that's the last thing she needed with me to 168 00:08:36,480 --> 00:08:38,840 Speaker 1: wish her luck. I'm an idiot, Hey, Dolly, good luck 169 00:08:38,840 --> 00:08:40,680 Speaker 1: you doing something you're a great at and you'll be 170 00:08:40,760 --> 00:08:45,360 Speaker 1: great at and okay, um, all right, Dolly parton. Great 171 00:08:45,400 --> 00:08:49,880 Speaker 1: to have her on and there you go. Okay, let's 172 00:08:49,880 --> 00:09:00,360 Speaker 1: go over and open up the mailbage something. Well. Hello, hello, 173 00:09:00,520 --> 00:09:03,760 Speaker 1: Bobby Bones. I'm having my wedding on April Fools Day, 174 00:09:03,840 --> 00:09:06,800 Speaker 1: which is a Friday this year. While it was not intentional, 175 00:09:06,840 --> 00:09:08,199 Speaker 1: I thought it would be a good idea to pull 176 00:09:08,280 --> 00:09:11,920 Speaker 1: some fun, innocent pranks on my guests. So far, I 177 00:09:11,920 --> 00:09:13,760 Speaker 1: will be having a male friend walk down the aisle 178 00:09:13,800 --> 00:09:17,160 Speaker 1: before me when they expect me to. I was also 179 00:09:17,200 --> 00:09:20,360 Speaker 1: thinking getting someone in on a dl I object, or 180 00:09:20,360 --> 00:09:25,040 Speaker 1: even going as it's funny, or even going as far 181 00:09:25,480 --> 00:09:28,679 Speaker 1: to pretend to call off the wedding. Come on, do 182 00:09:28,720 --> 00:09:30,680 Speaker 1: you think this is a good idea that people would 183 00:09:30,720 --> 00:09:33,880 Speaker 1: find funny? If you think this is too far, what 184 00:09:33,960 --> 00:09:35,640 Speaker 1: are some pranks we can use for our wedding day 185 00:09:35,679 --> 00:09:38,240 Speaker 1: since we're getting married on April Fool's Day. Thank you 186 00:09:38,320 --> 00:09:43,120 Speaker 1: so much you all brighten my mornings from Ashley. Actually, 187 00:09:43,120 --> 00:09:44,760 Speaker 1: it is your wedding day. If you want to do this, 188 00:09:45,520 --> 00:09:48,120 Speaker 1: go yeah, Like if if that's the vibe, it's like 189 00:09:48,160 --> 00:09:51,120 Speaker 1: the temperature of your relationship and you think it'll be okay, 190 00:09:51,160 --> 00:09:54,520 Speaker 1: then yes, go for it. It's your bride talking. Yes, 191 00:09:54,640 --> 00:09:56,120 Speaker 1: if it was the husband, I would go, you need 192 00:09:56,160 --> 00:09:57,920 Speaker 1: to go check with the bride un till I got 193 00:09:57,960 --> 00:09:59,760 Speaker 1: a feeling she ain't gonna like it. Yeah, but he 194 00:10:00,160 --> 00:10:03,960 Speaker 1: we need he might not like it either, Like he's cool. Yeah, 195 00:10:04,040 --> 00:10:07,319 Speaker 1: it's all right. We're just playing the odds here. Yeah. Um, 196 00:10:07,360 --> 00:10:09,720 Speaker 1: but yes, of course make sure that mutually you guys 197 00:10:09,800 --> 00:10:13,079 Speaker 1: understand you're doing pranks. But again, it's your wedding, it's 198 00:10:13,120 --> 00:10:14,840 Speaker 1: your day. You get to do whatever you want. And 199 00:10:14,880 --> 00:10:16,480 Speaker 1: if you want to do pranks, and that's what your 200 00:10:16,520 --> 00:10:19,040 Speaker 1: relationship places. You know, you guys have fun, do a 201 00:10:19,080 --> 00:10:21,800 Speaker 1: few pranks. I think all funny dutties would go, No, 202 00:10:22,440 --> 00:10:24,480 Speaker 1: you should be serious at your wedding. We ain't no 203 00:10:24,520 --> 00:10:28,120 Speaker 1: funny dutties on this show. That's right. So Ashley, you 204 00:10:28,600 --> 00:10:31,440 Speaker 1: that wedding is your domain that you get to control. 205 00:10:31,600 --> 00:10:34,360 Speaker 1: You are the emperor for a d empress for a day, 206 00:10:34,640 --> 00:10:36,760 Speaker 1: and if you want to do pranks, due please let 207 00:10:36,840 --> 00:10:39,959 Speaker 1: us know how it went, because I would love to 208 00:10:40,000 --> 00:10:42,800 Speaker 1: see the eye object or I would love to see 209 00:10:42,840 --> 00:10:45,200 Speaker 1: you guys call it off. The problem with calling it 210 00:10:45,200 --> 00:10:46,880 Speaker 1: off and have it. You have to be great actors 211 00:10:47,559 --> 00:10:50,560 Speaker 1: if you're gonna like fight up there and you gotta 212 00:10:50,559 --> 00:10:52,560 Speaker 1: be great actors, or she could just like right at 213 00:10:52,600 --> 00:10:56,240 Speaker 1: the right moment, she just runs runs away. I think 214 00:10:57,520 --> 00:11:00,520 Speaker 1: she could fall if you get dramatic. Are people I 215 00:11:00,720 --> 00:11:02,720 Speaker 1: don't know, I feel like having someone in the crowd 216 00:11:02,760 --> 00:11:06,600 Speaker 1: if like the pastor whomever says, is there anybody that 217 00:11:06,640 --> 00:11:08,920 Speaker 1: objects this marriage? Like having someone simply would be like 218 00:11:08,960 --> 00:11:13,000 Speaker 1: I yeah, just easier, like yeah, and don't have them 219 00:11:13,040 --> 00:11:16,360 Speaker 1: be overly dramatic, because I'll know it's acting. Now. I'm 220 00:11:16,400 --> 00:11:18,840 Speaker 1: into it. I want to go to this wedding, so 221 00:11:19,160 --> 00:11:23,079 Speaker 1: go for it. Your wedding roles fun something like you 222 00:11:23,120 --> 00:11:25,720 Speaker 1: could have the caterer like when the food is about 223 00:11:25,720 --> 00:11:27,480 Speaker 1: to be served, come out and be like, I don't know, 224 00:11:27,679 --> 00:11:32,720 Speaker 1: something happened and there's no food, or see, no, I 225 00:11:32,720 --> 00:11:34,360 Speaker 1: don't know who you get in on it, so maybe 226 00:11:34,360 --> 00:11:39,880 Speaker 1: they're not the only one the room died. They should 227 00:11:39,920 --> 00:11:44,280 