1 00:00:00,320 --> 00:00:02,679 Speaker 1: Welcome to Drink Champs, the production of The Black Effect 2 00:00:02,759 --> 00:00:17,360 Speaker 1: and I Heart Radio and his Drinks Has motherfucking podcast. 3 00:00:17,440 --> 00:00:21,880 Speaker 1: Mason He's a legendary queen's rapper, He's Segreed is your 4 00:00:21,880 --> 00:00:24,320 Speaker 1: boy in O R He's a Miami hip hop and 5 00:00:24,400 --> 00:00:27,800 Speaker 1: lioneer up his DJ e f N. Together they drink 6 00:00:27,840 --> 00:00:30,400 Speaker 1: it up with some of the biggest players in the 7 00:00:30,520 --> 00:00:35,000 Speaker 1: most professional unprofessional podcast and yet number one sorts for 8 00:00:35,120 --> 00:00:39,440 Speaker 1: drunk Fast Drink has Motherfuckings New year Z Just time 9 00:00:39,720 --> 00:00:49,559 Speaker 1: for Drink Champs. Drink up, motherfuck what it could be over? 10 00:00:49,560 --> 00:00:51,879 Speaker 1: They just want to see your boy in What up 11 00:00:51,960 --> 00:00:54,080 Speaker 1: is d J E F And this drinks as motherfucker 12 00:00:59,560 --> 00:01:03,040 Speaker 1: right now. When it comes to legends, when it comes 13 00:01:03,080 --> 00:01:05,920 Speaker 1: to entrepreneurs, I kid you not, I promise you I'm 14 00:01:05,959 --> 00:01:11,360 Speaker 1: not see fool y'alla. I'm not even exaggerating a little bit. 15 00:01:11,880 --> 00:01:15,280 Speaker 1: I literally just came from Turks and Caickos and they 16 00:01:15,319 --> 00:01:19,039 Speaker 1: had something called every channel that you had, they had 17 00:01:19,080 --> 00:01:23,920 Speaker 1: that version of the Caribbean and everywhere I look wild 18 00:01:24,000 --> 00:01:30,720 Speaker 1: and out. You know, I'm changing different channel. I'm trying 19 00:01:30,760 --> 00:01:34,360 Speaker 1: to avoid wild. So I'm sitting back, I'm saying I 20 00:01:34,400 --> 00:01:36,840 Speaker 1: know I know this season. I know this season, and 21 00:01:36,840 --> 00:01:42,479 Speaker 1: and it's every rewhere and they've realized. I said, Holy moly, 22 00:01:42,520 --> 00:01:45,880 Speaker 1: brocome moly, how proud I am of this next guest. 23 00:01:46,600 --> 00:01:52,000 Speaker 1: Not only that the man has done dominated a rap career, 24 00:01:54,720 --> 00:02:02,960 Speaker 1: dominated a movie career, continue use to dominate in every 25 00:02:03,560 --> 00:02:07,320 Speaker 1: section that you can imagine. The nicker was on the 26 00:02:07,360 --> 00:02:11,760 Speaker 1: mask singles one of them, I don't even know this 27 00:02:11,840 --> 00:02:18,240 Speaker 1: spight ship. This ship is crazy. In case you don't 28 00:02:18,280 --> 00:02:20,880 Speaker 1: know the funk I'm talking about, we're talking about the 29 00:02:21,000 --> 00:02:30,200 Speaker 1: impeccable duck Duck. They do everything lick motherfucker cat. But yeah, 30 00:02:30,760 --> 00:02:34,320 Speaker 1: I appreciate you, my brother. No, not real talk, real talk, bro, 31 00:02:34,680 --> 00:02:38,160 Speaker 1: you really are the renaissance man. I totally forgot to 32 00:02:38,360 --> 00:02:43,280 Speaker 1: mention radio. So what the funk makes you wake up? 33 00:02:43,320 --> 00:02:45,600 Speaker 1: Like that? Everything? Like why you don't slow down a 34 00:02:45,639 --> 00:02:47,840 Speaker 1: little bit a little bit? Man? I just should have 35 00:02:47,919 --> 00:02:49,799 Speaker 1: gotta keeps cooking while the pot is hot, Like when 36 00:02:49,840 --> 00:02:51,840 Speaker 1: you come from a hustling spirit, you just gotta get 37 00:02:51,840 --> 00:02:53,400 Speaker 1: in there and like, yo, they're gonna keep giving me 38 00:02:53,440 --> 00:02:55,639 Speaker 1: these opportunities. I'm gonna keep snatching it. And then it's 39 00:02:55,720 --> 00:02:57,960 Speaker 1: you know, I've been through my ship to where people 40 00:02:58,080 --> 00:03:00,880 Speaker 1: like you want to cancel you out and all of that. 41 00:03:00,960 --> 00:03:04,480 Speaker 1: So then not I'm committing, but I'm not even talking 42 00:03:04,480 --> 00:03:06,640 Speaker 1: about that ship. I'm talking about even just all my 43 00:03:06,680 --> 00:03:12,160 Speaker 1: life wild jump in. I'm going about cancel coach can 44 00:03:12,639 --> 00:03:16,200 Speaker 1: general in general. Like point I was worrying, No, no, 45 00:03:16,360 --> 00:03:18,400 Speaker 1: but that's the thing you gotta always say tough. You know, 46 00:03:18,520 --> 00:03:20,600 Speaker 1: tough times don't last. Tough people. Do you know what 47 00:03:20,639 --> 00:03:23,320 Speaker 1: I'm saying. It's like I'm built for for the tough ship. 48 00:03:23,880 --> 00:03:27,680 Speaker 1: The thing about you what immediately was I was glad 49 00:03:27,880 --> 00:03:31,200 Speaker 1: you understood this is why we don't talk politics on 50 00:03:31,200 --> 00:03:35,080 Speaker 1: this show. Yeah, well we do, but we we also 51 00:03:36,400 --> 00:03:39,440 Speaker 1: also we also like we were super disclaimer. We don't 52 00:03:39,480 --> 00:03:42,520 Speaker 1: know what ship, right, we see that right. But what's 53 00:03:42,560 --> 00:03:46,280 Speaker 1: good about you was when you felt like you was 54 00:03:46,360 --> 00:03:51,480 Speaker 1: naive to the situation, you admitted that to be No, absolutely, absolutely, 55 00:03:51,520 --> 00:03:55,160 Speaker 1: And it was I say, you know, even because I 56 00:03:55,200 --> 00:03:58,240 Speaker 1: was coming from my podcast, which is an educational platform 57 00:03:58,320 --> 00:04:01,120 Speaker 1: that I started at Howard University, Appreciate You, and it 58 00:04:01,200 --> 00:04:03,720 Speaker 1: was like really just bringing in professors and different people, 59 00:04:03,880 --> 00:04:07,280 Speaker 1: like on topics that we discussed multiple topics, so it 60 00:04:07,400 --> 00:04:09,560 Speaker 1: came from a place of education so if I was 61 00:04:09,760 --> 00:04:13,520 Speaker 1: miseducated in any form, hey, let's talk about it. Let's 62 00:04:13,560 --> 00:04:15,320 Speaker 1: figure it out. I only want to spit truth. I mean, 63 00:04:15,680 --> 00:04:19,600 Speaker 1: the Minister said so many things that resonated with me 64 00:04:19,640 --> 00:04:21,280 Speaker 1: when I got a chance to sit down with him 65 00:04:21,760 --> 00:04:23,200 Speaker 1: all this, but the one thing that he said the 66 00:04:23,200 --> 00:04:25,120 Speaker 1: most that stuck with me. He was like, I don't 67 00:04:25,120 --> 00:04:28,680 Speaker 1: never want to say anything that isn't true. I don't 68 00:04:28,680 --> 00:04:31,120 Speaker 1: want falsehoods to come out of my mouth. So if 69 00:04:31,160 --> 00:04:34,320 Speaker 1: I'm saying something that isn't correct, first of all, yeah, 70 00:04:34,600 --> 00:04:37,800 Speaker 1: I apologize, but show me, show me where what I 71 00:04:37,839 --> 00:04:40,080 Speaker 1: because I believe what I said is the truth. And 72 00:04:40,240 --> 00:04:42,440 Speaker 1: so where you get to that point, it's a it's 73 00:04:42,480 --> 00:04:45,800 Speaker 1: a really an opportunity for education. And I always say 74 00:04:45,800 --> 00:04:49,280 Speaker 1: it ain't about can just about council culture. Show somebody 75 00:04:49,440 --> 00:04:51,920 Speaker 1: where you believe. If you're from a different community and 76 00:04:52,000 --> 00:04:54,920 Speaker 1: y'all have disagreements, let's talk it out like otherwise. But 77 00:04:55,000 --> 00:04:56,400 Speaker 1: just trying to get rid of a nigg Like who 78 00:04:56,400 --> 00:04:58,760 Speaker 1: are you to try to get rid of anybody? So 79 00:04:59,160 --> 00:05:01,720 Speaker 1: that's husy you and I go back to even whether 80 00:05:01,760 --> 00:05:04,320 Speaker 1: it's that situation and I told you, you know, I'm 81 00:05:04,400 --> 00:05:06,000 Speaker 1: on talk show now I was like, I don't know, 82 00:05:06,040 --> 00:05:08,280 Speaker 1: I'm gonna get canceled again. But it ain't. It's never 83 00:05:08,320 --> 00:05:10,520 Speaker 1: coming from a place in malice. Like when how y'all 84 00:05:10,560 --> 00:05:14,560 Speaker 1: sitting bill here, ain't nobody really charging on nobody in 85 00:05:14,600 --> 00:05:17,920 Speaker 1: a way with with discontent and hate. It's like, Yo, 86 00:05:18,080 --> 00:05:20,000 Speaker 1: sometimes we're gonna say some ship because we're joking and 87 00:05:20,040 --> 00:05:21,960 Speaker 1: it's funny. Sometimes we're gonna say some ship because we 88 00:05:22,040 --> 00:05:24,400 Speaker 1: just literally don't know and we need to be educated. 89 00:05:24,640 --> 00:05:27,000 Speaker 1: But I don't think even what we're trying to accomplish 90 00:05:27,040 --> 00:05:29,360 Speaker 1: this specifically, even what's going on in hip hop right now, 91 00:05:29,680 --> 00:05:31,760 Speaker 1: we're just trying to evolve. We're trying to grow, you 92 00:05:31,800 --> 00:05:34,320 Speaker 1: know what I mean. We went from calling each other 93 00:05:34,400 --> 00:05:36,599 Speaker 1: niggas every day and now we're calling each other's kings, 94 00:05:37,080 --> 00:05:39,000 Speaker 1: you know what I mean. Like, that's that's real talk. 95 00:05:39,080 --> 00:05:41,840 Speaker 1: You see, that's the new ship. Because you don't know that. 96 00:05:43,200 --> 00:05:46,680 Speaker 1: You take that like like we say drunk facts on 97 00:05:46,760 --> 00:05:49,760 Speaker 1: here just to to to make you know, an excuse, 98 00:05:49,839 --> 00:05:53,119 Speaker 1: but to say that we're not gonna always be talking 99 00:05:53,120 --> 00:05:54,920 Speaker 1: with shooting the ship like you're talking to your homies. 100 00:05:55,120 --> 00:05:57,599 Speaker 1: You're not gonna always be a fact check on what 101 00:05:57,640 --> 00:05:59,760 Speaker 1: you're saying. And that's the thing because now we live 102 00:05:59,800 --> 00:06:03,599 Speaker 1: in a day and age where media is at everyone's fingertips. 103 00:06:03,640 --> 00:06:06,359 Speaker 1: So just as you're talking ship, somebody can disagree with 104 00:06:06,360 --> 00:06:08,680 Speaker 1: this ship you're talking. And now y'all don't win viral 105 00:06:09,040 --> 00:06:11,599 Speaker 1: because this side believes this and this side believes that. 106 00:06:11,720 --> 00:06:15,360 Speaker 1: So you know, there's a there's a different responsibility for 107 00:06:15,400 --> 00:06:19,760 Speaker 1: this generation. But again, we can't be don't nobody know everything? 108 00:06:19,800 --> 00:06:21,599 Speaker 1: Like And that's kind of where I come from a 109 00:06:21,600 --> 00:06:23,640 Speaker 1: place when with all of this and even now having 110 00:06:23,640 --> 00:06:26,719 Speaker 1: my own platform, I always say, man, you can learn 111 00:06:26,760 --> 00:06:30,120 Speaker 1: so much more from listening. So in that, in that scenario, 112 00:06:30,360 --> 00:06:32,799 Speaker 1: I want y'all do it beautifully, like y'all get cats 113 00:06:32,880 --> 00:06:37,600 Speaker 1: up here talking mad hours and just like this is 114 00:06:37,720 --> 00:06:39,320 Speaker 1: real ship. The reason why I want to ask you 115 00:06:39,320 --> 00:06:44,960 Speaker 1: this question, I don't notice answer the week you went 116 00:06:45,000 --> 00:06:50,520 Speaker 1: through what you went through. Glad TV quoted the minister 117 00:06:50,760 --> 00:06:54,360 Speaker 1: who that was heavy. It was a big mistake, made 118 00:06:54,400 --> 00:06:58,440 Speaker 1: a big mistake. He didn't get canceled. He got but 119 00:06:58,800 --> 00:07:03,720 Speaker 1: he got it looked the other way but not canceled. 120 00:07:04,000 --> 00:07:06,560 Speaker 1: You know what it is. I want you to fully 121 00:07:06,640 --> 00:07:11,440 Speaker 1: understand what I'm like. He people said ah, cool, But 122 00:07:11,800 --> 00:07:15,600 Speaker 1: there was nothing saying cancel, there's no more for black. 123 00:07:16,840 --> 00:07:21,760 Speaker 1: Why what was the difference between yours and black? Honestly, 124 00:07:21,840 --> 00:07:25,080 Speaker 1: it's the people with the power in that sense of 125 00:07:25,160 --> 00:07:31,280 Speaker 1: like the idea of when our community comes together and 126 00:07:31,320 --> 00:07:35,080 Speaker 1: say we're not messing with something, we gotta stand firm 127 00:07:35,160 --> 00:07:38,480 Speaker 1: on what where our power lies. If it's our power influence, 128 00:07:38,520 --> 00:07:41,560 Speaker 1: if it's our power numbers, if it's our empower, and 129 00:07:41,720 --> 00:07:45,680 Speaker 1: as curators, that community can say no, that's not cool, 130 00:07:45,760 --> 00:07:49,640 Speaker 1: no more. Where there's other communities where if actually the people, 131 00:07:50,080 --> 00:07:53,040 Speaker 1: whether whoever it is, if if it's your employer, if 132 00:07:53,040 --> 00:07:55,720 Speaker 1: it's someone, if it's the status quo, if it's the government, 133 00:07:55,800 --> 00:08:00,200 Speaker 1: if it's the mob rule mentality, if someone says we 134 00:08:00,200 --> 00:08:02,280 Speaker 1: gotta take that person's job from them, no, we have 135 00:08:02,360 --> 00:08:04,920 Speaker 1: to take that. And that's where and that's why my 136 00:08:05,040 --> 00:08:09,840 Speaker 1: issue would cancel culture altogether, because sometimes we get people 137 00:08:09,840 --> 00:08:12,680 Speaker 1: who have strong opinions and then you get some people 138 00:08:12,720 --> 00:08:19,080 Speaker 1: who just got strong pockets. Yeah, yeah, you gotta really 139 00:08:20,280 --> 00:08:21,920 Speaker 1: like even when you think about like, are we here 140 00:08:21,960 --> 00:08:25,120 Speaker 1: to truly punish people? Are we actually here for real repentance? 