1 00:00:00,040 --> 00:00:04,320 Speaker 1: M hay handsomniacs, this is Heather Iine Horn, co creator 2 00:00:04,360 --> 00:00:07,520 Speaker 1: of See You in Your Nightmares. To fully immerse yourself 3 00:00:07,600 --> 00:00:11,720 Speaker 1: in the nightmare experience, headphones are recommended. Stay tuned for 4 00:00:11,760 --> 00:00:14,720 Speaker 1: the next episode, but first a quick word from our sponsor, 5 00:00:18,920 --> 00:00:22,439 Speaker 1: Iron Horn's Epic Productions, and I Heart Radio present See 6 00:00:22,440 --> 00:00:59,920 Speaker 1: You in Your Nightmares in three D headphones recommended. Hm 7 00:01:01,840 --> 00:01:30,000 Speaker 1: h what's happening? It's rewinding? I need why me? Why? Why? Why? Trust? Trust? 8 00:01:30,280 --> 00:01:35,919 Speaker 1: Please come with me. It's like she's stuck in a loop, Kelly. 9 00:01:37,080 --> 00:01:39,880 Speaker 1: She just relieves her own death over and over again. 10 00:01:40,680 --> 00:01:45,320 Speaker 1: Wait do you see that sinking into the floor and 11 00:01:45,440 --> 00:01:57,680 Speaker 1: coming back up again? Hut trusted you? We were gonna 12 00:01:57,720 --> 00:02:03,240 Speaker 1: s Harper, We were gonna be apt beat. How can 13 00:02:03,320 --> 00:02:10,480 Speaker 1: I be so weak? That's what you get for trusting, 14 00:02:11,440 --> 00:02:21,680 Speaker 1: for hoping, believing? Should have never been so bullish? Peace 15 00:02:21,919 --> 00:02:27,480 Speaker 1: Leasi hoope the dream. We need to reach her blossom, 16 00:02:27,639 --> 00:02:37,720 Speaker 1: Unlock the door, Chris Dream, Chris Dream, touchdown Truphy When 17 00:02:38,120 --> 00:02:49,120 Speaker 1: when when sacrifice sacrifice? She made some kind of wormhole. 18 00:02:52,360 --> 00:02:54,799 Speaker 1: Easy we jumped through and get to where all of 19 00:02:54,880 --> 00:03:24,640 Speaker 1: her before she's gone. See you Win Your Nightmares Let's 20 00:03:24,680 --> 00:03:34,320 Speaker 1: get tight, Let's get let's get let's get tighted, let's go. Yeah, 21 00:03:36,640 --> 00:03:40,040 Speaker 1: this is Chris's dream, all right, I hate it already. 22 00:03:41,520 --> 00:03:45,080 Speaker 1: Where we'll dream. We'll get football dream for sure. But 23 00:03:45,240 --> 00:03:48,640 Speaker 1: why do you have to put the two together? Harper Julia. 24 00:03:49,240 --> 00:03:52,200 Speaker 1: Finally they started to think you might really bail on us. 25 00:03:53,320 --> 00:03:56,960 Speaker 1: I brought it. Sorry, I brought my puppets. I thought 26 00:03:56,960 --> 00:04:04,600 Speaker 1: they could help, right, ladies, be ye did Callie the monster? 27 00:04:05,120 --> 00:04:08,480 Speaker 1: Have you seen the monster? No sign so far? Where's 28 00:04:08,520 --> 00:04:14,480 Speaker 1: Chris and Alfie already on the field? Uh? Can we 29 00:04:14,560 --> 00:04:17,559 Speaker 1: call it time out or whatever? I need? The guys, 30 00:04:19,240 --> 00:04:24,640 Speaker 1: I don't know how I got you. Benefits of lucidity, skills, 31 00:04:24,960 --> 00:04:33,800 Speaker 1: instant whistle, hid out, Huddle up, guys. The monsters on 32 00:04:33,920 --> 00:04:38,200 Speaker 1: her way, she always comes, Captain obvious, What the hell 33 00:04:38,240 --> 00:04:41,400 Speaker 1: are we stalling for? This is the championship. Let's do this. 34 00:04:42,040 --> 00:04:45,240 Speaker 1: But there's something we didn't the monsters. Your sister Kelly, 35 00:04:45,680 --> 00:04:51,080 Speaker 1: isn't it. She was here at the center, Yeah she is. 36 00:04:51,920 --> 00:04:54,600 Speaker 1: She was here with me. Yeah, tip, we could have 37 00:04:54,680 --> 00:04:58,000 Speaker 1: used day one. Carter hypnotized Julia to keep her from 38 00:04:58,040 --> 00:05:01,120 Speaker 1: talking about it. She didn't remember until we broke her chains, 39 00:05:01,480 --> 00:05:04,920 Speaker 1: and then we saw what happened when Kelly died. It 40 00:05:05,120 --> 00:05:09,039 Speaker 1: was in the blossom room. We saw her bleeding to death. 