Speaker 1: make a face just funny. Um if they have a 228 00:11:44,320 --> 00:11:46,800 Speaker 1: fake cake, like a little one they just bake on 229 00:11:46,840 --> 00:11:49,200 Speaker 1: their own and maybe act like that's their cake because 230 00:11:49,240 --> 00:11:52,400 Speaker 1: cakes are expensive and they should have it fall guess 231 00:11:52,400 --> 00:11:55,760 Speaker 1: would be like knock it over. But that's why I 232 00:11:55,800 --> 00:11:57,800 Speaker 1: was thinking, like something with the caters or the food 233 00:11:58,000 --> 00:12:01,319 Speaker 1: that like, get your your pranking the guests. Yeah, yeah, 234 00:12:01,320 --> 00:12:03,120 Speaker 1: we're up. We're up, We're up for it, we're into it, 235 00:12:03,240 --> 00:12:05,760 Speaker 1: we're here. Let it happen. We wouldn't do that with ours, 236 00:12:05,840 --> 00:12:09,199 Speaker 1: but let it happen. That's pretty cool that I like that, Ashley, 237 00:12:09,240 --> 00:12:11,160 Speaker 1: Thank you for the email. All right, that's the mailbag 238 00:12:11,559 --> 00:12:22,440 Speaker 1: we got yours. It's read across America week and we 239 00:12:22,559 --> 00:12:25,000 Speaker 1: love a good book here and Lunchbox loves a good books. 240 00:12:25,000 --> 00:12:29,160 Speaker 1: So we went around town, stopping by random businesses to 241 00:12:29,280 --> 00:12:33,040 Speaker 1: read them classic children's books. They didn't ask them to, right, Lunchbox, 242 00:12:33,040 --> 00:12:34,320 Speaker 1: No one reached out to you to do Oh no, 243 00:12:34,320 --> 00:12:36,320 Speaker 1: no, no no, no, I always see, oh, let's go to 244 00:12:36,320 --> 00:12:38,360 Speaker 1: the school and read to the kids. But what about 245 00:12:38,360 --> 00:12:39,959 Speaker 1: people in the real world. They want to hear a 246 00:12:40,000 --> 00:12:42,360 Speaker 1: book too. No one thinks about them. They're working hard. 247 00:12:42,640 --> 00:12:44,680 Speaker 1: Encourage them to read a book. What about the mechanic 248 00:12:45,040 --> 00:12:48,560 Speaker 1: What about in the garage exactly, the cubicle, the person 249 00:12:48,559 --> 00:12:50,839 Speaker 1: doing a little business in the cubic? Ding ding ding. Okay, 250 00:12:50,920 --> 00:12:54,160 Speaker 1: here is Lunchbox reading to people at the post office 251 00:12:54,200 --> 00:12:56,240 Speaker 1: that did not ask for him to read to them. 252 00:12:56,320 --> 00:12:59,120 Speaker 1: Here we go. Are you guys ready? It's called mister 253 00:12:59,240 --> 00:13:03,840 Speaker 1: Brown can move? Can you move? He can sound like 254 00:13:03,880 --> 00:13:07,400 Speaker 1: a bee? Mister Brown can buzz? How about you? Can 255 00:13:07,440 --> 00:13:12,040 Speaker 1: you go buzz buzz buzz? He can sound like a 256 00:13:12,679 --> 00:13:18,400 Speaker 1: who who? Mister Brown can do it? How about you? 257 00:13:18,880 --> 00:13:23,680 Speaker 1: That it was? Who? Oh yeah, how about a little 258 00:13:23,720 --> 00:13:30,000 Speaker 1: bit more effort? Oh, come on, better than that. Come on, 259 00:13:30,800 --> 00:13:32,800 Speaker 1: I'll do it. And then you do it? Move, move, 260 00:13:33,160 --> 00:13:40,120 Speaker 1: buzz buzz pop pop. Then you do this one? Who do? 261 00:13:41,160 --> 00:13:45,240 Speaker 1: And that is that? Yay? Thank you? Rid across America. Guys, 262 00:13:45,240 --> 00:13:48,679 Speaker 1: have a great day. I'm not sure what's happening there. Wow, 263 00:13:49,320 --> 00:13:52,120 Speaker 1: it don't sound very smart. I was thinking the little 264 00:13:52,160 --> 00:13:56,120 Speaker 1: tipsy I don't know. Also, were they in line? None 265 00:13:56,120 --> 00:14:00,520 Speaker 1: of those are the workers? Oh oh interest were they like? 266 00:14:00,600 --> 00:14:03,760 Speaker 1: What are you doing? Why are you coming here? They 267 00:14:03,800 --> 00:14:06,560 Speaker 1: looked at me a little strange, but they still had 268 00:14:06,600 --> 00:14:08,880 Speaker 1: their masks on, but you could see the smile with 269 00:14:09,000 --> 00:14:11,280 Speaker 1: their eyes, and you could tell they were enjoying it. 270 00:14:11,360 --> 00:14:13,400 Speaker 1: Some thing called the cops, some guy making them go 271 00:14:13,440 --> 00:14:19,120 Speaker 1: boom pop pop. Um. Here is let's do the punch shop. 272 00:14:19,320 --> 00:14:22,320 Speaker 1: Here's lunchbox reading some guys and they were just working 273 00:14:22,360 --> 00:14:24,200 Speaker 1: at a punch shop. Yeah, they're just working at the 274 00:14:24,200 --> 00:14:26,320 Speaker 1: punch shop working at the front desk. What do they 275 00:14:26,320 --> 00:14:28,440 Speaker 1: look like? Because I picture the gap from pun starts 276 00:14:28,520 --> 00:14:32,080 Speaker 1: chum Lee. I mean one did look like chum Lee 277 00:14:32,120 --> 00:14:35,240 Speaker 1: and then one guy had a bit beard. Hey, those 278 00:14:35,240 --> 00:14:37,840 Speaker 1: guys don't mess around. Man. Here is lunchbox reading to 279 00:14:37,920 --> 00:14:41,880 Speaker 1: some guys at a punch shop. You guys, ready, good 280 00:14:41,920 --> 00:14:46,680 Speaker 1: for it? Everyone poops, grown ups poop, children poop two. 281 00:14:46,960 --> 00:14:50,920 Speaker 1: Wait wait, stories not over, stories not over come back? Okay, 282 00:14:51,120 --> 00:14:54,680 Speaker 1: wait wait wait wait stories, the story is still going. 283 00:14:55,400 --> 00:14:58,960 Speaker 1: Children poop two while some children poop on the potty, 284 00:14:59,200 --> 00:15:02,200 Speaker 1: others poop in the or diapers, some people poop in 285 00:15:02,360 --> 00:15:09,000 Speaker 1: special places, fish poop, birds poop. But just remember everybody poops. 