141 00:08:25,240 --> 00:08:26,760 Speaker 1: You know what I mean? Are you really trying to help. 142 00:08:26,800 --> 00:08:28,200 Speaker 1: Are you trying to go grow? Are you trying to 143 00:08:28,440 --> 00:08:30,000 Speaker 1: are you just trying to teach a lesson? Are you 144 00:08:30,080 --> 00:08:32,760 Speaker 1: trying to make an example out of somebody? That I 145 00:08:32,800 --> 00:08:35,360 Speaker 1: think that's dangerous, And that's when that's why we have 146 00:08:35,440 --> 00:08:37,320 Speaker 1: the culture of the penitentiaries now, Like if you even 147 00:08:37,320 --> 00:08:39,760 Speaker 1: think about the word penitentiaries is the root of it 148 00:08:39,800 --> 00:08:43,080 Speaker 1: is repentant to actually or even penance in that sense 149 00:08:43,080 --> 00:08:45,240 Speaker 1: to where you're supposed to heal, You're supposed you supposed 150 00:08:45,240 --> 00:08:47,560 Speaker 1: to go to these places to become better, not just 151 00:08:47,679 --> 00:08:50,480 Speaker 1: using for storages to lock niggers up. So I think 152 00:08:50,480 --> 00:08:53,480 Speaker 1: in that mentality, just see whether it's America just even 153 00:08:53,480 --> 00:08:56,959 Speaker 1: a culture that we operated now they think teaching somebody 154 00:08:57,120 --> 00:09:00,000 Speaker 1: a lesson or punishment is the right way. But if 155 00:09:00,000 --> 00:09:03,280 Speaker 1: you really trying to heal, you're trying to reconcile, you're 156 00:09:03,320 --> 00:09:07,480 Speaker 1: trying to you're trying to atone and exactly so I think, 157 00:09:07,640 --> 00:09:10,480 Speaker 1: you know, it's just really us taking it our ours 158 00:09:10,559 --> 00:09:13,360 Speaker 1: is like a small glimpse and not even a real 159 00:09:13,400 --> 00:09:16,800 Speaker 1: problem because a rich person lost their job or somebody, 160 00:09:16,800 --> 00:09:19,120 Speaker 1: you know, Like, but when you really think about our culture, 161 00:09:19,160 --> 00:09:22,840 Speaker 1: where we're just so quick to blame, judge, and then punish. 162 00:09:23,120 --> 00:09:25,720 Speaker 1: Where we don't even look like, we don't check ourselves. 163 00:09:25,760 --> 00:09:28,439 Speaker 1: We don't look for growth in education and healing in 164 00:09:28,520 --> 00:09:31,760 Speaker 1: the true process, and there's no conversation to to build 165 00:09:31,800 --> 00:09:35,360 Speaker 1: like debate. And that's why our whole culture even right 166 00:09:35,360 --> 00:09:38,960 Speaker 1: now is in a dismal place, from whether it is 167 00:09:39,040 --> 00:09:41,120 Speaker 1: people getting locked up in the penitentiaries or even the 168 00:09:41,200 --> 00:09:43,720 Speaker 1: lack of education in certain forms, and where we may 169 00:09:43,760 --> 00:09:45,760 Speaker 1: speak out of turn and we may speak something because 170 00:09:45,920 --> 00:09:48,480 Speaker 1: we're just searching. We're looking to grow and find ourselves. 171 00:09:48,520 --> 00:09:50,440 Speaker 1: We want to we only want truth. We want to 172 00:09:50,440 --> 00:09:52,079 Speaker 1: live our truth. We want to speak truth, we want 173 00:09:52,080 --> 00:09:54,800 Speaker 1: to learn truth. But if it's if you've been brainwashing 174 00:09:54,880 --> 00:09:57,040 Speaker 1: us for so many years and decades and got us 175 00:09:57,040 --> 00:09:59,839 Speaker 1: going in the wrong direction, it's like, well, come on, man, 176 00:10:00,040 --> 00:10:03,520 Speaker 1: we're really gonna get to it. Unless I want communities 177 00:10:03,559 --> 00:10:05,640 Speaker 1: that are affluent show us how you got that way. 178 00:10:05,679 --> 00:10:08,200 Speaker 1: I want the communities that own the block show us 179 00:10:08,200 --> 00:10:10,679 Speaker 1: how like give us those same opportunities, you know what 180 00:10:10,720 --> 00:10:14,200 Speaker 1: I mean. So, whether it's the idea of gentrification, whereas 181 00:10:14,600 --> 00:10:16,839 Speaker 1: it's social equity, all of these things we got to 182 00:10:16,920 --> 00:10:20,160 Speaker 1: really bring back and into our communities to our next 183 00:10:20,200 --> 00:10:23,040 Speaker 1: young generation because niggas is getting money now, but now 184 00:10:23,200 --> 00:10:25,400 Speaker 1: how you get money? Yeah, but how we keeping it? 185 00:10:26,040 --> 00:10:27,400 Speaker 1: You know what I mean, Because we're getting it and 186 00:10:27,440 --> 00:10:30,160 Speaker 1: then we're giving it right back to him. So it's like, yo, 187 00:10:30,240 --> 00:10:32,959 Speaker 1: let's figure out how to And that's realistically, ain't buying 188 00:10:33,240 --> 00:10:38,320 Speaker 1: they buying Gucci, They ain't buying an incredible estate. When 189 00:10:38,360 --> 00:10:40,679 Speaker 1: I traveled, I've been like I went to Columbia, went 190 00:10:40,720 --> 00:10:45,480 Speaker 1: to this this really bad neighborhood called right it's one 191 00:10:45,480 --> 00:10:48,480 Speaker 1: of the when in men the Pablo escal Bar like that. 192 00:10:48,640 --> 00:10:51,920 Speaker 1: It was really terrible and now it's open for tourism. 193 00:10:52,000 --> 00:10:53,840 Speaker 1: And when I was there, the only words that came 194 00:10:53,840 --> 00:10:58,400 Speaker 1: to mids reverse gentrification, because they the neighborhood was still intact, 195 00:10:58,480 --> 00:11:01,840 Speaker 1: the people were still there, it wasn't hadn't changed, but 196 00:11:01,880 --> 00:11:04,839 Speaker 1: they took control of their neighborhood and they made it 197 00:11:05,000 --> 00:11:08,320 Speaker 1: almost like a tourist destination. And then hip hop is 198 00:11:08,360 --> 00:11:10,240 Speaker 1: one of the biggest parts of it. It's like graffiti, 199 00:11:10,400 --> 00:11:12,640 Speaker 1: the B Boys are the mcs, and I feel like 200 00:11:12,640 --> 00:11:15,320 Speaker 1: that's something that we should lest here exactly, just really 201 00:11:15,440 --> 00:11:17,840 Speaker 1: like and that's even I mean, you know, I'm doing 202 00:11:17,840 --> 00:11:19,800 Speaker 1: my talk show out of Hard. I'm doing a Christmas 203 00:11:19,800 --> 00:11:22,760 Speaker 1: movie and Hard like I'm really trying to rebuild Harlem. 204 00:11:22,800 --> 00:11:25,160 Speaker 1: A is that entertainment oasis, that place like that's where 205 00:11:25,160 --> 00:11:27,679 Speaker 1: all of our culture comes from. We wouldn't if I'm 206 00:11:27,720 --> 00:11:29,560 Speaker 1: taking it all the way back to the jazz days, 207 00:11:29,559 --> 00:11:32,400 Speaker 1: to the Renaissance dates, to those times where if if 208 00:11:32,440 --> 00:11:35,960 Speaker 1: you were working uptown, if you were in Harlem, you know, 209 00:11:36,120 --> 00:11:39,200 Speaker 1: every white folks was on Broadway downtown. But this is 210 00:11:39,200 --> 00:11:42,440 Speaker 1: where our culture was bred from jazz music, which then 211 00:11:42,720 --> 00:11:46,240 Speaker 1: came hip hop, where you know, from from stage and 212 00:11:46,320 --> 00:11:49,160 Speaker 1: theater acting, which became the movie. So it's like, I'm 213 00:11:49,160 --> 00:11:53,679 Speaker 1: just trying to show, you know, we have the really 214 00:11:53,760 --> 00:11:58,200 Speaker 1: the invaluable, priceless equity in a place like a Harlem 215 00:11:58,240 --> 00:12:01,680 Speaker 1: and in place like New Orleans, place like Atlanta, like 216 00:12:02,120 --> 00:12:04,719 Speaker 1: when becomes the greater history of our country. On top 217 00:12:04,760 --> 00:12:07,520 Speaker 1: of that, exactly our culture as a country, and like 218 00:12:07,559 --> 00:12:10,400 Speaker 1: we were the ones that recorded the stories where the storytellers, 219 00:12:10,440 --> 00:12:12,280 Speaker 1: whether it's in the form of poetry, whether it's in 220 00:12:12,320 --> 00:12:14,560 Speaker 1: the form of music, whether it's in the form of 221 00:12:15,440 --> 00:12:17,840 Speaker 1: just the Lengthston Hughes and the Maya Andel lose all 222 00:12:17,840 --> 00:12:20,400 Speaker 1: of those types of people are the true Jaganism, the 223 00:12:20,440 --> 00:12:25,320 Speaker 1: people who actually record as Grio's and uh in that 224 00:12:25,400 --> 00:12:28,320 Speaker 1: sense for this generation. So I think even what y'all 225 00:12:28,360 --> 00:12:31,680 Speaker 1: do here each and every episode, I'm learning, I'm hearing 226 00:12:31,720 --> 00:12:35,560 Speaker 1: story that point we have really recording our history. But 227 00:12:35,800 --> 00:12:37,280 Speaker 1: we're gonna we got to get straight to the point. 228 00:12:37,480 --> 00:12:39,440 Speaker 1: Let's get the ship we got we got. It's called 229 00:12:39,520 --> 00:12:41,480 Speaker 1: quick time with Slim and then we're gonna get to 230 00:12:41,679 --> 00:12:45,360 Speaker 1: your you director. But twick time with Slim is you 231 00:12:45,360 --> 00:12:49,080 Speaker 1: could pick one or two, all right, but if you 232 00:12:49,160 --> 00:12:54,800 Speaker 1: pick one both, if you pick both, it's a shot. 233 00:12:54,880 --> 00:12:56,440 Speaker 1: And this is even if I don't drink, I can't, 234 00:12:56,480 --> 00:13:00,600 Speaker 1: I can't hit the blood. You can tell dream We 235 00:13:00,600 --> 00:13:02,520 Speaker 1: we did it. The last time we did. We went 236 00:13:02,559 --> 00:13:06,439 Speaker 1: to Wild. I wasn't there when y'all y'all drinking the restaurant. 237 00:13:06,800 --> 00:13:09,120 Speaker 1: It was not our style. We did it for you, 238 00:13:09,200 --> 00:13:11,199 Speaker 1: and I appreciated. Get you out of your style. Do 239 00:13:12,120 --> 00:13:17,080 Speaker 1: you know what drink? So listen, and we got some 240 00:13:17,160 --> 00:13:19,719 Speaker 1: black excellent sis. So I prefer you drink some rock. 241 00:13:19,920 --> 00:13:22,080 Speaker 1: You had me drink hennessy lad when you get you 242 00:13:22,200 --> 00:13:25,280 Speaker 1: drink though you drink made me drilling. You didn't even 243 00:13:25,360 --> 00:13:29,400 Speaker 1: drink at all tasted. Come on, we're gonna drink some 244 00:13:29,400 --> 00:13:31,760 Speaker 1: black excellence. So we got to prefer what do you mean, 245 00:13:32,280 --> 00:13:34,760 Speaker 1: I don't know what. I prefer you coldrink being why 246 00:13:34,760 --> 00:13:37,079 Speaker 1: you could drink my one? I don't know. Give me 247 00:13:37,120 --> 00:13:40,480 Speaker 1: what happened that drink black? Give me the speak black 248 00:13:41,120 --> 00:13:48,599 Speaker 1: Domerican excellent or Colombia Mexican excellent. We all think this 249 00:13:49,160 --> 00:13:52,480 Speaker 1: was a shot. It's literally so I just got to 250 00:13:52,480 --> 00:13:54,880 Speaker 1: play the game correct. But the game converg don't have 251 00:13:54,960 --> 00:13:56,480 Speaker 1: to take a shot, but you should take a shot. 252 00:13:56,840 --> 00:13:58,800 Speaker 1: This is what everyone for and we take a shot 253 00:13:58,880 --> 00:14:01,280 Speaker 1: with you. I't to take a shot for you to ye, 254 00:14:02,000 --> 00:14:03,600 Speaker 1: I'm gonna take a shot to you. We're gonna take 255 00:14:03,600 --> 00:14:06,040 Speaker 1: a let's just start it off. Let's just let's just 256 00:14:06,360 --> 00:14:10,800 Speaker 1: get the band aid off the ship. Jay Z, take 257 00:14:10,840 --> 00:14:16,320 Speaker 1: your shot, easy, jay Z? Oh really? Oh? I don't 258 00:14:16,320 --> 00:14:18,200 Speaker 1: think that was gonna be easy. That was easy, Okay. 259 00:14:18,280 --> 00:14:25,760 Speaker 1: Respect A loyal to you? Respect because motherfucker ain't nobody loyal, 260 00:14:26,760 --> 00:14:28,840 Speaker 1: so you might as well respect. I'm not expecting you 261 00:14:28,960 --> 00:14:31,360 Speaker 1: to be loyal, but if they were loyal, they would 262 00:14:31,400 --> 00:14:34,160 Speaker 1: respect you. Though if they wasn't disrespecting because you because 263 00:14:34,320 --> 00:14:42,320 Speaker 1: ain't nobody loyal damn, but they ain't nobody's ship. I 264 00:14:42,440 --> 00:14:46,600 Speaker 1: totally agree and disagree. I don't want to agree. I 265 00:14:46,640 --> 00:14:50,880 Speaker 1: want to feel motherfucker's too loyal. But even still, I 266 00:14:51,040 --> 00:14:56,960 Speaker 1: told you, and they still stay suspect suspect. That's even 267 00:14:57,000 --> 00:14:59,880 Speaker 1: because they look, what are they loyal too? They just 268 00:15:00,280 --> 00:15:04,520 Speaker 1: they just Lloyd don't know nothing else exactly. That's yeah, 269 00:15:04,680 --> 00:15:09,440 Speaker 1: but everybody tell different. Alright, cool shit, alright, cool you 270 00:15:10,240 --> 00:15:12,680 Speaker 1: to be off this one. You're taking the shot to 271 00:15:12,880 --> 00:15:24,120 Speaker 1: all right, Tupaca DMX, that is definitely and just watching 272 00:15:24,120 --> 00:15:26,200 Speaker 1: you gotta you gotta be even on this one. Take 273 00:15:26,280 --> 00:15:30,360 Speaker 1: the shot, even take the shot, take the shot, Take 274 00:15:30,440 --> 00:15:32,840 Speaker 1: the shot out of that. I'm gonna take this shot 275 00:15:32,960 --> 00:15:37,240 Speaker 1: because as much as I love Tupac, as much as 276 00:15:37,280 --> 00:15:40,640 Speaker 1: I admirebly the game he changed, he's the most influential 277 00:15:40,720 --> 00:15:43,720 Speaker 1: black man since Martin Luther King in the last fifty years, 278 00:15:43,760 --> 00:15:49,480 Speaker 1: there's no more influential black male than tupacs court. But 279 00:15:49,600 --> 00:15:54,280 Speaker 1: I gotta go with DMX. I gotta go with X 280 00:15:54,520 --> 00:16:02,120 Speaker 1: because about that before even say why your your answer 281 00:16:02,280 --> 00:16:04,240 Speaker 1: was so good that I'm taking a shot for you. 282 00:16:06,640 --> 00:16:09,800 Speaker 1: I'm taking the shot for you serve to take a 283 00:16:09,880 --> 00:16:12,640 Speaker 1: shot for him. Now he right there, he right there. 