WEBVTT - Everybody Loves Caroline Rhea

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<v Speaker 1>This is Alec Baldwin and you're listening to Here's the

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<v Speaker 1>Thing from iHeart Radio. My guest today is famous for

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<v Speaker 1>playing a witch and keeping us in stitches. Actor, comedian,

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<v Speaker 1>and my dear friend, Caroline Ray. The Canadian born performer,

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<v Speaker 1>came up as a stand up comic in New York City,

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<v Speaker 1>working in the Bloomingdale's Perfume counter by day and performing

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<v Speaker 1>open mics at night. In the nineties, she moved to

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<v Speaker 1>Los Angeles and soon after landed the television role that

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<v Speaker 1>would make her famous, Aunt Hilda in Sabrina the Teenage Witch.

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<v Speaker 1>Since then, she has taken her talent many places, performing

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<v Speaker 1>stand up on Comedy Central, HBO, and Showtime, helming The

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<v Speaker 1>Caroline Ray Show, hosting The Biggest Loser, voicing the Disney Channels,

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<v Speaker 1>Phineas and Ferb, and appearing as a panelist on game

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<v Speaker 1>shows like Hollywoo with Squeers and With Me on Match Game.

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<v Speaker 1>Yet Ray always comes back to her first love. She

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<v Speaker 1>recently got back on the road performing stand up across

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<v Speaker 1>the country. But don't let the perky, smile and buoyant

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<v Speaker 1>personality fool you. Her humor can be body. It's hard

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<v Speaker 1>to pick a name like, I wanted to name her

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<v Speaker 1>Emmy because I've always wanted an Emmy, And but when

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<v Speaker 1>we were trying to pick her middle name, it was

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<v Speaker 1>like everybody was giving a suggestion. So someone said what

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<v Speaker 1>about Lily, And I'm like, no, that's like a poled answer,

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<v Speaker 1>absolutely not. And no one said what about Marie? And

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<v Speaker 1>I'm like, my mother's like, that's so Catholic. Like oh,

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<v Speaker 1>and so my daughter's father's mother said well, what about Gina,

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<v Speaker 1>And everyone's like that's so pretty, and I'm like, hello, Ava,

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<v Speaker 1>Gina is not going to be my daughter's name now.

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<v Speaker 1>Caroline Ray had her daughter Ava in two thousand and

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<v Speaker 1>eight and took ten years off of her career to

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<v Speaker 1>focus on raising her. I wanted to know what that

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<v Speaker 1>time of her life was like. I did stand up,

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<v Speaker 1>but I would do it. I would do occasional corporates

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<v Speaker 1>and I would but I would cut way back. I

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<v Speaker 1>would maybe go on the road two or three times

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<v Speaker 1>a year, but I would do stand up locally. But no,

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<v Speaker 1>I really thought I was like lucky enough to have

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<v Speaker 1>a baby as old as I was, and I was not.

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<v Speaker 1>There was nothing at the time that was going to

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<v Speaker 1>be more interesting than she was at a comedy club

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<v Speaker 1>and I felt like I'd already been there. And then

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<v Speaker 1>when she was about two and a half, I was like,

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<v Speaker 1>I have to go on stage right now. And then

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<v Speaker 1>I did a special, so I worked on that. But

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<v Speaker 1>I would say in the last year, I've done more

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<v Speaker 1>stand up than I have in fifteen years. I'm like,

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<v Speaker 1>every night I'm at the comedy store or the improv

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<v Speaker 1>doing something I don't know. After COVID, I thought I'd

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<v Speaker 1>never do it again, and then I got COVID and

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<v Speaker 1>I was like, Okay, it's not as bad, and then

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<v Speaker 1>I ran to a stage as quickly as possible. But

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<v Speaker 1>it's weird. It's it doesn't matter what I do. That

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<v Speaker 1>is where I'm happiest. Yeah, what is what is your

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<v Speaker 1>happiest like of all the things you do? Being in

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<v Speaker 1>a movie? Probably right, no no no, no no no,

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<v Speaker 1>a plate or this. I like doing this. I mean,

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<v Speaker 1>we do this and we're not trust me, we're not

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<v Speaker 1>getting rich to in this podcast. But you were brilliantly

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<v Speaker 1>funny as a game show host too. You take off

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<v Speaker 1>when you just said that about nothing is interesting in

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<v Speaker 1>a comedy club as this. I said, to watch the

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<v Speaker 1>Journey of human development, day by day, up close the

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<v Speaker 1>good and the bad. Because my kids are either uproariously

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<v Speaker 1>funny or I want to throw them off the balcony.

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<v Speaker 1>There's just nothing I found that could be placed. Though.

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<v Speaker 1>Did you find that when you after that period, when

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<v Speaker 1>did you decide you were going to go back into

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<v Speaker 1>it hard charging in full time? Well, at some point

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<v Speaker 1>I thought, I'm like, I call it a MoMA. It's

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<v Speaker 1>like a mom coma. Or you're just in it, you

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<v Speaker 1>know what I mean. That's what you're doing. You're being

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<v Speaker 1>a mom or you're being a dad, and you're being

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<v Speaker 1>it so fully, and every minute of that is the greatest.

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<v Speaker 1>Like I feel like my life went from like at

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<v Speaker 1>a great life and the minute ever was born into

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<v Speaker 1>technicolor like it's just it was winning the lottery for me.

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<v Speaker 1>And it took so long and it came. You know,

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<v Speaker 1>my dad died, My parents got diagnosed with cancer one

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<v Speaker 1>week apart, and my dad died, and the next month

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<v Speaker 1>I got pregnant naturally at forty three, So I feel

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<v Speaker 1>it was like a spiritual miracle. I was told I

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<v Speaker 1>had a one percent chance of getting pregnant, so I

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<v Speaker 1>believe in all that. So it was one percent, but

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<v Speaker 1>I was just going to say that. At some point,

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<v Speaker 1>I thought I have to be an interesting person for

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<v Speaker 1>my child, and I have in no way sacrifice anything,

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<v Speaker 1>because she's given me everything in raising her and being

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<v Speaker 1>with her. But I want her to have a passion

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<v Speaker 1>in her life that she loves and a purpose. She's fourteen,

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<v Speaker 1>and I feel like it's my purpose to be a comedian,

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<v Speaker 1>and now after having done it for so long, I'm

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<v Speaker 1>not trying to get a special I'm not trying to

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<v Speaker 1>get a TV show. I'm not doing it for anything

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<v Speaker 1>other than the fact that if I go in a

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<v Speaker 1>room and at the end of that hour, I've elevated

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<v Speaker 1>anybody in any way to be in a happier place,

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<v Speaker 1>I feel like my job's done, and I feel like

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<v Speaker 1>that's what we need to be doing. I feel like

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<v Speaker 1>concentrating on what we have in common as people again

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<v Speaker 1>like to sort of reunite us. And I also think

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<v Speaker 1>my mom didn't have a voice at this age. I'm

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<v Speaker 1>never going to give up mine, and there are women

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<v Speaker 1>my age that exists that are thriving that need to

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<v Speaker 1>see themselves being spoken about. How is it different now

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<v Speaker 1>than when you started in terms of being on stage. Well,

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<v Speaker 1>you could say anything on stage in nineteen eighty nine,

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<v Speaker 1>and now you know you have to be socially respectful,

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<v Speaker 1>and it's just it's very different. But also stand ups

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<v Speaker 1>how I process my life. The audience is sort of

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<v Speaker 1>therapy and we figure out what's going on. And I

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<v Speaker 1>always say this, but the only reason I was successful

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<v Speaker 1>is I thought it was so unique. It' because I'm

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<v Speaker 1>not in anyone unique. I'm exactly like everybody else. That's

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<v Speaker 1>exactly like everyone else. But when I first started, I

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<v Speaker 1>wanted to talk about sex. Then I want to talk

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<v Speaker 1>about everything that women are traditionally not supposed to talk about.

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<v Speaker 1>That's what I want to talk about. I remember being

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<v Speaker 1>called the Liz Fair of comedy and I thought, wow,

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<v Speaker 1>that's like the biggest compliment. You know how to clean right,

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<v Speaker 1>And I'm assuming because you've done a lot of network

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<v Speaker 1>stuff you have to play a clean like Tina. They

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<v Speaker 1>taught me that. She said, this is harder with standards,

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<v Speaker 1>and because we have to find another way to say

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<v Speaker 1>it right. We can't be dropping the F bomb and

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<v Speaker 1>everything all the time. I don't know what your most

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<v Speaker 1>famous thing is, but like if I say you're a name,

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<v Speaker 1>to a man, they immediately say Glen Gary, Glenn Ross. Yeah,

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<v Speaker 1>but for me it was Sabrina, which is what you're

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<v Speaker 1>most known for, which I will be forever grateful for.