41 00:05:09,760 --> 00:05:14,400 Speaker 1: Then she shattered her soul I guess all split into pieces. 42 00:05:14,480 --> 00:05:17,600 Speaker 1: That all flew off in different directions, and then the 43 00:05:17,680 --> 00:05:21,560 Speaker 1: monster was the only thing left. You're saying they killed 44 00:05:21,600 --> 00:05:27,040 Speaker 1: her doctor Carter infended while she was in rotation. They 45 00:05:27,320 --> 00:05:32,520 Speaker 1: why what about us? I don't know. I think Carter 46 00:05:32,720 --> 00:05:37,159 Speaker 1: was trying to do something what I don't know. Those 47 00:05:37,480 --> 00:05:41,400 Speaker 1: pieces of her soul, those are our ciphas. That's what 48 00:05:41,600 --> 00:05:44,960 Speaker 1: wants back. Yes, we need to decrypt them before she 49 00:05:45,080 --> 00:05:47,800 Speaker 1: can get to them. After I decrypted mine, she stopped 50 00:05:47,839 --> 00:05:51,920 Speaker 1: coming after me. But before that I was vulnerable. She 51 00:05:52,080 --> 00:05:54,360 Speaker 1: bit my finger off in the dream, and when I 52 00:05:54,480 --> 00:05:58,719 Speaker 1: woke up, it was broken. Broken over here? What's wrong 53 00:05:58,760 --> 00:06:03,280 Speaker 1: with this steakhead? He's still not lucid? All right, let's 54 00:06:03,320 --> 00:06:07,960 Speaker 1: do this. Harper's running back. I'm what Alfie's qub Chris, 55 00:06:08,200 --> 00:06:13,400 Speaker 1: you're listening, yes, coach, all right, Alfie give us the play. Okay. 56 00:06:13,560 --> 00:06:16,440 Speaker 1: So the monster's gonna push you to your breaking point. Chris, 57 00:06:16,880 --> 00:06:19,320 Speaker 1: if you want to beat her, you gotta face your shadow. 58 00:06:19,720 --> 00:06:23,120 Speaker 1: You need to face yourself. Yeah, got it. When the 59 00:06:23,200 --> 00:06:26,080 Speaker 1: time comes, you need to make a choice. Didn't be 60 00:06:26,200 --> 00:06:29,720 Speaker 1: the one you're scared to make. Where did that come from? 61 00:06:30,520 --> 00:06:32,680 Speaker 1: I was trapped with that monster for so long. I 62 00:06:32,760 --> 00:06:34,760 Speaker 1: could feel what she felt. I knew what she knew. 63 00:06:35,120 --> 00:06:37,840 Speaker 1: I thought I was just going nighty, but I was 64 00:06:37,920 --> 00:06:41,240 Speaker 1: spared because it wasn't in my dream. How was the visitor? 65 00:06:42,080 --> 00:06:45,200 Speaker 1: She wants to destroy us, that's the truth. So we 66 00:06:45,360 --> 00:06:48,279 Speaker 1: all have to help Chris protect him, because no matter 67 00:06:48,400 --> 00:06:52,040 Speaker 1: what she says or does, that's who should really be 68 00:06:52,279 --> 00:07:21,440 Speaker 1: after h Blossom integrate the newest updates. Integrating updates scan 69 00:07:21,560 --> 00:07:26,360 Speaker 1: for phantom code. There are two excuse me. I can 70 00:07:26,440 --> 00:07:29,720 Speaker 1: detect a duplicate of the phantom code, but I cannot 71 00:07:29,800 --> 00:07:33,600 Speaker 1: locate it as it has no location. That can't be right. 