284 00:16:12,720 --> 00:16:20,240 Speaker 1: That's literally, bro, Bro, I got a chest. Yeah, that's that. Yeah, 285 00:16:20,320 --> 00:16:30,000 Speaker 1: And that's and just one you thought you that's black, 286 00:16:32,120 --> 00:16:35,560 Speaker 1: you bet you just on multiple occasions from you know, 287 00:16:35,680 --> 00:16:37,680 Speaker 1: obviously we've you know, been in this for a minute, 288 00:16:38,160 --> 00:16:41,000 Speaker 1: and even when I was a young dude in the game, 289 00:16:41,360 --> 00:16:44,400 Speaker 1: just like trying to come up and seeing him, you know, 290 00:16:44,560 --> 00:16:47,600 Speaker 1: backstage on toward the hard knock love, toward all of 291 00:16:47,640 --> 00:16:49,840 Speaker 1: that stuff, and just watch how he operated, how he 292 00:16:49,960 --> 00:16:52,360 Speaker 1: was a true general and a gentleman all at the 293 00:16:52,440 --> 00:16:56,720 Speaker 1: same you know what I mean. Like the women, women 294 00:16:56,840 --> 00:17:01,160 Speaker 1: loved them, respected him. They're like, remember, we wanted that respect. 295 00:17:01,200 --> 00:17:03,880 Speaker 1: It's not money, power, loyalty. It's about going back to 296 00:17:03,920 --> 00:17:07,119 Speaker 1: the respect, the level of respect that he had in 297 00:17:07,200 --> 00:17:10,040 Speaker 1: the level of respect he had for people, so passionate 298 00:17:10,200 --> 00:17:13,120 Speaker 1: all the way to cut the Twenty something years later, 299 00:17:13,440 --> 00:17:15,680 Speaker 1: I get a random call when we're doing you know, 300 00:17:15,800 --> 00:17:18,159 Speaker 1: the Doctor Savy interview, and he said he hearing all 301 00:17:18,160 --> 00:17:20,240 Speaker 1: about all all this stuff from from that point to 302 00:17:20,359 --> 00:17:22,440 Speaker 1: all of the stuff I started going through. X called 303 00:17:22,520 --> 00:17:24,760 Speaker 1: me and I was like, man, I know you, I 304 00:17:25,760 --> 00:17:28,280 Speaker 1: got your back be careful. You know what I mean. 305 00:17:28,320 --> 00:17:30,520 Speaker 1: He's like they like like, He's like, I know what 306 00:17:30,640 --> 00:17:33,280 Speaker 1: you up against. I salute you. If you ever need me, 307 00:17:33,359 --> 00:17:36,200 Speaker 1: just out the blue and just like and and of 308 00:17:36,280 --> 00:17:38,280 Speaker 1: course pray with me, you know what I mean. Like, 309 00:17:38,400 --> 00:17:40,520 Speaker 1: So that's what I'm saying. As much as I love Tupac, 310 00:17:40,960 --> 00:17:45,440 Speaker 1: I got, I admire Tupac, I love X like. That's 311 00:17:45,440 --> 00:17:47,720 Speaker 1: a real one. So all right, let's keep keeping the 312 00:17:47,760 --> 00:17:50,920 Speaker 1: move with Miami or l A. Are we just talking 313 00:17:50,960 --> 00:17:55,240 Speaker 1: about whether women we whatever? Whatever the criteria your mind is, 314 00:17:55,800 --> 00:17:58,879 Speaker 1: you can take a shot. Oh you know, Oh you 315 00:17:58,920 --> 00:18:02,399 Speaker 1: can't remember you and Miam, have you asked me this 316 00:18:02,480 --> 00:18:05,040 Speaker 1: about ten years ago? They definitely probably said, Miami, get 317 00:18:05,080 --> 00:18:11,359 Speaker 1: it way too complicated, Okay, a cool wet all the reason, 318 00:18:11,960 --> 00:18:17,040 Speaker 1: the West end fact. Okay, you gotta get home the 319 00:18:17,320 --> 00:18:21,560 Speaker 1: nineties hip hop or two thousand nineties. That's a great question. 320 00:18:21,600 --> 00:18:28,680 Speaker 1: So what would murder count said this one? I swear 321 00:18:28,720 --> 00:18:31,920 Speaker 1: you gotta take a shot for this for real or 322 00:18:32,000 --> 00:18:36,359 Speaker 1: call you Kanye he's quit. Yeah, and I work with 323 00:18:36,440 --> 00:18:40,760 Speaker 1: the whoa day. I did not expect that I got 324 00:18:40,880 --> 00:18:42,480 Speaker 1: a for real story too, but I wanted to do 325 00:18:43,480 --> 00:18:48,199 Speaker 1: we might get no, I work with both of them, 326 00:18:48,320 --> 00:18:50,240 Speaker 1: love and admire both of them, and people don't know 327 00:18:50,320 --> 00:18:52,520 Speaker 1: I came in the game as like a producer DJ 328 00:18:52,760 --> 00:18:54,600 Speaker 1: like that's I didn't even really want to be a rapper, 329 00:18:54,720 --> 00:18:56,720 Speaker 1: but because I was on television and doing so, I 330 00:18:56,880 --> 00:19:01,080 Speaker 1: really I was. I was jealous of how dope those 331 00:19:01,160 --> 00:19:04,399 Speaker 1: dudes were, you know what I mean, like specifically Farrell 332 00:19:04,480 --> 00:19:07,440 Speaker 1: and Kanye, and I felt like I actually met Pharrell first, 333 00:19:07,960 --> 00:19:11,320 Speaker 1: and you know, rest in peace to a man. Chris 334 00:19:11,520 --> 00:19:14,679 Speaker 1: Lyti he put me with. I was I was managed 335 00:19:14,680 --> 00:19:17,320 Speaker 1: by Chris Lotty, so this is what late nineties, yeah, 336 00:19:17,480 --> 00:19:21,560 Speaker 1: like nineties seven, I think it was something like that. 337 00:19:22,119 --> 00:19:26,879 Speaker 1: Um and he was job yeah yeah, and Chris was 338 00:19:26,960 --> 00:19:30,840 Speaker 1: my manager and he sent me. He said he flew 339 00:19:30,920 --> 00:19:32,480 Speaker 1: me because I was young. I can't even I don't 340 00:19:32,480 --> 00:19:34,320 Speaker 1: think I could fly by myself. He flew with me 341 00:19:34,640 --> 00:19:37,040 Speaker 1: to Virginia and then he was like, I'm man introduced 342 00:19:37,040 --> 00:19:39,639 Speaker 1: you to these kids out here in Nepportunes And he 343 00:19:39,840 --> 00:19:42,080 Speaker 1: was telling me about he's working with Hues where he 344 00:19:42,440 --> 00:19:45,159 Speaker 1: did the shake yass and all this stuff. And I 345 00:19:45,280 --> 00:19:49,119 Speaker 1: just keep it real break That's what I'm saying. Like 346 00:19:49,440 --> 00:19:53,199 Speaker 1: the number one number I'm gonna be a cat from 347 00:19:53,240 --> 00:19:55,440 Speaker 1: the West Coast. I knew. I didn't know the producers were. 348 00:19:55,800 --> 00:19:58,159 Speaker 1: I just know that was like a dope, interesting sound. 349 00:19:58,640 --> 00:20:00,280 Speaker 1: And I hadn't put two and two together other that 350 00:20:00,400 --> 00:20:05,440 Speaker 1: the same dude that ye doing this new jay Z 351 00:20:05,640 --> 00:20:08,000 Speaker 1: record that was about to start, Like I'm hearing all 352 00:20:08,040 --> 00:20:10,040 Speaker 1: of this stuff, and he was like, Yo, these are 353 00:20:10,080 --> 00:20:12,879 Speaker 1: the dudes, And like I get to that like studio 354 00:20:12,960 --> 00:20:15,200 Speaker 1: in Virginia and I see this dude with like this 355 00:20:15,400 --> 00:20:19,200 Speaker 1: big belt buckle on a porn stash and the trucker hat. 356 00:20:19,280 --> 00:20:21,320 Speaker 1: I was like, Yo, you're about to leave me with them? 357 00:20:22,800 --> 00:20:33,199 Speaker 1: That it was for real? Yeah, yeah, the chat all 358 00:20:33,400 --> 00:20:35,760 Speaker 1: at the same he was on his trucker ship at 359 00:20:35,800 --> 00:20:38,520 Speaker 1: the time and then which fawned the whole fashion trip 360 00:20:39,320 --> 00:20:41,720 Speaker 1: Dutch and all of that ship. So like he was 361 00:20:46,840 --> 00:20:49,280 Speaker 1: always there, like ahead of his time and all of that. 362 00:20:49,400 --> 00:20:51,959 Speaker 1: But I didn't know, Like literally, Chris flew. Chris had 363 00:20:52,000 --> 00:20:54,720 Speaker 1: ship to do, he had real artists, and so he 364 00:20:54,800 --> 00:20:56,199 Speaker 1: flew me and then flew and I was like, Yo, 365 00:20:56,280 --> 00:21:00,200 Speaker 1: you're gonna leave me with fucking strangers, and yo, we 366 00:21:00,320 --> 00:21:03,040 Speaker 1: got in the studio, we got to it, and it 367 00:21:03,240 --> 00:21:06,040 Speaker 1: was it was interesting because I was wanting, you know, 368 00:21:06,640 --> 00:21:09,480 Speaker 1: that gangster like and he gave me one like Michael Jackson. 369 00:21:12,400 --> 00:21:15,200 Speaker 1: And this is like, there wasn't the net tune jet like. 370 00:21:15,280 --> 00:21:17,359 Speaker 1: They was just they had one of two joints that 371 00:21:17,440 --> 00:21:19,760 Speaker 1: was popping and he gave me some ship and so 372 00:21:19,800 --> 00:21:21,760 Speaker 1: they were in the household name as producers. Nah he 373 00:21:21,840 --> 00:21:23,720 Speaker 1: still had and that was the thing. It was funny 374 00:21:23,800 --> 00:21:27,320 Speaker 1: they had and I hear hear about uh pushing T 375 00:21:27,600 --> 00:21:30,200 Speaker 1: and Malice was both in the studio and they was 376 00:21:30,280 --> 00:21:32,960 Speaker 1: like coming to help and I was like, no, I'm good. 377 00:21:33,000 --> 00:21:35,000 Speaker 1: I got my own. He was like trying to say 378 00:21:35,119 --> 00:21:37,920 Speaker 1: right now, what you're trying to say that they the 379 00:21:37,960 --> 00:21:44,560 Speaker 1: ghost right? Yeah, don't nobody right for ghost right for 380 00:21:44,760 --> 00:21:47,280 Speaker 1: Nick motherfucker kid. They was there and I was like, 381 00:21:47,640 --> 00:21:50,120 Speaker 1: that's what you said. I respected. But I was like, yeah, 382 00:21:50,119 --> 00:21:52,399 Speaker 1: I could get down on my own and you know, 383 00:21:52,560 --> 00:21:54,560 Speaker 1: we was rapping doing all of that stuff. And they 384 00:21:54,680 --> 00:21:56,840 Speaker 1: was like oh, because again in their mind, I was 385 00:21:56,920 --> 00:21:59,919 Speaker 1: the kid from Nickelodeon. So and Chris Lottey was bring 386 00:22:00,040 --> 00:22:02,240 Speaker 1: and he was like, you know, he's about to be big, 387 00:22:02,440 --> 00:22:04,760 Speaker 1: He's about to go do a movie soon, and like 388 00:22:04,880 --> 00:22:08,600 Speaker 1: this is this is this is the Holy Molly. Sorry, right, 389 00:22:09,440 --> 00:22:11,120 Speaker 1: I was gonna say the Nigga version of it. I'm 390 00:22:11,160 --> 00:22:14,160 Speaker 1: trying to stop saying. So this is the Black Molly. 391 00:22:16,040 --> 00:22:23,040 Speaker 1: This fifteen years before Moy. But again, like and I 392 00:22:23,119 --> 00:22:25,600 Speaker 1: had early on before that, I was signed to Will Smith. 