286 00:15:09,360 --> 00:15:14,440 Speaker 1: Have a great day. Yeah, that one maybe cringe a 287 00:15:14,480 --> 00:15:19,240 Speaker 1: little bit here for that one is the librarian one 288 00:15:19,240 --> 00:15:20,800 Speaker 1: funny because I feel like he goes to a library, 289 00:15:20,880 --> 00:15:23,520 Speaker 1: es a librarian. But doesn't she just like applaud you 290 00:15:23,560 --> 00:15:26,680 Speaker 1: and be like that's good. I mean, let's just say 291 00:15:26,720 --> 00:15:29,320 Speaker 1: that the librarian, you're supposed to be quiet in the library. 292 00:15:29,520 --> 00:15:32,240 Speaker 1: Oh okay, here's the last one. Go ahead, she got that. 293 00:15:32,360 --> 00:15:35,720 Speaker 1: Are you ready ready? Where you're reading? Boom, watch out? 294 00:15:35,800 --> 00:15:42,960 Speaker 1: Pirates fire the cannon boom, buckle up, you are zooming 295 00:15:42,960 --> 00:15:52,360 Speaker 1: into space five four three two one lift off. Yay. 296 00:15:52,440 --> 00:15:54,240 Speaker 1: I love your enthusiasm that could we keep it a 297 00:15:54,320 --> 00:15:56,960 Speaker 1: little bit lower please? It was just an exciting part 298 00:15:56,960 --> 00:15:58,240 Speaker 1: of the book. It was like, you know when you 299 00:15:58,240 --> 00:16:01,080 Speaker 1: go boom, you were in the cannons, you got to 300 00:16:01,120 --> 00:16:07,080 Speaker 1: go boom. Yeah, we're just celebrating read across America. Thank you, 301 00:16:07,080 --> 00:16:09,360 Speaker 1: you can keep it a little quiet of their forty 302 00:16:09,400 --> 00:16:13,520 Speaker 1: year old adult man. Okay, well, I think here we've 303 00:16:13,560 --> 00:16:15,720 Speaker 1: talked about it. I hope everybody gets a book and 304 00:16:15,880 --> 00:16:19,240 Speaker 1: reads a little bit. Reading across America week lunchbox. Thank 305 00:16:19,240 --> 00:16:23,720 Speaker 1: you for sharing that with us. They're welcome. It's time 306 00:16:23,760 --> 00:16:31,000 Speaker 1: for the good news. So in Idaho Falls, there are 307 00:16:31,000 --> 00:16:34,760 Speaker 1: two schools that arrivals, Skyline High School and Idaho Falls 308 00:16:34,840 --> 00:16:36,880 Speaker 1: High School. They went head to head competing to see 309 00:16:36,880 --> 00:16:39,440 Speaker 1: which school could raise more money and canned goods for 310 00:16:39,520 --> 00:16:42,720 Speaker 1: a nonprofit food bank in their town. They call it 311 00:16:42,760 --> 00:16:45,040 Speaker 1: the super Bowl, but soup spelt like you know, the 312 00:16:45,040 --> 00:16:47,080 Speaker 1: soup eat. It's been going on ever year for nearly 313 00:16:47,080 --> 00:16:49,560 Speaker 1: two decades, and so for the month of January and 314 00:16:49,680 --> 00:16:53,040 Speaker 1: part of February, students from both schools collected money and 315 00:16:53,120 --> 00:16:58,280 Speaker 1: canned goods. This year, Skyline collected twenty two thousand and 316 00:16:58,440 --> 00:17:03,400 Speaker 1: sixty thousand cans and Idaho Falls High collected eleven thousand 317 00:17:03,440 --> 00:17:07,160 Speaker 1: and fifty three thousand cans. So Skyland High appeared to win, 318 00:17:07,640 --> 00:17:09,560 Speaker 1: but together it's like the biggest year they've ever had. 319 00:17:09,880 --> 00:17:12,959 Speaker 1: So they're calling it a draw. That in a draw, somebody, Yes, 320 00:17:13,760 --> 00:17:16,920 Speaker 1: first school one, but they both did good, and so 321 00:17:17,320 --> 00:17:19,320 Speaker 1: I mean, think about that. They raised so much money 322 00:17:19,320 --> 00:17:20,800 Speaker 1: and there's so much food that people are going to 323 00:17:20,840 --> 00:17:22,480 Speaker 1: be able to have in that town. So I wanted 324 00:17:22,520 --> 00:17:24,200 Speaker 1: to come on and shout them both out. They could 325 00:17:24,240 --> 00:17:27,520 Speaker 1: be listening. Skyline High School and Idaho High. You guys 326 00:17:27,520 --> 00:17:32,000 Speaker 1: are awesome, and Skyland was a clear winner. So congratulation, congratulations, 327 00:17:32,040 --> 00:17:35,680 Speaker 1: but you both did good. Okay, you can play your 328 00:17:35,680 --> 00:17:37,840 Speaker 1: heart out and lose and still be proud of it, 329 00:17:37,920 --> 00:17:41,640 Speaker 1: but it's all for good. Absolutely, still a competition. Still 330 00:17:41,720 --> 00:17:47,120 Speaker 1: they the rivals. Okay, next year, maybe Idaho Falls come 331 00:17:47,200 --> 00:17:50,320 Speaker 1: back beats them, pull them for the underdog next year. 332 00:17:50,960 --> 00:17:53,760 Speaker 1: Great story, both schools. You should be very very very proud. 333 00:17:54,119 --> 00:17:57,440 Speaker 1: That's what it's all about. That was tell me something good. 334 00:17:59,280 --> 00:18:01,720 Speaker 1: Think back there was a call we had on the 335 00:18:01,760 --> 00:18:04,080 Speaker 1: show where a woman goes, hey, I caught my next 336 00:18:04,119 --> 00:18:05,960 Speaker 1: door neighbor cheating, and we're like, say, out of that, 337 00:18:06,240 --> 00:18:08,040 Speaker 1: you were that? Yeah, I mean, I'll play you a 338 00:18:08,080 --> 00:18:09,639 Speaker 1: clip of the call. It's like forty five seconds and 339 00:18:10,560 --> 00:18:13,800 Speaker 1: it's a real situation. But there's an update and I 340 00:18:13,920 --> 00:18:17,560 Speaker 1: need to reset it before I give you the updates. Okay, 341 00:18:17,560 --> 00:18:21,520 Speaker 1: So here is Cassandra who called into the show talking 342 00:18:21,520 --> 00:18:25,960 Speaker 1: about the situation. So, long story short, I caught my 343 00:18:26,240 --> 00:18:32,720 Speaker 1: neck across the store neighbor cheating, actually