72 00:07:34,600 --> 00:07:38,120 Speaker 1: Code can't exist in your system without a location. Then 73 00:07:38,680 --> 00:07:45,800 Speaker 1: logically the code must exist outside my system. Impossible. It 74 00:07:45,920 --> 00:07:48,480 Speaker 1: must be the core code for seven V one, just 75 00:07:48,880 --> 00:07:52,720 Speaker 1: masking itself. Somehow must have been created when the code 76 00:07:52,760 --> 00:07:56,000 Speaker 1: for the monster was created. When the dreamer's gamma brain 77 00:07:56,080 --> 00:08:00,160 Speaker 1: waves were escalated, the same conditions could lead us right 78 00:08:00,200 --> 00:08:06,440 Speaker 1: to it. That is plausible. Blossom, get ready to amplify, 79 00:08:06,600 --> 00:08:14,560 Speaker 1: Gamma waves enabled, tracer trainer enabled. Let the games begin? 80 00:08:26,360 --> 00:08:29,560 Speaker 1: Are these things rapid? I cannot run them much longer? 81 00:08:29,720 --> 00:08:45,920 Speaker 1: You wan? The wall forward? Here? Yes, it sees chest, 82 00:08:46,320 --> 00:09:04,360 Speaker 1: young man. Change of the session. The ref is? What 83 00:09:04,559 --> 00:09:07,559 Speaker 1: is the ref? It's the smiling man. He must have 84 00:09:08,000 --> 00:09:10,880 Speaker 1: I don't know, leaked over from my dream somehow can 85 00:09:10,960 --> 00:09:13,520 Speaker 1: we trust him to be fair? Well? I made him so? 86 00:09:14,559 --> 00:09:19,320 Speaker 1: Maybe Elfie, Horpor Julia, get your damn heads in the game. Sorry, 87 00:09:19,760 --> 00:09:22,720 Speaker 1: I've never played running back in a football dream before. 88 00:09:25,480 --> 00:09:44,040 Speaker 1: The girls shaking? Why is it getting dog? Oh? It 89 00:09:44,320 --> 00:10:05,440 Speaker 1: appears the wolf? What a na m hmmm something? If 90 00:10:05,440 --> 00:10:10,640 Speaker 1: you right, you can do it, Christy, you can feed her? 91 00:10:11,040 --> 00:10:18,880 Speaker 1: This game is yours again? All right? Time is coughing 92 00:10:18,960 --> 00:10:21,520 Speaker 1: up on tea. Everyone but the Knights of Light rushed 93 00:10:21,559 --> 00:10:26,360 Speaker 1: the quarterback. Would you want to tackle miss m VP 94 00:10:27,679 --> 00:10:35,120 Speaker 1: in Tristy? I remember Chatow and your brother. You love 95 00:10:35,240 --> 00:10:39,400 Speaker 1: to go neck its rectors if you won't trust you 96 00:10:39,679 --> 00:10:46,880 Speaker 1: and pretty little me, I guess taking too. I want 97 00:10:47,000 --> 00:11:21,440 Speaker 1: to know how m m she's shall we shall? Shall 98 00:11:21,600 --> 00:11:35,800 Speaker 1: we forday with yours? Yeah? You shoot? What do you want? 99 00:11:37,000 --> 00:11:42,000 Speaker 1: Christ My chest? Is she? Chris? Did she Did she 100 00:11:42,200 --> 00:11:46,400 Speaker 1: just take your heart? Did she all the way over? There? 101 00:11:46,800 --> 00:11:48,520 Speaker 1: Is he okay? Is it going to be her in 102 00:11:48,559 --> 00:11:53,120 Speaker 1: the real world? The monster? Look what it's holding. Yeah, 103 00:11:54,160 --> 00:11:58,440 Speaker 1: that's not no football in her hands. She's told his heart? 104 00:11:59,000 --> 00:12:02,600 Speaker 1: Can she do? Chris? Are you okay? Please say you're okay. 105 00:12:02,800 --> 00:12:05,800 Speaker 1: Get your heads in the game. Everybody on the field. 