393 00:22:25,720 --> 00:22:28,120 Speaker 1: So that's why that moniker was like, he's the next 394 00:22:28,160 --> 00:22:30,359 Speaker 1: Fresh Prince, He's the next Will Smith and that, and 395 00:22:30,520 --> 00:22:32,720 Speaker 1: I was on Nickelodeon. So by the time I got 396 00:22:32,800 --> 00:22:35,159 Speaker 1: dropped off to the net tunes, they had already had 397 00:22:35,200 --> 00:22:38,680 Speaker 1: like the Little rug Rats theme in mind. I had prepared, 398 00:22:38,760 --> 00:22:41,120 Speaker 1: but in the wrong way for you. Yeah, so, my mom, 399 00:22:41,840 --> 00:22:43,320 Speaker 1: all I want to do is be a producer in 400 00:22:43,359 --> 00:22:45,840 Speaker 1: the DJ DJ And since I was sixteen, I was like, 401 00:22:46,359 --> 00:22:48,119 Speaker 1: I made my own b I played a record for 402 00:22:48,240 --> 00:22:52,680 Speaker 1: for real and I had sampled uh LLL's Big Old 403 00:22:52,720 --> 00:22:57,280 Speaker 1: but which is like it happened. Yeah, I just reversed it. Yeah, 404 00:22:57,720 --> 00:23:00,119 Speaker 1: and it was it was dope. It was just like 405 00:23:00,800 --> 00:23:02,560 Speaker 1: a loop and I had, you know, put the little 406 00:23:02,600 --> 00:23:05,240 Speaker 1: reverse on it, and I had to. I kind of 407 00:23:05,520 --> 00:23:09,080 Speaker 1: took the hook from you know, k Solos, your mom's 408 00:23:09,080 --> 00:23:11,320 Speaker 1: and my business. You know, I was doing that ship 409 00:23:11,840 --> 00:23:13,320 Speaker 1: and I was like, I'm flipping and was like, Yo, 410 00:23:13,400 --> 00:23:15,960 Speaker 1: your pops don't like me. He don't like me. And 411 00:23:16,080 --> 00:23:18,520 Speaker 1: I was doing this whole ship and it was a vibe. 412 00:23:19,320 --> 00:23:20,720 Speaker 1: But for I was like, now we gotta go a 413 00:23:20,800 --> 00:23:22,239 Speaker 1: little bit and he was like that's a little too 414 00:23:22,320 --> 00:23:24,600 Speaker 1: hip hop. He's like, we gotta go for your audience 415 00:23:24,640 --> 00:23:27,879 Speaker 1: with the kids want and like literally he gave me 416 00:23:28,000 --> 00:23:31,520 Speaker 1: this ship. Ain't had no kid, no snare. That ship 417 00:23:31,720 --> 00:23:35,399 Speaker 1: was like it was it was it was rugrats, but 418 00:23:35,520 --> 00:23:38,600 Speaker 1: I was rhyming over it and like it probably would 419 00:23:38,600 --> 00:23:41,000 Speaker 1: have worked. But like from that moment, I was like, yo, 420 00:23:41,200 --> 00:23:43,800 Speaker 1: I see how people's vision to me are gonna be. 421 00:23:43,960 --> 00:23:46,760 Speaker 1: For trying to change career, I gotta show people that 422 00:23:47,359 --> 00:23:49,119 Speaker 1: I am the hip hop even though I get like, 423 00:23:49,320 --> 00:23:51,120 Speaker 1: you know, I could check all of these boxes over 424 00:23:51,200 --> 00:23:54,520 Speaker 1: here and it's like and I don't don't think about 425 00:23:54,560 --> 00:23:56,480 Speaker 1: for I was like, we're gonna do this one, and 426 00:23:57,040 --> 00:24:02,680 Speaker 1: we're gonna do the one that you want. He put 427 00:24:02,720 --> 00:24:10,119 Speaker 1: it I think I had first. He was yeah, he 428 00:24:10,359 --> 00:24:13,200 Speaker 1: wi up to like even his own career. He went, 429 00:24:13,320 --> 00:24:15,240 Speaker 1: he knew what it was. I was just as a kid, 430 00:24:15,440 --> 00:24:18,640 Speaker 1: always trying to run from that nickelodeon. You know, even 431 00:24:18,720 --> 00:24:22,200 Speaker 1: Fresh Prince persona because I wanted to be a producer. 432 00:24:22,240 --> 00:24:23,720 Speaker 1: I wanted to be I wanted to be Kanye, I 433 00:24:23,760 --> 00:24:25,600 Speaker 1: wanted to be for real. I wanted to be these 434 00:24:25,680 --> 00:24:29,000 Speaker 1: guys who had the opportunity to cross genres but at 435 00:24:29,040 --> 00:24:32,240 Speaker 1: the same time be so influential into the hip hop 436 00:24:32,320 --> 00:24:35,840 Speaker 1: culture because as a kid growing up Djan Ramping all 437 00:24:35,880 --> 00:24:40,040 Speaker 1: of that, it's ah it kind of I grew up 438 00:24:40,320 --> 00:24:43,720 Speaker 1: two spots. I was born and raised in San Diego, California, 439 00:24:43,840 --> 00:24:45,480 Speaker 1: and then you know, I would go back and forth 440 00:24:45,560 --> 00:24:48,160 Speaker 1: to North Carolina. You know, that's what my pop stage, 441 00:24:48,280 --> 00:24:50,560 Speaker 1: like the whole Boys in the Hood story. My mom 442 00:24:50,640 --> 00:24:54,040 Speaker 1: thought I was old enough to escape the gang violence 443 00:24:54,119 --> 00:24:56,960 Speaker 1: in the in my neighborhood, shipped me out to North 444 00:24:57,040 --> 00:25:00,399 Speaker 1: Carolina to my pops. But yeah, that's what's so you 445 00:25:00,440 --> 00:25:02,440 Speaker 1: know that, I always said, that's that's my story when 446 00:25:02,440 --> 00:25:04,960 Speaker 1: it comes to like Yo, even my entry into the game, 447 00:25:05,160 --> 00:25:07,800 Speaker 1: like even like to be to be down with Violator man, 448 00:25:07,920 --> 00:25:10,480 Speaker 1: it was a dream come true, Like I always every 449 00:25:10,480 --> 00:25:12,320 Speaker 1: time I see Ard, we talked about it. Like the 450 00:25:12,359 --> 00:25:14,760 Speaker 1: first time my medal was at Chris Lidy's house. I 451 00:25:14,800 --> 00:25:17,119 Speaker 1: feel like it was like a Christmas party a holiday party. 452 00:25:18,119 --> 00:25:22,520 Speaker 1: Yeah yeah, and in Jersey and like just I felt 453 00:25:22,560 --> 00:25:25,119 Speaker 1: I had to violated a Rex the all black with 454 00:25:25,320 --> 00:25:26,840 Speaker 1: the B on the back. I was like, yo, I'm 455 00:25:26,960 --> 00:25:30,359 Speaker 1: hip hop. Yeah that and that was really like a 456 00:25:30,480 --> 00:25:33,119 Speaker 1: time where that Yeah, Chris, I was in the I 457 00:25:33,200 --> 00:25:36,040 Speaker 1: was in the tunnel with the violator jacket on. But 458 00:25:36,280 --> 00:25:38,320 Speaker 1: you know, you know what I forgot. We were still 459 00:25:40,400 --> 00:25:42,560 Speaker 1: you know, when we could we couldn't we had, but 460 00:25:42,680 --> 00:25:52,520 Speaker 1: that was so it was so great I couldn't stop. Okay, 461 00:25:54,160 --> 00:26:00,560 Speaker 1: this is a trick question. Okay, Oh, I'm gonna go 462 00:26:00,640 --> 00:26:04,200 Speaker 1: with Mace. I gotta go with Maze, just because I'm 463 00:26:04,600 --> 00:26:06,880 Speaker 1: I'm a Mazed fan, like just from like in Mace 464 00:26:06,960 --> 00:26:09,800 Speaker 1: came before camp in Mies from what Let's just finish 465 00:26:09,840 --> 00:26:13,560 Speaker 1: these quick time slim wind on Champagne on drinks and 466 00:26:13,640 --> 00:26:15,960 Speaker 1: I go to Champagne. I probably have more champagne. Get 467 00:26:15,960 --> 00:26:19,280 Speaker 1: you a shot, though already took one. Cardi B or 468 00:26:20,160 --> 00:26:27,480 Speaker 1: Nicky Manaj Nicki Minaj Puff or dre oh oh and 469 00:26:27,720 --> 00:26:39,320 Speaker 1: U West Coast damn shot a shot. I love it. 470 00:26:39,920 --> 00:26:41,719 Speaker 1: I love you playing the game. I thought you wouldn't. 471 00:26:41,840 --> 00:26:44,520 Speaker 1: I thought you wouldn't play the game. I love you 472 00:26:44,600 --> 00:26:51,120 Speaker 1: play the game. Hold on, man, he already took it down. 473 00:26:51,880 --> 00:26:57,879 Speaker 1: He got it over. Remember you gotta work today. Sho 474 00:26:58,680 --> 00:27:07,520 Speaker 1: we work it right now? Podcasts or radio radio? How 475 00:27:07,560 --> 00:27:10,679 Speaker 1: long the radio show been running? I mean I've been 476 00:27:10,720 --> 00:27:15,960 Speaker 1: on radio since two since two thousand ten. But that's 477 00:27:16,000 --> 00:27:18,320 Speaker 1: my syndicated show, you know, the one that power went 478 00:27:18,359 --> 00:27:20,520 Speaker 1: on six probably last few years. We're not third years now, 479 00:27:21,200 --> 00:27:25,800 Speaker 1: so it's been a while. That's what I said. Radio 480 00:27:25,920 --> 00:27:29,720 Speaker 1: is when none of us be if it went for radio, absolutely, okay, 481 00:27:30,280 --> 00:27:37,760 Speaker 1: major or independent. I'm gonna go with major first time. 482 00:27:39,720 --> 00:27:42,040 Speaker 1: He man, Hey man, hey man, you gotta get one 483 00:27:42,080 --> 00:27:52,399 Speaker 1: every once in a while. He count said that. I 484 00:27:52,400 --> 00:28:00,600 Speaker 1: always say independent Queen La MC like, oh you can 485 00:28:00,680 --> 00:28:05,639 Speaker 1: pull your own shots. Come on, you can't. You can't choose. 486 00:28:05,680 --> 00:28:08,359 Speaker 1: Come on please? Now? Are we're going just mcs? I 487 00:28:08,400 --> 00:28:11,640 Speaker 1: mean whatever? You you want to go light? Damn ain't 488 00:28:11,840 --> 00:28:15,120 Speaker 1: you to do? Got to wear more hits then, Queen 489 00:28:15,160 --> 00:28:19,960 Speaker 1: Latifa hits? Are we starting the conversation hit? I don't 490 00:28:20,280 --> 00:28:26,640 Speaker 1: think I'm saying like Queen teeth Star, but she got 491 00:28:26,640 --> 00:28:31,119 Speaker 1: of hits? What are you working about? I love ladies 492 00:28:32,200 --> 00:28:37,640 Speaker 1: actually doing right now? That would be versus it would 493 00:28:37,680 --> 00:28:44,080 Speaker 1: be clean. I don't I don't think that MC light 494 00:28:44,280 --> 00:28:48,680 Speaker 1: not rock your party, ruck neck Georgie Porgy payment come 495 00:28:48,720 --> 00:28:54,840 Speaker 1: on with Queen Latifa and you sing the body? Are 496 00:28:54,880 --> 00:29:01,720 Speaker 1: you une? Forget that? You you got things? We're gonna 497 00:29:01,720 --> 00:29:04,600 Speaker 1: we're gonna site the record, but I guarantee you that 498 00:29:04,800 --> 00:29:07,800 Speaker 1: it's pretty at the least at the least press dressed 499 00:29:07,800 --> 00:29:14,120 Speaker 1: to a press ready to party. You right, I'm just 500 00:29:14,160 --> 00:29:17,560 Speaker 1: saying it's pretty. Cleiler teth is a bigger star, probably 501 00:29:17,600 --> 00:29:25,040 Speaker 1: more influence EMC. Yeah, yeah, cleck Teva would say MC light, 502 00:29:25,160 --> 00:29:27,080 Speaker 1: I don't think so. WHOA. I mean, maybe she would 503 00:29:27,120 --> 00:29:30,640 Speaker 1: have to respect Nick going way too far and we 504 00:29:31,400 --> 00:29:34,200 Speaker 1: ain't both him on out of both of them, but 505 00:29:35,320 --> 00:29:37,840 Speaker 1: that would be an amazing versus it would be shift. 506 00:29:37,880 --> 00:29:39,960 Speaker 1: You're gonna sponsor that on wilding out there? It is, 507 00:29:41,320 --> 00:29:44,640 Speaker 1: and because mc light has been on wilding out multiple 508 00:29:51,160 --> 00:29:54,200 Speaker 1: I'm I'm a Light fan. No, we like fans to 509 00:29:56,040 --> 00:30:01,800 Speaker 1: j cole O Kinden, Oh, I actually have. I ain't 510 00:30:01,800 --> 00:30:03,720 Speaker 1: gonna explain it. I'm gonna just go ahead and go 511 00:30:04,520 --> 00:30:10,920 Speaker 1: Kendrick and I did. But yeah, I'm gonna ken because 512 00:30:10,920 --> 00:30:12,360 Speaker 1: we're still in the mind we can come back to it, 513 00:30:12,400 --> 00:30:15,040 Speaker 1: but I love them both. But if we're just gonna 514 00:30:15,080 --> 00:30:18,440 Speaker 1: go all right, cool, we're gonna come back to that question. 515 00:30:18,760 --> 00:30:25,000 Speaker 1: Foxy a little kill, little Kim quick Jeez, Biggie or 516 00:30:25,080 --> 00:30:32,880 Speaker 1: big put Binkie the brown or Jordan Jordan well here 517 00:30:32,920 --> 00:30:37,400 Speaker 1: looking away now, I don't want to know. Two shot 518 00:30:39,000 --> 00:30:42,080 Speaker 1: three is more lucky number three, more lucky number holy 519 00:30:42,120 --> 00:30:46,160 Speaker 1: more we was we We crossed over a lot of ship, 520 00:30:47,960 --> 00:30:50,479 Speaker 1: a lot of ship. But Nick, one thing for sure too, 521 00:30:50,560 --> 00:30:57,360 Speaker 1: things for certain. I feel like you sucked everyone. These 522 00:30:57,440 --> 00:31:02,480 Speaker 1: conversations always give me a trouble and they lack. Come on, three, 523 00:31:02,800 --> 00:31:04,920 Speaker 1: he's my lucky number. You give me a sup for 524 00:31:05,000 --> 00:31:09,360 Speaker 1: the question that you sucked the world. That's a question. 525 00:31:12,400 --> 00:31:16,680 Speaker 1: Come on, ten years. I want im to gather with 526 00:31:16,800 --> 00:31:22,480 Speaker 1: my wife for fifteen years, so I haven't yeah like 527 00:31:23,000 --> 00:31:28,480 Speaker 1: my You're like listen, Nick, you're my friends. So every 528 00:31:28,680 --> 00:31:31,280 Speaker 1: room or even if it's true or not, i'd be like, yes, 529 00:31:36,240 --> 00:31:39,840 Speaker 1: I'm happy too. It's not like you know, he's happy too. 530 00:31:40,440 --> 00:31:42,840 Speaker 1: He's very happy for you. What I'm saying, I'm saying 531 00:31:42,880 --> 00:31:45,440 Speaker 1: the life. I'm happy, like you know, usually you're like yo, 532 00:31:45,920 --> 00:31:52,360 Speaker 1: you know, hey, I'm happy. And when I said, y'all, 533 00:31:52,440 --> 00:31:56,640 Speaker 1: I had to y'all and then y'all know what y'all 534 00:31:58,440 --> 00:32:02,360 Speaker 1: and y'all. A lot of y'all's going to ear. I mean, 535 00:32:02,760 --> 00:32:05,200 Speaker 1: I'm not gonna lie. A lot of people say they 536 00:32:05,680 --> 00:32:09,120 Speaker 1: ray j me, A lot of people famous, you know 537 00:32:09,160 --> 00:32:16,680 Speaker 1: what I'm going Come on, man, you know, I mean 538 00:32:17,000 --> 00:32:23,240 Speaker 1: it's in the past fifteen years, right. You know I'm Dashian. 