on his wife twice. Actually, 344 00:18:33,040 --> 00:18:37,040 Speaker 1: I now see see his wife everywhere. And the first 345 00:18:37,119 --> 00:18:41,520 Speaker 1: time I caught him, he actually confronted me and asked 346 00:18:41,560 --> 00:18:43,840 Speaker 1: if we had an issue, and I was like, look, dude, 347 00:18:44,400 --> 00:18:47,440 Speaker 1: not my issue, Like, not my circus, not my monkey's 348 00:18:47,480 --> 00:18:50,800 Speaker 1: not my problem. And then his wife, like I see 349 00:18:50,880 --> 00:18:54,400 Speaker 1: her everywhere. It's just weird. She even made an appointment 350 00:18:54,440 --> 00:18:58,560 Speaker 1: at my job, which could be a coincident. Is it 351 00:18:58,640 --> 00:19:01,000 Speaker 1: normal she would make an appointment with you? Maybe? I 352 00:19:01,040 --> 00:19:03,440 Speaker 1: mean I work at an eye doctor. Just said one thing. 353 00:19:03,520 --> 00:19:06,200 Speaker 1: If I end up on a dateline episode, y'all better 354 00:19:06,200 --> 00:19:08,600 Speaker 1: watch it. That was a situation. Neighbors cheating. Does she 355 00:19:08,680 --> 00:19:11,040 Speaker 1: tell she sees the wife everywhere she sees a neighbor 356 00:19:11,040 --> 00:19:13,680 Speaker 1: in a car with a different We were like, no, no, 357 00:19:13,840 --> 00:19:17,080 Speaker 1: your circus, not your monkeys. My favorite saying from a 358 00:19:17,200 --> 00:19:19,159 Speaker 1: caller lately. Well, I'd like to read you guys an 359 00:19:19,160 --> 00:19:22,960 Speaker 1: email we got after that. Oh hello, Bobby Bone Show. 360 00:19:24,000 --> 00:19:25,760 Speaker 1: I was listening to your podcast the other day and 361 00:19:25,760 --> 00:19:27,399 Speaker 1: I heard a call or call in about her neighbor 362 00:19:27,440 --> 00:19:30,840 Speaker 1: cheating on his wife. She stated that she sees the 363 00:19:30,880 --> 00:19:33,320 Speaker 1: wife often and that the wife even made an appointment 364 00:19:33,320 --> 00:19:34,879 Speaker 1: at the place she worked, which is an eye doctor. 365 00:19:35,119 --> 00:19:37,959 Speaker 1: Crazy thing. I recently had an eye doctor appointment at 366 00:19:38,000 --> 00:19:41,160 Speaker 1: the place my neighbor works. Could that caller have been 367 00:19:41,200 --> 00:19:45,000 Speaker 1: my neighbor? Could she be talking about seeing my husband 368 00:19:45,040 --> 00:19:49,640 Speaker 1: with another woman? What do I do? Do? I ask her? 369 00:19:50,720 --> 00:19:53,200 Speaker 1: The caller seemed like she didn't want to be involved. 370 00:19:53,240 --> 00:19:55,800 Speaker 1: I don't want to start problems for her, but I 371 00:19:55,920 --> 00:19:59,919 Speaker 1: have to know any and all advice has appreciated. Sincerely, 372 00:20:01,040 --> 00:20:05,240 Speaker 1: Monkey in the circus. Wow, and they really wanted to 373 00:20:05,280 --> 00:20:08,679 Speaker 1: be anonymous. There's a detail here. Is it the neighbor 374 00:20:08,720 --> 00:20:11,840 Speaker 1: across the streets, because that's important, not the next door. 375 00:20:11,920 --> 00:20:13,680 Speaker 1: We don't know we don't know now, but the call 376 00:20:13,840 --> 00:20:16,280 Speaker 1: the caller. First caller said it was my neighbor across 377 00:20:16,280 --> 00:20:21,439 Speaker 1: the street. And then also, yeah, okay, the caller saying 378 00:20:21,600 --> 00:20:24,000 Speaker 1: something in the conversation didn't come up that it was 379 00:20:24,040 --> 00:20:27,680 Speaker 1: like he had a red work truck. That's right, because 380 00:20:27,680 --> 00:20:29,960 Speaker 1: it was in the red work truck. You guys remember 381 00:20:30,000 --> 00:20:32,600 Speaker 1: some good stuff here. I mean, I don't know, but 382 00:20:33,280 --> 00:20:35,719 Speaker 1: I think that there's a lot of people in the 383 00:20:35,760 --> 00:20:39,560 Speaker 1: world that work at the eye talk that maybe you 384 00:20:39,560 --> 00:20:42,840 Speaker 1: could look an appointment. But I don't know if it's you. 385 00:20:43,200 --> 00:20:45,240 Speaker 1: This is what I'll say, because the two other facts 386 00:20:45,280 --> 00:20:47,720 Speaker 1: are across the street. Yes, so if you're listening, she's 387 00:20:47,720 --> 00:20:51,000 Speaker 1: probably listening to this. If it's across the street, neighbor, 388 00:20:51,440 --> 00:20:54,240 Speaker 1: and there is some sort of red work truck involved, 389 00:20:54,840 --> 00:20:57,520 Speaker 1: then it's probably you. Okay, But then what if it's not, 390 00:20:57,920 --> 00:20:59,840 Speaker 1: and then like this whole thing and then a date 391 00:21:00,600 --> 00:21:02,440 Speaker 1: thing goes down. But still, if it's a red work 392 00:21:02,440 --> 00:21:05,359 Speaker 1: truck and across the street, I think you asked the question. 393 00:21:05,520 --> 00:21:07,280 Speaker 1: But if it is, what is what do they do? 394 00:21:07,320 --> 00:21:09,760 Speaker 1: What is this person? I think she probably starts paying 395 00:21:09,760 --> 00:21:11,640 Speaker 1: a little more attention to her husband. I don't think 396 00:21:11,640 --> 00:21:14,200 Speaker 1: it's anything to go at this lady at all because 397 00:21:14,200 --> 00:21:16,880 Speaker 1: she's not doing anything. I think it's you now have 398 00:21:18,240 --> 00:21:21,600 Speaker 1: enough of a reason to start watching your husband a 399 00:21:21,600 --> 00:21:24,679 Speaker 1: little closer. But I don't think you go to Cassandra. 