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<v Speaker 1>But all of a sudden, I had eight year olds

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<v Speaker 1>in the audience, and I remember saying to them, do

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<v Speaker 1>you know what boundaries are? And they said yes, I

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<v Speaker 1>go because your parents don't. And then I thought, okay,

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<v Speaker 1>now I have to change my ACCT because I'm never

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<v Speaker 1>going to teach a child something it's parents. Their parents

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<v Speaker 1>haven't taught them. You're not their parents now. So then

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<v Speaker 1>I then I sort of adjusted my act and I

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<v Speaker 1>would say, I don't know, it's probably more for everybody now.

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<v Speaker 1>I just like writing a joke about something like I

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<v Speaker 1>wrote a joke that if you date someone in the military,

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<v Speaker 1>I didn't know this, but after sex, the protocol as

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<v Speaker 1>you're supposed to say thank you for your servant, I said,

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<v Speaker 1>and I did it. He was an army ranger, so

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<v Speaker 1>I think he had intimacy issues with After sex, I

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<v Speaker 1>went to the bathroom and he parachuted out of the window.

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<v Speaker 1>So like, to me, that's processing something that actually happened.

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<v Speaker 1>I'm not going to go into nitty gritty detail anymore.

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<v Speaker 1>Probably maybe if I was in a group full of

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<v Speaker 1>just women, because women speak in the most intricate, disgusting

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<v Speaker 1>way about sex that you have no idea. You're more like, oh,

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<v Speaker 1>her whatever. But we're like, we could do a court

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<v Speaker 1>sketch of any penis we've ever been told about. Yeah,

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<v Speaker 1>but when you're out there now, like when you started

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<v Speaker 1>describe your first stand up comedy gigs, this was in

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<v Speaker 1>Canada before you came here. I never did in Canada

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<v Speaker 1>because you know, you can't be a prophet in your

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<v Speaker 1>own town. I moved to New York. Scott Blakeman taught

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<v Speaker 1>a class at the New School to called stand up comedy.

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<v Speaker 1>And then the first time I went on stage was

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<v Speaker 1>at the Comic Strip, and I had all these Australian

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<v Speaker 1>friends who were completely broke, who are now like giant

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<v Speaker 1>titans of business who you know, sold their companies for

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<v Speaker 1>hundreds of millions of dollars. And then like, really, because

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<v Speaker 1>I paid for every dinner in the nineties, And as

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<v Speaker 1>I walked on stage and John Wiley said, you're really bad,

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<v Speaker 1>and I'm like, I'm not even at the mic yet.

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<v Speaker 1>It's like in Ireland they heckle you on the way

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<v Speaker 1>like you're a fat I'm I'm not at the mic yet,

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<v Speaker 1>you can't pre echo me. And then I just remember

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<v Speaker 1>standing there and doing it, and I thought, I have

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<v Speaker 1>no idea where I am or what I'm doing, like

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<v Speaker 1>I said, And then I just said, I can't imagine

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<v Speaker 1>how many times you're at your job and you get

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<v Speaker 1>up and look around and go, I have no idea

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<v Speaker 1>what I'm doing here or where I am. Oh, I'm

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<v Speaker 1>a dentist, whatever it is. I just and then that

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<v Speaker 1>was it. And then I went on stage probably five

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<v Speaker 1>hundred times a year for the next few years, going

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<v Speaker 1>to every open mic possible. My sister could lip sync

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<v Speaker 1>my act from the back of the room. She was

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<v Speaker 1>so supportive. It's funny the performance. Jean, Did you know

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<v Speaker 1>you were a performer back then when you were in Canada? Oh? Yeah,

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<v Speaker 1>I mean I was always in plays and I was

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<v Speaker 1>always sort of I think that's the thing about a

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<v Speaker 1>stand up. Before they get on a stage they're doing

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<v Speaker 1>those poor people that they grow up with have heard

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<v Speaker 1>their material all the time. There's something that is triggered

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<v Speaker 1>in me. If there's you know, more than a certain

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<v Speaker 1>amount of people you know, it wakes up in me

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<v Speaker 1>that and if it's a thousand strangers, then it really

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<v Speaker 1>wakes up at me. It's a weird thing. It is

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<v Speaker 1>that complete love of performing. Billy Joel came on the

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<v Speaker 1>show in one of our earliest shows he did. Billy

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<v Speaker 1>Joel comes on the show and he says that, you know,

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<v Speaker 1>one of the conditions of his success is everywhere he goes,

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<v Speaker 1>people are like, Billy, do you mind it's Christmas? Just

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<v Speaker 1>a couple of tunes. We just had it tuned. The

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<v Speaker 1>pianos right over here. Just a couple of songs, please, Like,

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<v Speaker 1>everywhere he goes, if this a piano in the room,

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<v Speaker 1>everybody's like, Billy, does everybody ask you to do the

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<v Speaker 1>wedding toast? Do they ask you to do the you know?

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<v Speaker 1>Are you always asked to get up and be funny? Yes?

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<v Speaker 1>Which is like literally the only thing that will make

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<v Speaker 1>me not funny. So the first place you go from

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<v Speaker 1>Canada when you come to the US as where New

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<v Speaker 1>York City? You go to New York I moved by

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<v Speaker 1>I can't remember if it was eighty five or eighty seven.

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<v Speaker 1>I was flying back from Tucson, where my dad lived.

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<v Speaker 1>Sitting next to this very gorgeous model who was talking

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<v Speaker 1>to me about his famous brother who was on Notts Landing. Oh, no, Billy.

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<v Speaker 1>It was with Billy. And then we shared a cab home.

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<v Speaker 1>I was on the opprest side, he was on the

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<v Speaker 1>breast side, and I was so mesmerized by him, handsome,

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<v Speaker 1>he was. I left all of my luggage in the cab. Yeah.

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<v Speaker 1>So when you come to New York, is it hard?

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<v Speaker 1>That's terribly hard. It's awful. Was it hard to break in? Yes?

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<v Speaker 1>I felt like New York was a giant balloon and

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<v Speaker 1>I had a cotton ball And I remember my friend

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<v Speaker 1>Norm McDonald was on Letterman and he brought me with him,

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<v Speaker 1>and I remember sitting backstage the old Letterman, Yeah, the

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<v Speaker 1>early nineties, And I remember sitting backstage and Christy Turlington

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<v Speaker 1>was the other guest, and there were these giant cookies

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<v Speaker 1>with jam in them. About the fact that that's what

0:10:43.679 --> 0:10:47.040
<v Speaker 1>I remember from Letterman, right, the treats in the green room.

0:10:47.480 --> 0:10:50.440
<v Speaker 1>And then I remember just thinking I just want to

0:10:50.440 --> 0:10:52.360
<v Speaker 1>be a part of whatever this is. I need to

0:10:52.920 --> 0:10:55.559
<v Speaker 1>And it was like I was invisible. Nobody would even

0:10:55.880 --> 0:10:57.480
<v Speaker 1>you know, like talk to me basically, and I was

0:10:57.520 --> 0:10:59.120
<v Speaker 1>just there for norm sitting in the back and then

0:11:00.080 --> 0:11:01.920
<v Speaker 1>arding him and Melissa Ethritz was the other guest too,

0:11:01.920 --> 0:11:03.880
<v Speaker 1>and I was like, I just want to be this

0:11:04.080 --> 0:11:06.000
<v Speaker 1>is this is all I want. And I loved Letterman

0:11:06.120 --> 0:11:09.120
<v Speaker 1>so much. That was very hard. It was very hard.

0:11:09.160 --> 0:11:10.600
<v Speaker 1>It was. And then I went on the road and

0:11:10.640 --> 0:11:13.840
<v Speaker 1>did colleges and I would just cry and I would

0:11:13.840 --> 0:11:16.480
<v Speaker 1>call my sisters or support. It was just really hard

0:11:16.480 --> 0:11:18.600
<v Speaker 1>because the thing about comedy that's so hard is that

0:11:19.160 --> 0:11:22.480
<v Speaker 1>you're so seemingly connected to people and then you are alone,

0:11:23.240 --> 0:11:25.720
<v Speaker 1>you know, and then you're alone in your room. You

0:11:25.720 --> 0:11:29.280
<v Speaker 1>were with so many people. And I fully understand now,

0:11:29.320 --> 0:11:31.760
<v Speaker 1>like to me, the understanding of an extrovert and an introvert.

0:11:32.000 --> 0:11:34.200
<v Speaker 1>My friend Peter Johnson is like an expert in this,

0:11:34.280 --> 0:11:37.400
<v Speaker 1>and he said, an expert it's someone who really finds

0:11:37.559 --> 0:11:40.719
<v Speaker 1>energy from other people. That's their life source. And an

0:11:40.720 --> 0:11:43.480
<v Speaker 1>introvert is ultimately drained by being around too many people.