539 00:32:23,760 --> 00:32:29,680 Speaker 1: You're the first car, first man, Dashian, I'm the first 540 00:32:29,840 --> 00:32:35,640 Speaker 1: man dash hilarious man. Now you know those beautiful family, 541 00:32:35,720 --> 00:32:44,280 Speaker 1: good people. It's pr that was. That was fantastic. I 542 00:32:44,360 --> 00:32:46,920 Speaker 1: knew that's how he's gonna answer. But that's crazy though, right, 543 00:32:47,840 --> 00:32:51,480 Speaker 1: I mean that was I think coming up in in 544 00:32:51,600 --> 00:32:54,240 Speaker 1: Hollywood being young, you know, everybody kind of know everybody, 545 00:32:54,320 --> 00:32:57,080 Speaker 1: so you even see it now like they hang out 546 00:32:57,120 --> 00:33:01,120 Speaker 1: with each other and they sucking everybody. I'm trying to 547 00:33:01,240 --> 00:33:05,840 Speaker 1: chill out though, Like I'm trying to I'm chilling out. 548 00:33:05,880 --> 00:33:07,760 Speaker 1: I'm kind of you know, I'm just stepping away and 549 00:33:07,960 --> 00:33:11,360 Speaker 1: getting getting focused, going within, getting my celibacy on. I 550 00:33:11,400 --> 00:33:14,440 Speaker 1: don't have enough enough children, enough frolicking. I'm I'm good 551 00:33:14,560 --> 00:33:18,680 Speaker 1: right now believes you right now, forget he believes himself. 552 00:33:18,720 --> 00:33:26,880 Speaker 1: So I tried, I know, I know what trying to do. 553 00:33:28,480 --> 00:33:33,080 Speaker 1: Good to you brother, speaking into I was trying to, 554 00:33:33,400 --> 00:33:34,720 Speaker 1: but let's just be clear. I just want to I 555 00:33:34,760 --> 00:33:39,240 Speaker 1: just want to just make it for the record, before 556 00:33:39,440 --> 00:33:44,920 Speaker 1: ray J was Nick Cannon the first man dash No. 557 00:33:45,040 --> 00:33:47,800 Speaker 1: I mean, if we're talking about that, it was a 558 00:33:47,960 --> 00:33:50,480 Speaker 1: very long time ago, because I feel like after i'm 559 00:33:50,560 --> 00:33:54,720 Speaker 1: J beat the trial, that's when you no. I think 560 00:33:55,760 --> 00:33:58,800 Speaker 1: I think it was around the same time I think 561 00:33:58,960 --> 00:34:04,480 Speaker 1: ray J Newer first. This is I'm telling you. I 562 00:34:04,600 --> 00:34:09,800 Speaker 1: think what it was. People didn't People were introduced to 563 00:34:09,920 --> 00:34:15,040 Speaker 1: who she was through me, and then but when ray 564 00:34:15,120 --> 00:34:18,360 Speaker 1: J was dating that she wasn't really shame So it 565 00:34:18,560 --> 00:34:21,759 Speaker 1: was you're saying what I'm telling I'm telling you like 566 00:34:22,440 --> 00:34:25,040 Speaker 1: people didn't know. They were just like, Yo, who's that 567 00:34:25,760 --> 00:34:27,800 Speaker 1: chick with Nick? She's bad? Like it was one of 568 00:34:27,840 --> 00:34:32,640 Speaker 1: those and then once probably a year later, when the 569 00:34:32,719 --> 00:34:37,040 Speaker 1: tape came out. I believe the tape was made prior 570 00:34:37,200 --> 00:34:41,600 Speaker 1: to me. That's how that's if I'm in my mind, 571 00:34:41,640 --> 00:34:45,000 Speaker 1: because it looks like for people who didn't know I 572 00:34:45,160 --> 00:34:47,919 Speaker 1: was with her first, and then a year later or whatever, 573 00:34:48,000 --> 00:34:49,880 Speaker 1: the tape came out. But I think that tape was 574 00:34:49,960 --> 00:34:56,040 Speaker 1: an older tape before you. Yeah, he looked to the public, 575 00:34:57,239 --> 00:35:00,879 Speaker 1: it was the tape. What was you? What does that matter? 576 00:35:01,520 --> 00:35:07,000 Speaker 1: It's just really mattered to I. Just I believe ray 577 00:35:07,080 --> 00:35:10,200 Speaker 1: J knew her before I did. It's people just having 578 00:35:10,280 --> 00:35:12,960 Speaker 1: fun and fucking man. Just leave it alone. Man, we 579 00:35:14,000 --> 00:35:18,480 Speaker 1: were yea man, it ain't ship. It was if I. 580 00:35:18,600 --> 00:35:20,800 Speaker 1: But that's how it came out because I remember, you know, 581 00:35:21,600 --> 00:35:23,759 Speaker 1: I was really into her. I was vibing and then 582 00:35:23,880 --> 00:35:26,279 Speaker 1: oh you were serious. Yeah, like I don't doubt and 583 00:35:27,840 --> 00:35:30,200 Speaker 1: yeah I was. It seems like a good person, man, 584 00:35:30,360 --> 00:35:33,640 Speaker 1: amazing person. She seems like it was. It was like 585 00:35:33,840 --> 00:35:37,320 Speaker 1: we was on some shint know that I ain't do that, 586 00:35:38,360 --> 00:35:47,480 Speaker 1: but this face right now, like I felt like I 587 00:35:47,520 --> 00:35:50,239 Speaker 1: was gonna look at the kid say. I mean, I'm 588 00:35:50,280 --> 00:36:10,960 Speaker 1: just saying, like the camera you could talk to Kanye. Oh, 589 00:36:11,120 --> 00:36:18,360 Speaker 1: ship's another movie, man, minute, wait a minute, there's another 590 00:36:18,400 --> 00:36:22,359 Speaker 1: movie to be a part of it. Okay, little Nick, 591 00:36:22,840 --> 00:36:27,719 Speaker 1: be honest. I love the ship out of you. I 592 00:36:27,880 --> 00:36:29,640 Speaker 1: was hitting you at one point. You ain't hit me back. 593 00:36:29,640 --> 00:36:31,600 Speaker 1: I thought you were mad at me. I didn't know 594 00:36:31,719 --> 00:36:34,799 Speaker 1: what happened. Then you hit me about movie ship. I said, 595 00:36:34,840 --> 00:36:38,440 Speaker 1: oh ship, maybe I was walking boom. Yeah, this is 596 00:36:38,480 --> 00:36:43,799 Speaker 1: the deepest we've ever been in drink Chance. I really 597 00:36:43,920 --> 00:36:46,160 Speaker 1: love the fact that you said you would hurt because 598 00:36:46,200 --> 00:36:52,440 Speaker 1: your heart and your face it's real, man, real. And 599 00:36:52,560 --> 00:36:55,879 Speaker 1: now we're circling back, right are we circling back? We're 600 00:36:55,880 --> 00:36:58,759 Speaker 1: circling back. It's going deeper than rap. It's getting deeper 601 00:36:58,800 --> 00:37:06,399 Speaker 1: than back. How's it your are do? We gotta tell 602 00:37:06,400 --> 00:37:08,879 Speaker 1: you this ship is definitely gonna Gora. I believe I've 603 00:37:08,920 --> 00:37:15,560 Speaker 1: told this story before. And then you said you love Kanye. 604 00:37:15,719 --> 00:37:22,879 Speaker 1: It was like something crazy. I mean again, don't expect Yeah, 605 00:37:22,960 --> 00:37:27,480 Speaker 1: and that's my man. Let's let's let's it's almost twenty year. 606 00:37:27,560 --> 00:37:31,080 Speaker 1: Let's celebrate the ship interview. No part where I ever 607 00:37:31,200 --> 00:37:37,279 Speaker 1: saw it when you said your wife hurt me. I 608 00:37:37,320 --> 00:37:42,160 Speaker 1: didn't see that part. He's like, I'm gonna go one day. 609 00:37:42,760 --> 00:37:46,520 Speaker 1: We were kids, but obviously you know I knew Kim 610 00:37:46,600 --> 00:37:49,080 Speaker 1: before Kanye, and I believe I think it was like 611 00:37:49,520 --> 00:37:55,840 Speaker 1: twenty fifth. Yeah, one of them early birthdays. Uh. I 612 00:37:55,920 --> 00:37:59,040 Speaker 1: had a store on Melrose and Kim threw me the 613 00:37:59,120 --> 00:38:03,680 Speaker 1: party and then you know, Big got arrested, so our 614 00:38:03,719 --> 00:38:08,000 Speaker 1: brother he d J. Every Kanye was there. Yeah, Nas 615 00:38:08,120 --> 00:38:09,880 Speaker 1: was there. It was like a dope little at my 616 00:38:10,000 --> 00:38:12,400 Speaker 1: Colon store right there on Mail Roads. And that was 617 00:38:13,160 --> 00:38:16,600 Speaker 1: it was either that night or probably around the same time. 618 00:38:16,680 --> 00:38:18,480 Speaker 1: He was out here in New York party and and 619 00:38:18,719 --> 00:38:22,719 Speaker 1: it was me, Kim Paris little Kim and Kanye wrote up. 620 00:38:23,239 --> 00:38:26,120 Speaker 1: We were starting first names. We gotta but I mean 621 00:38:26,200 --> 00:38:29,880 Speaker 1: we was. It was one of them and you know 622 00:38:30,239 --> 00:38:33,160 Speaker 1: that was that was back then. But so long story short, 623 00:38:33,520 --> 00:38:35,920 Speaker 1: you know, like I said, ain't nobody I believe I 624 00:38:36,040 --> 00:38:39,399 Speaker 1: told the story. But we were getting pretty serious back 625 00:38:39,440 --> 00:38:43,439 Speaker 1: then and kind of marriage material. I mean, I don't 626 00:38:43,440 --> 00:38:48,920 Speaker 1: know we was, it was getting serious. Just to say that, 627 00:38:48,960 --> 00:38:50,880 Speaker 1: I don't know where my minds because I don't want to. 628 00:38:51,000 --> 00:38:54,200 Speaker 1: I was getting every every week, like I was just 629 00:38:54,320 --> 00:38:59,600 Speaker 1: like like, so I was really she was super serious. 630 00:38:59,640 --> 00:39:02,400 Speaker 1: Is hanging out with the family all of that, like um, 631 00:39:03,520 --> 00:39:07,200 Speaker 1: and they're starting I remember seeing we was on like 632 00:39:07,360 --> 00:39:11,080 Speaker 1: Rode or someone. I saw ray J again and you know, 633 00:39:11,239 --> 00:39:13,279 Speaker 1: we talked to a lot of the same girls and stuff. 634 00:39:13,320 --> 00:39:15,480 Speaker 1: We was out literally like about to walk into the 635 00:39:15,520 --> 00:39:20,040 Speaker 1: Louis Vuitton store and he was like and I cuffed up. 636 00:39:20,120 --> 00:39:21,960 Speaker 1: I was holding and he was like he literally from 637 00:39:22,000 --> 00:39:23,440 Speaker 1: across the chairs, like you ain't gonna be wanting to 638 00:39:23,719 --> 00:39:27,040 Speaker 1: uh want to keep holding their hands soon watch And 639 00:39:27,080 --> 00:39:31,359 Speaker 1: I'm thinking he's just hating. That's the way. Yeah, I'm 640 00:39:31,400 --> 00:39:33,600 Speaker 1: thinking he just hating. Like whatever, I mean, that's still 641 00:39:33,680 --> 00:39:35,719 Speaker 1: my man. Like, but I'm thinking, you know, if this 642 00:39:35,920 --> 00:39:39,520 Speaker 1: is someone he used to rock with and now she 643 00:39:39,719 --> 00:39:41,560 Speaker 1: with me, I'm like, ah, he just hating. And I'm 644 00:39:41,600 --> 00:39:43,760 Speaker 1: like wondering why he said that. And then they started 645 00:39:43,840 --> 00:39:47,000 Speaker 1: be the little rumors around that there was this tape. 646 00:39:47,200 --> 00:39:49,600 Speaker 1: I'm like, man, wait, wait, but why would he say that, 647 00:39:49,960 --> 00:39:52,040 Speaker 1: Like the tape leaked? Like how did that tape come 648 00:39:52,040 --> 00:39:55,960 Speaker 1: out to start giving us the great We don't usually 649 00:39:56,000 --> 00:39:59,520 Speaker 1: talking about this kind of but but how why was 650 00:39:59,600 --> 00:40:03,400 Speaker 1: he saying I think he won what I'm saying, was 651 00:40:03,480 --> 00:40:05,399 Speaker 1: it out of this control of that tape was coming out? 652 00:40:05,920 --> 00:40:08,319 Speaker 1: I don't know what was going on because then when 653 00:40:08,360 --> 00:40:12,080 Speaker 1: I asked her about it, it was more it was 654 00:40:12,120 --> 00:40:15,200 Speaker 1: a conversation where she was like, you know, tape, what 655 00:40:15,239 --> 00:40:17,640 Speaker 1: are he talking about? He's the asshole? Like she just 656 00:40:17,719 --> 00:40:21,719 Speaker 1: didn't she didn't tell you though, that Yeah, no I 657 00:40:21,800 --> 00:40:25,400 Speaker 1: knew that that, Yeah, yeah I do. I knew, you know, 658 00:40:25,680 --> 00:40:30,840 Speaker 1: because of different history, we was all different. But so 659 00:40:32,200 --> 00:40:38,560 Speaker 1: from that standpoint, I was like, I'm hearing these did 660 00:40:38,640 --> 00:40:40,320 Speaker 1: y'all have like the tapers? And she was like no, 661 00:40:41,080 --> 00:40:43,680 Speaker 1: it's like all right, I just took her word for it. 662 00:40:43,800 --> 00:40:46,840 Speaker 1: You didn't hear about relationship about No. I knew that. 663 00:40:46,920 --> 00:40:48,520 Speaker 1: I knew that they used to. He knew it was 664 00:40:48,560 --> 00:40:50,600 Speaker 1: with each other. But this was and this was those 665 00:40:50,680 --> 00:40:54,960 Speaker 1: days like Paris Hilton's tape had kind Kardashian is my 666 00:40:55,120 --> 00:41:02,080 Speaker 1: best public defender. She told offender, like, whatever she does, 667 00:41:02,960 --> 00:41:06,640 Speaker 1: she'd be She's amazing, And That's what I'm saying, like 668 00:41:07,120 --> 00:41:11,200 Speaker 1: so long ago. But but it hurt you. You said, 669 00:41:11,280 --> 00:41:13,960 Speaker 1: how did like the fact that she kept telling me 670 00:41:14,040 --> 00:41:15,800 Speaker 1: you felt that was a lie to you? Yeah, And 671 00:41:15,880 --> 00:41:17,520 Speaker 1: I'm like, I'm a rock with you. Just tell me 672 00:41:17,600 --> 00:41:20,800 Speaker 1: the truth. And she denied it to like yeah. And 673 00:41:20,880 --> 00:41:22,600 Speaker 1: so from then when they finally did come, and then 674 00:41:22,640 --> 00:41:27,200 Speaker 1: I had like literally all my publicist ages managers like, yo, 675 00:41:27,600 --> 00:41:29,640 Speaker 1: your girlfriend has a sex tape out with ray J, 676 00:41:30,000 --> 00:41:32,879 Speaker 1: I was like, wait, what so you broke that? Though? 