106 00:12:06,040 --> 00:12:10,400 Speaker 1: Play your part. Definitely sounds like a heartless joke. Now 107 00:12:11,320 --> 00:12:27,480 Speaker 1: give it as sweet. Now play the game. There's a 108 00:12:27,600 --> 00:12:46,199 Speaker 1: trophy on the line, and who knows where Handsomniacs want 109 00:12:46,240 --> 00:12:49,320 Speaker 1: to dive deeper into the nightmare. Follow us at Harpor 110 00:12:49,480 --> 00:12:53,280 Speaker 1: Nightmare for more terrifying details. More See You in Your 111 00:12:53,360 --> 00:12:56,120 Speaker 1: Nightmares is up next, But first a quick word from 112 00:12:56,120 --> 00:13:12,520 Speaker 1: our sponsor. Hey, Insomniacs, welcome back. I want to find 113 00:13:12,559 --> 00:13:15,120 Speaker 1: out what's really behind the nightmare. Had to see You 114 00:13:15,240 --> 00:13:18,640 Speaker 1: in Your Nightmares dot com to uncover more mind bending details. 115 00:13:26,640 --> 00:13:30,520 Speaker 1: Brain waves of all residents presently synchronized. The foreign code 116 00:13:30,640 --> 00:13:36,439 Speaker 1: is also aligned. Opportunity for phantom code processing apply. No, 117 00:13:36,760 --> 00:13:41,160 Speaker 1: not yet, they're gamma waves must increase. I need them 118 00:13:41,200 --> 00:13:45,319 Speaker 1: to pierce the standard threshold. The current maximum frequency for 119 00:13:45,400 --> 00:13:49,000 Speaker 1: all present residents gamma brainwaves is forty two herds. The 120 00:13:49,080 --> 00:13:52,720 Speaker 1: subject seven v one reached seventy two hurts before she expired. 121 00:13:53,480 --> 00:13:57,480 Speaker 1: We can get them there. They're collaborating, so they'll pass 122 00:13:57,559 --> 00:14:02,679 Speaker 1: seven ones limitations. How would like to proceed? Apply translation 123 00:14:02,760 --> 00:14:06,040 Speaker 1: to program seven v one. See if you can perceive 124 00:14:06,160 --> 00:14:13,240 Speaker 1: brainwave patterns within the phantom code, translating I know you're 125 00:14:13,600 --> 00:14:19,960 Speaker 1: in there. You will lose. We'll see about that. You 126 00:14:20,120 --> 00:14:25,160 Speaker 1: finally show yourself seven v one, you'll regret what you 127 00:14:25,320 --> 00:14:31,960 Speaker 1: did to us. What is your command? Doctor? Your tracer 128 00:14:32,120 --> 00:14:35,320 Speaker 1: was broken? I fixed it now. I see we have 129 00:14:35,560 --> 00:14:39,160 Speaker 1: overlap between a section of Julia's signal and the foreign code. 130 00:14:39,200 --> 00:14:44,000 Speaker 1: This monster of Harper's has encrypted blossom. Can you use 131 00:14:44,120 --> 00:14:47,080 Speaker 1: the overlap to encode a separate tracer directly into the 132 00:14:47,120 --> 00:15:11,160 Speaker 1: phantom code composing Come on, Chris, we're gonna check her Esmay. 133 00:15:13,040 --> 00:15:15,520 Speaker 1: She's on the sideline. We worry about what's happening on 134 00:15:15,600 --> 00:15:19,040 Speaker 1: the field. We can stop for a second time. No, 135 00:15:19,400 --> 00:15:22,040 Speaker 1: someone's hurt. It's next man up. That's how you play 136 00:15:22,120 --> 00:15:25,400 Speaker 1: the game, and the game is all that matters, Chris. 137 00:15:25,960 --> 00:15:29,360 Speaker 1: Easy back off, Harper. Julia hit me on the flant 138 00:15:29,600 --> 00:15:43,720 Speaker 1: on two? Ready? Good? Okay? He thinks the monster. The 139 00:15:43,840 --> 00:15:47,560 Speaker 1: longer she holds his heart, the morsel poisonous. It's bringing 140 00:15:47,600 --> 00:15:51,160 Speaker 1: out the worst in him. He's acting like those Bella teammates. 