400 00:21:25,920 --> 00:21:28,800 Speaker 1: So if you're listening emailer and you could be the 401 00:21:28,800 --> 00:21:34,560 Speaker 1: one being cheated on, don't kill Cassandra. No, just breathe please. Yeah. 402 00:21:34,600 --> 00:21:37,480 Speaker 1: I don't want to be the reason somebody gets murdered. Um. Yeah, 403 00:21:37,560 --> 00:21:39,360 Speaker 1: it's not her fault, she's not doing it. I would 404 00:21:39,400 --> 00:21:42,000 Speaker 1: just pay more attention to your husband. But how about 405 00:21:42,040 --> 00:21:50,400 Speaker 1: that amazing or not creepy or just don't kill Cassandra 406 00:21:50,760 --> 00:21:56,840 Speaker 1: please please? Okay, we're good here, Yeah, all right, all right, 407 00:21:56,960 --> 00:21:59,840 Speaker 1: final batch of theme songs that have been written by 408 00:22:00,040 --> 00:22:03,119 Speaker 1: listeners for this show. I said, hey, write us a 409 00:22:03,160 --> 00:22:05,440 Speaker 1: thirty second theme song. I'll pay somebody five hundred bucks 410 00:22:05,440 --> 00:22:07,720 Speaker 1: in my own money. So this is the last week 411 00:22:07,720 --> 00:22:10,080 Speaker 1: we have three. We're gonna move one, maybe two of 412 00:22:10,119 --> 00:22:13,720 Speaker 1: these into the semifinals. This is Angie Kay, she writes 413 00:22:13,800 --> 00:22:16,120 Speaker 1: me and my buddy Chris made the winning theme song 414 00:22:16,320 --> 00:22:18,800 Speaker 1: right here, and listen to the Bobby Bones show since 415 00:22:18,880 --> 00:22:23,280 Speaker 1: y'all started. It's Bobby Bone to the morning and I'm 416 00:22:23,280 --> 00:22:30,560 Speaker 1: feeling like I'm from a boy. Well, tell me something good. 417 00:22:31,560 --> 00:22:36,200 Speaker 1: He listens like to the best friend she never had, 418 00:22:37,320 --> 00:22:41,359 Speaker 1: who boxes yelling and he's one man flat gets so 419 00:22:41,680 --> 00:22:49,359 Speaker 1: mad when the raymogin he nevery come out blas we can. 420 00:22:49,560 --> 00:22:55,080 Speaker 1: I'm so well, we ain't so bad with Bobby Bone 421 00:22:56,000 --> 00:22:59,920 Speaker 1: the morning, I turn it out and getting ready, I'm 422 00:23:03,560 --> 00:23:07,640 Speaker 1: it's the back phone show that is so amazing good? 423 00:23:08,760 --> 00:23:13,040 Speaker 1: What she's a mess? Wow? That's really good. I mean, 424 00:23:13,080 --> 00:23:14,840 Speaker 1: there are two more. How do we play that? I 425 00:23:14,840 --> 00:23:17,480 Speaker 1: don't know even I don't know any that's really good? 426 00:23:17,520 --> 00:23:22,800 Speaker 1: Andrew k Wow? And Chris, Uh yeah, buddy, Chris. That's 427 00:23:22,960 --> 00:23:26,560 Speaker 1: that's really good. Okay, and she's really good. Okay. Here 428 00:23:26,720 --> 00:23:28,879 Speaker 1: is m R and D. That's all they call themselves, 429 00:23:29,000 --> 00:23:31,119 Speaker 1: R and D. And they wrote, here's our submission to 430 00:23:31,119 --> 00:23:34,440 Speaker 1: be put into the running of the theme songs love 431 00:23:34,520 --> 00:23:36,440 Speaker 1: this show. Well I should have put that one last. 432 00:23:36,520 --> 00:23:38,440 Speaker 1: Huh Is that good? Are the other ones good too? 433 00:23:39,760 --> 00:23:42,320 Speaker 1: It's ancious? All right? Here we go. Here's number two, 434 00:23:43,480 --> 00:23:49,119 Speaker 1: wake Up, Wake Up, and in the turn the Radio 435 00:23:49,760 --> 00:23:56,800 Speaker 1: and the Dogs lunch Box more Game two School to 436 00:23:56,880 --> 00:24:00,320 Speaker 1: Steve Bred out of trying to put you through funds 437 00:24:00,400 --> 00:24:03,480 Speaker 1: running this week's next year. Bobby's on the mind, so 438 00:24:03,680 --> 00:24:15,199 Speaker 1: you knowing this. That's really good too. And they mentioned 439 00:24:15,200 --> 00:24:17,879 Speaker 1: Mike d which who's such a big part of this show, 440 00:24:18,160 --> 00:24:20,720 Speaker 1: and some people never mentioned him and I always feel 441 00:24:20,720 --> 00:24:22,800 Speaker 1: bad because, yeah, he didn't talk a whole lot, but 442 00:24:22,840 --> 00:24:25,760 Speaker 1: he's so important to this show. That's really good too. 443 00:24:25,840 --> 00:24:31,320 Speaker 1: The vibe is definitely different. That's good. That's good too. Dang. 444 00:24:31,840 --> 00:24:35,240 Speaker 1: All right, here's our final one for today. This is Katie. 445 00:24:35,280 --> 00:24:37,919 Speaker 1: She says, Morning Studio. I abolutely love hearing some of 446 00:24:37,920 --> 00:24:41,080 Speaker 1: the song entries for the BBS theme song I'm not fancy, 447 00:24:41,440 --> 00:24:44,440 Speaker 1: so I'd probably need to be sung by Abby or Lunchbox. 448 00:24:44,800 --> 00:24:47,879 Speaker 1: Thanks for giving us listeners a fun opportunity. Hope this 449 00:24:47,920 --> 00:24:50,040 Speaker 1: song makes all of you smile. Katie Ka and my 450 00:24:50,240 --> 00:24:54,840 Speaker 1: not North Dakota. It's more than time to wake up, 451 00:24:54,920 --> 00:24:59,040 Speaker 1: turn the radio on and jim out with the b 452 00:24:59,240 --> 00:25:02,560 Speaker 1: team crew too, your favorite songs and bone Head stories. 453 00:25:02,760 --> 00:25:05,520 Speaker 1: Or in the morning, Corney, you know we got game Scalore. 454 00:25:07,680 --> 00:25:11,600 Speaker 1: You're gonna get you feeling. I feel good, Oh, I 455 00:25:11,680 --> 00:25:24,480 Speaker 1: feel so good. Hey, Hey, that's actually really good. She 456 00:25:24,600 --> 00:25:28,120 Speaker 1: didn't have the production capabilities or resources the other people had. 457 00:25:28,359 --> 00:25:29,680 Speaker 1: But that was really good. And then she did some 458 00:25:29,760 --> 00:25:37,280 Speaker 1: little good Yeah, that's good. That good man, that's good good. Um. 459 00:25:37,520 --> 00:25:40,359 Speaker 1: This is what I would say because all three I mean, 460 00:25:40,359 --> 00:25:42,919 Speaker 1: I would say that those three are are better than 461 00:25:43,040 --> 00:25:45,359 Speaker 1: most of the ones from the early weeks because it 462 00:25:45,480 --> 00:25:47,280 Speaker 1: just got better each week. But we can't move all 463 00:25:47,359 --> 00:25:51,320 Speaker 1: three through. I think we probably moving the first two through. 