677 00:41:34,120 --> 00:41:37,640 Speaker 1: That definitely created because that could be a maturity thing 678 00:41:37,719 --> 00:41:43,560 Speaker 1: too for both of your better stuck it out, but 679 00:41:43,719 --> 00:41:45,600 Speaker 1: she lied to you, so that sucked it up. Yeah, 680 00:41:45,760 --> 00:41:47,960 Speaker 1: that was my vibe. I was like, if it was true, 681 00:41:48,040 --> 00:41:51,000 Speaker 1: I'm a rock with you, and she she again. I 682 00:41:51,400 --> 00:41:55,000 Speaker 1: d hold on, I did not understand what you're trying 683 00:41:55,040 --> 00:42:00,759 Speaker 1: to say. So you just said it that. Wow, that 684 00:42:01,280 --> 00:42:06,239 Speaker 1: ray J sex tape came out, y'all was dating. Yeah, 685 00:42:06,520 --> 00:42:09,200 Speaker 1: that's what you're saying. And the ray J told him 686 00:42:09,200 --> 00:42:18,440 Speaker 1: across the street to thought for that one. I love you, 687 00:42:22,920 --> 00:42:24,520 Speaker 1: but it wasn't. It was just I mean again, I 688 00:42:24,640 --> 00:42:26,600 Speaker 1: think like they were a couple too. They was you know, 689 00:42:26,960 --> 00:42:31,080 Speaker 1: we're right right yeah, maink. It's a good dude trying 690 00:42:31,120 --> 00:42:33,160 Speaker 1: to clear it up. No, no, what he's saying, it's real. 691 00:42:33,960 --> 00:42:35,640 Speaker 1: I just my thing is like, how then the tape 692 00:42:35,680 --> 00:42:39,759 Speaker 1: got out? Yeah? I mean that I really don't even know. 693 00:42:40,320 --> 00:42:43,800 Speaker 1: I just knew at that time, like all my teams 694 00:42:43,840 --> 00:42:48,480 Speaker 1: like abort mission. Let's be clear, trying to change such 695 00:42:48,719 --> 00:42:52,200 Speaker 1: so bad. But you're definitely not trying to change something. 696 00:42:53,080 --> 00:42:57,320 Speaker 1: You're lying. Man, did you see the tape? Though I 697 00:42:57,440 --> 00:43:00,279 Speaker 1: never watched the tape, watch one of them things like 698 00:43:00,560 --> 00:43:03,439 Speaker 1: I was like, man, I can't watch that, don't watch it. Yeah, 699 00:43:04,400 --> 00:43:07,160 Speaker 1: probably now I can, but like, I don't want you 700 00:43:07,239 --> 00:43:14,000 Speaker 1: now either. I'm still got feelings. Man, I don't ye sorry, 701 00:43:14,040 --> 00:43:18,360 Speaker 1: I feel I'm sorry. Listen listen. He got his girls, 702 00:43:19,920 --> 00:43:22,919 Speaker 1: my ex girl, my ex girl years ago. She wasn't 703 00:43:23,160 --> 00:43:32,319 Speaker 1: we wanted together. He I did define exactly what you're 704 00:43:32,360 --> 00:43:36,560 Speaker 1: going through. It totally different, broa come out like I 705 00:43:36,760 --> 00:43:39,080 Speaker 1: was not. It was so long ago that let it go. 706 00:43:39,520 --> 00:43:43,160 Speaker 1: It was is that the one that broke was at 707 00:43:43,160 --> 00:43:46,440 Speaker 1: the one they kicked it off? Make you now you're 708 00:43:46,480 --> 00:43:50,640 Speaker 1: black hearted? You got seventy other kids? How many kids? 709 00:43:50,640 --> 00:43:53,399 Speaker 1: Well you don't have to don't worry at kids. Yeah, yeah, 710 00:43:53,400 --> 00:43:56,000 Speaker 1: we got like he got just let that nigga have 711 00:43:56,080 --> 00:44:00,319 Speaker 1: some kids. But is that is that the moment? I mean, 712 00:44:00,360 --> 00:44:04,640 Speaker 1: I was always been one of them, hopeless so fast again, 713 00:44:05,320 --> 00:44:08,320 Speaker 1: I'm not sure if you thought about this about it? 714 00:44:10,960 --> 00:44:18,600 Speaker 1: He's stupid? Are you sure? I'm just okay and we're rich, 715 00:44:18,960 --> 00:44:22,720 Speaker 1: we're protective, doing the right right. What are you asking 716 00:44:22,760 --> 00:44:26,879 Speaker 1: of him? You want him to look into the camera? 717 00:44:26,960 --> 00:44:30,279 Speaker 1: Guy speaking to ship? You want to speak on right 718 00:44:31,520 --> 00:44:34,400 Speaker 1: right there? Man? No, because you know why they recently 719 00:44:34,520 --> 00:44:38,399 Speaker 1: judge you have so many kids. He got so many kids. 720 00:44:38,440 --> 00:44:41,239 Speaker 1: I even got that and compared to I'm like low 721 00:44:41,280 --> 00:44:43,360 Speaker 1: one and told them, but I love all my kids 722 00:44:44,040 --> 00:44:45,640 Speaker 1: because you bust on it and everything that is that. 723 00:44:46,360 --> 00:44:50,080 Speaker 1: I told you, man, I'm celibrate right now. You said 724 00:44:50,120 --> 00:44:52,759 Speaker 1: you're not really but kind of a sort But y'all 725 00:44:52,840 --> 00:44:55,600 Speaker 1: said really, I'm said, I'm going, what what's your sobbatical? 726 00:44:55,760 --> 00:44:58,239 Speaker 1: Right now? How long? Man, I'm trying to go. I'm 727 00:44:58,239 --> 00:45:01,919 Speaker 1: gonna see if I could se two girls we've seen. Yeah, yeah, 728 00:45:02,239 --> 00:45:06,239 Speaker 1: I've seen them too that they're great, colleague. The white 729 00:45:06,280 --> 00:45:11,759 Speaker 1: girls now they call wild and goddesses. They elevated from 730 00:45:11,800 --> 00:45:14,160 Speaker 1: the girl. So when y'all out of town in Atlantic 731 00:45:14,440 --> 00:45:19,399 Speaker 1: to see y'all in Atlanta, your finger Papa, No, I'm 732 00:45:19,440 --> 00:45:21,759 Speaker 1: a fan of fingerpopper. I'm gonna get back to the 733 00:45:21,880 --> 00:45:25,759 Speaker 1: culture right now. That's afferent cloth. When people say I 734 00:45:25,840 --> 00:45:30,120 Speaker 1: think about the bitch, I was like, oh, I ain't 735 00:45:30,160 --> 00:45:34,399 Speaker 1: doing none of that though, come on, never, I told you, mom, focus, 736 00:45:34,400 --> 00:45:35,960 Speaker 1: I'm trying to be the best father. I could be 737 00:45:36,120 --> 00:45:38,879 Speaker 1: the best businessman I could be. All could say never, 738 00:45:39,440 --> 00:45:45,719 Speaker 1: not no more like that. Then you went to not 739 00:45:45,880 --> 00:45:51,160 Speaker 1: no more. Yeah, that's that's you said, young nigga. Ship. Yeah, 740 00:45:51,280 --> 00:45:55,839 Speaker 1: they said y'alligg ship, but always younger. But that's even 741 00:45:55,880 --> 00:45:57,640 Speaker 1: when we bring stuff up from the past, it's like 742 00:45:57,960 --> 00:46:01,200 Speaker 1: I always seem to get situation like, oh, he always 743 00:46:01,239 --> 00:46:03,160 Speaker 1: brings up Like I don't ever bring up my past. 744 00:46:03,360 --> 00:46:06,080 Speaker 1: People always want to talk about it. This is forms 745 00:46:06,160 --> 00:46:09,719 Speaker 1: for that. But I salute and even when you know, 746 00:46:09,840 --> 00:46:12,279 Speaker 1: Yeah and kimt I love what they have. I feel 747 00:46:12,320 --> 00:46:13,840 Speaker 1: like that's and I think it's almost like when you 748 00:46:13,880 --> 00:46:16,800 Speaker 1: think about when you go to high school or junior 749 00:46:16,880 --> 00:46:20,560 Speaker 1: high it's joints that you messed with and you call 750 00:46:20,800 --> 00:46:25,080 Speaker 1: relationships with. But by the time you get wrong your 751 00:46:25,120 --> 00:46:28,440 Speaker 1: man that you was here, you go again, yea, your 752 00:46:28,520 --> 00:46:32,960 Speaker 1: man that you was in school with. Somebody. Maturity, man, 753 00:46:33,040 --> 00:46:35,080 Speaker 1: we all got to be mature about that. The industry 754 00:46:35,200 --> 00:46:37,040 Speaker 1: is like a big high school. So it's like when 755 00:46:37,480 --> 00:46:40,680 Speaker 1: everybody was boyfriend and girlfriend back in the day. But 756 00:46:40,680 --> 00:46:42,879 Speaker 1: when you grow up, you gotta respect that man's wife. 757 00:46:43,080 --> 00:46:45,680 Speaker 1: But what are we speaking to? Were about to drink, y'all? 758 00:46:45,719 --> 00:46:50,000 Speaker 1: Y'all drinking, you're taking you gotta take it. You gotta 759 00:46:50,040 --> 00:46:51,760 Speaker 1: take it. You gotta take you don't drink, you gotta 760 00:46:51,800 --> 00:46:54,080 Speaker 1: take it. It's okay. I don't know what show you 761 00:46:54,560 --> 00:47:02,960 Speaker 1: it was holding for I don't know. You gotta smoke Champ, 762 00:47:03,040 --> 00:47:06,040 Speaker 1: smoke Champ, say that again, but you gotta drink that though, sir, 763 00:47:06,280 --> 00:47:07,759 Speaker 1: come on, let's do it. Let's do it. You can't 764 00:47:07,760 --> 00:47:09,719 Speaker 1: be the only guest who didn't drink that at one 765 00:47:09,920 --> 00:47:16,120 Speaker 1: to three. Nah, you don't have to come to this. 766 00:47:17,960 --> 00:47:20,440 Speaker 1: So let me so let me ask you. Now, I 767 00:47:20,520 --> 00:47:31,239 Speaker 1: drank mine, I had one. But so let me ask you. 768 00:47:33,520 --> 00:47:37,440 Speaker 1: One of your biggest records, one of my favorite records. 769 00:47:39,280 --> 00:47:42,160 Speaker 1: Are you laughing? Nig They already know what I'm about 770 00:47:42,160 --> 00:47:50,440 Speaker 1: to say. Kelly is a good that's a great record, 771 00:47:51,239 --> 00:47:55,640 Speaker 1: A good record. Jiggo, what a name for the record. 772 00:47:55,680 --> 00:48:02,320 Speaker 1: Though we surrounded by so many ohs, it's a great record. 773 00:48:03,239 --> 00:48:05,560 Speaker 1: Great is a great record. That was one of the 774 00:48:05,640 --> 00:48:08,680 Speaker 1: records too. I mean, Kelly made great records at the time. 775 00:48:08,800 --> 00:48:11,400 Speaker 1: I mean everybody was working with him. I mean and 776 00:48:11,480 --> 00:48:17,040 Speaker 1: actually the dope thing him and track masters, everybody. Let's 777 00:48:17,080 --> 00:48:22,160 Speaker 1: come out. Remember the reason why you got story because 778 00:48:22,200 --> 00:48:25,920 Speaker 1: she was gonna Yes, the remix was the most popping 779 00:48:25,920 --> 00:48:33,040 Speaker 1: ship out at the moment. Really, I was trying to 780 00:48:33,120 --> 00:48:34,960 Speaker 1: get like I went and like yo, I need one 781 00:48:35,000 --> 00:48:37,279 Speaker 1: of them Foresa type of joints, and it was him 782 00:48:37,320 --> 00:48:39,840 Speaker 1: and the track masters, and you know, they gave me. 783 00:48:40,040 --> 00:48:41,720 Speaker 1: They gave me two joints. They gave me the feeling 784 00:48:41,760 --> 00:48:45,239 Speaker 1: freaky joint with B two K and on Mariana and 785 00:48:45,400 --> 00:48:47,560 Speaker 1: then actually that one to me was like a little 786 00:48:47,640 --> 00:48:49,880 Speaker 1: too kitty. I was like, ah, it's cool. And I 787 00:48:49,920 --> 00:48:54,320 Speaker 1: remember I went into the studio in Chicago and R. 788 00:48:54,400 --> 00:48:56,960 Speaker 1: Kelly left me in there for sixteen hours and it's 789 00:48:57,040 --> 00:48:59,600 Speaker 1: empty as studio and I'm like, and there was like 790 00:48:59,640 --> 00:49:01,880 Speaker 1: that's how he would make his wait and he was like, yo, 791 00:49:01,920 --> 00:49:03,840 Speaker 1: you gotta wait for your hit. How bad do you 792 00:49:03,920 --> 00:49:05,319 Speaker 1: want to hit? And I was like, I ain't leaving 793 00:49:05,320 --> 00:49:09,640 Speaker 1: the studio telling with a hit. And he finally you know, 794 00:49:10,600 --> 00:49:14,719 Speaker 1: also sounds like the documentary. Yeah, it sounds like he 795 00:49:14,800 --> 00:49:22,120 Speaker 1: was doing something. I wrote my sixth teens. I wrote 796 00:49:22,160 --> 00:49:25,640 Speaker 1: three six teams and jumped on the planks. I was frustrated, 797 00:49:25,760 --> 00:49:29,719 Speaker 1: like he left me in an empty studio the whole time, 798 00:49:30,280 --> 00:49:34,120 Speaker 1: there was no anything. Now I laid three six teams. 799 00:49:34,160 --> 00:49:36,319 Speaker 1: I just went in there and rap to this beat 800 00:49:36,400 --> 00:49:39,480 Speaker 1: that he left me. Then literally the head of the 801 00:49:39,560 --> 00:49:43,040 Speaker 1: label like three weeks later, we're going straight to radio 802 00:49:43,120 --> 00:49:46,719 Speaker 1: with this Jiggalo record. It's amazing. What the fun you're 803 00:49:46,719 --> 00:49:51,000 Speaker 1: talking about? You know? It was very right, Yeah, Verry 804 00:49:51,160 --> 00:49:53,919 Speaker 1: Verry hit. But he named the record by the hook, right, Yeah, 805 00:49:54,000 --> 00:49:56,759 Speaker 1: he's like this Jiggalo record, it's amazing. Oh you didn't 806 00:49:56,800 --> 00:49:59,440 Speaker 1: name new record, na, Kelly had I guess after I 807 00:49:59,600 --> 00:50:02,080 Speaker 1: laid my ship he went in there and put that 808 00:50:02,160 --> 00:50:05,080 Speaker 1: hook on it. So you didn't meet him. No, I 809 00:50:05,239 --> 00:50:06,759 Speaker 1: met him, but like I said, we had already did 810 00:50:06,800 --> 00:50:08,880 Speaker 1: the other records and stuff like that before. Like I was, 811 00:50:09,360 --> 00:50:12,000 Speaker 1: I'm DJ and in the Ignition video and we shot 812 00:50:12,040 --> 00:50:17,920 Speaker 1: that show. Like it's like, don't play Miami on the stand. 