0:11:43.920 --> 0:11:46.880
<v Speaker 1>And I am truly an extrovert. I can't even get

0:11:46.880 --> 0:11:48.720
<v Speaker 1>something done if I'm alone, But if someone's in the

0:11:48.760 --> 0:11:51.360
<v Speaker 1>other room, I can function really well. Wow. But if

0:11:51.400 --> 0:11:54.280
<v Speaker 1>I'm alone, I'm like, hmm, no, But you have such

0:11:54.320 --> 0:11:57.320
<v Speaker 1>a command on stage, Like, there are people who come

0:11:57.360 --> 0:11:59.760
<v Speaker 1>up and you know you're not Stephen right right, Well,

0:12:00.000 --> 0:12:02.439
<v Speaker 1>I couldn't even find you inside the wallpaper. They could

0:12:02.440 --> 0:12:04.880
<v Speaker 1>all blends together in terms of his personality. But he's

0:12:04.960 --> 0:12:09.640
<v Speaker 1>very funny. He's incredibly funny. But you are an entertainer

0:12:10.120 --> 0:12:12.160
<v Speaker 1>of the old school, where you're up there and right

0:12:12.200 --> 0:12:14.840
<v Speaker 1>away first of all, and I told them this before

0:12:14.840 --> 0:12:17.720
<v Speaker 1>you came here. I go, this woman is. Everybody loves you.

0:12:18.600 --> 0:12:21.600
<v Speaker 1>Everybody loves you. You have an energy. You walk on

0:12:21.920 --> 0:12:24.360
<v Speaker 1>and you don't even open your mouth and you're halfway home.

0:12:25.000 --> 0:12:28.480
<v Speaker 1>People just adore you. There's a warmth, there's a love,

0:12:28.600 --> 0:12:31.440
<v Speaker 1>there's a graciousness. They know they're going to see a

0:12:31.440 --> 0:12:34.240
<v Speaker 1>good show. You have a persona before you even start

0:12:34.240 --> 0:12:37.080
<v Speaker 1>telling jokes. Did you have to find that a warmth?

0:12:37.240 --> 0:12:39.559
<v Speaker 1>I sound so sappy, but I am genuinely so happy

0:12:39.600 --> 0:12:41.960
<v Speaker 1>to be there, and especially after COVID, I'm so grateful

0:12:42.000 --> 0:12:44.240
<v Speaker 1>to be there, and that the fact that I've been

0:12:44.240 --> 0:12:46.079
<v Speaker 1>doing this long and an audience is still coming to

0:12:46.120 --> 0:12:48.960
<v Speaker 1>see me. I am so happy to see them, you know.

0:12:49.120 --> 0:12:52.520
<v Speaker 1>But you're most comfortable when you're on stage. Probably you

0:12:52.559 --> 0:12:55.360
<v Speaker 1>really love it. Yeah, I feel like I always think

0:12:55.360 --> 0:12:56.839
<v Speaker 1>my stand up as a dinner party. I know what

0:12:56.880 --> 0:12:59.280
<v Speaker 1>I'm gonna make, you're my guests. I don't know what's

0:12:59.280 --> 0:13:01.319
<v Speaker 1>going to happen. But the thing about stand up that

0:13:01.360 --> 0:13:03.400
<v Speaker 1>amazes me is it's only going to happen in that

0:13:03.440 --> 0:13:05.839
<v Speaker 1>moment in time. Even if we film it, it's never

0:13:05.880 --> 0:13:08.640
<v Speaker 1>gonna be what it feels like live. So I think

0:13:08.640 --> 0:13:11.000
<v Speaker 1>it's just an exchange of energy. Now, you were in

0:13:11.080 --> 0:13:13.600
<v Speaker 1>New York, went out to kept the apartment in New York,

0:13:13.640 --> 0:13:15.200
<v Speaker 1>finally gave up the apartment of New York, and you're

0:13:15.200 --> 0:13:18.160
<v Speaker 1>living in LA what's the difference for you, because I

0:13:18.160 --> 0:13:20.760
<v Speaker 1>have my theory about that. What's the difference for me? Well,

0:13:20.800 --> 0:13:22.319
<v Speaker 1>the difference to me is that there's so many more

0:13:22.320 --> 0:13:24.679
<v Speaker 1>actors out there than there are in New York. Like,

0:13:24.840 --> 0:13:26.560
<v Speaker 1>every time I see a picture of you in your Instagram,

0:13:26.640 --> 0:13:28.280
<v Speaker 1>you're like, you know, hey, it's me and so and so.

0:13:28.440 --> 0:13:31.080
<v Speaker 1>You're like at this eventure, this party, and it's very

0:13:31.160 --> 0:13:35.800
<v Speaker 1>social in the business. There's a lot of opportunities at benefits.

0:13:35.880 --> 0:13:38.160
<v Speaker 1>It's in a giant office, That's what Los Angeles is.

0:13:38.280 --> 0:13:41.600
<v Speaker 1>It's a giant office, but I'm really there more as

0:13:41.720 --> 0:13:43.600
<v Speaker 1>like I don't need to live there anymore. I mean,

0:13:43.679 --> 0:13:45.400
<v Speaker 1>it's just that my daughter's in school there now and

0:13:45.440 --> 0:13:48.439
<v Speaker 1>she's connected to that. And even though I lived in

0:13:48.440 --> 0:13:51.680
<v Speaker 1>New York for thirty years, I come back and it's

0:13:51.720 --> 0:13:53.920
<v Speaker 1>the boyfriend who I loved more than anything. But I

0:13:53.960 --> 0:13:55.760
<v Speaker 1>know why we broke up, Like, I don't want to

0:13:55.760 --> 0:13:59.559
<v Speaker 1>live here anymore. It's too many people. Yeah, I feel chlaustrophobic.

0:13:59.640 --> 0:14:01.360
<v Speaker 1>And then when I'm out there, I'm like, stop talking

0:14:01.400 --> 0:14:04.760
<v Speaker 1>about hiking. I don't care. Yeah, it's just it's such

0:14:05.240 --> 0:14:07.320
<v Speaker 1>like I just can't believe you're talking about hiking and

0:14:07.320 --> 0:14:09.560
<v Speaker 1>how the hike was, how it was just walking up

0:14:09.559 --> 0:14:12.319
<v Speaker 1>a hill with rocks. Stop talking about it. It's just torture.

0:14:12.440 --> 0:14:14.800
<v Speaker 1>But I think about that because because most of my

0:14:14.880 --> 0:14:18.079
<v Speaker 1>friends who were living here moved there in the nineties.

0:14:18.080 --> 0:14:20.080
<v Speaker 1>They're all out there. They're all there. They're all there.

0:14:20.080 --> 0:14:21.800
<v Speaker 1>I mean, New York is where you come and live

0:14:22.120 --> 0:14:24.760
<v Speaker 1>because you either don't care or you've made your name

0:14:25.040 --> 0:14:27.160
<v Speaker 1>known well enough when they'll confine you if they want you.

0:14:27.720 --> 0:14:30.760
<v Speaker 1>But for me, I see on your Instagram, and I'm

0:14:30.760 --> 0:14:33.640
<v Speaker 1>not saying in a judgmental way, I'm saying you remind

0:14:33.760 --> 0:14:35.640
<v Speaker 1>me about how out there you could go out every

0:14:35.720 --> 0:14:38.080
<v Speaker 1>night to an event of screening, and I hate doing that.

0:14:38.160 --> 0:14:40.280
<v Speaker 1>I only have to do that for my social stuff.

0:14:40.320 --> 0:14:44.480
<v Speaker 1>I just you know, it's just yeah, I don't I

0:14:45.000 --> 0:14:47.040
<v Speaker 1>could care less about going to those things. I really could.

0:14:47.080 --> 0:14:48.880
<v Speaker 1>I'd much father sit and have a small dinner party

0:14:48.880 --> 0:14:52.280
<v Speaker 1>with somebody that I super interesting. How did your work

0:14:52.360 --> 0:14:56.440
<v Speaker 1>change once you had a child? I mean, who you

0:14:56.480 --> 0:14:58.360
<v Speaker 1>are before you have a child and who you are

0:14:58.400 --> 0:15:02.320
<v Speaker 1>afterwards is completely different. My sons are just I don't

0:15:02.360 --> 0:15:04.120
<v Speaker 1>know what to do in terms of theirs. They have

0:15:04.160 --> 0:15:06.120
<v Speaker 1>all this energy. They don't go to sleep, They collapse.

0:15:06.360 --> 0:15:08.160
<v Speaker 1>I don't know how. I mean, if I had a boy,

0:15:08.160 --> 0:15:10.320
<v Speaker 1>I would have had a nervous breakdown. I always think

0:15:10.320 --> 0:15:14.000
<v Speaker 1>of you because Ava couldn't say certain letters when she

0:15:14.080 --> 0:15:16.600
<v Speaker 1>was like a baby. You know, she couldn't say ell.