464 00:25:51,920 --> 00:25:53,400 Speaker 1: We can move the first two through. Do you guys 465 00:25:53,400 --> 00:25:57,000 Speaker 1: feel good on that? Yeah, because they're both so good. Um, 466 00:25:57,280 --> 00:26:00,240 Speaker 1: So we'll have six and then next week we'll go 467 00:26:00,280 --> 00:26:02,280 Speaker 1: through those and cut it down to three and then 468 00:26:02,320 --> 00:26:04,840 Speaker 1: too one. Okay, so we're gonna move Angie K and 469 00:26:05,000 --> 00:26:07,440 Speaker 1: R and D through. Play ANGI K again one more time, 470 00:26:07,480 --> 00:26:09,440 Speaker 1: and then from the end of this we'll just go 471 00:26:09,520 --> 00:26:11,960 Speaker 1: into the song. Let's see how this feels. It's Bobby 472 00:26:12,080 --> 00:26:15,960 Speaker 1: Ball to the morning and I'm feeding like the woman 473 00:26:17,400 --> 00:26:23,200 Speaker 1: from the morning. Gordy, We'll tell us something good and 474 00:26:23,800 --> 00:26:29,359 Speaker 1: he listens like the best friend she'll never have, lunch 475 00:26:29,480 --> 00:26:32,960 Speaker 1: box and yelling and he's woman. Why he gets so 476 00:26:33,320 --> 00:26:39,359 Speaker 1: mad when the raymargin he Nabby come out? Bone'm blacks. 477 00:26:40,359 --> 00:26:46,280 Speaker 1: We can't I'm so we ain't so bad with Bobby 478 00:26:46,400 --> 00:26:51,560 Speaker 1: Ball to the morning tune. It don't getting ready. I'm 479 00:26:51,640 --> 00:26:57,720 Speaker 1: ty to the morning. It's the Body Bone Show. It's good. 480 00:26:58,160 --> 00:27:01,880 Speaker 1: All right, there you go. All right, here's the voicemail 481 00:27:01,920 --> 00:27:05,080 Speaker 1: we got from Crystal. I right now have strep throat 482 00:27:05,200 --> 00:27:08,320 Speaker 1: and I sound ridiculous. This is not my normal tone. 483 00:27:08,920 --> 00:27:11,480 Speaker 1: I teach, so I have to speak all day long 484 00:27:11,840 --> 00:27:15,560 Speaker 1: and it's not fun. So I was wondering, Bobby or 485 00:27:15,640 --> 00:27:18,400 Speaker 1: any of you guys, what do you literally do when 486 00:27:18,480 --> 00:27:21,359 Speaker 1: you get strep throat or when you get something respiratory 487 00:27:21,400 --> 00:27:24,639 Speaker 1: where you sound stupid? How do you guys avoid it? 488 00:27:25,200 --> 00:27:27,359 Speaker 1: Is there something I'm missing that I could be taking 489 00:27:27,520 --> 00:27:33,239 Speaker 1: that helps me get better quicker? No, there isn't. I mean, 490 00:27:33,280 --> 00:27:35,359 Speaker 1: you treat the symptom like you read on the internet, 491 00:27:35,440 --> 00:27:38,280 Speaker 1: what the doctor says. What I do most of the 492 00:27:38,359 --> 00:27:41,879 Speaker 1: time is suck it up, because a lot depends on me. 493 00:27:42,000 --> 00:27:45,119 Speaker 1: If my voice is completely blown from an allergy attack, 494 00:27:45,640 --> 00:27:47,639 Speaker 1: some days you just gotta go. I'm going to take 495 00:27:47,640 --> 00:27:49,399 Speaker 1: a couple of days off because I will get better 496 00:27:49,480 --> 00:27:51,720 Speaker 1: in that couple of days. Rather than being sick for 497 00:27:51,920 --> 00:27:55,000 Speaker 1: seven and being twenty five percent per seven, I'd rather 498 00:27:55,040 --> 00:27:58,520 Speaker 1: be zero percent for two and bounce back. It's knowing 499 00:27:58,600 --> 00:28:00,600 Speaker 1: your limitations and knowing how you can get back to 500 00:28:00,640 --> 00:28:03,240 Speaker 1: full speed the fastest. Sometimes you just get sick. You 501 00:28:03,359 --> 00:28:05,159 Speaker 1: guys know, I think at this point, if I ever 502 00:28:05,240 --> 00:28:07,480 Speaker 1: go hey, I'm sick and I'm not coming in, I'm 503 00:28:07,680 --> 00:28:10,000 Speaker 1: I don't throw an inch from death. Yeah, probably send 504 00:28:10,000 --> 00:28:12,760 Speaker 1: the priest over plus and I'm probably gonna get through it. 505 00:28:12,800 --> 00:28:16,280 Speaker 1: But send him over because it's it's bad um and 506 00:28:16,359 --> 00:28:18,920 Speaker 1: just some encouragement for her. I don't think she sounds bad, 507 00:28:19,040 --> 00:28:20,719 Speaker 1: but I know it sounds weird to her because it's 508 00:28:20,760 --> 00:28:23,399 Speaker 1: not normal for her. But it sound great. Yeah, So 509 00:28:23,760 --> 00:28:26,720 Speaker 1: hang unless you're contagious, you don't hang in there. Some 510 00:28:26,880 --> 00:28:29,040 Speaker 1: days you're just sick. And on this show, if somebody 511 00:28:29,080 --> 00:28:31,000 Speaker 1: gets sick and they don't feel well, I don't come in. 512 00:28:31,320 --> 00:28:33,840 Speaker 1: You guys know that I feel like I have to 513 00:28:34,040 --> 00:28:36,719 Speaker 1: push so this thing can stay on. Although we're aou 514 00:28:36,760 --> 00:28:37,879 Speaker 1: to get the point where I'm just gonna be like 515 00:28:37,880 --> 00:28:39,320 Speaker 1: Amy host the show for the day because I don't 516 00:28:39,400 --> 00:28:47,160 Speaker 1: care a bunch of cornies all day, And not that 517 00:28:47,280 --> 00:28:49,040 Speaker 1: I don't care, but I mean I don't. I don't 518 00:28:49,120 --> 00:28:50,480 Speaker 1: care that I have to be the one here. I 519 00:28:50,520 --> 00:28:52,680 Speaker 1: think Amy can can probably run this beast as well. 520 00:28:53,040 --> 00:28:55,560 Speaker 1: Um so, but that just know, if you're sick, you're sick. 521 00:28:55,880 --> 00:28:57,560 Speaker 1: Take time off if you need time off, so you 522 00:28:57,600 --> 00:28:59,480 Speaker 1: can bounce back and get back to one hundred percent quicker. 