813 00:50:18,000 --> 00:50:22,960 Speaker 1: He was all over to be in the case to yo, relax, relax. 814 00:50:25,400 --> 00:50:28,640 Speaker 1: This really happened on the set of the Ignition video. 815 00:50:30,200 --> 00:50:33,480 Speaker 1: The motherfucking Feds arrested him. That was the day he 816 00:50:33,560 --> 00:50:37,239 Speaker 1: got arrested for the child point ship on the video 817 00:50:39,080 --> 00:50:48,200 Speaker 1: in Miami. Listen, guys, Miami, the FAMI of Miami arrested him. Guy. 818 00:50:48,360 --> 00:50:50,360 Speaker 1: He came back late that night shot we shot the 819 00:50:50,920 --> 00:50:57,600 Speaker 1: sticking on the shot. I'm just being honest, be honest, thick, listen, 820 00:50:58,160 --> 00:51:02,040 Speaker 1: you are really so you are hanging out with the show. 821 00:51:02,200 --> 00:51:06,360 Speaker 1: You're doing what we had some the shotgun. We did everything. 822 00:51:06,880 --> 00:51:11,560 Speaker 1: Listen man, Nick, Nick, goddamn it, I'm not gonna lie. 823 00:51:12,040 --> 00:51:13,839 Speaker 1: I thought you were mad at me for some reason. 824 00:51:13,840 --> 00:51:16,400 Speaker 1: I don't know why. I don't know, because I think 825 00:51:16,400 --> 00:51:21,960 Speaker 1: I asked Caramon if Brian carry that ship really too. 826 00:51:23,400 --> 00:51:27,000 Speaker 1: I forgot what Camp says because he shipped on me 827 00:51:27,120 --> 00:51:29,120 Speaker 1: when he when I asked me because about me. So 828 00:51:29,520 --> 00:51:32,719 Speaker 1: I forgot the question, are you ready let's go? Let's 829 00:51:32,719 --> 00:51:35,359 Speaker 1: take it? Because I did it twice. I was thought 830 00:51:38,680 --> 00:51:42,880 Speaker 1: this is too much. Now I didn't take it. You 831 00:51:43,000 --> 00:51:46,800 Speaker 1: got knowing. See that's not it you Nick Cannon. You're 832 00:51:46,840 --> 00:51:52,239 Speaker 1: too rich. Not this is dr home too. This is 833 00:51:52,239 --> 00:51:55,200 Speaker 1: a black on too. So I apologize. Did you think 834 00:51:55,280 --> 00:52:01,919 Speaker 1: that I was out of line? Nah? They wi because 835 00:52:01,920 --> 00:52:04,640 Speaker 1: they ain't never seen me drinking. That's good. That's why 836 00:52:04,680 --> 00:52:07,000 Speaker 1: you're in drink chance. I don't know if you remember 837 00:52:07,080 --> 00:52:10,320 Speaker 1: the title? Where was that we had? Literally yadi was 838 00:52:11,440 --> 00:52:14,000 Speaker 1: murder murder, murder, count murder, count hall of right. But 839 00:52:14,320 --> 00:52:16,200 Speaker 1: did you think I was out on the line because 840 00:52:16,239 --> 00:52:21,200 Speaker 1: I thought, you know Cam and my bad? Nah? I mean, 841 00:52:21,640 --> 00:52:26,080 Speaker 1: first of all, it was way before me and whatever 842 00:52:26,160 --> 00:52:28,000 Speaker 1: and I don't think there were actually anything that when 843 00:52:28,040 --> 00:52:31,480 Speaker 1: I Cam said it was nothing going on. So that's 844 00:52:31,560 --> 00:52:34,040 Speaker 1: why I was a fan. Like you, I was looking, 845 00:52:34,239 --> 00:52:39,680 Speaker 1: you know, looking all looking too. Yeah, I don't know 846 00:52:39,800 --> 00:52:42,680 Speaker 1: what they had, but from when I watched Drink Champs 847 00:52:43,080 --> 00:52:46,319 Speaker 1: because you like, it was just cool because doing Cam 848 00:52:46,400 --> 00:52:48,800 Speaker 1: had a little despruckle at one point. I don't I 849 00:52:48,880 --> 00:52:51,880 Speaker 1: think we were just joking. I think I think he 850 00:52:52,000 --> 00:52:55,400 Speaker 1: had a line of something like that, like yeah that 851 00:52:56,080 --> 00:52:58,600 Speaker 1: he's like. I think he had a line that was 852 00:52:59,520 --> 00:53:08,440 Speaker 1: as now you feel like I'm chilling, like I'm just 853 00:53:08,560 --> 00:53:13,319 Speaker 1: homing influence. But I'm like this with the cameras only 854 00:53:13,400 --> 00:53:16,560 Speaker 1: come on, you got you gotta get relaxed, you gotta 855 00:53:16,600 --> 00:53:20,120 Speaker 1: tell us we need this story. I don't think it's 856 00:53:20,120 --> 00:53:22,640 Speaker 1: a real story though, I mean, like me and Cam, 857 00:53:22,680 --> 00:53:24,160 Speaker 1: I think he had a line of something about where 858 00:53:24,239 --> 00:53:27,120 Speaker 1: something before nicking. You know, I've been trying to get 859 00:53:27,200 --> 00:53:28,680 Speaker 1: Cam to come on Wilding Out, just like I've been 860 00:53:28,680 --> 00:53:30,160 Speaker 1: trying to get you to come on wild Out. And 861 00:53:30,360 --> 00:53:32,680 Speaker 1: I was like, Yo, let's talk whatever ship you talking, 862 00:53:32,800 --> 00:53:35,640 Speaker 1: Let's talk that ship on wilding Out. And you know, 863 00:53:36,320 --> 00:53:40,160 Speaker 1: I don't know. I still think Camp's care this is 864 00:53:40,239 --> 00:53:46,000 Speaker 1: different though, Come on, come, come, come up to Wilding Out. 865 00:53:46,080 --> 00:53:48,040 Speaker 1: He got cam is a funny nigga too, so like 866 00:53:48,800 --> 00:53:50,279 Speaker 1: so I was like, he'd be perfect on wild When 867 00:53:50,400 --> 00:53:55,759 Speaker 1: you coming on Wilding Out, change, I just want to 868 00:53:55,760 --> 00:53:58,400 Speaker 1: be in the audience. I want to be an audience 869 00:53:59,200 --> 00:54:01,480 Speaker 1: all the game. The shot you made me take when 870 00:54:01,520 --> 00:54:03,520 Speaker 1: you're coming to Wilding Out, take another shot and we're 871 00:54:03,560 --> 00:54:13,800 Speaker 1: gonna talk, negotiate. We're going to negotiating. Yeah, going on. 872 00:54:14,080 --> 00:54:17,960 Speaker 1: I've been coming on yo. Let me just tell you something. 873 00:54:17,960 --> 00:54:21,640 Speaker 1: I'm gonna being honest with you. I watch your show everywhere. Man. 874 00:54:21,719 --> 00:54:24,040 Speaker 1: I just came to Turkey Kick Goes and they had 875 00:54:24,120 --> 00:54:30,960 Speaker 1: Turks Ribbian out and I said, do you you don't 876 00:54:30,960 --> 00:54:32,560 Speaker 1: even know that you better get your check. I get 877 00:54:32,600 --> 00:54:38,120 Speaker 1: my check Caribbean. I said, there's nothing ripping about this 878 00:54:38,200 --> 00:54:41,680 Speaker 1: show out. This is, by the way, I appreciate you. Now, 879 00:54:41,960 --> 00:54:47,399 Speaker 1: this shot solidifies you're coming on the show. Listen, most 880 00:54:48,000 --> 00:54:51,960 Speaker 1: the toughest hardcore stream is scared to come on Wilding Out. 881 00:54:52,920 --> 00:55:02,720 Speaker 1: Talk that ship, talk that sh out at the foot. 882 00:55:03,520 --> 00:55:11,440 Speaker 1: I'm not gonna lie Stoya. Listen on pre crew does 883 00:55:11,480 --> 00:55:16,040 Speaker 1: the same exactly. Not the verse ones what to say stopping. 884 00:55:16,760 --> 00:55:21,280 Speaker 1: Oh yeah, every year. Listen, just chill, give us five 885 00:55:21,360 --> 00:55:27,920 Speaker 1: more minutes. I got nigs. No, no more crazy questions. 886 00:55:28,840 --> 00:55:32,960 Speaker 1: Now you read you for now, I got your crazy. 887 00:55:33,719 --> 00:55:40,840 Speaker 1: Yeah you already to our viral. Yeah, he's your viral already, 888 00:55:40,920 --> 00:55:46,120 Speaker 1: bron not like choice mother questions. By the way, that's 889 00:55:46,160 --> 00:55:49,279 Speaker 1: how nigger because he know he found but you also 890 00:55:49,400 --> 00:55:53,719 Speaker 1: know keep going. I don't know what stopping, but keep 891 00:55:53,760 --> 00:55:57,080 Speaker 1: your talk show. We're gonna be all every day after 892 00:55:57,160 --> 00:56:00,680 Speaker 1: Wendy Williams so, oh ship, Yeah, I trying to kick 893 00:56:00,719 --> 00:56:03,520 Speaker 1: with no no, that's my last my family, right, So 894 00:56:03,640 --> 00:56:07,880 Speaker 1: what happened? I did I did you know? One of 895 00:56:07,920 --> 00:56:09,360 Speaker 1: you don't sunk with us? She says, you don't know 896 00:56:09,400 --> 00:56:12,320 Speaker 1: what the drinks she bought? The know though, so I 897 00:56:12,480 --> 00:56:14,160 Speaker 1: didn't you know? She was out for a little bit. 898 00:56:14,239 --> 00:56:17,040 Speaker 1: So I substituted for did it a favor? And everybody's like, yo, 899 00:56:17,120 --> 00:56:19,160 Speaker 1: you should do your own talk show. I was like, 900 00:56:19,239 --> 00:56:21,399 Speaker 1: I had fun doing it. Ship, so you know, put 901 00:56:21,440 --> 00:56:23,319 Speaker 1: the bread up and we got it done. So now 902 00:56:23,880 --> 00:56:26,319 Speaker 1: it's in you know, the same family when you come 903 00:56:26,360 --> 00:56:28,960 Speaker 1: on and I'll come on and so so how this 904 00:56:29,040 --> 00:56:33,399 Speaker 1: ship rock? You put this ship out? We talked about 905 00:56:33,440 --> 00:56:36,000 Speaker 1: it on the show We crossed promote. Now everybody knows worldwide? 906 00:56:36,040 --> 00:56:43,279 Speaker 1: Baby we wait wait man, I want some serious ship. 907 00:56:43,360 --> 00:56:46,640 Speaker 1: The Dr Seti documentary didn't come out. No, no, no, no, 908 00:56:47,000 --> 00:56:50,320 Speaker 1: it did not come out. Hold on, you're holding me 909 00:56:50,400 --> 00:56:59,960 Speaker 1: on my question, motherfucker man fu man, he's one man. Correct, 910 00:57:00,000 --> 00:57:04,040 Speaker 1: I'm sorry, relaxed. You want to add all? Yes, So 911 00:57:04,239 --> 00:57:09,000 Speaker 1: I wanted to you know why, No, I don't know 912 00:57:09,080 --> 00:57:13,480 Speaker 1: why I stopped the doctors. Every documentary got what's going on? 913 00:57:14,360 --> 00:57:15,960 Speaker 1: Now we've been cooking it? Man, I mean that's the 914 00:57:16,040 --> 00:57:20,400 Speaker 1: question the street has been asked for all of them. 915 00:57:20,440 --> 00:57:26,000 Speaker 1: Every we why we talked to every I mean obviously 916 00:57:26,040 --> 00:57:29,480 Speaker 1: this is something that Nipsey started and wanted to do. Uh. 917 00:57:29,560 --> 00:57:32,560 Speaker 1: He had never really actually broke ground or you know, 918 00:57:33,240 --> 00:57:38,360 Speaker 1: turn the cameras on. But even our conversations, our last 919 00:57:38,400 --> 00:57:42,680 Speaker 1: conversation was really about my health and lupus was yeah, 920 00:57:42,680 --> 00:57:45,480 Speaker 1: he was talking to talking about Dr Savy with me. 921 00:57:46,000 --> 00:57:48,680 Speaker 1: So from there that's where when Nick passed, I was 922 00:57:48,720 --> 00:57:52,880 Speaker 1: like the own the most intense connection we had was 923 00:57:52,920 --> 00:57:55,400 Speaker 1: talking about health and wellness and you know, on power 924 00:57:55,480 --> 00:57:57,760 Speaker 1: in the community. So I was like, I, well, I'm 925 00:57:57,800 --> 00:57:59,840 Speaker 1: gonna take our last conversation and take it one step 926 00:57:59,880 --> 00:58:01,960 Speaker 1: for you know, I make films, this is what I do. 927 00:58:02,040 --> 00:58:03,720 Speaker 1: So I'm gonna take on what he wanted to do. 928 00:58:04,480 --> 00:58:06,800 Speaker 1: And from there, you know, I had already been talking 929 00:58:06,880 --> 00:58:09,720 Speaker 1: to you know, Dr Savy's family, So we pretty much 930 00:58:10,640 --> 00:58:12,680 Speaker 1: got on and start putting you know, what is it 931 00:58:12,800 --> 00:58:15,320 Speaker 1: that you think is the biggest thing that's coming out 932 00:58:15,360 --> 00:58:17,880 Speaker 1: of the film, That that you think because you're saying 933 00:58:17,880 --> 00:58:20,160 Speaker 1: people are trying to shut it down. I wouldn't say 934 00:58:20,160 --> 00:58:21,520 Speaker 1: people are trying to shut it down, but they're not 935 00:58:21,600 --> 00:58:23,920 Speaker 1: trying to make it easy, you know, to put it out. 936 00:58:24,080 --> 00:58:26,680 Speaker 1: But real quick, this is who left. I went right 937 00:58:26,840 --> 00:58:29,400 Speaker 1: to get because I would. We went down there to 938 00:58:29,480 --> 00:58:32,880 Speaker 1: us village and everything. I went, now it's in U. 939 00:58:34,960 --> 00:58:38,280 Speaker 1: So we went down there filmed down their film with 940 00:58:38,320 --> 00:58:40,760 Speaker 1: all the family members and everything. It's a powerful documentary. 