0:15:16.880 --> 0:15:18.520
<v Speaker 1>You know how when they go through phases where they're

0:15:18.600 --> 0:15:21.360
<v Speaker 1>like and I remember, sure we'll called water wad and

0:15:21.520 --> 0:15:23.680
<v Speaker 1>an orange or none. And I was like, don't ever

0:15:23.760 --> 0:15:26.600
<v Speaker 1>correct her because it's so adorable. But the little boy

0:15:26.800 --> 0:15:28.800
<v Speaker 1>killing that lived across the hall, who was like, you know,

0:15:28.840 --> 0:15:32.440
<v Speaker 1>they got married at age three. He was obsessed with

0:15:32.600 --> 0:15:35.880
<v Speaker 1>Thomas the tank, your show my magnum opus, Yes, your

0:15:35.920 --> 0:15:39.120
<v Speaker 1>magnum opus, and he couldn't say ours, so he would

0:15:39.120 --> 0:15:43.240
<v Speaker 1>always say do you want to play with pussy instead

0:15:43.280 --> 0:15:45.800
<v Speaker 1>of Percy? And she had a big pink clock and

0:15:45.840 --> 0:15:47.920
<v Speaker 1>she was like, do you want to play with my

0:15:48.000 --> 0:15:50.240
<v Speaker 1>big pink cock? And I was like, this is the

0:15:50.280 --> 0:15:54.760
<v Speaker 1>most horrifying soundtrack I find. Okay, I'm not the Queen

0:15:54.800 --> 0:15:57.000
<v Speaker 1>of boundaries anyway. I think Ava was seven when she

0:15:57.040 --> 0:15:59.160
<v Speaker 1>came home and said, we learned a new word today.

0:15:59.400 --> 0:16:00.880
<v Speaker 1>I don't know what it means. And I go, well,

0:16:00.880 --> 0:16:03.200
<v Speaker 1>how do you spell it? And oh, like, yes, you've

0:16:03.200 --> 0:16:06.040
<v Speaker 1>never heard it at this house. So I think one

0:16:06.120 --> 0:16:10.440
<v Speaker 1>being a single parent, I overcompensate because you know, she's

0:16:10.480 --> 0:16:12.840
<v Speaker 1>with me the most of the I mean, she has

0:16:12.880 --> 0:16:15.320
<v Speaker 1>a lovely father, but she's with me most of the time.

0:16:15.760 --> 0:16:17.640
<v Speaker 1>I've always said to where I go, if we do

0:16:17.720 --> 0:16:20.640
<v Speaker 1>all the yeses, they're far fewer knows, like, if you

0:16:20.760 --> 0:16:23.480
<v Speaker 1>do everything you're supposed to do, I will say no,

0:16:23.840 --> 0:16:26.600
<v Speaker 1>probably much less than the average parent. How are you

0:16:26.640 --> 0:16:30.240
<v Speaker 1>with your daughter about media? We were great until we

0:16:30.280 --> 0:16:32.960
<v Speaker 1>went to Australia and I did the Melbourne Comedy Festival

0:16:33.000 --> 0:16:36.240
<v Speaker 1>and then I was like, she's going to get something

0:16:36.480 --> 0:16:39.640
<v Speaker 1>electronic to, you know, so that she can be distracted.

0:16:39.680 --> 0:16:42.960
<v Speaker 1>I regret it terribly, I really do, because I think

0:16:43.000 --> 0:16:46.080
<v Speaker 1>that we're all so addicted to it, you know. I mean,

0:16:46.440 --> 0:16:48.480
<v Speaker 1>I lost my iPhone recently and they were three of

0:16:48.520 --> 0:16:50.760
<v Speaker 1>the happiest days of my life. You know. It's nice

0:16:50.800 --> 0:16:54.880
<v Speaker 1>to be disconnected in the summer, no electronics until six

0:16:55.560 --> 0:16:58.120
<v Speaker 1>and we're all together, like my sisters and all the

0:16:58.520 --> 0:17:00.680
<v Speaker 1>we are all together as a family. So I like

0:17:00.840 --> 0:17:04.240
<v Speaker 1>that now, you do, Sabrina, Yes, and when I'm want

0:17:04.240 --> 0:17:05.919
<v Speaker 1>to talk about that in a little detail about what

0:17:05.960 --> 0:17:09.359
<v Speaker 1>that experience was like, because that's a classic TV show,

0:17:09.400 --> 0:17:11.560
<v Speaker 1>you know what I mean. And that's all I ever

0:17:11.600 --> 0:17:13.639
<v Speaker 1>wanted to do was be on a sitcom, That's all

0:17:13.840 --> 0:17:15.679
<v Speaker 1>I mean. I have this thought that many people have,

0:17:15.800 --> 0:17:19.320
<v Speaker 1>which is that you know, these things are now on forever,

0:17:19.680 --> 0:17:21.600
<v Speaker 1>you know, I know, if you're one of the stars

0:17:21.600 --> 0:17:25.159
<v Speaker 1>of Friends or Seinfeld, it's like that's going to just

0:17:25.160 --> 0:17:27.840
<v Speaker 1>follow you around forever. Sabrina has been on television every

0:17:27.920 --> 0:17:30.280
<v Speaker 1>day somewhere since the two thousand and then. Amazing. Yeah,

0:17:30.400 --> 0:17:32.040
<v Speaker 1>And what was that experience like for you? Did you

0:17:32.080 --> 0:17:34.720
<v Speaker 1>love it from the beginning. It's so funny. I have

0:17:34.800 --> 0:17:39.480
<v Speaker 1>this horrible, horrible boyfriend and we went to Hawaii. This

0:17:39.600 --> 0:17:41.879
<v Speaker 1>is pre cell phones or whatever. It's the old, like

0:17:42.240 --> 0:17:43.840
<v Speaker 1>ever your pictures developed, And I said it and we

0:17:43.880 --> 0:17:46.520
<v Speaker 1>broke up before the pictures were developed. And I was

0:17:46.560 --> 0:17:48.800
<v Speaker 1>like so devastated by this. And I was sitting in

0:17:48.840 --> 0:17:51.280
<v Speaker 1>the Upper West Side and I got this phone call

0:17:51.359 --> 0:17:54.440
<v Speaker 1>from Neil Scovell, who created Sabrina, and she said, are

0:17:54.440 --> 0:17:58.200
<v Speaker 1>you sure you won't reconsider the part? And I'm like, now,

0:17:58.240 --> 0:18:01.520
<v Speaker 1>I have no idea what you're talking about. My managers

0:18:01.520 --> 0:18:05.640
<v Speaker 1>had never forwarded it to me. Weeks before, well, they'd

0:18:05.680 --> 0:18:07.440
<v Speaker 1>never forwarded it to me. They'd passed on it. I

0:18:07.760 --> 0:18:10.520
<v Speaker 1>knew nothing about it. And she said, will you please

0:18:11.280 --> 0:18:13.320
<v Speaker 1>you know we're casting this week. I'm going to send

0:18:13.320 --> 0:18:15.320
<v Speaker 1>you the script. And it was so long ago that

0:18:15.480 --> 0:18:17.760
<v Speaker 1>she sent it, and it was printed on like it

0:18:17.760 --> 0:18:22.440
<v Speaker 1>looked like it came on a scroll from like Yeo's exactly,

0:18:22.680 --> 0:18:24.760
<v Speaker 1>because so I went across the street all the curled papers.

0:18:24.760 --> 0:18:26.600
<v Speaker 1>I read the script immediately, I'm like, oh my god,

0:18:26.680 --> 0:18:29.119
<v Speaker 1>I absolutely want to do this. I want to be Zelda,

0:18:29.359 --> 0:18:31.920
<v Speaker 1>which was not who I was. And she said we're

0:18:31.920 --> 0:18:34.320
<v Speaker 1>really thinking of view is Hilda And I said, well,

0:18:34.359 --> 0:18:36.920
<v Speaker 1>tell me about the character and she said she traps

0:18:37.000 --> 0:18:38.960
<v Speaker 1>a man in her ring for not loving her. And

0:18:39.000 --> 0:18:40.840
<v Speaker 1>I literally said, yeah, I'll do that. I'll do the

0:18:40.880 --> 0:18:43.679
<v Speaker 1>part because I had heartbroken. Yeah, I was like, I

0:18:43.760 --> 0:18:45.640
<v Speaker 1>just was like, I want this guy trapped in a ring.

0:18:46.040 --> 0:18:48.840
<v Speaker 1>That's literally what I said. And then I flew out,

0:18:49.480 --> 0:18:51.320
<v Speaker 1>and you know you. I did the first test and

0:18:51.320 --> 0:18:53.600
<v Speaker 1>then I went to producers and then they sent me

0:18:53.640 --> 0:18:56.240
<v Speaker 1>to the network and I had just done a pilot

0:18:56.280 --> 0:18:59.320
<v Speaker 1>that for some reason, it's just for that network. Now.

0:18:59.440 --> 0:19:01.679
<v Speaker 1>For see, I'd done a pilot that didn't get picked up.