141 00:15:51,160 --> 00:15:57,720 Speaker 1: He's always on about I'm scared. It's okay. We'll protect 142 00:15:57,800 --> 00:16:07,080 Speaker 1: him being friends. If you don't want to do you, 143 00:16:08,280 --> 00:16:11,840 Speaker 1: just try, give his hard back to us and we'll 144 00:16:11,880 --> 00:16:17,720 Speaker 1: give you one of your passpy. I'm going to get 145 00:16:17,800 --> 00:16:26,800 Speaker 1: the first. If you're all going to be fun fish 146 00:16:26,960 --> 00:16:32,880 Speaker 1: one first, of course, that's it. I'll trade take mine. 147 00:16:33,280 --> 00:16:44,040 Speaker 1: I'll give you mine. That are you insane? I'm going 148 00:16:44,080 --> 00:16:47,560 Speaker 1: to jump out. If you're with the monster Harpa. You 149 00:16:47,680 --> 00:16:50,200 Speaker 1: can't take her back to your hallway. She'll be able 150 00:16:50,240 --> 00:16:52,440 Speaker 1: to do. Don't be my hallway. It'll be somewhere else, 151 00:16:52,920 --> 00:16:56,560 Speaker 1: somewhere she doesn't expect, or maybe even Noah, no way. 152 00:16:56,800 --> 00:16:58,960 Speaker 1: We can't let you. Do you want Chris to die? 153 00:16:59,800 --> 00:17:02,440 Speaker 1: I can buy you time. Just keep trying to bring 154 00:17:02,520 --> 00:17:06,520 Speaker 1: him back. He has to wake up. You're a moral harper. 155 00:17:07,040 --> 00:17:09,840 Speaker 1: If you could stop herself, this all would never have signed. 156 00:17:10,240 --> 00:17:14,080 Speaker 1: You can't protect me. I'm the dangerous one. Remember, I'm 157 00:17:14,160 --> 00:17:17,240 Speaker 1: the reason you're all hurting. I won't let her destroy 158 00:17:17,320 --> 00:17:21,760 Speaker 1: anyone else. I won't lose Harper. The only thing worth 159 00:17:21,800 --> 00:17:28,560 Speaker 1: fighting for protects what's loved, right, Julia, Enough, let's go. 160 00:17:29,760 --> 00:17:41,160 Speaker 1: It's all right, let's do this leaping? How fun? There 161 00:17:41,280 --> 00:18:11,040 Speaker 1: we are? Enough of this crap. Let's play the game. No, 162 00:18:11,520 --> 00:18:14,760 Speaker 1: this is wrong, this is wrong. This isn't where I 163 00:18:14,800 --> 00:18:22,439 Speaker 1: wanted to go. No, no, no, no, no no, Kelly, 164 00:18:22,880 --> 00:18:35,840 Speaker 1: where are here? This is it? The last place? We're 165 00:18:35,880 --> 00:18:39,240 Speaker 1: down board one score. I'm going to getting me boom 166 00:18:39,400 --> 00:18:45,280 Speaker 1: boom one Lucid powered perfect bomb coming up, Champ. I 167 00:18:45,320 --> 00:18:49,000 Speaker 1: don't like this. Son ain't right. I'm gonta let him 168 00:18:49,040 --> 00:18:51,320 Speaker 1: score and then wake him up after. I'm a lot 169 00:18:51,400 --> 00:18:58,440 Speaker 1: of ideas. Otherwise, fingers crusted. You want to get weeping? 170 00:18:58,880 --> 00:19:10,880 Speaker 1: Second string to It's got nothing, almost been through it. Yeah, 171 00:19:12,920 --> 00:19:21,200 Speaker 1: you can't catch me stuck, it cuts down. Just I 172 00:19:21,359 --> 00:19:28,880 Speaker 1: am the champion. You pop wolves, got nothing? Truthy, that's mine. 173 00:19:29,280 --> 00:19:33,800 Speaker 1: Just give it to me. Bosh oh yees o. Shots, 174 00:19:35,080 --> 00:19:44,119 Speaker 1: It's perfect, it's everything. No chick, no, no, no stops 175 00:19:44,480 --> 00:19:52,360 Speaker 1: who break the break? What? What? No? You can't take 176 00:19:52,440 --> 00:19:56,240 Speaker 1: points away from me? I scored. You can't do this 177 00:19:56,400 --> 00:20:02,560 Speaker 1: to me. I knew something was wrong with all Julia, 178 00:20:04,359 --> 00:20:08,600 Speaker 1: what's happening that's made? Are