941 00:58:40,800 --> 00:58:43,200 Speaker 1: We have so much footage. Now the goal is you 942 00:58:43,240 --> 00:58:46,720 Speaker 1: know Sundance, you know, Ken Toronto, something like that. But 943 00:58:47,200 --> 00:58:50,880 Speaker 1: because I promised Nip's family as well as Dr Saby's family, 944 00:58:50,960 --> 00:58:53,080 Speaker 1: that we would put it out there in a way 945 00:58:53,160 --> 00:58:55,840 Speaker 1: that it would be on a prestigious level that everybody 946 00:58:55,960 --> 00:58:58,120 Speaker 1: what was wait hold hold on it. What was Nipsey's 947 00:58:58,200 --> 00:59:01,200 Speaker 1: interest in it though? Like why was he involved for 948 00:59:01,280 --> 00:59:04,720 Speaker 1: people just even just someone he was someone that had practiced, 949 00:59:05,600 --> 00:59:10,840 Speaker 1: you know, up under doctor Savy and really like I 950 00:59:10,880 --> 00:59:12,240 Speaker 1: don't think he ever met him, just like I never 951 00:59:12,320 --> 00:59:14,360 Speaker 1: met him, but I think he was his teachings. And 952 00:59:14,400 --> 00:59:16,640 Speaker 1: when you go like in the hood, like you know 953 00:59:16,680 --> 00:59:19,200 Speaker 1: in South Central doctor Savy has a building, it's off 954 00:59:19,360 --> 00:59:21,400 Speaker 1: so we you see the billboards, you see all of 955 00:59:21,440 --> 00:59:25,360 Speaker 1: that in l A. So I think it was really 956 00:59:25,440 --> 00:59:28,000 Speaker 1: he you know, Nipsey being somebody who was pro community 957 00:59:28,120 --> 00:59:30,920 Speaker 1: and and really focused on the health and wellness and 958 00:59:31,000 --> 00:59:34,120 Speaker 1: the upper mobility of black people. He was like, yo, 959 00:59:34,240 --> 00:59:35,640 Speaker 1: we should tell this story. I think he was in 960 00:59:35,680 --> 00:59:37,520 Speaker 1: the middle of an interview and we haven't even had 961 00:59:37,560 --> 00:59:41,360 Speaker 1: that interview on the on the documentary where he said 962 00:59:41,360 --> 00:59:43,960 Speaker 1: that if there was a man who cured AIDS got 963 00:59:44,160 --> 00:59:46,720 Speaker 1: charged for saying he could cure AIDS and then beat 964 00:59:48,120 --> 00:59:50,360 Speaker 1: why don't we know more about that? So really that's 965 00:59:50,400 --> 00:59:53,200 Speaker 1: what the documentary is about pretty much the entire case. 966 00:59:53,880 --> 00:59:56,160 Speaker 1: And so you know it's it's coming though. That's one 967 00:59:56,160 --> 00:59:57,520 Speaker 1: of those things where you want to do it right 968 00:59:57,560 --> 00:59:59,960 Speaker 1: and all of the people, All the interrogators are trying 969 01:00:00,040 --> 01:00:01,680 Speaker 1: stop it. We're gonna make sure that the story gets 970 01:00:01,720 --> 01:00:03,880 Speaker 1: out there. So you know that it's definitely not an 971 01:00:03,920 --> 01:00:05,440 Speaker 1: easy feet. I mean when I stepped up, it was 972 01:00:05,520 --> 01:00:09,080 Speaker 1: literally the day after Knit Past. I'm gonna take it on, 973 01:00:09,240 --> 01:00:11,520 Speaker 1: and I knew it was gonna be heavy. And you 974 01:00:11,600 --> 01:00:13,480 Speaker 1: know the fact that I've been blessed enough to have 975 01:00:13,560 --> 01:00:15,680 Speaker 1: all of these platforms to share, I think people really 976 01:00:15,720 --> 01:00:17,800 Speaker 1: gonna they're gonna get so much from it. They're gonna 977 01:00:17,960 --> 01:00:20,880 Speaker 1: learn about the African environmental process, they're gonna learn about 978 01:00:21,080 --> 01:00:23,720 Speaker 1: taking care of theirselves, and you know that the body 979 01:00:23,800 --> 01:00:25,600 Speaker 1: is a self healing organism and we're gonna do it 980 01:00:25,640 --> 01:00:28,800 Speaker 1: at a prestigious level. So this is literally, in my 981 01:00:28,960 --> 01:00:34,800 Speaker 1: last question, good. Really, it feels so good to have 982 01:00:34,920 --> 01:00:40,280 Speaker 1: waded out back. Like I'm really a fan, like literally 983 01:00:40,360 --> 01:00:45,520 Speaker 1: a fan. I really watch every episode. How do you feel? 984 01:00:45,920 --> 01:00:50,920 Speaker 1: I don't know, man, It's better sweet. It really is 985 01:00:51,320 --> 01:00:54,160 Speaker 1: hit both bitter and sweet sweet, because it's one of 986 01:00:54,160 --> 01:00:56,280 Speaker 1: those things where I was I was ready to walk 987 01:00:56,320 --> 01:00:58,080 Speaker 1: away from it because I felt like so many had 988 01:00:58,160 --> 01:01:01,600 Speaker 1: walked away from me whinning and like yeah, and I 989 01:01:01,640 --> 01:01:04,360 Speaker 1: didn't need it anymore, you know. I mean, I've been 990 01:01:04,400 --> 01:01:07,320 Speaker 1: blessed enough to you know, have ownership over the brand 991 01:01:07,800 --> 01:01:10,480 Speaker 1: even at the time where you know, obviously you've been there, 992 01:01:10,520 --> 01:01:18,320 Speaker 1: we got restaurants, we got you said, yeah, it were good, 993 01:01:18,480 --> 01:01:21,520 Speaker 1: were good, like we got I understand that, but I 994 01:01:21,600 --> 01:01:24,760 Speaker 1: was like, this is crazy, right, so we go so 995 01:01:24,960 --> 01:01:26,680 Speaker 1: in that sense, like to be able to create a 996 01:01:26,720 --> 01:01:30,040 Speaker 1: brand at such a level and then bring it all 997 01:01:30,560 --> 01:01:33,840 Speaker 1: like whether it's controversy or whatever, to step away and 998 01:01:33,920 --> 01:01:36,800 Speaker 1: say if you if you don't want to rock with me, 999 01:01:36,880 --> 01:01:40,600 Speaker 1: no more cool, but I'm gonna staying firm as a man. 1000 01:01:40,680 --> 01:01:44,480 Speaker 1: Tantote is down. And then to see even in that decision, 1001 01:01:44,560 --> 01:01:46,880 Speaker 1: a lot of people like damn, I forgot about how 1002 01:01:46,960 --> 01:01:50,080 Speaker 1: many hundreds of people that I feed off of this 1003 01:01:50,160 --> 01:01:53,640 Speaker 1: show or thousands of people that are feed Yeah, and 1004 01:01:53,720 --> 01:01:58,680 Speaker 1: even not letting like it's a billion dollar brand, like 1005 01:01:58,760 --> 01:02:02,800 Speaker 1: that jointing is like what it generates for for Viacom, 1006 01:02:02,920 --> 01:02:07,080 Speaker 1: and even you know it's one of those brands. It's 1007 01:02:07,080 --> 01:02:11,560 Speaker 1: probably the longest running you know, hip hop brand. We've 1008 01:02:11,600 --> 01:02:14,960 Speaker 1: been going since I put up my money first in 1009 01:02:15,000 --> 01:02:21,320 Speaker 1: two thousand four money. Yeah, so you started it like 1010 01:02:21,440 --> 01:02:24,000 Speaker 1: it's a starter yeah, I kind of shot this before 1011 01:02:24,040 --> 01:02:26,000 Speaker 1: there was MTV any of that stuff. I shot it 1012 01:02:26,040 --> 01:02:33,160 Speaker 1: in the comedy club and that stick of smoking, goddamnit, 1013 01:02:34,000 --> 01:02:42,080 Speaker 1: stick of smoking me. I'm just saying, you know, he's 1014 01:02:42,120 --> 01:02:44,120 Speaker 1: really smoking. We thought he was fake smoking earlier. So 1015 01:02:44,160 --> 01:02:46,240 Speaker 1: you're really smoking that. We're smoking my shop. I'm being 1016 01:02:46,320 --> 01:02:51,440 Speaker 1: honest with you. You're smoking smoking smoking. No, but that's 1017 01:02:51,480 --> 01:02:54,720 Speaker 1: the That's the thing when you think about, you know, 1018 01:02:54,800 --> 01:02:56,400 Speaker 1: what we've been able to build it and people that 1019 01:02:56,400 --> 01:02:58,960 Speaker 1: have come before me, like you know, the creators a 1020 01:02:59,040 --> 01:03:02,760 Speaker 1: Deaf Jam, the Eaders you know, and live in color, 1021 01:03:02,880 --> 01:03:05,320 Speaker 1: all of those things death and I mean, you gotta 1022 01:03:05,320 --> 01:03:08,640 Speaker 1: give respect to Russell just basic you know, Deaf Jam 1023 01:03:08,760 --> 01:03:10,720 Speaker 1: records and Death Comedy Jam. But to be able to 1024 01:03:10,800 --> 01:03:13,360 Speaker 1: be that, you know, at least be compared to that 1025 01:03:13,600 --> 01:03:18,160 Speaker 1: for the generation. But this is my show facts. I 1026 01:03:18,280 --> 01:03:23,560 Speaker 1: want to take control right now. Let's say that that's 1027 01:03:23,640 --> 01:03:27,120 Speaker 1: exactly the feeling that I felt when I looked at 1028 01:03:27,160 --> 01:03:34,760 Speaker 1: and they said they have Caribbean v H one Caribbean, 1029 01:03:35,680 --> 01:03:44,920 Speaker 1: MTV Caribbean. When I looked enigulis you right? Of course? 1030 01:03:46,480 --> 01:03:53,040 Speaker 1: I was like this or night let while I I 1031 01:03:53,200 --> 01:03:56,760 Speaker 1: see Jack Thove I see all my people change. He 1032 01:03:56,880 --> 01:04:02,800 Speaker 1: was wild now too. Yes, I know it's official. You 1033 01:04:02,920 --> 01:04:05,040 Speaker 1: took the shot. You're coming on. He going on a 1034 01:04:05,080 --> 01:04:09,520 Speaker 1: little shot, no shot, No I gotta get on. No 1035 01:04:09,680 --> 01:04:14,640 Speaker 1: reads going on, say too. He was here for murder count, 1036 01:04:14,800 --> 01:04:18,680 Speaker 1: murder count roscounts just gonna be and your murder counts 1037 01:04:18,720 --> 01:04:22,560 Speaker 1: disrespect for he was getting that. I'm getting the shot 1038 01:04:23,160 --> 01:04:24,960 Speaker 1: murder count. But I guess it was a question show. 1039 01:04:25,000 --> 01:04:29,040 Speaker 1: So I said, I'll take the sad shot, murder count, 1040 01:04:29,200 --> 01:04:34,280 Speaker 1: murder coount I'm taking. I got a murdercount, murder counts man. 1041 01:04:34,720 --> 01:04:41,840 Speaker 1: We all were on the same plane. Murderount. What we 1042 01:04:42,000 --> 01:04:45,200 Speaker 1: called him murder count was this was this war. Come on, 1043 01:04:45,640 --> 01:04:49,040 Speaker 1: let me let me poor. You're the first person to 1044 01:04:49,120 --> 01:04:51,920 Speaker 1: have to gave me. You're supposed to. You know you're 1045 01:04:51,960 --> 01:04:57,320 Speaker 1: on drink chants, but you put your poor way too 1046 01:04:57,360 --> 01:05:00,960 Speaker 1: heavy for all how you poured. Get here, get my 1047 01:05:01,000 --> 01:05:08,480 Speaker 1: shot glass get but this is it, this is you 1048 01:05:08,560 --> 01:05:10,920 Speaker 1: gotta get you. You can't do. It's the final to 1049 01:05:11,040 --> 01:05:14,080 Speaker 1: get my ship, give me to yours, the final. I 1050 01:05:14,160 --> 01:05:23,040 Speaker 1: can't do. I gotta I gotta movie the shoot right now, relaxed. 1051 01:05:24,480 --> 01:05:27,240 Speaker 1: But we also you need also need to do drops right, Yeah, 1052 01:05:27,240 --> 01:05:30,960 Speaker 1: you gotta do dropping pictures. I'm still it's sober and 1053 01:05:31,400 --> 01:05:33,880 Speaker 1: so you know you gotta end it properly. Yeah. We 1054 01:05:34,000 --> 01:05:38,040 Speaker 1: never ended properly here. We're definitely going viral. Yeah, I'm 1055 01:05:38,040 --> 01:05:48,200 Speaker 1: not gonna lie. You gave me way too much. Hold on, 1056 01:05:48,240 --> 01:05:50,560 Speaker 1: hold on, you can keep feeling, but I was gonna 1057 01:05:50,560 --> 01:05:54,280 Speaker 1: be honest. I love you. No, I can't take some 1058 01:05:54,360 --> 01:05:57,520 Speaker 1: real quick. This mother called me or hear me yesterday 1059 01:05:57,560 --> 01:06:00,280 Speaker 1: like a round ten eleven, and I thought he was 1060 01:06:00,360 --> 01:06:01,920 Speaker 1: on this side of the coast and he's like, no, 1061 01:06:02,400 --> 01:06:04,360 Speaker 1: I'm in l A and I'm taking a red eye. 1062 01:06:05,360 --> 01:06:07,560 Speaker 1: But you you did it for me. Man. You won't 1063 01:06:07,560 --> 01:06:10,880 Speaker 1: even know what I went. I appreciate you. I don't 1064 01:06:10,920 --> 01:06:16,800 Speaker 1: know how I got him leaving it at all. I did. Listen, 1065 01:06:16,840 --> 01:06:20,360 Speaker 1: I love my daughter to come here right now. Nick, 1066 01:06:20,960 --> 01:06:24,600 Speaker 1: you gotta you gotta always hold me there. Always flew 1067 01:06:25,040 --> 01:06:31,000 Speaker 1: one flight, No draws, don't don't stop. Don't disclose that. Yeah, man, 1068 01:06:31,560 --> 01:06:36,480 Speaker 1: but I was bad, tough about it. We not three, 1069 01:06:36,600 --> 01:06:41,040 Speaker 1: But let's end what we're doing. What you doing? Just 1070 01:06:41,160 --> 01:06:50,640 Speaker 1: take a picture, he gets. Thank you thanks for joining 1071 01:06:50,760 --> 01:06:53,160 Speaker 1: us for another episode of Drink Champs. Hosten by yours 1072 01:06:53,200 --> 01:06:56,200 Speaker 1: truly d j E F and n r E. Please 1073 01:06:56,240 --> 01:06:58,439 Speaker 1: make sure to follow us on all our socials. Let's 1074 01:06:58,440 --> 01:07:02,040 Speaker 1: add drink Champs across all plat forms at the Real Noriegon, 1075 01:07:02,160 --> 01:07:05,680 Speaker 1: I g at Noriega on Twitter, mine is at Who's 1076 01:07:05,720 --> 01:07:08,560 Speaker 1: Crazy on I g at d j e f N 1077 01:07:08,640 --> 01:07:11,040 Speaker 1: on Twitter, and most importantly, stay up to date with 1078 01:07:11,120 --> 01:07:14,479 Speaker 1: the latest releases, news and merch by going to drink 1079 01:07:14,600 --> 01:07:21,760 Speaker 1: champs dot com. For more podcasts from my heart Radio, 1080 01:07:22,160 --> 01:07:25,800 Speaker 1: visit the iHeart Radio app, Apple Podcast, or wherever you 1081 01:07:25,960 --> 01:07:27,160 Speaker 1: listen to your favorite shows.