523 00:28:59,680 --> 00:29:02,520 Speaker 1: That's my advice. There. Let's speak into Corny's. Here is 524 00:29:02,720 --> 00:29:06,880 Speaker 1: another voicemail. Bobby my Son wanted to give you a morning, Corny. 525 00:29:07,360 --> 00:29:10,560 Speaker 1: Why did the girl put on the stake during natus? 526 00:29:11,120 --> 00:29:14,960 Speaker 1: The teacher was giving a make up a jam. Bah 527 00:29:16,360 --> 00:29:24,320 Speaker 1: get it, yeah, get it. You're Amy's pile of stories. Well. 528 00:29:24,360 --> 00:29:27,680 Speaker 1: A national study was recently done that examined the current 529 00:29:27,840 --> 00:29:31,200 Speaker 1: state of men's health, and one thing they discovered is 530 00:29:31,240 --> 00:29:34,640 Speaker 1: that over half of men fifty five surveyed, so they're 531 00:29:34,640 --> 00:29:37,680 Speaker 1: okay with the dadbod. Okay, they're okay with it now 532 00:29:37,800 --> 00:29:40,720 Speaker 1: they would prefer it. I prefer I'm okay with my body, 533 00:29:40,760 --> 00:29:43,640 Speaker 1: but I would prefer to be in better shape. You know. 534 00:29:43,800 --> 00:29:46,000 Speaker 1: I think when people go I prefer the dadbod, that's 535 00:29:46,040 --> 00:29:52,280 Speaker 1: where I start to go. Do you why not? Here's why? 536 00:29:52,480 --> 00:29:55,000 Speaker 1: Because if you could still dedicate your time and energy 537 00:29:55,080 --> 00:29:58,040 Speaker 1: to your kids and your family and also be ripped, right, 538 00:29:58,200 --> 00:30:01,200 Speaker 1: that's what everyone would prefer would be extremely healthy. But 539 00:30:01,320 --> 00:30:03,600 Speaker 1: where the preference comes in is, well, he can either 540 00:30:03,680 --> 00:30:05,360 Speaker 1: go to the gym or be with the kids, or 541 00:30:05,440 --> 00:30:07,680 Speaker 1: work or be with the way. And so that's where 542 00:30:08,240 --> 00:30:10,960 Speaker 1: the word preference happens. But I think, if you could, 543 00:30:11,160 --> 00:30:14,200 Speaker 1: you prefer I prefer to be ripped and have time 544 00:30:14,280 --> 00:30:17,360 Speaker 1: to balance live. Yeah. Well, I just think that it's 545 00:30:17,400 --> 00:30:19,320 Speaker 1: good that men are okay with it, because I just 546 00:30:19,400 --> 00:30:21,560 Speaker 1: want to use this opportunity to say all bodies are 547 00:30:21,600 --> 00:30:23,560 Speaker 1: good bodies. Yeah, great, they all work, But I'm saying 548 00:30:23,600 --> 00:30:24,960 Speaker 1: I was at these Fords, the full of crap, and 549 00:30:25,040 --> 00:30:27,320 Speaker 1: it's like women prefer a dad body. No, they like 550 00:30:27,480 --> 00:30:29,960 Speaker 1: a guy who will be present with the kids, a 551 00:30:30,080 --> 00:30:32,480 Speaker 1: good dad. And it turns out most of the time 552 00:30:32,560 --> 00:30:34,400 Speaker 1: that coincides with the dad body because you don't have 553 00:30:34,480 --> 00:30:35,840 Speaker 1: time to do all that and go to the gym 554 00:30:35,920 --> 00:30:38,960 Speaker 1: for four hours. Eddie's wife like his body. She says, 555 00:30:39,000 --> 00:30:41,640 Speaker 1: she prefers my dad bud. But look, I think you're 556 00:30:41,680 --> 00:30:43,880 Speaker 1: both right though. Like if I could snap my finger 557 00:30:44,000 --> 00:30:46,640 Speaker 1: right now and have a like a bad a like 558 00:30:47,600 --> 00:30:50,160 Speaker 1: like a Bobby bod, yeah, I take it, But the 559 00:30:50,240 --> 00:30:52,880 Speaker 1: reality is I don't, and I'm cool with it. Yah see, 560 00:30:53,080 --> 00:30:55,760 Speaker 1: we're okay with it and everyone. I don't even I 561 00:30:55,800 --> 00:30:59,680 Speaker 1: don't even have a bobby embrace your body. So I 562 00:30:59,760 --> 00:31:01,520 Speaker 1: have some facts that we learned as kids that just 563 00:31:01,600 --> 00:31:03,720 Speaker 1: aren't true. And actually some of them that I read 564 00:31:03,760 --> 00:31:05,720 Speaker 1: through because this has put up on Reddit, I was like, oh, 565 00:31:05,760 --> 00:31:09,280 Speaker 1: I still believed this. So cracking your fingers gives you arthritis? 566 00:31:09,480 --> 00:31:11,520 Speaker 1: Until recently, I believe that, but it doesn't. I kind 567 00:31:11,520 --> 00:31:13,120 Speaker 1: of still believe it. I don't want to let that one. 568 00:31:13,160 --> 00:31:15,880 Speaker 1: It can't be good, Like it may not give you arthritis, 569 00:31:15,920 --> 00:31:18,360 Speaker 1: but it can't be good. That blood is blue before 570 00:31:18,400 --> 00:31:20,720 Speaker 1: it touches air. I thought that was fact. Oh wow, 571 00:31:20,720 --> 00:31:22,920 Speaker 1: that's crazy. I think it's slightly more purple, right like purple? 