0:19:02.160 --> 0:19:04.240
<v Speaker 1>It was called Daisy's Mom, about being a single mother

0:19:04.320 --> 0:19:05.639
<v Speaker 1>to a girl. And I was like, everything in my

0:19:05.680 --> 0:19:07.439
<v Speaker 1>life I always came it always came true in some

0:19:07.520 --> 0:19:12.040
<v Speaker 1>element was something I was playing. It was weird. And

0:19:12.080 --> 0:19:14.520
<v Speaker 1>then I went to network and I was like, you

0:19:14.600 --> 0:19:16.480
<v Speaker 1>know what, this show is going to be on the

0:19:16.480 --> 0:19:18.240
<v Speaker 1>air forever. I don't want to do this. I don't

0:19:18.240 --> 0:19:20.479
<v Speaker 1>think I can do this. So I left my network

0:19:20.560 --> 0:19:23.679
<v Speaker 1>test and they were so bad. Yeah, I left it.

0:19:23.880 --> 0:19:26.919
<v Speaker 1>I'm like, I'm not signing. That's the quickest way to

0:19:26.920 --> 0:19:29.160
<v Speaker 1>get hired. By the way, it's exactly what you show.

0:19:29.600 --> 0:19:32.200
<v Speaker 1>Go to hell. I just had this panic and I

0:19:33.760 --> 0:19:36.000
<v Speaker 1>don't know what I was thinking, and I flew home

0:19:36.640 --> 0:19:39.480
<v Speaker 1>and then they immediately called me and said, you don't

0:19:39.520 --> 0:19:42.200
<v Speaker 1>have to test. You can have the part. You know,

0:19:42.560 --> 0:19:44.199
<v Speaker 1>you just can you let us know and then you

0:19:44.200 --> 0:19:45.840
<v Speaker 1>could just have to fly out and do like a

0:19:45.880 --> 0:19:48.240
<v Speaker 1>chemistry tester with whoever's going to play your sister, but

0:19:48.560 --> 0:19:51.199
<v Speaker 1>please come. And I was such an idiot. I was like,

0:19:51.680 --> 0:19:54.240
<v Speaker 1>now an I want to And then I remember my

0:19:54.320 --> 0:19:56.439
<v Speaker 1>mother called me and said, good lord, that's not like

0:19:56.480 --> 0:19:58.680
<v Speaker 1>they've asked you to be a bricklayer. Don't be such

0:19:58.760 --> 0:20:02.439
<v Speaker 1>an idiot. You're appointing me exactly. She disappointed her. So

0:20:02.480 --> 0:20:04.639
<v Speaker 1>then so then I took the job. And then of

0:20:04.640 --> 0:20:06.760
<v Speaker 1>course I went to the psychic and he said, the

0:20:06.760 --> 0:20:08.919
<v Speaker 1>show that you're starting in September will be on the

0:20:08.920 --> 0:20:11.919
<v Speaker 1>air for seven years, which it was. I stand on

0:20:11.960 --> 0:20:14.919
<v Speaker 1>it for six, but it was it was there for seven.

0:20:15.480 --> 0:20:18.000
<v Speaker 1>It was the greatest thing that's probably ever happened to

0:20:18.000 --> 0:20:21.440
<v Speaker 1>me in many ways because and this is really hooking,

0:20:21.480 --> 0:20:22.920
<v Speaker 1>but it was like, what a gift to be able

0:20:22.920 --> 0:20:25.920
<v Speaker 1>to entertain kids, right, and like in an adult show

0:20:26.640 --> 0:20:30.680
<v Speaker 1>that was the loyal audience, powered by women about powerful women.

0:20:31.080 --> 0:20:33.199
<v Speaker 1>The only objective my character ever had was she was

0:20:33.200 --> 0:20:35.280
<v Speaker 1>six hundred years old and she had a playmate. And

0:20:35.320 --> 0:20:37.119
<v Speaker 1>the only thing I ever thought and ever scene is

0:20:37.440 --> 0:20:39.760
<v Speaker 1>you love this kid. You just love her and you

0:20:39.800 --> 0:20:43.760
<v Speaker 1>have someone to like, play with and be silly with.

0:20:47.480 --> 0:20:52.560
<v Speaker 1>Caroline Ray. If you enjoy conversations with hilarious women, check

0:20:52.600 --> 0:20:55.960
<v Speaker 1>out my episode with Paula Powell. I used to write

0:20:56.000 --> 0:20:58.520
<v Speaker 1>a sketch called six Degrees Celsius and it was like

0:20:58.560 --> 0:21:03.000
<v Speaker 1>a boy group and Will Farrell was their manager. They

0:21:03.040 --> 0:21:05.760
<v Speaker 1>had tinted glasses of course, you know. It was Jimmy

0:21:05.800 --> 0:21:08.199
<v Speaker 1>Fallon and Chris Katan and Chris Parnell and they were

0:21:08.200 --> 0:21:11.280
<v Speaker 1>a boy group. And then we'd have the host in it. Well,

0:21:11.359 --> 0:21:13.920
<v Speaker 1>that week in Sync was there. We asked and Sync

0:21:13.960 --> 0:21:17.600
<v Speaker 1>to be another boy group in this competition on the show,

0:21:18.000 --> 0:21:20.240
<v Speaker 1>playing a fake boy group, And so I wrote a

0:21:20.280 --> 0:21:24.119
<v Speaker 1>song called hold the Pickle and they were like McDonald's employees,

0:21:24.600 --> 0:21:27.320
<v Speaker 1>and so in Sync came out with like McDonald's outfits

0:21:27.359 --> 0:21:29.720
<v Speaker 1>on and saying hold the pit gull and they're so

0:21:30.160 --> 0:21:32.560
<v Speaker 1>they were so crazy talented, like they got there and

0:21:32.600 --> 0:21:34.760
<v Speaker 1>looked at it for ten minutes and had full harmonies

0:21:34.760 --> 0:21:37.639
<v Speaker 1>and full choreography. I mean, they threw that shit together.

0:21:37.680 --> 0:21:42.640
<v Speaker 1>I was just amazed to hear more of my conversation

0:21:42.680 --> 0:21:46.080
<v Speaker 1>with Paula pelle Go to Here's the Thing dot Org.

0:21:46.840 --> 0:21:49.919
<v Speaker 1>After the break, Carol Line Ray shares the gifts that

0:21:50.040 --> 0:22:00.159
<v Speaker 1>working on Sabrina the Teenage which has brought into her life.

0:22:04.080 --> 0:22:06.960
<v Speaker 1>I'm not like Baldwin and you're listening to Here's the Thing.

0:22:07.640 --> 0:22:10.960
<v Speaker 1>When Caroline Ray was hired on Sabrina the Teenage, which

0:22:11.160 --> 0:22:14.200
<v Speaker 1>she had already done years of stand up, I wanted

0:22:14.240 --> 0:22:18.000
<v Speaker 1>to know if her comedic background brought about any improvisation

0:22:18.200 --> 0:22:21.439
<v Speaker 1>on set that was not a big improvised show. They

0:22:21.440 --> 0:22:23.480
<v Speaker 1>were pretty, they were they were very nice about But

0:22:23.520 --> 0:22:25.479
<v Speaker 1>I had done a lot of pilots, and I had

0:22:25.520 --> 0:22:27.640
<v Speaker 1>done I had done a series that had lasted six

0:22:27.680 --> 0:22:31.119
<v Speaker 1>episodes and was canceled with a nineteen share. So now

0:22:31.160 --> 0:22:33.919
<v Speaker 1>I feel like I'm actually writing a pilot because I

0:22:34.040 --> 0:22:38.080
<v Speaker 1>want to be able to write my voice, which I

0:22:38.240 --> 0:22:40.680
<v Speaker 1>you know, it's fun. I like acting. I like playing

0:22:40.680 --> 0:22:43.320
<v Speaker 1>a character, but I think I want to do that too.

0:22:43.560 --> 0:22:46.480
<v Speaker 1>Four camera, yeah, four camera, yeah, you're gonna be on it.

0:22:46.520 --> 0:22:49.680
<v Speaker 1>I haven't told you yet, but I'll play Carlton the doormat. Yeah. Now,

0:22:49.800 --> 0:22:51.800
<v Speaker 1>but you are you really working on this right now? Yes?

0:22:51.800 --> 0:22:54.159
<v Speaker 1>I am. Did I answer the question about Sabrina. I

0:22:54.359 --> 0:22:57.399
<v Speaker 1>I don't know if I did. It followed Sabrina yet

0:22:57.600 --> 0:23:00.000
<v Speaker 1>everywhere I've been called a witch in every country. Yeah,

0:23:00.040 --> 0:23:02.320
<v Speaker 1>it's amazing. But you know what, I've also been able

0:23:02.320 --> 0:23:05.480
<v Speaker 1>to walk into the wall to read and see soldiers.