you okay? I'm fine. My 179 00:20:08,680 --> 00:20:11,320 Speaker 1: head's killing me, but I'm fine. Where's Chris in the 180 00:20:11,440 --> 00:20:15,720 Speaker 1: end zone. He's scored, but I lostus points. Now he's done, 181 00:20:15,760 --> 00:20:22,959 Speaker 1: old middle. Come on, come on, we go to help him. 182 00:20:23,440 --> 00:20:38,760 Speaker 1: We have to remind him who he really is. Damn 183 00:20:38,800 --> 00:20:43,560 Speaker 1: it patient at risk of brain hemorrhich gamma waves sixty 184 00:20:43,600 --> 00:20:47,840 Speaker 1: eight hurts and climbing maintained vitals until they reached seventy hurts. 185 00:20:48,640 --> 00:20:52,920 Speaker 1: Locate Finn Waring. Finn Waring is currently outside sensory boundary. 186 00:20:53,560 --> 00:20:57,880 Speaker 1: Can you relay commands? No? However, he's able to access 187 00:20:57,960 --> 00:21:02,679 Speaker 1: my primary functions via the wrist band. Fine, apply tracer 188 00:21:02,760 --> 00:21:14,480 Speaker 1: to Wearin's wristband. He's plotting something. Command applied. It is 189 00:21:17,640 --> 00:21:21,520 Speaker 1: up craft. I have to get out of here, get 190 00:21:21,600 --> 00:21:33,560 Speaker 1: back to the game. I can't jump. Why can't I jump? Now? 191 00:21:33,880 --> 00:21:39,840 Speaker 1: Kelly's what are you training on the money? We opened 192 00:21:39,880 --> 00:22:00,280 Speaker 1: our paths stuff? What are you you're jumping? Letting go? Yeah? 193 00:22:03,880 --> 00:22:08,200 Speaker 1: I won. This game is mine, this trophy is mine. 194 00:22:08,760 --> 00:22:11,920 Speaker 1: You can't do this to me, Chrissie, it says me. 195 00:22:12,560 --> 00:22:17,679 Speaker 1: Come on, Chris, wake up. You got end this. Let 196 00:22:17,760 --> 00:22:23,280 Speaker 1: it go, Chris. Never, This is all that matters. Don't 197 00:22:23,359 --> 00:22:27,200 Speaker 1: I matter to you? Chris? What about our plans? Remember 198 00:22:28,080 --> 00:22:31,200 Speaker 1: you're gonna come visit me in the fall, right as me. 199 00:22:31,880 --> 00:22:33,680 Speaker 1: You got to talk to the refs. They need to 200 00:22:33,760 --> 00:22:37,520 Speaker 1: give me my points back. It won't work as the 201 00:22:37,600 --> 00:22:40,760 Speaker 1: real Chris can't hear us? He isn't there. Then we 202 00:22:40,880 --> 00:22:44,919 Speaker 1: need to remind him he's a titan. Oh, this is embarrassing. 203 00:22:45,960 --> 00:22:49,399 Speaker 1: Let's get it over with. Start us off. You found 204 00:22:49,480 --> 00:22:55,119 Speaker 1: the fire of a titan in your heart. You found 205 00:22:55,200 --> 00:23:00,840 Speaker 1: the fire of a titan's giving heart. You felt the 206 00:23:00,960 --> 00:23:04,960 Speaker 1: fire of a titan. Spirit is moving in your heart. 207 00:23:05,560 --> 00:23:12,560 Speaker 1: It's working. Keep chatting. See they're beating you. We can 208 00:23:12,640 --> 00:23:20,640 Speaker 1: win this. How do we get out? Think Harper? Of course? Alwesome, blwesome. 209 00:23:20,760 --> 00:23:25,200 Speaker 1: Can you hear me? Yes, Harper, blwesome, Yes, Blossom. I'm 210 00:23:25,280 --> 00:23:27,400 Speaker 1: stuck in here. How do I get back to the game, 211 00:23:27,840 --> 00:23:30,200 Speaker 1: I mean Chris's dream? How do I get back into 212 00:23:30,280 --> 00:23:34,640 Speaker 1: Chris's dream? Action unavailable due to interference created by resident 213 00:23:34,720 --> 00:23:38,520 Speaker 1: Chris Morgan's gamma brainwaves? What does that mean? In the past, 214 00:23:38,800 --> 00:23:42,960 Speaker 1: significantly raised gamma brainwaves have resulted in two outcomes, which 215 00:23:43,040 --> 00:23:47,639 Speaker 1: are the first possible outcome is alignment between subject and 216 00:23:47,880 --> 00:23:51,320 Speaker 1: a plane of consciousness currently not understood by Dr Carter 217 00:23:51,680 --> 00:23:54,959 Speaker 1: or by my programming. Then the second cessation of all 218 00:23:55,040 --> 00:24:01,720 Speaker 1: brain function death blossom. Where's my sister? Locate Kelly Heart? 