572 00:31:23,280 --> 00:31:25,560 Speaker 1: Oh is that what it is? Babe? Okay? Um that 573 00:31:25,760 --> 00:31:28,120 Speaker 1: if you touch a baby duck, it's mother will reject it. 574 00:31:29,040 --> 00:31:30,920 Speaker 1: I also heard if you touch a runner going before 575 00:31:30,960 --> 00:31:32,800 Speaker 1: he touch his home plate, he's out. But you can 576 00:31:32,840 --> 00:31:35,440 Speaker 1: touch a runner what no one will touch the guy 577 00:31:35,480 --> 00:31:37,640 Speaker 1: on rounds third? Don't touch me, it hits home plate 578 00:31:38,000 --> 00:31:44,239 Speaker 1: and then you okay. A lot of sports sports. Did 579 00:31:44,320 --> 00:31:46,520 Speaker 1: you know when bears go hibernate, I thought they were 580 00:31:46,520 --> 00:31:50,920 Speaker 1: asleep that entire time. Did you do well? Apparently they 581 00:31:51,040 --> 00:31:53,280 Speaker 1: just take really really long naps here and there, but 582 00:31:53,360 --> 00:31:55,560 Speaker 1: it's not a mega three month long nap, and I 583 00:31:55,680 --> 00:31:58,560 Speaker 1: thought it was. So it's like a weekend nap when 584 00:31:58,600 --> 00:32:00,360 Speaker 1: you have a weekend free and his nap just like 585 00:32:00,480 --> 00:32:02,640 Speaker 1: they don't really eat them. They just sleep a lot, 586 00:32:02,880 --> 00:32:06,080 Speaker 1: but like they're not just sitting there asleep that entire time, 587 00:32:06,160 --> 00:32:08,640 Speaker 1: I guess. And then also that we wouldn't have calculators 588 00:32:08,680 --> 00:32:11,640 Speaker 1: in our pockets, because that definitely didn't end up happening. 589 00:32:11,680 --> 00:32:13,120 Speaker 1: We were told that as kids like you gotta figure 590 00:32:13,160 --> 00:32:14,680 Speaker 1: us out. You're not gonna have a calculator your pocket. 591 00:32:14,680 --> 00:32:16,960 Speaker 1: And now we have five phones, so we do have 592 00:32:17,080 --> 00:32:19,000 Speaker 1: calculators in our pocket. And then that turning on the 593 00:32:19,080 --> 00:32:21,360 Speaker 1: light in the car is illegal. I guess some parents 594 00:32:21,640 --> 00:32:24,800 Speaker 1: hold their kids that. Oh that's funny. Yeah, I'm gonna 595 00:32:24,800 --> 00:32:27,080 Speaker 1: start actually using that because I think it'll work. I 596 00:32:27,200 --> 00:32:29,760 Speaker 1: have some things you never knew about George Strait in 597 00:32:29,920 --> 00:32:32,120 Speaker 1: case you're a big fan like me. He served in 598 00:32:32,160 --> 00:32:34,960 Speaker 1: the US Army and then he was honorably discharged in 599 00:32:35,040 --> 00:32:37,440 Speaker 1: nineteen seventy five, so he served for like four years. 600 00:32:37,880 --> 00:32:40,160 Speaker 1: I thought His first movie role was pure country, but 601 00:32:40,280 --> 00:32:43,560 Speaker 1: actually wasn't. He was in a terrorist action film in 602 00:32:43,720 --> 00:32:48,440 Speaker 1: nineteen eighty two called The Soldier, What was the Terrorist Cowboy? 603 00:32:48,600 --> 00:32:51,200 Speaker 1: It doesn't have great ratings on IMDb, but in case 604 00:32:51,240 --> 00:32:53,280 Speaker 1: you want to check it out, something to watch. And 605 00:32:53,560 --> 00:32:56,800 Speaker 1: then he grew up mostly with his dad. His mom 606 00:32:56,920 --> 00:32:59,240 Speaker 1: left them at a young age and his dad was 607 00:32:59,480 --> 00:33:01,200 Speaker 1: a farmer, so he didn't grow up listening to a 608 00:33:01,240 --> 00:33:03,840 Speaker 1: lot of music, mostly news and farm reports. It wasn't 609 00:33:03,920 --> 00:33:06,280 Speaker 1: until he was a teenager that he took an interest 610 00:33:06,520 --> 00:33:09,520 Speaker 1: first in rock and then went over to country. All right, yeah, 611 00:33:09,640 --> 00:33:11,120 Speaker 1: news and farm report and it's a heck of a 612 00:33:11,240 --> 00:33:15,760 Speaker 1: day him Amy, that's my file. That was Amy's pile 613 00:33:15,840 --> 00:33:23,440 Speaker 1: of stories. It's time for the good news. So this 614 00:33:23,560 --> 00:33:26,280 Speaker 1: kid named Iver was riding his bike to school when 615 00:33:26,320 --> 00:33:29,000 Speaker 1: he was hit by a car and he was scraped up, 616 00:33:29,040 --> 00:33:33,440 Speaker 1: little banged up, but his bike was totally totalled. And 617 00:33:33,640 --> 00:33:37,680 Speaker 1: when round rock Id police followed up and saw, oh wow, 618 00:33:37,840 --> 00:33:39,960 Speaker 1: now he no longer has a bike to ride to school. 619 00:33:40,360 --> 00:33:43,240 Speaker 1: They went Above and Beyond, went to the bike store, 620 00:33:43,480 --> 00:33:46,760 Speaker 1: got him a new bike, a helmet, all with like 621 00:33:46,880 --> 00:33:51,720 Speaker 1: their own money, and then pledges from officers at Round Rocks. Yeah, 622 00:33:52,200 --> 00:33:55,760 Speaker 1: that's cool, that's cool. Like so the evidence, it's still 623 00:33:55,760 --> 00:33:59,640 Speaker 1: a bike that happens sometimes, at least on shows I see. 624 00:34:01,520 --> 00:34:04,840 Speaker 1: I'm watching the Americans right now. And one FBI agent 625 00:34:05,000 --> 00:34:08,560 Speaker 1: went to the closet or whatever and recovered some diamonds 626 00:34:08,600 --> 00:34:10,600 Speaker 1: and was able to use it for something he needed. 627 00:34:11,040 --> 00:34:14,440 Speaker 1: And ozark, there's someone who they bust back in the 628 00:34:14,520 --> 00:34:17,759 Speaker 1: evidence taking drugs. Oh, they were still in drugs, but 629 00:34:17,840 --> 00:34:19,840 Speaker 1: they didn't do that here at all. And we've completely 630 00:34:19,920 --> 00:34:22,160 Speaker 1: spiraled away from the story. But this is the great 631 00:34:22,200 --> 00:34:24,680 Speaker 1: story where the Round Rock I SD cops. Yeah, I 632 00:34:24,760 --> 00:34:26,320 Speaker 1: mean buying this kind of bike. It was like a 633 00:34:26,440 --> 00:34:29,719 Speaker 1: thousand dollars bike. Oh, this is what happened. So the 634 00:34:29,880 --> 00:34:31,880 Speaker 1: police officers took their money to do it. But then 635 00:34:31,920 --> 00:34:35,720 Speaker 1: the bike store Trek Bike Palmer, they donated a thousand 636 00:34:35,800 --> 00:34:38,239 Speaker 1: dollars bike and then a helmet, all the things. So 637 00:34:38,680 --> 00:34:40,800 Speaker 1: there's like a multiple tell me something good here, that 638 00:34:41,239 --> 00:34:44,319 Speaker 1: is what it's all about. That was tell me something good.