0:23:05.480 --> 0:23:07.520
<v Speaker 1>I've been able to go into children's hospitals. I've been

0:23:07.560 --> 0:23:10.240
<v Speaker 1>able to be sort of you know, it's in its

0:23:10.240 --> 0:23:12.439
<v Speaker 1>fourth generation of like little girls who come up and

0:23:12.520 --> 0:23:15.280
<v Speaker 1>hug me. You know, it's nice to be on something

0:23:15.280 --> 0:23:18.320
<v Speaker 1>that was sort of a good like you can watch

0:23:18.359 --> 0:23:20.960
<v Speaker 1>that show. And I've watched so much children's television now

0:23:21.000 --> 0:23:24.159
<v Speaker 1>because of my daughter. I didn't watch an episode of

0:23:24.160 --> 0:23:27.160
<v Speaker 1>Sabrina until Ava was seven. Wow, and then we watched

0:23:27.160 --> 0:23:29.920
<v Speaker 1>an episode every night. But I remember, and I'm sure

0:23:29.960 --> 0:23:31.920
<v Speaker 1>you've had this experience. I remember when I had done

0:23:31.920 --> 0:23:35.040
<v Speaker 1>a Sesame Street video and Ava saw me on television

0:23:35.320 --> 0:23:37.800
<v Speaker 1>and then she asked me one day, she goes, Mummy,

0:23:37.920 --> 0:23:41.800
<v Speaker 1>are you the same mummy as you are as that

0:23:41.880 --> 0:23:44.880
<v Speaker 1>person on television is that person on television also my mummy.

0:23:45.680 --> 0:23:47.639
<v Speaker 1>I was like, it's a very confusing way to put that,

0:23:47.760 --> 0:23:51.000
<v Speaker 1>but yeah, all forms of me and any any image

0:23:51.000 --> 0:23:54.080
<v Speaker 1>of me is still your mummy. Talk to me about astrology.

0:23:54.160 --> 0:23:56.600
<v Speaker 1>Why did you become interested in an astrology? I don't know.

0:23:56.640 --> 0:23:58.439
<v Speaker 1>I think it's because always look, I grew up with

0:23:58.480 --> 0:24:02.040
<v Speaker 1>a very open minded family who we had a ghost

0:24:02.119 --> 0:24:03.760
<v Speaker 1>in our house and it wasn't scary. It was just

0:24:03.800 --> 0:24:07.760
<v Speaker 1>sort of accepted, and we were big believers in the unseen.

0:24:07.960 --> 0:24:11.159
<v Speaker 1>And I think it's just anything that's like a further

0:24:11.320 --> 0:24:14.080
<v Speaker 1>understanding of what it's just like breaking down a character

0:24:14.119 --> 0:24:17.480
<v Speaker 1>in a play, right, like who they are. You're an aries,

0:24:17.520 --> 0:24:20.600
<v Speaker 1>You're full aries. You're such aries energy. You know what

0:24:20.640 --> 0:24:23.439
<v Speaker 1>the condition of the aries is, don't you? How lonely

0:24:23.440 --> 0:24:27.080
<v Speaker 1>it is? Being right all the time. Really, that's pretty capricorn.

0:24:27.640 --> 0:24:30.640
<v Speaker 1>That's my wife. That's my wife. I should have brought

0:24:30.640 --> 0:24:32.720
<v Speaker 1>you my cards, did I know? I've sent them to you.

0:24:32.800 --> 0:24:34.879
<v Speaker 1>The original one for arias I had to put for Queries,

0:24:34.920 --> 0:24:39.080
<v Speaker 1>which was dear Aries, your compliment hurt my feelings were.

0:24:39.200 --> 0:24:41.040
<v Speaker 1>So if you're talking to another areas, you don't get

0:24:41.119 --> 0:24:43.679
<v Speaker 1>hurt feelings because you know exactly what you're saying, but

0:24:43.720 --> 0:24:46.200
<v Speaker 1>I'm sure, Yeah, we've heard a lot of people's feelings

0:24:46.240 --> 0:24:48.440
<v Speaker 1>done intentionally. Let's get to the point. Yeah, what's the point?

0:24:48.480 --> 0:24:50.119
<v Speaker 1>Fast forward? Blah blah blah, what are you trying to

0:24:50.119 --> 0:24:52.720
<v Speaker 1>say saying? I'll say to exactly I will say to

0:24:52.800 --> 0:24:55.520
<v Speaker 1>my sister, and I'll see to numerous people in my

0:24:55.640 --> 0:24:58.480
<v Speaker 1>family has this and today's Saint Patrick's say they've got

0:24:58.480 --> 0:25:01.719
<v Speaker 1>this Irish disease. Where I'll talk to him and I'll go, oh,

0:25:02.160 --> 0:25:04.359
<v Speaker 1>I heard that Jerry's daughter was in a car accident.

0:25:04.400 --> 0:25:05.919
<v Speaker 1>They'll go, well, you know Jerry. Now I remember that

0:25:05.920 --> 0:25:08.640
<v Speaker 1>time with Jerry, and we got to loop around oh yeah,

0:25:08.720 --> 0:25:11.640
<v Speaker 1>like six spins around the track before we finally get

0:25:11.680 --> 0:25:13.040
<v Speaker 1>to the point. And I will just talk to my

0:25:13.040 --> 0:25:15.679
<v Speaker 1>family and go, wait, wait, wait, wait, what happened to

0:25:15.760 --> 0:25:19.320
<v Speaker 1>Jerry's daughter. That's how this began. And then and they

0:25:19.359 --> 0:25:21.119
<v Speaker 1>never get to the point. I have a really funny

0:25:21.119 --> 0:25:23.439
<v Speaker 1>memory with you two before we were friends. So it

0:25:23.480 --> 0:25:27.560
<v Speaker 1>was nineteen ninety six and I was sitting happily in

0:25:27.680 --> 0:25:30.560
<v Speaker 1>first class in my first class seat, I fell asleep

0:25:30.600 --> 0:25:32.800
<v Speaker 1>and I thought we had arrived in LA And They're

0:25:32.840 --> 0:25:34.840
<v Speaker 1>like We're sorry for the Serira delay, but this plane

0:25:34.880 --> 0:25:37.600
<v Speaker 1>is broken. You know, we'll get you on another plane soon.

0:25:38.280 --> 0:25:40.359
<v Speaker 1>And we ended up getting I had to take a

0:25:40.400 --> 0:25:43.639
<v Speaker 1>flight that I had to fly coach. That day. I

0:25:43.640 --> 0:25:45.200
<v Speaker 1>had gone to look at an apartment with my sister

0:25:45.200 --> 0:25:47.080
<v Speaker 1>in New York and the girl who answered the door said,

0:25:47.119 --> 0:25:49.880
<v Speaker 1>you know you're intelligent. That's weird. This is Ted Danson's

0:25:49.920 --> 0:25:52.320
<v Speaker 1>old apartment. I go, that's weird, and she goes and

0:25:52.440 --> 0:25:55.840
<v Speaker 1>I was the original Maryland on the Munsters. No, yeah,

0:25:55.880 --> 0:25:59.679
<v Speaker 1>this woman blonde, she was married, Yeah, she was, so

0:25:59.760 --> 0:26:01.520
<v Speaker 1>that that happened. And then I go to the airport

0:26:01.800 --> 0:26:05.080
<v Speaker 1>and I'm sitting next to Georgia Engel from marriage other Moore. Yes,

0:26:05.320 --> 0:26:07.359
<v Speaker 1>and I'm sitting next to her, and that was like

0:26:07.400 --> 0:26:10.720
<v Speaker 1>another throwback, right, And then I finally get on the

0:26:10.760 --> 0:26:13.680
<v Speaker 1>plane and I walk by and in my seat from

0:26:13.720 --> 0:26:16.639
<v Speaker 1>the previous flight is now a very heavily bearded Alec

0:26:16.760 --> 0:26:19.840
<v Speaker 1>Baldwin in my exact seat, who I did not know.

0:26:19.920 --> 0:26:21.679
<v Speaker 1>And I was like, oh, so annoying that you're in

0:26:21.720 --> 0:26:23.359
<v Speaker 1>my seat. And I'm not not that it was you,

0:26:23.440 --> 0:26:25.440
<v Speaker 1>just that I was I was like in thirty seven. Eh.

0:26:26.160 --> 0:26:29.919
<v Speaker 1>And then when we Land. Aaron Murphy comes up to

0:26:29.960 --> 0:26:32.160
<v Speaker 1>me and says, Hi, We're kind of related. And I said,

0:26:32.160 --> 0:26:34.959
<v Speaker 1>how so? And she said, I was Tabitha on Bewitch.