219 00:24:02,160 --> 00:24:06,320 Speaker 1: Subject Kelly Heart is currently active in two locations Location 220 00:24:06,440 --> 00:24:14,520 Speaker 1: one undefined Location two Chris Morgan's dream space. Gamma brainwaves climbing. 221 00:24:19,480 --> 00:24:23,840 Speaker 1: You can't the spirit of of tighten Chris, Please spirits. 222 00:24:23,920 --> 00:24:29,639 Speaker 1: That's heart. I lost. I'm never gonna win this thing. 223 00:24:29,840 --> 00:24:33,840 Speaker 1: My teammates, my coaches, and my parents. Everyone is gonna 224 00:24:33,880 --> 00:24:37,680 Speaker 1: hate me. I can't be happy, we can't be loved. 225 00:24:38,200 --> 00:24:41,920 Speaker 1: I don't deserve it. Chris, stop it if you say 226 00:24:41,960 --> 00:24:49,080 Speaker 1: that again. No, it isn't me. Is that really you? Right? Bra? 227 00:24:49,720 --> 00:24:53,639 Speaker 1: If you're all doing this for giggles, you matter. We 228 00:24:53,840 --> 00:24:56,520 Speaker 1: need you. We don't need you to be strong. We 229 00:24:56,640 --> 00:24:59,840 Speaker 1: don't need you to fight. We we just need you. 230 00:25:00,560 --> 00:25:04,240 Speaker 1: Why are you fighting for me? I'm worthless. I can't win. 231 00:25:06,040 --> 00:25:10,439 Speaker 1: Stop it, Stop putting all this pressure on me. Guys, 232 00:25:11,160 --> 00:25:22,639 Speaker 1: you have a problem. Oh Christy Boon, are you sad? 233 00:25:23,480 --> 00:25:27,639 Speaker 1: Sad that you're a failure and always will be sad 234 00:25:27,760 --> 00:25:31,560 Speaker 1: that you let your friends to my clutches, said that 235 00:25:31,720 --> 00:25:35,439 Speaker 1: I'm going to tear each of them limb from lim 236 00:25:35,640 --> 00:25:46,120 Speaker 1: in front of you. Seventy three hurts and climbing, Blossom. 237 00:25:46,320 --> 00:25:48,240 Speaker 1: You have to get me over there. I have to 238 00:25:48,359 --> 00:25:51,720 Speaker 1: jump them out. Sorry, Harper. That command is not available 239 00:25:51,760 --> 00:25:56,680 Speaker 1: at the moment. System hemorrhaging as spooned. Can you call 240 00:25:56,880 --> 00:26:03,760 Speaker 1: esme Blossom send as me a message? Command unavailable threshold 241 00:26:03,800 --> 00:26:09,040 Speaker 1: for gamma brain waves at maximum capacity. Gamma brain waves 242 00:26:09,080 --> 00:26:32,399 Speaker 1: have passed maximum threshold. Stupid ruff do something? Can't? No, no, no, 243 00:26:39,160 --> 00:26:43,280 Speaker 1: call off the dogs? You want this the trophy? Is 244 00:26:43,359 --> 00:26:46,879 Speaker 1: this what you're after? Where you can have it? Just 245 00:26:47,200 --> 00:26:52,880 Speaker 1: let my friends go? Chris, look your heart, my heart, 246 00:26:53,320 --> 00:26:59,880 Speaker 1: it's back. How you to think you didn't have any 247 00:27:00,160 --> 00:27:05,240 Speaker 1: You great stupid little boy, but you didn't. And just 248 00:27:05,560 --> 00:27:34,120 Speaker 1: in turn for the faced as me, I'm sorry. Patient 249 00:27:34,240 --> 00:27:39,919 Speaker 1: life stiens have terminated partly blood oxygen concentration, nervous system 250 00:27:39,960 --> 00:27:45,640 Speaker 1: activity are no longer at measurable levels. You can say 251 00:27:45,680 --> 00:27:51,120 Speaker 1: that we can I where's my O? Good should night? 