0:26:35.080 --> 0:26:37.120
<v Speaker 1>This is all in the same day. And then she said,

0:26:37.119 --> 0:26:38.840
<v Speaker 1>and this is my friend. He was Ernie on My

0:26:38.880 --> 0:26:41.240
<v Speaker 1>Three Sons. I'm like, when did this plane leave? This

0:26:41.400 --> 0:26:45.119
<v Speaker 1>is like the longest delay. Right behind her was Greg

0:26:45.160 --> 0:26:48.480
<v Speaker 1>Evigan from BJ and the Bear. I mean that was

0:26:48.520 --> 0:26:51.520
<v Speaker 1>the celebrity that was the TV celebrity flight. Yeah. I

0:26:51.560 --> 0:26:55.359
<v Speaker 1>just watched a movie with Greg Evigan's daughter in it. No, Yeah,

0:26:55.400 --> 0:26:58.399
<v Speaker 1>she's beautiful. She looks exactly Greg Egan. Yeah, very handsome

0:26:58.480 --> 0:27:01.800
<v Speaker 1>leading man Gregory Harrison, who had a great career in TV.

0:27:01.880 --> 0:27:03.560
<v Speaker 1>He was the one that said the thing that really

0:27:03.640 --> 0:27:07.600
<v Speaker 1>kind of changed my acting career in a way. He said,

0:27:07.720 --> 0:27:10.280
<v Speaker 1>I walked into the audition and I stopped pretending like

0:27:10.280 --> 0:27:13.639
<v Speaker 1>I was doing them a favor. He said, you called

0:27:13.680 --> 0:27:16.840
<v Speaker 1>me here. I'm here for a reason. I'm like, oh God,

0:27:17.280 --> 0:27:20.120
<v Speaker 1>thank you so much, and like being so needy. He said,

0:27:20.440 --> 0:27:24.359
<v Speaker 1>you want something I have. Now I want something you have,

0:27:24.440 --> 0:27:26.360
<v Speaker 1>which is the power to cast people in a show.

0:27:26.400 --> 0:27:28.919
<v Speaker 1>But I got something you you want as well. And

0:27:28.960 --> 0:27:31.040
<v Speaker 1>once I stopped asking, like they were doing me a

0:27:31.040 --> 0:27:34.399
<v Speaker 1>favor and were that I had something of value as well.

0:27:34.560 --> 0:27:36.880
<v Speaker 1>And I walked into and I was like a grown man, going,

0:27:36.960 --> 0:27:38.720
<v Speaker 1>what what do you want me to play? What? What

0:27:38.760 --> 0:27:40.840
<v Speaker 1>do you want me to do? Right? And and that

0:27:40.840 --> 0:27:43.399
<v Speaker 1>that imbued him with a kind of a confidence. I

0:27:43.440 --> 0:27:46.840
<v Speaker 1>always tell these young comics, I'm like, just remember that

0:27:46.920 --> 0:27:50.280
<v Speaker 1>manager and that agent work for you, right. You don't

0:27:50.320 --> 0:27:53.920
<v Speaker 1>have to please them. You're not like afraid of the

0:27:53.920 --> 0:27:58.000
<v Speaker 1>they are making money off your talent. Your talent, you're

0:27:58.080 --> 0:28:00.399
<v Speaker 1>very kindly said that I had a command on stage.

0:28:00.840 --> 0:28:04.840
<v Speaker 1>And I read a review that Malcolm Gladwell had written

0:28:04.880 --> 0:28:07.240
<v Speaker 1>about a book, and he said she wrote in a

0:28:07.320 --> 0:28:10.600
<v Speaker 1>manner in which she was saying, don't you dare take

0:28:10.640 --> 0:28:13.960
<v Speaker 1>your eyes off this page? And I remember reading that

0:28:14.040 --> 0:28:16.439
<v Speaker 1>and it gave me, you know, like, even though I've

0:28:16.480 --> 0:28:18.600
<v Speaker 1>done this for so long, you're always learning something new.

0:28:18.640 --> 0:28:20.480
<v Speaker 1>And I have this thing in my head now where

0:28:20.480 --> 0:28:23.240
<v Speaker 1>I'm like, don't you dare take your eyes off me?

0:28:23.680 --> 0:28:26.040
<v Speaker 1>Don't you dare? I have something to share with you,

0:28:26.320 --> 0:28:28.959
<v Speaker 1>and it's really important that I get this message across.

0:28:29.320 --> 0:28:32.040
<v Speaker 1>And I too think that now when I'm on stage

0:28:34.560 --> 0:28:39.440
<v Speaker 1>comedian and actor Caroline Ray. If you're enjoying this conversation,

0:28:39.560 --> 0:28:42.240
<v Speaker 1>tell a friend and be sure to follow Here's the

0:28:42.320 --> 0:28:46.640
<v Speaker 1>Thing on the iHeartRadio app, Spotify, or wherever you get

0:28:46.680 --> 0:28:50.720
<v Speaker 1>your podcasts. When we come back, Caroline shares the one

0:28:50.760 --> 0:29:08.080
<v Speaker 1>time she completely bombed on stage. I'm Alec Baldwin and

0:29:08.200 --> 0:29:12.200
<v Speaker 1>you're listening to Here's the Thing. After three decades in

0:29:12.320 --> 0:29:16.080
<v Speaker 1>movies and television, Caroline Ray is a back performing stand

0:29:16.120 --> 0:29:19.440
<v Speaker 1>up in front of live audiences across the country. I

0:29:19.520 --> 0:29:23.360
<v Speaker 1>wanted to know why the comedy club stage remains such

0:29:23.400 --> 0:29:26.880
<v Speaker 1>a magnetic draw for her. I think one of the

0:29:26.920 --> 0:29:30.720
<v Speaker 1>things that to me still so exciting about comedy is like,

0:29:30.760 --> 0:29:32.760
<v Speaker 1>I remember when I first moved to New York, I thought,

0:29:33.600 --> 0:29:35.800
<v Speaker 1>I don't know where my gift is from. I don't

0:29:35.840 --> 0:29:38.000
<v Speaker 1>know what this is. It's not tangible. It's not like

0:29:38.040 --> 0:29:42.719
<v Speaker 1>I memorized actuarial tables and I can go be an accountant.

0:29:42.760 --> 0:29:45.600
<v Speaker 1>I don't know where this is. It's something that comes

0:29:45.600 --> 0:29:47.760
<v Speaker 1>from a place that I don't you know, I can't

0:29:47.840 --> 0:29:50.360
<v Speaker 1>see it. And then the longer I've done it, the

0:29:50.440 --> 0:29:53.040
<v Speaker 1>more is like you are going to trust that your

0:29:53.080 --> 0:29:55.600
<v Speaker 1>gift is there and you're sort of channeling it like

0:29:55.640 --> 0:29:57.920
<v Speaker 1>wherever it's coming from. I think it's funny that your

0:29:57.920 --> 0:30:00.000
<v Speaker 1>mother was an obstetrician, your father was a guy in college.

0:30:00.160 --> 0:30:02.640
<v Speaker 1>That's funny is the magazines that came to your house,

0:30:02.640 --> 0:30:05.040
<v Speaker 1>of professional periodicals that came to your house were probably

0:30:05.160 --> 0:30:08.360
<v Speaker 1>just unsettling. My father had I had a pen in

0:30:08.400 --> 0:30:11.760
<v Speaker 1>the second grade that was for the pill, and it

0:30:11.840 --> 0:30:13.520
<v Speaker 1>was like a little pill that went up and down.

0:30:14.160 --> 0:30:16.200
<v Speaker 1>I had no we had all those things. We had

0:30:16.240 --> 0:30:20.240
<v Speaker 1>like Gina lotraman, notepads, no idea what they were. The

0:30:20.400 --> 0:30:22.720
<v Speaker 1>most hilarious is that when because my dad was also

0:30:22.800 --> 0:30:27.360
<v Speaker 1>medical director at Planned Parenthood, and my slutty friends in

0:30:27.400 --> 0:30:29.880
<v Speaker 1>college would call up and say, can you ask your

0:30:29.880 --> 0:30:32.080
<v Speaker 1>father if you can get herpies from giving a blowjob?