252 00:27:52,040 --> 00:28:01,360 Speaker 1: You murdered your friend? Chris? Come on of wake up? 253 00:28:03,359 --> 00:28:12,399 Speaker 1: When for me? It's so demissures what more I want? 254 00:28:14,240 --> 00:28:21,359 Speaker 1: Everything's fading, isn't it. It's over. You can't beat Chris, Chris. 255 00:28:22,200 --> 00:28:25,840 Speaker 1: We need to get out of here. Yes, we need 256 00:28:26,080 --> 00:28:31,560 Speaker 1: to wake up, even away. You can't run in every room. 257 00:28:32,240 --> 00:28:37,000 Speaker 1: I smell all the pieces feet, such your hands, I 258 00:28:37,280 --> 00:28:43,360 Speaker 1: feel their power, taste them by air. You can't hide 259 00:28:43,480 --> 00:28:53,040 Speaker 1: them from me. Scow you kill them? Were all killed him? No, 260 00:28:54,480 --> 00:28:59,560 Speaker 1: you will help me find them, each of you. Apart 261 00:29:00,400 --> 00:29:14,720 Speaker 1: to Einhorn's Epic Productions and I Heart Radio present See 262 00:29:14,760 --> 00:29:18,200 Speaker 1: You in Your Nightmares in three D, created an executive 263 00:29:18,240 --> 00:29:22,200 Speaker 1: produced by Heather Einhorn and Adam Stafferni, Executive produced by 264 00:29:22,280 --> 00:29:27,960 Speaker 1: I Heart Radio head writer Wren Dara Santiago, writer's Lynn 265 00:29:28,080 --> 00:29:33,440 Speaker 1: Vixen's Fan Caleb Brooks, Morgan Pelli and Adam Stafferoni, directed 266 00:29:33,480 --> 00:29:37,800 Speaker 1: by Geordana Williams, with performances by Rachel orm Landis, Harper 267 00:29:38,240 --> 00:29:42,520 Speaker 1: Obi o'beley as Alfie, Phil Buckman as Finn, Amber Lee 268 00:29:42,600 --> 00:29:47,040 Speaker 1: Connors as Callie, Gesel Fernandez as Esmay, Judy, Alice Lee 269 00:29:47,120 --> 00:29:50,840 Speaker 1: as Julia, Robert Lange as a smiling man, and Kai 270 00:29:51,440 --> 00:29:56,080 Speaker 1: Marjan Salama as Chris, with Stephanie Willing as Blossom and Carry, 271 00:29:56,160 --> 00:30:00,440 Speaker 1: Tom Bazian as Dr Faith Carter and The Woman. Additional 272 00:30:00,560 --> 00:30:06,000 Speaker 1: voices Gail Artino, Maxwell Segal and Shannon Purdue. Post sound 273 00:30:06,080 --> 00:30:09,680 Speaker 1: and music by Chapter four. Sound supervision and sound design 274 00:30:09,840 --> 00:30:14,320 Speaker 1: by Sarah Gibil Laska. Music by Kareem Due d Produced 275 00:30:14,400 --> 00:30:19,720 Speaker 1: by a Roupe Santa Kayla. Development Executive Greg Lockard, Development 276 00:30:19,800 --> 00:30:26,360 Speaker 1: writer Genevieve Valentine, Production manager Gail Artino, Production coordinator and 277 00:30:26,440 --> 00:30:32,760 Speaker 1: script supervisor Laura Martin, Operations Laura Kaufman. Marketing and Publicity 278 00:30:33,200 --> 00:30:38,720 Speaker 1: Jesse Post Digital marketing by Jennifer Gennaro, Creative direction and 279 00:30:38,800 --> 00:30:43,000 Speaker 1: design by Ryan McCann. Key art and promotional art illustrated 280 00:30:43,040 --> 00:30:46,920 Speaker 1: by Yagin Park. Special thank you to The Shadow Unicorn, 281 00:30:50,480 --> 00:30:53,960 Speaker 1: Iine Horn's Epic Productions and I Heart Radio present See 282 00:30:54,000 --> 00:30:55,560 Speaker 1: You in Your Nightmares in three D