0:30:32.080 --> 0:30:34.160
<v Speaker 1>But don't don't say it's for me. Says for you,

0:30:34.240 --> 0:30:36.760
<v Speaker 1>and I'm like, I dance for me. I mean the

0:30:36.840 --> 0:30:38.840
<v Speaker 1>seventh time I asked, my father's like, good God, what

0:30:38.880 --> 0:30:42.160
<v Speaker 1>are you doing at that school? Exactly? Now? When did

0:30:42.160 --> 0:30:45.760
<v Speaker 1>you first sense that things had changed and this cancel

0:30:45.840 --> 0:30:48.560
<v Speaker 1>culture thing was coming and people started to change their

0:30:49.240 --> 0:30:51.800
<v Speaker 1>acts and the contents of their Did you become aware

0:30:51.800 --> 0:30:54.640
<v Speaker 1>of that at a certain point. I think when Louie

0:30:55.120 --> 0:30:58.520
<v Speaker 1>sort of got canceled overnight, right, and it was very

0:30:58.520 --> 0:31:01.360
<v Speaker 1>conflicting because he's such an old friend of mine, right,

0:31:02.600 --> 0:31:07.840
<v Speaker 1>and about getting into details. When you see someone being canceled, yeah, well,

0:31:07.120 --> 0:31:09.800
<v Speaker 1>but but why they're canceled. I mean, there's people who

0:31:09.880 --> 0:31:12.600
<v Speaker 1>get canceled and I don't get it. Yeah, Now, Louis,

0:31:13.080 --> 0:31:16.640
<v Speaker 1>when you understand what happened, you ask yourself, well, does

0:31:16.680 --> 0:31:18.480
<v Speaker 1>he deserve it to be canceled? I mean, when you

0:31:18.560 --> 0:31:20.720
<v Speaker 1>do that, well, it was very wrong what he did.

0:31:20.840 --> 0:31:24.160
<v Speaker 1>I don't know. People make mistakes all the time. I

0:31:24.200 --> 0:31:26.760
<v Speaker 1>don't think their lives should be judged one one event

0:31:26.840 --> 0:31:30.000
<v Speaker 1>that they've made a terrible choice in. I don't. I mean,

0:31:30.400 --> 0:31:32.000
<v Speaker 1>but when that happened, that's when you saw it like

0:31:32.040 --> 0:31:34.000
<v Speaker 1>a turning point. Yeah, and then I thought, and then

0:31:34.040 --> 0:31:36.520
<v Speaker 1>I was very conscious of you know, you do have

0:31:36.560 --> 0:31:39.200
<v Speaker 1>to be respectful of where society is going. You have

0:31:39.280 --> 0:31:42.320
<v Speaker 1>to be able to honor what people think and say

0:31:42.840 --> 0:31:47.160
<v Speaker 1>without you know, losing your own individual take on things.

0:31:47.440 --> 0:31:49.720
<v Speaker 1>What's the worst experience you ever had on stage? I'll

0:31:49.720 --> 0:31:51.560
<v Speaker 1>tell you right now. It was when I had to

0:31:51.600 --> 0:31:54.360
<v Speaker 1>perform at a wedding. I was dressed as a bridesmaid

0:31:54.840 --> 0:31:59.000
<v Speaker 1>and they weren't expecting me at their request, and yeah,

0:31:59.040 --> 0:32:03.040
<v Speaker 1>it was the worst experience. All of the saliva left

0:32:03.080 --> 0:32:06.920
<v Speaker 1>my body and it was just me horrible. And then

0:32:06.960 --> 0:32:08.600
<v Speaker 1>when the woman paid, man, I thought she was giving

0:32:08.600 --> 0:32:11.160
<v Speaker 1>me a paper cup with the chick it was and

0:32:11.240 --> 0:32:13.400
<v Speaker 1>it was like the first five hundred dollars I'd ever made.

0:32:13.440 --> 0:32:16.240
<v Speaker 1>And I was just, Oh, nobody's bombing at a wedding

0:32:16.720 --> 0:32:19.240
<v Speaker 1>where they're not expecting you, and they just oh, oh,

0:32:19.320 --> 0:32:22.080
<v Speaker 1>I still I'm having a flashback. Horrible, horrible, horrible. What

0:32:22.200 --> 0:32:24.680
<v Speaker 1>are among your favorite cities to perform? And what's a

0:32:24.720 --> 0:32:27.360
<v Speaker 1>city where you just almost invert? And I'm on my

0:32:27.360 --> 0:32:29.200
<v Speaker 1>way there because I'm gonna film a special there in May.

0:32:29.640 --> 0:32:32.040
<v Speaker 1>What's a special? I can't say, I can't say. What

0:32:32.120 --> 0:32:34.160
<v Speaker 1>do you think of this as a title. I'm trying

0:32:34.160 --> 0:32:36.440
<v Speaker 1>not to hate man. I think that's just gonna make

0:32:36.480 --> 0:32:38.600
<v Speaker 1>every man hate you even more. I just I seriously

0:32:38.600 --> 0:32:41.360
<v Speaker 1>don't understand, man, and I'd like to They won't hate you,

0:32:41.640 --> 0:32:44.120
<v Speaker 1>but they're gonna go clicks. We used to say, turn

0:32:44.200 --> 0:32:46.920
<v Speaker 1>the dial. I think men listen to these comics and

0:32:46.920 --> 0:32:48.760
<v Speaker 1>they'd be like, you know, what would the world be

0:32:48.800 --> 0:32:51.040
<v Speaker 1>like if there were no men? We don't need man. No,

0:32:51.280 --> 0:32:55.200
<v Speaker 1>I'm not talking about that. You've always been hypersensitive about

0:32:55.360 --> 0:32:58.240
<v Speaker 1>being a man. I've noticed that you are. You're always like,

0:32:58.360 --> 0:33:00.560
<v Speaker 1>so hard, I'm not going to take all I remember.

0:33:00.600 --> 0:33:02.760
<v Speaker 1>You're like, I'm not going to have somebody else's bad

0:33:02.800 --> 0:33:06.160
<v Speaker 1>experience projected onto me, and like, oh, yes you are,

0:33:06.280 --> 0:33:09.920
<v Speaker 1>because you're a very handsome movie star. Well, I think

0:33:09.920 --> 0:33:13.560
<v Speaker 1>that's the you know, for men, they're always like, why

0:33:13.600 --> 0:33:17.920
<v Speaker 1>do you understand women? Do I understand women? Yeah? I

0:33:18.000 --> 0:33:21.840
<v Speaker 1>think I do in terms of you're very loving and

0:33:21.920 --> 0:33:24.120
<v Speaker 1>kind with your wife. Well, if I'm not as hell

0:33:24.200 --> 0:33:25.720
<v Speaker 1>to pay, my kids will look at me and go,

0:33:26.240 --> 0:33:28.680
<v Speaker 1>don't you talk to mommy that way? I love that.

0:33:28.760 --> 0:33:31.480
<v Speaker 1>I'm like, when did my kids become my wife's legal team?

0:33:31.560 --> 0:33:35.560
<v Speaker 1>I'm like her lawyer. God, that's mom. But what is

0:33:35.560 --> 0:33:38.160
<v Speaker 1>the difference you think between the relationship between mother and father?

0:33:38.400 --> 0:33:40.760
<v Speaker 1>Just innately, like from birth on? How do you think

0:33:40.760 --> 0:33:43.240
<v Speaker 1>it differ from what I consider a great line my

0:33:43.320 --> 0:33:45.640
<v Speaker 1>dad gave me. He goes parent He says, parented it

0:33:45.680 --> 0:33:48.720
<v Speaker 1>as a competition between two people where the father always wins.

0:33:48.760 --> 0:33:52.080
<v Speaker 1>The bronze medal. Oh my god, Yeah, the mother was

0:33:52.120 --> 0:33:54.840
<v Speaker 1>the gold and the silver. You come in third in

0:33:54.840 --> 0:33:56.920
<v Speaker 1>a competition between two people, you're a third. But when

0:33:57.000 --> 0:33:58.680
<v Speaker 1>then in Canada, when we grew up in the Olympics,

0:33:58.680 --> 0:34:01.520
<v Speaker 1>we thought brons was the highest you could right, But

0:34:01.720 --> 0:34:03.160
<v Speaker 1>let me just stop with this. I want to say

0:34:03.320 --> 0:34:05.880
<v Speaker 1>I love you whenever I hear from you, whenever I

0:34:05.960 --> 0:34:09.360
<v Speaker 1>talk to that energy of yours that's made everybody love you.

0:34:09.360 --> 0:34:12.440
<v Speaker 1>Everybody loves you, everybody loves you. What's your wrap up?

0:34:13.120 --> 0:34:15.400
<v Speaker 1>That I love you and that you're a great man,

0:34:15.480 --> 0:34:17.279
<v Speaker 1>and that everything's going to be okay, and you're a

0:34:17.280 --> 0:34:19.600
<v Speaker 1>great dad and you make the world a better place.

0:34:23.520 --> 0:34:27.799
<v Speaker 1>My thanks to my dear friend Caroline Ray. This episode

0:34:27.920 --> 0:34:31.439
<v Speaker 1>was recorded at CDM Studios in New York City. We're

0:34:31.480 --> 0:34:35.600
<v Speaker 1>produced by Kathleen Russo, Zach McNeice, and Maureen hoban Ow.

0:34:35.640 --> 0:34:39.600
<v Speaker 1>Our engineer is Frank Imperial. Our social media manager is

0:34:39.680 --> 0:34:43.120
<v Speaker 1>Danielle Gingwich. I'm Alec Baldwin. Here's the thing is brought

0:34:43.120 --> 0:35:03.759
<v Speaker 1>to you by iHeart Radio.